#and she thinks SHE’S being selfish??????

[kalimaruquin]

It's actually all pretty poetic.

Vanitas spent his whole life being a menace and a bully, always showing up wherever he could to blindside Ventus and anyone around him. So he gets jumped by an actual monster and tossed through a series of random portals that sent him literally anywhere.

Luxord plays up his role as the Organization's charming rogue, all swagger and letting the cards guide him. Yet he's incapable of even breathing the same air as Jack Sparrow, a notorious pirate trickster who openly admits that not even he knows what his goals are besides having a good time.

Young Xehanort preaches about how childish Sora is, mostly by vaguely hinting at his older self and some big manipulation in the works, but he's really just playing pretend. Kid-Nort is literally the only person in the story doomed to live out an unthinking narrative like a doll, since everyone else is in the now, but he's latching on to the machinations of adults that literally don't care what happens to him. And here's Woody, in a case of 'Game-piece recognizing Game-piece', brushing off Kid-Nort's antagonism as a mixed up menagerie of Sid's neglected-child freakshow, Stinky Pete's ill-thought-out glory seeking, and Lotso's disposability-based nihilistic selfishness.

But what of Xaldin and Belle? How is that poetic? Well, Xaldin as Dilan used to be a guard for Radiant Garden, but lost his noble attributes when he became a Nobody. Much the same as the Beast's entire domain did as it fell under the malaise of his brutish paw. In the same regard, Xaldin views Belle as someone he can just jerk around in order to control Beast and Sora. He views her as a mere object, much the same as Gaston viewed her as a prize. In that way, Xaldin is the worst of Gaston and the Beast combined, a pompous self-assured jag-off who thinks Belle is too weak to keep him from getting what he wants. And yet, Belle has been dealing with both Gaston and the Beast all her life. Why wouldn't she know how to throw off some grabby thug several times her size? Hell, she's probably done that exact maneuver To Gaston when he pulls a book out of her hands.

I know I'm not the first to point these out, but it's like a cover song. It just sounded so good I wanted to do my own recording.

The Trinity

Yeetus Vanitas

Luxord Overboard

Xehanort Never Loved Retort

[northopalshore]

Hii💝💝

I'm curious, based of your experience, what is your first impression of each rising sign ??

♀Hello 🌝

Personal experiences with the rising signs

Note that these do not reflect the entirety of those with the rising signs mentioned, these are just my personal opinions of people I've met in real life with these placements.

๑ஓ Aries risings:

All the aries risings I've met up to this point are very direct. They look like they bite but really don't. Also, a lot of them kind of look & act like a dumbass (in the best way possible). The edge lords with no filter, no patience, no tolerance, but most of all no bullshit.

If they call you an ass that's a term of endearment lmao. Sarcasm is their love language, jokes and wit are their strong suits. They're the ones that will debate you just for fun (the guys especially).

Intense, passionate and lively. They always look mad for some reason but they swear they aren't. It's like their eyebrows are just angled that way naturally. I love being around them though. It's always refreshing.

First impression in a single sentence: Annoyingly charming.

๑ஓ Taurus risings:

Literally the most patient and chill people I've ever met. Super friendly, slightly dorky. Perhaps it's because I have Taurus in my 3rd house, but I'm usually at ease around them. Although, sometimes it's rather awkward when we run out of things to say lol.

I'd say they are the goofiest people I've ever met.

First impression in a single sentence: Fun but kind of awkward.

๑ஓ Gemini risings:

Very talkative. Very friendly. Always seem to have some sort of new gossip or topic to think about. They do tend to be a bit two-faced at times especially when it involves gossiping, however I've noticed that if they have sun or moon here they are rather passive aggressive. By that I mean they don't "split faces" or pretend to like something as much compared to those without it. How do I say it .. they have more integrity?

It's not like all the gossip is bad, sometimes they comment on the right stuff but just hide their distaste rather than facing any sort of confrontation.

Maybe it's because my 4th house is Gemini, but I sort of have a hit or miss relationship with Gemini Suns & risings. They tend to "mother" me quite often. Perhaps they remind me of some traits my mother has? Both good & bad. I tend to have a love hate relationship with them for some reason, but I don't dislike Gemini.

There's sometimes this codependent feel whenever I'm around them. But Gemini moons? Those are my bffs lmaoo.

First impression in a single sentence: Gretchen Wieners

๑ஓ Cancer risings:

The sweetest most genuine people I've ever met, regardless of their gender. They are always honest with what they're trying to communicate. (Although most cancer risings I know have either sun or moon in the first house)

Note: I'm realising now I know quite a handful of people with sun/moon in their 1st house.

First impression in a single sentence: "I can't believe people like you still exist."

๑ஓ Leo risings:

Omg. They are super friendly & very caring. They definitely are divas in their own right. Very expressive especially when it comes to their makeup or looks. They love accessories, and outfits that stand out.

I have a leo rising friend with moon & jupiter in her 1st house. Girl, lemme tell you she is extra. Contact lenses, head accessories, heels, the works. She's very confident of herself as well. Posting videos & photos of herself often.

There is a bit of a temper but it's not that prominent & doesn't really last long either. Still, I've never met a single Leo rising that is selfish. Self obsessed yes, but not without the heart to match.

First impression in a single sentence: The bigger the hair the bigger the heart.

๑ஓ Virgo risings:

Edge lord II. There are three types of virgo rising that I usually meet. The self deprecating, the self obsessed perfectionist & the one in the middle.

On one hand, they are a super deadpan, no bullshit typa person then on the other, they are extremely self focused and sensitive towards judgement but super judgemental themselves. Then on the otherr other hand, they couldn't care less about what you think.

Very analytical, as you'd expect from Virgos. I always notice them looking around or at me trying to evaluate their surroundings lol. I appreciate their sense of thoughtfulness.

If they're nice, they're really nice but if they're immature or have issues with confidence or control especially then it's very evident. Still, I don't dislike them by any means. Virgo is my descendant I guess I'm a sucker for an edge lord lmaoo. Maybe that's why I keep marrying Sebastian in Stardew Valley.

First impression in one sentence: Okay Sasha Fierce/ 'cause tonight will be the night that I will fall ferr yeww ovar againn— ♪

๑ஓ Libra risings:

They are usually very sweet & open to communication. The ones I've met in real life are very intuitive, or at least are somewhat of a deep thinker. However, some of them tend to judge things based on looks quite fast lol. Other than that though, they usually have very good (fair) judgement & good values.

They are usually very pretty (conventionally attractive). With symmetrical oval shaped faces and a gorgeous resting face. They just look like an ad.

However, I have a housemate with a libra rising & aquarius degree and she's.. well you wouldn't expect her to be a Libra rising based on her looks. It's not like she's ugly, no. Her features just differ from what you'd expect from a Libra rising.

Also, she tends to be rather biased at times. Saying that one thing is bad, but she acts on something else which isn't "applaudable" by any means.

First impression in a single sentence: Clueless' Cher meets Karen Smith

๑ஓ Scorpio risings:

These are the asian baby girls or "goth chicks". Their favourite colour is usually black or purple. Normally I see them with tattoos or dyed hair. These are my people though, they are very inquisitive. A lot of the scorpio risings I know like to ask questions. Sometimes very.. strange or intense questions.

I love how genuine they are to themselves however, speaking their mind and expressing their feelings through their expressions. Some of them tend to be... Reclusive? They see themselves as this dark entity, either too smart for the others to comprehend or dismissive of what people have to say about them.

Although, I've never met a scorpio rising who isn't slightly obsessed with themselves lmao.

First impressions in a single sentence: I bet they listen to Mitski & Lana Del Rey.

๑ஓ Sagittarius risings:

I feel like people tend to sleep on how attractive Sagittarius risings are. Like, they're giving face, body, curves and everything in between. I have an older friend (27-28) and she's just so pretty. Especially when she smiles. Ngl but I did side eye her man a couple times during their wedding.

Usually very active outdoors as well.

Most of the guys I've met with this placement are rather religious. Like, the type to debate over it. The men are quite preachy (at least the ones I've met are). Most of them are reliable and fun to be around. Certified yappers.

First impression in a single sentence: The bigger the brain the hotter the person, I just hope they don't get too big now.

๑ஓ Capricorn risings:

Usually, the people I met with this placement give a pretty cold attitude towards the things around them. Their muscles on their faces are usually tense or there's this resting b face there. Sometimes they look like they're in a hurry to do something but you see them doing nothing in particular after lol.

They look like they've got shit to do & their lives together. Either that or they look rather unmotivated lmao. When you're talking for the first few times, there's usually no expression on their face. They'll just blink every now & then.

They are competitive too which is something you'd normally expect from an Aries more than anything.

First impression in a single sentence: "They are so practical."

๑ஓ Aquarius risings:

Weirdest mfs alive. Both male & female. Also tend to be the loudest (but differs depending on the degree it's in), though still charming in a way. They tend to be very chill and always down to hang with whoever. Usually always laughing at their own jokes or something they thought of randomly. They tend to be very intuitive, although it manifests differently with every aquarius rising I've met (whether their focus is on society or themselves). There's this tunnel vision aspect as well. They are genuine to a fault lol. The ones I've met personally are a little wild or quirky, always doing their own thing.

Very opinionated usually. Always trying to look at the big picture.

First impression in a single sentence: "I mean, if it works for you great."

๑ஓ Pisces risings:

They are a little erratic, a little strange and other worldly in a way. When you look at them, at times you'll notice that they aren't really there. Their interests are always different from the people around them.

Some of them tend to have this victim mentality to them, but I think it's just because most of the ones I met were when I was younger. They're probably just as immature as other kids at the time.

Very spiritual regardless if they follow any specific religion or not, I've never met a pisces rising (or w the degree) that isn't open to the idea of a higher power or karmic cycles. This seems to be true especially as they grow older. They also always have some sort of connection to music.

First impression in a single sentence: "I wonder if their mind is at Jupiter right now"

₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑ . ₊ ⊹ .₊๋‧₊ ˚ ⊹ ࣭ ⭑

***entertainment purposes only, reader discretion is advised***

Hope this was entertaining ʕ⁠´⁠•⁠ᴥ⁠•⁠`⁠ʔ◜⁠✧

@northopalshore

[ahgasegotarmy116]

BANG-ABLE | Jeon Jungkook | Drabble 1

Summary: When your very curious robot boyfriend finds all of your old sex toys. Pairing: f!reader x Sex Bot Jungkook Word Count: 2k~ Warnings: Smut but that goes without saying for this fic p.s. I put out a mini drabble as well right before this in case you didn't catch it hehe p.p.s I have another temperature play drabble request so keep an eye out for that one in the future 🤭 Requested by an anon 💜

"What are these?" Jungkook asks when he walks into the living room where I'm sat down watching Hidden Love for the fifth time, holding up my little black box that I had hidden away and had completely forgotten about.

"NOTHING!" I say hurriedly, scrambling to get off the couch and tripping over the blanket I was using in the process. I regain my footing, run up to him and reach for the box but he holds it over my head, completely out of my reach.

"Are you cheating on me?" he teases, the objects in the box being ones I used before I got him. "You seriously think I would use those anymore? Now give it here!" I jump but once my fingers just barely touch it he grabs onto my hips to keep me from trying again.

I glare, waiting for him to give them back and when all I'm given is a stupid smug smile I resort to threats. "Give that to me or I will turn you off and make you charge on the floor instead of in bed with me" his eyes widen, not expecting that and deciding to do as I say, handing me the box of various sex toys that could never truly satisfy me.

"Why do you have so many?" he asks, picking up one very elaborate and confusing looking one that I snatch out of his hand immediately and put back in the box, shoving it in the back of my closet.

"Because none of them did everything I wanted them to" I sigh and close the door in hopes to help change the subject. When I try to walk past him though he stops me by wrapping an arm around my waist and bringing me back to stand in front of him.

"I don't know why I asked since I know how needy my baby is" he says, his voice dropping a bit while he places kisses on my neck, knowing that'll help take the edge off.

"Why do you always have to go through my t-things?" I stutter, my resolve of trying to stay upset with him faltering. "Because I wanna know everything about you baby, and that includes all of your dirty little secrets" he says directly into my ear before sucking on the sensitive skin right below.

I shudder at the thought of letting him in that much and I know I will eventually but his want to figure out as many ways as he can to please me on his own is way too fun to experience, no matter how embarrassing it might seem.

"You like that huh? The thought of me knowing everything about you, all your deepest darkest desires that you haven't even dared to say out loud. My baby likes to hide that away huh? Too afraid to even tell me what she wants sometimes. That's pretty selfish don't you think?" he says, his grip on my waist tightening when he pulls me closer, his sensors picking up on my arousal and in turn hardening his length for me to use as I see fit.

"Why don't you let me use some of those on you tonight hm? Or better yet, let me watch you use them to get yourself off. I bet you'd look adorable, so frustrated and begging for release but never quite getting exactly what you wanted" he says but I shake my head.

"Too cold, want you" his presence tonight being one that drove me into submission so easily. I can't help but become putty in his hands sometimes. He was made for me and knows exactly what I like so why not give into what his programing is telling him to do to me.

"Aw, too cold for you? Needed me to warm you up?" he says, his condescending way of talking to me one of the easiest ways to tip me into that submissive headspace, only with him though. With him things are different. With him I know I'm safe.

I nod my head and my lip juts out the slightest bit leaving him running his thumb along it before I decide to open my mouth and run my tongue across it. His robotic pupils dilate as if they were human and the next second I'm on my back on my bed, him hovering over me with that sexy smug look on his face.

"Does my pretty baby want something?" he asks, caressing my cheek with a featherlight touch, and I blink up at him, still reeling from his sudden actions. He hums as a way to get my attention on him again, wanting me to answer his question.

"Want you" I say, hoping he'll accept my simple answer but I know he won't settle for that. "You've gotta be a little more specific love" he teases making me huff. "Oh come on, be a good girl for me and tell me what you want hm?" he mumbles and peppers kisses all along my neck and collarbone, having worn just a tank top and shorts today.

His hands heat up and run along my skin, warming me up just like he said he would but suddenly his hands turn ice cold, making me push him away but as always he doesn't budge at all.

"What the matter love?" he taunts, his hands quickly going back to a normal temperature. "Don't do that" I scowl, not liking the sudden change. "Lemme play around a bit yeah? Wanna try something" he says, clearly ignoring my scolding.

I squint my eyes at him when he looks down at me, a stupidly tempting look on his face. "Just trust me" he says, leaning down to mumble it against my lips, just barely kissing me before pulling back and looking at me again for confirmation.

After thinking for a couple more seconds I nod my head and he tongues his cheek, a habit that he picked up from who knows where but something that's become so sexy to me and he knows it.

He helps me strip out of my clothes and lets out a groan in approval, running his fingers through my folds.

"Baby is so wet for me already and I've barely done anything. How adorable. Been waiting all day for me to touch you huh?" he says, watching as my mouth falls open when he applies pressure on my clit just how I like it, tracing circles around it and alternating with just barely dipping a finger into my entrance, never giving me what I really want, playing with me just like he said he would.

When his fingers start to touch me with more precision, one finger pumping inside of me while his thumb circles my clit I feel that same chill run though my body and I realize his hands have gone cold inside me making me yelp and back away from him but he growls and uses his other hand to grip my hip pinning me down on the bed to keep me from moving.

"Stay still for me love, promise it'll feel good" he says and I decide to trust him. He knows what my body wants and what it can handle, the signs to look out for to know what's going on in my head.

"So good for me" he says, kissing me and starting to pump his fingers in and out of me again, adding a second one right away but switching the temperature back to a warmer one to help with the stretch.

Once he starts to feel that I've gotten used to the intrusion he changes the temperature just cold enough so I can feel it, my back arching as the only way I can move about since he's still got my hips pinned against the mattress.

"Shh I know I know. You can take it though, it's just a little cold love" he coaches, his cold fingers dragging along my warm walls making me wince. "This is w-why I stopped using them, t-too cold" I admit although I already had before, hoping that in some way that would make him stop but he doesn't.

"You know I'll take care of you though" he says, the temperature of his fingers changing back to normal now, giving me a bit of a breather but soon he's pulling them out of me making me wince for another reason.

"Where are you going?" I whine but he only laughs and gets off the bed to take off his clothes before crawling back on top of me. "My baby is so impatient, aren't you?" he chuckles, settling between my legs and dragging his tip along my folds, his brows furrowed in concentration while collecting my slick and rubbing it all over his cock.

"Just put it in already, please" I basically cry out, the temperature play leaving me incredible sensitive and he knows it, not letting up with this sick form of torture. He places his tip against my entrance, not pushing in and just teasing my hole and when I open my mouth to protest he shoves himself into me, knocking the wind out of me, his response a hum, clearly satisfied with the results of his actions.

"Couldn't even wait for me to fuck you like I wanted to, needed my cock in you so bad that you couldn't even shut up and wait. Thought you wanted to be good for me tonight" he grunts, slamming into me at a relentless pace, his robotic strength being unparalleled in bed. I sob, the intensity and the need to catch my breath overwhelming me in the best way possible but when he chances the temperature of his dick I'm screaming for him to change it back.

"Stop running" he growls, grabbing my hips and sitting back on his heels so he can fuck me onto him, pushing and pulling my hips so fast making my breasts bounce up and down. "Fuck play with your tits. Wanna ruin you but my baby can lend me a hand or two can't she?" he says, talking down to me like I'm fucking stupid when I clearly am, cock drunk and barely able to see straight.

I slowly bring my hands up my torso, ghosting my fingers along my breasts, "S-shit" he stutters, his programing really playing the part and making me moan at his reaction. "Play with your nipples baby, get them nice and hard for me" he says, his hands dragging my hips back and forth making his length disappear inside of me over and over, never ceasing making my cock drunk mind go blurry, my reaction speed severely diminished.

He decides to give me a breather, stopping his movements and putting his fingers in my mouth, my lips closing around them right away. "Make a mess baby" he say, encouraging me to get them as wet as possible, my tongue swirling around them, a pool of saliva now gathered and making a complete mess, exactly how he wanted.

He takes them out of my mouth and my brows furrow, not wanting to stop since the approving gaze he gave me while I did it being something I didn't want to give up just yet. He chuckles and rubs his fingers together, making sure his thumb, pointer and middle finger are covered before using them to play with my nipple making me whine at the harsh pressure.

"Shh it's okay, I got you" he coaches, the cold temperature making my nipples harden painfully, goosebumps now present all over my body. 

"My baby gets so cold so easily. Want me to warm you up again?" he taunts and I nod my head, the rate of his thrusts though making it difficult to decipher but he knows and so he switches to a warmer temperature making me sigh in delight. It quickly goes from too cold to way too warm making me moan in delight, the scorching temperature being painfully pleasurable.

"Don't worry baby, it's not gonna leave a mark, I wouldn't hurt my pretty girl. Unless she wanted me to" he says, the offer enticing enough to make me think twice but I shake my head 'no' and he take it. "Baby doesn't wanna be branded? That's okay, I'll take good care of you" he coos and that he does.

Over and over and over. 

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[whateverloomis]

Dilf!Billy Loomis x AFAB reader (Stepcest)

I honestly think Billy would be hella single as a grown ass man but for this one let's imagine he's maintaining a shallow relationship to get away with another killing :p

Warnings: Stepcest, predetermined family, fingering, teasing, p in v, roughness, infidelity, unprotected sex, dirty talk, daddy kink, slight degradation, mentions of Stu, age gap (middle aged Billy and reader in their 20s,) AFAB reader (no pronouns,) unedited

Your mother had never been shy with her love life. She's had multiple partners after your dad passed away. Random hookups with attractive older men happened pretty often too. You're sure it's all been to fill the void and drown the unwanted emotions.

You've never really had the best relationship with her, you bud heads a lot and have grown distant since your biological dad passed, not to mention the countless arguments about every little inconvenience.

For that reason and many others you haven't been secretive about the attraction towards your step father, Billy Loomis. You don't care if he actually loves her or not. You'll let any selfish thoughts cross your mind and oh boy, you want that man inside you as soon as possible.

He's been living with you and your mother for 2 years and as time went by it got more difficult to contain yourself around him, especially since he openly flirts with you and you swear that one of these days you're going to jump on his cock the second you find a chance.

One particular day your mother left for the weekend on a business trip. You were more than sure that she'd been cheating on Billy with his best friend, Stu Macher. They've worked together for years and it's so obvious that they've got something going on.

To be completely honest, you wouldn't mind having Stu as your next step father. He's just as hot as Billy and you never miss the way that he checks you out whenever you're around him. Gosh, if you could have both of them at the same time you know you'd cum the second they both lay hands on you.

Being alone with Billy for the weekend was going to be difficult. You haven't hooked up with anyone in so long and touching yourself isn't satisfying anymore. The way he shamelessly walks around shirtless with sweatpants that highlight his cock drives you crazy and you don't know how you'll survive around him.

Because of that you were feeling bold. You wanted to risk it all, and you did.

It was a Saturday morning and you wake up ready to take the day off to relax after a long week. After you brushed your teeth and showered, you went to the kitchen in just a thong, a thin cotton crop and knee high socks. You knew Billy would walk in the kitchen any second after hearing the water turn off in the shower and were ready to pounce at any moment.

"Well good morning to you too." The sound of his deep voice instantly sent shivers down your spine.

Billy was standing against the countertop behind you shamelessly looking at your exposed ass and gorgeous legs. His hair was damp from the shower and slicked back. No shirt on. Grey sweatpants. He was out to hunt and you were his easy prey.

Turning around, you smiled innocently at him and pointed at the stove, "You want pancakes? I'm making myself some."

Billy could see right through you and he wasn't playing your games.

At your question he chuckled and walked towards you. His hands instantly found your waist and his eyes captured yours, "I'm hungry for something else," he said and squeezed your flesh slightly, his eyes lingering on your tits before scanning your face.

He was driving you mad. You couldn't help but bite your lower lip to suppress a pathetic moan that threatened to come out of you.

Billy seemed to notice and smirked at your reaction, "I don't think your mother would like knowing you're walking around the house looking like that while I'm here," he said and it was your turn to chuckle at his nonchalant comment.

"I don't think she'd like to see her husband grab me like he is right now but here we are," you answered and he lost it.

Billy ran his hands down and under your ass cheeks before picking you up. He sat you on the counter and positioned himself between your legs. His large hands rested on your thighs and he occasionally squeezed them.

"Don't use that tone with me," he said half serious and you laughed teasingly as his words.

"Why? Is daddy gonna ground me? Hm?" you teased further and Billy grabbed your face with his right hand under your jaw, making you look into his eyes. You smirked at him and that was enough, the man crashed his lips against yours and kissed you hungrily.

You were desperate. Both of you were. Your hands were tangled in his hair and he was holding you impossibly close to his body. He groped your ass as you rocked against him slowly.

He was hard and needy before, but having you like this was going to make him cum right then and there if he wasn't careful.

Billy slid one of his hands from your ass to your hip, down your inner thigh and finally over your core. He felt the wetness through the fabric of your thong and he gasped at you mockingly, "I've barely touched you and you're already soaked," he said and you whined softly. So desperate to feel him inside you. Your body ached for his cock.

The man couldn't contain himself much longer. He was already pulling your panties to the side and playing with your cunt. Rubbing your sensitive bud in circular motions and running his fingers down to your throbbing hole, dipping them just enough to pleasure you but not enough to satisfy the craving. He was torturing you. Torturing himself.

"Mm... Billy please," you moaned and grabbed his big hand, pushing his fingers all the way inside you and whining at the feeling of finally being filled up. It still wasn't enough but fuck did it feel amazing when he started to fuck you with his fingers.

You throbbed around him and he groaned at the feeling.

"Fuck baby, you feel so good... I bet you'll feel better around my dick," he whispered in your ear as you fucked yourself with his fingers.

You grabbed his cock and felt how big he is. Gosh you were so right when you imagined him as you rode your dildo in your room alone at night.

"Mmphh... Please fuck me," you begged and Billy pulled his fingers out of your cunt, sucking on them teasingly and moaning at your taste.

He pulled you towards him by your thighs and you wrapped your arms around his neck instinctively. He held your legs around his middle and carried you to his and your mother's bedroom.

After he released you, you crawled on the bed and positioned yourself on the edge on all fours, giving him a perfect view of your behind. You slowly removed your thong for him and revealed your glistening cunt.

Billy groaned at the sight and pulled his sweatpants down just enough to release his throbbing cock. He wanted to eat you up and taste your whole body but right then he couldn't handle the sight of your waiting hole. He'd been wanting to bury himself inside you for so long, and when he finally did you both moaned at the same time.

He didn't bother to wear protection and you honestly didn't give a fuck at that point. You didn't care if your stepfather knocked you up, as fucked up as it sounds.

"Ahh fuck... Harder Daddy, harder!" You nearly screamed, and to that he complied.

Billy grabbed your hips harshly and pounded you hard enough that you felt his cock all the way up your stomach. He pressed your head against the mattress, your back arched perfectly for him and the sight of your ass cheeks bouncing against him was nearly enough to make him cum inside you, but he was smarter than that of course.

"Getting fucked by your stepfather, who does that?" He shamed you and it made you throb around him. You were nearly going to cum just by hearing his words, it was a chase for release between the two of you.

After a few more thrusts the knot inside you finally broke as his tip brushed against your gspot. You came around him and screamed at the feeling of the intense waves that were coursing through your body. You had one, two, three mini orgasms after the big O and fuck you needed more.

Billy nearly bust his load inside your sweet pussy, but he managed to pull out and cum all over your back. He took a mental picture at how good your body looked covered in his seed.

"I'll clean up the mess for you," he whispered teasingly before giving you a lingering kiss.

As he walked into the bathroom you heard the front door open. Your mom and Stus voice echoed in the living room.

Fuck.

"I'll take care of it..."

•

I know I know, we hate cliffhangers but I love teasing y'all :p ;)

Hope you enjoyed reading <33

[copperhawks]

You're not the first person to make this comparison on this post, but when I wrote this, I hadn't done a re-read of SOTL yet (and the last time I'd read In the Hand of the Goddess was... a LONG time ago, so I couldn't really make a good comparison between these two scenes), but I have now and I've been sort-of thinking this over and have some thoughts on it.

For me, this isn't so much an indication of them being similar so much as it is just an unusually similar narrative beat. A character chooses to disobey an order about not crossing a border during a war in order to go save someone who has been captured and, in so doing, takes out a major antagonist that leads to the end of the war.

But the MOTIVES behind the two actions seem very different to me. Jon goes to save Alanna because he's in love with her and can't bear to lose her. Kel goes to save the refugees because she's responsible for them and takes that extremely seriously. She does CARE about the people, obviously, it's still being done out of love, but she's not doing it because she can't stand to live without them so much as that she's INSANELY duty-driven. She goes up to save Lalasa for similar reasons after being told that a noble's duty to their servants is basically sacrosanct. Kel goes across the border because she believes it's the honorable thing to do. Jon's motives aren't about honor and are, arguably, somewhat more selfish in origin.

So while this is obviously a very similar storyline, I don't find that it's an example of these two characters being similar to each other.

Kel is willing to give up EVERYTHING out of a sense of duty to the people she's responsible for. While Jon is someone who does a LOT of things for his people and spends a lot of his time and energy making life better for them, I can't recall a moment where Jon is ready to give up everything he wants and everything he's worked for just to save his people. Jon actually tells Kel in Squire that he and Thayet work pretty hard to keep themselves OUT of that kind of danger whenever possible, that's the point behind all of the compromises. All of the arranged marriages for his kids are to try to ensure peace through political connections and stop fighting in wars.

This is where they DO differ because Kel feels like someone who, at least at this point in her life, is willing to die to protect her people. But Jon is someone who will do whatever it takes to LIVE for his people for as long as possible. Jon understands that, in his position, it's more beneficial for everybody for him to make compromises in order to stay alive so he can keep making changes that will make people's lives better in the long run. This is a lesson that, while we do see Kel LEARNING it a little during Lady Knight, isn't one that really plays into the final conflict of the book. It's possible that Kel will end up being even more like Jon in this way as she gets older, more willing to stay back herself and trust others to do what needs to be done in her place, but by the end of Lady Knight, that just isn't who she is yet.

And maybe that's what's interesting about the comparison. Kel isn't all that much like Jon YET, and she's certainly not all that much like Jon when HE was 19, but Kel shows signs of being a lot more like Jon as he is during HER series as she gets older and gains more experience. Kel is very righteous, very inclined to just act and get things done, but over the 9 years we get to know her, she has to learn more and more about when to act and when to WAIT. She has to learn when to push and when to bend a little.

As a woman, she's going to be held to different standards than her male counterparts like Raoul or Wyldon, she'll be dealing with different limitations and setbacks than they ever did. And so her approach to leadership will, by necessity, have to be different than theirs was. She does look to them for inspiration, but in execution, I think she'll likely end up far more like Jon. Jon is obviously not a woman himself, but as King he's ALSO held to different higher standards than his compatriots and he was very young when he took the throne and has been very progressive throughout his reign which means he's dealing with certain limitations and setbacks that more conservative people might not.

Kel has strong opinions and firm ideas of what the world SHOULD be like, and that's going to lead her down a similar path of trying to CHANGE things, but she'll be dealing with all of the same limitations that Jon is, which will force her to approach things the way he does. She's going to have to compromise, she's going to have to bend, she's going to have to learn when a fight is worth having, she's going to have to learn to give a little in order to get a little later.

Kel would probably not have crossed the border for just one person. If it had been Neal, for example, and Neal alone, she may not have decided to take that risk. Neal is a trained knight like herself and probably won't thank her for giving up everything to come save him. Kel could probably have been convinced not to cross the border for him, as much as it would've pained her. And Jon I think would not necessarily give up everything to save a few hundred people the way Kel did, even though it would pain him to have to make that choice.

Kel IS like Jon and will likely become even more so as she ages, but crossing the border just isn't one of those places where their similarities are showcased to me.

The funniest thing to me about Kel, and maybe one of the most interesting because of how understated it is, is that Kel becomes a good commander in the end, not by emulating Wyldon who was cold and implacable and insensitive, or by emulating Raoul who mostly only disobeys orders out of principle or because he has an issue with what the order says about his personal relationship with Jon, but by emulating JON.

Kel doesn't even LIKE Jon, she BARELY respects him as a person. He's a good enough ruler that she's willing to fight for him and swear loyalty to him and to at least mostly believe that he wouldn't work with Blayce to make his own killing monsters, but that's as far as it goes for Kel. If he's kind to her, she finds it uncomfortable and almost untrustworthy because she assumes he doesn't care about her and so his kindness and respect towards her must be fake.

But from the outside, as readers, we know just how much Jon fought for Kel. We know how much he does respect her right to be a knight. Jon is the sole reason that Kel DID get the opportunity to prove herself, if he'd capitulated to Wyldon completely, she just wouldn't have ever been allowed to join. Kel doesn't KNOW THAT, obviously, but we do. We know that Jon did everything he could to find a way to convince Wyldon to let Kel become a page. While Wyldon claims later that the reason he chose to let her stay at the end of the probation year was because his better judgment convinced him she'd earned it, I'd be willing to bet that part of that better judgment also included knowing if he couldn't prove to JON that she needed to go, then he'd be in trouble. Kel was training and working in front of plenty of other trainers and teachers who could easily contradict Wyldon's lies if he'd tried it, many of whom are closer to Jon than they are to Wyldon.

Kel's experiences and feelings about that experience are entirely valid, and she doesn't have the knowledge we do about how hard Jon fought for her, so it's not shocking that she's upset with him for a good portion of her series. She never even discovers this truth by the end of her series, even though she does get a lesson from Jon and Thayet (and Raoul to some degree) about how politics and compromises work in order to make changes happen. So her opinion of him by the end is boiled down to the quote from Squire: "good kings weren't always good men." It makes sense for her to think this, but because Kel's knowledge base is so limited (and her worldview so black and white for much of her series), it makes her an EXTREMELY unreliable narrator about this particular issue.

Kel believes that while Jon generally does his duty and keeps the peace, he doesn't actually care all that much about his people as individuals. But in their only meaningful conversation in Squire, Jon is able to point out that he (and Thayet, who is actually equal to Jon in power, something Kel either doesn't know which would be a failure in her education or just tends to ignore so she can focus her ire on Jon) has to make a LOT of compromises in order to get ANYTHING useful done at all. Sometimes, often, it means making deals with people he doesn't like or people he just fundamentally disagrees with, because it's the first step in a multi-step plan to help more people in the long run. He also points out that just throwing his weight and authority around in order to be able to change everything he wants to change immediately regardless of what anyone else thinks about it is a great way to get himself and his family killed. Because even if he had good intentions, that would be tyranny. It does make Kel think a little, but she doesn't tend to like him much still afterwards, her resentment from her page years will always color her opinion of him a little.

However, then she gets to Haven and she's suddenly tossed into a position of leadership over a lot of other people, many of whom disagree with each other or disagree with her or both. And all of the sudden, Kel has to make compromises. She doesn't LIKE the way the sergeants often treat their men, especially the sergeants whose men are convicts, but there's very very little she can do about it without really pissing off those same sergeants and that's not something she can afford to do. There's a moment when Neal starts getting frustrated about the treatment of the convicts and she takes him out to vent to her so he doesn't vent to the sergeants, something that the sergeants would then take out on their men. Kel's reasoning as she does this is that she "preferred to avoid battles with them now so she would have authority with them later if she needed to use it." Later, Kel is talking to Daine and she says "That's all this job is... Trying to please everyone and pleasing no one. And it will only get worse, not better."

Both of these moments showcase Kel choosing to make compromises. She may not like the way the sergeants treat the convicts, but she needs to stay on the sergeants' good sides because she doesn't have enough resources to butt heads with them nor enough authority to just force the issue, and even if she DID, it could cause the sergeants to become troublesome or take out their frustration with her on the men in ways she can't see as well. But staying on the sergeants' good sides might mean letting some of their maltreatment slide if it's not physically harming the convicts. And even setting that aside, she's dealing with nearly 500 refugees eventually, all of which are from different towns in the area and have different needs, not all of which she can accommodate. This requires compromise. Sometimes she can please some of them and not others, but mostly she probably just ends up not pleasing anybody because that's often how compromises WORK.

She never makes the active connection to Jon and his lesson on leadership from Squire while she's in Haven, but that quote up there about how this job (aka being a commander) is all about trying to please everyone and pleasing no one? It sounds a HECK of a lot like "good kings weren't always good men." You can try your best to help others, but often doing the right thing can involve making everyone unhappy. You can't be everybody's friend if you're going to get anything done.

Some of this she might've learned from Raoul's style of command, but Raoul commands a fairly small amount of people (at least in comparison to a King), and so we see him able to be pretty friendly to the people he commands in a way that Jon is perhaps unable to do. And she might believe that she learned some of this from Wyldon, but Wyldon had a tendency to be very unfair and biased due to his raging bigotry and conservative values, as well as the fact that he doesn't actually even LIKE being a training master and that likely impacted the way he treated the pages (he's almost never that kind to the pages, whereas we see him capable of being quite kind with the refugees later, which is where Kel comes to the conclusion that he hadn't enjoyed being a training master).

But Jon makes an entire speech about how he (and Thayet) have been working THEIR ENTIRE REIGN to change laws that help people. He explains how they have to consider the needs of merchants, nobles, farmers, street people, priests/priestesses, and mages. They have to consider not only what these people might need or want, but also what they could do when they feel sufficiently offended and how that could impact not just the royal family or the nobility but the realm as a whole. Jon points out that they HAVE made changes, for the better, and that just because they don't always succeed at everything or because they have to compromise sometimes, doesn't mean they aren't working at making changes or that they don't care about helping people. Not everyone you have power over is going to be your friend, they might not even be someone you like. But if you're going to take on the job of leadership, that's something you have to be willing to accept and work with, which often means making compromises with people whose needs and values are contradictory to your own.

Jon probably knows when he makes the compromise with Wyldon that it will likely impact a lot of people's good opinion of him. Alanna is right there and clearly angry, and we know Thayet doesn't like the decision, either. And it's entirely possible that Jon knows in the moment that Kel herself will put the blame on him because he's the King. But he also knows that if he insists on Kel being allowed to be a page without trying to compromise with Wyldon, Wyldon will quit over it and he'll end up with ten DIFFERENT problems that could cause a lot bigger issues to far more people than just one girl. So he makes the compromise. He sacrifices Alanna and Thayet and even Kel's good opinion of him in order to ensure that Kel gets the opportunity to become a Knight without turning all of his nobles against him which could ultimately lead to a civil war. Is it fair? No, and he knows it. But it's the best option he has in order to get the outcome they all actually want which is just for Kel to have the chance to prove herself.

Kel has to make similar choices once she's finally in a position of leadership of her own. And whether she realizes it or not, without ever even spending more than a few minutes with Jon, she ends up emulating his leadership style more than anybody else's because it WORKS and it works WELL. She'll probably never admit it, she might never even realize it herself, but she's so much more like Jon than any of the other men she sees as role models. And I love that. I love the dramatic irony of that, that the one person Kel only barely respects because of a compromise he made on her behalf that she'll never even know about, is the person Kel ends up most resembling. Jon is the reason she has the opportunity to become the Protector of the Small in the first place, Jon is the person who created that environment that allowed her to nurture those values, and she'll probably never even really be able to acknowledge that, because sometimes that's what being a good leader means.

[camellcat]

first xander brought her back with human breath and determination... then willow with supernatural power and love.... smth smth two halves to keep their third in balance from drifting too far into either side and losing herself.....

[youareatragedy]

I feel like no one talks enough about how Elain did Lucien so dirty in that bonus chapter by trying to make out with another guy when Lucien visited, because if it were the other way around, people would be furious at Lucien.

If you say Elain doesn't owe Lucien anything, you are wrong. She has had enough time to understand mate bond, and if she doesn't know enough about the bond at this point, it is due to her lack of effort to understand. She just doesn't want to. Selfish, isn't it? She could definitely just reject Lucien if she doesn't want him, and then freely hook up with Azriel, but no, I guess she just wants to keep Lucien as a backup. As an assurance that she won't be alone no matter what, because Lucien is gentleman enough to not reject the bond without legitimate reason. And just because Elain avoids him, I don't think Lucien can just reject something so sacred as long as Elain doesn't outright say it. So I think being in the good graces of the IC means no one can hold her accountable for anything then?

It's so easy for people to still like Elain and justify her when she treats her non-IC mate like shit, but there's an uproar because Nesta didn't immediately smile and nice to Cassian, because Cassian is a member of the IC.

(Example number infinity of ACOTAR fandom only favoring women who aren't a bitch to Rhysand. Nesta = Bad. Elain = Needs time bc she's young and doesn't understand much.)

[lily-onher-grave]

okay okay okay thoughts/excited ramblings about the wicked movie under the cut bc i've seen it and now i'm insane about it again

let's be real it's kinda hard to fumble the opening number of a musical especially when that opening number is no one mourns the wicked and yet i was still absolutely blown away it was SO GOOD

the lil munchkins running, the singing in the streets, the posters of the witch (side note all the artwork was insanely good and just added so much to the style of oz i feel like) it was all so awesome

NOMTW becomes so sinister and they nailed it

obligatory emotional babbling about glinda standing alone in the crowd as everyone sings 'the wicked's lives are lonely'

before i left for the theater i was like 'take your bets on if i'll cry' and my roommate and i agreed that yeah obviously i would. but what i didn't expect is for ariana's sad face to knock me out in five minutes flat. i was done for

the effigy. holy shit. and handing the torch to glinda. i want to go see the whole thing again just so i can rewatch that scene. my heart still hurts

(also nanny! sort of not really. but i liked the childhood scenes i liked that elphaba had one (1) good thing in her life before shiz)

SHIZ okay shiz honestly shiz was the thing i was most excited for bc c'mon, we don't write about our gothic magic school all the time in fic for nothing. and honestly it was so good. the shots of the whole castle! the library design! the balcony moments and the stairways and just like the layers of architecture and the way morrible could kind of be anywhere at any time. the way it felt so grand and yet so small at the same time. idk man the vibes were good and the set was beautiful

glinda arriving by boat was magical that's all

the way everything dillamond had was tailored to him was fantastic it was so good

actually i want to shout out the library set design again and how it tied into the clockwork theme that never gets fully called out even in the musical but it's still so good

where's my time dragon clock tho

also back up the scene where elphaba loses her temper in the courtyard--when she breaks the relief of the wizard, there's old artwork of Animals behind it and i gasped out loud when i saw it

and that was the first moment i thought 'this is brilliant but i still want an hbo dark fantasy political drama tv show based on the book'

speaking of the dark fantasy political drama tv shows, the Animal meeting!! i'm so glad they put more stuff like that in there

actually as a whole the movie felt more grounded and less comedic than the musical. i think they did a fantastic job of keeping the magic and silliness and charm and wonder of the show while still adding those extra bits of drama and dire circumstances

anyway gelphie fic prank wars trope is officially canon great work everybody handshakes all around. i was cackling (silently. i promise i'm a respectful moviegoer)

the ozdust ballroom being illegal makes so much sense. it being underwater was fucking cool. boq and nessa were actually really great and i usually don't care about them at all during this scene

also i love love love nessa and i cannot wait to see more of her. but showing her multiple times on the sidelines when elphie was being humiliated was such a good choice. the tension between nessa obviously caring for her sister yet always caring for herself more is so delicious and i always want to see it fleshed out more, and i think they did such a good job with her? her and elphaba have sweet moments which i love, and her wanting to be independent and only elphaba really understanding that is so so good. and having her just watching elphaba for so long before finally saying she can't watch. god i can't wait to see her be desperate and selfish and cold in act 2, it's gonna be so good

side note boq also looking upset by elphie being bullied. i miss my brotp man

but let's talk about what's most important: the gelphie dance. because oh my god i started crying all over again. so did elphaba. and glinda wiping her tears i'm dying i've died oh my god

i always get a little bit surprised when glinda seems more head over heels than elphaba. idk why. but ariana's glinda is absolutely more head over heels than cynthia's elphaba and i loved it

(they just. freaking LEFT the party. just zipped out of there as soon as they hugged. glinda was like hmmm i just realized some things and grabbed elphaba's hand and ran off while the night was young. and fiyero stared after them knowing that he stood no chance whatsoever)

also i'm like 72% sure the guys sitting next to me were a couple? and they both cried during the gelphie dance too and it was a very unexpected but very funny moment of solidarity

i say ariana's glinda is more head over heels and i stand by it but elphaba's fond little smile when glinda was pouting about sharing secrets almost made me start sobbing again they're so GOOD they're so CUTE and she is SO heart eyes for glinda immediately!!!

i need to be sedated i swear

popular was adorable 10/10 no notes absolutely nailed it i loved every second

also glinda sitting next to elphaba in class now. my heart <3

after dillamond gets hauled away (again with this being more violent and dark and those moments of drama coming through more in the movie i loveeee) glinda doesn't sit down until elphaba does

also they had several little moments of elphaba looking to glinda and glinda either shaking her head or nodding. they've been friends for 2 days and they're already having silent conversations i love them <3

the poppy spell? was sick as hell????

another seeing of wicked, another complete sense of bafflement as to why fiyero is there

i say this jokingly but the fiyero and elphaba romance really does feel like a product of the early 2000s especially now that it's on screen rather than on stage. idk maybe that's just the lesbian in me talking though

the train design is also sick but we knew that from the trailers

okay look logically yes i knew idina and kristin would have cameos. but i'd been crying on and off and one short day's magic had already taken hold so they caught me completely off guard. it was great

the wizard stuff was really sweet. and while i was hoping for more time put toward shiz and stuff, i do think those moments did a great job of 1) showing how much elphaba just wants to be loved 2) foreshadowing the wizard being her father and 3) laying the groundwork for her briefly considering working with the wizard in act 2, which is a decision that never quiteee feels right in the show

i love that they put more lore into the grimmerie btw. very cool

the hot air balloon was random but fun. i wonder if it'll come up again in act 2

every time. every damn time glinda starts singing in defying gravity i just want someone to end it right there. glinda grabs the broom, it fades to black, and they both lived happily ever after

fuck

defying gravity taking place at sunset because it's at the end of their one short day of happiness

also UM morrible coming up and hugging glinda when she's crying. exquisite emotional manipulation i'm screaming

elphie! seeing! her! inner! child! i loved the baby elphie scenes even though i prefer creepy 'horrors' elphaba always. but seeing her come back was sooooo fucking good

elphaba only ever relying on herself, in the end

glinda's final 'i hope you're happy' took me out, as it always does, as it always should. and reaching out from the balcony? i'm sobbing again

morrible dragging glinda into the darkness while elphaba flies into the sun! someone fucking help me i'm already wrecked by these two

honestly my biggest complaint is that now i have to wait for part two, i want to see the rest nowwwww

[theoldsports]

| Irish Coffee |

summary: twenty four was the wrong age for everything, except maybe picking up girls in bars at the holidays. Rafe Cameron x Reader

word count: 3.8k

warnings: bars, alcohol, passing mention of sexual assault, death of a parent mention.

Rafe Cameron hated karaoke. It was shitty ego-stroking from typically the very intoxicated or the very tone deaf. He didn’t think anyone ever felt good about their performances on that rinkydink stage anyway. It was unpleasant for everyone involved. Truth be told, Rafe thought karaoke was pointless entirely. If he wanted to hear a good version of a song, he would go on Spotify and find one. He thought karaoke was a selfish sport made fun only for the singer, and never for the listener.

In summation, it was fucking stupid.

When he got in Topper’s Jeep, Rafe had been too tipsy to fully comprehend that it was karaoke night at the Swordfish. Now, with another tumbler of b-list bourbon between Rafe’s knuckles, he moped on a stool at the bar.

He felt old when he went out with Kelce, Topper and their other friends. He had started college while some of the other boys he’d grown up with were in their junior year of high school. Rafe didn’t have friends. He wasn’t good at keeping them and didn’t like it when they complained about their problems that weren’t even really problems. The persona he had crafted for dealing with friends, though, had gotten elaborate enough to where Rafe thought they didn’t notice that his heart wasn’t in it.

He didn’t have friends, he had the people he drank with. That was better than drinking alone.

Being twenty-four sucked. Too old for ragers, too young for drinks at the country club. Too many big problems to solve, but everyone thinking he was too young to solve him. Rafe wondered, if he drank enough, could he blackout the whole of his twenties and then he wake up in his thirties locked and loaded?

Some drunk whore was finishing up a song Rafe had only heard in Sofia’s car. She’d played it often. He didn’t know what it was called. It was by one of those superstar white girls with the zillion dollar concert tickets. Rafe didn’t like it. He didn’t like Sofia either anymore. He didn’t like to think about her anymore.

His heartbeat raced. His could feel it beat in his neck when he drank too much. It didn’t used to be that way. The human body couldn’t fail from misuse before thirty, could it? Rafe took a sharp inhale through his nose to push the frantic thoughts away. Everyone leaves eventually, he reminded himself; a mantra. Fuck, he wanted a cigarette.

Topper was on Ruthie leaning up on the wall near a booth. They were out of commission til she got pissy at him for breathing wrong, or something, and they all had to make excuses to leave. Normal Friday night.

Rafe wished he’d stayed home.

A DJ mumbled that the next person was taking the stage, singing Hard Candy Christmas by Dolly Parton. Arguably, this was Rafe’s favorite Christmas song because it had been his mother’s favorite Christmas song.

It was also the week before Thanksgiving and Rafe didn’t think he could stomach Christmas yet.

“Shit…” Rafe muttered into his glass of bourbon.

The girl supposed to sing was being pushed up into the tiny stage by a group of drunk girls. Presumably a bachelorette party by the looks of it. The girl onstage had a frown of surprise on her lips. It was clear to Rafe that she didn’t know this was going to happen. A girl in her party, wearing a veil headband, called out: “Please! This is our song. Please do it for me? You sound so pretty, [Y/N].”

All of her friends were calling and chanting for her to sing. The girl, [Y/N], looked embarrassed. She was very put on the spot.

Eventually, with all the cheering, pleading and encouragement, [Y/N] walked to the center of the stage where the microphone stood.

“Forgive me if this is dogshit, my friends signed me up,” The girl said over the karaoke track’s intro. A few of the girls she was with cheered. “I didn’t come to butcher Dolly in front of y’all.”

This yielded a chuckle from her audience. Rafe rolled his eyes. He was less interested in her humble act, and more interested in where he knew from. Rafe knew a lot of people, and he was starting to cling to the barstool to do what his legs were struggling to do. [Y/N] was a common enough name, but this girl looked so fucking familiar to him. His drunk mind leafed through the catalog of women in his brain. [Y/N], [Y/N], [Y/N], where did he know her from?

Her clothes weren’t anything special. Standard bachelorette party fare. A little too short, but not quite slutty. She was a bridesmaid, maybe the maid of honor. Rafe wrinkled his nose in thought. His contacts stung dry against his eyes. He had stared at a screen too long in the office and now he was sitting under a vent in November. Who the hell left the A/C on in November?

[Y/N]. Rafe hadn’t hooked up with her before. He didn’t think he had, anyway. She didn’t appear to have botox in her face or filler in her top lip with the way she expressed so freely. That meant she couldn’t have been the kid of one of his dad’s business contacts.

He looked at her friends for clues. Immediately, Rafe recognized the bride. Wendy. Rafe had hooked up with Wendy a few times in high school. He was surprised to see she was still on the island; Wendy had been smarter than that. So Rafe probably knew [Y/N] from school, then. What classes had they shared? He tried to place her.

[Y/N] was working through the slow first verse. She didn’t have a perfect, trained voice. Her voice was the kind of voice that sang in the kitchen on Saturday mornings to the radio. A smirk pulled at Rafe’s lip. She wasn’t forcing it, and she wasn’t so drunk that it was pathetic to listen to. “I hate singing in front of people…” she said.

[Y/N] knelt and set down what appeared to be an Irish coffee, and put her left hand over eyes. No ring, Rafe thought. He almost puked at the thought that looking at babes in bars now came with seeing if they were married or engaged, before giving them the once over. Being twenty-four sucked. The girl swayed from side to side on her feet as she moved from the second half of the first verse to the chorus.

…Maybe I'll just get drunk on apple wine.

Me, I'll be just fine and dandy.

Lord, it's like a hard candy Christmas.

I'm barely getting through tomorrow,

But still I won't let sorrow bring me way down…

The girl took some liberties with how she improvised the line endings or creating a harmony line instead of the melody during the way too repetitive chorus. It wasn’t like she was doing something revolutionary, but she also wasn’t just up there doing a cheesy impression of Dolly.

It was a welcome change of pace from the guy’s attempt at some Jimmy Buffet number a few songs ago. Rafe loved music. He loved it. That’s part of why karaoke was such an affront. Rafe played the piano; he was okay. His mom had put him in lessons right after kindergarten and it was the only thing he had stuck with until the end of high school. That was how he honored her memory.

Wait, kindergarten.

[Y/N] sat next to Rafe in kindergarten and early elementary. Holy fucking shit.

Rafe was a walking ad for Ritalin until he was about ten. Arguably, after that too. No one ever helped him out. He was also spoiled, he knew that. The kid talked out of turn, couldn’t follow the classroom expectations, never sat still, and ended up with his green light getting downgraded to a yellow light by the end of everyday. The tantrums he would throw over it where earthshaking. It was exhausting. [Y/N] sat next to him because she was not disruptive. Miss Lisa, their kindergarten teacher had loved [Y/N]. She loved her not only because she was good kid, but because she talked back to Rafe. [Y/N] used her position as calm-girl-forced-to-sit-next-to-shitty-boy to her advantage. She tattled on him daily. Debatably, that made his behavior worse, but the pair had fun sometimes. Rafe hadn’t thought about her in years.

[Y/N] wrapped up the song, trilling fine and dandy… I’ll be fine… over and over with the tinny backing track. He wished she could sing this song along with a guitar the way she deserved. Unexpectedly, Rafe found his hands applauding and his glass on the counter.

Quick as a flash, Rafe stood on unsteady feet and rushed towards the stage. [Y/N] rounded up her Irish coffee and pivoted towards her friends that clapped delightedly at her. Her hands were peeled away from her face now. Rafe almost smiled. Almost.

“Hey ladies, can I steal [Y/N] here for a second?” Rafe hollered over the music as he slumped towards their party.

Wendy’s eyes lit up in immediate recognition. “Rafe Cameron…”

“Hi Wendy,” Rafe said effortlessly. “Congratulations, by the way. You look great.” Rafe’s hookups were getting married now, and he was going to wake up tomorrow single and hungover.

“Thank you, hon. You look pretty good yourself… Please take her. Buy her another drink before we go. We need her loosened up a little.” Wendy giggled.

“Hey!” [Y/N] protested. She was eying Rafe uncertainly. She was trying to place him the same way that he had her.

“Please, ladies, next round on my tab. Congrats, seriously, Wendy,” Rafe said with a sleazy, false grin as a few of the women cheered. “I’ll bring [Y/N] back in one piece.” Gently, Rafe placed a hand on her elbow and angled her away towards the bar. The two walked in relative quiet.

All [Y/N]’s friends giggled. Rafe’s force dimples dropped when they were out of the ladies’ eyeline.

“Excuse me,” [Y/N] started. “Not tryin’ to be rude. Have we… Do I know you? I didn’t catch your name and…” She asked, staring intensely at Rafe. “Is this a setup, because Wendy’s always trying to—“

“Shit, I’m sorry,” Rafe cut in, stopping. He was drunk and forgot his manners. Great impression. Rafe cleared his throat and tried not to slur. “Rafe Cameron. You probably don’t remember me… I… You’re [Y/N] [L/N], yeah? You sat beside me in, like, fucking kindergarten and stuff.”

[Y/N] eyes widened in recognition. “Oh my god!” She gasped. “Rafe! How are you? Oh my god, you’re so tall!” [Y/N] laughed happily. Her faced buzzed warmly from the alcohol.

Rafe nodded at her amused comment. “Yeah, I’ve been busy since I was, y’know, nine.” He snorted.

“You transferred, right?”

“Yeah, Saint Mary’s.” Rafe replied. His mother’s trust had paid for catholic school after she died. He transferred out around the time he was ten.

“I can’t believe we never crossed paths again. You know Wendy from Saint Mary’s then?”

“Yep, that’s right,” Rafe paused. “Come on, lemme get you another drink. You’re the reason I didn’t fail first grade.”

[Y/N] smirked. “That’s probably true. You were an awful student.”

“Jesus Christ,” Rafe smirked. “Way to treat a guy buying you a drink,” he started his walk towards the bar, prompting [Y/N] to follow him. “You got Bailey’s or Jameson in that thing?”

The girl looked down into her nearly empty mug. “Jameson.”

“Smart girl.“ Rafe said easily. [Y/N] blushed. Even drunk, Rafe didn’t miss that expression on her face at those words. Almost too easy.

“Well, if you’re paying then tell the man to make it a double Irish too.”

“Very smart girl. I like the way you think.”

[Y/N] easily followed Rafe to the bar. The man’s broad shoulders slumped drunkenly as he cut through the crowd. When one was as large, imposing and beautiful as Rafe Cameron, crowds parted like the Red Sea. “So, uh, how are you? Did you do the whole college thing, or…?” [Y/N] asked broadly. She next to nothing about him. He wasn’t even the kind of childhood friend to get added on Instagram.

College. That was the default question at their age. Rafe hated this question, but he couldn’t let [Y/N] feel rejected for that question. “I mean, yeah. For a while. I was at Wofford for a year, but I never finished. I like what I do now, though.”

[Y/N] nodded. “And what exactly do you do?”

“Real estate development. I took over for my dad l when he passed.”

“Oh, I’m sorry to hear that.”

“Yeah, we get by,” Rafe turned to the bartender, waving a hand for his attention. “Another Maker’s Mark, neat, and a coffee with double Jameson. Put the anything else the bachelorette party orders on my tab.” Rafe said. He certainly didn’t need another drink, but he really liked having something to do with his hands. Rafe would probably have less substance abuse-related issues if he knew how to conduct his body in public in some way that wasn’t a poor impression of his father.

“Very good, Mr. Cameron.”

[Y/N] narrowed her eyes at Rafe. “Big spender… You that much of a regular that they know your name at the bar?” In her world, guys [Y/N]’s age didn’t get called ‘Mr.’ anything anywhere by anyone. The guys she knew still drank shitty PBRs in punk clubs and had girlfriends they had nothing in common with. Rafe’s polish and pedigree didn’t rub off even in such a state of intoxication.

Rafe didn’t have a good excuse. The implication of [Y/N]’s statement was accurate. “Sure,” he replied. He moved through the rest of his sentence like a gunshot to prevent an awkward conversation. “Hey, why’d you pick Hard Candy Christmas?”

“I didn’t pick it. Wendy did.”

Rafe nodded slowly. “Right. Why did she pick it for you, then?”

“Because it’s my favorite Christmas song.”

“It’s my favorite. It’s probably half of the Smoky Mountains’ favorite too. But why?”

“I didn’t realize this was hardball—“

“Please... I asked you a question about Dolly Parton. You sounded good.” Rafe responded. His drink was passed over the counter. He held it close to his chest and leaned his right elbow down to press it into the bar.

“Um, thanks. It’s… I had shitty couple years. I sang that song everyday for months at a time, I think. Wendy and I would go for these drives with the top down and just… Belt that shit out. Makes the bad days better.”

Rafe half-smiled. “So, year-round?” He said accusingly.

“The song? Like, not at Christmas?”

“Mhm.”

“Well, yeah. She says it’s like a Hard Candy Christmas, not that it is one. That’s grounds for year-round. It’s so much more than a Christmas song.” [Y/N] bit back with a smirk. The bartender returned and placed another white coffee cup and saucer in front of [Y/N] with a nod. The girl slurped a sip down without cream or sugar. She barely made a pinched expression at what was obviously a strong drink. Rafe was moderately impressed. He liked that [Y/N] was drinking brown liquor in black coffee this late on a Friday while all of her friends held White Claws and Daiquiris,

“My head hurts. This is the opposite of the Die Hard’s a Christmas movie thing.” Rafe jabbed.

“Anything can be a Christmas movie.”

“Then, so can a song.”

[Y/N] paused. “Damn.” she sighed. She wasn’t sober enough to get her arguments straight.

Rafe didn’t want to conversation to end. [Y/N] was the most intelligent person he’d spoken to all day. It wasn’t saying much, but was noticeable. He asked another question. “What’s your favorite Christmas movie, if you think that’s true?”

“American Psycho.”

“What the fuck is wrong with you? That’s not a—“

“Rewatch it. Not having this argument,” [Y/N] chided. The girl glanced over her shoulder at her friends. They were all staring at her and pretending they weren’t. “Listen Rafe, I appreciate the drink. It was really great to see you tonight. I gotta head back to Wendy now. Bachelorette party only happens once. If you’re lucky… But, hey, thank you again—“

“Ask me.”

“Ask you what?” [Y/N] asked. She had no idea where Rafe was taking this. Rafe pushed up the left sleeve of his brown sweater.

“What my favorite Christmas movie is.”

[Y/N] looked at him funny. “What’s your favorite Christmas movie?”

“Eyes Wide Shut.” Rafe replied coyly.

“What’s wrong with me? What’s wrong with you?” [Y/N] smiled fully, finally. Rafe damn near smiled back. She took a small step away, gesturing to where her friends stood.

“Can I give you my card? Maybe we catch up sometime.” Rafe asked plainly.

“Yeah, maybe!”

Rafe pulled his business card out of his wallet and extended it to [Y/N]. She looked down at it, cheekily saying: “Let’s see Paul Allen’s business card…” her eyes widened at the writing on the card. “CEO? Of a development company? THE development company on the island.”

“I told you I took over my dad’s business.”

“Rafe, I… I’m barely a grant writer at a 501-c3. How are you a CEO… You’re… twenty-three?”

“Twenty-four two weeks ago.”

“Happy birthday,” [Y/N] said flatly. “What’s happening? Why are you talking to me?”

“Because you helped me pass first grade. I thought I already said that.” Rafe’s eyes never left hers. They were so blue. Too blue. Too blue to be real. Rich people were too pretty.

[Y/N] took a very long sip of her coffee. “That’s wild. I’m sorry, but that’s wild. You made me feel vastly inferior and I’m the friend with my shit the most together.” [Y/N] told Rafe, with a smile on her face.

“I know you gotta get back. I’m not gonna the asshole that kept the girls waiting, but call me. Listen, you’re pretty, so is your voice. We should catch up.” Rafe said. Was he asking her out? That was weird. That was weird, right?

Hesitantly, [Y/N] looked back at her friends again. They were too invested in her conversation with Rafe. Hopefully, they would all drink so much that they forgot it happened.

“Do you like karaoke, Rafe?” [Y/N] changed the subject.

“I hate it.” He replied instantly.

“Why are you here?”

Rafe gestured with his glass to where Topper and Ruthie were making out. “They gave me a ride. And you don’t seem too keen about it either.” He said with a shrug.

[Y/N] couldn’t figure out what Rafe’s game was. He had turned from an unsettling child to a freakish adult. He was blunt and brisk, and either frustratingly honest or an alarmingly good liar. Maybe both. She stared up at him.

“What?”

“What?” Rafe raised an eyebrow.

“Okay, I’m gonna go. It was good to see you. Thanks for the drinks,” [Y/N] took a step back. She started to walk away slightly, still facing Rafe. A looked of what could be interrupted as self-loathing crossed Rafe’s face. He didn’t bullshit enough with her during the conversation to be perceived as likable, and she was leaving. Of course. Nobody liked Rafe when they actually knew Rafe. [Y/N] stopped, thinking. “Rafe?”

“Yeah?” His eyes slid back to her.

“Can you do something for me?”

“Maybe?”

He was going to say no, but it would serve as a litmus test for what kind of man Rafe was. It would help [Y/N] sleep easier to know what kind of bullet she dodged by losing Rafe’s business card after tonight. “Okay, we have a scavenger hunt thing for the party. It’s stupid. One of those… Do X number of shots, get someone to give you a BLANK, take a picture of three of you doing… whatever. Y’know?”

“Sure, yeah. What are you asking?”

“One of the items on the list is Maid of Honor and a stranger accomplish a task she’ll regret tomorrow. Like I said, it’s a trashy fuckin’ list.”

“Are you asking me to hookup with you, or…”

“Worse. Do you know the song Don’t Go Breaking My Heart by—“

“Absolutely not—“

“Let me finish. I said do you know the song Don’t Go—“

“I don’t do karaoke.” Rafe said forcefully.

“Do you want to go out on a date with me, or not?”

Rafe was stunned silent. His mind worked overtime. He suddenly felt extremely sober, in spite of his drunkenness. He sucked his teeth.

“I don’t do Elton John. Sorry.” He muttered finally.

[Y/N] nodded, knowingly. It was a setup anyway. She couldn’t be disappointed. She knew he’d refuse and she could leave knowing she had made the right choice ditching him. “That’s a’right. Maybe some other—“

“But, if you really want me to do this, let’s at least stick to the Christmas thing you’ve got going here.”

“You don’t look very… holly jolly.”

“Ho, ho, ho,” he deadpanned. Rafe was the strangest combination. “Stop givin’ me grief here. Your favorite Christmas movie is American Psycho. Let’s do Baby, It’s Cold Outside—“

“Whoa, waaaay too rapey.” [Y/N] protested.

“American. Psycho. How is that song—“

“Wait, do you know Fa—“

“Fairytale of New York?” Rafe finished.

“You know it?”

“My family’s Irish Catholic.”

They both stood still and looked at each other. Well, Rafe stood as still as he could, but swayed a little on his feet. He wasn’t thinking clearly. Why was he agreeing to this?

For as manipulative as Rafe Cameron could be, he was effortless to play for validation and a pretty pair of eyes looking back at him.

Everyone leaves eventually, Rafe reminded himself. His mouth and his brain were not in agreement. Rafe had lost control of his body as he blindly followed [Y/N] to sign up for the next karaoke slot.

They passed Topper and Rafe held onto his glass like an anchor. He should have switched to beer. Why did he have another bourbon? Topper pulled his face away from Ruthie long enough to look at Rafe as if to say what the fuck are you doing? without any words. Rafe grimaced at Topper, barring his teeth slightly in response.

Rafe leaned in to [Y/N]’s ear and clumsily pushed her hair back. “I’m not a singer… This isn’t gonna be good.” He whispered. Chills crept up [Y/N]’s spine at the sensation of his breath. He knew his way around rhythm and music theory. Rafe was an asshole about music, actually. Jazz, classical, whatever. It was his secret no one else got to have. It’s not his fault that most of the motherfuckers he hung out with only listened to guys with the word ‘yung’ in front of their names. Still, all of that musicality couldn’t make him a singer.

“It’s karaoke.” [Y/N] said like it was obvious. She dragged Rafe towards the stage. “You’re so serious… Stop frowning; you’re gonna get lines on your face. We’re both gonna suck. I wouldn’t make you do this if it wasn’t for Wendy anyway. Promise.”

“This is so dumb; this better be some fucking date…”

[Y/N] pried, with difficulty, the rocks glass out of Rafe’s fingers and set it with her mug on a tabletop by the stage. As she pulled him up to a microphone, she said: “You know the words. Sing the damn song.”

And as the track started to play, and [Y/N] stupid friends all cheered, Rafe slurred the words he knew from every drunken family Christmas party he’d ever had. And he smiled. Just a little.

[yuikomorii]

I know how people talk about how they did Yui dirty in the anime but can we talk about how dirty they did Yui in some of the games because come on there are things she has said or done that feels so off character or something she wouldn't do

Because I don't see my girl Yui literally trying to defend Cordelia the woman tried to take her body

// I fear that’s not off character, that’s just how her personality is, because Yui defending unapologetic people instead of their victims is something that happened too many times in the games. 🥲

I prefer Yui's portrayal in the game over her anime version, but I can understand why some people dislike or criticize her character in the games too. She often comes across as stupid and selfish, traits that might not sit well with those who want the heroine to be relatable, which is a completely valid perspective and it doesn’t mean they’re victim blaming or being misogynistic.

On the other hand, what I truly see as victim blaming and misogyny is how people treat anime Yui. While her personality in the anime might not be fully developed, she hasn’t done anything to deserve the hate. In fact, I can’t even recall her doing anything particularly foolish. Yet, people often say things like, “Anime Yui is a loser, game Yui is way better!” or “The anime made her look bad, but play the games!”, and it feels like they’re just setting her up. Even in the games, her behavior isn’t always consistent. She can go from “I don’t belong to anyone!” to “Daddy, notice me! Make me yours!” depending on the route. I think a big reason why people hate her anime version is because she’s portrayed as softer, shyer, and meeker than in the game. Basically, people are quick to demonize traits that are often associated with traditional femininity. It’s perfectly fine to prefer bolder, more outspoken, and outgoing female characters, but that doesn’t mean we should tear down the ones who don’t fit that mold.

[jacqueline-01]

You're Safe With Me

A.H x Y.N

healing from toxic family, comfort, fluff

The boutique lights sparkled softly against the polished floors as you stood in front of a row of delicate necklaces. They gleamed like tiny constellations, arranged neatly on black velvet. Your fingers hovered over one—a simple gold chain with a small, crescent moon pendant. It wasn’t flashy, but something about it called to you.

You hesitated, heart pounding as your mind raced back to the echoes of your childhood.

“You don’t need that,” your mother’s sharp voice rang in your ears, cutting through the calm of the present. “Why are you even looking at things like that? Do you think we’re made of money? Do you think you deserve it?”

You could still feel the burn of embarrassment you’d felt as a child, standing in stores like this, admiring something small and simple, only to be scolded for it. Even when you’d had money of your own—birthday gifts, babysitting money—it had felt impossible to spend. Every purchase had come with scrutiny, criticism, or worse, guilt.

“You’re being selfish,” your father had once said when you’d asked for a new pair of sneakers, your old ones too worn to wear without socks showing through. “You already have shoes. Why are you wasting money on another pair?”

Aaron’s voice broke through the storm of memories, his presence grounding you. “Do you like it?” he asked, his tone gentle and encouraging.

You blinked, realizing your hand was still frozen in mid-air. “Oh, um… it’s nice,” you murmured, but the conflict inside you was already bubbling over.

He stepped closer, his steady warmth chasing the cold from your chest. “If you like it, let’s get it,” he said simply, as if it were the easiest thing in the world.

You shook your head, swallowing hard. “It’s too much,” you whispered, your voice barely audible.

Aaron frowned, his gaze softening as he studied you. “It’s not too much,” he said firmly. “Y/N, you don’t have to convince yourself you don’t deserve nice things. You do.”

The tears surprised you, stinging your eyes before you could stop them. “It’s just… it’s hard,” you admitted, your voice trembling. “Growing up, I wasn’t allowed to—well, I wasn’t allowed to buy anything unless it was ‘necessary.’ Even then, it was like I had to justify everything. I’d saved money for years, but it didn’t matter. It was never really mine.”

Aaron’s jaw tightened, his protective instinct kicking in as he reached for your hand. “I hate that you went through that,” he said softly. “It wasn’t fair. You were a kid—you should’ve been able to enjoy things without feeling guilty or controlled.”

His words wrapped around you like a warm blanket, soothing the ache of memories long buried but never forgotten.

“When I was younger,” you continued, your voice quieter now, “I remember seeing a bracelet I loved at a little shop in town. I’d saved up enough from babysitting to buy it, but my mom…” You trailed off, biting your lip as the memory surfaced. “She told me I was wasting my money. That it was stupid to spend money on something so ‘useless.’ I ended up putting it back.”

Aaron’s hand tightened around yours. “I’m sorry,” he said simply, his voice steady but laced with emotion. “No one should have taken that from you.”

You took a shaky breath, trying to push back the tears. “It’s just a necklace,” you said, almost to yourself, as if you were trying to convince the little girl inside you.

Aaron turned you gently to face him, his eyes meeting yours. “It’s not just a necklace,” he said. “It’s a step. It’s a way of saying, ‘I can have nice things because I want them, and I deserve them.’ And I’ll be right here, helping you take those steps, no matter how long it takes.”

With his encouragement, you finally let yourself pick up the necklace. It felt weightless in your hands, yet the act of holding it carried so much significance. When Aaron handed it to the cashier, you didn’t protest. And when he fastened it around your neck in the car, his fingers brushing your skin, you felt something shift inside you—a small crack in the wall of guilt and control that had defined so much of your life.

As the two of you drove home, your fingers absentmindedly played with the pendant, a small smile tugging at your lips.

Aaron glanced over at you, his eyes soft and full of love. “What’s on your mind?”

You hesitated before answering, your voice quiet but steady. “I was just thinking… that little girl I used to be? I think she’d be happy. She’d see this and know it’s possible to feel free someday.”

Aaron reached for your hand, intertwining your fingers with his. “She’d be proud of you,” he said. “And I am too.”

For the first time in years, you felt that maybe, just maybe, you were finally stepping into a life that was truly yours.

[askinkiskarma]

I have a lot of thoughts about arcane and rather than dealing with them on my own i thought i would try to write them out and see how other people feel and maybe have a conversation about it, because the beauty of art is sharing it and seeing it through your own eyes, as well as others’ - the beauty of art is its ability to ignite and spark a conversation… a change.

Arcane is very important to me, because of what it represents - humanity, in all its aspects and kaleidoscopic facets, in all its glory and in all its misery. What made it unique is how inherently relatable and universal the feelings and experiences the characters go through and how inherently human their problems are at their core, and whilst they were able to keep a lot of those sentiments in season 2, I feel by act iii they forsook a lot of what made arcane special.

Very rambly thoughts ahead, I do apologise, and please tell me yours, I would love to speak about it and process it.

To me arcane was always about class struggles, about oppression, about what happens to the oppressed when they are pushed to the brink, about how that affects a person’s journey and their fates, and putting faces to those struggles on both sides of the equation - vi, an orphaned child who was forced to grow up too quickly and parentified to the point she felt like she had no value outside of being a protector; jinx - a brilliant mind who fell victim to trauma because there was no one able to help her outgrow it or deal with it; silco - a man who has seen the oppression first hand and chose to fight it regardless of the sacrifice it took. I could keep going and going but Arcane was a phenomenal display of character and morality, and an almost perfect attempt at the shades of grey that make most of us who we are. No character was without flaw, and no character was unjustified in their actions in their own minds and due to their own particular set of circumstances.

I think most of the gripes I have with season 2 stem from two overarching themes: time and ambition. But before I go into this, let me praise it for a bit because despite all my grievances, I still think it is the best animated piece of art of all time and I still think it's better than 99% of anything I've ever been invested in. Although almost redundant to even talk about, I want to shine a light onto the animation. I have to give so much credit to every single person involved in bringing this series to life, because it is a spectacle from the first frame to the last, and the amount of talent, effort and passion it took to do this can never be put into words.

I will bring up things I loved about it as I'm talking what I didn't, because they are very much entrenched. My biggest complain about season 2 is that, the fact that it was only one season. I believe everything they've set out to achieve and every plot point they introduced could have been properly addressed and done justice in in one more season, and therefore, none of the problems I'm about to go into would have ever been an issue.

Imagine this: season 2 starts exactly as it did, with the first three episodes dealing with the aftermath of jinx's actions and the loss that drives Piltover into deplorable reactions, with Caitlyn and Ambessa at the helm, descending into fascism, Cait driven by blind rage and the prejudice she's been fed her entire life without an active effort into trying to overcome it, Ambessa driven by ambition and desperate attempts to one-up the Black Rose organisation. However, the season progresses differently - to me, this conflict and its consequences should have been what this season was about.

Simple yet deeply impactful, tackling the themes they set up in the last season, tackling the intricacies of what would lead the characters into their actions - for Cait, expanding on the way grief, fear and guilt makes you regress back to your most ignorant, primal, selfish self; for Vi, the way a lifetime of being told she's responsible for everything and everyone and her unbridled desire for love and family made her abandon her core principles and join the people she hates in order to kill the monster she thinks she's responsible for creating; for Ambessa, the way her deeply embedded and deeply repressed fear of the Black Rose coupled with the Noxian belief in strength and sacrifice and war made her give up one her core beliefs that warriors are forged through blood sweat and tears and not through magic and reach out to Singed, therefore becoming an almost caricature of herself etc etc etc.

That coupled with the overarching conflict between Piltover and Zaun, how Piltover's actions are the breaking point for Zaun, as well as the personal conflicts between Jinx and Vi, Mel and Ambessa, Vi and Cait, potentially Jayce and Cait once Jayce realises Cait has become someone she would have absolutely despised just a few weeks ago, would have made for a compelling and powerful season that kept to much of the themes of the first season and could have been the stepping stones for a larger conflict that could have been introduced but not expanded in this season - Viktor and the Hexcore, the bigger battle between humanity vs the arcane, the Black Rose and their involvement in everything.

Season 2 would introduce Isha as a positive role model for Jinx and a way that Jinx would be able to be rescued from the nothingness her life had become - Isha could have been a symbol for Zaun, and the reason Jinx would decide to become the face of the revolution for Zaun independence. Season 2 could have ended with the Jinx and Vander moment in the prison, or with her reaching out for Vi after her KO in the pits. Season 3 then could have dealt with everything else, and been a great way to introduce other characters and other conflicts (Mel and the Black Rose), which I assume will be part of the next series about runeterra.

I think this season and what it was trying to achieve was great, but its biggest downfall was that in its ambition, it fell short of what made it great. Because whilst the fighting and the animations and the moments we did get with the characters were great, there wasn't enough time to make them justified or fleshed out, and in that, we lost the essence of what people loved the most about Arcane - the eye to detail, the accuracy in character writing and portrayal.

I loved seeing Cait and Vi together and I loved seeing them get into conflict - I did not, however, love that Caitlyn went from being a dictator to redeeming herself in basically one episode with no consequences for her actions. Vi should have been mad, she should have been furious, she should have held her accountable and she didn't. I wanted them to have a much earned sex scene, but not in a prison, which overlooks the insane amount of trauma Vi has suffered in Stillwater and how insensitive doing it there comes across as.

I loved seeing Jinx and Vi reunited - but for a story that started and was always at its core a story about two sisters, there was not nearly enough done to explore their very complicated and tumultuous relationship and bring it to a satisfying conclusion. Not one scene in which they talked about their issues, where they opened up about the past, where they resolved anything before Jinx eventually died, and then, not even one scene of Vi mourning her or what her death represents to the overarching story or to Zaun.

I loved seeing Jinx get better, and her character was actually the highlight of the show for me this season, but a lot of it felt rushed and not properly explored - by the beginning of act 2 she seemed basically perfectly sane, and even after losing Isha, she seemed perfectly in charge of her emotions and was able to surrender herself and make perfectly rational decisions, which doesn't seem in line with all we know about jinx. Not to mention Isha was never mentioned once in the whole of act 3, and neither did Jinx becoming a symbol for Zaun amount to absolutely anything in the end.

I hated how much like the fandom, and the characters themselves, the writers seem to overlook Vi completely. She got the short end of the stick at literally every turn and I thought she would have gotten a semblance of justice in the end, but she didn’t. She forsake everything she knew and believed in because Jinx needed to be killed - Jinx was actually better and fixed herself without any of her involvement, so she betrayed herself for nothing. She finally opens up to Cait and cries in front of her, begging her not to change because she’s already lost everything - Cait betrays her like 5 minutes later and attacks her, abandoning her, then comes back like nothing happened and Vi doesn’t give a shit and forgives her immediately. Finally gets Vander and Jinx back? Loses them both again in the span of a few days. SHE EVEN FUCKING GOT A BAD ENDING IN THE HAPPY ALTERNATE UNIVERSE WHERE EVERYONE ELSE WAS HAPPY LIKE WTF. I could keep going and going about Vi and all the ways she was done wrong but I’d be here forever so let’s move on but #justiceforvi

I liked the Jayce and Viktor conflict and I actually believe everything they've done with that they handled well, since it was basically the main plot of the season, and I loved the way ekko's storyline intertwined with theirs, but this could have been handled even better in a season dedicated to it, and I wish it hadn't come at the expense of Jinx, Vi, Cait and the conflict between Zaun and Piltover. Watching this show felt a little bit like watching season 1 of game of thrones and then halfway through season 2 we're actually in season 8 and the white walkers are here and nobody cares about the iron throne anymore and everything that happened we're supposed to forget about and focus on jon snow vs the night king and it's so confusing cause I kinda cared about Ned Stark and who killed Jon Arryn and i’m kinda still mad that Cersei killed Lady and I’m still curious about Bran and his visions and Varys and the importance of choosing a leader who cares about the small folks and and and ???

This is such a long post and I’m very sorry and I’m writing it on my phone so it might not even make sense but I needed to get some of it out because this has taken over my life.

I probably will have more thoughts as I’m processing this more but for now pls tell me i’m not alone and pls tell me your thoughts 🤍

[antianakin]

I recognize that these are very questionable things for Padme to have done, and I call it out when I talk about her quite often, so I don't deny that these choices on Padme's part CAN be interpreted as Padme being... somewhat darker.

And I do personally believe that Padme's choice to be with Anakin despite the obvious red flags in AOTC was intended to be seen as a selfish choice on her part, that her feelings for him (or, perhaps more accurately, for what he REPRESENTED to her) overrode her morals. So it's not like I think the narrative doesn't represent her with flaws ENTIRELY, but I don't know that I'd say that the narrative itself represents her as DARK.

Padme spends a lot of her time being nice, being sweet and kind, and when she's not doing that, she's often off making big impassioned speeches about how they shouldn't go to war or about justice and things like that. She is very much represented as, generally, morally GOOD, and morally BETTER than many of the people around her.

In TCW, she often got turned into an action Barbie of sorts, either fighting the good fight in the Senate or fighting the good fight in the streets somewhere. She's the one who goes to try to get the Separatists to talk about peace, she's one of the Senators involved in whatever summit is happening on Mandalore with the Separatists, she's the one who insists that Ahsoka should learn more about politics, so on and so forth.

So while you do not personally care for some of the decisions she makes regarding Anakin and the way she chooses to ignore or brush aside some of his behaviors (and I don't think you're WRONG to dislike them, I obviously also personally dislike them and I think that the narrative does in some ways question her decision and expects the audience to do so as well), I don't think it is accurate to claim that Padme is DARK and certainly not that the narrative expects you to see her as dark.

Padme makes some questionable decisions, yes, she makes some SELFISH decisions, yes, and those decisions do ultimately lead Anakin to find ways to excuse away his actions, but I also don't believe Padme intends for that to be the outcome of her choices. When she tells Anakin "To be angry is to be human" she's hoping that he'll calm down and figure himself out and that this will be a one-off event. Natalie Portman claimed that she played that scene as Padme sort-of feeling like she wants to SAVE him with her love, that she RECOGNIZES his anger has led him to do dangerous things, but that she believes she can fix him with kindness. While you can question that belief, it's clearly coming from a good place and a desire to help Anakin be BETTER rather than an intentional disregard for Tusken lives.

You can likely apply a similar thought process to why Padme reacts the way she does to Order 66. She can barely believe that Anakin WOULD do something like that (with the Tuskens, she sees how the Larses speak about the Tuskens and so she can understand that there's a clear hostility between the Tuskens and the human settlers that Anakin likely experienced himself, and the Tuskens DID capture an innocent unarmed woman and tortured her to death, so they've clearly done something pretty heinous that provoked Anakin's ire; but with the Jedi, NEITHER of those things are true since Anakin SHOULD be on good terms with the Jedi and they haven't done anything to specifically earn this kind of treatment from Anakin). She goes to Mustafar just to try to clear things up, knowing that Anakin is capable of ruthlessness, but hoping he isn't capable of this kind of BETRAYAL, and clearly recognizing that she might have to do some damage control again. You can see her switch from just asking him to deny what he did to trying to "save him" with love and kindness again, hence the option of just running away. It's only once Anakin refuses that kind of comfort that she starts to back away saying he's going down a path she can't follow. But even that line has been argued to be more of a WARNING than a THREAT, another entreaty for Anakin to come back to her rather than an ultimatum.

And you can tell that Padme IS horrified by what he did to the Jedi, it DOES bother her on a moral level, but she has invested so much of herself into this relationship that she can't really let go of it any more than Anakin can in some ways. She is not without her flaws. But I don't see Padme committing her OWN genocide to save Anakin. The closest she gets is in TCW when she chooses to trade Grievous for Anakin, but this is a choice that's backed up by both Jar Jar and the Gungan leader (more accurately, they literally convince her INTO IT when Padme hesitates over making the trade).

Padme isn't dark in canon. She is flawed. There's a difference.

What I WANT when I say I'd like Padme to have gone dark is to see Padme be CORRUPT. One of the ways I think the Anidala relationship storyline in AOTC could've been helped was if we saw more of Padme being politically corrupt so that her choice to be selfish with Anakin felt more in line with her stated morals. Perhaps she's not necessarily out there murdering people, but she's not above, say, taking bribes or things like that. She's not a perfectly pure politician who always fights for what's right. This would perhaps make her a simpler character, less complex and nuanced, but I also don't find that there was enough time or space for Padme's complexity and nuances to be explored in a way that really made a lot of sense, so instead of being complex she's just sort-of contradictory. You find her "sociopathic" because her morals and motives seem to vacillate wildly depending on what the scene requires of her, rather than being more clear and coherent from one scene to the next.

So, yeah, I think Padme can get a LOT darker. I think you could really look at whether Padme would've ultimately gone along with what Anakin would've asked of her if she'd survived Mustafar or if she'd never GONE to Mustafar. What would she have done if Anakin had made her an Empress? How much would she have allowed and how desensitized might she become to certain atrocities over time? Would she ever get to a point where she didn't just allow murder, but actually ASKED for it? Could she be pushed to feel like it was necessary for one reason or another? If Anakin made her feel like this was her perfect dream, or that her family was being threatened, would she be willing to defend it with oppression and murder? Would she start to maybe enjoy the power she'd been granted as an Empress, would it start to change her to someone very different from who she'd been before she married Anakin? Would her parents and her sister and her nieces even recognize her when they saw her in broadcasts anymore?

Come on, we can get more creative than just... what's in the films. Making her darker and more morally corrupt is a way to make her more likable and more coherent. Maybe she's not quite as against dictatorships as she thought she was, maybe her frustrations with the Senate and the Corporate Alliance are starting to tear down the passionate young Queen that fought for her people's freedom. Maybe she feels like she IS fighting for people's freedoms still, but she's willing to do a heck of a lot more to get it. Maybe she's far more sympathetic to the Separatist side of things than she is in canon and nearly lets them win a few times because... what if. What if they DID just burn it all down and start again? Would it truly be so bad?

THAT'S what I mean when I say I want her darker. I don't just want a young romantic woman getting swept up in what she thinks is an epic romance that she's willing to believe that her love can fix a dangerous man just because he says things to her like "I'm haunted by the kiss you should never have given me." I want someone who is attracted to this dangerous man because she's not truly all that different from him and she's already slipping down her own slope towards darkness. I want a Padme who's already made some moral concessions in the name of justice or freedom and figured out how to sleep at night still. I want a Padme who is willing to achieve a victory at nearly any cost. I want a Padme who is perhaps not all that devastated by her handmaiden's death because, well, that's what she's for isn't it? I want a Padme already becoming desensitized to things that would've appalled her ten years ago and Anakin's shaking simmering rage about the state of the world echoes her own.

Characters that would be improved if they were darker, more evil, or morally corrupt:

Ahsoka Tano

Satine Kryze

Padme Amidala

Characters that would NOT be improved if they were darker, more evil, or morally corrupt:

Obi-Wan Kenobi

Leia Organa

Mace Windu

Yoda

Luke Skywalker

[melaniepilled]

the storyline is brilliant. (most) characters are well-developed. the animation is gorgeous. the soundtrack, though a bit on the nose, is pretty cool. HOWEVER:

what's with the copaganda? like come on, lesbian cop? all those corny scenes trying to make the viewer empathise with this cop or that cop? i dont need to see the poor fate of a cop's daughter to know cops are human beings with loved ones. that's nowhere near the point. it's disrespectful as hell to pair scenes of, idk, a cop's suffering with a zaunite's suffering to be like: we're all the same, guys! no, you're not 😭

all that shit with marcus was so annoying like they want us to think he had some noble motive for his corruption. lmao? like, sure, at the end his kid's life was threatened by silco but what about before those five minutes? didn't he team up with silco of his own accord for YEARS?

idk, man, i think the showmakers could've made the point of "silco threatened this cop into doing this woo scary" without all that corny sad music and 1000 scenes of poor helpless enforcer marcus. I DON'T CARE omfg.

now back to the lesbian cop. GIRL was that necessary? seriously, the best queer rep you can imagine is a female cop? argh. ew. be for real.

any way, who even is caitlyn kirraman? noble girl felt caged by noble expectations blah blah blah overused trope blah blah. she wanted to 'see' the real world and the best she could do was join the Brutal Oppression Force to get some hands-on action in harming the real world? huh?

on one hand, i can believe an almost-princess wouldn't know the reality of this oppression but man. come on. it's so cliche. sheltered rich kid joins a police or police-adjacent service with pure intentions only to learn the service is only at the disposal of the elite? jeez, never heard that one before.

AND she could have been mildly tolerated is she wasn't so intent on throwing her power and status around. and for what? pumping the undercity with toxic gas to faciliate her witch hunt?

annoying. negative rizz. could have done way better. every time caitlyn kirraman appears on screen i have to stifle a groan of frustration.

and what's with the uniform? the rest of the character designs were so good you can almost forget it's arcane League of Legends and then there's ... this.

anyways, i want to complain about one more character before i can move on to other things.

this mf. he's so blank. no personality. switches his motives every episode. i don't even think he's meant to be a real character. what's his deal? characterless mf sorry i dont even have anything to say forget it

overall, the way arcane tries to equate the harm done by this or that zaunite to the harm done by topside is ... suspicious, to say the least. i DO think zaunites have a right to take up arms against topside and i feel no sympathy for poor helpless enforcers or noble councillors. womp womp

anyhoo. on to the good shit. arcane is like 20% action and 80% political intrigue and if i had known that i would have watched it ages ago. nevertheless, all the side characters and sub-plots are highly entertaining and if not for them arcane would be nothing.

characters i liked!

jinx and vi are ⭐⭐⭐⭐⭐ that's sisterhood for ya.

viktor my man. he was sexier when he was dying.

ekko my cutie patootie

silco is a weirdo and an edgelord that being said he is pretty interesting

sevika. so hot. answer my calls sevika please

let's talk about my fav girl now

MEL MEDARDA. soft-hearted girlboss fighting her warmongering mother. do i think she's selfish and does not care about her 'people' as much as she says? yes. but she does have principles. also, i have no idea what her sub-plot is going to lead to. it's cool. she's cool. love to see a beautiful girl suffer xoxo

that's all i will say for now. this post is already super duper long. i havent even talked about jinx and vi. meow. bbye.

[honeyxbunny99]

Sandor Clegane~ The Bitch and The Hound pt. 9

Charlie stepped between you and the gate and held up his hands. “Don’t you think if there’s a chance he could help—“

“I don’t want to be near him, I don’t want to see his face again! If you were older you could understand—“

“Fuck, would you stop treating me like an infant! I understand plenty!” His yelling caused your response to stutter and halt. “I understand that the man you thought you loved betrayed you. That he chose to hurt you over Joffrey and believe me I understand hatred!.. I understand that you’re being a selfish idiot by putting your pride first instead of your safety! There are people who care about you, (Y/n); me, Anna, your family, and yes even the hound! If you stay here you’ll die!”

His eyes were watery as you absorbed the weight of his words. “Then let me out.” You whispered, ashamed to ask. You wanted to cry with him but took your chance and held out your hand. Charlie’s eyes went between yours and Anna’s behind you. Charlie sniffled and slowly grabbed the large iron ring of keys from his waist. The keys were almost in your hand when the main iron gate slammed open and the three of you jumped in surprise.

“Fuckin’ knew it, ya little shit!” The man’s voice matched the anger in his face and he marched toward Charlie with his hand raised.

Charlie stammered and flinched before the man even arrived and the stranger quickly delivered a back handed blow to the boy. Charlie was flung back by the power of it against the gate and the man snatched the keys out of his hand. You gasped and grabbed the man by the shoulders and tried to pull him away from Charlie, but he reacted quicker than you could in your weakened state and when he turned around, his knuckles met your eye. You fell down hard and gripped your eye, watching your vision pool with blood.

“You were gonna let her out, weren’t ya?! You weak fuckin’ brat!” He scolded and pushed Charlie out of the way so he could unlock your cage.

“No, no I wasn’t—“

The man you guessed was the kennel-master grabbed an iron bar from the pouch of his bloodstained leather apron. “You want to try that again, boy?!”

“I’m sorry!” “Leave him alone!” You demanded, reaching again to try to stop the man as you watched Anna dart for the door. The man turned and kicked you down, his heel directly in your ribs. When the back of your head hit the stone floor you decided not to fight anymore. You heard one final blow land to Charlie’s arm and he cried out, dropping to his knees. The Kennel-master continued on opening the gate and ranting before he fisted his hand in your hair and dragged you into the cage.

“I’m sorry, I’m sorry.” Charlie repeated weakly as the kennel master separated the dogs into their own cells. You realized when you had the nerve to bring your eyes to the boy that he was actually apologizing to you. He sat slumped against the other side of your cage and reached a hand behind him through the bars. You dragged your knuckles across the stone to meet him there and matched his weak grip.

“I’m sorry.” You whispered.

The Kennel-master finished and hollered at Charlie, raising his weapon again and Charlie scrambled to his feet and out of sight without another word. You heard the final gate lock and brought a hand to the back of your head, relieved to find no blood. You were left with Dhalia, who came when you called her and began to lick your hand. She’ll be hungry soon. We all will be. Still, tonight she looked up at you with her familiar sad eyes and you pet the top of her head when she curled up beside you.

Charlie was right. You were being selfish, proud, and weak. In spite of all your talk, you did not want to die in here. Littlefinger. You pulled at your hair in frustration and groaned.

“(Y/n)! (Y/n)!” Sandor’s voice at the entrance made you gasp and sent your heartbeat to an alarming pace. “(Y/n) are you in there, what the fuck is going on?!” His tone was angry and you flinched and trembled. You heard the gate rattle and the dogs began to growl and bark. “Damn it, Anna, get me someone who can open this fucking gate!” In spite of your fear you called out to her. “A-Anna?” You heard two taps on the gate and her exasperated sigh of relief. You heard Sandor’s gruff voice mutter something to her but you couldn’t make it out. Your mind was doing backflips trying to figure out why he was here and why he was so angry. Eventually the dog’s barking quieted and you tried to calm yourself as well. Suddenly Anna’s little paper book was tossed through the high window of your cell and you hesitated to take it. Dhalia sniffed at the open pages and looked up at you curiously. When you finally got the nerve to stand you winced audibly at the pain in your ribs and dizziness in your head. You walked over to grab the book and saw that it was folded open on the page with the heart once again. You felt anger and sadness rise up in your chest together as you stared at it. You readied yourself to throw it back. “I don’t want it—“ you stopped cold as you looked at the window and saw Sandor looking back at you past the bars. From the momentary silence, you’d assumed he’d gone, and you were horrified to find him so close. He wore the same frown as the day you met him.

How could she bring him here? It took everything in you in that moment not to tear the book to shreds, but you couldn’t break eye contact with the beast staring you down. His eyes scanned over you and you realized then how atrocious you must have looked. Swollen, bloody, unkempt, and dressed in rags. His stare felt punishing and you hated him more for it. Go on, look. Look what you’ve done to me. Boldly you took a deep breath and walked to the window, daring to toss the book through it right beside his face. He looked down at you, face illuminated only by the rising moon. He was so tall that he didn’t have to reach for a view of you, and you wondered for a second if what you’d heard was true. If the hound lurked around the kennels at night, watched over you as you slept.

“Anna dragged me here.” He finally spoke lowly.

“Sorry to inconvenience you-“ “Oh for fucks sake!” He cried out and latched his hands onto the bars and you instinctively took a step back. “I just wanted to check if you were hurt.”

You narrowed your gaze and flared your nostrils in anger. “If?… if I was hurt?” You smirked at the ridiculousness. “I’m lovely. Now leave.”

The hound stepped out of view but you held your breath in anticipation. Outside of the kennel, Anna held her hands up to stop him and he growled out, “Would you fuck off already?! Bloody useless…”

Anna opened her mouth in offense but saw how hurt and confused he was by this interaction. She boldly motioned for him to continue speaking to you and then retreated back on her way to the Red Keep. In the quiet of the evening, you could hear his strong breathing and his feet shuffle in the dirt right outside.

“Who did that to your eye, it’s fresh.” Finally came. You scoffed lightly and muttered, “No shit… It’s none of your concern. I don’t want you here, I don’t know why Anna brought you—She’s an imbecile.” You were still fuming with her.

“Obviously she brought me to protect you.” “Yeah, you’re good at that, aren’t you… My hero.” He growled in response and you heard his heavy steps begin to stomp away, “Fuck you!” “Fuck you!” You shouted, racing up to the wall. As you stood on your tiptoes, you watched him turn on his heel toward you but you weren’t afraid. “You’re the reason I’m in here, don’t you dare for a second forget that!”

“You think that I could?!”

“And yet you rush so nobly to my rescue— You’ve actually convinced Anna somehow that it was all real, that you still care for me—“

He gripped the bars by your hands furiously. “If I could go back and change it I wouldn’t! We would have died before we made it out of the Keep! I’m a big fucker, tough to kill but I’m still a man— One man alright? You want your head on a pike?! They’d make me watch it!!” He shouted in your face and being so close you actually saw tears in his eyes.

Your lip quivered and you bit down hard in attempt to still it. “We would have died together at least..” you couldn’t stop the words from spilling out. “I wouldn’t hate you the way that I do now.”

His eyes widened in surprise and his grip loosened on the bars. His fingers brushed against yours before dropping out of view completely. The tears flowed as freely as the words did now for you.

“I have never had this much hatred in my heart. I hate you! I hate Joffrey and Cersei and Petyr Baelish and my father and that bloody kennel master and I hate myself!” You cried, sinking weakly to your knees. “Cersei was right… I should have died the first day I walked into the Keep… it would have been a mercy on so many.” You buried your face in your hands, reflecting on all the pain you’d caused. You were utterly defeated, your head buzzed with hunger and weariness. “I am sorry, Sandor Clegane, for all the pain I have caused you. But I never want to see you again. Just let me die…” Your voice was so soft you couldn’t be sure he heard it. You were too exhausted to care.

“I failed you.” His voice sounded crippled with emotions, a tremble in his normally strong voice. Your eyes were closed now as you had collapsed against the stone floor. All you could do was breathe and listen. “You were my new dream, the only good one I’ve ever had… I was supposed to protect you.. and I failed.”

You heard a crack of thunder and flinched, curling into a ball. The pitter patter of rain melting into the dirt suddenly surrounded your senses. You wished, in your desperate state, that you had Sandor’s cloak to shield you from the chill now present in the air. “Forgive me.” He finished before he couldn’t bare the sight of you like that anymore. He ran away and locked himself up in his room again.

That night, you dreamt of a house. A simple one like the one you were raised in, with a fire burning in the hearth of its place to keep warm. You were sewing up a blouse and when the fire began to die down, you walked over to your front door and saw Sandor chopping more wood for you. When he turned and saw you, he smiled and flexed his muscular arms. You laughed and beckoned him inside.

As soon as you turned back around, however, the dream was gone. Your eyes squinted against the bright light pouring in from every possible angle and you brought your arm up to provide more coverage. As you regained your senses you realized what had woken you. You gasped and pulled your entire body back when you saw Dahlia licking blood from your thighs. Your mind transported you to that alley, that hound. Not again, please not again. You stood and backed yourself into a corner, cowering in fear. The dog sniffed in your direction once more but walked away—not desperate enough yet. The familiar cramping in your stomach made you want to cry.

Your monthly bleeding was always a bad omen in your eyes. You were thirsty, hungry, bleeding, terrified. And no one would be coming for you, now. You’d made sure of that yourself last night, and now a part of you regretted it. You tried to stay strong throughout the day, but minutes passed like hours as you paced the room and tried to distract yourself. All the shops were closing up, you realized— vendors taking whatever merchandise they couldn’t sell. In the distance you saw young men training with swords and you began to picture poor Charlie sent to war. The tension all around was palpable and almost made it hard to breathe. I have to get out of here.

“Excuse me! Please! Anybody!” You would shout and cry until someone heard you. A little boy, 6 or so, finally scuttled up nervously to you. “Do you know where Petyr Baelish is?” You were ashamed to ask a child to enter a brothel. He shook his head and you wanted to slam yours. “The master of coin?.. Hang on, please don’t go!” You dipped below in desperate search of your papers. You drew a quick sketch of him and dropped it out of the window, relieved to find the boy still there. He nodded, smiling with a sense of pride when he looked up at you again. “Please you have to find him and tell him that the girl with the dogs says yes. You have to get to him as fast as possible okay? If you do I’ll give you a sweetie, alright? I’ve got lots in here but the dogs want them.”

He snickered, sticking his tongue out a bit. “Run along then, okay. Tell him I said yes and I need him alright?” The boy nodded and ran away with the drawing in hand. You closed your eyes and prayed. Please let this be the right thing to do. Old Gods, New Gods, if any of you are listening, please don’t let me die here.

The sun went down along with your energy and you cozied up in your corner, trying to fall asleep to the pacing and howling all around you. You caught yourself wishing Charlie would come, or even Anna. Over time, you’d realized you had no right to be angry with her. She was only doing what was best in her mind— she saw violence and panicked, and somehow felt safer with the hound around. Before all this you would have felt the same, and though you couldn’t quite understand it now, you wouldn’t condemn her for it. As for Charlie, you only hoped he was alright and staying out of trouble. It would be selfish to see him again, and it would be best for everyone if he were to stay far away. You had plenty of time to think that night, as Petyr never came.

With your final piece of paper you began to draw faces from memory and for some reason, the person you started with was the hound. You and your paper man watched the sun come up and felt hopeless. “What are we going to do?” You asked the drawing. You could hardly remember what transpired the other night, what was said. But you remembered his eyes. Sad and desperate and beautiful. You stared into their likeness on the page and sighed. “Monsters don’t know sacrifice…” you recalled the first night you spent together.

Perhaps he continues to serve as a punishment to himself. He’s going to fight and die in this war, and these sad eyes are going to be my final memory of him. If you hated him the way you claimed you did, his tears, his death, would have been a blessing. But you didn’t, not truly.

Dahlia approached you on the floor and began sniffing at the blood surrounding you. You cringed and stood on shaky legs and the dog growled at your movements. You tried to swallow the lump in your throat as the fear sent your heart off to the races again. Just then you heard the main gate open, conversation of two men in the distance. You rushed to the bars, Dahlia snapping at you but remaining behind to lap up the blood on the floor. You stuck your arms through and waved wildly. “Please, please!” You cried out over the aggressive barks. “I’ll do anything just let me out of here!”

Petyr Baelish stepped into view, signature smirk gracing his features. “That’s what I like to hear.”

The kennel master opened the gate at his command and Petyr dropped a sack of coins into his hand. The man glared at you but you ran past him and into Petyr’s arms. He gladly took you in and began guiding you out past the beasts going wild on all sides. “That’s half of what we agreed upon. You’ve damaged her pretty face.” He dropped casually, ignoring the arguing from the man behind him. “Let’s get you home, (Y/n) (L/n).”

~

In the most garish room you’d ever been in, you were scrubbed down, groomed, and fitted in a silk gown with an open back by two beautiful girls. As one of them was applying a cream to your eye, you dared to speak your first words since you’d left that cage.

“Thank you, my lady.”

The woman smirked and let out a throaty chuckle. “Don’t know if I’ve ever been much of a lady. A woman, surely, but a lady?” She scrunched up her nose and shook her head softly, closing the small case. “That should make the bruising go away quicker… Doesn’t make it hurt less though.”

She was about to stand up but you graced her forearm to stop her. “Wait, is it.. Is he.. Is it safe here?” The fear in your voice betrayed you as you stuttered in front of the girl.

She sighed, looking you over and brushing the hair behind one of your ears. “You're in good hands, love. We’ve been expecting you for some time… Petyr’s taken a liking to you so you don’t have to worry for now. He’ll want you to heal before you join the rest of us.”

“Indeed I will.” She stood finally and smiled at the man entering the room. You looked at him through the reflection of the mirror before you and your heart and stomach flipped when you saw that a tray of food was being brought in alongside him. You turned around in your chair but stopped yourself from approaching, instead reserving yourself to stand and bow your head. Petyr raised a hand, “Now now, there’s no need for any of that. Just a short time ago you threatened to rip out my tongue, and now you bow to me?”

Heat flooded your cheeks and your eyes sank a little in shame. Still he continued to approach, and the girls left the two of you alone.

“Never underestimate how quickly circumstances can change…” Finally he was close enough that you could smell the air of cloves that surrounded him, and he used a gentle hand to raise up your chin to meet his eye-line. “Know who your enemies are, (Y/n). Learn how to turn them in your favor, and learn when to dispose of them..”

You couldn’t understand why he was telling you this but you nodded agreeably. “You’re hungry, aren’t you?” His voice was kind now, as kind as it could be any way. Your eyes narrowed in earnest and you nodded again into his hand. He smiled and released you, directing you to the food. Sliced meats, cheeses, vegetables, you shoveled it all greedily in your mouth as Peter poured a chalice of wine beside you. “Slow down, (Y/n). It will all come back up if you force it down, and you wouldn’t want to waste my food, now would you?”

You chewed and swallowed slowly, wiping your mouth and accepting the drink he offered. “Thank you, I— I’m sorry for what I said before.”

“Let’s not lie to each other.” He sat down on the edge of the bed. “When I saw you in that cage finally, I must admit I had doubts about this arrangement. I don’t think I’ve ever seen a creature so pathetic… Yet here you are again. Clean and smooth and,” he offered his hand and you took it, and he paused to sniff your wrist, “fragrant as a rose.. Still, you’re bleeding and skinny and black and blue.. And I’m sure you’re obviously still reeling from the whole ordeal. You see, (Y/n), I am about to have a large influx of customers. War is all about sex and power, after all, and that’s what my establishment stands for. Tonight the King stands bravely among his soldiers, but I’ve witnessed first hand the brutality, the tenacity of the Baratheon bloodline and they may very well breach our wall. The night will be loud and horrid, and no matter what at the end of it the men will come. I am going to keep you from all of that. You needn’t fear their bloody hands on you tonight… but (Y/n), when I finally do ask you to touch and be touched,” he had sat you down in the middle of his speech and now his fingers slid delicately up the line of your spine, sending a chill that made your shoulders tremble. He smiled at your reaction, bringing his face closer and using the hand that never left you to move your hair and lock gently around the base of your neck. He spoke lowly, “you will obey. You belong to me now. Say it.” “I belong to you.” You looked him in the eyes for good measure.

“Good girl… Now please, eat, drink, sleep. I would stay in your room for the rest of the night if I were you. We will see each other in the morning…” He stood and walked to the door. “Dream of all the money you’re going to make, all the freedom you’re going to have.” He said before ironically locking the door behind him. You couldn’t care to think about anything beyond tonight, so his words did little to haunt you. You ate again, barely tasting the flavors before they were down your throat.

~

As Sandor watched the black water erupt in green fire like he’d never seen before, he felt small again. Terribly, helplessly small. Joffrey smiled out looking upon the men burning and drowning, thinking they’d already won. The hound knew, however, it couldn’t be that easy. He was supposed to die here tonight as a penance for all the evil he’d done. He watched a large ship grow nearer and grabbed a drink bag from a servant boy, chugging one final drink down before he descended to where the rest of the so called soldiers huddled and prayed. Perhaps if he defended (Y/n) one final time, died keeping out the people that meant to take this city, she could find the forgiveness in her heart. He heard the commotion of Stannis’ men arriving on the beach and growled, knowing if they found her, they’d kill her when they were done using her. As the door opened and they began their march to defend the city, to defend his princess, he threatened, “Any man dies with a clean sword, I’ll rape his fucking corpse!!”

He cut down many of Stannis’ men easily and was showered in the blood he missed so dearly. Killing was like a drug for him— one he was careful not to get addicted to. Watching someone come near who meant him harm and then cutting them to useless pieces made him feel all powerful, all knowing. It was a high like no other and he chased it, feeling he would die doing what he was born to… Then the fire came for him.

Men charged the beach with torches and his armor suddenly felt paper thin. His body fought back on autopilot, but his mind raced with flashbacks of his own burning flesh— Gregor’s toy burning beside him in the fire of their home because it had never been about the toy. His brother would seize any opportunity to hurt people. Sandor heaved big breaths as he looked around and saw the fighting again. No, not a battle anymore, another failure. Stannis’ men were more bloodthirsty than his own untrained citizens with swords they’d not broken in. He saw the way they hammered at the Mud gate and fled the beach. They’re going to break in, he thought. We’re losing.

He demanded wine from the servant, spitting out the water and looking out as the fire seemingly spread everywhere down below. They’re going to take her.

“Can I get you some iced milk? And a nice bowl of raspberries too?” Came out of the bastards freak uncle.

He drank again. “Eat shit, dwarf.”

“You’re on the wrong side of the wall.”

“I lost half my men!.. The black waters on fire..” he spoke the obvious, still entranced by the horrors he was considering.

Joffrey piped up from his cowardly position, voice shrill like an old woman’s. “Dog, I command you to go back out there and fight!” Sandor decided then and there that he was finished taking orders from a little boy, a little monster. Why couldn’t he have walked away before and save her all this pain. He drank again to numb the pain and shook his head in defiance as he swallowed it down.

“You’re Kingsguard, Clegane. You must beat them back or they’re going to take this city. Your King’s city.”

“Fuck the kings guard.” He spoke what he had held only his mind for so long. “Fuck the city.” The one that knew of the girl in the kennels and did nothing. “Fuck the King.” He stared the boy right in the eyes as he said it, almost daring him to respond. When he didn’t, he turned his back on the Lannisters and went off in search of his bride.

[sakuraharuno156]

I was about to not answer that, but... I'm too stubborn to leave you in the dark about how sh*tty Hinata is and why every woman with a right mind should hate her, and every person who doesn't hate women should hate her as well ❤️

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First of all, did I ever said she is the only sh*t/easy to hate character? No.

But

There are characters that are villains and they are presented as villains to the public, so I (personally, you do you boo ❤️) don't see a point in hating them. You know you shouldn't follow Danzo as a role model - he is a villain.

Hinata is supposed to be a background character but on "the right side".

It's important to show all the flaws and mistakes of "non-villains", because they tend to be rewarded for bad behavior and it shows a bad massage to young people watching/reading it (and Naruto is a Shonen, so it is essentially made for children/teenagers).

Hinata is a stalker who got with a guy she was stalking - she got rewarded FOR A CRIME.

Hinata is a weak woman who always needs saving and needs a man to survive - she got rewarded for never doing a thing. All she can do is what she was given on a silver platter the moment she was born.

Hinata is a girl with no personality, no talent, no ambition, all she has is obsession - she got rewarded for being a pick me girl, who never cared for anything or anyone (besides the guy she likes).

It's easy to see her mistakes as "the right thing to do" because - hey, if you can stalk someone into a relationship, then why not continue to do so? Awfull. 🤷‍♀️

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Now to the "points":

1.) The plot could have progressed without Hinata in Pain arc.

Let me remind you that team Guy was on their way and Guy was able to nearly k*ll jubidara. You think that he couldn't fight Nagato, but Hinata could? Funny.

But why didn't they help? Oh yes, BECAUSE THEY HAD TO SAVE HINATA.

Also, it's not like I made it up that she was a liability, it was stated IN MANGA.

1. First to Hinata DIRECTLY.

2. Then to Guy.

Guy would get in a way, but Hinata could help? Hilarious.

Also, Nagato wanted Naruto alive so Naruto wouldn't die without Hinatas interference - he would be just less broken by the whole encounter.

The only "positive" you can find is the fact that Naruto met Minato, but that also means that Hinata pushed Naruto to such hatred and despair that he GAVE HIMSELF UP, HE BECAME A MONSTER HE TRIED TO NEVER BE. He destroyed the village and was terrified that he killed villagers. He was in such bad mental state that he was hurting on the outside.

Also, "noone gives a f*ck" that she wanted to get her own guard punished (propably k*lled because Hyugas are not lenient in their punishments) for a selfish confession? You ok?

2.) Did I say I want her to heal Shikamaru? No.

I said that she's a bad person for not even CARING that he's dying. Her being jealous for a guy dying is LITERALLY CRAZY.

Everyone is happy that Shikamaru is alive, but "I want to stand beside Naruto too". B*TCH HE WAS DYING. SHOW SOME CONSIDERATION FOR YOUR COMRADE WHO WAS DY*NG FIGHTING THE SAME BATTLE AS YOU WERE.

Geez, that's pathetic and WRONG AF.

3.) Hinata didn't care for her teammates one bit.

Written exams are about teamwork and caring for your teammates? Let Hinata make them all thrown out for Naruto-kun 👉👈.

Her teammate is fighting? Let Hinata care only about Naruto-kun 👉👈.

Her teammate is being carried out by MEDICS? Let Hinata go to Naruto-kun (Who was 100% fine) first and treat her teammate as an afterthought 👉👈.

The fact that in an exam where YOU NEED TO RELY ON YOUR TEAMMATES, Hinata can't be bothered is baffling.

4.) "The whole Hyuga sh*t is not Hinatas problem" because...?

She's not a Hyuga? Or she's not a daughter of the head of Hyuga clan?

If your family is slave owner and you benefit from it, but you don't care to change it - YOU ARE A SLAVE OWNER.

I hope I don't have to explain to you why it makes her A BAD PERSON.

Also, please read the manga, because:

You saying Hiashi "loathes her" is just funny or straight up delusional. Hinata is weak, so Hiashi doesn't care to train her - that's it. That doesn't mean that he wouldn't protect her.

People like to imagine Hiashi as abusive when he cares for Hinata more than Naruto ever did 🤷‍♀️

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So, in conclusion:

Hinata is irrelevant at best and absolutely UNBEARABLE at her worst. She is just a bad person who enjoys making it worse for everyone, because she is selfish af 🤷‍♀️.

Also, don't use the word "r*t*rd*d". It's a slur, and when you grow up - you'll (hopefully) regret it.

To learn more, you can see here:

https://www.specialolympics.org/stories/impact/why-the-r-word-is-the-r-slur

Bye ✨️

"…So you claim Hinata had no consideration for life of anyone other than Naruto... and then use a screenshot from the manga of her literally showing consideration for the wellbeing of someone who isn't Naruto."

Considering how things went after Neji vs Naruto, chances are that things changed in the Hyuuga family for those other than just Neji. Even if not, Hinata risking her life =/= a lack of consideration for anyone's life other than Naruto's, despite consequences. Or are you saying you’ve never done anything without carefully considering every single possible consequence first?

But hey… "Tell me you didn’t read my ask properly without telling me you didn’t read my ask properly".

"Or are you saying you've never done anything without carefully considering every single possible consequence first?"

First of all, sure, everyone did, but not necessarily when the consequences are:

1) you will just get in a way of a battle and be a great inconvenience instead of helping

(of which she was aware of)

2) getting your guard punished/possibly killed

3) you hurting the person you are supposed to "help" (I'm not gonna repeat myself, you can read it here)

4) you dying for no reason

5) if you somehow don't get killed, you becoming a burden to medics who could devote their time to people who did help or got hurt by ricochet of the attack.

Second of all, you are putting it in a way that implies that Hinata did that only once, and you are wrong.

At some point of someone consistently doing the same thing you have to admit they either do that maliciously or that they are plain stupid.

I'm just gonna bring a few examples (that I talked about before over and over, but I'll do that again, especially for you)

Shimamaru: almost died

Hinata: "But I want to stay beside Naruto too"

Does she care? No. Naruto-kun. That's all she cares about.

But maybe that's because they weren't too close, because who cares about a person from your class that is your comrade in war, he's not Naruto-kun.

How about her own teammate BEING CARRIED OUT BY MEDICS?

The oiment Hinata has is more important for Naruto-kun, who is completely fine.

Who cares about Kiba, he is just being taken by medical team, but he can be an afterthought, they are just teammates after all.

How about her family?

Neji, who will be punished for hurting her (because, as you recognize YOURSELF, it's before Naruto vs Neji fight, so the punishment WILL BE THERE), who asked her TIME AND TIME again to just give up. Why will he do that, huh? Maybe because he had known what happened TO HIS FATHER FOR JUST THINKING ABOUT HER IN A BAD WAY.

Anyway, how about making Neji hurt her, then provoking him by RUBBING IT IN HIS FACE THAT HE IS BELLOW HER?

Neji just said (again) that she should give up and stop the suffering, she just casually mentions that he is "lost and suffering" because he's not in the main family.

(And before you say it was nice of her, NEJI AND THEREFORE MANGA showed us he didn't appreciate it, and the guard also saw that Neji was provoked and WAS ABOUT TO CHARGE AT HER FOR THAT COMMENT)

But ok, maybe they weren't close enough of a family, so it was acceptable to provoke him and get him to be punished, because you know...

Naruto-kun is watching, so...

How about closer family? How about her own sister?

(Now, I don't like to quote the movies because I prefer to base my opinion on canon manga only, but you, Hinata Fans, love it, so let's go)

(Credit to whoever made it, I can't find the original)

Hanabi was just kidnapped, but Hinatas mind is occupied, because well... Naruto-kun 🥺

BUT OK, MAYBE, JUST MAYBE, THEY DIDN'T HAVE ENOUGH OF A BOND BETWEEN THEM TO CARE.

Let's look at the person who took care of her for her whole life, her guard, her family, let's look at Ko:

Oh wait, we have already seen it.

It doesn't matter who it is, if it's her comrade, friend, teammate, cousin, sister, guard. If that person is not Naruto-kun, their life or well being is irrelevant to Hinata.

She cares about Naruto, that's it. Nothing else and noone else matters.

Do you understand?

So back to the beginning:

At some point of someone consistently doing the same thing you have to either admit they do that maliciously or that they are plain stupid and when it comes to LIFE OF OTHER PEOPLE I'll say that it either way makes you a bad person 🤷‍♀️

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So, in conclusion:

I did read your ask, I just assumed (and that is my mistake, I apologize) that if you are protecting Hinata, you shoud know first thing about her, but not only you didn't read the manga, you didn't even read the parts that had Hinata in it.

So, please, first read at LEAST chapters that have Hinata in them, before you speak (It's not a lot, she is a background character after all) or I'm not gonna answer to you again, because I'm tired of repeating myself for a 1000th time.