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florrickandassociates · 3 years ago

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TGF Thoughts-- 5x07: And the fight had a detente...

This episode is a wild ride, so if you haven’t seen it yet and you aren’t spoiled, don’t read this. Just go watch it.

Ave Maria plays over a photo montage of cancelled men, including Kevin Spacey, Louie CK, and Scott Rudin. (Scott Rudin, if you don’t know the name, is a Broadway/Hollywood producer who treated his assistants like absolute shit. He’s the inspiration for the possessed producer episode of Evil—I think it’s the third episode of the series—and Robert King does not like him one bit.)

And then the episode opens with Wackner, Del, and Cord discussing the Armie Hammer cannibalism ordeal. Whew, this is not what I wanted to be thinking about first thing on a Thursday morning. I do not think I can put into words how boring I find debating whether or not someone should have been “cancelled.” Cancellation is usually about rich people facing consequences for shitty actions, and those consequences have never involved anyone’s rights being infringed upon, so why should I care about someone being cancelled? And, while I know that society/people on Twitter don’t always understand nuance, I’d like to think that when it comes to the most notable examples of cancellation... no one is losing their livelihood over false or minor allegations.

There are so, so, so many issues in the world. Cancellation affects a handful of high profile, usually white, straight, male, celebrities. Why should I give a shit about, like, Louie CK not being able to make as much money as he used to? I just do not and cannot find it interesting.

I’m not surprised David Cord and Del Cooper find this topic interesting—Del likely hates worrying that all of his comedians could get cancelled and put him in a financially tricky spot; Cord probably says things like “Woke Mob” unironically. And as for Wackner, he almost certainly has a skewed understanding of what actually happens when someone’s cancelled and sees a place where he can step in and add some order. Blah. It’s just so boring.

"People are getting canceled without a trial, no evidence presented against them,” Wackner says. This is not it, Wackner! This is such a strawman argument. We don’t need the legal system to adjudicate people being assholes to each other, and in cases where a crime is committed or a particular individual can sue for damages, that is what happens. If you act shitty and then your sponsors realize you’re toxic and drop you, like, it is what it is. You can feel free to respond via a Notes App screenshot where half of your apology is actually just whining about cancel culture and then you say “I’m sorry if anyone took offense at what I did” instead of saying “I’m sorry I said/did hurtful things” and when people don’t take that seriously, maybe it’s because you didn’t take it seriously, either.

“There are a lot of reasons these accusations never go to trial. The victims finally get to accuse the victimizer face to face,” Wackner explains. Were the victims asking for this?

Marissa shares my question, noting that if the victims don’t want to speak up, then the victimizer would have the court to himself. This raises a new question: who is even bringing these cases? Are Wackner, Cord, and Del just deciding they want to do things as cases and then getting everyone else on board? This sounds bad!

Apparently, according to Wackner, “if #MeToo relies on mob rule, it’ll exhaust itself.” What... evidence is there for this? I get why people panic about the POSSIBILITY of this happening, even though I don’t share their panic, but is there any actual evidence that #MeToo is losing steam because of false allegations because cancellation isn’t a formal process? I don’t believe there is.

The test case we have the pleasure of seeing this week is about “Louie CK two,” whom I shall refer to as LCK2 instead of learning his name.

Now, suddenly, Marissa is asking one of LCK2’s victims to testify. She doesn’t want to participate because it’s just another way for LCK2 to get his career back. Marissa decides to be idealistic and say this is a real opportunity to confront LCK2 with his crime. I suppose she isn’t wrong, and that is what happens next, but, again, meh.

Apparently David Cord is going to defend LCK2. You know what would get cancelled in five seconds? A David Cord funded show that has David Cord actually on it, railing against cancel culture! Can you IMAGINE the thinkpieces?

God, when is this episode going to move on from this extremely irritating premise?

Marissa decides she wants to be the prosecutor. Wackner says if she prosecutes LCK2, she has to prosecute the academic who used a word that sounds like the n-word and lost her job for it. Marissa thinks the academic shouldn’t have been fired, but Wackner insists she has to take both cases.

“Let’s go into court,” Wackner says, and, thank goodness, we do go into court: REAL court, where we are talking about REAL issues.

In court, Liz and Diane are suing the police over the death of a black girl who was tased by the police. Her friend is on the stand and it’s quite emotional. Also, Diane tries to pass Liz a note and Liz ignores it. Why would you have two name partners on this case if they aren’t even going to try to work together?

You can tell things are tense between two TGF characters when they talk at the same time in court but are on the same side.

Hiiiiii Abernathy! ILY!

The victim had a heart condition, which the police lawyer argues is the actual cause of death. Police lawyer also argues that since this witness posted some ACAB lyrics on Instagram, she must be biased. Eyeroll.

Liz calls the other lawyer racist; the other lawyer tries to make Liz look like she is only on her client’s side because she’s black and that Liz is being absurd.

Cancel culture court happens. We’re dealing with the academic case first. I don’t feel like talking about the cancel culture shit too much, so here is my take on this case as a whole: (1) I don’t think the actual word in question, which isn’t actually the n-word, is enough on its own to get someone fired (2) I also don’t think anyone can use that word, regardless of its meaning or history, without understanding how it will come across. (3) The teacher did not get fired for simply using this word once (4) This teacher believes that anyone who is from a group that’s been marginalized in history should have to confront that marginalization with as little sympathy and respect as possible because it will help them be more resilient. So basically, if you are from the dominant group then you don’t get challenged. She believes it is her job to do this. She is an egotistical asshole who has no business teaching.

Cord wants everyone to have to say the full word in question. He says this pretentiously (though I don’t think saying “Said word” is that pretentious, tbh) and Wackner rules against him and also makes him wear a powdered wig for using “obtuse language.”

Marissa is not trying at all with this case at first, since she doesn’t believe in it. That’s shitty, Marissa. If you want to be a lawyer at a firm like RL you’re going to have to fight for all of your clients.

Marissa makes a Latin joke and ends up in a powdered wig, too.

The prof says, in one sentence, that she didn’t know what she was doing using the word and also that the black student who took offense thinks college is supposed to be warm, cuddly, and unchallenging. So it was a challenge, then, prof?

I like this student. And I love that she calls Marissa out for obviously not trying.

“The optics matter. Racially,” Diane says to Liz, who agrees. Diane, strategically, makes it about gender first (the cop is male, some jurors may react to a woman questioning a man), then makes it about how she should be the one questioning the cop since Liz is black. It would make the jury more “comfortable” (hey, there’s that word again!) Diane says. She says she is being pragmatic.

Diane says that she could be “more dispassionate”. Be or come across as, Diane? Either way, Liz, who knows full well what the optics look like given that this isn’t her first time in court, doesn’t agree with Diane that they need to come across as dispassionate.

Then Diane just changes the subject to the firm drama. “Liz, you’re shoving me out of my name partner position because of my race.” Like that’s the issue!

“I am doing nothing. You are the one who got our racist clients to whine to STR Laurie about us,” Liz counters. “Those clients bring in a great deal of money, and they are not racists,” Diane insists. Yes. Sure. Diane just happened to choose white male clients who were “comfortable” with her to talk to. I have no doubt they’d have reacted poorly to any change in representation, but Diane was counting on those particular clients having some discomfort with their new lawyers.

Liz calls her out and Diane’s still trying to play it like she just had to inform her long-term clients and it just had to be done this way. But, when Liz asks if Diane thinks the clients would’ve had the same reaction if their new representation were to be white, Diane says that maybe her clients are worried about racial grudges. So, what you’re saying is you knew exactly what you were doing, huh, Diane?

I get why Diane doesn’t like being pushed out, because who would, but Diane, this isn’t about you. And if you didn’t want to make it about race, perhaps you shouldn’t have appeared on a panel about how great it is that your firm is majority black? You can’t have it both ways.

Liz notes that Diane felt “entitled” to her name partnership. This is accurate, though based on revenue and stature I don’t think it can be denied that Diane deserves name partner status (generally speaking). Diane went over to RBK, was like, “sure, I’ll be a junior partner, thank you so much for the opportunity, I can’t even pay my capital contribution right now but what if I were name partner in three months?” and that is both entitlement and knowing one’s own worth, but mostly entitlement.

(Liz does not act entitled, but if we want to get into who deserves their partnership more—again generally speaking, not their partnership at a black firm specifically—it is definitely Diane! Liz literally only has this job because her dad was important.)

“I think that Barbara Kolstad was shoved out because you felt entitled to her position,” Liz shouts. OMG, a mention of Barbara?!?!?!??!?!? THANK YOU, WRITERS!!!

(This is a slight bit of revisionist history but I’ll allow it, and I think it’s right in thought even if it’s not right on the details. Barbara wasn’t shoved out—Barbara chose to go to a different firm that offered her a better deal—but I don’t think Barbara would’ve been on that trajectory had it not been for Diane’s presence at the firm. Barbara was in charge of a firm that shared her values when, suddenly, her partner decided that they needed to pursue profit over all else and needed Diane to execute that strategy. Maybe no one made a move directly against her, but Adrian and Diane changed the mission of RBK until it was no longer somewhere Barbara wanted to work.

“We can’t work together if you don’t respect me,” Diane screams at Liz. “No, we can’t work together if you use race cynically,” Liz responds. Diane gets even angrier, swears a bunch, and then says “You want to come after me, you come after me with an honest argument about my lack of competence, my lack of worth.” Diane, you are fighting a completely different battle here! You can be entitled and also correct and also good at your job. This is what you used to accuse Alicia of all the time. The fact you’ve turned this into something about your skill level when it’s about the meaning of having a black firm is only proving Liz’s point.

“Your unworthiness—which you don’t seem to want to acknowledge—is that you can’t be the top dog in a black firm,” Liz says. Exactly. But Diane just storms off.

Now the cop is on the stand. He did not know the victim had a heart condition. Uh, obviously, why would he have known that?

Liz is aggressive in court; Diane thinks this is the wrong strategy. Without knowing who is on the jury, I have no idea which one of them is correct.

The next move is to get the cop’s ex-wife, who he abused, on the stand.

Goodie, it’s cancel culture court. Things go well for Marissa, but Del wants to know why Marissa wasn’t that passionate about the n-word case. Marissa says she feels like it’s not the n-word, like that is a valid reason to not represent your client to the best of your ability. “It is. It always is,” says Del.

Marissa heads back to RL, and as she walks, the camera follows her and moves through the space until we end up in Liz’s office, where she gets a news alert about the cop from the COTW. He’s been killed, seemingly in retaliation for his actions. The news is quick to suggest the trial might’ve encouraged the killing. “Oh, fuck.” Diane says as she watches the news. Aaaand credits (at 20 minutes in!)

From the promos, I thought this was going to be a Very Serious Episode about police brutality. From the opening, I thought it was going to be an insufferable episode about cancel culture. I was wrong! (Though, I suppose, some of the cancel culture stuff is still insufferable.)

Yay for Carrie Preston, who directed this episode. I read an interview with her and she talked about how there’s a “look book” for directing TGF episodes and I have never wanted to see anything as badly as I want to see this look book. (Am I exaggerating? Probably. But I might not be.)

After credits, Marissa finds Carmen and Jay to ask them if “n-word-ly" is offensive. She acknowledges she’s being annoying but they let her continue anyway. Jay finds it offensive. Carmen does not. This seems fitting with their characters, and I love that this scene acknowledges that not every black person is going to have the exact same reaction to everything.

I want Carmen to have more to do! While I’m glad the show isn’t forcing her to have a large role in every plot just because, I feel like she’s gone missing for the middle part of the season. My guess is that their priority with Carmen is setting her up to be an ongoing part of the cast who grows into being someone we want a lot from rather than forcing her plots from the start... but surely we could get a little more of her! I doubt she’s a one-season character like I assume Wackner will be.

The cop’s murder changes the vibe in court. Abernathy calls a moment of silence in his memory. “We’re fucked,” Liz whispers to Diane.

And indeed they are. The cop’s ex no longer wants to talk about how abusive he was—she wants to talk about how great he was. Whose idea was it to still put her on the stand?! Idk about legal procedures but this seems like a really avoidable mistake!

Diane argues that the cop’s death has prejudiced the jury. Abernathy decides to call a “voir dire de novo,” using an obtuse Latin phrase that would not be permitted in Wackner’s court. (Love the little parallels in this episode, like this, the transition between courts earlier, and how much of Marissa being called out on her whiteness feels like a thematic extension of everything going on with Diane.)

Cancel culture court continues. Carmen shows up.

I don’t really get how June, the victim of LCK2, potentially losing a headlining gig for a bad set instead of retaliation from LCK2, scores him a point. One, if she was a rising store, one bad set shouldn’t have damned her career. Two, isn’t it enough to prove that he masturbated in front of women who didn’t want him to do that???????

Having June perform her act with no prep in Wackner’s court so they can judge whether or not she is funny is a wildly bad idea. So now Wackner is an arbiter of humor as well as cancel culture?

This whole system is silly and I reject the whole premise but June should not lose two points for the logic that Wackner + the audience don’t find June funny --> June must’ve had her career derailed because she just isn’t funny (how’d she book the headliner gig, then?) --> LCK2 scores points??? He still masturbated in front of her without her consent!

Using cancel culture to show Wackner’s court is going too far/slipping into bad territory: I’m on board with this. Using Wackner’s court to actually comment on cancel culture: Ugh. The writers seem to be trying to do both.

Lol at Abernathy having Stacey Abrams’ book on his desk.

Marissa argues the n-word case more passionately, because these writers love to make situations that seemed clear cut seem more uncertain. It’s no coincidence they have the sexual harassment case look murkier (though, again, June being bad at comedy does not negate the sexual harassment!) right before they have the n-work case begin to tilt in favor of the professor’s cancellation.

Hahah what bullshit about trying to prepare the students for a world that won’t be kind to them. Do you seriously think your black students need YOU to prepare them?

This lady thinks history classes have to describe rapes in detail to get students to sympathize. No, no they fucking do not.

She also says she’d use the n-word if she were teaching a topic where it might come up. Um, no?

Mr. Elk (this is what I call Ted Willoughby, Idiot Reporter, after he said “things of that elk” in his first appearance) is attacking Diane and Liz on his show. Diane and Liz are, apparently, “Marxist slip-and-fall lawyers” and Mr. Elk plays a clip of Diane saying cops need to be held accountable. Obviously, this was before the cop’s death and meant to be about the legal system, but it looks like Diane’s calling for his murder. I also love how they go out of their way to only pause the clip on unflattering frames of Diane.

Liz wants to use this in court—I forgot that Liz is super sneaky but this tracks; she is always quick to use things to her advantage and we’ve known that about her since her strategy with the DNC in 2x07 (to make outlandish allegations and then drop them before presenting proof). Julius wants to get Liz and Diane security.

That security is, apparently Jay. I think they’ve shown Jay as security before when Lucca went viral. I didn’t understand it then and I don’t understand it now.

I was, briefly, worried for Liz and Diane’s safety, especially after I saw all the angry cops waiting for them in court. Then I thought, oh, well at least they’re in court, they should be safe from being shot there. Then I remembered 5x15. Then I laughed at myself.

Liz’s new strategy works and Abernathy uses more Latin. But, they can’t get any more jurors thrown. (They’re going for a mistrial.)

Oh, Carmen is back again! She did SO MUCH in that court scene where she appeared and then disappeared! She’s chatting with Marissa and spots LCK2 in the RL offices.

Apparently, LCK2 negotiated a contract with Del, with David Lee’s help. (Why would David Lee be doing entertainment law?) Suddenly everything makes sense to Marissa.

She calls Del to the stand. This—and, honestly, everything after this—makes me wonder how much of this would ever make it to air. Why would Del televise this?

What a shock—Del wants LCK2 back on his streaming service (which I don’t think has a name LOL).

Somehow Marissa’s questions become about Wackner and whether or not Wackner is an impartial judge, which doesn’t seem like the core issue. Wackner has made it pretty clear that his stance is that he doesn’t care if others are corrupt around him or try to use him; he’s going to be impartial no matter what. Why not play that up instead of making the entire show look staged and Wackner look complicit, Marissa?

Like, why is Marissa asking Wackner if he’s prejudged the case?! Why isn’t she just trying to like, get him to declare a mistrial because there is a conflict of interest? She can make a version of this argument without accusing Wackner of PREJUDGING, which she knows—I know, so she knows—will set him off. Wackner truly believe he thinks he is impartial. It’s not smart strategy to question that (even if we all know that Wackner is not impartial!)

Wackner blows up at Marissa and shouts at her. He tells her to get the fuck out of court.

This is certainly dramatic, but again, would Del ever choose to air this? I doubt it.

On her way to work, Diane notices hot pink spray paint in the elevator. When she exits the elevator, the whole firm is gathered in the lobby. Someone has painted COP KILLERS across the elevator bank. “Security doesn’t know how they got in,” Jay says. “Of course they don’t,” Diane responds. “They suggest we call the cops,” Jay says. I love this little exchange. I wasn’t exactly wondering how someone got in, but I like the show making it clear how unprotected Diane and Liz are right now and why.

Julius appears and says that Mr. Elk is saying something new. Diane and Liz sit down to watch and the tone of this episode completely shifts.

I had forgotten completely that Liz’s dad’s assault issues are out in public until Mr. Elk called him “a disgraced civil rights leader.” It doesn’t feel like they’re out in public! Also I would believe Mr. Elk calling him disgraced for no reason at all.

Y’all, when Mr. Elk said the name “Duke Roscoe,” my jaw dropped. WHAT A CALLBACK.

This scene, and really, everything in this plot from here on out, is a delight. It just keeps going and going. It is the best kind of fanservice.

1x11 has been, for no real reason, on my mind since 5x04. It popped out to me as an example of this show’s humor so I talked about it in that recap. I nearly mentioned it in my 5x06 recap when Diane laughed at Julius’s suggestion that they start a firm together. I rewatched 1x11, by complete chance, like two weeks ago. How weird that I'm somehow on the show’s wavelength about this!

Also I made a joke about Mr. Elk last week without knowing he’d be back this episode. I would like to think I conjured this.

(1x11 is a really pivotal episode for TGW, even if it isn’t one of the most notable episodes overall. It's composer David Buckley’s first episode and that ending, with Diane laughing, is one of the earliest moments of TGW showing its sense of humor and playing to its strengths.)

Mr. Elk notes that they “rarely see” Kurt, which is apparently evidence that Diane is a lesbian. Hahahahahahah. Mr. Elk also wouldn’t want to note Kurt, despite his recent controversy, because to his viewers, Kurt’s beliefs would make Diane seem more sympathetic.

GUYS, THE WRITERS DECIDED TO MAKE A CALLBACK TO AN ICONIC MOMENT FROM AN EPISODE THAT AIRED OVER A DECADE AGO AND THEN BUILD ON IT. I cannot express how fucking happy this makes me.

Now, Mr. Elk says, Diane and Liz are an item!

What’s better than Diane laughing hysterically at the original allegations? Diane doing it again, eleven years later, JOINED BY LIZ.

This also works super well to cut the tension between Diane and Liz. I assume this isn’t the end of the name partnership drama, but I think it might be the end of Diane and Liz being pissed at each other. Since the name partnership drama was never really about Diane and Liz (Liz seems to want Diane to stay on...), I’m fine with that.

Because this is an episode full of callbacks that delight me, Del asks Liz when he gets to meet her son! HER SON STILL EXISTS!

It sounds like Liz and Del still aren’t fully official, which clarifies why they don’t seem to be a couple in public.

Del brings up the Diane rumor (jokingly) and Liz jokes along. I love that we get to see this playful side of Liz.

Wackner’s watching his outburst with regret. Del calms him down and notes that this is good TV (why... would Del air this... it makes DEL look worse than anyone!). Wackner calls Marissa to apologize; she picks up and accepts his apology.

Abernathy calls Liz and Diane into chambers. He’s worried he was “insensitive”-- he's noticed the tension between Liz and Diane, but now he thinks it was a lover’s spat.

Diane puts on a poker face and leans in towards Liz. She starts nodding attentively and thanks Abernathy. Liz smiles and doubles down: she’s not just going to play along, she’s going to milk it. She gets a juror kicked for homophobia, which means a mistrial. Shameless. I love it.

Diane and Liz playing off each other as Abernathy tries to look like as much of an ally as possible is comedy gold.

Diane even calls Liz darling. Omg.

LCK2 is on the stand, being charismatic and annoying. Of course he is. This is what happens when you give someone who is known for being able to connect with a crowd... a crowd and the benefit of the doubt.

LCK2 is talking about “stupid women” in his new set. Why... is Del giving that a platform at all? See, the fact that Del thinks it is not only interesting but also somehow essential to let LCK2 make jokes about sexual harassment is why I can’t take this episode seriously. Why should I be more outraged about someone who did something shitty not getting a trial for his shitty but legal behavior than I am about powerful people continuing to offer shitty people platforms? Only one of these seems outrageous to me.

Wackner decides that the professor did something “awful but lawful” and that’s it. So you’re saying that if it isn’t illegal, it doesn’t get decided in your court, either? What was the point of this, then?

The professor says she doesn’t want that—she wants the school to know she’s being punished so she can get her job back. The student storms out, rightfully. Wackner’s job isn’t to offer someone who wants punishment some form of penance, like she can exchange community service hours for offensive remarks. It’s to... well, idk what it is to do, since this whole thing doesn’t really make sense and he makes the rules, but I don’t think his verdict has to be about giving anyone what they want. I’m disappointed that Wackner comes up with a punishment and I don’t think it’s going to get her her job back.

LCK2 loses, too, because he hasn’t made amends. Wackner doesn’t want to fine him because he’s too rich for a fine to matter. Cord argues that LCK2 deserves a second chance. I mean, sure, but is he being denied a second chance? He doesn’t deserve an easy path back to his fame just because he wants it.

Wackner mentions prison. At first I was like, oh, that’s a nice throwaway line that he mentioned prison! This ties into what I was saying a few weeks ago about how Wackner likes the institutions that already exist—he just thinks they’re imperfect! It’s fitting that he’s not a prison abolitionist!

And then the episode actually went there: Wackner, thanks to David Cord’s private prison company, actually sentences LCK2 to prison. This is deeply uncomfortable (and of questionable legality). Wackner’s system is just going to recreate prison? Worse, private prison? He’s creating an unchecked, privatized legal system?! This sounds bad! Kudos to the show for taking this to some place so dark—I knew Wackner’s system would start to show cracks, but I didn’t realize they’d go this far.

And I’m not sure what the end game is with this! All I know is I’m not on board with Wackner sending people to prison (except as a plot—I am very on board with this plot) and neither is Marissa.

I do not think viewers of the reality show will like the prison twist or the fact that Cord is financing a court and prison! Can you imagine the scandal!

And what do the contracts look like that allow Wackner to sentence someone to prison? Can LCK2 leave any time he wants? If so, then how does the prison sentence help? If not, is that legal?

Del wants it to be a 2 week sentence, not 3, because this means LCK2 will have to miss his taping in two weeks. I have many questions. (1) Is Wackner’s show airing live? If not, then why do they need to rush the taping of the special? They could push it quite easily. (2) Why can’t they push the taping? This guy is a huge deal and enough potential $$ that Del wants to rehabilitate his career... so why does the taping have to be on this particular day and time?

Is there really an Exxon Mobile case, I wonder?

I like that we spend a good amount of time watching Marissa’s reactions to this latest addition to Wackner’s court. Combined with the score, Marissa’s facial expression serves to underline that private prisons are not good here! This isn’t Wackner getting legitimate methods of enforcement... this is just opening a pandora’s box of highly questionable extrajudicial practices.

I do love that this episode ends up here: it starts out like it’s going to be about cancel culture silliness and ends up being about the escalation of Wackner’s tactics.

Funny how both of the cancelled people end up being found guilty by Wackner, huh! Almost like they actually did something wrong and faced the consequences!

Liz and Diane get called in to talk to Liz��s favorite department: HR. They’re asked to sign “love contracts” to confirm things are consensual. I find it hilarious that HR gives them the paper before even asking if it’s true.

Liz grabs a pen and signs. Diane follows her lead. They look at each other and smile politely at HR.

I am... not sure how to read this last scene! Is it a fuck-you to HR? A way of easing tensions? A way for Liz to get people to stop talking to her about removing Diane as name partner because no one will want to ask if they’re really involved? Something else? Help me understand!

Curious to see where things go next. I can see LCK2 coming back for another episode but it also wouldn’t surprise me to never see him again. Similarly, I could see some glances/discussion of Diane and Liz’s romantic relationship next week, or I could see it never being mentioned again, or I could see it being mentioned next season out of the blue.

#tgf thoughts #the good fight

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writings-of-bored-gal · 4 years ago

Text

New Jersey Dog Sanctuary

Summary: Meet cute! Bucky is told he needs to get a dog and so goes with Sam to the shelter where he meets someone he wasn’t expecting. (It’s not overly romantic, mostly just wholesome Bucky but if I write a part 2 things will heat up a little!)

Words: 1704

Author’s Note: Hi guys! I’m so sorry I’ve been MIA for so long, but hopefully this will be the beginning of me posting more regularly again! I’ve actually really missed writing fanfic but I’ve been taking the time to work on some original bits too so maybe they’ll make their appearance on here some time in the future. For now, enjoy some soft Bucky fluff and make sure to keep sending me any requests (particularly Marvel stuff because I am riding a WandaVision marvel high at the moment!) Sending all the love- Abby x

Masterlist

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“C’mon Sam you know that this is more hassle than we need right now.” Bucky sighed. The sign above them read ‘New Jersey Dog Sanctuary’ in large green letters, punctuated with a paw print on either side. The glass door opened up to a lobby lined with sofas covered in dog hair. On one sat a kid, clutching a small scruffy terrier to his chest like his life depended on it. Bucky shook his head.

“Look, Buck the therapist said you needed a dog, so we’re getting you a dog,” Sam gave him a sharp look, staring at him. Bucky met his gaze. A staring contest. He knew the stakes without having to say a word. If he won, he wouldn’t have to go in, but if he blinked he’d be stuck with some dog he’d be forced to take with him on missions, getting in the way and making him trip up. Sam’s eyes did not move, but his hands clapped, making Bucky flinch, and worse, blink.

“Cheater.”

“That’s just another word for winner, Barnes,” Sam winked, gesturing to the door. “After you.”

The sound of barking and the smell of fur hit the moment they walked into the place. There was a girl sitting behind the counter, her hair pulled back but strands still falling on her face as she frantically answered the phone and tried to pull something up on her laptop. She smiled at Sam and Bucky and held up a finger, pleading with her eyes.

“What do you think of that one?” Sam said, pulling Bucky’s attention and pointing to a spaniel in the corner on a pink leash. Bucky shook his head and pulled a face. “Okay, something bigger?” Bucky sighed again, and nodded. “What about that one?” Sam pointed to a dalmatian who was jumping up at one of the workers. One he looked past the dog, Bucky realised that the girl was kinda pretty, smiling at the dog and letting it lick her face affectionately, half-laughing at something one of her co-workers had said to her.

When Bucky once again shook his head, Sam gave up. The receptionist gave a cough behind them.

“Did y’all make an appointment?” She asked, her fingers poised and ready to type.

“It’ll be under Barnes,” Sam answered for Bucky. “We’re looking for a big dog and I looked on the website and-”

“Alright,” the receptionist interrupted, “if you take a seat on the couch over that way I’ll have someone be over with you soon.”

“You looked on the website?” Bucky asked as they turned away and made their way over to the couch. “Is this dog for you or for me?”

Sam punched his good arm and Bucky rolled his eyes, scanning the couch to find a surface not covered with hair to sit on, unsuccessfully. The whole thing was covered with different coloured fur, creating a strange montage of white, black and brown shades on the bright green of the couch. Sam slumped down in the chair and Bucky took his chance to take a glance back at where the girl with the Dalmatian had been a minute earlier, but she was gone.

“Hi there!” Bucky turned to see her standing there. The Dalmatian was gone from her side, but she was still brushing her front to try and rid herself of the lingering fur. She smiled brightly, her eyes crinkling as she looked between Bucky and Sam. “Take a seat. My name is Y/N and I’ll be helping you out with finding a dog here today.” She took a seat and pulled a notepad onto her lap. Bucky sat down, feeling Sam’s smug eyes on him but desperately trying to ignore him.

“It’s nice to meet you, Y/N. I’m Sam and we’re here to look for a dog for grandpa Buck over here.” Sam smirked as Bucky shot him a death glare. She turned her attention to Bucky, kindness in her eyes as she looked him up and down.

“I’m guessing a big dog, right?” She asked.

“I guess, yeah,” Bucky said, folding his arms over his chest. “And not too young, we don’t really have time to train it properly.”

“Okay no problem,” she nodded, jotting some notes down, “any other preferences?”

“It’s a therapy dog,” Sam said, “so-”

“Sam!”

“No it’s okay,” the girl said, stopping the argument before it could begin, “we actually don’t have any licensed dogs here on site but if it’s just for companionship and comfort then there shouldn’t be any issues.”

Bucky nodded solemnly. It had been a kick in the teeth when the therapist Sam had forced him to go to had told him that he would need an animal. He’d survived for so long on his own, it felt almost strange to even be with Sam so often. Having to rely on an animal felt like he was losing independence. When he’d told his therapist that she had tried to convince him that having a dog would actually help with his independence, but he wasn’t buying it.

“Okay,” the girl said, interrupting Bucky’s train of thought, “I’m gonna go and take this list and see if there’s anyone who I think would be a good match for you.” She hesitated for a second, clearly wanting to say something more before deciding against it and turning to go back to her office.

There was a beat of silence after she left before Sam pounced.

“She’s...nice.”

“I guess.”

“You like her.” Sam said, unable to stop himself. “She’s cute Barnes, give her your number.”

“No.”

“Why not?”

“Because I said so,” he shook his head. She was too normal, too sweet. He was screwed in the head and she wouldn’t be able to handle it. It was pointless. It was dumb. She probably wasn’t interested.

“She thought you were cute too, y’know.” Sam sighed, picking up a brochure and beginning to browse, one eye remaining on Bucky as he raised his eyebrow, considering before shaking his head.

The girl rounded the corner once again, a file in hand and a nervous smile playing on her lips. Bucky tried to match her smile, feign some excitement for her sake at least, but it came out more like a grimace and he decided it best just not to make eye contact and let Sam do the talking.

“Alright, I have a dog that might be good for you,” she started gently, “he’s a two year old Husky named Loki and he’s honestly such a sweetheart.”

“Loki?” Bucky asked, his brows furrowing.

“I know, I know, but you can rename him in time and he’s not at all mischievous.” She handed over the file to Bucky. The photo of Loki, all grey and white fur, stared up at him with icy blue eyes. It was a nice looking dog. His previous owners had moved to Europe and couldn’t take him with them so they’d bought him into the shelter just a couple of weeks before.

He could feel her watching him, leaning forward and trying to hide the way she was nervously picking at her fingers as he examined the sheet. Sam’s eyes were on him too, but he didn’t care much what he thought.

“Okay,” he huffed, noting the glint in her eyes as she leaned in towards him, “let’s meet him and see what the deal is.”

She suppressed a squeal and told Bucky and Sam to head down the path towards the meeting area, a closed off space behind the park-like yard that had toys and treats already waiting for them. They stood and waited, the crisp fall sunshine keeping them from getting too cold.

She knocked before leading Loki into meet them. The dog locked eyes with Bucky, almost pulling her over as he tried to go and meet him.

“He likes people!” She chuckled, closing the door and letting him off the leash so he could bound over.

Immediately, the dog nuzzled his head into Bucky’s lap, nudging his head under his metal arm to be pet. Bucky obliged, feeling the dog’s soft fur run through his fingers, privately annoyed at how he knew straight away that his therapist had been right. He looked over to Sam who nodded approvingly, before meeting her eyes. They shone with unshed tears as she smiled at the pair of them.

“I’ll go out and let you guys get acquainted-”

“No!” Bucky interrupted her, “I mean, he’s obviously comfortable with you here so you really don’t need to. And, y’know,” he cleared his throat, “I, uh… I’m more comfortable with you sticking around for a little bit.”

A slow grin spread over her face as she joined Bucky and Loki on the floor. Sam stood back, sneakily taking a photo on his phone which he threatened to send to Fury. A long forgotten feeling washed over him. It wasn’t quite happiness, but there was a kind of joy in it, in knowing that there was going to be someone there who needed him that wasn’t an annoying bird-man. Contentment. He was content in this moment, this small world. A pretty girl smiling at him, a dog on his lap. The life he could have had if he hadn’t been drafted.

“So… what do you think?” She asked him. Loki was lying at his feet, a ball between his paws. She sat beside him, close enough that he could smell the faint traces of her perfume.

“You said he’d be okay to come on a mission, right?” Bucky asked.

“I’d avoid anything with too many loud noises… but if he was kept somewhere safe he’d be okay to travel.” She shrugged. She leaned forward to put Loki’s leash back on, but her hand brushed his and Bucky felt a shower of goosebumps cover his skin. He turned away, feeling his face flush, only to see Sam’s smug face.

ASK HER OUT he mouthed. Bucky shook his head. IF YOU DON’T I WILL. Bucky glared at him before turning back to her.

“If you wanna talk, by the way,” she pulled out Loki’s file and scribbled something down, “here’s my number.” She didn’t meet his gaze, but smiled a little, her fingers messing with Loki’s fur. “Y’know, about dog stuff.”

“I’ll call you,” Bucky replied a little too quickly, “about… dog stuff.”

“I’ll make sure of it,” Sam nudged him. She blushed a little and nodded, handing Loki’s leash over to Bucky, letting his hand linger before leading them back.

Bucky looked up at the sky over the dog park, feeling hope fill his chest for the first time in a long time.

#Bucky Barnes #bucky x reader #james bucky barnes #bucky imagines #bucky #marvel #marvel imagines #Winter Soldier #tfatws #imagines #Avengers #avengers imagines #avengers x reader #fan fiction #fanfiction #fanfic #marvel fanfiction #marvel fanfic

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itsclydebitches · 4 years ago

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Is there a reason why the writers refuse to give RWBY and co flaws, or rather, have the show acknowledge said flaws? They have no problem demonizing any other character, yet for them, the show bends over backwards to make them always right.

I obviously can’t speak to the writers’ thought process (outside of what they might say in interviews, anyway), but I suspect it’s a matter of them thinking they are giving the group flaws and tackling them appropriately, rather than deliberately avoiding them.

First, that’s just common sense. A staple of writing. “Give your characters flaws” is Fiction 101 and I don’t think any writer - unless they have a specific reason for doing so, like creating a parody - is going to go, “My characters are 100% perfect and they have nothing to improve upon!” because even the newest writer recognizes that this isn’t something to strive for. So I find it unlikely that RT would be doing this consciously.

Second, we’ve seen in the fandom that a large number of viewers DO think the cast is compellingly flawed and that this is acknowledged by the text. One of the more recent examples I’ve come across is last volume when, while commenting on Ruby, a number of people pointed to her conversation with Qrow as evidence of her complex characterization. “But Ruby acknowledged that she doesn’t know what she’s doing!” At that point, it becomes a matter of explaining that having a character say a token line about being unsure doesn’t compare to actually seeing that flaw develop and influence the plot on screen - and we know it is a token line because Ruby’s hesitance only comes up when it doesn’t harm her. Ruby will be conflicted while sitting safe with Qrow, but knows precisely what she wants when confronting Ironwood. Then, crucially, the show never draws a connection between that admission and her action, telling us (and eventually her) that she should return to questioning her decisions because she just chose wrong (or at least acknowledging that there’s no “right” answer here). In a similar vein, the show has Ren outright say, “We were wrong” and then that’s dropped the second he encounters the Ace Ops. A lot of viewers seem to miss that there’s a difference between having characters announce that they have flaws and actually watching those flaws impact the story and their development. If so many miss that difference in watching RWBY, I wouldn’t be surprised if RT missed it in writing RWBY. “What do you mean the cast isn’t flawed? Ren gave a whole speech about it!” Yeah, and then you had the other characters say how ridiculous that perspective is and he teams up with them again to rescue Oscar, implying that this conflict is over. The takeaway is that the cast is NOT flawed, only Ren is for thinking that.

Third, the cast obviously is flawed - very much so - but the writers don’t seem to recognize which characteristics are the flaws. Ruby’s current flaw is that her idealism is getting in the way of any practical approach to making change, as well as her unwillingness to compromise, prioritizing hard stances that axe allies the moment they - to her mind - put a toe out of line. These two flaws are intimately tied up with one another, requiring that Ruby understand one in order to improve on the other and, as a result, setting up a fantastic character arc. So what flaw do the writers acknowledge? She has trouble with hand-to-hand. Seriously, that’s the last ACKNOWLEDGED flaw that Ruby got, overlooking Yang’s generalized “Things are bad” accusation that, like Ren’s speech, has yet to go anywhere. So not only are the real flaws considered “solved” via characters verbally acknowledging them, but other flaws are ignored in favor of making up something that is easily solved: one training montage and headbutt later, Ruby gets to move on.

Combine these two things and my guess is that RT thinks they’re doing a great job. Look, Ruby had a flaw that she had to work to improve upon. Same with Yang’s PTSD. Same with Weiss’ racism, etc. It sounds great on paper, until you look at the story itself and see how quickly these life-long problems were “solved” (Weiss and Yang), or that this flaw seemed to come out of nowhere (Ruby), and that in order to spend time on this we’re ignoring other, more compelling flaws imbedded within the text (her overconfidence). It’s a complicated situation where we’re forced to go, “Yeah. You technically wrote a flaw and technically spent some time on it, but--” except RT doesn’t seem interested in listening to the “but.” Or they’re listening but don’t yet possess the skill needed to implement the improvements they’re aiming for. Again, I can’t speak to their thought process. But RWBY as a whole is filled with “Technically”s that, on a surface level, make it appear better than it is. RT seems to hear something like, “Give Oscar something to do already” and they technically do that by giving him this plan with Hazel. So that’s good, right? Except it ignores everything surrounding that change, like how we needed to drop his merge conflict to make room for the new one, we skipped over his reconciliation with Ozpin, it makes no sense for Hazel’s characterization, it’s unlikely to have an impact on the story moving forward because RT doesn’t plan ahead, etc. Writing is so interconnected that you can’t just Do The Thing without changing everything else around it. Writing is like a puzzle and instead of re-thinking the whole picture, RT just keeps shoving in the latest piece labeled “a flaw,” ignoring how it doesn’t fit the one next to it and is unlikely to fit the pieces they’ll put in later either. But they put the piece down! So to them it probably looks like they’ve succeeded, while paying attention to just this one piece, whereas those of us who are looking at the picture as a whole are going, “This is a mess. The picture doesn’t make sense.”

It takes a long, long, long, loooooong time to recognize when you’re failing at something in writing. 95% of the time we think we’ve Done the Thing satisfactorily - I wrote a thesis, an emotional scene, a character arc, a flaw, good evidence, etc. - and it’s only when someone else (teacher, editor, viewer) points out the mistakes and WHY they’re mistakes that we’re able to start seeing where we went wrong. That we went wrong at all. But even then, it’s pretty much our default state to assume we’ve achieved our goal after attempting it. That’s why you need to edit, revise, read, and practice all the other skills that help you learn what mistakes exist and how to spot them in your own work. So my guess - and it would be just a guess - is that RT is in that phase where they’re really proud of what they’ve accomplished and think that’s that. They’ve achieved their goal... and either haven’t had someone point out these problems, or aren’t willing/able to fix them yet.

#rwby #rwby volume 8 #rwby spoilers #mymetas #Anonymous

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carcinized · 3 years ago

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Hey hey hey I don’t have Tumblr BUT I saw your post about C!Tubbo dissociation headcanons and here I am, asking for them. And possibly more C!Tubbo headcanons. Preferably angsty. Just. Any of them. Please. Thank you.

oh, a fellow starved c!tubbo enthusiast. hello there, i do have some headcannons to spare luckily, hope you enjoy!! mostly this is the dissociation ones but i have some miscellaneous ones & songs at the end for you :]

so obviously uhhh tw for dissociation/depersonalisation/derealisation in this post!!! also going to put them under the cut bc this is long lmao

oh and disclaimer: this is very much based off my own experiences with (near constant) chronic dissociation so it might be different from other experiences!! yeah.

oh ALSO this is disorganized and probably missing stuff because i am going through a bad bout of spaciness as of right now, so apologies if anything is confusing, feel free to ask for clarification!

idk background timeline stuff so it fits into the story

at first he didn’t even realize he felt disconnected from things. it started off as a coping mechanism during combat and felt so similar to the feeling of being “in the zone” he’d known before that he didn’t question it

after a bit, it spread from only being there during battle to during conflict in general. still, he didn’t mind it—it actually made arguments more bearable because they felt almost secondhand.

eventually he came to use it as a crutch so much that it became constant.

that was when he started wanting it to go away.

and then because i can’t bear to give my precious c!tubbo constant dissociation he probably gets breaks from it sometimes idk lmao

his experiences:

gaps in memory

auditory processing issues

lots of depersonalisation and not recognizing himself in the mirror (which is even more fun/terrifying if you add in shapeshifter headcannons)

a lot of the time he feels like his actions aren’t his, which helped him to feel less bad doing morally ambiguous things (spying, exiling tommy, hunting technoblade, etc)

after it all he was left with near constant dissociation almost all the time.

it nearly always feels like the world is secondhand to him and he has no control/impact (ironic considering the power he has, and he knows that, but)

often wonders if he is dreaming and just waiting to wake up from a coma he’d gotten from one of his many battles.

when things get really bad he wishes he could just wake up from it.

often doesn’t recognize his hands looking down at them, especially with the burns he has now. they’re not his hands, right? but they are. they’re his hands. huh.

uhhh examples of where it could have been shown in plot if you squint lol

for example, that famous clip of him dancing while wilbur and tommy argue in the background would be a physical representation of him zoning out (dissociating) to get out of/away from an argument.

the whole yes man thing could have either been an auditory processing issue where he replied yes to wilbur without hearing what wilbur had asked OR a gap in memory where he didn’t remember telling tommy the opposite

he pulled away for like 5 months into snowchester and talked to hardly anyone but his husband and son. dissociation is hard to interact with people during because you feel so isolated for so many reasons—sometimes you feel you’re the only real thing there, sometimes it feels there’s a glass wall between you and everything else that IS real. and even ignoring that, most people can’t relate to feeling that way, leaving you even more alone. he could have pulled away because it was too much too keep going through that (i did that don’t recommend it tubbo JSJD)

miscellaneous headcannons that i don’t see very often:

after winning a battle, his instinct is to play a disc and look out at the sunset because that’s what he and tommy always did (see his lore yesterday (june 18th)—he did it with ranboo despite tommy not being there)

i’m rather fond of my original-l’manberg-citizens-consider-haircuts-and-fixing-up-appearances-affectionate-because-wilbur-did-it headcannon so i’ll add that here—basically wilbur gave everyone military cuts and new suits and everything. and while that was just for war, it was also because he cared about all of them. ever since, they all considered fixing up someone’s appearance an act of love.

tubbo refused to let anyone cut his hair after the red festival, not trusting anyone. he would probably let ranboo do it now, only he’s rather attached to the way it hides his burns and some of his horns and keeps him warm in the freezing snow.

he builds walls like how tommy builds cobblestone towers—a reflex, a coping mechanism, a habit. he built the l’manberg walls and ever since the defense has been second nature, whether for the best or the worst.

ive been waiting forever to share these i have way too many. i pass the hours staring out the window listening to misterwives and imagining c!tubbo animatics to it and now i have a chance to share them oh my god

so without further ado,

c!tubbo animatics i have in my head:

whywhywhy by misterwives: ok this one isn’t chalked out but it has him vibes

alone by misterwives: just him and ranboo. figuring things out. helping each other heal. i legitimately have an entire animatic in my head to this lyric by lyric and could make a fucking storyboard for it if only i could draw. if anyone wants me to write out lyric by lyric what it WOULD be though feel free to send an ask aHAHHAHAHA

over the rainbow by misterwives: a montage of c!tubbo just. finally going apeshit. that would be so cathartic alright and it’s such a badass song he deserves it

it’s my turn by misterwives: pretty much any times that tubbo finally got to do something back at someone who wronged him—the butcher army going after technoblade, him yelling at quackity about borders saying “well don’t i get to put my foot down too?” the lyrics “i know you’ve got your version of the story, i’m sick of saying sorry, i’m sick of always having to explain” during his spy arc PLEASE he had to justify everything he did and the “are you happier?” comment and schlatt breathing down his neck aAAAA give my boy a break (also the instrumental uses a lemon demon-type sound which makes me think of ranboo so i love imagining a cool bee dup building the outpost montage there snhshagahffn)

find my way home by misterwives: idk the vibes just fit man

oxygen by misterwives: hhhrnggg clingy duo angst oW

i did say i spend a lot of my time listening to misterwives and daydreaming c!tubbo animatics didn’t i?

anyways yeah. here’s some c!tubbo content to help us poor starved c!tubbo enthusiasts :’D also misterwives propaganda go listen to them female led band with a fucking badass lead singer with banger songs and incredible vocals and lyrics ANYWAY

#dsmp #tubbo #dream smp #mcyt #dissasociation tw #feel free to add your headcanons btw or ask for clarification on these!!! i would love to talk abt c!tubbo with you SHJDJDJDJD #dissociation tw #depersonalisation tw #derealization tw #allyster rambles #ask #anon

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crowdedimagines · 5 years ago

Text

Mistletoe - David Dobrik

Today is the last day that whole group is going to be in Los Angeles. It’s always hard because we want to go home to our families, but we all have to go our separate ways.

“Y/n!” voices cheer as I walk in David’s front door.

“Merry Christmas!” I cheer right back as I walk in. I set down an armful of presents off under the tree. We’ve carried on this tradition every since David got this house, we all show up. Even if we don’t all celebrate, there’s something about being together to celebrate a holiday and pick things out for each other.

“We’re having dinner, then presents after.” Natalie explains.

“Y/n!” David grins, “Merry Christmas.” He walks out of his room and pulls me in for a hug.

“Merry Christmas, Dave.” I hug back.

“Wow, when I tried to get a hug earlier, you literally pushed me away.” Zane yells from the living room.

“That’s because you’re Zane.” David teases.

“How can I help?” I got there a little early so I can help set things up. Carly, Scott, Kristen, Erin, TJ, Heath, and Mariah are all here too. They’re all just sitting on the couch enjoying themselves. Jason, Natalie, and David are all in the kitchen.

“Could you set the table?” Natalie asks as she moves food into other dishes.

“Absolutely!” I grin. I take the tablecloth off of the island and lay it out over the tables for us to all sit at. I decorate the table and move some things around so everything is perfect. One by one, more people show up until now everyone is here and all of the food is almost ready. David is running around filming a montage and asking people questions.

“Y/n, could you grab the plates?” Jason asks, he carries the large roasting pan which either contains turkey or ham over to the center of the table.

“Yeah, where are they?” I get up from my spot on the couch.

“They’re in the spare bedroom closet with all the other storage.” Natalie explains, my eyes go wide for a second, “No, I can just do it-”

She starts to set down what she had been previously been doing.

“No no, I can do it.” I reassure.

I make my way to the extra bedroom and open the closet to be met with a stack of clear totes. They’re all filled with a mixture of things David can’t get rid off, stuff he actually needs, and PR packages.

“I was sent to help.” Jeff laughs announcing himself as he walks in.

“Yeah, I just might need it.”

He helps me take a few out before we find the right one. We put everything back the way it was, only Jeff is carrying a heavy stack of nicer plates now.

“Success?” Erin asks from the couch. Jeff and I stop to show off the plates with a grin.

“Yeah-”

“Oh my god!” Zane screams out interrupting me.

“What?” I ask, question is burst of excitement.

“Mistletoe!” He points to the spot above our heads. I look up to see that he’s right. I don’t remember that being there in the past, it must be a new decoration that was added today.

I turn to look at Jeff and he’s biting back a smile, his cheeks tinted in pink.

“What? Are you nervous or something?” I tease.

“I didn’t- I mean- I” He stutters while trying to come up with anything to say.

“Stop panicking. It’s only a mistletoe kiss.” I stand up on my toes and press my lips to his in a quick kiss. The group screams in shock that I actually did that. It’s not a big deal, it’s not like people in our group haven’t kissed for bits or other randomness.

He stands there for a few seconds, just a shy smile on his face. I take the plates out of his hands and walk back over to the table and start placing them around. I can feel David watching me as I do it.

“You okay, Dave?” I ask, looking up to finally meet his eyes.

“No, I’m good!” He smiles tight lipped.

“Alright, I think we’re ready!” Jason cheers.

The rest of the group scrambles over to take a seat and grab something to drink. I take a seat somewhat towards the end of the table near David. I sit on David’s right with Natalie to my right.

“I just want to thank all of you for being a part of my life. It’s cheesy, I know, but I really am glad to be hanging out with so many people who are half my age!” Jason holds up his glass, “But honestly, this holiday really is amazing to spend with you guys. I love wasting money on gifts you don’t care about.”

We all laugh throughout Jason’s toast. After he sits back down to David expecting him to say something too.

“Dig in!” He yells.

We all hesitate for a second, but dig in regardless. I guess David never really has been a sentimental guy anyway. We all dive into conversation, David being unusually quiet.

“Hey are you okay?” I ask, placing a gentle hand on his knee.

“Mhm.” He nods as he continues to shovel in more food.

“Dave.” I lean down to try and force eye contact again, “What’s going on?”

“Nothing.” he finally picks up his head and smiles at me. Maybe if we were still newly friends I would believe that it was a genuine smile. Instead of continuing to badger him for the rest of the meal, I focus on the group conversation again.

“Present time!” Erin cheers.

We all take our plates and clear them before sitting in the living room. We all pass our presents around to whoever they belong to.

“No cars this year, right?” I tease, taking a seat next to David.

“No cars this year.” David agrees, finally smiling. He throws an arm around the back of the couch around me. I don’t know what was wrong before, but he seems to be happy now.

One by one we all get to open our presents. Taylor gets to open the designer wallet I got her, which she completely flipped out over. Jason gets the massage gun I got him. Mariah for the mini filming get that she can use for youtube or to help record her dancing for Tik Tok. There were countless other presents too.

“Wait, what is this?” Jeff asks, digging to the bottom of the bag.

“It’s a toy for Nerf.” I explain with a laugh. I picked out other things for him, but that was a random add on that I thought was funny.

“Ahh, it’s perfect.”

He holds it up for everyone to see.

“Thank you.” He gets up from his spot on the other side of the room to give me a hug. I lean forward and mutter an ‘of course’.

I lean back and the attention moves onto Zane who was next for opening. David lets out a loud sigh and pulls back his arm. I try to ignore the mood swings he’s going through. Finally it’s made its way to me.

“My turn!” I sing with a laugh.

I receive cute clothes from Carly and Erin. Zane, Heath, and Matt all joined in to buy me a new lens for my camera. Jeff got me a pair of the shoes I had been complaining about wanting for a while and a coupon to visit Nerf anytime I want. Natalie and I unintentionally got each other the same exact bag from Gucci for each other because we loved it so much. We knew the other would too, since we have similar taste.

“Last one.” Carly hands me the last on from my stack on the floor.

“David?” I ask reading the tag on the top of the smaller box. I smile looking over at him. He has a red face and he’s chewing his bottom lip.

“Actually Y/n can I talk to you?” David interrupts, his hand suddenly stops me from tearing through the paper.

The room falls in to a dead silence.

“Yeah.” David stands up, “Sure, Dave.”

I follow where he leads into his room, he shuts the door behind him softly. My heart is racing over what this could be about.

“Hey Dave, what’s going on?” I ask as I take a seat on his bed.

He slowly walks over and stops in front of me. I look up and wait for an answer as he takes a deep breath before pacing again.

“I need to tell you something.”

“You can tell me anything, what’s going on? You’re making me nervous! Please sit.”

Finally he takes a seat on the bed, I turn to actually face him.

“I just wanted to do this in private because I had this whole plan with and I couldn’t go through with it with all of our friends out there. And Jeff.”

“What are you-”

David pulls out the gift from him that I had started to open from behind his back.

“Here, you can open it now.”

I hesitantly open it. It’s filled with random knickknacks from what I can best tell.

“What is all of this?” I smile looking back up at him.

“This,” He grabs the top item on the box, “is the wristband I was wearing the night we first met in that club. I took it off after dropping you off and filming with you, and I knew it was worth saving I knew you were going to be a big part of my life.”

I look up and his eyes are starting to water, I don’t dare say anything because I know that I’m not far behind him if he keeps this up.

“This is the receipt from the first time you made me run out and buy you chocolate from the gas station by my apartment. It was the first time we ever had a sleepover.”

He lets out a laugh, “That was in the shitty Dom apartment, I’m lucky you didn’t run then.” We both chuckle, I wipe away a stray tear drifting down my cheek.

“This is a piece of drywall from when you tried to convince me that you could in fact do a handstand and ended up putting a hole in my wall.”

We both laugh at the memory. He reaches in again to grab another object.

“This is the polaroid you gave me when you first got that camera. I barely opened my door and a flash went off. Now I can get you back though with my disposable cameras.”

“This is gross, but it’s a tissue that you gave me when Liza and I broke up. You stayed up with me for hours to listen to my cry basically and just make sure I wasn’t alone.”

He shakes his head looking down at it. I don’t know where exactly he’s going with this trip down memory lane, but it’s making my heart jerk.

“This is a movie ticket from the first time you stole my clothes. I couldn’t believe how good you looked wearing my sweatshirt. You claimed that movie theaters are always cold.”

“They are!” I interrupt.

“Whatever.” He rolls his eyes with a smile.

“This is the plane ticket from the first time I took you home to Chicago. You had no idea, but that whole trip was planned so you could meet my family.”

I nudge his shoulder lightly with mine, a steady stream of tears our drifting down both of our faces at this point.

He reaches in once again, there are few things left now.

“This is a dried up rose petal from when I tried to go over to your apartment to tell you that I loved you, but I chickened out.”

“This rose petal is almost two years old. I have been in love with you for two years, and I know that I always will. I just needed you to know. I couldn’t go another year without telling you. You’re my best friend, I want to tell you everything. I just love you so much, and I would love it if you’re comfortable staying in my life as a friend. I know you and Jeff are-”

“Jeff and I?” I interrupt.

“The kiss!” He says rolling his eyes.

“It was just mistletoe!” It’s my turn to roll my eyes now, “I would’ve kissed Natalie under it. It didn’t mean anything, it was only friendly.”

“Oh.” He bites his bottom lip.

“Wow, you were so jealous!” I grin.

“I wasn’t that jealous.” He shrugs, trying to act nonchalant.

“You totally were, and that’s okay.”

“It is?” He looks up, wiping his last trail of tears from a few minutes ago.

“It is, because I’m in love with you too, David.”

“You are?”

“Duh!” I tease.

“Oh thankgod, I don’t think I’ve ever been so nervous.” He pulls me in for a hug.

“You did a really good job, Dave. Very sweet. Very sentimental.” I grin.

“I knew it would pay off keeping all of this crap for so long!” He throws the stuff back on the bed.

“Hey! It’s not crap.” I pick it all back up and put it back in the box.

“No, I know.” He presses a kiss to edge of my jaw.

“You missed.” I look up, his face being closer to mine now than it’s maybe ever been.

“What?” His voice is barely a whisper, he gulps loudly.

I smirk and tilt my head forward to our lips can meet after years of waiting. It’s like all this time was building up because it feels like a release of endorphins and excitement. I can feel his lips smiling against mine.

“Worth the wait?” I ask, I stand up so we can head back out to our friends who I’m sure are wondering what’s going on.

“Definitely worth the wait.”

“What’s going on? Are you guys okay?” Jason asks, hearing the door open and noticing us walk out. Everyone turns to look at us. We’re just standing outside of David’s room, eyes red and puffy. We both have smiles on our faces, but I’m sure it’s a confusing look. I’m sure they’ve just spent the last ten minutes talking about us.

I take a look at David and smile, we both walk in a little closer to the living room to see everyone.

“We’re great actually.” I grin, taking David’s hand in mine.

“Really great.” David agrees with a squeeze of my hand.

“Hey look guys, Mistletoe!”

i really hope you guys love this as much as i do. xx

#david dobrik imagine #david dobrik x reader #david dobrik imagines #david dobrik x you #david dobrik christmas #christmas imagine #natalie mariduena #jason nash #zane hijazi #jeff wittek #vlog squad imagines #vlog squad #vlog squad imagine #vlog squad x reader #david dobrik

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dragynkeep · 4 years ago

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in a way, both Ruby/Oz have their confidence broken when they learn a certain truth involving Salem: her being immortal/hermothersfate but while Ruby does get shaken by salem , she recovers quickly and strives to keep fighting. Ironwood, on the other hand, chooses to act like Ozpin and focus on putting off the problem as long as possible; by taking Atlas into the stratosphere, he is basically running away from Salem and giving her free rein on Remnant, and time to further build up her forces.

Yeah, this is a mad simplified and straight up misinformed ask, anon.

Starting with Ruby/Ozpin, it’s not that their trauma is done different in the same scenario, it’s that Ruby straight up ignores her trauma when it exeeds more than five seconds. Not only that, bu Ozpin never stopped fighting. He literally brought a time of peace by the time the show started. He created the Academies, Maidens, was behind many historically significant events with him being behind the idea of the creation of Atlas according to James in V7.

Ozpin kept fighting and gave the people he was protecting the means to defend themselves. Huntsmen were trained to fight the Grimm, the kingdoms were built to protect the innocent who would’ve been killed out in the undefended villages that exist outside these safe zones, either by bandits or grimm. He locked the relics away so Salem could never get them to rule over the people, he trusted a few close allies with most of the truth, and his flaw was not trusting them with everything, but that flaw is both explained and justified. When Ozpin tells people the whole truth, they either abandon the fight or straight up betray him.

And he does this all while still trying to believe in the good of humanity. He’s faced with the serious trauma that his wife and abuser literally cannot be killed, that she will forever follow and hurt him (Imagine Blake and Adam but if Adam was immortal and their abuse had gone on for centuries rather than like five years), and yet he still tries again and again to keep fighting. Because if he gives up, humanity will be destroyed by Salem.

Ruby keeps fighting, but she’s not fighting well. Her brief breakdown over the death of her mother feels unearned because she doesn’t know Summer. Her mother died when she was very young, since she apparently couldn’t even talk yet according to Yang. Summer is more of an abstract figure rather than a direct relation to Ruby, and any moment to help built up Ruby’s feelings and relation to Summer before V7 was a five minute gravescene that felt more like a tribute to Monty, and moments given to Yang. The worst part of that scene wasn’t that Ruby was upset over someone she doesn’t even know, but that Yang, the girl who did know Summer, had hardly any relevence in that scene apart from comforting Ruby.

And in the end, it didn’t even matter! Ruby got right back up again and starts acting like a cocky little shit in the Ace Ops fight. Where was the sobbing girl from five seconds ago? The one who had her eyes start doing light shows and supposedly stop working? Cause that’s not the Ruby we get right after.

And her keeping fighting mentality? That’s going to get innocent people killed. It’s not a new flaw that Ruby has, she has the tendency to rush into fights without thinking, but the problem is that the show never treats it like a flaw. She jumped at the Deathstalker and nearly gets herself killed? Weiss saves her and that flaw is never chastised, only brought up in what was meant to be a moment of self reflection in V5, only for Ruby to keep doing it. She went to follow White Fang members in V2? She gets trapped underground and captured, needing her team to come and help her. She jumped into the fight with Tyrian despite Qrow repeatedly telling her to stay away? She distracts Qrow who has to save her, and then gets poisoned by Tyrian and almost ends up dying.

In V7? There is no other option. If there was a way for RWBY and their allies to keep fighting Salem’s forces and protect those being evacuated, that would lead to some credit to Ruby’s argument, but there isn’t. Ruby wants to keep fighting, and once again isn’t listening to realistic counters to her argument. They can’t keep fighting with Ironwood’s armies decimated, they can’t keep fighting with the Ace Ops exhausted and one having her Aura already shattered, they can’t keep fighting with the immortal witch that they know can’t be killed coming personally to the battlefield, nevermind the fact that a rogue Maiden and a seriously dangeorus criminal who nearly killed Ruby and Yang are already in Atlas.

Ironwood’s plan is cold and is an unfortunate plan that will get innocent civilians killed, but the fact of the matter is that it’s the only plan they have that doesn’t end in their immediate annihilation. I hate people saying that he’s running away, he’s retreating. He is making a tactical retreat so that they can build their forces and have time to plan a counterattack, time that they don’t have because the immortal witch who wants to kill them all is literally on their doorstep.

If Ruby had figured out that maybe her Silver Eyes could hurt Salem and suggested that, maybe they would’ve had a way to repel Salem even if they couldn’t defeat her. But Ruby hasn’t bothered to properly harness her powers outside of one lecture from Maria and barely beating the Leviathan before Cordovin had to come in and kill it for good. Ruby didn’t bother to further train her powers in the training montages we were given this whole volume, she’d rather be a Huntress and enjoy the benefits while simultaneously lying to her employer about the war he’s fighting in.

In conclusion, fuck outta here. Ruby isn’t this pure soul who’ll always keep fighting, she’s a flat character who refuses to acknowledge her flaws and gets away with being a wholeass hypocrite by being sad sometimes.

#rwby #ruby rose #ozpin #james ironwood #anti ruby rose #rwde #answered #luke.txt

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violetlunette · 4 years ago

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Hello~ In the Eri Critical post you mentioned you almost made Toru a makeshift OC and could I ask you to elaborate on that? She's a side character and imo Horikoshi hasn't given much to work with, so isn't any depth or expansion added by other writers gonna make her different to the canon? What metric do you use to judge if you strayed too far? I ask cause I'm writing a fic where Toru is more prominent and thus I will have to expand on her character.

This was a hard question for me to answer because you’re right. We have nearly nothing to work with when it comes to Toru, which sucks when you want to write a story with her. Therefore nearly anything we do is in a way “fanon.” I have run into this problem myself as I’ve tried to write her in a main role as well. So, this where I have to apologize to people who try to write for Eri. It’s near impossible to write for a character where we’re given only crumbs to work with without shifting them into Ocs. So how do we combat it? I dunno. But here’s how I try; The first question I ask myself is this, “is the character performing this action or feeling the way they are because that’s how they would in this situation? Or it because it’s how I want them to respond or feel?” If the answer is ever the latter, then I go back and think some more. For example, Toru likes Caramel. It’s her favorite food. If she turns it down, there has to be a reason; sore tooth, too depressed to eat, etc. She can’t turn down the candy just because I, the author, say so.

Don’t fall into the trap and make a character react the way you would. Make sure to ask yourself if this is how the character would do it.

Next what I try to do is take what little we do see in canon and expand on that. As for the metric for when I've gone too far—it’s complicated-ish? Below is what I know about Toru off the top of my head. If I’ve strayed too far from any of these points without a reason, then I either need to go back or make a reason that would make sense for her to act differently from “canon.” For example, Toru isn’t very strong in canon as she’s the third-worst in class. If I want to make her strong I would have to provide a reason why such as training montage or science magic. Keep in mind all my knowledge comes from the manga as I haven’t watched the anime. Hopefully, it’ll help when writing Toru.

*The biggest thing to keep in mind is that Toru loves her quirk and is very proud of it. In fact, she places a great deal of confidence in it, even when we see over and over that it’s not perfect. She’s vulnerable to cold, she can be revealed easily, etc. Yet she never tries to overcome these flaws, instead, she seems to ignore them. Thinking about it, she seems to have put all her eggs in one basket by focusing sorely on stealth in the story. (It’s said she can fight, but we don’t see anything impressive.) When she discovers her light manipulation, she works on that, but that’s because it's a part of her quirk. This can be a big weakness for her arc, refusing to admit that her quirk isn’t flawless and she needs to focus on other things like agility and strength building. **This would explain why she doesn’t get a real costume (outside of the meta reasons). In her head, she’s thinking she doesn’t need to waste time with armor, she just needs to get better at hiding/sneaking. (And being naked isn’t a big deal to her.) *Something that differs from fanon is that in canon she’s actually fairly confident. She’s usually portrayed as insecure about herself in fanfics because she “doesn’t have a face.” However, in the story, Toru seems to have the most confidence of all the girls. I have never seen an instance where she’s down about herself. This is most likely because her quirk allows her not to be judged by appearances. Actually, now that I seem to think about it, she might be putting her whole identity in her quirk, which is seen as pretty cool. *She seems to like to poke fun and tease others. She’s aware that she’s naked, but she doesn’t see it as a big deal. She sees it as funny—or at least people’s reactions to her being naked. When she strips she usually brings it to attention, then pretends to be shy or upset. **The fact her favorite thing is hidden prank shows adds to this. **She uses the lack of appearance to troll others too by saying she looks like a Geisha and an old saint. ***May have some knowledge in history. *She’s optimistic and always looks on the bright side when she can. *Usually easy going. Doesn’t seem to like dwelling on things. If she’s mad, she’ll huff and puff, but will then move on with her life. Though she may occasionally attack an offender. *She’s very friendly and bubbly. *She’s a bit of a ditz. An example is how she forgot to put a rage away in the light novels and knocked Aizawa out. *VERY SMALL, but I noticed she’s one of the few to get annoyed with Bakagou (for two seconds, but still). She was the only one to call him out when he told Izuku he should have fought Shigaraki and grumbled at him when Bakagou was happy no one else was going to be able to do the internships. YMMV, though. *She’s not a great student. This could be out of laziness or depending way too much on her quirk to get her through school. I think it’s the latter. As I said, she has WAY too much faith in her quirk. *She likes cute stuff, but in the manga, she dresses very casually. **Seems to be fond of no sleeve shirts and knee-high socks. *She worked with the Gadget Hero as an intern, so she may have a SMALL knowledge of robotics. **This feeds into the theory of how she got into UA, which states she found the off button. *She likes caramel candy the best. *She is confirmed to have two parents. Also, a trick I do is that when Canon doesn’t give me enough meat on a character, I look at their astrology! (And blood types for anime as Japanese have fun with the idea that personality can be affected by our blood types.) A lot of authors like to try and make things match for fun.

That’s all I got. I suppose the only thing I can say is that as long as you don’t stray too far from what we see in canon without a reason, write her however you want. Most readers will be forgiving with characters like this.

If anyone else can help, I’m sure we’d all appreciate it!

I really hoped this helped anon. Like I said, I wasn’t sure how to answer this, so there’s a chance I babbled and did everything but answer your question. Thanks for the message!

#toru hakagure #tooru hagakure #bnha #mha #writing for characters when we're given only crumbs #ooc #anon

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lady-griffin · 4 years ago

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Things Got Crazy at a Slumber Party...

I would just like to say the title of this episode is so misleading…nothing crazy happened. False Advertising!

Eat the Rich

Seeing Anne’s room made me want to talk to her and urge her to revolt against the rich and distribute their wealth.

Spare Katarina, but rise up and revolt.

When I first saw her room, I legit thought Katarina was going to be surprised by Anne’s room and maybe (somehow by the end of the episode) was going to redecorate it and upgrade it for Anne…but nope. That idea quickly faded the second it went into my head.

Revolt against the aristocrats, Anne.

Spare Katarina, but rise up and fight.

Eat the rich!

No, but in all seriousness, sometimes I have problems with anime (stories in general) where the affluent and opulent wealth of characters is just the background and it’s never going to be address in all seriousness. Particularly when they show that not everyone is as wealthy…

Why show Anne’s room to be like, if you’re never going to actually talk about it nor resolve the wealth gap. Why show her room to be depressing looking? Why not just give her a nice room? It doesn’t have to be Katarina’s room’s level of finery, but something.

That aside, let’s continue onward to the rest of the episode.

Katarina running off to tell everyone (and to thank them) for her making it to the second year, was adorable. Katarina throughout this episode was so goddamn precious.

LOOK AT HER!

JUST LOOK AT HER!

I just…Katarina must be protected at all costs. She is the best girl that ever existed.

I love this beautiful, bisexual-mess of an idiot. She’s perfection.

I’m still mad at Anne for denying Katarina’s original PJ choices. How dare you Anne! How dare you deprive me of that. How dare you!

I’m going to discuss the episode in more detail further down, so we’re going to get into some spoiler territory (I guess?). So, you’ve been warned.

Potential Spoilers Below

Anne’s view on each of the character’s feelings for Katarina was fantastic.

Geordo’s Feelings

While we didn’t actually get to see it, which was disappointing, Anne being scared of Geordo for initially telling Katarina that her scar was gone was hilarious. I am disappointed we haven’t seen Geordo at his true level of horrifying, but still…

Just his eyes narrowing may have cut a few years off of Anne’s life alone.

Keith’s Feelings

Poor Keith. Again, I don’t ship them, but still you still gotta feel bad for him.

What is the purpose of others thinking you’re good-looking, if the one person you want doesn’t?

I love Keith and his mother. They’re hilarious.

Alan’s Feelings

OMG Alan, how have you not figured it out, yet. You’re playing the violin for vegetation at the request of Katarina…I just.

Alan sweetheart, you are in love with this woman.

I do like how he actually did it for Katarina. That’s so fucking funny.

But also, just look at this face, how could he not.

It’s a good thing Katarina doesn’t want any actual political power or anything like that, she would be unstoppable.

Mary’s Feelings

Mary is several levels above everyone else. No comparison.

She is subtly convincing Katarina that Katarina won’t do well as a Princess-Consort and has already figured out a way for them to leave and probably already has a manor set up by the sea, with a field already to go for the two of them (and Anne).

Mary is a bit scary in all honesty.

Nicol’s Feelings

Nicol’s cute smile was just adorable. Nicol x Katarina aren’t really one of my main ships, but I do love the contrast between these two.

Katarina this bright and bubbly ball of energy and sunshine and Nicol, a stoic statue who has trouble expressing himself, but can’t help but smile when he’s in Katarina’s presence.

Sophia’s Feelings

Sophia wanting Katarina to get with Nicol, even though she also loves Katarina is everything. Her listing off her brother’s good qualities (at random times) is hilarious to me. Always has been.

Sophia is just so damn cute.

Maria’s Feelings

Maria is giving Katarina all the treats. Smart Lady! She may have come late into the race for Katarina’s heart, but she’s playing to win.

In general, I like how we got quick snippets of everyone’s feelings for Katarina. I also love how the anime, legit just says the girls are in love with Katarina. I’ll always appreciate that.

Anne and Katarina

Anne’s POV in this episode was just everything. I’m so glad the anime adapted it from the Light Novel, seeing as the Manga just ignored it. I’m so very happy.

When she lifted up her sleeve to reveal the burn marks, I gasped.

I wasn’t sure if the Anime was going to actually include that part (the Manga did skip over it), so I’m very happy the anime chose to include Anne’s full backstory.

It makes me sad, but it’s good angst.

It’s not the same as the Light Novel, but Anne’s backstory and her relationship with Katarina was everything. That little montage of Anne and Katarina… my heart can’t handle such cuteness.

Also, I genuinely really love how when Katarina asked Anne’s father to not take Anne away, she had a bit of a bratty vibe to her. Very similar to Katarina before she regained her memories.

Even though she has her memories, Katarina is still a kid. And I just love that.

Anne refusing her father’s order. Mwah!

I really appreciate how the anime changed that scene from the Light Novel to Anne standing up for herself and actually speaking up.

Well Done! Good Choice!

Also, Luigi Claes stepping in to talk to the Baron himself was just nice to see.

It was great seeing him being intimidating and such. While Katarina sees him as her dopey, doting father, there is more to him.

In the LN, it’s made clear that he learned about the man Anne’s father wanted to marry her off to and was not happy with that and came to Anne’s defense.

But I also just like how a part of it, is probably because Katarina wanted Anne to stay with her (and Anne wanted the same thing) and Luigi can’t deny his daughter anything.

Luigi Claes doing the right thing (because it’s the right thing) but also, because he’s the kind of father, who will give his daughter anything. There’s a reason why OG Katarina was so spoiled.

The fact that Katarina knew Anne would come into her room in the middle of the night to put her covers back on her, was just so sweet.

Because Anne probably thought Katarina never knew she even did that, but of course Katarina knew.

Katarina giving gifts to Anne and being the first person to ever give her a birthday present…I swear I’m not crying, you’re crying.

I LOVE THESE TWO!

I guess while it’s never stated, I presume all the other stuff in the box were gifts from Katarina or objects related to a fond memory Anne has of Katarina.

Which gives me a headcanon.

Headcanon – Everyone has kept all the gifts they’ve ever received from Katarina as well as certain items they associate with a specific time or event they shared with Katarina.

We know from the Light Novels, that Keith has kept all the birthday presents he’s ever received from Katarina. And I thought it was said he kept the remnants of the door Katarina broke down, but I couldn’t confirm that. But now that’s a headcanon of mine as well.

More specifically, I now have the headcanon that either Geordo or Alan kept the snake toy that Katarina first threw at Geordo all those years ago.

Probably Alan, as that memory is 100% positive one for him. While for Geordo, that memory probably mixed at best.

There is something cute about Geordo being scared of that toy, telling on Katarina and getting her in trouble, but nonetheless keeping that dreaded fake snake.

Anne and Katarina and their whole relationship was just everything. They were truly and absolutely the highlight of this episode. My heart was ready to burst.

Sleepover

Overall, it was very cute. It was nice seeing the girl’s hang out and be in their pajamas.

Katarina saving Anne from the girls’ question about marriage, was just very nice and does show Katarina is not as dense as we may think. She’s aware.

I will say, though, it was a bit lacking in comparison to the bonus Manga chapter in Vol. 5 (LN).

Particularly in regards to Mary. I mean just look at Mary in the Light Novel for comparison. It almost feels like a different scene.

Also, while I did realize this last week.

Sophia’s wish in romance and how over-the-top, pure fantasy, based on romance novels her ideas actually are, really makes her fantasy in last week’s episode (I became Engulfed by Desire) feel way more off.

And just not accurate to Sophia’s character.

You’re telling me that Nicol in his amplified fantasy is basically Tuxedo Mask jumping around Venice with Katarina, but Sophia’s amplified fantasy is just her being in her family’s library with Katarina.

I call bullshit.

Sophia’s desire book fantasy, should’ve been the most crazy and over top thing ever. 100%. And this episode confirms that.

Both Maria and Katarina wanting to cook for their partner is very lovely and shows their compatibility.

I am a bit disappointed that we didn’t get to see the boys’ sleepover, but Nicol’s eyes sparkling when he heard that the sleepover would include boy’s talk was just too precious.

His thoughts are definitely much more innocent in comparison to what Sophia was thinking when she heard about Boy’s Talk…I love Sophia.

Geordo and Katarina

I was really looking forward to seeing Ch.17.5 be adapted to the anime, but unfortunately, I was thoroughly disappointed by it.

It was much less sweet, cute and funny then it was in the Manga. Seeing the scene in the anime just made me want to read the Manga chapter again.

Seriously, you don’t have to read the whole Manga (you should though), but do yourself a favor and read Ch. 17.5. It’s amazing!

Just look at this dork

This was a golden opportunity for the anime, to really show Geordo’s feelings and relationship with Katarina from his perspective. And just endear the audience to him.

They completely dropped the ball.

I feel like the anime doesn’t understand or even like Geordo’s character. He seems less dynamic, engaging and interesting in the anime. And the aspects that make very endearing and heartfelt, are basically taken out.

He hardly comes across as the leading male…which is disappointing for me, since I really love Geordo and Geordo x Katarina.

I am very disappointed with the treatment of Geordo. The anime is doing a disservice to him, in my opinion. Especially in comparison to Alan who the anime has added extra moments for.

I do appreciate those extra Alan moments, but I would appreciate them a lot more if it didn’t feel like Geordo was being left out.

Nonetheless, Geordo’s face when he saw everyone else and when saw that they all got Katarina gardening shears as well was fantastic!

Katarina Speaks Two Languages Headcanon

I mean this episode basically confirmed that. With Katarina writing the letter to Geordo, but writing everyone’s name in Kanji (?) on their gardening uniforms.

While we do have Keith’s and Duchess Claes’ signs not being written in the country’s language, that’s more for comedy sake as those signs don’t exist in reality.

But did anyone in the Harem wonder, why Katarina wrote their names in an entirely different language? I just love the idea of everyone being shocked to learn that Katarina can speak and write fluently in two languages.

Conclusion

I overall enjoyed this episode.

Some scenes I found a bit lacking (or more than a bit) in comparison to what they were based off of from the Manga or Light Novel. I will say I liked how this episode did take its material from the Light Novels and the bonus chapter in the Manga, as well as adding their own bits and pieces.

It was well done.

I’m definitely salty over how wrong they got Ch. 17.5. I just…at times it feels like the anime gets the core of certain scenes and characters (without doing the exact same thing from the LN or Manga or adding their own scenes) just right, but for Geordo they just seem to miss the mark.

Also, the material from Ch. 17.5 just felt like it was added onto the end, it didn’t really go with the rest of the episode…

And in relation to that, Mary being subdued in the sleepover scene was disappointing as well.

I understand there are budgets and restrictions, so I’m hoping they’re saving it for the last three episodes.

Anne and Katarina were the clear highlight of this episode. Without them being the focus of the episode, I would’ve found it less enjoyable, even with all the cute and precious moments we got to see.

But overall, a lovely episode with so many precious moments and it gave me so many feels in regards to Anne and her relationship with Katarina. So many!

#Katarina Claes #Anne Shelley #Hamefura #Bakarina #Otome game no hametsu flag #destruction flag otome #my next life as a villainess #Geordo Stuart #Mary Hunt #Maria Campbell #Alan Stuart #Sophia Ascart #Keith Claes

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monstersdownthepath · 4 years ago

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Spiritual Spotlight: Kurgess the Strong Man

Neutral Good God of Bravery, Competition, and Sports

Domains Community, Good, Luck, Strength, Travel Subdomains Agathion, Competition, Family, Fate, Home, Resolve, Self-Realization, Trade

Inner Sea Faiths, pg. 64~69

Obedience: Find the nearest boulder, log, or other unattended object that you can reliably lift over your head, and hold it up high for the duration of the obedience while meditating on the ennobling nature of sports and tests of physical might. If you are interrupted at any time by any creature or person, you must challenge your interrupter to a contest of strength, speed, or stamina, with the boulder or another object of your obedience used as the main focus of the competition. Benefit: You gain a +2 sacred bonus on Acrobatics and Climb checks, regardless of who wins the competition.

Obedience: Be a jock. Auto-succeed if you’re a Str-based martial fighter. I appreciate that Kurgess allows even the physically weak to take part in this Obedience (the path to fitness can be walked by anyone after all), and through constant practice one hour each day, your noodle-armed nerd caster may yet gain some Str and Con from their dedication. It’s not a particularly intense workout, mind, but the dedication to doing it for an hour every single day is something the DM should reward! At least until their Str/Con reaches maybe 13, at which point more strenuous activities would be necessary to raise it higher.

Anyway, easy enough to do if you own literally any item or have access to something you can grab and lift. You may look a little kooky doing it, but other Obediences get much weirder than just doing squats and lifts with whatever you have laying around. You’ll just be the local health nut! One who’s weirdly into challenging people to sudden competitions. Your party may quickly learn not to interrupt your meditation lest they get pulled into a 80s training montage, but if some poor citizen or wandering monster prods at you, you’re spurred on by your god to challenge them. Note that this says any creature, so even a non-sapient creature that was just snuffling around gets challenged, even if it can’t understand you.

No word on what happens if the intruder declines the challenge, or cannot accept it in the first place. Maybe you just automatically win? Not very sportsmanlike to declare yourself a victor like that, but it’s also not very sportsmanlike to force someone else into a competition they want no part of. I’m sure Kurgess will understand; not everyone is built for the life you’ve chosen to live!

Benefit’s bad. It’s half the strength of other benefits on two skill checks that are rarely important (Acrobatics can be extremely useful but isn’t as flexible as, say, Knowledge or Sleight of Hand). And... god, you know. I like Kurgess as an actual character, but this benefit is just a small taste of what’s to come. Brace yourselves, because it’s going to get pretty bad from here on out.

Boons are acquired slowly: the first once you reach 12 hit dice, the second at 16, and the third at 20. However, the Evangelist, Exalted, and Sentinel Prestige Classes can be entered as early as level 5; doing so grants you the Boons at levels 8, 11, and 14 instead. As Kurgess is a true deity, you earn the right to enter the classes earlier than those who serve fiends!

-------- EVANGELIST --------

Boon 1: Blessed Runner. Gain Longstrider 3/day, Cat’s Grace 2/day, or Haste 1/day.

Starting strong, at least! I’m talking of course about Haste, whose power as a buff is nearly incomparable and useful at pretty much every level of play. Longstrider adds a comparatively meager +10ft to your land speed, and Cat’s Grace gives its target +4 to their Dexterity, and though they have a duration that’s an order of magnitude longer than Haste (Longstrider especially, lasting an hour/level), their functions don’t hold a candle to the extra damage output you and your martial allies get from Haste. The only competition it really has here is if two of your allies need increased Dexterity stats for a good long while, but you’ll never see me turning Haste down whenever it’s offered.

Boon 2: Strong One. You gain a +2 sacred bonus on all Strength-based skill checks.

Just skill checks? Not even Strength checks in general? Eurgh. Couldn’t even spring for, like, just a +2 to Strength.

Strength-based skills are Climb, Swim, and... wait, what? It’s just Climb and Swim? Well, congratulations I guess. At level 11 you’re finally getting that +4 to Climb checks you should have been getting at baseline. Absolutely--ok you know what? Here’s what I’ll do.

--Patch Notes: Strong One now grants a +4 sacred bonus to Acrobatics, Climb, Escape Artist, Ride, and Swim checks. There! Now it rolls thematically into the Darechaser Prestige Class and is actually good! Not the best Boon out there, but on par with what some Evangelists get.

Boon 3: Farmer’s Brawn. Treat your carrying capacity as though your Strength ability score were 3 points higher than it actually is. 1/day as long as you are wearing light, medium, or no armor, you can lift up to two unconscious or dead Medium or smaller creatures and their equipment onto your shoulders and still move up to your base speed, ignoring the added weight. You cannot both attack and move in the same round while carrying one or more creatures in this way. You can carry these bodies in this way for a number of rounds equal to your Hit Dice; afterward, they encumber you as normal.

The amplified carrying capacity grants you, on average, about 25 more lbs to your maximum load depending on how high your Str was before. Neat! This should have been part of Strong One, though, even with my little buff. Also, carrying capacity rarely matters at the level you get this ability at, either because of Bags of Holding or because nothing really becomes worth carrying aside from what you already have. Aside, I suppose, from unconscious allies.

This is just... A flat bonus to Strength would have been better than whatever this is. An emergency tool of rescue, I suppose, Combine with Longstrider or Haste to grab your fallen allies and get out of there! Oh, wait, no, because “still move up to your base speed.” So there goes that. Also, despite the fact they don’t encumber you, you’re still basically staggered while carrying them (you can still take two move actions, though!). ALSO also, this ability only lasts for around a minute and a half, which is pathetic if you’re using this ability for its intended function (narrowly escaping a complete party wipe); it’s likely to cut out about halfway out of the Evil Lair.

I suppose there’s the utility of just picking up whole entire enemy bodies and running off with them, but seriously, just...

--Patch Notes: Farmer’s Brawn now reads “Gain a +4 sacred bonus to your Strength. Once per day, you may carry two Medium or smaller creatures or corpses and all of their worn equipment without counting them towards your encumbrance for 1 minute per HD you possess.”

-------- EXALTED --------

Boon 1: Holy Strength. Gain Enlarge Person 3/day, Bull’s Strength 2/day, or Rage 1/day.

Oh hey! All three of these are good and useful at any level! Rage can whip a whole party into a frenzy at once, giving them +1 to attack and damage rolls with melee weapons and giving them +1 HP per HD they have, at the comparatively minor (but still noteworthy) cost of -2 AC. Having a legion of summoned creatures, some hirelings, or just a party with a decent number of martial fighters can expand Rage’s usefulness even further... but a meager +1 to a whole lot of people is only useful if you, well, HAVE a lot of people. If you don’t? Bull’s Strength gives +2 to attack and damage rolls for minutes at a time, and has the added utility of beefing up someone’s carrying capacity and skill at lifting and throwing things around.

Enlarge Person is really the way to go if you have (or are) a powerful melee fighter on your side, though. A nice +2 to Strength is secondary to the delicious, tasty +5ft of reach, letting the target hold a much greater area within their threat radius. Knowing that you always have this spell on hand (3/day with a 1 min/level duration basically means you have it every time you need it) can prompt your primary tanks to take feats like Pin Down and Step Up to make themselves into inescapable tar pits of pain.

All three of these are good and flexible choices! Excellent! Now lets see what else Exalted can do...

Boon 2: Coordinated Escape: 3/day as a standard action, you can shout an inspirational command that affects you and any allies within 60 feet for a number of rounds equal to your Hit Dice. During this time, affected characters can use the withdraw action to move up to triple their base speed (instead of up to double their base speed).

... run away real good, apparently? The ability is described as showing Kurgess’ wisdom, fleeing from a fight that cannot be won rather than standing and accomplishing nothing, but like. He’s the god of bravery! Eurgh. At least there’s the amusing use of using withdraw to get CLOSER, since it essentially gives you an extra move action. And, for what it’s worth, it IS a decent escape tool, provided the enemy you’re running from has no way to catch up with you or slow you down. Much like the original Farmer’s Brawn, this ability just kind of doesn’t represent a god of sports and athleticism, which is what drives me nuts.

... well now that I think about it, using it exclusively for a sporting event like football or some other “keep-away” type game would be hilarious. But, still:

--Patch Notes: Coordinated Escape has been renamed to “Audacious Escape” and now reads “3/day as a standard action, you can shout an inspirational command that affects you and any allies within 60 feet of you. Any creature affected by this command can move at double their movement speed for one minute, and while they’re affected by this ability, their movement does not provoke Attacks of Opportunity.” Capped the time limit and shrank the movement buff, but made it a far more powerful defensive OR offensive tool.

Boon 3: Break the Anvil: 1/day, you can perform a disarm or sunder combat maneuver with a +4 competence bonus against an adjacent creature and a weapon it holds. If you succeed, the creature’s weapon is simultaneously damaged and disarmed, as though you had succeeded at both combat maneuvers simultaneously. If you exceed the target’s Combat Maneuver Defense by 10 or more, the target drops the items it is carrying in both hands, but you only sunder the weapon you initially targeted. If you don’t have either the Improved Disarm or Improved Sunder feat or a similar ability, this attempt provokes attacks of opportunity as normal; however, if you have one of the feats or a similar ability, this attempt does not provoke attacks of opportunity.

Alright I’ll admit, this is a... well, it’s not a complete letdown. It can be pretty good! Or, it would be better if it were attached to the Sentinel, rather than the caster-focused Exalted. And also if you could use it more than once. Needing to invest in Improved [X] (or at least Dirty Fighting) to avoid being slapped for your attempt to do something cool is also kind of a letdown. Now, I’ll admit, sundering at this level is very difficult to actually make viable, as most enemies you’ll face will have either enchanted weapons (which are very difficult to damage), skymetal weapons (again, difficult to damage), enchanted weapons made of skymetal (basically impossible to damage without one of your own), or no weapons at all (either because they use natural attacks, or use magic)... but that’s why this ability is also attached to disarm, which IS viable even at high levels, because knocking an enemy’s weapon from their hands and allowing an ally to pilfer it can render a great many foes impotent.

It does also require you to be adjacent to someone, though, which means you, the caster, must put yourself in arm’s reach of an enemy. And probably the BIGGEST weakness is that enemy CMD at levels 15+ can get ridiculous, so you’re going to have to focus at least part of your build on it, augmented by either spells or feats or, more than likely, both. The +4 bonus you get from Break the Anvil--which I have to admit is a really good name--is certainly some help here, but you’ll still need to build around it if you really want it to work.

--Patch Notes: Break the Anvil can now be done 3/day.

-------- SENTINEL --------

Boon 1: Master of Games. Gain True Strike 3/day, Bear’s Endurance 2/day, or Heroism 1/day.

It’s been one week and True Strike is still bad, even for the martial-focused Sentinel. Let’s just ignore that.

Bear’s Endurance is the weakest and least flexible of the ‘animal aspect’ spells, granting a +4 bonus to Con which translates to a whopping +2 HP per HD and +2 to Fortitude saves, and basically nothing else. It’s a bandage when someone’s suffering from disease or resisting a poison, and while it may occasionally save someone from being Blood Drained to death, it doesn’t justify taking Endurance over Heroism.

Heroism is a great buff to just use on yourself right before entering the final stretch of a dungeon, or even just after entering the front door. It’s a +2 bonus to attack rolls, skill checks, and most importantly saving throws and lasts for a tremendous 10 min/level, meaning it lasts two hours when you first get it and only rises from there. There’s no reason to take anything but Heroism, and little reason to not have it running the instant you enter hostile territory.

Boon 2: Reveal Frauds: You can, as an immediate action, activate Discern Lies as a spell-like ability. You can maintain this ability for a number of rounds per day equal to your Hit Dice, but these rounds do not have to be consecutive.

I had originally wished this ability had been granted to the Exalted instead... but a character going into Exalted likely started as a Cleric, so their Wisdom is probably already sky high and augmenting their Sense Motive to similarly heavenly levels. Thus, Sentinels gaining this power isn’t as bad as I initially thought, especially since it can be used as an immediate action in response to someone opening their lying gob to speak. Discern Lies doesn’t reveal the truth, nor will it ping you if the target is being evasive or changing the subject (such as by answering your question with a question of their own), so you have to keep on top of that. That being said, this ability has three advantages the vanilla spell sorely lacks which elevates it from ‘sometimes good’ to ‘indispensable:’

1) The lack of components means there’s absolutely no tell that you’re using this ability, aside from perhaps you focusing too hard on them. That means your target has no idea you’re using magic to read their speech; they may conclude you’re simply that good at reading their tells.

2) The casting time of “immediate action” means you can use it right when someone talks, rather than needing to prepare it beforehand. You can catch them in a falsehood without alerting them to the fact you’ve done anything supernatural.

3) The on-off nature of the ability means a hostage you’ve taken can’t simply wait out the duration of the spell. You can shut it off the instant they stop speaking and turn it back on when they start again; a canny caster may know the duration of the vanilla Discern Lies, but your version can be raised or lowered more or less at will.

While it won’t truly help you in a fight, this makes you an amazing interrogator, and not even necessarily a mean one! Just throw your arm around some badguy’s shoulder in the middle of a party or a bar and chat them up all friendly-like, sniffing their every word for a hint of falsehood. Sometimes, knowing what’s false helps narrow down what’s true.

--Patch Notes: None. Good as-is!

Boon 3: Unchained Savior 1/day as an immediate action, if an ally within 60 feet of you would normally take enough damage to fall unconscious or die, you can move to an adjacent space and intercept the killing blow, taking the damage in your ally’s place. If the attack would have inflicted any effects other than hit point damage, those effects are negated. If the damage would bring you to negative hit points, you are brought to 0 hit points instead, and the remaining damage is negated. Any attacks of opportunity you provoke by moving in this way are resolved after you take the damage from the intercepted blow; you take any damage from those attacks as normal.

Ohohoho, it’s been nearly two years since we’ve seen a Boon like this! Unlike Milani’s Martyrdom, though, this ability has a MUCH shorter range, a MUCH more restrictive activation condition (it only activates in response to damage!), and doesn’t save your life if you fall in the line of duty.

But you know what? It’s still a damn solid power. Your tankiness will absolutely allow you to survive a blow that could outright kill an ally of yours, but even if the attack COULD crunch you instantly, Unchained Savior flat out stops your HP from going below 0 from excess damage. 1000 damage, 100 damage, or even just 1 extra damage are all turned to Nothing as soon as your HP hits 0, AND this ability negates all extra effects from the attack, such as diseases, poisons, or additional spell effects. This, very importantly, means that even the dusting effects of Disintegrate and Destruction are negated!

Leap in the way of that 40d6 damage without fear! Well okay, SOME fear, since being dropped to 0 still means you’re unconscious. Unless you have Diehard or Ferocity. Y’know what? If your martial build doesn’t have Diehard, it probably should if you’re gonna walk around as an Unchained Savior! Just imagine the look on your enemy’s face when you tank their best shot and just keep coming.

Oh, also, since this power puts you adjacent to your ally, you’re probably now in slapping range with whatever attacked them in the first place. Draw your javelin and show them that you can give just as well as you take!

--Patch Notes: None! A 10/10 ability, Kurgess! Now if only you had this power while you were still a mortal, eh? Haha ... ha... ha... hwoof....

You can read more about him here.

#Spiritual Spotlight #Saintly Spotlight #Pathfinder #Dungeons and Dragons

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chibinoyume · 4 years ago

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Re: Blindspot series finale

I don’t wanna pee in anyone’s parade, so if you’re one of the fans happy with the series finale/happy with the happy ending, I’d suggest you keep doing you and keep scrolling (and I’m so jealous of you).

If you’re upset, I feel you, and we can talk about it in the comments.

My initial thoughts on the finale under the cut (I say initial, because I may feel different upon rewatch, but idk when that will be) + my feelings.

I am... so heartbroken. A weird mix of deeply sad, frustrated, in denial and numb at the same time.

My numbness allows me to appreciate the intent of what they were going for, after reading some Gero interviews. Give anyone what they want to believe, “choose your own adventure”. And I wish it was that easy. While I do very strongly want to believe they got their happy ending (and there is some evidence that would support that, like the body bag being just left there in empty Times Square, even if it makes a powerful aesthetic image), even if it wasn’t happy enough in my book -didn’t feel like the happy montage of 3x01, that doesn’t mean I think that happened.

They say anyone who watches it has a strong reaction either way. Vehemently believe Jane survived and was happy or that she died. At the moment, I am on the dead-camp, but I am very NOT happy about it. I think that was their intent, because even if they cut back to the dinner scene, Jane is shaken. Is this her version of heaven and she just then realized she died? I don’t know. I wish I could believe the Times Square scene was just what she thought it could have happened, or has some lingering side-effects from the ZIP and saw that but she is really in that dinner, because the alternative is so damn unfair it makes my skin crawl.

Jane deserved better. Kurt deserved better. Even if the story was “Jane prefers risking her life to save everyone over saving herself”, they could have carried the antidote with them, there were so many ways not to have her die. I get that from a narrative point of view is full circle, poetic tragedy, the ultimate redemption, blah blah blah. But she deserved to have a nice life for more than 2 months.

I can appreciate the Jane-fight (probably my favorite bit), the huge effort and logistical nightmare of all the cameos, the nods to past episodes, like Jane in a similar outfit to the pilot when talking to Borden, Roman having his scar back, the weddings Jane saw. I know they wanted to honor everyone and give them a last goodbye. But I feel it was somewhat empty. Too much in too little time. Everything was too fast to really feel the stakes, Kurt was weirdly un-emotional until the tragic alternative end, to the point I thought the whole episode was a dream until almost the end.

I know this show is a procedural/thriller first, even if they wanted to delve into their lives a little more than the average cop show. But I’d have much rather have Ivy just vanish and leave it to the FBI newbies to chase her off camera and focus on the emotional journeys of our team. As the main cast, that would have made a better homage to the series in my opinion.

Maybe how everyone dealt with not being FBI anymore. An extended scene of Patterson, Rich and Tasha tearfully talking about the end of their job in law enforcement. Kurt nursing Jane back to health, maybe even doing physiotherapy or something if the ZIP had affected her that way. A happy montage of moments, people getting to the Weller household, hugging each other in what I assume was Thanksgiving. Some banter, some teasing, heck, maybe even Bethany cooing over baby-Zapata. Kurt feeding Jane some turkey and everyone rolling their eyes because they are so cheesy.

Even if they wanted to pull the rug out of our feet then, with the alt-dead thing, I feel it would be easier to ignore. Easier to say “okay, I can choose to believe this happy ending is what they got”, because it was just as powerful as the sad ending, but in canon, it wasn’t. I get that they had a ton of characters and they wanted each one to get a few seconds of spotlight in that dinner, but it fell a little flat in comparison to the powerful af tragic scene in Times Square. And idk, maybe that’s why that’s the one I can’t ignore.

I’m happy I could get out most of my “post zip Jane 5x10″ comic out before the finale, because I kinda feared I wouldn’t like the ending, or it would be so awesome my stuff would be almost pointless. I don’t outright hate it, but I am so deeply disappointed (and I don’t know if it was also because the cast hyped it up so much) and I need a minute. I wanna get over it, I wanna keep creating, but right this second, I feel like I need to mourn.

It’s almost an ironic parallel how I was so outraged and pissed off about Patterson dying when they sold it as such, needing to rage-quit for a few days out of anger. And while I do love her character, my favorite will always be Jane. Here, now, I am just deeply sad, I wanna curl in a ball and cling to denial, to the possibility of a happy ending until I can overwrite things with my own headcanon and join the “canon? what is that” club so I can keep on being a part of this wonderful fandom, both enjoying what y’all create without wanting to cry, and to bring my muse back from the dead where it was stabbed in the heart.

For now, I don’t even know what to do. I cried a bit, but I’m back to this weird numbness. It needs time, but patience is not my strong suit. I so badly want to feel better about it and enjoy it like so many seem to be able to.

If you read this far, thank you. Feel free to leave a reply with your thoughts or reblog with comments if you want to. Group hug.

#blindspot #blindspot spoilers #blindspot finale #my thoughts #5x11

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keyofjetwolf · 4 years ago

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Xena and M’Lila

I genuinely and sincerely love this show, and no question it was progressive in a lot of ways for its time. But there’s been nothing made by human hands that’s perfect, and I can’t help but wince a bit as I watched this episode, featuring M’Lila, the slave from “The Land of the Pharaohs”, and keep in mind that we’ll soon meet Lao Ma from “Chin”, and how both of these women were deeply impactful in the course of Xena’s life, recognizing her potential, teaching her signature skills, and then dying so the white woman can live and use their shit better than they did.

IT DOESN’T SIT SO WELL IN THIS THE YEAR OF OUR LORD 2020.

That won’t be the focus of my discussions, but it would be disingenuous to not acknowledge it. It’s an ugly mark, and if the show ever gets a reboot, as has been rumoured for a while now, I hope the new creators do better on this front.

Xena meets M’Lila on the same day she meets Caesar. IT’S A BIG FUCKING DAY. Unfortunately, M’Lila is short-changed, not just by the episode, I think, but by the series as a whole. For as HUGE as her role in Xena’s life, she’s astonishingly under-mentioned (particularly versus Lao Ma, who comes up every other second once we learn of her). “Destiny” itself doesn’t really give her much either, what with the language barrier and then her going and dying and all.

Here’s a brief list of shit M’Lila does for Xena in this episode:

Did and then undid The Pinch on Xena’s leg (this is a bad episode for Xena’s leg)

Did and then undid The Pinch on Xena’s NECK (you know, the whole “you’ll be dead in thirty seconds” thing)

Taught Xena HER PIRATE CAPTOR how to do and undo The Pinch

Cautioned Xena against trusting Caesar and being wholly ignored

Hid well enough on a boat that an entire Roman legion couldn’t find her

Solo-invaded a Roman camp to rescue Xena from death by crucifixion

Dragged Xena for who the fuck knows how many miles to a healer

Took an arrow for and died for Xena

CAME BACK AS A SPIRIT TO SAVE HER ASS AGAIN

Inspired Xena’s breastplate armour and arm cuff design, probably.

YOU DESERVED BETTER M’LILA I’M SO SORRY

I really do wish the episode had done better splitting its time between Caesar and M’Lila, or at least taken a moment for her and Xena that was about THEM. We can infer a lot, and I’m not against that, but when we have AN ENTIRE MINUTE AND CHANGE for a slow ass sad sea montage, I start throwing side eyes.

Obviously, in their time together (I’d say months, at minimum), Xena makes a huge impact on M’Lila. I mean, fuck, what she winds up doing for Xena is proof enough of that. But ... what, exactly? It seems reasonable to assume that Xena spent most of her time with Caesar BONING Caesar, and she spends her time between Caesar leaving and Caesar smashing her legs in PINING for Caesar (if our 80-something second Sad Sea Montage is anything to go by), so Xena and M’Lila became bosom mates when? And WHY, I mean Xena’s functionally an angsty sixteen year old who can kill you on a whim, if I’m M’Lila, I’m thinking about running off with those dolphins from the montage.

AND XENA TOO. M’Lila’s death basically sets off TEN FUCKING YEARS OF CARNAGE. And the show goes out of its way to make sure we know it IS M’Lila’s death that does it, too, and not just Xena being sad about not having Karl Urban for a boyfriend.

We take several pointed seconds with Xena searching herself for an answer. ANGER IS XENA’S GO-TO IF SHE WERE TRULY ANGRY SHE’D FUCKING KNOW IT. All of her aside comments, too, indicate that Xena’s definitely having a bad time, quite possibly a little depressed, almost certainly embarrassed and feeling foolish and used, but angry? Nuh-uh.

Xena does make her choice tonight, a choice she’ll make again and again over the next decade-ish, but interestingly enough, that choice has little to nothing to do with Caesar. And so I wish SO MUCH that the episode had spent more time showing us why M’Lila.

Consequently, I feel I’m not really able so much to do a great job on this topic (WHICH SADDENS ME), because we just don’t have the same tools to build with as we do Caesar. BUT LET’S SEE WHAT WE CAN DO.

A lot of M’Lila works best, I think, as a collection of ideas and possibilities. When we first meet her, she fights so much like we’ll come to see of Xena, she almost feels like a spirit. M’Lila is TOUGH and FAST, and honestly how the fuck anyone was able to keep her enslaved is beyond me, but okay. She’s bested by Xena, only just, and really becomes quite amendable after that. We don’t see it happen, but she most likely taught Xena a lot about fighting beyond just The Pinch, and those are lessons Xena still applies to this day.

Alongside Future Xena, though, M’Lila represents a different path Xena might have walked. The world they live in is pretty god awful, with the strongest routinely and violently taking from the weakest, We know Xena rallying her village to stand up to warlords didn’t go super great, but they DID win the day, and Amphipolis DID remain an independent town after Xena put her “all enemies of Amphipols get to eat my sword” plan into action. Does that mean Xena had to become the thing she was defending against to keep from possibly being enslaved and dying? Hell no, that’s the entire point of the fucking show. Xena makes her choices, XENA CONSISTENTLY MAKES HER CHOICES. But not making a choice is also a choice, and choices have consequences. These might have been Xena’s.

We also can’t overlook M’Lila’s compassion (though in the same breath I laughingly note how she left all her other shipmates strung up, OOPS). Assuming Caesar’s assessment was correct, M’Lila has been a slave since she was a child. Presuming she had only recently managed to successfully escape, her time with Xena may well have been the first in memory she’d spent it free. From what we know of Xena to that point, M’Lila is the first and possibly only person since her own family drove her away to show her kindness.

But at the end of it all, sadly, M’Lila’s purpose is to die show Xena the way she COULD be, the things she COULD do with the skills and abilities she possesses, so that Xena can go “Mm, no thanks.”

M’Lila is an excuse. A really good excuse, don’t get me wrong! However I wish the episode had done a better job with it, I truly believe Xena’s pain and grief at M’Lila’s murder. Xena has loved and trusted so few people in her life, and when the world hurts her, all she wants is to hurt the world in return. (***MAKE A MENTAL NOTE WE WILL RETURN TO THIS IDEA***) But really, M’Lila is the excuse Xena wields, the fuel she uses to burn down EVERYTHING.

And you know, I say that, and I think I’ve talked myself into a good headcanon for why Xena doesn’t bring up M’Lila more. Oh the shit she’s done in her name. Even if she never said it, that’s what it was. Of all the things M’Lila didn’t deserve, that has got to fucking rank. Yeah, I’m not sure I”d feel worthy of evoking her again either.

Really though: SORRY M’LILA YOU DESERVED BETTER

#jet wolf watches xena #xena ep 2x12

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nellie-elizabeth · 4 years ago

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Supernatural: Carry On (15x20)

Oh my god. Lol. So... did Andrew Dabb forget to read back through his finale script one final time before deciding it was finished? Because like... Dean says "if we don't keep living, all that sacrifice (Cas and Jack) will be for nothing." Cut to a comically short time later, where Dean dies and is just like "time to go, let's not keep fighting, I'm tired lol."

Like WHAT did I just witness. I'm so grateful, in this moment, to a little show called The Magicians, because in April of 2019 they ended their fourth season with such an egregiously terrible decision that I literally couldn't sleep for a week, I was shaking and intermittently sobbing, I had never felt so betrayed and devastated over any piece of media before. After that, I've sort of become numb to bad endings, and this is no exception. This episode was absolutely terrible and I'm just sort of like... meh. I'll ignore it. Whatever.

I do want to forego the usual "pro" and "con" sections in this review, and do a more traditional full-on ramble about my thoughts, because they're kind of convoluted, if I'm gonna be honest.

The first thing I want to say, is that this wasn't the worst finale I've ever seen. Objectively, it was a terrible episode of TV and an insulting wrap-up to a fifteen-year-show. But I have a very specific category for the worst finales ever, and those are the ones that provide endgame states for the characters that are... unfixable in a post-canon but still-canon-compliant world. So, for example, the How I Met Your Mother finale killed off the titular mother and betrayed years of buildup, and that's a real-world sitcom. There's no resurrecting people from that shit. Or like. Game of Thrones being an obvious recent example. The Rise of Skywalker is a good movie example.

This? It's a little different. The endgame state of Sam and Dean and Cas is that they all die and spend eternity in Heaven, where they get to be with all their loved ones. I mean, sure, we don't get to see that, we only get a throwaway line to imply that Cas made it out of Super Turbo Hell The Empty, but that's the endgame state of the characters. And that's more or less what I would have wanted, as like a... years after canon situation. Right? So yeah, this was a bad episode, but if I edit in the shit I wanted to see, none of it contradicts the canon in a way that's not workable. It's a sad world we've come to where this is all I can really grasp at, but there is a perverse sort of comfort in that.

So, should we talk now about how Dean dying is a betrayal of what they said this whole season, and maybe whole show was about? Ha. It's so ridiculous. It's embarrassing. I watched Dean's final moments and I was embarrassed for Jensen. For Dean. For all of us watching.

Just. Watch the end of 15x19 again, okay? Watch it, and hear what they're saying. Yay, we killed God, we killed the author of the story, which means we get to write our own stories, finally. We get to do that. After all this time, we're finally free. And what does freedom look like? It looks like Dean dying on a run of the mill hunt.

We get this little montage of Sam and Dean at the Bunker, you know? They're doing laundry and going on jogs and cuddling with Miracle the dog, and they're brushing their teeth and going on hunts, I guess. And the emotional resonance from that scene was just kind of... ennui? And boredom? And that's what's so terrible and depressing about this ending. It's so empty, because Dean didn't get to do the thing he said he was fighting for. Sure, he was always fighting for Sam, but he should have been able to fight for himself, too, right? He should have been able to fight for a life after the years of programming. He should have gotten to be a rock star or a chef or worked at an animal shelter or become a foster parent or grown old as Sam's brother, as an uncle to his kid. He should have been able to find love, if he wanted that.

Look, I'm not even mad that Dean died in a "mundane" way. It's not like "nooo Dean is too coooool to die in such a laaaame way, he's a bad-ass and he should have gone out in a blaze of glory!" That's actually not what I'm mad about at all. Sam died old in his bed, and Dean should have been able to do that too. This whole season, since finding out that Chuck was the ultimate big bad, was supposed to be about free will, and Dean never got to figure out a way to be happy and find peace. That's fucking dour and stupid.

I kept saying, in the buildup to this finale, that a depressing, grim-dark ending to this show would be a failing of the themes they set up, and, hey, they didn't go grim-dark, because the writers did not think this was grim-dark. They thought it was powerful and emotional and resonant. You can tell they thought that, even though they're... uh... what's the word. Wrong? Yeah. Wrong. You know what I realized while watching this? It was just a lamer, less resonant and appropriate version of Sam's sacrifice at the end of season five.

Right? Because after Sam yeets himself into hell to save the world, Dean just has to keep going, and as Cas says, "you got what you wanted, more of the same." Just... more of the same. And Dean couldn't hack it, he was miserable without Sam, and Sam came back and we got ten more years of the fucking show. And now... what, we just get that in the other direction? Because Sam is the strong one and can soldier on without Dean because his codependency was a little less crippling? Wow, what a great ending for him, I guess. It doesn't work because we've seen Sam without Dean, and he falls apart too.

And now the show ends with Sam alone. Sure, he gets married to a blur in the background and has a kid, but let me ask you a question, here. Did Sam... want to be a father? I didn't know that was a thing he wanted, that would make him happy, honestly. I had no idea. So this doesn't seem like it works as something even remotely satisfying as an endgame state for him either. It's bleak.

And it's bleaker because there's nobody else in this fucking episode, y'all. The other big theme in all of Supernatural, after "free will" would be "family don't end in blood." And guess what? Apparently it does? Apparently Sam and Dean are each other's whole worlds and nothing else matters? We get... an implied wider world but we don't get to see it. We don't get to see Eileen, Jody, Donna, anybody left alive for Sam. So from the standpoint of characters that we know and give a shit about, Sam loses Cas, Jack, and Dean and lives the rest of his life lonely and sad. Nobody else even comes to Dean's funeral. It's just Sam alone with the dog. Like... that's bleak.

This ending gave the fucking Wincest shippers everything their hearts could desire, for fuck's sake. Like. Why did they cater to that and not follow through on the idea that they had created a family and community beyond each other? You know, this thing called character growth?

To take a brief break from the negativity, I will say something here about Sam and Dean. In the weird hysterical euphoria of the whole Destiel thing a couple weeks ago, I lost sight of something, which is that for me, the draw of this show has always been the relationship between Sam and Dean. I was never a brothers-only person, but it was their fucked up codependent bond that drew me to the show over the years. I loved the idea of Destiel, but I never thought it was going anywhere, so really I loved Castiel, the character, separate from the context of his relationships. Having a big dramatic death scene where Dean says "I love you so much" and there's a forehead touch and Dean saying "it's always been you and me" and confesses that he was scared to get Sam at Stanford because he didn't know how to survive if he didn't have him, and to have Sam say "don't leave me" and then give Dean permission to go... I mean, all of this is catnip, right? All of this is great, like, in isolation, it was such an amazing "broment," as the fandom says. I mean, it made no sense with context, it was utterly insulting in every way, but Jensen and Jared acted their lil' hearts out and I could tell they were really in the moment.

So let's talk about Cas for a second, while I have you here... they never should have done the big gay confession. They just shouldn't have even fucking bothered. I'm telling you, that makes this whole thing worse. It felt completely intentional and weird that Dean never acknowledged the confession, never told Sam, never had a moment where he specifically reckoned with Cas' loss. But that's what I knew would happen. I knew it in my blood and bones, and as the meta started pouring in, I knew people were getting their hopes up for nothing. See, Cas saying "goodbye Dean" and the handprint on the arm... I knew that was their catharsis, that was the writers' and Misha's big goodbye to the character of Castiel. They thought they fucking nailed it. I knew we wouldn't see him again.

Like I said before, I have to be satisfied with an endgame state that doesn't totally suck, right? So, we get this throwaway line from Bobby that Jack fixed Heaven and made it not suck, and that Cas helped. This implies a multitude of things that are... comforting. At least Cas doesn't get that dour, dark, helpless oblivion that I worried he'd get. We can assume Jack plucked him out of the Empty, that he gets to be with his son, and that, if the fic writers so choose, Dean and Cas can have lots of gay sex up in Heaven. I think Misha not being in this finale was frankly a slap in the face to one of the biggest and most important characters the show has ever seen, you know? And I think that they kept him out of it so we could have Schrodinger's Destiel. Because if we'd seen Cas in heaven, and he hadn't confessed his big gay love, Dean could have been like: "hey Cas! Buddy! Good to see you, my friend." But since we did have the love confession, whatever Dean did upon seeing Cas would have to mean something in that context. So instead we didn't get to see him at all.

Which is stupid.

Also stupid is that the big sacrifice was to save Dean's life and then a couple weeks later he gets impaled on a rusty nail and dies anyway. Thanks for making the whole thing feel so utterly pointless and empty. No pun intended. Wow, they did Misha dirty, here, didn't they.

Turning back to Sam's ending, let's just talk about that for a minute. Like I said, I'm happy he got to live a long life and die an old man, what Dean always wanted for him. But nothing about that ending was more poignant because Dean was gone. In fact, it just made it super duper depressing and lame. There was no reason Dean couldn't have gotten a happy life, too. It adds nothing that he died young and unfulfilled. Like, you know how people joke about the end of the Titanic, where you see that Rose's Heaven is reuniting with Jack and everyone else on the ship, and people will say "well, gosh, that's kind of a slap in the face to Rose's family" since she clearly got married and had kids and grandkids? This is literally that! Like, having an ending where a young-again Sam Winchester gets to Heaven, and his whole Heaven, the thing that he needed to find peace after death, was a return to his brother... look, I'm not mad about that, but what the fuck about nameless blurry wife that we couldn't even confirm to be Eileen for some reason? What about everyone else?

And did Sam... keep hunting? Did he go to law school? Maybe there were background details that confirmed what he ended up doing with the rest of his life besides becoming a husband and father, but I didn't see evidence of it because I was too busy rolling my eyes out of my skull at how dumb this all was. So Sam just gets a generic "raking leaves in the yard" ending, like we saw for Dean at the end of season five, with nothing to challenge that. Even though we've seen why life outside of hunting, life without Dean, isn't satisfying for Sam, we're now supposed to accept it as how he spends the rest of his life, without seeing him put the work in to get there?

One thing I realized watching this episode is that it tries to play the middle. Like, with the Cas thing, they didn't want to make his noble gay sacrifice totally meaningless, so they couldn't just pop him back into the story, but they did give us one single throwaway line to reassure fans that he's not still in The Empty. So, people who don't give a shit about Cas can assume he's off being Jack's assistant and doesn't really interact with humans in Heaven. People who do give a shit about one of the show's main characters can assume that he has a home in Dean's little Heaven neighborhood too, and they all get to buddy around for eternity. People who don't like Eileen? Well, Sam married some nobody who we never got to meet. People who liked her? Well, you can't prove that wasn't Eileen, can you? Even Dean driving around in the impala waiting for Sam to die so he could finally be happy with his fucking soulmate or whatever. Time in Heaven is weird, Bobby says. It's metaphorical. You could assume that the driving montage was actually intercut with other moments, with Dean getting to see dear old mom (and dad, I guess, but ugh), and spending time with Bobby, with OG Charlie, with other familiar faces, and new ones as they finally reach their own deaths on Earth and come up to party with the rest of the gang.

Like, in a better show, in a world without Covid, maybe they had plans along these lines, to get more guest characters back and show Dean getting sappy hellos to a bunch of side characters in Heaven. To be quite honest, I would not have been mad about that. If you're going to make Dean die young and never give him the chance to find out who he could have been when the choices were all his own, which is, in case I haven't made that clear, a horrendous and insulting ending for his character... at the very least you could have given us the cheesiness of seeing him hug his friends in Heaven. Jeezus.

I want to hammer in this point one more time before I wrap up: they ended the show by saying that character development didn't matter. They had Dean's dying speech be a meta reference to the pilot episode of the show, they had him saying "it's always been you and me" and then they confirmed that with everything they had. Sam became a father, but did he have a happy life? Seems like he pined away for his dead brother for decades and then died. If the pilot had never happened, if Sam had stayed at Stanford and Dean had gone on hunting by himself, you know what would have happened? Sam would have had a "normal" life and married a woman and had a kid, I guess, and grown old, and Dean would have died fighting some vampires in a barn. This show has been on for fifteen years, and the ending did not honor anything about the journey the characters had been on.

A particularly egregious example is the early scene with the pie festival, where Sam is like "I'm sad about Cas and Jack" and Dean is like "if we don't go on living it won't honor their sacrifice" like... yeah, I get it, bringing people back from the dead time and time again is supposed to be a bad thing that Sam and Dean did for each other because they were selfish. So Sam giving Dean permission to go was supposed to be a growth moment. Sam and Dean accepting that Cas was gone and not even asking Jack to make sure he got sent to a happy eternity instead of oblivion, that's supposed to mean they've learned their lesson. And what a fucking lesson to leave things off on. Jesus, this is grim.

So like. As I try to figure out what to say at the end of this review, I will point out one glimmer of light in the darkness, which is that this finale isn't going to ruin the rewatchability of the show for me. I can still come back and re-watch without feeling like the whole thing is ruined by the ending. It's more than I can say for some other shows.

But honestly, if this was the ending we were going to get? Why the fuck not leave it open-ended? I did not enjoy 15x19 particularly well, but at least that episode left them on the open road, with a wide future ahead of them. Anything might have happened. It's their turn to write the story, right? Chuck is dead, the writer is "dead", the show is over, and now the possibilities are endless. That would have been an anticlimactic ending, for sure. But this ending just turns around and slaps the whole point of that first ending in the face and says "haha bitch you thought". They don't get to write their own stories. We see exactly how those stories end, and it's lame. Leave something to the imagination, yo. Leave it vague how and when they died, what their lives turned into. Show them in Heaven, getting to their peace at last, reuniting with their friends, including Cas. Put in a significant glance between Dean and Cas, and leave it to the internet to go wild about what it could mean. And never answer when fans ask "so what happened, when did they die? Did they keep hunting?" Just leave it vague. If this was the only ending they could come up with, I'd rather be left with questions.

This finale gets a low score from me, because they couldn't even pull on the right heartstrings to make me sentimental...

4/10

But the show as a whole? Well, it was a mess, and it had some seriously high highs and some devastatingly low lows. It's a bummer that the lowest low came in how they tried to wrap up the whole shebang, but like I said, this ending isn't going to ruin the whole fifteen-year run for me. We get to make up what happens next, and we can make Jack's new and improved Heaven our post-canon fix-it haven. I don't think there's ever been a show in my life quite like Supernatural. The fandom is so bonkers. The meta narrative of the show is so convoluted and twisty and goes in so many unexpected directions. I liked watching this show for its own sake, and also as like... an anthropologist trying to discover something about humanity and American values specifically. It wasn't always a pleasant experience, but it was one I know I'll never forget. My heart tells me to give the show as a whole a high score, representing the many, many hours of joy and dread and delight and horror I got over the near decade I've personally been watching. How do you wrap up fifteen years in a score out of ten?

9/10

#review #supernatural #supernatural review #spn #spn 15x20 #spn finale #lol y'all #it's been a JOURNEY

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helihi · 5 years ago

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Thoughts on RWBY Vol. 7

Quarantine day 20: I finally force myself to re watch volume 7 instead of doing my French homework.

Spoilers ahead for RWBY and How I Met Your Mother (yes).

Volume 7: The Story of a Broken Narrative Kingdom

The day has come where I finally sit down and watch the whole season again. Some of you wondered why I didn’t simply do a The Good, The Bad, and The Dirty review on the last episode of the volume like I did with the previous ones. The answer is the same reason why Ozpin’s speech at the end of the volume encapsulates the volume’s theme as a whole: finales affect the way you look at shows, comics, movies, and books. It provides a framing.

Did any of you watch How I Met Your Mother? For those of you who didn’t, it was a often called the show “which could replace Friends”. Something that you may not know is that fans of the show renamed it something among the lines of “How I should date your Aunt Robin” after the last episode aired. You see, the ending of the show changed the way most viewers see the show in the present.

The show had main character Ted Mosby narrate to his children how he met their mother. However, the story doesn’t begin during the day that encountered happen; no, it starts years before, when Ted declares he wants to settle down and find the love of his life. In that very same episode, he meets Robin Scherbatsky. In the end it’s revealed that the mother (the character we spent years speculating about) is dead (which I expected), and Ted asks his children if they give him the blessing to date their Aunt Robin. Originally, the fans could excuse episode 1 centering around Robin because it was the instance where Ted decided he wanted to settle down, but after the veil was lifted; there were no excuses, this whole story was a Ted’s way of convincing their children he should marry Robin, the main woman in his life during the whole show (even if we spend the last season on her wedding with one of Ted’s best friends).

Perhaps the ending of Volume 7 didn’t destroy the character development of 3 main characters, but it drastically changed the way I felt about the volume.

“The Kingdom of Atlas will remain safe, that’s my promise”- James Ironwood, Volume 7, Episode 1.

If you go back in my blog and read my reviews for most of the volume, you will find glowing ratings and stars. Anyone that knows me, knows that I love a good politics game in the shows/stories I read, so I was really excited when the writing team started developing that during the first half of the season.

Our gang (RWBY+JNOR+Q+M) reach Atlas after finding out that Oz is a fraud, that Salem cannot be beat (by Oz), and that Cinder almost took another maiden’s power. They quickly realize that Atlas is in a state of chaos and Ironwood is consumed by fear taking authoritarian measures, which keep the kingdom divided.

The stage is set:

Ironwood, Winter, and the Ace Ops.

Robyn, the Happy Huntresses, and Mantle.

Watts, Jacques, and Tyrian.

I thought the way everything was set was fantastic, I loved the political drama, and I thought the writers were taking their time properly. Even now I give huge kudos to the Schnee storyline, which is my favorite. The volume showed us how flawed Winter’s coping mechanism is, how Weiss is still susceptible to her father’s gaslighting and manipulation, and how the household isn’t just broken by Jacques (Willow apologists, pls read this).

However, the cracks started showing during the first episodes and I noted that on my reviews. We have characters used for exposition dump: from the Robyn supporter, that explains what we could’ve learned by the normal progression of the story, who gets killed as soon as he returns home, and other characters like Maria talking about Pietro while he’s standing right there.

In contrast to that, we get wonderful montages which show the passage of time. The kids interact with one another and the Ace Ops, they train, they help with Ironwood’s plan. It seems weird to have 2 different tools one after the other.

Also, it it weird for anyone that Qrow and Winter only interact 1 time during episode 2 when in Volume 3 a clear rivalry was established? Winter’s storyline was supposed to follow Penny’s, while Qrow was supposed to grow attached to Clover. Because these 2 characters had to reach a certain point in the story, they are not allowed to deviate from the interactions needed for the plot to advance.

Another thing occurred to me while re-watching the season again... Why is Ironwood so fixated in protecting Atlas when it’s floating in the air away from Grimm? Yes, we know that some Grimm can fly, but by the many times we see Mantle in chaos, you would think Ironwood would repair Mantle’s wall to keep it safe?

That’s the theme, guys, girls and nonbinary folks: a kingdom divided.

Just like the Atlas kingdom falls apart, the narrative of Volume 7 has a specific breaking point that marks the decline in quality (you can see that in my reviews). The moment everything went downhill starts in Episode 8, with the dinner at the Schnee Manor.

We spend much time developing the political tensions of the volume for Jacques to be promptly arrested and taken away from the scene in a second.

While Ironwood, Winter, Penny, and Clover are shown doing plot relevant stuff, team JNOR does that ridiculous gag to get Whitley out of Weiss’s hair. The rest of the team do jackshit, and we don’t hear anything from them until everything is over. Again, the writers reached the plot point and forgot about everything else.

Also, Ruby looks sadly at Weiss when Whitley mentions that Klein was “let go”, yet Weiss has never talked about him to Ruby on screen. Claiming Weiss could’ve done that off screen strips away the possibilities of Weiss bonding with Ruby the same way she did with Yang when talking about their pain during Volume 5.

Such a large table, and only 4 council members, isn’t that kind of stupid? I mean, if Ironwood had 2 seats, numbers wise it makes sense, but who are those other 2 supposed to represent? Why haven’t we seen them before?

Robyn is told by Yang and Blake that Ironwood doesn't know who to trust. She proceeds to pressure him in front of people he clearly doesn’t trust. This is the first instance of OOC Robyn.

The walls crumbled, and everything became obvious as a viewer. Some other notable flaws:

Tension jojoing. The people in mantle will revolt! Except they aren’t. This happens in Episode 5, 6, and 9. The only real uprising is the last one. The other two were silly cliff hangers that make no sense when you watch the show again. (they didn’t make sense before either and I complained).

Hey there, Watts! You may have an interesting backstory, except it’s only implied you are pissed off Penny got chosen as a major project instead of whatever yours was. Also, Paladin incident? What? If he is the main villain of the Volume, why not expand on him? I shouldn’t be surprised, Hazel and Tyrian are not that complex. And Cinder? It’s been 5 volumes and we barely know anything about her haha.

Robin! I love how civilized and smart you are when the volume started, choosing to observe and talk instead of acting against the main characters. How awful is it that you forget to keep your calm when a Serial killer is on the loose. It would be a shame if someone were to... die.

I already gave my 2 cents over Clover’s death, and I’m not going to repeat myself. I am sorry to all the Fair Game fans, I’m afraid bury your gays is till alive and well.

The nail on the coffin is the final episode: after making a speech about how Salem wants to divide people and how the only way to go is to remain united, James does the exact opposite thing the moment something doesn’t go according to plan. Don’t get me wrong, his PTSD regarding the queen chess piece was foreshadowed, but the moment team RWBY offer an explanation and identify the person behind it, he’s to far gone. Then, Salem shows up, and goes for Team RWBY when Ruby gets under her skin. This shows that Salem has a weakness and that Team RWBY can be trusted when it comes to defeating her, yet that is promptly ignored.

Also, Ironwood might be hurt about Yang and Blake talking to Robyn, but after everything, they were proven right: Robyn is to be trusted, Ironwood was making a mistake.

The whole setting up a trap to attract Tyrian wasn’t Ironwood going “mad with power” or something. Robyn knew he has lying and allowed Ironwood to catch someone who could hack everything. Not only that, but the camera zoomed in on Ironwood, so nobody could see Robyn’s handy Semblance going red. Or... maybe I’m looking too much into it and the writers expected you to forget.

Sorry, I guess James Ironwood had to take a bunch of stupid pills.

“I wish it didn’t have to end this way.” - Clover Ebi.

“It doesn’t have to, but the writers need that Branwen angst.” - Qrow Branwen.

Volume 7: Part 1 of the Atlas Arc

Have you ever heard of Checov’s gun? It is a dramatic principle that states that every element in a story must be necessary, and irrelevant elements should be removed. Elements should not appear to make "false promises" by never coming into play. Let’s play a game called the false promises of the volume that may carry over to volume 8?

Renora: Nora sides with Robin, Ren sides with Ironwood. They do not communicate with one another and the tension builds throughout the volume. They kiss, nothing gets resolved. Ren cries when Neo turns into Nora.

Training: Ren is shown to throw himself into the enemy as a flaw, he repeats the same mistake when fighting with Neo. Oscar’s Semblance is questioned, nothing comes out of it. Ruby’s Semblance is questioned, nothing comes out of it.

Cinder got beef with Atlas? For some reason, Cinder talks about Atlas hoarding power when speaking with Winter. Bitch, where the fuck do you come from? Who are you? Do I know you? Sorry, the writers forgot to write a growth arc for you. My bad.

Nora, daughter of Atlas? Can someone explain to me why she became a SWJ (/s) during this season? We never get a backstory of her previous to Kuroyuri and for some reason Nora is super attached to the people of Mantle. The daughter of Atlas title was thrown around, why?

It’s so nice to see tea FNKI back! Too bad they are there for 5 minutes and never show up again, not even when Mantle is supposed to be defended by all huntsmen. I guess this was fan service.

What’s the purpose of the Happy Huntresses? Isn’t it funny how the only one who got wounded by Tyrian is the only character who could see in the dark, but didn’t tell Robin that Penny wasn’t guilty? Hi Fiona, I don’t know why you exist.

Marrow: the butt of the joke. Since the first episodes, Marrow is shown as the outsider inside the Ace Ops: his teammates don’t take him seriously, Ironwood doesn’t think Marrow is up to the challenge of some missions, and he’s the only Faunus, the only one that seemed to sympathize with Robyn at the end. Too bad he wasn’t allowed to break his mold.

The World Building looks pretty, but it doesn't play the part.

I have to praise the art direction of this season. I was blown away by the aesthetics of Mantle clashing with Atlas, the details in the backgrounds, the world building by back messaging, screens, and posters. My favorite scene of the volume is the penguins in the tundra.

However, you have to walk the walk, and the writing team failed to deliver.

Racism: hey, I know you guys kinda messed up the White Fang’s internal struggles and opportunity to expand on Adam’s power grab and Sienna’s leadership, but maybe don’t skip the racist elements of Atlas? All we get are Faunus mine workers looking angry, that drunk dude who yelled at Blake and Marrow making a simplistic comment about politics. What...? What’s the point of acknowledging u are bad at writing racism and then do nothing about it? Did none of the new writers know how to tackle this?

In-World Continuity: Hey, wasn't the Vytal festival broadcasted to the entire world? When I saw that camera focusing on Yang on episode 1, I thought there would be a call back to what everyone saw her do during the finals, but nope. Let’s not bring that up again. ever. The only important thing about the Vytal Festival is the tower, move on.

Weapons upgrade: We were told that weapons were an extension of each huntsmen; too bad none of our gang actually work on them. Pietro makes all the modifications and repairs. I remember the bumblebee fans eager for a scene of Blake repairing Gambol Shroud, don’t tell me you’re not disappointed.

Atlas ball: not found. Hey! We have Jacques Schnee celebrating his fake victory on the elections! It would be a perfect moment to showcase the disconnect between what’s happening in Mantle and what the people in atlas thing. Too bad we didn’t wanna make extra character models.

Closing thoughts

I wanted to re watch the whole season again to see if the bitterness left on my lips after watching that chaotic finale went away, but it only grew. There are so many character choices that made no sense, so many scenes where characters stood around in the background doing nothing.

WHY THE FUCK DID OZPIN ONLY APPEAR AT THE END?

Oh, I’ll tell you why: he needed to give a speech about themes to justify the stupidity that happened during the last episodes to get to that cliff hanger.

I am disappointed in volume that seemed to be doing so good at the begging, but hey... at this point we shouldn’t be surprised, should we? Interestingly enough, the people who dreamed about the ball and the scenes of Blake fixing Gambol Shroud grew quiet after the episodes aired...

Almost as if criticism wasn’t allowed on the RWBY tag.

AN: The titty window isn’t justified Salem, your ex is now a child that’s PEDO—

#rwby #volume 7 #rwby7 #RWBY review #Me #The good the bad and the dirty

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parachutingkitten · 5 years ago

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So here's the sitch, Pixal has ice powers, she knows it, and the show has been dancing around it for seasons now, and I'm here to tell the writers how to make the reveal happen.

(Fair Warning, this is a long one)

So, for those of you who have somehow never heard this theory before, Zane gave Pixal half his heart, Zane's heart is heavily implied to be the source of his elemental power, hence Pixal should theoretically be able to use it. Let's go over the evidence, shall we?

Season 3 Zane splits his heart and his spinjitzu stops working. He gets it back later in the series, my guess is just over time his body gets used to the amount of power available to him. But this clearly shows the heart has some effect on his powers.

Season 8 they make a point of having Zane mention that "you have half of my heart" implying that though these two have been rebuilt, those two pieces are still a part of their hardware.

Season 11 Pixal is able to use the staff of forbidden spinjitzu. She doesn't get crazy hair, but her eyes do glow. As apposed to Kai (whose powers are stolen at this point) who gets no reaction from the staff. This implies some level of powers, right? Maybe dormant powers that have yet to reach their true potential? Thing is, the ninja must have known whoever sent them had to have powers of some kind (at least subconsciously) and Pixal must have volunteered to stay behind. So she must have known it was possible for her to use the staff.

Her whole arc the past few seasons has been about the ninja... kinda ignoring her. No one guesses or finds out early that she's Samurai X (like happened for Nya). She stays behind on missions all the time. The ninja don't notice when she builds a giant base in the house, and kinda take her for granted time after time, depending on her gadgets to get them out of tight situations, and then running off to have fun with them. Granted, most of this is played for laughs, but it wouldn't be too far fetched for Pixal to reach her true potential connected to this kinda tension. There are two ways this could go over the course of the season, but the end result is the same.

The Big Moment:

The ninja did something stupid and get captured, even though Pixal told them very deliberately to be careful cuz her suit is out of commission rn and she's not sure how soon it will be ready to go into action again. But, she's the ninja's last resort, she gets the distress signal, grumbles for a second, but decides to take her unstable mech out to save them. She finds them. They're in some giant cage in the middle of some evil lair or something. Idk. Anyway, she fights the villain. She has to abandon her suit at some point cuz it's malfunctioning. The team is all like "oh no, she'll never make it! Get out of here while you still can Pixal!" Pixal looks around at the room, and then back at the team, and then directly at Sensei Wu, and sighs. "I was really hoping it wouldn't come to this." Sensei Wu is all like "It's time." They all start freaking out cuz the robots on the team have a tendency for self sacrifice. No one wants that. But Pixal calmly approaches the villain, closes her eyes, she starts floating, epic true potential glowy eyes and BOOM! Ice blast destroys the villains and saves the day. The whole room is coated in ice. The Ninja are flipping out over what just happened. "WHAT?! PIXAL CAN USE ICE?! HOW LONG HAVE YOU KNOWN YOU COULD DO THAT?!" Pixal just knowingly smiles. "Long enough."

There are two routes from here.

Option 1: that wasn't her true potential, she reached it long before then.

The next episode is a flashback to an episode earlier in the season where we only saw her at the beginning of the episode. It's the story of her reaching her true potential. It's an episode about her going back to her roots and clear out the baggage from her past that’s holing her back. Stuff with Borg and coming to terms with the fact that she’s pretty much the only droid from that original season 3 line that survived. True potential on top of Borg tower. That would be an awesome image. Just another true potential episode. Wu is the only one on the team who saw this/knows about it. Maybe they have some talk at the end of the episode about "do I even use this power?" And Sensei Wu is just like "You'll know when."

Cut back to the end of last episode, the ninja have a bunch of questions. Maybe you can have a funny montage of all the times she's used her ice powers to help the team without them noticing. This option is a quicker way to do it, and results in Pixal looking super epic and on top of everything. But, it has a true potential episode with none of the ninja present which is kinda abnormal.

Option 2: that WAS her true potential and there has been build up all through the season

Pixal is feeling especially disregarded one episode. It ends with her being kinda bitter towards the team, and as a closing stinger maybe she slams a door, and we zoom in, and right where her fingers were, there's frost on the edge.

What?!

Next episode, there's a scene of Pixal meditating. She has some Zane style visions of things to come in the season all relating to ice- but she gets interrupted by someone- again we see some trace of ice as she leaves the room.

Maybe you have a few more teases like this if you want.

Later, she approaches Wu. She's known since season 11 that she has potential for ice power. He's known too. They talk it out. She's felt the ice more prominently lately, but she doesn't know what to do about it. She hasn't reached her true potential yet or anything. She doesn't want to step on Zane's toes, she likes just being Samurai X, and she knows that the power isn't really hers. It was given to Zane for a reason. Wu is all like "yeah, but Zane then gave it to you for a reason." She doesn't have a responsibility to use it necessarily, but she shouldn't be afraid to use it if she needs to. Some other wholesome bonding stuff and what not.

There's a couple of glances between the two over the course of the season, finally culminating in the true potential scene with the ninja from earlier. This option is defiantly longer, but results in a more rounded character arc.

Extras:

The important thing here is that in either scenario, Pixal rarely uses her ice powers after this. Especially in combat. It's like a last resort, season finale superpower sorta deal.

If you want a more concrete reason for this other than she’s just humble and doesn’t feel like using it, maybe Pixal's systems aren't equipped for ice powers, and it actually damages her whenever she uses them. She can be very up front about this and the team gets worried, or maybe she tries to hide it, but eventually it becomes too much for her. You could also use this as a way to get another droid self sacrifice scene, cuz we all know this show loves those.

Also notice, her true potential doesn't have to do with Zane in either of these scenarios. Her true potential should separate her from him to be her own independent character.

Of course, there is a third option of having a whole season dedicated to Pixal as a character and she reaches her true potential at the end. Bring back Cryptor, maybe. The main villains are the 15 older models of herself. Lots of wholesome Borg content. But that's very unlikely at this point.

Thanks for reading this far! On a very small side note... I don’t think I’ve ever seen any Pixal-as-an-ice-elemental-art. Just kinda strange considering this theory has been around since season 3.

Anyway, there's some good ideas in here. Pixal is an awesome character with awesome potential. Don't waste it writers.

#ninjago #pixal borg #parachuterants #pixal has ice powers 2020

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