#and the thing is: it doesn't matter what he does or who he fights or how many people he saves

[kittyfrisk9]

IdeaDpxDc: A nice moment with a sleep demon.

Note: Sorry, I don't know English, so please use a translator. I apologize if you don't get the idea.

Dead On Main.

---

Danny accidentally absorbed some of Nocturn's powers (like in the Vortex episode), and now, with these new temporary abilities, why not take advantage of them? Like a kid with a new toy, Danny (or should I say Phantom: with a new design) has fun every night going from dream to dream.

The dream world is so strange! Without the constant threat of a dream entity trying to take over the world and all that. Now he has fun exploring the most unusual parts of his classmates' subconscious, or anyone's in general.

Even though he knows he shouldn't be doing this (after all, he's a responsible adult now), spying on other people's dreams isn't exactly something a mature person would do.

On the other hand, Danny is the responsible adult; Phantom is the one who uses his new powers recklessly. Plus, no one in Gotham knows who Phantom is, and at the end of the day, he's not hurting anyone. Point in his favor!

It was all fun and games… until he felt it: the unpleasant taste of a nightmare, distressing and desperate. Phantom knows he has to intervene, because, unlike Nocturn, he does not delight in the suffering of others.

So he goes. And what he sees shocks him.

Resonant laughter of a psychopath, the constant pain of flesh being beaten, and the devastating reminder that no one came to help. Phantom doesn't just see it, he feels it. Gross. What is this? Why would anyone be hurting a child? Then he understands: this is not just a nightmare, it's a memory, and someone is suffering from reliving it.

He absolutely will not allow this nightmare to continue.

...

Jason hasn't been having good days lately, mostly because instead of going to therapy, he's chosen to sweep his trauma under the rug and aggressively throw himself into crime-fighting. He's not good at dealing with his emotions, especially when he's been tormented by the same damn nightmare over and over again.

He knows the script by heart, he knows how it will end, but he still feels the same fear as the first time.

His head hurts.

"No, not again," he thinks in terror. Once again, he's tied up, unable to move or call for help. It's colder than he remembers. The walls have a grotesque tint, with laughter written in every corner. But the worst thing is the silence… until the sound of clashing metal begins to resonate.

Everything is a thousand times worse. He's sure the original scenario wasn't like this, but his terrified mind refuses to accept it.

The metallic sound resonates louder, each crash rumbling in Jason's chest. His breathing quickens, and then he hears it: that laugh.

A deep, distorted echo of laughter that seems to come from every direction. The laughter snakes around the grotesque walls, filled with the same letters that repeat his agony. “Ha… ha… ha…” fills the air, louder with each invisible step that approaches.

Then, he appears.

It’s not the Joker he remembers from that fateful night. This one is worse. Bigger, more deformed, with a smile that seems to tear at his own face. The colors of his suit are darker, more twisted. It’s as if his mind has amplified him, made him more monstrous.

“My, my, how little Robin has grown? But… something remains the same, doesn’t it? No matter how many times you live it, it always ends the same way. And to think that you were my greatest work of art!”

His voice is mocking, but behind the mockery is pure cruelty, a wicked amusement that lights up in those crazy eyes.

The Joker leans towards Jason, his face invading the small distance between them. The sound of metal continues to echo, and Jason knows what's coming next.

"Oh, I almost forgot…" he says, pulling out of nowhere an iron crowbar that gleams in the dim light of the nightmare. "It wouldn't be a good memory without this, would it?"

That's when the pain begins. Jason doesn't want to scream, and he won't. Even though that abominable creature is just a representation of his killer, he won't give him the luxury of listening to him suffer. The blows continue, and Jason bites his tongue. It's just a nightmare, it's not real… it's not real.

It's not real.

It's not real.

It's not-

"Hey… Are you okay?" he hears him ask. His shocked gaze turns to where the clown should be and discovers that he's gone. In his place, there's a handsome young man: short, slightly messy black hair, expressive purple eyes, and a body almost completely shrouded in dark shadows.

The mysterious man had a cosmic air about him, surrounded by a mix of special effects of stars and galaxies. Something magical.

And new.

Jason honestly doesn't know what he's seeing, or why he's seeing it. "What?" he says, unable to find another word to describe his situation.

The entity laughs at his stunned state, a reassuring echo very different from the joker's laughter. Then he snaps his fingers, and suddenly he's no longer in that ugly room. He's now in a field of flowers, beautiful and vibrant, looking out at a starry sky.

Okay, this is the part where he asks his brain how he went from being in a nightmare to being with a handsome guy under the stars, hands free and untethered.

"Relax, you're not crazy," the being says as he lies back in the grass. “You were in pain, and I didn’t like it, so I got you out of there. Don’t worry, that abomination won’t bother you again.”

Jason blinks twice, bewildered, not understanding anything. “You… saved me?”

“You could say yes.”

“Why?” He shakes his head. “No, wait, that’s not the question. Who…?” Looking back at the being, he decides to change his question: “What are you?”

He seems to have taken the being by surprise.

It clasps its hands together as it looks up at the sky, trying to act normal. Jason narrows his eyes. “You can call me Void.”

“Did you just make up that name?”

The being looks away, seemingly embarrassed at being found out. “Yeah…” And suddenly exclaims, “Ah, ancients! I'm not supposed to be doing this, much less with one of the bats."

That last sentence had given away more than it should have.

"Hey, how about we admire the night view and then pretend this never happened?" Void suggested with a hopeful smile, turning to Jason.

Maybe it was the soft scent of the flowers, the calm atmosphere, or just the tiredness after so many nights of endless nightmares, but Jason, without thinking too much about it, walked over, lay down next to Void on the grass, and said, "No."

He needed a break.

...

And that's how Jason befriended a dream demon. And how Danny pretended to be a dream demon until Nocturn's powers wore off. He couldn't let the bats find out his identity.

After that, they spent more time together, fell in love, there was drama and there was closure. In the middle of all that, Danny started having tea with Alfred in the dream world, and at other times, he had fun bothering the other bats in their dreams.

But that's another story.

---

Note: Sorry, I don't know English, so please use a translator. I apologize if you don't get the idea.

[oceantornadoo]

(simon riley x f!reader, same rank!)

violence, cod inaccuracies, reader is a badass

simon riley never calls you baby

until he does.

you tell him it has to stay hidden. you can't be known as "the girl fucking the lieutenant", no matter if you're the same rank as him, the same sweat and tears put into the job. it scares you, the thought of losing decades of hard work over some stupid fling with a man they call ghost. a man who brings you tea on your sick days, a man with soft eyes and a listening ear, the only man who's ever brought you to orgasm. the push and pull of your autonomy and your love is ever growing, that bone deep fear rooted in your marrow.

simon's scared too. scared of waking up and it's all a dream. scared that his enemies will find out, scared that it'll show he isn't so dead after all. he's been a rotting thing on earth for nearly four decades and he's comfortable with it; no matter how alive you make him feel. his hand on your waist feels right, but he can't bring his heart into the light.

so you call each other "lieutenant." maybe "riley" when he pisses you off, just to get under his skin. "dove" is rare, but it warms you up just the same, gives you an unbidden vision of hot chocolate and snow days. mainly its "l.t.", remnant of johnny, the respect and friendliness woven together sweetly. you murmured "babe" to him once, in the early morning when he sneaks out, and felt his shoulders bunch, the weight of it too much to bear. that was the end of pet names, or so you thought.

--

it's a foggy day on what becomes the worst night of your life. the mission is at a standstill, the intel outdated. you were supposed to be taking out a terrorist organization, blowing up the base of their operations, but instead the building is damp and abandoned, echoes of life the only sign they were here. price is in your ear, telling you to clear one last room and retreat, simon already on his way out. you nudge your way into the room with caution, years of practiced steps coming to you on instinct. for some reason, you don't catch the glint of a stranger's eye in a hidden corner. you don't see the rope in his hands, the knife between his teeth. the next thing you see is the floor, fog seeping over concrete as rough hands gag you and mutter promises of ungodly harm.

something's wrong. "price." simon murmurs soft and low, crossing out of the building to the tree cover below. "where is she? s'pposed t' be out by now." he's scanning the building through his scope, looking for that figure he knows so well, could find blind. "copy. 'er tracker says she's still in the buildin'. let's-" there's a piercing scream in the air. the ravens take flight from the trees. dark wings, dark words. "ghost-" "goin' in." a sigh on the other end. he can practically feel price's hesistancy but he doesn't care, heavy feet already moving back into the building. "you're goin' in blind, radar's jus' gone out." he swears under his breath, clearing hallway after hallway as the building falls back into silence. just as he comes upon a 4-way split, you scream again, the sound far away and to his left. "'m comin' dove, hold on." there's no gunfire, no sounds of fight. it's so eerie he thinks he might have dreamed it, his worst nightmare come true. his instincts lead the way, some knowledge of your location hidden in his blood. pop. finally a gunshot, and if he squints hard, he tries to imagine it being from your weapon. he's close, nostrils expanding at the scent of you, memorized even without your favored perfume.

there were four of them. you still can't believe you missed them, the thought in the back of your head as you fight for your life. scrambling from the rope one tries to force on you, becoming an eel as you slip out of their grasps. this is what you do, what you're trained for. until someone stomps down hard on your ankle, the force of it cracking straight through. you scream, can't help it, searing pain blinding your vision for precious seconds. they take advantage of it, gloved hands tying your own behind your back in a tight knot. you can't reach your comms so you scream again, this one out of frustration, desperation that your team, that simon, might not find you.

the big one shuts you up with a hand to your throat, a bruising grip that leaves you unable to speak. they aren't well trained, fumbling hands and shaky grips, and you're finally able to reach your holster, shooting the first between the eyes before you can even glimpse his face. now you're in your element, adrenaline covering the pain of your ankle as you fight back, shooting one after the other, digging out your knife for close combat. it's over in a blink, the men no match for your skills, and once you double check they're dead, you collapse in the corner, the pain of your ankle roaring. that's when you hear it.

"baby?" it's him (but it can't be). he's never called you that. you pretend not to see when he whispers it into your neck as you feign sleep, when he murmurs it in a grunt as he's deep in your cunt. he's never said it to your face. "baby!" it's definitely him, that gruff voice cutting across the fog. you whine out of frustration, your throat too sore from your attacker to call out. instead, you limp to the door, almost running into simon as he comes crashing into your own personal hell. he sweeps you into his arms and you let him, grabbing his shoulders to make sure he's real.

"y' hurt?" he takes a look around the room, at the carnage in your wake. "my brave girl." you're sobbing, unsure whether its from frustration or relief. still can't believe you got caught, feeling like such a stereotype to have your knight in shining armor rescue you. "handled them all y'rself, hm, baby?" he's all sweetness and it hurts, seeing his eyes swell in pride as he takes in the four dead men, gunshots and a knife sticking out of one's eye. "why- why are you calling me that, simon?" he's ushering you out, your arm around his neck as you limp towards freedom. "proud of you." he says it simply, eyes trained on potential threats, not watching your reaction.

"aye, i told you, gaz. ye owe me a drink." soap's voice crackles through the comms. they were on. which meant your team heard the whole thing, heard simon practically claim you, knew you were together, thought you were a slu- "she's too good for him. i don't believe it." gaz's voice replied. "bugger off." simon grumbled into the mic, the sounds of them snickering loud and clear. "good?" he turned back at you, stopping you before you approached the clearing where your team waited. his eyes told you something different, that he'd walk out of here right now if you wanted. the cock of his head meant he'd follow you anywhere, live off the lamb for decades if you wanted. that was all you needed to know. you nodded and pushed forward. "yeah, i'm good, baby."

--

this is SO CRINGE but it's been in my drafts forever and needed to start paying rent

[thedemonofcat]

When Jaskier's angry or upset, it's always "Don't touch me!" "Get away!" "Hands off!" And then the bard will be gone for hours or days until he calms down.

Now, Geralt understands this kind of reaction. He himself doesn't want to talk to/be around others when he's angry. Much less let anyone touch him. The thing is...Jaskier acting that way never fails to make Geralt feel like shit. Jaskier is usually so affectionate that the sudden cut off is jarring. The first few times it happened, Geralt had been sure that Jaskier was fed up with him and leaving for good.

However, Jaskier always returned. They would make amends, and the bard would resume his touchy, affectionate ways.

One day though, they had their worst argument to date. And although he had always come back before, Geralt was certain that this was the time Jaskier would leave forever. If Jaskier walked out that door, Geralt was sure he would never see him again.

So, unthinkingly, Geralt caught the bard's wrist.

Jaskier's eyes widened, anger replaced with pure panic. "Geralt! Let me go! Let me go right now!"

Geralt loosened his grip reflexively in response to Jaskier's panic. Did the bard think the witcher would force him to stay? He opened his mouth to try to explain.

Only, the world was...spinning. And Geralt's tongue was heavy. And everything was warm. Oh, he felt so very sick.

Then, the world went black.

An unknown amount of time later, Geralt woke. He felt kind of hungover but was otherwise fine. To his relief, Jaskier was sitting at his bedside.

When the bard notices Geralt is awake, he inquires after his health. At Geralt's reassurance that he was fine, Jaskier launched into a tirade about the number of times he had told Geralt "NOT TO TOUCH HIM WHEN HE IS MAD! AND THAT INCLUDES RIGHT NOW, YOU SCARED ME HALF TO DEATH, YOU BASTARD!!!"

Geralt is a bit confused about how Jaskier being mad and his fainting spell were connected.

Two things are revealed that day:

Jaskier is part fae

Some fae become toxic to touch when they are extremely upset or angry or scared. It is a magical trait, so it wears off when Jaskier calms down; nevertheless, it is dangerous.

This puts some things into perspective. Like how Jaskier, who seems to feel entitled to his emotion/reactions no matter how inappropriate they may be, is very skilled at controlling his temper. Or how when he does lose it he chooses verbal slander over physical violence. Or how when there IS a physical fight Jaskier wraps his hands in cloth and tries uses blunt instruments.

Bonus: Geralt tells all of the witchers not to touch Jaskier when he's mad, and Lambert takes that as a challenge.

When a fae is startled enough by touch, it can shatter their Glamour.

That’s exactly what happened when Lambert was goading Jaskier, determined to rile him up, resorting to poking the Bard. But when Lambert finally made a remark about Jaskier’s feelings for Geralt, something inside Jaskier snapped the moment he felt the poke.

A surge of magic erupted, sending Lambert hurtling backward. He crashed against the wall, clearly injured. Everyone turned to stare at Jaskier, who now stood transformed—his fae nature fully revealed. Pointed ears, delicate horns sprouting from his head, and his bright blue eyes glowing even more intensely than before. To top it all off, Jaskier hovered a few feet above the ground, wings unfurled.

Geralt had never seen his Bard look so otherworldly, so undeniably fae. It was both mesmerizing and terrifying. He knew Jaskier hadn’t meant for any of this to happen, but Lambert had pushed him too far.

As the anger faded and Jaskier glanced around, he was met with wide-eyed fear. They looked at him like he was a monster. Overwhelmed, Jaskier shrank himself down with a flicker of magic and flew away, disappearing into the air.

[saltywinteradult]

How is Dany is abusive to Jon?

Honest question, I’ve never given it a thought

I'm sorry this took me so long, anon, and I am really sorry for how long this post got. I had a lot of thoughts on this.

Before we begin, I'd like to point you to this compilation of Jon's reactions to Dany, which hardly paints a picture of a man who is happy and in love, as well as this post and this gifset, both pointing out the parallels between Jon's relationship with Dany and Sansa's relationship with Littlefinger, the latter being a relationship I hope most people can agree is abusive.

It's absolutely crucial to remember that in this relationship, Dany is the person with the power. She is the one with the dragons and the biggest army, and she is willing to both use and abuse that power to get her way.

Furthermore, Dany wants the North's loyalty, but the North needs her help. (The fact that it's Dany's duty as well as in her own best interest to help fight the Others is a different discussion; she doesn't seem to understand this anyway.) She has agreed to grant that help, but she could easily withdraw it if she chooses. She has more power than literally anyone else and there's simply no escaping that power imbalance - it permeates every single interaction Dany has with Jon and all the other Northerners for all of s7 and the first half of s8.

I want you to remember how Dany treats Jon on Dragonstone. His weapons and his boat are taken away immediately upon his arrival. She says Jon is "not yet" her prisoner, but 1) that line very clearly implies that she could make him her prisoner if she chooses to, and 2) how much does it really matter that Jon is "not yet" her prisoner when she's already taken away his means of defending himself or leaving the island? Remember how she later tells him "I haven't given you permission to leave." Girl, what happened to Jon not being your prisoner?

I think it's also very telling that Dany never once addresses Jon by his proper title of King in the North, even before he bends the knee. As you may recall, Dany cares a great deal about titles. She never grants Jon the same respect she demands for herself, and she likes to remind Jon that she is his Queen even during a supposedly intimate, romantic scene.

(Gif by yocalio via gameofthronesdaily)

Earlier in this scene, Dany pointed out that they could stay here in this secluded spot, away from the kingdom and its politics, and no one would find them. Yet even here, away from the rest of the world, she makes a point of referring to herself as "your Queen".

I point all of this out to illustrate that from the very beginning and throughout their relationship, Dany views Jon as a subordinate, not an equal. That is very much not a good foundation for a healthy and equal romantic relationship. Her constant expectation is that Jon will submit, obey, give things up to benefit her, and ensure that the people he has power over act the way she wants.

Case in point:

"Your sister doesn't like me. [...] She doesn't need to be my friend, but I am her Queen. If she can't respect me..."

The implication is that Sansa is doing something wrong by not liking or respecting Dany (meaning "not acting deferential enough for Dany's taste"). The fact that Dany is saying this to Jon and not to Sansa herself implies that it's Jon's responsibility to ensure that Sansa behaves acceptably. "If she can't respect me..." Then what? What exactly is she implying will be the consequences? That their romantic relationship will end? Something worse?

At this point, the North has bent the knee to Dany. As their monarch this is not an entirely unreasonable thing to ask of her subjects - but it's not a very reasonable thing for a girlfriend to ask of her boyfriend, is it? The line between Jon and Dany's political relationship as monarch and subject and their personal relationship as girlfriend and boyfriend isn't just blurred, it's practically nonexistent. To state the obvious, there is a reason we decided that absolute monarchies are bad here in the real world. There is also a reason why a boss dating a subordinate is frowned upon in the real world. Big power imbalances are a bad idea in general and in romantic relationships especially. They should at the very least be considered and navigated carefully. Dany not only fails to do so; she is only happy with her and Jon's relationship when she has power over him.

For proof, let's look at how she reacts when that power imbalance is upended by the revelation of Jon's true identity:

This revelation is a bombshell for Jon. Everything he thought he knew about his own origins turns out to be untrue. However, Dany's first and only thought is how this affects her. Her first reaction is denial and scepticism; the second is to turn cold as soon as she realises that this makes Jon a threat to her ambitions.

There's also this line:

"A secret no one in the world knew, except your brother and your best friend. Doesn't seem strange to you?"

Which implies... What, exactly? That Sam and Bran made this up? Why? Just like with Sansa in the previous scene, we see Dany questioning the actions and intentions of Jon's loved ones. Remember that.

Things escalate in episode 4:

Dany is faced with the notion that Jon might hold more political power than she thought, that they might actually be on somewhat equal footing, and this makes her unhappy.

"I want it to be the way it was between us."

Her desire is to continue their sexual relationship and to return to the previous status quo where she held more power than him and therefore didn't consider him a threat. Jon having a stronger claim to the throne than her threatens Dany's sense of her own identity and purpose, and she reacts by trying to deny and suppress this reality:

"You can say nothing, to anyone, ever! Swear your brother and Samwell Tarly to secrecy and tell no one else! Or it will take on a life of its own and you won't be able to control it or what it does to people!"

(Imagine this with the genders reversed. Yikes.)

Dany is demanding Jon keep his own identity secret from his own family. That's not a reasonable thing to ask of a person you love. Not for one second does she show any consideration for how Jon might feel or what Jon might want. It's all about her. Her expectation is that Jon suppress his own identity, his own reality, to benefit Dany's ambitions. Never once does it seem to occur to Dany that what Jon does with this secret is up to him to decide, not her. His agency is of no concern to her.

Jon: I have to tell Sansa and Arya. Dany: Sansa will want to see me gone and you on the Iron Throne. [...] She's not the girl you grew up with. Not after what she's seen, not after what they've done to her. [...] Jon: They're my family. We can live together. Dany: We can. I've just told you how.

Here we are again with Dany questioning the motives and agendas of Jon's loved ones. Now she's no longer implying but outright stating that they're working against her. What we have here is a pattern of Dany implying that Jon's loved ones are up to no good and can't be trusted. I don't need to explain why that is a dangerous and manipulative thing to do to one's partner, right?

I also want you to pay extra attention to how Emilia delivers that final line. Throughout the whole scene Dany is distraught and desperate, but at this point she turns cold and closed off with an unmistakable anger that Jon won't agree to do as she demands. It is very hard not to read a threatening undertone into that line. "Keep it secret, or else."

Before we move on to episode 5, I'd like to highlight this line, spoken by Dany to Tyrion and Varys in episode 4:

"Speaking to Cersei will not prevent a slaughter. But perhaps it's good the people see that Daenerys Stormborn made every effort to avoid bloodshed, and Cersei Lannister refused. They should know whom to blame when the sky falls down upon them."

Let's be clear on one thing here: Cersei could choose to back down and surrender to avoid bloodshed - but, and I cannot stress this enough, so could Dany. Cersei and Dany are both being selfish and power-hungry by refusing to give up the throne in order to avoid bloodshed. But to admit that would ruin Dany's deeply rooted self-image as morally superior to her enemies. So what does she do instead? She deflects blame. She's the one with the dragons, but if she makes the sky fall down on people, as she puts it, it's not her fault. Keep that in mind.

Now for the absolute low point:

"What did I say would happen if you told your sister? [...] She betrayed your trust. She killed Varys as much as I did. This was a victory for her. Now she knows what happens when people hear the truth about you."

Okay. Varys was conspiring against Dany, which he could've chosen not to do; I guess Dany was within her rights to punish him. She still could've chosen to imprison him, or at least give him a trial. Nobody made her kill him. But as we've just seen, Dany doesn't like to accept responsibility for her own decisions. She'd rather deflect the blame onto the people who displease her.

What's more, she's not just blaming Sansa for Varys's death but Jon as well, for telling Sansa the secret in the first place - which Jon was well within his rights to do! He never agreed not to tell anyone. That wasn't up to Dany to decide in the first place. Jon did what he wanted to do and not what she wanted him to do, so now everything Dany does as a result of Jon's actions is Jon's fault? Do I even need to explain how shitty this is?

"Far more people in Westeros love you than love me. I don't have love here. I only have fear."

This is entirely true. She never stops to think about why Jon is more beloved in Westeros than she is, but whatever. What's important is that after this, Dany initiates a kiss and Jon rebuffs her.

(Gifs from snowsource)

"Alright then. Let it be fear."

Again, what exactly do we think she's implying here? Remember the context. During this conversation, Jon already told her "you will always be my queen". He hasn't rejected her as his queen (which at this point he damn well should), he's just rejecting her sexual advances. And yet, Dany's reaction to his personal rejection of her is to embrace "fear", which again refers to how all of Westeros sees her, not just Jon. Dany already deflected blame for her previous actions onto people who displeased her including Jon, and now she's deflecting the blame for her future actions in the same way. And we all know what she did after this, don't we? I don't know how the line "let it be fear" can mean anything other than "you rejected me and that's why I'm going to embrace being feared, so whatever I do now in the name of being feared is really your fault. Look what you made me do." If that isn't abuse, I don't know what is.

[gilverrwrites]

STOP WAIT THE TIM DRAKE WITH SIONIS!READER THAT WAS AMAZING

love academic rivals to lovers frfr

anyway but tim is also canonically a high school drop out so sionis!reader finishing school without him (technically dropped out when bruce went missing) 💀 idk why but with roman hating the wayne clan so much, I could see it being kept secret.

like a cute little forbidden fruit/secret relationship. robin & the daughter of the most notorious crime lord in the city?? jeez and you wanna ask why bruce/roman are paranoid /hj

but it's them sneaking around and then tim obviously leaves for his search for batman, dropping out of school, and it leaves sionis!reader all alone.

and then tim comes back!! and bruce is back but bruce doesn't really matter to them(reader), because tim left without a word, without a goodbye, and now he's back and I can imagine all the changes between that happened in that year he was too, the angst of him coming back.

like, would they try to find tim? would they try to go to wayne manor and figure out what the hell happened? I feel like it opens the door to possibilities between them

Hang in there, this is a real rambley ramble.

Ngl, I was picturing it for when he went to Ivy (which he also dropped out of lmao), and I like the idea of them being upfront about it for the comedy/reluctant acceptance angle, but there is still the potential for drama. However, I can see the appeal of them keeping it totally secret too (I'm gonna talk about that later in the post).

For now, heres my vision: You’re Romans favourite kid, his perfect lil angel child, the only one who wants anything to do with him so he dotes on you (to the extent that Roman can dote on anyone) and you go to him one day like; “I get perfect grades, I never miss curfew, I help with the family business, I never ask you for anything, PLEASE accept my boyfriend.” And at first `Roman’s just like… “No.”

Queue the “But Daddy I love him!” tantrum.

Unlike with Jason, Roman has never had any strong feelings toward Tim other than a general distaste cause of the Wayne association, so eventually he tries to come around, but it’s just awkward, and Tim hates it too cause he know your dad is Black Mask, and he can’t do anything without risking being exposed as Red Robin or upsetting you by causing a scene/fight. Is it to much to ask for the two most important men in your life to get along for one dinner? Please?

So, every time they meet the vibes are just off. However, they’re both trying really hard to get along cause they love you.

One night Tim unintentionally catches Black Mask red-handed and he can’t not do his job. The whole time they're fighting, Tim has this whole internal monologue going on about whether he should let Roman off with a warning for your sake, but eventually he’s like WWBD?

So, he hands Roman over to the authorities and the next day he sees you and your bawling! Inconsolable! Your dad is going to prison, your life is ruined. You’re also a bit of drama queen but validly tbh, what will this do for your social standings? Your college applications? Your career aspirations? Fuck Red Robin, you hate that guy!

You were raised by Roman Sionis, of course your inherited at least a little of his melodromatic genes.

Even though you're distressed Tim can’t keep from being like ‘You're mad at the wrong person here! Red Robin is the good guy! You're dad is the criminal, he wouldn't have been arrested if he wasn't a bad person! Who does bad things! He needs to face justice!”

It becomes a massive-ass argument until you’re like “Why can’t you be normal about this? I love my dad and this is going to have a huge effect on my life, why can’t you just be upset for me?”

Tim doesn’t have an answer cause the answer is "I'm Red Robin" but fuck that guy, right? The whole issue goes unresolved.

Or maybe he does snap and tell you the truth but that just makes things worse! "You're my boyfriend and you arrested my father! WHAT IS WRONG WITH YOU?!?"

When you visit him at Blackgate, your father is quietly elated by the break up, he doesn’t say as much. He plays the concerned father, offers you comfort. He reminds you that when he killed lost his parents, it started a new age of loyalty amonst the Sionis clan. As long as you're good to your family (him), it will be good to you. Oh, and btw, he needs you to handle a few things while he's gone. Don't worry, your family pisses money, he'll be out of here in no time but this stuff is important and time sensitive, and he needs you to keep it on the down low.

The next time you see Tim, he’s Red Robin and you’re the one he catches in the act.

Also, Tim telling that Bat-Fam “So yeah, I’m seeing someone new, it’s Y/N Sionis.” And everyone looks at Steph for a second, then back to Tim and is like “Dude! Get a new type!”

Also also, you visit the Wayne family for the first time, and after growing up drilled to hate these people you’re lowkey so nervous. You’re expecting them to hate you, because you learned nothing from presuming the same thing about Tim. The youngest one is definitely scary, and the butler must be convinced you’re gonna steal something because he will not allow you to be left alone (he’s remembering teenage Roman hanging out with teenage Bruce and being the worst), but otherwise everyone is actually kinda chill. Maybe a bit overly polite but not unpleasant.

But I can totally see the appeal of them keeping it totally secret too. Especially if Tim tells you about being Red Robin. How it might force you to come to terms with your morality by enabling your father/not holding him accountable. Major existential crisis material.

Of if he doesn’t tell you, the angst of your boyfriend just up and leaving without a word, not responding to your calls, texts, emails.

When he does come back you’ve ‘moved on’. Or you thought you had until you saw him again. But after he left you high and dry you’re fuming, and won’t allow him to just walk skate back into your life.

Tim pining after you while you’re excelling in your college/job pursuit. You keep catching glimpses of Red Robin while you’re out on dates or visiting your dad. Tim tells himself he’s just vetting your new boyfriends or ensuring your dad isn’t up to no good. But really its because he’s missed you and doesn’t know how to make up for cutting you out of his life.

He also notices how you never bring your dates home. How you still bury yourself in his old hoodie at night. How you haven’t finished binge watching that show the two of you were working on together. Those little nuggets of hope are what keeps him hanging on.

[feroluce]

Not to make everything about my ship, but if I don't do it no one will, so today we are making meta analysis of Boothill's faceoff match about henghill, because the differences between Boothill's stand off with Luka and his one with Dan Heng- and what you can infer about Boothill himself and what catches his eye in a person- makes me chew concrete.

JUST. I loved the scene between Luka and Boothill so much. I love how wildly unrestrained Boothill is. He really just shoved the barrel of his gun in his opponent's face and put the fear of death into him as a way to test Luka's resolve. I utterly adore him. I hope he does it again. Anyway.

When confronted with all this, Luka freezes. His stress-induced hallucinations were already bad, but you can see how they really ramp up in this match, because before, they were always something familiar. Previous enemies became Silvermanes, or Belobogian automatons, or even Cocolia. Luka is far from home for the first time in his life, and he's so terribly homesick his brain is making everything familiar, because that is what he's desperately craving right now.

But Boothill.

Boothill is something so new, and unique, and horrific and terrifying, that he becomes something entirely unknown to Luka. His hallucination manifests as Something Unto Death, as the very fear of death itself.

And this stand off (which I love so much that this is how this match progressed, because like that's literally just Boothill's in-game skill; he locks the enemy into a one-on-one duel, so this was extremely in character for him) lasts long enough that Owlbert starts having to fill in the silence over the loudspeaker,

and even Boothill himself starts trying to push Luka into making a decision one way or the other.

Given that Boothill is a hunter by trade and is proven to have all the patience to track his prey and then some, this was more for Luka's sake than any impatience on his part, to try to shove him out of his freeze reaction.

And Boothill isn't really hard to read throughout this whole exchange, he all but says outright what he's looking for.

Boothill wants to see him surpass this test and come at him! You can see it in his face when Luka finally takes a step! And in how he congratulates him!

And then he fucking shot him snxhsjksjsn

Boothill admires courage, and bravery, and decisiveness. He admires a person's ability to put their life on the line and still fight in the face of danger and overwhelming odds. Those are the things that catch his eye.

And Luka does kind of get there eventually, but it is a stalling, halting motion that gets him there, and he fell to pieces immediately afterwards. This is his first time with this, and he's still figuring it out.

Dan Heng, on the other hand.

Boothill's stand off with Dan Heng from 2.2 is so fucking far in the total opposite direction that it is HILARIOUS.

Boothill literally breaks into the Astral Express, ambushes Dan Heng, and Dan Heng still has the balls to not only demand info out of Boothill- like doesn't even ask nicely, demands it- he also just straight up calls Boothill a liar. Right to his face! And he still isn't nice about it!!

By the way, that entire conversation? This is how it takes place.

Boothill, phrasing!!

Boothill has him at gunpoint! Dan Heng does not have his weapon with him! He does not flinch, and even stands there with his arms crossed seeming simultaneously pissed and utterly unimpressed. He looks like he should be irritably tapping his foot and looking down his nose at him. Dan Heng could not give less of a shit.

For that matter, Dan Heng even turns his back and walks away from Boothill- right in the middle of him talking, too! Not a single attempt to be considerate of the man who could decide any moment he feels like decorating the wall with Dan Heng's brains.

Dan Heng is brave and courageous and completely unflappable in the face of danger. He is ruthless and decisive in how he conducts himself, even when staring down the barrel of a gun. And through his efforts in Penacony, he shows the ability to put his life on the line and fight through overwhelming odds to save his once-in-a-lifetime companions.

No wonder Dan Heng caught Boothill's eye the way he did, no wonder the two of them were working together and bantering not even minutes after Boothill pulled a gun on him haha

[diyasgarden]

Pet peeves that reader does that makes them mad or annoyed

Art gets annoyed when people cancel last minute. He just finds it rude and annoying. It's the principle of the thing for him. If you cancel last moment (and unless for good reason) it pisses him off. But beside that, I think Art is pretty good at accepting people for all of their traits. He is just very selective with the people he accepts in the first place. There may be small things you do which annoy him, but he chooses to overlook them. If he ever fully blows up at you (think “GET TF OUT PATRICK”) it is because something you do has irked him for some time until he can’t hold it in anymore.

If you're the type of person who isn't direct with what you're thinking/feeling, it annoys Tashi. She doesn't like it when you (or anyone for that matter) is beating around the bush, especially if you're talking about something which is important to her. Just think about the dining hall scene with her and Art. When you're direct, she knows exactly what you're feeling and knows exactly how to handle it, but when you're not she only has a vague idea of something being wrong. She starts to overthink it, and even though it's a natural reaction to the vagueness she hates it. She feels the time spent overthinking, could be better used elsewhere. So yeah, she hates it when you're being vague. For small things she hates when someone chews with their mouth open. The sound is just disturbing to her and she’ll tell you if you’re doing it.

If you're the type of person to give someone the silent treatment when you're upset, Patrick literally looses his mind. He would rather you insult, yell, or even hit him, than just straight up ignore him. He hates the quiet, and this is just a form of quiet to him. He doesn't know what will happen next when you do this and that is what specifically stresses him out. This uncertainty. He will come to you and ends up picking another fight to get you to speak. Also as someone who rarely ever feels sorry for the things, he gets annoyed when you constantly apologize for little things. He really sees no reason for you to feel that way and just wants you to stop.

[hishighnesstheprincess]

Thinking about the fact that Movie Sonic will never be able to escape from violence and also the home as a place that violence will always intrude on and threaten for him.

Because like! Movie 1. Sonic inadvertently leads the Echidna Tribe to where Longclaw and he live, leading to a fight where he loses his mother figure (and as far as we know only parental figure at this point) and is forced to leave Green Hill Zone, a place he openly loves and feels free to run around in. He tries to find a second home in the cave and on Earth in general but he fucks that up too (read: has an emotional breakdown about the objectively horrible conditions of his life) and has to run, again, only this time he runs into Tom (second parental figure incoming but it takes Sonic a while to figure that out). The Wachowski household is not Sonic's home yet no matter how much he desperately wants it to be, and he still gets it destroyed when Eggman comes. The emotional finale (not the plot finale) of movie 1 is Tom (and Maddie but the movies don't care about her) bringing all of Sonic's physical belongings into the attic of the Wachowski household, making it Sonic's house, even if he hasn't yet figured out his place in the family.

Ah, but things are not so easy. Eggman gets back onto Earth, bringing with him Knuckles who has searched for years to find Sonic specifically to kill him (and there's another point to think on: the echidnas hunting Sonic down, always leaving their own home and land behind at cost to themselves, just to chase Sonic down at his own home and hurt him again and again), and the first thing he does is break into Sonic's house in the middle of the night and let Knuckles punch him through two walls, destroying the home again and forcing Sonic to flee. But this time, Sonic finds home not just in a place, but in a people, becoming brothers with Tails and Knuckles and a son to Tom (and presumably Maddie but the movies don't care about her).

And then. The Knuckles show. Sonic is living in a house (his home) with one of the people who destroyed it, and Knuckles is actively driving away people who are going to try and fix the damage Knuckles did. Knuckles, caught in a crisis of his own, not faced with any external threat (unlike what he did to Sonic) leaves the house (I wonder how Sonic feels about that) and learns to prioritize family (I wonder how Sonic feels about that) and then comes back home, all without informing his family of what he's been doing or where he's been (I wonder how Sonic feels about that). Knuckles is hunted down the second he leaves Green Hills, disappears, and yet Sonic doesn't think to go after him, and Knuckles doesn't think to ask for his help. I wonder. How. Sonic. Feels. About. That.

"But Prin," you say. "This trend can't possibly continue into the third movie. What are they gonna do, blow up the house? Kill Tom?" Well, yes, they could do both of those things. I actually think one of those things is pretty likely. But also. Sonic has found a home not just in Tom (and Maddie but the movies don't care about her) and the Wachowski household but in Earth in general.

And guess what Shadow is going to try to do to the planet he loves.

[butwhatifidothis]

What gets me about GW defenders saying that "Claude siding with Edelgard shows how far he's willing to go to get what he wants, he'll use anyone to further his goals" is that, even if that were accurate to his character... that's not what he does in GW. At all.

Which one of Claude's goals are ever progressed once he sides with Edelgard? And how does siding with Edelgard, specifically, accomplish said goal?

Maybe... killing Rhea? But all of the reasons he says he wants her gone in this game are either completely unproven or blatantly incorrect - there's no proof of the Church forcing arranged marriages, Crests do not force obligations onto those that have them (which Claude himself literally proves), and the Church is helping Dimitri restore Duscur - a foreign nation - meaning they are actively willing to help fulfill Claude's main goal that he came to the officer's academy to achieve.

And... that's it! That is the only possible thing that even POTENTIALLY helps Claude's dreams, and taking a five-second look at it shows that it actually does nothing at all to help anything. But in the meantime? Claude weakens Faerghus through agitating Sreng and invading it himself, forcing Dimitri to fight a three front war; he actively helps Edelgard get herself out of a messy situation, even though not helping her and letting her die would have actually helped him and would have actually been him using her like people keep saying he's trying to do; he and Holst even admit that by the end of the war Edelgard is going to make a vassal state of Leicester after taking the lion's share of Faerghus' territory for themselves, which Leicester can't do anything about because of Adrestia's far stronger military. He is the one saying that! He is the one pointing out that that is going to happen! And yet he just keeps going anyway!

He is the one getting used. Very blatantly, and very extensively. Claude walked himself into a trap and lied to himself into thinking he's the one with the upper hand, which somehow managed to convince a large portion of the fanbase too. There's no gray morality here, there's no cunning being showcased, Claude is just an evil stupid tool

[blood-orange-juice]

I've seen an idea that Childe is riding the whale, in a sense that he has something positive to say about it, but like... Childe constantly talks about fishing and hunting large sea creatures and his specialty dish is described as "a bloodbath battle against a cracken".

He wants to fucking murder that thing. He wants to feast on the flesh of an eldritch God.

And you know what? You know why?

Because that's what bravery is or rather lifeshattering ptsd . Because he witnessed a threat, a monster that could destroy the entire world like it destroyed his. Because he is a hero, a protector of innocence. Because he has a family back on the surface. He has an entire nation, hell, the entire world! He has comrades, some weaker then himself at 14, some with the same eyes of the warrior as him.

So what's a hero to do? Defeat the monster, of course! Alone, of course, because who if not him? Lunging into the depth, drowning in magic and blood and conflicts far older than anything he can imagine. Destroying the beast completely for what if not his ("his") power can defeat it. Biting into its flesh full of rage as old as the word itself...

Finding yourself breathing that salty water...

I actually looked at the trailer yet again and before he does that last attack (which looks like riding the whale) he slashes the whale's tail leaving a wound. That's definitely not a friendly gesture.

So I think he's probably still riding it but with the intention to follow it into the rift and kill, yeah...

And also yes! Absolutely. That's 100% Childe's thought process.

But also real bravery is so much more than rushing into danger and the world is always more complicated than that (what if the whale's only fault is being mad from betrayal and grief), and nobody defeats an apocalyptic beast alone.

I hope he gets to learn it.

[dimiclaudeblaigan]

Funny how that's actually true about how the characters/story would treat Dimitri, but when Edelgard does it it's "for a just cause" and it's always totally acceptable. This game really does love its waifu double standards.

[gayjaytodd]

the tragedy of bruce wayne is that no matter how much time passes, he is still a child in an alleyway, standing over his dead parents

[winter-spark]

I notice that even though Citron's my fave, I spend more time here talking about Orange and Navel.

I think it's fear of being wrong.

[t-u-i-t-c]

Inevitable Fierce Battle! The Decisive Demon Recapturing Mission!

[honeybittersweet]

My brother broke up with her girlfriend and says it's my fault bc I didn't say hi to her nicely enough all the time + I didn't make her feel welcome by putting on a good face when she was around. Girlie, I'm sorry to tell you this, but in my house, I'm not gonna put on a nice face, I've been doing it all day and I'm not gonna do it in my own home just bc you're gonna cry if I don't.

[pennjammin]

your panties scare me, can i take them off?

pov. you got new halloween panties/pajamas and he’s about to lose his mind.

content: implied smut, breath play (toji), virgin!choso, sexual content (MDI), husband!nanami, breeding kink (nanami), roommate!gojo, afab!reader

incl pairings: choso, nanami, gojo, toji

word count. 2.1k

soundtrack 💿🌧️: sex on sight ft. usher

Choso.

"Mmh..."

You lay on the bed, entangled in burly arms and the scent of aftershave. Your boyfriend is attacking you in sloppy kisses, all down your neck and jaw, as screams beam out of the TV from the horror movie you'd stopped watching about ten minutes ago.

His hand roams dangerously over your side while your nails dig into his back for stability. The two of you have yet to take things as far as penetration, so it’s all you can do to fight back the urge to whip his cock out and plop down on it.

You wonder if tonight things are going to finally change, as you feel your panties grow damper, and Choso's cock digging into your stomach through his sweats.

"Why do we always do this?" Choso breathes. “We start a movie we can't even finish."

You laugh against him before it melts into a moan at the reminder of his wet lips. "Because I don’t like scary movies, Cho. ‘M so afraid.”

Choso grunts against your skin, "Really? How can i make you feel better?”

You huff and roll onto your back. Choso doesn't waste any time climbing over you, propping himself up on his elbows.

"You can start by taking my shorts off,” you instruct, eyes filled with lust as you stare up at your ebony-haired partner.

He pauses his kisses to look down at you in surprise. "Y-You want to...?"

"Yes," you nod, biting your lip. “Don’t y’wanna comfort me from the scary monsters on the TV?”

Choso nods eagerly, and his big hands come up to your waistband to begin pulling down your shorts. As the material slides over your thighs, he pauses and stares with furrowed brows, right at your underwear.

"Um, baby?" he cocks his head to the side. "Who is... V.S.?"

You let out an exasperated breath before smiling. "That stands for Victoria's Secret, Cho. It's a lingerie brand."

His eyes bulge and he looks back up at you, "Lingerie?"

He continues to slide the shorts all the way off, to reveal your blood red thong with a tiny white ghost on the front. You suspect the ghost is supposed to look like a glob of cum, and you imagine Choso’s in its place.

"Oh fuck," he breathes, "you wore these f'me?"

"Who else, Cho?" you run your hands over your stomach seductively, patting the top of the thong. "You like?”

Choso's eyes flash white, and he hooks his fingers over the skinny string that keeps the thong around your waist.

"Shit, I..." he swallows thickly. "Love them. You have more like this?”

You nod confidently. “Don’t worry, I’ll let you see them one at a time.”

You wink and Choso’s nervous hands remain entangled in the strings of your thong. “What if I can’t please you?”

"Not possible," you shake your head, running your hands into his hair, grateful he’d taken it out of its pigtails for his shower. "I nearly cum every time we make out."

His eyes widen. "Oh, so it's not just me," he breathes out in relief.

You giggle and spread your legs a little more, your lips threatening to pop right out of the terribly small pair of panties.

A girl shrieks on the TV and there is the sound of a slashing knife.

You fake a shiver, "Oh, Cho! I'm so afraid. Mmh, hurry and make me feel better.”

Choso smirks and rips down your panties, knowing that the neighbors are going to think someone is really being murdered by the time he’s done with you.

Nanami.

"Excuse me, my love."

You turn in place to see your husband, standing in the doorframe of the bathroom as you brush your teeth.

"Hmph, yes?" you mumble around your toothbrush, your face heating in the same way it always does when you see him, no matter how long you’ve been together.

Nanami stands awkwardly in the doorframe, shifting his weight like a nervous child. He's in his own version of pajamas: a white shirt, plaid pants, and house shoes. His hand raises and he points to your legs.

"When did you acquire those?" he asks delicately, referring to the tiny orange shorts you have on that are patterned in bats.

"The shorts?" you mumble, before removing your toothbrush and spitting out the toothpaste. "Um, I got them yesterday while costume shopping with the kids. Why?"

Nanami laces his fingers together. "I just thought I'd seen all of your clothes, because you always try them on for me. You didn't..." he inhales a ragged breath. "You didn't show me these. Is there a reason?"

You nearly feel your heart shatter through your ribcage. Nanami clearly looks distraught that you failed to give him a fashion show. At the same time, you notice his pajama pants growing a friendly tent in them, and you suspect you know the real reason he is upset.

"I... wanted it to be a surprise, Ken," you say, pat drying your mouth on a washcloth, before walking towards him, all minty and shower fresh.

"A surprise?" Nanami questions, visibly getting tense as you approach.

"Mhmm..." you tiptoe your fingers up his arm and over his shoulder. "You like them?"

"That's a very loaded question," Nanami mutters. "I like anything you wear."

"But these seem to be having a different effect on you, honey," you coo, tilting your head to the side, resting your hand on the back of his neck - his sweet spot.

You watch his Adam's apple bob.

"Yes," he whispers, his hands coming up to rest on your hips. "They’re really… small. And we, you know, can’t do things as often anymore with the baby… I just miss you.”

You sigh, relaxing under his touch. “Right. Are you sure you’re feeling okay?”

Nanami lets out a feral noise. "No, I’m not. I feel like a horny teenager. Just need you really bad.”

“I haven’t seen you this desperate in a while, honey,” you say, taking a step back, letting your hands fall off of each other. "Go ahead. Take them off.”

Nanami doesn't hesitate. His big hands gently peel down the waistband, and he bites his lip as he examines what’s underneath.

"You're not wearing underwear," he realizes with a breath. “Gonna make me lose myself here, Y/N.”

"Well, I was thinking..." you cock your head to the side. "One more baby wouldn't hurt, would it?"

Nanami's eyes grow a bit larger. “D-don’t say that.”

“Know you’ve been trying so hard not to finish in me,” you coo, “but don’t you miss it?”

“Y/N…” his knuckles go white as he nearly rips the material of your little shorts. “We really shouldn’t.”

"No, but ngh..." you roll your hips under his hands. "Wouldn't it be fun to see how feral we can get?"

"I am already ‘feral’ just looking at these shorts, Y/N." Nanami nearly whines, his eyebrows furrowed in desperation, waiting for you to give him the word.

"Really," you whisper on his neck, planting a kiss there soon after. "That was easier than I thought.”

Nanami sighs against you. "Why are you so good at this, hm, little minx?"

You smile against his skin, "Why are my shorts still on, Kento?"

Nanami growls, all guttural and primal instinct, and your back is crashing against the counter in an instant.

You bite your lip, "Eager?” you question.

"You have no idea." He hums as he slides down the orange garment, staring at them. "Did you buy any more?”

"Maybe," you say quietly, blinking as you try to picture what he's going to do to you next.

"Good," he parts your legs and stands between them before using his thick hands to open your mouth and shove the shorts right inside of it. “We’ll need these so we don’t wake the baby.”

Gojo.

"You wanna be me so fucking bad!"

You spin slowly in place, holding a piece of popcorn only halfway to your mouth. "What the fuck are you talking about?"

Your eyes land on your roommate's bottoms, a plush pair of Friday-the-13th pajama pants. They are exactly like the boy shorts you’re wearing, the ones that have ridden up and cover basically nothing.

"If you wanted to match, you could've just said that," Gojo huffs, crossing his arms.

You raise your eyebrow, "I’ve had these for a long time. You're the one who wants to be like me."

Gojo scoffs. "Why haven’t I ever seen them, then?" He shoves his hands in his pockets. “And au contraire, madamoiselle, I want to be in you. Huuuge difference there.”

You cough a bit, choking on nothing, unable to respond.

"Of course, choking on my cock could definitely work too," Gojo mutters, examining his nails. "Maybe teach you a lesson about walking around in just your panties."

You roll your eyes, but it’s hard to deny the fluttery feeling in your stomach just from his words. "Please, like I've never done this before."

"And every time you have, you end up bent over, begging for me to take it easier, don't you?" He cocks his head to the side and lets his eyes slither down your body like a snake of temptation.

You bite your lip. "So it’s my fault that you have no self control?”

Gojo nods his head. "Yes, maybe I just wanted to have a nice, relaxing Halloween game night with you... but now you've got me so worked up."

You tap your chin. "You wanted to spend time with me that doesn't involve sex? Seems a little out of character, don't you think?"

Gojo stalks towards you, long feathery strides until he's towering over your frame, eyes threatening to sear your clothes right off of you.

"Oh, you can't get any denser, can you?" he questions. "This sick little arrangement we have, teasing each other and fucking on every surface in the house isn't what I want." He pauses. "I mean, yes, but it's more than that."

You blink up at him. "What else could you possibly want?"

Gojo sighs, and slowly wraps his arms around you in a cinnamon-scented bear hug. "I want to contact you about your car's extended warranty."

"SATORU!" you screech, hitting him on the chest as he bursts into laughter.

"I'm joking, you know that I can't take shit seriously," he runs his fingers through his hair. “For fuck sake, I want a relationship with you, okay? Do I need to spell it out on the lawn?"

"Yes, actually," you tease, sitting your popcorn bucket down and running your buttery hands over his chest. "You want to be with me?"

"Your pussy's too good to let anyone else have you," he hums, leaning forward and kissing your neck.

"You're so annoying," you grit, but you can't help but melt into his touch and kisses.

He chuckles against you but doesn’t respond.

Gojo pulls his head out of your neck and leans towards you, lips parted in expectancy.

Your eyes flutter closed just as your mouths collide, this kiss feeling different than the hundreds that had come before it. You lean into him and grab the drawstring of his pajamas, while his fingers are also subconsciously twisting into your boy shorts.

"Mmh, can't get enough of you," Gojo mumbles against your mouth.

You giggle. "Good thing I'm yours now. There's plenty of time to reach all of me."

He breaks away from you and stares down in astonishment. "Really?"

You nod, tugging him closer by his pants. "So, about that game night..."

"Eh, it can wait, we have some celebrating to do." He grins, and before you know it you're being lifted swiftly into the air, hauled over his shoulder with your ass next to his face, as he pops a crack on the soft skin there. "And don't you ever wear these without warning me again."

Toji.

“Why are you hovering? I said sit.”

Your boyfriend is obsessed with you sitting on his face, suffocating him with your cunt and juices, this is nothing new. But this time, he wants to try something a bit more deranged.

You’d just been trying to show him your new panties and matching socks, honest. You may have also been wearing one of his shirts, and this was absolutely his weakness, and you absolutely knew that.

“My shirt, baby?” he’d cooed, pulling you into a hug and planting soft kisses on your face. “New panties too? You spoil me.”

It wouldn’t be long before he was lifting you up, effortlessly, carrying you to the bed and laying down on it. Then, before you had the chance to squirm or run, he was gripping your sides and lifting you over his face, where you caught your weight with your knees.

“Toji, they’re still on,” you mumble, his hands gliding up your sides to hike up his shirt. He stares directly between your legs which causes your clit to twitch.

“So?” he questions from below.

Thick hands mash into the crease of your hips, forcing your weight to fall down on his wide nose and full lips.

Your face turns the color of beets, but you ultimately have no time to be embarrassed as Toji locks his arms around your thighs.

His eyes have fluttered closed, and you can feel his shuddering breath through the cloth as he takes in your scent.

Your hands are on the headboard for stability, looking down at him, feeling your panties grow damper as he wiggles his face around, nose brushing your clit.

“Toji approved,” he says suddenly, before you feel his fat, warm tongue slide along the material of the panties, and your body lurches.

“Wh-What…?”

“I can still eat you through your panties,” he huffs, eyes popping open and catching you staring down at him. “This was the plan all along, puss.”

Your thighs shudder on either side of his head. “You’re not serious.”

“As a heart attack, baby,” he mumbles, before flicking his tongue over the cloth again, nose massaging your clit, hands burying deeper into your skin. It’s all so much, you moan and rotate your hips over him.

“Wh-what made you want to try this?” you ask, biting your lip as he tugs on the material with his teeth, taking in another animalistic sniff.

“You looked so proud to show them off,” Toji grunts. “It’s a shame that they were only going to end up on the floor, huh?”

You have to agree. You’d stopped buying lingerie long ago because it would never last more than a few seconds around Toji, but you figured a new pair of panties couldn’t hurt. You just hadn’t expected this reaction out of him.

Besides, you can’t deny how good it feels to dry hump his face, there only being a thin barrier between your folds and his wet tongue, making it all the more a tease.

From then on, it became a regular tradition for Toji to “approve” your new holiday panties - but of course, the halloween ones remained his favorite.

A/N:

im sorry for pumping out these shitty short ones but im just trying to keep yall fed while we wait for the long ones ^.^

~pennjammin