#and sometimes her heroines feel very queer and other times they don't and i want! to! understand!

[whimsicaldragonette]

Blog Tour: Looking for Love in All the Haunted Places by Claire Kann

Order

Add to Goodreads

Publication Date: May 21, 2024

Welcome to the Looking for Love in All the Haunted Places Blog Tour with Berkley Publishing Group. (This Blog Tour post is also posted on my Wordpress book blog Whimsical Dragonette.)

Synopsis:

Lucky Hart has an affinity for the supernatural, but almost no one takes parapsychology seriously. She’s estranged from her family, has lost her friends, and has been rejected from graduate school—twice. But her big break finally arrives when she gets insider info about a troubled production company. Every actor on their new show mysteriously quits after spending three nights inside Hennessee House, an old Victorian with a notorious reputation.

This May, Claire Kann, the author of The Romantic Agenda returns to the page with LOOKING FOR LOVE IN ALL THE HAUNTED PLACES (Berkley Trade Paperback Original; May 21, 2024), a heartwarming, fun, and thrilling supernatural romance for fans of scary stories and love stories alike. Kann’s debut was loved for its asexual representation and diversity wrapped in a delightful love story. Her newest features the same things her fans know her for but adds an unforgettable paranormal aspect.

In the book, Lucky Hart falls in love unexpectedly on the set of a paranormal investigation show. But she’s soon forced to choose feelings or career when the mansion she’s examining doesn’t want to share her attention.

LOOKING FOR LOVE IN ALL THE HAUNTED PLACES is a sweet take on a haunted house story, giving readers a charming single-dad, workplace romance setup and highlighting the experiences of an Ace, Black heroine. If you can’t get enough Halloween all year round, or like your romance with some mystery on the side, this is the perfect novel for you.

My Rating: ★★★

*My Review and Favorite Quotes below the cut.

My Review:

I enjoyed this story. It was sweet and wholesome and just a tad spooky, with a plucky protagonist, a super sweet single dad, and an adorable kiddo. Plus some other really great characters I wish we'd gotten to know more about. And Hennessee House of course.

While I for the most part enjoyed reading this, it was far too long and sometimes really dragged. It took me forever to finish reading it. If it had been shorter, I think I would have enjoyed it more. There's not enough substance there to warrant the length imo.

I really liked Georgia and Xander and I wish we'd gotten more of them. They balanced out Lucky and Maverick's intense insta-love thing they had going on.

I liked the asexual representation, although it sometimes got a little preachy and didn't always 100% make sense to me. But I'm willing to chalk that up to "everyone experiences asexuality differently." That's definitely a type of queer rep we don't often get in romance books so kudos to the author for including it as an integral part of Lucky's romantic experience and not just a sidenote.

The supernatural aspect I enjoyed but found to be very confusing at times. There were multiple times while I was reading that I got tripped up and had to stop and go 'wait, what?' because suddenly I had no idea what was going on.

The first time it happened was at the very beginning when Lucky is lying to Xander and team in hopes of getting the job. She tells the reader that she's lying, but not what the truth is or why it's important for her to lie, and I never felt like the lying was necessary. Lucky doesn't always explain herself very clearly, and she sometimes assumes that people will understand things when they (and the reader) definitely don't.

It was a fun story, not too scary, with just enough supernatural elements to be really unique. I think cutting a little of the length and adding in more of Georgia and Xander could have made it even better.

*Thanks to NetGalley and Berkley for providing an early copy for review.

Favorite Quotes:

A year ago, if someone told Lucky her experience being a nanny would inevitably lead to making a ten-year-old her partner-in-crime in a sentient house, she absolutely would've believed it.

[housewarningparty]

Hi hi! I was wondering, how do you choose what to read next? I know you get recs from friends and I assume you read stuff from authors you already know you like, but beyond that, how do you hear about new books? Goodreads? Sometimes I have a million books I want to read but other times nothing at the library is of interest to me and I tend to get stuck there mentally while waiting for my books on hold to be available 😂

Also, do you have any recs for horror books about ghosts? I want to read a good ghost book :) bonus points if there are sapphic ghost books!! 👻

there are a bunch of places i check in on to keep up on new titles or find out about interesting backlist stuff

first, for new releases, there are different columns/websites that exist just to catalogue the new stuff coming out (mostly from major publishers, if you're looking for indie or selfpub these probably won't help much)

io9 has their Bookshelf Injection column of new SFF (and some horror) that gets published every month

Jumpscares has a similar list for horror titles

for a more "literary fiction" bent you can always check out Bookmarks' Best Reviewed Books of the Week posts

If you're looking for a little more editorializing/reviewing I'd start looking around on sites like Book Riot (example lists include: Best Werewolves in books, 9 Books with Disabled Main Characters etc) or Electric Lit (Example: 10 Must Read Books set in Cairo, 7 Books About Grotesque Bodies).

Additionally, there are places to get recommendations that feel a little more tailored and personal. There are podcasts I enjoy for this (mostly for horror) like Talking Scared or Books in the Freezer. And there's always booktube (though finding a reviewer you like can be tricky) I like TheShadesofOrange, Petrick Leo, and Jess Owens.

There's also reddit (r/fantasy, r/horrolit, r/lgbtbooks, r/printsf are the main places I go to). Goodreads does have its uses, though admittedly I use it more to track my own reading and to follow friends, authors I like, and a handful of reviewers whose opinions I trust. Overall, I think the GR community as a whole is a total clown show and I don't put much stock into the rating system there.

If you have some favorite authors and they are on goodreads or social media, I'd say it's usually pretty worthwhile checking out the books they're hyping up.

finding new or interesting books is pretty easy, but choosing what to read from my own, admittedly ridiculously huge library? that's trickier. tbh, i mostly go on vibes.

alright for the second part of your question.

i love a good haunted house story!

anyone you ask with any taste at all is probably going to give you the answer i'm about to, but if you haven't read it yet, the #1 haunted house book I can recommend to you is Shirley Jackson's The Haunting of Hill House. It's a classic for a reason. If it sweetens the pot for you - the character of Theo is a lesbian. There's great subtext between Theo and the book's main character, Nell. A scholar recruits people who've had experiences with the supernatural to stay with him in a purportedly haunted house to see if they can come up with proof that ghosts are real. Shit gets whacky. One of the finest american novels ever written, regardless of genre.

If you want more sapphics and less house it might be worth checking out Plain Bad Heroines by Emily M Danforth (yes, the Cameron Post author). I had some issues with this one. I wouldn't say I didn't like it, but I know a lot of people liked it more than I did. It's very queer, has an interesting dual timeline - one plot set in the past tells the story of a mysterious tragedy befalling an early 1900s girls boarding school, the other plot is about a movie being made about those events in the present day.

The Red Tree by Caitlin R Kiernan - okay this one IS also about lesbians but it's probably the darkest book on this list. A struggling middle aged writer moves into a creepy old house after the death of her girlfriend by suicide. In the house, she discovers a lost manuscript of a previous resident who had been researching local folklore and documenting sinister events seemingly linked to the gnarled, tree on the house's property. Things do not go well. Very well written (have some issues with Kiernan but they're an incredible talent and, worth mentioning, they're the only genderfluid writer in the genre that I know of)

Another book I always recommend on this topic is Echoes edited by Ellen Datlow. It's a HUGE anthology of short ghost stories. Some of my favorite horror short fiction ever written is in this collection. It's a great way to be introduced to some of the best horror writers around right now - Datlow is a legendary editor. I recommend anyone interested in horror check out her collections. The stories in Echoes are varied in theme and from a variety of different voices.

Other ghost books that whip ass

Come With Me by Ronald Malfi - after his wife is killed in a mass shooting, a man gripped with grief discovers a secret she'd been hiding from him for their entire marriage. He picks up an investigation she had been secretly pursuing that sets him on a collision course with an apparent serial killer. A story of grief and the secrets we keep from the people we love.

The Good House by Tananarive Due - a woman has to return to her childhood home, still awash in the grief of losing her teenage son there two years ago. While staying there and with the help of an old friend, she begins to unravel the strange tangle of tragedies that have surrounded the house since her grandmother's time, and to uncover the truth of what really happened to her son. A story about generational trauma and breaking cycles.

The Last Days of Jack Sparks by Jason Arnopp - this one's great on audio. This book is told in the style of a posthumously published book from a VICE style douchebag journalist who was attempting to write a book that would once and for all disprove the existence of the supernatural. Extremely unlikable main character, but that added to the experience for me - I was very stoked to get to the part where bad things would begin to happen to Jack Sparks. This one's got a lot of dark humor and some genuinely scary scenes. Love it. Wish more people would read it.

Hope you find something in there you like! Good luck!

[mermaidsirennikita]

ARC Review: Fly with Me by Andie Burke

4.25/5. Releases 9/5/2023 (audiobook).

Vibes: hot lesbian pilot/anxiety-ridden bi nurse, mental health dealt with wonderfully, fake dating, trauma bonding in a good way, and very solid vibrator usage.

While on a flight to fulfill her comatose brother's bucket list, nurse Olive has to leap in and save the life of a passenger, unintentionally becoming a viral sensation. She wants to avoid the attention--but the super sexy pilot Stella makes an instant connection with her. So when Stella asks Olive if she'd like to fake a relationship in order to help Stella move up the career ladder... I mean, Stella is very hot.

A sapphic romcom debut that had me totally engaged the whole time--and it did hit me me in the gut a couple times. Yet it was also fun and sexy! Very impressed.

Quick Takes:

--One thing I really appreciated about this novel was the way that it was funny, but was also a bit devastating. There are a lot of intense things dealt with here. I never felt overwhelmed, however. A sad moment would be cornered by a happy moment. There was a lot of bittersweetness. Never in the romance, but in everything surrounding it. And I think that, overall, Andie Burke did a great job with having those issues act as an impetus for Stella and Olive to be together, rather than a distraction from their love story.

--I really appreciated the way this book touched on how nurses are diminished and dismissed by the general public, especially in the wake of COVID. The author is a nurse, and she does a great job of, again, framing this without letting it take over the fact that this is a romance novel.

--About this being a romance novel... I so enjoyed this love story. I often feel like sapphic romances kind of turn into "everyone is smiley and smart and they don't have dumb issues" stories. Which I get! We want queer love framed in a positive light. But the thing is, men in m/m romances get to be dumb and horny and messy.

Stella and Olive are undeniably both good people, but they are also dumb and horny and messy. A good part of the reason why Olive agrees to this fake dating scheme? Is because she really really really really wants in Stella's pants. And why wouldn't she? Stella is a hot pilot, hypercompetent, super lovely, and very good in bed. And you did get to see how good she is in bed.

I think that Andie Burke did a thing I would love to see in more sapphic romcoms, which is just like... mess. Olive and Stella act like a couple of morons in the best possible way, because feelings are hard. Olive has a crazy ex who I feel some may object to, but I don't know. She felt like an old school romcom crazy ex, which is to say, loathsome, but--not impossible. Especially with a partner like Olive, who feels so concerned about accommodating others.

--Speak of accommodating others, I will say, the emotional abuse Olive receives from her mother in particular is like... intense, and it's not the stereotypical sapphic romcom issue, and it did make me feel so fucking bad for Olive. The situation she was in is just impossible and heartbreaking and something I think a lot of people should put more thought into.

And frankly, there isn't a bow put on the issue at the end. Sometimes families are rough. I appreciated that this romance could cover love and cover that at once.

--That said, Stella has a similarly complex but more loving family unit. I don't think I've read a contemporary romance before where the heroine is gay and her dad is also gay? And we should see more of that.

--The one thing I will say is that I think Andie Burke could've written this as dual POV, and it would've benefited from that. At points, being in Olive's head only made it feel like she was a universal victim. I would've liked to see more of Stella's POV, not just because Stella is probably my favorite out of the two, but because she had a lot of her complex issues going on that I think we should've seen more of.

The Sex Stuff:

This is a slow burn, and it does take a while for this two to have sex. But when they do, it is quite hot. I really loved the usage of toys in this book, which we should totally see more of. I feel like whether I'm reading m/m or m/f or f/f or even poly romances, I don't see enough toys.

Anyway it was hot and I especially love the shower scene.

A very strong debut, and a great edition to the f/f romcom canon, which needs to be broader. The narration was solid as well.

Thanks to Macmillan Audio and Netgalley for providing a free copy of this audiobook in exchange for an honest review.

[ephemeral-winter]

🦋🍓💖

🦋  is there anybody you idolize? not at the moment no 

🍓 is there a piece of art (music, book, painting) that always inspires you? i’m always real fucked up by the prime of miss jean brodie by muriel spark because it is an incredibly well-constructed novel like every time i read it i notice something new about the structure and i WEEP it’s so good also the story is great and wow i really want to be able to write like that someday 

already answered the other one!

emoji (?) asks

[snowdropsandtigers]

I'd love to see you talk about the Black Magician Trilogy! I don't have a specific date in mind, so feel free to slot it in wherever, but it's always exciting to find other fans!

I am so sorry thisis late. I planned for it to be up at the end of January and then gotbusy, and it had been so long since I’ve talked to another fan Ineeded to figure out where to start.  I knew it would be a longpost—I was afraid I wouldn’t be able to make it long out offeeling rusty, but I knew it would be if I really got into it. Sohere it is at last.

Before I get intothe books themselves, I want to spend two paragraphs on somethingthat defined my experience with the series: the Black Magiciantrilogy forums I joined as “LittleRaven” during the mid2000s. Idedicate this post to its members. Wherever you are now, I love you.

I love the BlackMagician trilogy* the way I love Harry Potter. The books still feellike home to me. Part of the reason is the fandom: while Harry Potterfandom does have that sense of familiarity and coziness as I rememberdays past, it was in the Black Magician trilogy fandom that I found acommunity. Specifically, in the Black Magician trilogy forums (June2006-October/November 2012) hosted on then-platform Forumer (Ithink.) This was the first time I was ever an active part of fandom.I’d left reviews on fics, sure. I’d joined Yahoo Groups andoccasionally commented. I’d even written/plotted one or two ficsfor my earliest fandoms, Pokemon and Sailor Moon, though I neverposted them. But in the forums, I meta’d. I squeed. I posted mypoetry. I shared and even modded one of the subforums for a fewyears. (I was The Librarian of the fanfic/original fiction section.) We even talked about social issues with the books and the fandomresponse, without it ever becoming a war. It was one of thefriendliest fandoms I’d ever known, and small, so everyone kneweach other. I joined the first summer—probably the first monthtoo—after nearly two years of barely finding any fanworks for oneof my favorite series in the world, and I was not disappointed. Therewere years I didn’t show up a lot, but I always came back. ThenForumer sold its forums to Yuku and Yuku closed it down. It said thatmembers had been sent an invitation, and that it would reopen theforums as soon as one of the administrators made contact. I don’tknow why—to save space? In that case, the forums must have beenwiped from the Internet years ago because both our administratorswere long gone. One of the moderators, another member who, like me,had been there since the beginning, tried to contact the admin who’dstuck around longest and had no luck. I only knew this because Iremembered a member’s FF.Net alias and made a desperate attempt tofind out what was going on. I still miss it. The place had sloweddown a lot, but was still active everyday, and occasionally an oldermember would peek back in. Even when it seemed like we had saideverything we could about the books, we could still chat about otherfiction and even a little about our lives. The series would cycleback into discussion regardless, especially when the prequel and thesequels began coming out. (I really regret that it happened before Icould finish the last book and talk about it.) I’ve never been socomfortable in a fandom before and I haven’t been since.

Traces remain, atleast. We had a website with fanart; Trudi Canavan even commented inthe guestbook once. It was up the lasttime I checked, though my bookmarks were lost in a crash and I’veforgotten the link’s URL. (I searched before posting and it’s frozen. :C ) I remember Sheepy-Pie creating character plushies and thatshe gave some to Canavan at an event. They were so adorable! Iremember Lady Laura and Kasloumor and j-mercuryuk, Ronan, Akkarin,Lorlyn, ShadowEmpress, Lady Vinara, andso many others; I’ve only mentioned the people who stick out forhaving been there the longest or in the periods I was most active.

Now, the seriesitself. At fourteen, I was hooked by the heroine and the classpolitics; I don’t think much of the fantasy I’d read before thendealt with the latter, and while a marginalized protagonist wasnothing strange, Sonea’s reserved personality for most of the booksand her alienation worked on a different level for me**. She was aworking class girl on the edge of poverty being displaced into theslums. The tension of the two different lives she was pulled tobefore she became a magician got me and really grounded hercharacter. Grounded is the right word, really. She had old friends inthe slums she still loved but was distant from, and it made sensewith her background and the world-building. She remains distrustfulof the magicians and the higher-class world they’re connected tothroughout the entire series. She’s never popular, though sometimesrespected. She was hated and harassed, and often isolated to apainful degree, but she had people who cared. This sounds a bitvague; let’s say the second book—The Novice, for anyreaders unfamiliar—is a bit like the fifth book of Harry Potter, ifHarry was more isolated from his loved ones and more conscious of whyhis environment is working the way it is.  If instead of having afriend group where it’s “us against the world” adventures, he’dhad friends in different places—literally or figuratively—whohelp when they can, complicated by the difficulties of plot andsetting and life choices. I love Sonea’s reactions throughout:practical, carefully responsive to genuine attempts to reach out,perceptive, intense empathetic, blunt, impulsive, and very strictabout her personal code of ethics. Also, she liked poetry and thenarrative didn’t use that to create a hazy image of her as wispyand romantic. I liked that detail!

And she could besoft without being soft—she would help someone, she would treatpeople with respect for their humanity, but it didn’t mean she hadto be forgiving and throw herself into them. Or that she had toforget. If she didn’t fight someone, or didn’t fight the wayothers might expect, it was well-grounded in her personality, and  nomatter what she always resisted in whatever way she could, regardlessof it being glamorous in even the fictional kind of way. She hadtenacity. Sonea is a prime example of Goodis Not Soft. She was sensible, tough, and kind. As I said,empathetic. The way the first two books moved the plot while buildingher character made the third book work very well for me as payoff. Itwas always my favorite: the nature of the plot twist and Sonea’sresponse to it made perfect sense for who she’d been until now, andthe love story is one of my favorite executions of my favorite kindof ship, the heroine/antagonist. In large part because this was herstory. It wasn’t his story, or their story as a couple—althoughhis characterization, and that of everyone else, was well-served andcared about—but hers.  The books cared so much about Sonea’sinteriority and never subordinated her to the needs of plot, theme,or another character. I could believe why she loved and respected him(again, for the unfamiliar reader: the romance is not at theforefront of the story at any point.) I could believe why she wouldmake the decisions she made, in and out of romance, based on what shethought of the world and what she thought of herself. She’s soinformed by everything that came before, so solid. And I love thatshe made them; Sonea drives so much of her own story, especially inthe first and third books. She’s so active in the last one! Evenwhen she’s not as in charge of her life, I love how the books, assaid above, care very much about exploring her point of view in everysituation. Having limited choices, limited agency, doesn’t everreduce her to a prop: she remains three-dimensional, our clearprotagonist.  Sonea is well-rooted in her background, in the plot,and in the class politics story the narrative is interested intelling.    

The sequels aren’tas much about her, but they do present a believable trajectory forher character. Sonea is older, still fighting the world around herbecause she must, and because she cares, and taking support where shecan as soon as she recognizes it. The way she handles her son isperfect. And while I don’t have a rosy opinion of her new loveinterest, I love that the romance didn’t come with a capital R!It’s just someone she grows to trust and care for and wants to havesex with. I came away with the distinct impression that he loved herand she just liked him all right, and that that was just fine by thenarrative. Positive even, a good ending that left her story in aplace of renewal and refreshment. The sequel trilogy does well byher.

Another thing ofnote: I hadn’t realized it on the first read-through, but betweensome cultural details, the physical descriptions of Sonea and otherKyralians, and the author saying on her website (in a FAQ or a blogpost) that she was influenced by anime and Japan for Kyralia, Soneais the first POC and WOC protagonist I ever encountered in fantasyfiction, outside of anime/manga and Disney Princesses. I’m glad shewas done so well. I won’t say I’m without reservations on raceand this series, though; but I’ve never felt qualified to talkabout it. I am a brown woman, but I’m unsure of exactly whatcontext to place the series in, so I don’t know how to talk aboutthe ways it interacts with that context. I’ll just say that beforethe sequel trilogy, it bothered me that the darker-skinned Sachakanswere associated with slavery and decadence. I did think the sequeland prequel improved on this very much.

Something else thesequels did better with was the queer stuff. I liked Dannyl andTayend in the first trilogy, but they get a whole lot moreexploration in the second. And Lilia is one of the few lesbianprotagonists I’ve found in fantasy fiction. I did have issues withthe twist in the Naki plotline, but I’m glad she got a goodgirlfriend in the end. And a mentor in Sonea! If I remember it right;I don’t think I’ve reread the books since The Traitor Queencame out, and I’m not sure I reread that one. I think I was toobummed by losing the forums at the same time, and not having a placeto immerse myself in anymore.  So I don’t know how much I can sayabout the execution. But I did think Canavan did a fine job with hercharacterization, and I’m glad she went for more representation,more queer characters and more queer relationships that get narrativeattention and depth.  

I’ve gone on solong and I didn’t even talk about the prequel! I focused the poston Sonea and the prequel is set centuries before her time.  Iremember thinking it was a very effective setup for the futureconflicts Canavan had developed and would continue to develop in thesequel trilogy; I love that she’s so committed to the ramificationsof her political world-building on the characters and the plot. Itfelt, as her other works have done, bittersweet and real.

 Overall, I thinkTrudi Canavan does an excellent job of following fantasy tropes tocreate something that sets itself apart from the rest. Her scope isepic and personal, grounded in the characters, who are grounded inthe world-building. Everything is so well-integrated, feels socohesive. This is one of the most, if not the most, loving and richexecutions of the “poor orphan child with mysteriously powerfulmagic” stories I have ever encountered.***

It’s been a longtime since my last reread—probably since 2012, when the last bookcame out. I feel the urge to go back. Thank you so much for this ask!I hadn’t talked about these books in literally years; I was myability to do that had gone stale, and here I am, being so happy totalk about why I loved them. This has been a wonderful time to write.I’m only sorry it took so long to get out!

*It’s been aseries for years now, but I keep defaulting to “trilogy” when Ithink about it. I’ve been a fan for a long time. I greatly enjoyedthe rest of the books, but the original trilogy does occupy a spaceas as the trilogy for more than half the time I spent infandom, if memory serves. (And now I’ve checked, I remember thatthe sequels are called The Traitor Spy trilogy. So there’s thattoo!)

**Now I realizeshe’s a precursor to Emma Swan. I love finding connections betweencharacters I love. Although every time I connect someone to Emma SwanI always add “if Once Upon a Time’s narrative cared about herlike these other narratives do with their heroines!” Every time.

***I also lovedAlison Croggon’s books (The Naming and sequels—I thinkit’s the Pellinor series) for this, and talked about it on the BMTforums. I wasn’t the only one who loved them! They do have a moremythic, Tolkien-like tone and story than the Black Magician books,which are more overtly human-scaled. I compare them because they’reboth careful and detailed about their stories, and their narrativesshow love for the heroines by exploring their interiority, from painto joy, with dedication and respect.