#and so's consequent villain origin story

[pharawee]

"I heard you say Gun's name in your sleep."

[rolandkaros]

im gonna be a dickhead for a second cause this is actually pissing me off:

i NEED y’all to deep the fact that most of these players do not care about what this man has done. carlos will probably shake his hand on sunday. maybe even a hug. they will compliment each other during the trophy presentation. no doubt the players will be asked again about the trial and no doubt the VAST majority of them will give the same non-answers as in australia. many of them are friends with him. many of these ‘friends’ are your faves. i’m not telling you to change your allegiance or find new players to be fans of or anything of that sort (this is the nature of sports, unfortunately a lot of them are very very flawed people, including many of the players i am a fan of). but i cannot sit here and watch all y’all go on saying ‘omg carlitos needs to defeat the evil on sunday 😣😖😫’ he literally does not care. most of them don’t. please, for the love of god, for everybody’s sake, i need us to understand this.

[harrowscore]

wow, mockingjay was. much more violent and gory than i remembered

[dravidious]

Still playing Fantoccio's boss theme on repeat in my head (I managed to do a no-hit run of his fight today!) and I just realized I've never written a villain character before. Like I've had antagonists, and villainous characters in one-shots, and Gengar, but I've never made my own actual villain character. I gotta fix that some time

[momxian]

AU where Shen Yuan gets transmigrated as an Original Character into the Demon Realm a few years before Bingge gets there. But even though he's not SQQ, he LOOKS like a near exact copy. So he figures that if he wants to survive he needs to make himself useful. First things first, he needs to know what the hell is going on, so he starts working with lower level demons setting himself up as someone necessary, and relatively important so he can figure out when in the plot they are. It's pretty easy, there's not much in the way of organization down here and despite everything he's not that bad an actor. It helps that SQJ's face is beautiful in every setting and he will quickly create a reputation of the stubborn beauty amongst the demon realm. It's around this time he starts wearing a veil to mask his resemblance to SQJ, but really it just adds to the mysterious allure aspect.

He utilizes his plot knowledge to get things ready for Binghe's arrival, tidying up the palace, setting up good staff, getting rid of some of the smaller villains that kidnap Ning Yingying and Liu Mingyan etc later. Actually a lot of smaller villains who kidnap, harass or belittle Bingge's harem. It's like every time he's running an errand he meets another piece of cannon fodder that will inevitably lead Bingge to another papapa scene. It's fine, by the time he's done with them (thank god this body doesn't have the same limitations as his old one) they follow him around with big demon puppy eyes and scramble to do chores and tasks for him.

By the time the Endless Abyss moment is set to happen, SY has thorough knowledge of the abyss and all of the special items tucked away in various locations across it. You can't be mad and murder someone who helped you through the torture torment evil maze of plot relevant trauma, right?

He finds Bingge post fall and does his best to act callous and only vaguely helpful, leading Bingge in the right direction and away from the biggest threats. His goal is to be a helpful and forgettable NPC. Someone who, if he runs into him again, Bingge will have mercy for and be left alone. Despite his resemblance to SQJ. But what he doesn't take into account is A) in no version of this story is he capable of being that hands off and B) Bingge was just shown kindness for the first time in years by a mysterious and elusive beauty with brilliant eyes and an obvious intelligence.

Since this is Bingge and not Binghe, he doesn't immediately fall for SY, and is in fact wildly paranoid, terrified and angry about things in general. But every time something seems to go wrong in the abyss, instead of taking the hits and becoming the stallion protagonist, SY shows up to give him a magic item, or rushes in to protect him from fatal blows and on two separate occasions thoughtlessly petted Bingge's hair when he was injured, which rattled Bingge so bad that he almost died again fighting the next monster.

Shen Yuan is gone often enough that he still makes his way to the Demon Palace, collects Xin Mo and builds his harem, though it's smaller than it was originally. Mostly because SY had taken out the smaller villains and then because SY had interfered with Bingge's quests so often.

Obviously Shen Yuan has a soft spot for Bingge now but doesn't admit it. But he's satisfied he can slip away now without too much consequence, except no he can't. Bingge asks for him, to collect something for him. To ask him something about another demon. To just stare at him for a half hour with a vein about to pop in his forehead as he tried to see through the veil before huffing and sending him away again.

Since Bingge is obviously not going to let him slip away, and SY isn't sure if Bingge is going to kill him or not he desperately makes himself useful again. He takes care of Bingge's harem. That's a lot of housing and food and clothes to take care of! The girls fight often! He'll just slip into the mix and keep the peace until Bingge forgets about him. And in the meantime sometimes he tends to Bingge and he and Bingge have dinner together. And isn't it so cute how the stallion protagonist can blush when he compliments the dish? And once or twice he combs out Bingge's hair. And sometimes Bingge rubs the scowl from between Shen Yuan's brows and lets his finger outline his jaw over the silk of his veil when SY is tending to tedious business.

Yeah, I'm sure one of these days Bingge will let you slip away SY.

Anyway Bingge is just relieved that Shen Yuan has accepted that he's part of the harem now.

[lintwriting]

I was here when mouthwashing was just a demo. here are some things I noticed.

I caught on to the fact that Curly was likely innocent and that Jimmy was an unreliable narrator based on the "Take Responsibility" word scramble and Jimmy's asshole behavior. Because of this, I also did not think there would be supernatural horror, I thought it’d be man-made and psychological, which I was right about.

What I did not expect was the subtle depiction of how workplaces fail victims of rape and misogyny.

What I did not expect was how backgrounded the late stage capitalism critique ended up being.

late stage capitalism: a red herring

From the Demo, you focus a lot on the corporation as the main antagonist, probably because Wrong Organ devs were hiding the villain protagonists.

Ominous posters, a Polle monster chasing you, those ominous TV commercials glorifying working for a corporation, the fact that all this horror was over fucking tooth-rotting mouthwash. Really paints the picture of a corporate horror or conspiracy a la “Time to Orbit: Unknown,” where every chapter unveils a new corporate conspiracy for money and power.

but instead, in mouthwashing, the capitalist aspects are merely plot devices to explore the horror surrounding mismanagement and its consequences.

A power tripping coworker and an enabling manager who got him the job. An eager-to-please kid and an established supervisor willing to take advantage. Flaws in how the hierarchy is decided, leading to the one person who shouldn’t have had power getting the power. Lack of sensitivity training (or whatever that’s called) surrounding things like Title IX concerns, such as the uneven gender dynamics or what to do in the event of a crime or the fact that the person doing the psych evals isn’t getting any evals.

Notice that none of these things are unique to capitalism, they’re issues you’d have to plan for in any workplace/organization, whether that be socialist or capitalist or whatever. The capitalism exacerbates the issues or catalyzes the consequences of them like a plot device, but the issues don’t originate from there.

For example: the lack of any woman other than Anya.

Yes, this was most likely exacerbated by late stage capitalism understaffing to cut corners, leading to skeleton crews, but that the crew we DO have is mostly male is more related to misogyny or gender roles.

Perhaps women don't want to work on these freighters because of the danger of being trapped in a confined space with men. Maybe the jobs required for these freighters, like mechanic or pilot, are male-dominated. Or maybe the hiring manager had a bias where they viewed men as more competent, etc. The fact of the matter is that the cause is the same when you dig down deep into it: misogyny.

Or the layoff. The laying off of the crew is its own form of evil, but its consequences aren’t the ones being explored within this story. Most of the crew die of the horrors within the ship before they ever have to face it. In fact, the horrors within the ship don't really even have anything to do with the layoff at all. It’s a bit of a red herring.

Rather, the actual cause of this game’s horror is the mismanaged fallout of Jimmy’s assault. Most obviously in that scene where we see Curly for the first time, wherein Curly doesn’t take Anya’s safety concerns seriously, even when Jimmy is actively threatening to make everyone disappear so neither of them have to face the consequences of the assault.

I initially misread that scene as Curly evilly conspiring to let Jimmy crash the ship so neither of them would take the fall, hence us finally seeing Curly's “true face.” Because I read what Jimmy said as inherently threatening and serious, I thought Curly had agreed to that awful plan and only got cold feet at the last minute.

It’s only from reading other comments that I realized Curly had most likely assumed Jimmy was blowing hot air and needed to cool down in that scene. Or that he was making an inappropriate joke akin to his 'sexually attracted to cartoon horses' thing and wasn't being serious. Curly didn’t realize Jimmy was actually talking about a real plan until it was too late stop it (makes me wonder if Jimmy was actually attracted to the horse, too).

Thus, it goes from a story about corner-cutting late stage capitalist megacorps to a story about cartoonishly evil, power-tripping men to a story about how we enable these men with failures in our system.

Much like how the beginning of the game, when Jimmy crashes the ship, a failure in the safety systems is what allows the crash to happen (Seriously? One pilfered key is all you need to send your ship into a crash?), a series of social safety nets had to have failed to let him into the cockpit in the first place. The true face is not Curly conspiring to crash the ship out of cowardice and greed, but his inability to face what his friend has done.

[doorhine]

Ok so I wanna talk about the guy we all know and hate, Abijah Fowler, because there are three scenes that do a fantastic job at characterizing him and speaking to the story’s themes.

*SPOILERS BELOW

The Chapel Scene: Fowler’s whole “prayer not prayer” is so interesting because he presents it as a business deal (which says a lot about how individualistic and apathetic he is). And honestly, that speaks really well to the use of christianity in imperialism, colonization and capitalism. If anyone here is familiar with Antoine Fuqua’s version of The Magnificent Seven (which is based on Seven Samurai), Bogue’s speech in the beginning of the film does a similar thing. In the case of Blue Eye Samurai, Fowler basically says, “we’re not friends but these people are ‘godless’ and if things go my way you’ll have a nation of souls to convert.” And I really liked that wording “a nation of souls” because it shows how imperialism and colonization, in the process of stealing other country’s natural resources, are, by design, meant to pose a threat to the entire culture and livelihood of the people that live there in order to do that. And a major way it’s done is through the spread enforcement of the colonizer’s religion over the ones of the people they invade. Which leads me to…

The Finale Monologue to the Shogun: because Fowler literally spells it out how the process of these systems, how white supremacy, is meant to twist and erase the culture and beliefs of those they invade to the point where they conform and assimilate to the invader’s culture and view them as superior. It also creates the idea of a white race in the first place that has its own ethnic and religious hierarchy that determines what the “best” kind of white is. I really liked the detail where he mentions spreading their shame because so much of white culture and its interpretation of christianity, whether or not it was the dominant form in its country of origin before being enforced on others, thrives on shame and enforcing that on other people (just look at the US). Lastly there’s…

The Famine Monologue: Something I really like about Fowler’s character is how he was written to be Irish rather than some posh English guy. It’s a nuance that adds a whole level of depth to his character and role in the story. Ireland was colonized by the English, which Fowler discusses when he mentions the Tudors. One of the ways that colonization was enforced was by replacing catholicism with protestantism. In this scene though, Fowler talks about the intentional famines that killed his parents and sister. It’s a graphic memory that shows how a victim of colonization will sometimes use the same tools used against them, to gain a sense of autonomy and control at the cost of other people’s livelihoods. This is compounded by the fact that Fowler is able to assimilate into the concept of a white race that was created to justify these systems and the oppression/exploitation of people of color that maintained them. Fowler is fictional but there were plenty of Irish people who took part in Britain’s colonization of other people one way or another. You’ll hear elements of Irish vernacular in places like Barbados for a reason to bring up a small example of the consequences of that. On a side note, this is also an interesting video on how the habitual “be” is used in both AAVE and Celtic languages. 

Long story short, Abijah Fowler is a very nuanced and well written villain.

[agentoffangirling]

Once Upon a Time really was that show that had so much potential. Like fairytales in the real world is not necessarily a new concept, but to be executed on this massive scale? It's so fresh and interesting

Like you have a good story about love prevailing over all else, echoing the Disney movies but still making it relevant to adults, award-winning actors, twisting the original tales into something darker, having one character represent several entities (Rumplestiltskin, Beast, Crocodile, etc), it all has the makings of something entirely unique. Taking the things of the past and molding them into something new, but still having it be nostalgic

If they had stuck it to maybe 3-4 seasons, having more of an overarching, several season villain rather than someone who pops up every now and then, limiting the amount of characters so it wouldn't feel too bloated, and making things actually have consequences, it could have been a real gem of a show

But noooo, we just have to stick Elsa and Anna in there, we just have to do the curse trope fifty times, we just have to bring in Maleficent and Ursula and Cruella and Hades and all of them having beef with Regina, we just have to have Belle staying with Rumple after all his toxic bullshit, we just have to create another lazy copy of Zelena as the next villain, we just have to Miraculous Ladybug everything after two minutes of drama so everything is perfectly fine, we just have to--

[studioghostlegs]

❤ This summer, love is in the air! ❤

We are teaming up with eleven other talented indie otome developers to bring you the Mystery & Magic Otome Bundle on itch.io and Steam, a curated list of games celebrating magic, mystery, and romance.

Be sure to check out these spellbinding games (direct links and game summaries available below the cut):

Thorn for the Villain by Antares: Itch

"An office lady is reincarnated as Teresa von Ambrose, originally a spriteless extra character in the obscure otome game 'Eternal Blessing of the Stars,'  where most of the endings end up with Asmodia Kingdom in shambles one way or another. Armed with knowledge of the game's future, Teresa decides to intervene and erase the event that triggered the beginning of the original story."

Save the Villainess by @bestlaidplansproductions: Steam | Itch

"Some people have pets. You have a romance novel villainess. Guide your villainess through an animated visual novel with menacing manors, mysteries, (wo)men, and murder to see if you can Save the Villainess."

Lost in Limbo by @ravenstargames: Itch

"Torn away from your peaceful life and thrown into a world of danger and deceit, you are at the mercy of the Seven Sovereigns of Limbo, almighty gods that have sworn to be your protectors...as long as you prove yourself useful. As the consequences of a plan set in motion long ago start to unveil, will love be the key to your freedom, or the first chapter of your downfall?"

The Good People by @moiraimyths: Steam | Itch

"Play as a tenant farmer from mid-19th century Ireland, whose path becomes inexplicably entwined in fairy affairs after getting robbed by the roadside and lured into the mythic and war-torn world of Tír na nÓg: A once unified land, now divided into the Seelie and Unseelie Courts. Will you escape and return home with your stolen belongings? Or does fate have something else in mind?"

Alaris by @crescencestudio: Steam | Itch

"A global crisis that only continues to escalate. A dangerous run-in with a shadowy stranger. And a mysterious word that won't stop gnawing at you. How does everything tie together? And what role could you possibly play in all of this?  Enter a world of magic—of Fae and Dragon."

Sigh of the Abyss by Rascal Devworks: Steam | Itch

"You have been chained to a stranger, a boy foolish—or brave—enough to flee the gilded cage where magi are kept docile and pliant. The curse will kill you both unless you find a way to break it. Anyone else would already be dead, but not you—for you hear the ancient voice of the Abyss, and have been blessed—or cursed—with powers dark and terrible."

Obscura by @rottenraccoons: Steam | Itch

"There's a marketplace under the mountain where anything can be bought and sold. Visitors wear masks to become faceless strangers. It's home to the unscrupulous, the outcast, and the desperate. You're one of the desperate. Strangers with their own secrets and ambitions can show you ways through the market. They'll guide you to your goal, but don't trust them to have your best interests at heart."

Mask - Beyond Lies by Kakera: Itch

"As you are transported to another world, a masked person guides you through the day to the exit to go back to your world. But will it really be this easy ? Go through the story of each love interest and discover their secrets, and so much more. Each choices might make you discover the darkest secret of their world. Are you ready to do everything to go back to your own world ? Will you ever go back ?"

Snow White Ashes by @endys: Steam | Itch

"One winter night, you find a hunter in the woods: A man so warm and charming you feel as if you've known him all your life. But appearances can be deceiving.  You'd know that well, wouldn't you?"

The Silent Kingdom by @luckycatotome: Steam | Itch

"Place yourself in the role of Princess Erinys, whose kingdom has fallen under the yoke of a sorrowful curse. In order to save everything you have ever known and loved, you’ll have to stand against the entire world - and even defy the Goddess herself. How much weight will a withered kingdom burden your soul?"

Dual Chroma by @galengames: Steam | Itch

"You, a bright young scholar, have finally arrived at the Palace to fulfill your lifelong dream—to serve the Imperial Family as the newest advisor to the Second Prince. The future finally looks bright… until the vile creatures of centuries past return. Thrown into the epicenter of a new epic tale, you and Prince Keldrannon face impossible odds. As ancient forces long thought to be vanquished threaten to raze these peaceful lands, you must work together with the Prince to discover their origins and save the Empire. With each choice you make, the more it is revealed that history may not be what it seems. How deep does your connection to the Prince run?"

[coralinnii]

❋ If you’re a villain, then let me be your accomplice ❋

↳Reincarnated into a new world as the bad guy part 2

feat: Rook

genre: drama, slow burn romance, smitten fools,

note: sequel to reincarnated into a new world as the bad guy Rook ver., historical fantasy setting, sculptor!reader, reader is referred to as “Ma artiste” and “Mon amour” by Rook, no pronouns used with the reader, mentions of beast hunting, 1.8k word count

While it refers to fictional beasts, this touches the controversial topic on hunting which can be sensitive to people. I’m not trying to claim that my own opinions or the opinions in this fic are right and you can have a stance against these opinions. Despite the controversy, I still decided to add this into the story because this world is supposed to mirror the era when this was practiced by people of the time and with Rook as a canonical huntsman, this fits the story well.

I choose to be transparent that this topic will be in this fic and if you are uncomfortable, you are free to ignore this story because I would rather you decide your comfort levels than have people read my story.

Random note: when my laptop died, all my banners are gone so yea…I changed my character banners again

series masterlist

To your dismay, you found yourself facing the consequences for the actions of an obsessive character that convinced the famous knight Rook Hunt to be your fiancé.

Begging the Hunt family, you managed to settle a deal to repay the dowry the Hunt family paid to annul the engagement, since losing this engagement would cost their side more than yours.

Thankfully, the era of this world was the rising age of artistic revolution and the aristocracy was itching to find the newest trend of beauty and creative innovation, which you enthusiastically took as an opportunity to build your name in the field of art as a sculptor, starting off with simple desk ornaments to breathtaking statues.

Perhaps it was your silver lining that your still fiance Rook was a well-known admirer of all things beautiful as with his keen eyes, your sculptures stood out among others due to the added details of your subjects that your fiance pointed out as you work. You were confident in your skills but you owe it to Rook for enhancing the realism in your sculptures.

Initially, guilt ate away at your conscience for not only the forceful engagement you placed upon the knight (even if you weren’t directly responsible) but for also taking his help with your commissions without any benefits to himself. But the green-eyed man did not ever allow you to dwell in such thoughts.

“Non, ma artiste! Your works of art are the fruits of your passion and hard work that cannot be replicated. I may have given some notes here and there but the beauty of each masterpiece you created can only be brought out from your skillful hands.”

Rook smiled as he held your hands, still dirtied with bits of dried clay. The gaze of his bright green makes you feel somewhat self-conscious. You were a noble but you must have ruined the softness of your skin due to your long hours of work and stress. You tried to pull your hands back in embarrassment but your fiance held them firmly in his own gloved pair.

“Every scar, blemish, and crack is a show of your strength, mon amour. I could get lost tracing the lovely lines of your hands if you allow me.”

No matter how many others have praised you or your work, you couldn’t help the unique warmth in your heart that only appears when Rook sings them. But you chalk it up to your body reacting from old feelings held by the original character. It must be, right?

Your commissions have thankfully slowed down enough to give you a well needed break. You were curious to what might taking up the attention of the nobility right now which was how you learned about the bi-annual “Hunt of the Beasts” event.

You were initially terrified to learn the existence of magical beasts in this world and the danger that resides in the dense forests and mountainous lands that borders the kingdom. In order to maintain the beast population for the safety of the people and resources, the imperial family hosts an extravagant event for the knights and local mercenaries in the kingdom to vanquish the beasts. Some may call it barbaric or cruel, but for the safety of the villages and farms that reside near these beasts’ territories, it was an unfortunate necessity that is at least maintained by the imperial family to avoid excessive hunting that disrupts the delicate balance of the population.

Rook was a frequent participant of the hunt and of course he was going to be a participant. Typically, partners of the participants would attend the event as spectators waiting by the designated zones among other visitors. However, you were too new to this world and this will be the first hunt for you where you will surely come across images you weren’t sure you were prepared for.

Giant beasts…even thinking of their corpses. It’s too overwhelming.

You expressed your discomfort with Rook and despite his experience as a seasoned participant, offered words of understanding to you. The knight suggested that you could sit out from the event and he could explain to any curious busybody that you were not feeling well.

Once again, Rook warmed your heart with his words but there was some guilt still left behind within you. Despite the loveless engagement, Rook has wholeheartedly supported you in your passion and your work despite his own inexperience in the field, but you couldn’t bring yourself to accept something that he as a knight and huntsman took pride in. You allowed your fear win over and it left a bitter feeling in your heart.

The day has finally arrived and the dense forest that bordered the kingdom was busy with attendees of all status. Many have come to join to spectate and support the brave men and women who have trained to battle the dangerous beasts that lurk within the land that was darkened by wild greenery. Aides from the imperial palace watched over the event as participants were informed of the rules of the hunts; what to expect, what to capture, and what to avoid lest they choose to face punishment.

Rook surveyed his surroundings as he finished his last preparations. He saw both familiar faces and newcomers that hope to make a name for themselves today. Tents were filled with important families and even visiting guests from nearby lands either to observe or participate themselves. But he doesn’t see a glimpse of your figure.

Not that he expected it. He respected your choice not to attend the event. It could be that he has become too desensitized by the presence of beasts and monsters due to his work that he has forgotten how frightening it could be for a civilian to witness them in person.

Maybe during his hunt, he could find some wild flowers to bring back to you when he visits you later. Would you feel better if he did? You had such a conflicted expression on your face last he saw you so maybe a bouquet of rare flowers could brighten your mood, even bring you some inspiration for your art. Would you feel grateful, perhaps even smile for him as you call his name in appreciation…

“Rook.”

Ah, he could even hear you right now.

“Rook?”

A rare occurance, Rook was actually spooked to suddenly feel your presence behind him. The blonde knight did not sense you standing there, with him…at the Hunt of the Beasts.

“Mon amour, you surprised me!” His green eyes almost couldn’t believe it. “I thought you’d chose not to attend this year.”

To be fair, you’re surprised yourself. The whole idea of this event still feels unreal to you and your fear of witnessing something you’re not mentally ready for is still there. Even so…

“I want to support you, like you always have with me” you whispered shyly but Rook could clearly hear your voice at this distance. He then saw in your hands a small woven charm bracelet, a common blessing given to participants like him.

During the Hunt of the Beasts, traditions came about among the participants and non-participants. Those who participated in the hunt would offer their game as an offering to their lover as a show of devotion and strength to protect them from harm. In addition, non-participants could give a blessed items to the participant of their choice as a show of admiration or to wish them safety during the hunt.

You noticed the knight’s gaze and you felt more nervous than before. As this was your first attendance, this was also the first time offering a blessing to someone. When you told your servant you were going to the hunting event, he graciously gave you a woven bracelet and suggested that you offer it to your “lover”, much to your embarrassment.

But then you noticed the knight more closely and saw that he already had a number of bracelets and ribbons peeking out from his left arm sleeve. You supposed despite his eccentricity, Rook was still a very talented knight and quite attractive to people of all social status. Even if he was technically a taken man, this did not stop admirers from showing favour towards him with blessed charms and ribbons.

Mortified, you tried to hide the small bracelet as you put on a smile. “Since it was tradition, I thought I should bring you something but I should have guessed that you would have plenty of blessings from others. Adding more would probably be burdensome-“

You flinched slightly when you felt your hands being captured by another pair. You saw Rook’s gloved hands stopping your own but he had such an unreadable look in his eyes that you couldn’t tell what was on his mind.

“Rook?” The call of his name seemed to have woken him from his trance as Rook quickly gave you a smile before he spoke.

“Mon amour, I would be honoured to receive your blessing.” Releasing his grip on you, Rook removed the glove on his right hand where unlike his counterpart hand, was empty. “Would you please place it upon me?”

Nodding your head, you gently wrapped the woven bracelet around Rook’s wrist, careful not to tighten the knot too much since this was Rook’s dominant hand. You tried not to think too much about how he allowed your blessing and only yours on his right hand and not with the rest on his non-dominant hand.

“It doesn’t mean anything.” you tried to focus on something else and rested your eyes on Rook’s hand. It was not often you see it as the blonde-haired man tends to wear gloves as part of his uniform but you could see the rough calluses and scars littered about his fingers and palm. The skin of his hand was smoother than you expected (probably due to his friendship with the Schoenheit heir) but you can tell how hard Rook must have trained to be as skilled as he was today. How diligent this man is which earned the respect of many. While caressing his warm hand, you absentmindedly echoed the words he once spoke to you.

“Every scar, blemish, and crack is a show of your strength…How beautiful.”

Realizing what you just said aloud, you quickly let go of Rook’s hand before rushing to create distance between the two of you (when did you get so close to begin with?!).

“There, all done!” you did your best to hide your embarrassment with a smile. “I’ll be in one of the tents until the hunt is over. I wish you luck!”

With a quick bow, you rushed into a tent that was open, too flustered to look back and face your fiance.

A shame, really. Because you missed the opportunity to see a rare image of Rook with a rosy shade blooming across his cheeks and ears.

[sarahreesbrennan]

Quick Evil Note

To all my wicked darlings, I have now received rather a lot of messages asking me about the influences of Long Live Evil. And I wish to get messages about LLE and truly appreciate the ones I do get! And I wish to answer them. But answers about influences are tricky.

The book has been out in the US for a little over two weeks, and it’s going so well so far, I couldn’t be more delighted and appreciative about its reception.

But also I’ve been informed (not asked) that two of my characters are obviously somehow both Harry Potter and Draco Malfoy of Harry Potter, and Wei Wuxian and Lan Wangji of Grandmaster of Demonic Cultivation. (Very puzzling as I don’t think these pairings - and one isn’t a pair - have much in common with each other or with mine. Vague hostility against a vaguely academic backdrop for a bit? For the record… in the book everyone is an adult and I don’t even have any academic backdrops to be vaguely hostile in front of…) This hasn’t happened to me in a long time, because I haven’t had an original novel out in a long time due to illness, and it is upsetting to always be discussed differently than writers who didn’t openly link their real names to their fan identity.

I have very different feelings and new appreciation for fandom than I once had. It’s been amazing to see and meet people who have stuck with me for decades. People are generally way more open and affectionate to and within fandom than they once were. Love matters to me a good deal more than hate. But getting death threats in your early 20s for excitedly telling your Internet friends you were going to publish a book does mark the psyche, and so does having your characters dismissed as other people’s characters.

And we can say there is nothing wrong with fanfiction or writing fanfiction and there isn’t! Fanfiction is great and can be genius. Terry Pratchett wrote Jane Austen fanfiction, and didn’t (and shouldn’t) have people saying Captain Wentworth = Captain Vimes. Still, when a TV show is discussed as ‘like fanfiction’ or when Diana Gabaldon said she didn’t like fanfiction and many said ‘YOU write fanfiction’ it isn’t intended in any kind spirit, even when it’s fannish folk saying it. And it’s just generally odd to have everyone call your apple a tomato, and has had professional consequences for me in the past.

However! All the asks I’ve received have been very kind, and I do want to answer them. I do want to talk about my influences because they are manifold and because I actually think it’s important to always talk about influences. I don’t believe stories exist in isolation - we tell tales in a rich tradition, and also a story doesn’t come alive to me all the way until it’s heard or read.

Long Live Evil is a love letter to fandom: it’s chock full of references to many many stories I’ve loved, to fairytales, myths and legend and Internet memes and epic fantasy and meta. My acknowledgements are endless partly for this reason. I do owe a great debt to many portal fantasies and archetypes and musicals and jokes about genre and plays through the ages, though I do think of my characters as themselves and nobody else.

I was frankly tempted to go ‘Yes I stole EVERYTHING! Bwhahaha!’ But while I am thoroughly enjoying and finding great freedom in my villain era, I do want to talk sincerely to you all as well, especially when asked sincerely interested questions.

But I’m a little scared to do so and have people say ‘AHA! Now we know what it’s fanfiction of’ (it’s happened before) or ignore me and go ‘we know the truth!’ (it’s happened before) and to feel like I’ve injured my book. Long Live Evil means more to me than any other and I really want to get talking about it right, and make sure it has the best reception I can give it.

So. Questions on all Evil topics very very welcome but answers to influence questions may come slowly. Bear with me. I am working on this!

[liketwoswansinbalance]

In the modern publishing landscape, these days, I think like we do not have many (if any) point-of-view characters with low social motivation for whatever reason.

Sure, there are lots of characters with social anxiety or other perceived or legitimate foibles to overcome, there are many YA villain origin stories, and there are many unpalatable, traditionally "unlikable" men in classics, but disregarding those, who else do we have?

Can the state of openly being alone (and content) rarely be presented as morally-neutral or as the end result of a narrative? Must it always be that either being alone is the starting point, so there's room for "personal growth," or that being alone is seen as "undesirable" and/or an indication that the person alone has a "problem" or something otherwise wrong with them, like a deficit or moral failing that in some kind of karmic way gives them "what they deserve," which is being alone and discontent with it?

Characters with society anxiety, any differences in communication, or other reasons that interfere with forging connections "don't count" because they may still be motivated. Traits such as these only stand in the way of gaining relationships, as plot obstacles. They aren't intrinsically tied to indifference or to low motivation. So, these characters clearly are not experiencing a lack of interest. And they are not the ones rejecting others. Thus, they "don't count" as far as the archetype that I'm looking for goes.

Characters who undergo villain arcs or otherwise negative arcs may want to maintain their relationships or gain them, so some examples are immediately disqualified (hence not having low social motivation), even if they are the type of character most likely to alienate themselves by a story's end, conflicting with what they wanted.

(Unfortunately, Coriolanus Snow, who is quite close to the type of protagonist I'm searching for "doesn't count" because he has some drive to keep people in his life.

Rafal Mistral partially "counts," and is satisfying as a character, but also doesn't count because he temporarily makes "friends" or allies, depending on how you look at his exploits. Yet, despite all this, not having friends isn't exactly framed as a morally-neutral state either, so he is also disqualified by the end. Basically, he does have low social motivation, but his narrative lacks the conditions that would make the natural consequences of that low motivation play out for themselves. He is always surrounded by people, even if he hates every last one of them.

And, generally speaking, the usual, moody-broody, "misunderstood" YA love-interests very easily "don't count" because they have a desire to get closer to their object of affection.

Even Katniss Everdeen, an overall good person, who usually views herself as "unlikable," befriends others, originally for pragmatic, survival purposes. However, she does start with low social motivation, so that's something in her favor.

And yes, I'm aware that we need other people in this world—I would just like to see someone prove that supposed truth wrong once. And perhaps succeed in their world, if that's not too much to ask for.)

Also, are there any instances of characters who progressively alienate themselves from others, in which that progression is not inherently seen as negative? Like, what about non-corrupt misanthropes? Are there few of those in literature? (Maybe—Eleanor Oliphant from literary fiction counts, but something about that book did not appeal me and I didn't finish it.)

Classics guys sort of "count," but I haven't really seen examples of any comparable protagonists today since many authors and readers write and look for "relatability" in blank slate everyman figures oftentimes.

(I'm not done with Crime and Punishment yet, but Raskolnikov is very tentatively looking like a safe bet for a character who may end up alone and who may not be completely malcontent over such a fate, even if I'm expecting tragedy. I'm that not far along, but I also wouldn't mind it too greatly if he died, I suppose.

And even Sherlock Holmes has Watson as his constant, even if he's notoriously asocial! So he "doesn't count" either.

Carol from Main Street also comes close, but still ultimately desires approval from others.

Maybe no one is truly immune to humanity and I should give up on this notion?)

How many pov characters out there are 1) apathetic toward the masses and 2a) either alienate themselves as the plot progresses or 2b) do not make any friends? (I will allow them making friends and consequently losing them though because that still ends in net zero!)

Indeed, this "gap" in protagonists I've been running into lately, especially with coming-of-age arcs and protagonists whose arc is some form of "getting out of their shell," is: why do we (almost?) never see protagonists who just flat-out don't progress in terms of connecting with fellow humans?

Wouldn't having even a handful of those types be reflective of reality? (We as a society are more disconnected than ever, to be fair, despite constantly having access to one another via technology.)

Or I would completely understand it, if it were narratively impractical to have a plot in which a protagonist makes zero friends. Maybe, it's a near-unwritable form for a story?

So, my question is: does anyone have book recommendations, which present a character whose end goal is not to make friends or forge connections (any other ambitions or motivations are fine) and whose state of being friendless both lasts and is regarded as morally-neutral or as not outright evil? Any genre is fine. High fantasy is preferable. I am stumped.

(I also wouldn't mind recommendations of books in which the protagonist is vilified due to being alone, even if that is not my primary query here.)

[bloodgulchblog]

John doesn't give a shit about himself, that's one of the most important core character traits of this dude. But he does give a shit about his impact on other people.

The UNSC, at a devastatingly young age, gave him convenient boxes to sort the world into and taught him "this is ENEMY you shoot ENEMY" and that has had predictably fucked up violent consequences for people who were very much, in fact, people. But they were in the ENEMY box so he didn't process it that way.

If you break open John's faith in the UNSC and its justifications, if you finally get through to him, if you get him to have to admit to himself fully that it was bad and the core of the machine eats people whole and it's not just a few shady officers, if you get him to admit that the UNSC's first purpose was never saving humanity from the Covenant and that it only managed that due to a fucking miracle, it's pulling the whole house of cards down and forcing him to confront his entire life story. The longer you look at it, the more there is to see. There is a lot of what John has done that was defense of the entire human species against an alien empire bent on wiping them out, yes, but John was also originally trained for and has been used as a weapon of Earth's imperial power within its sphere. John has killed other human beings for the sake of Earth's control over its colonies. Halo mostly likes to cherrypick the innie moments it gives us to make them unambiguous cartoon villains when it wants to show you the Spartans as heroic, but we know they're not always bombing space ports. You have way too many ordinary characters who are reasonable people with deeply understandable experience-driven motives for not trusting Earth and the UNSC.

Even John himself has questioned whether it would be easy for him to kill like that again if called upon after the Covenant war, we know he has this in him.

Forcing John to confront that one of his most core beliefs, "by following my orders and accepting what was done to me, I am protecting innocent people from deadly harm," is not actually true would break him down on the same level as what happened to Thel 'Vadam learning that the Covenant and everything he'd fought for was a lie.

But John has a whole lot less to hold onto and recenter himself on than Thel did. Thel, when you strip him of the Covenant, still had his home and his clan and his people, and his belief in honor.

John has three other Spartan-IIs, a vague haze of acquaintances that worry about him but don't understand him, and the fear of what it means if he's not actually safe for other people now that all the sharp edges of all the things he believed are breaking free.

[wearepurplejackets]

Yugo needs (to go to therapy) a little analysis

I still remember in season 2 when Yugo felt for the first time a real sadness (yes, maybe the trauma started when Alibert/his father figure was transformed into a bush in season 1 but), when Quilby defeated Adamai and Yugo could feel his pain while he was possessed.

He was devastated.

And not only that, when he met Phaerys for the first time and saw him suffering all that pain when he was attacked by that posh prince's navy.

I think it's so wrong to think of Yugo as if he was really the villain of the story. (Wtf) I mean, of course the decisions he has made throughout the entire plot as a hero have negative perspectives for other sides and he is not the cheerful kid we met in the first and (and first part of) second season that maybe cried like a baby when Ruel faked his death.

But that's fantastic, because we could see him grow as a king and as himself. And we still can.

But as much as we can see in the season 4 by far, Yugo carries a great burden within. He is so empathic with everybody along the journey, he has compassion all the time. Even knowing he had a duty, Yugo always took into consideration the problems of the inhabitants of the world of 12.

Since he confronted Nox in season 1, he still feels guilty for his death deep in his heart in season 3/4, even if that wasn't really his fault at all. (In season 3, when Oropo played with his mind to keep him away from the battle, it was pretty obvious Yugo still fears all the pain he inflicted to his last enemies.)

He has traveled a path of trauma with his origins and betrayal since that moment at the hands of his older brother (Quilby). And he still remembers that as a defeat for himself, only because he is unable to kill him, but his brother is so dangerous that he cannot let him out either, he is chaotic.

Yugo really cared for his family and really cared for the people who suffered along the story, even the villains. Finally, Adamai comes to his senses and apologizes to his brother in season 4, he understands that Yugo had to do what he did to save everyone in season 3, not just Tristepin.

Oropo keep resenting Yugo's kind decision to save his best friend and the entire world btw in the process. (But he never did anything to stop him or the chaos of Ogrest...) Even knowing that and feeling the same as his creator in the end, he could not comprehend it through all that unfortunate life. He has dedicated himself to hate him and treat him as if Yugo had truly done everything he did on purpose. Instead of searching for him and looking for his help. I don't think of course it was as simple as that, because his suffering will have been very complicated. (all the eliotrops) and that's another analysis.

But again, putting all that on Yugo's shoulders and calling him a villain is absurd. I think season 4 is going to try to elaborate on this matter much better from here.

Yugo has been pushed to the limit dozens of times, and he has never complained. And god, he has helped to save the world like what, 3 times.... Give him a break. Even when there was peace he had to look and worry for Adamai in the oavs....

Yugo had to confront this statement in episode 1 of season 4: you were the one who take that decision, and you have to face the consequences. (And Oropo again having daddy issues.) And I really love that, to have an imperfect hero who can develop a more complex perspectives.

[nigaki]

The worst thing about Adam is that he could’ve been an amazing character. It’s a common theme in Viv’s writing, big potential that isn’t used at all.

I know what she was going for making Adam a misogynistic frat boy that is no better than a demon. I really get it. But that’s the point, it just feels flat because of how unsubtle it is. We’re not even left wondering if heaven is as bad as hell, just in other way. We’re told “this guys are bad, hate them”. I saw more nuanced villains in My Little Pony, and HH is supposed to be a cartoon for adults.

I think it would’ve worked better if Adam was this stoic and strict angle that always follows the rules and hates sinners because he was one too once. And he hated that he let himself sin and loose Eden forever. Instead of eternal happiness, he was made to suffer a human life with all its miseries. He’s an angel now, he redeemed, so it is possible to redeem sinners, he knows that, but he isn’t allowed to enjoy heaven life with others souls because he has work to do. He still doesn’t have his precious eternal happiness. He hates the idea that one of the original sinners is still waiting while sinners currently living in hell would go to heaven because Lucifer’s daughter helped them. He hates that despite his story and the consequences he suffered, sinners could still get another chance despite that they should’ve known better. He’s a hypocrite, he got his redemption and denies it to others out of pettiness. He knows it and hates himself for it, because as an angel he should be better, but he’s still a flawed human deep inside and sins, be it with his actions or thoughts.   

And eventually, Adam realizes this is just God’s way to teach him why he didn’t go to heaven yet. Exactly because of his way of thinking. Becoming an angel was never a redemption. It was a way to it. And once Adam learns, he’s allowed to join other souls in heaven to enjoy afterlife. And he’ll be the first one to welcome one of the people Charlie will successfully rehabilitate in the future.

[i-dare-say]

You know what I love about Binghe's character? His role in the story and the way it changes our perception of him through the narrative.

We first meet him as this poor boy and we, just like Shen Qingqiu, get swept by the image of the white lotus. He's a teenager, and we're told that at this age he didn't have any of the darkness that would reign over his life after the Abyss. We're only shown an obedient and sweet Luo Binghe. He is the "young and innocent protagonist".

But we know about his future. Shen Qingqiu tells us so many times that the Abyss will corrupt him irreversebly, that he will come back and take his revenge on the scum villain. The problem is that we see the story through Shen Qingqiu's point of view, he is our protagonist, making Binghe our villain. So we read about the disciple days with the constant thought that this boy will one day become the antagonist.

And see, there's a slight difference between villain and antagonist. A villain is perceived as someone with bad intentions, while an antagonist is just someone who opposes the protagonist.

When Luo Binghe comes back from the Abyss, he is both villain and antagonist. He goes against Shen Qingqiu (antagonist), and the story tells us he wants to kill him like the original PIDW (villain).

Then it's revealed that it may not be exactly like that. First, we're shown that Binghe has romantic feelings for Shen Qingqiu (which, yeah, it's obvious to everyone but him, but still), giving Binghe a new possible role in the story: love interest. This immediately reduces the perceived danger of his actions. It brings him closer, it makes him a safer character.

Yes, there are stories with villainous love interests that do horrible shit, but we're dealing with the most common way narratives treat this type of character: generally, the love interest is good. And so, the moment this role is put upon Luo Binghe by the narrative itself, it also influences the reader.

But Shen Qingqiu, and consequently we, don't lower our guard. Despite being the love interest now, we also know that Luo Binghe has conspired to take down his master and organized the sower plague. He's attacked Huan Hua Palace, killed Gongyi Xiao and many others, putting the blame on Shen Qingqiu. By the end of book 2 he's villain, antagonist and love interest.

But it all gets proven wrong. That almost everything that happened to Shen Qingqiu was not because of Luo Binghe. We discover that there are other villains in the shadows.

The sower plague and the the attack at Huan Hua Palace was caused by Tianlang-Jun and Zhuzhi-Lang. Qiu Haitang's involvement and Shen Qingqiu's imprisonment was one of the Old Palace Master's schemes. All of this destroys Binghe's role as villain and antagonist.

This is the moment Shen Qingqiu decides to trust Binghe, pushing the reader to do the same. Because he's just "love interest" now and by the standard conventions, he's good. We trust him to be. Shen Qingqiu himself starts to project onto him that same image of white lotus. Since our image of Luo Binghe was so bad previously, this makes it jump way higher. It lulls us into this much better perception of his character.

The Old Palace Master was a villain and he died, as villains are often destined to. The only obstacle remains Tianlang-Jun, who doesn't harm Shen Qingqiu because of Zhuzhi-Lang's wishes (not an antagonist), but also wants to merge the realms (villain).

So our protagonist and love interest move toward the action, the big battle against the final boss. The villains get defeated easily and after the truth of what happened to Su Xiyan, Tianlang-Jun gives up his plan. His role as villain ends there. But the story has more antagonists to reveal.

Luo Binghe has never stopped being one. The narrative only hid his real motivations and let him cover himself with the role of love interest. And at this moment, he drops the mask and lets all of his feelings out, everything he didn't tell Shen Qingqiu nor the readers. He becomes the final antagonist, the one we've had since the very beginning.

The thing that saves him is his status as love interest, because no, he's not the only one to blame for what is happening. There's Xin Mo, who has fed on his insecurities and negative feelings, and Shen Qingqiu himself. He is the one who has constantly pushed Binghe to the side, believing himself to do the right thing, first by giving Binghe his death and then by trying to keep him "protected" from his father.

In the end, Luo Binghe wasn't a villain. Shen Qingqiu was, and he dies. But since he's not a real villain, he's allowed to come back.

When everything is over, their story comes to an end. The narrative itself leaves them free, to be whoever they want to be.