#and some plotpoints they fucking HATED and everyone has different points which is why they fight so much

[pandoratheprocrasticreator]

At this point like 40% of what i like about the owl house is just shit i made up in my head lmao

[shewhowantsmouseears]

Wizard Of Oz Disney AU plotpoints

Unexpected Free Time strikes, and so I decided to do this early.

So before we get started, this isn’t going to be a case of someone flying in from a new world, this is all staying in Oz, so no “it was all a dream” stuff. And there are gunna be skips and gap points because I haven’t gotten this fully fleshed out yet, and not heavily detailed so… ah well. Here we go.

Minnie Mouse is a Munchkin, and Munchkinland kinda sucks

Every day, everyone hands their job to someone else – being Special and Unique and Very Good at something is frowned upon, seen as very rude, why would you WANT to be different???

Minnie wants to learn magic – more specifically, she wants to be a Grand Witch, the ones who govern all of Oz and are the strongest magic-users. She wants to use this power to help people, and to see more of the world than her oppressive and boring Munchkinland

In order to do so, she has to enroll in a special academy all the way in Emerald City, but also needs the Mayor’s permission to do so – which isn’t easy when the Mayor changes every goddamn day

TBF the Mayor, Munchkinland and all of Oz is kinda going through it – The Grand Witch Of The West, Magica De Spell has begun an uprising/invasion/rebellion, attacking other lands, and trying to usurp the Grand Warlock Of The North, Scrooge McDuck. So even people who like Minnie are like “why would you wanna get involved in that?!”

But luckily in a few days they’re expecting a visit from the Grand Witch Of The South, Daisy Duck. Minnie hopes she can leave a good impression on her and maybe get a one-way ticket to Emerald City!

Also she has a dog, Pluto, our Toto

On the day of Daisy’s visit, Minnie keeps trying to meet her but Circumstances prevent it, though she does notice Daisy is Very Tired and kinda moody

That night Minnie sneaks out of her house to try and see Daisy one more time BUT DRAMA

A three-way-witch fight! The Grand Witch Of The East, Magica’s own mother, Evelina, and Daisy are fighting off Magica, lots of hateful accusations being thrown, lots of property damage

Minnie wants to help, and maybe this can prove she’s ready for Emerald City? So she tries some of the magic she’s been practicing in secret, Wind Magic!

It starts small at first but when the other three take notice, suddenly it winds up into a tornado

It picks up an empty house and down goes Evelina

Minnie, of course, is horrified as fuck and begins hysterically sobbing and apologizing, running to the house to see if she can maybe save the squished witch – who is wearing silver slippers

Daisy and Magica seem awfully OK with Evelina being dead

But once she’s close enough, MAGIC HAPPENS and now all of a sudden she’s wearing the slippers, and can’t get them off

Now Magica LOSES HER SHIT and demands the shoes, saying they are meant to be hers, threatening screaming almost crying, but those things ain’t coming off, and Magica finally leaves but not after making some vague warnings

Daisy does her best to comfort Minnie who has been through Some Shit in the last ten minutes, but she can’t get them off either. She suggests the one who can is Scrooge, since his magic is the strongest, and even offers to escort her there

But the shoes ain’t having it, they have a mind of their own, and insist on walking their own path – a golden yellow brick road which forms as Minnie walks

Minnie and Pluto head off, and Minnie swears she can hear a voice in her head thanks to the shoes, but can’t tell who it is

Meanwhile, Magica’s at her Castle, and her Three Familiars offer to snatch Minnie and the slippers, she gives some vague responses

Eventually they come across a scarecrow, but wait, that’s not a scarecrow! It’s a boy tied up to a wooden post with a cloth bad filled with straw stuffed over his head

His name is Mickey and he comes from a local village, he too wants to be a Knight, someone who guards witches and warlocks, but he’s failed the test so many times his schoolyard bullies tied him up like this

He has a short-term memory issue and sucks at testing, and laments he will probably never be able to take the test again since he’s failed it so many times (Brain)

Minnie suggests he come with her, surely if they talk to Scrooge he can give Mickey an exception and he can take the test again

During this entire conversation he’s been stuck with the bag on his head btw, and Minnie’s about to untie him when one of the Three Familiars attacks! The Crow Lady, who commands a small army of crows

Minnie doesn’t want Mickey to get hurt so she intends to shield him with her body, and that’s when the shoes “activate” – whole magical girl transformation sequence – brand new silver look, and she manages to use her wind magic in a more precise way with the “voice” guiding her

As they fight, Mickey frees himself, and he and Minnie get a good first look at each other

Instant dokidokis

But they combine their efforts and send Crow Lady flying, ha ha

They’re off to see the wizard

They arrive at a very technologically advanced city, Mortimer’s there and he hits on Minnie, boo

They meet Ludwig who is fascinated by the silver slippers and invites the two to stay at his place for the night

He shows them his latest project, an android that’s supposed to be as close to a person as possible… but it can also fly and shoot lasers because why not, Ludwig’s a nutter

Then the Next Familiar attacks, Wasp Lady, whose wasp army attacks the city demanding Minnie come out and fight

She does, but during one hit she lands on the button that activates the android, it’s Donald!

Donald and Minnie team up to defeat Wasp Lady, but Donald reveals Minnie “woke him up” before all of his assets could be downloaded. He doesn’t have/understand emotions (Heart), and Ludwig’s out of funding to repair all the stuff that was destroyed during the fight

Minnie suggests maybe Scrooge will give Ludwig funding if they talk to him?

Ludwig is reluctant – once upon a time, Scrooge was Very Cheap and hated to spend even pennies. But he admits ever since Magica’s rebellion he’s been acting super strange and splurging money like there’s no tomorrow

Donald joins the group, we’re off to see the wizard

Check in with Daisy who has been telling Scrooge everything, he’s very cold to her and berates her and even hurts her a little, and Daisy physically cannot make any of this stop for Some Reason

Now they have to pass through a forest/jungle where they get captured by Forest Folk who accuse them of trespassing, but will leave the final judgement for their King

King Goofy isn’t really a king, really, since this isn’t a kingdom, and all the titles are made up, it’s a very silly and lawless land, but since his dad was leader Goofy is expected to be the leader now and make all the big decisions

Everyone’s gunna nutters there too, like Wonderland but with knives

Goofy is too cowardly to make any big decisions, and Minnie suggests maybe if they get Scrooge’s “permission”, he doesn’t have to be King anymore

Attack number three from Flying Monkey Lady, but during this attack it’s revealed Magica used to be adored and revered by the forest folk after she once stopped a deadly forest fire, and they don’t know why everyone hates her now, Flying Monkey calls them all traitors

With Goofy in tow, off to see the wizard

Yay Emerald City! They stop by the Academy, maybe Minnie can enroll after she gets the shoes off? She learns from an instructor that Scrooge and Magica were in the same classes and everything, some people thought of them as friends. Evelina was always interfering in Magica’s school life and was kind of a bitch

Daisy is there to escort them to Scrooge, Donald suddenly grabs her face and goes “Hey did you know you are symmetrically perfect?” because he Does Not Know Social Cues and everyone has to tackle him down to make him stop

Daisy thinks he was hitting on her and she is Very Okay With That

Off they go to see the Wizard. And it turns out he’s kind of a dick? Very condescending and rude and expecting everyone to follow his orders without question.

Can’t get the shoes off, and explains that Minnie has been cursed – it was likely Magica that made Minnie’s wind pick up the Killer House and then cursed the slippers to never come off.

Minnie like “… but she wanted them???” “Yes well Magica’s always been kind of stupid.”

Minnie realizes the voice she’s been hearing in her head/shoes is Scrooge’s! So Something Is Not Adding up

Scrooge says the only way to undo the curse is to kill Magica, so do that and I’ll grant all your wishes

Minnie and the gang DON’T WANT TO COMMIT ACTUAL MURDER WHAT THE FUCK MAN

Well too bad now it’s an imperial order, do it or else

Minnie tries to remain positive, maybe they can just capture Magica or something??? The shoes are leading her on as always

Daisy wants to go with them with Scrooge won’t let her

Off the gang go, and Daisy decides she’ll try to help anyway from the shadows

They encounter the poppy fields, and everyone but Donald falls asleep since, yeah, he’s an android, but he’s frantically trying to wake everyone up

The Three Familiars arrive and scoop up Minnie (and mickey too by accident)

The poppy fields come really alive and try to kill the remaining gang, but Daisy arrives to help them out

She explains she literally can’t tell them everything, but seems very Sure that Minnie and Mickey aren’t in danger

They’ll still go after them anyway obvi

Meanwhile, the mice wake up in Magica’s castle, in a cage, the Three Familiars all gloating and partying woo yeah we did it!!!

Magica arrives and is super pissed off, the fuck did you idiots do, I never said to capture the girl

She sounds all menacing and dangerous, determined to punish the frightened familiars, summoning a huge ton of magic to…

Lock up the fridge “NO DESSERT FOR A WEEK”

The three familiars begin throwing tantrums like small children as Magica goes on AND I KNOW YOU GUYS HAVEN’T BEEN BRUSHING YOUR TEETH, YOUR TOOTHBRUSHES ARE BONE DRY

Minnie and Mickey are...Very confused

Magica explains that while the Three Familiars have the bodies of adults they have the minds of children, cause magic, they very clearly see her as a mother figure

Magica doesn’t let them out now because figures they’ll just go tell Scrooge and he’ll twist it as something evil, and she’s Exhausted

That night the mice sneak out but Minnie’s shoes lead her to a locked-up room that contains an old diary

The shoes Activate again and suddenly she’s walking through memories of Magica’s life!

Evelina was a real bitch indeed, always trying to control Magica’s life like she was some kind of puppet, not letting her have friends or anyone to rely on. She forced Magica to enroll as a Grand Witch just like mom

It wasn’t until the academy days that she met Scrooge and hey Real Friend! Scrooge encouraged her to stand up for herself, and yes Magica did stop that deadly fire and even used her magic to save three badly burnt babes (the familiars)

Years pass and Daisy enrolls, and becomes biffles with Magica, and senses the UST between her and Scrooge even though they definitely deny it

Evelina wants Magica to steal Scrooge’s staff (Every Grand Witch/Warlock has a Grand Conduit for which their greatest magic is stored) but Magica finally has the stones to say no fuck you

Scrooge is the one who made the silver slippers, to be Magica’s Grand Conduit, to encourage Magica to “walk her own path” and there was definitely some crying and cuddling. But they’re not done yet, after they all become Grand he’ll give them to her, promise

But not too long after they become Grand, Evelina has a meeting with Scrooge and suddenly he’s an asshole, giving the slippers to Evelina, and calling Magica all kinds of terrible things

Magica decides fuck this noise and just leaves, but Scrooge and the others framed her for terrible crimes

The memories end and Minnie is just. Sobbing so hard for Magica, she can feel Scrooge’s genuine love for Magica through the shoes

She finds Magica and begs her to come with them to Emerald City, surely they talk they can all sort this out!

Ugh fine, but Magica and the Familiars have to pretend to be prisoners, off they go

They meet up with Donald/Goofy/Pluto/Daisy and explain things but Daisy goes NO FUCK YOU CAN’T COME BACK TO EMERALD CITY!! DO NOT!! And even fights them, but they win and Daisy flees

They go back to Emerald City anyway, and Scrooge wants to know why is Magica alive, Magica wants to know why he’s being an ass, Minnie approaches and just says “look can we just talk”

All the doors shut, Daisy’s there, and that’s when All The Big Reveals Happen

Evelina’s own special magic is Puppet Magic, all she has to do is slip a string into someone and she has total control over them… and she’s been controlling Scrooge and Daisy all this time

She faked her death (she used Minnie’s wind magic as a cover) because she thought Magica was close to figuring something out

But now she can’t let any of them live, not when world domination is so close at hand! So she sends her strings out to try and control all of them, all out brawl, and only Magica and Minnie are left to fight

Magica gets hit with a string, now it’s everyone versus Minnie, and she’s surrounded by strings

Minnie fights them all off as best she can, and realizes her True Magic wasn’t wind at all, but Gravity

She can make things float and crash back down, and make things heavy or light

Kicks ass, takes names

Frees everyone from the strings and ties Evelina up, making the strings so impossibly heavy she can’t get free

With Scrooge back to normal, the slippers can come off easily, emotional reunion, and Magica gets a fancy new silver outfit when she puts on the slippers

Mickey realizes he doesn’t need some test to be a knight, he can protect people all on his own and vows to never let anything like this happen again

Donald realizes he actually does understand emotions, and will spread the word making sure the truth of what happened is known by all

Goofy realizes it’s okay to make mistakes, and it’s better to work as a community than by one person making choices, and wants to have the forest folk work with other lands

Minnie gets to enlist in the academy, and one day take up the mantle that Evelina used to hold

Until then, Scrooge Magica and Daisy will work in unity for that missing piece, and all have great expectations for Minnie

Listen everyone loves Minnie, absolutely everyone, just as it should be

The end

[thevindicativevordan]

Why isn't Nightwing a bigger deal? He has all of Batman's skills and Superman's faith in humanity and is arguably the most beloved hero in the DCU, but most people seem to know him either as the leader of the N̶o̶t̶ ̶J̶L̶ Teen Ttians or just Robin.

Thank you for asking me about Nightwing, I've been wanting to write a piece about him for a while now. The short version is that everyone who claims Dick becoming Nightwing was him "moving out of Batman's shadow and becoming his own man" is completely wrong.

Dick Grayson is a fantastic character, someone who saved Bruce Wayne in-universe both by forcing Batman to grow up a bit, and the countless times he saved Batman's life as his partner whether as Robin or Nightwing. Dick saved Batman in the real world as well, hard to believe but Batman was actually in danger of being cancelled due to poor sales early on. Enter Robin, a young daredevil audience stand in the creators hoped would get kids interested in reading Batman. And it worked! Sales on Batman doubled once Robin showed up which is crazy to think about, but Dick Grayson has always been a popular character. Cartoons like Teen Titans, Batman: The Animated Series, and The Batman only helped grow his audience.

Character-wise, Dick Grayson really does fill a number of crucial roles in the DCU. For Batman, Dick is proof that Batman is a positive force. Meeting Batman helped change Dick for the better, helped him heal after his parents died. With Dick, Batman can take comfort in knowing that yes, he has made a difference in the world for at least one orphan boy, which is all he wanted when he lost his parents himself. To the wider DCU, Dick is a friendly face who convinces others that Batman is competent and not a complete asshole. He took this kid in, trained him to be one of the best heroes the DCU has seen, and did it all out of the kindness of his heart. That someone like Dick can confront the evils of Gotham and not break means there's still hope for that city. As Robin, Dick has led the Titans and is an icon in his own right as The Sidekick, the original, the one every other Robin is built around copying or contrasting. The one all other superhero sidekicks are drawing on as a basis. As Robin Dick Grayson is very much on Batman's level.

Just not as Nightwing. As Nightwing, Dick has been a second rate Daredevil which means he's a third rate Batman (fully prepared to get hate for this but I've read and enjoyed the Miller and Bendis DD runs so I feel entitled to my opinion). A typical Nightwing run tends to go like this: Moving to Bludhaven (which is Gotham... but WORSE!), Dick Grayson usually enrolls in a pointless job we don't care about in order to provide some meaningless soap opera drama that doesn't go anywhere. Patrolling the city as Nightwing, he fights a variety of bad guys who are usually rather lame and unthreatening, with his big bad being a Kingpin knockoff called Blockbuster. Villains are fought, long running plotlines are set up, then everything is abandoned because it's Batfamily event time, and Dick has to run back to Gotham in order to play sidekick again. Usually his involvement is completely superfluous and it would've been better if the writer had gotten to opt out. By the time we finally get back to Nightwing's solo plotlines, the audience has usually ceased to care and the run gets cut short.

That's how Nightwing has been since the New 52 at least. Anyone who thinks that's "becoming their own man" is out of their mind. Dick is so thoroughly in Batman's shadow that he got shot in the head and spent a longer time as "Ric" which everyone fucking hated and sold like shit, than he did as Agent Grayson which was extremely well-received. Reiterating: Ric went on longer than Grayson because of a fucking Batman plotpoint Tom King wanted where Bruce was sad and cut off from the Batfamily because of Dick getting shot. Not just calling out King either, how many times was Kyle Higgins Nightwing run derailed because of Scott Snyder's crossovers? Or how about that entire run getting dumped to the side because Johns wanted to out Dick during Forever Evil, a Justice League/Lex Luthor story? DC has repeatedly made their contempt for Nightwing clear, he's Batman's sidekick still in their eyes, and he serves whatever story role the Batman writer wants.

Hell his best stories tend to have been the ones where he's not Nightwing. He was Robin in a good chunk of the Wolfman/Perez New Teen Titans run. Morrison really showcased his depth as a character when they wrote him as Batman, their time with Dick under the cowl was actually one of the first Batman runs I ever read, and no Nightwing run has ever matched it in terms of quality in my humble opinion. Scott Snyder's work with DickBats also was a high point for the character, showing Dick as competent and examining his relationship with Gotham and the Gordons. King and Seeley gave him one of the best comic runs with Grayson, a series where he wasn't even a "superhero" technically! When it comes to actual pre-New 52 Nightwing runs that are highly recommended where he *is* Nightwing, there's Chuck Dixon and uhhhhhhh... Tomasi's brief run before Dick became Batman? It's not exactly an overwhelming list.

Look there has been good work done with Nightwing, I'm not claiming there hasn't been. Tim Seeley wrote a great run with Nightwing Rebirth. Seeley fleshed out Dick's Rogues Gallery with cool new ones like Raptor, he brought back old foes like Dr. Hurt (why oh why couldn't you have brought back Flamingo too?), he gave Dick's world some character it solely needed. Bludhaven under Seeley is pretty much the only time I've really felt like it lived up to being Dick's city.

The problem with fictional cities is you have to put in the work to give them the character of real cities. You have to make the cities feel like characters in their own right. Gotham is the best example of this, it's a character all it's own, one that tells you a lot about Batman and his cast. In contrast Bludhaven is usually one of the worst. Any place that wants to claim to be worse than the city that is built over the gate to hell and gets wrecked every other month by the Arkham freaks has to really put in the work to compete. Simply put, Bludhaven typically fails utterly. There's nothing about it that makes you really buy it's worse than Gotham, I mean does anyone really think Nightwing's Rogues wouldn't get their lunches eaten by Batman's? No, no one genuinely buys that. When Bludhaven claims to be worse, it just comes across as tryhard, an attribute that does end up telling you about Nightwing in unintentional ways.

So Seeley didn't do that. Instead he created a city built for a hero like Dick Grayson. Someone who is bright and flashy, but does have an element of darkness to him. Someone who loves the spotlight, but often uses it to obscure. Seeley turned Bludhaven into Las Vegas, and that was the fucking best concept for Bludhaven I have ever seen, it makes so much sense. Las Vegas is the "Entertainment Capital of the World" and isn't that the perfect city for a hero who got their start working in the circus? Isn't the aesthetics of the gleaming casinos, the glamorous sex appeal of the performers, and the spectacle of the shows, all being used to cover up the seediness of mob bosses meeting backstage perfect for Nightwing? It's so utterly unlike New York City, yet Las Vegas is still dangerous, it's got a crime culture all it's own. Seeley used it to great effect, as did Humphries during his brief run, and I will always be pissed that DC didn't continue to use it. That should have stuck around and been the definitive look for Bludhaven.

How Seeley's take on Bludhaven was treated feels like a small scale version of how Nightwing in general gets treated. Whenever creators pitched ideas for him, if editorial thought there was potential to break big, they asked for those ideas to be repurposed for Batman instead. Anything big or good gets repurposed for Batman or tossed to the side so Nightwing can go back to his default: having irrelevant adventures in a city that is supposedly worse than Gotham but can't live up to it. Just like how Nightwing is supposedly better than Batman but never gets to show it. Goddamn it's so frustrating seeing his potential get wasted like that.

The Nightwing book should be one of DC's most ambitious books in terms of storytelling. You can go from traditional superhero stories, to romantic soap opera, to spy stories, to crime noir, to horror, to cosmic adventures, and ALL of them would fit because Nightwing is someone who has a foot in both Gotham and Metropolis. He's got friends everywhere on every team, and has been a hero longer than most Leaguers have at this point. No reason DC should still be afraid to let him loose and insisting on hewing close to what Dixon established almost over 30 years ago is only holding him back. At the very least get him some better Rogues, why the hell didn't he get to keep Professor Pyg? That's Dick's villain not Bruce's! Bullshit that they didn't let Dick keep him. Hopefully Flamingo comes back, with a slight revamp I think he'd make a great reoccurring Nightwing Rogue.

Luckily it does look somewhat like Nightwing fans have reason to be optimistic. While Taylor isn't to my taste, DC clearly views him as a "big" writer, and that they put him on Nightwing says a lot. Taylor has been selling well so far, so hopefully he gets to tell his story, hilarious that even he lampshaded having to write Dick running over to Gotham for another tie-in after Taylor's big opening arc was all about Dick committing himself and his money to Bludhaven. Scott Snyder is apparently working on a Black Label Nightwing book which will explore how he's a different detective than Bruce. The Gotham Knights video game has him as one of the main stars, and while Titans is... controversial, it's one of the most popular streaming shows and Dick is the main character. There's a lot of content coming that features him in the starring role, and that will only help his star rise further.

For the first time in, well, ever it feels like DC may be serious about elevating him. Time will tell if it pays off, but I for one choose to be optimistic that the 2020s will be a turning point for Dick Grayson where Nightwing becomes hugely popular in his own right. Not just as Batman's sidekick.

[hanijunk]

Alright boys, girls, and nonbinary folks of the world. It’s 5:36am (1/30 when I first started) as I decide to give up on my attempt to continue to focus on learning statistics, avoid studying for my two upcoming midterms, and put off my two actual essays for two different classes.

Instead we’re going into a dive about ✨ KazuFuuma ✨ . Is this me telling you you gotta ship it? No of course not, you’re entitled to your own ships! You don’t really gotta care about it as a ship. But I do want people to recognize it’s THERE canonically, and how disregarding it is extremely unfair to Kazuki as a character particularly. Also, I’m working on the assumption anyone clicking this at least knows the bare bones about what KazuFuuma (ex. You know they are a ship of Kazuki/Fuuma from Dolce, you know they are childhood friends, you know who Dolce is, you know about Honeyworks, etc.) I’ll be making references to specific things, but I won’t always go into heavy detail. Might just hope you know it or take my word for what it is, and go into analyzing it. Some I’ll put direct references to find, but some I’ll trust you can find it yourself. If you somehow read this MAMMOTH and want reference to a specific thing mentioned, hmu I can help you find it!!

Also I hate tumblr formatting sm if you legit wanna read this 7 page essay but hate tumblr format lmk I'll add it as a google doc link instead too. anYWHO

Before actually getting into the meat of things lemme preface some stuff.

Again it’s like almost 6am so this will be disorganized and very train of thought (and likely long due to the fact when I fly by the seat of my pants I’m known to get unnecessarily extensive). It’s definitely gonna be in large part why it’s important to recognize as a romantic relationship foundation and what about it shapes Kazuki’s character in particular. Maybe a bit of how it’s been built up and its general focus and implications. Dunno yet. We’ll see LMAOO

I say f*ck. Not a lot, just a handful of times. This ain’t something scholarly this is for my own enjoyment so if you don’t like that might not wanna read. And it’s not like spitefully I just curse a lot if you haven’t...read my tags before lol

Again this is through the lens of a Kazuki stan. Of COURSE I’m going to have some level of bias, but if anything that bias may help more than hurt because that means I become FIXATED and think a lot about Kazuki. Which plays into establishing just how important it is that Kazufuuma’s relationship is recognized, especially in a romantic light at this point. Lmfao. 

I’ll have a few more prefaces about the actual content below but to keep this from getting too long if you wanna read come below the cut owo

I have extremely limited knowledge of Japanese just taking a few classes in highschool (so like 3 yrs ago) and live in America. This means a lot of my knowledge is gathered through the english translations of the super duper incredible and lovely people in the Honeyworks fandom who provide translations (delaix and takanenene esp have provided so much for me being able to understand Dolce) and my own limited Japanese paired with Google Translate for things that remain untranslated.

This only will be drawing on information I have come in contact with and have access to and making assumptions based on that, most (if not all) of which is in the public domain. So things like the Dolce Manga Volumes released via Animate, exclusive 4komas, and Light Novels are out of my area for the most part (apart from again snippets of translations thanks to this fandom’s godlike and generous translators).

I will not be drawing on anything from the first Dolce album with the exception of Nade Nade. From a meta standpoint, I consider those songs as songs made as performance media as opposed to character explorations. Nade Nade is the exception because (1) it was released a whole year before the album and (2) you can tell it’s explicitly an exploration of Fuuma and Kazuki’s interpersonal relationship even if it’s in a slightly more performance based context than the songs that came out with the Dolce LNs. Easiest parallel I can make to show this is if you held Non-Fantasy, Yume Fanfare, and Samishigariya up against each other, you could tell the difference in intended audience and intended purpose the same way the Dolce 1st album, Nade Nade, and the songs of the LNs do respectively. Even if there is some basis to ground Kazufuuma, for the purposes of this essay I’ll be acting under the assumption the 1st album falls under the Non-Fantasy equivalent category.

THAT WAS A LOT OF PREFACING CONSIDERING LIKE 2 PPL WILL PROBABLY READ IT I just have a tendency to anytime I do anything analytical lay down ground acknowledgements for myself to work on just...cuz it makes me feel less guilty for any accidental misinformation even if I’m writing towards my future self to read lolll IM SORRY WITHOUT FURTHER TO DO HERE’S THE BRAIN DUMP

First let’s go ahead and establish why it needs to be recognized as an important relationship. Again, I’m a Kazuki stan. He’s my favorite character not only of Dolce but also of the entire Honeyworks series, and as much as I love him for reasons outside the ship, whether you like it or not Kazufuuma is an essential aspect of his character and narrative. Of course there’s the fact that him and Fuuma are childhood friends, so that’s going to in part define their characters and interactions with each other and those around them. They’re both going to be relevant to one another and important to one another’s stories to an even greater extent than the rest of the members of Dolce. But on Kazuki’s side at least, it’s an EXTREME amount. A running plotpoint in Dolce Diary is the sheer amount of dedication Kazuki has to Fuuma and how much his thoughts and decisions are influenced by Fuuma, whether it be how he feels happiest spending time with Fuuma, how he decided to get his piercing to represent he wanted to protect Fuuma, how he doesn’t want to dislike food so he can eat what Fuuma dislikes, etc. Not to mention running jokes about his borderline overprotectiveness and downright possessiveness of Fuuma, how proud he is when Fuuma gets praised, or that one 4koma that literally explicitly states he can read Fuuma’s mind when he thinks motherfucking ‘dirty thoughts’ about his childhood friend (Fuuma). I still don’t know what the fuck to make of that last bit. Genuinely. Or the fact it’s a fucking running joke. As in it’s not a one off. It’s been brought up multiple times. Kazuki what the fuck. 

That’s not to say that he doesn’t have character outside of Fuuma or he doesn’t interact with people other than Fuuma. He’s great friends with Sara, Girisha, and Kippei and is shown time and time again to have fun interactions with all of them, generally acting as the best support friend for every member of the group, not Fuuma alone. For instance how he helps Kippei with his self confidence issues or stays over at Sara’s to protect him from a cockroach (which he fails at lol). Nor is that to say all his interactions involving Fuuma focus solely on his devotion to Fuuma, especially in instances where the manga focuses on Dolce as a group dynamic (though even in that setting there are times where jokes about his devotion are thrown in). He’s kind, he’s stupid, he’s friendly, he’s an amazing character in his own right, and I love him for all those reasons. But that doesn’t change the fact a major part of his character and his character interactions are rooted in Fuuma, and arguably some of his most interesting, eccentric, and notable behaviors and traits revolve around Fuuma (again the mind reading for example).

Hell let’s take it one step further. If you look at the character bios of the Dolce members, you get everyone’s motives for being an idol and interests. Of them, Kazuki is the only one to have another character mentioned directly, not to mention that supporting Fuuma is explicitly stated to be his primary motive as to why he became an idol. Not even Fuuma’s sister is mentioned, though two arguments can be made for this. The first would be that Fuuma’s backstory about wanting to fulfill his dream for himself and his sister was decided later to explain Fuuma’s choice to crossdress though it can be argued it was intentionally done to leave it as a reveal at a later date, to which I would argue I don’t think this backstory was a choice in post. While Fuuma’s dedicated Dolce Diary extra exploring that backstory was released a little less than a year after Dolce was revealed, the preview to set up Fuuma’s backstory was actually the first thing released after the character bios on the Dolce Official Twitter page if you exclude a drawing of Dolce from Yamako. The second argument could be that information about his sister was intentionally withheld to set up the reveal when Fuuma’s extra released to explore it. However, going by that logic (which I do agree with), that would also mean that Fuuma’s inclusion and importance in Kazuki’s character bio also set up his dedicated extra, which I don’t think would be incorrect to assume considering what his actual extra turned out being.

Which brings me to the thing that makes it inexplicable to write off the romantic implications behind Kazufuuma: Kazuki’s dedicated Dolce Diary extra, Suki. I shipped Kazufuuma before even knowing of Suki, sure. But the fact that Suki even exists is a shock to me and drove into me the fact that Kazufuuma wasn’t just my own projection. Again, it’s not a surprise that Fuuma shapes Kazuki’s life. They’re childhood friends, of course they’re going to be important to each other. But this extra explicitly brought Kazuki’s feelings towards Fuuma under a direct spotlight. At first I was thinking oh, this extra was just to acknowledge the fact that Kazuki and Fuuma’s relationship can have romantic implications, but the end of it the conclusion that we got was that it didn’t matter what type of “like” he felt for Fuuma. Originally, I thought it wasn’t anything more than saying there are all types of like, and it doesn’t always need to be explicitly defined, but I appreciated the fact they were aware that they were writing Kazuki in a way that conveyed romantic implications. 

Then I thought about it because, again, I love Kazuki of course I’m going to think about his character extra, and realized...that’s not how these character extras have worked. There are only three character extras out as far as I know and have read: Fuuma, Kippei, and Kazuki. If we look at Fuuma and Kippei’s, each extra had a conclusion, sure, but they didn’t have a resolution. Rather, they were simply setting up explicitly what each character’s primary character arc and conflict were. Fuuma’s extra brought attention to the fact that he’s particularly a crossdressing idol by exploring the motives behind it. His choice to be a crossdressing idol is constantly under fire both by himself and the world around him. He’s not immune to those who consider his crossdressing strange, and a part of his story is both finding people who accept his decision to crossdress and to succeed for himself as a crossdressing idol. It’s an essential part of how we understand and define him as a character and it’s a central part of how he interacts with the world around him. For Kippei, it lays the severity of his insecurity under the spotlight and his journey and motives for improving himself. Again, this isn’t something isolated and resolved in the extra; his extreme insecurity and negativity is constantly affecting how he interacts with practically everyone from his fellow Dolce members to his fans despite the fact in all honesty? He’s fucking insanely talented in his own right, his own brother mentioning how smart he is and how he has amazing reflexes. For Kippei, his negativity is an essential part of how we understand and define him and central to how he interacts with the world as much as Fuuma’s decision to crossdress is to him.

Which brings us back to Kazuki, of course. In his dedicated extra, in the chapter that’s supposed to explore and establish and bring attention to an essential part of his character, the aspect of himself under investigation is how he feels about Fuuma. It’s not just how he behaves around Fuuma, it’s explicitly an exploration of his feelings, on top of the fact it’s explicitly an exploration about whether or not he likes Fuuma r o m a n t i c a l l y. Literally the conflict is spurred on by someone outright asking “Do you like him?” and having to clarify “I mean romantically.” What they decided to focus on for Kazuki’s character and emphasize and establish is that Kazuki’s like towards Fuuma toes the line between friendship and romance. His ambiguous feelings towards Fuuma (if we leave them inconclusive as Suki did) are just like Fuuma’s crossdressing and Kippei’s insecurity in the sense the weight of whatever those feelings may be are seen in how he interacts with the world around him and influences his behaviors. It would be another story if they introduced the potential and shut it down all within the extra, because then his central conflict would to me be less directly open to romantic potential and more simply about how his arc was meant to explore the dynamic of the behavior of an extremely dedicated best friend. The fact that he may be romantically attracted to Fuuma or may be only platonically dedicated to Fuuma is instead something that looms over Kazuki in the same way Fuuma’s decision to crossdress constantly looms over him. It’s what Dolce wanted to point to and say this is Kazuki’s central character conflict and central arc: exploring what type of feelings he has towards Fuuma. 

Sure, it can be argued that there’s only three Dolce Diary character extras, there’s not enough to be sure about that being the purpose of the extras unless we get the other two’s extras. First, at this point I honestly don’t know if or when they’re going to release an extra revolving around Sara and Girisha just because not only has it been over a year and a half since the latest Dolce Diary Character Extra (Kazuki’s) was released despite the gap between the first and latest Dolce Diary Character Extra (Fuuma’s and Kazuki’s) were within a year of release but also because the Dolce 4komas and comics they’ve been posting to Twitter have decreased (last one being over half a year ago) potentially due to them deciding to focus on releasing Dolce manga content through the purchasable volumes instead. (This is not particularly related to the Kazufuuma argument, just wanted to put out there my two cents on what Sara and Girisha’s extra/focal arc would be. Based on a large part of the Dolce Diary in conjuncture with Can’t an Idol Fall in Love, I’d argue Sara’s would be his journey to regain his passion for performing, and if it’s not that I’d say it’d be coming out of his self-imposed isolation and opening up to people again. As for Girisha, I have less of a concrete idea but I’m assuming it’d be something pertaining to how people often misconceive him whether it be in tandem with his determination, his optimism and sociability, or his stupidity/ability to ignore those misconceptions and work past them. But Girisha is treated like the comedic relief 90% of the time so I’m not entirely sure, but his primary conflict is definitely rooted in misconceptions of him being his roadblock imo. #MoreGirishaContentPlz) That being said, I personally feel like the three are already enough evidence, especially considering it would be honestly even more cruel for Kazuki’s character-centric extra to be focusing on something that wasn’t essential to his character and character arc, anyway. And though it’s not explicitly stated that these chapters are extras exploring a central character, you can kind of tell based on how they are (to my knowledge) the only Dolce Diary updates with cover/title cards each which include their focal character front and center. So working off that fact, the Kazuki-centric chapter established that a pillar to his narrative was his feelings towards Fuuma and that those feelings are still open to romantic potential. 

But if you follow me, this is why up until Can’t an Idol Fall in Love With Another Idol’s release, I was terrified of them writing that off. I would have been ok if it was just an arc that was given attention then continued to actively work in the background, as all the character arcs have been over all of Dolce’s content. The fact that they might be giving Fuuma a love interest and giving Fuuma a love arc while Kazuki’s feelings were still up in the air and were still the primary highlighted narrative for him would have been fucking scuffed. To me, it would be like… why would they make him so Fuuma-centric to the point that even his dedicated chapter was not just focused on Fuuma but focused on the ambiguity and potential of him having romantic feelings for Fuuma, yet reduce him to being Fuuma's designated right-hand man. Don’t get me wrong, friendships are just as important as romantic relationships. But again, rather than conclude Kazuki’s answer in Suki to be that his feelings were of friendship, they left it open ended and allow audience members to be actively aware that Kazuki’s feelings towards Fuuma still had potential to be romantically coded. It would just be so weird to quickly close off that narrative by giving Fuuma a love interest as opposed to letting Kazuki conclude it himself. It would be fucking beyond frustrating for me, at least Eventually, I kept trying to drive my hopes that they would explore Kazuki’s narrative at all down to the ground because it was a Fuuma-centric novel; maybe if anything they’d explore those feelings in his own novel after the fact. But then they kept having little drops here and there of Kazuki being even the slightest bit relevant and I’d go back to questioning “Are??? They??? Is this on purpose??? Do they know what they’re doing or are they just doing this because Kazuki’s just so important to Fuuma as his best friend that he’s there as his right-hand I genuinely can’t tell???” And um. Welp.

Safe to say Can’t An Idol Fall in Love sold me on the fact that they know what they’re doing LOL. And to anyone who thinks that Kazuki’s feelings can still be read as ambiguous in CAIFILWAI as opposed to explicitly romantic - whether it be due to a fear they may pull the “I like him as a friend” card or due to the disbelief that they have an explicit mlm main character in the Honeyworks series - I’d like to cover any bases that may make you think this way. If you think it’s just Kazuki acting like a protective friend, why do you think he calls Yui a rival? If you’ve only seen the MV and think it’s ambiguous or can be taken as the "likfe" for friend, then does that mean you think Yui’s feelings toward Fuuma are also ambiguous or as a friend? With the way Yui responds, she is trying to rival Kazuki’s feelings towards Fuuma. She and Kazuki recognize whatever feeling it is that they hold towards Fuuma, both of their feelings are the same type. I don’t think most people would argue that Yui’s confession about Fuuma was one of pure respect and friendship. Plus, if anything I’d argue of the three characters in the MV, Fuuma is the one whose feelings are left the most ambiguous despite him being the central character. It’s heavily implied that he may be forming feelings for Yui, but nowhere is it established either in the song or in the MV, especially if you compare it to Kazuki and Yui’s declarations or if you compare it to Sara’s feelings for Uru in Can’t An Idol Fall in Love. Fuuma’s romantic narrative here is trying to figure out how he feels for Yui, while for Kazuki and Yui they’ve established a rivalry because they both have mutually established they like Fuuma romantically.

If the MV isn’t enough for you and Suki isn’t enough for you for...some reason…??? You can check out the snippets of the light novel which the wonderful takanenene translated: one which revisits the conflict set up in Suki and one that covers the confession scene in the MV in more detail. If the fact that the conflict set up in Suki (aka the lurking feeling of not knowing if all he felt for Fuuma was only platonic or more than platonic) was specifically reestablished in the LN for anyone who didn’t keep up with Dolce Diary didn’t tip you off that it was something important, his behavior in the confession scene as depicted by the LN definitely should have. He’s possessive about his spot by Fuuma’s side. He doesn’t want that spot to be taken by anyone else. Even if he knows that they can help Fuuma, he wants it to be him. And this line: “Kazuki then trails off his words, quietly saying ‘That’s why…’ and then gave Yui a slightly painful smile, his cheeks turning red,” before he declares Yui a rival and states he likes Fuuma. If you can tell me you read that line and are still on the fence about Kazuki’s “like” towards Fuuma being romantic, please message me and I will see how I can get through to you. Like it wasn’t even just a romantically coded confession. It’s just a romantic confession. That “like” is romantic. And I’m so proud that he’s not only come to understand for himself how he feels, but that he’s confident enough to ask the person he sees as a romantic rival to speak in private and not only clarify her feelings for Fuuma but before she can even do that firmly establishes that he loves Fuuma with conviction. Kazuki my boy I’m so proud of you. *sniffs*

And that’s it for establishing Kazufuuma as at least canonically one-sidedly canon and why there’s not only no reason to deny it but also why denying it is a fucking disrespectful move towards Kazuki. He’s a character, sure, but that doesn’t change the fact you shouldn’t write off his struggle to come to be convicted enough to say it out loud. This has been something weighing on him at least a year, if not more (all I know is it started when both he and Fuuma were in some year in middle school). And as a character in a piece of media, I’ve been saying this the entire time, but brushing it off as non-romantic is literally chucking a fucking pillar of his character’s story into the gutter. And to those who may be saying Kazuki’s confession came out of nowhere and is pandering reread this entire fucking essay again I dare you to do it and tell me to my face it’s pandering. Again. Writing off the buildup as pandering is disrespectful to him, disrespectful to his character and narrative, and disrespectful to the wonderful people who have been creating Dolce so diligently and have crafted this narrative for us. Saying his “supposed feelings” and “ambiguous confession” is pandering is like saying Fuuma’s crossdressing is pandering which. If you say either of those I will find you and I will shank you in the fucking gut. Even if you’re not fully into Dolce, recognize these characters are actually very well developed and executed amazingly, as per every Honeyworks character that has come to exist. I don’t blame you if you weren’t aware of the weight of Kazufuuma, but now that you read this I hope you are. That’s mainly what I needed to get out there, but as follows will be me more exploring how Kazufuuma has been built up and generally waving my hand off at where it may be going. If you want you can dip, thanks for reading up to here because I know I repeated a lot because it’s just. So important to drill into your head and has been something I’ve been hung up about constantly. LOL

As for where exactly they’re taking it from this point on, I honestly don’t know. In all honesty, I didn’t even expect them to take it the direction they did. But honestly, I think the direction they went with it is really interesting and better than I could have imagined, in my opinion at least. Honeyworks never ceases to amaze me with their storytelling and narrative choices, and I don’t think there’s any that stand out to me as being severely questionable that they haven’t reapproached at some point down the line. And, again, I think they’re treating this with a lot of care and deserved respect. So I’m just gonna be gushing about how smart they set it up and how smart they’ve been executing it and maybe my own hopes on the direction it could go.

Whether they make Kazufuuma reciprocated I have no real clue or bearings, but to me my gut reaction is they will. Of course, I’m biased, but again if you trace things all the way back to 2018 and step through Dolce’s content and growth from there, I’d say even if they didn’t know if they could execute it like this and see it to fruition, I’d argue that Kazufuuma has been at least heavily implied since the beginning as a relationship they wanted to explore from both sides of the relationship. Obviously I brought up Kazuki’s character bio already, but if you look at the *goes to count* 5th Dolce Diary update already has a joke jabbing at the fact that Kazuki is technically Fuuma’s type (and the way Kippei and Kazuki excitedly react is so cute). The fifth update. And as stated before there are tons of Kazufuuma moments in Dolce Diary, whether it’s played for comedic effect or played straight (and this is post Suki but oh my god I’ve said it before I’ll say it again get yourself someone who looks at you the way Kazuki looks at Fuuma oh my jesus). But song-wise, I mentioned the one Dolce album song I would bring up is Nade Nade and this is where it comes! 

Not only is Nade Nade specifically focused on Kazuki and Fuuma’s relationship as opposed to the whole of Dolce despite being the first song, it included the setup/preview of the Fuuma-centric extra prior to the full release of the Fuuma-centric extra itself and was released early as fuck. Literally between the 6th and 7th update to Dolce Diary. Sure, it could be to isolate them as a duo for marketing purposes (they’re very often the two promoted idols together if the whole of the group aren’t included), but the way it’s established as a perspective song as opposed to a general idol duet is what fascinates me. Anyone who didn’t know about Dolce prior and only followed Honeyworks for music would be first introduced to these characters through this song alone, and maybe this is where my Kazufuuma bias comes from but I was one of those people LOL. I thought it was just a cute one-off relationship that they had set up for the purpose of a song and that it was an implied friends-to-lovers story that would never get a conclusion. Also I mistakenly thought Fuuma was a girl oop-. In the full context of Dolce, this song in part helped establish Fuuma and Kazuki more solidly as a unique duo out of all of Dolce, but it also specifically explored through Fuuma’s eyes just how much Fuuma recognizes and appreciates the unwavering support Kazuki gives him to follow his dreams as he wishes. For Fuuma, he loves Kazuki too, though whether it holds any romantic potential in the same way Kazuki loves him has never been explored to nearly the same extent. But Fuuma appreciates how Kazuki’s remained by his side and does everything he can to support him, so Nade Nade explores how his way of expressing his love and thankfulness to Kazuki is by never saying that he needs Kazuki by his side. He’s glad Kazuki’s always been there for him, and his reciprocation takes on the form of being ready to unwaveringly support Kazuki and not ask for more than he already has, even if it meant Kazuki would be leaving his side, despite the fact that he really does wish they could remain together forever just as Kazuki does. The one point he lets himself say something vaguely close to always wanting to stay together, he gets a surprised expression out of Kazuki and says an ambiguous “suki dayo.” Of course, this it much less romantically coded than what we get from Kazuki in Suki and CAIFILWAI, but there is an interesting emphasis put on it nonetheless. Keep in mind, this is all established through the song, which released long before not only Fuuma’s character-centric extra released but also Kazuki’s character-centric extra released, so there is at least a substantial setup for Fuuma’s feelings towards Kazuki’s being strong as well and possibly grow to be reciprocated one day.

I think for me the most fascinating part about Nade Nade is how they tied it back around to Can’t An Idol Fall In Love with Another Idol. Again, without remembering Nade Nade, I still thought CAIFILWAI was brilliantly explored and executed, even if some people would have preferred no love triangle. But honestly, revisiting Nade Nade makes me trust even more the direction they’re taking with this. Whether or not they make Kazufuuma canon mutually (which. Even if they for some inexplicable reason didn’t I’m going down with this ship.), I’m sure they’re putting a lot of thought into the story, because the last bit of Nade Nade directly parallels the misunderstanding that arose from Fuuma mishearing the Kazuki and Yui. Fuuma is resolved to support Kazuki in any area he’s given the chance, and that explicitly includes if Kazuki had some girl he liked, which is what he assumes is going on. The fact that they tied this back around in the form of a misunderstanding was really really smart and Honeyworks is always so good at parallels and references back to their older songs, but for some reason I didn’t expect this. I don’t know how to say why, but the fact that the song that started it all, kicked off both Dolce and Kazufuuma, was directly referenced both visually in the MV with a cameo at the start and narratively despite the central dynamic being predominantly explored in this story in particular was that of Fuuma and another potential love interest and involves said potential love interest for some reason makes me think that (sorry Yui) this is all planned out for Kazufuuma in the grand scheme of things. That being said, I don’t know if me thinking it was planned all along is just me with shipper goggles, but the idea it’s come full circle nearly 3 years later is not shipper goggles and a very very well done parallel in my opinion, whether this trajectory was their plan for Kazufuuma from the beginning or not. Just wanted to gush about that some more. 

There’s more I could go into especially if I went into specific details about interactions or specific implications established in Honeyworks' Dolce content about different characters that would be fascinating to explore in relation to and under the lens of Kazufuuma, but I think this is uh...plenty long enough. Plus, I doubt you'll stop seeing Kazufuuma posts from me so those ideas will probably just be miniposts or somethin.

Back to the overarching point of this segment, idk what they’ll do with this story in the end, but do I think Kazufuuma will canon? I’m used to looking at ships that aren’t explicitly apparent with a sliver of skepticism, but all things considered (as I stated before) yeah. I don’t see reason why they wouldn’t now that they’ve explicitly identified there is a romantic dimension to it ¯\_(ツ)_/¯ Like to me, the setup isn’t something that would be written off as unrequited? And this doesn’t have to play into why I don’t think it will canon, my personal opinion on the Fuuyui relationship (again albeit through the lens of a hard Kazufuuma shipper lmao) has it’s own merits and is really cute, I find it cute in the way I found Koyuhina cute. I personally never really shipped Koyuhina, and especially since they slipped Kotarou into Ima Suki Ni Naru I was more curious about who this kid was and how he played into things I didn’t really see Koyuhina as something that would come to fruition. Similarly, there’s more importance in the overall sense on Kazuki than there is Yui (considering he’s one of the 5 original and focal members of this generation of idols, this would be natural), as well as the fact there’s just way more foundation and exploration in Fuuma and Kazuki’s relationship than there is Fuuma and Yui. As for how much of a balance there is inside the LN itself, the fact that they seem to have spent a substantial amount relaying the foundation of Fuuma and Kazuki’s relationship and re-exploring it (at least in Kazuki’s perspective) at all on top of how much content there is covering their relationship prior to the LN ever since Dolce’s origin just feels like that relationship holds more weight. Pretty much Kazufuuma feels more established as a priority in general. The way I personally hope Fuuyui plays out is whether they wind up holding mutual feelings or not or whether Fuuma doesn’t feel that way towards Yui is they get a relationship akin to Kotarou and Arisa. Albeit, Kotarou and Arisa never viewed each other in a romantic light, but they had mutual respect and solidarity. That’s the type of friendship I hope comes out of Fuyui. And considering there hasn’t been a break-up in any Honeyworks’ canon relationships (nor do I expect there to be… they’re all perfect for each other LMAO) it would actually be interesting if Fuuyui get together but don’t endgame and Kazufuuma is established as the inseparable endgame after some realization or another, though I don’t expect them to go that route nor do I know if that’d be the best way to go about it anyway. Also final point, Honeyworks seems to have a thing for childhood friends trope anyway soooooo owo All in all, don’t know where they’re taking it, just excited to see where it goes. 

TL;DR of this *counts* 7 page essay, stan Kazufuuma. Not gonna proof this. Maybe I’ll edit and repost but yall are getting a confusing clusterfuck of ramblings over 2-3 hr periods of me writing across 3 different days at around 5am each day. Uh. If you got this far like and subscribe and-- jk plz reply to this mammoth anywhere you see fit or tell me if you have stuffs to add or counter or whatnot I like hearing people talk about Kazufuuma ;w; I am Kazuki and Kazufuuma brainrot can you tell after reading this? No? Lemme just remind you I’m K--

[gryphsdeadbones]

hey from one nd person to another the comic where fm gordon says a slur seems kind of in poor taste. ik ur not intentionally making light of it and tht occurring in fm should be criticized but while you dont make it out to be a good thing making jokes about it and calling him a "slurboy" is kind of questionable? it makes it seem more like a plotpoint and angst rather than the creator of fm genuinely fucking up in the past (and having moved on from it)! i think exploring fm coming to terms with being nd is a good idea but this isnt the best way to do it. if you want me to explain my point more lmk if/when u post this and i will! someone already made a post abt it but it was kinda strongly worded and i wanted to approach you more calmly because i genuinely dont want to call you out or start drama or anything ;-;

first off thank you for being civil and patient with me i appreciate this ask a lot- also this got long- im not in a flying rage or anything when i bold or emphasis text, i just needed it also for my own readability and since im not the best at wording- hopefully this hellsite works and my response is under the cut

i would like to know how is it in poor taste when freemind explicitly gets clocked at the very end for saying it. the entire point of the comic was to show that saying the r slur has existed in his source and is bad

im not sure how much more direct i can get, with the disclaimer/warning list growing longer and longer and out there for a huge sign that says “this au can get dark as fuck and these subject matters are treated seriously/not something to mess around with.” Like yes, there are some jokes in the asks and other comics, but that specific comic is not supposed to be “haha thats funny”. it has a serious tone using a rough sketch style bc i was super tired and wanted to vent

was it just the direct reference to it that just made people uncomfortable? because thats 100% understandable, and i made sure i tagged it appropriately (although admittedly, a little bit late since i thought the filter would catch at least the main thing)

i think what some people somehow got from it is “exploring sensitive content = endorsing said content” which! that is not the intent! i absolutely do not want people saying that word! I don’t want people thinking that is any way okay for this character to say

its more of a damned if i do address it, damned if i dont.

if it never comes up, people are gonna assume that ‘oh this character says slurs and is shit, surely the creator or fan-creator MUST be okay with it and woobifies freemind and absolves him of any mistakes’ or something like that. no. this asshole has an arc and i want to do it right. its serious and i think it shouldn’t be shoved under the rug

and people just. dont want to read for context for whatever reason. theyll start watching it and get taken aback by the slur and start blaming me ‘hey you never warned for this’ when very early on i keep mentioning over and over ‘you dont have to watch it if you dont want to! This has slurs and 2000s internet brand humor/style’ You really dont, I’m not forcing you to watch it- Literally all you need to know is either canon half life or hl/vrai. thats it. fm mostly follows hl1 with very slight changes.

so i had to make something that:

1. warns people who arent aware and dont want to go through my asks or about/warning pages (for whatever reason) and just want to see the art

2. also NOT downplay freemind’s canon assholery. listen, i kinda despise writing mean and cruel characters, theyre hard to do, and a lot of people get shit for doing it wrong or people going “character = author”

i’ve also considered leaving the bubbles blank, but then people could fill it with whatever they want, then blame me for being vague. or they’d fill it in with a different kind of slur that freemind has never used, even if he MIGHT be the type to do that. I needed to explicitly mention that it is ableist slur. There are shitty racist and other problematic jokes, but never those kinds of extreme racial slurs to my knowledge.

Although I do see your point that maybe joking about it outside of the serious stuff might not be the best route. The slurboy jokes are getting stale, and I will try a better way to remind people.

The thing that gets to me is that it feels people are more than ready to defend either Ross Scott or Gordon Freeman the fictonal character himself. I don’t??? really care for Ross Scott, so I don’t know if he’s ever brought it up specifically. I’m not really calling him out or cancelling him. Idc for some white man’s feelings, im only bringing the timeframe of That era and reworking it to fit in This current era.

And I hate to break it to people: Gordon Freeman is a blank slate character, you can project whatever the hell you want on him as long as it’s not freakshit illegal garbage. The machinimas (fm, hl/vrai) do have SOME characterization that I want to nail down. It fucking sucks when characters are ooc, and I’m trying not to do that, even if it means sacrificing some comfort. But still mostly staying in my comfort zone if that makes sense

Now about the callout that I do not want to engage with the op directly:

Honestly im very surprised the comic was called out when i just. thought my stuff is relatively tame on exploring the bad shit canon freemind does. ive seen him in fancontent where they really dont hold back and its still played off as ‘kinda funny’ tone.

I really don’t know if people just want any reason to hate me for whatever reason. That’s fine I guess, I can’t please everyone and they dont have to like me.

But like. isn’t it so much easier for the op of that to block me and the post and move on. Why kick up such a fuss. I can see that thinly veiled death threat of a vague. That’s pretty fucked up- Like holy fucking god, you do not have to like my stuff. I’m not holding you at knifepoint to like my stuff. I’ve specifically made two different tags (one general au, one specific au) if anyone wants to blacklist it for their own reasons I do not need to know. I don’t want to know.

You’re allowed to be uncomfortable. You’re allowed to unfollow/blacklist/block.

However you just don’t go ranting about it for something you horribly misinterpreted. If it bothers you so badly, literally just. drop me a message to clarify. thats it. or save yourself the time and block me.

I’ve blocked the op for both our sakes, but if anyone wants to send this post to them, then thats fine. I don’t want anything to do with them.

I don’t want to link the post and blow it up. I just want shit clarified, dropped and we can move the fuck on with our lives. 

If you’re reading this and don’t know what the post is, please don’t bother. I do not want people going after the op with threats, please keep it civil, I’d prefer if you don’t engage with the post at all on my behalf.

Despite this huge wall of text, I do not want this to be a big deal, so please don’t ask me about the details.

_

As for anon, feel free to dm me either on here or. Maybe on discord if you’d still like to suggest or have something more cleared up. I’m still willing to hear any kind of feedback, and i want to thank you again for being reasonable about this

[theholyyuunoaduck]

Reasons why i hate mikaela hyakuya

@gurensangel @chaoticgaymess sorry i know you wanted me to repost your post but its easier just starting my own and making my own hashtag so incase anyone else asks me about this i can just look for the hashtag and send them this

Mikaela is honestly one of those characters i desperately and i mean desperatly tried to love i mean his kid self was so so easy to love and want to protect and hell i cried a shit ton for him and his past his problems everything but the reality is mikaela is a toxic person and here im going to be explaining everything as clearly as i can though im sure that everyone has heard most of these arguments i also have some most people wouldnt even consider

Why is mikaela toxic? Well simply said when you have one person and only one then its obviously going to be an underlying mental health issue now you could say other characters are similar to mikaela within that regard like every other vampire but heres the thing we dont get to see much of the other vampires so im more or less apathetic to those vampires and their actions however in accordance to mikaela we have watched his actions since day one and his chemistry with the rest of the cast of owari no seraph what grinds my gears isnt the fact that mikaela acts with violence and distrust towards everyone but the actions that the rest of the cast have taken towards mikaela and his inability to react differently towards those same exact characters aka shinoa squad

Shinoa squad has never once treated mikaela with prejiduce with agendas or anything of ill will since day one the fact that shinoa basically is the cause of death of many of her comrads during the nagoya arc where mikaela attacks the jida troop (and yes it is a troop considering that after reading pannel after pannel theres upwards to 20 soldiers who the majority of which are equiped with standard blades unlike the protagonists you know basically cannon fodder) but my problem is the fact that in that chapter shinoa instigated their betrayal to save mikaela from the rest of the troops shinoa's life was threatned straight after acknowledging that this could be the last she ever layed eyes on yuichiro by letting mikaela escape with him first threatened by a random soldier and then right after rika inoue and by her superior narumi makoto and shinoa the fucking chad she is just took all the punishment because she knows damn well that it is her fault her comrads died because of her distraction to allow mikaela to escape eating away the precious time guren baught his soldiers to run away and escape and how does mikaela respond? He tells yuu to abandon them it doesnt take a genius to say that betrayal especially to the hiragi family is met with death even if mikaela doesnt understand the rules and regulations of human law i doubt vampire law is much different meaning he knows damn well shinoa could lose her life for betraying the army for his sake and not just shinoa but her entire squad

I already know what youll say "but but mikas a vampire he has no emotions" bullshit absolute pure fucking bullshit of an argument considering the fact yoichis mention of the word family/freinds was cause for pause for mikaela and not just mikaela look at ferid look at crowley theyre all so vibrant and brimming with personality and emotion and i am damn well sure no one disagrees this could just be kagami's writing and forgetting about this plotpoint

The fact that despite this mikaela is a manipulative fucker we all know yuu is a dumbass no one can deny this the fact that mikaela is willing to point his sword towards yuichiro and threaten him his so called beloved speaks volumes about mikaelas ego his straight up ego thinking that he's the only one that could be right after all mikaelas the wisest of the bunch right i mean after all everyone of his other decisions was followed through with outstanding results anyone? Anyone? Thats right not once has the squad or especially yuichiro listend to mikaela and do to that fact everyone is alive and kicking examples? (This is also an example of manipulative mika) Mika: Yuu abandon shinoa because if she's as great as you say us sticking around will only cause her trouble you cannot tell me that isnt mikaela trying to twist yuu's feelings for his family to abandon them because had they listened to mikaela shinoa would have been impaled by the chains kureto produced to awaken the seraph of the end

And almost right after that same situation upon mahiru injuring yuu awakening abadon mikaela high tails and runs away carrying yuu and we actually see a pannel of shinoa squad scrambling for saftey straight up abandoning them again and going so far as to yell that he is yuu's only family despite all the other shit

Alright so lets play into the whole mika doesnt have feelings dont you think that having no feelings would make your sense of judgement all the better? And if so with all the evidence and actions of shinoa squad why in Gods blue earth would he basically act like an actual dick towards shinoa who saved his life risked her life for him as if shinoa is the sole reason yuu is in the prediciment of being possessed by yuu?? Isnt that the least bit infuriating??

On next of we shouldnt listen to mikaela in the same arc again mikaela suggests lets leave shinoa squad to face off against crowley AND FERID with this bullshit of "theyre after us theyll just ignore them" i mean are you kidding me? Ferid the man youve been with for 5 years is going to not have the time of his life killing a bunch of teenagers for the simple fact that if yuu is running away and leaving them.they must not be important to him therefore easy pickings for him

Lets not trust guren after all he's just using you he doesnt care the man loves that boy like as if he was his son and you can argue against me with this some time later but alright lets give mika the benifit of the doubt so obviously in mikas infinit wisdom his set course of action is killing him infront of yuichiro??? Really??? In front of him?? Killing his father infront of yuu man that just speaks volumes about how mikaeala only cares about the feeling he gets with yuu rather than carring about yuu as a person

Imo mika cares about how yuu makes him feel rather than who yuichiro is what do i mean by this? Its simple mika doesnt give a damn what makes yuu happy hell mika would cage yuu up if it ment keeping him safe and alive but is that really living? Its cruelty if i adopt a dog feed it and give it water but never play with it and isolate it thats basically animal cruelty

Anyway back to mika trying to kill guren just right there yuu begs mika to stop and grabs his arm pulling him back and what does mika do? What does he do? He lops off yuu's arm the one that was holding mikaela back from attacking what makes this scene even worse is i had so much hope for mikaeala because the last battle they won mikaela said the thoight of losing his.comrads made him dizzy what happened to him not having feelings? I lived loved loved that statement i imagined uncle mika to yuus kids being the best man to yuus wedding begging to be the one to make the wedding cake so so so so so many au's based off those little words and right after removing yuu's limb from him kimizuki and yoichi step up for guren weapons drawn and mikaela threatens them?!?!?! I mean honestly how fucking hypocritical can you be how big is his fucking ego???

Ill end it with this point because i have work in the morning i Still have another 20 bullet points i want to add but im starting to think i have artheritistis in my hand because my fingers hurt so much but anyway my point being mikaelas character contradicts yui's in an unhealthy way while yuu's character trait is to run towards danger to be a hero mikas is to run from danger its basically a tug of war and the thing is the story so far has actually turned out well for the cast running into danger for yuu made the 6th angels trumpet to grow silent destroying all of the four horsemen monsters and letting humanity take a huge step towards rebuilding but had it been mika's way theyd have run right out of that building never to see it again my point is if someone pulls and runs towards something and another character ties a rope to them and runs the other direction that tension will cause nothing but problems instead of running forward with the protagonist in order to keep them safe and actually contribute into the success of the mission

Also like the hashtags say this is only part 1 because as i said i have to sleep and my hand is killing me i should have done this earlier when i had more energy in order to bring along all the sources like the chapter and page where you can find these exact moments along with photos of said arguments/bullet points

[phoebehalliwell]

Yo that anon with the Bianca/Dency 👌🏻👌🏻 but like ohhh Dency coupd totally meet a cute Phoenix in her universe tho!! 👀 Or maybe a dark Witchlighter? Idk I think her falling I love with a more “neutral” witch hybrid would be cute!

And like do you think her little agency would work with neutral magical sources like phoenixes to find people? Because like Dency could be like a Penn but for the opposite side? If that makes sense?? Like Penn is bringing all the “light” witches together but Dency is really the figures head for the “dark/neutral” witches like the witch hybrids and the phoenixes…like Dency is kinda like the unintentional beacon of light for that side…just by being herself? Like maybe she doesn’t actively campaign for more acceptance for hybrid witches but her mere existence alone and the good she does is enough to get the ball rolling?

tbh as far as dency love interests go i'm a little bit torn because i have this mortal rashid idk if i've talked bout him before but like. he and dency have a classic rivals to lovers arc going on in college liek they fucking Hated each other blah blah blah she definintely gaslighted him a lil with her powers nothing malicious jsut like. teleportation like ha there's no way she'll beat me 2 the best spot in the library bc i just saw her walking up the steps while i am already inside and then boom he walks over there and she's there how?? the fuck>? teleporation fuck u. the point is thru their quasi spy vs spy antics i think they start to gain a sense of respect for one another than and he goes political journalism did this question even mention love interests idk That's Not The Point rashid does politics while dency's a bit more of a muckraker kinda more on a corporate side fraud and all that so they no longer are competitors and um. like they can finally appreciate the other as they are no longer and opponent as with most dency characters they have hooked up a couple times i shouldn't say that because as far as characters that have been introduced dency has slept with none of them bc they are all her besties u should never sleep w ur besties only ur homies but i think. i've stated this before? for starters dency doesn't do a lot of long term relationships just because you know that level of vulnerabilty and like if u really like someone then it's just leverage thatcan be used agianst u Or if u die then ur gonna break their heart but i think she does casual relationships with literally anyone but witches i. haven't posted the chaapter fuck i'll post it now because i've been sitting on it for so long and like i'm worried i'm gonna back myself in a corner w a it's not a plotline i don't like maybe just a plotpoint but i've like. written half the next chapter anyway. i'm also sitting on about 10k i think not only. 7k? unpublished w&s because it's like ending the narrative is ending i really need it to be coherent Speaking of incoherent. dency. i'm gonna post the chapter. but dency hangs out a lot at p3 which has changed hands piper owns her restaurants the backstory for this is.

paige has a charge back in the late aughts she's in a coven the point is her bestie has some traumatic incident happen to her and she wants revenge and it's something that (imo) totally justifies revenge like a killing her rapist type thing and like. it depends how we're going with charmed morality but i've established before i think (?) it's canon that if a witch takes an innocent's life she becomes a warlock like it's possible for witches to defect and become warlock if they take a life Specifically an innocent's life and even tho like that guy would be a mortal he def doesn't get innocent status because he's fucking evil she's allowed to murder him but i think she would murder someone else in the process and then causes her to lose her witch powers and gain a couple warlock powers and the rest of her coven shuns her for it which could have easily sent her down a dark path but paige's charge her bestie like stood by her thru all that like. like it's shit cosmic rules tbh. maybe. for legal reasons: i am not endorsing murder. please for the love of god don't make me admit to a grand jury i have a tumblr that'll be so cringe bro do not murder anyone. but paige's charge stands by her and idk maybe paige gets her a job at p3 all that the point is when piper sells the club to open her restaurant she sells it to paige's charge and her gf the warlock. so p3 kind of becomes a neutral power for magic no vanquishes allowed and it's one of the few places dark magic has on the surface just to vibe u just have to be able to tolerate being served by a witch like she owns the place so that kind of filters it. idk if this is more rambly than it normally is. i promise i'll go back in later and add periods. maybe. i am also a liar. but the point is i think p3 is one of the few places dency can really be hersefl because herself is half demon!! and at magic school she really is suppoed to feel ashamed of that like she hates it or something wishes it gone and Yes. it does scare her. being the source's heir all that. she's always worried about giving in to dark magic but like. she's a demon!!! there's no changing that there's no fighting that pushing it under the rug like. she can't change it she does want to spend her life hating herself like. it's who she is. fuck. so i think she doesn't date witches but like the regulars at p3 some warlocks the occasional like darklighter. dency has had romantic trysts with.

beck to rashid her mortal homies who she has hooked up with who they've always had this rapport they have this thing. bc rashid's smart okay that's why he's at dency's level (respectfully she gets her brains from her father i love phoebe but she's intuitive not intelligent cole on the other hand passed the bar exam (i think) so like.) rashid knows something's up. the point is they each give the other three questions. three questions you ask that the other has to answer fully honestly cards on the table no half truths nothing just the answer. rashid used one of those to find out dency's a witch, but she made him work for it. nothing vague like what are you strange things happen around you why like she's like ask your question but you better be specific about it and he's like fuck it. whatever. magic. that's my answer i think magic happens with you and no i'm not flirting i'm dead serious is magic like. are you magical? and the answer was yes. and rashid like while he was asking while he was like confident enough to admit that out loud to ask that to her face Did not see that coming. of course. there's a difference between like yes i can cast a couple spells and yes i'm the antichrist so. : )! but i think that's like a rapport thing between rashid and dency like whenever they ask hard hitting questions like "is that one of your three questions?" but idk if he's gonna. if he's gonna be it for her. there's also jack dency's childhood bestie so there's the childhood friends to lovers thing but like. i just don't see jack being in love with dency in that way like they're best friends. but not lovers. (but maybe they are??? idk)

But. third potential love interest is if i weren't goign for those two i was actually thinking.

two options here a cupid who reocgnizes dency as "the demon with the cupid ring? yeah that's gotta be the source's heir". so there's that i like the idea of. yeah. : )

but also. and i came up w this in an ask which i will not evne attempti to find. i'm sorry i can't spell you guys but it;s not happening 2nite beloeveds. but if u'vemade it this far. i do love u w my whole heart. dency. love interests. old ask about a squad a half-grimlock. appeal of being able to see auras see good people. this was originally in the ask. a love interest for billie?? maybe. idk. but just like. for dency someine who's always known htey have this immense dark side like. hmmmmmm okay i just thot of somehting. for lili. whish is phillipa. which is the prandy thirdborn. she's phsycics. however tf u spell that sykick. that's not the point dency who has. the source on her soul. falling with someone who can literally see the good in her. i'm picturing the half grimlock just ot like like a normal albino human. and they run a halfway house for those born of evil. because he or she or they idk>??? maybe neorponounds idk!!> whoever they r they run a halfway house for these kids born from demons warlocks darklighters bc they can see the good in them and that shouldn't. you get so scared gifted with these powers you don't understand they need a place to turn to. and the grimlock grimmy offers that place. def not their name but like. grimmy lmoa. ao. yeah. i think jsut opening i think integating magic schoolesp in a dency timeline what with penn and the elders and their pomp and circumstance i think it'd be a pain in the ass. but at the very least A magic school for kids wihtout light magic like they deserve it. evil shouldn't just be their default option. like they're just kids man they're jsut kids they deserve a shot at not even good man not everyone has to go on to be exceptional cure cancer and save the world just like. a chance to understand themselves not be scared. not be hated, jsut be/ like. do they not deserve that? so if grimmy's not a li for dency at the very least they are homies and they like pull together a magic school for neutral/dark beings.

[captainharunanase]

Sigh...

I had Allurance for a moment only for vld to make it a ghost ship with Lance now forever pining after Allura's death.

Shiro was finally able to be the "White Paladin" of the team but he barely interacted with them or even looked at Keith.

Hunk and Pidge had amazing screentime but Matt and a few others got sidelined and forgotten.

And Keith? He apparently wasn't even in Shiro's "wedding" with that rando--Curtis--even though he pretty much has been implying since s1 that Shiro is his family and his guiding light so therefore someone he would always be there for especially in his ups and downs of life.

Sheith held on all this time only to act like coworkers in the finale but not anything more like they have forgotten how to be best friends until it was convenient for the plot.

And Allura? The girl who lost everything? She ended up being almost like Honerva--sacrificing everything that is her to help her new family get their happy endings even though she could never attain hers.

I loved the fighting, the mecha transformations, the development of the MFEs, the plot, and the final showdown against Haggar but--

--To give Lance and Allura happiness and hint on giving her a new belonging only to stripe it away as a "price" all while "subtlety" diminishing Keith and Shiro's importance to each other to make their disjointed individual endings "make sense" outside of their s1-s7 buildup and somehow mesh both ships to fail in the end as a "this was the only way to save the universe" ploy-----

--Despite the damn show constantly paralleling the lesson on how Zaggar's love turned to a twisted hate that destroyed the universe and it was up to literally Allurance and even Sheith's love that actually saved the galaxy throughout the series--

----Only to rip both ships off as a sacrifice to satisfy the plot just enough to "justify" their demise as a means to an end. That metaphorical 'smoking gun' we expected to go off at the end? Over Allurance and Sheith? Was nothing but an illusion and wasn't even loaded to begin with apparently.

It is aggravating and disappointing.

I really loved this whole season but that last episode completely went against it's own theme.

They wouldn't have let Allura sake herself let alone let her do it alone--even with Honerva.

Lance wouldn't have even accepted the thought of Allura with that dark entity in her for long or even allow her to die or even worse be forced to love her ghost for the rest of his human life.

Allura wouldn't have wanted Lance to pine after her and not move on from her. She wouldn't have asked that of him by giving him her marks as a way of keeping a part of her quintessence in him.

Keith wouldn't just estrange himself from the one person that made up his whole universe especially after his oath to Shiro of always being there. He, at least, should have been the best man in the wedding if he was the selfless type to watch the canonical love of his life get with someone else.

And Shiro? He wouldn't have remained sidelined til the very end when they only needed him for his Atlas to only help boost Voltron and he clearly, while became a pseudo-Paladin for a moment, did not make any direct change or impact on the 6-man team. He especially should have had a direct moment of any form of romantic attraction with someone in the show and not as a damn fucking footnote of a "One Year Later" offscreen and unwritten romance with a character we didn't even know the name of at first nor should Shiro's final arc be seen as a "oh btw he got married and retired? Idk we keeping it vague so we give you lgbt rep!"

Despite the clearly, already written in the show, deeper bond he has had with Keith since even before s1 and that now makes his supposed bond with Keith a moot point and now unnecessary since it did not deliver in any way or reach a pinnacle in the climax nor did it have any proper closure to even indicate whether it could have or couldn't have been in the first place.

I have a lot of amazing points I would have shared earlier if I hadn't watched the last episode but that last scene completely turned the whole s8 around it's own head and practically told it to go fuck itself.

They try to amend it with a cheap superficial "Praise Allura Day" and despite a few of the team indeed having some form of ending--the main cast which consists of Keith, Shiro, Allura and yes Lance too by his association with her as her boyfriend--was literally given the short end of the stick.

Keith was sidelined and not allowed to act but be an observer at the end with none of his usual prowess, Lance now forever will chase after Allura's ghost and be haunted by her, Allura, herself, died for literally no reason than to right Honerva and Zarkon's wrongs, and Shiro wasn't allowed to even be a part of his paladin family and only there to remind people--at the last 5 seconds--that he's gay and apparently not single anymore with literally a no-name guy (actually it's Curtis but I had to look that shit up) that looked too much like Adam for my liking and while completely disregarding everything he did for Keith and vise versa.

Man that last episode is like Bleach's last chapter.

A completely different almost rewritten reality from the entire series itself. It overturned all the canonization of seven seasons under one episode.

And whether it was DreamWorks or JDS & LM's doing is irrelevant.

While it was an incredibly impactful season it did it with a fucking high cost.

Not about the ships per say--except Allurance for why make it happen only to destroy them immediately later?--but rather the complete turn arounds it had to do to try and justify why they made it that way.

That is what's so aggravating and disappointing.

Not the plot.

But the writing standpoint of trying to explain plotpoint A to upside down B. In a way, they became Haggar themselves and rewrote B and inverted it to make no sense whatsoever but pretend that it was "the only way" for it to end.

I expected an open ending for Sheith or actual development of Keith with Acxa and Shiro with Curtis if need be--and it had to be extremely good--but they couldn't even do that right.

And Allurance? They planned for Lance and Allura since the beginning but apparently the price Lance had to pay for his happy ending was her life out of the blue and at the last second.

And that hurts me.

This isn't as bad as Bleach's notorious ending but this is a definite close second at how they completely turned things around to try and make the ships happen just so they can fail while preaching how the theme of vld is found family and true love saving the universe.

Too bad the main trio--plus Lance now too--weren't allowed to partake in that lesson or in true happiness.

I still love Allurance and I will always love Sheith.

But what they did to Allura and Shiro completely ruined both Lance and Keith's endings.

And that breaks my heart to see it as the price they paid for daring to love them and trying to make them happy.

Lance can't truly be happy now since he can't move on and let Allura go or rather he won't to keep her memory alive in him.

And Keith didn't even get to watch the man he loved get with someone else and is now estranged from his best friend he swore he loved so much he literally was willing to die with Shiro and allow the universe to pay for it.

And what of Pidge and Hunk? We know what they accomplished but what about their personal lives? Is Hunk with Shay? Is Pidge still single? Is Matt still with his girlfriend? What of Acxa and the others? It is so vague with no clear answer and that is also disheartening.

Ah, sorry for my ramble. I stayed up to watch it from 3am and it's now almost 9am as I finish typing this jumbled vent post.

I'm both happy it's over and saddened it ended that way. While I didn't expect Sheith to happen I never imagined it like this and while I hoped for Allurance I didn't want them to pay the price for loving each other to the point of ending them.

I'm sad but I won't take it out on the writers--idk if I trust them at the moment--but I am still grateful they gave me Shiro and so many other characters to love.

I just hope they understand what they did and how much they disappointed nearly everyone with this "twist" ending.

Imma go sleep now I still have a lot to process.

I thought we'd get to see them all get happy endings but apparently only half of them did.

And last but not least no one suffered more than Coran when he found out--I feel so broken for him the most since he couldn't keep the promise to King Alfor to keep Allura safe--which is what his whole point in life was and what defined him as both a mentor and father-uncle figure to Allura and his new family.

And I think that's the one that hurts the most.

Okay I'm tired and sleepy so I'll be sure to interact with yall later for better analysis of s8 when I'm in a better state of mind.

Peace out yall.

Edit: Keith apparently IS in the wedding but he’s literally behind Shiro the whole time that it took me a few rewinds to see his ponytail and slight show of his profile. Geez way to hide him from the camera angle DW it almost made it look like he wasn’t even there if you didn’t pay attention behind Shiro and gave us the impression he wasn't there to begin with.

[mas-ai]

Not necessarily related to the ask meme but what do you like abt eiichi? I'm glad u do like him, he's a very special and good boy, but he's polarizing and I'm always curious as to why people like him

Okay, I just want to get one thing out of the way before we get into this because this is going to be a bit of a rollercoaster. (It's me, isn't it always? but i mean hey ho unfollow if u want because your dash is your own and i want you to be happy with who you're following. it's your account, you have the right to unfollow who you like. c:)

Disclaimer: (I know you won’t take this out of context, this is just in case someone comes across this post and only this post of mine and doesn’t read through my endless devotion to all charas and takes this all wrong ;;)  I haven't seen Legend Star in the mindset of being an Eiichi stan and I haven't listened to HEAVENS radio. I fully believe that Legend Star does not give us enough of an insight into HEAVENS nor does them justice as characters being introduced into the "main" Prince roster. Personally, I consider them as still flat characters despite their developments, that are still in the process of being fleshed out. That said, I haven't seen LS in some time and I don't remember every single detail. Anything I say here is based on my awful memory, headcanons and current mindset with the knowledge I have that will absolutely shift, change and grow in the future - just like Eiichi. I will also say, some mentions of character hate are below and some things are going to be worded a little harshly based on -past- opinions and first reactions (way back when Revolutions was released). I do not support character hate. All boys are best boys and all of the characters are fantastic, even if some of them are not among my personal favourites.

OKAY! LET'S GO, FRIEND.

 ...... I know you asked something extremely simple but I'm not a simple person and I kind of just want to vent write this in hopes a lot of good hcs and stuff come out of it. My short answer to you is:The thing I like the most about Eiichi is how he is written to be a negative foil to STARISH as a whole in the manner that Quartet Night attempted to be. QN did not succeed in this role, but Eiichi remains the powerhouse that introduces new problems into the narrative without being a complete asshole. He retains a personality that is complex, narrow-minded and realistic; he's that piece of the puzzle that brings this fantastic fantasy life into real life because we all know 'that guy'. But sometimes we fail to see two things: 'that guy' has a life and reasons for why the way he is -- and more often than not, sometimes, we ourselves our 'that guy' in some situations. His flaws.

When Eiichi, Nagi and Kira were introduced it seemed at first to me like they were nothing more than a complete money-grab an attempt to re-invest in an anime that perhaps was beginning to meet its end in terms of where it could go with a plotline. It was obvious that Nanami was going to remain impartial and oblivious to the advances of those around her and while we were going to continue to get singular episodes as "routes" no real romance was going to occur. Moving STARISH forward as a whole, something heavily built upon in the first season, was entirely dropped. There was starting to be a major lack of overarching plot for the series. Yes, every specific episode had a main plotpoint - but the anime was starting to lack an overall goal. Nanami herself seemed to slowly start to disappear from the series and ghost into the background and the characters already know each other for the most part; they weren't tossed into too many new situations to continue developing. 

We see so many "bits" of things just sort of.. very lightly ghosted over in the anime and then left to be forgotten. Examples through the seasons include Natsuki's backstory, Ai's story, Reiji/Aine, Ranmaru's history (is it even canon to the anime he was friends with Masato and Ren when they were younger?) - and of course, Camus, who hasn't had a lick of development. (I love you Camus. Anime does not do you justice.)  

Before this too is taken out of context, I want to state the anime is my favourite media of the series and I'm not hating on it at ALL. It's what got me into UtaPri and kept me in UtaPri for as many years as I've loved it and is very near and dear to my heart - I'm just saying, it's not delving into plotlines that it could. It's remained the light-hearted, airy, soft anime where all problems tied off at the end of each episode and that was that. Short and sweet. Yes, the story does move toward Triple S: but let's be real, we all know the outcome from the second the concept is introduced. STARISH will win. Of course they will. It's about STARISH. 

Heck, Revolutions' plotline is about their change and becoming on par with Quartet Night. Quartet Night wasn't done justice in the anime at all. I'm so thankful we got more of them in Revolutions,  but they seemed to have this strange "friendly but rival but friends but also lol maybe we'll take Nanami from you but none of us are actually going to propose that to Shining ever". It was just this weird loop. Again, all good boys, love the anime, great dynamics between them - but the plot as a whole was just... it was starting to get stale and repetitive with the sole focus on being this one tiny part of the world.

Enter HE☆VENS. Or, more specifically -- enter Eiichi.

☆ They expand upon the world of UtaPri quite significantly and open so many doors. (Gates? lolol.) Not only is another group brought into the mix without an established relationship that will dominate dynamics (senpai/kouhai, where STARISH must lean on Quartet Night and QN must mentor which kind of takes away from the "rivalry" potential.) They're starting from absolute scratch and bringing in an entirely new agency. From the way it's translated, it also sounds like HE☆VENS may have been around before STARISH but been established after Quartet Night. We're also introduced to Raging, who provides a lot more backstory for Shining.

☆ HE☆VENS poses a legitimate threat to taking away Nanami AND have made attempts to do so. They tried to force her to join them in 2000%, then tried to steal her in Revolutions and eventually asked her to join them in Legend Star. Eiichi made most of these attempts himself.

☆ Eiichi is extremely sly and smart. When his group was not disbanded, he instigated efforts to better everyone and they spent a year filling the group and practicing to storm in at the end of Revolutions. He knows full well that the winner wouldn't take their victory against HE☆VENS and would want a decisive concert. Which, potentially could have meant Quartet Night or STARISH being disbanded should HE☆VENS win. 

☆ While the rest of the group does soften considerably through Legend Star, EIICHI DOES NOT. He retains every fiber of the personality we first meet him with, at all times. To better explain the point here, I'll make an example of Nagi who originally came off as extremely bratty and high-handed who didn't really treat his bandmates that well. Later on, he's softened and instead of being high-handed, he adopts an annoyance similar to Syo's in most situation and loses that more brash side of him that we see when he slaps Natsuki's hand away - like with Shion. He has a clear affection for them and becomes a little more kind around them and not just in private with them. Eiichi, on the other hand, is developed in a different way, where he continues to be that strong-minded individual who acts out of lack of self-confidence. Fake it until you make it. Even when in private with his bandmates, he continues to keep up all the attitude we first meet him with. He continues to try to keep control of every situation and be a reliable leader, even to the point of emotionally manipulating even his bandmates (we see this even more with Otoya, too.) He grows, yes. Does he /change/? .. I don't really think so. Do we still get to see more sides of him? Yes. Do we see how he displays his love for others? Yes. But this is all done without 'losing' that edge he was first introduced to have. He is extremely, extremely responsible - but even when the time comes for consequences, he remains true to himself by manipulating the situation. He takes the fall for others, he uses his words to change perspectives, he takes control, he remains a leader.

☆ He doesn't change his views. When he's trying to bring out what he sees as the best in Otoya, he does it in a manipulative way that is in line with his personality and is an echo of how he was treated as he was growing up. He doesn't try to "inspire and move Otoya's heart through the power of music" like he might've if he fell head over heels in love with Nanami and had those feelings change who he was as a character. (Some just seem to swap personalities completely after falling for her, to me?) We see the flaws in him as this happens and how some people's minds are sometimes slightly skewed by their perspectives as Otoya goes 'darker' and Eiichi is pleased with how things are progressing. It's not being done to intentionally destroy him, but rather bring out another side of Otoya - and honestly, it looked to me like he was ready to offer a position in HE☆VENS to him. Which, again, is an active act against STARISH.

☆ this boy puts up with legitimately zero shit and if someone is not treating one of his boys right, he doesn't stand for it. i'm a bit concerned about potential discourse so i'm not going to name characters or exact situations out of respect for the characters & their fans, but there are some points in the series where certain characters treat others like. absolute. garbage. nothing is done about it. nobody has enough of a backbone to stand up and call the behaviour out, save maybe one. it's written off and dismissed. eiichi doesn't put up with it for a second. if you fuck him over, or upset someone in his group, or make a mistake -- just like how he has known ALL HIS LIFE -- there is a consequence. if he has to be the one to give it to you, he damn well will.

☆ eiichi has a backbone and is probably one of the most incredibly written characters in the anime yet despite being a flat character.

☆  ALSO HE IS INCREDIBLY PASSIONATE. LIKE SO, SO INCREDIBLY PASSIONATE IN A WAY THAT PUTS EVEN MASATO TO SHAME. Or rather, not to shame, but he has this... aggressive, confrontational, go-getter passion. An ambitious passion. For everything he does, for everyone who takes more than twelve seconds to give him the time of day and get to know him for who he is. He’s where he is because of those people and he just... he shows it by trying to be this rock that everyone around him can rely on all the time but really he is suffering so much on the inside. But he’s so selfless and not in a “look at how selfless i am!! pity me!!” way. He just genuinely wants to support those who stand by him. this is one loyal baby boy.

I have five thousand more points I could drive on and on about, but I'm going to cut this here because I'm starting to get a little bit upset about how he (and his beloved HE☆VENS are treated.) Anyway, I have to admit that what started my love for Eiichi was extremely small. It was nothing more than an answer to an ask that I wasn't even the one to send in. If it wasn't for someone with one of the most beautiful shows of love for this series that I have ever seen and their simple but beautiful art, some of the cutest I've ever seen - if it wasn't for how deeply they care about their blog and followers and the detail and care put into their work... I probably wouldn't have even given Eiichi the time of day. This blog was one of the first I ever followed and absolutely one that makes my day with their content. So thank you, @uta-no-fakku-sama for being such a massive part of this fandom in my eyes. Thank you for all you do and thank you for introducing me to a new favourite boy and putting up with the ridiculous amount of asks I send in, especially for him - I think I'm literally every anon... most of them, for sure.

So there we go! Those are just some of the reasons why I like him so much, or maybe even just a massive and overblown explanation about one main reason I like him? I don’t know. I hope this was satisfactory!

[pomegranate-salad]

Seeds of thought : DIE #2

Hey everyone ! So many works I need to be SOTing right now. I decided to prioritize this, because well, new comic, needs all the attention. Plus, everytime an issue gets sold out, we get a new cover from Stephanie Hans. I live for them now. Anyway, spoilers of course, enjoy my thoughts and opinion under the cut.

HINDSIGHT IS D20/D20

 When I was a kid, I had this French comic in which they had a page that asked : “what happens after a movie ends ?” and there were a series of vignettes that answered that question in a proper humorous fashion. For example, one of these vignettes showed the last scene of a movie where a car of the heroic lovers drove in the middle of the road into the sunset onto their bright future. The next panel showed the two lovers in court, and the judge saying : “bright future or not, you crossed the lane line and I’m revoking your licence”.

 When I was seven, as most things do when you’re seven, it blew my mind. Nevertheless, this silly comic highlighted the universal, unbreakable truth of all stories : when it’s over, it’s over. There’s no more. And even today, as fanfiction has become its own genre, as no comedy is complete without a fourth wall break, when you close a book, when you turn off the TV, nothing can happen anymore. There is what the story implies will or might happen next, but sooner or later, you reach the point where you exhaust whatever the story contains of foreseeing. Each story writes its own last will ; but whatever happens after that, the story is dead : it still exist, but it won’t move forward, it won’t go back, it won’t do anything at all because it has stopped being able to do anything with itself. The only way for more to happen is for the author to write more. But that inevitably means writing a different story.

And that’s why, as sad as I could have been to leave a story I loved behind, for me there was always a sort of relief that came with reaching the end of a story : the relief that came from complete stillness. Because there’s no more, there’s no more pain, there’s no more stress, there’s no more excitement even, there’s no more reason to be alarmed at all. No reason be involved at all. Only when we reach the end of a story, can we be free from it. Outside of the contraption of the story, the characters’ actions don’t exist. THEY don’t exist. And you definitely know where I’m going with this.

 The genius of DIE is not to take us to an elaborate gritty deconstructive fantasy RPG world. The genius of DIE is to take us back to it. Back to the story that’s already ended. Yes, I know I said in my last SOT that I didn’t think the characters were over their first visit in DIE by any means. The story of Ash and the gang is not over (by the way, I’m just going to call him Ash and use he/him pronouns until we get more on this issue, if needed I’ll edit accordingly). But functionally, narratively, the story of DIE the world, DIE the tabletop campaign, is over. The heroes arrived, the heroes did some shit, the heroes left. The story welcomed them and then the story ended. More than that, the story ended and nothing came to replace it. Sol’s speech is not the only thing that happens when thoughts curl up. The entire DIE world the gang is now in is nothing but a giant curl up. A new story did not emerge from the same setup. Sol just dug up the corpse of the old one and smeared make-up all over it.

The return of the heroes in a fantasy world they once knew is not a ground-breaking idea in fantasy by any means – I mean, Narnia did it. But in the usual take on this plot, the trigger element to the world the heroes return to is their leaving the world, not their being there in the first place – or in Sol’s case, staying. The second Narnia book showed us a world in shambles because the heroes saved it then left it, not because the heroes saved themselves and one of them was left behind. And maybe what I’m about to say will be disproved by future issues, but I’m not under the impression that the characters were particularly anything to the world of DIE, least of all heroes. They seem to mostly have been there. Some parts they barely set foot in, and the way they talk about the supposed “big bad” of the first game, the main reason they came after him seems to have been that they prevented them from going home. As a setup, the world of DIE seems to have been a bit underexploited. But come to think of it, was it really that great a setup ? Ash’s narration goes back and forth on the issue. Sol’s imagined world is either described as brilliant or the exact kind of pretentious overwritten stuff you’d expect from that particular breed of teenager (Elves but written by William Gibson is complicated… But is it, Ash ? Is it really ?)

 But all of that maybe-not-that-great world, all that hammered fantasy stuff, are rendered new and interesting in context. I’m not the first one to point out that this setting allows characters to offer perpetual commentary on their younger selves. My shots at teenage pretentiousness are fucking text. If nothing else, this is a genius move to deflect any and all criticism of the comic’s take on the RPG genre : if it’s overdone, if it’s overwritten, you’re not smart for pointing that out, that characters are way ahead of you. But more interestingly, this moves every single “big idea” of the “transported in a fantasy world” plot further up the road. The main example is the reality vs fantasy ethical debate. Think how many pages in how many books were dedicated to exploring the ethical ramifications of being in a fantasy world without knowing if what you did was “real” or not. Do you have to be ethical when you play a game ? Would Kant play Grand Theft Auto ? This is a massive debate. In DIE, it’s addressed in issue #2 on one page. But it would be a mistake to think DIE is selling this question short, or “getting it out of the way” : like often with Gillen, the form is the point. The underhandedness of this debate among the characters is what makes it interesting. Because it’s a debate they had before. This is something they decided on. They set rules. They built an ethics system. They also saw the limits of it. Because no matter how lawful good they decided to play that thing, there’s always one player to just do what they want, or there’s always not even that same player doing some stupid wordbinding spell because that’s just a throwaway romance secondary plot, and who hasn’t fucked with one of those before. All the time it would have taken the comic to establish the characters coming to terms with this debate, disagreeing, coming to a solution, is time that can be used to see this solution unfold in glorious consequences. And you know what ? I’m willing to bet that the characters weren’t even that bad the first time around. But they were there, and that’s really all consequences need. Another thing to think about ? Maybe the reason the characters came to having this debate was that at some point, they didn’t think they would ever go home. Maybe the world they moulded the first time around, was the world they thought they would spend their lives in. You’re welcome.

 So does that mean DIE is going to leapfrog every single of these important questions to simply present us with the consequences of the characters’ choices ? Probably not. But every single decision and facet of this new story is going to come with its own asterisk : this isn’t the first time around. Everything is loaded. Nothing is ever innocent. This is the Monty Hall problem halfway through : one door has been opened, will you change your choice ? And for us, who didn’t get to see which doors our heroes picked in the first place, that’s going to be a hell of a ride.

  WHAT I THOUGHT OF THE ISSUE

 The idea of this section was for me to get a bit more personal about my thoughts, without feeling like I needed to make a big point. So let’s get personal : I do not like Ash. By which I don’t mean I think he’s badly written, I mean I don’t like him as a person. As in, we would not be friends. I already had that feeling when issue #1 came out, but I tried to be generous because we’d seen so little of everyone, but now we’re two issues in, let me confirm : I do not like Ash. I do not like his fake self-flagellation hiding some very real condescension, I do not like his teenage angst with a twenty years old aging flavour, I do not like that he’s introspective in the least interesting way possible, and for someone who boasts that he learned to “tell stories”, good god is he an annoying narrator. Yes part of it is intentional. And no, I do not particularly like any of the other characters either. And you have to take into account protagonist bias, meaning that the character you spend the more time with is the one you have the biggest chance to like, but also the biggest chance to hate instead of simply dislike. But hey, I never claimed to be the perfect reader. And for now, Ash is annoying the shit out of me. To me, he feels as if you’d taken Laura from Wicdiv, kept her just as laborious and self-hating, but removed all the parts that actually made her likeable. Which leads me to ask the question : can I be honest about the quality of an issue if I’m that bothered by who’s telling it ? The answer, as always, is that I can be honest with myself : I’m probably not as high on this issue as many people are. And the principal reason for that is definitely the main character and narration. Don’t get me wrong, this issue is a thrill : the scene with Sol is chilling – I think he might be my favourite character, actually – the combat scene is narratively masterful, the ending is a bit of cheap shot (I’m fairly certain I’ve seen this eyes plotpoint in several other stories) but god damn if it isn’t effective. Oh, and let’s take a moment to praise the art, Lord knows Stephanie Hans needs me, whose stick figures make the Monkey Christ lady look like Michelangelo, to praise her. But jokes aside, I want to give credit to how Hans resisted the appeal of painting the classic huge detailed fantasy world first chance she got. Instead, her vision of DIE is one of a weirdly deserted, bright yet gloom world, which fits the mood perfectly. To borrow from the issue, her use of colour looks like fantasy feels, without feeling the need to overbear on the raw emotions of this issue with more detailed pencils (Ash’s digression about Maria is also probably incidentally the most I’ve ever liked his narration). Best panels for me are of course the ones where you can see the sides of the DIE. Probably because it manages to feel so small and so huge at the same time. I’m a sucker for intimate fantasy.

So, this issue, minus Ash, is nothing I don’t love. But on the other hand, this issue doesn’t really exist without Ash. Try as I may, I cannot deny that part of the appeal of the issue comes from his narration and his personality. Yeah, he’s a whiny controlling drama queen, but I put up with an entire issue of Woden monologuing and this was one of the best things I’ve ever read, so you know what, I can put up with a little bullshit. I don’t think Ash has to be a good person, or even someone I like, for DIE to be good. I guess at this point my problem with him is that I don’t find him interestingly unlikeable, as was the case with Woden. Maybe it’s because unlike Woden, there are several people in my life who remind me a lot of Ash, and since they’re not necessarily assholes, they’re not people I have an excuse to outright avoid and thus with whom I’m much more familiar with. So who knows, maybe I’ll make peace with Ash. Comic’s still young. Meanwhile, my opinion on issue #2 is pretty much the same as for issue #1 : this is remarkable work, brilliant in some aspects, almost irritating in how proficient it is at doing its own thing, and maybe just a touch overconfident in its ability to walk the line between profound and navel-gazing. But when DIE keeps it simple, when it just wants to touch you instead of punching you in the gut, then it’s fucking unstoppable. If you’re not on the DIE train yet – well first, I admire and fear the way you powered through this post, but also, jump in, like now. You won’t regret it.

[zydrateacademy]

Review: Black Desert Online

A couple of years ago, BDO was released under a subscription plan and later went free to play. This brings in the usual debate but I can honestly say there is no pay to win here, largely cosmetics and utilities that typically don’t give you an advantage in player versus player combat, which is apparently a big part of this game that I take no part of. I’m going to get bloggy here for a while here, so I may edit this out of my Steam version but bear with me, as I feel some of this gives a fair amount of context to how I feel about MMOs in general and how that may affect my review of one. I’ve largely lost the energy to bother with MMOs at my age. I’m 28 now and there’s a unique parallel between the time I started getting employed (22ish, late I know but times are rough) and the time I stopped bothering with MMOs. They take a large chunk of time so on eight hour shifts, there’s almost no point in logging in. An hour of work gets me nothing and by the time I get home, I’m typically too tired to bother dedicating the time towards a raid. I used to think I just didn’t like questing but I still play RPGs, so that can’t be it. After several capped characters on WoW the questlines do become a bit samey but I can usually just turn on a podcast or three and grind my day away. I am also a hefty roleplayer and I like creating stories and interactions for people to bounce off of and when I sort-of quit WoW perhaps over a year ago (I never really quit, I just wait for an update to actually interest me), it was after I discovered my eccentric crazy-lady main just couldn’t find a place among the rather clique heavy communities that pervade roleplaying communities there. As it stands, I have nothing to go back to and to a degree I suspect the same will happen with BDO. That’s really the crux of the issue that makes or breaks MMOs for me. “Is there anything there for me?” is what the back of my mind consistently asks. There’s always goals I can set for myself, like specific gear that I find looks cool. However in BDO some of the best cosmetics are store-bought (because of course they are). There’s no dungeons or raids in the endgame so that’s clearly out. The only thing that will keep me on BDO is the community and the jury is still out on that because I’ve spent my ~40 or so hours so far just questing. So let’s talk about the game itself. I will say it’s likely not for everyone. Through the lack of dungeons (which I hear, from a single source I don’t know all that well, that they’ll be updated in eventually), raids, and my avoidance of PvP I do find there’s a lack of content for things that interest me. Don’t misunderstand, I’m sure there’s plenty to actually do in the game. When I hit level 50 I get treated to a sort of daily splash screen that congratulated me and gave me a whole list of things I could be doing. These include things like Gathering, Processing, Cooking, Hunting, Trading, Fishing, and a few others and I don’t know what some of them even mean. Leveling is a bit strange in this game, being very grind-heavy at the endgame. Experience comes largely in the form of mob-killing, quests themselves give you something else. Much of the land has high density mob packs that are designed to be pulled, kited, and murdered en masse with your best AoE attacks. Basically the leveling curve has a few different turning points. At 50, a good portion of the game is available to you, and about the time the main quest through a little black spirit buddy concludes. I like to call it the first “Cap”, and this game has multiple, strangely. At this point I started taking a lot more damage, and doing significantly less. Powerleveling is a thing here under the term “leech leveling”, where you basically just join a high powered grinder on their daily rotation and just hoover up experience and loot. I did this from 51 to 56. 56 by the way, being the second turning point and the secondary “level cap” the game seems to have. At this point you can do a questline to power up your class in what’s called “Awakening”, which I’m sure has some kind of in-story plotpoint but I wouldn’t fucking know because everything in this game is so convoluted and I will address that soon enough. At this point your character gets an extra weapon and a whole new window of skills to learn and combos to figure out. I hear this is where classes come alive, on a similar vein from other MMOs when you hear “Oh the game really starts at level [blank]”. For WoW, I feel the game does this at 70-80, because heroic dungeons make the world go ‘round. Other MMOs, major content typically unlocks at level cap. The actual “soft cap” is 60 but players can get to 62 and beyond, however one source tells me that “getting from 62 to 63 is like, grinding several hours a day for a year”. I am pretty sure this was hyperbole on his part, but he also added that there was almost no point because by 62, you have everything you need. In BDO however, the leveling curve gets ungodly slow and the grind begins. I cannot speak on how this is because I effectively took a break when my first main hit 56 properly, and wanted to explore other classes. The combat here is odd and may take some getting used to, but still falls a bit flat. It’s combo-based, y’see. You can hotbar skills but most are attached to a key combination, like moving left while left clicking or holding back and and pressing F. The directional keys interact with a few others and everything does something unique like giving you better accuracy for a few seconds and a myriad of other buffs. Not that I would know. It falls flat for me because I usually just find one or two attacks that hit more than four targets at a time and stick with those, with little to no reason to use single target attacks. My ninjagirl (which is called something I can’t pronounce or even begin to spell) has one attack that can grab enemies, spin in the air, and drop them to a ground for a knockdown effect. But why bother? Bosses are immune to it, which is the only source of single-targets I can find and basic random stragglers aren’t worth it when there’s a cluster of seven mobs right around the corner.

My sorceress was my first 56 and most of my leveling with throwing some purple lightning at everything. This was essentially my only attack for my entire leveling experience, perhaps with the occasional teleport or claw attack to regenerate mana. I know that’s a fair amount of shittalking, so let me pull up a couple of positives before driving the stake of irritation in this game’s heart. I don’t hate the leveling. I can appreciate how most experience comes from combat to a certain degree. I also like how the game throws experience buffs at you like no tomorrow, and money isn’t terribly difficult to get. Gear doesn’t really have a level gate here so I spent around eight million silver (that is not nearly as much as it sounds) on my new ninjagirl to get +15′s and +9′s (I’ll explain that in a bit) and hilariously curbstomped quests and enemies well into her 40′s. Leveling is very quick here and more experienced players can probably shoot up to 50 in a day. As a roleplayer this is valuable so that my character can have access to higher level towns to interact in, though mobs don’t tend to get pulled on roads and it’s fairly easy enough to run across the map at level 10 and you’d probably survive. Still, map exploration is a big part of the drive to play at the moment. BDO is also renowned for being the best looking MMO on the market, and that’s no lie. At least for a couple of years before that gets dethroned, too. The character creation is also insane, taking Saints Row’s crazy character creation, Champion Online’s asymmetry and ran with it for miles. You can manipulate your midsection, eye pupils on multiple levels, and even customize your own idle pose which I could not begin to figure out because I’m not a graphical engineer and none of it made sense to me.

There is one final point of contention that I would like to take to task. Everything is incredibly convoluted and overstuffed to the point of inconvenience. You can’t see enemy healthbars properly until you kill enough of them to gain “knowledge” on them. This isn’t just for enemy categories, but enemy TYPES. When you go fight some bandits, you have to kill enough of every single one of their musketeers, warriors, basics, and more just to see each and every one of their healthpools. This goes for destructible objects like camps, supplies, and traps as well. WHY? Stamina, health, and carry weight are all manipulated by sprinting everywhere, eating food, and carrying trade bundles over long distances. WHY? Many of my skills are stamina based so I can only increase that by running everywhere I go and forsaking the function of a mount. WHY? Quests don’t give experience, which is mostly fine because combat gives plenty. Instead, you get contribution points which acts as a secondary currency to rent gear and buy houses. Uhm... WHY? Ingame banks and storages are town specific. If you’ve stored your stuff in one of the beginner towns and bought a house there, but you’re in your 58′s and whatnot, killing knights in the upper eastern corner of the map and need to store all the money, gear, and loot you’ve made... You have to either run all the way back to do so or buy a house and then rent a storage chest for ten contribution points (which it will forever withhold until its returned, but you can continually increase how many contribution points you have) so it connects to the nearest warehouse so you can access your stuff, which is completely separate region to region. WHY? Energy is another tertiary resource which regenerates and increases as you discover the world and talk to people. However some NPC’s won’t talk to you about certain topics and might even withhold quests because you haven’t gained enough knowledge about the world. WHY? You can get horses and mounts but they have an entire health, hunger, and stamina mechanic. They also cannot be summoned at will but are attached to stables, much like storage warehouses are. Found yourself running towards a questline but left your horse in a safe area on the road? Too bad you can’t just summon it and ride away to safety. You have to whistle for it (wherein it’s always just too far to function) or track it, running back to it. WHY? A player had to explain to me how to even get gear because looting and questing certainly didn’t give me much. My first 15 hours or so was working with some basic stuff and by 35ish I was doing no damage and taking all of it. Only a discord community helped walk me to a marketplace (auction house) and tell me what kinds of things to buy. They never even told me about belts, which typically add 30 to 40 pounds (or whatever unit of measurement they’re using) of carry weight, which I did not discover until my 50′s. It was incredibly useful information to acquire. WHY did the game never give me a belt? Money has weight. WHY. Upgrading items is pointlessly complicated, even in its simplicity. In order to upgrade gear you need to use certain items that are acquired throughout the game (I had about forty of each by the time I hit 55). which only goes to 15. After that you need other, higher level crystal items to upgrade them further, which has a chance to actually downgrade the item of the chance fails. So you’ll have to spend millions upon millions of silver (If you don’t farm/grind for these items yourself) just to give yourself a few extra points of armor and damage. WHY.

This is one of many menu screens. Notice all the 0′s. I have no idea what I’m doing. I have ten other things I could go on about that are along the same lines. It’s the FFXIV problem all over again, just in a different way. Every function in this game is hidden behind a wall of inconvenience. That is truly why I state that this game is not for everyone. Like with anything else that’s multiplayer related, it will probably help if you come to this game with a certain core of friends. This game does not hold your hand but I would rather be treated like a child than abandoned in the middle of the street and get hit by a freighter.