#and thats it !!
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chiiswizz · 1 year ago
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Ghost loves Soap ALL the time no matter what he's got going on, but, like, c'mon, long haired Soap am i right
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meteooru · 7 months ago
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Kyle week day 3&4
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kipzkitsch · 3 months ago
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AU idea kinda inspired by @ultramarinaa 's cat au. the rollie pollie archives........
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Close ups:
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narryffdreaming · 8 months ago
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bringing this day back just because
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silverjirachi · 20 days ago
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So many adaptations of things like the backrooms and the poolrooms get it wrong. it’s not that there’s a monster in there. it’s that the monster is the rooms themselves.
To me the horror of things like the poolrooms is because something should be there, and isn’t. This is actually what liminality is at its core. From a theoretical perspective, it is a space between two places. It is not a place where people go and remain. Motels. Train stations. Rest stops. Stairwells. Office buildings. Community pools. All places people are, but don’t stay.
Putting a monster in the poolrooms always feels so cheap because there are a million other horror experiences where a thing is chasing you or lurking somewhere. Avoiding a monster in the poolrooms is the same as avoiding a monster in a forest or a pizza restaurant or a house or a hospital or or or or etc. it’s a coat of paint at that point. It undermines the very unique liminal aspects of these locations by not engaging with its core components of time, space, solitude, and even identity that do not exist elsewhere. It just makes it Avoid The Monster Game number fourteen thousand and three.
When really, there is a horror of a place that is ever-expansive. A horror of a beast that is a location, a place that you cannot escape from, where you cannot die, and the only living thing is you.
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pokemonranch · 2 months ago
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Aight', I'm taking suggestions for this. How should I dress Beans for Halloween??
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londyboobs · 1 year ago
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brink and dean shetty taking advantage from jordan and cate’s traumas and lack of love and support from their parents is something so personal to me i literally will not take criticism towards them these two need LOVE and affection to heal and get over their past
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nornicojez · 6 months ago
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Hshdhfkd sleep? I don’t know her
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strawberrycowtime · 8 months ago
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doodles!
closeups under the cut
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sleepyminty · 1 year ago
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Eversince i bought my binah plush doll, my two cousins ( who had zero knowledge of any PM games) had developed fear around her, since i placed her near the bedroom door they always said that they started having nightmare of this doll and honestly
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Good for you binah, you’re still a manace even you turn into a harmless plushie
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fullsaw · 11 months ago
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Really hoping we get Ireland action in Protocol
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goffilolo · 2 years ago
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In conclusion, when Asta becomes the wizard king Yuno needs to bid his time and wait for his turn to be Asta's 2nd wife
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pey-up · 5 months ago
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So i drew the stardew valley characters from memory except i have really bad memory
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scribe-of-hael · 7 months ago
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Haven't watched episode 9 yet of ES but you bet your ass i am planning in rewriting a tiny bit of season 1 and redoing my own s2
I am so legit sad, I know its was like this due to poor management and writing and a whole new animation studio. Because Hasbrouck can't market their shit. At least TFA got 3 seasons but this shit hurts. I really wanted this to be the new TF model.
And ill be rewriting it with my ocs lmao
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dekusleftsock · 9 months ago
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Turning tragedy into hope-Let him lose those arms
I’ve tried making this post three times so let’s hope that third times the charm y’all.
I’m just gonna come out and say it but when I saw that panel where Izuku doesn’t have any hands I literally got so excited.
AND ITS NOT BECAUSE I LIKE MY FAVORITE CHARACTER GETTING BRUTALIZED (well? I do think it’s a little funny but shhh)
But it’s because this has been foreshadowed almost as much as the handhold itself between Izuku and Katsuki. And it’s wonderfully tragic in the best of ways. Literally half of the commentary surrounding it when it came out in the leaks was “omg I thought of that!” Because literally everyone and their mother KNEW this was coming in some form. Izuku was going to lose an arm, and that would be the case.
Hell, even outside of the story the amount of official art and AU’s Horikoshi drew that had Izuku without an arm is astounding. Like it’s so painfully obvious that this was coming, and so he upped the shock when he made Izuku lose them both.
Izuku is even doing his white eye thing, he isn’t shocked, he’s angry. My dude is pissed. Clearly, to me at least, the loss of his hands is less of a shock to him and more so that he’s angry that afo took away the reason he lost them in the first place—Tenko.
Y’all gotta remember who Izuku is, he’s the stubborn motherfucker that refused time and time again to give up on his dreams, he’s the one that illegally saved Iida and Katsuki, he’s the one that refused to let go of Tenko’s hands because when he was in his time of need, it comforted him.
Izuku has been told by his doctors for over a year atp that he was going to eventually either lose his hands, or lose the function within them. He’s accepted that. He can try to stop it, hold it off through equipment and treatment, but at the end of the day, everything breaks eventually. He knows that. We know that.
So if he was going to lose his arms in some way, it’d be through this: saving someone, holding their hands, never letting go, comforting them.
It’s tragic and sacrificial, but Aizawa’s the same. Did we make theories about how Eri is gonna heal him from being an amputee? Did the story say “actually due to this cool magical illusion/quirk it was all a mirage/eri could heal it”? No, it didn’t. Did Mirko somehow get her arms and legs back because they’re tied to how she views her strength? No, she didn’t.
And there’s a reason they didn’t. Multiple reasons they didn’t. They’re heroes, their scars tell their stories.
Not even mentioning how that’s such a trope (“everyone else keeps their long term injuries except for the main character because he’s special and gets main character powers, like not getting a disability from a dangerous job! :)”), but why should eri, a little girl, be responsible for everyone’s injuries? She doesn’t even have full control yet, she’s playing it by day. (People LOVE to talk about how all the 1-A kids are just kids fighting in a war, except when it comes to a little girl being responsible for everyone’s injuries, somehow)
The reason eri was shown wasn’t because she was going to somehow save the day, but because she wasn’t. It was supposed to stop those theories from having actual merit, because eri doesn’t actually have the built up strength to help.
So, with that out of the way, I wanted to say how this is so fucking beautiful. It’s tragic yes, Izuku and Katsuki never got to hold hands, not properly, but maybe the measure of their trust is beyond that. Maybe, an embrace could suffice—this would go back to Izuku’s vigilante arc. Where, instead of holding hands, Katsuki caught him when he needed to. And he’s going to do it, again and again.
Maybe holding a robot or silicone arm won’t feel the same, but it’s the feelings surrounding it that matters, not the act itself. The hand hold is still there, the hands still haunt the narrative like a mouse within the walls. It bites at cords like their own emotional walls.
Katsuki missed his chance, over and over again, and he’s going to have to come to terms with that. But that’s not to say that the story won’t let this aspect haunt the narrative like it always has. It’s still THERE, and I believe in Horikoshi to continue to write a story about hands while the main character doesn’t even have them.
Izuku’s hands are tied to his strength, physically and emotionally. He views them has the glue that ties his heroics to himself. His hands have always reached out to others, his hands have always punched those who were wrong, and even when he had to switch fighting styles he still saw them as the reason he was able to fight at all. They represent OFA, his love, his anger, his weakness, his strength. They represent his sense of self, and yet he’s more outraged than hurt that he lost them for Tenko to be free—only for AFO to take away that freedom all over again.
THATS why the loss had to happen. THIS. He lost something so incredibly valuable to himself, but he lost them of his own accord. He could have let go of Tenko at any moment, yet he didn’t because he wanted Tenko to know comfort and freedom. He wanted him to be free.
You could say that Tenko was telling Izuku to let go because he was breaking down his emotional resolve, and I believe you could also say that he was telling Izuku to let go so he doesn’t hurt someone who tried to help him all over again. You could say it’s both. It’s selfish and selfless, like everything in this story is. But Izuku refused to, and that was a choice Tenko could never take away from him.
So, that’s how I’ll turn this tragedy to hope, because this was done out of Izuku’s love, why take away that meaning?
Why put them back?
Why take away those scars?
Scars tell stories, they tell you how we became the greatest heroes.
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