#and the implications of what happens after death

[serapherd]

rambles about the g-man and his connection with adrian shephard, because a recent conversation with a friend had me thinking about it

something hardly anyone ever mentions is that, while we call him "the g-man," his name is never actually dropped across the games. however, adrian himself has referred to him as a "g-man," the slang term for government man or FBI agent

what's interesting about this is that "g-man" as slang is rarely used today nor at the time of the black mesa incident, and especially not something any of the major characters in opposing force would say. it's like, thirties slang, being used by a twenty-two-year-old marine.

it might not mean anything, but i like to look at it as a little insight into adrian's personality, as even these diary entries written by him don't give us a lot to work with.

the tutorial chapter of opposing force shows us that g-man was making the rounds around the boot camp adrian was at,

it seems g-man was arguing for adrian's spot on the advanced training list, likely to prime him for indoor combat inside black mesa

the thing is, this was two months before the resonance cascade happened. why would g-man have done all this if he didn't consider adrian a critical resource? it was because adrian was his initially his primary candidate. he was the original "gordon freeman" in a sense

you can sort of see this in the contrast between g-man sightings between both games, as in half-life's beginning chapters, g-man is typically observing gordon from a casually approachable distance, like behind a door or from a catwalk gordon is able to cross

^ this is after the resonance cascade, adrian hasn't been deployed yet

as gordon is forced back underground by the presence of the HECU, g-man's sightings have become much more distant and sporadic

^ this is around the same time that adrian regains consciousness after his osprey crashed. gordon is much closer to xen by this point

why is this important? it shows a shift in g-man's demeanor the moment that gordon gains a reputation among the other survivors, meanwhile adrian is left behind on the surface, g-man doing the bare minimum to ensure he doesn't step out of line.

^ this is after gordon has become a hot ticket item. note that g-man is not trying to be discreet at all here lol

i believe g-man's physical distance between a potential hire can signify their value as an asset to him, with g-man becoming harder to reach once he takes interest in somebody, potentially in order to prevent himself from distracting them or inspiring them to get closer.

the speech g-man gives at the end of opposing force also has some interesting implications about how he views adrian

think about how g-man makes you, the player, feel. the answer you get will depend on who you ask, but most often you see people say they become curious, uncertain, or even just weirded out.

now, think about someone like gordon or even alyx here. people who at a glance, are just that; ordinary people. g-man speaks to them individually, with either emotional appeal or appeal to rationale.

g-man is awfully formal with gordon, much as his superiors at black mesa were. g-man also gives gordon something that he's rarely had over the course of the game's plot, that being a choice. he is allowed to refuse the offer of employment, even if doing so would be a guaranteed death. and canonically, gordon did accept the offer.

the difference between adrian and gordon's survival to g-man is that, despite his success in combat, gordon was hardly ever trained in it. gordon freeman is the everyman. this makes him easier to grasp, given that g-man can generally assume what gordon would want based on his quality of life. with this in mind, here me out:

adrian is unpredictable by being predictable. think about it,

adrian shephard is a combat soldier. he signed on, aware of the kind of situations he would be getting himself into, and he made it out of black mesa alive. all according to g-man's original plan, right? wrong.

people enlist in the military for many reasons. some are simply scooped up by recruiters. it would be a HUGE gamble for g-man to give adrian the same type of privilege as gordon by hiring him, since g-man doesn't know what there is to appeal to within adrian. for all we know, adrian might not have cared what happened either way!

not that i mean to suggest adrian is passively suicidal or anything like that, but we really don't know what would've been his ideal outcome for himself regarding the situation. we don't even know his motivation for fighting to survive black mesa, aside from his writing from beforehand which says he wants "change and adventure"

adrian being dangerous and hard to read conflicts with his potential as an asset to g-man, making g-man unsure on how to approach him. since there's not much he can infer about adrian, what does he do? he plays the "im just the messenger, it isn't my fault" card

all of this puts adrian's evaluation into question, specifically his status

it's as blunt as the rest, but choice of wording almost insinuates adrian is a criminal. not "delayed" or "on hold" but "detained"

[mcdonaldsnumberone]

when ur in a “cannibalism as a metaphor for love” competition, and ur opponent is a mahoyakkie

[scentofpines]

have you ever considered...that identifying out of woman/girlhood because you don't relate to the societal implications, expectations, etc... contributes to making womanhood (feel) even more restrictive? maybe you feel better when thinking of yourself as anything but a girl/woman because you do not feel like a woman (what does that even mean?) but in my opinion you just added another brick into the prisonwall that is gender.

[mulders-too-large-shirt]

s5 episode 7 thoughts

(voice cracking) hey guys. how are you doing? because i’m fine. actually super incredibly fine. have never been better, in fact. (heavy on the /s)

this episode feels so final, in a way. there is before this episode and after it, and there is no going back. and we have had plenty of those episodes that involve a shedding of innocence, but we’ll reach a point where you think, surely it cannot get worse than this. and you’ll never guess what happens next: somehow, it does.

sniffs. scully always chooses love, bro. and mulder chooses her and therefore chooses love. and they choose each other. and they deserve to be happy, to be a happy little family.

take me back to around 14 hours ago, when i pressed play on this episode immediately after watching the previous one, not even bothering to make this writeup until now, because i was too invested:

okay. so yes. i broke my rule and i’m watching this episode right away. and yes i feel sick.  (author’s note to past self: girl if you felt sick then imagine how you feel now LMAOOOO)

“it begins where it ends…. in nothingness. a nightmare born from deepest fears, coming to me unguarded” <- girl what are we opening with? she's in these black robes, striding across sand...

is she looking at death itself??? again?? how many times must this happen??? is SHE death itself???

she picks up her necklace… and declares herself alone, as ever. but you're not alone, scully!

bum bum bum bum… intro time… 

mulder, please come and provide emotional support if nothing else. you are desperately needed

YES, HE IS HERE!!!!!! he is watching scully watch emily color. 

OHHHH MY GOD. hold on. she introduces him to emily as her friend, and he immediately is making funny faces to get emily to laugh. stop. i need to be sedated.

he notices her cross necklace on emily. and he doesn't say anything but he doesn't need to, because that says enough. the cross that hung from his neck when she was gone, returned to her as she returned to life, and now placed around the neck of this little girl.

he had frohike hack into the system to find her surrogate mother omg… frohike is an ally… her birth mother is named anna fugazzi…. fugazzi is a slang term for fake??? he thinks they made a whole fake profile to hide her origins??

oh my god….

mulder is telling her that being around emily is incredibly dangerous; whoever it was that killed her adoptive parents would clearly go after her next. “i can protect her, too” “yeah, but who’s gonna protect you?” <- PLEASE KILL ME IT WOULD HURT LESS

“i’ve considered that, but i‘ve also considered that there’s only one right thing to do” <- ohhh, scully and her Need to do the Morally Correct Thing……… it’ll haunt me forever. she's willing to drop everything she has in her life to give this child a better life. and she didn't even knew she existed until a few days ago.

man, i miss s1 sometimes. bitch take me back…

HE CAME TO TESTIFY AT HER HEARING TO ADOPT HER??? and he says he shouldn’t have come because he doesn’t want to see her hurt like emily's adoptive parents were 😭😭😭 but he did. because he supports her through anything. and he knows that this poor little girl was never supposed to happen.

this man is nervously cracking sunflower seeds outside the hearing room. and bill is glaring at mulder like he didn’t just fly down here to save the day. fuck him for real.

oh, this judge guy is immediately tearing into his facts about the abduction. this never stops happening to mulder when he presents his theories. it must be getting old.

she was gone for four weeks when she was abducted. did we ever know the length of time?? huh. not sure if i picked up on that if we did.

he cannot explain to this guy why anyone would do this to scully and put the child up for adoption, but that is her child!!

“not in any legal definition” “well, if you can show me a precedent for this case, i’d like to see it” <- ohhhh tell him!!!

ohhh my god... “dana has known for quite some time that she can’t bear children. she hasn’t known why. now, however that happened, the fact that she can adopt this child- her own flesh and blood- is something i don’t feel i have the right to question, and i don’t believe anybody has the right to stand in the way of” <- that is best friendship. they love each other so terribly. terrible in the sense of a storm, or a natural disaster, in the sense of love being a force

oh my god man hold on. hold on. so had they talked about it before?? how she couldn't have kids?? and did he tell her why?? i don't think he did, because she is looking on at him with such horror as he shares these facts

there is such a terrible feeling of never being able to go back to before associated with all of this…

mulder is at bill’s house now, fidgeting with their nativity, while scully descends from the stairs. she was helping tara get into bed. oh my god. she loves her family so much.

OHHH the big reveal: “why didn’t you tell me? mulder?” “i never expected this. i thought i was protecting you” <- so she never knew that he knew… which is why she looked so horrified when she heard him say that to the judge…

he thought he was keeping her safe??? because he must have known that these people were willing to kill to keep their experiments in order. it reminds me of when he was at the evil honey farm and the alien said the clone children don't need parents....... the utter lack of humanity...

he says he knew children were being created, but not for who or for what purpose. :(

she gets a call, seemingly with no one on the other end, and with one look he has his phone on him, calling to get it traced. their ability to communicate without language is fascinating. within seconds, he has the location

it’s the children’s center where emily’s being held!!!

so is it still the ghost of melissa calling them somehow?? or is there an informer in there???

they’re at the door of the children's center right away!!!! is someone going to hurt emily????? they barge right in despite it being the middle of the night

emily’s in bed, with a horrific fever. mulder picks her up (oh my god, this made me feel terriblly emotional things) and he notices there is something on her neck.

IT IS A TERRIBLE GREEN POISON LUMPY THING?????

the doctor says there is some kind of infection, and they’re having the thing on her neck biopsied.

there’s an awful pause as they're standing outside the hospital room, and he asks if they are the parents…. mulder steps to the side and lets her say that she is the mother, which is so insane to hear, while mulder watches, terribly worried. 

he watches as they’re about to cut the thing on her neck…. but he realizes it is the green alien blood (which he can see, so NOT red/green colorblind) and starts banging on the door, telling the doctor to get away!!! but she doesn’t listen!!! the doctor collapses right then and there from the exposure to the alien blood gas, while they look on in horror. 

so emily is one of the alien hybrid children... i had thought that those were all clones, but i guess there are some unique ones as well. or maybe the ones we have seen in the past all shape-shift to look the same? CSM, this is your fault. evil has a face and a name and he writes bad fiction.

emily is on a mild sedative, and the ER doctor somehow made it. scully asks mulder how he knew what was going on, and he says he had the doctor put in an ice bath like she did when he was exposed :( he remembered.... :(

the dr. calderon that emily was seeing before refuses to transfer her information over!!! and says that scully has no authority over this child!!!! he is straight up willing to let her die.

she refuses to leave her. 

mulder is sent instead to interrogate him; he asks what he can say to convince dr. calderon to convince him to transfer the files over. but dr. calderon says it’s about business reasons. mulder asks how much money is worth letting this child die.

OHHHHHH HE IS THROWING HANDS….. 

holy fuck, i need a moment. he calls calderon and his team "medical rapists", a term i was previously unfamiliar with, and says now they’re just going to let her DIE??? AND HE PULLS OUT A GUN???

“why don’t you tell me whose life is worth saving, yours or hers!!” <- DAMN!!!

mulder is willing to kill for scully and that baby she just learned existed... i need a moment

he only puts his gun away because the police are at the door… but he’s gonna follow him. 

meanwhile, emily is watching cartoons while scully is in scrubs. she wants to talk to emily… she’s explaining that she has to do some tests. "mommy said no more tests" <- now what does that mean?

they insert the child into the machine. poor scully watches.

god, scully must feel so strange at the moment. and she gets flashbacks to her abduction from hearing the MRI machine beeping….

dr. calderon is running into a fancy gated home. and the other men who were watching scully before are here!!!!! 

OH MY GOD???? THEY STABBED THE DOCTOR'S NECK WITH THE NEEDLE, AND THE GREEN GAS CAME OUT???

and the other one morphed into calderon??? SO THEY’RE THE ALIENS????

but mulder is here……..

(i’m torn between genuine devastation and the sheer absurdity of this plot)

back at the hospital, we learn emily has some sort of infection into her brain that is expanding along her nervous system

and the guy who is pretending to be calderon is here!!!

scully and the real doctor are talking medicine, what can and cannot be done for her.

NO WHAT? THE ALIEN THAT TOOK CALDERON'S FACE IS HERE WITH THE NEEDLE GAS STUFF??? he just left emily's room……

scully's going after this guy, but he switches faces the minute they catch him!!!!!

mulder is still tailing the people from the pharmaceutical company. he tells scully he doesn’t think they want emily dead either, but for different reasons… they want their experiment to work, i assume is what he implies, but he hangs up then to go do some more tailing.

detective kresge is here!!!! scully tells him she thinks these men killed emily's adoptive parents because they stopped doing the tests!!! and that must be why that mysterious man came in to see her!!!!

i’m ready to see some heads roll over this whole matter. 

mulder lets himself into the weird huge gated house he saw dr. calderon go into, which seems to be an nursing home, with a label on a shelf for a. fuggazi. she’s a real person???? and she’s 71 years old???

but now emily is getting worse, with the growth spreading; it is killing her. the doctor says they should be grateful she isn’t in pain. 

chambliss shows up to tell scully that the court is freaked out that she’s making choices for emily, but she points out that she is “a medical doctor, and the decisions that i make are reasonable and right” and we know this to be true!!!

OHHHH MY GOD chambliss says that she has no authority, and scully says that if they take her out of the hospital, she will have it known that all of them are responsible for emily's worsening health…… holy fuck

“what do you want me to tell them you’re doing for her?” “i don’t know yet. but i will” <- she thinks there has to be hope…. :(

frohike is on the phone!!!! mulder is reading the names of the women in the nursing home, while frohike looks them up. and somehow they all gave birth to children in the last few years??? despite being 70+ years old????

and frohike wants to know if they are attractive. mulder says he might have a shot with these ones LMAO <- rare moment of levity in what may be the darkest fucking episode of all time

these elderly women are being prescribed estrogen and progesterone, which are in abundance in pregnant women……….

anna comes to mulder and says she wants to start her beauty sleep??? and it’s taken years off of her appearance??? do the aliens turn them young somehow??? and then use them to have children???

holy fuck. horrific commentary on the intersections of reproductive rights and elder abuse....

emily is now being inserted into a new tube for testing, with scully saying she will be right there the whole time. the air in the tube hurts emily's ears??? and makes her veins pop out??????? she is yelling at the doctor to stop running the test, but i don't even really understand what is going on, beyond that emily cannot handle it

mulder is still at the nursing home, where he finds a bunch of the old women in bed, attached to IVs with the hormones he mentioned earlier!!! so they get the IVs in their sleep and then they... no, it's too disturbing to even say

so he looks in the fridge and inside he finds some papers…. HUH???? it has scully’s name on them???? and inside is ANOTHER BABY IN A TUBE????

what the fuck??? this is messed up!!!!

he also finds vials of the green stuff that you use to kill the aliens!!!! but now the shapeshifting alien guy from before is here!!!! so he's running out with the vials!!! 

but detective kresge is here and stops mulder!!!!! IS THE DETECTIVE WORKING FOR THE ALIENS???

NO!! kresge is trying to keep him safe!!! the alien picks him up and tosses him like a rag doll!!!

but kresge gets up and shoots him despite mulder’s many warnings, so he hisses as his alien body releases that toxic green gas!! NO, KRESGE!! you were mean at first, but i grew to like you!!!

the alien takes kresge’s face and dips while mulder is trying to get backup!!!!!!!!!!!!

poor scully is watching emily through the window; she has gone into a coma. mulder suddenly arrives. but before mulder can say anything, she claims she’s okay. 

“but if you could treat her?” “i wouldn’t. i wouldn’t do it to her” “are you sure?” <- oh my god? is she going to take her off of life support? does she think it is wrong to keep her alive with no quality of life? we know she believes that in her own will... is she realizing there is nothing she can do? and why does she always lead with "i'm okay" when she isn't?

“mulder, whoever brought this child into this world didn’t intend to love her”

“i think she was born to serve an agenda” (a horrific thing for a human to be)

“i have a chance to stop that. you were right. this child was not meant to be”

but she is. she is here. and she doesn't have much longer.

he rubs her back and says he’ll stay with her. STOOOOOP

but she says she’d like to be alone. so he quietly walks away.

oh my god. he was going to stay with her while she watched her baby die... but she said she wanted to do it alone....... 

he still has that one vial of green stuff in his pocket, and pulls it out in the hallway. while she’s going in to presumable say goodbye. she lays her head next to emily, crawling into her bed. oh my god.

then we see a stained glass window of mary holding baby jesus while scully sits in a pew. maggie is here, asking if she’s ready. she tells her she’ll get a ride back with mulder. and she hugs her family, smiling at tara’s new baby, kissing him on the head.

there is a little casket, and scully stares at it as mulder comes in, laying flowers upon it. 

“who are the men who would create a life whose only hope is to die?” “i don’t know. but that you found her… and you had a chance to love her… maybe she was meant for that, too” <- oh my god??? oh my god.

“she found me” “so you could save her” <- and she did save her... she saved her from an unhappy home and unethical experiments and loved her in the week that she knew her, and let her go peacefully instead of suffering....

then she asks about kresge, who somehow made it, but the nursing home has been cleaned out, and no one else knew of calderon’s work. but there is evidence of what they did, she says, staring at the casket. 

she takes the flowers, lifts up the lid, and mulder turns around to give her space. but the casket is empty, except for the cross necklace. which she holds, closing her eyes. so they took her body, too???

the sand… the necklace… the opening scene… the parallels… i’m, like, blubbering as i type this

what the fuck!! who came up with this?? it is so fucked up and horrific and why. why. why. why did they make her undergo that and where do we go from here? no seriously, how is she going to just. clock into work the next day. not knowing she had a daughter except for a single week they had together and then she watched her die.

i honestly think scully is a saint because. if someone told me my autonomy had been taken and they made a baby out of me without my consent, i think i would be horrified and want nothing to do with the poor child. i would think, i have no relation to that little person. it was done without my knowledge, and how can i claim any connection to something i never knew?

(i mean, that is all i can imagine i would do; i know nothing of what it feels like to want or have or learn you have a baby. so keep that fact in mind if i don't fully grasp the weight of everything here. but believe me, what i am grasping is weighty enough)

but she said, i have a baby and i need to love her, because the option to make my own decision was denied, but i need to do the right thing. she just barrels in and loves her. no hesitation. and then she watches her die. 

and what the fuck?? from a writer’s perspective are they just trying to overtly comment on the lack of women’s healthcare?? because this hits different in the current political climate in a way they couldn’t have seen at the time. and i do feel somewhat inspired to write an essay on the subject. and using the elderly women as incubators... holy hell. it really speaks to the lack of agency women have over their own bodies and the terrifying nature of government intervention into women's healthcare...

mulder showing up right away to testify for her… scully being willing to throw her whole career away for a child she never knew she had… i need a few days and maybe a drink.

where do they go from this? how do you move on from learning you have a child, choosing to love it for the week you knew her, and then watching her die? how do you just go hunt bigfoot after that?

i feel like this show throws too many emotional punches and doesn't give us time to let the aftershocks sink in and the grief be processed. i hope that this time we get that chance.

and oh, how tender both of them were with emily... i just know that if they have kids, that child is going to be so loved... i am gonna cry at the thought. because we have always been able to see that mulder wants a family so desperately, but with scully it was more simmering under the surface until it boiled over, and now she knows what that feeling is like, but it was taken away from her and it can never come back, but maybe someday she can find happiness, and they can find happiness together, and raise a little kid who they can hold and carry and read books to and fuck i'm emotional!!!

i'm thinking about how even way back in season 1 we see them dealing with kids and the foreshadowing to this, this glimpse of what could have been in another life, but what isn't in this timeline. and how he was there for her while she waded through entirely incomprehensible emotions. and again i come back to the fact she chose to love this little girl despite having no knowledge of her.

and how they choose to find meaning in that week they knew her, with mulder telling her that she saved emily, that she let her experience love and happiness. to try and find any purpose to their inexplicably cosmic suffering.

fuck!!!

as always, please tell me what you think!!! what was your reaction when you saw this for the first time?? what was the reaction of the wider public? did you also cry a million tears? did you also cry at the mental image of them having a little baby? has your perception of the episode changed over time? if you have kids now do you cry even more? will chris carter ever work on whatever it is he has going on with making women suffer? i need to know every last detail.

[yunmeng-jiang]

workin on my first scum villain fic!!

[visual-calc]

I'm very fond of you visual calculus. I think you're actually very funny and interesting. One of the more underated skills, in my opinion.

Many thanks for your kind words! In exchange, I offer you the following comforting (or possibly terrifying) fact:

After the pale has consumed us all, and all matter has settled in a state of maximum entropy, it is still possible that after enough time has passed some arrangement of atoms with all the memories of a human life will spontaneously emerge, and exist for a brief moment before being subsumed back into the pale. After death, life again.

[fellhellion]

the 2099 timeline is wonky as hell (without even talking about retcons), but there's something very interesting to me abt the implication that Miguel torpedoing his relationship with Xina and Gabriel feasibly coincides w George and Conchata's divorce (plus her subsequent institutionalisation).

[butcharyastark]

finally got to the max and mrs. guthrie scenes in my rewatch and oh.... wait... i think drowning the cat might mean smth different than max acquiescing finally to the violence of colonial rule and abuse...

[tamaharu]

god snowgrave kriselle is still so good and interesting. its the sense of nostalgia, the eventual submission towards violence, the implications of romance.

[spring-lxcked]

back on my william brainrot but one day i've gotta write a headcanon about him leaving a message for michael regarding elizabeth. like. there's so much to be said

[astronomalyy]

Thinking about the lifespans of Dungeon Meshi elves... The fact that they're completely unnatural alters my brain chemistry, because you can tell just how haphazardly the demon implemented their wish. They live five times the length of tall-men, so they age at a fifth of their rate. It's simple maths and the implications are terrifying. No wonder their birth rate and population are declining - their early development is so slow that at the age of two, they're still unable to stand.

They don't reach adulthood until their eighties. What does the infant mortality look like? How many elves succumb to illness or injury before they're fully mature? It only takes one accident to lose the child you've been raising for decades - and could you bring yourself to care for another? Add to that the implication elf culture has no idea how to process grief... just look at the way the Canaries treat Rin after the death of her parents. They're callous and insensitive and detached - part of that's racism, but there's also an element of pure cold ignorance. They don't even recognise the emotion on her face.

And that's just scratching the surface... does elven memory accommodate their extended lifespan? Once you reach two hundred or so, do the years start blurring together? Kabru mentions that their temporal awareness is remarkably poor.

Two years feel like a few months. Their lives are longer but not fuller. They're older but not wiser than the short-lived races, and most refuse to understand this. Those that do grasp it are interesting - namely Otta, who's ostracised for pursuing half-foot women.

A 30-year old elf is a young child; a 30-year old half-foot has entered middle age. Otta is in the equivalent of her late twenties. She knows that her elven lifespan makes her no more mature than a half-foot - but she also acknowledges that it creates a rift between herself and her partners, and not just in the eyes of society. 'She dumps them as soon as they pass 30', but probably not for the reasons Lycion assumes. For this to be a pattern, decades must have passed - it's possible Otta doesn't want to watch them die as she herself barely ages. No doubt some of her previous lovers have already passed away. In the end, all living 400 years accomplishes is leaving them out of sync with the rest of humanity.

Marcille's perhaps the best example. As a half-elf, she's got 95% of her life ahead and the thought terrifies her. She's going to lose everyone she loves, over and over and over again, and this cycle has barely even started. She runs at a different pace. This context adds so much to her dynamic with Falin in earlier chapters.

Marcille loves her! She's scared for her! Maybe even of her! She's grown attached to a short-lived girl who she met as a kid when Marcille was a teaching assistant! Biologically and developmentally, they're the same age, but chronologically she's twice as old as Falin! Considering what happened to her mother, is history repeating itself? Her feelings towards Falin are tangled and messy and fascinating. They're also more than a little homoerotic, which makes Marcille's infantilization of her friend all the more interesting. It feels like her way of resolving their power imbalance, of remaining a responsible (former!) authority figure... but it's also a coping mechanism. She's frightened by the ways Falin is maturing and changing - aging - and keeping her mental image of her friend as young as possible is her way of denying the march of time that's destined to sever their bond.

Marcille's dream of lifespan extension would remove the need for this obfuscation, render them equal... only, they already are! This desire is imposed onto Falin, but it's primarily for Marcille's benefit. Watching her fight for a world nobody wants, for reasons both selfish and altruistic... it's as tragic as it is understandable. I love this manga.

[just-let-me-see-accounts]

One time I was reading []'s book about death, and how it was children who asked the more to-the-point and "morbid" questions, while adults tended to tiptoe around things and be reserved.

I thought, "By George, she's right! What whimsy have I lost due to our cultural aversions?"

So I asked my mum what happened to the bodies when people die in their house, and what the process in general is. Like, who do you call for that? Do people just come to your house after and take the body? Where is the body held after that, since I assume they don't just give it back. Like, where would anybody store that? And it's not like I regularly hear people talking about the dead body in their homes.

But then she started freaking out and I immediately realised how alarming that sounded. So, that wasn't very fun. She did (sorta) answer my question though, so there was that.

[nikovraskol]

crack baby ; three

wc ; 3745 masterlist after dying, you expected to be greeted with the open arms of the void swallowing your body, mind and soul. what you didn't anticipate is waking up sixteen once more with a chance to change your fate -- but something strange is happening, why are the locks changing and why are all eyes suddenly on you ?

tw ; brief mention of death, cursing, neglect

prologue, one, two, three, tbc..

Sometimes it feels like there is someone puppeteering you into the worst scenarios possible.

It started when finally, after days of contacting every single landlord in Gotham and Bludhaven, one kind old man reached back. The house he was willing to rent you wasn’t half bad either, certainly no Wayne Manor but a small apartment about a convenience store would suffice.

After regressing, you were stuck in a loop of tears and anger and whatever strange, uncomfortable feeling you got whenever you were reminded of your weird interaction with Dick.

But finally, light at the end of the rainbow! You could cry (of joy this time), but you’ve no time for tears. Not when you’re faced with a big, overpowering problem. Leaving the Manor.

Now, in the past, you could just get up and leave, however after your run-in with Damian and Dick, you’re apprehensive to leave your room. What if you’re ambushed again? By Tim? Or Jason? Or heaven forbid, Dick again? Terrifying! You don’t have time to dilly dally, not when Mr. Kim is waiting in your future home.

So, you’re very on edge, looking around every corner with apprehension, bracing yourself for anything and everything. When you finally reach the door, unharmed, you let out a deep sigh, only to hear a voice behind you.

“Master (Name).”

What now? You whip your head around, a sense of deja vu hitting you, oh, it’s just Alfred. You let out a sigh, glad it’s not Dick with his strange shenanigans. “Alfred, is everything alright?” You smile, out of everyone, Alfred is the one you love most, the one who cradled you close in those agonizingly lonely nights, when you’d call out for your mother, for your father, for anyone.

He was there.

“You’re heading out?” He asks, assessing you with an uneasy feeling in his stomach. A few days ago, Dick had informed him that you were acting strange, you had run away from your older brother. His mind raced, the implications of what that might mean has been weighing on the butler’s mind for days. It was uncharacteristic of you, up until about a week ago you would jump for joy if any of your family would glance at you.

But after that day, that day where you had skipped breakfast .. What changed? Why are you suddenly so uninterested in your family? It’s unnatural. Your whole life had always been dedicated to them, you’d do anything to be apart of them, to be seen. So why? When you finally had the chance to be centre stage, were you walking away? Something about your demeanour was off and he didn’t like it.

“Yes, I’ve–” You pause, should you tell Alfred? I’m going to move out and never speak to anyone from this house again! No, you’ll wait until you’ve secured a place before letting him know. You’re not prepared for that conversation. “I’m going to– for a walk.” The lie is stale on your tongue, you’ve never lied to Alfred, not besides petty ones to get out of trouble. But this feels different, a heavy knot tying in your shoulders as you watch the butler’s confused expression.

“Is that so? Because a few days ago, Master Dick–” You were out the door before he could finish his damn sentence. You are not in the mood to discuss Dick right now! It’s going to ruin your chipper mood.

The click of the door had Alfred’s eyes narrowing, his eyes trained on where you once stood. He believed that the small push he gave Bruce would be enough, but it’s just driving you further away. How troublesome, he doesn’t want for you to end up hurt.

“Wow! This is a really great place? And I get the first month free?” You are convinced whatever deity sent you back in time is responsible for the saint before you. The small, chubby old man who speaks to you in such a paternal voice it makes you want to cry.

“Of course, it’s no problem, I just need to speak to your guardian to agree on your emancipation, plus they’ll need to sign some consent forms.”

“What?” You blink dumbly, your heart momentarily stopping before the damn organ speeds up so quickly it could power a small village, you try to convey your thoughts but all you can manage is a few dumb noises. “Are– Are you sure?”

“Apologies, since you’re only sixteen – you must have a guardian’s consent, this is a legal rental after all,” he smiles apologetically, before adding, “if you want to live somewhere without your parent’s consent, it’ll have to be illegally – which can be dangerous, ‘specially for a youngling such as yourself.”

Oh, right. You’re sixteen. The fact slipped your mind once more, you’re so foolish. So damn foolish, nothing will ever be so easy, nothing in your life will ever be handed to you like this. “Right, I’ll– let you know.” You smile, your eyes scanning over the small apartment once more. It reminds you of the place you stayed with your mother, the small space encapsulating those memories you hold dear so perfectly that if you light a few ciggerattes and close your eyes, you'll go back in time.

“I’ll keep this off-sale for you, please let me know as soon as possible.” Mr. Kim, so nicely adds, his small face – wrinkled with age, softening at your disheartened expression. You so desperately want to beg for him to rethink, to make an exception, but you don't want to get him in trouble, not since he’s been so kind.

And so, with a heavy heart, you walk out, walking with effort since your feet don’t want to leave. Don’t want to leave a future that could be, that should’ve been. Ugh, how disgustingly sentimental.

You don’t feel like returning to the Manor, not yet. The air outside is nice, it’s nice to breathe in a taste of something other than the suffocating walls around you, even if it’s just some dingy back alley. It’s nice to see what could’ve been, that is until a large hand clamps down on your shoulder.

Oh, great. So the one time you leave the Manor you die again. Maybe you’ll regress to when you’re eleven next, you muse.

“What the hell are you doing around here?” You recognise that voice and immediately you don’t want to turn around. What is he doing out? During the day? You thought vigilantes only patrol during the lunar hours, so why? Your heart squeezes in your throat, desperate to claw its way out, to escape your pitiful body.

After a tense moment of silence, you turn around, there he stands. Red Hood, your older brother. Well, older brother is a stretch, you’ve never really interacted with him – much like the rest of your family. You were brought in when he was still Robin, but he died shortly after. A small, vengeful part of you blamed him for your neglect. That was until Bruce brought in Tim, and you watched bitterly how Tim was embraced immediately, he didn’t have to fight for any attention, he was accepted by everyone and you were forced to swallow the thought that it wasn't Jason's fault -- but your own.

When Jason was somehow brought back, you selfishly hoped you would be able to bond with him, that he’d be the one to look back at you, to get to your level and hold you close.

No such thing happened, the only time you saw him was when he was walking through the Manor to the Batcave, and even then, he gave you a bone-chilling glare. You didn’t think of him so optimistically after that. Now, with his hand clutching your shoulder, his expression covered by his menacing red helmet..

You’re ready to be shot 5 times again.

“I asked you a question.” He says, his hand tightening on your shoulder, you snap out of your stupor immediately, your fear morphing into frustration. You shove his hand off of you with more effort than you’re comfortable with, and even then you’re sure he’s the one who dropped his hand to not embarrass you any further.

“I’m allowed to go outside.” You huff, your nerves practically fighting against the restraints of your skin, a cold, overbearing feeling rushing over you. This was..– Everything was wrong, this is not how this is supposed to go, not at all.

“You were talking to Mr. Kim, why?” He asks bluntly, your heart stops beating for a moment, the only thing you can hear is the ringing in your ears, your brain trying to block this all out, trying to block out everything. “Actually, nevermind, I think I know why.”

You want to cry, why was this happening? You were so happy, so content. Why do you bump into them every time you leave your room, can’t you have one good day? Will you need to become a hermit? Will that get them off your back?

“I can drive you back to the Manor–”

“No, I’m fine.” You cut him off, your voice not masking any of your fear, it has Jason blinking under his mask. Why were you so on edge? What’s going on with you?

“I insist– Gotham isn’t safe for you to just be–..” He watches the downright terrified expression on your face before sighing and signalling for you to go, his stomach churns in an unfamiliar way as you scurry away.

Why were you so nervous? Could it be that you're scared of him?

That’s understandable, you’re not a vigilante, you’re just some average kid. But when he saw you walking alone, he detests himself for the way his heart swelled with happiness. In his Robin days, he loved watching the normalcy of your life, the way you would live free of any strings to the ghastly occupation he had.

He was scared to get closer, scared to shatter that illusion you had.

The fear amplified when he came back to life, he was relieved to see that you were still unaffiliated with Batman, but fuck, he was too cowardly to reach out, that day when you looked at him with gladness, he was hit with a paralysing fear of you getting too close, of you getting hurt. He replays the crushed expression that dawned your face like a damn broken stereo.

So when he saw you sulking about a few moments ago, he saw his chance to reach out, to get a taste of your normalcy, he took it, however selfish it may be.

“Whatever.” He grits, climbing up the roof to tail you, he’s content with watching from afar, for now.

The whole way back to the Manor felt like a fever dream, you can’t brush these oddities off as coincidences, why the hell did Red Hood approach you. Was he trying to pull a Damian? Was that a simple reminder of how pathetic you are? Why did he do that?!

Why was everyone acting so strangely?

The Manor offered you no comfort, it’s looming walls did nothing but remind you of your own shortcomings, you were afraid, you were perplexed but above all you were furious. Why now? When you’ve finally accepted your position in this family, why are they all turning their heads. Well damn them! You’re sick of this whole stupid charade, you won’t be that small child anymore, a child who knew only loneliness. You’re going to become your own person outside of the surname which has held you back for so long.

“We need to talk.” A voice calls out as you reach your room, what now? You’re sick of these damn conversations. You just want to move out, why is it so damn hard?

Oh, it’s Bruce again. Your lips press into a thin line as he stands before you, you can hear the soft humming running through the Manor walls. When you were younger, that sound brought you so much comfort, yet now it’s different. Like a warning.

“Talk? About what?” You try to smile, but it comes out as more of a grimace. You’re distinctly aware of the way his brows furrow at your pitiful expression. Oh hell, you hope this won’t be another walk down the Manor where you awkwardly fumble in silence.

You don’t say anything as he leads you away from your room, a sullen quilt draped over the Manor, a strange foreboding sense that something’s going to happen. Something bad. You’re utterly perplexed as your father guides you to a part of the Manor you’re somewhat familiar with.

As a child, you used to lurk around the corners of these very walls, watching your family, itching to reach out and join in but fearing ruining the delicate painting they created. Fearing rejection, the cold glares and sneers as they pushed you away. So you trailed silently, waiting, hoping that someone would look back, smile at you and maybe hold out their hand. But it only ever happened in your dreams, a pale illusion of a reality that should've been true.

“Where did you go?” He asks, his eyes boring onto you with such intensity you can distinctly feel the way your blood begins furiously to pump through your veins, why did he care? “Alfred said you went out.”

“I just wanted some fresh air.” You’re not sure why you’re lying, it’d be easier to tell Bruce that you went to go see a house, the consent forms are folded in your pocket, waiting for his signature. It’d be so simple, so easy. Just a dip of pen on paper and you’ll be out.

So why do you feel such dread? A dread unlike anything you’ve ever felt. When you were in that alley, bleeding out helplessly, even then this oppressive feeling, which tightens your ribcage, forcing your organs into a tight space until you couldn’t breathe, until you couldn’t comprehend if it was your heart pounding so heavily or your lungs, wasn't as scary.

“You’re only sixteen, you need to let someone know where you’re going.” His voice is so unbelievably despotic that it made your very core tremble with anxiety, with a looming sense of doom.

“It’s never been a problem before.” You mumble, your voice a lot quieter than you would’ve liked, your vocal chords burning with each word passing through it, your nerves invading each of your senses, as if warning you to stay quiet.

Bruce says nothing, and the moment the air grows stale you wish you could take your words back. You can see the way his brows crease, the way he looks at you as though you’re some sort of criminal and not his own flesh and blood, the soft humming in the walls has disappeared, left behind in your area of the Manor. Though it’s odd, when you would lurk around the Manor as a youthling, there was always some sort of background noise in this area, where everyone hung out. The silence unnerved you, another thing that’s changed, another thing you couldn’t have predicted.

“If you’re going out, make sure to let me know.” He sighs, his expression softening as he looks down at you with what you interpret as belittlement, a burning hot rage boils in your stomach, and once more, you’re hit with the knowledge this isn’t how things are supposed to go, Bruce isn’t supposed to care that you go out without telling anyone, he’s not supposed to care about you.

‘You don’t get to tell me what to do!’ you want to say, you want to scream, to ask what rights he has to treat you like a child? How dare he? It makes your very being tremble with frustration, your hands clenching with barely contained anger.

But you don’t. Why? Is it the natural response from your mind? The fear of disappointing him? The fear that if you speak up, you’ll be kicked out and left to rot? Or perhaps it’s the fear of confrontation you gained through his negligence, the weakness he moulded. But still, you’re not sixteen anymore, not really. Mentally, you’re twenty-one, you’ve been through each stage of your life, and maybe, sure, the day you died, you were content for them to walk all over you in exchange for a single glance at your direction.

But you’ve died and come back (in time)! You shouldn’t let them walk all over you anymore, shouldn’t be content as an afterthought. So– you open your mouth and–

“What’s going on?” Another voice speaks out, great, because this is exactly what you needed, another clown to join the circus. Oh.

Is this a joke? Is the person responsible for your misfortune giggling at your despair, is it amusing to see you suffer?

Damian, Dick, Jason and now Tim.

Why is Tim walking up to you? Why is he looking at you? A rush of dread, a sensation you’ve grown familiar with in the past few days, washes over you. You’ve never had his eyes on you, never for so long. It’s unnerving. You thought the calculating look in Bruce and Damian’s eyes was scary, but the way Tim looks at you now? His eyes zeroed in on you? It has your insides melting into liquid, the urge to cover your face, to hide in the corner and bury your face in your knees is overwhelming.

You don’t want his eyes on you, you decide. Years of clawing at your own shortcomings, of desperately trying to appeal to him, to have him look back – you would do anything at that time for him to look at you the way he is now.

But now? You don’t like it, he wears a neutral expression, but the look in his eyes makes you feel vulnerable, like he’s picking you apart one by one, each twitch, each mannerism.

“It’s about what we talked about.” Bruce says, his tone completely natural, like he’s discussing the weather, you don’t know the specifics but you have a nagging feeling that you know what he’s speaking of.

“Ah. Really? You’re still on that?” Tim tuts, his head tilting ever so slightly as he studies you. Just as you’re about to ask what the fuck does he mean by that, he turns his attention to Bruce. “I told you, they can’t do anything without your consent, they’re 16.”

How dare they? How dare they talk as though you’re not here? This is disgusting, what loathsome, egotistical dickheads! Your hands itch, the anxiety in you speeding all over your body like a livewire, mixing with your anger to create an overwhelming feeling of terror.

What was the point of Bruce bringing you here? To mock you? Show you how great they have it? What you’ve been missing out on? Well, screw him. You need to get away before you lash out, you’re better than that. Better than this.

The pair watches as you walk away, your whole body tense. For a moment, there’s a prolonged silence which is broken by Tim. “Did we do something wrong?” He asks, genuinely confused by your little display.

When he came back from a particularly tough mission, the last thing he was expecting was everybody collectively freaking out. Bruce, Damian, even Dick were all tense, looking around each corner – searching for something, someone. 

It was weird for a multitude of reasons, firstly – Dick was supposed to be gone by now, his stay at the Manor was for a few days only. Why is he here? And secondly, nothing particularly stressful was happening in Gotham, so what was with the gloom and doom?

When Bruce sighed, telling him about your plans to move out, well, to say Tim was confused was an understatement. That did not deserve such a reaction, but then he really thought about it, and, if this is how they react to you threatening to leave..

If you were to actually step out that door, to alienate away from them, to discard your last name. His head begins to throb at the implications, he’s acutely aware of how selfish it is for him to wish to keep you around, to keep you in this Manor all to keep himself happy.

But then the thought that, really, he’s doing this for you! If you thought it was so easy to just get up and leave, that at sixteen you’d just be able to pack up and go. Well, with that stupidity, you wouldn’t survive outside, in Gotham no less. He was able to placate Bruce’s stressing, thankfully, because the man looked three minutes away from a heart attack.

You wouldn’t be able to go without Bruce’s permission, so long as they had that – you’d stay with them. But that’s what led him to seeking you out now, if you had ideas about leaving that meant you were unhappy.

He was hoping to talk to you, to ask if you wanted to hang out – that’s what you want, right? When he thinks of you, his mind conjures up the slightly annoying, slightly endearing child that you were. He’ll hang out with you, destroy those silly notions and everything will go back to how it was.

So why did you stomp off? That’s not how you’re supposed to act. That’s not how you are.

“I don’t think so.” Bruce replies to his earlier question, his eyes still trained on the spot in which you were. How could you walk off?

Why were you so off during that conversation? He couldn’t…– This belies everything Alfred had told him about you, it's left Bruce conflicted. He had hoped that by bringing you here, he could ask which room you liked best. But you walked off, why? Why do you deny his affection? He was worried when he heard you left, a small, vulnerable part of him was afraid that you wouldn’t come back, that you had left for good, slipped through his fingers before he could hold you close.

So, when he saw you walk in – oh, he was elated. He just wanted to convey his worries, but you seemed to have gotten the wrong idea. He really doesn’t want that, you don't need anymore reasons to leave.

He doesn’t want the terrified expression on your face, he wants that dazzled look you used to carry around, he wants you – not this restless part of you, but the real you.

He'll get it back, he's sure he will.

ugh i hate the misunderstanding trope i say as i write the misunderstanding trope

tag list (open, ask to be added) ;

@estreiiuh @beyondblissxoxo @jjsmeowthie @vanessa-boo @delias-stuff @d3nnji @wizzerreblogs s @lilyalone @strawbrysapphic @regulus-things s @iimichie @buckturd @eloriis @wassupbroski55555 @eyeless-kun @anakilusmos @peehall @bigeyedbaby @chaeugwi @snailpebbles @fandomly-obsessed @kitkatkitmeow @the-holy-pigeon @sheep-from-rad @mei-simp

[moonstrider9904]

après la bataille

Steb x fem!Reader (Enforcer)

Summary: the battle for Piltover has past, and you help Steb find some much needed peace of mind.

Word count: 2.2k

Tags/warnings: Mature and SFW, (french) kissing and making out, brief implications of smut. Spoilers for the ending Arcane season 2. Enforcer!Reader, mentions of death and loss, hints of PTSD, processing difficult emotions, hurt/comfort, established relationship.

Prequel one-shot coming soon! | My Masterlist | Read on Ao3

Warm lights gleamed in the distance, and if one didn’t pay much attention, you would almost swear nothing had happened in Piltover for days. In the peaceful, quiet night, while the City of Progress’ lights twinkled and contrasted with the night sky, it was easy to forget the smoke and the unnatural violence, the blood that had been spilled, the war that, in what had felt like a blink of an eye, shook Piltover and Zaun only to leave things unnervingly quiet—those who had been in the head of it had a hard time believing, at times, that things were truly at peace now.

Steb watched the city with a heavy heart. Though victory had reigned, and Piltover and Zaun weren’t at odds with each other or the Noxian empire, it was inevitable to ponder on the cost. He had witnessed it first hand, from the moments he fought for his survival to having faced his own death in less time it would take him to exhale, mercifully saved by former councilor Medarda; he’d seen the price of the chain of events Hextech had brought forth in the form of light escaping the eyes of each of his fallen comrades.

Some of them had been his friends.

It had happened fast. The partner with whom Steb had gone from rescuing a stranded cat atop a tall tree to dismantling Shimmer, had died before his eyes at the hands of her own bullet—and the magic of the same mage who saved his life. He’d barely had time to process her betrayal and to question how the hell he hadn’t seen it coming before Maddie lay lifeless on the ground where she’d stood, about to take another life. If Steb mourned, he’d be mourning a traitor, but if he didn’t mourn, he wouldn’t be mourning his friend. A part deep within him hated such a dichotomy.

And then there was Loris. Not many words had been shared between the two—there was never any need for them. But Steb vividly remembered the attack on the memorial as the first real battle he’d been in, and Loris was the reason he’d come out of it alive. The vagabond he’d found lying hungover and nearly unconscious on the Piltovan sidewalk had mustered superhuman strength to shield him from a fatal blow, and now, Steb would never have a chance to return the favor. Just as he and the other survivors were emerging after the battle, it was the pianist turned soldier who went up to him and delivered Loris’ badge, and Steb knew it could only mean one thing. The feeling of his heart plummeting within him would be one he’d remember all his life. The loss of Loris, of Maddie, of the Zaunites he’d met at the bridge willing to take a stand.

The only thing that could console him after that was knowing you’d made it out alright. If he had another regret, it would be not being with you every second of it, but it would comfort him forever to know you were safe with him and you’d done your part in returning Piltover and Zaun to peace.

And as if his thoughts had invoked you, he soon heard your steps approaching. He remained facing the city as you entered the balcony, but his ears twitched in the direction of your footsteps, and a hint of a smile formed when he felt your arms wrap around him from behind, and your cheek resting up against the side of his arm.

“Penny for your thoughts?” Your sweet voice traveled to his ears and soothed every fiber within him. For once, Steb was able to relax, exhaling the tension from within his body, and his hand went to cover yours as it rested over his heart.

“They don’t matter,” he muttered.

You smiled softly, stifling a chuckle while you snuggled into his back before making your way towards his side, finally able to look up at him. “They do to me, love.”

Steb dismissed his laments and shifted to face you. He gazed down on you, thinking to himself how rare it had become to see you dressed in something other than your uniform, and for a moment he couldn’t fathom how beautiful you looked in your deep blue gown. It had discreet silver details and the right crop to compliment your silhouette in the best ways possible, and for a moment he was whole again, finding a brief respite from the memories that had tormented him those past few days.

“You look gorgeous,” Steb said softly with his deep, rich voice which you loved.

You smiled up at him, eyes sparkling, as you took his hands in yours. “You’re looking very handsome yourself.” Your eyes scanned the attire he was wearing—his suit resembled his uniform, but it was darker and far more elegant, and if you didn’t know better, you’d sooner mistake him for royalty than assume he was being promoted. You knew he was supposed to be wearing his black hat, but for the time being, he’d cast it aside, a fact you adored—you loved seeing as much of his features as you could, always finding it a whole new, beautiful experience to simply be able to look at Steb and gaze upon his every detail. You gave his hands a gentle squeeze and paced closer to him, taking one of your hands to rest on the crook of his neck and letting your thumb caress his skin gently.

“You’re going to make a fine commander,” you smiled gently at him.

Grateful as he was for your words, you noticed Steb carried the weight of the world in his eyes. He stifled a chuckle and, knowing he could be at ease with you, he briefly looked out at the peaceful Piltover, melancholy.

“Would it be too self-loathing to say I don’t think I deserve it?” He questioned.

“Yes,” you replied without a doubt. “It would also be a flat lie.”

Steb gave a quick exhale and some of the tension left his body, but the thoughts continued to weigh on him. “I could have done more.”

“You’ve done so much already,” you said gently, pausing as your gaze faltered before meeting his eyes again. “I know how you feel… I lost people too. And… not being with you during it was hell.”

“I know,” Steb said quietly.

You exhaled, and your voice fell to a whisper. “I really thought I was gonna lose you.”

He held the hand that rested on his neck and lifted it so that you could see him holding your hand from the corner of your eye.

“You couldn’t,” he said.

The dread left you entirely, and you managed to smile brightly at Steb, finding once again the will to achieve your sole objective of lifting his mood.

“And once you’re commander,” you continued, “you are not getting rid of me.”

Steb laughed smoothly. “Is that a promise?”

You nodded with a cheeky glint in your eye. “Darling, you can consider that a threat.”

His laughter came again, and you wrapped your arms around his upper back while he wrapped his around your waist. You stepped even closer to him, sealing the space between your bodies, and you were well aware of the way your chest pressed itself to his torso. Your eyes adopted an enticing gleam, and your lips curved into the smile Steb was never able to resist, and your voice was smooth when you talked to him, inviting him deeper into finding bliss with you.

“Is there anything I could do to make you feel better?” You asked him with a smirk.

You didn’t have to do more for Steb to understand, and he decided to play a little further with you.

“Hm,” he hummed. “I’m not sure.”

“Really?” You pressed yourself even more to him and perked up on your toes, letting your lips draw close up to his. “Nothing comes to mind? Not even, perhaps, something we could very easily do in the less than an hour we have before the ceremony? Gee, what ever could we do in that amount of time?”

Steb laughed fully and, with a firm grip, he picked you up and spun you around, now holding you as though he were to dance with you.

“You make it tempting,” Steb purred. “But I’d never dream of rushing things with you. Besides, I’m not going to risk ruining that pretty dress before the ceremony.”

“That,” you replied with a giggle, “was actually the correct answer.”

You both fell in silence, and you didn’t make an effort to fight the urge to brush your hand up to his cheek and let your thumb trace over the delicate frills around his eye. Steb leaned into the warmth of your palm—you knew he loved the tender contact of your skin on his frills—and without another moment’s hesitation, you took his lips in yours.

You could feel his body relax as his arms wrapped deeper around the curve of your back, as if he could pull you any closer, and though your eyes were closed as you kissed him, you knew by now his ears had slowly tilted downward and the frills around his eyes moved in slow, uniform waves, a testament to the peace and the joy brought upon him by your lips. The tenderness of the kiss gradually morphed into desire as you felt Steb pushing himself forward to you, adding strength to the movement of his lips and slowly slipping his tongue inside of you; the delicate friction of his tongue on yours filled your body with the sweetest sparks you’d ever be exposed you, and it prompted you to cling around his shoulders standing on your toes—a little more, and your feet would be off the ground.

You didn’t resist the urge to moan into his lips, and the airy quality of your voice made Steb smirk into the kiss. You wanted more of him, and just as you were cursing the fact that you both had to be at a ceremony in less than an hour, and that it would keep you from being entwined in bedsheets with him instead, you let your desires take over and you made your way kissing down Steb’s neck. You delighted in the moan that escaped him, delicious in his rich and deep voice, and as you kissed his neck, you let your lips linger in the same spot for just enough before moving to the next, crawling dangerously close to the collar of his shirt. You decided no harm would come in humoring your fantasies just one step further, and your fingers delicately undid that first button pushing the fabric to the sides, exposing but a fraction of his chest where your fingertips danced and caressed, hinting at the mischief and delicacy that could have been were it not for the honors he was about to receive.

“Darling…” Steb’s breath hitched and a smirk formed on his lips.

For a moment, he too wished you didn’t have other places to be, but if he had to settle for the moment, he’d make it worth it by grasping firmly at the backs of your thighs and lifting you up for you to wrap your legs around his waist as much as the skirt of your gown would allow. You gave a pleased giggle in response, now able to wrap your arms around him further, and you kissed his lips once more, brushing your tongue against his freely and with glee. One of your hands tugged softly at his hair, trying your best not to mess it up for him, and the other went to the back of his neck where your fingers rested on the crooks of the fins that went down his spine. You lost yourself in that kiss, hoping it would last forever, enjoying every second until Steb set you down on the ground again and sealed the moment with one last, tender kiss on your lips before rising up again.

You were dazed after such a session, and you were pleased to see that so was he. Steb grounded himself with a deep exhale, redoing the button of his shirt almost reluctantly, but you also noticed he had a little smile on his lips that hinted at satisfaction and even pride. You chuckled, glad that you could bring such emotions upon him. He then gazed at you, still smiling, and you grinned in anticipation of what the look on his face meant—he’d have his way with you after the ceremony.

But for the time being, you walked up to him one more time and hugged him gently, resting your head against his chest, able to hear the beating of his heart. You settled into the peace that came with the embrace, hoping dearly he felt better than before you’d arrived onto that balcony. You listened for any other sounds, but there was quiet all around you.

Yes, Piltover was at peace now, and when you felt Steb wrapping his arms around you once more, you knew things would be alright. Still in the embrace, you shifted to look up at him, your chin resting on his chest, able to gaze into his ocean eyes as he looked down at you. Tenderly, you smiled, and Steb smiled back as if he could read your thoughts, but he didn’t need to. The gleam in your eyes and softness of your smile told him everything, that you would stand with him through the honors he’d receive, and through everything else that followed.

Silently, you made that promise to him.

If you like this, please reblog too! Thanks for reading!

Tagging: @thegreatandlvable let me know if you want to be tagged in future Steb fics!

[nsharks]

bleeding blue | apocalypse au

part thirty-two —other parts

pairing: Simon “Ghost” Riley x fem!reader words: 5.1k tags: death. blood and gore. zombies of course. AFAB reader. single dad ghost. enemies to lovers. SA and implication of child SA (very subtle). summary: After losing your companions, you run into a skull-masked man and his daughter. They are your last hope for survival. a/n: clearly I am bad at estimating how long this story will take lol

The tray of food crashes to the floor at her feet. Salome gasps. Her hand shoots back, fumbling for the doorknob, and her lips part, ready to call the guard you know is just outside.

"If you call for the guard," you stop her, "I’ll cut deeper."

She clamps a hand over her mouth. "Please—stop! Hurting yourselves is a sin, a great dishonor to the body God gave you—"

“It is,” you agree calmly. You press the shard deeper into the cephalic vein, ignoring the bite of pain. Blood spills in a fresh, startling curtain down your arm, the wound mimicking the severity of an arterial cut. “And she’ll blame you for it. You’re the one she entrusted to watch over us, and you didn't notice we broke one of the mugs."

"I did not think you would—"

"What happens to you,” you cut her off, pointing the bloody shard at her stomach, “—and your baby when the two new child-bearers die because of your failure? Because I will die, if I cut any deeper. This artery,” you lie, tapping the wound for emphasis, “is important. If I finish slicing through it, I’ll bleed out in less than a minute. Not enough time for you to get help. Not even enough to try saving me yourself.”

Her lashes flutter rapidly through a swell of tears. "You could have a good life here—"

"Answer me. What happens to you if I die?"

She swallows hard. "She’ll punish me," she whispers frightfully. "I have seen what happens to those who fail her. She might take my child and I will... never see them. Please, don’t do this—”

"Why should we care about you and your child when you are okay with them killing an eleven-year-old girl tomorrow?"

A flash of shame crosses her face. "I'm sorry. I-I didn't know Maman would want the girl. The offering has never been so young before. But it is God's will, there is nothing I can do to—"

"What you can do is open the cell. Open it and we will kill Maman, then you won't have to worry about anyone taking your baby. But if you don't open it, then we die in here and you will face her punishment."

Her lips part, but nothing comes out. She looks between you and Nereida, eyes darting wildly, fingers twitching against her stomach. 

"Decide before I bleed out!"

"I... I can't," she says pitifully.

With a glance at Nereida, she takes her cue, digging into her vein.

"Open the cell," Nereida urges far more soothingly than you can, blood dripping to her elbow. "We won't hurt you. We want Maman gone, not you."

Salome whimpers under her breath, but her fingers move before her mind catches up, reaching inside her robe to retrieve the key, gripping it like it might burn her. She shuffles closer but pauses, inhaling deeply before finally reaching the door. Her hands shake so violently that the key rattles against the lock. It slips against the metal, failing to match the hole, and your finger twitches when she nearly drops it.

"Mais si elles ne parviennent pas à la tuer..." The whisper leaves quietly, lost beneath the veil. "Sa punition pour moi sera pire."

Then, her hand curls back around the key.

She swallows hard—and steps back.

No. 

You see red.

A growl curls at your mouth and you snap forward, grabbing onto her dress through the bars before she can retreat too far, and pulling her flush against them, her forehead banging into the metal. Before she can scream, you clamp a bloody hand over her mouth and then press the piece of broken mug to her neck with just enough pressure to make her panic. She gasps into your palm, struggling. You dig it harder, forcing her body to turn still and rigid.

"Twix—"

"I tried doing things the nicer way," you speak in a low snarl, veering off the script you and Nereida conjured. Round, glossy eyes stare into yours. "You should have made up your mind before getting within my reach. Now give her the key. I’d hate for my hand to slip."

Another sharp press into her skin wrings a squeak from her, her breath coming out jagged and uneven against your palm. Trembling, she extends an arm through the bars, offering the key to Nereida.

The moment Nereida takes it, she fumbles to find the lock from the outside, her fingers searching blindly. The key scrapes against the metal—once, twice—before a soft click finally reaches your ears.

The door swings open.

You don’t hesitate. Keeping your grip firm over Salome’s mouth, you shove through the opening and swing around to the other side. Before she can react, you force her back into the cell, driving her onto the bed. The veil tears free from her head as you pin her down, your weight pressing her into the mattress, the sharp fragment still poised at her throat. When her legs begin to flail helplessly, you order Nereida to grab them. She clasps Salome's ankles to keep her from bucking you off.

"You were afraid of the wrong person," you hiss, your nose nearly brushing hers. "Maman may have spared your life because she values her baby makers—but I don’t. Answer everything I ask, or I’ll show you just how merciless I can be."

The dishonest threat rolls off your tongue with enough force to make her nod frantically, fear widening her eyes. But what she doesn’t need to know—what you won’t let her see—is the part of you still holding back. Because even now, even as you pin her down and press the shard to a vital piece of her throat, you’re careful. You don’t dig hard enough to damage. You don’t let your weight bear down on the swell of her stomach.

"I'm glad we understand each other. I am going to lift my hand, and you're not going to scream. You're going to tell me everything we need to know about the guards out there."

Her lips are puffy and raw when you set them free. 

"There is only one outside the d-door," she sputters in a whisper. "B-but there are more... more by the... h-homes and the keep."

"The keep?"

"Where they keep the new m-males," she chokes out, snot dripping from her nose.

"That's in the old slaughterhouse, right?"

She nods.

"How many guards are over there exactly?"

"I do not know." At your glare, she rushes out, "B-but there are less after d-dinner ends. Many go to sleep, and switch shifts at sunrise."

You mull over the information, eyes darting across her face. “And the child—the offering? Where is Maman keeping her?”

A terrible look of fear ripples through her eyes. "Only few are allowed near the offering b-before her ascension. 

"So you're telling me you don't know?" you seethe in her face.

She sobs. "I know they... they will offer her to the démons right before the sun rises. The night is when God’s wrath is strongest, but it’s in the morning—when hope ascends—that we seek atonement."

Despite further pressing, that seems to be the extent of what she knows—or she's still withholding. Either way, you're satisfied enough. You rip strips of the sheet, using one to gag her and two more to bind her wrists and ankles. You and Nereida wrap your wounded wrists tightly to stop the flow. Then, you remove her white gown. You’ll need something to wear that doesn't easily mark you as an escapee, but there’s only the one white dress and veil. You hurriedly slip into them, making sure all of your hair and face is hidden, leaving Nereida still in the thin slip. The shoes Salome wears are thin and made of unsupported leather, but they are all you have to tuck your bare feet into.

Salome said there will be fewer guards after dinner. You and Nereida listen carefully to every sound that bleeds through the window. When you hear a few exchanges of bonne nuit, you figure people are starting to retire for the night. You take this as your cue to grip your makeshift weapon. The guard outside the door is expecting Salome to leave at some point, giving you the perfect opportunity to catch him off-guard while dressed as her.

You quietly open the door to the warm summer night, the long gown ghosting around your ankles. As expected, a well-built man leans against the side of the building, arms crossed languidly. No one else is in sight, which brings you some relief. When his gaze shifts to you, he raises a brow.

"Tout va bien, mademoiselle? Vous êtes restée là-dedans un moment."

The last word barely makes it out of his mouth. Within a heartbeat, you spring at him like the head of a snake, one hand over his mouth and the other stabbing his neck with the shard, then sweeping it through the thick of his trachea. A gush of blood oozes out in one thick stream, before he gargles out a strangled choke and turns to dead weight against the wall. 

With Nereida's help, you quickly push his body inside the building to keep anyone from spotting it. 

"Wear this," you usher, already starting to undress him. Like the man who visited you, he's wearing a grey cloak. Though it's too big for her, and bloodied, it will be enough to keep her discreet in the dark, her long hair safely tucked beneath the hood.

Two things race through your mind: the ticking time toward sunrise and the fact that you still don’t know how many more men you’ll have to take out to reach Ghost, Price, and Kyle. The knife you find on the guard adds a small weapon to your shitty arsenal. You have no idea where they could’ve stored the guns and ammo they took from you, or your bow. How you'll manage to fight through a community of cultists without those is a worry you can’t afford to dwell on right now—one step at a time.

After a few minutes of collecting yourselves, urgency pulls the two of you outside, free from the barred enclosure for the first time in almost four days. In the blanket of night, you quickly scan the area, taking in what you’re up against. The community appears fairly spread out, with only six small farmhouses like the one you just escaped from, along with a few larger structures in the near distance—likely where they house the men. You catch a glimpse of a fenced pasture’s perimeter and the unmistakable stench of cattle fills the air. Despite the faint shuffle of hooves and grey plumes of smoke from a few of the chimneys, everything is eerily still, leaving an unnerving amount of quiet for your heart to shatter through.

From what you can see, there aren’t many places to hide Blue, but there could be more to this place beyond what’s visible, especially since the chapel you first saw is nowhere in sight. But none of that matters right now; you need to find the others first if you’re going to have any real chance of saving her and getting out of here.

The next male you encounter spots you first as you make your way up the gravel road towards the barn, the sound of his boots making your hand tighten on the knife's handle. He greets you unassumingly in French, causing Nereida to startle beside you as his shadow approaches. Then he stops in front of her, his shoulders tensing and his hand hovering near a knife at his waist.

"Que fais-tu avec la femelle? C’est interdit!"

Again, you go for the throat, desperate to silence any screams that could cause alarm. You get a good swipe at the base of it, but he is at least a head taller than you, making it difficult to stab fully. He grabs you by the waist, clearly in shock that a veiled female just sprung on him with a knife, but swipes a fist at your face nonetheless. The force spreads through your temple, thrusting your head to the side. 

"Take the knife from him," you hiss at Nereida through the pain, who until now was effectively frozen. She finally moves, using the distraction you've caused as he clutches his bleeding neck, and snatches the knife still hanging at his waist. Once she has it, you leap at the disarmed man again, this time stabbing his liver. With a muffled grown, he face-plants into the gravel, quickly soaking it with blood. 

"The body," she stutters worriedly. "We need to hide it."

You look around, spotting stacks of chopped wood.

"Over there. Help me drag him."

Once the body is heaved behind the logs, you pat him down in search for anything else, but there's nothing.

"Keep that on you," you tell her, and she gives a quick nod, hiding the knife under her sleeve.

You keep following the road up to the fence, your white dress splattered with crimson, resembling the dotted stars overhead. The 'keep' is somewhere by the barn that man said, but you notice smaller buildings to the right and to the left of it. Which one looks like an old slaughterhouse? It's too difficult to tell even when you squint, so you grab Nereida's arm and quickly lower by a bush.

"Watch that one, and I'll keep an eye on this one. Whichever building has more guards patrolling is probably where they're holding them."

"Okay," she whispers, peering around the bush.

Minutes pass. The building on the right has more shadows skirting around it—three guards total. You take a moment to study their movements. One is stationed near the back, the other two at the front.

"I want you to take the one at the back and wait for me. I'll handle the other two."

"How do I take him?" she whispers uncertainly. "He’ll see me coming."

"You’ll come at it from an angle." You point toward a stack of hay. "Sneak over there, quietly. Once you're behind it, circle around and approach where he can't see."

She hesitates, rubbing the back of her hand across her forehead. "I’ve never—"

"Never killed anyone?" 

The way she grips the knife, her fingers white on the handle, confirms it.

"These people deserve it, Nereida," you say, forcing her to meet your gaze. "John is in there."

She closes her eyes, and for a moment, the weight of it all presses down on her. When she opens them again, her jaw is set, and her grip on the knife tightens.

After reminding her where to strike, you pause for a moment, watching as she sneaks over to the hay. Then, you move toward the other two, slipping behind a tree for cover, but your foot catches on something and you almost trip, catching yourself against the bark. Your breath hitches and you steal a peek at them to make sure they didn't hear you. No—they are too busy murmuring to each other, laughing in a low exchange.

When you glance down, you spot a shovel half-buried into the ground, its handle sticking out. Carefully, you wriggle it free, having to grit your teeth to fully remove it. This will let you stun one while you deal with the other. Inhaling deeply to center yourself, palm tight over the splintered wood handle, you close in on the two guards.

The shorter one with curly hair spots you just before you take a swing, his eyes widening. The shovel slams into his skull, effectively making him stumble to the ground, but slips from your grip from the force. The other guard whirls around, hand slapping for the pistol at his belt. You deliver three consecutive stabs to his stomach, heart, and cheek. The gun never leaves his waist before he falls dead.

You suck in a gulp of air just as the curly-haired one regains his footing. His head is still heavy from the blow, and before he can draw his knife, you shove him in the chest, sending him crashing to the ground. You pin him easily beneath you, his movements sluggish and weak. The two of you wrestle in the grass, jagged breaths mixing with frantic, scraping nails, until, with a snarl, your knife finds purchase in his neck, stealing the life from his eyes in an instant. You stab him again and again, shaking, until the ticking urgency pulls you back into control. With a deep breath, you steady yourself and wiggle the knife lodged in his trachea, your hands slippery with blood.

"You got death," you spit in a whisper, thumbing his lids shut.

You lift up.

Now you have a single gun.

It is an old thing. Outdated and far from the military-grade weapons Ghost has. It takes a moment to figure out the parts—your fingers fumble for the small magazine, which is stocked with three bullets. You pull the slide to chamber a round with a click and keep it ready in your hand as you circle the building toward the back, praying that Nereida managed. When you find her, she is stood over the man's body, a deep cut oozing on her cheek.

"He saw me," she says, swallowing. "But I did it."

You nod. "We need to hide them before we go in."

All three bodies are hidden behind the hay stacks. You cover them with manure to mask the smell, not wanting a horde of Greys to materialize. You'd spotted a door at the back and hope it may be more discreet then blazing in through the front, given that you don't know who all is in there. Finger ready on the trigger, you hold your breath as you lead Nereida into the old building, instantly met with the rich smell of pennies. The space quickly unfolds into an old butcher house, rusted hooks hanging from the stone ceiling, the air cramped and cold. 

"Une femme? Maman ne voudrait pas de toi—"

The voice echoes in your ear as you round the corner, and then a fiery bullet rips into the owner's chest. Nereida flinches. Another guard comes barreling over, shouting, but you slide the chamber and shoot him in the head.

You don't linger by the bodies, itching to check the first steel door you see. You lower the gun only to pull at the handle, but it won't budge.

"Check him for keys," you motion to the dead guard.

Nereida crouches, hands rifling through his pockets until she yanks free a ring of keys. Her fingers shake as she tries them one by one, the lock stubborn—until, at last, it gives. With a sharp tug, the door groans open, revealing a windowless chamber. In the center, a lone captive hangs from chains.

It’s Price. Shackles bite into his wrists, his bare chest mapped with deep bruises against pale skin. Beaten, but unbroken—his gaze sharp as it lifts to meet yours. Nereida chokes on a sob, ripping the hood off her head and sinking to her knees before him, cupping his jaw.

A weighted baritone manages: "Duchess."

"There is nowhere I will not find you," she croaks. Teary kisses find the corner of his mouth. "I'm here, I'm here."

"How did you—"

"We got out. Where are the others?" you ask.

His jaw grits. "I haven't seen them since they knocked us out."

"They must be here somewhere. We need to move quick before someone notices the bodies."

After finding the small key to undo the manacles, you leave them to each other for the moment, continuing down the hall until the next door. An undeniable pull rises in your chest, something that has nothing to do with the adrenaline rushing through you—something you can’t quite name. But when you open the door, your heart falters with unwelcome disappointment at the sight of Kyle. He looks equally battered, but still aware enough to lift his head as you step in.

"Who are you?" 

You lift the veil.

"It's me," you answer, the words almost lost in the rush of emotions. Only when you fully take in the room do you notice Ari, curled in the corner. They’ve put them in here together. While there are no obvious injuries on the boy, the sight of the open Bible on his lap, and the empty dinner plate beside him, sends a cold shiver down your spine. You touch his cheek, feeling warmth, and reassure him he’s safe.

You release both of them. "Price and Nereida are through the door down the left. I need to find Ghost. I’ll be back."

Kyle rubs his wrists and manages to stand despite his black eye and shaky legs. "I’ll come with you."

"No. I’ll get him." The words come out sharper than you mean to, but you turn away before he can question them.

You are pulled further through the tight, cold hallway, movements turning more hurried as you look around. There are a few more half-opened doors, but they only lead to supply closets filled with whips and metal batons and empty chambers where old blood stains the floors. Something sharp tugs at your heart, and for the first time since initiating your escape, your fingertips succumb to a tremor of fear. 

Where is he?

The hall spits out into a room where dried animal carcasses hang from the walls.

One final door sits on the far end.

The rusted lock resists, swears hissing from your lips—until a sharp kick forces it open.

The smell thickens with fresh blood, and a cold pit sinks into your stomach at the sight of him—bound in chains, his body slumped haphazardly. Unlike the others, he doesn’t lift his head. You rush forward, a shaky breath catching in your throat as you take in the blood caked on his shoulder blades, deep welts splitting through the inked skin. His back, too, is covered in wounds. He looks worse—so much worse—that a bite of anger swells moisture in your eyes.

"Simon, you idiot. What did you do?" The words slip out on a sharp inhale as you lower yourself in front of him. "Simon," you whisper again, silent tears hot against your lips. You thread a hand through his hair, tilting his jaw up with careful fingers. His eyes are heavy, but relief finds you when they flutter open. He’s alive. The reddened whites flicker over your face, unfocused—until something strange sharpens the haze. A flicker of fear.

"It's me, Simon. We're getting out of here."

The brief fear shifts into shock when he recognizes your face, and only after you fumble with the key ring does understanding click into place, causing his jaw to flex. "Where... where is she?"

"I don't know, but we need to hurry. They have her." You undo the manacles, and his body rolls heavily into you, face falling onto your collarbone. You struggle to hold him up, gripping his shoulders without touching the wounds. A low groan bleeds through his teeth, and his eyes flutter shut again. No, no, no. "Please, you have to... you have to get up, Simon. I can't—she's going to fucking die!"

His upper chest rapidly expands with a breath, and he musters the strength to lift his weight off you and slap a hand against the wall. As he leverages his weight up, you help by grabbing beneath his other arm, until a final rush of adrenaline gets him on his feet. Urgency snaps tension into his limp shoulders, and he growls out another, more steady, breath.

"Price," he says.

"He's alive. Come on."

It takes some effort to help him walk at first, but eventually, he manages on his own. You guide him to the first room, where the others are pacing, murmuring in low voices.

"Simon, Jesus," Price mutters when he sees him.

Ghost brushes it off, his eyes narrowing. "They're going to kill her."

"At sunrise," you add, your voice tight. You pull out the pistol and show it to them. "I have one bullet left. I don't know how many more men are in this cult, but we've killed six so far."

"We have one shitty old gun." Kyle growls in frustration. "They took all our shit. How are we going to—"

"We find the weapons. They must have stored them somewhere," Price says.

"We can't just go searching through every building here. We don't have the time," you press. "And how are we supposed to get it back without everyone noticing we're gone?"

"I don't give a fuck about the guns. We find her first," Ghost grits, nostrils flaring. 

"We can't help her if we don't think things through. We can't just start a war with these people empty-handed, Simon," Price says.

"We find her first!"

"Simon," you say, reaching for his arm, but he pulls it away, clenching his bloody fist. The energy radiating from him would scare you if you didn't feel the same way.

Just then, there is the faint sound of a door opening and footsteps clanging through the hall. You tense up, two male voices shouting in echoes, one of them vaguely familiar.

"Quelqu'un les a tués ! On doit régler cette merde avant que Maman découvre quoi que ce soit."

"Les putains de prisonniers!"

Before you can react, Ghost snatches the pistol from your grip. The second they rush toward the open door, he launches at them—an elbow to one’s face, the butt of the gun breaking the nose of the other. Price uses Nereida's knife to stab the fallen guard, while Kyle helps Ghost subdue the second one. You only recognize him as the man who made you strip when they forcibly drag him toward the manacles, the sight of his blonde hair making your nails curl into your palms.

"You stupid fucking Brits!"

Ghost strikes the gun into his left eye, making him jerk within the constraints, howling as the socket turns into bloody pulp. 

Kyle grips the man's scalp from behind to hold his head up, while Ghost presses the gun into his cheek, where you notice a wound shaped like a bite mark.

"Tell us where she is," he roars. "Or I'll take the other eye."

Nereida cowers into the corner, holding onto Ari's arm. 

"I don't know!" the man spits blood, and Ghost digs the gun into his cheek, ripping it open further until the bitten flesh hangs as a torn flap, exposed all the way to his eye. The scream that follows feels inhuman. "I swear, I don't—I don't fucking know!"

Fresh blood drips to the floor. Price, much more calm, lowers at the man's side. "How many people live here?"

The man grits his teeth, struggling to answer, "T-thirty males, and six females. Plus the infants."

Twenty-two now, you count in your head.

"And the weapons we had. What about those?" Price questions further.

When only staggered, pained breaths fills the room, Ghost tosses the bloody gun and grabs the knife from Price, stabbing the man's kneecap without hesitation. Another scream ensues, and there is the small itch to cover your ears, but you steel yourself against the wall to keep watching.

"Answer the fucking question." Ghost twists the knife in his knee.

He cries out, more bloody spittle flying from his mouth. "All of the ammo is hidden. Only A-Alexandre knows!"

"Who is Alexandre?"

“Maman's son, he enforces her commands and oversees the males.”

"Where is he?" Price asks, voice hard.

“He… he resides in the work shed, while the rest of us sleep in the quarters within the barn.”

You step forward. "We saw another building outside with just one guard, that must be it."

There is a beat of silence as Price processes the information, giving Ghost a satisfied nod. With pain still contorting his face, the man's eye drifts past Ghost's shoulder toward you. His lips twitch into a faint, bloody smirk that makes your skin crawl. Ghost follows his gaze, snarls, and abruptly slashes the man's throat from ear to ear.

B

It is still dark when Eloise comes to awaken her, though Blue's eyes never once fell shut with sleep. She spent the short-lived night alternating between staring at the crescent moon outside the window, and fiddling with the knitting needles left on the table. There is a new dress in the woman's clutch, beautiful white fabric embroidered with flowers, and a pair of beautiful leather shoes in the other hand.

"See? I told you the dress would be nicer." She smiles and hands it over, as if to offer something to be thrilled for. "You must change quickly. There is a lovely breakfast of framboises and milk waiting for you. Put these on as well." She sets the shoes on the floor.

Blue thinks it strange, to bother feeding her just before her death. Blankly, she asks, "How many people will be there? To watch me die."

Eloise's smile quivers slightly, a slight crack in her composure. "Not too many, I assure you. Only a few of us women, and one or two worthy men. Most are still sleeping." After a pause, she adds even quieter, almost ashamed, "Be thankful you don’t suffer through childbirth instead. It is... a painful thing. Long, too. At least this pain will be honorable and swift."

Blue's fingers tighten around the dress. "Okay. Do you mind if I change alone, please?"

Eloise bows her head. "Of course."

She casts one last gentle glance her way before shuffling out of the room, locking the door behind her and leaving Blue with only the dress and shoes. Once the door is closed, Blue quickly slips the dress on, shuddering as the cold fabric caresses her limbs. It’s more beautiful than anything she can remember ever wearing, and that disgusts her. Swallowing the churn in her stomach, she grabs the needles and sits back on the bed.

The wounds on her feet are shallow, her fingernails only able to pierce the thick skin slightly. Using the needles, she digs into them deeper, trembling from the pain that throbs as fresh blood begins to seep from the soles. She cuts and cuts furiously, teeth gritted, praying it’s enough to soak into the shoes she slips on over the new wounds. She covers the blood stains on the sheet with the blanket, then stands, almost crying out from the agony of walking on her torn feet.

"Please dad," she whispers, closing her eyes briefly, before calling to Eloise that she is ready.

"But if they don't manage to kill her... her punishment for me will be worse." "Is everything alright, miss? You've been in there for a while." "What are you doing with the female? It’s forbidden!" "A woman? Maman wouldn’t want you—" "Someone killed them! We need to fix this shit before Maman finds out anything." "The fucking prisoners!"

[noisyghost]

(I started sketching this design nearly immediately after season 2 ended but just now had some time to clean it up so. Excuse me rambling out loud here)

TLDR; I actually really liked the initial design + direction for Warwick-Vander (I <3 human faced werewolves)! But the show design kinda felt like a transitory state between Vander and Warwick to me, so I wanted to try my hand at blending his Arcane design with his in game design. Like a "what would he look like if the transformation kept going" kinda thing. There's a few things I'm not fully settled on, but Im mostly satisfied :)

(rambling under the readmore, its 3 am as i type this lol)

When season 2 first started, I sort of had it in my head that the narrative would have Vander "die" for Warwick to finish the transformation into his final form, forcing Vi and Jinx to finally say goodbye together. Well! That didn't happen lol. I mean. Vander did "die", but whatever was left behind isn't really Warwick. I'm not quite sure what they were going for, either with him or with how Jinx "dies", its all just a little messy when i feel like there was a more obvious narrative conclusion.

Visually i think the final design in the show is cool removed from context, but it doesn't really make sense to me in regards to the story. Like. Warwicks whole thing is that he curbs his violent impulses by killing "bad guys" in the undercity. League lore is a hot fucking mess and I don't even go there so I get that they (the writers) were playing fast and loose but I can see why so many Warwick fans were less than pleased with where the show leaves him, because it doesn't really feel like the same character outside of his initial experimentation.

In my own idea palace, Jinx fakes her death and leaves Warwick to be Zaun's new mascot. Having this literal monster that eats bad guys and saves innocent people in the process become a new symbol for Zaun feels like a no brainer to me. Imagine the iconography they'd make for this thing! And it brings Vanders whole schtick back around; he still "dies" but the Literal Memory of him lives on in Zaun, still protecting the people he cared about most. You get the bittersweet ending of Vi and Jinx having to move on because hes not really their dad anymore, but their memory is what keeps Warwick "human", still with Zaun even if Vi is doing Piltover shit and Jinx is off exploring the world.

Idk! I know the implication that Jinx faked her death is there, but whatever happens to Warwick seems to be like they didnt really have the time to fully explore the ideas they were going for, so a couple characters just got kinda left floating at the end there. If Ekko and Jinx werent going to run away together, I wanted to see Ekko befriending Warwick so they could fight to make Zaun a better place.

I have more coherent ideas than this but it's 3 am when im typing this so sorry if im not eloquent enough to properly explain what im thinking. Ekko and his weird dog that used to be his uncle. Imagine.