#and she listened to me the whole time like actually listened

[cjlouwho]

This got a little long winded, so it gets its own post. The story you are about to read is based off of this poll. These are your choices.

Tommy was pretty sure he'd never felt a headache like this before. He wasn't prone to migraines, but he'd seen his mother suffer with them and this... well, this might be worse.

He squeezed his eyes shut, groaning as a wave of nausea fell over him.

It wasn't just his head that hurt. It was his whole body.

Damn, he hadn't been this sick in... well, ever.

His body shook with chills. There was a heaviness in his chest that had him turning his head to the side and choking out a hard cough.

Once he finally settled, that heaviness still there, he slowly let out a raspy breath.

Pudding.

He wanted pudding.

That was odd. He used to crave pudding as a child. Every time he got sick, he would request a pudding cup. And that's what he wanted right now.

Maybe he still had one in the fridge. He'd kept a few things there for Jee back when- Well, he had some kid foods that had been sitting in his fridge for a couple months now. Surely, the pudding would still be fine.

If only he could get out of bed.

He made a mental note to order a new mattress. This one had lasted him quite a few years, but he was definitely feeling the lumps today. It was hard and painful and poked into his back.

“God, this sucks,” he breathed out, blinking his bleary eyes open and... oh.

This wasn't right.

He wasn't at home. Wasn't in his bed.

And the heaviness in his chest was actually on his chest.

That's when the memories came flooding back to him. Going for a flight on his day off. Wanting to clear his head and get his thoughts in order.

He couldn't panic. He needed to maintain focus.

That was hard to do when his brain was all jumbled.

He remembered his phone was... somewhere.

Shirt pocket! That was it!

Carefully, and painfully, he reached up and pulled out the phone.

Miraculously, it was still in one piece. Besides a few cracks to the screen, it seemed to be working fine.

He stared at the screen. The default background that was once a picture of him and Evan.

It hurt to breathe. Hurt to think. He knew he probably didn't have that much time. Not with the way this heavy piece of metal pressed against his body.

So, with fuzzy eyes, Tommy went to his contacts, hovering his finger over the name before pressing down.

“Hello?”

“H- Hey. Long time, n- no talk.”

“Tommy? What's up? Are you okay?”

Tommy huffed out a laugh. “I... Well, that's a loaded question.”

“You sound weird. What's wrong?”

“I wanted to a- apologize to you.” With a grimace, he swallowed down what was definitely blood.

“For what?”

“For everything.”

There was a pause, then, “Did you do something stupid?”

“Not intentionally,” he deadpanned. “Listen, I- I kinda got into an accident and I...” his voice trailed off as he went into a coughing fit. The movement sent a pain shooting from his leg to his back. “Damn it!” he yelled.

“Tommy! Tommy, talk to me. What do you mean you got in an accident?”

“No, it- it doesn't matter. I just wanted t- to apologize for the way I left you.”

“You apologized for that years ago, Tommy. Tell me what happened so I-”

“Abby!” he exclaimed, the hunk of metal over him creaked as it lowered slightly. “I don't... I just need to apologize. I- you loved me, didn't you?”

“Yeah, I did. Car crash, or were you flying?”

“F- Flying. I loved you too. Not... Not the same though. Sorry.”

He could hear her mumbling something to someone else, then she was back on the line. “I'm calling 911 with Sam's phone. Stay on the line with me, Tommy. Are you in LA?”

“Mhm. Do- Don't think I made it far. Abby, listen, I didn't... I didn't mean to hurt you. I was so s- scared of- of everything.”

“Do you see anything around you? Any indicators for where you are? They're working on pinging your phone.”

When Tommy turned his head to the side, all he could see was trees. “Woods. I think. Can't see much. I was dating th- this guy.”

“Can you tell me where you're hurt? Are you bleeding anywhere?”

“Oh, for sure. But A- Abby, I didn't m- mean to hurt you.”

“Focus, please. Where are you bleeding?”

“Head. Leg. Mouth. Kinda e- everywhere. I was dating th- this guy,” Tommy sucked in a shaky breath, a rattling in his lungs. “Your guy, actually. O- Our guy?”

“Tommy, I think you're getting confused. I-”

“No, no. Evan. Buckley, Ev- Buck. Him.”

There was silence on the other end of the line.

“Hello?”

“No, I'm here. I- You're dating Buck?”

“Was dating Buck. I- I ended it. I'm c- cold.”

“Help is on the way, Tommy, just stay with me. You broke up with Buck. Why?”

“Remember wh- when we went to karaoke nights? Th- That was fun, wasn't it?”

Abby sighed. “It was, but that's not what we're talking about.”

“Wh- What was the song we us- used to sing?”

“You were a big Queen fan. I Want to Break Free. Shoulda known,” she mumbled.

Tommy laughed, but it quickly turned into a coughing fit, where blood bubbled up in his mouth.

“Tommy! Tommy, stay calm, okay. Turn your head a little so you don't choke.”

Tommy listened, spitting out the blood before he continued. “We should karaoke again.”

“I don't think that's gonna happen. Tell me about Buck.”

“Evan.” Tears filled in Tommy's eyes and he tried his hardest to blink them away. “We were t- together six months and it all f- fell apart.”

“Why?”

“He wanted... wanted me to move in. Can you b- believe that?”

“Yeah, actually, I can,” she answered. “Buck likes to attach and you're, well, attachable.”

“No. No, I'm not.”

“You haven't changed much, Tommy. You didn't seem to think you were worthy when we were together either.”

Tommy's eyebrows furrowed. Down his back he could feel the sensation of more blood dripping from his neck. “What d- do you mean?”

“The whole time we were together it felt like you were waiting for a bomb to drop.”

“That probably had to do with the whole being gay thing.”

“Mm,” she hummed. “Maybe. Don't think so though. Hang on a second.”

He looked up at the hunk of metal trapping him in place. “Nowhere to go.”

Tommy closed his eyes while he waited. He wasn't sure how much time passed, but the next thing he remembered, Abby was yelling in his ear. “-mmy! Tommy, talk to me!”

“Wha- I'm here, I'm here. God, you're l- loud.”

“And you're an ass. If I was there I'd smack you on the back of the head.”

“That would hurt,” he replied. “With the gaping wound an- and all the blood.”

“Back to Buck. Why'd you say no to moving in?”

“I own a home.”

“And?”

Tommy thought for a moment. “I- I wasn't enough for you, Abby. Couldn't be.”

“Mhm.”

“I hurt you. Didn't m- mean to, but I did. I saw- I saw it in your eyes, when I left, I... You loved me, and I couldn't... I'm sorry.”

“Is that why you left?” Abby asked. “You were afraid Buck would do the same thing to you?”

“I really...” he couldn't stop the tears now. His chest heaved in the little space it had left. “I really loved him, Abby, and I- I saw what I did to you and I couldn't. I just co- co- couldn't-”

“Okay, okay, Tommy, I need you to stay calm, okay? Listen, the dispatcher is telling me that the 118 is close to you. So you stay calm and you talk to me!”

“O- Okay.” He tried to calm his breathing the best he could, but the rattle persisted. He knew that didn't mean anything good. Each breath got a little harder, the blood continued to flow down his neck, and he was pretty sure something was sticking through his leg.

“Did you tell him how you felt?”

“He didn't... He never said it. That he loved me.”

“Did you?”

“No.”

“Maybe he was waiting on you. Did you think of that?”

“I think...” He just wanted to close his eyes. Nothing made sense, the cold feeling was fading, he was going numb. “I think I- I'm dying, Abby.”

“No! Listen to me, Tommy! They're close to you! I need you to make a noise. Let them know where you are. You hear me?! Call for help, Tommy.”

“Abb-”

“Call for help!”

Tommy groaned, more blood coming up in his throat. He managed to move one arm just enough for his hand to knock on the door of the chopper. “H- Here!” he yelled, banging on the door as hard as he could manage. “I- I'm here!”

Abby listened over the phone as the 118 arrived on scene. She could only make out bits and pieces.

“Tommy, can.... me? Talk to... There ya go! We got a...”

“What about the...”

“Hey. Hey, we're here, Tommy. Just focus on... and we'll get ya out, okay?”

“He's losing too... gotta get that off now!”

“Tommy, you look at me! We will... you just gotta promise me you'll... Promise?”

She waited, holding her breath until she heard his voice, just a touch above a whisper. “Promise.”

Things got quieter for a bit, then she heard voices again, so she yelled, “Hey! Hey, pick up the phone! Someone pick it up!”

“H- Hello?”

“Buck, is that you?”

“Yeah, Abby, it- it's me,” he answered, his voice practically shaking. “Maddie said y- you were on the line with him.”

“Is he...?”

“He's alive. We're following the ambulance to the hospital.”

“How bad?”

She could hear Buck sniffling through the line. “I don't know how he's alive, Abby,” he admitted, lip trembling. “It looks like this thing has been through a compactor.”

“And Tommy?”

"Has a gash on the back of the head, concussion, broken ribs, a pretty big piece of glass through his leg, definitely some internal bleeding. He... Chim says he should make it, but we- we barely got here in time. He might've... if he wasn't talking to you he probably...” He couldn't even bring himself to say the words.

“Hey, don't think about that now. He's gonna be fine. That's what matters.”

“Yeah.” Buck ran a hand over his eyes as he nodded. “Yeah, you're right.”

“I'll let you go, Buck, but let me know when he's stable, okay?”

“Yeah, I will. Thanks, Abby.”

“Of course. Oh, and Buck!” she quickly added before he could hangup.

“Yeah?”

“I know the guy pretty well. He loves you. He's just not great at being loved.”

“A- Abby-”

“Don't give up on him. He's worth it.” Before Buck could get in another word, she hung up.

*****

The next time Tommy opened his eyes, he was in a hospital bed.

Evan was beside him, staring down at an empty cup in his hands. Tommy figured he must've sensed the staring, because soon enough Buck was meeting his eyes. “You're awake,” he said, eyebrows rising.

“I-” Tommy cleared his throat. “I think so, yeah.”

“There's been a couple wake ups that didn't quite stick,” Buck explained, standing to grab cup of water. He put the straw to Tommy's mouth and had him take a sip. “Slowly,” he instructed. “Don't want you choking.”

Tommy took a few sips, then settled back in the bed. “How long was I out for?”

“Almost four days.”

Tommy's eyes widened. “You.. You haven't been here the whole time?” he asked. “Have you?”

Buck nodded. “Three nurses have tried to drag me out of here. All have failed.”

Tommy hoped the monitor didn't show how fast his heart felt like it was beating. “Wh- Why? Why'd you stay?”

Buck smiled, wrapping his shaky hand around Tommy's. “A mutual friend of ours told me you were worth it,” he said, his eyes glistening with tears. “I just so happen to agree.”

[bardicindignation]

okay okay okay so bear with me here, and keep in mind that a. I haven't watched the bad batch or anything Star Wars has put out since the Mandalorian season 2 and b. It's been a minute since I've listened to WTNV and I've only listened up to ep 146.

So! here we go!

I stand by my casting for Padme, Anakin, and Qui-Gon, but I actually think that Obi-Wan isn't the Steve Carlsberg of this AU-he's the Man in the Tan Jacket. I've read at least one WTNV fic where the Man in the Tan jacket is Cecil's brother that he has no memory of and I know this god jossed by later canon but I really liked the theory! But in this, he's not Padme's "brother" he's Anakin's, and Anakin is the one who has some kind of (Palpatine fuckery induced) memory issues. (more on this later)

I spent some time debating with myself over who would be the Tamika Flynn equivalent, was kinda waffling between Sabine and Ahsoka but then! It occured to me that, hey, Ahsoka's kind of close to Padme in canon, and she did the whole like wandering journey thing...So Ahsoka gets to be Dana Cardinal! (without the becoming the mayor part. I don't think that would suit Ahsoka tbh.) So, Sabine is our preteen explosive revolutionary, joined by Ezra. For no reason other than vibes, Dooku is definitely The Woman From Italy Serenno. (...Or maybe that's Mother Talzin and she's the Woman From Dathomir idk). Hmmm...alternatively, Dooku is Marcus Vanston and the Erika's are Force Ghosts. Yeah, Mother Talzin can be the Woman from Dathomir

The Faceless Old Woman Who Secretly Lives In Your Home was kinda tricky, and frankly I feel like the Star Wars character who most matches in terms of Gremlin Vibes is Yoda, so we've got the Little Green Troll Who Secretly Lives In Your Home. (Look. It would be so funny to put Yoda in a mayoral race.)

Cut Lawquane, you know, the farmer.

As for Steve Carslberg, the honor goes to Sola Naberrie, towards whom Padme has an animosity two parts concealment of Sola's relationship to Padme Amidala (an open secret) and one part sibling aggravation.

I was super close to having Maul be Lauren (evil, talks too much) but then I thought it would be more fun if he, Savage, and Feral all make up a literally three-headed dragon.

As far as Clones go, I think that they were secretly created by SepCorp (Seperatist/Strex Corp). The Coruscant Guard is the Sherrif's secret police, Rex and the 501st are planted with the scientists, etc. SepCorp thought that it would be much harder to have this infiltration, but the town immediately accepted clones existing as Normal (I mean, look, they all know that Amidala is like at least 4 people)(with some exceptions).

The whole chips thing doesn't come into play until the SepCorp takeover, and are pretty quickly jail broken by Sabine & co with help from Anakin, and (virtually, Ahsoka.) Echo is Fey/The WZZZ numbers station (or the ARC station) and also helps free the rest of the clones from the mind control.

Now, as for Obi-Wan/Man in the Tan Jacket, Anakin, and what the fuck is Palpatine doing, anyway?

Anakin caught the attention of Palpatine (aka the secret CEO of SepCorp) shortly after he began attending college. Palpatine proceeded to spend Anakin's undergrad grooming him to be his right hand in Strex Corp. (Maybe he was posing as a professor or smth). This plan got messed up when, upon starting his graduate program, Anakin ended up roommates with Obi-Wan Kenobi (who had recently left Nighvale after his worst fight with Qui-Gon yet.) Obi-Wan (unfortunately for Palpatine) forms a fast and strong (if sometimes contentious) bond with Anakin, which results in Anakin changing his focus for his graduate degree to something less what Palpatine wants and more what Anakin is interested in.

Palpatine is Not Amused. When it becomes clear that Anakin is no longer interested in filling the job that Palpatine has so generously created or him in Strexcorp he decides that something Must Be Done. He enacts some kind of curse or smth on Obi-Wan, removing all memories anyone has of him, and making it very nearly impossible to form new ones, beyond that he's a Man in the Tan Jacket.

Infuriatingly, this does not immediately result in Anakin running into the loving arms of SepCorp, but Palpatine is able to pull some strings and get him into the research team destined for...oooh! Starvale, of course the town is Starvale!

But back to Padme! I feel like this is a great vehicle for Padme to be every bit as insane abt Anakin as he is about her bc...let's be real. She absolutely is; just because she seems to be more chill by comparison doesn't make this actually true. Padme is not the Normal One. There is no Normal One.

Also, given the handmaidens, this has interesting implications for the double incident, huh? Like, do Padme and the handmaidens take the doubles arriving in stride, or do they feel at a deep, instinctive level that these are Not The Same Thing? Does the eldritch station management actually know the difference between Padme!Amidala or, say, Sabe!Amidala?

Now, I think that Palpatine is also Leonard Burton, and was Padme's radio mentor. With all the concerning implications involved etc. He somehow still doesn't really get how Starvale works. (Maybe a faliure to keep Padme under his thumb prompted him to search outside Starvale and ultimately find Anakin). Dex runs the Moonlite All-Nite Diner.

Not sure who the Apache Tracker would be...unless he's Quinlan Vos deep undercover (Obi-Wan, possibly the only person who knows that it's him, will never let him live this down) and fakes his death. idk tho, this one's tricky.

Mace Windu is the mayor. This man deals with So Much Shit in canon, he deserves the chance to be a little unhinged, and to have mayoral powers, as a treat. Plus, he's canonically a theater performer. He could do the drama, he Has The Range.

And uhhh, yeah! that's what I've got!

(there's another version of this set in the GFFA where a Supposed To Be Dead Padme is doing like, a rebel broadcast, Obi-Wan is Old Woman Josie, and Anakin/Vader is both Carlos and Steve Carlsberg. "And Vader came around to kill a bunch of people with his stupid, perfect, shiny helmet, and his sexystupid murderwalk. He's the worst person to ever exist and I defintiely, definitely, hate him. It's just and only hatred.")(And yes, this is partially inspired by hometown blues)

Natalie Portman wearing a Panasonic FM Stereo Headset RF-60 from the 1970s 

[cherrysurf]

winning you back pt.2

-where haikyu boys try to win back you their ex gf

-this is lwk depressing but maybe it’s bc of the music im listening to rn LMAO

contains; atsumu, tsukishima, kita, sakusa, oikawa, iwaizumi

pt.1 of winning you back here!

atsumu; He still very much has all your pictures on his feed that he never deleted and never will you had to go minimal contact with him because he kept texting you every other day to try to get back together, he still loves you and thinks your gonna be his wife and that this is just a rough patch, so when you post that you’re going to be volunteering at osamu’s restaurant for a charity that osamu is doing for young kids to get into volleyball he takes it upon himself to cancel his practice for that day and go and join you two and begged and forced osamu to make you too work together so he can talk to you, and those dam miya’s being so good and weaseling there way back into life’s, it worked. You two are now talking again. You told him that you wanted to take this slow, but atsumu later that week posted a soft launch of you two at dinner.

tsukishima; tsukishima acts like he’s so nonchalant but no one’s seen him cry over how bad it’s killing him that you can fully ignore him when he’s usually the one doing that. He hates how bad he fucked up so he decided to make a plan to win you back, what does that mean he had to do? work at the same cat cafe as you, at first you weren’t on the same shifts and maybe hanging out with cats was a plus but getting crushed on by other girls wasn’t. Anyways as soon and he saw you two were on the same shift he couldn’t be more happy, it was a slow shift so he used this time to catch up and be very soft and respectful he saw you weren’t fighting back so he was thinking that was a step forward, until later on when a girl came by to order a drink and was clearly flirting with him so tsukishima ignored her, as she said “can i get your number?” you turned to see what he would do all he said was “no i have a girlfriend she’s right there actually, i don’t what gave you the confidence to think you could ask me” he said laughing which left the girl embarrassed and you flustered.

kita; Kita is forever my yearning man. He writes letters for you and sends them, you kept them all because you still didn’t get over him. He thought it was the right choice to let you go but he couldn’t have been more wrong, and I fear kita is the type to have a romantic scene like the movies. So what? anyways he comes by your hour IN THE POURING RAIN. to apologize “i’m sorry im selfish for breaking up with you yn, i just clean up well i forget myself” OOOO YOU END UP SOBBING BC WHO WOULDN'T?! anyways safe to say you kissed in the rain and he won you back

sakusa; stubborn ass ho. He was shocked when you broke things off even more when you actually stood on business, sakusa was one to keep his composure and not crashout but he couldn’t understand why he was so affected by the breakup it’s like his whole life flipped upside down. He even stopped keeping up with himself for a bit which was totally out of the norm. So when you saw him at your apartment in the lates of the night messy hair, wrinkles in his clothes looking dead you knew something was wrong, he almost felt like he could breathe again once you embraced him, disgusting and all and he didn’t let go since and tried to change for the better

oikawa; He acted happy at first like it didn’t matter because he thought you needed him more than he needed you. Oh how wrong he was, the fan girls didn’t support him the way you did, didn’t cheer for him the way you did, no one could cook as good as you, no one could get him out his depression like you could, so one night around 4am he gave you a call wanting to quit volleyball because he felt like he couldn’t do anymore without you there, which broke your heart because you saw how bad he was struggling without you there and that’s when he finally admits “I needed you more than you needed me. Come back yn, i’m sorry” and you did because you needed him just as much as he needed you.

iwaizumi; it was mutual breakup but not really he just did whatever he could to make you happy he hated fighting with you, he never deleted your pictures, he still kept all your stuff that you didn’t take at his house, he was still loyal even if you weren’t together, He blamed himself for not fighting back. he became very very career oriented that’s when he saw you at a job interview, you had just finished interviewing for the place he works at as a sports medical assistant. you weren’t aware he was working there so he stopped you and asked to get lunch since you were leaving and he was on his lunch break. That's where he apologized for not doing more and still thought about you and asked for a redo and would do anything for a second chance, and you agreed because you felt the same.

tags; @solarvrse (for the atsumu one) @sahrii (for the iwaizumi one)

[wordsmeetwbb]

The Chains Stay ON

Word count: 3.1k

Content: smut

Pairing: Pazzi

Notes: This is my first attempt at writing smut and tbh I think it turned out really good but like. It's also pure filth that I wrote at 2am and edited this morning so consider this your warning. As always, let me know what you think!

________

Azzi couldn’t stop staring at Paige. She knew she was being obvious, she knew people online would clip this entire event and dissect every interaction, but she couldn’t help herself. Paige looked fucking incredible.

The team had gone to a Connecticut Sun game tonight, and Azzi truly felt bad about her lack of attention to the actual game thus far. Somehow, she had gotten through the whole bus ride to the arena without interacting with Paige, but that ended quickly as the team took their seats, with Paige plopping down in the seat right next to Azzi.

Azzi’s eyes had a mind of their own, roaming over Paige’s face, down to her arms, her chest, and always dragging back to her neck where two silver chains rested. Azzi swallowed thickly.

“Hello? Az, are you even listening to me?” Paige snapped her fingers in front of Azzi’s face. She blinked, startled out of her visual perusal of Paige’s body.

“Uh, yeah? No. What?” Paige snorted.

“You’re so not locked in right now. If you were looking at me I would be like, fine, whatever, but you’re not! Pay attention to me!” Paige complained. Azzi swatted her arm.

“Oh, hush. I pay you plenty of attention. If you really loved me, you’d give me a break and go whine to somebody else for once.” Lies. Azzi was lying through her teeth. She didn’t want Paige to go anywhere. She wanted the blonde to stay in the seat right next to her so Azzi could continue to stare at how those silver chains rested against her throat, draping down to sit between her collarbones. She blinked again, trying to pull herself out of the Paige-induced haze so she could actually listen to her girlfriend.

“Hey, what’s up with you? You’re not listening to me,” Paige whined again. Correct. Azzi hadn’t even realized Paige was still talking. She was too busy looking at her to practice active listening. Azzi blushed. Paige’s eyebrows raised.

“You gonna tell me, or do I have to pry it out of you?” Azzi sighed dramatically, slumping back into her seat. Against her will, her eyes wandered right back to Paige’s neck. She wanted to kiss her way down the skin there hard enough to leave bruises where the chains rested. The brunette crossed her legs, too aware of the warmth between them.

Paige looked down at herself, trying to follow Azzi’s line of sight. Azzi sighed loudly again, blushing a deep, embarrassing shade of pink. Paige was so adorable when she was confused, but she needed her to understand faster so she didn’t have to explain what had her so hot and bothered.

“Paige,” Azzi said firmly.

“What? Baby, I don’t know what you’re looking at. I just know you’re blushing real pretty right now and I want to know why.” Azzi couldn’t stand it anymore. She looked Paige right in the eyes, fisting her hands in her lap so they wouldn’t get any ideas and reach up to touch the chains that were taunting her so badly. She took a deep breath, taking a little glance around to make sure none of their teammates were listening too closely to what they were talking about.

“You look… really hot with those chains on,” Azzi mumbled, face flushing an even darker shade of red.

“Baby, what? It’s loud as hell in here, I didn’t get any of that.” Azzi wanted a sinkhole to open up under Mohegan Sun and swallow them all so she didn’t have to repeat that sentence. Lord knows Paige’s ego didn’t need to hear it twice. She wished she could just whisper it into Paige’s ear, but the chance of somebody in the crowd recording it was too high. She groaned and leaned only slightly closer to Paige.

“You look hot with those chains on,” she said, with more volume in her voice this time. She wasn’t letting there be any chance of Paige making her say it a third time.

A hint of surprise fluttered over Paige’s face, but it was quickly replaced with that all-too-familiar smirk. Azzi would never tell Paige, but it made her squeeze her legs together just a little bit tighter.

“You like them, baby?” Paige murmured, voice somehow loud enough for Azzi to hear her over the noise of the arena. It made her think that Paige definitely heard her the first time and just wanted to make her suffer. Azzi gave up and let her head fall into her hands dramatically. Paige poked her shoulder, waiting for confirmation. Azzi knew that being in public was saving her from having to reply for real. She nodded into her hands.

“Hey, come back up here. I love it when you blush like that for me. So pretty, baby.” Azzi was going to die in Mohegan Sun at the ripe age of 21. She took a deep breath, praying that she had composed herself enough for the whole world not to know just how turned on she was right now. She straightened back up, trying to pretend like she was paying any kind of attention to the basketball game.

“There you go, good girl.” Azzi whacked Paige on the knee.

“Stop it. Stop or I’m gonna do something inappropriate in a very public place with lots of cameras, and then we won’t be private or a secret,” Azzi hissed. Paige just laughed. The audacity of this girl to look the way she did, get Azzi all turned on, tease her in public, and then laugh? She scowled at Paige. Paige shut up.

“Az, wait, I’m sorry for laughing. You’re sitting here all turned on, staring at me, and I’m being an ass.” This is genuinely one of the worst apologies Azzi has ever heard. The lack of amusement on her face must be as obvious as it feels because Paige starts backtracking.

“Azzi, baby, look at me. Please.” Azzi doesn’t have it in herself to disobey. And who is she to pass up a chance to look at Paige right now? God, she looks sinfully good.

“I shouldn’t have laughed at you. That’s my bad. I’m gonna make it up to you, I swear,” Paige promises, looking very sincere. Azzi raises her eyebrows skeptically.

“How are you gonna do that?” She questions. A grin spreads across Paige’s face.

“You said you like the chains, right? Got you all wet and needy?” Azzi wants to protest, but Paige isn’t wrong. “I see you with your legs crossed, ma, you’re not subtle.”

“I’m not seeing how this is you making anything up to me-” Azzi starts, but Paige interrupts her.

“You want me to fuck you with the chains on, baby?” Fuck. Just the words have Azzi absolutely dripping. She almost lets a whimper slip out, but clamps her mouth shut at the last minute.

“Yes,” she whispers. Paige looks entirely too satisfied with the way this conversation has turned out. Infuriatingly, it just turns Azzi on more. Damn this woman.

“Didn’t know the NIL money would come with this benefit,” Paige muses. Azzi is in her own personal hell.

“I need you to shut up. Immediately. Yesterday,” Azzi demands. Paige snorts.

“Yes, ma’am.”

________

Azzi doesn’t know what Paige told Jana and Allie or where the two girls went upon the team’s return to campus. Frankly, she doesn’t care. All she cares about is that Paige’s bedroom door is locked swiftly and the apartment beyond it is empty.

Paige is on Azzi as soon as the door is closed, shoving her up against the wood and trailing kisses from her mouth to her jaw to her neck. Actually, it’s more like Paige licking her way down Azzi’s skin. Either way, it feels incredible.

“Please, please,” she mumbles. She’s already begging, although she’s not entirely sure what for.

“Shh ma, just hold on. I’m gonna get you right, don’t you even worry,” Paige reassures Azzi against her skin. Something about it reminds Azzi of her thoughts from earlier. She lifts her head away from the door, trailing her eyes down to where Paige is mouthing at her collarbones, just above the neckline of her tank top. In a feat of pure willpower, Azzi flips their positions so Paige is the one pressed against the door. Paige gasps and immediately starts to protest. “Just shut the hell up,” Azzi demands as she begins to place wet kisses across Paige’s jaw. Her skin is warm and Paige smells so good, as she always does. Azzi’s mouth reaches the hinge of Paige’s jaw and she nips at the skin softly, not hard enough to bruise. Paige groans.

“God, baby, feels so good. Mark me the fuck up.” Azzi pushes her surprise away in favor of getting back to work. Who would she be to pass up a rare opportunity to claim her girlfriend? She bites a little harder at the spot from before, then licks over it with her tongue when Paige moans. Encouraged, Azzi makes her way down Paige’s neck, sucking in some places and biting in others, until Paige’s neck is riddled with red and purple splotches and covered in Azzi’s saliva.

Azzi finally pulls back to look at her handiwork, incredibly satisfied with herself. Paige looks desperate. Her neck glistened from Azzi’s mouth, her pupils were blown so wide her blue irises were barely visible, and she had tugged her hair free from the bun it had been in. She’s panting, staring at Azzi with unrestrained want. Azzi lets her focus go back to Paige’s neck. The silver chains glistening there really do look pretty against the newly mottled skin. She swallows, letting her hand drift up to play with the metal, warmed by Paige’s body.

Paige seems to have finally had enough teasing, because the next thing Azzi knows, she’s on her back in the middle of Paige’s bed.

“Off, off, I want these off,” Paige is saying, hands pulling at Azzi’s clothes. It’s not like she was wearing much of anything to begin with, just a tank top and a pair of too-short denim shorts, but within seconds the fabric is gone from her body, leaving her only in a pair of lace panties. The cool air makes Azzi shiver, nipples perking up from the chill.

Paige’s focus zeroes in on her tits, tongue immediately coming to lick over one nipple, hand squeezing the other gently, then pinching the nipple. Azzi gasps. It feels incredible, but this is not what she’s been thinking about all day. She tugs Paige back up to eye level, bringing their lips back together. Paige’s tongue is immediately against Azzi’s, but Azzi is mumbling demands.

“You gotta get naked too,” she whines, voice far more breathy than she wants it to be, but if Paige didn’t already know how needy she was, Azzi had bigger issues than what she sounded like. Paige’s clothes were off in seconds, leaving her in boxers and her sports bra. And those irresistible chains, of course. Still more clothes than Azzi in just her panties, but definitely an improvement.

Paige’s hand came down to Azzi’s stomach, fingers brushing over her abs teasingly on their way down to where Azzi was aching for her.

“Paige, please,” she pleaded.

“Please, what, baby? Gotta tell me what you want.” Azzi was going to cry if Paige didn’t touch her in the next five seconds. It’s that desperation that makes her give in immediately. She doesn’t have the willpower to resist Paige today.

“Touch me, please baby. Need your fingers on me, please, please, need it so bad-” Azzi cuts herself off with a moan when Paige presses her fingers over Azzi’s clothed clit. Her eyes roll back, but fly back open when she feels cold metal bump against her chin. “Fuck. Oh, fuck.” It seems to be the only word she can remember as Paige’s chains dangle in her face.

“There you go, baby. Is that better?” It’s not, really. Paige isn’t moving her fingers, and she’s still not really touching Azzi. Just that teasing presence over the fabric of her panties. Azzi bucks her hips against Paige’s hand in an effort to get what she wants.

“Is this not enough, baby? I’m touching you. What do you want?” Azzi is going to scream if Paige keeps this cocky attitude up and doesn’t fuck her like she needs. She almost gets sassy with her response until Paige moves her fingers against her clit, rubbing slow little circles over the fabric. Azzi groans, so hopelessly soaked through her underwear that the lace is practically see-through.

“Fuck. Please, Paige, please just fuck me. I need your fingers inside, please. Gotta feel it, need it, please.” She sounds pathetic, she knows. Paige doesn’t usually make her beg like this, but god, being forced to say exactly what she wants is doing sinful things to Azzi.

“I got you, good girl, so good begging for me,” Paige praises. Azzi’s head flops back onto the pillow and she immediately misses the light presence of the chains in her face. It’s quickly forgotten as Paige pulls Azzi’s panties off, throwing them somewhere to the side of the bed in favor of quickly slipping one finger into Azzi’s pussy.

“Fuck, baby, so wet for me. You feel that?” Paige already sounds like she’s going crazy, her voice hoarse and low. Azzi can barely focus on the words the blonde is saying. She’s too busy squirming closer to Paige’s hand, trying to get that singular finger deeper inside of her. She needs more and Paige is too busy talking to give it to her.

“Shh, honey, just relax. I gotchu, you know that,” Paige soothes, leaning down to press soft kisses to Azzi’s lips. The action drags the chains against Azzi’s face in the most delightful way. It almost makes Azzi miss the way Paige’s finger starts to move inside her, dragging out and then pushing right back in slowly. She moans desperately, still wiggling against Paige. She needs her deeper, faster, more fingers, anything.

“More, please, Paige, I can take another,” she begs. Paige finally obliges her, sliding another finger in alongside the first and continuing to fuck in and out of Azzi’s pussy. Azzi moans. One of her hands drifts up, tangling in the hair at the nape of Paige’s neck. Then it drifts down, sliding over the fresh hickeys on her throat that are getting darker by the minute. Her hand finally comes to rest on the silver chains, fingers wrapping around the strands of metal just for something to hold onto. Her eyes won’t leave the way they gleam against Paige’s skin, swinging back and forth as Paige’s arm moves.

Between her legs, Azzi can feel her wetness dripping onto the bed. She knows Paige’s hand is probably drenched, and that mental image only makes her wetter.

“There you go, baby. Doin’ so good for me, taking me so well. Fuck, look at you. Fucking soaked, Az. Can you hear that?” Paige takes a break from her fuck-drunk rambling so Azzi can hear the sound her body makes when Paige’s fingers slide in and out. It even sounds like she’s drenched. Azzi throws her head back on the pillow again, pulling Paige’s chains right along with her. Paige follows her down, licking a stripe up Azzi’s neck while she’s there.

“Gettin’ close, ma?” Azzi nods desperately, feeling her stomach get tighter with every stroke of Paige’s fingers into her sopping wet center. “Fuck, yeah, I know you are. Squeezing me so tight, baby. Just sucking me up. Need me that bad, right baby?” Paige’s thumb drags circles around Azzi’s clit. She lets out a high whine. Paige has yapped for every minute of her life, she’s sure, but the absolute filth she’s saying right now has Azzi teetering right on the edge of her climax, biting her lip, and her stomach tenses.

“Let go, Az. Just relax and let yourself cum. All over me, baby, come on. Want it dripping down my hand. Please, I know you’re almost there.” Paige’s words, begging her to come, combined with the feeling of her damned silver chains dragging against Azzi’s throat now that she’s released her grip on them, send her over the edge.

Azzi cums with a cry, high-pitched moans and Paige’s name falling from her lips. Paige fucks her through it, fingers still moving inside her, thumb still circling her clit until Azzi is trembling from overstimulation, begging Paige to stop.

“Please, please, too much, Paige-” Azzi pushes Paige’s hand away from her, collapsing against the mattress, panting as she tries to recover. When she forces her eyes open to look at her girlfriend, Azzi finds Paige already staring at her. Her pupils are still blown wide, her body glistening with sweat, her hair messy (probably Azzi’s fault), and she thinks Paige has never looked hotter.

“What?” Azzi demands softly. “I’ll get you in a minute, don’t worry,” she promises. Paige shakes her head and melts into Azzi, wrapping her in her pale arms.

“Did so good for me, baby. So good,” she mumbles into Azzi’s collarbones. Azzi’s hand comes up to brush through Paige’s hair gently, a smile falling onto her lips, blushing lightly at the praise. Paige was starting to crush her under her weight, but it felt so good that she kept quiet, one hand moving down from Paige’s hair to stroke up and down her back.

“Hey, let me take care of you now,” Azzi said, starting to roll herself out from under Paige. Paige just tightened her arms.

“In a minute. That was so hot. You’re so hot. Everything about that was just… really insanely hot. I think I’m buffering. Give me a minute,” Paige mumbled into Azzi’s skin. Azzi laughed, bringing a hand to Paige’s chin and tilting her face up to meet her eyes.

“That was really hot,” she agreed. Paige grinned.

“I should wear chains more often,” she mused. Azzi groaned, letting Paige’s face drop back into the crook of her neck.

“I swear, I can’t tell you anything.” She complained. Paige just laughed, and Azzi couldn’t do anything but laugh with her. Of course Paige would give her the best orgasm of her life and her takeaway from the experience would be fashion advice. Azzi couldn’t argue with the idea, though. She sighed.

“As long as the chains stay on during sex,” she agreed.

“Hell yeah. High five, dude.” Azzi groaned and pushed Paige away.

“Shut up or I’m not helping you get off.” Paige shut up.

[loves-alibi]

changes

or: you married a butcher, not a martyr.

MDNI simon "ghost" riley x f!reader word count: 2.7k warnings: mentions of sex, mentions of torture, reader is hashtag depressed, mentions of death (assumed death), simon is a weirdo at the end <3

*****

He’s a butcher, an apprentice actually. Every Monday through Saturday, regulars flock to the shop, where Simon, the gentle giant behind the counter, takes their order with a smile. Kids love him, always excited to see the man who tells droll jokes when their mothers, who are more interested in the way he winks at them after throwing in an extra quarter of a pound of meat, aren’t listening.

Simon is the talk of the block. Every nosy soul wants to know his deal. It’s not like he came out of nowhere. Simon was born and raised on the streets of Manchester, but there’s an intrigue about the young man that was never tapped into until he took up working at that shop, chopping and slicing up people’s dinners while asking 'how's the family?’.

So it’s no surprise when one day an old lady, a regular at the establishment, asks Simon, elbow-deep in raw lamb, if he’s single.

After breaking the news that he wouldn’t like to make a habit of dating customers, she explains that her granddaughter (“She’s about your age and– you’ll see –she’s the prettiest girl in all of England.”) is in town.

Before he even thinks, the woman scribbles on her receipt for three lamb chops an address and 8pm.

Eight hours later he stands outside of her house, a bouquet of flowers in hand and the receipt folded neatly in his back pocket. Before he has the chance to ring the bell, the door flies open, bombarding Simon with the scent of roasting meat and floral perfume. Standing barely at his chest height is the woman from the shop. She calls a name, and round the corner comes her granddaughter.

Simon almost drops the bouquet in his hands. Your grandmother really didn’t lie about how lovely you are. Even as you abscond her (“You didn’t tell me he was actually coming tonight!”) Simon can’t stop staring at you.

Dinner goes by as awkwardly as you could have expected. Your grandmother sits at the head of the table, you and Simon at opposite sides, kicking each other awkwardly each time either of you crossed or uncrossed your legs. She prompts you two with conversation starters.

Darling, tell him about your job.

Simon, I hear you have a brother.

It’s like pulling teeth. The whole night Simon is kicking himself for not meeting you elsewhere, where he could make a real and good impression without watching eyes. It’s over, he thinks when you finally pull the plug on the evening, dismissing Simon with the excuse that you have to work early the next morning. It’s a shame, he really thought that, despite everything, you two had a connection. There were enough fleeting glances and shy smiles from you for Simon to really believe.

You at least have the decency to walk him to the door, thanking him for entertaining your grandmother and for being such polite company. And, with a glance over your shoulder confirming that the coast is clear, you pull Simon in by the lapels for a kiss, it’s chaste and quick, but has Simon’s chest heaving up and down.

“There’s a pub down the street, you know it?” You ask. Simon nods his head dumbly, his lips still tingling. “She goes to sleep early. Meet me there in an hour, yeah?”

He practically skips to the pub. He orders two pints and waits and why did he order you a pint? It'll be warm by the time you get here and he doesn’t even know if you like beer. This was such a bad idea, you’re probably not even going to–

Fifty-two minutes later you walk through the door, chest heaving and hair tousled. You ran. You really ran to see him.

As you down your pint, he sends a silent thank you to whoever answered his prayers because– wow –you’re here and even more beautiful than he could imagine, with a bead of beer slipping out of the corner of your mouth and dripping down your neck.

The next morning, you two wake up naked in Simon’s bed with headaches and a ring on your finger– his nan’s ring to be precise, the one she explicitly told him to give only to the girl. There’s a voice in the back of his head that says he should be mad to have given it away in a drunken stupor to some girl he just met. But then you laugh, saying, “I’m engaged.” And he laughs with you, a sinking feeling telling him that drunk Simon may have gotten it right.

Simon watches you observe the ring glitter in the morning sun. “Do you want to be?”

You scrunch your nose at the question. “Depends,” you say, dragging out the final ‘s’. Simon blanches. “What’s your last name?” You ask, scrutinizing him.

Simon loses his breath as he stares into your eyes. You’re laying naked, halfway on top of him, and yet it’s the way you look at him that makes his world tilt. He barely manages to stutter out, “R–Riley. Simon Riley.”

“Riley… Mrs. Riley.” Your features soften. “Yeah, I think I want to be.”

In three months, you’re married. It’s a real, proper wedding with both sides of the family there. Simon washes the sinew and blood from his hands and gets all dressed up. He’d pick his bloody apron over a suit any day, but the smile on your face when you see him down the aisle is enough to make getting all dolled up worth it.

Your grandmother dies a happy woman shortly after your wedding. She leaves you the house and well wishes for your future (and with the request to name her future great-grandchildren after her).

Marriage suits Simon. He leaves you for work each morning before the sun is up. You wake hours later to a cold bed yet a warm cup of coffee in the kitchen. He comes home at five o’clock on the dot with a pound of meat cut and ready to cook, which he does. It fills some caveman-basal part of him– the ability to provide for his wife, melting away his worries every time you sigh in delight at the taste of the meal he oh so lovingly set out for you.

Three days after your first anniversary, Simon comes home with a pamphlet. Her Royal Majesty's Armed Service. You laugh, tell him there’s no way he wants to enlist. He almost believes you, sounding so sure in your words. Maybe he is being ridiculous, but then he turns on the news and sees the chaos of the world and realizes that chopping meat wasn’t all he was meant for.

He sits you down again. This time you don’t laugh.

“You will not make me a widow, you understand?”

“Of course not.”

“Promise?”

“I promise, love.”

He enlists, joins the infantry, and you wonder if you made a mistake marrying that man. Then 30 weeks later, he comes back and you almost forget the heartache until he’s standing right in front of you, this time without a pound of meat and the smell of blood clinging to his skin.

He fucks you. You fuck him. It’s only natural after so long. He’s missed you. You’ve missed him. And you have plenty of frustration to get out.

It’s when you’re laying in bed, fingers trailing his abs– yes, abs, born out of the weeks of grueling work– that it strikes you how much this means for you. You squeeze what used to be the loving layer of pudge that circled his waist.

“You like it?” he asks, his smirk pressing against your head.

But the energy to lie doesn’t exist in you. You tell him no, that you miss the Simon that walked out of your door thirty weeks ago, that– sure –abs are nice but you liked the Simon with a little fat, that you didn’t want him to do this, that you didn’t want to have to waste away, alone and worrying about him.

Yelling ensues. You cry. Simon cries. You sleep in the guest room. Simon sleeps on the couch.

He’s a good soldier, you learn. Not from him of course, Simon’s too humble to brag about his achievements like that (plus, he’s afraid that his growing accolades would just remind you how you never wanted to marry a decorated soldier, you wanted to marry him). You always come to base to pick him up from deployments. Soldiers give you respectful nods and tell you how good of a sergeant your husband is.

You and Simon had a distinct separation between work and life. As soon as your car is through the base gates, not a word is spoken of his deployments. It always gets you in too much of a fit. So it was agreed upon: you didn’t have to hear about it.

Until one day, work shows up to your front door step. Simon’s on a deployment, and you’re finally unwinding after a long day of your own. As you begin to pour a glass of wine, there’s a clinical knock on the door.

Two men in uniform are on your porch. They hold their hats in their hands, as with solemn voices they try to explain it all to you. It’s strange– you don’t cry. They ask if you need anything and you simply say no. After all, what could they give you– Simon? You have a chuckle at that after you finally send the soldiers off.

You continue your normal routine: finish that second glass of wine, tidy up the house, and cook dinner. You burn your thumb on the cast iron pot. With your finger in your mouth to soothe the burn, you think to dial your grandmother’s number. If anybody needs to know about Simon, it’s her. Except, when you dial her number all you get is a robotic voice explaining that the number you are trying to reach is not available.

Oh, you realize, that’s right– nan’s dead!

You lose it on the kitchen floor. Your sobs are so loud, the neighbors come to check on you. They find you right there on the kitchen floor, dinner burning on the stove, and paperwork from the army on the counter.

People treat you like a widow after that. You don’t consider yourself one. It just doesn’t feel right. He left without a goodbye, and now you’re supposed to accept that he’s gone?

You’re a celebrity around town– poor Simon’s widow. You quit your job, the widow’s pension being enough to get you by for now. Simon’s old boss starts giving you cuts for free– not even the shitty ones. You get filet mignons from him, aged wines from neighbors, extra pastries from the bakery, and pitying stares from strangers.

In three years you went from a complete stranger to Simon Riley’s widow. Three years and that man tore your life apart. The six month mark is approaching. It’s funny, really. That’s twice the time it took for you two to get hitched.

There isn’t even a body to bury, only a plain gravestone with his name and dates. You don’t visit it. There’s no point. What’s there to mourn? Instead you dig a hole in your back garden. It isn’t very deep, and the garden’s long dead. You don’t dare touch the shovel, it had been Simon’s– used when you needed a hole dug for flowers or bushes. Instead the hole is dug with your bare hands, like a dog searching for something.

In the pathetic pit in that dead garden, you put your ring– the one Simon gave you, that his nan gave him –wrapped in his apron.

The backyard burial doesn’t make you feel better. It just puts dirt under your nails that won’t wash away no matter how hard you scrub at it.

You consider selling the house. That leads to another breakdown. You were supposed to raise your kids there– Simon’s kids. Nan wanted you and Simon to have that house. Now nan’s gone. Simon’s gone. But for some reason you’re left to wander the ruins.

Six months finally comes. People stopped giving you free shit by month three. It’s not like you ever wanted their gifts. It’d come to you with a smile and some bullshit about how we get it or we’re here for you. You laugh at the notion when you wake up on the six month anniversary of your fucking husband’s death alone and…

It’s not the anniversary. Not the real one, at least. It’s only been six months since those men showed up at your door, like the grim reaper dressed up for Queen Elizabeth. He had to have died some time before then.

You don’t even know when your husband died.

It has to be on the paperwork they gave you. Six months after however many days since your husband’s death, you tear apart your house. Every drawer is pulled out, every cabinet yanked open in the hopes that you can find the paperwork that has Simon RIley’s death date.

Not on the pension form.

Not on the letter from the crown.

Not on the invitation to the fucking widow’s club.

When the hell did he die?

You fall asleep in the wee hours of the morning, surrounded by every piece of paperwork you could locate. It’s still dark when you wake up, mind clouded with exhaustion. You almost fall back asleep right there on the floor, but when you let your head fall back down on the hardwood, you feel rhythmic vibrations travel through the wood to your cheek. Footsteps.

“Love?”

Only one man has ever called you that.

It’s like you lose the ability to speak. Any thought you could have dies on your tongue as two familiar arms wrap themselves around your waist, pulling you into a lap. He holds you on the floor, lets you cry it out until the sun comes up.

The first words to come out of your mouth: “You said you wouldn’t make me a widow.”

He holds you tighter, “And I didn’t.”

Simon doesn’t tell you what happened. All you know is that he had been taken, tortured, and somehow rescued. 

He looks different. He’s gots lots of scars now. They bother him, he covers up in long shirts and pants more often than not, no matter how much you tell him he doesn’t need to. He says that he doesn’t want to worry you with them.

It’s not the scars that worry you. Simon’s different. Whatever happened to him back there had made him needy. He doesn’t let you out of his sight. At night, you’re adhered to his side by an impossibly strong grip. He whispers in his sleep, don’t leave me, as though you could possibly escape his iron grip. Maybe needy isn’t the right word. Obsessive, more like.

He digs the ring up just like you did– all bare hands and fury. You don’t know how he found it– you never told him. You just wake up one morning to him pawing furiously at the ground. He pulls it out and presents it to you like a cat with a dead mouse. He puts the ring on your finger before even rinsing the dirt off.

In bed he consumes you. Where once sex was fun and playful, it now is a ritual, like Simon is claiming you. It’s enjoyable, yes, but overwhelming. You don’t think he blinks anymore. It’s like he’s worried you’re going to be ripped away from him, like every time is the last time.

Two months after he comes home, papers arrive for him in the mail. He’s being deployed again. You’re worried. It’s too soon. You can’t lose him again, and you tell him as much.

Simon placates your worries with a kiss on the head. As he pulls you into a hug, he utters, “Love, I crawled out of the grave for you once. You best bet I’ll do it again.”

Somehow, you don’t think he’s lying.

[fixyourwritinghabits]

Editing Your Novel Part 2: The Plot Pass

Okay, it's finally time to edit. You've got all your materials sorted, it's time to dive right in. You want to start with the big edits first, aka the plot pass.

Now listen. You're going to want to linger and fix those little bits of grammar or dialogue, and I know it's so hard not to, but letting yourself get off-track might mean wasting hours on a scene you realize later you have to delete. Fix a few spelling errors, leave a note, and stay plot-focused.

Making Sense (Of the Plot)

In the plot pass, you're asking yourself some basic questions:

Do events follow a clear order? - When you're getting everything down on the page for the first time, scenes might get jumbled up or events might not have clear causes. Maybe you have a car crashing into the cafe pages before, but in a writing haze, you wrote your main characters having a casual conversation moments later. If the bad guy beats your heroes to treasure, is it clear how they got there? (Not everyone can be Yzma.)

Do circumstances feel contrived? If there are any problems that can be solved by your characters sitting down and talking to each other, it may be better to lean into their motivation for not speaking to each other, rather than coming up with bad romcom scenarios. If the plot can be resolved by the mcguffin the grandma had the whole time, it might be better to make finding that mcguffin part of the plot instead.

It doesn't have to be perfect, and you don't have to reinvent the wheel. If someone gets bitten by a werewolf, it's perfectly fine to have them turn into one at the worst possible moment. When it comes to contrived, you're looking for problems that seem easy to solve and look for more interesting ways to complicate them.

Are your character motivations consistent to the characters throughout the story? - They can change throughout the story, but character motivations do need to be linked to the actions they take. An out-of-nowhere betrayal is way more satisfying if you lay the groundwork for it ahead of time.

Take a moment to list out the motivations of the characters in a scene you're not quite sure of can help you figure how to fix it. Having an outline helps with this a lot!

Are you following an "if... then" format? - My brain doesn't work like this when I'm writing, because as a writer you know how A got to Z, and it seems (in your head) obvious how it happened. This is where my scene card outline come in handy, because I can look at my overview of what should happen and why, and then compare it to what actually happens in the scene. I've discovered so many threads I forgot to connect that way, like why a character had a certain device (I forgot to have him pick it up two scenes earlier), or adding a few simmering dialogue bits that make the big fight pay off much better.

Can you fix the "Because the Plot Demands It" scenes? - Look, sometimes your character needs to be in that haunted house to see that damn ghost, but your character isn't the type to set foot in such a place. It's really easy, especially in the first draft, to contrive a way in there (she took a wrong turn on her way to grandma's!), but retooling these scenes to connect them to the characters motivations and needs is the way to go. The main character doesn't want to go into that obviously cursed place, but her best friend hasn't shown up for school in three days and now she's crying for help from the second floor window. Your character's strong desire to be there for her friend is a much better way to get her into that house.

This is not always easy - it took me six fricken drafts to realize a critical part of a character's motivation was because his father blamed him for his mother's death - but it is going to be worth putting in the work to hammer down.

Do you have a solid timeline? - This might not seem as important, but it's super easy to accidentally fit two weeks worth of activities in three days. Make sure you have that on reference, even if you don't mention it in the book. Also make sure to gauge your distances if your characters are on a trip, because if you do accidentally say it takes two hours to drive from Seattle to Spokane instead of five, someone will dive down your throat for it. Not me. Just someone.

Okay, maybe me. Slow down, you maniacs.

Next post we'll dive into the structure pass. See you then!

[artificialbreezy]

Hi!!!

I’m here with another thought but it’s Jacky boy this time 😌😌

Best friend! Jack who is extremely possessive and doesn’t like you hanging out with other guys cause he’s actually in love with you and thinks you don’t haha the same feelings for him.

(P.S I’m gonna give myself a lil emoji so that you know it’s me 😂😂)

😈

oh my god, let’s FUCKING GO

CW: friends to lovers, Jacks pov! this is fully unedited.

it was never a thought that crossed your mind that your bestest friend in the whole world would ever look at you the way you look at him.

so you did what any person would, you push the heart eyes as far down as possible and try to move on.

one thing that Jack was big on was location sharing. the world is scary and he wants you safe, and the same peace of mind for you. especially with how often he isn’t home.

so when he’s in Toronto, he checks your location and sees you at a bar? you don’t go to bars, especially alone. it’s like pulling teeth to get you out.

“hey Flower! facetime in 15?” the text read.

when 30 minutes past and he saw no text back, he sent another.

“you okay? you’re at the bar. are you by yourself?”

“no Jack. why would i be by myself at a dive bar?”

he felt himself getting irritated. where did this attitude come from? you’re never snippy with him.

he sighs as he presses the little button, listening to the line ring.

“yes Jack?”

“go home. i’m calling you an uber. whoever you’re with will be fine. you’re going home.” he spoke, stern. leaving no room for arguing. immediately hanging up.

the only communication from him until he got home was the text your uber arrived and a “glad you’re home safe.”

the pounding on his front door pulled him away from his call with Quinn. listening to his brother ramble on his ear how he should just tell you how he feels instead of being a fucking weirdo.

“Quinn, gotta go. she’s here and she looks mad.” he spoke as he’s hanging up.

your hand was flat against his chest, pushing him into his apartment. you may be mad, but you’re not causing a scene in the hall. “you have some fucking nerves Hughes. you not only crash my date but then you full fucking ghost me? the fuck is your problem? game go sour so you take it out on me?”

he smiled at her, the red of her cheeks spreading up her neck a little. she’s hot when she’s mad.

“oh! okay! you stay silent then! i’m leaving. fuck this and fuck you.” she’s turning around, all but stomping back to my door.

“sit the fuck down, Flower. you’re not going to come into my home with all this attitude and not give me a god damn second to tell you why. so sit down, and shut up. 5 minutes is all i need.”

there she goes, huffing and puffing. at least she’s sitting down.

“i texted you. i asked to call. you never ignore me, you never say no to a facetime. i checked your location and asked if you were okay. you took a second so i texted your friend and she said you were on a date with her coworker. it was late, i know you hate bars and i wanted you home and safe. i’m sorry i went ghost. i was stuck in my head. i didn’t know how to tell you. Quinn said i was stupid. he’s right. i am. you’re my best friend and i shouldn’t feel bad about this. i just, i don’t wanna be your friend anymore.” he took a breath, seeing tears swell up in your eyes. “i want to be more.”

it felt like his world stopped. there was a silence he didn’t like. he didn’t know what you were gonna do or even say. you felt unreadable for the first time in 13 years.

“Jack,” she whispered. “what do you mean by more?”

“ideally i’m your husband but ill settle for boyfriend for a while.” he found himself playing with the back of his hair, that nervous movement he’s done forever.

“you’re not just saying this? please tell me you’re not joking.” her tears kept falling and his heart ached. why would he joke about this? why would she think he was fucking with her?

he didn’t trust his voice, knowing he’d just cry with her. he knelt down in front of her, his hands resting comfortably on her cheeks. leaning forward just enough that his lips were hovering hers. “i’m so serious, flower.”

“kiss me then.”

didn’t need to tell Jack twice.

[ravinoforre]

So I saw an opinion on a character that I, respectfully, don't agree with at all, and it isn't the first time I've come across this particular take either. I don't like nor want fandom discourse, making counter points to arguments in general make me nervous, but as someone particularly attached to them and their related characters, I have a lot of thoughts I want to get out there in the hopes that maybe they can be seen from a more positive perspective. So um, here they are. Get comfortable, this is gonna be a long one. ------------------------------------------------------------------------------

In Defense of Lily (Pokémon XD).

Those of you who've played this might already know what I'm referring to, so I'm just going to rip off the proverbial band-aid. Right at the start of the game, as you, the player, are being introduced to her, one of the first things she says is;

...and ok yeah, I admit. This is kind of a weird thing for her to say (in front of her son too, oops). This is usually one of two instances that people latch onto to prove she's an awful mother, but there is, at least in my opinion, some hidden context to her words. First of all, she's not wrong; the whole lab does in fact constantly sing their praises and fawn over both these kids (which is adorable tbh). Secondly, it's not unreasonable for her to believe that lots of inflated praise on a child, no matter how well meaning, may have negative consequences on their development. A kid receiving a constant stream of "you're so cool/special/talented" may end up with an inflated ego and become depressed, or even lash out in anger, if that praise either stops or something comes along to disprove it (like failing a test or making a mistake).

(Side note, I came across some partially related studies (x), (x) and an article from a parental psychologist (x) that go into different types of praise given to children; person, or ability praise ("you're so clever") vs process, or effort praise ("you worked really hard"), their effect on self esteem, personal growth, and performance, and how ability praise actually negatively effects a child's sense of worth compared to effort praise or even no praise at all. It's a lot to go through right now and this post is already going to be super long, but I mention them here because I'll go into something later that you may find rather interesting. I know I do. They're fascinating reads, too, I would recommend!)

Now listen up! Lily, contrary to the belief that she's a cold-hearted mother who shuns her offspring, actually does praise and engage with her children! Throughout the story, she'll talk to Michael and say some interesting and wonderful things as his adventure continues! The problem is that unfortunately, a lot of this proof is hidden throughout each story beat in a section of the lab that is no longer required to enter to progress (and most people won't bother to go back and speak to their own mother who apparently "hates" them). Off to find Jovi:

🥹 baby... Before saving Phenac City:

🥺😭euuhhbbebeh father mentioned During the Phenac City hostage situation:

After the Phenac stuff:

"I'm proud of you." You literally cannot get a more explicit form of praise than I'm proud of you. Hell, I can't even recall a time my own mother told me that. Fucking hell. Also. Pampered?! You hear that? She's practically contradicting those accursed two lines! By her own admission, the kids are pampered babies! Her concern isn't that people will spoil them—because they're already spoiled!

(Jovi is a pampered baby princess). I think Lily's worry in her comment is that may roll too far; it's like she says—spoiled rotten.

Ok one more example for this section:

(disclaimer: these screenshots are from the romhack XG which is why her name isn't in all caps; trust me, this same line is in base XD too) Remember the types of praise I mentioned earlier? Ability (person) praise and effort (process) praise? And how the former could be damaging to a child's self esteem? Do you notice anything particular about the way she speaks to Michael and praises him? "You've become an outstanding trainer in your own right." Not "You're so strong." "You're doing so much for the good of others." "Your courage will save the Shadow Pokémon." Not "You're so brave." "You did it all by yourself without anyone's help." She's praising his actionable efforts! She's applying process praise! (Pleeease read those studies and article, at least the first study I linked, it's genuinely insightful and fascinating, and it's even more amazing that an example of it is featured in a video game by a character most people won't interact with beyond necessity! I love this game! So! Fuckinhg!! Much!!!

AAAAAAAAAAAAAAAAAAA-

Ahem. She's also not saying that people shouldn't praise her kids either; only that she wishes it wasn't gushing praise all the time. Too much of a good thing could be harmful, after all. Let's see...

Sounds reasonable so far, right?

...Galactic peace?! My brother in Arceus, all he did was beat you in a friendly Pokémon battle—a battle that Michael's already been led to believe he'd win anyway thanks to that previous comment from his coach (those screen caps are in chronological order)! Even without the fact that by this point he's midway through a dangerous fight against a criminal organization, it's probably not a good idea to give a developing young teen a literal God complex; what if he gets so full of himself he genuinely believes he's unbeatable... and then loses? That child's mental state is going to plummet. So even if you don't agree with Lily's praise comments, you might at least better understand where her concerns are coming from if this is potentially the kind of thing that's being told to her kids regularly.

Moving on, try putting yourself in her shoes a moment. She's a working, grieving, single mother of two who, according to an NPC in the lab "has an exceptionally high sense of responsibility".

As a scientist with the necessary expertise, she has the heavy task of helping realise a sensitive project—sensitive not just in terms of urgency (as Krane predicts Cipher is going to be a threat again), but also in terms of emotional weight; this project was something her late [husband] poured everything into until his death, so both her and Krane continued on with it; by the time the game starts, they're agonisingly close to completion. And time is of the essence. Quick tangent: watch the cut scene post Krane kidnap again. The camera rests on Lily an awfully long time. The father of her children died before this project was finished, and now Krane, a close friend of both of theirs, has been taken away by force. Both her children have witnessed something traumatic. Her daughter is sobbing. She's literally being told the situation is "hopeless" by a colleague. Imagine the sheer anguish this woman must be going through before having to push through all of it and take complete charge for the sake of finishing the project. For the morale of the entire lab staff. For the sake of keeping her kids calm. For the fate of the region itself. Anyway, because of this project, and how close they are to finishing, she isn't able to afford much, if any, time off to spend with her kids "this instant". It's probably why the lab staff have pitched in to help look after them (which must make her feel pretty damn guilty with that high sense of responsibility of hers). It's why she asks her son to go find his little sister in her stead.

And this brings me to point number two that I've seen used countless times to slander her:

She just lets Jovi run off on her own, and doesn't care what her kids are up to.

Which... no, sorry, hang on here. Lily isn't letting Jovi run off on her own. For starters, both her and Krane believe she's in or somewhere outside the lab grounds, playing hide and seek with the caretaker, Adon.

A game of hide and seek (particularly if they're taking turns hiding) is likely why nobody's seen her since lunch, by the way, and not Lily not giving a damn about the whereabouts of her child. And when she's found and brought home again, Lily says this;

This implies she's spoken to her daughter about running off on her own before, and we do later get to know that Jovi has a habit of running off ahead; she runs off down the steps in Gateon ahead of her brother, she rushes off to deliver the machine part by herself to the chamber, and even though Michael is the one asked, she runs off to go see Datan—despite Lily telling her she doesn't need to do that. This means if Jovi gets invested in something, it's apparently hard to stop her. Visiting Kaminko's is a recent fixation of hers, and if Adon is already aware of where else she might have gone off to if she's nowhere on lab grounds, it might mean she's been there before (that, or Adon was the one who caved and told Jovi where to find the place). I might even speculate and say Lily has specifically told Jovi before about not running off to the manor. Anyway, check out what she says when you find the little runaway but come back empty handed.

The heart-sinking realisation and disappointment in that "...Oh" alone....

So no, Lily isn't letting her young child run off on her own—Jovi is disobeying her mother. She's either used the game of hide and seek as an excuse to dip (and then forgot about Adon entirely), or she got bored midway through and decided to head to her new place of interest despite any of her mother's previous objections. (And before anyone says anything, no, that doesn't mean Jovi is a bad kid, either. She's, what, around 7 yrs old? She is doing typical little kid things, emulating her older brother, and discovering and pushing her boundaries as she grows up. I have seen some putrid, abysmal hate for her over the years too. She is a child, leave her alone.) Onto the second half of the above statement; she doesn't care what her kids are doing. As in, Michael is on a treacherous journey against a dangerous group of people and she's totally ok with letting her kid do that (as if that isn't the case with practically every mainline entry protag mother but alright, I'll bite).

Introducing one of my favourite exchanges with her in the game. During this time, the purify chamber still isn't complete, and they'll need to use an alternate way of purifying Shadow Pokémon until then—the Relic Stone in Agate Village.

oh it worries her, does it? You know what happens when No is selected?

And then she drops the conversation. There's no endless loop to get him to go, which would have been the more convenient thing for the devs to implement. But this was a very deliberate choice that tells me more about a character than I've seen done in a video game before. She's respecting her son's decision to stay home. She is not forcing him to do something he isn't comfortable with. Of course, as a video game, the purpose is to progress to the next story beat. So he has to go. Better talk to her again.

I don't even think I need to add any extra commentary, this should really speak for itself at this point.

I've also reached the image limit on this post so it's probably time I wrapped this up, so in conclusion; is Lily a bad mother, as I've seen people claim? No, and I believe I've showcased plenty to prove she isn't. She's not perfect, no parent is, but she's a damn sight more involved in her children's lives than the mainline moms, who are often nothing more than out of the way Pokémon Centers that don't acknowledge their child's journey in any meaningful way. So then, was she in the right for saying what she did at the start of the game, right after Krane praises her son, who is in earshot of this conversation? Well... also no. She could have picked a better time and place to bring it up, honestly. But God forbid a woman make a mistake or voice a concern, lest her be mischaracterized and demonized forever by two unfortunately worded lines of dialogue.

------------------------------------------------------------------------------ "Michael, you're finally going off to the ultimate battle, aren't you? You've really grown in stature. As your mother, it makes me feel conflicted. I'm happy and proud on one hand, but I'm also a little sad. Go and get rid of Cipher, and make it quick! And come home safely."

------------------------------------------------------------------------------ If you've managed to reach the end of my ramblings, I'd like to say thank you. Hopefully I've given you some food for thought. Maybe I've even changed your mind about her. And even if I haven't, I appreciate you taking the time to read this regardless.

[brionysea]

#i'm never getting over Max being the only one defending Mike in early S3#even his best friends since childhood are fed up but she's still defending him and saying it's not that bad#max wants to be his friend so bad#and then.#she met El and got on a feminist side quest because she convinced herself he's actually a raging misogynist#i love them<3#they're so fucking stupid#sometimes you need that sidequest to become truly close friends and it's beautiful#also yes to the caption (I got sidetracked)#people need to stop putting words in Mike's mouth and just stay on his level#platonic madwheeler#mike wheeler#max mayfield

you get me @stranger-feathers. I also got distracted by max's feminist side quest in my tags before going 'no, stay on topic' and deleting them, but it's interesting, actually!

the only context s2 max had was how sad mike was (which these two have their own understanding of, while the rest of the group seems to struggle with knowing how to deal with them) and how it was because of el - survivor's guilt, the trauma from seeing a girl turn to dust in front of you to save you, whatever

that, combined with the wheelers home life being - while not like max's, Not Fun - is how mike ended up driving hopper nuts by hanging out in the cabin for 6 months straight. mike missing el + mike not wanting to be at home + mike feeling comfortable talking back to hopper the way he isn't with his parents + mike feeling the pressure to be in a romantic relationship with el but not knowing how to do that = mike and el making out for months on end and only rarely having a real conversation

el, as always, doesn't really have the context to know how things work and is just going along with it until max tells her she gets a say. when el was living with hopper, she missed mike so much it became a point of conflict (as a cover for el's lack of autonomy, which mike never really did to her; when el was living in mike's basement, she wandered around all the time, and in s3 mike was only repeating HOPPER'S words of el not being 'allowed' to go shopping; hopper recently locked mike in a car and went off on him, of course mike thinks max is insane for breaking his rules), so el would listen to mike more than hopper during a petty disagreement. mike treated her better; he never sold her out to brenner, for a start. even when el DID listen to hopper and stay hidden, she ended up hitchhiking to new york or wherever to go against his rules, because she didn't think breaking them made her stupid

so the set up is a whole lot of mike's feelings crashing together and influencing his actions. hopper, by virtue of mike's talent for being so annoying, forgets about that (despite the s2 scene where hopper saw mike's feelings finally explode, precluded by the two of them arguing over el) until hopper interacts with mike's parents at the end of s3 and sees that they have NO IDEA where their son is, in contrast to joyce freaking out trying to find the kids while hopper made fun of her. then the whole time the kids actually were in danger and joyce was right, as usual, which seems to make hopper chill out. max, who spent s2 trying to get mike to talk about his feelings so they could be friends, also seems to forget that he has any the second el gets involved

which, let me be clear: el definitely needed feminism. her friendship with max, which el initially refused because of jealousy over mike, was so needed. el keeps getting hidden away and controlled by men (brenner, mike, the boys, hopper); sometimes for her safety, sometimes that's just a thing they say while not realising or caring about how they're also suppressing her autonomy, and not questioning their patriarchal need to control women and girls, but in s3 that doesn't seem to be an issue anymore. because of the tone shift, it's not really addressed, but the best I can figure is that el's safety was no longer a problem because nancy burned down the lab and ran them out of hawkins (look at that! legitimate feminism! solidarity among girls - barb's justice - improving el's quality of life!!! I love it here)

I think mike, by virtue of living in a sexist society, WAS sexist. not to the extent that the fandom makes it out where he's the bane of all evil, but he was so caught up in the emotion and fear of losing el again that he wasn't questioning whether his need to keep el tucked away and safe from the world was fair to her until max raised the issue. before that, while mike was trying to be straight, he was kind of infected with the more blatant heterosexism, because that's 'normal' (think billy being such a ladies man that max knows what happy screams are, but also calling women 'cows' and 'bitches'; lucas and mike calling women 'a different species' is like Baby's First Dehumanization)

before that, when it actually seemed like an organic character flaw rather than mike conforming, you see it the most with max - 'this is the boys room' 'yeah, so?' 'so you should go home' comes to mind. max was probably making it a bigger issue than it is, the way mike's SHE'S CONSPIRING AGAINST ME comes across (she kind of was though lmao - like, sexism is definitely a real problem that max isn't making up and people taking that kind of challenge as a personal attack when it's not is really common, but max DID seem to be making Girls vs. Sexist Mike a whole thing), but it wasn't a baseless accusation. probably, max just can't stand up for herself when people are sexist towards her and was using el as a buffer. in s2 max only asked lucas if they weren't including her because she's a girl, even though mike was the one to make the weird boys room comment and max argued with him about other stuff 2 seconds later, and she didn't do more than roll her eyes at billy

remember how mike mouthed off to hopper because he can't mouth off to his parents? max does the same thing to mike because she can't with billy. hopper and mike are emotionally and physically safe to engage with, and the show spending a lot of time trying to convince you otherwise (hopper is legitimately scary at times, like when he threw the door of el's room open thinking mike was in there again but it was really MAX, the girl with a violent home life, which must include things like violently slamming doors open as a precursor to more direct violence) without anything actually HAPPENING proves it. they're not safe because they were born with no moral impurities, they're safe because they put the active effort in to be safe. they could be just like everyone else, which s3 puts a lot of emphasis on, but they ultimately choose not to be. nobody is born a feminist. women tend to get there faster because we're directly harmed by misogyny, but after their argument, both mike and max do listen to each other. mike apologises to el for acting so controlling and jealous, and max works with mike to protect el (from flayed!billy) in starcourt

mike could so easily be Not Our Mike. his family has money and a nice house, unlike will. mike has white privilege and never has to deal with racism, unlike lucas. mike doesn't have a visible disability like dustin. he's not a girl like max and el. mike could EASILY slide under the radar as that wheeler kid with the big house without having to deal with any of this, but he feels more at home with the outcasts of society instead. the mike we initially meet is so lovable because he'd been choosing to be true to himself rather than taking the easy route for years. or in mike's words, I guess, asking will to be his friend was the best thing he's ever done

max defending mike and choosing the words he uses to defends himself with is actually something that can be so personal

[metis-iphigenia]

As someone who has been a fan of The Odyssey, being inside the Epic: The Musical fandom has been absolutely so amazing. Every Saga that has happened up to the Ithaca Saga was just so,,, great that I can't find words😭😭 Not only that it has been amazing to read other peoples interpretion of the Gods, Myths, Monsters and Heroes alike.

Anyway, I can't get over the Ithaca Saga and how beautiful every song sounds. So have some of my favourite moments in this Saga.

1- The Challenge

In the past Sagas, I have already been too in love with the violin playing whenever Penelope was mentioned etc, not only that I already knew the singer of Penelope had an amazing voice. BUT OH MY LOVE DID THE VOICE CAUGHT ME OFF GUARD./pos

Sirens are real guys and she is one of them(real information)

I don't have a significant favourite part in this song because honestly Anna Lea's voice is so captivating that the entire song passes in a very fun way. Just a very beautiful, sorrowful song overall.

2- Hold Them Down

I already knew this song from the snippets released before but hearing it from Ayron's voice was a whole different experience. He was SO good. Again, the whole song was amazing.

"Can't you guys see we're being played? This is how they hold us down while the throne gets colder. Hold us down while we slowly age. Hold us down while the boy gets bolder. Where in the hell is our pride and our rage?"

One of my favourite moments in this song was this probably. While listening, I actually got the feeling that the suitors were fed up from waiting for Penelope to choose a king. I think Ayron did a wonderful job in not only singing a villainous song but also making us feel how entitled the suitors are actually are.

I especially loved the moment where Antinous gets hit with an arrow by Odysseus and him encouraging the others about their plan is cut off. I will admit, I did audibly laughed at that.

3- Odysseus

I literally can't think of words to describe the emotions I was feeling while listening to this song. I think this is my favourite song alongside of "Would You Fall in Love with Me Again".

The electric guitar playing in the start, again the symbol of him becoming a monster and leaving his humanity(the acoustic guitar) MAN I LOVED THIS SONG.

Him aiming for the torches just like Scylla has done was a great add to that too. Bunch of people has already pointed out this before but it can never be too many amiright? But yeah he really is using every trick in his domain just like Hermes told him to and I love it.

"Somewhere in the shadows lurks an agile, deadly foe..."

(...)

"He's using the darkness to hide his approaches!"

The image of Odysseus as Batman popped up in my head after these lines and I can't get it out😭(That au would be so amazing though, especially Talia as Penelope and Damian as Telemachus.)

"You don't think I know my own palace? I built it."

I was already smiling during this whole song and I screamed when he said this. like okay king you go slay I am right behind you

"Old king, our leader is dead. You've destroyed the serpent's head, now the rest of us are no longer a threat.

Old king, forgive us instead, so that no more blood is shed. Let's have open arms instead."

Well It is not a Saga if it doesn't have an "open arms" comeback I guess. Though I did cackle when Odysseus said "No" and killed the guy.

Honestly, deserved. I might be remembering it wrong but I think Eurymachus also asks for forgiveness in The Odyssey? Really glad Odysseus didn't grant it in The Odyssey and in The Epic because from what I remember in The Odyssey, Eurymachus was Antinous' right-hand man and just as bad as him. (Correct me if I am wrong please, It has been a while since the last time I read The Odyssey)

I have no idea who sings Eurymachus in Epic but this whole part was just enough for me to want to learn who it is.

TELEMACHUS' PART! Mico's voice is already beautiful to listen to and it became way more beautiful with the backround music. His own theme music, violin symbolising all that he has learned from his mother. Those sounds just went really well against eachother in my opinion.

"Brothers, we have company, and he's made a grave mistake."

The way this guy sang the sentence, especially "grave mistake" was so satisfying. Absolutely so satisfying I love it.

Also, I heard somewhere that the "Odysseus" repeating in the backround was how the name was pronounced and I love that detail. I loved whenever his name was said in the backround and it is also very interesting how every monsters song is named after them, just like this song.

The screams of the suitors after the whole slaughter is over was a really nice touch, I love it when Jorge adds screams into his songs.

The speech Odysseus gives is also worth to mention.

Mercy? Mercy? My mercy has long since drowned, It died to bring me home. And as long as you're around, my family's fate is left unknown.

You plotted to kill my son, you planned to rape my wife! All of you are going to die!

I also love how it doesn't beat it around the bush about what the suitors were planning to do to Penelope. It should be said as it is, they were planning to rape her which is so vile and awful. Which what made their deaths so satisfying exactly.

Overall, Odysseus was an amazing song. So amazing that I will be going insane about it to my friends for the next 2 months probably.

4- I Can't Help but Wonder

I was crying by the end of this song. Seeing them FINALLY reunite was so 😭😭😭 ALSO THEIR HUG. ☹️☹️☹️/pos

Oh my son, look how much you've grown. Oh my boy, the sweetest joy I've known. Twenty years ago I held you in my arms, how time has flown.

Used to say I'd make the storm clouds cry for you, used to say I'd capture wind and sky for you. Held you in my arms prepared to die for you, oh how times has flown.

Hi, so this should be illegal! All I want to say about this song is how emotional and beautiful it was. And I love how it reminded me of "Dear Theodosia" in Hamilton.

THE WARRIOR OF THE MIND COMEBACK. DEAD AND BURIED. I am not well after that ☹️☹️ Also Odysseus putting everything behind for his family,,, falls to knees with my hands ripping my hair... I am so happy for them.

5- Would You Fall in Love with Me Again?

Finally, we are onto the song that made me shit tears. The OdyPen reunion we all were waiting for just like they were.

THE VIOLIN IN THE START. It is so beautiful just like Penelope, I can't get over it.

Again, Anna Lea's voice make me want to just drop everything I have and listen to it until I start to lose the ability to hear. It is so amazing.

Love how whenever someone uses the word "Waiting" in the song, Its volume and impact raises more than the last one. I especially loved Penelope ending it with "for you." saying that it was him she was waiting for, not love itself because to her, he is her love. I don' know if that made sense but hope I was able to explain it.

The part where Penelope asks Odysseus to carry their wedding bed away from here was such a beautiful moment becasue Anna Lea just sang it very beautifully(as she does as always) It was so emotional and so beautiful.

How could you say this?

I had built that wedding bed with my blood and sweat, carved it into the olive tree where we first met. A symbol of my love everlasting...

Do you realize what you have asked me? The only way to move it is to it cut from its roots!

I just find their Tree Bed very sweet that is all. And a lot of people have pointed out how in The Odyssey, Penelope asked her husband this to prove to herself that this is her husband, while in Epic she asked this to prove to him that he is her husband. I find that change very sweet.

I will fall in love with you over and over again. I don’t care how, where, or when, no matter how long it’s been you're mine.

Don’t tell me you’re not the same person! You’re always my husband and I’ve been waiting, waiting.

The emotion in her voice OHHHH I AM NOT SURVIVING THIS SAGA.

Never getting over the fact that Epic The Musical ended with Odysseus and Penelope saying "I love you." to eachother. NEVER.

There are so much more things I want to say about this banger of a Saga. But for now, I will just congratulate them all on their beautiful voices(EVERY single person who sang in this musical has amazing voice, counting other Sagas too. Holy damn, y'all are amazing.)

The fandom has been an AWESOME one to be in too! Everyone is such amazing people and not only that all of you are very talented. So congratulations to every and each one of you who have done fanarts, fanfictions, animations, fan songs, analysis and so so much more about the Musical, all of you are amazing. <33

[lanalosty0uu]

⋆.˚ PROLOGUE ᝰ.ᐟ

🕰️ BACK TO THE FUTURE 🕰️

no specific warnings on this chapter slight foreshadowing of another stranger things character!

main masterlist

pairing: steve harrington x fem!reader

"Oh, no need to help, dear! I can do it by myself."

The nice 50 year old-ish lady told you not to worry about her fish pond. You're a second year high school student who just got accepted in an exchange program, and now you’re finally here, in Hawkins, Indiana.

"Oh, don't worry, Mrs. Byers, I can handle it pretty well… My dad also has a fish pond on the back of our house.” You tried to reassure her that it’s totally fine for you to take care of it. Remembering that she can already be categorized as an old lady, it would be very cruel of you if you let her clean it by herself.

“You are truly an independent and hardworking young lady… Reminds me of myself back in the old days.” You can see her smile while looking to a blank space, probably reminiscing herself back when she was younger.

You chuckled at her compliment, slightly thanking her for saying something you don’t hear everyday, especially from your parents. Instead of saying anything further, you smiled at her before continue cleaning her fish pond.

⊹ ࣪ ˖🕰️୭˚. ᵎᵎ🗝️

“Please, dear. Feel free to look around.”

Ever since you got here last week, you never had the courage to explore her gigantic house. Not because it has spirits living on it, of course not! (hope so) But, it’s more like you don’t wanna disturb her peace and you don’t wanna look like you’re being nosy about her personal stuff. Yet, from the first step you took on this house, you literally fell in love. The vintage architecture, big pillars on her yard, it seems impossible for an old lady to live her by herself.

Sure, her house only has two levels, but the interior of her house is just mesmerizing. The details and antique things in this place are remarkable. If only you don’t have to control yourself, you’d already touch every single one of her things.

The only thing that you did here was to go to school and spend time with her a lot. You went shopping together, clean the house, do regular house chores, watch cheesy rom-coms or comedy movies (which you surprisingly also love). The whole week basically already felt comfortable for you.

You always loved old people. You get to hear their stories, adventures, and all what happened in the past. It seems… Very interesting, so different with what you have now. And one of the things you love about Mrs. Byers, is that she talks about her youth days a lot in the 80s! You, as a person who is a big fan of the 80s always had an open jaw when listening to how beautiful life seemed to be in the 1980s, especially in the year 1985.

“These are some beautiful watch collections, Mrs. Byers!” You looked through a cardboard box full of old clocks and watches inside.

“Those were my parents’. I was planning to give those to the antique store since I don’t really use it. But you can look around there if you’d like, dear! If one catches your eye, please do take it before people put a price on it in the antique store.”

The feeling of knowing that you can look at these old watches and actually bring them home without needing to let out a single dollar made you feel euphoric. But, you still need to help her cleaning up this messy attic, not wanting her to get asthma from breathing the dusty air so much.

“Maybe I’ll do it later, Mrs. Byers. I gotta clean these up first.”

Mrs. Byers looked at you, giving you the ‘I swear this kid never rests’ look. Yet, she just smiled. And you know deep down she’s really happy to have someone to be her company and to help her around since her husband died a year ago.

⊹ ࣪ ˖🕰️୭˚. ᵎᵎ🗝️

“If you need me, I’ll be downstairs, okay dear?” Mrs. Byers excused herself to go back to her room, probably knitting since it’s what she’s been doing at home (as far as you know). She left you there in the attic, wandering through her watch collection.

As you were diving through it, you took pictures of every single watch, especially the ones that has unique details in it. But one caught your eye… A golden pocket watch. It has golden chains, chained to the top of the watch. Tiny details surrounding the face of the watch. Since it looks pretty old, it was also covered in dust and rust, including the roman numbers that tell the time inside.

You made the watch dangle around your arms, admiring it’s old, yet timeless beauty. You started turning the clock around, seeing if it still works or not. Sadly, it’s broken. You immediately thought of the 80s just by looking at it, imagining how Mrs. Byers would always wield it and brought it everywhere she goes, even though you know this watch must’ve came from an older time… Most likely to be from the 30s or the 40.

Since you liked that pocket watch so much, you put the chains around your arms, keeping it there as you put back the rest of the watches gently inside the cardboard, not wanting to be irresponsible after Mrs. Byers let you mess around with all of it.

note: hey, i'll be publishing the first chapter like around... later! but i'll be posting it today as well (i'll try hihi ^^), lmk what r ur thoughts about the prologue so far, and if there's any of u that wants to be in the taglist, feel free to ask! hope you like this one <3

@xprloki @pupwrites @gorlillaglue25 @lovestrucklyuniverse since y'all seemed pretty excited abt this, i've decided to tag y'all in this and all future chapters, really hope y'all like it and continue reading <3

[frozenjokes]

it’s so over

convex week day 3 - embers/frost - prev/next

this one follows the prompt because he’s fire boy and he’s water girl trust @convexweek

Cub wasn’t used to being around this many people, much less talking to them, and so far from his sun he was cold, it was loud, and all of these things were making him quite irritable.

Apparently being on fire at all times was a ‘bad look’ and Cub should really try to ‘cool off’ lest people get the ‘wrong impression,’ but maybe Cub wanted to be on fire, maybe he was cold and angry and didn’t want to be touched not even on the shoulder, seriously would people mind their own fucking space, Cub didn’t care about the court of public opinion, he just wanted to be left alone.

His lawyer was alright at least, a star called Mumbo who took a similar form to Cub, which Cub assumed was common practice; it’s not like he attended many court hearings in his lifetime, being the sun was a full time job. Mumbo looked a lot like a human through the lens of someone who had never actually seen one, and only had it described to him from a friend whose cousin’s wife’s ex husband’s sister in law’s dog saw a human once, so, fairly accurate and appropriately unnevering. Long, lanky body, arms, legs, fingers, tiny eyes, squareish head. Despite looking like he might unhinge his jaw and swallow Cub whole at any given moment, Mumbo was well mannered and just a touch anxious, but he seemed to know what he was talking about at least, which would have been nice if some of the things Mumbo said didn’t make Cub want to leap over his desk, rip out his tongue and then gouge his own eyes out.

“Listen Cub, I think you have a pretty strong defense here. Besides being generally unpleasant, based on the more major accounts against you, I don’t really think you’ve done anything illegal per se, but the bigger problem here is that no one can stand you.”

“I don’t care.”

Mumbo knit his fingers, expression strained, “Well you should care, because Scar is going to build his case around well disguised personal attacks, and where he’s very charming, you are not. Scar is looking to win the public opinion and sway the judge and jury that way, which, given his long history of successful cases, you should be concerned. Scar is going to try to strip you of your position and possibly all future positions in desired systems, so if you don’t want your current fill-in to be the new Earth sun, you’d better pull it together.”

Cub frowned, deep. He really didn’t want that. She was so annoying, and so smug too, like come on, Cub wasn’t going to be gone for very long.

“I just don’t understand how Scar even has the grounds to sue me. My moons aren’t even moonionized, complaints ledged against me are few and far between, and I don’t go out of my way to be a dirtbag unless moons go out of their way to make themselves a problem to me.”

“These are all good points, but with moonion popularity on the rise and Scar being the moon that spearheaded that movement in the first place, I really wouldn’t come out and start talking about how anti-moonion you are.”

“I’m not anti-moonion, I don’t think suns should get to blow up their moons, that’s not cool, but I don’t think I should have to go out of my way to be nice either when I think I’ve made it extremely clear to the entire galaxy I don’t want anything to do with anybody because everyone sucks.”

“That’s certainly a stance.”

“It’s how I feel.”

“I wouldn’t bring that up in court either. Insulting the jury is a bad idea.”

“How do I get them to not dislike me then. I’m going to say right now that I will not put out any fires and I will not smile.”

Mumbo pursed his lips, fingers knitting tighter, “Well, I definitely don’t think you should smile in court, no, but it might help you not to look like you intend to kill everyone in the room and then yourself.”

“This is my resting face.”

“Your resting face sucks.”

“Go fuck yourself.”

“I would advise against telling the jury to go fuck themselves.”

Cub leaned back in his chair, exhaling a vent of hot air through his nose. He would try very hard not to tell the jury to go fuck themselves, but he could not express this thought out loud, so he chose silence.

“Right then,” Mumbo, apparently, was not one to let the silence lie, “Well I want to discuss a few other points with you, things I’m positive are going to be brought up in court, so please try to be receptive and honest with me, and remember that my job is to help you. First, for the more ambitious stars, Scar is going try appealing to them by making the argument that you hate your position in that extremely desirable system of yours, and the only reason you’ve commandeered it for so long is out of spite; you don’t want it, but you don’t want anyone else to have it either. I know it’s rumor, and I will make this argument in court, but that doesn’t necessarily-“

“No, that’s true.”

Mumbo gawked, at a momentary loss for words. “Seriously.”

“Well, mostly. I do like that system, I want to keep it. I like the Earth. But I will never give it up, never, because all those stars with their grubby little hands want it so bad, and they can’t have it because it’s mine. ‘You’re so sad looking for a sun, you should try smiling, you don’t act very much like a sun, you should really smile more, why don’t you blink, Cub?’ They will never see the Earth like I do. A moon would have an easier time witnessing my system’s life, and that’s perfectly fine, I like moons, it’s the stars that are having their penance paid. If you had a star on your back every day of your formative years telling you you’d look more sUnNy wiTh a sMiLe you’d be a soulless hermit too.”

When Cub looked up, Mumbo’s head was in his hands. “Don’t say any of this in court. Actually, do not speak at all in court, just let me handle it. If you must speak, deny deny deny. Lie. Anything but your true feelings please.”

“Are we done then?”

“Yes, we’re done.”

Cub got up from his chair, stretching. He felt a little calmer now; who knew it could be nice to talk about your feelings? Maybe it helped that Mumbo’s office had a similar fire to Cub’s sun back home, not nearly as hot as Cub preferred, but almost pleasant when compared to most other shared moon/sun/planetary environments. The familiar yellow orange of the walls and furniture made Cub feel at home, safe and relatively blended in, though that was only coincidence. Mumbo had a whiter fire to him, and stood out quite a bit against the backdrop. Cub couldn’t imagine wanting to be seen.

Just as Cub was about to leave though, the door to Mumbo’s office burst open and in walked a very jolly looking moon with half a face, his silver cold brilliant against the bright fire, but in a world of constant light, Cub couldn’t stop gaping at the inky dark that soothed his strained eyes.

“Mumbo Jumbo! Wow, you look terrible today! Tough case?” Scar grinned, leaning nearly all of himself over Mumbo’s desk, dark eyes utterly jubilant. Cub was so starstruck, he hardly grasped the implications before Mumbo spoke.

“Scar, I’m seeing a client right now, I told you to knock before you-“

“What client? I heard no talking, no one’s in the waiting room, and no one’s here. Y’know, Mumbo, if I didn’t know any better, I’d think you just didn’t want to see me.” With a frown to match Cub’s own, Mumbo moved his files out of the way before Scar swooned directly on top of his desk, turning over with unnatural grace to lay on his stomach and kick his legs. “So.” Scar said, all movement stopping to accentuate the word before he started back up again with his legs, “How’s it going.”

“Bad. You literally have no case and it’s going bad. But Cub’s right there, he can tell you himself.”

Scar turned around and screamed, exactly the way he had when they’d first met, rolling off the back of the desk and directly into Mumbo’s lap. Emotionlessly, Mumbo scooped Scar up and set him on his feet. Cub still couldn’t stop staring.

“I think it’s against my best interest to speak to you,” he mumbled, silently pleased when Mumbo gave him a thumbs up. “Not unhappy to see you though.” Cub didn’t know where that last bit came from, but he wasn’t embarrassed either. He was speaking his truth, as he’d always done.

“That.. so..” Scar eyed Cub suspiciously, stalking around the corner of the room like a bobcat across from a cobra. “I hope you’d forgive me if I said I didn’t believe you.”

“That’s fine. We were done anyway, I just like a place that feels like home. Do.. whatever it is you were doing.. intimidation tactics or..”

“No, no, I really didn’t mean to intrude. I will knock next time, Mumbo, especially when your clients are.. so difficult to see.”

“You still won’t,” Mumbo sighed, as if resigned to the fate. “Cub, when Scar follows you out, keep your mouth shut. Not a word.”

Scar scoffed, mock offense, “I’m not going to follow him out, Mumbo, geez!”

“Well, the last reason I had to stay was the temperature, but you’ve gone and taken it down, so I’ll be going now,” Cub shrugged, giving Mumbo a small nod, “Bye.”

“Goodbye, Cub,” Mumbo sighed, and Cub was not at all bothered by the strain in his voice. Very good, very good, he was not here to make friends.

But just as Cub was leaving this star to travel to the one he was staying at nearby, Scar cut past, stopping him over the vast expanse of nothingness all around them. Scar looked brilliant on this backdrop, the light reflecting off him less intense, and the dark holes in his form as beautiful as they were unnerving. Cub very rarely looked at people’s faces when he spoke, but with Scar, he couldn’t stop staring. Maybe that’s why he missed the first thing Scar said.

“Hello? Hello hello? Earth to Cub, anyone home?”

“I’m here. Was leaving, though.”

“Humor me for a moment before you go then, will you?”

“I don’t think I mind, but my lawyer might.” Scar must have found this funny, but to Cub his laugh sounded fake. Though, so did his scream, and regardless of how exaggerated it sounded in Mumbo’s office, Scar had absolutely been frightened.

“Well then, Cub, I just came down to tell you that you do something many suns do that I fucking despise,” Scar continued on sweetly, never wavering, “Would you like to know what that is?”

“I don’t really care, honestly.”

“Well I’m going to tell you.” Scar clapped his hands together and Cub flinched at the noise, which seemed to please him. Bits of frost floated like dust off Scar’s fingers, and Cub got the sense that Scar’s anger was real. “I can not stand it when I meet a sun in their domain and I’m treated like the scum of the galaxy; useless, unimportant, insignificant, but after I reveal myself, after I drag them to court, suddenly everything’s so civil, almost nice, like I’ve earned your faux respect by evening the playing field, by meeting you face to face as a fellow, and not someone to stomp beneath your heel. I’ve forced you to care by bringing you here, yes, but when you’re bordering on friendly after showing me how you really feel, that makes my blood boil. So let’s cut the shit, alright?”

Cub stared, not that he wasn’t staring before, but this time it was a more confused kind of stare, one he made when someone had said something that didn’t make any sense. “Do you think I’m treating you differently?”

Cub squinted against the wave of icy fury that surged off Scar, his crooked smile forced and eye twitching. “Do you take me for a fool?”

“A little bit. I think this whole endeavor is a pointless waste of my time, but the only difference between then and now is that then you were an obnoxious pest looking for a fight, and now you’re still a pest, but there’s nowhere I can avoid the company of others, so I’m not too fussed. Comparatively, on the scale of bullshit I’ve come across after being forced to leave my sun, my encounters with you rank relatively low. You are cold, which I hate, but you’re also easy on the eyes, which is a huge relief everywhere.”

“I- I’m what?” The fierce chill that radiated from Scar’s form faltered, and Cub didn’t know what was wrong with him, but this was much better.

“Cold. Not as bad now, but it’s honestly cold everywhere here, so I’m eager to get going. Only thing keeping me speaking to you right now is that the star’s going to be so damn bright everywhere, and it’s rare to get reprieve like this. You forget what it’s like to rest your eyes, and then you remember, and you never want to leave.”

“I- Oh! Oh, right, I..” Scar bit his lip, glancing back and forth as if looking for an escape, “That.. That makes more sense. That makes a lot of sense actually, I did think you were looking at me weird, but not because- you know, it’s not very nice to stare.”

“I don’t particularly care, if I’m being honest.”

“You might give someone the wrong impression with a look like that.”

“Let them think what they think.”

Scar stopped for a moment, looking at the ground. He seemed to feel a little more awkward looking at Cub now, but that didn’t stop Cub from staring at him, gosh, his own eyes had never felt so free of strain.

“You know, Cub, I take back what I said here. I think you’re callous, but I don’t think you’re pretending. The circumstances then and now are different enough that if I really try to worm my way into this horrible little brain of yours, I almost see where you’re coming from.”

“Please get out of my brain.”

Scar laughed that fake laugh of his, but for some reason this one rang true, and Cub might have smiled, maybe, something unnatural definitely happened on his face, but he was too caught up in Scar’s infinite dark to be disturbed by it.

[worldsbiggestnerd101]

for the last 3 days during our lunch period, one of my friends let me info dump about/explain the entirety of hazbin hotel and she did a couple things i thought were funny so here! i present

things my friend did while i was info-dumping about hazbin to her

“oh!! adam!! he’s the one that-” *aggressively gestures as if she were stabbing the air in an impressive imitation of niffty*

(in response to me mentioning husk as i was giving her a rundown of the characters) “oh yeah he and angel-” *makes a heart with her hands, crosses her fingers, generally gestures to show they’re a couple*

“wait,,, you said her mom was gone for 7 years,, and alastor’s been gone for 7 years,,,,” *gets the entirely wrong idea and thinks that something had been going on between lucifer and alastor*

referred to angel dust as a slut/whore when i attempted to explain his profession

(in response to me introducing lucifer in a shockingly really good impression for someone who’s only seen reels of the show) “my daughter wants to see me! take that depression!”

recited the whole “and now i am going to FUCK you!” “it’s fuck you up, dad” “wait what did i say??” bit from memory despite having never watched the show

called lucifer a cinnamon roll, specifically saying he “looks like a cinnamon roll, is actually a cinnamon roll”

went all “you have a giant x over your eye and wield an angelic spear, it’s not rocket science” after i told her vaggie was an angel (she has never seen the show her only exposure is me and instagram reels)

repeated imitations of niffty stabbing adam and constantly asking “which is the one where adam dies”

(in response to me telling her about the fight between alastor and adam in what is again another good impression) *gestures to imitate alastor’s cane snapping* “ffffuck”

repeated niffty-like stabbing of the air

i’m gonna do one of these again but with my bsf after i give her a rundown of the show and i’ll post it, these are so fun

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[ohmylcve]

He had questions, many of them. How could he not? Inside Verona's mind, she was sure he would have so many, but she wasn't so sure if he would actually ask. If he would be willing to know the raw truth of Verona's past. The whole pressure of convincing him was getting on her nerves, as if it were an obligation rather than a simple story she could choose not to tell. Of course, she had the choice, but choosing not to tell meant losing him, and that isn’t something she’s willing to do. Verona has never told this story to anyone. She’s had multiple lovers before, who left once they discovered her marriage. She also had ones who knew about her marriage—but those usually came for her flesh, not for her soul. Not a single person knew the entire story, because truth be told: no one mattered this much to her.

Though she was willing to speak, to go on and on about how she’s stuck in a situation she’s not willing to get out of, she hates that she’s compelled to do so. Verona would rather be in a bed, late at night, after a few glasses of white wine, spilling words like she accidentally spills her drink, when she’s not controlling herself. In this very moment, she wishes time travel were possible, just so she could go back and be able to tell this story the way he deserves to hear it.

Ali’s whole body betrays him: the clenched jaw, the closed fists... it’s almost as if he’s about to start a fight, and she knows that this very moment is one for him. He’s fighting himself, he’s fighting against her, but also... he’s fighting with her. And she’s battling to understand what it is that truly hurts him: is it the lie itself? No... once she realized that the words are mere objects to hide the true pain inside. So what was that pain? Scavenging through every word, through every silence, Verona finds herself eager to discover what it is that he’s hiding behind his thick and yet trembling walls.

She does so until he reveals his secret—one he might not have revealed if it wasn’t for this huge misunderstanding between them, just like the story she would’ve never told. After all, this was entirely about vulnerability. Hers, his. About how neither of them could deal with that. But more than that... it was about Ali. About how he never opened up this way to someone; not only did she feel that while in his sheets, but she acknowledges the truth of it by his mere state. "Oh, for fuck’s sake!" The entire control she held until now felt like it was shattered by his fear. She was still defeated, still felt like she needed to convince him, but she was tired. Tired of listening to him blabber on about what he thought, rather than hearing her say it. "If you're too much of a coward to deal with how much we feel, you might as well leave," she fires, guessing her entire face is as red as her hair. "I could’ve lied about so many things. So many! I could’ve faked how I felt, but I don’t take you for a fool. I know you can read people more than I can understand, so I know you’ve read me and you felt the truth in every touch. Mine or yours. You felt it, and if you can't admit that to yourself, then go. Because if you’re here to throw your truths at me, I am not interested in this conversation at all." With a deep breath, she takes a sip of her drink, allowing the anger and irritation to fill her body. What is that pain of hers, then? Clear as day, it popped into her head: he’s knowing me before I can show up to him, just like Viego did.

As the trigger was identified, Verona finishes her glass of wine, forgetting her manners and wiping her mouth with her sleeve. "I could've lied about my name. Have you ever thought about that?" she begins, her gaze meeting his, silently challenging him to keep up. "I’ve had my fair share of affairs, but you were the only one who got my full name right. Verona Quinn." Lowell, she knows. But that's not her name, not the one she claims, not the one she's known for. "My maiden name is my full name." With a slow breath, she looks away, tears rising as she reminds herself that she is the one who built her empire. Not Viego. Her.

"I have no idea how you felt. Not a single glimpse of comprehension," she begins, calmer than before, as if the storm she threw was nothing more than necessary to bring her back to herself. "And I never will. Nothing I can say will change the fact that I’ve hurt you a lot, I’m well aware of it." Confidence blending with her words, as if both were merely colors she was merging to create a new one. "But I do have my reasons for acting the way I did. Nothing will justify the pain you're feeling, so if you're looking for that, again, you might as well just leave." Still able to hold his gaze, she continued. "I am Verona Quinn, for what it matters. I live as Verona Quinn, I EXIST as Verona Quinn." Emphasizing existence, she knows the core of what she's about to say lies there. "I never lied to you because I was dragging you into my mess. For me, it was never a lie, because the life I live is already one." Admitting it to herself out loud hurts more than she expects, and afraid she might stop in the middle of it, she continues, faster than before, but with as much intention. "Forget social conventions for a while, and think of our last walk through the streets of Venice, Ali. I can imagine how confusing that might be for you, that we've felt that much and yet I am married. I can assure you, in this marriage, there's no love. Nothing like we have, not even close." Her gaze turned into a searching one, as if she was trying to find the small piece that held both of them together inside of him. Her hands, on top of his tightened ones, slowly moved to open them, to grab his hands while she kept talking. "I gave you my all. I never gave you lies, no, not in my perspective. What I did was open up my chest, to grab my heart, and put it inside your hands. These very ones." She says it softer, a childish smile quickly making its appearance and then leaving as she recalls the information that once left his lips: I've killed for less than what you did to me. Then, lifting her eyes to meet his gaze, she adds, feeling her throat close in anxiety for his answer to what she's about to ask. "Will you crush it, or will you keep it?"

Ali’s thoughts swirled in a tempest of contradiction. He wasn’t sure which stung more—the raw truth of Verona’s words or the realization that he had come here, into her world, unarmed with anything but his own vulnerabilities. Vulnerabilities he despised. Vulnerabilities that, for the first time in years, he couldn’t hide from himself. Her gaze, unwavering and penetrating, stripped him bare in ways no interrogation or battlefield had ever managed. It was excruciating. It was intoxicating. For so long, Ali had conditioned himself to avoid moments like these. To bypass the chaos of human emotion and live within the neat, controlled lines of precision and purpose. Chaos belonged out there—on the job, in the face of danger, where his body and mind could cut through it like a scalpel. Not here. Not in the eyes of someone who made him feel exposed, seen, and, worst of all, uncertain. He hated uncertainty. And yet, as Verona questioned him—her voice steady but her breathing betraying her—he didn’t feel in control anymore. His carefully constructed walls, reinforced by years of discipline and detachment, buckled under the weight of her honesty. The vulnerability in her words was almost unbearable. He wasn’t sure if it was anger, regret, or something far messier that churned in his chest, but it clawed at him like a caged animal. What did he want to know? Did he even know? Her question hung in the air like smoke, suffocating him as much as it compelled him to answer. He clenched his jaw, fighting the instinct to retreat, to end the conversation with an abrupt exit and return to the comfort of isolation. But he stayed. For reasons he didn’t fully understand, he stayed.

“Start with why,” he said, his voice steady but lacking its usual coldness. It almost felt foreign to hear it. His own words sounded sharper than he intended, but Ali didn’t soften them. He couldn’t. Not when his mind was flooded with fragments of memories—brief moments of trust, of closeness, that now felt tainted by betrayal and lies. Not when he wasn’t sure if he wanted to forgive her or punish her for the way she made him feel. For the way she still made him feel. He hated the way his heart raced as she took a step closer. Hated the way he noticed every detail—the slight quiver in her lips, the tension in her shoulders, the way her eyes searched his, not for forgiveness but for understanding. Hated how much he wanted to give it to her, even when he wasn’t sure she deserved it. The truth, he realized, was that he wasn’t here for closure. He wasn’t here for answers. He was here because, against all reason, he couldn’t stay away. And that terrified him more than anything. Ali’s hands tightened into fists at his sides, his nails digging into his palms as he struggled to steady himself. The air between them felt thick, charged with all the words left unsaid, all the truths she had buried and he had clawed at only to uncover too late. He stared at her now, his mind a battlefield of emotions he couldn’t afford to indulge: anger, betrayal, longing. Why had she lied? Why had she pulled him into her orbit, knowing all along she had another life—a life she’d hidden while weaving herself so deeply into his? Ali’s voice, when it came, was low and deliberate. Every word felt like a sharp-edged weapon, carefully aimed but impossible to dull.

“Do you have any idea what it felt like,” he began, his tone measured but barely masking the storm beneath, “to find out the way I did? To look into the life you kept hidden and realize I wasn’t just a part of it—I was your secret?” His gaze was fixed on hers, unrelenting. Her eyes, so often a mystery, were now a mirror, reflecting the weight of his words back at him. But Ali couldn’t stop. He’d held this inside for too long, and the dam was cracking. “You say you weren’t playing with me,” he continued, his voice hardening, “but what else would you call it? You didn’t just lie, Verona. You let me believe there was nothing else. No one else. And I—” He cut himself off, the words catching in his throat. He didn’t want to admit what he had given her, what he had felt for her, not when it still ached like an open wound. His breath hitched as he forced himself to calm down, to rein in the chaos she had unleashed inside him. Ali prided himself on control, on precision. But she had dismantled that so easily, with her truths and half-truths, with the world she’d built for herself while leaving him in the dark. “I’ve killed for less than what you did to me,” he said softly, his voice a dangerous whisper. “Do you know that?” The cat was official out of the bag, and Ali didn't even realize he just let out a big secret. That's how crazy he was about her. That's how mad she made him. “And still,” he said, softer now, the anger bleeding into something rawer, something vulnerable, “I came here. I needed to hear it from you. Why you lied. Why you didn’t trust me enough to tell me the truth.” He paused, his gaze locking onto hers again, searching for something—remorse, regret, an answer. Anything to explain why she had taken what he’d offered her and broken it so completely. “Did any of it mean anything to you? Or was I just the escape you needed until you went back to your real life?”

[clegfly]

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Okay I’ve been posting too much silly Puter stuff lately. Party’s over people