#and then *the* moment happens at some point in the character's arc that opens the floodgates in my brain and I can deny it no longer...

[valenshawke]

In Defense of Caitlyn Kiramman

No, this is not a defense of any of her actions or decisions she made after she donned the beret. This is a defense of the writing of her character and what (I believe) the writers are trying to do. With only one act down, there’s many ways the writers can take this. They could very well fumble it. However, I will give the writers the benefit of the doubt. With that out of the way…

The descent into darkness and the corruption arcs are classic storytelling. Where the protagonist, hit with so many traumas and setbacks, gives into her darker feelings, sometimes aided by a more devious figure in the background.

Given all the traumas that Caitlyn has experienced as explained by @bramblebeau, something was going to happen. Without Ambessa Medarda being that devious figure, would Caitlyn have gone full authoritarian at the end of episode 3? Maybe. I still think she would have, but perhaps not as far. But to argue that this is bad storytelling because Caitlyn did not keep her idealism and morality is… horrible missing the point. 

What are the points? When faced with trauma and the desire to retaliate and seek revenge, it is very easy to manipulate those who want those two things. And, in the world we actually live in, we have seen this time and again. Need I bring up the US War on Terror? Whether directly or indirectly, the cultural impact of the 9/11 Attacks, second Iraq War, and the US War on Terror has been and will continue to do so (and if you want a less subtle commentary on that, check out Naoki Urasawa’s Pluto also on Netflix). 

Ambessa Medarda not only manipulating Caitlyn, but the Piltover Elite, was masterful because it showed how easy it is when you can control the flow of information, control the rhetoric, and eventually dehumanize your “enemy” as something less than human. It’ll be fascinating to hear how Caitlyn’s speech changes and what type of language she uses when talking about Zaun.

At this point, we don’t know exactly what the writers are going to do. But it does raise some intriguing and exciting questions from a storytelling perspective. Caitlyn, right now, is at the edge of (the heart) of darkness. Is her blood-lust for revenge going to cause her to fall in? Will someone be able to talk sense into her? Can anyone in Piltover talk any sense into her? How, if at all, can Vi be the one to help/save her? Or will they save each other? How can Vi be that tiny light in the darkness when she has her own trauma to deal with? (There’s another point to examine how both dealt with the trauma by the end of Act 1. Vi went inward and, based on the trailers, went full self-destructive mode. Caitllyn went outward and became the public face of a fascist regime). 

Caitlyn already started taking steps to that darkness after she got the Kiramman key and decided that GASSING ZAUN (and all the implications THAT brings)  was the best option for her strike team to open its mission to capture Jinx, dismantle shimmer, neutralize any agents loyal to Silco. Whatever justification given, especially by Vi, is naive at best and delusional at worst. Vi might have gone along simply because she feels some blame and wants to support Caitlyn. But what Caitlyn did was unjustifiable. The moment you simply accept “collateral damage” as simply being a Tuesday, your moral dipstick is bone dry (credits to Fox Mulder for that one). But that isn’t bad storytelling. I’m supposed to feel that way.

Caitlyn’s descent, as it stands, allows the writer to either give her something of a redemption arc where she realizes the horrors of what she has done and what has to be done to fix it. 

This is classic storytelling 101.

And I am fucking here for it.

Thanks to @caitlyn-kirammans for listening to me ramble this out first.

[paper--moons]

Me engaging with any media: Remember, we don't have to assign agere dynamics to any of the characters this time! Regression doesn't apply to every character in existence, because that would be silly, wouldn't it? Yes, I can be so normal about this new thing and not act like the silly creature that I am.

Me 0.3 seconds after being introduced to the characters: And I will be taking care of you my precious little darling, forever and always,,,

[poughkeepsies]

The latest article mentions Eddie’s fateful run in with Marisol in the previous ep and that it’ll be covered in the finale. So looks like he is in fact going to end the season dating her 😪

wbk?????

[ambrosiagourmet]

I love Izutsumi. She's got a great design, she's a fun addition to the main party, she adds some new tension, and she's honestly one of the reasons I read dungeon meshi in the first place. I mean, "the most cat to ever girl" is an extremely appealing hook to anyone who loves cats and girls (me, I love cats and girls).

However, while I have always liked Izutsumi, I finished the story kind of feeling like I didn't really get her. I felt like I had a decent grasp on her character an character arc (she's a traumatized teen given space to feel safe and open up, and because of that she realizes that she can't grow without letting go of the coping mechanisms she once needed). But I didn't feel like I really understood her role in the story as a whole.

She follows the group of her own accord, after a coincidental meeting and a misunderstanding of what they can do for her. She's never super invested in saving Falin, at least not compared to the rest of the group. Though they do help her escape Maizuru's shackles, and are clearly good for her in general, she doesn't really have a healing Moment with the group the way that Senshi does with the hippogriff soup.

And yet, she gets an entire chapter, the third-to-last chapter, dedicated to exploring her growth and future. She's the one who frames much of the falling action, who lets us check in with everyone. She's the one who helps talk Laios into accepting his role as king. She may join the story part way through, but she is there for most of it. So Izutsumi! What's your deal!?

Well, I think I've come up with an answer, at least for myself, that I really like. Two of them, even! Though they both really work together to form the overall point - Izutsumi is the character that most helps the story face towards the future. Here's why I think that.

So the first of these "ah-ha" moments was when I realized that Izutsumi really is the best supporting evidence for Laios' point about the good things that wouldn't have happened if Falin hadn't died.

If Falin hadn't been eaten by the dragon, Izutsumi probably would still be a slave. It was because of Shuro and Laios' parties both being in the dungeon to rescue Falin, as well as Marcille's use of ancient magic in the resurrection, that she got the chance to escape. None of that would have been the case if Falin hadn't died. Shuro wouldn't have separated from the group and joined up with his retainers, Marcille wouldn't have revealed her knowledge of ancient magic, and Izutsumi never would have even met any of them. They are only part of her life because of Falin's death.

Though this isn't explicitly pointed out by Laios or Izutsumi in the scene, I do think you can very much feel the presence of it. For one, when Marcille reflects on the journey and how much it made her realize she didn't want to lose everyone, her relationship with Izutsumi is prominent:

It's the main original group at the top and center, but when you read it right to left, it’s Izutsumi and Marcille who might catch your eye first. And it's specifically Marcille and Izutsumi's relationship on display here, not just Izutsumi's presence in the group in general.

Also, after Laios' statement about how none of their adventure would have happened without Falin dying, it is Izutsumi who gets the final word:

Izutsumi is also the one here who is the most forward-facing. Chilchuck is trying to correct Laios, Senshi is focused on the immediate future, and Izutsumi is talking about her new goal.

And I want to talk about that goal in general as well, because it’s also interesting how it comes up. In that moment, everyone is trying to remind Marcille of her less destructive desires - to eat food, to share it with them, and to meet Chilchuck's family. All of which are previously established, existing desires. When prompted by Chilchuck to join in, however, Izutsumi offers something new:

That's interesting, isn't it? It's kind of funny, of course, to see her rambling on about a completely new thing, her own personal motive, in the middle of everyone working together to reach out to Marcille. Izutsumi doesn't even know who Yaad is! But at the same time, it’s kind of meaningful. Amidst the focus on desires that everyone already had, she adds a completely new one to the mix. It’s even the final bridge that lets Laios reach Marcille.

It is, in fact, even an idea that comes back later to help out another lord of the dungeon. The idea of finding new goals and feeling new desires... this is exactly how Kabru reaches out to Mithrun, after the Winged Lion is gone

So yeah, Izutsumi's presence here, both in what she's actively choosing to say as well as what she represents of the consequences of Falin's death, supports the story's ideas of moving forward. Of accepting the past, and finding new reasons to live.

Which is all really good, and that alone works pretty well as an answer to what Izutsumi's role in the story is.

But oh, oh. There's more. Something I realized after having thought of all this, because I still couldn't let go of the feeling that there was still something I was missing.

And as I reviewed the things I loved about Izutsumi - her sometimes unhealthy ways of coping with trauma, her struggles with isolation, her skill with fighting, her selfishness contrasted with the ways she grows to care for and protect the group, her perpetually guarded nature, born from the seeming impossibility of ever fitting in or finding a safe place to just be herself - I realized something.

Izutsumi...

is a foil to Falin.

Where Falin copes with isolation and trauma by being eternally caring and struggling to say no to people, Izutsumi copes by constantly saying no to everything she can. Falin is often considered selfless, but does have selfish desires that she can’t easily express until a moment of crisis. Izutsumi is delightfully selfish, but chooses to stick by her friends when they need her. They are both transformed, against their will, into partly monstrous hybrids, and they both will have to live with that - there is no undoing what has been done to them.

Falin anchors the group in the past. Izutsumi pulls them towards the future. Neither would find freedom without the other - it is Falin's death that leads to Izutsumi joining the party, and likewise, it is Izutsumi who inspires the realization of how they can save Falin.

And Falin is her future, as much as Izutsumi is Falin's. Both learn to be a little more like each other, even though they never meet. Falin gets a little more selfish. Izutsumi gets a little more willing to bend.

In this context, I feel like I have finally started to understand just how important Izutsumi is to the story. She is a proof that they cannot just go back, and she is a clawed, happy-to-scratch-anyone-who-pisses-her-off reminder, at that. In any conversation about what the group wishes would have happened with Falin, she cannot be ignored or brushed aside.

She is a reminder that, even in the midst of a tragedy so big it feels like a shadow you will never escape, you have yet to met all the people you will love. Hell, some of those people might even be catgirls. We should all be so lucky.

[johanna-swann]

I actually have sooo many issues with 911 lately that haven't even got much to do with any ships.

Like. They wrote out almost all of the side characters. Chris is gone, Linda and Sue are gone, Athena's kids are gone (even though Harry just moved in with her and Bobby again? Seriously, where is Harry?), Ravi is gone, Carla is gone. I know the GA maybe don't care that much, casual viewers might not even have noticed that this many characters have just vanished from the show, but in my opinion this is one of the things that give a show running as long as 911 life. Having a big cast is a good thing. Otherwise things are going to get very monotonous very soon.

Actually, that's my second point. They keep repeating storylines! Every season Hen and Karen have to fight a custody battle over one of their kids.

Every season Eddie ends up realising he has a lot of repressed trauma and issues which keep him from leading a healthy happy and free life.

Every season Bathena realise that they have communication issues and they fight about it, but then something traumatic happens and they forgive each other without ever really talking things out.

Every season we are reminded that Maddie's most prominent character trait is "traumatised", the writers just alternatingly bring up Doug again and sometimes the ppd arc.

Every season we see Buck being somewhat restless, looking and searching for something that will bring him true happiness and cycling through love interests that never stick around and each time when you think "oh, there it is, he's getting somewhere now" the writers go "BEEEP! WRONG!" and we start all over again. [This is not just about recent events aka Tommy, the break-up and Buck potentially going back to his 1.0 ways, this also happened in season 6 when he had his "it doesn't matter what other people see in me, I'm enough" revelation only to suddenly be like "omg, Natalia just sees me".]

And Chimney- he had his moment last season with the wedding episode, Kenneth Choi really ate that episode up, but his most prominent character trait is "Maddie's supportive husband". There's really not that much going on with him otherwise.

Another point I briefly touched upon above is consistency. Like Harry moving back in with Athena and Bobby and then just vanishing. Or Gerrard being more like a slightly unfriendly grandpa than an actual antagonist in season 8 when he was still spouting slurs in season 7.

And the timeline! We talked about this before ("last March", Mara's fostering to adoption timeline, Tommy tranferring to harbour "5 years ago"), but the newest "Tommy was actually Abby's Tommy" twist just adds to that. Tommy was with Abby for over 2 years. They were engaged. This was at a time when he was still at the 118. Tommy dated Abby presumably because he was in denial or maybe because he was hiding. In either case, wouldn't his team at least have heard about his fiancée, Abby the dispatcher? Wouldn't that have rung a bell when Buck eventually brought her around only a year or two later? Tommy did talk about his private life at least a little at work, even under Gerrard. It just doesn't make sense. (Not to mention this seems wildly out of character for Tommy who around the same time also said about himself "being single is easier".)

Then there's the pacing. This was a huge issue in season 7. They jumped from one personal soap opera drama to the next without taking any breathers, had almost no procedural in their drama the whole season, still somehow decided to spend one third of the entire season just on the opening disaster and also squeezed in a "Bobby begins for the third time now" episode. But okay, it was a shortened season, there were strikes, they switched networks, they were under a lot of pressure - I'll cut them some slack. At least they set up a bunch of interesting stuff for the following season.

But we're in season 8 now. The renewal was announced very early, they had a lot of time to plan this time. Also they have almost double the episodes they had last season, there's really no need to rush any of the major plots. I am done cutting them slack.

They wanna do a 3 part opening disaster again? Okay fine, you have the time now. I feel like they could've easily done it in 2 episodes (especially 8x02 felt a little "eh"), but okay. Better than the breakneck speed you were going at befo- Oh, what's that? 8x04 flying in with a steel chair. You resolved 70% percent of the plots you set up last season in one single episode with no build up, no emotional pay off and no lasting consequences? And you also squeezed in multiple unrelated calls at the same time? Damn, okay then. Good-bye potentially interesting storylines. Fuck me for being invested I guess. I thought there would at least maybe be some follow up in 8x05, but no.

Now that Halloween episode wasn't bad, it was actually the best episode of this season imo, but instead of following up on previously established conflicts and developments they just hit us with new Wilson family trauma and conflict that was also immediately fixed again. And now 8x06 has speedrun and dumped another storyline that had potential to go to deeper and interesting places. Not gonna talk too much about that though because this post is about the show as a whole, not ships.

And I am not yet convinced that there will be much more to come on the only thing that's left from last season: Eddie's deep dive into his trauma and repression. It's totally possible at this point that being told "you deserve nice things" by a random stranger actually solved all of his problems, it would be very in tone with 911's new style.

What are they even gonna do with the rest of this season? Revisiting the Hotshots set sounds fun, but ultimately inconsequential. You know what's great about a regular old procedural drama with ~20 episodes per season that comes on weekly? You have time. You can let the viewers sit with their emotions and thoughts for a week and keep them engaged by stretching things out a little.

But why should I bother getting emotionally invested in problems the characters are gonna solve within the same episode anyway? Or rather, even if I wanted to, how am I supposed to care if you don't give me the time to develop any feelings about anything that's happening? "Henren lost in court and are now completely forbidden from seeing Mara at all!" Damn, that must be so har- "JUST KIDDING! Ortiz is exposed and everything is perfect again now." Oh. Okay then, I guess.

Bottom line: The characters are all stuck in their own hamster wheels, they keep cutting side characters that could bring a breeze of fresh air (I'm honestly surprised they even kept Josh until now), they rush through all the storylines a such a ridiculous speed that I don't even have time to feel any sort of way about it, they don't even try to keep a consistency or sensible timeline going and they seem to strongly prioritise random funny bits that'll entertain the very casual viewers right now in this moment (tiger call, Billy Boils, Bee-nado, the 'Stache tm, "wait, it's the same Abby?", Gerrard being a fangirl at heart) instead of playing the long game and catering to people who actually pay a little attention to the show.

[On that last remark: I'm not talking about hardcore fans who analyse every single frame here, I mean casual fans who've watched the show on and off again for a while and who may not be involved in fandom but genuinely care about the show.]

I mean. What am I even still doing here? The show is treading water and I end up disappointed more often than not. I'm still holding out a little hope that they actually will do something interesting with Eddie and his sea-monkeys, but I wouldn't be surprised if they didn't.

[omartinyosef]

ST5 POTENTIAL SPOILERS!!!

GUYS I FOUND THIS ON REDDIT AND ACTUALLY IT'S QUITE INTERESTING

ST5 Leaks/Fleaks

Gen Plot

Season picks up briefly where we left off in 1986 before jumping into either late 1987 or early 1988. The season is contained entirely in apocalyptic Hawkins. Things with the government are shaky. Owens doesn't appear in the beginning of the season and it's unclear if he's returning, but Ellen Stinson is the new Owens. Hawkins is like a combination of the UD and Kamchatka.

Labyrinths/Mazes being important to both the supernatural plot and the interpersonal relationships. They're inherently linked.

Two songs to be featured are 'Listen to Your Heart' and 'Alone,' both of which were apparently foreshadowed in a previous conversation between Hopper and Joyce, similar to how Hopper's "I'm the puppet, you're the master" to Joyce in S3 basically foreshadowed Eddie's 'Master of Puppets' in S4.

S1 and 2 scenes being referenced are "Nancy and Mike's conversation in the bathtub" and "Hopper + Lando Calrissian"

Lots of importance in COLOR CODING and blocking from the final shot of S4, and a good chunk is told in the costuming—like passing the torch from one character to another as their arcs overlap. For example, Hopper and Will share the "am I the curse and therefore putting my loved ones at risk by being near them?" sentiment for S5, therefore their wardrobe in the final shot of S4 is similar. Joyce/Jonathan and Nancy/Mike's costuming also similar for the same reason, whereas Eleven stands out because she's the first one coming into her own this season. The white for her represents shedding of false skins.

Character duos this season will be primarily dressed in colors of blue/green and yellow/red.

There's lots of symbolism and foreshadowing for every character in S5 from the moment Will touches his neck in the last sequence of S4.

S4 focused on themes of lies and miscommunication, and everyone is going to have to work through these lies before they can defeat Vecna.

Murray and Argyle are both back. Dimitri and Yuri don't seem to be in the beginning of the season.

One thing left unresolved with the Russian plot. Something important will happen involving the machine and the green liquid from the Starcourt bunker. Reference of Dustin vowing to die with Steve when they initially discovered it.

Hopper, Joyce, Mike, Will, and El had to be away from Hawkins, otherwise Vecna wouldn't have won.

An important death that they're nervous about given the reception to Eddie (not Joyce or Jonathan—see details below).

Eleven

We'll see her unlike we've seen her before. A badass who doesn't take shit from anyone. Not a Monster, not a Hero, Jane. Think: adult El could be headed for a Charles Xavier type role.

Erica, Lucas, and El will share scenes together.

El has significant blocking and development with many characters this season.

Max, Eleven & Max

The "kaleidoscope of colors" from a script the writers posted makes a feature in both the scene where young El remembers her mother's love in order to defeat Henry in the lab, as well as the scene where El revives Max. This is significant because it's the first time we see El using her powers on someone in a non-violent way.

El was able to revive Max because of she, herself, being revived in the bunker by Brenner and Co. It's a show, don't tell moment from the writers.

Max getting Vecna'd was foreshadowed in the beginning of 2x01.

Will, Henry/Vecna, The UD

Filming was supposed to commence mid-June, but Noah and Jamie were set to begin in May due to more complicated costuming. Will is going to require heavy prosthetics at some point.

Will's character design is blocked in three stages. The more the UD bleeds into Hawkins, the more connected to it he feels. The gates being open will physically influence him, especially when he's not as mentally strong.

He's kind of like "the card up Vecna's sleeve."

It appears they want to confuse the audience about Will.

Will wrestling with his own morality

Henry/Will mirrors. Will will sympathize with Henry because, unlike El, he knows how and what Henry thinks, and he can feel him.

Vecna and Will are very similar, but the difference is Will is made stronger by love not hate. They will play into that duality.

Vecna was nerfed in S4 compared to how we see him in S5. He'll be much stronger.

At the beginning, he'll be taking a hiatus while he plans how to divide and conquer now that everyone's back together in Hawkins.

Soteria will be the key to saving Will. If they want Will to be untraceable to Henry, they'll have to insert it into his neck and it'll be painful. Vecna not having access to Will fucks up his ability to leave the UD.

Byler/Mileven Triangle

Apparently, it's complicated and up in the air as of now.

Mike dealing with guilt this season. He feels guilty/responsibility for El. He feels stuck in a loop that keeps him from a truth he's scared to face.

Will and Mike to spend a good chunk of the season together based on character designs and blocking.

Will telling El that Mike won't like being lied to comes back with the painting. During a pre-time jump scene in 5x01, while everyone's together plotting how to defeat Vecna and brainstorming how to save Max, Mike brings up the painting El commissioned for a D&D analogy. Will has to pull Mike aside and confess he lied about El commissioning the painting. Mike gets angry, because he doesn't know about Will's feelings and feels embarrassed that Will thought he was that pathetic he needed to be given a pep talk. Their own version of a "fight you can't come back from." Immediately after their fight, we get the time skip.

Mike's character motivations are unclear and seem to be kept under wraps. After the time jump, he and El won't be talking as much because he's keeping the details about Will's painting from her. She's gonna ask what's wrong between him and Will, and he lies/is very vague.

Joyce, Hopper, Jopper

Joyce feels immense guilt/responsible over Bob's death since she's the one that asked him to help in S2, which is why she pushed Hopper away at first.

Hopper has a secret from S1 that was never addressed, and it comes back to haunt him.

Joyce sustains an injury in S5 that is reminiscent of the way someone was injured in S3, but it isn't critical and she'll be okay.

Jopper are the most established couple after the time jump. Lots of bickering still, but Hopper trusts Joyce more than he ever has.

Jonathan, Nancy, Jancy

So far, does not seem like a breakup is happening.

Jonathan's still lying about the college letter and distant because of it, and Nancy thinks he's not as into the relationship and that there might be someone else. She confronts him, which leads to a talk. She's touched by the lengths he would go to try and protect her and any of their future children even from himself.

A moment where we're led to believe Jonathan dies but doesn't, like Hopper in S3.

Hopper-Byers Family

These five characters slowly unraveling their arcs together and have always been closely linked. Their perfect endings are together.

We see the family combining, especially in relation to El.

Joyce gets to witness Hopper being paternal and tender towards the boys.

Scenes with Joyce, Jonathan, and Will

Hopper being back lifts a weight off Jonathan's shoulders.

------------------------------------------------------------------------------

So, now time to shine.

''(...) sentiment for S5, therefore their wardrobe in the final shot of S4 is similar. Joyce/Jonathan and Nancy/Mike's costuming also similar for the same reason, (...)''

Okay. How did we see Nancy in S4? Confused. Confused with the love triangle between Jonathan, her and Steve. Jonathan is her actual boyfriend. And Steve is her posible love interest again.

So, putting this in byler language: Nancy = Mike Jonathan = Eleven Will = Steve

If Mike's and Nancy's character's clothing is important at this point of the time line and that means they feel similar feelings, this could mean that byler has a chance. BUT then we read this: ''(...) He (Mike) feels stuck in a loop that keeps him from a truth he's scared to face.'' And

''Mike's character motivations are unclear and seem to be kept under wraps.''

THIS LITERALLY MEANS BYLER. FOR REAL. Like byler could be endgame. Also, remember Eleven's injury in S3? Do you remember the leak of a shoe covered in blood?

It's Joyce. ALSO YOU CAN READ THAT WE'LL HAVE SCENES BEFORE THE TIME JUMP. And here it comes. Look at this freaking hair:

Does this look more like this

or this?

The season 4 bowl cut right? So maybe this is right in some part? I dont know. But that could make sense why Will is wearing Mike's pants, because his clothes were in California by that moment. But i really do think that the pic that was leaked a few days ago is before the time jump.

Im so late with this info haha :) but i kinda think some things here make sense. Even if this is too well explained to be a leak.

[badasscoffeemug]

okay, so, i tried to pull as many interviews as i could to see if i could parse what the original plan for bucktommy was (or if there even was any), and subsequently, if there had been a pivot of any kind. now, we are not privy to any bts talk, and storylines are never set in stone, even from when they've been teased or promoted (henchim friction? hello?) but interviews are really all we have to go off of. so, idk, i compiled some quotes, all bolded emphasis is mine.

i kinda got the impression that it really was supposed to be a 4-episode arc for tommy, after which he would gracefully bow out and leave buck a newly realized single bisexual. for some reason, that changed and they chose to keep him around and extend that storyline (gelled rather well in the story? opening the door for potential future storylines?). except then they had them break up anyway, leaving buck in much the same place he would have been had they called it quits in 7x06, only much more heartbroken (essentially wasting over half a season's worth of buck storyline, except he's sadder now, i guess). but, judge for yourself.

march 28, 2024, TM: Showrunner Tim Minear also teased future episodes for Tommy. “He’s going to be around for a little bit. He’s not going to be a member of the 118 again, but he is going to be involved in some stories.”

april 4, 2024, TM: “I was kind of bored with the hamster wheel of the relationships [Buck] had been in. His story needed a slap. It needed some something fresh. This felt like it could be important to some people, and it felt like it was right for the character.”

OS: “I’ve always had in my head that I wanted a partner for Buck to be someone where it wasn’t easy”

TM: “That’s what I like about this. He’s not siloed off into some love interest story with a character who has nothing to do with the main characters.”

Minear noted that Tommy is currently an important romantic partner for Buck, largely because “it’s sort of the entry-level relationship.” Yet at the same time, he noted that he doesn’t think “anybody’s making wedding plans.”

“It really is a first fling for Buck right now. What that might amount to, only time can tell. But what I’m interested in is not something that’s fraught. I’m interested in something that’s tender and positive”

april 4, 2024, OS: “The focus was on it being important, but also not wanting it to feel like the bravest episode in television. We just wanted to tell a lighthearted love story that happens to be a queer love story.”

april 5, 2024, TM: “[what] I don't want to do is the mistake that I think we've made with some of the other love interests, which is siloing those characters off into their love life and they have no kind of organic connection to the rest of the characters in the story. [...] Going with Tommy allowed us to start to play a story without just inventing a whole new character just for the purpose of being the bi character or the gay character or the male love interest for Buck.”

april 12, 2024, TM: “that moment at the end of the episode where he sits down with Tommy and says, “You said I wasn’t ready. I don’t know what I’m ready for, but I’m ready for something. I’m just sure what that is yet.” But he feels safe with Tommy. So even though he doesn’t know exactly what road he’s stepping onto, he’s willing to roll the dice.”

april 12, 2024, LFJ: "So, it happens in phases. My manager said 9-1-1 called, and I was like, 'Cool.' And then he is like, 'All right, well, they called for an arc.' And I'm like, 'Four episodes? Cool.'

"Given the circumstances, we just kissed. There's something there. We go on a date, and then Eddie happens to show up because there's only one restaurant, I guess, in L.A., and I would totally understand if he was nervous and whatnot." (this quote has nothing to do with my point really i just think it's so fucking funny. this entire interview is so messy.)

"I have no idea," he explained when asked what the future could hold for the duo. "If the writers do choose to extend this storyline and make it into its own thing [...] I'm just as excited as you are to find out."

april 12, 2024, OS: "I just hope he continues down that path and I think we will see him opening up more and more, and being louder and prouder about it. I want to tell real stories where not everything is going to be straightforward, but I don’t want the angst or the trauma to be in these kind of negative troupes that we’ve seen before. I want them to have real world problems that couples or people who are first dating have, but I don’t want it to be rooted in outside people being homophobic or anything like that. Those are stories we have seen and we’ve told, and sure, of course, happen in the real world, but I want to tell a happy story between these people and a real story. They have issues and they have things to deal with, but I just want them to be real world, everyday relationship issues."

april 18, 2024, OS: "we want to tell it in an honest way where not everything is going to be easy and carefree. There are going to be issues, but we also don't want it to feel like it's down or too heavy. We want to tell this queer love story in a very honest way, but also in a very loving way."

"Tarlos is a beautiful relationship," Stark says. "I'm just honored to get to tell a story that can kind of partner up with that and maybe continue with a similar thread."

"I really want to see Buck continue to explore what it is that really speaks to him, and what he's into," Stark says. "He's obviously going to continue down this path with Tommy for now. I don't know what that story is going to end up being, but I would really like for Tommy to stay a part of Buck's life, regardless. He's obviously opened this door for him, and I think it would be really nice if [Tommy] was able to continue to hold [Buck's] hand and could help guide him through this process. As somebody who's a little older and more experienced, to kind of help shepherd Buck into this new phase of understanding who he is."

april 23, 2024, OS: “I really enjoy [Lou]. I really enjoy working with him. I think he’s been a great addition to the show, and I look forward to — assuming Tommy sticks around for a while — continuing to develop that relationship with him on-screen and off-screen.”

may 2, 2024, JLH: "I’m really excited for Buck, because I think he’s a person that has never quite settled into who he is. And if this is who he is, it’s beautiful,” Hewitt said. “I was so happy Maddie felt that way, because that’s how I would feel. And I’m really happy that she’s there for him. In Season 8, the actor hopes Maddie gets to “understand what all that means, be in that with [Buck], and get to know Tommy better.”

may 3, 2024, KC: “I think it was the brilliance of [co-creator] Tim [Minear]. Even introducing the storyline of Buck and Tommy, he said, "I don't want it to be this very special episode of 9-1-1. I'm going to make this a f---ing romantic comedy, man. You won't see it coming. It'll come out of left field." And I think that's the same thing he did with the revelation. There's no sit down, there's no big discussion or talk about it. It's what it would be. This guy has found love fina…. Well, I think love finally.”

may 3, 2024, KC: "When I heard about the storyline, I was super excited. And on a selfish note, I'm really happy because they brought Lou Ferrigno Jr. back. We've become really good friends, as he was in "Hen Begins," "Bobby Begins Again," and of course "Chimney Begins," and we formed a tight personal bond. I think he's a terrific actor, and I think this new dynamic brings this newfound energy into that storyline and into the show, and I'm excited to see how it blossoms."

not dated? post-7x06, KC: “It’s one of my favorite scenes,” Choi says. “It’s a reveal for most of the characters that Buck has found a love interest he’s actually interested in. It’s adorable, it’s cute, it’s perfect, and the audience is going to love it.”

OS: Stark likens Buck’s journey to “a hamster wheel”: “He’s been taking one step forward and two steps back, as is quite typical of being in your late 20s and early 30s, trying to find yourself,” the actor explains. “As we’ve moved into this seventh season, he’s found a way to really discover who he wants to be.”

july 8, 2024: 7x09 deleted scene released

september 9, 2024, TM: “They’re still getting to know each other a little better”

september 11, 2024, TM: Minear says not much time has passed between the events of the season 7 finale and the season 8 premiere, so there haven't been many developments in Buck and Tommy's relationship. "But we see that they're more comfortable together," he explains. "We'd definitely call them a couple. Obviously they're comfortable hanging out with Eddie, but when you couple with somebody, it takes up some of your time, so that also leaves Eddie a little bit out in the cold. Well, not out in the cold, but Buck doesn't have as much free time as he did before, let's put it that way." (yeah so, this barely happened?)

september 20, 2024, OS: “We don’t really have too much of a time jump moving into this season, so the relationship with Tommy is much where it was left off,” explains Stark. “It is in its early stages. They’re still learning and figuring things out about each other and what a relationship might or could look like.”

[shorthaltsjester]

there are literally no standouts in downfall because everyone sat down at that table and said hey you wanna see something cool and proceeded to Become their characters but idk if it’s because they’re beside each other and that aids the dynamic or just because it’s the delicious similarities and insurmountable distance between the god of death and the god of (in various ways) life but ayden and emhira’s interactions were so chewy and delicious. i’ll be thinking of their exchange fairly early on after ayden cast lesser restoration on that old man and emhira not cruelly but just simply stating “you cannot heal everything.” and ayden’s equally simple reply “we can always try.” emhira seeing the family trist has built and wondering at the presence of children, “surprised there is laughter in such a horrible place” and i know she’s speaking of hawk’s hill but i wonder if she is also speaking of exandria itself in some ways. the delicious space between in and out of character that only really happens in improv stories where as brennan is narrating and says “in this dark room” and nick interrupts and adds “it is not dark.” brennan’s incisive point in the cooldown that while the love that ayden and trist have for mortals and for exandria is warm and the kind of love someone would likely Want from gods, there is something maybe more honest or whole about emhira who says . actually these mortals are little shits that will kill you not because they fear you but because they hate you. whose very existence should be (and still often fails to be) a reminder that the gods can be usurped by mortals. the insight nick shared in the cooldown that ayden does not forget emhira’s origins but in a way dismisses them, that the god of death is a different beast. ayden wanting to find. way to save the people of aeor, insisting that the prime deities Win if they can find a way to do so. emhira reminding everyone that death is inevitable (and she does not add anything to clarify that she intends such a statement to only exist for mortals) as she argues for them to work to take down aeor and the people in it. the fact that the god with the most present connection to mortality is also the one given the most explicit clarification that she Is the god we know as SILAHA calls her the matron, brennan’s narration clarifies purvon is her champion, taliesin as asha asks for clarification on the recognition of emhira as a god and prompting the familiar spectre of a woman in a white mask.

i want to be very clear that when i say there are no standouts i Mean it because i’ve been awed and endeared and intrigued by every single character choice everyone made and as always brennan’s narration is so incredibly well suited for the mission impossible greek tragedy vibes that comes with this story and i’m so fucking delighted by the fact that laura, ashley, and taliesin are playing gods that their characters have known quite well in the past. i’m incredibly excited by what we’ve already gotten to see from abubakar, nashir, and nick and cannot imagine what other greatness is to come. i’m psyched to see the relationship between asha and the law bearer and am delighted that (perhaps for now perhaps for the whole arc) it is being seen through the lens of “my wife promised me a visit with apples and all i got was a rock ice emissary”. i also have many incoherent thoughts about the fact that, of the players who appeared as the same character in the opening and the story, taliesin’s ash and asha are the ones whose name remains the most unchanged.

i’m obsessed with the fact that this creature sent as a stand in by the god of law and duty believes his primary gift is love. while there is a certain mourning and sadness to every god we see, that SILAHA has a certain playful whimsy and jofyful curiosity about the world. that the only one of them who has been mortal before stops to steal an imp necklace from the neck of a drunk on the train (and that moment between brennan’s narration that this man will be dead by morning but, with death standing invisible in front of him, he is incapable of seeing it coming, and then laura as emhira breathing in deeply and brennan having that spark a coughing fit. they are Story Telling). asha seeing the erased image of a god, of a family member and saying “there’s a hole in all of us.” brennan narrating “this is a place where they tried to kill a story. it’s a very frightened thing to do.” (and god. the motif of fear. especially given the very present fear felt by the gods in current day exandria. they’re doing insane things in the critical role 3 part departure).

trist reminding ayden “he never tells the truth” and asha contesting “he only tells the truth, it’s just rotting.” emhira and asha both as perhaps the less Good™ much more neutral but doing so in such different ways, asha as bitter and hungry while emhira seems uncomfortable but there’s a familiarity and a certainty in her discomfort with mortality (the law bearer would also be included here but the emissary seems much more like trist and ayden (for now) than emhira or asha). something as insignificant as trist and her husband speaking to their children and affirming that little lies are okay while trist has lead a significant part of her life likely dishonest about who she is. the fact that there’s a certain childlike quality to the emissary who they’re all charged with ensuring makes it to the end of things even if they cannot. the fact that nahal (unclear which god they were, and i’m assuming it’s the first god of death but regardless still an absolutely compelling development in a short amount of time) in those opening moments is horrified by the concept of away which is unfamiliar to them only to soon after look upon their family and say. maybe away was better. Especially if those were words spoken by the god who would one day be replaced. these three episodes are going to haunt me and i’m excited to meet the ghosts.

[spuffybot]

Hey hi! I saw your post about Buffy being your favorite show and what do you mean "you know what’s happening with certain characters based on the colors they are wearing"? That's SO cool and something I've never noticed despite being such a tv nerd, do you have examples?

Ohhhh my gosh I love this question!!! There are a few characters who come to mind (Buffy & Willow) but I’m gonna talk about Spike because I love to talk about Spike.

So Spike is a character who very much has a uniform and this uniform is linked to his identity. It’s important to note that this is an identity he crafted. Because as we know Spike started out as William, a man who was sensitive and kind and who was unappreciated by his peers. When he became a vampire he wanted to shed that weakness and he uses his hair, accent, and clothing to reinforce the idea that he is a strong, tough, and evil being.

Spikes official uniform is perfectly slicked back bleach blonde hair, a red shirt, dirty black jeans, combat boots and his signature leather duster. This is Spikes armor. It’s how he embodies Spike and leaves William behind. The red shirt is also quite critically linked to his “evil era” as I’ll call it.

Throughout the show there are key moments where Spike deviates from this uniform and it’s always linked to a crises of identity.

The first moment I want to talk about is Spike in the Hawaiian shirt. He’s just been chipped, he’s relying on the Scoobies for survival, the core tenants of his identity (predator, killer, lover of Drusilla, leader of a vampire gang) have all been stripped from him against his will. He looks ridiculous wearing Xanders clothes because we know it’s ridiculous (at this point) for him to just be one of the Scoobies.

This is not unlike Tabula Rasa (which has a deliciously layered theme of loss of identity both literal with memory loss and metaphoric with each of the characters personal lives) where we see Spike once again out of uniform completely and lacking his identity. Now like I said on the surface he has truly lost his identity he has no memory of who he is. But it’s no surprise that he draws the (incorrect) conclusion that he’s a vampire with a soul on a mission of redemption because for the past few months he’s been playacting that role. After Buffy died Spikes entire identity was usurped by the need to live up to her memory. He babysits Dawn. He patrols with the Scoobies. He lives a mundane and neutered life because he thinks it’s what she would have wanted. Except now she’s back. And she’s opening up to him in ways she never has before. And she’s kissed him. And this is simultaneously the most incredible and terrifying thing to ever happen to Spike because it’s all he wants but he knows deep down, it’s not who he is. He has no soul. He has no remorse. He is not good.

Now let’s talk about some less overt examples. Because the wardrobe team does an incredible job of making subtle shifts to Spikes uniform that communicate his emotional arc.

In Crush, we see Spike swap the red shirt for a light blue shirt (blue is going to be a theme!) and lighter pants. By doing this he communicates to Buffy that he’s different than before. He’s lighter and softer. A man she could be interested in. But of course, just like the uniform of Spike is a performance, this too is a performance and one Buffy sees through quickly.

Blue comes back again in Smashed, an episode where once again Spike’s identity comes into play. He has been play acting at being a Scooby but we know that’s not who he really is. Now, suddenly he finds that he can hurt Buffy without activating his chip. All of a sudden he gets a glimpse of his old self and it infuses him with confidence and purpose. The blue shirt in this episode is deep and rich, verging on purple. By wearing this shirt it shows us how deeply conflicted Spike is. The war between his selfish love for Buffy and his feelings of being trapped and controlled by his chip (and his feelings for her) is coming to a head. And of course, by showing his teeth he gives Buffy the push she needs to sleep with him.

Ok so now we get to talk about my FAVORITE season when it comes to Spikes loss of identity and the use of his uniform to depict that: season 7.

When we first see Spike in season 7 something very important is happening: his hair is completely disheveled and curly, with his natural brown roots showing. This is the closest we have ever seen Spikes hair resemble Williams hair and this is important because as we know, Spike now has a soul and so he is closer now to William than he has been in over 100 years.

When Spike finally leaves the basement he is in a bright blue shirt and lacking his signature leather duster. The duster becomes a key plot point in season 7 with the introduction of Robin Wood (considering it was his mother’s jacket and Spike killed her.) Now, Wood is a controversial character but I personally think having Spike have to reckon with the consequences of his past all tied up in the metaphor of identity that is his leather jacket is chefs kiss.

Speaking of the leather jacket, in episode 15, Get It Done we see Spike put the jacket back on for the first time since Seeing Red. This is a moment of reclamation of identity. Souled Spike is listless and guilt ridden. And as the potentials point out, even a demon can kick his ass. When he puts that jacket back on he takes back a piece of who he is and starts on the journey of self discovery that we will see him continue in Angel season 5. Because ultimately it’s not Spike or William but the fusion of the two that make Spike who he is. AND TO BRING IT BACK FULL CIRCLE while Spike reclaims the jacket, he does not bring back the red shirt.

One other interesting thing about season 7 is that Spike is no longer as wiry and muscular as he was in season 6. Now, James Marsters has said that this was deliberate on his part because he was tired of being naked on the show and figured if he stopped working out (he has also said that he created his season 6 body deliberately upon being told he would be naked all the time) then they would stop making him take his shirt off. And while this is obviously not a deliberate choice on the part of the show, I do think it’s interesting that Spike becomes less angular and sharp after he gets his soul. He releases some of the hardness that defined him emotionally and physically. Which ties in nicely to this overarching theme of identity crises. It also hints at a certain level of toxicity on set if one of your lead actors feels the need to take drastic measures to protect themselves but that’s a whole different essay.

I hope this answers the question and I would loooove to hear what other people think about this. I know I didn’t touch on every Spike moment but I wanted to highlight ones I feel are critical parts of his narrative.

[shadowed-dancer]

Villains and Their Fates - A Tragedy Would Have Been Fine By Me

I've seen a lot of people who try to write off frustration with the league's fates by saying "you just wanted them to survive" or "you're just upset your favourite character died". And while that may be true for a few people, I know that it's at least not true for myself (which must mean there are others who feel the same way). So today I'm here to share my thoughts. Despite liking the villains and wanting them to be redeemed, I was also willing to accept a well written ending if they died. I just wanted to ramble a bit about the three main villains (mostly Toga) and how I felt a tragic ending could have been improved.

The only villain I felt should have lived is Dabi, but that's more because of the awkwardness his unconfirmed death caused for Shoto (read this beautifully written analysis for more). If Dabi had to die, he should have died on the battle field OR in the hospital surrounded by family where he gets a few last words in. Leaving his fate unconfirmed leads to the ruined Shoto arc, but is also just weird for a character who has existed for so long. You're telling me that even Overhaul gets a confirmed ending but DABI doesn't?

I've also talked a bit about how Endeavor's survival ruins the subplot, and in 426 he continues by making Touya's final appearance about him (rather than the two brothers) but that's something I've talked about too much. If Endeavor has to be alive and hogging screen time, the least Hori could do is imply Touya will survive rather than die, so at least Enji isn't literally stealing time from his other family members to have some interaction with Touya.

If Touya has to end up in that machine, an ideal ending would have been the doctor saying "it will be a gruelling and near-impossible uphill climb to recovery" and then Shoto can smile and say "he's done it before". Boom. Simple as that. Leave it open, but at least on a positive note so we can assume that the family will have plenty of time to reconcile, as opposed to an unknown (but limited) amount of time that Enji vows to use to talk to him (yeah I know it's supposed to be a sweet gesture but even Touya calls bullshit on it). Let Shoto and Touya eat their soba, damn it!

For Shigaraki, my grievances extend to the writing of the entire final battle between him and Deku. As such, I don't have much to say aside from that because it really is just a product of poor writing. Neither were really allowed to talk before the big moment (hell, the vestiges were narrating Deku's emotions half the time like "he must be upset, this quirk meant so much to him". Why not let him tell us???) and the back-and-forth of Shigaraki being destroyed and then not only to be destroyed again was too much. It felt sloppy and hard to follow, and once you figured it out it just felt dumb. It's as if each chapter needed some massive reveal, but the story had done it so much at this point that it just felt tired and like it was happening "because Hori said so", and that should never be what drives a story.

Speaking of "because Hori said so"...

Oh Toga. Out of all the villains, I actually liked her confrontation the most. (Lies. If Dabi vs Shoto was the end of Dabi's fight, THAT would have been the best. But the Endeavor fight ruins it). Despite having limited screen time, Toga and Uraraka had a surprisingly well-built dynamic. Their few interactions were actually meaningful and created a strong foundation for a fight, and at the very least they had more of a personal connection than Deku and Shigaraki ever did. I think that Toga giving her blood to someone she loves (as opposed to drinking/taking their blood like she had said the whole series) is a beautifully tragic end to her character, but still something that could have fit.

To me, the problem comes with how she died. Let me replay the scene for you: Toga stabs Uraraka in the stomach and Uraraka bleeds too much because she keeps moving around. Toga then realizes she doesn't want Uraraka to die. To save her life, Toga has to do a blood transfusion with herself as a donor and she dies because she has to give ALL her blood.

Now... sure. Ok. Fine. Yeah. Maybe by real-world logic this makes sense. I guess. Whatever. But within the world of MHA, this setup is laughable.

Here's a list of things characters survived (or at least, they survived LONG ENOUGH to get to a hospital rather than dying on the battlefield): Deku shattering his bones with 1 million percent, whatever happened to Best Jeanist when AFO attacked him, Nighteye getting a massive spike through the torso, All Might with "his entrails strewn across the ground", Bakugo becoming Swiss cheese, Grand Torino being punched so hard a crater forms beneath him, Touya being a literal flaming skeleton, Bakugo's heart exploding, Edgeshot becoming a worm. Mirko getting a limb ripped off and then running full speed at Shigaraki. That's just off the top of my head, I know there's probably more.

But you want to tell me that Uraraka getting stabbed and then moving was a fatal wound that required ALL TOGA'S BLOOD? ALL OF IT? The reason Toga's death bothers me is that the setup cheapens the actual moment of sacrifice. It feels preventable, so when she tells us that Uraraka is going to die without her blood, all I could do is roll my eyes because I'm not allowed to use critical thinking skills, I have to just accept what Hori says and take it at face value.

If the author wants you to live as Edgeworm despite saying you were gonna die, you can. But if the author needs a stab wound to be fatal and require ALL of someone's blood? Well tough luck bud, that's just how it goes. Mirko can run and move all she wants after having a limb ripped off, but moving a bit after one stab wound is fatal. Why? Because I say so.

If Uraraka's wound was actually serious then this ending would have been a beautiful tragedy. But as it stands now, the ridiculousness of her wound makes it all feel preventable.

Oh, there's also the fact that Toga switching blood types when she transforms was never established, but I've rambled enough.

That's it. Thanks for reading!

[pandapetals]

The Edge of Safety

Living in Lowtown meant crime happened all the time. After your sister gets taken, you turn to Patch for help to find her.

patch/logan howlett x fem!reader - takes place in madripoor, no y/n used, no reader description but reader does have a sister named emily, violence, blood, death, killing, very action packed, some sexual tension, patch is an asshole, angst, reader is a lowkey badass, kid and sweetheart nickname used

a/n: okay this one is an essay of an author’s note but listen….I honestly haven’t stopped thinking about Patch since deadpool and wolverine soooo I did some research on Patch’s character, read some comics and googled it. Then like a vision this idea came to me so i was like okay gonna write it after i finish other stuff but nope, ended up writing nonstop so. Not complaining (okay maybe my fingers are) but yeah, hopefully this is accurate. i did take some creative liberties because patch is still logan just in a “disguise”---if you can call an eye patch a disguise. lol

word count: 21k

The acrid stench of sweat and cheap cologne filled the cramped convenience store, mingling with the faint buzz of flickering fluorescent lights overhead. Your pulse thundered in your ears as you gripped your sister’s hand, pulling her close. The rough concrete floor felt cold even through your shoes, grounding you in the grim reality of the moment.

 Lowtown was no stranger to crime—muggings, drug deals, the occasional gang scuffle—but you’d always managed to keep your head down and avoid it until now.

“Don’t make me ask again!” The man’s voice was rough, edged with a brittle desperation that set your nerves on edge. His eyes darted around the room, wild and unfocused, like he was looking for an excuse to pull the trigger. The barrel of his gun swung in a lazy arc, cutting through the air as he fixed his gaze on the store owner. With a sneer, he herded everyone to the front of the store, shoving people together like cattle pressed up against the cold metal shelves.

His eyes fell on you and your sister, and something dark flickered in his expression—a hint of menace that made your stomach drop. You tightened your grip on her hand, feeling the tremor in her fingers as she clung to you. Her wide, fearful eyes darted around the store, seeking a way out, but there was none.

The store owner, a grizzled man with leathery skin and a face set in a permanent scowl, barely blinked. He watched the gunman with an almost bored expression like he’d seen this kind of thing too many times to muster any real fear. The gunman’s jaw clenched his impatience mounting. “You heard me,” he barked, voice cracking as he waved the gun in your direction as if you were somehow responsible for the old man’s slow compliance. He stabbed the air with the muzzle, the barrel now pointed squarely at your chest. “Open the register, or I swear I’ll blow her head off!”

Your breath hitched, heart hammering against your ribs. The gun was only inches away, the metal glinting under the fluorescent lights. You could feel your sister shaking beside you, her small fingers squeezing yours so tight it was almost painful. 

You took a step back, instinctively trying to shield her with your body, but the movement only drew the gunman’s attention. His eyes narrowed, zeroing in on you, a twisted grin stretching across his lips.

“I said, hurry up!” The man’s voice was splintered, the wild edge creeping further in. There was something unhinged in his eyes—a flicker of mania that made your skin crawl. This wasn’t just a man looking for a quick score. This was a man on the verge of losing control, and you were all trapped in his orbit.

The store owner finally sighed, his shoulders slumping as if he was annoyed. He shuffled over to the register, his gnarled fingers moving with an infuriating slowness as he popped it open. The old, rusted drawer creaked, and he began peeling off crumpled bills one by one, as though he had all the time in the world.

A low growl escaped the gunman’s throat, his patience wearing dangerously thin. “Faster, old man—”

Suddenly, the air exploded with movement. The gunman lurched forward, his arm swinging as he reached for your sister, his fingers digging into her arm with a brutal yank that tore her from your side. The world seemed to splinter at that moment, her terrified scream slicing through the heavy silence like a knife. Time slowed, the sounds around you muffled as adrenaline flooded your veins.

Without thinking, you lunged after her, instincts overtaking reason. You swung wildly, aiming for anything you could reach—a fist, an arm, something to get him off her. But he was faster, or maybe just more desperate, and in one fluid motion, he spun around and cracked the butt of the gun against your head.

Pain flared, white-hot and blinding, and the world tilted. Your vision blurred, your knees buckling as darkness closed in at the edges of your sight. The last thing you heard before everything went black was your sister’s panicked cries, growing fainter, slipping away into the shadows as you fell into oblivion.

˚ ༘ ๋࣭ ࣪ 🀣⋆｡˚

You awoke to the sharp scent of antiseptic and the soft hum of medical equipment. Your head throbbed like someone was pounding nails into your skull. The sterile white of the hospital room pressed in on you from all sides. Panic spiked through your veins as the memories rushed back—the robber with greasy hair, the gun, your sister’s terrified face.

“She’s gone!” The words tore from your throat, raw and ragged. You struggled to sit up, but a firm hand pushed you back down.

“Easy now, hon,” a nurse said, her voice soothing but firm. She was a broad-shouldered woman with lines etched deep around her eyes. “You’re safe. Just breathe, okay? You're in the hospital. You took a nasty blow.”

“My sister—” You fought against the dizziness threatening to drag you under again. “Where is she? Did they find her?”

The nurse’s expression tightened, sympathy clouding her eyes as she glanced away, studying the dull linoleum as if it held an answer. “No one knows where she is yet, sweetheart. The police are looking.”

You shook your head, frustration tightening in your chest. “The police won’t help,” you spat, your voice cracking. “This town is rotten—crime’s everywhere, and the cops don’t do a damn thing.”

“I know,” the nurse began, her voice gentle but uncertain, “but—”

“No, you don’t understand!” The words erupted from you, raw and desperate. Your throat burned with the effort to keep from breaking down. “I have to find her. She’s all I have left. My only family.” The last words came out like a plea.

The nurse hesitated before her eyes softened. She leaned in closer, her tone shifting, becoming almost conspiratorial. “Listen,” she whispered, her gaze flicking to the doorway and back again, “there’s someone who might be able to help you.” Her voice dipped lower, barely audible over the hum of the machines.

You blinked, struggling to steady your breath. “Who?” you managed, your voice thin and rough.

“A man they call Patch,” she said as if the name itself carried weight. It slipped from her lips like a secret traded in the dark. “He’s... not with the police. More of a vigilante, some say. Others call him a mercenary. Word is, he deals with the kind of trouble that the law won’t touch. The kind that hides in the shadows.” She glanced at the door again, then took a step back, as if wary of saying too much. “If you’re serious about finding your sister, he might be your best shot.”

The name hung in the air between you, heavy with promise and risk. A flicker of hope sparked, but doubt quickly smothered it. Who was this Patch? And would he care about some girl from Lowtown?

You pushed the thought aside. You couldn’t afford to be picky. “Where can I find him?” you asked, forcing the words past the knot in your throat.

The nurse’s mouth tightened into a thin line. “It won’t be easy,” she warned, her gaze steady. “Patch isn’t exactly the friendly type. He’s got a reputation for being... rough around the edges. Dangerous, even.”

“I don’t care,” you said, your jaw setting with grim determination. “Just tell me where.”

She sighed, folding her arms across her chest as if trying to shield herself from the weight of what she was about to say. “He usually hangs out at a place called The Lucky Dragon,” she said. “It’s a casino in Hightown. You can’t miss it—big neon sign, a dragon wrapped around a roulette wheel. Classy place, for all the wrong reasons. Just…” Her voice softened, almost pleading. “Be careful. Hightown’s not like here. It’s meaner. More secrets. And Patch—well, if you get on his bad side, don’t expect him to show mercy.”

Her words settled over you, cold and unyielding. There was a flicker of a warning laced within them. The kind that whispered, if you were willing to walk through the fire, there was still a chance.

“I’ll be fine,” you said, though your voice shook a little. “I just need to find her.”

The nurse gave a slow nod as if deciding whether or not to believe you. “Then good luck, hon,” she murmured. “Oh, and—Patch isn’t in the habit of doing favors. You’d better be ready to give him a reason to care.”

You swallowed hard, pushing down the fear and doubt that threatened to surface. It didn’t matter. None of it did. There was only one thing you had to do now—find Patch, and hope that somewhere in that smoke-filled casino, amid the clatter of dice and the murmur of broken dreams, lay a path that would lead you back to your sister.

The image of your sister—small, terrified, yanked out of your reach—burned itself into your mind. It was like a fever that spread through your limbs, propelling you off the hospital bed. The dull throb in your skull was nothing compared to the hollow ache in your chest, a void that swallowed every other sensation. You had to move. You had to do something.

˚ ༘ ๋࣭ ࣪ 🀣⋆｡˚

Outside, the city loomed like a beast under a blanket of murky night. Neon lights buzzed, reflecting off the rain-slicked pavement as if mocking your urgency. You stumbled into the street, your legs feeling weak. Everything seemed to cling to you, as you raised a hand to hail a cab.

The first few drove past without even slowing, and panic tightened its grip around your throat. Finally, one screeched to a halt, and you threw yourself into the backseat.

“Where to?” the driver asked, glancing at you through the rearview mirror. His eyes widened a little when he took in your bruised face, blood-stained clothes, and the hospital bracelet still dangling from your wrist.

“The Lucky Dragon,” you said, voice hoarse. “In Hightown.”

The driver’s eyebrows lifted. “You sure, lady? That’s not exactly a place for—”

“Just go,” you snapped, too drained to care about his judgment. You slumped back in the seat, your hands balled into fists on your lap as the cab sped off, the engine’s low rumble vibrating through your bones. The city blurred past outside the window—crumbling brick, flickering signs, and the occasional flash of blue and red from a distant police cruiser. It was a cruel world you’d stepped back into, and every second that ticked by seemed to deepen the chasm between you and your sister.

As the cab climbed the steep hill toward Hightown, the landscape began to shift. The streets became wider, the grime less visible under the garish glow of high-rise billboards and polished storefronts. The Lucky Dragon stood near the end of the strip, towering above the other buildings like a gaudy temple. A giant neon dragon wrapped around a roulette wheel glared down at you, its ruby eyes glinting like a predator’s in the darkness.

You tossed a handful of crumpled bills at the driver and stepped out, feeling the weight of stares from passersby almost immediately. Your clothes were wrinkled from sweat with bits of dried blood splattered on them making you look completely out of place. 

The cold air bit your cheeks, and you could feel the eyes crawling over you: casino patrons in tailored suits and glittering dresses, eyeing you with a mix of suspicion and contempt. A few whispered, nudging each other as you walked by. You kept your chin up, though it felt like every step was sinking you deeper into quicksand. You didn’t belong here, and everyone knew it.

The casino doors hissed open, releasing a wall of sound that crashed over you—laughter, the ringing of slot machines, the clink of glasses, and the low murmur of conversations spoken in secret. The Lucky Dragon’s interior was drenched in crimson and gold, a haze of smoke curling beneath the chandeliers. You drifted in, feeling small beneath the vaulted ceiling, and glanced around, searching for a face that meant nothing to you. How were you even supposed to know who to look for? The nurse had given you a name, but nothing more—no description, no sign to point you in the right direction.

The poker tables caught your eye. Figures hunched over cards, some grinning like foxes, others steely-faced, staring down their opponents. Then you saw him. It was as if the world sharpened, everything else fading into the background.

He sat at the farthest table, a tall, brooding figure in a crisp white suit that made him stand out against the dark wood and dim lighting. His hair was dark, almost black styled into two high tufts. An eye patch covered his left eye, leaving the other to gleam with a harsh intensity as he studied his cards. There was a casual elegance in the way he leaned back in his chair, a hand resting on his chin, but the lines of his body spoke of coiled strength, like a predator waiting for the right moment to strike.

You hesitated, your legs suddenly heavy as you took a step forward. What were you even going to say? You didn’t have a plan, just desperation driving you forward but the thought of your sister—lost, afraid—pushed you into motion. You could feel the weight of judgmental eyes again as you approached the table, but you didn’t care. Not anymore.

“Are you Patch?” The question came out stronger than you’d expected, even though your heart hammered against your ribs.

The man didn’t look up right away. He flipped a card over with a lazy flick of his wrist, then let out a low, dismissive chuckle. “Depends on who’s asking.” His voice was deep, rough around the edges like gravel. 

Finally, he raised his gaze to meet yours, and you felt the full force of that single, piercing eye lock onto you, taking you in from head to toe—the blood-stained clothes, the bruises, the desperation etched into every line of your face.

He arched a brow, an almost amused smirk curling at the corner of his mouth. “You lost, sweetheart? 'Cause you sure as hell don’t look like you belong here.”

You swallowed hard, steeling yourself against the urge to wilt under that gaze. “I need your help,” you said, fighting to keep the tremor out of your voice. “Someone took my sister. I was told you’re the kind of guy who could help.”

His expression didn’t change, but the air around him seemed to shift, growing colder, and heavier. He leaned forward, resting his elbows on the table, and for a moment, you thought you saw something flash in his eye—something dark and dangerous, like a knife unsheathed. 

“Kid,” he said slowly, “do you have any idea what you’re getting yourself into?”

“I don’t care,” you replied, your voice barely more than a whisper. “I’ll do whatever it takes to find my sister.”

Patch’s gaze held yours, unyielding, for what felt like an eternity. His single eye was cold, appraising—like he was stripping you down to the bones, searching for the truth behind your words. You could feel a bead of sweat forming on the back of your neck, your skin prickling under the weight of his silence. His stillness was unnerving, like the calm before a storm, and the longer he just sat there, the more your frustration flared.

Finally, you couldn’t take it. You shifted your weight and crossed your arms as if bracing yourself. “Look, mister,” you snapped, your voice cracking from the strain of holding back tears. “The police aren’t going to do shit. Lowtown’s a goddamn warzone, and you know it.” You took a step closer, your fingers tightening into fists at your sides. “While you sit here, lounging around in a fancy suit, playing cards, and sipping drinks, people like me are getting robbed, beaten, and killed.”

Patch’s expression didn’t change, but something flickered in that eye—a spark, a shadow, gone too quickly to read. He leaned back in his chair, casually swirling the remnants of his drink as if your outburst had barely registered. “And what makes you think you’re any different?” His voice was low, edged with a hint of boredom. “Another desperate girl with a sob story, wandering in from Lowtown, hoping someone else will clean up her mess.”

His words cut deep, stoking a fury that flared hot in your chest. “This isn’t just some ‘sob story,’” you spat back, your voice rising despite the stares from nearby tables. “My sister is out there—taken by some lowlife who had a gun in her face. I can’t just—” Your breath hitched, and you forced yourself to push through it. “I can’t just sit around hoping she’ll magically come home. I have to do something.”

Patch’s gaze sharpened, his jaw tightening ever so slightly. He set his glass down, the dull clink resonating like a judge’s gavel. “And you think coming here, shaking like a leaf, is doing something?” There was a bitter edge in his tone as if he was testing you, pushing to see how far you’d go before you broke.

You took a steadying breath, ignoring the heat rising to your cheeks. “You think I wanted to walk in here like this?” you shot back, gesturing to the dirty clothes clinging to your skin. “I came because I don’t have any other choice. I was unconscious in a hospital bed while some bastard dragged her away. So yeah, I’m desperate. But that doesn’t mean I’m just going to give up.”

For a heartbeat, the silence stretched between you. The murmurs of the casino faded to a dull roar in your ears as you locked eyes with Patch, refusing to look away even though every instinct told you to. His expression remained inscrutable, but there was a shift—a subtle change in the air between you, like the first stirrings of a breeze before a storm breaks.

Slowly, Patch’s lips curved into a humorless smirk. He tapped a finger against the poker table as if coming to some unspoken decision. “You’ve got guts, I’ll give you that,” he said, his voice dropping to a murmur. “But guts don’t count for much if you don’t know what you’re doing. The kind of people who snatch girls off the street don’t just give them back because someone asked nicely.”

“Then tell me what I need to do,” you said, swallowing hard. “Or are you just going to sit there?”

Patch’s smirk faded, replaced by a cold, calculating look. He stood up slowly, the chair scraping against the floor, and took a step toward you. The scent of smoke and whiskey clung to him like a second skin. He was close enough now that you could see the faint scars trailing along his knuckles, the signs of countless fights hard-won. “I don’t take on charity cases,” he said quietly, his breath warm against your cheek. “You want my help, you’ve got to prove you’re worth my time.”

“How?” you asked, your voice trembling but resolute.

He held your gaze a moment longer, then jerked his head toward the back of the casino, where the neon lights barely reached and the air was thick with shadows. “There’s a back room here where debts get settled,” he said. “People who owe money and don’t pay. There’s a guy inside—a dealer who owes the house more than he’ll ever be able to repay. Find out what he knows. If you can handle that, then maybe—maybe—I’ll think about helping you find your sister.”

Before you could respond, he turned on his heel and began to walk away, the white of his suit disappearing into the crowd like a ghost fading into the night. You took a shaky breath, glancing toward the shadowed hallway he’d indicated.

How the hell were you supposed to make some guy talk? You didn’t have the kind of presence Patch had—the kind that could silence a room with just a look. He was the sort of man who wore danger like a second skin, and you’d bet he could get a confession out of someone without saying a word, just by staring them down with that single, unnerving eye. 

You? You were just a woman caught between terror and adrenaline, your whole body trembling as you tried to keep your breaths even. The absurdity of everything pressed down on you like a weight, threatening to crush you. 

You sighed, your breath shuddering out of you as you glanced toward the darkened hallway Patch had pointed to. The back room where debts got settled—the very idea sent a chill crawling up your spine. It wasn’t like you hadn’t been in shady places before, growing up in Lowtown, but this was different. This was Hightown’s version of shady, where the rich got away with sins even the criminals in Lowtown wouldn’t touch.

The image of your sister flashed in your mind again—her wide, frightened eyes as the gunman dragged her away. A hollow ache twisted in your chest, and you straightened up, forcing your limbs to stop trembling. You didn’t know how to do this, but you were about to learn. There was no other choice. There never had been.

You slipped through the crowd, weaving past tables and drunken gamblers. The din of the casino grew muffled as you approached the dimly lit hallway. The red and gold of the main room faded, replaced by shadowed walls and the stale scent of sweat and cigar smoke. The sounds of laughter and clinking glasses died down to a murmur like the world had turned down its volume, leaving just the thud of your heartbeat in your ears.

At the end of the corridor, a heavy door loomed, the kind you could tell wasn’t meant for guests. You hesitated in front of it, feeling the weight of the moment pressing on you. How were you supposed to do this? What were you supposed to say? You didn't have Patch’s cool composure or his casual air of authority. All you had was your desperation and that gnawing emptiness inside you—fuel that burned hotter than your fear.

You shoved the door open and stepped inside.

The room was cramped and dimly lit by a single dangling bulb, casting harsh shadows across stained walls. A poker table sat in the center, scattered with crumpled cards and empty whiskey glasses. In one of the worn-out chairs slouched a man in a rumpled suit, his fingers drumming nervously on the table's edge. His eyes flicked to you as you entered, his expression shifting from bored indifference to wary curiosity.

“You’re not one of them,” he said, his voice gravelly, squinting as if he was trying to place where you’d come from. “What do you want?”

You took a breath, forcing yourself to step further into the room, your sneakers silent on the gritty floor. “I need information,” you said, trying to keep your voice steady, though it wavered at the edges. “About a girl. She was taken recently. You know anything about that?”

The man’s gaze darted toward the door, then back to you. A thin, crooked smile tugged at his lips. “You’re barking up the wrong tree, sweetheart,” he sneered, reaching for the cigarette resting on the ashtray in front of him. “I don’t know anything about any girls, and even if I did, why the hell would I tell you?”

His tone was dismissive, the kind of tone that told you he thought you were harmless, a nuisance to be shrugged off. It stung, but it was also exactly what you needed—because he didn’t see you as a threat.

You took a step closer, letting the harsh overhead light catch the bruises on your face, the hospital bracelet still dangling from your wrist. “Because if you don’t,” you said, your voice hardening, “the next person who walks through that door won’t be as nice.” You leaned in just enough that he’d have to catch the seriousness in your eyes. “It’ll be Patch.”

The name dropped like a stone, and you could see the reaction ripple across his face. It was slight—a tightening of the jaw, a flicker of hesitation in his eyes—but it was there. He looked you up and down again as if reevaluating what kind of game he’d walked into. “Patch sent you?” he scoffed, but there was less conviction.

You nodded, playing up your calm, letting it stretch out like you had all the time in the world. “He sent me to ask nicely,” you said, “but I’m sure he’d be happy to finish this conversation his way if you’d prefer.”

The man’s cigarette wavered between his fingers, his gaze sliding to the door as though expecting Patch to walk through it any second. You didn’t have to know what kind of history lay between them to see that he was rattled, that the mere mention of the name had carved a crack in his defenses.

He took a long drag from his cigarette, the smoke curling around his face as he exhaled slowly. “Alright,” he muttered, stubbing it out in the ashtray. “What’s the girl’s name?”

You swallowed, relief flooding through you even as you kept your expression neutral. “Her name is Emily,” you said, your voice steady now. “And I need to know where they took her.”

The man’s eyes darted away, his fingers tapping anxiously on the table again. “Look, I don’t know much,” he said, his voice lowering to a near whisper. “But I heard some guys talking a few nights ago—something about a shipment coming through the docks. They mentioned girls, and... well, it didn’t sound like they were there by choice.”

Your stomach twisted, a knot of dread tightening as his words sank in. “What else?” you pressed. “What do you know about the men involved?”

He shook his head, glancing nervously toward the door again. “That’s all I’ve got,” he said. “Just some lowlife dealers from the docks. If Patch wants more than that, he’s gonna have to dig for it himself.”

You turned to leave, but before you reached the door, the man spoke again, his voice barely audible. “If you’re smart, you’ll walk away now,” he murmured a note of pity in his tone. “People who go looking for the kind of trouble you’re in don’t usually come back.”

You didn’t respond. There was no point because you would do whatever it took to get your sister back even if it meant crossing lines you never thought you’d cross.

˚ ༘ ๋࣭ ࣪ 🀣⋆｡˚

You wandered the casino, weaving through the smoke and noise, scanning every shadowed corner and poker table for a glimpse of that white suit. It was like he’d disappeared into thin air. Your pulse quickened with each passing second, dread tightening its grip on your lungs. What if Patch had already left? What if he’d sent you into that back room as some kind of test and then walked out, leaving you here alone?

“Excuse me, ma’am?” A voice cut through the din, and you felt your stomach drop.

You turned slowly, your heart thudding in your chest. A security guard stood a few feet away, arms folded over his broad chest. He gave you a once-over, his eyes narrowing as he took in your disheveled hair, the bruises darkening your cheek, and the smear of dried blood on the sleeve of your jacket.

You swallowed, forcing a shaky smile and trying to smooth down your hair. “Me?” you said, aiming for innocence, though your voice betrayed a tremor. “Is there a problem?”

The guard’s gaze hardened. “You don’t exactly look like a regular customer,” he said, his tone flat, the words edged with suspicion. “And you shouldn’t be wandering back here.” He took a step forward, making it clear that you were not welcome in this part of the casino. “We’re going to have to ask you to leave.”

Panic flared hot and fast in your chest. You opened your mouth to argue, but before you could get a word out, another voice broke in, smooth and cold as steel.

“She’s with me.”

The guard stiffened and stepped back as Patch emerged from the crowd, his white suit pristine, his expression as calm and dangerous as before. He didn’t even spare the guard a glance as he brushed past him, catching your arm with a firm grip and steering you away.

The guard hesitated, clearly unsure whether to question Patch’s authority, but in the end, he simply nodded and stepped aside, his gaze lingering on you for a beat longer before he turned away.

Patch’s fingers tightened slightly on your arm as he guided you through the casino, weaving between the slot machines and roulette tables until the noise faded into a low hum behind you. He led you down a narrow hallway lined with plush crimson carpeting, the lights dimmer here, the atmosphere more intimate, as if you were walking deeper into the belly of the beast.

Finally, he steered you into a small, secluded alcove near a back exit. The muffled sounds of the casino were barely a whisper now, and the only light came from a single wall sconce casting long shadows across Patch’s face. He released your arm and leaned back against the wall, crossing his arms over his chest as he regarded you with that unblinking, solitary gaze.

"Well?” he said, arching a brow. “Did you get anything, or did I just save you from getting thrown out for nothing?”

You took a breath, steadying yourself as the adrenaline still coursed through your veins. “The guy I talked to,” you began, your voice stronger than you expected, “he said something about the docks. A shipment coming in. Girls, and… it didn’t sound like they were there by choice.” The words tasted bitter as they left your mouth, and you could feel the knot of dread tightening in your stomach. “He mentioned dealers. Low-level guys, but he didn’t have any names.”

Patch’s expression didn’t change, but there was a flicker in his eye—something hardening as if your words had confirmed something he already suspected. “The docks,” he echoed, his voice low. “That’s a rough place to start, but it’s better than nothing.”

“Does that mean you’ll help me?” The question escaped before you could stop it, and you hated the raw edge of hope that colored your voice. “You said I had to prove myself.”

Patch’s gaze locked onto yours, sharp and measuring. He didn’t speak for a long moment, and you wondered if he was about to tell you to walk away, that this was as far as your desperation would carry you. But then he gave a slow nod, pushing off the wall and stepping closer, his voice dropping to a murmur. “Alright, kid,” he said, his tone carrying both a promise and a threat. “I’ll help you. But you gotta follow my lead. No questions, no hesitation.”

You nodded quickly, the relief rushing through you like a wave. “I understand. I’ll do whatever it takes,” you said, your voice firm despite the uncertainty gnawing at your gut.

“Good,” he replied, his gaze flicking toward the dimly lit hallway you’d come from. “We start at the docks tonight. If this lead turns out to be a dead end, then you better start praying your sister’s got a hell of a lot more luck than you.”

Patch turned, already heading for the back exit, and you hurried after him, determination burning in your chest. For the first time since you’d woken up in that hospital bed, you felt like you were finally moving forward. Toward answers, toward your sister, and deeper into a darkness you didn’t understand yet.

“You should probably get some fresh clothes,” Patch muttered, not bothering to look back as he strode ahead. His long strides ate up the distance, and you had to hurry to keep pace, your sneakers slapping against the tile. 

“Yeah, well,” you quipped, a touch of dry humor creeping into your voice as you picked up the pace, “I don’t exactly have a lot of money lying around, and my apartment’s in Lowtown, so unless you know a cheap boutique nearby…”

Patch slowed just enough to glance over his shoulder, his eye narrowing. “Watch the attitude, kid,” he growled, his voice low and edged with a warning. “I’m already going out of my way for you. Don’t push it.”

You huffed, struggling to keep up as he picked up the pace again, his white suit cutting a path through the dim casino lighting like a shark through water. “I’m just saying,” you muttered, “it’s not like I have a lot of options. I did just wake up in a hospital bed.”

Patch stopped abruptly, turning to face you with a look that was half annoyance, half something else—curiosity, maybe. “You don’t have any options,” he said flatly, “which is exactly why you’re stuck with me.” He ran a hand through his dark hair as if trying to brush away the frustration clinging to his voice. “Come on,” he added, a resigned sigh escaping his lips. “I know a place.”

You blinked, caught off guard by the shift. “A place?”

“Yeah,” he replied, already moving again. “My place.”

The words hung in the air for a moment, and you couldn’t help the flicker of surprise that crossed your face. Patch had struck you as the type to drop you off at some dingy motel, toss a few bucks your way, and call it a night. But his place? You weren’t sure if that was a good sign or not.

“Wow,” you said, with a hint of a smirk you didn’t quite feel. “Didn’t know you were so generous.”

Patch shot you a sidelong glance as he pushed open a back door, leading you out into a narrow alley where the neon lights from the casino cast strange shadows on the wet pavement. “Don’t get used to it,” he said. “I’m not running a charity. I just don’t want you drawing attention while we’re out there.” He paused, then gave you a once-over, his gaze lingering on the bruises darkening your skin. “Besides,” he added dryly, “you look like you crawled out of a dumpster.”

You snorted despite yourself, falling in step beside him as he led you down the alley. “Thanks for the confidence boost.”

He grunted in response, guiding you toward a sleek, black motorcycle parked near the mouth of the alley. “You think you can hold on without falling off?” he asked, tossing you a helmet.

You caught the helmet awkwardly, feeling a little thrill of apprehension run through you. “Guess we’re about to find out,” you said, trying to keep your voice steady. You climbed onto the back of the bike, wrapping your arms around Patch’s waist a little too tightly.

“Relax,” he muttered as he revved the engine. “You’re gonna crush my ribs.”

“Just making sure I don’t fall off,” you shot back, loosening your grip a fraction.

The motorcycle roared to life, and Patch sped off, weaving through the city streets with practiced ease. The wind tore at your hair, and the city blurred around you in streaks of neon and shadows. The ride didn’t last long—ten minutes, maybe fifteen—but it felt longer with the weight of everything pressing down on you. The docks. The men you were about to face. Your sister’s terrified eyes. You shoved it all down, focusing on the feel of the road beneath you and the solid presence of Patch in front of you.

He pulled into an underground parking garage beneath a sleek high-rise on the edge of Hightown, the kind of place that whispered money and power. Definitely not the kind of place you would’ve pictured Patch calling home. You dismounted and handed him the helmet, your eyes drifting up to the polished glass and steel above you.

“Seriously?” you asked, a brow arched. “This is where you live?”

Patch shot you a look that bordered on amused irritation. “I like my privacy,” he said simply, leading the way to an elevator tucked into the corner of the garage. He punched in a code, and the doors slid open, revealing a mirrored interior that seemed too pristine for someone like him.

You stepped inside, feeling out of place amid the gleaming metal and polished surfaces. “This definitely beats Lowtown,” you muttered under your breath.

Patch gave a noncommittal grunt as the elevator ascended, his eye fixed on the glowing numbers. “Don’t get too comfortable,” he said as the doors slid open on the top floor. “You’re here to change, not to move in.”

The elevator opened directly into his apartment, a spacious loft with an open layout and floor-to-ceiling windows that offered a view of the city stretching out below like a sea of lights. It was surprisingly clean—minimalist, with a few leather couches, a glass coffee table, and a sleek kitchen in the corner. It didn’t seem like a place anyone actually lived in. More like a picture in a magazine, or a safehouse for someone who moved around a lot.

“Bedrooms down the hall,” he said, jerking his head toward a narrow corridor. “There should be some clothes in the closet that’ll fit you.”

You hesitated, glancing around. “You just… keep women’s clothes lying around?”

Patch’s expression remained impassive, but there was the faintest twitch at the corner of his mouth. “I’ve had company before,” he said dryly, then turned away to rummage through a cabinet near the kitchen. “Go get dressed. We’re burning time.”

You didn’t need to be told twice. You hurried down the hall and found the bedroom—spare and uncluttered like the rest of the place. There was a walk-in closet filled mostly with men’s clothing, but you found a few items that looked like they might fit—a pair of black jeans, a faded gray t-shirt, and a leather jacket that was slightly too big. You changed quickly, tossing your clothes onto the bed and taking a moment to look at yourself in the mirror. You still looked a little rough around the edges, but at least you didn’t feel like a walking mess anymore.

When you emerged, Patch was leaning against the kitchen counter, a half-empty glass of whiskey sitting on it. He gave you a quick once-over, then nodded. “Better,” he said, pushing off the counter. “Now let’s go.”

You fell in step beside him as he led you back toward the elevator, the weight of the night settling back onto your shoulders. You were dressed, you were ready, but the uncertainty still gnawed at you. The stakes hadn’t changed. Your sister was still out there, and you were about to walk straight into the kind of trouble most people wouldn’t even dare to think about.

Patch glanced at you as the elevator doors closed, a faint smirk tugging at his lips. “Try not to get yourself killed, kid,” he said, his tone laced with a mixture of sarcasm and something almost resembling concern.

You shot him a sideways look. “I’ll try my best,” you replied, your voice steady with a resolve you hadn’t felt in a long time. “Just make sure you don’t get in my way.”

His smirk deepened as the elevator descended, the faintest hint of approval in his gaze. “I wouldn’t dream of it.”

˚ ༘ ๋࣭ ࣪ 🀣⋆｡˚

The sun had vanished below the horizon, leaving the docks shrouded in a deep, restless darkness. As Patch’s motorcycle rumbled to a halt, you slid off the back, the chill of the night seeping into your bones. The air was thick with the salty tang of the sea, mixed with diesel fumes and the faint, distant clatter of metal on metal. Every shadow seemed to twist and stretch, and you couldn’t shake the feeling that you were being watched from all sides.

Patch cut the engine and swung a leg over the bike, his movements fluid and controlled. “Could you calm down?” he muttered, shooting you a sideways glare. “I can’t hear a damn thing with your heartbeat pounding like a drum.”

You stared at him, your brows knitting together. “You can hear my—”

He just gave a curt nod, already turning away as if the matter was of no consequence. “Here’s the plan, kid,” he said, his voice dropping to a low murmur. “You stay here. I go in, see what I can find out. If things get ugly, you get the hell out of here. Got it?”

Your jaw tightened at the implication. “Then why am I here? What am I supposed to do? Just sit here while you play hero?”

Patch’s eye flicked back to you, a glint of annoyance—or was it amusement?—in that sharp gaze. “You can either stay here and let me handle this, or you can come in and get yourself killed. Your call.” Without waiting for your response, he started toward the darkened warehouses at the edge of the docks, his steps silent on the cracked asphalt.

You stood there for a moment, anger flaring in your chest. There was no way you were just going to sit back while he did all the dirty work. He might’ve been right about you being out of your depth, but that didn’t mean you weren’t willing to dive in. You glanced around, scanning the shadows for any sign of movement, then quietly trailed after him, keeping a safe distance. If he noticed, he didn’t let on.

Patch moved like a predator, his silhouette blending into the night as he slipped between shipping containers and rusted machinery. You followed as quietly as you could, your breath catching in your throat each time a loose pebble crunched underfoot or a metal chain swayed in the wind.

Up ahead, Patch stopped near a cluster of abandoned crates. You crept closer, just in time to see him crouch beside the door of a warehouse, his body tensed like a spring. He pressed an ear to the corrugated metal, listening. For a heartbeat, there was only the sound of distant waves lapping against the docks. Then, with a sudden SNIKT, three gleaming blades sprang from his knuckles, each one catching the faint glint of moonlight.

Your breath hitched in your throat at the sight but it was short-lived.

Before you could fully process it, the warehouse door burst open, slamming against the wall with a metallic clang. Three men spilled out, their footsteps heavy, voices raised in harsh, hurried whispers that cut through the still night air. 

Patch moved before they even noticed him—a blur of muscle and precision, springing forward like a coiled viper. His fist shot out, striking the first man square in the throat. There was a sickening crunch, a dark spray of blood, and the man staggered back, eyes bulging as he choked on a gurgled gasp. He collapsed in a heap, his body going limp on the cold concrete.

The other two froze, their faces draining of color, eyes widening as they processed what had just happened. You pressed yourself against the steel container, the chill seeping through your clothes as you struggled to stay hidden. Your heart pounded so loudly you could almost feel it in your throat, but you couldn’t tear your gaze away from the scene unfolding before you.

Patch didn’t give them a chance to recover. He spun, fluid and lethal, his focus shifting to the man who’d just drawn a knife. The man lunged, but Patch sidestepped effortlessly, his movements smooth and economical. In a flash, he caught the man’s wrist, twisting it with brutal efficiency. The sickening snap of bone echoed through the night, followed by a strangled scream that sent a shiver down your spine. Patch barely hesitated, driving his fist into the man’s temple with a fierce, controlled strike. The man crumpled to the ground, blood pooling around him.

The third man, panic etched into every line of his face, fumbled for a gun at his waistband, his fingers clumsy in his desperation. You saw his hand close around the weapon, saw him raise it, aiming squarely at Patch’s unguarded back.

Before you could even think, instinct took over. You darted out from behind the container, your hand grasping a rusted metal pipe lying discarded on the ground. Without hesitation, you swung it with every ounce of strength you had. The pipe connected with a dull, sickening crack against the gunman’s shoulder, sending him stumbling forward. The gun slipped from his fingers, clattering to the ground.

Patch reacted instantly. He pivoted, claws slicing through the air. In one swift motion, he drove them into the man’s chest, his strike precise and merciless. The man’s eyes went wide, a strangled gasp escaping his lips as his body jerked, then fell slack. Patch withdrew his claws, letting the man crumple to the ground in a lifeless heap.

For a moment, the silence was absolute. You stood there, breathless, the weight of the pipe still in your hands as you stared at the bodies sprawled on the ground. Your pulse was a thunderstorm in your ears, your hands trembling slightly from the adrenaline that coursed through you.

Patch turned toward you, his eye narrowing, the tension between you crackling like static. “You were supposed to stay put,” he growled, his voice a low, dangerous rumble.

“And you have knives coming out of your hands,” you shot back, your voice trembling with adrenaline and disbelief. “I wasn’t about to let you get shot.”

He stared at you for a long beat, his gaze sharp and unyielding, as if he were assessing whether you were brave, reckless, or just plain stupid. Maybe a bit of all three. “Don’t make a habit of saving my life, kid,” he said finally, his tone edged with a reluctant sort of approval. “I’m not in the business of owing favors.”

Before you could think of a response, he jerked his head toward the warehouse. “Come on,” he said, his voice losing some of its sharpness but not its urgency. “Let’s see what we’re dealing with.”

You followed him inside, the metal pipe still gripped tightly in your hand like a talisman against the darkness. The warehouse was cold and dimly lit by a few flickering overhead lights. As your eyes adjusted, you saw rows of metal cages lining the walls, each one filled with frightened girls. Some were sobbing quietly, others stared blankly into the distance, their faces pale and hollow. Your stomach twisted at the sight, and you had to swallow back the bile rising in your throat.

Patch was already moving down the line, his gaze hard as he scanned each cage. “Look for your sister,” he said, his voice flat and steady. “Quickly.”

You moved down the line, your eyes scanning each girl’s face, desperation clawing at your chest. But as you reached the last cage, a sick realization settled in. She wasn’t here. None of these girls were Emily.

Patch came up beside you, his gaze shifting from the empty cages to your face, reading the despair etched there. “She’s not here, is she?” he asked quietly, though there was a certainty in his tone as if he’d already known the answer.

You shook your head, dropping the pipe, your hands curling into fists at your sides. “No,” you whispered, the word tasting bitter and hollow. “She’s not.”

Patch let out a slow breath, his jaw tightening. “Then this was only the start,” he said, his tone hardening again, as though he was steeling himself for the battles still ahead. “The guy at the casino gave us a lead, but it’s not the end of the line. We’re going to have to dig deeper.”

Your gaze drifted back to the girls still trapped in the cages, their hollow eyes pleading silently for rescue. “What about them?” you asked, your voice cracking. “We can’t just leave them here.”

For a moment, Patch’s expression softened—just a flicker of something almost human in the harsh lines of his face. “Stand back,” he said, his tone gruff as if trying to mask that brief flash of empathy.

You obeyed, retreating a few steps as Patch’s claws slid out with that familiar, metallic SNIKT. He moved down the row of cages in one swift motion, slashing through the padlocks like they were made of paper. The harsh sound of metal being cleaved filled the warehouse, and then the doors swung open one by one. The girls hesitated, their limbs trembling, but as the realization that they were free sank in, they began to stumble out, some leaning on each other for support.

Patch pulled a cell phone from his pocket, flipping it open with a flick of his wrist. “Yeah, it’s me,” he said gruffly as if the person on the other end was already expecting his call. “Got a situation down at the docks. Girls in cages—trafficking operation. Send someone to clean it up.” He paused, glancing over at you before adding, “And make it quick. We’re not sticking around.”

He hung up and turned back to you, his expression returning to its usual gruffness. “We’ve done all we can here. Let’s move.” He gestured toward the exit, already heading for the door.

You hesitated for a moment, watching as the girls huddled together, some whispering frantic prayers of relief. You wanted to stay, to make sure they were alright. But you knew that finding your sister meant pushing forward, following Patch down whatever dark road lay ahead.

You followed him out into the night, stealing a glance at his profile—the way his jaw was set, the hard lines etched into his face. He wasn’t just a man with claws. There was something else there, simmering beneath the surface—something raw and wounded like he understood exactly what it was like to lose someone.

Patch glanced back at you, his lone eye narrowing slightly as if he could read the turmoil simmering just beneath your surface. “They’ll be alright,” he said, his voice gruff but softer than before, almost as if he was trying to reassure you. But there was also a distance behind his tone that suggested he was more used to dealing with facts than offering comfort.

You shrugged, quickening your pace to fall in step beside him, the frustration bubbling up and out before you could bite it back. “How can you be so sure?” you snapped, your voice cracking from a mix of exhaustion and desperation. “We didn’t even do anything but cut them loose. What if someone else shows up before your people get here? What if they just get taken again?” The questions spilled out of you, each one sharper than the last. “And my sister—” You said, sucking in a breath. “How are we going to find her with no leads?”

Patch stopped walking, and you nearly collided with him. He turned to face you fully, his expression hard, but not unsympathetic. For a moment, you thought he was going to snap at you for doubting him. Instead, he took a slow breath and looked at you in a way that made you feel like he was seeing past your words, straight into your doubts and fears.

“You don’t think I ask myself the same thing every day?” His voice was low, gravelly, but there was a crack in the armor, a flicker of something almost vulnerable in the way he spoke. “How many people I’ve helped just end up right back where they started?” He shook his head, a bitter smirk twisting his lips. “The difference is, I don’t let it stop me from trying.” He let out a breath, his gaze flicking briefly to the dark waters of the bay. “Sometimes, you just do what you can and hope it’s enough.”

The words landed heavily, and you found yourself searching his face for some deeper understanding. The hard lines, the unshaven jaw, the haunted look in that lone eye—all of it told you this wasn’t the first time he’d been up against impossible odds. He looked like a man who had seen the worst the world had to offer and was still fighting against it, even if he didn’t believe in winning anymore. There was a kind of comfort in that, knowing you weren’t the only one feeling helpless.

You took a breath, your voice quieter now. “But we still don’t know where she is,” you said, hating the desperation that crept into your tone. “And if we don’t have any leads, then—”

“We do have a lead,” Patch interrupted, his tone firm but not dismissive. He started walking again. “It’s just a small one.”

You frowned, hurrying to keep up with him. “What lead?” you asked, trying not to sound too skeptical.

“The convenience store,” he said, casting a sidelong glance at you. “Where you and your sister were before she was taken. I assume this wasn’t the first time there’s been trouble there. Lowtown’s full of secrets—it doesn’t take much for a place like that to hear things, see things. Somebody might’ve seen something, or maybe the owner knows more than he’s letting on.”

Your stomach tightened at the thought of going back there. The memory of that night was still raw—your sister’s terrified scream, the flash of the gun, the feeling of helplessness that had wrapped around your throat like a noose. “You think he’ll talk?” you asked, your voice coming out smaller than you’d intended. “The owner… he didn’t exactly seem like the helpful type.”

Patch’s mouth curved into a sardonic half-smile. “People talk when they have a reason to,” he said. “And if he doesn’t want to…” He tapped his knuckles against the claws sheathed inside his hand, the faintest snikt sound slipping through. “Well, let’s just say I have ways of encouraging them.”

You rolled your eyes at the display, though you felt a small spark of relief. “So your plan is to scare him into talking?” you asked, forcing some of your earlier skepticism back into your voice. “What if that just makes him clam up more?”

Patch gave a short, dry chuckle. “Then we improvise,” he said simply as if it were the most natural thing in the world. “Most people can’t handle pressure the way you might think.” He glanced down at you, his expression softening for a moment. “Besides, you might be surprised what they’ll say if they think they’re helping you.”

There was a beat of silence, and then you shook your head. “Why would you care if someone helps me or not?” you asked, the question slipping out before you could fully think it through. “You don’t even know me.”

Patch looked away, his gaze settling on the lights shimmering on the bay. “Maybe I see something familiar,” he said quietly, his voice rough around the edges. “Someone who doesn’t know when to back down, who’s got too much fire for her own good.” He shrugged, the motion almost dismissive. “Or maybe I’m just a sucker for a lost cause. Take your pick.”

Something about the way he said it—the hint of a confession buried in his gruff tone—made your throat tighten. You didn’t know if you believed him, but you could tell he meant it, at least on some level.

You fell into step beside him, a new determination building in your chest. “Alright,” you said, your voice steadier than before. “Let’s go back to the store. But if we don’t find anything there…” You trailed off, the unspoken fear still lingering between you.

Patch glanced at you, his eye glinting in the dim light. “If we don’t find anything,” he said, his voice low and steady, “then we keep looking. We dig until there’s nothing left to dig.” He paused, his gaze locking onto yours with a kind of fierce intensity. “And I won't stop, sweetheart. Not until we find her.”

​​You felt a tiny flicker of hope catch in your chest. It was a fragile thing, barely more than a spark. But it was enough to keep you moving, enough to help you push back the darkness that seemed to cling to the edges of everything. There were still shadows, countless unknowns waiting for you in the dark. But now, you had someone walking with you who understood the weight of desperation and the need to fight, even when the odds seemed impossible.

˚ ༘ ๋࣭ ࣪ 🀣⋆｡˚

The early morning sky had just begun to soften to a pale, grayish-blue creeping over Lowtown like a faded bruise. The convenience store loomed ahead, its cracked neon sign buzzing faintly, casting an uneven glow over the peeling paint and grimy windows. As you climbed off Patch’s motorcycle, the knot in your stomach twisted tighter, a dull ache spreading through your chest. You hadn’t slept, and the weariness settled over you like a heavy fog, making every step feel like wading through quicksand.

Patch swung his leg off the bike and glanced at you, a frown tugging at the corner of his mouth. “I can go in alone,” he said, his tone more a suggestion than an order, though his eyes flicked warily toward the store.

“No, it’s fine.” The words came out harsher than you intended, and you pushed past him, crossing the street before he could respond. The truth was, you didn’t want to sit back and let him do all the talking. This was your fight, and you needed to feel like you were doing something—anything—to get closer to finding your sister.

The bell above the door jangled as you stepped inside, the familiar scent of stale coffee and cheap cleaning products hitting you all at once. The store looked the same as it had the night your sister was taken—dimly lit, cluttered shelves, a few bored customers milling about, and behind the counter, the same old man with his scowling expression and deep-set eyes. 

He glanced up as you approached, his gaze flicking briefly to Patch before settling on you. Recognition flashed in his eyes, and he immediately stiffened, his scowl deepening.

“Back again?” he grunted, his tone dripping with irritation. “Didn’t think I’d be seeing you so soon. Look, if this is about that night, I already talked to the cops—”

“This isn’t about the cops,” you interrupted, your voice cold. “This is about my sister.”

The store owner’s mouth tightened into a thin line, his fingers drumming against the counter. “I already told the police everything I know,” he said with a shrug. “Not that they cared much. It’s Lowtown. Crime happens.”

“Yeah, well,” Patch cut in, his voice a low growl, “you’re going to have to do better than that.” He leaned in, letting just a hint of menace creep into his posture. “You’re going to tell us exactly what you saw that night, old man.”

The owner bristled, his eyes darting nervously to the gleaming claws sheathed inside Patch’s fists as if sensing their presence even though they hadn’t made an appearance. “Look, I don’t want any trouble,” he muttered, his gaze shifting away. “I’m just trying to run a business here. I didn’t see anything more than I already told the cops.”

A wave of frustration surged through you, hot and sharp. You didn’t have time for this—didn’t have time for vague answers and excuses. Before you could think, you stepped forward and grabbed the front of the old man’s shirt, yanking him toward you across the counter. “Stop lying!” you snapped, your voice trembling with a raw edge. “This isn’t just some robbery we’re talking about—my sister was taken! If you know anything, you better tell us now.”

The owner’s eyes widened, shock flickering across his face as he took in the desperation in your expression. “Hey, hey—calm down,” he stammered, his hands coming up defensively. “I don’t know anything, I swear!” His gaze darted nervously to Patch, who stood back with a raised brow, clearly surprised but not intervening. “The guy that night—he’s just some lowlife who’s robbed me a few times. That’s it! The police don’t even bother arresting him anymore—they say he’s small-time. He usually hangs out at this old abandoned building a few blocks from here.”

You tightened your grip on his collar, leaning in closer. “Where?” you demanded, your voice a low, dangerous whisper.

The owner swallowed hard, his face pale under the flickering fluorescent lights. “It’s an old warehouse on Canal Street,” he said quickly. “Just a few blocks west. The place has been falling apart for years—nobody else goes near it. That’s all I know, I swear.”

You released him, letting out a shaky breath as you stepped back. The owner stumbled slightly, his hand flying up to straighten his collar, his eyes still wide and wary. “You better not be lying,” you said, your tone cold. “Because if you are—”

“He’s not,” Patch interrupted, his voice calm but edged with finality. He gave the old man a hard look before turning to you. “Let’s go.”

You nodded, your pulse still racing from the adrenaline, the anger. As you turned to leave, the store owner’s voice trembled after you, “Good luck, kid,” he said, almost reluctantly. “But don’t say I didn’t warn you. That guy… he’s trouble.”

Outside, you took a deep breath, trying to shake off the intensity of the moment. You hadn’t even realized how tightly wound you were until now. Patch glanced at you, his expression unreadable as he pulled a cigar from his pocket and lit it. He took a long drag, the smoke curling around him as he studied you.

“Didn’t know you had that in you, sweetheart,” he said, his tone carrying a hint of approval. “You might just make it out of this alive after all.”

You shot him a look, not quite sure whether to take that as a compliment or an insult. “I’m not doing this for your approval,” you said, still feeling the heat of anger simmering in your veins. “I’m doing it for her.”

Patch blew out a cloud of smoke, a half-smirk curling on his lips. “I know,” he said simply, then nodded toward the street. “Come on. We’ve got a warehouse to check out.”

˚ ༘ ๋࣭ ࣪ 🀣⋆｡˚

The roar of the motorcycle faded as Patch brought it to a stop near the crumbling entrance of the old warehouse on Canal Street. The place looked like it hadn’t seen upkeep in decades—rusted metal siding, cracked windows covered in grime, and a faded sign that had long since lost any meaning. Despite the early morning light breaking over the horizon, the shadows clung to the corners, refusing to let go.

Patch scanned the building, his keen gaze narrowing, his head tilting slightly as if tuning into a frequency only he could hear. He took a slow breath, nostrils flaring, and you knew he was using that heightened sense of his to pick up anything unusual—sounds, scents, even the faintest movement.

After a moment, he exhaled, frustration curling his lips into a scowl. “It’s quiet,” he said, his tone flat. “Too quiet. I don’t hear a damn thing in there. If anyone’s here, they’re either dead or—.”

“Or maybe they’re hiding,” you argued, your voice trembling slightly despite your effort to sound resolute. “Or maybe Emily’s in there—” You cut yourself off, refusing to say the rest. You didn’t want to give voice to your fears, the idea that if she was here, she could already be—no. You weren’t going to think like that.

Patch gave you a hard look, the concern in his gaze surfacing just enough for you to catch it. “You need to stay out here,” he said, his voice low and firm. “If something goes down, you’ll be in the way.”

But you were already moving, your feet carrying you toward the warehouse entrance before you could give yourself time to hesitate. “I’m not staying out here,” you snapped. “I didn’t come this far to wait around while you do all the work.”

Patch reached for your arm, his fingers closing around your wrist in a firm grip. “You think you’re ready for whatever’s in there?” His voice was almost a growl, frustration lacing every word. “You’re running on fumes, kid. Don’t make this harder than it has to be.”

You yanked your arm free, anger sparking hot in your chest. “I don’t care what you hear or don’t hear Patch,” you shot back, your voice rising. “I’m going in there. Whether you like it or not.” You turned and pushed through the door, the rusted metal creaking as it swung open.

The air inside was musty, thick with dust and the lingering scent of stale cigarette smoke. Rows of abandoned crates and broken-down machinery loomed in the gloom. You took a cautious step forward, your senses on high alert. The silence pressed in around you, heavy and suffocating, but it did little to quell the desperate hope burning in your chest. Emily could be here, you told yourself. She has to be.

As you ventured deeper into the warehouse, you heard a faint shuffle, the quiet scrape of a shoe against the concrete floor. You froze, squinting through the dim light until your eyes locked on a figure crouched behind a stack of crates. It was a man, the same one you remembered from the convenience store—greasy hair, ratty clothes, and a face you’d never forget. 

Rage flared white-hot inside you, burning away the exhaustion and fear. Before you knew it, you were moving—your feet pounding the ground, the world narrowing to just you and him. “Where is she?” you shouted, your voice echoing off the warehouse walls as you closed the distance. “Where’s my sister?!”

The man scrambled to his feet, his eyes wide with recognition and panic as you lunged at him. He tried to swing a fist at you, but you ducked and slammed your shoulder into his chest, knocking him backward. You grabbed him by the collar, slamming him against a nearby metal beam. The impact sent a hollow clang reverberating through the building.

“Where is she?!” you screamed again, your grip tightening as you pulled back a fist and drove it into his jaw. The pain in your knuckles barely registered over the adrenaline surging through your veins. “Tell me where you took her!”

The man grunted, blood trickling from the corner of his mouth as he tried to shove you off. “I—I don’t know what you’re talking about!” he spat, his voice trembling. “I didn’t—”

“Don’t lie to me!” You struck him again, your fist connecting with his ribs this time. He let out a choked groan, his knees buckling as he struggled to stay upright. “I saw you! You took her from the store! What did you do with her?!”

You were about to hit him again when a strong hand grabbed your wrist, pulling you back. “Enough,” Patch’s voice rumbled behind you, deep and commanding. He yanked you away from the man, spinning you around to face him. “You’re not going to get anything out of him like this,” he said, his tone calmer but edged with warning. “Let me handle it.”

You shook your head, the rage still burning hot in your chest. “No!” You struggled against Patch’s grip. “I was handling it just fine. He knows something—I know he does!”

The man coughed, wheezing as he tried to catch his breath. “Alright, alright!” he croaked, his eyes darting between you and Patch, desperation etched into every line of his face. “I took her, okay? But I swear I don’t know where she is now!”

Patch let go of you and took a step toward the man, his expression darkening. “Start talking,” he growled, the claws sliding out of his knuckles with a menacing SNIKT.

The guy’s face went pale as he eyed the claws, swallowing hard. “Okay, okay!” he stammered, raising his hands in surrender. “I sold her! That’s what we do—grab girls and sell them off to whoever’s buying! She was taken to some place up north—private buyer, big money!” His breath hitched as he glanced nervously at you, then back at Patch. “That’s all I know, I swear! They don’t tell us where they take the girls after the sale, just that it’s out of town, upstate!”

Your heart sank, the anger in your chest twisting into something darker, colder. “You sold her,” you whispered, the words tasting like bile. “You sold my sister.”

The man opened his mouth to speak, but Patch stepped forward, the glint of his claws catching the dim light. “You’re going to give me the name of the buyer,” he said, his voice low and dangerous. “Or you won’t be leaving this place in one piece.”

The man’s eyes darted frantically around the room as if searching for an escape that didn’t exist. “I—I don’t know his real name!” he cried. “They just called him ‘The Collector.’ That’s it! I swear! He deals in... special requests. High-profile stuff. If you want more than that, you’re gonna have to talk to someone higher up the chain.”

Patch held the man’s gaze for a moment longer, then retracted the claws with a snikt and turned to you. “Come on,” he said, jerking his head toward the door. “We’ve got what we need.”

You hesitated, a storm of anger and helplessness roiling inside you. A part of you wanted to drag every last bit of information out of the man, to beat the truth out of him until he confessed something useful—anything that would bring you closer to finding Emily. “We can’t just let him go,” you said, your voice trembling with barely restrained fury. “He’s a criminal. He sold my sister.”

You took a step closer to the guy, your hands curling into fists at your sides. The man flinched, shrinking back against the metal beam, his eyes darting toward the door as if planning an escape. But you were ready to lunge if he even tried.

Patch stepped in front of you, blocking your path to the man. “What do you want me to do, kid?” he said, his tone flat and calm, but with an edge that hinted at something darker. “Kill him? Beat him to a pulp?” He glanced over his shoulder at the man, who was trembling now, his eyes wide and pleading. “Or maybe you think turning him in will make the cops give a damn?”

The truth in his words hit you like a slap. You knew how things worked in Lowtown. The police wouldn’t waste their time on some street-level thug, even if he had been part of something bigger. People like him slip through the cracks all the time. That was just the way it was. But the thought of letting him walk away, after everything he’d done, twisted your insides into a knot.

You swallowed hard, taking a step back. “I just don’t want him to get away with it,” you whispered, the fire in your voice fading to something more fragile. “He deserves to pay.”

Patch held your gaze for a moment, then turned back to the man. “Yeah, he does,” he agreed, his voice cold as ice. Before the guy could even react, Patch’s fist lashed out, striking him squarely across the jaw. There was a sharp crack, and the man slumped to the ground, unconscious, his body hitting the floor with a dull thud.

Patch flexed his fingers, the claws sliding out then back into place with a faint snikt as he turned to you. “There,” he said. “He’s not going anywhere now.” He nudged the man’s limp form with the toe of his boot, then glanced up at you, his expression unreadable. “But we’re not sticking around, either.”

You took a shaky breath, staring down at the unconscious man. It wasn’t enough—it would never be enough—but it would have to do for now. “What now?” you asked, the adrenaline ebbing and leaving you feeling drained, almost hollow.

Patch rubbed a hand across his jaw, then lit up a cigar, taking a long drag before speaking. “Now,” he said, exhaling a plume of smoke, “we regroup. We’ve got a name—The Collector—and we know he’s the kind of scumbag who deals in ‘special requests.’ That’s more than we had before.” He glanced over at you, his gaze lingering on the bruise forming on your knuckles, the scrapes on your face. “But you’re running on empty. You need to rest and clean yourself up. We’ll go back to my place.”

You opened your mouth to argue, to tell him that you didn’t need rest, that there wasn’t time. But the exhaustion hit you all at once, like a weight settling on your shoulders. Your hands were still trembling from the adrenaline, your head spinning slightly from the lack of sleep. You hated to admit it, but he was right. You weren’t going to be any help if you collapsed before you even found another lead.

“Fine,” you muttered, the word tasting like defeat. “But just for a little while. Then we’re going after this Collector.”

Patch gave a small nod, his mouth curling into something that was almost a smirk. “Don’t worry, sweetheart. I’m not planning on sitting around,” he said as he started toward the exit, the early morning light spilling into the warehouse. “I’ll reach out to some contacts, and see what I can dig up while you get cleaned up. We’re just getting started.”

As you followed him out, you couldn’t help but glance back at the man sprawled on the floor, his breathing shallow and uneven. You still felt a simmering rage in your chest, but at least now you were moving forward. It wasn’t much, but it was something.

The motorcycle ride back to Patch’s place felt longer than before, every bump and turn jarring your already frayed nerves. When you finally arrived, you climbed off the bike, wincing as your muscles protested. Patch led you back up to the sleek high-rise apartment. 

Inside, he gestured toward the bathroom down the hall. “There’s a first aid kit under the sink,” he said. “Get yourself cleaned up. I’ll be making some calls.” He pulled out his phone, already scrolling through contacts as he lit another cigar.

You nodded and headed to the bathroom, pausing when you caught a glimpse of yourself in the mirror. You looked like hell—hair tangled, dirt smudged across your face, dried blood on your knuckles. You almost didn’t recognize the person staring back at you. You didn’t feel like the same person you’d been yesterday. 

As you scrubbed the grime from your skin, letting the hot water beat against your sore muscles, you could hear Patch’s voice rumbling down the hall. His tone was low and gravelly, clipped in a way that spoke of urgency and frustration. 

“Yeah, The Collector,” he was saying. “He’s back in the market. Upstate, from what I hear. Need you to dig up any recent sightings, transactions… anything that’ll give me a trail.” There was a brief pause, and you could imagine him pinching the bridge of his nose as he listened. “Yeah, I owe you one. Just get it done.”

The water scalded, but you welcomed the sting—it was better than feeling numb. You wrapped a towel around yourself and padded softly into the bedroom. You noticed Patch by his closet, rifling through a stack of clothes. He must have heard you, because he glanced over his shoulder, his gaze trailing over you sending a shiver down your spine.

“Anything?” you asked, your voice husky from fatigue, though there was a thread of hope laced in the question.

He pulled out a t-shirt and a pair of jeans, handing them to you. “Got a few leads,” he said, watching you with that sharp, assessing eye. “The Collector’s keeping a low profile, but he’s been spotted at a private estate upstate—real exclusive, where the rich and dirty go to do business no one else should see.”

You took the clothes from his grasp, your fingers brushing against his. His skin was warm and rough like he was someone who had been through hell and dragged himself back. “I don’t think I’ve said this yet,” you murmured, averting your gaze as you pulled the shirt over your head. “But… thank you.”

Patch arched an eyebrow, a slow smirk curving his lips as he leaned casually against the wall, arms crossing over his chest. “Don’t get all soft on me now, sweetheart,” he drawled, his tone edged with amusement. “You’re making me blush.”

You shot him a glare, though it lacked any real bite. “I’m serious, Patch. You didn’t have to help me. Most people would’ve just told me to get lost.”

His gaze softened, just a fraction, and for a heartbeat, you thought you saw something flicker in his eye. “You’re not most people,” he said quietly, then his mouth twitched into a half-smirk again. “Besides, I’ve got a soft spot for troublemakers.”

“Must be why you’re helping me,” you shot back, tossing the jeans and towel on the nightstand. “You just can’t resist a little chaos.” You meant for it to sound teasing, but there was an unspoken tension humming between the two of you, thickening the air. It lingered there, a spark that could easily ignite, but Patch was already turning away, the moment slipping back into the shadows.

“Get some rest,” he said, his tone gruff again as he nodded toward his bed in the center of the room. “I’ve still got a few calls to make. I’ll wake you when I’ve got something solid.” He glanced back at you, his gaze briefly dipping to where the hem of the shirt you wore brushed against your thighs. 

You settled onto his bed reluctantly, exhaustion tugging at your limbs. As much as you wanted to stay awake, to keep pushing forward, the weight of the day was catching up with you. The pillows were firm and smelled faintly of leather and cigar smoke, and despite the situation, it was surprisingly comforting. You let your eyes drift shut, just for a moment.

˚ ༘ ๋࣭ ࣪ 🀣⋆｡˚

The nightmare hit you like a punch to the gut. One moment, you were sinking into sleep, and the next, you were back in that convenience store—hearing Emily’s screams, seeing her being dragged away. The scene replayed in sharp, agonizing detail, but this time, you weren’t paralyzed. You fought, struggled, reached for her, but every time you got close, she slipped away, her face twisted in terror as the darkness swallowed her whole.

You woke with a gasp, your heart pounding violently against your ribcage, your skin slick with sweat. The room was dark, save for the faint glow of the city lights filtering in through the window. You struggled to catch your breath, your fingers digging into the sheets beneath you as you tried to shake off the remnants of the dream.

“Bad one?” Patch’s voice was low, coming from the other side of the room. You hadn’t noticed him there, sitting in an armchair, one leg propped up on the coffee table. His gaze was steady, and even in the dim light, you could see the concern etched in the hard lines of his face.

You nodded, swallowing against the tightness in your throat. “Just… couldn’t stop seeing her,” you whispered, hating the vulnerability that crept into your voice. “I keep thinking, what if we’re too late? What if she’s already—”

“Don’t go there,” Patch interrupted, his tone firm. He got up from the chair and crossed the room in a few strides, crouching down beside you. “Fear’s a poison, kid. It’ll eat you alive if you let it.” His hand rested on your shoulder, a steadying weight, and when you looked into his eye, you saw something raw, something familiar—a shared understanding of pain.

“Is that how you deal with it?” you asked, your voice barely more than a whisper. “Just… shut it down? Pretend you’re not scared?”

Patch’s jaw tightened slightly, and he looked away for a moment as if considering how much to reveal. “I’m not afraid of dying,” he said quietly. “Been through that more times than I can count.” He hesitated, then continued, his voice rough. “But losing people… watching them slip away and not being able to do a damn thing about it—that’s a different kind of fear.”

His words settled over you, heavy and cold. “How do you deal with it?” you asked, unable to keep the desperation from leaking into your tone.

Patch’s gaze flicked back to you, his hand still resting on your shoulder. “You don’t,” he said simply. “Not completely. But you keep moving, keep fighting. Because giving up isn’t an option. Not if you’ve got something worth fighting for.” His grip tightened just slightly, the roughness of his skin grounding you in the present. 

The air between you seemed to crackle, the unspoken understanding deepening the tension that had been building since you’d met. His touch lingered, warmer than you’d expected, the lines on his face softer, as if he’d let you see a glimpse of the man behind the mask.

You found yourself leaning just a little closer, your breath mingling with his. “I’m not used to someone sticking around,” you admitted, your voice hushed.

Patch’s mouth twitched, that smirk returning, but his eye remained steady, serious. “Well, don’t get used to it,” he said, his voice dropping lower. “I’m just here to see you don’t get yourself killed before we find your sister.”

“Is that all?” you murmured, the corner of your mouth curling up as you felt the familiar spark of challenge in your chest.

His gaze held yours for a long moment, something unspoken passing between you that felt like the edge of a blade, sharp and dangerous. “For now,” he replied, standing up and stepping back, the distance between you stretching out once more. “Get some more sleep. You’re going to need it.”

You nodded, lying back down, but this time, it was different. The darkness wasn’t as suffocating, the fear not as overwhelming. You weren’t sure if it was because of Patch’s words or the warmth of his touch that still lingered on your shoulder. Nonetheless, you drifted off again. 

˚ ༘ ๋࣭ ࣪ 🀣⋆｡˚

“Wake up, kid.” Patch’s voice rumbled above you, and his hand shook your shoulder with just enough force to rattle you out of sleep.

You groaned, the heaviness of exhaustion clinging to your limbs as you blinked against the dim light of the apartment. “Five more minutes…” you muttered, your voice thick with sleep.

“Sorry, sweetheart. We don’t have five more minutes,” he said dryly, stepping back and crossing his arms as he waited for you to sit up. “The Collector’s making a move. Got word he’s doing a deal in Hightown tonight. We’re running out of time.”

The mention of The Collector jolted you awake, your pulse quickening. You rubbed a hand over your face, forcing yourself to focus. “Tonight?” you echoed, pushing yourself up off the bed. “How’d you find that out?”

Patch’s smirk was a little too smug for your liking. “I’ve got my ways,” he replied, the hint of a chuckle in his voice. “Turns out, a lot of people are willing to talk when you give them the right incentive.” He leaned back against the wall, his gaze trailing over you as if assessing whether you were ready for what was coming next. “Or when you’ve got claws that can slice through steel.”

You rolled your eyes, reaching for the jeans on the nightstand. “Guess you didn’t need my help for that, then.”

His smirk deepened, the corner of his mouth curling up. “I wouldn’t say that. I’m just not big on watching you sleep while I do all the work.”

You shot him a glare as you pulled on your jacket. “Don’t act like I’ve been sitting around doing nothing. I’m the one who got us that lead on Canal Street, remember?”

He gave a casual shrug, but his expression softened—just a touch. “Fair point,” he conceded. “But if you’re coming with me tonight, you’d better be ready for things to get ugly.” He tilted his head, eyeing you up and down like he was measuring whether you could handle whatever lay ahead. “The Collector’s not your average street thug. He’s a heavy hitter with connections. If he’s making a deal, it’s gonna be big and dangerous.”

“I’m not afraid of a little danger.” There was a challenge in your voice, a fire that hadn’t been there before. You weren’t sure if it was adrenaline or sheer desperation, but it felt like the only thing keeping you upright.

Patch’s gaze held yours, a glint of approval flashing in his eye. “You’ve really got guts, I’ll give you that,” he said. “Just try not to let them spill out tonight.” He turned and headed toward the door, his voice drifting back to you. “The deal’s happening in one of the private clubs in Hightown. Real swanky place where the rich get their hands dirty without staining their clothes.”

You followed him, your pulse quickening with each step. “And what’s our plan? We’re just gonna walk in and ask politely where my sister is?” you asked, trying to match his casual tone, though there was a sharp edge beneath it.

Patch’s chuckle was low and rough, almost a growl. “Not exactly. We’ll blend in as much as we can,” he said, glancing over at you with a faint smirk. “I can pass for someone with money to burn. You, on the other hand, might need a bit of work.” He raised an eyebrow, his gaze flicking over your current attire.

You scoffed, narrowing your eyes at him. “What, you’re saying I don’t look the part?” you shot back, a wry smile tugging at your lips. “I think I can fake a little high-class attitude.”

Patch tilted his head, his smirk deepening. “You’ve got plenty of attitude, that’s for sure,” he remarked, his tone dripping with teasing. “But attitude’s not gonna get you past the doorman. You need to look like you belong there. Right now, you look more like you belong in a street fight than in a place with crystal chandeliers.”

You crossed your arms, your brow lifting in defiance. “Then I guess you’d better help me, Patch,” you said, your voice laced with sarcasm. “You seem to know a lot about dressing up.”

He shook his head, a low chuckle rumbling in his chest. “Fine, kid. I’ll see what I can dig up.” He gestured for you to follow him back down the hallway. “But if anyone asks, you’re my date for the night. Try not to embarrass me.”

Your laughter was sharp, filled with tension. “Oh, don’t worry,” you replied as you walked behind him. “I’d hate to ruin your reputation.”

Half an hour later, you stood in front of the bathroom mirror in Patch’s apartment, barely recognizing the person staring back at you. The dress he’d found was sleek and black which hugged your figure in a way that made you feel both exposed and powerful. Your hair was pulled back in a loose twist, a few tendrils framing your face to help hide the bruises. You hadn’t worn anything this fancy in… well, maybe ever. You couldn’t decide if you liked it or if it made you want to crawl out of your own skin.

“Not bad,” Patch said, leaning casually in the doorway, his arms crossed as he looked you over. “You clean up pretty well, kid.”

You turned to face him, a slow smirk curling on your lips. “You almost sound impressed,” you said, lifting an eyebrow. “Didn’t think I could pull off the high-class look?”

He shrugged, but the gleam in his eye betrayed his amusement. “Just wasn’t sure you knew how to wear anything that didn’t involve bloodstains.”

You took a step closer, your gaze locked on his. “Guess I like to keep you on your toes,” you replied, your voice low.

He didn’t move away, his expression unreadable as he stared back at you. For a moment, the air thickened between you, and you found yourself acutely aware of the heat radiating from his body, the way his jaw tightened just slightly as if resisting the urge to say something. But then, just as quickly, he turned and gestured toward the door.

“Come on, sweetheart,” he said, his voice back to its usual gruffness. “We’ve got a date with The Collector.”

You followed him out of the apartment, your nerves buzzing beneath your skin. The thought of walking into a club filled with dangerous people didn’t exactly thrill you, but if it got you one step closer to Emily, then it was a risk you had to take.

˚ ༘ ๋࣭ ࣪ 🀣⋆｡˚

The club in Hightown was an entirely different world. It oozed luxury—plush velvet drapes, glittering chandeliers, and people dressed in expensive clothes that screamed wealth and power. The low thrum of jazz music hung in the air, mingling with the scent of perfume and cigar smoke. As you and Patch approached the entrance, he wrapped an arm around your waist, pulling you closer to him.

“Try to look like you’re enjoying yourself,” he murmured near your ear. “We’re supposed to blend in, remember?”

You shot him a sideways glance. “Is this where I swoon and cling to your arm?” you whispered back, a smirk tugging at your lips.

“If you want to sell it, yeah,” he replied, his tone half-teasing, half-serious. “And if anyone asks, I’m taking you on a private tour of the club. Just follow my lead.”

You took a deep breath, letting the warmth of his touch steady you as you stepped inside. Your gaze swept over the room, searching for anything or anyone that looked out of place. But everyone here seemed to belong—except you.

Patch’s grip on your waist tightened slightly as you entered, his body tensing ever so subtly. “The deal’s happening in one of the private rooms upstairs,” he murmured, his voice low enough for only you to hear. “We need to get up there without drawing attention.”

Your heart hammered in your chest as you took in the sight of the staircase leading to the upper levels. The plush carpet, the gold-trimmed railings, the way the lights seemed dimmer up there—it all felt like a line you weren’t sure you could cross. A rush of panic tightened your chest. This was a different kind of danger than what you’d faced so far. Up until now, you’d been chasing shadows, following vague leads, but here… here you’d be walking straight into the heart of it.

“How are we going to get up there?” you asked, your voice coming out quieter than you intended. Your eyes flicked to the hulking security guard posted at the base of the stairs, his arms folded over a chest that looked like it could stop a freight train. “I don’t think saying you’re giving a private tour is going to cut it.”

Patch’s mouth quirked into a half-smile, his gaze sliding over to the guard and then back to you. “Good thing I just came up with a better plan than that,” he murmured, his voice low and rough. He pulled you snugly against his side. “Just follow my lead, sweetheart,” he added, his breath warm against your ear. “And try not to blush.”

You barely had time to react before he steered you toward the staircase, his grip on you firm but gentle. You glanced up at him, narrowing your eyes. “So what’s the plan?” you whispered through gritted teeth, trying not to stiffen at the way his hand rested against your hip. “Charm our way past him?”

“Something like that,” Patch replied, his voice laced with amusement. “Just play along, act like you can’t get enough of me.”

“I’ll try to contain myself,” you shot back, matching his smirk.

As you approached the guard, you plastered a flirtatious smile on your face, leaning a little closer to Patch as if you were hanging on his every word. The guard’s gaze flicked to you, then to Patch, his expression shifting to one of suspicion.

“Upstairs is off-limits,” the guard said, his voice a low rumble. “Private event.”

Patch didn’t miss a beat, flashing a grin that was somehow both casual and threatening. “Come on, big guy,” he said, his tone smooth. “I’m just showing my girl here a good time. She’s never been to a place like this before.” He tightened his hold on your waist, his fingers brushing the exposed skin just above your hip. “Figured I’d give her a taste of the finer things.”

You caught the guard’s gaze, widening your eyes just a bit, adding a hint of breathlessness to your tone. “He’s right,” you said, forcing a giggle that felt foreign coming from your lips. “I’ve heard about the view from upstairs… I’d hate to miss out.” You leaned into Patch as though seeking his warmth, hoping the performance was convincing enough.

The guard’s eyes narrowed, flicking over you with a mix of skepticism and something darker. He seemed to hesitate, his gaze drifting to Patch as if weighing the consequences of letting you through.

“Look,” Patch said, his voice dropping an octave, adding a dangerous edge. “I’d hate to cause a scene, but if you’re going to make this difficult, I can always take my business elsewhere.” His hand shifted to your lower back, his thumb brushing in a way that sent an unexpected shiver down your spine.

The guard grunted, his jaw tightening. “Fine,” he said reluctantly, stepping aside. “But if anyone asks, you didn’t come up this way. Got it?”

“Crystal clear,” Patch replied, giving the guard a curt nod. As soon as you started up the stairs, his grip on you relaxed slightly, though his arm remained draped around you.

When you reached the first landing, you pulled away, shooting him a glare. “You enjoyed that way too much,” you whispered, though there was a hint of a smile tugging at your lips.

Patch’s mouth curled into a smirk. “Maybe I just like seeing you squirm,” he teased, his gaze flicking down to your flushed cheeks. “You played the part well, though. Almost had me convinced.”

You rolled your eyes, ignoring the way your skin still buzzed where his hand had been. “I’m sure it’s not the first time you’ve had to sweet-talk your way into someplace you’re not supposed to be.”

His smirk widened. “You’d be surprised.”

Before you could come up with a retort, the distant sound of raised voices drifted down the hallway to your left. You stiffened, instinctively reaching for Patch’s arm. He noticed the change in your posture, his expression hardening in an instant.

“That’s coming from one of the private rooms,” he murmured, his gaze darting down the corridor. “Could be our guy.” Without waiting for your response, he took your hand and guided you forward, moving quietly toward the source of the commotion.

The closer you got, the more you could make out—a gruff voice barking orders, someone else protesting in a panicked tone. As you reached the door, which was slightly ajar, you caught a glimpse of a man in an expensive suit, gesturing animatedly while another figure, partially obscured by shadows, sat calmly at a table, watching with an air of detached amusement.

Patch glanced at you, his eye gleaming with intensity. “Stay behind me,” he whispered. “And if things get ugly, don’t try to play the hero.”

You opened your mouth to argue, but before you could, Patch had already nudged the door open with his shoulder, striding into the room as if he owned the place. You followed a step behind, your pulse racing as the room fell silent and all eyes turned toward you.

The man at the table—a thin, elegant figure with cold eyes—raised an eyebrow, a slow, serpentine smile spreading across his face. “Well, well,” he drawled, his voice as smooth as silk. “What do we have here? I wasn’t expecting company.”

Patch’s smirk was all teeth, dangerous and casual. “Just thought I’d drop by,” he said, his tone deceptively light. “Heard you were doing a little business tonight. Figured I’d see if you had something I might be interested in.”

The Collector’s gaze flicked from Patch to you, lingering just a bit too long for your comfort. “And who’s this lovely creature?” he asked, the smile never quite reaching his eyes. “I wasn’t aware you brought dates to negotiations.”

Patch’s grip on your waist tightened slightly. “She’s not for sale if that’s what you’re asking,” he said, his voice low and edged with a warning. “But you might have something—or someone—I’m looking for.”

The Collector’s smile faltered, and for a moment, his gaze turned calculating. “I suppose it depends on what you’re looking for,” he said slowly. “And how much you’re willing to pay.”

The air in the room seemed to thicken, the tension vibrating like a live wire. You could feel the Collector’s eyes boring into you, as though he was trying to peel away your façade and see what you were really after.

You swallowed hard, keeping your expression composed as you glanced up at Patch, hoping he had a plan. There was a moment of hesitation, a flicker of uncertainty in his gaze that made your stomach twist.

“I heard you have girls for sale,” Patch said, his voice calm but edged with danger. He made sure to keep a measured distance between himself and the Collector, his tone deceptively casual. “And I’m looking to buy one. Willing to pay quite a lot.”

The Collector's lips curved into a slow, mocking smile as he shook his head. “I don’t know where you heard that,” he replied, his voice a smooth purr. Rising from his chair, he placed his ringed fingers on the table and leaned forward. “But that’s not the kind of business I’m in.”

His gaze found yours, his eyes cold and piercing. You felt a shiver wash over your entire body like an icy hand sliding down your spine. The way he looked at you was invasive, stripping away your bravado layer by layer. Patch’s hand on your waist tightened ever so slightly, a warning to stay calm.

“I guess I misheard, then,” Patch said, his tone even, but you could sense the tension beneath it, like a taut wire ready to snap.

The Collector’s smirk widened as he straightened, folding his hands behind his back. “Is that why you brought her here?” he asked, raising a brow as his eyes raked slowly over your figure. “To distract me? She’s a pretty little thing, I’ll give you that. But you must think me a fool, Patch.” He chuckled a low, contemptuous sound. “You think I don’t know who you are?”

Patch’s jaw clenched, but before he could respond, you felt a surge of anger rise in your chest, hot and raw. You weren’t about to stand there and let this bastard talk circles around you, not when Emily could be here—could be just behind one of those doors.

You stepped forward, pulling away from Patch’s grasp, and leveled your gaze at the Collector. “Stop pretending you don’t know,” you said, your voice cutting through the room like a blade. “Where’s my sister?” You took another step, your hands curling into fists at your sides. “I know you’re the one who took her. Just tell me where she is!”

The Collector's smile didn’t falter, but a glint of amusement danced in his eyes as if he found your outburst entertaining. “Your sister?” he repeated, his tone dripping with false innocence. “I’m afraid I don’t know what you’re talking about. You see, I conduct legitimate business here. But I suppose if you were willing to make it worth my while, I could—”

The door to the private room swung open, cutting off his words. Two of the Collector’s men strode in, dragging a small group of girls with them. Your breath caught in your throat, the world narrowing to a pinpoint as you scanned their faces.

And then you saw her.

Emily.

She was hunched over, her hair tangled and her clothes dirty, but there was no mistaking the familiar curve of her cheek, the frightened wideness of her eyes. She looked up, her gaze finding yours, and her expression crumpled into a mix of relief and terror. “Sis?” she whispered, her voice cracking.

“Emily!” you cried, starting to move toward her, but one of the men stepped in front of you, blocking your path.

Patch's claws shot out with a sharp snikt, his voice turning into a low growl. “Move,” he said to the guard, his tone like gravel grinding together. “Or I start decorating this room with your blood.”

The guard hesitated, glancing back at the Collector, who simply raised a hand, signaling him to stand down. “Ah, there she is,” the Collector said with a sigh as if he were showing off a piece of fine art. “You know, Patch, I really didn’t want this to get messy. But since you’ve found what you’re looking for, I’m afraid we have a little problem.”

Patch stepped forward, positioning himself slightly in front of you. “The only problem here,” he said, his voice low and deadly, “is how many pieces I’m going to leave you in.”

The Collector’s smile faded, and he took a step back. “You think you can just walk out of here with her?” he said, gesturing to his men. “I don’t think so.” His tone sharpened. “Get them.”

Before you could blink, the room erupted into chaos. The guards lunged forward, and Patch was already in motion, his claws slashing through the air in a deadly arc. The first guard barely had time to react before Patch’s fist collided with his jaw, sending him sprawling to the ground. The second guard swung a baton, aiming for Patch’s head, but Patch ducked, his claws slicing across the man’s chest in one swift motion.

You ran to Emily, pulling her behind you as you backed toward the door. “We’re getting out of here,” you whispered fiercely, your hands trembling as you gripped her arm. “Just stay close.”

As you turned, one of the guards grabbed you by the shoulder, yanking you back. You lashed out instinctively, throwing an elbow into his ribs, but his grip didn’t loosen. Emily screamed, and in that split second, you saw Patch’s eyes flash with a wild, feral rage as he barreled toward the guard, knocking him away from you with a force that sent the man crashing into the wall.

“Go!” Patch shouted, shoving you and Emily toward the door as he whirled around to face the Collector. “Get her out of here!”

You hesitated for a heartbeat, your gaze flicking between Patch and the exit. There was something in his eyes—a promise, or maybe a threat—that made it clear he wasn’t leaving until this was finished.

“Come on, Em,” you said, pulling your sister toward the exit. “We have to go. Now.”

As you stumbled into the hallway, you glanced back one last time. Patch was still there, standing between you and the Collector, his claws gleaming in the dim light, a snarl on his lips. Whatever happened next, you knew he wouldn’t let anyone get to you or Emily without going through him first.

You ran, Emily’s hand clutched tightly in yours, your heart pounding with a mixture of relief and fear. You had her—you finally had her. But you also knew this wasn’t over. Not by a long shot.

˚ ༘ ๋࣭ ࣪ 🀣⋆｡˚

You hurtled down the stairs, pulling Emily along behind you, weaving through the throng of well-dressed patrons who barely glanced your way. Panic thrummed in your veins, making each step feel like a jolt of electricity. Your grip on Emily’s wrist was tight, almost desperate, as you fought to keep her on her feet. Her legs wobbled beneath her, and every few steps she stumbled, but you didn’t slow down. You couldn’t.

The club's entrance loomed ahead, and you shoved past the last of the guests, bursting through the doors and out onto the street. The night air hit you like a slap, a mix of humid heat and the lingering scent of car exhaust. You glanced wildly around, searching for anything that looked like an escape. 

There was no doubt in your mind that he had eyes all over Hightown. Staying in one place too long was as good as signing your own death warrant.

Emily stumbled, nearly dragging you down with her. “Em, we have to go,” you urged, your voice strained as you pulled her back to her feet. “I know you’re hurt, but we can’t stop now.”

She looked up at you through the tangled mess of her hair, her face pale and drawn, dark circles underlining her wide, fearful eyes. “I know,” she whispered, her voice hoarse. “I’m trying.” You could see the exhaustion settling over her, her limbs heavy and sluggish from whatever she had endured.

You spotted a taxi at the curb and practically hauled Emily toward it, banging on the window. “Please, we need a ride!” you shouted, your voice pitched with desperation.

The driver’s eyes flicked over you and Emily—her dirty clothes, your frantic expression. He shook his head quickly, his gaze hardening. “I don’t want any trouble,” he said, his voice muffled behind the glass. “Go find someone else.”

“Please!” you begged, yanking open the door, only for the driver to slam it shut again. “Just drive us out of here! I can pay—”

“I said no!” the driver barked, throwing the car into gear and peeling away from the curb, leaving you standing there with Emily slumped against your side.

“Damn it,” you muttered under your breath, your eyes scanning the streets for another option. This was Hightown though, and here, you and Emily stuck out like a sore thumb—two bedraggled figures in a sea of polished suits and cocktail dresses. Even now, people were starting to notice you, their curious stares prickling the back of your neck. 

You wrapped an arm around Emily’s waist and started moving, half-dragging her along as you navigated through the winding streets. “Come on, Em,” you whispered, forcing strength into your voice. “Just a little further.”

Your pace was frantic, your steps uneven as you guided Emily down narrow alleys and across cobblestone squares. More than once, you heard voices behind you—shouts, the click of heels on the pavement, the low rumble of an engine as a black car turned a corner. Each time, you forced yourself to keep moving, ignoring the burn in your legs and the way Emily’s weight seemed to grow heavier with each step.

You turned another corner and spotted a familiar building in the distance, the sleek high-rise where Patch’s apartment was located. It wasn’t much, but it was somewhere safe, somewhere out of sight. “We’ll go to Patch’s,” you said, mostly to yourself. “Just… we just need to get there.”

Emily nodded weakly, her breaths coming in shallow gasps as she clung to you. “Okay… okay,” she mumbled, though you weren’t sure how much longer she could hold out.

When you finally stumbled into the underground parking garage of the high-rise, you were both out of breath, your dress sticking to your skin with sweat. You dragged Emily toward the elevator, pressing the button repeatedly as if that would make it arrive faster. The doors finally slid open, and you hurried inside, practically collapsing against the wall as you hit the button for the top floor.

The elevator ascended with a dull hum, the minutes stretching out painfully, each one feeling like a lifetime. When the doors opened to Patch’s apartment, you half-carried Emily down the hallway, her head lolling against your shoulder until you set her down on the couch. Her eyes were already closing as exhaustion overtook her. 

“Just rest for a minute,” you whispered, brushing a strand of hair away from her face. “I’ll get you some water, and then get you cleaned up.”

You turned toward the kitchen, rummaging through the drawers for anything you could use to clean up Emily—cloths, bandages, a bottle of antiseptic. By the time you returned to the couch, Emily had already passed out, her breaths coming slow and even, her small body curled into itself like she was trying to disappear. You dipped the cloth in warm water and gently wiped the dirt and sweat from her face, your heart aching at how fragile she looked.

The elevator doors slowly open, and you jumped to your feet, the cloth slipping from your hand. Patch strode in, his white suit spattered with blood—some of it fresh and still glistening in the overhead light. He moved with a noticeable limp, his jaw set in a grim line, but there was a wild energy about him, a rawness that hadn’t yet settled. It was like he’d just walked off a battlefield and wasn’t entirely convinced he’d left it behind.

“Patch?” you breathed, your pulse quickening as the elevator doors shut behind him. “Are you… okay?”

He glanced at you, then at Emily on the couch, and for a fleeting moment, his expression softened, a quiet tenderness flashing in his eyes. But it disappeared as quickly as it came, replaced by his usual gruffness. “I’ve had worse,” he replied, his voice rough around the edges. He rolled his shoulder, testing for injuries, and you watched in awe as the faint cuts and bruises on his skin began to fade, healing right before your eyes.

You stepped around the couch, taking a hesitant step closer to him, your gaze locked on the bloodstain spreading across his pant leg. “How…?” you began your voice barely above a whisper, your breath catching in your throat. “Apparently, there’s more to you than I thought.”

Patch met your gaze, a flicker of something raw and unguarded passing across his face. “I don’t go spilling all my secrets, sweetheart,” he said, his tone casual, though there was a faint vulnerability beneath it. “Healing factor. Fast one. Comes in handy.” His lips curled into a sardonic half-smile like he was letting you in on a joke only he understood.

You blinked, trying to process what he’d just said. “And here I was willing to risk my life for you,” you teased, a faint smile tugging at your lips. “All this time, you could just… heal?”

Patch took a step toward you, wincing slightly as his weight shifted onto his injured leg. “Healing’s not instant,” he muttered, his tone dropping lower. “And the son of a bitch got me pretty good.” He paused, his gaze flicking to Emily. “Enough about me. Is the kid okay?”

“She’ll be fine,” you replied, but your eyes were still on his leg. The blood was soaking through the fabric, a dark, spreading stain that told you he wasn’t healing as quickly as he usually did. “Sit down,” you said, your voice firmer than before. “Let me take a look at that.”

Patch started to protest, shaking his head. “I told you, I’ll be fine. It’s already healing—”

“Yeah, but it’s being slow about it,” you cut him off, your gaze hardening with a determination that left no room for argument. “You said it yourself—he got you good. Now, sit down and let me help.”

For a moment, he looked like he was going to argue, his jaw tightening, but then he relented with a resigned sigh, limping over to the armchair and lowering himself into it. “Fine, but don’t get any ideas about playing nurse, sweetheart,” he grumbled, but there was a hint of a smile in his eyes as he watched you kneel beside him.

“Just shut up and let me help you,” you shot back, grabbing the first aid kit you’d set aside for Emily and popping it open. “Take off your pants.”

Patch arched a brow, his smirk deepening. “Usually, I get dinner first.”

You rolled your eyes but couldn’t help the faint flush that crept up your neck. “Don’t flatter yourself,” you muttered, as Patch stood. He slid down his pants revealing a deep cut in his leg. The skin was jagged and raw, already knitting itself back together but slower than you’d expected.

You worked in silence for a moment, cleaning the gash and wrapping a bandage around his leg with steady hands. Patch watched you, his expression unreadable, but his gaze was heavy, almost curious. You could feel the intensity of it, and it made the air seem thicker, more intimate.

“Why is it taking so long?” you asked quietly, your fingers brushing against his skin as you secured the bandage.

He let out a breath, his voice softer than you’d ever heard it before. “Healing takes time,” he said, leaning back in the chair as he studied your face. “Some wounds are deeper than others.” There was a weight to his words that felt like more than just the injury itself.

You glanced up, meeting his gaze, and before you could stop yourself, you reached for the eye patch he always wore. “And this?” you asked, your fingers hesitating just an inch away from the black fabric. “Is it just for show?”

Patch’s expression tightened, and for a moment, you thought he might pull away. But then, with a sigh that seemed to carry years of weariness, he reached up and removed the eye patch himself. Underneath, his eye was perfectly normal—sharp, hazel, and very much intact.

You blinked in surprise, your breath catching. “Why…?”

“Disguise,” he said simply, his voice rougher than usual. “Keeps people guessing, like I told you. Besides…” He gave a wry smile. “Makes it easier to be someone else when you don’t look like yourself.”

“Someone else?” you echoed, your voice softer now. The way he looked at you, so unguarded, made your chest tighten.

“Undercover,” he explained, leaning a little closer. “Madripoor’s a cesspool of crime and corruption, and someone’s got to keep the worst of it from spreading. Not everyone needs to know who I really am.” There was a pause, then his voice dropped to a murmur, “Until now.”

The honesty in his eyes, that raw vulnerability he rarely showed, made the space between you feel impossibly small. You could see the weariness etched into the lines of his face, the scars that healing couldn’t erase. For the first time, you realized that his roughness wasn’t just armor—it was a way of surviving, of keeping the world at arm’s length.

Without thinking, you reached up and cupped his cheek, your thumb grazing the stubble along his jaw. “You don’t have to do this alone,” you said softly, your voice steady even as your pulse quickened. “You’ve done enough for me, for Emily. Let me help you for once.”

Patch’s gaze flickered, a mix of surprise and warmth. His hand came up to cover yours, his touch rough but careful. “I don’t let a lot of people in, kid,” he murmured, his voice like gravel. “But… maybe you’re an exception.”

The words hung in the air between you, thickening the tension until it felt almost suffocating. He leaned in, just a fraction, his breath brushing against your lips. “If I didn’t know any better,” he said, his voice low and rough, “I’d say you’re trying to get me to stick around.”

You smiled, your heart racing as you met his gaze. “Guess I like the idea of you keeping an eye on me.”

Patch chuckled softly, the sound vibrating between you. “You’re trouble, you know that?” he whispered, his lips just inches from yours.

“Guess that’s why you like me,” you replied, closing the distance just a little more.

Before the moment could tip over into something deeper, Patch’s expression shifted, and he pulled back slightly, his tone turning serious. “You can’t stay here,” he said, his voice low and steady. “They’ll come looking, and you need to be gone before that happens.”

“You want me to leave Madripoor?” you asked, your voice trembling despite your best efforts to keep it steady. “Where would we even go?”

Patch rose to his feet, his gaze steady on yours. “Somewhere they won’t think to look,” he replied, a hint of a smirk playing on his lips as though trying to lighten the weight of his words. “Somewhere you and your sister can actually get a fresh start. Away from all this.”

You followed him into the kitchen, the silence stretching between you, filled with things you didn’t know how to say. “I don’t have money or... anywhere to stay,” you murmured, your fingers curling into fists as you tried to keep the fear from creeping into your voice.

“I’ll take care of it,” Patch replied, his tone matter-of-fact, as if he’d already made up his mind. He stopped in front of you, taking a step closer, closing the distance between you until you could feel the warmth radiating from his body. His presence was overwhelming, filling up the space between you until there was nothing else. You could feel his breath on your skin, the intensity of his gaze boring into yours, like he was searching for something you hadn’t yet offered him.

You swallowed hard, the tension thickening like a slow, bittersweet ache in your chest. “And what about you?” you asked, your voice barely more than a whisper. “Are you… coming with us?”

His gaze softened, a mixture of regret and something unspoken passing across his face. “I can’t,” he murmured, his hand lifting to brush lightly against your cheek, his thumb tracing the line of your jaw. His touch was careful and tender, as though he was committing the feel of you to memory. 

“There’s still work to be done here. I killed most of the Collector’s men, but he got away. Even if I did manage to track him down, someone else would just take his place. It’s a never-ending cycle.” He hesitated, his voice growing quieter. “And I can’t just walk away knowing he’s still out there.”

“But it’s safer if you come with us,” you insisted, leaning into his touch, your pulse racing beneath your skin. “It’s safer if we stick together.”

Patch shook his head slowly, a faint, rueful smile touching his lips. “It’s safer for you and your sister if I’m not around,” he said. “You don’t need me making things more dangerous than they already are.” His thumb continued to trace gentle circles against your cheek, as though he couldn’t quite bring himself to let go. “You can handle yourself, sweetheart. You’ve proven that.”

The words, meant to be reassuring, only made your chest tighten with something that felt like a loss. You reached up and wrapped your fingers around his wrist, keeping his hand against your skin for a moment longer. “What if I don’t want to handle it alone?” you whispered, the honesty slipping out before you could catch it.

He looked at you then, his hazel eyes searching yours with a depth that made your breath hitch. “You’re stronger than you think,” he said softly. “And you’ll be even stronger for her.” His gaze flicked briefly toward the couch where Emily lay sleeping, and the tenderness in his eyes was almost painful.

You leaned up and pressed a light kiss to his cheek, your lips brushing against the rough stubble. “Thank you, Patch,” you murmured, your voice thick with emotion. “For everything.”

He closed his eyes briefly, as though savoring the touch, and then pulled back, his expression hardening slightly as he took a step away. “Get some rest,” he said, his tone rougher now, as though putting a barrier back up between you. “You’ll need it for the flight.”

You ended up sharing his bed, the mattress firm beneath you and the covers smelling faintly of leather and cigar smoke. You lay beside Patch, the silence settling over you like a weight. It was strange, being so close to him, feeling the warmth of his body beside you but knowing that this was temporary—just a moment stolen from the chaos of everything else.

You turned slightly to face him, your hand resting on the space between you. “You’re sure you won’t come with us?” you asked quietly, the darkness making it easier to admit how much you wanted him to say yes.

His gaze shifted to meet yours, his expression unreadable. “You know I can’t,” he murmured, his voice strained as if it hurt him to say the words. “This life… it’s not for you. It’s not for her.” He reached out and brushed a strand of hair from your face, the touch lingering. “But that doesn’t mean I won’t be watching out for you. From a distance.”

You managed a small, bittersweet smile, your chest aching at the thought of leaving him behind. “You’d better,” you whispered, turning your face into the pillow to hide the sting of tears. “Or I’ll come back here and drag you out of Madripoor myself.”

His chuckle was soft, almost tender, as he reached over and squeezed your hand. “I’d like to see you try, sweetheart,” he said, but there was a quiet sadness in his tone that told you he wished things could be different.

˚ ༘ ๋࣭ ࣪ 🀣⋆｡˚

A few hours later, Patch drove the three of you to the airport in the dead of night. The roads were mostly empty, the city still and quiet, as though it was holding its breath. Emily dozed in the back seat, exhausted from everything she’d been through, while you stared out the window at the passing lights, your heart heavy.

When he pulled up to the curb outside the terminal, Patch cut the engine and turned to you, his face partially shadowed in the dim light. “I’ve already arranged for your tickets,” he said. “The flight will take you far enough away from here that the Collector won’t be able to reach you. You’ll be safe.”

You nodded, struggling to find the right words, knowing that nothing you said would be enough. “Thank you,” you managed, your voice breaking slightly. “For saving her. For… everything.”

Patch reached out and cupped your cheek, his thumb brushing away a tear that had slipped free. “You’re tougher than you look, kid,” he murmured. “Don’t let anyone tell you otherwise.”

You leaned into his hand, the warmth of his touch grounding you. “And what about you?” you asked, your voice trembling. “Will you be okay?”

His mouth twitched into a small, sad smile. “I’ve been through worse,” he said, though his eyes betrayed a loneliness that ran deeper than words could express. “And I’ve survived. So will you.”

You nodded, and then before you could second-guess yourself, you leaned forward and kissed him—a soft, lingering kiss that tasted of goodbyes and promises left unspoken. He didn’t pull away, but when you finally did, there was a look in his eyes that told you he’d carry the memory of this moment with him, wherever he went.

“Go,” he whispered, his voice rough. “Before I change my mind and drag you back with me.”

You gave him one last, bittersweet smile, then turned and helped Emily out of the car. As you walked toward the terminal, you glanced back over your shoulder, half-expecting him to follow.

Yet, Patch stayed in the car, watching you go, a lone figure against the darkness of Madripoor. Even though you knew you were doing the right thing, it felt like leaving a piece of yourself behind.

˚ ༘ ๋࣭ ࣪ 🀣⋆｡˚

“You’ll be fine!” you called out, laughter bubbling up in your voice as you watched Emily wave to you from the passenger seat of her friend’s car.

“I’ll text you when I get there!” she yelled back, her voice bright and carefree in a way that still felt fragile to you. You smiled and nodded, giving her one last wave as the car pulled away, the taillights disappearing down the street.

As soon as she was out of sight, you let out a long sigh, the tension easing from your shoulders just a bit. Even after nearly two years of being away from Madripoor, that gnawing feeling of worry hadn’t left you. It was a constant presence, a shadow that followed you around no matter how much time had passed. You still slept with one eye open, double-checked every lock, and scanned the street whenever you stepped outside.

Letting Emily live a normal life again had taken everything in you. She deserved to go to college, to have friends, to be young and reckless without always looking over her shoulder. You’d even taken up martial arts classes just to convince yourself that you could protect her if the past ever tried to catch up. But every time she left your sight, that familiar knot of fear tightened in your chest.

“Surprised you let her go,” a familiar, gruff voice rumbled from behind you.

You spun around, already feeling the sting of tears prickling at your eyes as if your body knew before your mind did. 

There he was—standing just a few feet away, his broad figure unmistakable even after all this time. He was different from the last time you’d seen him. Gone was the bloodstained white suit and eye patch. Instead, he wore a plain white shirt and jeans with a leather jacket slung casually over his shoulders, his hazel eyes, both of them, piercing and clear.

“Patch?” you whispered, your breath catching in your throat as disbelief crashed over you. For a moment, you wondered if you were hallucinating, if your constant vigilance had finally taken its toll and made you see things that weren’t there.

He nodded, a half-smile tugging at the corners of his lips, that familiar hint of mischief in his gaze. “Told you that was just a disguise, sweetheart,” he said, his voice softer than you remembered. “Call me Logan.”

A strangled laugh escaped you, and before you knew it, you were moving, closing the distance between you in a few hurried steps. You threw your arms around him, the leather of his jacket cool against your cheek as you buried your face in his chest. He stiffened for a moment, as if surprised, then wrapped his arms around you, holding you tightly. It was like something inside you finally unclenched, a pressure you hadn’t even realized was there releasing all at once.

“You’re real,” you breathed against his chest, your voice trembling. “You’re actually here.”

“Last time I checked,” he murmured, his tone carrying that familiar edge of sarcasm. But there was a warmth in the way he spoke, a tenderness in the way his hand rested on the back of your head, fingers threading gently through your hair. “Figured it was about time I came to see you. Make sure you’re not getting into too much trouble.”

You pulled back just enough to look up at him, blinking away the tears that blurred your vision. “I thought… I didn’t think I’d see you again,” you admitted, your voice breaking slightly.

His smile softened, and he reached out to cup your cheek, his thumb brushing away a stray tear. “You know me, kid. I don’t stay away forever,” he said, his eyes meeting yours with a sincerity that made your heart twist. “Besides, I made a promise, didn’t I? To keep an eye on you.”

You let out a shaky breath, your hands still resting against his chest, feeling the steady thrum of his heartbeat beneath your fingertips. “Two years is a long time,” you whispered. “I didn’t know if… if you made it.”

“Had a few close calls,” he admitted, a shadow passing over his features before he pushed it away. “But I’m here now.” His gaze grew more intense, his hand still warm against your cheek. “And so are you. Stronger than when I left. I can see it.”

You managed a small, bittersweet smile, remembering all the nights you’d spent wondering where he was, if he was alive if he ever thought about you. “I tried to be,” you said. “For her. For myself.”

“And you did good,” he murmured, his voice rough with emotion. “Better than good.”

The words settled over you like a balm, soothing old wounds. You reached up and placed your hand over his, leaning into his touch. “Why now?” you asked quietly. “What made you come here?”

Logan’s gaze flickered, and he let out a breath that seemed to carry years of unspoken thoughts. “I finished what I started in Madripoor…and because I couldn’t stay away any longer,” he confessed, his thumb tracing slow, tender circles on your skin. “I thought… maybe I owed you more than just disappearing.”

Your heart skipped a beat at the honesty in his tone. “So… you’re staying?” you asked, hope threading through your voice despite yourself.

Logan hesitated, a faint smile touching his lips. “We’ll see,” he said. “For now, I’m here. And if you’ll have me… maybe I’ll stick around.”

You didn’t know what to say, so you just nodded, a soft laugh escaping you as more tears finally spilled over. “You’re an idiot, you know that?” you whispered, reaching up to swipe at your damp cheeks.

His grin widened the familiar glint in his eyes making him look younger, almost carefree. “Yeah, well… I guess that’s why you like me,” he teased.

You laughed and leaned your forehead against his, feeling the warmth of his breath against your skin. “Maybe,” you whispered. 

For the first time in a long while, that gnawing feeling of fear seemed to ebb, replaced by something softer. You stood there in his arms, the world feeling a little less dangerous and you let yourself believe that maybe the future didn’t seem so bleak anymore.

[tizeline]

I love your drawing style! I find it super interesting and cute. Just one question, you shouldn't answer if you don't want to! You already answered that the events of the movie would focus on Donnie and Mikey, what would happen to Leo and Raph? Basically they would switch places? Like, Donnie and Mikey switch places with Leo and Raph? Would Leo still "sacrifice" himself?

THANK YOU!!!

But to put it simply, yeah, Donnie and Mikey basically switch places with Raph and Leo. So we get the latter two trying to constantly play mediators with Donnie's and Mikey's constant arguing lol. In the movie, Leo's character arc is him embracing his leadership role, but I'm planning on Leo getting through his whole leadership-arc earlier in the AU (probably by the end of season 2) Because of that, Leo and Raph have probably established a co-leader dynamic between the two of them (because I love co-leaders Raph and Leo so yes that's gonna be a thing). Point is, Leo and Raph aren't really gonna be arguing a whole lot during the movie. MAYBE the co-leader dynamic is still pretty new to them, so they'll have to figure out exactly how that's gonna work for them, but I'll figure out those details later.

I have NOT figured out how the whole Prison Dimension situation is gonna go down. Like, AT ALL. Considering Donnie took Raph's place as Krang Prisoner in the AU, by that logic Mikey should take Leo's place as Krang Punching Bag in the PD..... except Mikey's kinda needed to open the portal to get the Designated Krang Punching Bag OUT of the PD, which is gonna be hard if HE is said Punching Bag. Some people I talked to on Discord figured Leo might get to open up the portal considering he's also a portal-guy. Alternetively, Mikey might manage to open the portal by unlocking his Hamato Ninpo abilities. I know all the turtles unlock their Ninpo in the season 2 finale in canon, but considering Mikey's a BIT hostile towards the Hamatos in the AU, it might take him longer. Since the AU's version of events focuses Mikey and Donnie overcoming their differences and growing closer, it would fit for Mikey to properly connect to the Hamato clan in this moment. Maybe Mikey is able to magically connect to his brothers across dimensions through their ninpo and all four are able to open up a portal together or something, idk, magic is weird.

Also, I have no idea if Draxum is gonna be around for the invasion or he's doing something elsewhere like in the movie. Either way, he's gonna be dealing with like a million heart attacks after all this lol.

[eriexplosion]

Tech Lives: An Ungodly Long Essay

(AKA: Turns out that my Tech Lives compilation post comment was actually a threat.)

There have been hundreds if not thousands of posts since Plan 99 aired wondering if Tech might have made it after his fall - it's probably been brought up more than any other hanging plot point, even after season 2 scooped up Omega and left us on a massive cliffhanger. Now that season 3 has started, though, Omega and Crosshair are home (for now) but we have received an almost aggressive lack of Tech info. So, I've gathered up some of the stronger Evidence for why Tech might be fashionably late but still on his way back from The Void!

THE LEAD UP

So to start, let's go back to what came before the whole Incident. This will focus mostly on season 2, seeing as that was definitely Tech's season to shine, but with bits about plotlines in season 1. Which brings us to our first bit, that's not really evidence so much as some gentle push-back on a common argument.

Doomed By Character Development?

We've all seen this particular situation before - a character is slated for a tragic death, so just before it happens the writers gives them a little extra relevance to the plot to make sure the audience really feels it when the time comes. The Clone Wars was especially good at this, giving characters like Fives an arc of his own that ended in his tragic death. Season 7 gave us a better look at Jesse, first in the Bad Batch's intro arc and then again through the Siege of Mandalore, all to bring us to the chip activation that led to his ultimate death.

When season 2 started off with one of the two intro episodes spotlighting Tech and our first breather episode of the season also spotlighting him, people started to get worried. So is it fair to say that his spotlight in season 2 was setting him up for a permadeath?

Looking at it, I don't think so, for multiple reasons. For one, Tech didn't just get a spotlight episode, his development dominated a good chunk of the whole damned season, often taking priority over the other characters that wouldn't be dropped into the mists. While giving a little bit of character development to a doomed character can be a good move, giving ALL your development to a doomed character ends up feeling like a good portion of your season was actively pointless.

The Bad Batch is not an open ended show. It seems to have been planned for the three seasons it got, and they would have gone into it knowing they had a set amount of time to work with. Dedicating so much time to developing Tech in preparation for a character death takes away all of their opportunity to develop, well, anything else.

But, along with the amount of time that was dedicated to Tech as a character through season 2, they also didn't develop him in the ways that most often get used for a doomed character. Namely...

That Sure Is A Lot Of Open Plot Lines

And not one of them got tied up. Currently, Tech has two open plot lines to himself, both started in season 2, as well as a key place in the overall show narrative arc. As the overall show narrative arc takes precedence, we'll start with that.

The Bad Batch sets up a few different narrative arcs very early. One is if clones can be more than soldiers - this is the central thing that we see them struggling against from the start, they've been created to be soldiers and don't know much else about how to function in the world. Theoretically this arc can be fulfilled with one or two of them still dying as soldiers, as long as a few of them make it to find a new life for themselves.

The arc that can't be fulfilled without everyone though is the ongoing thread of reuniting the batch. Much of the show is geared towards making the viewer want this specific end result, as soon as they talk about Crosshair, Omega says they'll just have to get him back and complete their family. The end of season 1 teases us with this only to pull it away at the last moment, then season 2 teases us with it again only to yet again pull it away, this time seemingly permanently.

Ending one of your key narrative threads you've been using to draw audiences in only 2/3rds of the way into the show and without ever resolving it... well it would be a choice. If Tech is gone for good then the last time we saw everyone together would be the end of season 1. Rewatches would lack impact because something that was made to seem so vital ended up going nowhere, and the series finale would never quite reach the height that hearing the full batch theme kick in over the team fighting droids together did. It absolutely destroys the central narrative to leave him gone without ever having reunited the family.

And then there's his personal plots.

Let's start with the obvious one. Tech got a whole potential love interest this season and they absolutely did not resolve a damn thing about it.

Again, this takes a trope that we all know - the young army man that's going to go home and finally marry his girl, who has his whole life ahead of him, but dies tragically in his final mission - and seemingly intentionally subverts the beats. Because what makes the trope work is that the plot line is resolved as soon as that young man decides how he's going to move forward. He can't die uncertain of if he's going to marry his girl, he has to make a decision, and the longer we spend on the relationship to his girl the stronger the decision has to be to consider the narrative line resolved and free him up for some tragedy.

Tech/Phee is a tentative little 'will they or won't they' romance. They're flirting, they're feeling each other out, they're seeing if they're compatible. To tie up this narrative line we would have to find out if they are or not, get a yes or a no on the question. Will they or won't they? We simply don't know because the writers didn't put a resolution in.

We do get the traditional pre-mission scene with them, which would normally be when we get the first kiss or perhaps the promise of a date, either of which would have had me digging Tech's grave for him to fall into from the second it happened. Or even a 'we can't do this right now, but maybe some day it will be the right time' which would have been a kind of lukewarm resolution but would have at least represented a decision.

Instead we get a scene that almost aggressively refuses to resolve anything. They have an awkward interaction, but not one that says they won't get together, no promises are made for the future, no decision point is reached, and the plot line is still dangling wide open when Tech falls to his supposed death. If we truly leave it off here, well, what was the Tech/Phee subplot for? Why did we spend precious time on it when it could have been spent on something else, if it was meant to make Tech's death hit harder why did it not go further?

A second subplot with Tech is that he certainly made the most progress on seeing options outside of the Empire - it starts early on in Ruins of War when he meets Romar and gets his eyes opened to the idea of cultures that existed unconnected to the war. Serenno existed before the war and before the separatists, and Romar introduces Tech to that idea of an ongoing culture. He gets a taste of racing in front of a cheering crowd, leans further into his teaching of Omega and gets new insights from her regarding their lives as soldiers, his relationship with Phee picks up right when he finds out that she is interested in the preservation of cultures. It's a quiet little subplot, but Tech was seeing the full scope of what the galaxy contained beyond being a soldier in a war.

But, like the Tech/Phee, it never resolves. He never decides to settle down, he never chooses to stop being a soldier or even openly discusses the idea of what life will look like after. Rescuing Crosshair isn't positioned as a final mission that they have to complete in order to give up their lives as soldiers. Without that decision point being reached, the plot stays open, we never find out what he Would Have Done so we don't get a sense of the future that he would lose by dying, which is what the purpose of these types of plots is for a planned permadeath.

The Kaminoans don't create without purpose and writers working on a three season timeline don't typically write without it either. So if we spent the time on Tech/Phee but Tech is dead before it ever went anywhere, if we spent time on Tech's relationship with being something other than a soldier but he never really pursues it, what is the payoff?

Too Much of a Survivor To Die?

There's also the matter of how they chose to build Tech's character this season. Namely they beefed that man's skills up incredibly high making it intensely unbelievable that he's dead without seeing some sort of concrete proof. Things we know about Tech as of the end of season 2 include:

Incredible pain tolerance - Tech fractures his femur in Ruins of War and seems shockingly unbothered by it. The femur is frequently listed as one of the most painful bones to break. This is not a broken toe the man is hobbling around on, he fractured the strongest bone in the body and kept going through the woods. He physically fought and killed a man with that busted femur.

Lightning fast mental processing - this is of course on display nowhere so much as Faster where he's put up against droids and wins by taking calculated risks that no one else is willing to try.

A cool head in stressful circumstances - this one is hilarious because he outright says it, but Tech does demonstrate time and time again that when it comes down to it, he's able to keep calm no matter the circumstances.

Essentially, we spend the entirety of season 2 setting up why Tech is the perfect person to drop out of the sky and have him survive. He has the ability to keep calm and come up with a plan in seconds and he has the grit to keep moving even if he's grievously injured once he hits the ground. When you set a character up like this, you can still kill them, but you have to work harder to do it convincingly. Leaving Tech not at the moment of death but with probably at least a minute to act in and then not showing us the body is the exact opposite.

We have a moment in The Crossing showing us Tech's precise aim, and it comes up again to brutal effect when he shoots out the connection on the rail car. If moments through the season were used to set up that particular instant of the finale, then we can't discount the numerous scenes demonstrating his survival skills as being irrelevant to his chances.

Plus, looking back at Ruins of War - one of the big moments in the episode is towards the end, where Romar tells Tech, "I'm a survivor. Remember?" The camera then lingers on Tech for a long moment. It's not the kind of action that demonstrates his capabilities as above, but it works to associate the words with Tech in the viewers mind. Romar is a survivor, and Tech is a survivor too. And when you intend to kill someone off, it's kind of an odd choice to spend that whole season setting them up as a survivor.

THE FALL

Which brings us to the scene itself. Plan 99, implied to be one of the last ditch plans that they have. It's absolutely a heartbreaking scene, and one that can be tough to analyze when it's so well done, because it's rough to watch repeatedly. But, it's worth doing, because the scene itself is FULL of questions, some structural others more based in the visual presentation.

What is Plan 99?

Well, that's just it, we don't actually know.

We know what it's implied to be, a self sacrifice plan where one of the batch gives their life for the others to get away. But in show it's never actually defined, leaving the full meaning of Plan 99 up to interpretation. It could be as simple as what it's implied to be, but that brings up questions like 'why not provide any lead up or foreshadowing for it?' and 'does killing yourself actually count as a plan?'

Removing the assumptions from it gives us room to speculate. Is the plan actually that they leave him behind, dead or alive? Hunter ordered them to do so without a plan number in season 1, but he is the sergeant, so plan 99 could easily be something that bypasses his authority - if a batcher calls a plan 99, you go and you don't question his decision. It's certainly closer to a plan if there's something they are supposed to be doing from their end rather than just an announcement of intent.

It's not strictly evidence one way or another, but it is something of note when Tech's entire sacrifice is based around a plan that we're not privy to the details of. TBB has hidden its twists in ambiguity before, so it would not be the first time that it let us assume something only to pull the rug out later. But ambiguity is not the only thing that makes this scene stand out in the raising questions department.

Pacing Goes Out The Window

Generally speaking, a self sacrifice is the climax of an episode. Think Kanan, Hardcase, Gregor, Hevy, etc - Even a minor character sacrificing their life tends to make up the most climactic portion of any given episode, let alone one of the characters from the title squad. It gets to be the big central moment, the big rush of music and feeling, the pinnacle of the viewers attention.

Tech's sacrifice is not. It happens around 5 minutes into the episode, is rapidly moved past with barely a moment to think, and then the actual climax is Omega's capture on Ord Mantell. They even repeat the music when Omega is captured, except much stronger this time, making it clear that this is the emotional crux of the episode, this is the scene that is supposed to stick with you.

The opportunity to make it the climax of an episode was certainly there. The storyline could have been adjusted to put Tech's fall at the end of The Summit, allowing more time in Plan 99 for processing his loss and making it feel final. The pacing choice is one that doesn't allow the viewer to process the loss, only giving us maybe a couple minutes of time with actual emotional reactions before we're barreling off to the next plot point. Why was Tech's death de-emphasized within the episode if it is indeed our last moment with this central character?

Tarkin, Eriadu, & Saw Gerrera

A lot goes into the set-up for Plan 99. We have Tarkin's base on Eriadu as the setting they're working within, going up against Tarkin for the first time since early season 1. This is the big leagues, and something that's come up in multiple interviews is that when going into the den of one of the franchise's big bads we have to have consequences, something to demonstrate that Tarkin is not to be trifled with.

Sounds reasonable enough. Except Tarkin doesn't actually do anything in either of these episodes. The thing that actually threw them off was Saw's planning mixing in with their own.

All Tarkin does upon finding out that the batch is stuck on the rail is order an air strike and ignore that this would kill many of his own men. This is certainly evil, but it's standard Imperial evil. Rampart would have given that order. Hemlock would have given that order. The guy in Tipping Point that we know for 5 minutes before he fried himself would have given that order.

So if the point of this finale was to demonstrate Tarkin's power, then bringing Saw in both complicates the plot and devalues what they're claiming they are trying to show. So is the point to get them to Tantiss? No, because they fail in that. They don't plant the tracker, they're no closer to finding Crosshair than they were before.

By all accounts the point of the whole endeavor is in fact just to drop Tech off a sky rail for reasons unknown and injure Omega to force them to go back to Ord Mantell. These two things could have happened anywhere in any way of course, so why choose Eriadu and why choose to complicate the plot by introducing Saw rather than letting Tarkin handle the job?

They're questions we don't have answers to yet, but they're very hard to get answers to if Tech is dead and completely out of the picture. Having a dead body on Eriadu is fairly useless to the plot, having a living Tech on Eriadu though? That has potential to move them huge leaps forward in a very short amount of time once we bring him back in. Especially given his conversation with Saw prior to everything going downhill - Tech was in favor of gathering intel from the facility rather than destroying it.

And what about Saw, anyway? If he was genuinely there to cause problems and fly away, again, that's a plot wrinkle that isn't needed and took time away from everything else. If he's there because they needed someone to pick Tech up though? There's potential there.

Did Tech's Sacrifice Mean Anything?

In universe, Tech's sacrifice means everything, of course. It's a decision made in the moment to risk everything to save his family. It's a noble deed and one he does without hesitation. But pulling away from that narrow scope of an in universe perspective, what did we accomplish narratively with his fall?

Well... not much actually! They got over the bump in the road that they encountered all of five seconds ago and promptly crashed headfirst into another, different bump in the road. Tech's dramatic sacrifice didn't allow them to escape unharmed, it didn't allow them to find Crosshair, it just allowed them to move a few steps forward, after which Omega is almost killed and then captured, which is a fairly weak reason to sacrifice a whole major character.

But not every character death is exclusively about narrative, sometimes it's about the character arc itself. So does this close out anything for Tech's character development? Again, not really. Tech has always been completely loyal to the squad and would have risked anything for his family. He never had a choice not to fall, it was either just him or the whole team, and he is an endlessly logical actor. The action would have played out the same had it happened in the series premier or the season 1 finale, or any other time in the show. If anything it's a backtrack on his character by putting him solidly back into the soldier box that the show is trying to let the clones grow out of.

Maybe it's not about Tech's character though, maybe it's about everyone else's! Does his death change anyone's trajectory? Again... no, not really. We'll get into season 3's lack of mentioning Tech later, but in the immediate aftermath of his fall, no one's course or actions is majorly changed because of his loss. Hunter wants to go back to Pabu where it's safe, the same thing he wanted to do before they ever left for this mission. Omega puts herself in danger to save her brothers, which has been one of her defining traits since season one. Wrecker is following Hunter's lead, same as he always did. (We get very little of what Echo hopes to do, but the opening of season 3 reveals that they went back to work with Rex, exactly like they were doing before.)

So narratively nothing required him to die, the character's arc isn't completed, and the other characters aren't motivated to change. If Tech dies here, it's the picture of a shock value death. It doesn't complete or inform his character, it doesn't need to narratively happen in order to put Omega on the path to being captured, and thematically it exists just to give the viewer an unnecessary gut-punch when just the failure to rescue Crosshair and the loss of Omega would have been enough.

Framing is Everything

In a death scene there's nothing more powerful than our final shot of a character. The very last we'll ever see of them, the image that will linger in our minds when we think of that character from then on. This is especially important in animation where everything has to go through several iterations before deciding on what that final look will be. You want it to be impactful, you want the audience to have one final connection to the character before they're gone for good.

So why does Tech die with his helmet on?

If there's one thing TBB is good at, it's their expression work, and a death scene is a perfect place to show off their full range, which is why most deaths meant to have a heavy impact occur with faces unobscured. Crosshair loses his helmet and takes Mayday's off so we can see both of their faces as Mayday dies, Slip, Cade, even Clone X and Wilco, all die helmetless. Looking into older series you have Kanan dying without his mask, Fives, Hardcase, Waxer all dying helmetless with one last good look at their faces and expressions.

And while Tech's helmet gives us a good look at his eyes, the rest of his face goes unseen, and Wrecker's face as he watches this happen is completely obscured. We're denied a look at a lot of their expressions as the decision is made and Plan 99 is executed, rendering it less personal than it otherwise could have been. Tech could have lost his helmet in the blast that knocked him from the rail, Wrecker could have had his helmet knocked off at some point to give us a good look at his expression. TBB isn't known for pulling its punches, so why leave our final look at Tech's face back in The Summit and not here?

Then there's the framing choices. We get some absolutely amazing shots of Tech during the fall, from taking the shot to falling backwards towards the cloudy cover - but here's where some interesting choices are made. Rather than letting our last shot of him be a face up shot that keeps eye contact with the camera as he falls, they make the choice to have him flip over, and we hold the shot as the rail car goes down after him, partially obscuring him.

Which means instead of our last glimpse of Tech being something like this.

We end up with something closer to this.

Which, while we all love those Tech crotch shots is somewhat less impactful emotionally. These frames go through multiple departments and get multiple eyes on them before going through final animation, and no one thought that leaving him face up and unobscured until he disappears into the fog would stick more firmly in the viewer's memory?

The Flip Might be Intentional

And I don't just mean out of universe, as every detail of animation is often intentional, but in universe as well. If you look closely at Tech as he falls, he seems to roll his shoulders back in order to begin flipping over. It was a specific enough detail to send me searching for a reason and I found it in instructions on how to survive a long fall - the first thing that you're supposed to do? Get into the arch position like a skydiver to slow and control your fall.

The flip was important enough to not only include but to include the small detail of Tech intentionally flipping himself over into said position. It's not a confirmation but it's an interesting detail, and one that has very few other reasons to exist.

THE AFTERMATH

Image chosen because even thinking he's alive I didn't want to pull from Omega reacting to the fall on Ord Mantell. Looking at her makes me Sad. So the fall has happened, the rail car has rushed forward and crashed, and Omega fades in and out of consciousness until finally waking up on Ord Mantell to the bad news.

"What if he's hurt?"

Omega is our POV character for the show. We may sometimes see things she doesn't, but emotionally she remains the center of the narrative, the character that the target audience will see themselves in. Her ultimate thoughts on a situation are the closest we have to a clear indicator of our intended takeaway.

So it's interesting that the first thing we hear out of her, having heard that Tech 'didn't make it,' is a firm denial. He can't be gone, he might be hurt, he needs them and they need to go back for him. And, despite Hunter continuing to talk with her about it for a bit, we never actually hear Omega explicitly take it back or verbally acknowledge Tech as dead. The closest we get is 'lost' which she also uses for Echo in The Crossing.

Now, here's where the interpretation between the adult and child audience will likely differ. From an adult perspective, this is a reasonable reaction for a child her age. It comes off as very natural that she doesn't want to accept it and that she doesn't have time to really process that it's true before the scene moves on. It makes sense from an in universe perspective.

However, the main audience is still children who actually are Omega's age and who are being presented with her as their window into this world. And their takeaway, seeing that same scene, is likely to be that Omega is correct. They don't know that Tech's dead, just because an adult says it doesn't make it true and just because Hemlock says it DEFINITELY doesn't mean it's true, they have to go back and check.

If they wanted the main audience to think that Tech is dead for sure, they could have had Omega be the one to say that he's gone, with Hunter simply confirming it for her. Alternatively, Omega accepting it when Hunter tells her would also function in the same way - ultimately, as the POV character, if Omega doesn't accept it there's a strong possibility much of the audience won't accept it either, especially without other evidence.

No Body?

And, as we all know, we simply don't have other concrete evidence. Not only are the batch given no time to look for Tech's body or any confirmation that he died, but we get a whole scene with Hemlock and the goggles where he also confirms verbally that he doesn't have a body either. There's very little reason to have him say this outside of putting a bug in the viewer's ear that he might not be gone for good.

Not only do we have that verbal confirmation, but we have multiple places where a body could have been included or implied without adding much to the runtime.

Easiest place would probably be when Omega passes out - there's a trooper's corpse right there in front of her, and it would have been very easy to make that identifiable as Tech. Have one of the boys check his pulse like Crosshair did with Mayday and then be forced to leave after confirming he's dead. Would it require a little bit of fudging the details of how he landed so close to them, sure, but it would have been narratively streamlined and easy.

Have Hemlock bring his helmet rather than his goggles (and damage it in a way clearly incompatible with survival) or confirm that he did find a body but has no use for the goggles.

Put the body in Hemlock's lab when Omega is brought there at the end of the episode. Have a sheet covering him even if you want and just one of his hands hanging out, especially the one with the distinctive light on the back of it. Give us her reaction to that.

These are just the ones that don't involve adding scenes or making major changes - instead, in a franchise known for bringing back everyone and their grandmother especially if there's no body, they chose to leave it extremely vague.

Reused Score

The soundtrack for Tech's sacrifice is fantastic, I don't think anyone can argue that. In fact it's so good that it's used occasionally used as a reason for why he's dead for real. If it's a fakeout, why go so hard on the music?

It almost sounds like a reasonable argument, except that the music isn't even unique to Tech's fall. We get the same motif later in the episode with Omega's capture, and it actually comes in even harder and more impactful there than it did with Tech falling.

Reusing bits of the music has two results. It lessens the impact of hearing it with Tech if it is in fact his Death music, because it makes it clear that he is not the central feeling of the episode but rather, Omega's capture is. As mentioned before, deaths are usually the climax of their own episodes partially to avoid them being upstaged by any other plot points, but here Omega's capture is fully prioritized over the loss of one of our central characters.

The second result is that it changes the meaning of the music. It's no longer meant specifically to underscore a tragic death, but rather a more general one of loss and separation. And if it's simply about that separation, then it no longer requires Tech to be dead to have that same impact. They're apart from each other, and that's painful enough.

SEASON 3 SO FAR

Which of course finally brings us to season 3! We're five episodes in as of the posting of this, so a full 1/3rd of the season down, which gives us a good idea of how they're handling the whole grief aspect of this scenario.

They Aren't!

That's right, we simply have not directly acknowledged or dealt with the whole 'watching your squadmate fall to a presumed horrible death' thing even once in five episodes. Tech has been mentioned by name twice, we've seen his goggles once, and Wrecker makes one sideways reference to him having not made it back.

In universe, there is a several month timeskip and it seems to be implied that the majority of the grief milestones happened in that gap. For example, we don't see Crosshair finding out from Omega, we don't see Omega grieving her brother, we don't see Phee finding out (more on her in a bit) despite her fledgling romance. Months of grieving and processing skipped over and what comes out the other side is single line mentions that go by in seconds.

This is especially apparent after episode 5, where we got something to compare it to. Crosshair has a long, painful moment of grieving with Mayday's helmet when they return to Barton IV. It's deep, personal, and intimate and we take a minute with him gathering up the helmets of Mayday and his men to set them up on the crates the same way that Mayday had honored them.

Mayday is a one episode character that was important to only a single character, Crosshair - Tech is a core member of the team present through two full seasons and shown as close to every member of the squad. Yet the single scene grieving Mayday is longer and more emotionally gripping than every short mention of Tech so far in season 3.

Narrative Grief

Seeing characters grieve their loved ones onscreen is about more than just the characters themselves. It's also part of the viewer experience - through the characters' grief, we're able to process our own grief at the loss. It makes it feel real, it makes it feel personal, and the amount of grieving needs to be proportionate to the character's importance in the story.

This is especially true in a show written for children like The Bad Batch. Kids don't typically have the same experience with death as adults, and a well written main character death within a children's show will need more time and energy spent towards making the loss feel real. We see this with deaths like Kanan's; it wasn't Jedi Night that told the viewer that Kanan was really, truly dead, it was Dume, where the characters mourned him and dealt with the aftermath.

Currently, with Tech, we do see holes in the team that make us miss Tech but they remain completely unaddressed by the characters. We see Tech's goggles, but Hunter isn't looking at them, he's looking at Lula. Omega mentions Tech having taught her all the plans, but without any real sadness on her or Crosshair's part. The closest we get to actually bringing it up are Wrecker saying 'not everyone came back' and Echo mentioning the datapad would be difficult without Tech, and both of those are only seconds long before moving on. They don't serve as any kind of catharsis for the viewer, relying more on gut punch impact and keeping the wound open rather than allowing it to heal. The difference between the treatment of Tech's death and Mayday's just makes it more stark.

How Do You Like Yearning?

Interestingly, though, it strongly resembles the writing team's handling of another situation: Crosshair's departure from the team in season 1 vs Echo's in season 2. The show even drew a lot of flack for the lack of discussion on Crosshair's betrayal, as outside of a couple conversations the matter often went unremarked on. Echo leaving, on the other hand, got a whole episode dedicated to processing the loss immediately after it happened.

So what was the difference? Crosshair's departure is part of a long term plot point. We're supposed to want him back, we're supposed to want the team to talk about him, anything that would ease the tension. The writers on the other hand want that tension to remain until it's time to actually resolve the plot. So we get those slow drips in between bigger encounters, we get opportunities for Crosshair to come home that he doesn't take, and we don't get the catharsis of the team actually talking about any of it. We're left to want and imagine it, using the yearning to keep it on people's minds more than anything.

If Crosshair had been discussed on screen long enough for the characters to actually come to terms with his absence, though, that would have made the plot feel more settled and resolved early on. It might be conversations we want to see, but it doesn't keep the viewer on edge and craving a resolution. Best case scenario we're just not as desperate for Crosshair to come home - worst case scenario we accept that he won't be returning and find the fact that he eventually does to be unrealistic.

Echo on the other hand gets their absence processed immediately, because their absence from the team is not meant to be a huge plot point. It's something the team has to deal with, yes, and the viewer wants to see them again just like Omega does, but Echo returning isn't meant to be a maybe, and it's not supposed to keep the viewer wondering and worrying. It's a when, not an if.

Similarly to Crosshair, Tech has never felt like a resolved plot point. We don't get confirmation on his death, we don't get any long term grieving, and we get drip fed acknowledgements that pry the wound back open. If we actually see the team discuss and come to terms with their grief and loss, the plot point closes, the wound closes and we begin to fully accept a team without Tech in it, which makes it harder to reinsert him into the storyline if he is in fact alive.

If he's truly gone for good, what is the point of denying closure to the audience? We know that they are capable of writing an intense mourning moment that feels completely in character for otherwise emotionally repressed men such as Crosshair, so why not give us that with the team mourning for Tech? A memorial, an intimate moment with the goggles, a short scene of Crosshair finding out about the loss, or anything at all really? Once again it's something that makes sense if he's alive and we're simply not being shown yet, but makes very little sense to not capitalize on if he's dead.

What's to Come

We have ten episodes of season 3 to go, and a lot to cover. Reviews have indicated that Tech is not explicitly brought up in the first eight, so the earliest we could possibly have a survival reveal is in episode 9. Will it actually happen? Maybe, maybe not. Though interestingly episode 9, The Harbinger, is almost exactly one year after Plan 99, just like The Return aired almost one year after The Outpost. Could mean nothing, but they do enjoy their anniversary dates.

One thing we do know for sure is coming up is Phee's inclusion - she's seen in the official trailer, as well as briefly in a recent twitter spot. This is interesting as Phee is, of course, Tech's teased love interest, and her connection to Tech has been emphasized multiple times, including on her Databank entry and the official 'what you need to know about season 3' guide. When she comes onto the scene, it's very likely that more information about Tech will too.

MARKETING, INTERVIEWS, & SOCIAL MEDIA

I wanted to keep this mostly focused on what can be seen within the show itself, but it's impossible to talk about whether or not Tech is alive without pointing to the absolutely bizarre messaging from the cast and crew, as well as the marketing choices surrounding his sacrifice. (Example: the Instagram Mourning Filter they layered over him in the official trailer, as seen above) I won't get quite as detailed here as in the above, but it does have to be mentioned.

Constant Focus

In between the end of season 2 and the posting of the season 3 trailer in late January, there were several posts on various official Star Wars media. The majority of them were about Tech and Plan 99. In fact, I don't think I ever saw anything mentioning the giant 'Omega's been captured' cliffhanger, just Tech. Over and over again.

Once a character is dead, marketing generally stops caring about them. They're forward focused after all, they want you coming back for what's to come not lingering on what won't be relevant again. So why the constant focus on Tech?

And it wasn't just the social media either - a huge portion of the trailers and reels included old footage of him too. For the most part this was from Plan 99 and bringing up his fall again to rip open those old wounds, but in one case they included action footage from The Summit. This was an interesting case, because the majority of people watching wouldn't have recognized it immediately. Fittingly, the entire comment section was full of nothing but 'Was that Tech?' style comments, which they would have known was going to be the case to start with.

So why are we so focused on a man that's supposedly dead? If he's genuinely never going to show up again why keep putting him in? Everything? While not even bringing him up all that often in the show? If he's dead, this is a truly bizarre marketing decision.

Never Say Die

In interviews or in official material. For several months the word 'dead' was never used for Tech anywhere, not in interviews, not in official material, nowhere. It took until January 23rd for all of the databank entries to be updated, and among all of the main cast he's only referred to as 'killed' once, and it's on Hunter's page not even his own. Then, the Friday before the premier, an interview came out referring to him as dead - on the part of the interviewer, not the creators themselves.

Everything else seems to use a variety of euphemisms. His sacrifice, his absence, his loss, he 'plummeted out of sight', he 'fell from a tram car', he did absolutely anything it's possible to do except outright die apparently.

It's an odd choice when there's known controversy over if he's dead or not. The standard operating protocol of course, in a planned comeback, is to refer to them as dead anyway and allow fandom to fuel its own speculation, but with a fandom as devastated as TBB's was, it's quite possible that the odd behavior had to be introduced just to keep speculation going. The only interviews that sound remotely final came out right before the episodes started coming out - if they had done that from the beginning, the chances of people outright refusing to come back to the show likely would have been higher.

Much like the marketing, this is not necessarily proof of anything - but in combination with the multiple odd things in the show itself, it's certainly suspicious. Speaking of suspicious...

What an Odd Thing to Say

The cast and crew themselves have not been skimping on making strange comments when it comes to the Tech situation.

There is of course the well known Joel Aron (lighting director for the series) tweet that came out the day of the Celebrations panel (AKA when the Tech trauma was at an all time high) and in direct reply to a fan that was having a hard time with Tech's death. It's hard to take it as anything but a reference to Tech given the timing, and it was certainly taken as being about Tech in the quote tweets. If it's not about Tech, why tease the fandom with it? And the specification for it being a mid s3 episode as well...

Also from the day of Celebrations, and from the panel itself, we have Michelle Ang saying in front of God and everybody, that Tech "doesn't come back... in this episode, at least." At the time there was a possibility she didn't know and was just leaving it open, but with that only being ten months ago and the extremely long timeframe of animation, it's almost certain that she would have been done with all primary recording by that point. If you know he's not coming back, how do you accidentally imply that he is with no one correcting it?

Dee Bradley Baker, when asked for a farewell message from Tech at a con, came out with "the life of a soldier is fulfilled by fulfilling his mission and supporting his brothers. And this was the end of mine. And that's a good thing." Which was a perfectly serviceable goodbye right up until he said that the end of Tech's (life? soldier's life? mission?) was a good thing.

During an instagram interview we have Deana Kiner, one of the composers, in response to the interviewer talking about the final episode containing a major loss, saying, "It's kind of a loss... It's complicated." The claim on twitter was that this was about Omega, because everyone knows that when someone mentions the major loss in Plan 99 they're definitely talking about Omega.

So is Tech alive? Is Tech dead? We still don't know. But while one or two of the above might be a coincidence, having all of them at once coalesce around this single character death is a lot to chew over. The Bad Batch team has shown willingness to address grief and loss prior, as well as a willingness to show us death onscreen and front and center. So why, with such an important character, sidestep it all in order to keep it vague? Why keep it from sounding final for so long, if the intent the entire time was for him to be dead for good?

We won't know until he either shows back up or the show ends. If Tech's alive, all of the above starts to make sense. If he's dead... well a lot of things will just never quite add up. I feel that this team has shown enough willingness to follow up on their trailing plotlines that they've earned my trust. Fingers crossed for a satisfying resolution for all of us, and for our boy Tech, whatever that resolution may be.

[picturejasper20]

Any thoughts on the New Wish finale?

It was.... (sigh) something

There are some things that really nails and funny moments but it feels it should have been something that should have been longer? There are emotional beats that feel like they should have lasted more to have a proper pay off.

For me the biggest issue i have is that Dev and Hazel barely interact in this finale. After their relationship being like the main core of this season and what moved the arcs, we barely get any of that in here.

When i saw the episode title card i thought this episode was going to be about their fight and what has been happening between them, but no, they only get very few interactions in the actual episode.

Another issue i have is that i feel like Dev was made out to be too cruel in a way in this episode? It is fine to turn him into a villain but some of the things he does feel way too extreme for what we have seen of his character so far. He even ends up trapping Peri on a cage for days?? It feels too extreme for someone who just like was throwing tamptrums and wanted to just annoy Hazel and make her miserable some segments ago.

One thing i do like is the scene that Wanda hears Dev complaining about Dale not paying him attention not matter what he does. Wanda explains to Dev about it is dangerous for fairies to not use their magic for too long.

Then Peri telling Dev that he cares about him and Dev breaks down in tears, finally realizing that what he was looking for he could find it in Peri or other people. He throws the key and just goes to another room. He sounds so defeated in tha moment.

I do like the different characters that we saw in the season helping Hazel to take back Fairy World. That was a good use of continuity. The scene Hazel tells to her friends and Anthony about how she has godparents and them being unfaced by it is pretty funny.

Dev and Irep do have some good scenes in the episode. They have a fun dynamic and i wish we could seen more of that in this season. They are a good villain duo.

For me the episode drops the ball in the last minutes... Hazel and Dev have a short conversation, which is cute but feels not enough with what they have been through in the season.

Dev loses Peri and loses his memories about fairies as result.... what does that mean then? He is only going to remember certain things? What about the lesson he got from this episode? Is it going to stay with him. It is underwhelming because it doesn't give us any further hints of what really happened to him.

On last point, i do like the idea of more people knowing about fairies besides Hazel. I think that now that Jasmine, Winn and Anthony know about it, it could lead to some interesting scenarios for the characters.

Outside of that it is a rather underwhelming season 1 finale that leaves things open for second season, ending a somewhat of cliffhanger that left a lot of fans with bad taste in their mouths.

[jasmines-library]

Unbroken Valour

WHUMPTOBER DAY 28: Prompt ‘Sacrifice’

Fandom: Batfam

Summary: Ignoring his orders, Tim leaves to face the Joker after he escapes Arkham. Fearing for his safety, you chase after him and when he is put in a life threatening position, you don't think. You just do.

Warnings: Major character Death, description of wounds, impalement. It's just angsty. Im sorry.

Word count: 1.5k

MASTERLIST ⛤ WHUMPTOBER WORKS

🕸 ⋆ ⁶𖤐⁶ ࣪⋆🕸

Sometimes there is no rational reason for things happening. Sometimes things just happen whether we want them to or not. And sometimes there is no way to stop the inevitable from happening. Like there is no way to stop the sun rising in the east and setting in the west, there was no way from stopping you.

You ran. Fast. Feet pounding against the concrete. Your breath quickened, heart pounding against your ribcage. Tim was mere feet away from you now, scuffling with the Joker. He was good, but the Joker was bigger and better. Tim looked measly next to him. He wasn’t supposed to be out here alone.The Joker had just escaped from Arkham and was as gloriously out of his mind as ever.  Tim was under strict orders and you had pleaded at him not to go, but your words fell on deaf ears. So, as soon as he left you were pulling on your suit and dashing through the streets of Gotham to reach him. 

Tim ducked as the Joker swung an arc that missed his head by mere millimetres, jostling his hair. Tim slid, trying to knock the Joker’s feet from under him but missed as he stepped away. And then the haunting sound of his laughter filled the alleyway, echoing down the stone walls like a song. The villain, noticing your presence, turned to face you with a shit eating grin. 

“Aw” He pouted, “Did the little birdy have to call his big sister for backup?”

Tims head snapped up as he stared you briefly in the eye. Brief, because he used the Joker’s moment of weakness to tackle him to the ground. As the pair scuffled on the ground, delivering blows and rough punches, you slid across the ground to grab Tim’s bo staff that had been discarded on the ground at some point during the struggle. When the vigilante finally managed to free himself, you tossed the staff toward him and reddied yourself, planting your feet firmly into the ground and squeezing your brass knuckles tightly to your palm by clenching your hand into a fist. They were cold against your clammy skin. You also patted the side of your suit to ensure your batarangs were secure within the folds of the fabric. 

“What the hell are you doing here?” Tim whispered at you through his clenched jaw as the Joker weighed up his options. 

The villain surged forwards trying to tackle Tim once again, but you raised your fist back and slammed it into the side of his cheek. 

“Saving your life.” You grunted as he recoiled, bringing a calloused hand to his reddening cheek and frowning. It was an odd contrast to the lengthy scars that gave him his permanent smile. 

“Ouch.” The joker straightened, making a beeline for you. 

Dropping, you allowed your brother to make a move this time. It caught him off guard, causing him to waver unsteadily on his feet, but he didn’t fall to the ground as you hoped. Instead he reached into his pocket and brandished a slender, silver pistol. 

You and Tim shared a look. Batman had two rules. Number one, No guns. Number two, No killing. The joker was about to break both and the pair of you were helpless to stop it. There was no hesitation in the villain's face as he pressed his finger to the trigger, arm jerking with the recoil of the gun. You flinched at the noise, anticipating a scream that never came. When you opened your eyes again. A single fraying flag hung from the tip of the barrel, printed across it in bold letters it read ‘Bang! You’re dead.’.

The Joker cackled maniacally to himself. “You should have seen your faces!”

Tim allowed his body to relax slightly, releasing the tension from his shoulders when he realised that there was no bullet lodged in either of you. You however were still on high alert. Your eyes widened as the realisation dawned on you. 

“Red… Get behind me.”

The Joker pouted. "oh, Y/N? Why so serious?"

“What?” Confusion crinkled across his face as he scrunched his nose together. 

“Red!”

You didn’t allow Tim any more time to move as the Joker pressed his finger down onto the trigger again, sending the flag harpooning towards him. You didn’t think, just jumped in front of him, knocking him to the side. 

You gasped as it pierced through your suit, and then layers of your skin and muscle until the spear scraped across bone. You stared at the offending weapon, lodged deep within your chest gawping at the flag flapped in the breeze. Hands reaching up, you pressed your hand to the spear, feeling the warm blood pool around your fingers and soak into the front of your suit. You swayed on your feet. 

As Tim recovered from your shove, reality hit him like a brick wall. 

“What the hell did you do!?” He screamed at the suited man, chasing after him when he tried to flee, but alone and distracted, Tim stood no chance. He released a batarang which soared through the air, skimming his sleeve. Though it has found its target, the tear in his arm was nowhere near enough to stop the Joker as he vanished into the streets. 

“Y/N…” Tim hushed under his breath as he raced towards you. You swayed before collapsing to your knees with a cry of excruciating pain. He caught you as he skidded to your side and lay you gently in his arms. 

“Oh God…” He choked at the sight of the river of red flowing from your body. He didn’t know what to do. His hands shook. 

You took one in yours, not caring for the fact that you would get them all covered in blood. Although you were older than Tim, your hand was considerably smaller than his and it fit snugly laced between his fingers. Somehow, amid the panic, Tim had managed to press the emergency button on his suit. 

You smiled up at him sadly. His attention was on you and only you as you forced out a word through blood stained teeth. “Tim?”

“No.” He shook his head, not even bothering to try and hide the swell of emotions that bubbled to the surface of his voice. “No. You don’t get to do this to me. To us.”

His other hand pressed down firmly against the wound around the spear. He knew to keep it in, but he sight of it made him want to hurl, so instead he focused on your face and the way your eyebrows twitched each time there was a new jolt of pain spreading across chest. 

“You can’t stop it, Tim.” You said sadly. “There is nothing that you can do…”

“No. I can- I” He pressed harder on the wound, fumbling over his words. A rouge tear slipped down his face. “You’re not dying. You’re not. Help is coming, just don't close your eyes, Okay? You keep them open, you hear?”

“Tim…” You reached out your other hand to cup his cheek and wipe away the fresh bout of tears. 

“You promised me!” he cried. “You promised me that you would always be there for me!”

That cut deeper than the spear. Hearing your little brother say those words, you felt like someone had grabbed your heart and squeezed, ripping up your heartstrings as they went. It was a promise you had made all those years ago when he was brought in by Bruce, scared of being alone. That night you had wrapped him up closely and promised that you weren’t leaving him any time soon.

“I’m sorry. I’m so sorry…” Concentrating was getting harder now as Tim swam before you. White dots began to form in your vision and you squeezed your little brother’s hand as hard as you could with what little of your depleting strength you had left, begging him to listen this time. “Take care of Damian for me and-” You took a wheezy breath “And be good for Dick and Jason.”

“Stop it. You don’t get to do this to me now y/n-”

“Tell the boys that I love them.” You whispered. Your body began to go numb but you gave him a gentle smile anyway. “And I love you, Tim Drake. Remember that.”

“Y/N?!” 

Your gaze drifted from Tim as you felt your life slipping away. 

“I’ll see you around, little brother.” 

Your hand went slack in his and your body slumped against his chest. He cried your name, letting the tears flow freely as you took your last breath. 

It was then that the wretched footsteps came rushing towards them, and Dick faltered at the sight of Tim covered in your blood as he clung to you tighter, pressing down harshly on the gaping hole. The spear still sat there, cruel and relentlessly. Dick stepped forwards, but it was no use. You were already gone. 

🕸 ⋆ ⁶𖤐⁶ ࣪⋆🕸

<- DAY 27 𖤐 DAY 29->

taglist:

@senjoritanana

@deans-spinster-witch

@amaryllis23

[dragonlands]

There's so much negativity around Izzy's death so I wanted to address some of the points I keep seeing thrown around.

"Izzy's death was pointless"

No, he just had his big speech about how basically they can kill him but they cannot kill the movement. That is a clear paraller to a lot of real life protestors of unjustice. He died protecting the community, he died so the community could go on.

"Izzy's death made his healing pointless"

No it didn't. Healing is always good, feeling happiness and belonging are ALWAYS worth it. We never know how long we've got, doesn't mean we gotta stop trying to be better or happier. His healing was still real. It still mattered.

"Izzy's character arc was left unfinished, it's bad writing"

Oh my god. If you open any writing guide about how to write impactful deaths, and the first thing that comes up is to leave some part of their arc unfinished. And his arc did go through quite a beautiful line, sure there could've been more but his story didn't end like, mid arc. As a writer, of course you want to make the audience sad when a character dies. It's good storytelling. Good stories are supposed to make us feel.

"Izzy died on the arms of his abuser"

Where the hell did this idea come from? Ed and Izzy have been in a toxic codependent relationship way before this show started. You could argue that Izzy was Ed's abuser, but that is not the argument I want to make here. Yes, we saw Ed driven to madness shoot Izzy on screen, but we know Izzy's the one that forced him to be Blackbeart when he didn't want it anymore. There's turmoil all around them. But the final moment is them finally meeting as people, not as components of Blackbeard.

"Izzy's death was unnecessarily awful"

His death was sad, yes, but it was quite beautiful as far as deaths go. He was surrounded by family who cared for him. He was loved, and accepted as he is. He knew his legacy will be carried on.

"They killed off the only character that showed us healing is never too late"

Did we watch the same show? That begins with then unhappy 40+ year old Stede deciding it's finally time to reach for his dreams? Where we see Blackbeard slowly gaining back his humanity? Where Black Pete starts off as toxically masculine dude but ends up in a soft gay marriage? Where most of the crew wanted to mutiny but then they realized being soft is good, actually. Jim's whole purpose in life being revenge but them learning to let that go and instead concentrate on love and fun and family. And so on. Izzy's arc is beautiful, but he's not the only person healing who thought it was too late already.

"Izzy's death was bury your gays trope"

No, what, no. In a pirate show where everyobody is queer some queer people will die. Bury your gays is about only having one or few queer characters and killing them off while the straights get their happily ever afters. This is so far from that.

Also, I want people to be aware of the phenomenon, where creators of diverse shows are subjected to more critism than those of non diverse shows. If this intrests you, Sarah Z on Youtube made a great video on it called Double standards and diverse media. Our flag means death has given us so much, queer love story with a happily ever after, finding community, nonbinary character. And the creators have always been so kind to fans, so let's show them tht kindness back. Because critizicing this one aspect can easily turn to seeming like the whole story is just unwanted. That stories like Ed and Stede's aren't worth telling. And I'm so aftraid that will happen, when just now for the first time in years we are finally getting queer stories.

Also, I understand people are sad. I am sad too - Izzy was an amazing character and his death was sad but that's just. Good writing. You can grieve, but trying to turn it into a moral or dramaturgy issue is just not a good look. And attacking the creators of this wonderful show is just horrible.

Remember - this fandom is a safe space ship 🏴‍☠️🏳️‍🌈