#and the arc of every popular girl in a supernatural teen drama who gained character development by becoming a monster fighter

[aulga]

I WOULD READ THE HELL OUT OF A "BUFFY THW VAMPIRE SLAYER"-ESQUE FIC WITH STEVE HARRINGTON AS BUFFY

@sweepweep

Friend: Your parents are always going away for the weekend. You’re so lucky!

Buffy: …Yeah, I guess.

Wasn’t anticipating this exchange from the Kristy Swanson Buffy the Vampire Slayer movie that was so very Steve Harrington core.

[brokehorrorfan]

Best New Horror Movies on Netflix: Winter 2018

There’s an overwhelming amount of horror films and TV shows to sift through on Netflix, so I’ve decided to take out some of the legwork by compiling a list of the season’s best new genre titles available on Netflix’s instant streaming service.

Please feel free to leave a comment with any I may have missed and share your thoughts on the films you watch. You can also peruse past installments of Best New Horror Moves on Netflix for more suggestions.

1. The Haunting of Hill House

The Haunting of Hill House is, quite simply, some of the best long-form horror storytelling of all time. Based on - but not a strict adaptation of - Shirley Jackson's influential gothic horror novel of the same name, the series is created and directed by Mike Flanagan (Oculus, Ouija: Origin of Evil). Told through two timelines, with clever transitions between the past and present, the story concerns five siblings and how an alleged haunting they experienced as kids affects them as adults. The cast includes Henry Thomas (E.T. the Extra-Terrestrial), Carla Gugino (Watchmen), Michiel Huisman (Treme), Elizabeth Reaser (Ouija: Origin of Evil), Kate Siegel (Hush), Timothy Hutton (Ordinary People), and Lulu Wilson (Annabelle: Creation). It is admirably character-driven, which makes the horror elements hit even harder, and a spooky atmosphere is present throughout all 10 episodes.

2. Green Room

Writer-director Jeremy Saulnier achieves the impossible by matching - and perhaps even surpassing - the unbridled intensity of his previous film, Blue Ruin, with Green Room. The exercise in white-knuckle suspense finds a scrappy punk band trapped in a skinhead club after unwittingly walking in on a crime. The late Anton Yelchin (Star Trek) delivers one of the best performances of his tragically short career as the de facto leader of the band. In a bit of inspired casting, Patrick Stewart (Star Trek: The Next Generation) is chilling as the conniving, white supremacist venue owner. Alia Shawkat (Arrested Development), Joe Cole (Skins), and Callum Turner (Fantastic Beasts: The Crimes of Grindelwald) round out the band, while Imogen Poots (28 Weeks Later) is also wrapped up in the brutal fight for survival. Akin to Don't Breathe, the tension on screen is enough to induce anxiety, and Saulnier nails the punk rock DIY spirit to boot.

3. Cam

Cam stars Madeline Brewer (The Handmaid's Tale) as a cam girl - one who performs pornographic acts live on camera for paying viewers - who is desperate to gain popularity. Produced by Blumhouse, this is not your typical "seedy underbelly of the sex industry" movie, although there is some of that; instead, it goes in a refreshing, unpredictable direction. Reminiscent of a neon-soaked episode of Black Mirror, Cam is a suspenseful and compelling mystery-thriller with a sci-fi twist and horror undertones. Brewer is spectacular in her fearless performance, while director Daniel Goldhaber makes a powerful feature debut.

4. The Night Comes for Us

The Night Comes for Us is an unrelenting action thriller in the vein of The Raid, John Wick, and Dredd. In fact, the Indonesian film reunites The Raid's Joe Taslim and Iko Uwais. Taslim leads as a man who goes rogue from a dangerous crime syndicate. A variety of deadly individuals (Uwais among them) are out to get him, but he has some tough allies as well. It all culminates in an incredible final battle in which the viewer feels every blow. The blend of brutal, graphic violence and impressively choreographed fight scenes is written and directed by by Timo Tjahjanto (whose V/H/S/2 segment is a highlight of the franchise).

5. Apostle

Forget that Nicolas Cage abomination; Apostle is the Wicker Man reboot we deserve. The Netflix original film is reminiscent of the 1973 occult horror classic not only in plot but also in tone, style, and pacing. Set in 1905 London, a feral Dan Stevens (The Guest) stars as a man whose sister is kidnapped by a religious cult on a secluded island, which he must infiltrate to save her. Michael Sheen (Frost/Nixon) serves as the cult's charismatic leader, while Lucy Boynton (Bohemian Rhapsody) plays his daughter. The slow-burn is quite a change of pace for writer-director Gareth Evans (The Raid franchise) and his regular cinematographer, Matt Flannery, but they handle it beautifully.

6. May the Devil Take You

May the Devil Take You feels like The Evil Dead's Sam Raimi directing an installment in The Conjuring universe. The Indonesian horror film is not a scrappy splatterfest; it's elegantly directed by Timo Tjahjanto (V/H/S/2). He culls from modern supernatural tropes to craft fine horror set pieces, spooky imagery, a good atmosphere, and strong production value. Chelsea Islan (Headshot) earns to be mentioned in the same breath as Bruce Campbell in her lead role as a daughter who investigates her estranged father's past to uncover the truth behind his coma and her haunting visions. It's a tad overlong at 110 minutes, which is particularly felt during the last act, but there's enough kinetic energy to keep it moving forward.

7. Hold the Dark

Hold the Dark is not quite as strong as Jeremy Saulnier's previous efforts (Green Room, Blue Ruin), but his mastery of tension remains unparalleled. Jeffrey Wright (Westworld) stars as a wolf expert who's convinced by an Alaskan woman (Riley Keough, Max Mad: Fury Road) to hunt a wolf that took her young son, only to get wrapped up in a murder plot. Meanwhile, the boy's soldier father (Alexander Skarsgård, True Blood) returns home from duty in the Middle East unhinged. The screenplay is written by Macon Blair (I Don't Feel at Home in This World Anymore), based on the book of the same name by William Giraldi. As viewers have come to expect from Saulnier, the violence is as unrelenting as the suspense.

8. Chilling Adventures of Sabrina

Created by Roberto Aguirre-Sacasa (Riverdale), Chilling Adventures of Sabrina is not your TGIF version of Sabrina the Teenage Witch. Its aesthetically similar to the Archie Comics title on which its based, embracing the rich Gothic horror atmosphere, but the story veers more into teen drama territory. The result is like a mash-up of Riverdale, The Witch, and Harry Potter. It may take a few episodes to become invested, plus to get used to the distracting shallow depth of field style (which is thankfully used less as the season progresses), but it's eventually rather addicting. The midsection becomes something of a monster-of-the-week series, but it never loses sight of the overall story arc. Kiernan Shipka (Mad Men) is charming as the titular witch, and the main cast also includes Ross Lynch (My Friend Dahmer), Lucy Davis (Shaun of the Dead), Miranda Otto (The Lord of the Rings), and Michelle Gomez (Doctor Who).

9. Into the Forest

Into the Forest is a post-apocalyptic tale of sorts, but it's a grounded take on the subject matter that largely functions as a drama. Ellen Page (Inception) and Evan Rachel Wood (Westworld) star as sisters who live with their father (Callum Keith Rennie, Battlestar Galactica) in a secluded, woodland home. Directed by Patricia Rozema (Mansfield Park), the movie follows the family in their fight for survival in the months after electricity is lost throughout the world. Although it drags in spots, Page, who produced the film after falling in love with Jean Hegland's novel on which it's based, is in top form.

10. In Darkness

In Darkness stars Natalie Dormer (Game of Thrones) as a blind pianist who hears her upstairs neighbor (Emily Ratajkowski, Gone Girl) get murdered, drawing her into London's seedy underworld, where she meets Ed Skrein (Deadpool) and Joely Richardson (Event Horizon). With shades of Wait Until Dark, the thriller offers some solid suspense and tension, plus superb sound design and cinematography. The setup is gripping, though the plot later becomes too convoluted for its own good. Dormer is fantastic in the lead, and she also produced and co-wrote the script with director Anthony Byrne (Peaky Blinders).

11. Don't Watch This

Don't Watch This is listed on Netflix as a season, but it's simply five unrelated horror shorts, ranging between 2 and 9 minutes in length. There's body horror, killer kids, urban explorers, and Queer Eye's Antoni Porowski parodying American Psycho. In addition to a few clever setups and strong horror set pieces, they boast quality production value, cinematography, and special features (both practical and digital). Shorts usually struggle to find an audience on YouTube, so it's great to see them showcased on a platform as powerful as Netflix.

Bonus: De Palma

De Palma is a documentary on filmmaker Brian De Palma (Carrie, Scarface, Mission: Impossible, Blow Out, Phantom of the Paradise, et al.). The septuagenarian himself - with no other talking heads - discusses and reflects on his oeuvre, going movie by movie (plus a handful of unmade projects) in chronological order, accompanied by clips and stills. Co-directed by Noah Baumbach (The Squid and the Whale) and Jake Paltrow (Young Ones), the candid nature of the interviews prevent the film from feeling like a mere DVD special feature. It moves briskly, leaving you wanting more even at 110 minutes.

[augustjustice]

Friend: Your parents are always going away for the weekend. You’re so lucky!

Buffy: ...Yeah, I guess.

Wasn’t anticipating this exchange from the Kristy Swanson Buffy the Vampire Slayer movie that was so very Steve Harrington core.