#and that means that people can. do whatever they want. project on characters in any way they see fit

[nwarrior777]

yo can I draw your oc's?

omg sure!!!!! 😳 idk how did you found them in this blog, it became kinda messy and i didn't draw any in a while, but i will be very happy to see fanart???

qwq

[harrowscore]

................. not to rain down on anyone's parade but barely characterized 14 year old lucerys could never have the swag eleanor or henry had

[hexhomos]

Hello fellow Jayce defender.

First off, virtual kisses on both your cheeks for your Arcane analysis. They're refreshing to read, and insightful as well.

Something that's always bothered me about the way fans interact with Jayce is assuming that he's always the one making the mistakes in any of his relationships. It's almost funny in a way how they strip other characters of their autonomy and arcs just so they can point out how Jayce is failing his partners.

With Mel and Viktor especially, there's this narrative that Jayce simultaneously ignores both of their needs while also prioritising one over the other. Either he neglects Viktor to go and swoon over Mel, or he abandons his relationship with Mel to go play science with Viktor, or he neglects both to go do his own things while they suffer through their own plots.

And it's fascinating how incredibly mistaken these people are, and also how they reduce his character to only being important when he's in a relationship.

I'm here like, "hey, do you wanna discuss the reason for how Jayce seemingly knows how to navigate the ways of high class society very easily is probably because he's had to rely on sponsorships and donations for most of his youth to find his research because his house is too poor to be able afford it?"

Or "It's canonical that Jayce only ever had one friend in his youth before Viktor, and that was the daughter of his main sponsor, do you think it's interesting that this indicates he probably had difficulty making or maintaining friendships and that this is possibly a symptom of the Academy mainly housing elite and rich students so they couldn't relate to his struggles and he couldn't relate to theirs?"

But no, people just want to hate on him for not being the picture perfect boytoy in a relationship.

And I mean, it's not like it's just reduced to Jayce either. So many other characters have had similar treatments where they're reduced to either their most basic qualities or mischaracterised entirely. And I'm really not trying to be the fandom police or whatever - everyone interprets differently - I just find it frustrating is all.

Anyways, you're cool.

YES I never have time to talk about this bc people don't give a fuck but in Jayce's journals we even see him stewing with envy and petty rage at this star-rising student on the academy that he sees as the example of a perfect prodigy (in opposition to how much Jayce fucks things up...)

It also strongly suggests he's on a scholarship, which ties into his suicide attempt.

Jayce is keeping his experiments a secret from everyone to avoid the blowback and isolating himself further and further when they don't work. Jayce is flawed! He's proud of his dream pitch to the point of hilarity. Jayce doesn't like socializing, he does it out of obligation! Even when he's being raised to a councilor position in s1 he's PANICKING. He doesn't want the fucking job, he doesn't like the parties nor the people, his truest honest self is that moment in season 2 where he declares the lab was always his home, and so was Viktor.

But even then he subsumes his own wants spends most of s1 trying to attend to the needs of other people. He routinely asks Viktor if he's alright, if he wants to come up to do the presentation, if he's sure those experiments are safe, etc. He tries to make Heimerdinger proud despite his constant rejections of their projects, and only turns on him when he threatens viktor's wellbeing. The reason why he doesn't announce anything on progress day is that he Was listening to Heimers so-called wisdom and it only bit him in the ass. Jayce gets himself in trouble with the council by being too naive and assuming his new post will allow him to crackdown on Piltovan corruption aided by the Hexgates. Majority of the complaints wrt relationships I see people making of him are just wildly exaggerated. "He was neglecting viktor" bro he talks about viktor in nearly every scene he has with mel 😭 viktor is the one who isolates himself and randomly disappears at times bc he's a grown man with his own boundaries.

Jayce's entire life is defined by the transactional nature of his existence, his work, the patronage receives - all depending on how much he can play the showpony role without fucking it up. It's not a comfortable position. Jayce is stressing out the whole damn show because if one person isn't pissed at him, someone else will be, and it always comes down to revokable money, investments, social standing. if he really was as uncaring and well-off as some claim he wouldn't give a shit. He could just coast along life, but that's not what he's doing ever. He only 'frees' himself in season 2 by abandoning his life's dream and the rotten reality that existed around it. Which is kind of bleak, but at least its over.

[maxwellatoms]

In one of your last answers, you said “series reboots are usually pretty gross and sad”, and I was wondering if you could expand on that? Assuming “reboot” covers any kind of continuation of a currently cancelled or finished show (and maybe that’s the wrong assumption!), from the outside looking in it feels like a pretty mixed bag. On one hand, if I love XYZ Show, it’s cool that I get more stories with these characters and another chance to support XYZ Show and its creators. On the other, it definitely feels like a lot of ideas can only get funding if they’re tied to something already, meaning creatives are having to now tie whatever cool idea they have to some reboot/relaunch/retread, which can feel pretty disheartening if you don’t want to do a reboot/relaunch/retread. Is that a similar feeling from your side of the industry?

Thank you so much for all your answers and insight!

Usually reboots and spin-offs are just cash grabs. It happens a lot in animation. In fact, I would argue that the entire industry is just one big cash grab now. In the 80s, everyone complained that cartoons were just half-hour commercials for toys. And they were right. And we're right back there, but now that you can't legally push toys all day, it's just general "IP". Mugs, posters, more spinoffs, whatever.

I was offered three show running gigs over the pandemic. All reboots that I would consider unwise to pursue because they were "of a different time" and didn't (in my opinion) have anything more to say. Two of them were properties created by notorious sex pests, so there's also that. The animation industry loves to prop up its sex pests.

I turned all of them down, partially because I didn't respect the original creators but also because none of them had anything going for them except just being "more of the same".

I don't think any of those projects survived the intervening years, so in retrospect I maybe should've taken the job. I'd probably feel a bit gross, but at least I'd have floors in my house.

The entertainment industry is in a bad spot. The whole thing. I've had I don't know how many pitch meetings in the last few years, and they all start the same way:

"Hey! Before we start, we just want to let you know that we're not actively producing anything right now. We think maybe soon, but we won't be picking anything up today..."

And then later:

"The little we are doing is IP, so if you have a new take on our IP or a new IP you're connected to that you can bring in, that'd be great."

I always wanted to make original stuff. There came a time when I'd had my fill of Billy & Mandy and wanted to do something else new and original. That never manifested, and I was constantly being offered IP to produce. I turned too many of those down, maybe, before deciding that it was probably better that I run the IPs that mean something to me rather than having some hack do it.

But now those jobs have all gone to celebrities and fallen live-action writers, who are also slowly being eaten by the system. WB was hot for Scooby stuff a few years back, so I pitched some ideas. A few of them were turned down for being "off-brand" in a variety of ways. WB has now made (I think) all of those off-brand shows (or something close) with celebrity show runners.

I was going through a whole Midlife Impostor Syndrome thing recently where I was wondering if maybe I don't just suck. Like, it's weird that for a couple of decades I'd have people calling me trying to get me to run shows, and now nobody will call me back about the possibility of a design job.

Talking to some friends and realizing that they were in a similar situation helped me feel like I wasn't alone. That was nice. Talking to some of the most talented colleagues in my industry made me made me realize that those people weren't getting jobs either. That was unnerving. Talking to complete strangers in other parts of the entertainment industry now has me thinking that the whole house of cards is coming down. That's real concerning, yo.

It's hard not to think it's purposeful, when deranged billionaires own the entirety of our media and want to shape a society where they can't be criticized. We're letting wealthy tech bros firebomb the very heart of our culture, and it's weird that no one is talking about it. Because (for now) we still have that capability.

[cyberjam]

E!42 MILES DATING A SHY!SOFT READER . . . ☆

warnings - black fem!reader in mind but you can imagine it however you'd like, miles having a soft spot for you, pink coquette vibes from reader, profanity, slightly suggestive.

word count - 2.2k | lowercase intended.

main masterlist | proof read?: kinda😭

song rec for fic?: yo love - from "queen and slim: the soundtrack - vince staples, 6lack, mereba <3

ᘏ⑅ᘏ

. . HOW YOU FIRST MET . .

ఇ . . . you two were assigned as partners for a science project that would play a big part in your final grade. you knew of each other but never fully interacted until now.

ఇ . . . miles knew you as quiet, only speaking when spoken to. you were an approachable person with a warm smile. you carried yourself well, and treated others kindly, even if they were undeserving. he was entranced by you to say the least. with how things were currently going in new york, he was surprised that the city hadn't dimmed your light. miles wanted to know more about you and this project gave him the perfect opportunity to do so.

ఇ . . . you knew of miles as well. he had the reputation of being an unapproachable person. easily intimidating others without trying, and keeping his circle of people small. you took a small interest in him as well. you'd catch yourself glancing at him every now and then, trying to break down his character. he didn't seem as mean as everyone claimed but now was finally your chance to see for yourself.

ఇ . . . that project was only the beginning of your and miles' relationship.

ᘏ⑅ᘏ

. . CRUSHING STAGE . .

ఇ . . . miles protectiveness increases the more your relationship grows. he'll cut into situations and defend you before you can fully form a thought. he never hesitates to step in-front of you as a human-shield and tell someone off with a simple phrase.

"ay, watch yo mouth." | "huh? repeat yo'self." | "i know you not talkin'-"

ఇ . . . he starts eating lunch with you. his friends get on him for being a simp but he brushes it off every-time. he enjoys the convos you two have during lunch and would rather sit next to you than a rowdy group of boys who use the lunch food as science experiments.

ఇ . . . he seeks you out. during school, after school, on his nightly patrols, etc. without even fully knowing it himself, miles is always looking for you no matter where he is. he just naturally gravitates towards you. you bring something to miles life that he hasn't had in a long time. peace.

ఇ . . . let's you mess with his hair. when he's over your place he'll let you put your cute baby pink hair clips in his braids and even tie in some hair bo-bo's at the end of them. but only if you take them out as soon as you're done and don't take any pictures. (you still take pictures)

ఇ . . . let's you draw on him. you can't remember when it exactly started but it's became a routine for you to doodle and write on his hands in every class you two share. he'll return the favor, if you ask nicely. he copies whatever drawing you did on his hand to yours so you'd be matching. (he dreams of getting matching tattoos with you.) <3

ఇ . . . scares classmates away. whether it be a glare from across the room or an arm slung around your shoulders, miles is always scaring your classmates away. even if they show the smallest romantic interest in you.

ఇ . . . maintains eye contact. he's always looking for your eyes and trying to remain in contact with them when you talk. he just loves staring into your pretty doe eyes while you ramble about something you like.

ఇ . . . nicknames. miles doesn't want to scare you off by being too forward, so he'll limit his nicknames. the ones he does call you while crushing on you are ma and princesa.

ఇ . . . passes notes in class. he's a bit of a "model student" in class (not talking back, not interrupting or disrespecting classmates, turning in his work early on time. he just wants to be left alone lmao) but he's more than willing to pass notes with you throughout the entire period. you'll catch him up on the newest gossip and he'd update you on the stuff him and his homeboys get into.

ఇ . . . he'll help you study. if you don't know spanish or you're just a struggling student, he'll teach you everything you're having a hard time with at a comfortable pace. he'll quiz you every once in awhile just to make sure you fully understand and don't feel behind in anything. if you've shown a significant amount of improvement he'll treat you by taking you out for your choice of dessert. (it's really just an excuse to take you out on a date without using the word date)

ఇ . . . there's an unspoken rule that you are his. classmates know, your friends know, his homeboys know, hell, even the teachers know. you're the only person miles gives the time of day. you're the only one who gets to walk around with his arm on your shoulders, have his undivided attention, as well as be the reason for his smile. you are his and he is yours.

ᘏ⑅ᘏ

. . DATING STAGE . .

ఇ . . . late night facetime calls. you two are truly never apart. when you're not together physically you're on facetime with each other. he loves when you call him and showcase the cute things you bought for yourself using his card. he also just loves the comfort those calls bring him. seeing you engulfed in a warm blanket fast asleep while he's doing his own thing just makes him feel content. you're able to be there for each other without physically being there and that's enough for him to wait patiently until he's able to hold you again.

ఇ . . . clingy as hell. although, he'll never voice out his wants for your touch he will initiate it. miles will be the one to commence 80% of affection. partly because you're shy and mainly because he can't keep his hands off of you. miles is always touching you in some way. whether it be an arm around your shoulder, a hand resting on your thigh, or a hand rubbing your ass while you're cuddling. he can't resist kissing you either. his lips always finding any available part of your skin to kiss when he feels like it.

ఇ . . . compliments. every chance he gets he'll remind you how good you look. always hyping you up and telling you how beautiful you are. whenever you get overwhelmed by the flow of affectionate words that smoothly flow out of his mouth, you'll cover your face with your hands and turn away from him. it only gives him more fuel in the long run because he loves to see his girl get all shy and cute for him. sometimes he doesn't even use his words. a simple look up and down while licking his lips will leave you weak in the knees.

"that's all mine right there."

ఇ . . . genuinely hates arguing with you. he hates when you're upset with him. there are plenty of times where miles has provoked you to the point you've gotten upset with him and that's usually when he knows he's gone too far. you're his girl, his everything. he can't have you sulking because of him. although, miles does have a bit of a short-temper, he remains calm throughout these situations. he lets you both voice your sides and he won't let the situation go until you come to an agreement. he tends to avoid arguments at all costs. usually murmuring a "you got it, ma." before it turns into something more. after settling long disagreements, he'll engulf you in a hug and give you a gentle kiss on your forehead.

"love you. don't want my girl goin to bed mad at me."

ఇ . . . nicknames! his nicknames will consist of mi vida, mi reina, ma, mami, baby, etc. any term of endearment you can think of he's most-likely called you. usually consisting of 'my/mine'. he's very possessive. your contact name in his phone is 'mi corazon 💘' and you're the only one with an emoji next to your name.

ఇ . . . spoils you. you want it? you got it. although, miles isn't incredibly wealthy, he does have money. he uses it to take care of you and his mom, providing help for the both of you. he helps rio with actual necessities, while with you he provides you with gifts. ranging from shoes, eyelashes, lace fronts, plushies, clothes, or electronics. the most expensive gift he's gotten for you is an ipad and apple pencil. it was for your birthday and he knew he had to get it for you after hearing you fangirl about it nonstop.

ఇ . . . lets you do his hair. he usually only lets rio do his hair, he's a major mama's boy. so, when you were granted the privilege to do his hair you felt honored. he also just loves when you take his braids out and give him scalp massages. he's fallen asleep on occasion because of how gentle and soothing your hands are. he's also tender-headed as hell so, please be careful or you'll get a earful of him complaining.

"damn, ma. why you gotta pull so tight?"

ఇ . . . buys matching sets. he buys you both matching shoes, clothes, and jewelry. he likes the simplicity of being able to match with you and show everyone you're his without voicing it. you two are the couple that matches on christmas. matching christmas tree pants, and santa hats...rio thinks it's adorable. for your 5 month anniversary you were gifted a gold necklace with his name written in cursive and once he helped you put it on he revealed the necklace that was under his shirt that had your name in gold written in cursive. only time you two take it off is when you're in the shower/pool. he'll take it off during prowler business as well, he doesn't want to disclose any of his personal business at work, it's very dangerous for the both of you.

ఇ . . . cant sleep without you. once miles gets a taste of what life is like keeping you close and holding you to sleep, it's hard for him to go without it. he loves cuddling with you and if there were any instance where you two wouldn't be together he would toss and turn all night and look at the ceiling until his body physically shut down itself. it's not the healthiest way to go by so when he starts to show up to school with deeper eye bags than usual, you decide to give him a plushie of his own. he'll buy the plushie little clothes and change them every now and then. he names it after you, and he even bought the exact perfume you wear and sprays it on the stuffed animal before going to bed and cuddling it. he's embarrassed to admit it, so he'll never tell you how much he pampers it. (you don't need him to tho, you've caught him kissing the top of the stuffed animals head before cradling it in his arms and murmuring 'goodnight, mi vida.')

ఇ . . . will go to the barbie movie with you. he'll thrown on a pink hoodie, black jeans, and pair it with some jordan's while you're decked out from head to toe in pink. he's gonna cry at one point during the movie and you have to pretend you didn't see. when you ask him if he liked it he'll shrug his shoulders while sniffling. he def gave his mom a big hug when he got back home. :')

"yeah, yeah...it was alright, i guess."

ఇ . . . talks about you to his mom. mile's didn't speak much of you when he had a crush on you, but he really didn't have to. his mom knew there was something or more so someone occupying his mind whenever he'd come back from school with a slight dazed expression and the tiniest smile.

ఇ . . . graffiti's your initials together. whenever he's bored and has a little extra time on his hands he'll graffiti his and yours initials together. sometimes replacing your last initial with an 'M' for Morales..

ఇ . . . treats your stuffed animals like they're your children. he scolds you if he catches one of them on the floor, he'll name them future child names he has in mind because he def wants to get married and start a family w/ you, he gives them hugs and buys cute little tutu's for them. lowkey will throw a fit if he finds out you gave some of them away.

ఇ . . . buys/sends things that reminds him of you. he'll buy you your fave bag of chips if he sees it in the store, he'll pick up a keychain with your name on it and attach it to his bookbag, he'll send you memes or recommend a tv show because the character reminded him of you. you're really on his mind 25/8.

ఇ . . . bakes with you. he loves baking with you. you two will bake the hell out of some chocolate chip cookies or some brownies. nothing that takes too long or a lot of preparation though, he'll get antsy and kinda touchy which leads to burnt products and a ruined cake pan.

ఇ . . . shows you off/brags about you. his friends and close family members know all about you and your achievements. if you play sports he'll cheer you on and brag about your wins, if you're an artist he'll post your artwork, if you have a small clothing brand he'll wear it and tell people to buy from your store if they ask, if you knit/crochet he'll ask you to make him a bucket hat or a mini version of you and him, if you dance he'll stay up all night on the phone while you show him your new choreography. it doesn't matter what you do, miles will continue to support you and brag about any and every achievement you accomplish. big or small.

ఇ . . . miles morales loves his sweet soft significant other.

currently re-writing my miles morales fic that was 6k words because tumblr decided to randomly delete it 🥲 i'll try to get it out soon! <3

also sorry for inactivity, i've been busy w/ school and work but i'll try to shoot out fics faster when i get the time :) !!

[katsu28]

connection

pairing: max verstappen x reader

summary: when a holiday gala that neither you nor max want to be at brings two people from vastly different worlds together, you find out that you might have more in common with the four time world champion than you think you do. (3.6k)

warnings: swearing, creepy men (not max don’t worry)

a/n: day three with max :) somewhere along the way this became less of a holiday fic and more of me projecting onto my characters but fuck it we ball! 

You don’t want to be here. 

Truthfully, toting around trays of champagne flutes and painfully tiny hors d'oeuvres to fancy rich people is the last place you want to be on a Saturday night, but your friend had roped you into working this event with her and you need the extra money a holiday event pays, so here you are. 

You’re not even sure what exactly it is either. All you know is that it’s some gala for folks in a totally different tax bracket than you, and you need to be on your best behavior—which, you’ll admit, isn’t your strong suit.

Your loved ones would say your headstrong, take-no-shit personality is one of your admirable qualities, but you know they only say that because they know the real you. 

These people don’t. They don’t need to. All they need from you is whatever you’ve got on the silver platter you’re holding. 

You glide through the crowd like a woman on a mission, turning up the charm to an eleven to get rid of these beef tartare crostinis as fast as you can. 

It’s part of the job description, but apparently some of these old men think you’re throwing yourself at them. The amount of ass patting bordering on groping, and sleazy comments about how you’re young enough to be their daughters you’ve had to endure in the last few hours is astonishing, and not in a good way. 

What you want to do is slam them upside the head with your tray, but you can’t. So you grin and bear it, redirecting their leering as best you can without causing a scene. What a way to start the festive season…not. 

Soon enough you’re out of food and you’re glad for it, because it grants you even just a little reprieve when you return to the kitchen. 

“I swear to god, I’m gonna punch one of those old fucks,” You fume, having just pushed through the adjoining door leading from the ballroom. 

Your friend offers an amused snort from where she’s waiting on a refill of stuffed figs. “Yeah, don’t do that, probably.” 

“They’re disgusting.” 

“They’re entitled.” 

“Okay, so they’re disgusting and entitled. God, the nerve!” 

“Y’know what, maybe you should take your break now? Cool off a little bit before you rip someone's throat out and get us both fired?” She tips her chin towards your hands, and when you look down, your fists are clenched. You’ve got them clenched so tight your nails are starting to dig crescent shaped divots in your palm. Any tighter and you’re sure to draw blood. 

“Yeah. Yeah, that’s—I’m gonna go,” You mutter. You can’t afford to be dismissed from the event and lose out on the payday. The best thing to do is find somewhere quiet, somewhere you can be alone and settle your temper. 

-------

Max doesn’t want to be here. 

Truthfully, milling around shaking hands and making small talk with these people is the last thing he wants to be doing on a Saturday night, but he has obligations to fulfill, appearances he needs to make to cast Red Bull in an admirable light in this season of giving, so here he is. 

His suit is expensive but itchy, the starched collar of his crisp button up pulled too tight around his neck. What he wants to do is rip it off and go home to his cats, but he can’t.

So he grins and bears it, summoning all his years of PR training to get through the next few hours as best he can. 

“Max, there you are!” His press officer materializes right next to him, clamping a hand down on his arm. He bristles a bit at the sudden touch, but it soon dissipates as he realizes it just means he has yet another hand to shake and conversation to make. “There’s some people you should meet with. They’re from one of our smaller sponsors, but important nonetheless. Think you should have a conversation, find some common ground.” 

“Do I have to?” The question is a moot point, but Max feels the need to ask anyway. Just in case the answer has changed since the last time he asked. When all they do is fix him to the spot with a deadpan look, he sighs. “Yeah, heard. Lead the way.” 

Small talk comes easily to him at this point, but that doesn’t mean it isn’t mind numbingly boring listening to the two middle aged men go on and on about something Max couldn’t care less about. 

To the untrained eye, it would appear that he’s listening intently, feeding into their words with every carefully timed nod of the head. A chuckle here, a smile there. All the while, he’s itching to get away. The itch grows and grows and grows until Max can’t take it anymore.

He has to go somewhere. Anywhere other than here. 

Before he can second guess his gut feeling, he excuses himself quickly and expertly, making his way carefully through the crowd and towards the nearest exit. Another glass of champagne couldn’t hurt, so he snags one off a tray on his way out, sipping on it leisurely as he searches for a place to be alone. 

That’s how he finds himself outside in this open area looking over the water, somewhere completely empty and quiet, save for the slight breeze sending tiny waves splashing against the rocks below. 

Max sheds his jacket, undoes the first few buttons of his pressed shirt so he doesn’t feel like he’s being choked anymore. His chin tips towards the sky, eyes scanning the sky above. 

The moon is out in full swing tonight, hanging big and bright in the sky, illuminating the beautiful architecture around him. Max has always liked the moon. It represents success and fulfillment and power, but also has an element of mystery to it. He thinks that, in a way, the moon is kind of like him. 

He doesn’t know how long he stays here, just knows that he doesn’t want to go back inside. Finds himself dreading it, actually. Knows that inevitably he’ll have to make his return, but he’ll delay it as long as he can before someone comes looking for him.  

The sound of a heavy door creaking open draws his attention a little while later, and it makes him sigh. Looks like his time hiding out here is over. He pushes off the pillar he’s leaning on, ready to spin some half assed excuse, but then he hears it.

“Fuck!” You bite out, letting the door slam behind you. The empty area provides an echo to your dramatics. 

Max peers wide eyed around at the sudden expletive, spotting you across the way. So…definitely not his press officer. You’re already pacing back and forth, hands on your hips as you shake your head. 

He should say something, right? Announce his presence? 

He’s about to, but then you start muttering to yourself, something about old rich men thinking they can do whatever they want just because they have money. Colored by a plethora of choice swear words, you look and sound entirely pissed off. 

Probably best to leave you alone for the time being. He doesn’t know you, but he knows anger, and yours has a fire that almost rivals his. You’re also very pretty, but he pushes that thought aside for the time being. 

For the first time tonight, Max’s interest is piqued. Even so, he feels like he’s encroaching on something too personal, too private for anyone else’s ears. 

Maybe he can sneak away undetected? 

He doesn’t remember the champagne glass he’d set down until his foot hits it, and then it’s too late. Thankfully it doesn’t shatter, but the clinking against the cobblestones as it rolls away gives him up automatically. Your head snaps towards his general vicinity, eyes going wide with fear. 

Max imagines it’s probably scary for you to think you’re alone and realize that you’re not, and he’s not a monster. He has no choice but to step out from the shadows, raising a hand in awkward greeting. “...Hi.” 

“Jesus. Shit. Uh, I didn’t know anyone was out here,” You breathe, already slipping back into that carefully practiced professionality. Embarrassment and a little bit of shame runs through you at the same time as realization blooms of who this man is. Everyone knows Max Verstappen is, and you just cussed out his colleagues big time. Oh, you’re so getting fired. “Sorry you had to see that, Mr. Verstappen.” 

Max waves a hand in the air with a shake of his head. “Please, we don’t have to do that. Call me Max.”

It feels a little wrong to do so, but you oblige. “Right. Well, sorry you had to witness that, Max.” 

“Oh, that was nothing. Plus, god knows I’ve done worse.” Somehow, that doesn’t make you feel any better. Max steps out a little further into the light, stooping down to grab the rolling glass before it gets too far. “Is everything alright? If you don’t mind me asking.” 

“Does it look like everything is alright?” You shoot back, throwing your hands up into the air. Then you remember just who the fuck you’re talking to and you freeze. “Sorry! I am so sorry, I—” You take a deep breath, squeezing your eyes shut for a moment. Max isn’t who you’re mad at. This has nothing to do with him at all. “You didn’t do anything, I shouldn’t be taking my anger out on you. I apologize. Again.” 

Max feels his lips quirk into a smile. He doesn’t remember the last time someone had spoken back at him like that. It’s actually quite refreshing. “No need. Probably very warranted too. I’ve been told I’m quite a good listener, if you need to let things out.” 

“I shouldn’t,” You sigh, pressing your lips together. Max raises a questioning brow. “It would be extremely unprofessional.” 

“You’ve just caught me out here hiding from doing my job. I think we’re past professionalism at this point,” He snorts. He takes a seat on one end of the concrete bench nearest, tipping his head towards the empty space next to him. “The floor is yours.” 

You explain your situation as best you can without getting too heated again, half expecting Max to grow defensive of his acquaintances—they always do. 

It’s a pleasant surprise when he does nothing of the sort. Instead he calls them all assholes, along with some other choice words you won’t dare repeat. He apologizes for them, says he’ll do his best to remedy the situation, but you’re sure all it’ll do is make things worse if he gets involved. 

“So…that’s why I’m out here. What’s your excuse?” You finish, letting your shoulders drop. It feels nice to get all of that off your chest for once, and to someone who actually gives a shit. 

Max sighs, dragging a hand through his hair. It probably makes it stick up at all odd angles, but he can’t bring himself to care. “I don’t really like these things. Talking to people, making small talk—between you and me, it’s the worst part of the job. Not my thing.” 

“You like to do your talking on the track,” You supply. 

Max lets out a sharp exhale, leaning back against his palms to regard you with careful amusement. “You watch?” 

“No, but I think I’d have to be living under a rock not to know a little bit about it. About you.” 

“And…what do you think you know about me?” He tilts his chin up almost in challenge, as if he’s daring you to analyze him. 

Challenge accepted. 

“I think you’re lonely.” 

A surprised laugh escapes from his mouth. He certainly wasn't expecting it, but quite enjoys your forwardness. “Well, that was unexpected. Why do you think that?” 

“You’re untouchable. A four time champion, I’ve heard.” 

“World champion,” Max corrects, but not obnoxiously. It seems like a habit to add that distinction, years and years of hard work and dedication and training for the recognition. 

“World champion, my bad.” You nod. “Congrats on that, by the way.” 

“Thank you.” 

“Like I said, untouchable. You’re the best of the best, and I’d assume even though it’s nice to be regarded as so, it’s hard for you to know when people actually want to know you, or if they just want something from you. Hence…why you’re out here.” 

“Whoa. Didn’t know this was going to turn into a therapy session.” 

“Am I wrong, though?” 

“No. You’re right on the nose, actually.” He shouldn’t be admitting this. He’s supposed to maintain the image that he has going for him, but something about you makes him feel like he can trust you with his true self. 

You’ve drifted closer together without realizing throughout your conversation, shoulders brushing, knees bumping. Max’s pinky moves to brush over yours. You let it happen. 

He’s got really pretty eyes, you notice, steel blue staring right back at you. Piercing the careful facade you have to put up when working these events. Some people are charming, and you’ve learned to keep yourself a closed book to keep yourself safe. But Max feels different. Max’s interest seems genuine. 

It only intrigues you even more. You don’t know him, but you want to. 

Max clears his throat suddenly. “I should go,” He says. 

You wait for him to back away, to put some space between the two of you, but he doesn’t. If anything, he looks like the last thing he wants to do is leave. 

Part of you wants him to stay, but you know he shouldn’t. The same is true for you. He needs to get back to his job, and you need to get back to yours. 

“Me too,” You reply, taking careful notice to keep your tone from sounding too dejected. “Thanks for listening to me rant. I feel a little better now.” 

“I’m glad I could help.” 

You force yourself to climb to your feet, putting that distance between Max and yourself up before you have the urge to do something rash. A flash of your mouth on his zips through your mind for a split second. 

No. You can't do that. 

“Bye, Max. It was nice meeting you.” 

“Yeah. Nice meeting you too.” 

Now is the time for you to leave—one foot in front of the other, away from him, back to reality. 

“Wait!” He calls before you can get far. You turn on your heel like you were expecting him to say something else, waiting for him to reach you. He catches your elbow, squeezing gently. “What are you doing after this is over?” 

“Honestly? I was going to go home and pass out on my couch.” Max’s eyebrows pinch in the middle. “But I could be persuaded otherwise. Why?” 

“Would you want to get a drink? With me.” 

“Not really helping the lonely allegations,” You tease, smiling warmly despite your ribbing. Max rolls his eyes goodnaturedly.  “Yeah, I’d love to grab a drink. But I don’t get off until late, so it might be a while.” 

“I’ll wait.” His answer is immediate. Firm. 

“Okay. Okay, cool,” You say, fighting a smile. “I’ll find you after everything is over.” 

“I’m counting on it.”

The night flies by faster now that you’ve got Max to look forward to by the end of it. By the time you’re freed from the shackles of customer service, you don’t feel as drained as you normally do. You’re strangely excited to get to know him some more. 

You find Max waiting for you just outside the coat check, pretty eyes searching the dwindling gala goers until he spots you approaching. He smiles, nods his head in greeting.

“Hi. Everything alright?” 

“It’ll be better the sooner we get out of here.” 

“Let’s go, then.” 

Instead of a bar, he brings you back to his place. It catches you by surprise when he asks, but he assures you it’s more for privacy purposes than anything else, strictly two new friends sharing a drink and some more conversation. 

You’re not sure what you were expecting for a man of his financial standing, but a massive penthouse overlooking Monte Carlo makes sense. You do your best to tame your reaction, but it really is impressive. 

His living room is probably the size of your whole apartment, and that’s just what you can see right now. A pristine white couch sits in the middle of the room on an even whiter carpet in front of a sleek, top of the line entertainment unit, and there’s some sort of sim racing setup with a fancy chair nestled in the far corner near a wall of floor to ceiling windows. Surrounding the rig are a handful of trophies and racing helmets, each of them polished to perfection. 

Over in the far corner is a huge evergreen tree, decorated with twinkling lights and silver baubles. It looks extremely professional, almost staged, and the more you look at it, the more you’re sure he hadn’t been the one to put it up.

“What do you like to drink? I’ll make you something.” Max’s voice pulls you out of your gawking at his home. Your eyes snap over to him hovering next to a bar cart stocked with liquor, sweeping a hand along the bottles. Twisting your lips to the side in contemplation, you tell him your drink of choice and he smiles. “Nice one. I’m more of a gin and tonic kind of guy, but hey, to each their own.” 

You find your way to one end of the giant sofa not long later, aforementioned gin and tonic in his hand, your drink nestled in yours. “I did you, now you do me.” 

Max nearly chokes on his drink, brows flying high at your bluntness. “Sorry, what?” 

You look unphased. “What do you think you know about me?” 

Oh. Of course that’s what you meant. 

He takes a few beats to ponder your question, eyes squinting in thought. Then he fixes you to the spot with a decisive look. 

“I think you have big dreams. Changing the world, making it a better place—but you haven’t quite figured out how to do it yet,” He says, tilting his head. Your chest tightens at his words, because they’re true. “You’re going in circles, not able to figure out that one thing that’ll break the cycle you’re stuck in. I think once you do figure it out, you’re going to do great things. Big things.” 

Like before, somehow the space between the two of you has dwindled into nearly nothing as he looks at you so intently with those piercing eyes of his. You’re a little surprised by how on the nose he is about you, but it also makes sense. Max seems very observant. Perhaps it comes from being on the lookout all the time. 

“If the racing doesn’t work out, you might want to consider psychology,” You manage to say. 

He chuckles, nose scrunching. “Sure, I’ll think about it. Though I think it’s going pretty well at the moment.” 

-------

“When can I see you again?” He asks a while later, head lolling to face you lazily.

His hand has somehow found its way spread over your knee, nimble fingers tap tap tapping mindlessly. The first few buttons of his shirt have been undone, hair mussed from how often he'd been dragging his fingers through it.

Your drinks have worn off ages ago, but you still feel warm and fuzzy. Though you suspect it’s more from the man you’re with rather than the residual alcohol talking. 

You’ve been getting to know each other as the night goes on, swapping stories about your lives until you feel like you haven’t just met him a few hours ago. His are by far much more entertaining than yours, but Max seems to enjoy the mundane of yours. 

Part of you is surprised by his question. In your mind, you were expecting this to just be a one time thing. An easy way to fill a boring night, never to be thought about again. But Max does want to see you again. You don’t let it phase you. Instead, you raise an amused brow. 

“Why? You planning on kicking me out anytime soon?” You joke. Max’s fingers twitch, and he shakes his head. 

“No, I just—I’d like to see you again, is that so wrong?” 

“Not at all. I’d like that too.” You smile at him. “Though it is getting late, so I should probably head out anyways.” 

Max doesn’t push for you to stay, just nods understandingly. “You’re sure you’re okay to make it home on your own? Let me order you an Uber,” He says, digging his phone out of his pocket. 

“Yes, Max, I’m fine. And I can get my own Uber, thank you very much.” 

“Please, let me. I asked you here, the least I can do is pay for your ride home.” He seems like a very insistent person, so you sigh goodnaturedly, waving a hand for him to go ahead. When he’s done and a car is on its way, he turns to you, propping his chin up in the palm of his hand. “I had a nice time tonight.”

You scoff lightly, raising a brow. “I recall you saying something about how company galas are the worst part of your job.” 

“I dunno, this one wasn’t that bad.” Max shrugs, a fond smile playing at his lips. “I met you, didn’t I?” 

“Best night of your life then, huh?” You tease, winking at him. 

“It’s definitely up there.” 

“Too bad it’s ending soon.” 

“Too bad,” He echoes. He tilts his head, rubs at the smooth fabric of the sofa cushion just so he has something to do with his hand. “Looks like we’ll have to see each other again soon.” 

You have all the time in the world to unravel the mystery that is Max Verstappen, if he’ll let you. And judging by the way his hand inches towards yours until your fingers intertwine while you’re waiting for your Uber to come, he will.

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[cripplecharacters]

Hi! I’m working on an original character project that I want to include a lot of casual representation in (“casual” meaning that the characters don’t need a justification for being disabled/fat/POC/etc, they just are because people can and do exist that way in reality!)

I was wondering if you had any suggestions for finding resources for drawing facial differences(and maybe other visible disabilities), especially in a cartoony style. I’ve looked through the Facial Equality Week tag but would like to see more examples, and since my art is so… goofy, for lack of a better word, I would love any help I can get in integrating differences without being offensive or upsetting.

Sorry if this is a bother, and thank you for all that you do!

Hey!

I'm not aware of any guides for drawing facial differences specifically (or at least, good ones. There's 1 billion tutorials telling you that scars are just a Singular Line, always, but that's not... correct), but perhaps someone in the notes could help out?

For my own advice, you could check out this old post I made. Because you mentioned your art being cartoony, I would specifically urge you to not overexaggerate facial differences the way they often are. A prime example would be how a lot of cartoons portray strabismus;

It's just a funny gag to them rather than, IDK, how some of us look like. Not to mention that one of these is also a mockery of intellectually/developmentally disabled people with "Derp" in the name, but that's beside the point here.

It's the whole "the character is crazy/stupid/wild/whatever and that's why they have it" that's the problem with how it's often shown. You can also see it in how characters who don't even normally have it will be shown with it for a scene where they're saying something nonsensical, etc.

Another example that's nowhere near as rampant is the split-face thing with various facial differences being used. Mostly vitiligo but sometimes also facial palsy. I'm talking about this weirdly perfectly halved face that looks extremely different on each side, often used to imply that a character is two-faced but mostly just signals that the author doesn't know how vitiligo looks like.

[note: vitiligo also shows up on lighter skin. I wanted to make sure it's visible here for tutorial clarity purposes.]

This one is just weird because it straight up doesn't look like that. I have no idea where it came from, but it should go back there. Facial palsy doesn't make someone look like the antique comedy/tragedy theater mask.

Unless I'm forgetting some other annoying cartoon trope, these would be the big ones that you should stay away from.

Outside of that, it's really on a case by case basis on how a specific FD should be drawn because they're so different. A birthmark can just be a differently colored patch of skin, but a craniofacial difference would require some more changes to be included. Alopecia is well, lack of hair, and can be done very easily but ectrodactyly can be more complicated to show properly because of the limitations of a cartoony artstyle when it comes to hands. And while I do think it would be great to see more of those facial differences that tend to not be included in art at all, there's nothing wrong with deciding to go for the things you can represent more faithfully, especially if you're just starting.

I will say that if you're making an honest attempt at being respectful and trying to get it right, most of us will still be excited to see your work. Even if it's not perfect or has some inaccuracies. I will take a "'yeah more or less' correct with a happy, human character" over a "Very Technically correct but tagged as #tw burns and with blood splattered on them" any day.

Lastly, I wanted to share some art featuring characters with facial differences (and other visible disabilities) that are done in a cartoony, or at least somewhat simplistic artstyles (I'm using both terms very widely here) - maybe it will give you some ideas.

Man with Treacher Collins syndrome (also one of the first pieces online where I saw a character with an FD portrayed in such a lovely way. A fav of mine.) Girl with Pfeiffer syndrome Too many characters to count Woman with burns Woman with a limb difference Multiple characters again Animation featuring people with Down syndrome [youtube] Multiple characters, including a girl with neurofibromatosis, a burn survivor, a girl with a cleft lip and another with TCS [twitter]

If you have a more specific art question ("how do I draw a person with XYZ facial difference?") you can send me an ask on @saszor. I prefer to stick to the writing theme on this blog but would still like to help if you need it.

Hope this helps,

mod Sasza

Edit: apologies for the lack of alt text on one of the images, it has been fixed.

[huiyi07]

hey so do you guys ever think about how often Diluc is referred to as the ‘uncrowned king of Mondstadt’ since he’s like the only male heir to the noble families and like it or not, where Jean is the authority of the nation, he’s pretty much the symbolic face of Mondstadt and the values the nation projects— and despite his temperament, Diluc has learned to embrace it wholeheartedly. He’s charismatic, extremely righteous, and he blazes bright and gives the people of Mondstadt a fire that guides them in the dark, quite literally. Like he’s literally Bruce Wayne lmao

But he doesn’t want this, no, and here’s the proof- maybe he did, once upon a time, before everything happened— but he doesn’t really care about wine, he only cares about the winery because of the people in it and his father. He’s righteous but doesn’t give a damn about the rules and the knights of favonius. After what happened to him, he’s clearly a rebel at heart now, not some charming superhero who does everything expected of him, unlike before. In summary, Diluc was someone who was quite literally ready to become an (uncrowned) prince, pretty much royalty in every way except title- and on surface level, he still is, but he throws that mantle away in secret whenever he can.

And then look at Kaeya, his brother who’s always lived in his shadow. It’s easy to see that now, people don’t really project Mondstadt’s values onto Kaeya the same way they do onto Diluc, since lots of people hardly even remember that they’re brothers. And yeah people still think kaeya is reliable and nice, but also because of how Kaeya built his image after Diluc left— an excessively over the top personality that pretends to be sadistic, mean, and at the same time dripping with false charm. So despite that people still find him approachable and nice as expected of a knight, hardly anyone would call him befitting of a prince.

But Kaeya is actually so painfully and authentically ‘princely’ and kind, deep down— the way he deals with children, his fierce loyalty and willingness to protect people at all costs, his self sacrificial tendencies that most often appear for Diluc’s sake. Even the tidbits of lore we get about him scream aristocracy- his ‘ceremonial’ bladework, Alberich family secrets that reveal just how central they are to the kingdom of khaenriah. This is kinda obvious to any player who’s bothered to learn anything about kaeya, but to the characters in game, there are very few that know that side of him.

And whereas Diluc is forcibly projected the title of royalty and secretly rejects it, Kaeya was actually born into it- his family is very important to Khaenriah, and much like how he does with anything related to his past and heritage, he loudly and outwardly rejects anything to do with ‘royalty’. Diluc outwardly rejects what Kaeya shows (a darker, more ‘means justify the end’ nature), and Kaeya tries to hide what Diluc projects (a sophisticated and aristocratic upbringing).

Honestly? It’s as if they were swapped at birth. Kaeya’s real hidden nature, even after everything that happened to him, remains to be so unwavering and people-oriented, while Diluc’s true personality changed drastically over time. Not that Diluc isn’t unwavering or whatever, but Diluc mostly actively rejects relationships and prefers to do everything alone, obsessed with the idea that he doesn’t want anyone to get hurt, whereas Kaeya always, always yearns for companionship and for people to be by his side- solidarity.

Diluc is the poster image of royalty, but his brother who hides in the shadows is a real king. They complete each other, balance each other out, represent the parts that the other hides. I don’t know if hoyoverse always meant them to be that way, but damn they basically represent each other’s parts of themselves that they lost. Yin and Yang, two halves of the same whole.

[cozage]

this is my first time doing an ask but,, can I have a Law/Luffy/Ace (all or any, either is fine!) where the reader accidentally keeps seducing them without knowing? like a few incidents where the reader is oblivious to the way she is affecting them would be very cute <3 love your writing style a lot btw, it gives me butterflies hehe~

A/N: Thank you Anon :) that was such a nice compliment ahhhhh i love you

Characters: f reader x Law, Luffy, Ace

Cw: SFW in bullet points, some suggestive content in the “story” portion and alcohol mention in Law’s and Ace’s

Total word count: 2.4k

Oblivious Flirting (and one very obvious one!)

Law

Some things you do without knowing that makes his heart flutter:

Touching the small of his back when you move behind him or lean in to talk to him. It’s just something you do with everyone, but it makes him freeze whenever you touch him there specifically. He feels electricity bolt through his body whenever your skin makes contact with his. He hates when you pull away, and has to swallow the knot in his throat and attempt to act normal. 

You consistently tease him about his earrings, telling him they’d look good on you. You beg and beg to try them on, and he always waves you off. He lowers his hat to cover his face, feigning irritation and trying to end the conversation, but really he’s trying to cover his blush. (And he has to admit, he thinks they’d look good on you too)

You’re one of the few people Law allows to sit in his study with him, because you don’t bother him. Occasionally you’ll be reading, or see something interesting or funny, and you’ll gasp or laugh or make a funny expression with your face. Law finds that so endearing, and he loves it even more when you say “Captain, listen to this!” and then go on to repeat whatever you just read. It’s one of the few times he finds himself smiling and something so small and trivial, and he always loves how excited you are about it all. 

--

The crew had just gotten in from a long night, and you were just a bit too tipsy to function normally. You cursed the tight dress you were in, and the zipper that always got stuck. You opened your door, looking for anyone who could help loosen the damn thing just a little, but nobody was around. You ventured down the hallway, looking for the one man you knew would be awake at this hour. 

You found yourself at his office door, and you knocked softly. Your captain had been the one member of the crew who hadn’t gone out to the bar with you all, claiming he needed to work on some project. He opened the door a crack, and you smiled up at him.

His eyes scanned your body and then quickly snapped back up to your face. “Is there something you need?”

You frowned and turned around, sweeping your hair away from your back. “Help,” you whined to him. 

“With what?” You could hear the irritation in his voice, and you held back the urge to laugh at him. 

“My dress. Can you unzip it?”

His voice comes out in a low hiss, and you can hear that you’ve caught him off guard. “What?”

You laugh now, and you turn your head to catch his gaze sliding down your back, trying to find where the zipper ends. His face is beet red with embarrassment and full of shock. You can’t help but laugh even harder, looking at your captain so tongue tied. 

“Not like that!” Your voice is a tad too loud, and Law shoots a look down the hallway to see if anyone will emerge, but it stays silent. “Unless you want it to be like that,” you say more seductively, giggling lightly and scrunching your face at him in a teasing manner. You wink and turn around, waiting for him to unzip the top part of your dress. 

He stands there, frozen as a statue. He’s so confused about this interaction and if it means anything more than drunken teasing on your end. He knows you’re one to do harmless flirting, but this feels like something more, he just can’t explain why. 

“Lawwwww,” you impatiently sing his name out, and he snaps out of his frozen state. His fingers hover over your zipper, and he pulls at it gently. It doesn’t budge, and he has to use more force, finally getting it to budge. He unzips it a third of the way down your back. 

“Further,” you hum to him, and he obliges after a moment. He unzips it all the way to your waist before stopping himself from going lower. He stands there silently for a minute, transfixed by the view he got now that your back was so exposed to him. 

“Thank you, captain.” Your voice is low and full of exhaustion. The events of the night have finally caught up to you, now that you were more comfortable and the dress wasn’t squeezing your body. You rub the drowsiness from your eyes and turn back to him, giving him a sleepy smile and bounding off down the hallway. 

He wished he was capable of telling you how desperately he wanted to follow you in that moment. 

Luffy

How to make Luffy’s eyes to widen at you: 

Putting on lipgloss. The first time he saw you do it, the shine it gave your lips, he was awestruck. You caught him staring, and offered him the tube. “Wanna try? It’s cotton candy flavor.” He didn't know how to explain he wanted to lick it off your face, not the tube. 

When he’s close to you, you like to scrunch your face up at him and give his nose a little tap. Sometimes it’s prompted by him being silly, sometimes you’re just walking by and get the urge to do it. It can be accompanied by a “boop!” which usually makes him laugh so hard he falls over. He doesn’t know why, but he likes being so close to you and having so much fun with you. 

Whenever you refer to him as captain, he falls a little harder for you. He loves hearing “Luffy'' out of your mouth, but there’s just something so sweet about the way “Captain” comes out. Where others use the words begrudgingly, you always sing the word, making it light and fluffy and the word passes through your lips and floats around him.

--

Your shouts of glee rang out across the Sunny as you jumped over barrels and bounded across the deck. 

“Give it back!” Luffy called out, but his tone was light as he chased after you. He laughed as he shot his arm out at you, trying to grab the strawhat off your head. But you ducked at the last second, and his arm whipped past you. You jumped over the balcony onto the lower deck, turning around mid leap to stick your tongue out at him as you fell. 

You dashed across the deck, and as you went to turn left, he shot across to cut you off. You yelped in surprise, turning on your heel to dash the other way. You could hear Luffy behind you, groaning in frustration. 

“Wow, this strawhat has such nice shade!” You called out while still running. “I think I’ll just keep it forever!”

You could hear Luffy laughing behind you, and you knew he was planning another attack. 

“In your dreams!” You heard something slingshot past you, but you didn’t bother looking to see what body part it was this time. You just kept running.

And then you were at the bow of the ship, and you realized you were cornered. You scrambled to the top of the figurehead, desperately trying to find a way out of your position.

Rubber arms wrapped around you tightly and secured you to the top of the Sunny’s mane. Luffy had pinned you down, and though you tried to get out, you knew it was futile. 

“Luffy, let me go!”

“Give me my hat back!” He swung up to stand on the figurehead, directly in front of you. His face is twisted in a pout, but you can tell it’s not a serious one. 

“Take it back yourself if you want it so badly!”

He pulls himself closer to you, trying to get his arm free enough to grab his hat off your head. But he’s stretched out as much as he can, and his arms are tangled up in eachother. 

You laugh out loud at the realization that both of you are stuck in a strange stalemate. You can’t be freed without giving his hat back, and he cant get his hat back without freeing you. 

“Is there anything else I can offer up in exchange for my release?” You smirk, and he knows he won’t get his hat back yet. Not that he minds. He likes chasing you around. 

With you this close, he notices how your lips are shining against the sun. You must’ve put on that lip gloss before you took his hat. 

“I want to try your lipgloss.”

You giggle, assuming his mind was always on food. “Sure, but that’s in my pock-”

He cuts you off as his lips press against yours, his tongue licking your lips to gain entry to the rest of you. For a second you tense, shocked that he would be so bold, but then you relax into his touch, letting him explore the inner parts of your mouth. Finally. 

You feel his arms release you from captivity, and his hands rest on the back of your head, pulling you into him further. You stand there together, liplocked for a moment, before he finally breaks away from you, his eyes clouded and dazed.

“That tasted great! Let’s do it again some time.”

You leap off of the figurehead and back onto the deck, his hat still atop your head, racing away from him and laughing for the whole Grand Line to hear. “You’ll have to catch me first!” 

Ace

Ways to unintentionally get Ace to burst into flames:

The way you are always touching his shoulder to get his attention. Anytime you say “Oh, Ace!” it’s always accompanied by a soft touch or an eager tap on his shoulder. He loves your excitement and your eagerness to share things with him

Whenever your confidence comes through, he swoons. You don’t take shit from any other crew members, and you never let people talk over you. He loves watching you hold your own against others. He’s always ready to jump in if he needs to, but he gets so giddy watching you yell at other people and stand your ground.

You are always making fire jokes. Sometimes it annoys him when other people do it, but never with you. You’ll spot him in a crowd and yell “Oh, I knew it got hotter in here!” and it makes him want to melt into a puddle. You’ll eye him and joke “You look hot today,” and the shock and embarrassment will ALWAYS make little flames appear across his body, to which you follow up “No, Ace. Now you’re literally on fire.” You know you’re the one who sparks it, but you still find it funny nonetheless.

--

“Like hell you can beat me!” 

He heard your voice ring out across the deck of the Moby Dick, and he shuffled through the crowd to find you in a stand off against Curiel. You both raised your tankard, hit them together, and down the grog in a matter of seconds. 

You slammed your tankard on the ground moments before Curiel, and the crowd erupted into cheers at your victory. Ace found himself laughing along with everyone, proud of your accomplishment. 

“She’s something, huh?” Marco’s voice came from behind him, and he turned to face his fellow commander. 

“She told me she’s working her way through drink offs with all of the commanders,” Ace replied with a soft chuckle. “Looks like she’s making progress.”

Marco snorted at the thought. “I’ll be impressed if she ever faces off with either of us.”

Hands reached around from behind him, and fingers danced across his chest, giving him goosebumps. “Ace,” you whined in his ear, and his entire body tensed at your closeness. “Give me a piggyback ride back to my bed please.”

Marco raised an eyebrow at him, and Ace blushed as you jumped up without waiting for a response, certain he would wrap his strong arms around your legs and carry you. And he did. 

“You can walk you know, Y/N,” Marco said, watching your head rest against Ace’s, your eyes already beginning to close. 

“Ace is more comfortable,” you mumbled, rubbing your body against his bare skin to prove it. “He’s hot, you know.”

Ace’s body erupted in small harmless flames at your comment, and Marco burst out laughing. The second division commander got flustered so easily, if you were the one complimenting him. 

“Let’s go,” Ace grumbled, hauling you away from Marco and off to your room. 

He walked silently through the corridors, painfully aware of where all your bare skin was touching his. Your fingers laced together on his chest. Your arms atop his shoulders. Your face, resting against the back of his head and on his neck. His hands held the underside of your thighs, and your inner thighs pressed tightly into his back and his waist. There was so much of you, so close to him. 

He placed you gingerly on the bed and covered you with a blanket. He tiptoed out, giving you one last look before he closed the door. 

“Come join me,” you called from your bed, hoping he hadn’t already left yet. 

Ace’s face flushed, and he stepped back inside your room to close the door, hoping nobody heard. “In bed?”

You hummed in agreement, patting the empty bed beside you. 

“I cant,” Ace stammered, trying to think of some kind of reason to avoid a night of torture for him. He didn’t want you to regret anything in the morning. “I’m, uh, dirty.”

“Join me in the shower then? If you prefer,” Your voice was devious and gleeful at the same time. He could hear the smile spreading over your lips as you spoke, and he realized he had caught fire from embarrassment again. 

He wished he had said something witty, or cocky, or said anything really, but all he could do was swing your door open, run out, and close it quickly. 

“Goodnight Aceee!!” You sang from the other side of the door. He could hear your giggles and he ran down the hallway, too flustered to put his own flames out.

[physalian]

10 More Character Types the World Needs More of

Part 1 was specifically character dynamics, but I’m considering this a sequel anyway.

1. Fiercely independent character’s lesson isn’t to “trust people”

I’m not projecting. You’re projecting. There is a divide wide enough to fit the Grand Canyon between “trusting that someone isn’t lying” and “trusting someone to follow through on a promise”. Most dumpster fire attempts at these characters (almost exclusively women) rely solely on mocking them for the former because “not all men” or something.

Being consistently let down in life makes you hesitant to a) gain friends, b) pursue romantic interests, c) maintain familial relationships, d) get excited about any event that demands participation from someone who isn’t you. None of this is simply a bad attitude—it’s a trauma response. There is no lesson to be learned, and not even exposure therapy can help because it’s a real, legitimate, and common stunt people pull, whether they mean it or not.

So write one of these characters and legitimize their fears, give them someone who proves the exception to the rule, but do not let the lesson be “well they just haven’t found the right person yet”. Even the “right person” can let them down. It's about not becoming a self-fulfilling prophecy by sabotaging a good thing to prove it will inevitably go bad.

2. Conventionally attractive men who aren’t horndogs

I’m going to find every way I can to tell you to write more aces. This is to fight the stigma that attractive people must be attracted to people. Give me gorgeous aces and demi’s, men, women, enbys and everyone in between, who put a crap ton of effort into looking their best, and yet happen to not have a very loud libido. They look good for themselves, and not to impress anyone else.

Give me someone who could have anyone they wanted, gender regardless, and just simply has no interest. Or, they do actually have a significant other, but sex, how hot their partner is, or how horny they are, isn’t their internal monologue. I don’t even care if it’s unrealistic, it’s annoying to read.

And, you know, giving men male characters who aren’t thinking about sex all the time can be good, right? Right?

3. Manly warrior men who also write poetry

A.K.A Aragorn, Son of Arathorn. Just give me more Aragorns, period. This dude is either covered in filth, blood, guts, and the last 30 miles of rugged terrain, or singing in Elvish at his own coronation while pink flower petals fall. A man can be both, and still be straight.

A man can also drink Respect Women juice, you know? He ticks off all the boxes—he’s gentle when he needs to be, not afraid to hide his emotions, kind to those who are vulnerable and afraid and need a strong figure to look up to, resolute in his beliefs, skilled and knowledgeable in his abilities without being arrogant or smug, and the first boots on the battlefield, leading from the front.

4. Characters who are characters when no one is watching

This is less a specific type and more a scene that doesn’t get written enough. This whole point comes from Pixar’s Cars. I. Love. This. Movie. It’s not Pixar’s best, for sure, but this is my comfort movie. The best scene, one that’s so unique, is when Doc (aged living legend) thinks he’s alone when he rolls out onto the dirt race track and comes alive tearing around the oval.

This character’s unbridled, unabashed glee and euphoria at proving to himself that he’s still got it, when he’s completely unaware of his audience, is perfection. Not enough credence is given to characters to just… enjoy being themselves. He’s not doing it to prepare for the climactic race, he’s not doing it for the plot, he’s doing it just to do it, not even to prove Lightning wrong—just for himself.

Give your characters a “Doc Racing” scene. Whatever their skill is. Maybe they’re a dancer, a skater, a swimmer, a painter, sprinter. Just let your character love being alive.

5. Characters whose neurodivergence isn't “cute”

A.K.A. Lilo Pelekai from Lilo and Stitch. Really, her relationship with Nani is peak sibling writing. But Lilo herself is just so realistic with how she interacts with the world, how she interprets her relationships with her so-called friends, how she organizes her thoughts and rationalizes what she can’t quite understand, and how friggen smart she is for an… 11-year-old?

But she’s not “cute”. As in, she wasn’t written by generic Suits who were trying to cash in on the ND crowd by writing what they think will sell, but also making her juuust neurotypical enough to still be palatable by the rest of the audience. Lilo’s earnestness is what endears her to everybody. But also, she doesn’t get a free pass for her behavior, either. Her “friends” aren’t forced to accommodate her and Nani isn’t written as the cold-hearted villain for trying to discipline her.

6. Straight male characters with female friends

Am I double-dipping a bit here? Yes. While I completely understand how tempting it can be, this type of character is in dire need of exposure and representation to prove it’s possible. No weird tense moments, no double-glances when she isn’t looking, no contemplations about cheating on his girlfriend (and no insecure jealous girlfriend either). Just two characters who enjoy each other’s company and are able to coexist in a space and be in each other’s spaces without hormones getting in the way. Peak example? Po and Tigress from Kung Fu Panda.

Let these two rely on each other for emotional strength in times of need, let them share inside jokes, let them have a night alone together at a bar, at home, cooking dinner, getting takeout, talking on the patio in a porch swing… with zero “will they/won’t they.”

7. The likable bigot

I’m actually on the fence with this one but it’s something I also don’t see done often enough and I’m adding it for one reason: Bigots aren’t always obvious mustache-twirling villains and the little things they do might seem inconsequential to them, but are still hurtful. So showing these characters is like plopping a mirror down in front of these people and, I don’t know, maybe something will click. They don’t have to be MAGAs to be dangerous, and only writing the extremes convinces the moderates that they aren’t also the problem.

Example: I have a “friend” who recently said something along the lines of “I have lots of gay friends” followed up shortly by “I don’t think this country should keep gay marriage because it’s a slippery slope to legalizing pedophilia.” You know. The quiet part being that she *actually* thinks being gay is as morally abhorrent as being a pedo. But she totally has lots of gay friends. Including one who was driving her during that conversation. (It’s me. Hi. I’m apparently the problem, it’s me.)

She’s absolutely homophobic, but the second she stops announcing it, she’s a very bubbly person. She’s a ~likable~ bigot and thus thinks she can distance herself from the more violent ones.

8. The motherly single father

I say “motherly” merely as shorthand for the vibe I’m going for here. “Motherly” as in dads who aren’t scandalized by the growing pains of their daughters, and who don’t just parent their sons by saying “man up boys don’t cry”. Dads who play Barbie with their kids of either gender. Dads who go to the PTA meetings with all the other Karens and know as much if not more than they do about the school and their kids’ education.

Dads who comfort their crying kids, especially their sons. Dads that take interest in “feminine” activities like learning how to braid their daughter’s hair, learning different makeup brands, going on nail salon trips together. Dads who do not pull out the rifle on their daughter’s new boyfriend and treat her like property. Dads who have guy friends that don’t mock him and call him gay. Dad who does all this stuff anyway and is *actually* gay, too, but the emphasis is on overly sensitive straight men’s masculinity here.

Wholesome dads: a shocking amount of single-parents to female anime protagonists.

9. The parent isn’t dead, they’re just gone

Treasure Planet is an awesome movie in its own right, but what’s even better? This is a Disney movie where the parent isn’t dead, he’s just a deadbeat who abandoned his son and isn’t at all relevant to the plot beyond the hole he left behind for Jim to fill. The only deadbeat dads Disney allows are villains and those guys are very vigorously chasing an aspiration, that aspiration just doesn’t include quality fatherhood. Or motherhood. Disney has yet to write a deadbeat mom, I’m almost certain.

I just wrote a post about the necessity of the “dead parent” cliche, but what is perhaps more relatable because it’s more common, and what earns even more sympathy and underdog points for the protagonist? The hero with the parent who left. Then there’s a whole extra layer of angst and trauma available when your hero can now plague themselves with the question of if the parent leaving is their fault. Death is usually an accident. Choosing to abandon your kid is on purpose.

10. Victim who isn’t victim-blamed or told by their friends (and the narrative) to forgive their abuser

Izuku Midoriya lost so much support from me the moment he told his friend, bearing the consequences of domestic violence across half his face, that Midoriya thinks he’ll be ready soon to forgive his abomination of a father. I am firmly in the “Endeavor is a despicable human and hero” camp and no I’m not taking criticism. I audibly gasped when I heard this line and realized Deku was serious. Todoroki needs friends like the Gaang to remind him that he's allowed to hate the man who's actions caused the burn scar across his f*cking face.

I understand that the mangaka apparently didn’t anticipate the vitriolic backlash toward Endeavor during his debut and reveal of his parenting tactics but the tone-deafness of telling a fifteen year old with crippling emotional management issues and a horrible home life that his abusive dad in any way deserves and is entitled to forgiveness on the grounds of being related is disgusting.

Take it back further to a more famous Tumblr dad: John Winchester. Another despicable human who got retroactively forgiven by his sons after his death in a “he wasn’t so bad, he really did try” campaign. It’s one thing if the character believes it, it’s a whole different matter if the narrative is also pushing this message.

Katara is a perfect example: She lets go of her grudge for her own peace of mind and stops blaming Zuko for something he had no hand in, stops blaming him simply because he’s a firebender and he’s around to be her punching bag. She doesn’t forgive the man who killed her mother, because that man doesn’t deserve her forgiveness. Katara heals in spite of him, not because of him, and had she let him off the hook, she would have gotten an apology for getting caught, not for what he did (which is exactly what happened).

[trashfangirlsworld]

Hello! I've been inactive due to the current events in the mcyt community, but I've been keeping up with the qsmp admin situation and I thought I'd share some opinions because the amount of doomposting I've seen the last few weeks has been more than I've seen in any fandom in a while and I feel like it's reached the point where people really need to chill the fuck out because they're not thinking straight and actively not helping. Everything I'm gonna say is based on stuff I've seen on both tumblr and twitter.

they should not promote/release merch! : one of the things that baffles me the most tbh; how do you expect any employee to be payed then? Merch is so far the only big source of income for the server besides q's own cc salary or whatever income they get through the official qsmp channel on twitch and youtube (which I don't think is a lot). "I get that they said they have no funds, but still it doesn't feel right"... sorry but at this point I don't know what to tell you, do you expect them to pull money out of their asses? You can't demand that they stop making merch and then complain that they can't afford the twitter admins at the same time. If you don't feel comfortable buying anything from them it's fine obviously, but if your reason for it is that you're helping the admins then I have bad news for you. I have seen people propose that quackity sets up a patreon, and while I think it would be a good idea, I understand why he's not doing it, since with the merch he can at least give something back to the people that choose to support his project instead of people just giving him money for free, especially with what's happening now. Also with how much hate he's been receiving simply for the merch I can't imagine that a patreon would be recieved well.

we don't know if the money is going to the admins/ they should not use pomme's likeness! : the money is definitely going to go to the employees and admins because otherwise the server would not last. And as much as I understand people feeling protective over pomme's admin, quackity studios is very much allowed to sell merch of the character because it is not the likeness of the admin, it's a minecraft model made by the people that work there. Would you have rathered they skip her character entirely? Do you really think that would have been okay?. Also correct me if I'm wrong, but I've seen posts and tweets saying that pomme's admin has been confirmed to come back with the other eggs whenever it happens by pierre, who talked with her admin.

the admins of the update accounts got fired, it means they want to fire everyone, they aren't making things better! : it sucks that the updates accounts had to end and I feel bad for every twitter admin that clearly cared a lot about the project, but unfortunately it had to happen if there simply isn't enough money to pay them adequately like they deserved and ultimately the update accounts were not essential to keep the project going, so it makes sense that they were let go unfortunately. This is not gonna be the case for the egg admins because if they got fired (which they didn't), the server would basically end. Just because a cc does not know when they will be back does not mean it's not gonna happen. Just because tubbo randomly said that he's not sure if they will be back does not mean they were fired; tubbo is normally not a reliable source of information, even less so when he's been live nonstop for the past 20 days, which is prior to everything happening. If you genuinely didn't expect a reduction in non essential staff considering everything, then you have unreasonable expectations on how this stuff goes. As I write this, I'm seeing people saying that "they would understand this decision if q had set up a patreon to pay the admins", and once again I don't understand how people don't realize why quackity might not be keen on the idea of having his fans pay his own employees for his own project instead of, you know, doing it himself; and, again, do not fool yourself into thinking it would be recieved well. That being said, it's fair to criticize how everything was communicated to the admins, but I'll get to this in more detail later.

quackity should not have uninstalled social media, he's trying to avoid everything! : he's not avoiding anything, he's been off social media for a while now, which is why it took him that long to remove wilbur from the server. He has every right to not want to look at social media, as his focus should be on restructuring his server instead of doomscrolling on twitter because people think he needs to see how much people dislike him. The only people that he should talk to are those that have important information to tell him, like josè with the document. He explicitly said on stream where to contact him if you have helpful information and I'm sure that despite multiple well liked posts saying not to spam his email, people are definitely doing it anyway, which is probably gonna slow the whole thing down even more. I hope josè's document is able to be seen with pierre's help as well.

quackity studios is not communicating with their employees and leaving them in the dark and that's not okay : I agree with this. i think a huge chunk of doomposting lately has been due the lack of communication not with the audience, but with the admins, and they deserve to know what is happening behind the scenes more then us since this is about their current or future job.... that being said, I do kind of understand why they're being so secretive and shutting everyone out, and that's due to all the "leaks" that have been spread online. I understand the anger but I really wish some people would realize that discussing leaked bts lore stuff in ccs discord servers does not help the situation at all and instead makes it seem like they're only doing this to rile up the fandom against quackity studios by using the lore of people's fav characters.

At the end of the day, I think people just aren't used to dealing with a situation that does not have a clear cut solution and someone to clearly hate, so the result is this doomposting and the over aggressiveness toward anything related to the project. Personally, I haven't witnessed anything that made me lose faith in the qsmp like some people have been saying, as every change that we've seen so far coincides with what quackity said on stream a while ago. I only wish things were communicated properly to the admins clearly, as they're the ones most affected, so I hope that's resolved soon. Ultimately quackity is singlehandedly restructuring the server from basically zero, has had to fire people that were misusing money and power and, depending on what josè's document said, is probably gonna have to fire some more. This is not an easy process, nor a quick one, you're not gonna hear about sunshine and rainbows for a while and doomposting about everything you hear because you expected quick change is useless. Think before you speak, have a clear head and most importantly have empathy.

[imjustdreamingig]

Isn't that sweet, I guess so

Part 1, Part 2

pairing: Steve Harrington x fem!reader

summary: The secret's out, Steve's proud of himself, and you can't seem to keep your mouth shut

A/N: chat there is no way I put out 2 fic in the past week, this has never happened to me before! yay everyone cheer. again, i have no idea where this story is going how far im gonna go, i def want to try writing other stuff and idk if this is the best place to put and end to whatever this series is but again, we shall see i guess. thank you all so much on the love on my last two works you have no idea what that means to me! please please PLEASE send me asks or comment what you'd like me to write next or if you want a pt4 i need help people

warnings: sfw, swearing, fluff, idiots who like each other

Facing your fears is tough. No matter what it is, no one would actually choose putting themselves through a situation in which they know would cause them extreme distress. For some that may be going on a rollercoaster, interacting with a clown, going into a dark forrest alone, it could even be making a phone call by yourself to schedule a doctor's appointment (which is a valid fear to have, thank you very much.)

And here you were, facing your fears: being sat in your living room with Steve Harrington 3 feet away from you for an extended period of time. It's only been about 15 minutes, where no talking has happened since minute two.

You hope you can get to 30 minutes without fainting.

As you attempted to focus on the book in front of you, Jane Austen's words, who usually kept your focused for hours on end, were not being absorbed by you in the slightest. How could they, when Steve fucking Harrington was in your house.

Steve is the type of guy who Jane Austen would write about, you thought, eyes flickering towards him as he hunched over his book, face crinkled in concentration, trying to understand said author's musings.

The swoop of his hair, the two moles near his neck, his deep, beautiful, chocolate eyes, his gorgeous smile, and my god those arms? Yep, Jane would be absolutely obsessed with him.

"God, why did I agree to do this book?" You are snapped out of your daze at Steve's words. "What do you mean?", you replied. He gave you a look that can only be described as "seriously?"

"I mean, that I can barley understand what any of these characters are saying half the time, and honestly, it's a bit boring. I thought you would have better book recommendations," he said, running a hand through his hair to push it out of his face.

A scoff left your mouth before you could stop it. "Excuse me, are you actually hating on Pride and Prejudice, the best romance story of all time, the romance story, period." You leaned over and snatched his book. "I mean, come on! You are literally only 6 pages in, you can't just judge it that quickly, you haven't even gotten to the good parts yet!", you exclaim.

Steve watched you with an amused look on his face, unbeknownst to you, who kept rambling on, trying to convince Steve this book was worth continuing.

"— and Elizabeth, she is just funny, like actually hilarious. There is one part where she basically tells someone that I'd rather not be wasting my air talking to someone like you, like please, how did she even come up with that? Also, I'm just obsessed with this proper English style of speaking, or writing I guess, because they're basically talking shit but covering it up with fancy words! And when—"

"You talk a lot, don't you?"

You look up from the book and towards Steve, eyes widening slightly, realizing you had indeed been talking too much.

"One of my greatest faults, some may say, and by faults I mean my mom, but she only tells me this when we're arguing, so..." You glance away from Steve's face for a little reprieve. God, he's so hot.

"Well, like a good partner," you continue. "I'm trying to help you get some of this project done, and maybe if Robin were here, she could've helped," you defended yourself, crossing your arms, "which I'm still confused about, by the way. You said something about her telling you earlier how I invited you guys and some other people to work on the project together, but then she doesn't show?"

Steve leans back in his chair, also crossing his arms. You glance down for a quick second and send a quick thank you to anyone who's that Steve is wearing a tight shirt that beautifully enunciates his biceps. Or maybe you should be mad at them, you don't know yet.

"Maybe it's the fact that she noticed, like I did, that it's been a month since this project was assigned and we haven't even started," Steve countered, "which is unlike you, you usually want to get stuff done ASAP."

You look at him in confusion. "How the fuck do you know that?"

Steve smirks, "I also happen to know that you don't have a sister, thanks to that lovely dinner with your mom." You shake your head in disbelief, mentally making a note to yell at your mom later.

"Isn't that what you said one of the many times I asked you to work on the project?" Steve looked so amused with himself, all cocky and proud that he had uncovered your lie. Your brain tried desperately to come up with a realistic enough explanation, but nothing was coming up.

You throw your hands up in defeat. "Ok, fine! I lied! Is it just so hard for you to believe that maybe, just maybe, not everyone in that high school wants to spend time with you outside of it?" Oh my God, why the fuck would you say that, you screamed internally.

Steve stared at you for a second before letting out a chuckle. " You know, I did think of that actually, but only for a bit." He reaches out for the book and grabs it from your grasp, flipping to a random page.

"You can only run away from a guy so many times before he catches a hint," he peers over at you, " and I mean literally, you're a fast runner, did you ever do track?"

"Yeah, in middle school," you answer quickly. Steve lets out a hum of agreement before placing his attention back on the book. You open your mouth, about to quip about being careful to not rip the pages when he speaks again. "I know I'm dumb, but I'm not an idiot, ya know?"

Your gaze snaps to his face. "Steve, I don't think you're dumb." He doesn't look too convinced. "Eh, I think you do. But you're interesting, you took me a lot longer to figure out than the others since girls just typically throw themselves at me."

You make a face of disgust, "Ok, you sound like a total prick, you know."

"Yep, heard it after I said it, but that's not the point here." He point his finger at you, "You have a crush on me."

You splutter out a sound of indignation. "Hello, what?" In your head, fire alarms are sounding. It's a code red, all hell is breaking loose. "Pfft, no I absolutely do not."

Steve raises his eyebrows. "Then how else do you explain the running away when you see me anywhere at school? You always have an insane excuse why we're not able to meet up to start the project, which some are hilarious," he admits, "but you've got me complaining about not doing homework, look what you've done to me!"

At this point you've gone silent, mouth agape with an excuse stuck in your throat refusing to come out. Steve's expression has changed, his eyes bore into yours with earnest, almost as if he's anticipating a certain answer, hoping for it. "So?"

You muster all the courage you have left and just when you're about to respond, Steve interrupts you again for like, the 15th time.

"Anyways, I've to get going, have some things to do and whatever." He gets up, shrugs on his jacket and then places his books in his backpack. You get up too, having absolutely no clue how to tell him not to go, that you want him to stay. "Steve, what do you mean?"

He glances over at you, "Nothing, I just have to go. I'm a busy guy." He starts making his way to your front door, leaving you behind in the kitchen, trying to understand what the fuck just happened. First, he accuses you of having a crush on him, which you do, and then he just thinks he can leave?

Oh, absolutely not.

With a new wave of determination, you catch up to Steve just as he's finishing putting on his shoes. "Say thanks to your mom for me for dinner, it was great," he says as he grabs the door handle. You don't let him continue with whatever stupid thing he was going to say next.

"Listen Harrington, I don't know what the fuck just happened back there, but the fact you think can just, leave after dropping a bomb like that is ridiculous," you say, glaring at him in annoyance, and Steve's just staring back at you with that stupid, stupid, smirk that has not left his face since the moment he stepped foot in here.

"So what if I did like you, huh? What if I did have a crush on you? Because I do, but that, quite frankly, is none of your business, none of your concern, actually, so... yeah." Steve is looking at you and you're looking at him, a little out of breath after your declaration. You don't have the energy right now to fully process what you just said.

All of a sudden, Steve seems to break character, the smugness gone, replaced with subtle endearment. He leans down and presses a swift kiss on your cheek before whispering, "Well, it's a good thing I like you too." He straightness back up and says, "I told you I knew you were different, you're a mystery. You're lucky running away seemed to work on me, by the way. I don't think it would for everyone else," he says while you stare at him in shock. You've been rendered silent once again, with nothing but the thought that Steve likes you back, repeating over and over again.

You clear your throat before speaking, "Well! Um, yay?" You truly have no idea what to do right now. Steve chuckles at your reaction, like he can't believe his words have caused you of all people, who continuously talk and talk and talk, to not have anything profound to say for once. He's kind of into it.

Steve grabs your hand and encases it with the other. "Come over to my house tomorrow after school, I'll drive you. We can work on the project and you know, talk, if you want." You nod fervently, "Yeah, yeah ok."

He smiles and drops your hand. "I really do have to go though, I wasn't making that up," he remarks as he opens the front door. "Oh, sure, that's fine," you reply. You hold open the door for him and watch as he descends the steps and makes his way towards his car. You watch him, holding onto the door for dear life.

As Steve gets into the car, he looks over at you and waves, "I'll see you tomorrow!" You wave back and yell back, "Yeah, tomorrow!" You don't go back inside until the car is out of sight. As you shut the door, you press your back against it, trying to wrap your head around what exactly happened in the last few hours.

Holy shit, you though, Steve Harrington likes me. Steve fucking Harrington. You let out an involuntarily squeal of excitement and immediately regret doing it as your mother calls down from upstairs. "Mija, are you ok? What happened?" Hearing her voice reminds you of her involvement over the events that transpired tonight.

Putting your happiness on hold for a moment, you start to storm up the stairs. "Mom!", you yelled, "How could you embarrass me like that, asking him to stay over for dinner, you know how I feel about him, I just about fainted 5 times throughout the night, how does that make you feel!? You almost killed me an—"

You would thank your mom later, because ultimately she helped, but for now, you'll stick to this.

[justin-chapmanswers]

hi Justin! just want to say I ADORE ii and it's one of my favourite shows out there; actually inspired me to start my own!

which is a lame segue into my question- do you have any advice for someone wanting to make their own show?

That's so exciting!! Art makes art!

Oh golly uhhhh. There's so so much to say in so many different departments. So. I'll keep it broad and of course anyone can ask more specific questions haha.

My go-to advice tends to be for creators to start as small as possible early on. Even if you aspire to create projects that are huge-in-scale down the line. So much about becoming a great artist involves moving through the stages of your art (whatever type it may be!) from start-to-finish, every step of the process, over and over and over again. So say in show creation, idk if you plan to be hands-on in every department or if you have a lot of help, but that could mean breaking down stories and outlining, writing, recording, constructing audio scenes and boarding, character and prop and background design, animating, music assembly, mixing, finalizing and editing, etc, over and over again. Obviously not every step may be involved in your project depending on what your goal is, but whatever it is that you do, do it sooooooooo many times.

While there's nothing inherently wrong with jumping in and making your first project something say, movie-length, or something immensely complex in scope, I do find it can, for many (not all) be limiting when it comes to learning a lot of fundamental building-blocks in craft. As well, I see a lot of people get lost in an overwhelming project, trying to focus on quality>quantity right out of the gate. But spending the majority of your time just on adding some extra polish as opposed to running through the whole process again and again can only do so much for you. Obviously, a mentality of quality>quantity is great once you have a strong baseline understanding of production. But again, I think it's a huge plus to work on shorts and teeny-projects to start.

Since the above is pretty dry, I'll add an additional fun one. I've found that a lot of newer artists will toss away the concepts that make them joyous in hopes that they can instead create something that fits an objective perception of "professional." Nothing wrong with that, but I strongly advise artists of all levels of experience to toss everything they've love about the world and other media into their work. Their favorite genres and tropes, the stupid inside jokes that make them light up with their friends that they can invite the audience in-on, adaptations of stories that have made them cry. Create the things YOU love to experience. It's fine to let go of what you think the audience wants. Cause that's not easily guessable. But what YOU enjoy is something certain to you. It's sorta like how they say, it's better to go to the gym and do an suboptimal-but-fun workout that keeps you coming every day than a perfect workout that leads you to quitting. Share your joy with the world, and someone will resonate!

Be silly, be cringe, have fun!

[topazadine]

Remembering Perspective When Writing Descriptions

Just a short pet peeve of mine, inspired by a shower thought, where I remembered the most terrifying description I'd ever read.

It wasn't bad, or even horror. It was well written.

However. The POV character described his *sister* in a way akin to this (my recreation, not the actual text):

Braden met his sister at the gate. They'd been apart for several years, and in that time, she had truly become a woman. Her curves had filled out, and her red silk dressed strained across her tight figure. Her long black curly hair shone in the late evening light, while her blue eyes watched him intently.

No, this wasn't a brocon thing. The (male) writer was just horny for his female character and ... kinda forgot that his MC, her brother, would not feel the same way.

Now, of course siblings growing up together are going to notice the other one maturing, but it's not going to be ... that. This is how I describe 17-year-old Uileac looking at his little sister, 13-year-old Cerie, in 9 Years Yearning:

She'd shot up in height this past year - almost as tall as him, to his dismay. Whatever they were feeding her in the meronym was quite good for her metabolism, as she'd put on a bit of healthy weight. Her cheeks were losing their baby roundness, and the autumnal light accentuated the sharp intelligence behind her green eyes.

In this description, you can feel Uileac's paternal attitude toward his little sister. "Oh, she's put on a bit of weight and isn't a total twig anymore! I'm glad they're feeding her well. Her face looks more adult. Fuck, she's almost as tall as me now ... I wish I weren't so goddamn short ...."

This is a much more normal way for siblings to talk about each other, if a bit more "dad mode" than the typical older brother.

Siblings who grew up together are not going to say "holy shit I can really tell my sister has become a woman, wow her dress is tight over her curves." If my brother had said that about me while we were kids, I'd throw up and dump a pot of soup over his head.

This kind of thing is generally accidental and has to do with how *you* feel about a character. But the thing is that even the sexiest femme fatale is just going to be Jennifer, The Stupid Annoying Sister, to their sibling. Our brains are literally wired not to see our siblings as sexy if we grew up with them.

There are many other ways that you must take perspective into consideration when writing descriptions. Here are just a few of them.

Sexual attraction/orientation

You're going to focus on different things if you're sexually attracted to someone; namely, you'll focus in on things like breasts, legs, abs, etc. You'll also likely devote more attention to describing people of your particular sexual orientation than you would one that you are not attracted to, and you will focus on different things.

This is part of why we hate "men writing women:" they describe every woman as if they want to fuck them. (See the first example.) It has to do with the places that their gazes naturally linger on any woman, which is what they consider important and what they focus on.

But the thing that they miss is that just because we are sexually attracted to a specific gender does not mean we would want to bang anyone of that gender. I am a lesbian, but the way I would describe my mom or my therapist is vastly different than how I would describe a woman I am actually attracted to.

Romantic interests should get a more sexualized gaze; not exploitative, just more in-depth, and with more focus on their figure, specific details, etc. Everyone else should get a more basic look at eyes, hair color, height, build, and so on.

Feelings about a particular person

You're going to be more forgiving and complimentary toward someone you care about than someone you hate. Things that would be charming on a friend will be downright annoying on that one asshole at work who always throws projects to you at 5pm on a Friday.

A lover's thick eyebrows might be called "dashing" or "strong," while on an enemy, they'd be "overbearing" and "harsh." Your bestie's lisp is cute, while it seems babyish on your school rival. Your dad's meandering sentences give him a sense of harmless musing, but they make someone else look like an idiot.

If you have a character that is prejudiced toward a given group, they are always going to describe that group more harshly than they would a favored group. If they don't like authority figures, a police officer leaning toward them will seem menacing, when they wouldn't even notice it otherwise.

It can be very fun to give two characters similar traits but describe them differently based on the POV character's perspective of them. Readers might not even realize that it's the exact same physical feature!

Previous experiences at a given place

When describing settings, we're going to give more attention to somewhere we care about, like our home. I imagine you can tell me about every chip in the paint in your bedroom, or that one weird stain in the floorboard that you've tried everything to fix. Many times, this is a good time to add depth to the character's backstory by briefly mentioning previous occurrences there.

Would you notice any of those things about a place you're visiting for the first time? Probably not. You'll give a more global attention to the scene and provide impressions, not specifics.

Depending on how nervous or adventurous you are, you'll look for similarities or differences to things that you're accustomed to. You might compare it to other places you have been, trying to get a frame of reference.

If you're on a vacation and were really looking forward to coming to this specific spot, you will likely hone in on exactly what you came to see, whether that's the scene from a particular hilltop or a cafe, and this will get the most description.

Current Mood

Descriptions change with a character's mood, even if they've been in that place a millions times. People just notice different things depending on their mood; if they're happy, they'll look for things that support that mood, while if they're upset, they're pointing out the negatives.

For example, consider someone walking into a court room when they are on trial versus when they are there as a simple court reporter. The person on trial is probably going to be glancing longingly at the door, picking out the angry faces of observers (or assuming the observers are angry), focusing attention on the security guards, staring at the plaintiff with hate in their eyes.

The court reporter will likely pick out anyone they know in the room before looking at anything else. Then, they'll check out the defendant and plaintiff with idle curiosity. Since they are more familiar with the room, they'll gloss over the boring details that they have already seen a million times, giving them only a cursory once-over to see if anything has changed.

Current Need

Your character's objectives need to taken into consideration as well. As an example, remember the last time that you really needed to pee while you were out. Were you slowly and casually admiring the scenery? No! You were hunting for the bathroom. If literally anything registered for you, it was anything that looked vaguely bathroom-sign-shaped. Everything around that bathroom sign, and on your path toward the bathroom, got more attention and description to you than anything else.

Your character's interests

When describing a scene, you don't need to take time and define every single little thing in a character's path. It's annoying and overwhelming. You need to give us a basic overview (it's a forest, it's a grocery store, it's an abbatoir) and then hone in on the specific details that your character finds interesting in order to fill out the entire scene.

We, as people, focus on things we care about, things that we feel are relevant to us. Different people will notice completely different things when they walk into the same room. An animal trainer will appreciate a big pet bed and an ergonomic food bowl. An artist will admire the artwork on the walls. A computer nerd is going to roll their eyes at the scuffed-up Mac laptop.

This doesn't mean that you can't describe other things, too; it just means that your character's attention is going to be drawn to stuff that they, in particular, like or dislike.

Things like where a character's gaze lands, how they describe things, and how much detail they give to any particular element are an important part of secondary characterization: how we get to know a character beyond what they do or tell us. It helps to create a fuller picture of their relationships, their interests, and their thought process, and it deserves just as much attention as actions and dialogue.

If you enjoyed reading this, perhaps you'll consider purchasing my book, 9 Years Yearning. No weird sibling vibes I prommie

[dilfsfordinner]

Escarmiento- Miguel O’hara x fem!spider reader

a/n- spoiler warning for atsv!!! Some of the things in this I don’t agree with based off of my personal opinion for certain characters, but y/n, for story sake, agrees with Miles

warnings- eventual smut, predator/prey dynamics, spanking, edging, degradation, explicit language, size kink, biting, mean/rough sex, unprotected sex, vaginal fingering, creampie, aftercare, soft miggy after he realizes he was an ass

—————————————————————————

“You’re an anomaly. You don’t belong here, you don’t even belong in your universe. Everything you’ve done…”

The sound of your husband’s voice rang between your ears as you squeezed between the growing crowd, the dark blue and red of Miguel’s “lair” reflecting off the suits of the hundreds of spider people slowly congregating around the boy you knew as Miles Morales. For weeks, Miguel was infatuated with this Morales kid, infatuated with the idea of capturing him so that he could save everyone, so he could save you, as he loved to say.

Slowly but surely, you found yourself standing at the front, watching as the young boy was on the receiving end of a very familiar type of lecture. “-kid, you can’t have everything, you can’t save everyone. Spider-man makes sacrifices, that’s the way it has to be,” Miguel’s tone was strong, unwavering, as he told the kid the unfortunate truth of the situation.

Gwen, Peter, Hobie (who could not care less about the situation), Jess, and your husband all battered the kid with their takes, with their opinions on the situation and you could tell that he wasn’t having any of it. The others in the room also thought it their place to partake in this ping pong match of morals, their voices overstimulating even to your ears. It was obvious that Miles felt suffocated, lied to, attacked, and you couldn’t just sit back and watch.

“What if he’s right?”

…

The room went silent at your words, every single spider lensed eye turning to look at you as you stepped forward, a pair of scarlet eyes meeting your own, narrowing slightly. “What if nothing happens? I mean, how are any of us supposed to live if we stay trapped by the rules of the unknown?”

A sigh left the lips of the spider you knew all too well, his gloved hand running down his face as he turned to you. “We’re “trapped” by those rules for a reason. They’re the only thing holding everything together. You should know that more than anyone.”

Yes, you knew all too well what would happen if the canon was disrupted, being Miguel’s only pillar to trust and lean on for him to be vulnerable enough to share his story. That was one case though. One instance out of countless others that were possible.

With careful steps, you walked toward them until you were side by side with Miles, his wide eyes watching you literally take his side, the first out of hundreds to step up.

“Amor.. being bitten by that spider should’ve caused irrevocable damage in his universe, should it not have?” You questioned him, his strong arms crossing as he pondered the fact, “It wasn’t canon, so by your reasoning, all hell should’ve broken loose in his universe. But it didn’t. Miles may very well be an anomaly, but if he can commit non-canon acts without consequences, there’s nothing stopping us from letting him save his father.”

With a scoff, your husband’s hand turned to gesture the scenes projected behind him, the sight of universes crumbling, millions of lives wiped out due to one action. “This is why we can’t let him. If the kid is allowed to do whatever he wants, every single universe would end up in shambles because one little thread of reality was tugged loose.”

You wouldn’t admit it out loud, but to some degree, you did agree with Miguel. You knew how important it was to uphold the rules of the multiverse, but there was just something different with Miles. You couldn’t help but think that this was different, that his case was truly unique.

“He’s staying. I don’t care about hypotheticals or any other possible outcomes-”

Using Miguel’s voice as a cover, as inconspicuous as possible, your gloved hand lightly tugged at Miles’ pinky, and when his eyes glanced at your still frame, you whispered under your breath, “Use your palms.” Miles’ eyebrows furrowed at your comment, his shoulders squaring as Miguel approached the both of you.

“-he’s not going anywhere until we know for sure that he’s not a threat.” Miguel’s hand closed around your wrist, pulling you away from the boy’s side as you watched him pull a red disk from the air behind him, casually throwing it at the boy’s feet, a red cage snapping up around the panicking kid.

Miguel was immediately battered with pleas to let him go, specifically by Gwen and Peter, as Miles yelled and slammed against his enclosure. Slipping away from the turmoil and shouting, you caught Miles’ gaze and nodded slightly, his eyes going wide at the realization of your words. His hands pressed against the red lining, a muttered sentence leaving his lips before the cage shattered and every single spider-person was thrown backwards by the sheer force. Everyone besides you of course, who was conveniently standing next to a freed Miles, your webbing attached to the floor the only anchor you had to prevent from flying back.

Scarlet eyes immediately snapped to you, your gaze full of guilt as Miles turned to sprint, your legs quickly following as the shout of your name boomed behind you, your eyes flitting back to find a rage-filled Miguel with hundreds of spiders at his heels, pursuing Miles, and unfortunately, you as well.

—————————————————————————

Part Two

[aliceintheworld]

PURE ATTRACTION | JJK | TATTOO ARTIST

Pairing: TattooArtistJungkook X NaiveReader

Summary: "I shouldn't be watching a man undressing, especially not from the house next door."

Warning: Intolerance, toxic religion, parental relationship, Jungkook taking off his clothes 😮‍💨🤲 very dumb reader.

A/N: This is my first fanfic on Tumblr and my first BTS one. I know, it's embarrassing. The story isn't that great, and it probably shouldn't be the first one I post here, but the characters took on a life of their own without my consent, and I've been writing this since 2022 (fuck), so here we are. Please keep in mind that English is not my first language and that the reader is extremely annoying. See you on the next chapter! Thank You.

Next Chapter

Chapter 1

I organize the things from the bazaar as I go through the accessories spread out on the table. It's a calm easy task and I've done it more than a thousand times, so even with my eyes closed the job is done masterfully. My mother is next to me, quietly, listening to music on an old radio that she refuses to throw away. It seems that, since it's a radio she got as a teenager, the object has a deep meaning for her and she doesn't even like the thought of exchanging it for something more modern. I hum along too, trying to tune my voice in some parts where the music gets harder and the notes get higher.

Usually on the weekends, every Sunday, my mother and I go to church and the bazaar after the service, to raise money and help the pastor's project. Pastor Leen is a good man and always helps everyone in need, so this semester, during these last months of the year, he has been focusing on the animals that live on the streets. Everyone in the community who goes to church participates and helps in whatever way they can, whether through donations or fundraising, like my mother and I do. That’s why we gathered some clothes and items for the church bazaar, and with the sales, we can do our part. It's exhausting, but rewarding in the end.

During the week, I study at the university in my town and work at the library, so there's not much time for rest, but I like having a busy life. Although I know that, for some people, my idea of a busy life might not seem busy at all. At twenty-one, I’m supposedly supposed to be somewhere else in the world, enjoying my youth and partying with my friends, but strangely, I never wanted that. Whether it’s because of my mother, who always instructed me not to follow that path, or because I’m just introverted, I’ve never gone to parties or had adventures that I could look back on later. The most out-of-the-ordinary thing I've ever done was drink beer when I was eighteen and regret it the next day, feeling guilty for being influenced by a friend.

I’ve never left this town. I’ve never dated. I’ve never been to a party. I haven’t done many memorable things in life. Sometimes I wonder if I’ll regret not having these experiences someday, but I’m so tied to the way I live my life that it’s hard to change, even just a little. Habits are hard to break, whether for better or worse. I’m pulled from my thoughts when the store door opens and Mrs. Jeon walks in with a smile on her face and two heavy bags in her hands. I quickly get up intending to help her, but my mother is faster.

“Good morning, Eunji,” Mrs. Jeon greets my mother, letting out a relieved sigh as the weight of one of the bags is lifted from her hands. “Good morning, Y/N, how are you?”

“I’m fine, Mrs. Jeon. How has your week been?” I ask, taking the other bag from her. I peek inside and notice that it’s full of men’s clothes, judging by the size and the predominantly dark colors.

“Radiant, actually. My son arrived in town last night,” she says, her smile widening. I’m surprised because I didn’t know she had a son. Mrs. Jeon moved to town six years ago, and I don’t recall any son visiting her or her mentioning him. This is the first time she’s spoken about it, at least in front of me.

“Your son, Jungkook?” my mother asks, curious, and our neighbor nods, still beaming. “Doesn’t he live in Seoul?”

“Yes, he does. But he’s been expanding his business, and I invited him to visit, and coincidentally, he decided to open a branch here,” she explains, tucking a strand of dark hair behind her ear. My mother instantly flashes a smile. An interested smile that I know all too well.

Of course, because I’ve never dated, my mother is always trying to set me up with someone. Not that I want her to. I never asked her to make all this effort, much less to convince the church ladies to introduce their sons just because I’m single. It’s embarrassing, as if I’m not capable of finding someone on my own without my mother’s help, but she doesn’t listen, even when I had an honest conversation with her asking her to stop trying to play Cupid.

"What kind of business?" my mother asks, and I try not to roll my eyes. For a woman of God, she worries way too much about money and status. It's a controversial topic that has led to arguments between us in the past.

"He's a tattoo artist. He owns a tattoo studio in Seoul," Mrs. Jeon explains with a proud smile, and my mother's face immediately turns serious. The charm of a potential son-in-law is lost. Of course, no one is ever perfect enough for her—or for me, in her eyes.

I love my mother. She’s strong, and many times I look up to her when making important decisions, but she judges people too harshly. Ever since she joined the church when I was younger, she’s changed. She changed her clothes, the way she speaks, and even her thoughts. I can’t even remember what she was like before, and even though all these changes were a support for her after my father passed away, some aspects of the situation still bothers me. The fact that she believes people are going to hell just for having different opinions and ideas is one of them. Of course, I don’t argue with her about it and rarely express my point of view. If she knew how I really thought, I’d be a princess locked in her room, with no peace and even less freedom than I already have at home.

"He's a tattoo artist?" my neighbor nods, not noticing the bitter tone in my mother's voice. I decide to step in, anticipating some sharp comment from the woman beside me.

"Mrs. Jeon, thank you so much for the clothes and for your help. Just today we had three customers, and the clothes you donated sold very quickly," I interject, changing the subject. The tension in my shoulders eases as my neighbor shifts her focus to the bag in my hands.

"Oh, no need to thank me. I want to do as much as I can to help the animals. I adopted a puppy last week and I’m in love!" she says, placing her hands on her cheeks with joy, and I can’t help but smile. Mrs. Jeon is one of the few older people from the church that I enjoy talking to.

"What’s his name?"

"Gureum. He’s an angel," she says, forming the small size of the puppy with her hands.

"Gureum? Don’t tell me he’s all white," I guess, laughing at the name.

"He is!" she laughs with me, jingling the keys in her hand. "Anyway, I hope we get plenty of donations this month. I can't wait to see the results of our work."

"That’s true, Misuk. This month the winter will be harsher, so we have to act more quickly this year," my mother continues, and the conversation shifts to the church project. I feel more relieved as the minutes pass and Mrs. Jeon leaves. Not because of her, of course, but because of the situation itself. My mother is very straightforward and usually says what she thinks, no matter who it hurts. I don’t want my relationship with our neighbor to be ruined just because my mother doesn’t know how to hold her tongue.

"Did you hear what she said?" Eunji asks, her eyes wide, one hand on her chest as if she’s deeply shocked. "Her son is a tattoo artist! Do you think he has those awful marks all over his body?"

"Probably, Mom," I sigh, trying to focus on the clothes Mrs. Jeon just brought. "And Mom, don’t talk like that. She’s our neighbor."

"Even so! Y/N, that only happens when parents don’t know how to properly guide their children. How can a mother, who goes to church, let her son go down such a horrible path in life?"

"We don’t know how her son lives, and it’s none of our business, Mom!" I try to keep calm as I fold a large black T-shirt, but then I remember that before organizing the items, we have to wash them, and I couldn’t be happier about that.

Usually, the clothes are washed at our house, and my mother still has to stay at the bazaar for a while longer. Honestly, I don’t want to be around her listening to how good of a mother she was just because I go to church and don’t have a tattoo on my arm. It irritates me, and it’s hard not to let her notice, but for the sake of peace, I try my best, nodding and agreeing with all the nonsense she says.

"Mom, I’m going to take all these things home and get everything ready for the bazaar, okay?" I try to force a smile, but my face feels stiff. My head is throbbing, and I can’t wait to get home. I’ve been out of my room all day, and there’s nothing more exhausting than that, at least for me. She murmurs in agreement, probably annoyed that she can't keep talking badly about Mrs. Jeon’s son, but I don’t care and just leave.

I regret it a little halfway home because the bags are heavy, and even though the distance isn’t long, it’s hard to carry all the clothes by myself. I arrive home out of breath. The sky is overcast, with dark gray clouds covering it, but I’m sweating as if I just ran a marathon. I laugh a bit at my lack of fitness, promising myself that I’ll start the morning walks I keep putting off, and I head to the laundry room to start organizing the clothes.

When I open the bag, I’m surprised by the items. Not only are they of good quality, but I’m also certain they don’t belong to Mr. Jeon. He dresses well, but not in this style. I can hardly imagine him wearing black jeans or a heavy jacket. I’m intrigued by who the owner might be, but I don’t waste time pondering it, too tired to unravel mysteries that aren’t even important. I leave the laundry room once everything is organized and head to my room, throwing myself onto the bed.

My room isn’t particularly special or different, but what I love the most about it is the bookshelf filled with books covering almost the entire wall. It was my dream from a young age to get a job and buy every book I was interested in, and luckily, that’s been possible since I started working at the library. It’s the perfect job for me, even if it’s temporary. I’m studying literature to become a teacher, and I can’t wait to start working in my dream job.

I sigh and pull my phone out of my dress pocket, too lazy to take off my clothes and go shower. I groan, placing my hands over my face, knowing there’s no escaping it after being out of the house all day. There’s no way I’m going to bed like this. Reluctantly, I get up and untie my hair, which falls in waves, heavy against my neck.

I bend down to grab the hem of my dress and start pulling it up, feeling even more tired. Today was such a long day. I can’t wait to go to bed and sleep until tomorrow. I take off my socks, lifting one foot behind the other, and as I head to the towel inside the wardrobe next to the bed, I unhook the bra that’s been bothering me all day. The relief is so immense that I let out a sigh, touching my breasts with my fingers and playing with my nipple, hardened by the cold air.

On my way to the bathroom, I stop and look at the window when I notice that the neighbor’s window—the one that had never been opened until now—is, in fact, wide open. I need a few seconds to realize that there’s someone on Mrs. Jeon’s balcony, and worse, it’s not her on the other side. It’s a man. The most handsome man I’ve ever seen in my life.

I hide behind the bookshelf in my room, afraid that he might think I’m spying on him, but for some reason, I keep watching him with curiosity, hypnotized by the way he moves around the room and among the furniture. His dark, wavy hair falls over his face when, out of nowhere, he starts pulling his shirt over his back, taking it off lazily while focusing on the phone in his hands. He gives a small smile, almost as if he subconsciously knows the effect he’s having on me. My heart beats hard against my chest, and my breathing quickens; my mind fills with fantasy images of his pink lips and large, seemingly soft hands.

He is... gorgeous. Different. With tattoos all over his body. One of his arms is completely covered in designs, and his chest is adorned with images that I can’t quite make out. My mouth waters as my eyes roam over his strong back and shoulders. His pale skin glows under the dim light of the yellow lamp, and it’s hard to catch my breath. It’s like observing a work of art. A forbidden work of art, I know. It’s wrong. But I can’t convince my mind that I should stop. The man, still a stranger, smiles at his phone as the screen lights up his face. Unlike his body, which exudes sensuality and is intimidating, his smile is sweet and gentle, and the most charming I’ve ever seen. He tosses the phone onto the bed, unbuckling the leather belt around his waist and deftly undoing the buttons of his jeans. That’s when the trance that literally had me delirious breaks. I slam the window shut, desperate at my own madness.

What was I doing? How could I have seen a stranger stripping like a complete pervert? I feel so bad, guilty for having crossed the line and done something as wrong as this. I gulp, covering my face with my hands. I let out a tortured sigh and feel my heart racing uncontrollably. I am sweating, as if I had done a heavy workout, when in fact, I had been standing still the entire time. I peek through the gaps in my window to see the room in Mr. Jeon's house, but I can't see anything anymore and I don't have the courage to open the curtains and try to look at the man again.

It's the first time in many years that I have felt something like this. Could it be desire? I can't remember the last time I felt anything like this. I recall having a small and first crush on a boy at school, something innocent, when I didn't even know what it meant to like someone romantically or as a friend. This was, throughout my life, the only consistent experience in recent years. It scares me that suddenly I feel something different for someone, even if it's minimal. I let out a sigh and cover my face, embarrassed by my own behavior. To make things worse, I'm not even wearing clothes. I rush to the bathroom and close the door, staring at myself in the mirror. I am so dazed that even my cheeks are dark red. I close my eyes tightly and head to the shower, trying to let the water wash away my thoughts. It doesn't work. I spend the whole night gazing at my bedroom window, full of images that I can't forget or erase.

I have a normal day after the almost exhausting night. I study in the morning about different approaches with children on the autism spectrum, which I find completely interesting and complex, and then I work in the afternoon at the college library on campus. This is actually great because I can study even during my work hours with free access to all available books, which has saved my life in recent months. The first semester of classes was tough, but this second one has been terrible, with piled-up assignments and deadlines that are almost impossible to meet, at best. My life has revolved around this routine, and the ordeal of exams hasn't even started. On my way home, I stop at a convenience store to buy something to eat and bike towards my house, which, honestly, isn’t very far but is extremely tiring.

I get home exhausted, collapsing on the sofa almost immediately. My mother appears from the kitchen with a serious face and a tense expression, as if something very grave had happened.

"You won't believe who invited us to dinner." she comments, placing one hand on her hip.

"Who?" I ask, just out of courtesy. Besides not being hungry, I'm not interested in the subject, too stressed with college stuff to pay attention to my mother.

"Misuk."

"And what's the problem, Mom?" I roll my eyes. Until yesterday, my mother had no problem with our neighbor, and now she acts like the woman is forbidden or not good enough to be her friend.

"Did you forget, YN?" she asks, crossing her arms. "Her son, the one from Seoul, will be at the dinner."

I turn pale, my mouth dry. How could I have forgotten this? College has consumed all my thoughts during the day, but I would never forget that man. The man I saw through the window is Mrs. Jeon's son, I suppose. I concluded this after spending the whole night mulling over my thoughts and reliving that body and face, which I can’t even recall without blushing. I’ve already eaten at college and feel satisfied, but the first thing I do when my mother mentions the dinner is smile.

"I’ll go with you." I affirm, unsure. If my heart raced so much from a distance of Mr. Jeon's son, I can't imagine what will happen if I see him up close. But I'm so curious that I can't avoid it. I want to see him. I want to prove that everything I felt last night wasn’t just a product of my imagination tainted by romance novels.

"The truth is, I wanted to cancel the dinner."

"You didn't cancel, did you?" I ask, trying not to sound too desperate. My mother shakes her head, which makes me sigh with relief.

"No, but I'm curious about the guy. I want to see what he's like and make a better judgment about him. I just ask that you don’t get involved with that kind of person. He’s a tattoo artist and lives alone, so young. Who knows what he does alone in a city like Seoul." she says, and I agree with a noise in my throat.

I’m also curious about him, Mom, but not for the same reason as you. I stay silent as I go upstairs to my room. I look for some slightly nicer clothes without much expectation but I don’t have anything different from conservative or old. I feel sad for no reason and convince myself that it doesn’t matter what I choose to wear; a man like the one I saw last night will never be interested in me, no matter what I put on. I quickly shower, then, after my mom calls me from downstairs, I look at myself in the mirror, staring at the dark blue dress that goes down to just below my knees. I roll my eyes and simply go, with little enthusiasm.

My mom has a bowl with a freshly baked cake, and after saying it's for the neighbors, we head out. It’s the house next door, but the short walk feels like an eternity to me. My heart races as we approach, and I let my mom lead the way, walking ahead. She knocks on the door with three taps, and we don’t wait long before Mr. Jeon appears. He’s a man in his fifties, but very handsome and friendly, wearing a long-sleeve shirt and comfortable house slippers. He smiles at both of us, still holding the doorknob and giving us space to enter.

"Good evening, Eunji, good evening, Y/N." he greets us. I nod, a little embarrassed. Unlike Mrs. Jeon, I don’t see him often, as he is very busy with work and doesn’t attend church regularly.

"Good evening, Yejun."

"Good evening, Mr. Jeon. Thank you for having us." I smile, genuinely grateful. I truly like the couple, as every time I see them, they always treat me very well.

"What a polite girl, isn’t she?" he says to my mother in a joking tone, then looks at me kindly. "You don’t need to thank us. We love having you two here. Please come in and make yourselves comfortable."

"I brought a cake for after dinner." my mom says with a smile. "Where is Misuk? I want to give it to her."

"She’s in the kitchen, finishing organizing things. Shall we go there?"

I follow them in silence, having little to do. My mom is more accustomed to the environment, as she comes here a few times for church meetings. I take a few steps toward the kitchen when a noise on the stairs catches my attention. Then he appears, and like magic, everything I felt before resurges, ten thousand times worse. I catch my breath as I see him slowly descending the stairs. He is much taller than me and different from what I imagined, now up close.

His eyes are dark, bright and large, which strangely complements his sharp jawline. His lips are a beautiful pink that makes me run my tongue over my mouth, enchanted by their apparent softness. Pink is now my favorite color. He exudes a powerful aura with his heavy clothes and his body built like a big mountain towering over me, but when he smiles, I am captivated. His smile is sweet, friendly, and inviting, making me want to get closer. However, the thing that catches my attention the most is the eyebrow piercing. My God. What a man.

"Hello, how are you?" he says with a boyish smile, and I blush instantly. I try to maintain a mantra in my mind, repeating several times: calm down, calm down, calm down! "My name is Jungkook, are you my mother’s neighbor?"

"Y-yes." I stammer and almost instinctively close my eyes, frustrated with myself. He smiles even more, squinting his dark eyes as if he finds me amusing.

"Nice to meet you. What’s your name?" he asks with a soft voice, and I feel embarrassed for not having said my name earlier.

"My name is Y/N. Nice to meet you." This time I don’t stammer, but I speak so quietly that I fear he might not have heard me.

"Nice to meet you, Y/N. My mom talks a lot about you." he says, confirming that yes, he did hear me.

I open my mouth to try to say something, but suddenly my mother appears. I don’t know whether to feel relieved or disappointed. I wanted more chances to talk and discover new things about him, but all I was managing to do was look like an idiot who hasn’t left the house in years, completely antisocial. My shoulders slump, and I follow my mother to the dining room in silence, feeling embarrassed. I can almost feel Jungkook’s presence behind me, but I don’t have the courage to turn around and glimpse his expression. I almost automatically remember him taking off his clothes, showing the tattoos that are now hidden, and I flush even more, almost choking on my own saliva.

"Good evening, Y/N!" Mrs. Jeon smiles at me, already seated at the table. I feel guilty for almost drooling over her son earlier but I smile, greeting her in the same way.

"Good evening, Mrs. Jeon. The smell of the food is delicious, as always." I say, seeing the vegetables on the table and the meat next to it that looks divine. If I hadn’t eaten earlier, I’d be attacking the food, with respect, of course.

"Always so sweet, Y/N." she smiles. "Please, have a seat. Jungkook, sit next to her." she requests. I try to not choke again, just nodding, watching the man I am incredibly attracted to sit to my right side.

His parents and my mom engage in a lively conversation, and I try to pay attention in case they ask me something, but the truth is, I can’t follow along at all. Jungkook eats in silence and occasionally answers my mother’s questions, which I’m sure are meant to gather more material for judgment when we get home, but I can’t follow any of the reasoning. Besides being handsome, polite and kind, he also smells good.

With the clothes he wears and the tattoos decorating his body, I would swear his perfume would be woody and strong, but it’s quite the opposite. His scent reminds me of spring, or nature like a field full of flowers. It’s a scent I could absorb all day. Lost in thought while I play with the fork on my plate and the cabbage kimchi I served myself, I don’t notice him coming closer to me and my ear. My whole body shivers with his breath. I try to not make it too obvious, but I think it’s in vain since I hear his soft laugh even closer to my neck.

"Do you want to go to the kitchen, Y/N?" Jungkook asks in a whisper so close that I look around just to make sure no one is watching, especially my mother, who seems to have already formed a prejudiced opinion about him.

"Why?" I ask in a whisper, confused.

"I want to ask you something." he smiles crookedly, which makes me even more disturbed. I nod, still unsure about what I’m agreeing to. He quickly stands up, and I almost instantly follow him. When we get to the kitchen, he turns around quickly, watching me attentively, crossing his arms over his chest.

"W-what do you want to ask me?" I swallow nervously.

"I was thinking whether I should talk to you about this, but after meeting you tonight, I think it’s for the best, anyway." he says with a serious face. His previously relaxed attitude changes completely, as if all the fun from earlier had drained away.

I become worried, my mind filled with questions, until something occurs to me. What if last night, somehow, he realized I was watching him? My body turns to jelly at the thought, and my heart beats faster as I look at his face. I would die, seriously. I would fall to the ground and never wake up again. My hands tremble as I wait for his question.

"Are you and my mother very close?" he asks in a whisper, this time with a weak voice, looking at his own intertwined hands. I nod in agreement, even more confused. Since Mrs. Jeon moved to my city, we’ve become something like friends, despite the significant age difference. I consider her, even if mistakenly, like a mother.

"Yes. I think we have a close relationship. Why the question?" he shifts uncomfortably. He tries to smile but can’t. I am worried but silent, waiting for his answer.

"My mother is sick, Y/N." he says quietly, with a weak voice. My eyes widen at the news. I never imagined this is what he wanted to talk to me about. From his seriousness, it seems to be something very grave. "That’s why I came to the city. She had depression years ago and last month she tried to take her own life for some reason."

"She didn’t tell anyone, I’m sure." I say as much as I can, still shaken and shocked. Mrs. Jeon seems so happy lately that I could never imagine something like this. My eyes fill with tears, but I try to contain the flood of emotions inside me, embarrassed to act this way with a previously unknown person.

"I know. I was shocked when I found out." he explains, running his fingers through his dark hair as if he were tired. "She wants to spare people from the situation, but I wish everyone could know and support her. She shouldn’t be thinking about anyone’s well-being right now, except her own. That’s why I came to Busan, to take care of her."

"I understand." I whisper with a lump in my throat. I want to take his trembling hands and assure him that everything will be okay, but I don’t have that much courage. I wish I were casual and authentic and had the ease to simply say what I’m thinking. It’s the first time that not being this way makes me upset and sad. I wish I could be someone else right now. I wish I could help more.

"I apologize for bringing this up so suddenly. I hope I haven’t ruined your evening. I’m sorry." he smiles awkwardly, puffing his cheeks, and a previously hidden dimple appears. His face turns red and I can’t help but like him even more.

"Don’t worry. Really. Thank you for telling me the truth. I want to help in any way I can. I'll try to keep her company more often."

"Thank you so much, Y/N." he smiles, with his eyes shining. "I knew it was a good idea to tell you the truth. I knew I could count on you."

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