Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.
Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.
Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.
Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.
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trying to become a wine couple with shouto and the two of you sit on the floor in the living room each with a healthily poured glass in hand while you try (and fail) to describe the tasting notes.
"it's very..." you run your tongue over your lips, as though catching the last drop that clings to them might be a breakthrough. "...dry."
shouto swallows another mouthful, his nose twitching a little at the taste—he doesn't seem to like it, but he's trying (mostly for your sake.) he considers your point, and then adds thoughtfully: "i think it's pretty wet actually."
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I believe in the healing power of dairy for food that Tastes Too Hard.
Coffee too bitter? A bit of cream will take the edge off of it a lot more than sugar does (those I'll admit to liking a bit of both)
Curry too spicy? Throw some sour cream or plain yogurt in to turn down the mouth-pain and keep the actual flavour
Accidentally put too much sugar in your bread? Toss some more butter in it and now it's French Pastry.
Potatoes too starchy? Cheese and/or butter and/or sour cream and now it's delicious and has all of the major vitamins and minerals you need.
Lactose-intolerants, I am sorry but this post is not for you.
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Soulmate AU where you get a certain taste in your mouth near your soulmate but Sanji’s taste buds are affected by his smoking - which he knows and does because he doesn’t feel worthy of a soulmate and is terrified to be a burden to someone someday and Zoro literally meets him the first time while eating his cooking so he thinks the special taste just comes from Sanji’s cooking and oh god both of them are so dumb and how long will it take them to figure it out
Zoro thinks that the cook always has a little sweet aftertaste to his meals and complains about it
Sanji thinks his cigarette manufacturer added a little mint to his cigarettes or something
(It’s only if they kiss that the taste goes away)
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Where is Subaru's apology video for characterizing Ram as lazy when in reality taking on HALF of the pain she's constantly in was enough to make him almost collapse? Show some fucking respect, if she can get up and clean a mansion, even sloppily, with that level of chronic pain+fatigue she's got more work ethic than the rest of the camp combined. We're not taking this from a guy who learned how to do chores at 18. Say sorry.
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gotta laugh at everyone who has ever said that "~unLiKE tHe pEtEr jACkSoN fILmS~ the trop people don't care about tolkien, don't care about middle-earth, it's a soulless adaptation for the money just because amazon is behind it" because (and i say this while also saying fuck amazon, fuck jeff bezos. it goes without saying - two things can be true at the same time, i can't believe it bears repeating)
how do you think films and television get made?? hate to break it to you, but it's all for the money. new line cinema didn't say "we love tolkien, pj, let's do this for free!" they were literally looking for a franchise hit when they decided to take the films over from miramax - which is exactly what every studio and their mom is trying to do now!!! it's movie business, baby! to say the people behind trop - the actors, the casting directors, the production designers, the vfx artists, the art directors, the armorers, the costume designers, the set decorators, the makeup artists, the ADs, the carpenters, painters, prop-makers, steelworkers, laborers, animal handlers, sound editors, miniature builders, stuntpeople, craftspeople, movement and dialect coaches, trainers, lighting techs, jewelers, etc. - don't care about the story they're telling???? is a wild reach. obviously they work for the showrunners who work for amazon who care the most about making a profit, but so did peter jackson and new line!! wanting your project to be financially and critically successful is not an inherently evil thing, come on guys, are you still buying into the starving artist fallacy 😭
there are tons of little nods to the silmarillion and other parts of the legendarium in the rings of power. yes, there are also changes and goofs, but lotr and the hobbit film trilogies also had their fair share of changes and goofs. i just think that "these people didn't read the books/this is just a money grab/pj & co. cared about the source material while these losers clearly don't" are tired arguments used to justify subjective opinions, not to mention the way it reeks of revisionist history considering the way tolkien purists initially took great issue with deviations made in lotr and especially the hobbit.
it's almost like...the most hated tolkien adaptation is ever the current one.
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it's like. louis attempted to tell this story to daniel the first time, broke down, and attacked him before he could finish it.
and then decades later he's convinced himself that it was leaving the story unresolved that's holding him back from living his life fully now. so he invites daniel back again. and louis is sitting poised and put together, confident in his ability to recite his history in a pretty, poignant, neat little narrative that will resolve all the guilt and yearning and emptiness inside of him. that if he can just tell a compelling, satisfying story, maybe it will actually be that, and not the life he lived through, with all the pitfalls of his own failures lurking inside.
and then season 1 ends with him once again being forced to confront that the story he wants to imagine and the life he actually lived aren't the same thing. the boundaries around his narrative are shredded and he's left exposed, and subsequently able to face his past for the first time since that original interview. and you think, you think, "well this is it. they've crossed the event horizon. there's no use hiding the truth anymore, not after it's come flooding out into the open like this"
and then season 2 opens. not only is it back to the original, practiced distance, we now have armand literally enforcing that distance. a man sitting at the table who's interjections must be disregarded, an intentional interruption to the flow of the story. he doesn't exist to aid or add detail, he exists to distract louis when he gets too deep in the story. the only time we do get louis allowing any deep truth to come out is when armand leaves the room.
it's like. louis wants a story that's true, and the truth is what he's convinced will leave him satisfied. armand wants a story that will satisfy louis, to the extent louis will accept it's true.
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