#and the life purpose of france

[deeplorewhore]

Marie (France) 🤝 Asrael (U.S)

Giving shit to

Pandragon (U.K)

for being British

[wayti-blog]

Hang in there. It is astonishing how short a time it can take for very wonderful things to happen.

Frances Hodgson Burnett

[yourpillowtalksucks]

I WANNA SEE NATIONS THAT HATE HUMANS. I WANNA SEE NATIONS THAT ARE TERRIFIED OF THEIR OWN PEOPLE. I WANT THE ANGST. I WANT AN AMERICA THAT IS SECLUDED ON HIS OWN LAND BECAUSE HE’S TERRIFIED HE’LL BE HUNG AGAIN CAUSE OF THE SALEM WITCH TRIALS. I WANT A PRUSSIA THAT HATES EVERY SINGLE HUMAN HE MEETS ON PRINCIPLE BECAUSE THEY SET HIM ON FIRE FOR BEING ALBINO. I WANT A FRANCE THAT DOESN’T GO NEAR HIS OWN GOVERNMENT BECAUSE A KING ONE TIME WANTED TO SEE HOW MUCH TORTURE HE COULD WITHSTAND AND ULTIMATELY DECIDED TO JUST BEHEAD HIM TO SEE IF HE’D DIE. I WANT TO SEE A RUSSIA THAT CAN ONLY STAND THE CHILDREN OF HIS PEOPLE BECAUSE HE WAS TORN APART BY THE PEOPLE DURING THE BOLSHEVIK REVOLUTION. I NEED THE ANGST 🤌🏽🤌🏽🤌🏽🤌🏽🤌🏽🤌🏽🤌🏽🤌🏽🤌🏽

[mali-umkin]

.

[bethanydelleman]

I'm really tired of the "woman sad about her arranged marriage" trope, especially if that woman is royalty.

I am sure that many women across time were sad about their arranged marriages, but I'm sure a lot of others were excited, ambivalent, or resigned. Again, especially if you were royalty! I am sure if you were born a princess, you were trained from birth that your whole purpose in life was to marry someone important to solidify the power of the person on the throne. And honestly, it's an important job, if it wasn't, they wouldn't have tried so hard to do it.

That woman isn't just marrying another king or prince, she's going to be an ambassador of her country. She's supposed to be there promoting good relations. She isn't just a woman being sold off, she has a job! Also, if she is marrying the reigning monarch (or the heir), she may well end up running the country if the king is off at war or he dies when the heir is really young. That happened a lot throughout history! (or maybe she marries the third son and helps him find his way to the throne. Good for her)

It just feels like a modern sentiment being projected back. In Romeo and Juliet, when Juliet's mother first brings up marrying her to Paris, Juliet's basically cool with it and says she'll try to like him. She would have known this was going to happen because that is what rich women do, they marry into another family so their two families can be buddies. What else would she even be expecting?

It wouldn't bother me so much except that it's all we see! Give me a story about a woman who is like, "Cool, I shall give it my all!" Or she's like rolling up her sleeves and planning how she's going to get the court on her side and rule France, power behind the throne style (these women are mostly portrayed as villains, but who is to say the king would do a better job?). And also, have a little faith in women's fathers? You think men in the past didn't occasionally consider the happiness of their daughters? Not even a little bit?

[if-you-fan-a-fire]

"The staff group as a whole perceived the Prison Service as providing work for inmates primarily for the purpose of managing and controlling the prison on a dayto-day basis: the reasons ranked highest were ‘to give inmates time out of cell, something to do’ and ‘to keep them busy, stop them causing trouble’. (These were endorsed as important to Prison Service HQ by 88 per cent and 86 per cent respectively of the staff raters.) But also, and nearly as important (to HQ, said staff) were the aims of improving inmates’ prospects of future employment by giving them skills and work habits. Using inmate labour to help keep the prison running came next. Somewhat lower down, but still endorsed as important by more than half the staff raters, were the aims of commercial enterprise, enabling inmates to earn money, and improving inmates’ characters (e.g. by teaching them to respect the work ethic and contribute to the community). At the bottom end of the scale only 6 per cent of staff thought that prison work was provided as punishment.

Staff themselves thought that preparing inmates for employment after release would be the best justification for prison work: imparting skills and work habits were endorsed as good reasons by 94 per cent. Next came giving inmates time out of cell, inculcating the work ethic, and enabling them to earn money. The list of items was practically the same as that in the preceding paragraph, and for any one reason there was little difference between the proportion of staff perceiving it as important to HQ and the proportion thinking it a good reason. But overall there was a distinct difference in emphasis. Reasons having to do with treating inmates as people, rather than with the maintenance of the system, were all rated more highly as good reasons for inmates to work than they were as perceived reasons for official practice. By contrast, reasons to do with managing the system were all rated lower as good reasons than as perceived reasons for practice.

Inmates as a group, rating their own reasons for working, placed highest ‘to get through my sentence without trouble, as soon as possible’, which was endorsed by 94 per cent. Next came passing the time and getting out of cell. These three items together, expressing the aim of getting through one’s sentence, can be seen as the counterpart of the official aim of managing the prison and keeping it ticking over. ‘To get a little bit of money’ came fourth at 73 per cent, followed by ‘interesting activity, helps to take my mind off prison’ at 69 per cent. Other reasons rated as important by more than half the inmates included the opportunity to mix with people, using up mental energy, the feeling that one ought to work, compliance with prison regulations, and learning or using skills for future employment. Reasons endorsed by fewer than half included getting perks, work habits for future employment, the hope of parole, and compulsion (‘I only work because the authorities make me’, endorsed by 29 per cent). Ranked lowest was working in order to relieve guilt, which only 10 per cent of inmates said was important to them.

...

Inmates’ perceptions of the authorities’ reasons for providing prison work placed highest ‘to keep them busy, stop them causing trouble’ (endorsed as important by 80 per cent), followed by helping to keep the prison running and giving time out of cell. Thus inmates, like staff, believed that the authorities gave first priority to managing the prison. Just over half felt the authorities used inmates as cheap labour. At the bottom of the scale 29 percent of inmates felt that prison work was intended as punishment: the minority holding this opinion was much greater among inmates than it was among staff.

Roughly half the inmates credited the authorities with wanting to give them useful skills and work habits. This reflects much the same weight as inmates themselves gave to these items as reasons for working, but considerably less than the credit staff gave to official intentions, which prompts the following comment. When they came into prison the majority of inmates had hoped for a prison occupation which would use their existing skills (if any) or give them new ones (p. 59), but by the time they got near the end of their sentence many felt this had not happened (p. 120). It is therefore not surprising that despite the official intentions (as perceived by staff) that prison work should help equip inmates for the future, and despite staff’s own desires to do this, only half our sample of inmates, when asked in this exercise, answered that learning skills and work habits was an important reason for them to work in prison.

- Frances H. Simon, Prisoners’ Work and Vocational Training. Routledge: London and New York, 1999. p. 123-124

[justana0kguy]

2024 FEBRUARY 01 Thursday

"Cast thy thought upon the Lord, and he will nourish you. Be patient in tribulation, confident that the Lord will fulfill his purpose and his promise. To those who put questions to you, reply humbly; bless those who persecute you; give thanks to those who injure you and calumniate you; because for these things there is prepared for you an eternal kingdom."

~ Thomas of Celano, The First Life of Saint Francis, § 29

[earlysunshines]

just pretend(?)

danielle marsh x fem!reader ; angst, fluff

synopsis: your coworker can’t seem to fall out of love with you so you convince your best friend to fake date you. sometimes the “fake” seems a little too real.

warnings: PINING!!! ; danielle is touchy and wonderful and reader is a mess ; kinda all over the place?? I'm also a bit iffy ab the pacing on this one ; bit of angst near the end ; alcohol ; anything else not mentioned ; not proofread… none of my fics are…

a/n: this is based off my life rn bc my friend and i r literally fake dating so my coworker can stop being in love w me and i just HAD to turn this into a fic like what (but most of this is exaggerated ofc esp the whole coworker thing I made her a little over the top on purpose for the plotLOL)

"absolutely not." hanni looks disgusted, almost appalled with that stupid expression on her face. “you’re crazy.”

"please, i'll pay you." you beg, clasping your hands together and giving her your best puppy eyes.

"you're going to scare the hoes away... no, no, and no.”

"what ‘hoes’ hanni? when is the last time you've talked to a girl." you groan and pinch the bridge of your nose.

she sticks her tongue out at you, then responds, “you wouldn’t know…”

“dumbass the only reason i’m begging is because women do want me. please, it’s not going to be serious or anything—“

“i don’t care, the answer is no. ask someone else!”

you’re currently perched on the edge of your best friend's bed, practically begging for help. you seem to have a knack for attracting the strangest types of people, and this time, it’s your coworker who’s got severe attachment issues and an unhealthy level of codependency. all you wanted was a paycheck and simplicity, but now you find yourself in a situation you never asked for.

your best friend groans again, “you and your flirting… it gets you into this shit time and time again and the way you act… you know what you’re doing.”

“what?”

“shut up, you act gay and you know people fall for that. i’m not gonna help you because you want to be an asshole, if you could just be normal for once—“

“fuck you.” you flop onto her bed, shutting your eyes and rubbing your face. “i’m just nice and it’s fun to flirt! it’s nothing. i flirt with my friends and you all the time, they’re fine with it.”

“that’s because they’re straight, y/n. gay people are very vulnerable – except me.”

“you would know.” you retort, earning a glare from hanni. “who the hell do i ask then?”

“haerin?”

“she wouldn’t.”

“yunjin?”

“we don’t match, plus, she dates around.”

“sakura?”

“edating someone right now, some girl in france?”

“the hell?”

“i know.” you sigh louder and hanni just looks at you with slight, playful disgust. “what do i do.” you flop your hands onto the mattress and stare up. “dude, she’s too obsessed, i’m flattered because i mean, maybe i’m attractive and whatnot but this is just–”

“--delusion at its peak.” hanni clicks her tongue, now smiling at you; an idea pops up in your best friend's big head. you turn to face her, raising a brow. “how about dani? she’s literally perfect.”

danielle marsh is perfect, that’s the problem.

she’s a biology major whose ipad pro notes are so neat and pleasing to the eye that they genuinely keep you awake at night – most of it being because you’re leeching off her, but they’re so neat it really has you thinking how she does it all. 

to make things even more bewildering (and impressive), she’s one of two people you know – you’re unsure whether your cousin hyein counts, high school is nothing compared to what you endure – who manages to get at least eight hours of sleep daily. in contrast, everyone else in your circle, including yourself, is barely hanging on by a thread. 

yet, danielle seems to have cracked the code. she even finds time to volunteer at the library where she works, making you wonder if she’s some sort of extraordinary being. her ability to balance everything so effortlessly leaves you in awe, often questioning if she’s even real considering how remarkable she is.

the worst part is that she’s your best friend, right after hanni, and the person you’ve been crushing on since your first semester of university. 

it’s impossible not to have a crush on her—she’s gorgeous, sweet, and embodies everything you could ever want and more. she’s captivating, and every time you see her she flashes that stupid, adorable smile that makes your heart do a flip regardless of how many times you’ve convinced yourself that she’s unattainable and that there’s no way and that you don’t even like her and–

“i couldn’t.” you shut hanni down, quick. “she’s… you know.”

hanni furrows both brows, turning her head. “she’s what?”

“you know.” you make some strange gesture with your hands that only confuse hanni further. 

“i don’t, just fake date her.”

“she wouldn’t agree.”

“sure she would, let me call her!”

you shoot up and look at hanni with an expression that screams ‘are you out of your mind?’ as she finds danielle’s contact on her phone. 

before you can stop her, you hear a ringing sound and feel your body give up. hanni grins at you when danielle picks up five seconds later, both of you hearing a friendly, “hi!” as you back away from her.

“hey mo dani!” hanni greets, giving you a shit eating smirk. “miss l/n has a question for you.”

“she’s with you?” danielle’s voice is sweet like honey even from the phone. “hi!”

“hey!” you greet a little awkwardly, glaring at hanni. 

“y/n was wondering if you could date her.” 

eyes widening, you leap and grab the phone from hanni immediately, sputtering out jumbles of words nervously, “n-no! i mean, yeah… but not for real.” 

“oh,” you hear danielle respond lowly from the end of the phone. “wait, i’m confused.”

hanni watches you close your eyes tightly, clearly flustered and thrown off by her little antics. 

“y/n came over to ask me to date her, not actually, but just like, pretend.” hanni explains, “her coworker is still in love with her.”

“sarah?” you hear from the other end of the phone. “i thought you rejected her like, three months ago.”

“i did, but she’s still… ugh.” you flop onto the bed again and danielle hears hanni laughing in the background. “she’s still stuck on me i think, i don’t know, she’s been so…”

“if it’ll stop bothering you then i’ll help!”

“you will?” you respond, shocked. hanni mouths an i told you, then gets shoved. 

“yeah! i don’t want my best friend being so bothered, it must make you uncomfy too, right? working with someone who likes you?”

you start to wonder if danielle would be uncomfortable in a similar situation, maybe in one where she’s friends with someone who likes her, but she’s unaware of that. you shake your head, clearing your mind and staying present.

“kind of, it’s just… extra stress.”

“okay, then let’s date!” she beams, you can picture her eyes scrunching and smile growing. you want to die (affectionate) just thinking of it. “this should be fun!”

“thanks for helping out dani, thanks so much. i’ll let you be, okay? gotta go um… run errands.” 

“alright! just text me, bye, love you.” the call ends and you sigh again, feeling yourself sink deeper into hanni’s sheets.

hanni is very much your mortal enemy, she still doesn’t know why you’re so distraught because of danielle. whatever the reason may be, it makes her cackle next to you.

–

it’s nine in the morning, you didn’t have time to pregame the lecture on microbiology with at least three shots of espresso, and you’re yawning as you leave the room.

you hear your name being called out and turn to see no one other than the feeling of hot chocolate on a cold, snowy day turned into a person walking towards you – danielle.

“hey! hi.” she greets, smiling wide. her hair is clipped up and small strands of her hair stick out cutely. “hey baby.” 

you almost choke. “what?”

“did you forget we’re dating now?”

“oh.” dating, but is it even that if it’s not real? “um, hey babe?” it comes out uncertain and danielle laughs.

“wow, you suck at this – it’s okay, we’ll work on it.” she giggles, then links her arms with you. “let’s go get coffee, i need it in my system right now. oh my god, it’s our first date!”

laughing to hopefully fade away all signs of being flustered to oblivion, you tighten your arm that’s locked with hers. “right, yeah.”

you’re going on a ‘date’ with the prettiest girl on campus, she’s paying for your iced americano with oat milk splashed into it, and she’s smiling at you like you’re laughter in the rain. this can’t be good for you, it can’t be — it’s not. you wonder whether this will be worth it in the end because your coworker doesn’t even know about any of it.

(yet.)

–

before your next shift with your delusional coworker, you and danielle have already conjured up a storyline and backstory for your whole arrangement.

you two conversed for an hour after walking towards the park near her apartment and sitting down next to each other on the swings like kids. danielle was giggling and you were smiling at how charming she looked. unfortunately, you found yourself falling even harder for her just from making up the whole fake story.

danielle suggested keeping it simple, but cute: you two met at the library she worked at, you found her cute and exchanged numbers, went on a few dates, and have been girlfriends for nearly two months.

“but i literally told sarah that i wasn’t looking for anything.” you explain, sighing as you kick the mulch on the ground. that’s what you had said, but what you meant was that you’ve been looking for danielle the whole time. “she won’t believe it.”

“well,” danielle gives you a cheeky look and giggles. “i managed to charm you in a way that pushed that whole idea aside. that’s not too unbelievable, right?” she winks at you and you feel your heart stop momentarily.

you scoff playfully and snicker, “oh shut up.”

“it’s part of the story! are you saying i have no charm…”

she has too much charm. 

“dani, you’re such a dork.”

“a dork that caught your heart! i think this story is perfect.”

pushing aside the slight ache in your heart and the flush in your cheeks, the two of you formulate a first date story: you took her out bowling, where you lost terribly to her (danielle insisted this detail had to be included), and then you both had dessert together at your place. 

it’s not a terrible story, not at all. even hanni would be impressed, but you’re not going to tell her because she’d tease you both relentlessly, and you’re not sure your heart could handle that.

–

danielle walks you into work holding your hand, your coworker, sarah, watches the whole thing.

a pretty girl (pretty is an understatement in your opinion) smiles at you while walking you in, she’s telling you about the little kids she read to the other day and you can’t help but marvel at the excitement coursing through her.

she drops you off near the register right before the small ‘employees only’ sign, then holds both of your hands and looks at you like you’re a flower that’s just bloomed beautifully.

she pauses, observing you closely, then smiles wider. “okay, i’ll get going sweetheart.” the pet name makes you swallow subtly. “have fun at work!”

she takes her hands away from yours, making your skin feel a little colder. “bye, see you.”

danielle glances at your coworker, who’s looking at her with something mixed with confusion, anger, and a hint of disgust. she then looks back at you – a better sight in her opinion – smiling and waving once more before walking away.

you stay there, frozen for a few seconds, before walking behind the counter and setting your bag down.

as you grab your apron, you catch sarah in your peripheral and turn to greet her. “oh, hey.”

“who was that?” she asks immediately. “what’s up with the ‘sweetheart?’”

you grin as while tightening the lace of your apron, then respond, “my girlfriend.” and it feels wonderful rolling off your tongue.

“what? i thought you didn’t want anything?”

“you still in love with me or something?”

she feels her throat dry as she looks at you pat down your apron. “w-what?” she stutters, shaking her head. “no, why would i be…” her tone isn’t convincing, and neither is she when she adds, “it’s just… what’s with the change of heart?”

“she’s really charming,” the thought of danielle begging you to mention that makes you blush. “i like her a lot.”

sarah fights back a frown, instead, her lips twitch into a forced smile as she walks past you to tend to a customer.

–

danielle picks you up from work just to tighten the knot, and sarah also witnesses all of it.

both you and your coworker get off at closing, and after locking the doors, you run into danielle. 

she’s standing outside in a baby tee and jeans, a cap perched jauntily on her head. the moment she sees you, her face lights up into a pretty smile, and you instinctively return it. she rushes over, wrapping her arms around you in a warm hug. as she pulls back, she scans you with a playful yet affectionate gaze, her eyes lingering on you with a mixture of admiration and curiosity.

“sweetheart! i missed you.”

“i missed you too dani– baby…” you mutter the last part shyly, making danielle giggle. “you came? it’s late.”

“i wanted to pick you up, can your girlfriend not do that?”

it still sends a shiver down your spine – hearing danielle call you that. you rub the back of your neck and look away nervously, then respond, “of course not, i’m just surprised.”

sarah looks at the two of you, scoffing under her breath. danielle hears it, turning to look at her and grin, raising her brows along with it before meeting you again. she places a hand on your shoulder, then mumbles, “well, hanni called us over, i wanted to scoop you.”

“ohhh,” it makes sense now, she wouldn’t willingly pick you up just because of the whole ‘fake dating’ thing, there had to be a motive. “alright. i can drive? if you’d like, you know. you must be tired from work too.”

“aw, you’d do that?”

“i um,” you cough, avoiding her eyes again because she’s making you feel all flustered without doing much. “yeah, it’s nothing… baby…”

she grabs your hand, fingers intertwining before dragging you along to her small suv, then handing you her keys. 

your coworker groans now that you two are further, narrowing her eyes at danielle when she turns back not so subtly to make sure sarah is looking. any normal person would back off, getting the hint that the person they want is unavailable, but sarah sees it as a challenge, somehow.

there’s nothing she can’t achieve when she puts her mind to it, that’s her mindset.

you’re oblivious to how insane she is, too clouded with how touchy and giggly danielle is after the whole interaction when teh two of you get in the car.

–

danielle sits besides you on hanni’s couch, leaning against you a bit. “yeah, she gave me a glare, it was kind of funny.”

“pftt– i guess it’s working then?” hanni asks, walking over to hand you two juice from her fridge. danielle takes it happily and it makes you smile a little. 

“i hope so.” you sip on your peach juice. “but she’s like, clinically insane.”

“is she?” danielle questions, tilting her head as her hand finds its way to your bicep. you blush.

“dude, she was crazy.” hanni rubs her temple. “like, oh my god, she was going insane for a good while because y/n didn’t want her like that. i saw their messages and–”

“okay i’ll tell the story thank you.” you scoff. “she’s really competitive, and i guess new to romance? considering how she reacted i don’t know, she’s very…”

“sensitive?” danielle asks – you shake your head.

“i mean no, but kind of. she would get jealous over me really easily and was kind of codependent, like everything i do affects her or something. i’d just go on my day, but she’d always be so reliant on me and text me so often and i just… it’s so much.”

“ah, i see. how long has it been since you rejected her?”

“a few months. i thought she stopped liking me since it’s been so long, but lately there’s been tension and she’s looking at me how she used to…” hanni listens closely as she watches you rub your forehead, looking a little distraught. “i just, oh my god she has terrible attachment issues it’s concerning. the only thing i could think of was pretending to date someone.”

danielle nods in understanding.

“yeah, one time i went to see y/n at work and she looked so like… hostile. that’s not normal, we’re visibly friends.” hanni adds.

you know the exact afternoon that it happened, what hanni mentioned that is. 

she had pulled up to drop something off, and you teasingly flirted with her, hugging her as thanks. afterward, you rang up one of her orders and played with her fingers, a little habit you had developed to annoy her. despite the evident look of disgust and annoyance on hanni’s face, your coworker—who allegedly liked you a bit too much—looked like hanni had just slapped you in the face or spat at you.

long story short, hanni glanced over to see the coworker glaring at her menacingly. in response, hanni poked at you once more before hurrying out with a latte in her hand, confused and slightly terrified.

“yeah she’s… got a bitch face.”

“it’s not normal to glare at people that simply interact with your coworker…” danielle mumbles. “i’m sorry to hear that.”

you wave your hand, giggling lightly. “it’s nothing, really. i mean, i just don’t want her to be so obsessed and stuck on me, i think us pretending to date should tame the fire.”

pretending. 

the word makes both you and danielle tense up.

–

you clock in again, greeting sarah. 

she smiles brightly at you, waving and you have to make a little gesture to remind her there’s a customer in line. sarah turns away bashfully, then takes the man’s order with a hint of attitude. you’re not very fond of that.

he orders an americano, so you immediately get to work, weighing out grinds of espresso, tamping it down, and pulling two shots. as you do so, sarah pulls up next to you and nudges your shoulder.

“hey,”

“hi.” you respond, not looking up from the cup in your hand. “did you need something?”

“that t-shirt looks good on you, have you been working out?”

you feel uneasy the moment she says it, swallowing a lump in your throat. you pour the two shots over the hot water and force a response, “thanks, and um, no.” before calling out the order.

sarah continues to watch you closely as you throw away the used espresso, then says, “your girlfriend didn’t drop you?”

“she’s working.”

“right. i’d find a way to drop off my girlfriend anytime that i could.”

“good for you?” you look her in the eye again, clenching your jaw. 

“you don’t post her much on your socials either, are you guys really a thing?”

fuck. 

you scoff, “what kind of question is that? of course… i just… don’t post much. we’re still kind of new to this.”

“right, she’s not even your lockscreen.”

“i’m going to grab some beans from the back,” you interrupt, redirecting the conversation away from the topic of your alleged girlfriend. sarah narrows her eyes at you as you turn away from her, stepping away and disappearing towards the storage area.

once you’re alone, you sigh and pinch the bridge of your nose, feeling the weight of the strange interrogation settle on you. there was an unmistakable hostility in sarah’s tone, a sharp edge that cut through the air. hanni’s right, she always is. the mere thought of enduring six more hours with sarah makes you want to crawl into a hole. her jealousy is palpable, and it eats away at you, gnawing at your nerves.

you pull out your phone and quickly dial danielle, pacing back and forth as you wait for her to pick up.

“hello?” she responds less than ten seconds later. “what’s up?”

“she’s catching on, kind of. i think she’s jealous.” 

“sarah?”

“yes.” you groan, then lean your back against the wall. “i can’t work like this.”

“i’ll come over? do you need me to?”

“no, but can we meet after? i think we need to be more public, if that’s okay.”

you hear her confusion through the phone. “what? public?”

“like, soft launch or something. i just need to make it obvious that i’m quote on quote dating someone – you. and we need a lockscreen together.”

a giggle is heard on the other end of the line, “oh wow.” danielle mumbles teasingly, “this is pretty serious.”

“i hope i die.”

“aw, don’t say that babe. just come over to the library after, okay? good luck on your shift! i have to clock in soon too.”

“can we meet at my place?”

“anything is fine, that’s alright.”

“i literally owe you my first born, dani.”

“it’s nothing, this is quite entertaining.” she says, and you smile with the phone at your ear. “call me later, okay? send me updates.” 

“right, yeah.” you almost whisper, “thank you.”

“it’s nothing, sweetheart.” her laugh is infused into the sentence, making your chest burn.

–

“this is so dumb.” 

you are so dumb. this isn’t helping your case.

hanni and minji are fighting back laughter while you try to naturally rest your hand on danielles knuckles. you’re stiff and it looks anything but natural. 

the angle you take the picture at makes it look awkward, and the picture’s quality sucks too. 

“just relax.” danielle says, then holds your hand instead. “here, let me take the picture.”

you’re trying to keep your cool while minji and hanni watch and danielle, the prettiest girl you know, holds your hand and scoots closer to you in order to ‘soft launch’ your fraud of a relationship. her hand is nice in yours, her skin is soft, and she’s so close you can smell the vanilla fragrance she uses. 

danielle snaps a quick picture, then the rest of the bunch – including you – scoot over to look at the picture.

“well would you look at that! it’s perfect.” danielle beams, grinning at her work. “post that one.”

“holy shit.” minji says in awe. “no yeah, you could fool me with that.”

“anyone could fool you, dumbass.” you snicker, looking up at her and smirking.

“i hate you.”

“oh, i guess you don’t want free food from my work…?” 

minji groans, making you laugh. 

danielle’s hand is still in yours, you don’t fully register it until you realize you need both hands to post a picture on your instagram story. she seems a bit disappointed when you let go, though you barely notice – and even if you did, you might just chalk it up to your imagination.

it's fun, no doubt about it. yet, you can’t help but wonder what it would be like to take pictures of you and danielle that aren’t staged or orchestrated. you long for authenticity, capturing moments that are mundane and candid.

the thought lingers in your mind the whole time, even as you pose with your back to the camera, pretending to cook alongside danielle. it's all set up and artificial, every movement planned out, yet danielle starts giggling and leaning into you – a spontaneous gesture not part of your last-minute brainstorming. 

her laughter is genuine, her touch warm, and it makes you wonder if maybe, just maybe, not everything is as fake as it seems.

–

you wake up from your nap and groan as your ringtone renders you awake. blindly, you slap your hand in every direction on the bed until you feel it under your other pillow. someone’s calling you, that’s all you can make out since there’s a red and green circle. 

tiredly, you mumble, “hello?”

“hi! are you busy?” it’s danielle’s voice responding, shaking you awake. 

“oh, um, no.” you say as you sit up slowly, rubbing your eyes and running a hand through your hair. “are you okay? did something happen?”

“i’m fine! i was just wondering if you were free. you sound tired, were you sleeping?”

“i just took a power nap that’s all. what was it that you need?”

“oh, sorry to wake you.”

“it’s fine, seriously.” 

“well,” she starts, “i was just wondering if you wanted to go out together?”

“oh, me?”

you hear her giggle through the phone and smile softly. “i mean, i am calling y/n, aren’t i?”

“yeah, you are.”

“and i’m asking you, my girlfriend, to hangout. it’s like a date!”

“we’re not actually dating danielle, you don’t have to pretend when we’re calling and alone.” you say quietly, pursing your lips.

it’s not that you hate it, danielle being all lovely and playing the role of your girlfriend too well. the thing is, it feels like you’re getting led on, and the way she is just gives you false hope to something real.

danielle feels a little ache in her heart when you respond like that, but she pushes it away for the time being.

“i don’t mind it, it’s fun!” she beams. “anyway, there’s free ice cream downtown for couples, do you want to grab some?”

“is there? yeah, i’m down. do you want to take the metro?” 

“that’s perfect, there’s probably so much traffic.”

“alright, i can scoop you and take us to the station in fifteen minutes, okay?”

“perfect.” she closes the conversation, and the call ends.

you flop down on the bed again, just for a moment. your eyes are fixated on the ceiling above as you breathe in, thinking about everything. 

you and danielle aren’t dating, not for real. it’s just a show, a sham. she simply wants to hang out for free ice cream, nothing more. you know this. you set yourself up for this whole fake dating thing—well, kind of, considering hanni was the culprit behind this whole arrangement.

it’s already been over a month, and danielle doesn’t seem fazed in the slightest, treating the whole thing as no big deal. you must be insane; you can’t keep doing this knowing your feelings are growing and she most definitely doesn’t feel anything real. it’s just to benefit you, and she’s a great friend who’s willing to help you out. yet, each time you pretend, it gets harder to separate your act from reality.

despite the turmoil, you’re up and finding a change of clothes in order to make danielle happy. because even if she’s not your girlfriend, she’s your friend and you love her regardless.

(sometimes the love you have claws you from the inside.)

–

danielle clings to your arm the whole way down to the city. sometimes she clings a little tighter than usual, then goes silent, and it makes you breathe deeply.

it takes a few wrong turns and teasing to get to the icecream place, there’s already a long line with actual couples. you feel out of place in a way; there’s partners holding the other by the waist from behind, setting their heads on top of the others. a few are just holding hands or lingering close and you can just sense all the love and adoration in the air. 

you swallow shallowly, tensing your jaw because danielle is close to you, but not because you two are something more than friends.

“wow, so many lovebirds.” she says in awe, gazing around.

“uh huh.” you feel her hand slide down your forearm, then her fingers intertwine with yours as she looks up at you. “hm?”

“to seal the deal.” she shrugs, smiling. “plus, your hands are big… and warm.”

“you have small hands.”

“perfect fit for yours.” she giggles playfully, making you do the same. “what flavors did you want? it’s two scoops for free.”

“you can pick both, i don’t mind.”

“what? c’mon, you should pick one.”

“no, you wanted ice cream. i’m just here to make you happy.” you admit, tightening your grip on her hand. 

she starts to respond, but stops for a few seconds. you watch her look away bashfully, staring at the ground and grinning to herself. she shakes her head, then says, “you’re so lovely…”

“pfttt, i just want you to be happy, seriously.”

“you know,” she begins, looking at you again. “whoever manages to become your girlfriend would be real lucky.”

“oh.” your lips twitch into less of a smile and you pause for a moment. “maybe.”

“this fake dating thing is making me realize that you’re such girlfriend material.”

a small laugh stifles the tension and awkwardness in you, “thanks? you are too.”

“am i?”

“yeah.” you stare into her eyes, shes everything you could wish for in a person. “very.”

before danielle can respond, the line moves, and it’s time for the two of you to decide on two flavors. it takes a while to do so, with you declining the offer to chime in and pick a flavor you want, danielle was the one to invite you out anyway. but she looks at you with puppy eyes, pouts, then puts a hand on the side of your bicep and it makes you cave in.

the final choices are salted caramel and coffee.

danielle holds the cup in one hand, drags you away from the area littered with lovey dovey couples – some being too lovey, considering they can’t seem to get away from each other – and leads you blindly towards a small alley in a neighborhood until a bench comes into view. she pulls you towards it eagerly, making you laugh until you’re both sitting next to each other.

you frown a little as you look at the ice cream in the cup. “some of it is melted.”

“not all of it!” danielle beams, then scroops a spoonful of the coffee side – the flavor you ended up choosing. “you have the first taste.” she says, bringing it closer to your mouth.

“wait, you should have it.”

“too late,” she starts to move it in a circular motion, saying, “ahhh~” as she does so.

you scoff, then lean forward and all of it is in your mouth in one bite. danielle watches your eyes light up.

“it’s good.” you mutter, then grab the other spoon to scoop the other flavor. you mirror what danielle did before, making her laugh just as much. “open wiiiiide~”

“ahhh~”

you snicker before moving the spoon into her mouth, she closes it and smiles immediately, melting in place despite the ice cream being pretty cold. 

the street lights make her look precious, highlighting the satisfaction on her face because of some simple ice cream she’d gotten for free. you want to see her this happy everyday and as much as you can. 

a small hint of ice cream is on the corner of her lips, it urges you to bring your hand over and wipe it off with your thumb. danielle stops savoring the dessert, instead, focusing on you. 

“sorry, there was… yeah.”

“mhm.” danielle says, staring at your lips. “it’s really good.”

“i can tell.” you turn away, feeling flustered when she looks at you like that. “let me try your flavor.”

the two of you continue to eat ice cream together, subconsciously scooting closer and closer as you share it. danielle’s head ends up on your shoulder when the cup is empty in your hand, silent in her place.

you don’t budge, mainly because she seems comfortable and you don’t mind ruining your posture a bit if it’s for her. she sighs contentedly, moving her hand over to hold yours in the midst of the moment, slotting together effortlessly. she doesn’t say anything, but you feel her lean into you a little more.

“you okay?”

“just happy.”

“ah,” you rub your thumb against her skin. “that’s good.”

“being with you makes me really happy.”

“being with you makes me happier.” you say softly, staring at your hands aligned seamlessly. “do you want to stay here for a bit longer?”

“please.”

“it’s getting late.”

“i know, just a bit longer.” danielle says.

just a bit longer. if only the whole arrangement could last forever, if only you two could be this close and warm for lightyears.

minutes pass, and neither of you move, lost in the comforting silence. the only shift comes when you turn your head to press a gentle kiss into her hair. danielle feels perfectly in place, her heart fluttering at the tender gesture. a soft smile spreads across her face, a silent acknowledgment of the moment's sweetness.

–

the night prior had to be a dream, it was too perfect. it was the realest you’ve felt with danielle, the closest to something romantic. it was even enough to consider that she felt the same, and you’d love to revel in that possibility, but you have to restock the beans and cups quickly before tending to the drinks.

there’s only thirty more minutes until your shift ends, it feels like eternity.

sarah catches you smiling to yourself throughout the shift, biting the inside of her lip. she’s filled with all too much: anger, jealously, dissapointment, and really just everything that makes her uneasy. 

she still can’t believe it, you had gone on a whole tangent telling her you couldn’t be in a relationship and now you’re being a complete loser in front of her. she hates it, she wants it to be her that makes you smile randomly throughout the day.

what pisses her off more, and truly makes her lose all hope, is when you go from looking tired and drained to bubbly and smiley as soon as a familiar figure starts walking toward the counter. 

she watches you check the time on the register, your smile widening because you can clock out and be with danielle, who’s waiting just across the counter. the change in your demeanor is undeniable, and it stings sarah to see the joy that danielle effortlessly brings out in you.

you walk over to danielle, reaching for her hand. “hey.”

“hi.” the way danielle says it makes your chest warm and sarah nearly gags in return.

what makes sarah's shoulders sink, her heart drop, and her frown deepen is when danielle suddenly kisses your cheek. 

the shock is evident on your face as you stand frozen, your hand instinctively moving to hover over the spot where danielle's lips had just been. the tenderness of the moment is overwhelming, and sarah can't help but feel a profound sense of loss. the realization that your heart belongs entirely to danielle crushes any lingering hopes she had, leaving her to face the painful truth.

“w-what was that for?” you look over and make eye contact with sarah, who’s grimacing. “there’s um, you know… bystanders.”

“i missed you, so much. i couldn’t stop thinking about you.” danielle says simply, not bothering that sarah is the only one who’s witnessing this, and from a few feet away too. “do you want to get dinner?”

“it’s three in the afternoon silly.”

“well, anything is fine. we should study before we eat! i heard the module mr. lee assigned us was really helpful for…” 

the rest of what danielle says doesn’t register in your coworker’s mind. she studies you closely, her frown deepening with each passing second. it’s painfully clear to her now—you’re genuinely in love with danielle, and there's nothing she can do to change that. the way you look at danielle, like a child seeing a rainbow for the first time, leaves no room for doubt. 

it dawns on her that giving up is the only option, and she feels a pang of resignation settling in her chest.

–

nearly three months have passed and both of you have still been ‘pretending.’

neither of you acknowledge that it’s fake, not during the weekly dates, study sessions, and late night walks or movie nights that end up in the two of you falling asleep together. danielle doesn’t think twice when kissing your cheek here and there, even your knuckles when she thinks you’re asleep. 

you figure that maybe it’s okay to kiss her cheek too sometimes because she’s her lips turn each time. and when you pick her up for weekly dates, she happily jumps into the passengers seat of your car as if it weren’t just a mutual agreement. sarah has already given up, considering she seems defeated, and you wonder if you should too. 

you can’t tell if it’s just how danielle is, which eats you inside. everything feels all too real, and your feelings only grow more unbearable.

–

you shouldn’t have let jimin drag you out to minjeong’s party. she’s already left the moment you stepped into the house, she’s probably gotten a hold of a drink already.

jimin had noticed how deeply stressed you've been lately. your responses were slower, your shoulders seemed permanently slumped, and the stress was practically etched into your face. being one of your closest friends, jimin decided that it was time for a change. she was determined to get you out and help you relax, knowing how crucial it was for your well-being (and social life, to be completely real).

walking around, you scan the crowd for a familiar face. unfortunately, the only people you recognize are sunghoon and jake, who have a history of hitting on you despite your clear disinterest. they still haven't grasped that you're a lesbian. you quickly decide to steer clear of them.

the only reason you’re here is because you’ve been throwing yourself into your studies, staying late at the gym, and doing too much to avoid danielle – or even the thought of her.

(which is unfortunately impossible since every little thing reminds you of her.

the flowers on the counter at your work remind you of her smile, the couch in your apartment is where you two have spent hours together, and really, you’re hopeless.)

you find jimin outside on the porch with her other friends that you’ve only talked to once or twice. they’re all talking about something, clearly tipsy, and you’re walking over to linger near your friend.

“y/n! oh my gosh girl, where have you been? come here, have a drink!” jimin grabs your arm, pulling you in and hugging you like she hasn’t seen you in forever. “here, take a shot.”

she hands you a shot of what you assume is some cheap vodka, you didn’t even have time to pregame for this. you’re not against drinking, not at all, if anything you’re all for it. there’s videos of you in groupchats shotgunning beer and finishing with barely any reaction – but tonight, you don’t know if you’re in the mood for it.

one won’t hurt, maybe it’ll erase danielle from your mind for a moment.

“fine.” you grab the small glass, then bring it to your lips and cock your head back, eyes pinching for a brief moment as you swallow. “shit,” you mumble, “give me another.”

you don’t know what has taken over, because you’re downing two more without hesitation. jimin laughs and smiles proudly at you.

for a brief moment, everything feels fine. the music blasting from inside the house, a mix of charli xcx and the chatter of your friends mocking one of your professors and jake, makes you laugh out loud. amidst the chaos, you find a beer in your hand, and somehow, you manage to tolerate the taste. wonyoung appears too, and hands you another after you quickly finish the first. you accept it, even though you're already starting to feel a bit fuzzy.

jimin looks at minjeong with a sparkle in her eyes, and you subtly push her a little closer until their shoulders touch. they exchange smiles, and you watch, feeling proud of your matchmaking. 

your heart sinks as it suddenly reminds you all too much of danielle. the fondness and spark between jimin and minjeong make you frown, your grip on the beer tightening as the bittersweet memories flood back.

“fuck,” you practically whisper. “i need to, i’m going to get more um, drinks.” 

“hm? okay.” jimin says quickly, then turns back to the girl she’s linking arms with.

your head pounds, so you gulp down the can of beer in your hand, then crumple it and toss it toward a trash bin in your line of sight. 

as you make your way to the kitchen, you spot a bottle of vodka and pour yourself a shot into a plastic cup you found. the liquid burns your throat, intensifying the ache in your head. despite this, you pour another shot, perhaps a bit too generously, hoping to numb the growing pain and the emotions clawing at your heart.

the room feels like it’s spinning, you’re walking down some hall and blinking and blinking until you reach a bathroom. thankfully, no one is making out in it, but you check the shower for safety measures. 

you’re finally alone, groaning as you fall against the wall of the bathroom and slide down until you’re sitting on the bathroom floor.

clumsily, you grab your phone from your back pocket. the screen lights up to a picture of you and danielle, cheeks squished together and smiling. 

you stare at it for too long, your breath hitching and your vision blurring as the ache in your head intensifies. the happy memory contrasts sharply with the heaviness you feel now, making it all the more difficult to look away. she just looks so cute in it.

you tap your screen again, and another picture of her appears. it’s a picture of her asleep in the passengers seat, head tilted uncomfortably and lips parted slightly. you had set up your lock screen to cycle through images of danielle, initially to fool sarah, but also because seeing danielle’s face as soon as you pick up your phone makes you feel at ease. each photo captures her different expressions—laughing, pouting, lost in thought—and they all make you grin. 

the happiness you feel is bittersweet, knowing it’s all part of an arrangement that feels increasingly real to you.

your vision is a little unclear, but somehow it sharpens just so you can see her perfectly.

“fuck,” you gasp out, unlocking your phone and trying to navigate to your recent calls. you had called hanni earlier and she had just been lounging at her place. you figure that she’d be able to take you away from here.

you squint, pressing on the contact that has a and n, assuming it’s hanni, then wait as the phone rings.

“hello?”

“hanni, i’m… can you pick me up?”

“y/n?” her voice is muffled when it reaches your ears, “are you okay? what happened, where are you?”

“jimin… dragged me out. i drank… soooo much.”

“y/n, oh my gosh.”

“hanni, stay on the line, please.”

“i’m not–” the voice cuts off, you drop your phone on the carpet. “hello?”

“you have my location… right.” you slur, head leaning against the wall even more. “hanni i can’t do it anymore.”

“y/n, i’m on my way. are you alright?”

“hanni, i can’t.” you groan, staring up into space. “i don’t want to fake date danielle anymore. it feels too real, i hate it.”

silence follows before you hear the voice on the other end of the phone.

“you can’t? why, why didn’t you tell her?”

“she seems happy, and… we just, don’t acknowledge that it’s not real.”

“y/n…” 

danielle sits in her car, heart sinking. 

you dialed her on accident, and it doesn't seem like you know it’s her. 

“please come. please.”

danielle gulps, feeling tears forming in her eyes. 

–

danielle scavenges through the house your location on her phone has brought you to, looking around for you helplessly. 

she makes her way to the porch and spots jimin, who’s hands are on minjeongs neck as she holds her in place. danielle walks over, not wanting to disturb the intimacy, but you’re her biggest priority, so she’s willing to do so.

“jimin,”

she turns around, looking at danielle confusingly. “oh, when did you get here?”

“where’s y/n?”

“hmmm… she went to get drinks a while ago, she hasn’t come back yet. try the kitchen?”

“okay, thank you.” danielle says hurriedly, then rushes back inside.

she checks the kitchen, only to see jake and sunghoon with beers in their hands as they cackle loudly. you’re nowhere in sight, making her bite her lip in frustration.

danielle goes through every room on the first floor until she reaches a bathroom. she pushes the door open, and it suddenly stops, hitting someone. a groan escapes from behind the door.

"i'm so sorry!" danielle rushes out, peeking around the door to see who she’s just collided with. "y/n?" she gasps, eyes widening in recognition and concern.

you’re sitting against the wall, hair tousled and cheeks red. there’s a white tank top hugging you, the thin straps of it loose against your skin from your posture. 

“hanni?” you look up, squinting. “i wanna go home.” 

you see the figure move closer to you and close the door, then she squats down and you realize it’s not hanni. danielle comes into view, her eyebrows creased with concern. your cheeks flush even harder, and your lips part.

she puts a hand on your forehead, then cups her cheeks with both. “are you okay?”

“you’re not… hanni.”

danielle’s shoulders fall down a bit. “hanni um,” danielle hates lying, but she’s doing it now to save you from spiraling. “she sent me over.”

“oh.” the response from you cracks her heart slightly. “okay.”

"let's go," she says firmly, helping you up. despite being taller and more muscular than her, you lean on her for support. danielle manages to steady you with surprising ease, guiding you out of the bathroom and through the house, her grip strong and unwavering.

–

you collapse onto danielle’s couch and groan, your body is limp against the cushions.

a few moments later, she comes back with a cup of water, placing it on the coffee table before she sits you up. she tilts your chin up and you look at her with wonder as she grabs the cup and holds it to your lips, “drink.”

“mhm.” you mumble, sipping slowly and swallowing. 

your vision clears slightly, though it might just be danielle who’s grounding you. her concerned eyes meet yours, and while guilt tugs at you, you're also captivated by her beauty in this moment. you're drunk and out of your mind, thoughts muddled and unfocused.

“pretty.” you sigh dreamily. 

“y/n,” her voice is laced with uneasiness. “drink more water.”

“okay.”

“and stay the night, okay? you um, left…” she swallows hard, fighting back a frown. “you left your clothes here, i’ll go grab them.”

“can you stay with me though? will you? i really… just… i want you here.” 

danielle bites the inside of her lip, her eyes wide with confusion. just moments ago, you had admitted that you wanted to stop the whole ‘relationship’—that it had become too intense, too overwhelming. and now, you’re asking her to stay? her mind spins with the jarring shift in emotions.

you lean in, clinging onto her. danielle feels the warmth of your breath and the softness of your nose brushing against her neck. the touch sends a shiver through her, and she swallows hard, struggling to steady her breathing. as you pull back, your faces are mere inches apart. you lock eyes with her, your gaze heavy with so much. 

there’s a lump in her throat. “okay.”

–

danielle wakes up with you on top of her and your head in the crook of her neck. she hears you breathing softly and subconsciously, her hand slides into your hair.

why are you so confusing? danielle wonders, twirling your hair with her pointer finger. is this what you really want?

you’re incredibly considerate, a trait that’s always shone brightly. the way you go out of your way for her—planning dates, cherishing every moment together, simply because it makes her happy—fills her with a bittersweet feeling. she adores these shared moments, savoring the illusion of authenticity. but now that it’s clear that all of it strains you, it weighs heavily on her heart.

you stir awake, your breath warm and rhythmic against danielle's skin. as you hum softly, her cheeks flush a delicate pink. she feels the gentle pressure of your arms tightening around her, pulling her closer. you shift, nestling deeper into her, finding a more comfortable position. each movement sends a shiver through danielle, leaving her heart fluttering like crazy at eight in the morning.

she doesn’t know what to do.

–

danielle doesn’t ask you out or come over the whole week, excusing herself by saying she’s busy or caught up with things. of course, you don’t comment on it – she’s not really your girlfriend, you shouldn’t expect her time and affection. 

but then another week passes by and you don’t get any texts back, sometimes she even leaves you on delivered for hours. that’s not like her at all. 

you catch her in class and she’s still the same danielle you know – bubbly, pretty, and sweet – but that’s really the only time you see her these days. 

it’s confusing, all too confusing, so you barge into hanni’s apartment on a thursday evening because she’s the only one you can rant to about this.

“you didn’t even text me–”

“oh my god i think danielle fucking hates me.”

hanni lets you storm in, walking towards her room and flop onto her own bed. you look devasted, especially when you rub your face in your hands and groan loudly.

“okay, first of all: why the hell would she? second of all: yeah, why… why would she…?”

“she’s been avoiding me and i have no fucking clue why.”

“dude what.” 

you recount the entire story to hanni, animatedly illustrating every detail with exaggerated hand gestures. “so, jimin practically dragged me out to unwind, and i ended up drunk out of my mind!” you say. your hands wave dramatically, punctuating the story as you describe stumbling around, the room spinning, and how the whole ordeal felt like a whirlwind. 

hanni watches, her amusement growing as you explain the night’s events. “jesus.”

“yeah, and then danielle came and picked me up.”

“she did?”

“yeah… you called her over… didn’t you?”

“dude, what are you talking about.”

you pause, looking at her with confusion evident all over your face. then grab your phone, heart feeling strained when you see danielle posing with a stuffed animal that one time – out of many –  you two went to the mall together. you click on the phone app, looking at your recent calls and scrolling down to roughly two weeks ago.

you see hanni’s contact name, and then danielles after.

“hanni, did i… did i call you that night? two weeks ago, the friday night i went out.”

“dude you only called me that morning or something, you left something here.”

“oh my fucking god.” you gasp, putting a hand over your mouth. “oh my god.”

“y/n what.”

“i drunk dialed dani and i thought it was you. she told me you sent her to grab me…”

“what did you say to her?” hanni asks, looking at you with slight worry.

you groan, rubbing your face again. “i… i said i didn’t want to fake date her anymore.”

“oh, well that’s not too bad.”

“no, i remember it somehow. i said i hated it.”

your best friend looks at you, confused again. “you do?”

“yeah, but like, no?” you groan once more and fall onto the bed again. “hanni, i’ve… i’ve liked danielle since first semester.”

“oh.”

“yeah, oh.”

“you’ve been fake dating and simultaneously in love with her?”

you sigh. “yes.”

“holy shit.”

“yeah. i think she took it the wrong way, maybe she thinks i hate her?”

“you need to talk to her.”

“she doesn’t want to see me.”

“no, she’s so fond of you. i honestly think she likes you back.”

“okay it’s not the time for that–”

“shut the hell up bro.” hanni pinches your cheek and you slap her hand away. she begins again, “dude, she rambles about you and shit. there were times i actually thought you guys were really dating.”

“i wish.”

“then make it come true!” hanni groans. she pulls you up, then puts both hands on your shoulder. “you need to go talk to her, stop being a pussy.” 

“it’s not that–” 

your phone vibrates in your hand, snapping you out of your animated retelling. instinctively, you glance down and see a notification from danielle. hanni notices the shift in your expression, quirking an eyebrow as you stare at the screen, looking visibly distressed. she leans closer, peeking at the notification.

as your face unlocks the phone, the text is revealed: "can you come over? we should talk." your mouth drops open slightly in shock, and hanni mirrors your expression. the room suddenly feels heavy.

“dude.” hanni points at the screen – the obvious. “she–”

“fuck me.” you mutter, “fuck me.”

“dumbass,” hanni says, pushing you off her bed. you curse and look at her with “what the fuck?” written all over your face. hanni stands up and continues to push you out her room, saying, “go see your ‘girlfriend,’ even if it’s not real you better go talk to mo dani.”

you sigh, pushing her off you and grabbing your things before you walk towards hanni’s apartment door. you stare at the handle, then the text, and linger for a moment. hanni puts a hand on your shoulder and you look at her.

“i’m fucking terrified.”

“well you’ll feel even worse if you don’t go, so go.” hanni urges, opening the door and nudging you out.

–

the air is cold, it’s really just cold outside and it makes you shiver more than you already are just from the thought of the interaction.

you’re outside danielle’s work, sitting on the steps because you can’t bring yourself to go in and approach her directly. maybe it makes you a coward, but you’ve always been nervous about seeing her willingly and making the first move. the minutes stretch on, each one making you more anxious, but you can't help it. the thought of facing her, of initiating that crucial conversation, ties your stomach in knots. she called you out here anyway.

wind hits your cheeks and you bite your lip, walking around in your place in an attempt to warm up. then, you catch someone in the corner of your eye, so you turn around and meet danielle.

a loose sweater drapes over her frame, and wide-fit linen pants hide the shape of her legs. the wind tousles her hair just as it does yours, but she looks effortlessly angelic, stopping your heart for a moment. her hair, caught in the breeze, frames her face in a way that makes her seem almost ethereal, temporarily making you forget your worries.

then she’s walking toward you, and you remember why you’re here.

you swallow hard, body tensing. 

“thank’s for coming, i’m sorry i haven’t been.. um, able to spend time with you.” she looks nervous, her eyes avoiding yours and hands fiddling with each other. she stares at your necklace instead as she continues, “i’ve just… i wanted to talk to you about what we have.”

“right, i wanted to talk to you about it too.”

“oh,” danielle says quietly. “i’m sorry, i didn’t want to be a burden. you called me instead of hanni the night you got drunk and i know how you feel about fake dating. i’m sorry that you had to do it with me and it caused you so much stress i just–”

your heart aches as you listen to her ramble, guilt evident in her voice for something that’s not her fault. you can't bear to hear her blame herself. your brows furrow with pity as you gently cut her off, “danielle, no, let me–”

“stop, i want to make myself clear. i want to explain a lot of things to you, you’re so lovely and sweet and you don’t deserve to be so stressed. it’s just, okay, wait.”

she pauses, breathing in, and looking at you with tears lining her eyes. your breath shakes looking at her like that, you can’t breathe or speak in the moment.

danielle purses her lips before continuing, “okay, when hanni first said you wanted to date me, i got so excited because well, i always thought you were cute.” she turns her head to the side and bites her lip before looking back at you. “and then you said it wasn’t an actual date, you wanted it to be fake. i don’t know i just, i felt really sad when it happened but at the same time the thought of fake dating you didn’t seem too bad because i’m selfish and i mean, i liked you a little and i thought i could just fake it and revel in the artificial aspect until i got over it but i ended up falling for you so much and i’m sorry. i don’t want you to think im anything like sarah–”

“danielle, stop.”

“no, y/n i just want to explain myself–”

“danielle, shut up, oh my god.” you gasp, looking at her in disbelief. “you, are you fucking with me?”

she looks at you, still feeling guilty. when she blinks, two tears fall down her cheeks and she inhales sharply as she conceals a sob. she turns away, then murmurs, “no, i’m so sorry.”

“n-no, no. dani, danielle.” you almost breathe it out, then bring both hands to hold her face. your hands cup her cheeks making her face you. “please stop crying, i’m sorry, baby, i’m sorry.”

“b-baby?” she says, confusing taking over her features. you had gotten so used to calling her endearing pet names that it slipped out so suddenly in the heat of the moment.

the lights outside shine just enough for you to see her clearly. her eyes are watery, tears staining her cheeks, and you use your thumb to gently wipe them away. her nose is a little pink, and so are her cheeks. of course, she’s a pretty crier too, but you look at her with guilt, shaking your head as you continue to stroke her cheeks with your thumb. the sight of her like this breaks your heart even more.

“i only said i hated it because it was all too real, but not in a bad way. not at all.” 

“really?” she says between sniffles. “w-what do you mean?”

“i’m saying that,” you use your thumb to rub a tear threatening to fall from the corner of her eye. “i hated it because i couldn’t take the fact that it wasn’t real. i wanted it to be real. danielle, i’ve wanted to be yours since you first gave me the notes from the first lecture we had together.”

“what?”

“danielle,” you almost whisper, then kiss her forehead. “i like you so much. i don’t hate you, or this – i hate that it’s not real.”

her mouth opens in shock as she looks at you, sniffling. you anxiously wait for a response, hoping she'll say something, but she doesn’t. instead, she hugs you, wrapping her arms around you tightly. you return the embrace, holding her just as tight. the world around you fades away, leaving only the two of you in the nerveracking moment.

“i like you too – a lot. i was so scared when you said you hated it, i thought i was making you uncomfortable and gosh i just felt so bad and–”

you rub her back with your hand and cut her off, “i was anything but uncomfortable, i felt like i was living in a fantasy.”

“thank god.” danielle sighs in relief. 

you pull away, looking at her again and wiping remnants of tears with your thumb again. “i’m sorry for making you cry.”

if you could go back and punch yourself for being stupid ��� you’d do it in a heartbeat. a dumb slip up and miscommunication from your lips is the reason danielle’s nose is still tinted pink from crying, you feel guilty as ever.

in your hands, it feels like you hold the world. she shakes her head in your hold, then smiles from relief.

“it’s okay.”

“are you busy after this?”

danielle giggles, shaking her head again. “if you’re asking me out on a date – a real one – then absolutely not.”

“dinner? it’s on me for being stupid that night, and this whole time.”

“perfect.”

you smile sweetly at her, your gaze lingering on her lips. before you know it, you lean in and boldly peck her right then and there. she gasps when you pull away, looking at you with widened eyes as you back off. but then, she reels you in again, leaning closer and kissing you once more. the kiss is soft and warm, filled with all the unspoken words and emotions that have built up between you. you feel her smile against your lips, and everything else fades away.

when you part again, you look at her fondly and ask, “wait, this is real, right? like, we’re…”

danielle laughs, hastily pecking you once more and lingering close.

“i don’t think it’s the alcohol that made you so dense and stupid.”

[b14augrana]

Portrait

When Alexia decides to give into her curiosity and sit down at one of the street artist stalls stationed on a busy Parisian road, she leaves with something more special than a self portrait.

Alexia Putellas x reader

masterlist

Warnings: straight fluff and bad translations but dont worry its only short x

A/N: ALE RENEWED WE CAN ALL REJOICE!! 🙏

The strong Parisian sun beat down on the heads of locals and tourists alike as they walked down the crowded streets. You were perched on a stool, staring intently at your canvas as you gently painted the smile lines of a lovely old lady that stopped by your stall.

You loved your job for this very reason. You knew how hard it was to love yourself from your own perspective; you hoped to do every individual person’s beauty justice with your paintings.

Of course that wasn’t enough income on its own so every morning you found yourself in one of the local bakeries either working behind the scenes or at the front counter. Baking and painting were jobs you loved and found so similar because they both resonated with your desire to indulge in art wherever you could find it, and to you they were the simplest forms of art.

“And… I’m done. Here’s your finished portrait, madame,” you said with a smile, lifting the canvas off the easel and gently setting it into the woman’s arms.

“Je ne peux pas te remercier assez, ma chérie ! C'est beau, merci,” she replied, admiring it with tear-brimmed eyes hidden behind her glasses. You said your goodbyes and watched her walk off with a grin on her face, and then you picked up a fresh canvas and placed it on your easel.

You didn’t have time to shake your head at the many smudges of paint on your clothes as another person approached you.

“Hola!” a woman’s voice spoke, making you look up curiously. Standing before you was a blonde woman smiling slightly, gesturing to the stool behind the easel. “May I sit?”

“Of course,” you nodded, returning her smile and swirling your paintbrush in some fresh water as you prepared to paint her. “You’d like a painting, no?”

“Yes please. Also, forgive me for saying hola — I forget that I’m not in Spain,” she laughed, inciting a giggle from you.

“It’s okay. I do the same when I’m outside of France,” you added, dipping the paintbrush into some fresh paint before grazing the canvas. “So, you’re Spanish.. what’s your name?”

“Alexia. I’m here for a holiday, because I’ve finally got some time off work,” she explained with a huff. You smiled behind your easel, painting the woman’s chiseled bone structure with intricacy as you added to her face.

You liked her already. You had barely said anything to her, but something about her was genuine.

“Are you with anybody?” you asked, curious to know more about her. She nodded her head, “Only two other people, my friends Lucy and Ona. They’ve gone on a wine tasting date, which is why I’m here.”

You laughed softly as you rinsed your paintbrush. “And you? Do you have anyone to go wine tasting with?”

“Next question,” Alexia responded, smiling through laughter. You began to paint her eyes and faintly outline her nose.

The rest of the time you spent painting every detail of her face flew by as you two talked and got to know more about each other. You learned that she was a professional footballer and lived in Barcelona, which you thought was very cool. She asked about your life and you told her that you were a born and raised Parisian who spent the rest of her days at home or in the bakery. You weren’t really concerned about yourself though; you were busy looking at her, and not for the purpose of the painting.

When you had completed the last strand of hair and placed the last freckle on her portrait, the sun had dried most of it already. As she stood up and picked her purse up, you flipped the canvas around and scrawled something on the back with a slight smile.

“There you go. Thank you, Alexia,” you said, handing her the painting. She gasped quietly as she admired it, and she looked at you for a moment before pulling you into a hug. “Thank you, chica!”

Even after she pulled away, her perfume clung to your skin like glue. It smelled sweet but not overwhelming… like coconut and caramel with an undertone of musk and vanilla hints. It smelled exactly how you imagined it to smell.

As you said goodbye, you didn’t reach for a fresh canvas. Alexia turned away, holding the newly painted canvas in her hands with her head down, her eyes fixed on it. She stood stagnant for a moment, scoping out every detail, and then she turned it over.

“Llámame, hermosa :)” was written on the back, followed with your phone number and a quick sketch of a flower bouquet. She immediately turned her head to glance at you over her shoulder, but you were occupied with someone else.

When she turned back around, a smitten smile was plastered across her face and she couldn’t help but feel giddy to get back to her hotel.

After another second, you looked up from your canvas, your eyes completely skipping the person sat in front of you and wandering over to the direction that she had walked in, watching the blonde woman disappear down the street.

“Est-ce que tu vas peindre ou quoi?” an irritated voice snapped from behind your easel.

“Désolé!”

[midnight-in-town]

Ao no Exorcist is a Shonen series written by a woman and it shows

Since the latest chapter, I've been thinking about how several usual Shonen tropes are written rather differently under Kato-sensei's pen. No judgement or anything, it's just cool to observe. Some examples :

1) Rin's mentor is a woman

2) Rin's secret, despite being the MC, was revealed in ch13 to the entire cast, meanwhile Shiemi, The Main Girl, who was introduced to be so helpless is only starting to be explained.

3) Also, the Mysterious plot-relevant Shonen Parent is actually the twins' mother. (Of course Shiro is super plot-relevant too, but Satan is still angsting over Yuri and she's a huge part of the reason why he's the big bad)

4) Rin also changed his view about his future throughout the story: from dropping out of school, passing by hoping to become the Order's Paladin (probably to cope with Shiro's death and also to antagonize Arthur), to finally showing way more interest and potential in the (less epic and heroic in appearance) field of talismanic cooking.

5) When it comes to arcs, mental illness is a valid reason to build a character arc around...

6) And so is making an arc about girls being "cursed" to basically "get married and have children before they hit 30, the age where their beauty fade thus they become useless" :

7) ANE is a story about women becoming traitors to protect their loved ones, like Mamushi

or becoming overwhelmed because men toyed with their feelings like Tamamo

8) Older women can be absolute badasses like Shiemi's grandma

or Lucy.

9) Complicated mother-daughter relationship and girl friendships are given as much focus as complicated father-son relationships and sweet bro friendships (like Bon and his dad during the Kyoto arc, as well as the complicated but deep bond between the Kyoto Trio)

10) And one of my favorites: full time single dad, asking for help to do the job as well as he can and finding his true purpose in life by doing so :D

Hmm and now that I think about it, the only other Shonen series written by a woman I've been as invested in is Kuroshitsuji, by Yana Toboso, and similar examples can be found in it too, namely:

1) If Ciel ever finally admits needing a mentor, his aunt Frances will probably play that role

2) Girls can be super strong & skilled (Elizabeth, Mey Rin) and clever (Sieglinde)

3) (one part of) the Big Bad is a woman (Queen Victoria)

4) maybe Ciel's entire revenge stems from a conflict between Queen Victoria and Ciel's maternal grandmother, Claudia.

5) the Undertaker has been a continuously freaking pain in the ass because he probably fell in love with that same maternal grandmother and couldn't mourn properly

TL;DR we love our boys and their spectacular growth and development under women's pens a.k.a shonen series written by ladies are hella fun to read. :D

[ofpd]

enjolras is really the character of all time. he's the most attractive man ever. he's a virgin. his girlfriend is france. he's gay. he was born into wealth. his entire purpose in life is to lead a violent rebellion. he has a martyr complex. he loves his friends so much. he leads them to their deaths. he's angelic. he's only human. he's deeply repressed. he's entirely full of love for humanity. he understands violence to be necessary to the cause. he abhors it. he can be quite unthinkingly cruel. he's a charming young man. he's capable of being terrible. he's even blond

[renardiererin]

rintarou suna who carefully planned out your entire wedding and how he would propose to you after dating you for three months

rintarou suna who lets you help babysit his younger sister and looks at you as if his eyes are hearts bulging out of his head at how good you are with kids and thinks to himself how badly he wants to have a family with you someday

rintarou suna who rubs your back and hums your favorite songs and strokes your hair when hes trying to help you sleep

rintarou suna who swears he loves you more than anything measurable- more than the entire universe x10 and back- because he says you saved him

rintarou suna who offers to let you wear his clothes when you’re sad, hoping that it’ll cheer you up to be engulfed in his clothes, seeing as he’s more than twice your size

rintarou suna who knows you’re indecisive and will pick things for you if you truly can’t decide, but will base his choices on what he knows you secretly want more

rintarou suna who carries random offbrand fruity candy assortments in his pocket like a grandma to share with you and his friends

rintarou suna who vowed to protect you from the metaphorical monsters in your head from the day you met all the way to adding it in to his wedding vows as he slides the ring on your finger- the ring he picked out the second he knew you were the one, which in his case was after about 5 months into the relationship

rintarou suna who paints portraits of you but always gets upset that they “never truly captivate your complete and total beauty”

rintarou suna who daydreams about running off to the south of france with you to open a small flower shop where your shared apartment rests on the upstairs of your shop, with a good view so he can sit at his canvas and paint the scenery and know he’s only there because of you

rintarou suna who said “i love you i love you i love you” in the very first letter he ever wrote for you, resulting in saying the pretty words three times in a row becoming a regular inside thing for the two of you that nobody gets but you two

rintarou suna who started by only wanting one kid, having to be heavily convinced to have a second (because you don’t want the first to be lonely), but after you crack him and get him to agree to a second kid he wants a third and a fourth and a fifth and three cats and a dog and a snake because he wants to raise everything with you because life is short and he wants to live it with you and only you

rintarou suna who builds you beautiful minecraft builds, complete with chests filled to the brim of books he’s thoroughly typed out with all of his love and thoughts spilled on every page

rintarou suna who runs up to you in minecraft just to deliver you a pretty flower he picked because he thinks it’ll match your eyes

rintarou suna who was emotionally numb when he met you because of everything he’d been going through at home, but knew you were the one he wanted for the rest of his life the second he laid eyes on you and realized that you made him feel something- which was an occurrence that hadn’t happened in years

“you made me feel again, love. i never thought i would be able to do that.”

rintarou suna who lets you play games on his phone and trusts you with his life, who would never ever let go of you in a million years because he wants you for himself until the end of time because he simply can’t risk losing you

rintarou suna who buys you rings and diamond necklaces and clothes and the most absurdly expensive gifts just for the purpose of wanting to spoil you rotten

rintarou suna who loves you too much to ever leave without telling you how much he loves you. he won’t shower or go to practice or go to the bathroom or leave to go to the kitchen or hang up the facetime without telling you what to mean to him

rintarou suna who loves you no matter what, and will keep it that way until the end of time…

no matter what it takes <3

[lowedeus]

10th LoscheDay is here!

Hello, my followers and inspired dawnloaders! I know it’s been a while. The real life kinda got in the way. Thanks for staying with me!

10 years ago I created this blog to share worldwide my projects. My purposes are to integrate elements of european culture into The Sims 2, to enchance the neighborhood decoraing with recognizable city environment, and to explore and improve the game itself. This hobby has now allowed me to start practicing as a 3D artist, and I believe I found my true passion in it.

So, today I want to tell you about life changes I’m going through, share the gifts with you, and also ask you for help - all about it under the cut:

The Life Changes

You know I’m not very active last years, and this simblr stays without any updated for a long time. There were reasons for this. In 2022 I had to leave my home and moved to another country. Don’t worry, I’m fine and well. I starts my new life, at least, in a quiet place.

Here is a photo of me and my friend @ivanautumnfield​​ in Astana, Kazakhstan:

And now it’s time to move forward! 

The Request for help

As someone who has always valued creativity and the arts, I’m reaching out to you with a sincere request. Over the years, I have been dedicated to creating and sharing TS2 content, providing advice, and fostering a supportive community. I have never sought donations or payment for my work; it has always been driven by a genuine desire to help others.

Now, as I face new challenges, I am seeking your assistance. If you meet all of the following criterias, I kindly ask for your support:

Residing in France (or any other state of the European Union): If you live in these regions, your recommendation would be appropriate.

An Active Artist: Whether you specialize in 3D graphics, animation, game development, or any other artistic field, your endorsement would mean a great deal. It doesn’t matter if you are affiliated with an official art institution; I think having a public portfolio/site/artist’s page is matters.

Writing a Letter of Support: If you are willing and able to write a Letter of Support (recommendation letter) for me  — that would be invaluable. The letter can be written in a pretty free form, should expressing that you know me and my creations, and you look forward to future cooperation. Rest assured that this won’t burden you or compromise confidentiality in any way. These letters are essential for my relocation preparations.

Please feel free to reach out to me via private messages here. If I haven’t responded to your message, it might have been caught in a filter — simply tag me in a broader context. If you know anyone who can help me or have connection to the proper art organization and\or institutions, I would be immensely grateful for networking.

Your assistance, as well as any reposts or shares, would greatly help me.

If you want to help me the other way, you can support me at Patreon or Ko-fi ☕ 

The LoscheDay Gifts

I want to thank everyone for the help and attention to my work, it really spurs me on to keep going. As a gift, I want to share with you some content that are ready to be used in the game, but haven't been published yet for one reason or another. All of the links and info avalible in my new Patreon page.

Not all of my (un)published projects are described at that page at this moment, new posts will be publishing time to time in Patreon’s feed, also a brand new cc files will be appearing in SFS folder. Please, subscribe and stay tuned!

I emphasize that everything I create for The Sims 2 will still be available for free, I am not planning on hiding behind a paywall, this is just if you would like to support me through this challenging time.

Thank you!

Enjoy!

[gardenschedule]

just insane mclennon things

John playing his and Yoko's sex tape in a band meeting

As the meeting was drawing to a weary close, John, not this day with Yoko, who hadn’t seemed particularly connected with what was going on, said he wanted to play us a tape he and Yoko had made. He got up and put the cassette into the tape machine and stood beside it as we listened. The soft murmuring voices did not at first signal their purpose. It was a man and a woman but hard to hear, the microphone having been at a distance. I wondered if the lack of clarity was the point. Were we even meant to understand what was going on, was it a kind of artwork where we would not be able to put the voices into a context, and was context important? I felt perhaps this was something John and Yoko were examining. But then, after a few minutes, it became clear. John and Yoko were making love, with endearments, giggles, heavy breathing, both real and satirical, and the occasional more direct sounds of pleasure reaching for climax, all recorded by the faraway microphone. But there was something innocent about it too, as though they were engaged in a sweet serious game. John clicked the off button and turned again to look toward the table, his eyebrows quizzical above his round glasses, seemingly genuinely curious about what reaction his little tape would elicit. However often they’d shared small rooms in Hamburg, whatever they knew of each other’s love and sex lives, this tape seemed to have stopped the other three cold. Perhaps it touched a reserve of residual Northern reticence. After a palpable silence, Paul said, “Well, that’s an interesting one.” The others muttered something and the meeting was over. It occured to me as I was walking down the stairs that what we’d heard could have been an expression of 1960s freedom and openness but was it more likely that it was as if a gauntlet had been thrown down? “You need to understand that this is where she and I are now. I don’t want to hold your hand anymore.”

Paul putting beetles fucking on his album artwork

John hiring a pig and posing with it solely to mock Ram even though he was scared of it

At the end of the day a farmer delivered a huge hog to the mansion [Tittenhurst Park]. It was John’s notion to parody the album jacket photograph of Paul McCartney’s Ram, which showed Paul wrestling with a ram; John would wrestle with a pig. We all went outside and stared at the large surly animal. It was much bigger than any of us had expected. John circled the animal warily. He liked the idea, but he didn’t like the hog. Dan stood poised to snap the picture. “Climb on its back, John, and grab its ears,” he said. John looked doubtful. He stepped closer to the animal. It let out a shrill, strange, sound. John stepped back, but we all urged him on. “You can do it, John,” I said. John approached the animal once again. “I can’t hold the friggin’ pig for too long. You get one shot and one shot alone,” he told Dan.

Loving John: The Untold Story, May Pang

John & Yoko attempting to get revenge married in Paris 2 days after Paul & Linda

“On March 12, Paul married Linda Eastman at Marylebone Register Office in London, amid scenes of hysterical grief from his female fans. None of the other Beatles was present. The news reached John as he and Yoko were driving down to visit Aunt Mimi in Poole. Yoko’s divorce decree had become final a few weeks earlier, and, in a resurgence of Beatle copycat, John told her they, too, must get married as soon as possible”

Philip Norman, John Lennon: The life

We chose Gibraltar because it is quiet, British and friendly. We tried everywhere else first. I set out to get married on the car ferry and we would have arrived in France married, but they wouldn’t do it. We were no more successful with cruise ships. We tried embassies, but three weeks’ residence in Germany or two weeks’ in France were required.

John Lennon

SALEWICZ: Well, I always found it interesting the fact that he got – I mean, it seemed too much like coincidence to me, the fact that he got married a week or month after you. You know what I mean? PAUL: Yeah. I think we spurred each other into marriage. I mean, you know. They were very strong together, which left me out of the picture. So I got together with Linda and then we got strong with our own kind of thing. And I used to listen to a lot of what they said. I remember him saying to me, “You’ve got to work at marriage,” which is something I still remember as a bit of advice. I still remember that. Um… And then yeah, I think they were a little bit peeved that we got married first. Probably. In a little way, you know, just minor jealousies. And so they got married. I don’t know if that’s – I mean, who knows… [inaudible] making it up, anyway.

September, 1986 (MPL Communications, London): journalist Chris Salewicz

Their belief in telepathy & shared dreams

NEIL: I’d just rather not say anything. It’s one of those situations. PAUL: Yeah. [pause] Well, that’s – that’s the trouble you see, there, ‘cause that’s it. It’s like, with our – heightened awareness, the answer is not to say anything, you know. But it isn’t. ‘Cause I mean, we screw each other up totally if we don’t do that. ‘Cause we’re not ready for your heightened… vows of silence. [laughs; hapless] We’re really not! Like, we don’t know what the fuck each other’s talking about, when that – we all just sort of get— NEIL: I think it’s just between the four of you, that get it. That’s what I’d pretend. PAUL: Oh yeah, right, yeah. But you see, that’s it, that’s why John doesn’t say anything. ‘Cause he, you know, he just… There was something the other day, when I said, “Well, what do you think?” And he just stood there and didn’t say anything. And then – and I know exactly why, you know. I mean, I wouldn’t, if… [long pause] Somehow. You know, there’s nothing really much to be said about it. You just – we all just have to do it, and all that, instead of like talking about it. But – but if one of us is talking about it, it’s a drag if the other three aren’t. Because then it sort of throws you off. [inaudible; voice marking tape slate] I mean, we’ve just been talking about it now for a few years, you know. Like this…

From the Get Back sessions (13 January 1969).

HINDLE: What do you think about language? JOHN: I think it’s a bit crummy, you know? It is a drag form of communication, really. We’ll get – we’ll get telepathy. I believe that. HINDLE: You believe that? JOHN: Yeah, sure. Sure. Sure as anything I believe. It’s too… Because now we need it so much. [...] There are – there’s people everywhere of the same mind and it’s just… even amongst ourselves we can’t communicate. Which is the hard bit, you know. HINDLE: Yeah. JOHN: Amongst the people that sort of really agree. HINDLE: Just ’cause of words? JOHN: Just ’cause of words, and upbringing, and attitude, and how you express your… Well, it’s just some – you’ve got to find a mutual sort of language to express yourself, you know? And my language is that— HINDLE: Unless you fall in love it’s impossible to communicate like that. JOHN: I mean, I wasn’t in love last year, but I was communicating quite well with people. Not as well, or maybe not as powerfully. ’Cause now there’s two of us, doing that, brrmmm, whatever it is. Sending out a vibration or whatever. But before it was me and… or me and George, alright, or whatever it was; we weren’t in love, but. You know. There’s enough in you to shove it out. It is just that bit. If you – if somebody comes in a room and he’s uptight and that, he can make the whole room uptight.

John Lennon, interviewed by Maurice Hindle (December 1968).

PAUL: I remember when John and I were first hanging out together, I had a dream about digging in the garden with my hands. I’d dreamt that before but I’d never found anything other than an old tin can. But in this dream I found a gold coin. I kept digging and I found another. And another. The next day I told John about this amazing dream I’d had and he said, ‘That’s funny, I had the same dream’. So both of us had this dream of finding this treasure. And I suppose you could say it came true. I remember years later talking about it – ‘Remember that dream we had?’; ‘Yeah, that was far out’. So the message of that dream was: keep digging lads.

PAUL MCCARTNEY TO THE BIG ISSUE. FEBRUARY 2012.

John climbing the wall to Paul's house because Paul skipped a session for his & Linda's anniversary

(Not confirmed but supposedly)

Paul being utterly convinced that John can't be gay because he didn't try it on when they slept in the same bed

I mean, if John was–the trouble is, see, is he’s not here to fend for himself, and we can’t ask him, “‘Scuse me, John, are you–have you ever been gay?” I mean, he’s the kind— I remember people used to ask that. There were lots of people asking cheeky questions, and they were always saying, “Well, why–have you ever tried homosexuality, John?” You know, they always used to ask all that kind of stuff. I remember John saying to them, “No, I’ve never met a fella I fancy enough.” And that was his kind of opinion. You know, “I may go–I may be gay one day, if some fella really turns me on.” He was–he was that open about it. But as far as I was concerned, I slept in a million hotel rooms–as we all did–slept in a million places with John, and there was never any hint of it.

December 24th, 1983: interview with DJ Roger Scott

“And I say, if he’s homosexual, I thought he’d have made a pass at me in 20 years, darling.”

Paul McCartney talking about John Lennon.

“Brian Epstein, the Beatles’ manager, was a known homosexual. Epstein was always polite and charming. It has been insinuated that John was drawn to Epstein. I believe there was no such relationship between them. John was macho. But if John was a homosexual, it would have made no difference to me. I’ve asked Paul McCartney, who laughed and said: ‘Why not me? I’m handsome.’ Then he said: ‘I was holed up with John in hotel rooms everywhere. There was never a suggestion of anything like that.’ I believe him.”

Julia Baird, in Boston Globe: Lennon’s half-sister remembers… (2 October 1988).

“All I can ever say about it is that I slept with John a lot because you had to, you didn’t have more than one bed - and to my knowledge John was never gay.”

Paul McCartney, The Brian Epstein Story

And maybe he's right to be offended?

Did Lennon have sex with other men? “I think he had a desire to, but I think he was too inhibited,” says Ono. “No, not inhibited. He said, ‘I don’t mind if there’s an incredibly attractive guy.’ It’s very difficult: They would have to be not just physically attractive, but mentally very advanced too. And you can’t find people like that.” So did Lennon ever have sex with men? “No, I don’t think so,” says Ono. “The beginning of the year he was killed, he said to me, ‘I could have done it, but I can’t because I just never found somebody that was that attractive.’ Both John and I were into attractiveness—you know—beauty.”

Yoko Ono: I Still Fear John’s Killer by Tim Teeman for the Daily Beast (13 October 2015).

There was even some discussion, albeit not very serious, of whether he should stick to his own gender. “John said ‘It would hurt you like crazy if I made it with a girl. With a guy, maybe you wouldn’t be hurt, because that’s not competition. But I can’t make it with a guy because I love women too much, and I’d have to fall in love with the guy and I don’t think I can.’”

Yoko on her and John discussing the terms of an open marriage in 1973 (John Lennon: The Life)

On that note, Paul's obsession with sleeping in the same bed as John

Paul McCartney answers questions for Q magazine, 1998

John and I used to hitch-hike places together, it was something that we did together quite a lot; cementing our friendship, getting to know our feelings, our dreams, our ambitions together. It was a very wonderful period. I look back on it with great fondness. I particularly remember John and I would be squeezed in our little single bed, and Mike Robbins, who was a real nice guy, would come in late at night to say good night to us, switching off the lights as we were all going to bed.

Many Years From Now

John and I always liked wordplay. So, the phrase ‘She’s got a ticket to ride’ of course referred to riding on a bus or train, but – if you really want to know – it also referred to Ryde on the Isle of Wight, where my cousin Betty and her husband Mike were running a pub. That’s what they did; they ran pubs. He ended up as an entertainment manager at a Butlin’s holiday resort. Betty and Mike were very showbiz. It was great fun to visit them, so John and I hitchhiked down to Ryde, and when we wrote the song we were referring to the memory of this trip. It’s very cute now to think of me and John in a little single bed, top and tail, and Betty and Mike coming to tuck us in.

Paul McCartney, on ‘Ticket To Ride’. In The Lyrics (2021).

“John and I grew up like twins although he was a year and a half older than me. We grew up literally in the same bed because when we were on holiday, hitchhiking or whatever, we would share a bed. Or when we were writing songs as kids he’d be in my bedroom or I’d be in his. Or he’d be in my front parlour or I’d be in his, although his Aunt Mimi sometimes kicked us out into the vestibule!”

New Statesman, “Paul McCartney - Meet The Beatle,” September 26, 1997

“I wrote all those songs with him so…. what can I say to people?? We were kids! I mean… we slept together, topped and tailed in beds and hitch-hiking and stuff, so,…. I mean, we were just totally you know,….. mates.”

Paul McCartney

John taking matters into his own hand to start rumours about him and Paul

The consensus among John, Paul and Yoko that if J&P could have been together, they would have

“. . . I mean, I think really what it was, really all that happened was that John fell in love. With Yoko. And so, with such a powerful alliance like that, it was difficult for him to still be seeing me. It was as if I was another girlfriend, almost. Our relationship was a strong relationship. And if he was to start a new relationship, he had to put this other one away. And I understood that. I mean, I couldn’t stand in the way of someone who’d fallen in love. You can’t say, “Who’s this?” You can’t really do that. If I was a girl, maybe I could go out and… But you know I mean in this case I just sort of said, right – I mean, I didn’t say anything, but I could see that was the way it was going to go, and that Yoko would be very sort of powerful for him. So um, we all had to get out the way.”

Paul McCartney, interview with German tv program Exclusiv, April 1985.

JOHN: It’s a plus, it’s not a minus. The plus is that your best friend, also, can hold you without… I mean, I’m not a homosexual, or we could have had a homosexual relationship and maybe that would have satisfied it, with working with other male artists. [faltering] An artist – it’s more – it’s much better to be working with another artist of the same energy, and that’s why there’s always been Beatles or Marx Brothers or men, together. Because it’s alright for them to work together or whatever it is. It’s the same except that we sleep together, you know? I mean, not counting love and all the things on the side, just as a working relationship with her, it has all the benefits of working with another male artist and all the joint inspiration, and then we can hold hands too, right?

John Lennon, interview w/ Sandra Shevey. (Mid-June?, 1972)

Y: After the initial embarrassment, that how Paul is being very nice to me, he’s nice and a very, str- on the level, straight, sense, like wherever there’s something like happening at the Apple, he explains to me, as if I should know. And also whenever there’s something like they need a light man, or something like that he asks me if I know of anybody, things like that. And like I can see that he’s just now suddenly changing his attitude, like his being, he’s treating me with respect, not because it’s me, but because I belong to John. I hope that’s what it is because that would be nice. And I feel like he’s my younger brother or something like that. I’m sure that if he had been a woman or something, he would have been a great threat, because there’s something definitely very strong with me, John, and Paul.

Yoko Ono, Revolution Tape, June 4th 1968

"We thought we'd do a number of an old estranged fiancé of mine called Paul.""

As a second choice from the Lennon- McCartney songbook, Elton suggested 'I Saw Her Standing There'. This appealed to John for its antiquity, and because its lead vocal always was sung by Paul. (...) There was a whisper of Royal Variety Show mischief when he announced "a number by an old estranged fiancé of mine called Paul" - no one yet knowing the estranged fiancés were long reconciled.

John Lennon: The Life, Philip Norman

You know, John loved Paul. No doubt about it. I remember once he said to me, “I’m the only person who’s allowed to say things like that about Paul. I don’t like it when other people do.” He didn’t like if other people said nasty things about Paul. And he always referred to Paul as his estranged fiancé and things like that, like he did on that [live] record ‘I Saw Her Standing There’ with Elton in Madison Square Garden.

1990: Former Beatles publicist Tony King

Married couple signatures

(and the reverse of that postcard...)

John publicly predicting Paul & Linda's divorce

You were right about New York! I do love it; it's the ONLY PLACE TO BE. (Apart from anything else, they leave you alone too!) I see you prefer Scotland! (MM) -- I'll bet you your piece of Apple you'll be living in New York by 1974 (two years is the usual time it takes you right?)

John's letter to Paul in Melody Maker, 1971 Finally, about not telling anyone that I left the Beatles—PAUL and Klein both spent the day persuading me it was better not to say anything—asking me not to say anything because it would 'hurt the Beatles'—and 'let's just let it petre out'—remember? So get that into your petty little perversion of a mind, Mrs. McCartney—the cunts asked me to keep quiet about it. Of course, the money angle is important—to all of us—especially after all the petty shit that came from your insane family/in laws—and GOD HELP YOU OUT, PAUL—see you in two years—I reckon you'll be out then—inspite of it all, love to you both, from us two.

John's personal letter to Linda & Paul, 1971

JOHN: Oh, [Klein]’d love it if Paul would come back. I think he was hoping he would for years and years. He thought that if he did something, to show Paul that he could do it, Paul would come around. But no chance. I mean, I want him to come out of it, too, you know. He will one day. I give him five years, I’ve said that. In five years he’ll wake up. YOKO: And people don’t understand, you know. There’s so many groups that constantly announce they’re going to split, they’re going to split, and they can announce it every year, and it doesn’t mean they’re going to split. But people don’t understand what an extraordinary position the Beatles are in, you know. In every way. They’re in such an extraordinary position that they’re more insecure than other people. And so Klein thinks he’ll give Paul two years Linda-wise, you know. And John said, “No, Paul treasures things like children, things like that. It will be longer.” And of course, John was right.

John Lennon and Yoko Ono, interview w/ Peter McCabe and Robert Schonfeld. (September, 1971)

[lifeonmarz-blog]

Intro to AstroCartography

a method of locational astrology, by which specific geographic locations are associated with expected differences in personal life circumstances.

(Astro-car-tography) is one of my favorite branches of astrology. Different places affect people differently. Rather it be a different city, state or country. Astrocartography shows places that are the best fit for you around the world that suite different focuses in your life. Career, Love, Friendship, Structure, More recognition, Healing past wounds, Finding your path, More spontaneous experiences, A faster pace life, A slower pace life, whatever your looking to experience more of. There's a place that would make it the easiest.

There are 4 different 'types' of lines

-ASC; how your personality expresses itself to others, what others see when they look at you

-DC; experiences you'll have in personal one on one relationships

-IC; how your home and personal life will be affected

-MC; how you assert yourself into the world especially career wise, this is your public image

What energy the planets represent

-Sun; Center of attention, Developing sense of self

-Moon; Emotions, Triggers, Family

-Mercury; Communication, Friendship

-Venus; Romance, Friendship, Luxury

-Mars; Activity, Accidents, Forcefulness, Ambition

-Saturn; Structure, Patience, Stability, Building

-Jupiter; Luck, General abundance, Education/Learning

-Uranus; Spontaneous experiences, New things, Quick actions

-Pluto; Uncovering truths, Restructuring, Learning

Honorary mentions

-Chiron; Wounds, Triggers

-Northnode; Life purpose

Examples

-Mercury on the dc you would meet alot of people that show interest in having conversations with you. This is an easy place to network and make friends with like minded people.

-I grew up on a mars asc line and ive had to fight for what i want and believe in a lot. It felt like having to always prove my worth. I was in 6 car accidents (only 2 were major). My body was always a topic of conversation. I had insecurities around weight. I started a business on this line. I was known for being an entrepreneur. I think for men it would be smoother depending on aspects in the natal chart ofc but for women we operate more in our masculine energy on a mars line. Going to make things happen instead of opportunities coming to us. That starts to feel draining.

-You could find a long term relationship and have improved finances on a venus line.

-My Sun mc and northnode mc lines go through Paris, France. I think i would experience community and uncover a new level of confidence.

Have you heard of relocation astrology?

[jesawyer]

A big thanks to you and your team for making Pentiment, it's an amazing game and it'll be with me for a long time I think, especially the personal and emotional character writing.

I'm curious about what was the inspiration behind, and creative motivation for including, the motif of the labyrinth. The church's painting of the Virgin Mary with the labyrinth seems striking in particular, especially because I don't remember ever coming across a strong association with labyrinths in Christian imagery.

Thank you. I'm glad it was so impactful.

Labyrinths have a long association with Christianity going back to the 4th century, when one was placed in a cathedral in Chlef (now in Algeria). This is known as the St. Reparata or St. Reparatus Labyrinth.

The Chartres Labyrinth was built around 1200.

Christian labyrinths are meant to be walked while contemplating. The path twists and turns, but there is only one way to go. They also all clearly take inspiration from labyrinths of the classical world even if their purpose and origins are effectively lost to those who see them.

As Beatrice says to Andreas (paraphrased), the foundations of our memories become buried and invisible. And she is paraphrasing and abbreviating Plato speaking to Solon in Timaeus,

whatever happened either in your country or in ours, or in any other region of which we are informed-if there were any actions noble or great or in any other way remarkable, they have all been written down by us of old, and are preserved in our temples. Whereas just when you and other nations are beginning to be provided with letters and the other requisites of civilized life, after the usual interval, the stream from heaven, like a pestilence, comes pouring down, and leaves only those of you who are destitute of letters and education; and so you have to begin all over again like children, and know nothing of what happened in ancient times, either among us or among yourselves. As for those genealogies of yours which you just now recounted to us, Solon, they are no better than the tales of children. In the first place you remember a single deluge only, but there were many previous ones;

I also wanted the association with the labyrinth from The Name of the Rose, which in turn was inspired by the Reims Labyrinth.

The Reims Labyrinth was constructed in the late 13th century but was destroyed in the 18th century by superstitious priests. It was through the discovery of drawings that modern scholars were able to recreate and project the path of the labyrinth onto the cathedral floor.

The cover of the 1st Italian edition (and therefore, first edition overall) of Il Nome della Rosa prominently incorporated the drawing of the Reims Labyrinth.

Note the map of the Aedificium:

The final lines of The Name of the Rose are:

Stat rosa pristina nomine, nomina nuda tenemus.

The original rose remains only in name, we hold those names stripped.

This refers to a specific object in the story, but more broadly symbolizes historical records, art objects, and other artifacts lost to time. The Reims Labyrinth remains only in drawings, stories, and light projected on the ground where it once stood; the labyrinth itself was destroyed.

Nomen est; res non est. - The name exists; the thing does not.

As a side note, France uses the Reims Labyrinth as its symbol for historical monuments - an important reminder of how fragile their existence can be.