#and she lost some of the pieces

[pumpkingeorge]

[pictureday2005]

DONT REPOST THIS thanks

[tehzeldamaster]

gasp mom and dad are out to kick ass💀

[book-lover85]

Stay at home dad and artist on commission Keefe

[buttercupart]

timeskip Molly concepts - probably when she's around 16-17 ish, maybe even early college? ( I'm not a big fan of the "ooh the bubbly character gets older and is now SUPER SAD" trope so this is more like... Molly is still Molly, she just gets older and faces more hardships/life stressors that come with age, and struggles to maintain the same high level of positivity/resiliency she used to have )

[sallytwo]

Jennifer nearly jumped into the water / and she was tired like no one's ever been tired

[heynhay]

using my credentials as a top .1% mitski listener for two years in a row i have brought you mitski KL classifications

recommendations/strong matches are bolded

Laurel Hell // Be The Cowboy // Puberty 2 // Bury Me At Makeout Creek // Retired from a Sad, New, Career in Business // Lush

Keith

Everyone

Valentine, Texas

Stay Soft

Love Me More

A Pearl

A Horse Named Cold Air

Blue Light

Washing Machine Heart

I Bet on Losing Dogs

Thursday Girl

I Will

I Don't Smoke

First Love/Late Spring

Humpty

I Want You

Strawberry Blond

Wife

Door

Lance

The Only Heartbreaker

There's Nothing Left For You

Working For The Knife

Nobody

Me and My Husband

Lonesome Love

Remember My Name

Fireworks

A Burning Hill

Texas Reznikoff

Townie

Francis Forever

Carry Me Out

Goodbye, My Danish Sweetheart

Brand New City

Abbey

Both/either/interchangeable

Heat Lightning

Geyser

Come Into The Water

Pink in the Night

Two Slow Dancers

Once More to See You

anything not listed has been given careful consideration but would be too much of a reach to apply to them and/or is too personally about experiences of the human condition mitski herself has lived

Im open to healthy debate on any of these but just know i come armed with explanations for all

[abirddogmoment]

An excerpt from training for directed retrieves during my coffee break!

Directed retrieves are a really fun gundog exercise where a dog fetches multiple birds or bumpers in a sequence that you (the handler) ask. They can be marked retrieves (where the dog sees where the bumper fell) or blind retrieves (where the dog doesn't see the fall and you have to guide them with your voice and hands). I'm teaching this mostly as an enrichment activity, but it's an important piece for irl hunting retrievers to ensure birds aren't wasted in the field. I started teaching this exercise by throwing kibble in two different directions while she stood in a heel and then releasing her to them one at a time. This was our first try with directed retrieving of bumpers!

In this video I'm asking Rory to get into heel position (and rewarding that heavily because heel position = best place to be), asking her to stand steady while I throw two bumpers, and then directing her to pick up the first bumper I threw.

The duck bumper (the second one) is her preferred bumper so I chose to throw the paint roller to my left - when I put my hand out to line her up, it sort of blocks her view of the duck bumper so she's more likely to go to the one I want even though she likes the other one better.

Because this was the first time we practiced this exercise with bumpers, I wasn't looking for a perfect retrieve to hand - when I sent her to the duck bumper (not in the video), she dropped it at my feet instead of waiting for me to take it. That's no big deal, we can work towards a tighter retrieve after she gets more confident with the game.

We're going to keep practicing indoors for a while and once she's looking confident (and assuming things don't get too icy) we'll start working outside so we can build distance and speed.

I will also keep practicing lining her up (using my hand to guide her line) so we can start working on send-outs for blind retrieves and commitment to running out in a straight line! I have some ideas on how to use very small pieces of food to start this indoors and then we can move it outdoors in the spring.

She's doing awesome though! I'm really happy with her steadiness and her ability to think through puzzles. It's gonna be a fun winter working on these skills!

[yuseirra]

onk is so annoying~~~~~~~!!!aahh I actually feel like I'm going to get so many things right in the end and I have all the answers, I SERIOUSLY DO, I'm not- I'm not being full of myself or making baseless claims, I just SEE what they are trying to do with the writing, the feelings of the characters at least, some of them are painfully obvious BUT THEY JUST KEEP BEATING AROUND THE BUSH AND KEEP TRYING TO TWIST THINGS AWAY AND MAKE IT SEEM LIKE IT ISN'T. That's what I find so annoying!! It's actually one of the reasons why I took a break from reading the comic after some time when I picked up the work after having viewed S1 last year. I know what they're doing and why the characters are written like this, and how they're like this, I'm pretty positive!!

I was annoyed about Aqua last time because he still had feelings for Kana yet the authors made him entangled with Akane while he DIDN'T abandon his feelings for her, I'm really sorry but he shouldn't have treated Akane like that. It wasn't fair. His feelings towards Kana NEVER once changed. I JUST SAW THAT, the writers make him stray away from that feeling he was for painfully long, they better make the whole reveal fulfilling in the end, I KNEW aqukana was going to be endgame for so long. Aqua SHOULD NOT have treated Akane the way he did if he really wanted to build a genuine relationship with her. The anime S2 seems to leave off at there where he asks her to be a couple, well, I think he did try, but he didn't discard his feelings towards Kana as he did either. I just.. knew, that what happened wasn't what he truly wanted and this guy NEVER confronts his desires, he should have gone up and told the person he liked about his feelings but this comic considers something like this a suspense or a plot point and lets it drag on for dozens of chapters... I came BACK after they confirmed about his feelings because GOD it was so obvious. This whole story would have gone nowhere without him ever having gotten true to his feelings, nothing would have been resolved without it because he'd always have had this lingering feeling for Kana and it's just hanging with it without being acknowledged in the story!!! It's not about what ship I support exactly, it's- I know what characters have feeling for whom!!! and they try to make it seem like it's some big secret because I get it, endgame ships are important but Aqua, as much as I cared for him(he's been making me so angry lately though,) was being a douche to both girls. They both can go kick his butt for toying around with those girl's feelings. and ehh I can see regardless of who his love interest is, ultimately the one person he really cares about more than his own life is Ruby HSHSH.. What is that guy doing. His dad told him to go back and live!! I am mad!!!

and now, I already partly have a good idea about how Hikaru and Ai's relationship issue's going to be resolved but they have to DRAG IT ON AND MAKE ME SO NERVOUS. The authors must really like doing this and think it's very clever but again, this is so tedious and nerve-wrecking to watch as a weekly issue with Hikaru being completely out of it, he's totally gone insane!!! The one guy Ai wanted to confess to being in shambles is both so ridiculous and so tragic to look at!! Look at the total mess he's become, they can't make him be so..;; so ugly like this, it's so rude to his being as a character and I'm sure they aren't going to leave him be like this as Ai's other half(YES THIS GUY!!! IS AI'S OTHER HALF!! HE'S DEVISED TO BE HER MATCH FROM THE CHARACTER DEVELOPMENT STAGE!!)

Come on everyone, I know what I'm doing.

YOU CAN'T MAKE AI SAY WHAT SHE'S SAID TO/ABOUT HER MURDERER!!!! THAT'S 1. SO CRUEL, 2.A DOWNRIGHT DUMB CHOICE AS A WRITER AND IT DOESN'T HAVE A POINT!!

YOU MAKE HER SAY THAT BECAUSE THE GUY DIDN'T DO IT AND IS SOMEONE WHO SHE CAN TRULY LOVE THAT WAY!!! HER NAME MEANS LOVE!!! I just... caught that as soon as this dropped and they lay out all these dumb and confusing ideas later on and make things sooo messy but it's actually, ultimately leading in this direction because DID WE SEE ANY CLEAR PROOF THAT HE WANTED TO HURT AI OR GET BACK AT HER. WE DO NOT BECAUSE HE REALLY DIDN'T DO IT!!! IDK ABT HIM KILLING OTHER PPL THAT'S VAGUE BUT AT LEAST, THIS GUY LOVED AI!!!! WHAT THEY HAVE IS MUTUAL AND HIS FEELINGS FOR HER'S BEEN WHAT'S BEEN MAKING HIM GO ON WHEN HE DOESN'T HAVE ANY WILL TO LIVE AND FEELS PRACTICALLY DEAD AFTER SHE'S GONE!!

THIS GUY WENT INSANE AFTER HE LOST THE ONE SINGLE PERSON WHO MATTERED THE MOST IN HIS LIFE. HE'S NOT HIMSELF!! I just watched how he appeared in the final ep in the anime and I kept going: 'oh this guy. He's totally lost it. He's totally gone mad, the madman. he needs to see a psychiatrist' BECAUSE WHAT'S BEING PRESENTED, IS NOT HIM BEING HIMSELF. I really think.. the guy became possessed or became out of it after he wished to see Ai again. Look, Look at what's happening in the songs. SOMEONE WISHED THE DEAD TO BE BACK. SOMEONE WISHED TO BE ABLE TO BE WITH THEM. THEY WERE WILLING TO DO ANYTHING IF ONLY THAT WERE TO BE POSSIBLE. THEY WISHED UPON "A STAR". There is no one else other than him that would have made that kind of wish.

HE WANTS AI BACK!!!!

Help omygod I'm so tired of the writers just dragging on and spinning things in circles and confusing the readers I JUST GOT THIS OVER AND DONE WITH AS SOON AS THE CHAPTER AND THE SONGS DROPPED AND

If they're doing to make him a villain they never would have had to put in that scene where Ai tells her children she wants her boyfriend to be helped. That totally isn't necessary. They never need to have told us she really loved him and wished to live forever with him. This isn't the type of story where HER efforts would remain a dumb, futile choice, Hikaru's wish may be but AS FOR AI, NO!!!! IT JUST LITERALLY CANNOT HAPPEN!!! THE ENTIRE STORY HAS HER WISH AND LEGACY UNDERLYING IN THE PLOTLINE AS A FLOW, THE STORY DOES NOT FUNCTION WITHOUT IT BECOMING A REALITY!!! RUBY AND AQUA'S WISH AND DRIVES ARE HIGHLY CORRELATED TO THE WISH SHE HAS, AND IT'S NOT ABOUT THEM DETACHING AND STRAYING AWAY FROM IT, IT'S ABOUT THEM ADDING ONTO IT AND STEPPING FORWARD BUT IN THAT SAME DIRECTION! THEY EACH BECAME AN ACTOR AND AN IDOL THE WAY SHE WANTED AND THEY PROGRESSED IN THE ROUTES IN THEIR RESPECTIVE JOURNEYS. THIS STORY CANNOT STAND WITH AI BEING DISREGARDED, SHE'S THE PIVOTAL, KEY PERSON THAT ACTS AS THE BACKBONE!! SO THERE IS NO WAY HER BELOVED IS A SIMPLE CRAZY INSANE MANIAC THE MOMENT SHE TELLS THE READERS SHE ACTUALLY LOVES HIM DEARLY!! SOMETHING'S UP WITH THAT GUY AND HE'S ALSO SOMEONE THAT DESERVES TO BE SAVED!! THAT CHARACTER IS DEVISED TO BE AI'S LOVE. HE IS. AND YOU DON'T MAKE THAT GUY BE A BASELESS SIMPLE FREAK, THAT'S WHY LITERALLY NOTHING'S ACTUALLY BEEN... TOLD TO US ABOUT HIM??? BECAUSE, THE STORY WANTED US TO THINK THAT WAY BUT HE ACTUALLY WASN'T!!!! IT'S RUDE NOT JUST TO HIM BUT AI!! AND I AM SURE THE WRITERS REALLY DO LOVE AND CARE FOR AI. They won't make her look dumb. Not only does it make the character's charm die out, it just totally downplays and degrades the entire series as a whole. Ai is that central. I'm not saying this because I favor her, it's just.. the way she's devised.

it's such a relief this manga's on hiatus till October 24th~ 'v')/ ah.. I can relax.. I can relax. um, probably till this time next week, this comic is oh, it can get super dumb(I'm so sorry aka-san and mengo-san. I don't mean it in a literal sense I'm just TIRED THOUGH). There are so many things I like about it but it stresses me out, I honestly wouldn't be like this if I could not spot anything, but I just SEE these things so clearly and I feel so lonely about it, there is NO WAY it wouldn't go otherwise at least I think so, but it's not my work and the writers aren't me either so I can't be completely sure- it's... painful to wait out and see the characters making dumb choices and making crazy faces, making vague statements that actually result to nothing much and having to wait a week for unanswered questions, every week, I'm not sure if this is supposed be suspense or cliffhangers or what makes the readers want to grab the next episode etc but I've never seen a comic that works so much like a morning kdrama, it's been that way as of lately and it's really wearing me out

oh guys, oh guys don't worry. I never play a game I'd lose. I really need to buy one of those storywriting books- the "how to write" sort of things right. but I; just don't see this going any other way in an ultimate sense. The answers are already out. What I'm unsure is how we'd get there. I could sit back.. and come back after a year like the way I did last time, but I stepped in way too deep and it feels like a sinkhole.. I keep getting afraid if I get anything wrong, oh, I actually feel I can speak.. a little.. when they have breaks like these. otherwise I'd get too nervous to say anything... I can just focus with doing what I enjoy regarding this work without having to worry about just what the heck may come next...

I have like 3-4 ideas I want to draw, I want to get to that before the next chapter drops lol if this comic keeps making me so;; nervous, yeah, I can just rest. I've been pushing so hard~~~~ I'm sure the writers are having so much fun right now and I'm just playing into their hands as a reader because wouldn't it be so nice!! be so fun!! to have people feel things regarding their work! but it's time they start providing us answers now and give this story a good wrap-up. I hope it has like three volumes left at least; I will regret having read this piece if they just drop what that can be perfectly good because, because, I can see this piece getting a really good resolution. They can do it!!! I SEE IT! IT CAN HAPPEN! EVERYTHING CAN MAKE GOOD SENSE AND IT CAN BE GREAT!! AND I think that's what they're going for. I got so many things right about this piece, oh.. I really hope it does go in the way I could be happy I read it.. I got in again because I caught a glimpse of it.

[calpalsworld]

A family 😄

[scribble-dee-vee]

hello! i read your summary for the last of mortal tourists and gasped irl cause its so COOL and TRAGIC

AHH TYSM!!! Yes the premise is lowkey SUPER dark (oops), but I think the tone for the longer version will be more,,, calm?? Introspective??? Than anything else? This project is really about two things: A.) the complexity of gender journeys/identity and B.) the conflict and love between siblings.

Fun fact: this project is inspired by Shakespeare's The Tempest and imagery from Virgil's Aeneid, especially book 4! Also less pretentious things, like aughts movies and my fav SF books.

Here's a lil excerpt I like from the short story version:

“Archer died a long time ago,” Pandora says. Abby taps her chin. “That’s one way to look at things.” “There’s no other way. Dead is dead.” “For organic bodies? Yes. But dreams and stories linger longer.” “You’re a dream?” “I am a tourist.” Abby smiles. “Just like you.”

[diamond-dangeresque]

Transcript from worldstate:

The eldest daughter of Revka Amell's five "cursed children", Damara was sent to Ferelden's Kinloch Hold not long after her magic manifested one night at a family party. Her noble stoicism and ladylike behavior within the Circle earn her the nickname of "Mage Princess" amongst the apprentices, a name which she despises but can't seem to dispel. Despite her successful Harrowing, it's her actions in aiding her friend Jowan and his paramour Lily that lead to Damara taking the offer of Warden Commander Duncan over facing the wrath of the Circle's Knight-Commander. Damara is spurred on by a strong sense of justice and order and refuses to judge others based on status or class, barring strong condemnation towards blood mages; she leads her companions, and later the Grey Wardens as its Warden-Commander, towards an ideal of not only protecting Thedas from the Blights, but possibly beyond that.

Transcript from worldstate:

The eldest son of Leandra Amell and Malcolm Hawke; older brother to twins Bethany and Carver. Trained by his father in magic, he also learns his father's many lessons: kindness towards those who need it, patience for those asking of it, knowing when to apply direct action towards people to whom "diplomacy is lost on", and a critical eye kept on the Chantry. Despite the tragedy that follows him around, Corrin maintains a good sense of humor and a strong bond with the company he keeps. Deep down, underneath the helping hands or the warm smile, is a pained heart from years of repeated failures. Those he saves, he holds onto tightly, fearing that letting go will mean allowing them to perish as well.

[qqqqqqqqqqq0]

i did a thing

[book-lover85]

ok but what if we got a scene of Sophie telling someone she could feel herself cracking

she'd witnessed too much violence

maybe she's had less of a problem attacking people

maybe she's killed someone (Gisela?)

she can feel the cracks in her mind

[andromeda3116]

"how did your visit this weekend with your grandmother [who has advanced dementia] go?"

let me put it this way: when i left the home, i texted my brother and said "you can call her if you want to, but you do not want to see her again" and then got very drunk.

[ruvviks]

having yancey and stevie from my original story the diner thoughts 💭💭💭

from all the characters of the diner i feel like these two are the most like two puzzle pieces instantly clicking together. just in general the story is very focused on starting over far away from the life you used to know and carrying knowledge with you that you'll never speak about for a variety of reasons (and will remain unspoken of throughout the whole story because you'll never know everything there is to know about a person even if you do end up growing very close to them; this is one of the main themes of the story) but especially yancey and stevie understand this like no one else and that's why they work together so well

from the moment they meet and through the first handful of interactions between them it becomes very clear that they're already very comfortable with each other; they skip the small talk, share cigarettes together in their break behind the diner, know that the other went through some heavy shit and they just kind of immediately offer the other their friendship; a judgment-free zone where they can both be their unfiltered and unmasked selves, no need to keep up appearances because they KNOW they both feel like fucking shit and they allow the other to feel like shit with them

but at the same time they know they can't help each other. which is why all their issues remain untalked about until the end of the story; they can't offer the other the comfort they need and deserve because if they'd try, they know they'd start making mistakes. i've thought briefly about letting them have a romantic relationship instead of yancey ending up with rafiq and teddy, but quickly realized it wouldn't add anything else to the story other than the same cycle of mistakes yancey went through with his ex girlfriend which is specifically the situation he's moving away from. so having a redo of all that with stevie wouldn't tell anything new. they'd make each other worse and end up having to get out of there AGAIN, when the whole point of the story is supposed to be that blightwood crossing ends up as their new home because they MADE it into a home

so instead their friendship is both profoundly strong because of the mutual understanding about each other's issues without even having explained anything about it to the other, as well as kind of stuck on becoming closer than they are on account of how they'll never be able to talk about any of it. they won't ever know about each other's past, they'll never learn what the other was like when they were younger, and when either of them needs to talk about something they know they can't go to the other for it because that's just not possible. but what they CAN do is sit with the other and for a while just be miserable in peace, and they know that no matter how bad it gets they WILL always have each other

something something their misery remains forever their own but no matter how ugly it gets the other will still be there at the end of the day