#and relate to them (as someone raised catholic)
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get peer reviewed prev
can’t think too hard about crowley in a religious context like omg imagine having the absolute certainty that god exists and she has chosen to reject your entire being… branded you shameful and despicable and the opposite of good….. it’s not that you have no faith it’s that faith itself has christened you a thing to be thwarted and avoided….. and then you crawl from the very dirt she’s tried to bury you in and sin, sin, sin and that is when you meet him
#this is why i love good omens#and why the season 2 finale made me make several breakup playlists for these guys#just. the fundamentally different worldviews where aziraphale still believes (or wants to believe) that he can fix the system#he can save crowley#but crowley is simultaneously holding that (1) he’s not good enough for heaven and (2) he doesn’t want to go back to heaven#it’s just. so tragic#these are characters steeped in tragedy#which is probably why i love them so much#and relate to them (as someone raised catholic)#anyway#this got long#stream of consciousness#good omens#aziracrow#character analysis
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Why demigods have certain powers: a theory (long post)
I have this theory that the reason demigods have specific strengths, or display one aspect of their parents powers over others is due in large part to what aspect their godly parent visited their mortal parent in AND how their mortal parent perceived them. TLDR at the end. Idk if this is a common theory, but I’ve never seen it written out before.
Half of this is pretty much so canon, in the way we know that Greek vs Roman demigods are different because they aren’t the same exact gods. The best example of this is Nico vs Hazel, where Nico is a child of Hades, who is the god if the Dead where Hazel is a child of Pluto, the god of the Underworld and Wealth. This affects their powers. We will come back to them.
However, we also know that demigods don’t necessarily inherit all of their parents dominions. For example, Will, Kayla, and Austin are all children of Apollo, but each have very different specialties. Will has power over healing and light, Kayla over archery, and Austin over music. Apollo is god of all three, but they all have very defined areas of interest and talent.
I think what powers come to a demigod naturally will be determined by their mortal parent, not their godly parent. The best example of this is Hazel.
Marie Levesque very specifically summoned Pluto because he was a god of wealth. It’s how she perceived him, not as a god of the underworld, the dead, or shadows, but as a god if riches and jewels. This explains why Hazel’s abilities are focused on riches. (I’m aware Pluto grants Marie a wish, and that part of that is that Hazels jewels are all cursed. However. Even after they stop being cursed (kind of) at the end of SoN she doesn’t lose the ability to summon them. SHE is the gift Pluto granted Marie, not the gems themselves) This doesn’t mean that she can’t access other abilities associated with children of Pluto/Hades, as is obvious in HoH when she assists Nico in shadow traveling everyone out of the House of Hades, or that the dead don’t sense her as a child of the Underworld and defer to her, like the Leres at CJ, but that isn’t how her powers naturally manifest.
Sticking with Hades, Nico (and Bianca) are a good comparison: they have (kind of) the same father as Hazel, but their abilities are very different. Looking at Maria, we don’t know too much, but I am going to assume something based on the fact that she’s from Italy in the 30s and her name is Maria: she was probably Catholic. Now, as someone who was raised Catholic, I feel qualified to say that Catholics are, while not as a whole superstitious, they are quite obsessed with death. Not in a Rapture sort of way the way some denominations are but more in a…they care A LOT about the Saints and Heaven and judgement, and because of that they’re more than willing to accept things happening because of intercession of a Saint or a dead loved one guiding them. I am not Italian in the 30s, so I can’t speak to that. But because of that, and the fact we KNOW that Maria knew the father of her children was Hades, Lord of the Dead (he offered to keep her safe in the Underworld, she knew about the prophecy, she knew Zeus wanted her dead) we can see how these things about her are reflected in her children.
Nico is known as the Ghost King, because his powers mostly manifest in his ability to summon and control the dead. He also has powers related to shadows, but he really has to practice to get good at it and not pass out. Affecting the dead is the first thing we see him do as a Hades power (dismissing the skeletons attacking Percy at the end of TC, and again all through BotL with Minos) before we ever see him shadow travel, which isn’t introduced until tLO, two books after his introduction. While Bianca’s page time is limited, the only real Hades power we see her demonstrate is when she destroys the skeleton. Maria saw Hades as the king of the dead more than any of his other powers. She obviously RECOGNIZED he had dominion over darkness and shadows (she says so when she tells him she won’t raise her children in the darkness of the Underworld) but that isn’t the part of him that she sees and values and fell in love with. She had kids with the god of the dead, so her children primarily manifest their powers over that domain. I also think that the fact she knew she was dating a god made her children more powerful, if that makes sense. Nico and Hazel are some of the most powerful demigods in the series, even apart from being big three kids.
But Mags, Mags! I hear you cry, what about kids like Annabeth? Athena kids don’t have obvious powers, how is that relevant here?
There aren’t a ton of good comparisons for Annabeth to see how her abilities compare to her siblings besides maybe Malcolm. However, I’ll do my best.
Annabeth’s power from Athena is her intellect and her cunning. Let’s look at how Athena and Fred met: Annabeth tells us that without Athena’s help, he wouldn’t have graduated his doctoral program. So when Fred met, we can assume he met Athena in her aspect of being a scholar. We know is that this is not Athena’s only mythic role, she is also a strategist and a patroness of useful crafts like weaving among other things.
I believe that Annabeth’s intellect really does manifest more as a scholar than anything else. For example, she has no formal schooling between the ages of 7 and 12, when she is at camp full time. Those are some formative years when a child creates a foundation for their future learning, and Annabeth has ADHD and dyslexia. School should not be a walk in the park for her. And yet, she doesn’t really struggle to reenter school, and she’s constantly referenced as doing essentially independent studying, whether it’s reading books in Ancient Greek or working on Daedalus’s laptop. Studying and researching is her hobby because it comes incredibly naturally to her, which matches up with how Fred would have seen Athena. And yes, we see her weave to get across the cavern in MoA, but that’s kind of a one off. Annabeth herself realizes in the moment that, “oh yeah, Athena’s the goddess of useful crafts,” like it’s never occurred to her to even attempt such a thing before. The only time we see her bring this talent back is at the beginning of BoO when Jason is stabbed (iirc - I could be wrong on this reference. I didn’t open a single book to write this essay)
Comparing that to Malcolm, we don’t know a ton about his powers or his parent. All I can recall is a single short story in which Athena sends him a dream requesting he reinstate a festival of hers, and he leads the Athena cabin in setting everything up, and I think weaves the Athena Parthenos a cool robe? Fact check me here, that’s as memory serves.
So why wouldn’t Athena ask Annabeth to do that? She’s the one who found the statue after all. I’m willing to bet it’s because whomever Malcolm’s father is, he met Athena in her aspect as a craftswoman. The skills that Malcolm inherited are primarily to do with crafting because of his mortal parent.
You can also see why some aspects of gods aren’t really seen in their children. For example, Dionysus is a god of wine but also notably mania. Of his two children we see + the one child of Bacchus we see, (Castor, Pollux, and Dakota) all three only have affinities towards the former. (There are vague allusions to the twins assisting the Demeter cabin with the strawberries because fruit bearing plants do well with them, although grapes are best, and Dakota has his kool aid addiction) but none ever display an ability to induce mania. Dionysus does, in TC when Percy Iris Messages him, but his kids don’t. Why? I’m willing to bet that less people are attracted to the manic aspect of Dionysus than the party side, especially because it requires wanting to make a baby with the guy. Not everyone, I’m sure at some point there’s been a Dionysus demigod who could, but it’s be rarer.
So what about Percy? He has like ALL his dad’s powers. Eh - kind of? Walk with me here:
We know quite a bit about Sally and Poseidons relationship, that they were together for an entire summer, that they met at Montauk, and that Sally knew she was dating the King of the Ocean. (Poseidon also offers her a palace under the sea to keep her safe from Zeus. Now he’s 2/2 on having his brothers offering to keep their lovers safe from him and thus revealing their identities to them and making their kids even more powerful)
We know that she associates Poseidon with the sea very strongly, but more so that she thinks he is powerful but GENTLE. I posit that because of that, it explains why water is healing to Percy. Zeus kids don’t get magically better when they stick a finger in an outlet. Demeter kids aren’t healed by plants. This is kind of unique to Percy and I think it’s because of Sally and Poseidon’s relationship. I would also assume that at some point, Poseidon showed her that he could communicate with sea life and horses, and those then became part of her idea of him, which is why water, equestrians, and fish are the parts of Percy’s power that comes most naturally.
You know what Poseidon’s the god of that isn’t in Percy’s primary powered? Earthquakes. He’s done it once: Mt St Helen’s in BotL and he did so while he was actively dying and the mountain was already erupting a little bit, he just made it worse. But he’s never actively tried to do so. It feels kind of like Hazels shadow travel: he probably could, with a lot of effort and maybe some help because his dad IS Poseidon, but it’s not his thing.
It’s also why he can kind of mess with ice. The only real time we see him do so is in SoN when he collapses the glacier CJ in Alaska, but for the most part, if water isn’t in its liquid form, he doesn’t really mess with it. No steam either. He probably COULD, but Sally met Poseidon by an ocean, so that’s their basis.
The poison in HoH reads similar to the earthquake. He probably could control any water based liquid but it would take more effort and he doesn’t want to. For what it’s worth, yes, Percy could blood bend, easier than he could poison bend because blood is salt water. But he won’t. Because it disturbed him.
Moving on.
Mags! That’s all well and good, but what about Thalia and Jason? Don’t they kind of disprove your theory? They have the exact same mortal parent, why do they have such different powers?
Well, for what it’s worth, they DON’T have the exact same parents. Zeus and Jupiter are not the same god. So they’re technically half siblings through Beryl. Swerve. But I see your point - if I’m suggesting that the powers one inherits from their godly parent are determined by one’s mortal parent, then Thalia and Jason should be basically the same.
Well, they are pretty similar, all things considered, but a key part of that is what there really is to inherit from their godly parent. This gets more into classical theory that I am not an expert in, but from my understanding: you can generally state that of the two, Zeus was more impulsive and wrathful and might smite you for anything, and Jupiter filled the father/king of the gods role more. And we already agreed at the bringing with Nico and Hazel that Roman and Greek gods aren’t the same.
And. When we’re looking at the relationship between Beryl and Zeus, it’s a wild starlet having a wild fling, she has no children, she parties, she’s here and there and everywhere, she can’t be tied down. And it’s implied that she knew he was a god, because being able to catch the attention of Zeus apparently made her go off the deep end when he left. And she wanted very badly to see Olympus but Zeus refused (with good reason. The reason being Hera) Thus, Thalia’s powers pick from the ones matching those traits. She’s got power over lightning, but not necessarily the sky. She probably could fly if she ever tried. And also: she doesn’t have to ask permission to call down lightning. She just does. She makes her own lightning.
Jason on the other hand, is the result of Beryl and Jupiter. The relationship was a smidge more stable. Beryl was calmer when Jupiter was around and Jupiter presented himself to her in a more…grand? aspect. It makes sense then that Jason can fly but he’s not really a lightning guy. Like. Yes. He caaaan, but pretty much so any time it counts there’s a mention that he like, petitions his dad to let him summon a bolt. But he controls the winds with ease, because Jupiter is a king, and that’s how he presented himself to Beryl.
Which brings me to a straight up theory I have about May Castellan. I think that she was either a politician or a political correspondent. Someone who was on the news a lot, someone with a sharp tongue, an excellent debtor, and an orator extraordinaire. All we know about her in canon is that she had Luke, and she was special enough to Hermes that he continued to visit her after Luke was born, and that he told her about the Oracle, and how that turned out.
Hermes is the god of a metric ton of stuff. Thieves, travelers, tricksters, merchants, athletes, gymnasiums, orators, communication, gambling, the list goes on. A lot of his kids are described as speedy: their mortal parents probably caught his eye due to being athletes. We know Luke to be very charismatic and the best swordsman the camp had seen in years. I think that indicates that May attracted Hermes as someone with a sharp wit, who could verbally spar anyone into submission (unless she was legit into swordplay) and she caught peoples attention and could convince them of anything. It also explains why she’d have been so insistent on becoming Oracle, besides being clear sighted. If she was an elected official or a media correspondent, it would suggest an interest in conveying messages, and being the voice for others, like being the voice of Delphi.
But Mags, that’s all well and good but Will’s mom is a musician. Why is his only gift on that front that horrible dog whistle?
Eh…? This one is tricky, however, it might be that she attracted Apollo because of her music, but he attracted her because he exudes warmth and light, thus her child gained healing and light powers and not music. It’s a weaker explanation. Sorry.
There is one other very notable exception to this theory, and I do have an answer to that. Leo’s fire ability had very little to do with Esperanza, and everything to do with the prophecy.
I think that Leo was fated to have power over fire, as the fire in “to storm or fire the world must fall.” That being said, I don’t think Leo’s crafting skills were fated. Those I feel were passed down from Hephaestus through Esperanza’s association with engineering and crafting with him, but the fire wasn’t. The fates wove that power in.
TLDR: Which powers a demigod inherits from their godly parent isn’t random, it’s determined by how their mortal parent perceived the god and their domains.
#Percy Jackson#pjo#pjo hoo toa#pjo theory#hazel levesque#nico di angelo#annabeth chase#malcolm pace#thalia grace#jason grace#may castellan#sally jackson#frederick chase#marie levesque#maria diangelo#luke castellan#beryl grace#will solace#naomi solace#leo valdez#esperanza valdez
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The Gate of Salvation [3/3]
[ young pope • Aemond x catholic • female ]
[ warnings: fingering, kissing, smut, sexual tension, angst, religious guilt, doubts related to faith, chauvinism ]
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[ description: During the conclave, a new pope is elected, but to everyone's surprise, he does not intend to show himself to the crowds waiting for him. His ideas terrify the cardinals, and one of them convinces his niece, who is studying marketing, to talk to the new head of the Catholic Church in his presence. Main theme: sexual tension & holy touch. ]
A mini-series created as a thank you and celebration of my 2'500 followers. I initially plan that it will have about 3 chapters.
Part 1 | Part 2 | Part 3
The Song of Songs (Oneshot) Death and Ressurection (Oneshot)
Aemond as a Pope Edit Series Characters Moodboard Aemond NSFW Alphabet
* English is not my first language. Please, do not repost. Enjoy! *
Next chapters: Masterlist
_____
After what they had done they lasted for a moment in the tight embrace of each other's arms, trying to calm their breathing, his hand stroking her soft hair.
"Can I stay with you tonight?" He asked so quietly that she barely heard him; she felt a tightening in her heart at the thought of how much she wanted nothing more and how inappropriate it was.
Nonetheless, she knew they were both scared, embarrassed and needed their closeness, proof that although the situation was complicated and hopeless, they were in it together.
"Yes." She whispered and heard him sigh loudly in relief, as if he feared that she now abhorred and hated him, that she would betray him, sell the story to the newspapers, destroy him as a man, as a priest and as a pope.
She thought that they were both complicit in this situation, and although she felt remorse knowing that she had contributed to him breaking his celibacy, some kind of warmth filled her lower abdomen.
She thought with despair that she had fallen in love with him.
She looked in her drawers for some of her uncle's old tracksuits that he had left in his flat and gave them to him to change into, showing him beforehand how to turn on the washing machine so he could clean the ones he came in. Taking advantage of the fact that he was in the bathroom, she changed into dry underwear and sighed quietly, somehow feeling clean again.
She waited for him lying on her bed – when he came out of her bathroom he looked at her for a moment standing in the entrance, clearly not knowing what to say, his face just like hers, red from tears and emotion.
"I'm sorry." He whispered helplessly. She sighed quietly, raising herself up on her elbow, looking at him with understanding.
"Do not apologise, Holy Father."
He swallowed heavily and moved towards her, startling her when he lay down opposite her and immediately hid his face in the material of her shirt between her breasts, his large hands clamped down on her back.
"Can you embrace me?" He asked uncertainly with a regret and embarrassment from which she felt a squeeze in her throat, the fingers of one of her hands sinking into his short hair while the other wrapped around his waist.
She felt him tense and wondered sadly after what she had learned, if anyone had ever hugged him, if he had found his place and understanding in someone's arms.
"Can I fall asleep like this?" He asked again. She sighed quietly, leaned in and kissed his hair, stroking it with her fingers – she felt a shiver pass through him, his hands clenched tighter on the material of her shirt.
"Yes." She whispered; she felt him move closer to her, snuggling his whole body into her, felt his desperation, the fact that he was and needed to be vulnerable, weak, protected, that he wanted to feel and love, wanted to suffer, to experience what others did.
"If it's a sin, why do I feel so peaceful?" He asked quietly, one of his hands trailing up and down her spine making wonderful shivers run through her – she nuzzled her nose into his hair, thinking on the answer.
She understood perfectly what he had in mind, because she felt the same.
She felt a kind of shame at the thought that her grief and remorse was less than she had expected and was only concerned with the fact that she was afraid someone would find out about this.
"I don't know, Holy Father. I am ashamed that my soul is so quiet now. Perhaps it hasn't yet come to us what has happened?" She asked quietly, watching as her fingers tentatively played with his hair. She heard his murmur of contentment, his face pressed tighter into her chest.
She wondered how it was possible that he could breathe in such a position.
"I need you by my side if I am to keep my sanity. I need you because Vatican is like a dark, black hole, like hell on earth, the centre of Sodom and Gomorrah." He whispered into the fabric of her shirt, his voice vibrating through her whole body, apart from their breathing all that could be heard was the quiet ticking of the clock standing on her bedside table.
She swallowed loudly, feeling her heart begin to beat faster, torn internally by her own insecurities and doubts; he felt it, his fingers gripped the fabric of her shirt tighter.
"It's too late. Too late. I can't take it back. This is God's answer to my prayers, to my plea that He not leave me alone. He sent you to me as a sign, as my revelation and salvation." He muttered, and she clenched her eyelids, feeling tears gathering in the corners of her eyes, hugging him tighter, realising with despair that he had possessed her the very first moment she saw him.
"A sign of depravity and bitterness? A taste of sorrow and eternal thirst? That is what I am and will be for you, Holy Father." She exhaled with difficulty, feeling her body begin to twitch, her breast trembled in a heavy breath. He raised himself on his elbow and looked at her, his large hand touched her cheek with a tenderness and respect from which she felt a squeeze in her throat.
"No. No, you are my joy. My flower garden to which I escape with my thoughts when I am tired. My faithful need me, and I need you." He said softly, wiping with his thumb from her warm cheeks the tears that ran down her face.
"I will not go to a monastery, Holy Father. It is not my vocation." She whispered and he pressed his lips together, swallowing with difficulty.
She could see in his gaze that he was struggling with himself and his disappointment, that he wanted to somehow make sure that he would have her exclusively as a man and a Pope.
"So what is?" He asked finally; she looked at him with her eyebrows arched in pain, realising with that she didn't know the answer to that question, that she didn't know what she wanted to do after university, where she wanted to live, how she saw the next years of her life.
"I don't know. It's a very difficult question." She muttered in a trembling voice, bursting into sobs when this time it was he who pulled her close and embraced her, letting her snuggle into his chest, locking her in a tight grasp of his arms as she did before, placing warm, tender kisses on her hair, combing through it with his fingertips.
"− shhh − it's okay − I'm here for you, child − I won't let you get lost − I'll take care of you −" He whispered, and although she knew there was something ambiguous and indecent in his words, she felt relieved, her fingers tightened into fists on the material of his sweatshirt, his wonderful scent filling her lungs.
There was something wonderful and tender about the fact that neither of them tried to touch each other anymore in a way that could be perceived as purely physical – they just cuddled, stroked and intertwined their fingers. She felt the heat in her chest every time she turned in bed lying in his arms facing him, his lips placing a lingering, soft, wet kiss on her forehead.
"− sleep, child − sleep, I am with you −" He whispered tenderly. She felt butterflies in her stomach and sighed softly, cuddling her face into the hollow of his neck smelling of his perfume as they fell asleep again.
It was the most beautiful night of her life.
She was woken in the morning by the sizzle of oil in the pan; she opened her eyes, unsure for a moment where she was and pulled herself up on her bed, frowning.
She got up and walked out of her bedroom into the corridor, but stopped immediately with her heart beating fast, seeing him standing with his back to her in her kitchen, again all dressed in a white tracksuit. She realised by the smell that he was making scrambled eggs.
The Pope she had spent the night with was just making them breakfast in her kitchen.
Good God, she thought with amusement and walked closer – he heard the sound of her footsteps and turned over his shoulder, a soft contentment on his face.
"Good morning. We have to leave soon, so I decided to prepare something quick. I didn't want to wake you up. You were sleeping so peacefully." He hummed with some kind of warmth and tenderness from which her heart beat faster; she swallowed quietly, trying not to think about the fact that she felt his words deep between her thighs.
She wanted to ask him if he really thought she should still be working for him, to tell him that it wasn't wise, but she realised that there was no desire in her to object.
I will take care of you.
She wasn't sure what he meant by those words, but she knew that some part of her wanted his assurance to come true.
After a short prayer, which took her completely by surprise, and which apparently was a daily occurrence for him before every meal, they ate breakfast while listening to the morning broadcasts on the radio.
She didn't know where she should be looking, so she just focused on her plate, tasting what he had prepared, finding to her surprise that his scrambled eggs were perfectly fried and spiced. She grunted quietly and lifted her gaze to him when she suddenly remembered something important, from which she felt a cold sweat on her back.
"We should go to confession…shouldn't we?" She asked, not daring to suggest for what reason, figuring he would know what she meant. He raised his surprised gaze at her and took a sip of his coffee, then set his mug down on the table.
"Of course." He replied, and she lowered her gaze to her plate, feeling that she had lost all appetite, terrified of the humiliation that awaited her and what she had to confess.
She allowed herself to be touched by the priest and took pleasure in it herself.
"Go to Father Lenz, I will also pay him a visit. He is a very good confessor. He's the only one I trust." He said matter-of-factly, throwing her a look that told her that gossip spreads like a disease in Rome and Vatican and she could not confide such a sin to just anyone.
Clearly not everybody respected the seal of confession, she thought with dismay.
"I'll go now." He said getting up abruptly from his seat, taking his player out of his pocket, putting his earphones into his ears and pulling his hood over his head. "I'll meet you in the Vatican."
He said and simply walked out, closing the door behind him, leaving her with a look of disbelief on her face.
She covered her mouth with her hand, clenching her eyelids and swallowed loudly, wondering what she was actually doing.
What had exactly happened between them?
Who was she to him now?
His lover?
She thought with pain that as long as he was by her side everything was well, but now that she was left alone with her thoughts she was crushed by the weight of what had taken place, of who the person who had touched her was.
What they had done.
She felt tears of fear and shame under her eyelids, of bitterness and anger that he wasn't just an ordinary man about whom she could have some hope, that even if not now, in the future their relationship would stop being something bad.
In their case there was no such possibility, what they had done was a contradiction of everything they should represent, what he symbolised as the Head of the Church.
She thought sadly that he was wrong.
That it was not God who had sent her to him, but the Devil, as a temptation that would lead to his downfall.
She drove to the Vatican with a heavy heart, sad, distracted and heartbroken, thinking with shame that she had acted like an animal that couldn't control itself and lowered her gaze, looking down at her hands.
When she got out of the car in the courtyard Father Lenz was waiting for her as usual. They both moved inside the building, but she stopped him in mid-step, placing her hand on his arm.
"I would like to make a confession." She muttered, the man cast her a calm glance over his shoulder and nodded.
She thought with shame that he already knew everything.
To her surprise, he did not take her to the basilica or any chapel but to the garden; they sat side by side on one of the white stone benches, the sun shining high above them.
She wondered for a moment if she should keep the formula, but decided after a moment that it was just a waste of time.
"I have sinned, Father. I gave in to the weakness of my flesh. I led a clerical person to his and my moral downfall." She muttered, feeling that with every word she spoke her voice quivered more and more, tears of regret and bitterness gathered in the corners of her eyes.
A long silence answered her, during which she only looked at her knees, wiping her wet cheeks with her hands, trying to calm her ragged, broken breathing.
"You are not responsible for anyone's downfall but your own, child, though I think you are using too solemn words. What happened?" He asked, although she knew perfectly well from his posture that the Pope himself had confessed to him exactly the same things she was telling him now.
"He touched me and brought me to fulfilment with my permission." She whispered in shame, swallowing loudly, feeling small, dirty, worthless, breathless at the memory of how wonderful it had been to fall asleep in his embrace and wept quietly.
"What happened next?" He asked calmly and she sighed heavily, wiping her nose with the back of her hand.
"We went to sleep, cuddled together. But nothing more happened between us." She mumbled, fiddling with the material of her black dress between her fingers in a nervous gesture, her leg bouncing with stress.
She wondered how she could have done it.
"Hm." He hummed and sighed quietly, bowing his head.
"I'm going to tell you something now, child. I'm going to tell you this as a man, not a priest, and you're going to listen to me. Vatican devours people. It sucks the energy out of them, their strength, their free will. Cardinals manage to believe in God or do a merciful deed, however, they are first and foremost businessmen, officials, monarchs. Do you know why Cardinal Targaryen was elected Pope?
Because they thought he would be easy to manipulate.
Quiet, withdrawn, reading books or concentrating on prayer. He spoke to no one, befriended no one, confided in no one. They thought they had planted someone lost, weak-willed and without an opinion on Peter's throne. Meanwhile, he had fooled them all. He planned it deliberately."
He spoke calmly, looking ahead with blank eyes. She stared at him in disbelief, feeling her heart pounding hard, her throat squeezed so tightly that she breathed with difficulty.
Meanwhile, he had fooled them all.
He had planned it deliberately.
Was it the same with her?
Was it possible that her uncle wasn't the only one treating her as a pawn?
"He never confided in anyone, never spoke to anyone for longer than necessary. He doesn't let anyone sit or eat in his presence, he locks himself in his solitary room and sits there for hours. Except when you visit the Vatican. I exchange a maximum of four sentences with him during the day, while with you he talks for hours." He said looking at her finally, the expression on his face gentle and heartfelt, her lips parted in disbelief, her cheeks hot with emotion.
"He has fallen in love with you. He had already admitted this to me after confession, asking me for advice. And although it creates a temptation to sin I told him to keep you close. I believe that God sent you to him like cold water to a man who has sunk into hell and is burning in it every day. He is completely alone. Despite my deepest efforts, I cannot help him."
He muttered, covering his face with his hand and she watched in disbelief as the grown man sitting next to her burst out crying like a small child. She pressed her fingers to her lips and stifled the sobs that wanted to escape her throat, hot tears one by one running down her cheeks.
He fell in love with you.
"He told me he trusts only you, Father." She whispered, placing a hand on his shoulder, trying to calm her ragged breathing. Father Lenz looked at her and laughed in a way that made her feel at least uncomfortable.
"He knows that I report on him. He knows that one of the cardinals, a fierce opponent of your uncle, is blackmailing me. But I don't always tell him about what I see and hear. Not about everything. Do you understand?" He asked in a trembling voice, and she nodded, looking at him with horror and fear, feeling the cold sweat on her back.
"Through the ministry of the Church may God give you pardon and peace, and I absolve you from your sins in the name of the Father, and of the Son, and of the Holy Spirit." He said lowly, making the sign of the cross in the air with his hand in front of her.
"Amen." She mumbled, not looking at him but at her feet, quivering all over, tears of disbelief and despair making the world around her seem blurred.
"Give thanks to the Lord, for He is good."
"His mercy endures for ever." She whispered and rose from her seat, moving quickly ahead, covering her mouth with her hand, bursting into hysterical sobs, feeling that she had panicked.
She headed towards his office where he usually worked, the same one her uncle had taken her to when she first saw him. One of the guards, on seeing her, simply opened the door, as if he had been warned that she would come.
She walked slowly inside, and the door closed behind her with a loud clatter of wood.
She looked to her left and saw his figure clad in a white cassock, sprawled comfortably in his chair, reading some documents. He lifted his gaze to her and for a moment just looked at her, as if shocked by her condition, then rose quickly, staring at her with concern.
"Good God, what's happened?" He asked in a trembling voice, his eyebrows raised in fear.
She knew she wasn't allowed to do this, she knew she shouldn't, that if anyone saw them it would be over, but she couldn't help herself.
She wept as she ran to him and pressed her face to his chest, feeling the cold cross hanging from his neck against her cheek, embracing him tightly around his waist, clenching her fingers on his cassock.
"Holy Father." She mumbled like a helpless child who needed someone to lead her by her hand, like a frightened bird that had fallen out of its nest, like a ship that was unable to find its way to port.
"− calm down, child − I'm here − shhh −" He hushed her, sinking his face into the top of her head, stroking her neck and back with his hands with calm, tender movements full of affection, his wonderful scent filling her lungs.
"− it's okay −" He whispered soothingly, combing his fingers through her hair – she felt a wonderful shiver ran down her spine every time he did it and closed her eyes thinking only of how safe she felt.
She murmured quietly, relaxing and calming as she felt his lips on her head, heard him place drawn out, wet kisses on her hair.
"I love the way you smell. I saw your perfume in your bathroom and bought myself one just like it so I can remind myself of you when I fall asleep here alone. After my escape they increased my protection, they don't leave my side." He whispered softly, and she felt a squeeze in her throat at the thought of how deep his feeling, his devotion, his commitment, his desire was.
"I want you to pose for a painting made on my request as Mary Magdalene."
She could not put into words how ambiguous, lewd, intimate his proposal was. He gave her time to think, indicating that he would respect her refusal, but said that he wanted to have her by his side also in the quarters in which he slept, said he would hang the painting opposite his bed.
When she asked him if this sight would distract his thoughts from God he replied that he had never felt the presence of God as strongly as when he thought of her.
Lying in her room in complete darkness, she thought about what Father Lenz had told her.
He has fallen in love with you.
Vatican devours people.
He is completely alone.
She closed her eyes, swallowing loudly, thinking about the question he had asked her that morning regarding what she thought her vocation was, and wondered if in some incomprehensible way God was trying to tell her something.
I believe that God sent you to him like cold water to a man who has sunk into hell and is burning in it every day.
She felt tears under her eyelids at the thought of his sullen, absolute loneliness among people who were so vain and power-hungry, and she wondered where he was going to get the strength to fight against paedophilia, abuse of power, bribes and profligacy when almost everyone around him was content with this state of affairs.
She found herself wondering if her presence could support him in some way, give him courage, a sense that there was someone by his side who didn't care about his position or money, someone who simply loved him, gave him comfort and tenderness in moments of doubt.
She thought with a kind of relief that there was nothing disgusting, nothing disturbing in this thought, that although certain things would remain taboo, the feeling that God had aroused in her heart could not be wrong in nature, because it did not stem from a desire to objectify.
For some reason she felt the desire to sacrifice herself for him, to suffer for him, to die every day for the love of him.
She agreed to his proposal.
He made sure that the painter's arrival at the Vatican was covered by complete secrecy – it was agreed that she would stay until the evening to work and then come to one of the small rooms where they would wait for her.
When she walked in she saw them in half darkness, the Pope dressed in his white cassock with a large cross on his chest was speaking with a middle-aged man about what stood before them, a small platform on which lay an ornate cushion and a cloth on which lay a skull, the only source of light was the tall and low candles standing around on the floor.
When they saw her the Pope grunted and nodded, folding his arms behind him.
"Come closer, child. This is Marco, the painter I mentioned to you." He said softly, though his expression stern, contentment lurked in his eye.
She swallowed loudly and walked towards them, feeling her heart pounding like mad, terrified of what they had come up with, of someone catching them.
"Marco has prepared a robe for you to pose in. Wear just that and let your hair down. We'll wait in the other room." He said calmly and nodded at the man, walking out through a small door, closing it behind them.
She was left alone.
She walked over to a chair on which lay a cream-coloured, simple linen long robe – when she picked it up she found it pleasant to the touch, with pieces of cloth hanging down the sides to tie around her waist.
She stripped naked and, with trembling hands, placed the garment over herself, arranging it like a bathrobe, tying a knot at the waist so that the whole thing would hold together somehow and not reveal anything. She pulled the pins out of her hair and undid her braid, letting her dark curls fall to her shoulders.
"I'm ready." She muttered in a trembling voice and heard the sound of the door opening.
The Pope stepped inside and paused, letting out a loud breath as if this sight surprised him, his lips parted slightly; she felt heat in her lower abdomen when she saw him involuntarily lick them with his tongue.
"Lie down and take this skull in your hands. Yes, just like that." He said, stepping closer to her, placing his warm hands on her shoulders covered by her soft cloth, arranging her as he had apparently seen her in his vision, moving the skull in her hands so that it lay in front of her, next to her body.
"Your body is to lie down, but your face must be tilted towards me. Perfect." Said Marco when she did as he asked, glancing down at his canvas and at her.
She felt strangely cornered and small, tense that all attention was on her.
"No. One more thing." The Pope hummed. A powerful shudder ran through her body, her lips parted in horror as he gently grabbed the fabric that covered her chest and pulled it aside, revealing a part of her breasts and the golden cross between them, her sternum and stomach, just a hint more and her nipples would be visible.
"Gorgeous." He whispered, looking at her with a gaze that was dark, hazy and dreamy, she felt the muscles inside her clench desperately around nothing at his words, her breath stopped in her throat.
She was terrified and aroused.
She was wet.
"Do not be afraid, child. Marco does not feel lust at the sight of a woman's body. You are safe here." He said softly, with a kind of need to soothe her, to give her the feeling that he did not desire to take advantage of her, that this was about something more. She sighed quietly as his hand rose to her cheek, closing her eyes in relief when his thumb ran over her warm skin.
"Beautiful." He murmured and stood up, looking at her with proud satisfaction, as if he had just gazed upon some mystical scene, a revelation as if from the Bible, as if he truly believed her to be sacred.
He stood behind the painter, who had already begun to sketch her silhouette, and pressed his lips together, furrowing his brow.
"You have to properly render the shape of her lips, the warmth of her gaze, the softness of her hair. That's the most important thing to me, I want the most significant point of the painting to be her face." He said dryly, the man nodded wordlessly, apparently writing down his words in his head.
They stared at each other for a moment in silence, the loud ticking sound of a tall, large clock standing against the wall all around them.
"No. That's not the look I mean. Get out. Give us a moment." He said, startling them both. Marco grunted and put his pencil down on the easel, nodded and walked out into the other room, closing the door behind him.
"Did I do something wrong?" She asked in a trembling voice, raising herself up on her elbows, but he commanded her with a hand gesture not to get up and sat down beside her with a quiet rustling of the fabric of his cassock.
"No, sweet flower. But I can see your terror." He said softly, touching her cheek with his palm again, into which she immediately cuddled her face, desperately needing his touch, his closeness, his wonderful scent filling her lungs and her mind.
"Your tension." He added, his voice changed slightly, deep and sharp; she trembled hearing the way he said the words, involuntarily clenching her thighs.
He noticed it out of the corner of his eye and sighed quietly, as if he had been forced to the last resort, as if fate had left him no choice.
"It's all right now. Come here." He hummed, his hand sliding lower, in a gentle motion full of care and respect digging his fingers into the soft skin of her thigh hidden beneath the material of her robe – her heart began to pound like mad, her hands clenched on the pillow on either side of her head.
"Open." He commanded, and she shook her head quickly, her legs twitching all over in his grasp, feeling the sticky liquid running down her buttocks onto the bedding beneath her. He pressed his lips together, looking at her like a naughty child who refused to comply.
"Open, I say. I see your suffering. The Holy Father only wants to help you, child." He said calmly, as if he was explaining something obvious to her, something that was essential and necessary.
She swallowed loudly and parted her lips as her thighs finally opened, a sigh of contentment came from his nose – she tilted her head back suppressing a moan of surprise when his hand from her hip slid between the material of her robe, right between her legs.
"− it's alright − it's alright − shhhh −" He hushed her hearing her quiver of delight as the tips of his fingers ran over her fleshy womanhood, collecting her moisture, spreading it in circular, steady strokes around her bud, the tickle she felt in her lower abdomen was unbearable.
"− oh God −" She mumbled out, her body quivering before him with pleasure, her breathing quickened as he deliberately began to tease the spot between her folds, it seemed to her that the whole room around her was spinning, her heart pounding like mad, she could feel the tension even in her lips.
"− you shall not take the name of the Lord your God in vain − if I do not close these lips will you continue to blaspheme? −" He growled and leaned over her, startling her completely when his full, swollen, hot lips pressed against hers in a sticky, hot kiss. She moaned loudly and threw her arms around his neck, his tongue forced its way deep into her throat with his sigh of delight.
Her body began to tremble and shudder beneath him as his fingertips dug into her hot folds, squeezing them with increasingly confident motions, teasing her slit, sliding in a little only to slide out a moment later and start all over again, his fingers wet with her moisture.
"− I'm wasting so much of your precious nectar − I should lick it all off, shouldn't I? −" He breathed out into her mouth. She clenched her hands tightly in his hair at his words and just came on his fingers with a surprised moan of pleasure, tilting her head back, his lips pressed against her neck, placing greedy, hot, wet kisses on it. She cried out when she felt his middle finger slide into her hot core and stay like that, her walls clenching around it again and again.
He lifted himself up on his hand, looking down at her, sliding his finger out of her in a slow, careful motion with a shameless click of her moisture.
"− Blessed Ludovica Albertoni −" He whispered and lifted his fingers to his face, sliding them deep into his mouth; this sight was so perverted that she looked away, her body breathless at the memory of the sarcophagus on which the saint cruves in wonderful convulsions, her face and parted lips expressing the relief of fulfilment.
"− Bernini −" She whispered in a trembling voice, and he hummed under his breath, delighted that she knew what he was referring to.
"− exactly − you look magnificent −" He murmured and covered her thighs back with the material of her robe, rising slowly, looking with satisfaction at his masterpiece.
"Come in, Marco. She is ready."
_____
Aemond Taglist:
(bold means I couldn't tag you)
@notnormalthings-blog @nikstrange @zenka69 @bellaisasleep @k-y-r-a-1 @g-cf2020 @melsunshine @opheliaas-stuff @chainsawsangel @iiamthehybrid @tinykryptonitewerewolf @namoreno @malfoytargaryen @qyburnsghost @aemondsdelight @persephonerinyes @fan-goddess @sweethoneyblossom1 @watercolorskyy @randomdragonfires @apollonshootafar @padfooteyes @darylandbethfanforever9 @fudge13 @snh96 @rwdkarla @echos-muses
#aemond fic#aemond fanfiction#aemond targaryen#aemond x oc#hotd aemond#ewan mitchell#ewan mitchell fanfic#modern aemond angst#dark modern aemond#modern aemond smut#modern aemond#aemond smut#aemond targaryen smut#hotd smut#ewan mitchell smut#aemond angst#aemond targaryen angst#hotd angst#ewan mitchell angst#prince aemond#prince aemond targaryen#aemond#aemond one eye#aemond x original female character#aemond x original character#aemond x female#aemond fanfic#hotd fanfiction#hotd fanfic#hotd fic
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TSC CHAPTER ELEVEN SPOILERS AHEAD
STARTING OFF THE CHAPTER STRONG AS FUCK DISASTER BISEXUAL JEAN MOREAU AWARENESS
picturing jean in a pair of raybans is good for my mental health
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“Missed a couple spots. Need a hand?”
jeremy u flirt
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do the trojans ever realise that jean is NOT IN FACT deaf and standing right in front of them when they are talking about him?
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oh ok so chapter 11 is in fact worse than chapter 10
if anyone reading this has ever believed that they deserved the abuse, trauma/suffering they’ve experienced, i’m here to tell u right now that nobody deserves that and it is not ever ur fault, no matter what others might say or try to convince u. whatever happened to u is unequivocally not ok. please seek help from a professional if u are worried about urself or others in ur life.
if u have ever felt uncomfortable or violated in certain situations just know that no matter how ‘big’ or ‘small’ the situation may seem (i use these terms loosely because i do not believing in ranking peoples traumas), ur feelings are 100% valid and u always always deserve to be respected and heard.
i hope u know that u are not alone and never will be.
sending lots of love to all of u
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wtff jenkins is a girl?? did we all know this or have i just read too many fanfics always thought jenkins was a guy?
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It was sacrilegious even in the privacy of his head, and Jean hunched his shoulders against a blow that never came.
fuck that’s a good line. traumatic as fuck and makes me wanna cry for all these boys have gone through but god as an ex-catholic raised queer person i can tell u this line struck hard even though i cant relate to the specifics of the scene
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Jean didn’t mind cooking, but he didn’t say that. This was the first time his room truly felt safe and right, and he was content to hold onto it for as long as he could. He closed his eyes again, but now his thoughts were snagged on Jeremy. At length he broke the silence to say, “Two beds would fit in here.”
jean moreau u are so loved
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“You are not them,” Jean said. “Kevin would not have sent me here if you were.”
THE PARALLELS IN THIS BOOK ARE FUCKING KILLING ME PLS NORA LET ME LIVE IN PEACE THIS IS TOO MUCH FOR ME TO HANDLE
ANDREIL EXISTS IN EVERYTHING
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Just because he had to meet with this man didn’t mean he had to speak to him.
jean, u diss aaron earlier in the books but really ur just the same as him
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betsy dobson to the mother fuckibg rescue someone get this bitch a ‘worlds best therapist��� mug
and jean, dude do u know how fucking similar u and neil are, seriously like u guys should be besties like-
“It was not my choice,” he sent back in warning. “I do not need counseling.” He didn’t trust her at all, but there was no point spelling it out.
CHAPTER TWELVEE
dude wtf is it with me and napping while tryna finish this book, literally just accidentally fell asleep for 2.5 hrs when i could’ve been reading
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“Imagine getting changed so we can practice,” Jean said.
king is fed uppp
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“It’s not about size, anyway.” “Defensive,” Jean said, tugging his glove straps with his teeth. Jeremy straightened in indignation. “I don’t have anything to be defensive about.” Jean lost his grip and bit his lip, and Jeremy hurried on before either of them could think too much about that double entendre.
OKKKK JEREMY I SEE U
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“That’s not—I do care. I want you to play with us, and I want you to have fun again. I want to see what you can do on the court and what you bring to our defense line. I want us to finally win this year after coming so close and failing too many times. But it’s just a game, Jean. Your safety and happiness will always be more important than our season.”
GOOD GOD ITS WHAT U DESERVE JEAN
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“Every time you say that you take a year off my life. I’d really like to live to ninety, so please knock it off.”
now the trojans understand how the foxes feel when neil whips out his ‘im fine’ line,, also i’m never gonna stop saying that neil and jean should be besties it’s literally just a fact
“I do not believe you when you are drinking such filth,” Jean said, with a disapproving look toward her drink. Laila stared him down as she sucked a long gulp through the straw,
this book is so devastatingly depressing and explores some of the most horrible traumatic things that could happen to a person but it’s interspersed with some of the funniest scenes that it gives me whiplash
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“Pat and Ananya have wanted to fuck Cody’s brains out for almost a year now. I really thought Cody moving in with them this summer was going to finally get that ball moving, but apparently not. It’s getting kind of pitiful.” “Pat and Ananya have been engaged almost as long as Cody has known them,” Laila pointed out as she fit herself against Cat’s side. “You can’t blame Cody for being scared of where they might belong in something like that.”
NORA GIVING US THE POLYAMORY WE DESERVE AFTER CUTTING KANDREIL FROM THE OG BOOKS LETS GO QUEER REP
YK THAT RUNNING JOKE THAT USC IS THE QUEEREST TEAM AND NOBODY HAS AS MANY GAYS AS THEY DO??? IM SO FUCKIBG HAPPY NORA HAS BASICALLY MADE THAT CANNON
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CHAPTER 13333
jeremy is so hopelessly crushing on jean and that’s real of him
meanwhile jean:
Threat assessment, he told himself, and it was almost the truth.
sureee buddy
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They’d arrived holding hands and dressed in matching cream-and-teal outfits. Even their gold-rimmed sunglasses and teal sneakers were identical.
well that is definitely an outfit!
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“Speaking of happy endings, has Laila bought you a sex toy yet?”
EXCUSE ME
this whole scene was so fucking random but jean deserves great friendships
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ANOTHER TRANS TROJAN LETS FYCKING GOOOOOO CONGRATS ON UR TOP SURGERY XAVIER
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‘i’m sure the ravens wouldn’t have taken neil in if they’d known he was the son of a mob boss!!’
uhhhhh…
i don’t know how to tell u this buddy
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dude i just cannot stop think about the whole new world of fanfics we’re gonna get now that tsc has come out like the aftg universe is expanding and becoming more detailed it’s gonna be crazy
chapter 14!!!
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Jean eyed him. “For what purpose?” Jeremy looked to the ceiling for patience. “For fun.” Jean sighed as if Jeremy was the one being unreasonable.
oh jean we’ll get there eventually
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Jean was a starving dog on a short chain who’d learned years ago not to bite back.
OH MY FUCKING GOD GIVE ME PEACE
MY CHEST IS ACHING AT THIS METAPHOR
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SHUT UP SHUT UP SHUT UP THE PARALLELS ARE DESTROYING ME I CANT FUCKING TAKE IT ANYMORE
“You are Jean Moreau. Your place is here with me, with us. I’m your captain. You’re my partner. We’re supposed to be doing this together, aren’t we? Stop leaving me behind. Look at me.”
-
“I’m sorry. I’m sorry that he hurt you, I’m sorry that you’re still afraid to talk about it, and I’m sorry that you think I’ll never understand. I’m sorry that he tricked you into thinking you deserved it. But I’m not sorry he’s gone. I can’t be.”
“Neither am I.”
TEAR MY HEART OUT AND STOMP ON IT NORA JESUS CHRIST
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everytime one of the trojans says ‘we’re here to listen whenever your ready to talk and open up to us’ and then they go and demand he tell them every secret he’s ever kept
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kevin and jeans relationship in this book is so fucking well written, it’s tearing me apart and giving me so much life
they have so much shared trauma and the relationship is so complex but they understand eachother so deeply
He is not used to having a voice, and he has never had power. I cannot promise he will ever talk to you.” “I will wait as long as it takes,”
“Be careful with it,” Kevin said. “Be careful with him.”
-
“Night practices with Andrew and Neil,” Kevin said. “Obsessed,” Jeremy
exy fiend kevin day representation
also
“No, Jean is fine. As fine as he can be, anyway. Yes, I know.” (kevin when talking to someone ‘offscreen’) i just know he was talking to neil
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She crossed the room and leaned over, catching Jean’s head in her hands so she could plant a kiss to the top of his head.
this is the love jean deserves
chapter 15:
“Your fourth line has a smart mouth, Coach,” Jean said. “I was hoping he would bite his tongue off in the fall and save us both some grief in the long run.”
jean i love u
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Jean wished he had the common sense to shut up,
he’s so me
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“And keep Kevin’s name out of your ignorant mouth,”
THEYRE SO IMPORTANT TO ME UR HONOUR
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i keep forgetting that jean only learnt english after he moved into evermore and that kevin probably taught him but i love the subtle little reminders every now and then when he has to clarify a word, like when he has to ask what a ‘floozy’ is and:
due to egregious injuries.” Jean didn’t recognize that word, but since Lucas was already running his mouth, he didn’t get a chance to ask.
it’s such a good detail that just adds so much more depth to his character
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“Permission to break his face, Coach?” Jean asked. “Denied,” White said.
SCREAMING
THIS IS SO NEIL AND WYMACK CODED I LOVE IT
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JEAN MOREAU ON A MOTHERFUCKING MOTORCYCLE HOLY SHIT
catalina alvarez u wonderful human i love u
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jean realising how big the world is and the fact that he’s explored more of california than any other place he’s been before is making me tear up he never should’ve been kept trapped inside he deserves to see the world
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So long as she existed as fractured memories, she was safe and small and sheltered.
oh god don’t do this to me
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Jean gazed out at the endless horizon, feeling small and infinite from one moment to the next.
beautiful, just beautiful, absolutely immaculate
A cool evening breeze. Rainbows. Open roads.
A COOL EVENING BREEZE. RAINBOWS. OPEN ROADS
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SECOND LAST CHAPTER!!! LETS GOOO
“He is not going to hit you. Okay? We don’t do that here. You said you’d try to do better and that’s enough for us.”
starting off strong
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You’re one of my kids now.
don’t mind me i’m just sobbing
-
no no no no no no no no no
holy shit no what the fucking fuck
don’t do this to jean rn oh my fucking god i’m sick to my stomach on the verge of fully crying right now
actually dreading reading on right now
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um ok yeah so i read it and to anyone who hasn’t finished the book yet beware there is a graphic violent scene followed by an intense panic attack in chapter 16 that’s is very difficult to read
i did cry and all i can say is thank fuck for lisinski’s timing
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Jeremy’s response was low but unhesitating: “I will not look away.” “I do not want you to look.” It frightened him how much it sounded like a lie,
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only redeeming part of this chapter is that neil’s back but i’m still in so much shock over what’s just happened that i cant properly appreciate him
chapter 17 the finale:
feeling incredibly somber as i reach the end of the book
please god destroy anyone who has ever hurt jean moreau
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nora’s really filling in all the plot holes left from aftg - why did nobody question why neil’s hair was dyed after evermore ????? why did nobody question neil being at evernote in the first place???
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i’m laughing at neil’s map print-outs he’s so uncool, also i keep forgetting this is still meant to be 2007
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jean-yves moreau oh my fucking god
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“says who?” Stuart asked. “The dead kid?
stuart hatford u are so funny, is this where neil inherited is sarcasm from?
stuart hatford says fuck riko and so do i
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Neil shrugged. “Do you have anyone who can take on local work?”
NEIL JOSTEN U ARE MY HERO I LOVE U U BADASS MOTHER FUCKER
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Neil offered her a disarming smile that would never sit quite right on his face.
devouring these scraps about my boy
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YOOOO WTF NORA RLLY JUST WANTED TO GIVE JEAN THE WORST FUCKING DAY HE COULD POSSIBLY HAVE HUH?? JUST DROPPED THE FACT THAT HIS SISTER IS DEAD MY POOR BOY
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Neil filled in the finer details with an ease that would have been impressive to listen to any other day
- yes neil is incredibly smart, thank u jean for confirming to us
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The only thing left to ask for was something he barely understood: “I want to go home.”
oh the complicated nature of home and one’s sense of belonging that persists throughout these books will never fail to make me feel absolutely everything. nora knows exactly what i want in a book
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“I can see the kitchen. There should be a door out to where the dumpsters are. We can make it back to the garage from there.”
to be loved by neil josten is to be offered a way to evade the fbi together
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“Tedious,” Neil said. “I’m trying to eat.”
my hero
Neil waited until he was done before deciding he wanted to finish his drink. Neither agent was impressed with their absolute lack of urgency,
i love u neil josten pls give me ur autograph
Neil, being the person he was, pointed at the fire hydrant adjacent to its front bumper and said, “That’s illegal, just so you know.” “Shut up and get in the car.”
i wish neil josten was real
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He couldn’t fear a government who was so easily infiltrated and manipulated
FUCK THE GOVERNMENT
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Neil flipped his takeout box open and started eating. “I’m allowed to visit people.”
he’s everything to me 🥰
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“You’re one to accuse others of intolerable attitudes,” Browning said, and Neil only shrugged indifference.
and—for once—without any of your usual bullshit.”
- browning u love him just like the rest of us don’t lie rn
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ngl i’m never getting over the fact that jean and neil are the same age like this is crazy to me nora whyd u have to do this i cant cope
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“The more people I hold onto, the less of a threat I am, because I won’t want to endanger them by acting out.”
oh neil look how far uve come, i’m so proud
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“Lock your door tonight if it will help, but Grayson will never bother you again.”
THANK U LORD FOR THE BRILLIANT NEIL JOSTEN HES ANSWERED MY PRAYERS U BEAUTIFUL WONDERFUL HUMAN IM SO THANKFUL FOR UR PRESENCE
all my favourite bamf! neil fics have him taking out a hit on someone for the benefit of the people he loves and i’m so glad that’s canon
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i’m going fucjing crazy i didnt think it was possible to love neil anymore than i already do
best friends ❤️
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jean tearing up and throwing away the notebooks and realising he trusts the trojans and the four of them going to eat one of cats new recipes after they waited up last midnight for him
A COOL EVENING BREEZE RAINBOWS OPEN ROADS AND FRIENDS
!!!!!
I CSNT BELIEVE ITS OVERRRRR I HAVE SO MANY THOUGHTS AND FEELINGS HOLY FUCK
#aftg#all for the game#tsc#tsc spoilers#the sunshine court#jean moreau#jerejean#jeremy knox#catalina alvarez#laila dermott#neil josten#david wymack#stuart hatford#nora sakavic
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Round 1 - Side B
![Tumblr media](https://64.media.tumblr.com/255b0cb311eb34c848113c193fe29128/076aefc41c31d122-b9/s540x810/6d4b6fbc701ee5352793289407982702c868eaa8.jpg)
Propaganda below ⬇️
Matt
Matt's faith in the show is really important and well explored; one of the first scenes of the show is Matt going to confession (or, well, talking to his priest since he's not really confessing at that point). Matt struggles a lot with what he's supposed to do; everyone's telling him to kill the villain and he kinda wants to, but he literally says: "I know my soul is damned if I take his life". He struggles with his faith and goes with his doubts to his priest, and it's beautiful—also when he finally gets a costume for his vigilanteing he chooses to dress as the devil, lol. (His priest tells him that nothing makes people run to Church faster than the feeling of having the devil on their heels.)
a lot of the show is about how he justifies his vigilante actions with his faith, and whether he's doing the right thing in trying to help people or just using it as an outlet for his anger. the literal first scene of the show has him in a confession booth talking to his priest (who is a really interesting character too). this is not the scene I was talking about but it's such an excellent scene with matt talking to his priest: https://youtu.be/XHZ3NbEIDdw
canonically catholic but dresses like a demon to be quirky
honestly i dont wanna type too much but i feel that matt is a great example of someone who battles with his faith because he rarely loses his faith but rather fights with why he was made the way he was and put through what he was. He believes himself to have the devil inside him but believes that God put him there
ok in the comics barring the most current run matt has Mostly been a non-practicing Catholic that very rarely actually does any catholic Activities but ends up falling back into the Mindset and very occasionally dramatically taking confession (ex. in that one issue where he takes confession, basically tells the father that he is uniquely terrible and is thinking about violently murdering someone and when the father says "you can be forgiven" hes like "AUGFH-- NO!!!!!!!!!!" and runs out) when he's gone through some shit. and i love that its so relatable
hello its me cct organizer. i have to come clean, i made this tournament because i need matt to win something. i dont think hell win the sadboy and he lost the ginger tournament and >:( hes my favoritest guy ever. Also @ who said he has religious trauma is wrong and i will fight u about it (nicely) on my main @usaigi
This guy so catholic he spends an ungodly amount of time just chilling in the church. And goes there whenever there is a moral conundrum about killing people being Bad even though it would solve a lot of problems and stop said people from killing other people. This happens every other episode. Matt is the Catholic Guilt Guy. There's actually a lot of catholic stuff in the show as a whole. Just a compilation would be like three whole episodes long.
Hes great hes catholic enough to not outrught murder people but not catholic enough to not fuck before marriage hes a bisexual disaster at all times hes besties with a priest might i add hes great hes my special little guy
his catholicism is a huge piece of his characterisation he was raised by nuns in a catholic orphanage, the first scene we ever see him (as an adult and not a flashback) is him going to confession, he is good friend with his priest and has regular debates with him, etc also in s3 he has a huge crisis of faith after he lost A Lot where he stops believing for a while and it's linked to his identity crisis where he actually wants to kill another person (a hard line he previously chose never to cross) and wants to be only daredevil and not matt murdock, when he is both and needs both to exist also when he was a kid his grandmother used to say "watch out for the murdock boys, they've got the devil in them" and it created a surprising lot of his issues
So he's both catholic in the comics and the show but he's More Catholic in the show. Like, raised in a catholic orphanage by nuns (ONE OF WHICH IS HIS *MOTHER*), second scene in the show has him in a confession box kind. Matt Murdock goes out and gets the shit beaten out of him nightly and also beats the shit out of other people and purposefully leaned into devil iconography as his theme. When his nurse friend says, he takes a lot of punishment without one complaint he says "That part's the Catholicism." It is a Core Aspect of his character (at least in the show). He makes me insane. Also the same chemicals that blinded him created the teenage mutant ninja turtles and everyone should know that.
They went to confession to a priest who they had saved as their costumed counterpart and the guy recognized them by the voice, proving that it's possible and everyone else is just dumb
he takes "i wanna fight god" to new and incredibly violent levels, while also being a sweetheart and a goofball
Actually strictly WILL NOT kill criminals. Goes wayyy out of his way to avoid it. Fights with the Punisher about it. Goes to confession booth after nightly vigilante excursions. Feels so much guilt. "How have you been holding up?" "Like a good Caltholic boy" "that bad huh" - actual conversation with his priest
So Daredevil struggles with his mission as a crime fighter because killing criminals goes against his faith. He makes it a point to not kill criminals, believing that even bad people deserve a second chance. This philosophy puts him at odds against The Punisher, who is a relentless killer. As a Catholic myself, while I love the concept of a morally conflicted superhero, I think the worldbuilding around Daredevil is lacking. If he struggles with violence and killing, why doesn't he pray to warrior saints like Saint Michael, Saint Ignatius of Loyola (a former knight), or Saint Joan of Arc? Why isn't there a community of other Catholics he can turn to for guidance, considering New York City has a sizeable population of Catholics? And why are the churches he goes to always empty? Doesn't he know that the Catholic Church supports the just war theory? I think that would have made his burden more bearable.
He goes to church and confesses to punching people and says "imma do it again can i apologize in advance" and the father dude says "no you're meant to stop now" and Matt says "no" and they do this everyday. I'm not remembering it properly but this is a canon interaction i swear
HELLO HI YES I LOVE HIM AND WILL INFOR DUMP ok so. he is a vigalantty and he got named daredevil and he is an orphan and after the age of 12 was raised in an orphanage at a Catholic church and his therapist is his priest via confession abd. also his mother is a nun he has a whole mental breakdown over god and called Job a pussy because he liked god until he got better and liked god again he said "I'm dearedrvil and not even god can stop that now" and he's so cool
matt is a freakish little babygirl who was raised by nuns and definitely has religious trauma. i hate him so much (affectionately)
he’s literally fucking insane about it i don’t know what to say here. he thinks he’s chosen by god to go on some sort of holy quest to save hell’s kitchen. joan of arc ass.
i already know hes in by default j just wanted to give him a personal shout out i love this angsty catholic dweeb
how practicing he is depends on the run, but in my favorite he is quite literally confessing to a member of the last extant order millitant who happens to be a priest at a church in hells kitchen.
i love him for having the funniest version of a trope i usually hate (person gets into confession booth and asks forgiveness not for what they've done, but for what they're about to do). usually this trope just looks silly to me bc like. the priest would just say "i can't do that" and you would have to either awkwardly explain yourself or just Leave. it's funny when matt does it because fr. lantom is probably like "what are you gonna do???" and matt's like "lol. lmao. 😊 hehehe." anyway we love this angry catholic man who dresses up like the devil to beat people up in hell's kitchen
Harrowhark
I'm pretty sure you've already got plenty of submissions for her so I'll just say she was raised in what is basically a cult (technically a nunnery but let's be real) dedicated to keeping the body of the thing that will kill God behind the rock. One of their prayers is actually "I pray the rock is never rolled away". Harrow is extremely devout as penance for her earlier heretical actions in the tomb as a child (spoiler!) so the Catholic guilt really comes through
imagine being a catholic nun and you meet god, but it turns out he’s a twitch streamer from new zealand who became god because everything got a little bit out of hand. and just before you met him you gave yourself a diy grief-fuelled lobotomy with the help of your best frenemy. imagine how insane you’d be. now multiply that insanity by nine. that’s the fictional love of my life right there.
she meets god. she’s not inspired
she’s number one practitioner of space Catholicism. The locked tomb is chock full of Christian (catholic) imagery themes metaphors etc. just look at her she’s got a bone rosary
They're Catholicism with extra bones. Everyone is a nun. They have what is basically a rosary made from knuckle bones. They technically worship the same God as everyone else, but they're waaaay more focused on The Body in the Tomb (Mary) and we get a moment where we find out that while everyone else prays the equivilent of The Lords Prayer, they're doing the equivilent of Hail Mary. And they paint their faces with skulls.
She thinks leaving dry bread in a drawer is taking care of someone. She's in love with a 10,000 year old corpse (the same one they worship). She spent ALL NIGHT digging with her bare hands to make sure a field had bones every 5 feet so she could fight her girlfriend - I mean, greatest enemy. Spoiler territory: She's been puppeting her parents corpses since she was 8 years old. Instead of grieving her dead girlfriend, she gives herself a lobotomy. She makes soup with bone in it so she can use the bone IN THEIR STOMACH to try and kill them.
The author is/was Catholic and the entire series had heavy Catholic overtones. https://www.tor.com/2020/08/19/gideon-the-ninth-young-pope-and-the-new-pope-are-building-a-queer-catholic-speculative-fiction-canon/ A good breakdown of how it's Catholic
#matt murdock#daredevil#marvel#Harrowhark Nonagesimus#The Locked Tomb#cct polls#tumblr tournament#tumblr bracket#tumblr polls
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Confession 1:
"some people have been misinterpreting two scenes in particular from the last update and it drives me up the damn wall so i feel like i have to explain them (despite the fact that theyre easy to understand imo) first annas diamond scene from s2e4 lane was NOT talking about anna and the guys, she was talking about her first female crush at siberia, that was when she first discovered her sexuality so obviously she was confused about her feelings. when she said she thought there were "no suitable men nearby" she was talking about the men working at siberia, not dmitry, cain, greg, and yan, so it makes perfect sense for her to say that even if lane is romancing multiple people second was the diamond scene with the demon from abh s2e3.
When "tina" asks "which one do you long to surrender to" she isnt observing that audrey is attracted to fel, david, AND cass, she is just accusing her of being lustful in general, either because she assumes audrey is attracted to one (or more) of the three or just to get under her skin"
Confession 2:
I feel so invalidated every time I read comments and posts about why Anna's route sucks. Let me clarify: The one they criticize is that scene wherein Lane asks herself if she's starting to see Anna in a different light because there are no good men around. As someone who just realized that I'm a lesbian in my late 20s, every time I read comments making fun of that scene hurts me. I know it's the internet but I'd never felt seen until I read that line. Like, yeah, that was so me. I was raised in a strict Catholic family so I always rejected my attraction to women. So Lane's questioning of her sexuality is so relatable. Now I'm questioning myself again if I'm doing something wrong.
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Forgive me if I'm wrong about anything. I'm not Jewish but I was raised for a good part of my life by a Jewish stepmom and am planning to convert when my life offers me that stability. But. Something I notice relating to the "Hitler burned queer stuff first" and j general desire to make oneself a victim of Nazism is that American kids are mostly taught about Judaism through like, media that is targeted at non-Jewish people and is trying to almost beg them for empathy. Average gentiles have very little knowledge about Jewish life - both joy and suffering, something that came as a bit of a shock to me as gentile who grew up with stepsiblings/mom celebrating holidays, going to temple, having a sense of community, and being aware of the levels of antisemetic violence in their area. My point is that a lot of people on the left tend to think of Jewish people as like. white people with a different religion. Instead of members of a complex culture. Thus, it's easy to ignore people like Magnus Hirschfield or pretend you could be someone the Nazis targeted. Does any of that make sense? Sorry. U probably know all that already but I'm tired of yelling it at my Catholic friend hehe
oh 100000000% this.
i feel like one piece of media that really portrays this weird attitude of victimization that a lot of white non roma gentiles have when it comes to the holocaust (and before anyone comes for me, i'm not saying queer and trans people aren't targeted by nazis) is "boy in the striped pajamas." it's a film that has been widely criticized by jews and scholars for misrepresenting many elements of the holocaust, and because the main message of it is "wow isn't it sad that this poor little gentile boy died??????" you're not supposed to be sad that millions of jews and roma were being murdered, you're supposed to be sad because bruno's not a jew or roma and was killed on accident. and i feel like that really feeds into this mindset of "it could have been me!!!!! therefore this is actually all about me!!!!!"
i often see queer people say things like "well the jews were released immediately after the war ended but queer people were kept in prisons!!!!!!" as if jews and roma got to just go about their normal lives. what actually happened is that several thousand of them died from health complications caused by starvation and poor living conditions in the camps, and the ones who survived returned to their homes only to face more pogroms, discrimination, or complete denial from their gentile neighbors who had turned a blind eye.
what queer and trans gentiles really need to realize is that when it comes to the holocaust, hitler's targeting of queer and trans people is entirely inseparable from antisemitism. i mean even a lot of modern anti trans sentiments are ultimately rooted in antisemitism. the sooner they realize that, the sooner they can stop acting like we can only care about one group at a time.
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Mmmmmm Price-
But this time it’s Father’s Day related.
(Update: felt there wasn’t enough Gaz, so I added a few more blurbs of text.)
Price had a semi-normal upbringing. His parents were strict Catholics, everyone was hetero, cis, and white. He was always a little nervous talking about Father’s Day with his team though, as no one else had a Dad, or at least a good one, in Simon’s case.
Johnny’s dad walked out on them, the Scot growling whenever someone asked, but then he would proudly go on about how he helped his six younger sisters and what they were all doing now, or blab about how he didn’t need a father, he was the man of the household. But Price sometimes saw the hurt in his eyes, how Johnny would never talk about why his dad left. He explained one night, after a few beers, that he came out as transgender, female to male, and his sisters soon came out afterwards, seeing that their mother was accepting.
Johnny blamed himself for their father leaving, as the man was homophobic and transphobic, it seemed.
Simon’s father was a work all on its own; a druggie with a want for living in the past, ignoring the needs of his children just to get another quick fix, achieve a high that was as impossible as touching the stars with both feet planted firmly on the ground. Simon wasn’t closed off about this, gruffly and almost openly talking about their experiences with their shit father, how the man had turned its younger brother against them, made their job seem like it was criminal and bloodthirsty. Sometimes, if they were in the right mood, with a book in their hands and the worn baclava, it would quietly talk about their deceased nephew, Joseph.
How they would help the boy make Father’s Day cards. And near invisible tears would fill its eyes as they explained the first time Joseph was old enough to make a card on his own, he gave it to Simon instead of his father. No one mentioned how that same card was framed in their office.
Kyle. Kyle, Kyle, Kyle. Kyle didn’t have a father. Well, he did, but his father was a literal sperm donor. He was raised by his two moms, lovely women who had come to drop off brownies and other treats, how they found the secretive 141 base made Price turn to Kyle, who blushed when he asked, making a meek noise. “…My Mums track my phone,” Price was amused, his sergeant who dealt with life-or-death situations, was timid when it came to his Mums, and it was no wonder, as it seemed they put the Fear of God in that boy whenever he was slightly rude to anyone.
Price had asked about his father one time, trying to seek someone who had one, and Kyle’s nose had wrinkled, confusing Price. He had talked about two parents. The sergeant had laughed: “Mate, I grew up with my Mums, not a bloke in sight,” Price was immediately shot down, apparently having the only Non-shitty, present father figure in his life.
Gaz being anxious around two of Price’s other favorites, a certain….. couple. A couple who was looking for a third. Farah and Alex. Price could see the way Kyle near fell over his own feet in his haste to get either of their attentions, Price…. Nudging him along sometimes. Giving him pep-talks and little quizzes.
“Just talk to them! Remember, Alex likes….”
Gaz would pipe up. “Specifically rainbow-dyed Daisies, the band Green Day and Nirvana or anything considered Classic Rock, but he prefers to call it just Rock, and he takes his favorite drink, green tea, with four sugars and a spoon of cream, with Jaffa cakes!”
“Good. Farah prefers…”
Gaz would smirk, and expert in this particular subject, as he and Farah were so similar. “Farah likes daffodils, any Lofi hip-hop station, but she likes the one where the girl is writing in a book and an orange cat is on the windowsill, and she only drinks espresso on Thursdays, every other day is raspberry tea, nothing else.”
“Atta boy! Now…. Do you want a smoke?” And Kyle, he would smile at the fact Price shared his very expensive, Cuban cigars with just him. They would both watch a game of Futbol, new or old, and yell profanities at the opposing team until Soap, drowsy and pissed that they were screaming at two in the morning, with his partner Simon sleepily holding his hand, would yell. “Stop yelling at the damn box! Some of us sleep, ye ken?!”
Price fixed his boys’ views on fathers, and Father’s Day.
Fixing everyone tea in the mornings, coffee for a certain Scot who grimaced at the ‘Warm Leaf Water’ served to him. It also included going out for brunch, taking the boys to a brunch at Waffle House, Kyle grinning and going on about the waffles, and Simon who would order their single cup of coffee and too much creamer as Kyle looked on in horror at the lack of waffles. Then there was Johnny, who would steal bites from Kyle’s plate, even with his own breakfast. Price would end up apologizing to the waiter, at the end of it all, leaving a big tip.
What with Simon’s near refusal to speak to strangers, Price would order for them as they glared at the poor Waffle House server, Johnny changing the song on the old jukebox in the corner to anything Scottish, making the Brits in the Manchester Waffle House curl their lips in annoyance, to Kyle’s oddly specific order about how he wanted the eggs done a certain way and the amount of sugar in the waffles and how they needed to use oat milk in the waffle and-
“Sorry my boys are being so rowdy,” Price had sighed one day, and Kyle and Johnny had beamed, Simon blinking in surprise. Price brushed it off.
Price got used to leaving fifty dollar tips.
Then there was shopping. Simon liked the clothes at Hot Topic and Spencer’s the best, as it was mostly black. Kyle and Johnny could also find shirts they liked there too. Sometimes it was chaos, Johnny trying on the most outrageous outfits, asking if the thong he was modeling looked good or made his ass look fat, always joking. Kyle would wolf whistle and Simon would grip their knees with wide eyes, Price sighing and shaking his head.
Kyle would then follow after Johnny, putting on the crop tops and near panty-like shorts, asking if he looked gay, as Kyle himself was bisexual. Johnny would howl with laughter, “Not gay enough! I can’t see your dick-print, lose the underwear!” Simon looked horrified and would blush as people turned to stare in the dressing rooms.
Often times, Simon would follow after Price, dead eyed stare and built like a brick shithouse, and Price would have to ask for double XL shirts for his…
“Excuse me, do you have any XXL shirts? It’s for my… kid,” Price settled so it wasn’t as awkward for the employee. He didn’t notice Simon stiffen, and the employee walked away to find the requested shirt in the required size. Price turned and noticed their stared, grumbling about how they acted like kids anyways, so he might as well address them as such. He saw Simon tear up and quickly wipe their tears away, and could see a faint smile beneath their mask.
Johnny took the most of these to heart, and it wasn’t long until Price sought Johnny out, hearing soft sniffling from his room. “Son, you alright in there?” Price asked with a gentle voice each time, knowing exactly what was wrong, what was happening behind the closed door. Price would open the door, seeing Johnny in his boxers, binder off and too-big shirt, that was most definitely one of Simon’s, draped over his form.
“It’s stupid, Sir, I ken it’s just mah’ head and dumb hormones…” Johnny would mutter with grit teeth, testosterone bottle and a needle in hand, the syringe not even filled. It was a weekly dance, every Saturday like clockwork, if it could be helped. Sometimes missions got in the way though, and it was now three weeks deep, and Johnny hadn’t had his shot.
Price sat beside him, rubbing his back until Johnny handed over the needle. And they would go through the motions. He would insert the needle into the vial and draw up the thick, syrupy medication. Flick the end to get the air bubbles out, then pinch, insert, press, remove, massage. Then it was about reassuring and making sure Johnny was in a good headspace, letting him know that the team didn’t care about his body, only that he was happy.
And on Father’s Day, if he took after Simon and hung up the three handmade cards in his office, proudly displayed for all to see: rookies and bosses alike, who cared? Specially if all of them said:
‘To the Best Father I’ve had,’ From Simon
‘For my Dad,’ From John
‘To my Third Parent,’ From Kyle
#cod mw3#cod modern warfare#simon ghost riley#captain price#cod mw2#john soap mactavish#cod ghost#kyle gaz garrick#call of duty#father#found family#transgender#lgbtqia#non binary simon riley
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drop the bartylus song explanations bestie (pls pls plssss plsplss)
Hiiii!!!! Sorry this a little late I've been a little busy the past couple days! This ones definitely gonna be a long one, but i might skip a few songs, so if their are any other ones you'd like to hear about lmk!! Some of these i associate with one of them in particular rather than both. The relation to them and the song is not necessarily what i interpret the song as, but just how it fits and relates to them!!! (also guys dont judge me for the music taste)
Trees-Mcafferty
So this one is very much like catholic/religious guilt, but is even just like being in a family and culture (like the purebloods, like the blacks) that is very very homophobic and strict. The first verse says "my mom was a christian, my dad is an alchie, i bet that he kills me", this to me is very regulus in the whole, walburga being someone who was brought up in a strict and 'be perfect' way, which she then puts onto her kids. And orion someone who is way harder on them, no room for repenting, just damnation. Though they both could represent this song, for they both had such controlling and strict home lives. I feel like it also, especially towards the ends of the song, talks about being different and "wrong" and a freak, feeling just so outcasted and trying to fit in, but never being able to.
If I Saw Him, Id Still Kiss Him-Mcafferty
This is veryyyy Barty's POV after Regulus died. It describes a house filled with ghosts and memories. Barty wishing they ran away instead "Lets go to italy, just you and me, i think wed really like it there", thinking that maybe regulus wouldnt have had the fate he did if they left the whole war behind. It describes the depression and loss of self/hope throughout the rest of this war. The verse from "took a picture of a picture" to "Get to New York for the sunsets" to me, describes how regulus had a different relationship to him than anyone else. I mean this song to me is especially sad if you think of it as they never really got together it was just an almost/what if?
Blue Eyes Like The Devils Water-Mcafferty
This is another Barty POV song to me, but its overall just a description of them being in bad situations and them falling for each other was just making everything better and worse at the same time. This shows how they were kind of raising themselves, both parents ignoring them so long as they do what theyre supposed to. It's just the two of them kind of deal.
The Lions Den-Mcafferty
Another song about them going down together, Barty POV again too. He sees Regulus falling more and more into this dark obsession and going down together. I especially think of the lions den as The Cave, especially in a Barty went with him Au. Him watching regulus getting pulled down everywhere, in his dreams, in real life, hallucinations. "I still remember his eyes on mine" The guilt consuming him, wishing he went with him too. Going crazy because of it "Let me break, let me slip to the bottom of this hill, let my body fall into the pit, into the lions den" and "this is just a bad dream, everybody wakes up soon" convincing himself its not real, that one day hell wake up and regulus will be ok, so everything is. Or the "waking up" is death, he wishes to fall under the water aswell, to die, to be at peace with regulus.
Alligator Skin Boots-Mcafferty
This song is regulus when he's had his change of mind, when he's decided to sacrifice. It starts with him kind of comparing himself to his parents and their complacency and their being messed up. Then from "Im cold to the touch" to then end, is him in the cold waters dying, for his friends who are now in the order, and hoping the others will be safe once the war is over, too.
Pine Point-PUP
Ok so this ones very special to me for them! To me, its them both looking at each other as they go their own way once they've lost each other in the war. "where i kept my eye on the prize, it was you" Barty going crazy after loosing reg, Regulus seeing barty get more and more into the death eater stuff right as he is changing his mind. They have such a intertwined history and memories. Now they're both praying they're doing right for the other, and that the other is doing something right. Bonus points for this song: mentions of loosing an older brother, also just like an awesome breakdown riff.
Just gonna saying im not gonna go into the pheobe bridgers ones rn cause soo many of her songs are them (specifically reg's pov in my mind) but if anyone wants me to, lmk.
Geyser-Mitski
This is the yearning for your best friend song!!! Like just being like, "is this not enough? i have everything, yet i still want to be more with you" To me, its so them cause of the "ive turned down every hand that has beckoned me" cause i think they never would even consider being with anyone else, its JUST the other for them. And also "I will be the one you need, i just cant be without you" is their obsession and need to be with eachother, and the way they idolize each other, the need to be congruent. The whole song just describing a love so strong it builds up inside you, it calls to you, but pushing it down ruins you from the inside out.
Old friend-Mitski
This is in a scenario where they've broken up(which would never be by their choice imo). Idk i feel like if they ever broke up, itd be similar vibes to these lines: "I havent told anyone, just like we promised, have you?" "everytime i drive through the city where youre from i squeeze a little" "Ill take anything you give me". Do you see the vision?? Drowning mention too!!! It's more of a mentally/emotional drowning(like in depression/insanity, etc). in my mind the "someone whos loves me now, better than you" would be less of a literal statement, and more of a hope or a wish. Like they each would be unable to be together because they each have to be with a person who is "better" for them, since they enable each other to be really themselves. It's denial that they actually want the love the other gives.
Me and my husband AND two slow dancers-Mitski
Literally regulus as he's drowning in the cave. He's remembering barty, all of their shared memories, and praying that theyll "stick together" like they always have. Two slow dancers, maybe his afterlife. Or his last thoughts that lull him to "sleep". In the chaos of the hands and air squeezing out of his lungs, hes brought back to a memory of them. They both wish they could go back to before the whole mess, "to think that we could stay the same" hes criticizing himself for hoping the two of them could join this war and stay as they were.
I will-Mitski
ok, picture me this: regulus lives AU!! Maybe Barty went with him, or found him, or reg goes to him after the cave, but nonetheless!!! He's weak, hes scared for defecting, theyre both at odds. But all Barty can do is take care of him, and reassure his fears, though he, himself, is feeling those as well. Just like listen to the lryics:(((
Crack Baby-Mitski
This is Regulus watching Barty get more and more obsessive over Voldemort, as he's slowly doing the opposite. Reg knows Barty doesn't notice and doesn't know why he craves this approval, but Regulus does, he can tell. "With wild horses running through your hollow bones" that father figure voldemort is to barty is something he need so bad, its unstoppable. Just like that, dark magic, the murder. He caught a taste of it, and he can't go back.
Once more to seeyou- Mitski
(starts shaking) They can't be seen together, not just the homophobia of the time, and pretentiousness of their families, but their families hating each other. "but with everybody watching us, our every move, we do have reputations" GOD tell me that's not them!! They are both in such "important" families, for two opposing beliefs, that taught them they must hold themselves to high expectations to keep up the family name. Everyone's eyes are on them both!!! Rumours start easy!!! "and felt the taste of you bubble up inside me" Having so much love for each other, but having to hide it!!! It destroys you!!! Having to hide your emotions and wants not just in public, but to your family as well, and just wanting and yearning for the fairytale domesticity!!!
Im your man-Mitski
Everyone's like, this is barty to reg. NO!!! Its regulus to barty!!! REGULUS was the one who grew up in the pureblood culture/beliefs, he might've been the one to convert barty, to introduce him to it. i could quote the entire song, but i wont... BUT!! This is, to me, Regulus towards the end of his life. He's changed his mind, and now he sees how he destroyed Barty, how he guided him to voldemort, and told him all of his beliefs. How, in his old, skewed view of the world, he was "turning" barty away from what he now saw as the right way. He wishes barty chose someone else, who wouldnt've done that. And now, standing at the edge of the water, he can feel his death, his fate coming close. He knows that it was his choice to be so horrible. And now, after leading barty astray, hes leaving him there, hes betraying not only voldemort, but the love of his life.
The frost-Mitski
Barty's all alone. All of his friends are dead, his family is gone, regulus is missing and betrayed him. "youre my best friend, now ive no one to tell, how i lost my best friend" he not only lost regulus, he lost the only person who would truly know how he feels about it. He feels resentful towards regulus, not for betraying him, but that he was never told!! did he forget? did he think he wouldnt understand? Did something change? Did nothing change and he never really knew Regulus like he thought he did? Should he have seen it coming, but he was to busy pretending everything was ok? "but me, i was hiding, or forgotten"
Heaven-Mitski
Either one of them POV reminiscing over the last time they were together, regulus before his death, and barty after regulus' death. Equating their love to heaven, the love they have for eachother is religious. Very love song by LDR. Both sensing their fate coming near, the calm before the storm. Regulus knows hes going on a self sacrificing mission, and barty knows his mind is unraveling quicker and quicker as the days go on.
When memories snow-Mitski
"and if i break, could i go on break? be back in my room, writing speeches in my head" Barty is crazed with guilt, hes breaking. Hes replaying the last conversation, moment, argument, touch, glance, anything he had with regulus. Looking for anything different he could have done instead that wouldve changed the outcome. His memories are mixing together, he cant remember what actually happened and when. Those memories snow and they obscure his view of reality.
Early sunsets over monroeville-MCR
STOP!!! Barty is grieving!!!! "running away and hiding with you, i never thought theyd get me here." him staying down low enough that he wasnt suspected to be a DE, he ran away from his dad to be a DE. He thought they could never find him, and now his soul is close to being taken from him, til hes nothing. all he has left are jumbld memories. "but would anything matter if youre already dead? and should i be shocked by the last thing you said?" The betrayal means nothing, for regulus is dead, who is he supposed to be mad at? and maybe he shouldve seen it coming, maybe there were signs. He can never go back. "and in saying you loved me made things harder at best, and these words changing nothing as your body remains" Regulus loving him makes the hurt only worse, and admitting that to himself hurts even more. No matter any scenario in which he said something different, where he begged regulus not to go, or that hed leave with him, or they never joined in the first place matter, because regulus is still dead, his body is still at the bottom of that lake.
Living legend-Lana Del Rey
This is Regulus POV!!!! He worships Barty, he idolizes him. "..all the things you do, and the ways you move, send me straight to heaven." He regrets never telling Barty just how much he loved him, and he regrets having to betray him "and darling i never meant to defy you" This is set to me, once again, once hes changed his mind and is going on his mission. "I never meant to be bad or unwell, i was just lving on the edge right between heaven and hell, and im tired of it." trying to balance how he feels about barty once hes switched beliefs, he still is utterly devoted to barty and loves him, but they now have these huge opposing beliefs. and he cant help but blame himself. That part right after the last chorus that is just "why?" over and over and over again.
Mojo Pin-Jeff Buckley
This song is literally describing still feeling your lover there, long after they are gone, and feeling conflicted about how you should feel. "Dont want to weep for you, dont want to know" maybe barty is conflicted, he doesnt want to know what happened to reg or why, he knows he wont like the answer. he doesnt want to accept regulus is gone, and he doesnt want to accept why hes gone. "oh the welts of your scorn. my love, give me more, send whips of opinion down my back, give me more" Barty has now changed his mind, he realizes that he would rather know, he would rather regulus had gave him reason, then he couldve gone with him, and maybe he wouldnt be dead. As long as he's still getting something tangible from his lost lover.
Oh my GOD!!! go listen to ghost of you by My Chemical Romance, every single lyric is barty after regulus died, im not doing this one, cause id have to to just say every line, but PLEASE look at the lyrics and think of them!!! JUst some of the lines are: "if i died wed be together", "all the things that you never ever told me", "ever get the feeling that youre never alone?", "And all the smiles that are ever gonna haunt me" like please somebody help barty!!!
Yours, mine, hours-mcafferty
So, first of all, this song switches from regulus' POV to barty's at the lyric "and i wrote all of my songs..." just to be clear. Regulus wants to be the perfect son for his family, and he takes it too far in the process. "and you are innocent, at least you wish you finally were, you gotta keep your head up, but not too high, cause youll lose sight of what youve got" He doesnt realize barty is in the DE stuff just as deep as himself until hes changed his mind. "and im sorry, my love, that i ruined what we had" hes betraying barty, hes abandoning them. Then every line from bartys POV is just perfect. "he says 'i miss my brother, but hes not coming home, and i know that hes better, so its tie to grow up'." i mean COME ON? "you were my best friend, so i will love you 'til the very, very end" They both have so much guilt and regret and have wronged each other, but they still cant bring themselves to hate each other.
Anyways! im done for now!!! but if anyone wants my thoughts about them (about anything really) in relation to a song lmk!!it doesnt have to be angsty! also sorry if this is long and doesnt make sense:/
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Do you have any advice on doing a character study for a character before writing them? Stuff like how they’d act/respond 👁👄👁
haha it's quite tricky, I won't lie! it's definitely one of the things I struggle with the most (writing really well-rounded and defined characters). Here are a couple things that I do, but keep in mind that I'm reeaaalllyyyy not an expert on this. I'm still learning so much about characterization every day.
If you're writing fanfiction, watch or read the source material as much as possible, until you can almost hear the way the character sounds in your head. Take time to understand things like their accent and how they speak (do they talk a lot or very little? do they use slang or enunciate everything? do they speak quickly or slowly?). Here, you just want to concentrate on the cadence of their speech / their speech patterns. If they speak plainly or use lots of proverbs or turns of phrases, that sort of thing. If you have that down, you've honestly done half the work. Even I often reread my work and go "fuck, all of these people SOUND the same even though they're saying different things".
This is harder if you're not writing fanfiction and have to create your own universe, but regardless of whether you're writing for an existing IP or your own 'verse, I think understanding your character's cultural and religious background is so crucial to developing them. It's a big part of the lens through which they see the world, whether consciously (if they're a very religious character for example, or raised in a specific country) or subconsciously (for example, I grew up catholic so I relate to the world through that lens, even though I'm not a religious person - it just heavily informed me in my childhood years). For this Bear story, I had to do a bit of research around Baptist theology because I knew Bear would be a religious character (whether or not he's struggling with that religion) and it would heavily inform how he sees the world around him. I listened to some sermons, talked to someone with a Baptist background, and also thought about how that background with tie into his desire to have a family).
Pick like 3-5 words that you think best describe your character and just write them down somewhere. I've never been very successful when I make huge character sheets for my characters or try to write a super detailed background for them, so I try to give myself a bit of grace and be brief about it. You can always expand on it going forward. Like for someone like Bear, I might pick: family-oriented, religious (Christian), gruff, and scrupulous. You can also do this in the reverse way and try to think of what they're not (same example with Bear, I might go: conniving, hedonistic, flighty, and optimistic LMAO). This is a nice way to put like, boundaries around your character.
In the framework of your story, try to pick a trajectory for your character, or a goal. At least have one, but you could have a couple. If they're directionless, that works too! But they should want something or aspire to be something. This counts even if they think that thing they want is beyond them or unattainable - it's still a want/goal pushing them forward. This can also be an unconscious goal by the way -> like a very hedonistic character that likes to party who's slowly getting worn down from that life and doesn't even realize they want to settle down, or vice versa! Someone who feels trapped in their mundane life but thinks that's what's expected of them. The character doesn't have to know they want this goal.
Fatal flaws. This is a big one. What is something that might get in the way of them achieving their goal or might influence how they get it? Easiest way to think of this is just looking at the 7 deadly sins (soooo corny, but it's a good place to start). Characters are never perfect, so give them a reason to struggle.
And honestly lastly? Trial and error, baby. Take your vaguely defined character and figure out what you want them to achieve (whether or not they get it is beside the point), and then work out how they might go about achieving that. If they'd run full throttle towards it because they think they deserve it or whether they'd fight it every step of the way because they either don't think they want it or don't think they deserve it.
I'm sorry if this is very messy!! It also totally depends on you as a writer. When I try to make "character background sheets", it gives me anxiety and I end up not following through with my writing versus when I try to keep it brief and just dive into the writing and slowly change things and edit as I write. But maybe a sheet works best for you!
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Look at this....☠️ https://www.tumblr.com/bohemian-nights/737003196544958464/fuck-rhaenyra-fuck-the-writers-with-this-sapphic?source=share
Fucking hell.
First off: I find it interesting the anon doesn't acknowledge that Laena x Daemon is also incest. Sure, she's not his niece, but she is still related to him. They love projecting their insecurities about their ship onto daemyra.
Second: yeah, HoTD choosing to make the Velaryons black then sidelining them massively is shitty and, sure, could be interpreted as racist. However, how is that Rhaenyra's fault? She didn't make Daemon marry Laena when he couldn't have her neither did she kill Laena. Condal and Hess chose to write out Laena's relevance (which already wasn't much outside of being Daemon's wife and Baela and Rhaena's mother) in order to give Alicent more screen time. But again, that's neith Rhaenyra's nor Emma D'Arcy's fault, stop blaming them (also Emma is good at playing Rhaenyra as she is written, the only issues are the writing, which aren't their fault). Op also chose to ignore the fact that Daemon actually is confirmed by GRRM himself to have loved Rhaenyra the most.
Moving on, once again the Rhaenyra antis are bringing up how Rhaenyra isn't "feminist". Literally no one in F&B is feminist by our modern definition. Visenya and Rhaenys are probably the closest, and even then, they aren't writing feminist manifestos (which apparently Rhaenyra is expected to for some reason). Alysanne, the most proactive queen regent, still enforced arranged marriages on her daughters and granddaughters. Rhaenys didn't advocate for Laena's right of succession in the book and in the show refused to support Rhaenyra long before Laenor's "death". Her antis hold Rhaenyra to unfair and unrealistic standards while making excuses for or ignoring other characters who don't meet them.
In that same vein, I still can't get over how Rhaenyra antis will say that TG aren't the conservative group. They say Rhaenyra isn't a feminist and that TG, the ones who are obsessed with male primogeniture and believe being gay, a sexually liberated woman, a child born out of wedlock, or not adhering to the equivalent of the Catholic Church make someone subhuman are the "progressive" group. It's delusion at its finest. Alicent and the greens are misogynistic and, because of them, women's rights in Westeros ended up more repressed than ever.
The fact that the op says that Visenya and Queen Rhaena are acceptable shows they have no understanding for TG or F&B. First off, TG would never support either woman. Visenya was hated by the Faith and most of the Lord's of Westeros, she was a warrior accused of witchcraft and dared to interfere with the misogynistic customs alongside Rhaenys. Rhaena was gay, something she wasn't allowed to live fully because the Targaryens chose to conform to Westerosi ideals. She was also robbed of her inheritance, even Jaehaerys acknowledged that Rhaena was the rightful heir, just as Aegon acknowledged Rhaenyra was.
As for the racist allegations, those come exclusively from Mushroom, someone who is far from a reliable source. Mushroom invented an entire woman to try to add "spice" to Jacaerys' story: Sara Snow. A woman of whom there is no record of, even though she was raised in Winterfell and supposedly married Jace. If Mushroom is willing to make up a whole ass woman to make the story more dramatic, why should we trust anything he says?
Yes, Rhaenyra ordered Nettles' execution, but that was because of her rumored relationship with Daemon and Rhaenyra's paranoia which had grown massively since Hugh Hammer and Ulf White's betrayal. Was it just? No. Was it racially motivated? According to Mushroom, maybe, but looking at Rhaenyra's character, it doesn't make sense.
Moving on, what exactly does op mean by "she's done too many things to claim she's been wrongly framed by the narrative"? By the time Nettles comes along, Rhaenyra hasn't done much that could be considered reprehensible. Op seems to have an issue with Vaemond's death, which Rhaenyra did order in the book. They seem to think that Vaemond "rightfully called her out" and was wrongfully killed.
She ordered Vaemond's execution after he declared her sons bastards in order to challenge Corlys' decision regarding succession. Keep in mind, Vaemond in the book is Corlys' nephew, not his brother, which moves him even farther down the line of succession. Vaemond not only was putting Rhaenyra and her sons in danger but was also trying to usurp all of Corlys' line, including Baela and Rhaena, who op seems to like a lot.
Yeah Rhaenyra is much harsher in F&B, but that hardly makes her evil and irredeemable. Queens Visenya and Rhaena were both harsh and even cruel sometimes, yet op doesn't think they're irredeemable monsters.
I do agree with op's anger over the sidelining of the Velaryons, as I said earlier, but taking it out on Rhaenyra is completely uncalled for. Rhaenyra wasn't a monster, anyone who believes that has frighteningly little reading comprehension. Rhaenyra's reign would have greatly helped women's standings in Westeros and pushed along gender equality. Ignoring that fact and blatantly saying the greens aren't supporting the repressive patriarchy is delusional and idiotic. The greens' actions were damaging in every way. Vaemond was far from an innocent victim, he was power hungry and misogynistic in both the show and the book. Keep your angry focused on the right people, don't take it out on a woman who had her whole life destroyed by the patriarchy.
#rhaenyra targaryen#team black#anti team green#house of the dragon#asoiaf#anti rhaenyra antis#anti ryan condal#laena velaryon#daemon targaryen#nettles#hotd critical#anti laena stans
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The Passion Of Jimbriel
Part 1: The Entry into Soho
The story of events leading up to the crucifixion of Jesus, and the days following, until his ascension to Heaven, are collectively known as the Passion narratives. It comes from the Latin "to suffer," or "to endure."
More than one op has mentioned there are parallels to this in S2, so I thought I would try and find how well the whole narrative was followed. Oh yes, is the short answer, it certainly does! And how! And in places you might be surprised about. I hope this series of metas might answer some of the odd mysteries of "why is that there...? that are still floating around at the moment for you.
I've tried to match the narratives to scenes and incidents in S2 as closely as I can, but I only have sketchy Anglican Christian background, so if you have had a more thorough Catholic upbringing than me and see something I have missed, slip me a message and I'll do my best to edit things.
A word of warning before we start - it's not a linear match-up. I'm planning to run through the traditional sequence of the Passion in order, but will match with the S2 scenes as needed, and those are scattered back and forth in time. It's Catch-22 again - everything thrown up in the air and landing at seeming random places, where ever they seem to fit best for the narrative.
AZIRAPHALE: Ah, you startled me. GABRIEL: Is that good? AZIRAPHALE: I just didn't see you coming.
I actually thought I might start with this little scene, where Jim gives Aziraphale a jump-scare by creeping up next to him silently. Annoyed, Aziraphale tells him to make some noise as he moves about, and Jim trolls him with some creaking noises, before starting to sing.
There were prophecies about the arrival of Jesus, but the ironic thing here is that Aziraphale, someone who has a vast collection of prophecies and is someone you could consider an expert, had no warning of Gabriel's arrival - he just crept up to the door as a nasty surprise!
Starting proper, there were the three temptations while Jesus was fasting in the wilderness.
Making bread out of stones (I've also covered the Eccles Cakes here in the Altar of Eccles Cakes. They have multiple purposes!)
2. Being tempted to jump from a pinnacle of a temple and relying on angels to break his fall.
3. Being tempted to worship Satan in return for ruling all the kingdoms of the world.
This one was actually covered in S1, at Golgotha. I know Crowley mentioned to Aziraphale that he was the one who tempted Jesus, but I wrote a meta about it because I realized most people were missing the joke in the TWO demon names that Aziraphale suggested Crowley had changed his name to, and how that relates to that particular temptation.
The last miracle performed before the Passion was the raising Lazarus from his tomb, four days after he had died.
After Crowley is dragged down to Hell for an interview with Lord Beelzebub and finds out they are being threatened with the Book Of Life for being involved with Gabriel, he rushes back to Aziraphale and says they have to hide them. As they decide they will try a shared minor miracle Jimbriel descends the spiral staircase:
GABRIEL: Hello. Where did you come back from? CROWLEY: Outside. GABRIEL: Outside? Hmm. Is it big? Can I see the outside? CROWLEY: No, no, no, no, no. No, no no. You need to stay here, inside the bookshop. We can look after you in here. Just stay here.
Inside? Inside the tomb? Aziraphale has even 'wrapped' him up for the occasion.
Later, we find out that:
AZIRAPHALE: Jim is in his bedroom upstairs. I told him bookshops are always closed on a Wednesday. As for Inspector Constable, at a guess, they were sent to verify the 25 Lazarii miracle you and I seem to have accidentally performed together the other night. CROWLEY: That's how you lot measure miracles? How many times it could have brought someone back from the dead?
Uh huh. The miracle of Lazarus.
The Entry into Jerusalem
Jesus made his way into Jerusalem by donkey to show that he came in peace, not as conquering king on a horse. Gabriel does the same.
But he walked in, you say, on foot!
Yes, but he walked by the Dirty Donkey pub on his way to bookshop.
Next, was the Cleansing of the Temple.
What temple? The bookshop, of course! Is it not a temple of books?
Aziraphale sets Jim to cleaning it, with a duster.
I'd say you could also call the bookshop a temple to Crowley - it is decorated in his colours, after all. The presence of Jim initially drives the merchants and money dealers demon away, snatching his sunglasses from his mini-altar as his goes.
The last step on the Passion I'll cover in this meta is the Anointing of Jesus. It tells the story of how Jesus had an expensive perfume, worth a year's wages, poured on his feet from an alabaster jar by woman who was considered sinful. The gathered Disciples were aghast at this waste - they asked why she did not sell the perfume instead and give the money to the poor. Jesus thanked her for preparing him for burial.
This one had me stumped for a while, and I had to think hard about where something had been "poured out" on feet, because I was pretty sure no one had been "anointed" on the head, which is another version of this part of the narrative. Then I remembered seeing a GIF that was Aziraphale focusing on the floor for a number of seconds after Crowley had upended the box Gabriel had carried to the bookshop with his fly in it to read the message on the bottom of the box.
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My precious...! You poured them out at your feet, Crowley!
Alabaster is a soft white stone that is easy to carve. The bland cardboard box makes a good analogy for this. And in it we see Aziraphale has filled it with priceless treasures - not one but two lost Shakespeare plays!
If at this point you are going "Wait - Wot? Now you're telling me both Jim/Gabriel and Crowley are playing the part of Jesus here?" I'm saying yes. It's not the first time I've said it. I'm not the only op who has been saying it, either. And as we head into part two of this meta you'll see Crowley take on more of this role from Jim/Gabriel. The two of them have a lot in common, much more than you might have suspected or might even want to acknowledge. This is the past echoing into the present again. I think it also gives us some interesting things about the future to contemplate.
Next: Part 2 - Trials and Denials
Where we move on to the Last Supper, and the Arrest of Jesus before his before he is judged before a court of priests and then Pontius Pilate, and the gathered crowd.
This post was inspired by @mr-period 's long meta Remembering Something Forgotten-Where is Jimmy Boy?
More reading on the Dirty Donkey in my meta here.
#good omens#good omens 2#good omens meta#aziraphale#crowley#good omens analysis#good omens theory#gabriel#jimbriel#the passion of jimbriel#the passion#golgotha#the dirty donkey#i am in the fly#25 lazurii
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really fucked up that I was watching a podcast on YouTube and the hosts were discussing their traumas from being raised Christian (one Catholic, one fundie) and explaining why they left the church and the comments were full of christians telling them they actually should come back to the church and they failed the tests god gave them. if someone is discussing the trauma directly related to religion, your response shouldn't be to shame them into returning to the place they were abused
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[“Not many miles from the resort town of Dalat, Ich Thien village comprised one of the few successful land development centers the Diem regime had built for non-Catholics. In 1961, two hundred and twenty-five families from the coastal plains of the center had come to settle there in the highlands and to farm the land the government had cleared for cultivation. Allotted a small acreage, they were given enough money to tide them over until the first harvest and the rights to all the jungle land they could clear and till for their own use. After three years of good harvests, the farmers — most of them former landless laborers — had achieved a degree of prosperity they had never known before: they built substantial houses, bought buffaloes for the plowing, and new clothes for the women and children. To them the land development center had every virtue but one.
As one farmer — I shall call him Mr. Buu — described the source of the trouble:
An official from the Office of the General Commissioner for Land Development was… in full charge of the area.… The area chief (as he was called) could distribute money and materials to whichever family he wanted and refuse to give it to whoever he wanted. It was the area chief who ordered that family records and identification cards be made. He could refuse to give these extremely necessary papers to whichever family he disliked and that family would have no place to turn. The people’s fate lay in the hands of the area chief. The area chief… was a very wise man. Outwardly, he seemed very nice, gentle with everyone, but inwardly he was corrupted and siphoned off aid such as flour, penicillin and milk and so on. Besides growing rubber trees in the land they had been given, the villagers cleared more land to grow corn, potatoes, manioc, etc. They went to the jungle to gather firewood, bamboo shoots, and honey. The people were forced to sell all these products to the area chief at a very low price. The area chiefs in turn sold these products to the dealers at high prices. The people knew about this, but there was no way they could stop this exploitation. The other officials… were no better. They often caused trouble to the people, such as each time someone wanted to leave the Land Development Center, he had to obtain a certified statement of his absence. The absent person couldn’t receive his food money for the day he was absent… but he still had to sign the paper to certify that he had received his food money for that day so that the officials could pocket the money. And so the people couldn’t like these officials. They were afraid of them because their lives were directly related to the officials of the office of the General Commissioner for Land Development.”
Beginning in 1963 the NLF cadres began to come to the center occasionally at night to talk to the families in the hamlets nearest the forest. Before a year had passed, they were coming every two or three nights. From time to time the guerrilla units would surround one of the hamlets so that the cadres, with the help of their newly recruited supporters in the village, could hold a general meeting to explain Front policies.
By the end of 1964 the GVN officials, including the area chief, no longer dared to spend the night at the center. The twenty government defense guards hid in their outpost every time the NLF appeared. Finally in February 1965 a large number of Front troops came to surround the entire center. The defense guards hid their weapons and fled. The next morning the guerrillas deployed themselves around the center, leaving only a few armed cadres inside. These cadres then called the people together and proclaimed the dissolution of the “illegal local government of Ich Thien village” and raised the Front flag on a pole.
In Ich Thien village the Front had no need to employ violence against the government authorities. Its cadres had already prepared the way carefully, making friends among the villagers and gathering intelligence and explaining their policies — making the kind of contact with the villagers that the government officials had never bothered to make. But for the Front there was no question of “rooting out the infrastructure” of government. The GVN officials had never had any roots in the village.”]
frances fitzgerald, from fire in the lake: the vietnamese and the americans in vietnam, 1972
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Quarter Finals - Catholic Character Tournament
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Propaganda below ⬇️
Matt
Matt's faith in the show is really important and well explored; one of the first scenes of the show is Matt going to confession (or, well, talking to his priest since he's not really confessing at that point). Matt struggles a lot with what he's supposed to do; everyone's telling him to kill the villain and he kinda wants to, but he literally says: "I know my soul is damned if I take his life". He struggles with his faith and goes with his doubts to his priest, and it's beautiful—also when he finally gets a costume for his vigilanteing he chooses to dress as the devil, lol. (His priest tells him that nothing makes people run to Church faster than the feeling of having the devil on their heels.)
a lot of the show is about how he justifies his vigilante actions with his faith, and whether he's doing the right thing in trying to help people or just using it as an outlet for his anger. the literal first scene of the show has him in a confession booth talking to his priest (who is a really interesting character too). this is not the scene I was talking about but it's such an excellent scene with matt talking to his priest: https://youtu.be/XHZ3NbEIDdw
canonically catholic but dresses like a demon to be quirky
honestly i dont wanna type too much but i feel that matt is a great example of someone who battles with his faith because he rarely loses his faith but rather fights with why he was made the way he was and put through what he was. He believes himself to have the devil inside him but believes that God put him there
ok in the comics barring the most current run matt has Mostly been a non-practicing Catholic that very rarely actually does any catholic Activities but ends up falling back into the Mindset and very occasionally dramatically taking confession (ex. in that one issue where he takes confession, basically tells the father that he is uniquely terrible and is thinking about violently murdering someone and when the father says "you can be forgiven" hes like "AUGFH-- NO!!!!!!!!!!" and runs out) when he's gone through some shit. and i love that its so relatable
This guy so catholic he spends an ungodly amount of time just chilling in the church. And goes there whenever there is a moral conundrum about killing people being Bad even though it would solve a lot of problems and stop said people from killing other people. This happens every other episode. Matt is the Catholic Guilt Guy. There's actually a lot of catholic stuff in the show as a whole. Just a compilation would be like three whole episodes long.
Hes great hes catholic enough to not outrught murder people but not catholic enough to not fuck before marriage hes a bisexual disaster at all times hes besties with a priest might i add hes great hes my special little guy
his catholicism is a huge piece of his characterisation he was raised by nuns in a catholic orphanage, the first scene we ever see him (as an adult and not a flashback) is him going to confession, he is good friend with his priest and has regular debates with him, etc also in s3 he has a huge crisis of faith after he lost A Lot where he stops believing for a while and it's linked to his identity crisis where he actually wants to kill another person (a hard line he previously chose never to cross) and wants to be only daredevil and not matt murdock, when he is both and needs both to exist also when he was a kid his grandmother used to say "watch out for the murdock boys, they've got the devil in them" and it created a surprising lot of his issues
So he's both catholic in the comics and the show but he's More Catholic in the show. Like, raised in a catholic orphanage by nuns (ONE OF WHICH IS HIS *MOTHER*), second scene in the show has him in a confession box kind. Matt Murdock goes out and gets the shit beaten out of him nightly and also beats the shit out of other people and purposefully leaned into devil iconography as his theme. When his nurse friend says, he takes a lot of punishment without one complaint he says "That part's the Catholicism." It is a Core Aspect of his character (at least in the show). He makes me insane. Also the same chemicals that blinded him created the teenage mutant ninja turtles and everyone should know that.
They went to confession to a priest who they had saved as their costumed counterpart and the guy recognized them by the voice, proving that it's possible and everyone else is just dumb
he takes "i wanna fight god" to new and incredibly violent levels, while also being a sweetheart and a goofball
Actually strictly WILL NOT kill criminals. Goes wayyy out of his way to avoid it. Fights with the Punisher about it. Goes to confession booth after nightly vigilante excursions. Feels so much guilt. "How have you been holding up?" "Like a good Caltholic boy" "that bad huh" - actual conversation with his priest
So Daredevil struggles with his mission as a crime fighter because killing criminals goes against his faith. He makes it a point to not kill criminals, believing that even bad people deserve a second chance. This philosophy puts him at odds against The Punisher, who is a relentless killer. As a Catholic myself, while I love the concept of a morally conflicted superhero, I think the worldbuilding around Daredevil is lacking. If he struggles with violence and killing, why doesn't he pray to warrior saints like Saint Michael, Saint Ignatius of Loyola (a former knight), or Saint Joan of Arc? Why isn't there a community of other Catholics he can turn to for guidance, considering New York City has a sizeable population of Catholics? And why are the churches he goes to always empty? Doesn't he know that the Catholic Church supports the just war theory? I think that would have made his burden more bearable.
He goes to church and confesses to punching people and says "imma do it again can i apologize in advance" and the father dude says "no you're meant to stop now" and Matt says "no" and they do this everyday. I'm not remembering it properly but this is a canon interaction i swear
HELLO HI YES I LOVE HIM AND WILL INFOR DUMP ok so. he is a vigalantty and he got named daredevil and he is an orphan and after the age of 12 was raised in an orphanage at a Catholic church and his therapist is his priest via confession abd. also his mother is a nun he has a whole mental breakdown over god and called Job a pussy because he liked god until he got better and liked god again he said "I'm dearedrvil and not even god can stop that now" and he's so cool
matt is a freakish little babygirl who was raised by nuns and definitely has religious trauma. i hate him so much (affectionately)
he’s literally fucking insane about it i don’t know what to say here. he thinks he’s chosen by god to go on some sort of holy quest to save hell’s kitchen. joan of arc ass.
i already know hes in by default j just wanted to give him a personal shout out i love this angsty catholic dweeb
how practicing he is depends on the run, but in my favorite he is quite literally confessing to a member of the last extant order millitant who happens to be a priest at a church in hells kitchen.
i love him for having the funniest version of a trope i usually hate (person gets into confession booth and asks forgiveness not for what they've done, but for what they're about to do). usually this trope just looks silly to me bc like. the priest would just say "i can't do that" and you would have to either awkwardly explain yourself or just Leave. it's funny when matt does it because fr. lantom is probably like "what are you gonna do???" and matt's like "lol. lmao. 😊 hehehe." anyway we love this angry catholic man who dresses up like the devil to beat people up in hell's kitchen
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I'm sure Harrow is lovely and I respect the space lesbians but listen to me. Listen.
Matt Murdock is the Catholic character of all time, and if you make him lose, I am blowing up this website and everyone in it.
He is Catholic. His mother is a nun. He grew up in a catholic orphanage. Half the episodes in the show include him going to confession. When he needs therapy, he talks to his priest. He dresses up as a devil partly because of the Catholicism.
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One time he got godly powers on loan from Heimdall (see below), and he did a lot of good with it, and then the second it was over he just... well. Also see below!
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This man's every coping mechanism is Catholicism.
Please vote for Matt in the @catholic-character-tournament because he's the best and most realistic representation of what it means to be Catholic. Someone who's been punched and bet and crushed by life but still gets up every day to try. No, he's not a nun like his competition but he's not less devoted because of that. Not everyone is called to service. In the day he works at a defense lawyer to help people. Not for the money but to help people not get screwed over by the law. And at night, he dons a mask and beats up assholes when the law fails them. Is he perfect? No, that's the point. Matt is a broken man who is just trying his best to do well and live like Jesus.
He fully embodies the Catholic doctrine of faith and good works. He has faith in what he's doing even if others challenge him. He believes in forgiveness and repenting even when going up against "the devil."
"The people you murder deserve another chance." ... "No, Frank. To try again, Frank. To try. And if you don't get that, there's something broken in you you can't fix, and you really are a nutjob." "You think God made you a one-man firing squad. But you're wrong. There is goodness in people, even in you. And you're gonna have to kill me, 'cause I'm never gonna stop coming for you, until I take you down."
Daredevil Season 2 Episode 3
He (tries) to love his enemy. He believes in Elektra and Frank and maybe Dex and their ability to change. To be good. And when he can't, Matt refuses to compromise on his morals. While not quite "turning his cheek" he never scoops to their level. Because they don't get to destroy who he is.
Daredevil Season 3 Episode 13
All he does is for the love he has to his neighbors, his community. He loves New York. Not for self-fulfilling needs or for the money or for the fame. He does it because he believes in justice. Because the law was created by humans and is inherently sinful.
"But his competition met God and was disappointed and blah blah"
Daredevil is more grounded (at least the show, maybe less the comics). So now, Matt doesn't met God. But he sure gets mad at him. All of season 3 he angry at God for all the trauma he expired.
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"You see, that was me, Sister. I suffered willingly. I gave my, uh... sweat and blood and skin without complaint. Because I too believed I was God's soldier. ( chuckles ) Well, not anymore. I am what I do in the dark now. I bleed only for myself. ( scoffs )" ... "You might hate God right now, but the feeling is not mutual." "No, I don't hate him. I've just seen his true face, is all."
Season 3 episode 1
As a Catholic I don't really want to fight God in a parking lot. Well I do but not in the same way that I've understood (primarily Jewish people but probably other Abrahamic religions) want to fight God in a Denny's parking lot. I want to yell and scream and cry at God and for the feeling to not be mutual. For Him to never stop loving me. As long as I have faith, He will reach out his hand.
Homura
she is a catholic lesbian whose girlfriend became god. she has been through so much.
shes such a lesbian for amdoke
Catholic guilt literally turned her into a demon
she literally watches everyone she knows die over and over and over again just so she can save madoka, the one girl who showed kindness towards her. when madoka ends up basically becoming god in order to stop the cycle of death and violence, homura RIPS AWAY THE HUMAN PART OF HER SOUL so that she can create a world where she and Madoka and their friends can live happily, effectively becoming the devil to madoka’s god
She has so much religious symbolism when it comes to her relationship to Madoka. Madoka is God and Homura becomes Lucifer so that she can save Madoka and give her happiness. She literally rips God from heaven and rewrites reality though. The way she sees her self and shapes reality is through the lense of Catholicism.
most fucked up little catholic girl. we love that for her.
Okay homuras entire fuckin arc is stemmed from the fact she is Catholic. Look at her trying to save Madoka over and over again and suffering for it because she thinks if she suffers enough and works hard enough Madoka will stay. Normal people do not go into time loops willingly. Catholics will.
#tumblr tournament#tumblr bracket#tumblr polls#polls#cct polls#marvel#matt murdock#daredevil#daredevil born again#mcu#charlie cox#r6#homura akemi#demon homura#pmmm#puella magi madoka magica#madoka magica
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How do you think they'd all respond to a pagan/wiccan?
This reminds me of my question of how Ubisoft is gonna fuck up AC Hexe when they revealed Codename Hexe last year XD
Anyway, let’s start...
Altaïr:
I could make a “what is this sorcery” joke but that would be too easy. If he sees a pagan or a wiccan, he wouldn’t really care. This man was raised in one of the most religious sect of the Brotherhood and turned out to be an atheist so, in all honesty, he couldn't care less who or what someone worships. What matters to him is the way someone worships must not endanger the innocent or get in the way of his mission. The most he’d do is interact with the pagan or the wiccan in a more intellectual way, gain more knowledge and information and then… just go his way.
Ezio:
This man was raised as a catholic in Renaissance Italy but he’s also someone who punch the living out of the pope so it really depends on when he would meet a pagan or a wiccan. Before the Auditore execution? Definitely feel awkward around them but wouldn’t insult them. During AC2? Vengeance is more important to him and he’d ally with anyone who would help him. Brotherhood? Dude is pretty much at war with the Church AND the Followers of Romulus, he has no beef with pagans or wiccans as long as they don’t side with his enemies. Revelations? This man has seen and experienced too much that he’s just chill with everything. They want to be allies? Sure. They just want to get on with their lives? That’s okay too.
Ratonhnhaké:ton:
Ratonhnhaké:ton was raised to respect the beliefs of others and he’s definitely more open-minded than a lot of people (even Haytham). He would try to respect their beliefs the best he could and would ask if he doesn’t know anything. He won’t necessarily be a practitioner himself but he’d definitely know more than normal.
Edward:
He has no problem with any pagan or wiccan. If it was a pirate though, he’d definitely take any of their superstitions because better safe than sorry, after all.
Arno:
France actually has a… ‘severe’ history with witch-hunts (around 1000 execution during the 14th to 17th century) so Arno would probably stay clear of any pagan or wiccan if he knows them but he wouldn’t turn a blind eye if they were being harassed (or worse). The most he’d do is help them escape and give them a chance of finding peace elsewhere.
Jacob:
If a wiccan or a pagan wants to be a Rook, Jacob will welcome them with open arms. He doesn’t necessarily believe them but he wouldn’t be rude to them. The most he’d do is light teasing but he’d stop as soon as he notices they’re feeling awkward or annoyed. To him, it doesn’t matter who they are. If they want to be a Rook and can follow the rules, they’re Jacob’s Rooks.
Evie:
She’s look at it from an intellectual standpoint and would be a bit wary considering the danger of being close to a wiccan or a pagan their time has. She won’t stop Jacob from making them their Rooks and she won’t try to bully them or push them around. She’d be a bit distant but it won’t really matter all that much since she’s not close to any of the Rooks anyway. She’d research about them though on the off-chance that they have any interest or information about any POE or Isu related things.
Bayek:
… I mean… he’s a Medjay from Ancient Egypt. He wouldn’t bat an eye if someone worships a specific god as he knows a ‘few’ people who do that. He also wouldn’t bat an eye on any ritual practices or spells they might do as long as it doesn’t endanger anyone. As far as Bayek is concerned, as long as no one is getting hurt, people should be free to worship as they please.
Desmond:
Dude would definitely try wicca. This man has been denied of so many things growing up that he’d try anything at least once… as long as it’s not too dangerous. If you’re looking to convert anyone, Desmond’s your guy.
Layla:
She’d be cool about it. Honestly, Layla looks like the type to have pagan or wiccan friends, maybe even someone who tried it when she was in college XD
#teecup where’s basim?#i haven’t finished mirage#i cannot in good conscience add him without#being sure of his personality#but on the top of my head?#it’s loki#he’d find it amusing#assassin's creed#desmond miles#altaïr ibn la'ahad#ezio auditore#ratonhnhaké:ton#connor kenway#edward kenway#arno dorian#evie frye#jacob frye#bayek of siwa#layla hassan#ask and answer#teecup writes/has a plot
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