#and play the role of side character in most of them

[coldfanbou]

Kinkcember Day 22: Size Kink

Today, we have actress Park Bo young, getting some extra practice with how her character acts.

Length 1.2K

Park Bo Young X Mreader

Boyoung felt your bulge rub against her as the two of you acted through the sex scene.  Even though you were both wearing modesty garments to protect yourself, she felt your cock through it; she could feel your size. It was making her wet as she felt your strong hands hold her wrists by her head. She wasn’t acting. Boyoung was getting turned on. Her soft moans were real. You kissed her passionately. Boyoung wrapped her legs around your waist, and her tongue lingered in your mouth as you played your part. The moment the director said cut, you pulled back; Boyoung reached forward, wanting to continue before she caught herself and realized the scene was over. “Everyone, we’re taking an hour break. Thank you for your hard work!” The director yells before climbing out of his chair and leaving the sound stage. Some of the stagehands begin cleaning up as you grab bathrobes for you and Boyoung. The young woman puts the bathrobe on and remains seated on the bed as you walk to your dressing room.

Boyoung takes a deep breath and tries to slow her heart rate as the last scene replays in her head. The work she had done with you previously didn’t set her up well for this scene. While she had always liked you, she saw a new side of you that she loved. The strength you showed when you held her down, the way you dominated her with your size, awakened something in her. She stood up slowly and went to your dressing room, wanting to continue the scene but actually performing the act this time.

You head to your dressing room after, trying to relax, when you get a knock on the door. “Who is it?”

“It’s Boyoung!” You walk over to the door and invite your costar inside. “Thanks for letting me in. What do you think about our scenes so far?” She asks, you sitting on your couch.

“I think they’re coming out pretty well. This last one, though… it's a little awkward, isn’t it?” You reply, feeling unsure about your performance in a sex scene.

“No, no! You’re doing great; I could feel everything,” Boyoung curses herself as she realizes what she’s said. “That’s not what I meant, hold on. I just mean that I could feel you putting everything you have into your performance.”

“Ah, that’s what you meant. I was a little worried you could feel me through the modesty garments.” You look down. The modesty garments covered your private areas, but wearing them didn’t give you the most confidence, especially considering your size. “These things are a bit thin, and it makes me a little self-conscious.”

“Ah, you shouldn’t be; you’re perfectly fine,” Boyoung says, patting your chest. “You’re nice and strong in more ways than one. Boyoung purses her lips, considering how to bring up the subject. “I don’t know if you know, but I like to get into my roles. So I’d like to take things a little further.”

“How do you suggest we do that?”

“I want you to fuck me,” Boyoung says bluntly. Throwing caution to the wind, she continues, “I could feel your…cock rubbing against me, and I want to know more about how she would actually react. I need you for this,” Boyoung admits, dropping her robe and removing the modesty garments, bearing her body to you. She steps closer to you, her small hands taking off your modesty garments before reaching for your cock. Her hand can barely wrap around it. Boyoung gulps, mesmerized by your cock; her hand slowly moves from the base to the tip. She brings her other hand to your cock, rubbing the tip against her palm as she squats down. Boyoung was getting excited just holding your cock. “May I?”

You give the small woman a nod; being next to her in the last scene turned you on, and you wanted to fuck her. “Yeah, let’s get more into our roles.” Boyoung squats down, coming face to face with your cock. She gives it a few licks, her small tongue running along the underside before she begins to jerk you off. Boyoung used both hands, amazed at your size. She was getting wetter just thinking about you using it on her. Her mouth barely fit the head of your cock; her lips hollowed as she sucked on it, her tongue licking it like it was a lollipop. Knowing she wouldn’t be able to get it down her throat, Boyoung spit on your cock and spread it around your shaft with her hands, pleasing you as she mentally prepared herself. “I think you’re ready,” She says quietly, 

You picked the small woman up easily, holding onto and squeezing her thighs. You align yourself with her entrance and lower her onto your cock. Boyoung squirms in your arms as her walls wrap around your cock. She groans and whimpers as your cock stretches her small cunt, separating her walls and splitting her in two. You move her along your shaft, slowly taking in more of it until you’re buried inside her. Boyoung bites her lip; she can feel your cock stretching her; her fantasies are being fulfilled as you use her like a toy, moving her along your cock. She clings to you, moaning into your ear about how good it feels to have you inside her. 

“You’re so tight,” you grunt in response, reveling in how her walls flex around your cock as you drive it into her. If Boyoung hadn’t been clinging to you before, she would have needed to know that you moved faster. You were getting into a good rhythm, making her bounce on your cock. The older woman moaned your name and begged you for a kiss. You gave in to her demands; your tongue traced her lips until she allowed you inside. You explored each other's mouths. Boyoung moans in the kiss, arching her back as you thrust deeper into her. You make her shiver as you run your hand down her spine; she moans louder, every touch making her entire body tingle. 

“Oh, fuck, you’re so big. I’m going to cum,” She whines, her walls tightening around you. “I want you to cum inside me. I don’t care what happens. Just fill me up.” Boyoung presses her body against your chest, her moans growing louder as she bounces on your cock. 

Nearing your climax, you hold onto Boyoung’s waist tightly, forcing her up and down your shaft as you thrust into her, crushing her womb. “Oh shit! Yes! Fuck me!” Boyoung cries as you use her more like a toy. Her tongue begins to hang out of her mouth. The woman before you was a far sight from the coworker you know, but it only turns you on more. You continue to fuck Boyoung senseless, pistoning in and out of her until you bury yourself inside her suddenly. You cum rushes inside the small woman, painting her walls white before filling her cunt. You rest Boyoung on your cock, letting her recover from her orgasm. You move over to the couch, setting her down on it before pulling out. “Thank you,” Boyoung mumbles, placing her hand against her cunt and collecting your cum; she sucks on her fingers, a look of lust on her face as she tastes the salty liquid.

A knock on your door alerts the two of you. “We’re going to start filming again! Let’s get going!” One of the staff yells from outside. Boyoung looks at you, worried about her disheveled appearance, but quickly gets dressed and puts on her modesty garments and a bathrobe before walking out. You take an extra minute to clean yourself up before walking out, ready to film more scenes with Boyoung. Any scene that involved the two of you making love would be followed by the actual thing in your dressing room.

[witchthewriter]

𝐁𝐞𝐢𝐧𝐠 𝐛𝐨𝐧𝐝𝐞𝐝 𝐭𝐨 𝐂𝐚𝐫𝐚𝐱𝐞𝐬 𝐰𝐨𝐮𝐥𝐝 𝐢𝐧𝐜𝐥𝐮𝐝𝐞

From this poll, this series is born!

a/n: the dragons are able to shift into human-like beings. Taking 'bonded' to a whole other meaning.

This whole post is 18+. No minors. 🧿

ᴹᵃˢᵗᵉʳˡᶤˢᵗ | ᴹᵃˢᵗᵉʳˡᶤˢᵗ ᴵᴵ

𝑳𝑶𝑹𝑬:

graphic picture ahead -

In the days of Old Valyria Blood Magic was used to create the dragons species by a dragon hybrid choosing a mate. The hybrid had to be in a morphing form into his dragon form. Therefore, creating the dragon spirit that would fill the womb of his human mate.

・Hot-headed, overprotective and showing his animalistic side...always... like a dog with a bone, he will not let anyone touch you, nay; he will not let anyone even look at you too long.

・You often think that the human part of his shift could come out more prominantly, but it just doesn't.

・You do have to remind him that he isn't allowed to kill anyone in his path, that there are rules in human society that are vastly different to the ones in dragon culture.

"Bloody ridiculous, all of it."

・In human form, it's too obvious he isn't human. (Well, yes that is the same with the rest of those who can dragon-shift, but Caraxes cannot let go of his dragon side while human like the others can). It doesn't help that his eyes seem to glow all the time, on his face are tattooed runes from Old Valyria, long thick red hair, darkened lips, pointed ears and extremely large and obvious horns protruding from his head.

・Oh and he was the tallest man you had ever seen

・Standing at 7 feet tall, you thought Westeros had in fact been overrun by some sort of alien creature.

・But no. All dragonshifters are over 6'5 feet. Any less and they are considered still in childhood.

・The first time you saw his human form, you thought he was the most handsome being you had ever laid eyes on.

・A flurry of words that constantly contradicted one another: graceful yet aggressive, mysterious yet direct, there was a pull to him. A pull so ancient that you thought you might die if you didn't follow it.

・And Caraxes was used to ancient authority (he actually hates authority) but still...he knew he needed to listen this time.

・Still an outsider as a human - but he doesn't care, not when he has you.

・He knows how to do Valyrian braids, and loves when you sit on a pillow in front of him while he sits behind you. Humming, which turns to singing - an Old Valyrian one that only mates sing to one another.

・Loves giving you gifts; absolutely showers you in them.

・Caraxes is a shifty, silver-tongued character who is also a big dumbass once he's not playing into the intimidation role

・CONSTANTLY LOYAL AND WILL SQUARE UP TO ANYONE AND EVERYONE.

𝑹𝒆𝒍𝒂𝒕𝒊𝒐𝒏𝒔𝒉𝒊𝒑 𝑻𝒓𝒐𝒑𝒆𝒔

"Caraxes, No." (You) x "...Caraxes Yes..." (Him)

Commits crimes (Caraxes) x Accessory to crimes (You)

Tough on the Outside, Soft on the Inside Kinda (Caraxes) x The Top (You)

𝑹𝒐𝒎𝒂𝒏𝒕𝒊𝒄 𝑷𝒍𝒐𝒕 𝑻𝒓𝒐𝒑𝒆

Challenging Social Conventions

Soulmates

Saw You, Instantly Decided You Were His.

𝑻𝒉𝒆𝒎𝒆 𝑺𝒐𝒏𝒈

The Devil & the Daughter by Daniel Pemberton

To Bring You My Love by PJ Harvey

The Sails of Charon by the Scorpions

𝑁𝑆𝐹𝑊 🔞 No one under the age of 18 past this point, makes me feel weird if you read it.

・Caraxes loves to hear your moans, especially when it's his name. He wants it loud, louder, louder. Pouding into you, drunk on your body.

・Then he ends up being just as loud - and then he gets so absorbed by you that he cannot make a comprehensive sentence

・His favourite positions are the ones where you're closest.

・"Just like that, keep going. Keep going beautiful."

・Caraxes loves praise, both giving it and receiving it. He does feel lonely; he would never admit it verbally. But ends up showing it in different ways. Such as this.

𝑺𝒆𝒙𝒖𝒂𝒍 𝑻𝒓𝒐𝒑𝒆𝒔

"you're so tiny and i dont want to lose control." (Caraxes) and "idc and im gonna taunt you until you break and ruin all my holes" (You)

Breeding Kink

Cockwarming - whines when he can't be inside you. Only you've heard his whines. I swear he would kill anyone else if they heard it.

art credit: https://www.instagram.com/p/C9w5Gd2PiFM/

A/N: This is all my own headcanons and ideas, it's not canon - George hasn't released a lot about how blood magic works, or how the dragons came to be. So I'm ... taking creative liberties. If you have a different opinion then that's cool too!

[nose-rice]

OH MY GOD YES. YES YES YES. I mentioned this in my og post but with the whole Nuru being raised differently, I mainly focused on her being a girl and royalty. But being a black girl also plays a huge roll with the whole "you're either the mom friend, or sassy". I've seen her portrayed as straight up mean before which is personally infuriating to me.

And with Yong!! Like you said he's a pre-teen! While I certainly wasn't matured, I wasn't thinking surface level thoughts. You start to overthink, find yourself, and your rose-tinted glasses start to fade just the tiniest bit. He's more than just "wow.. ypu guys seem really sad," or "wow! I'm so happy my fireworks worked!" And him being the fat asian kid leads is also troubling like you said. He's never taken seriously beyond the surface level "I don't wanna bother you guys" It's just really sad to me because I see so much of myself in Nuru, and I absolutely ADORE Yong and his absolutely vibrant personality. I feel like he holds immense power when it comes to shifting the tone of the story since he's the main source of optimism in the group, which could also set up a character arc that deeper than one short little moment of introspection.

Also this is a more personal thing but as a mixed poc, I am STARVING for literally any fun cool story I love with MAIN poc characters with complex thoughts and arcs. And I mean the MAIN. STARS. I'm a little tired of seeing the white lead with their poc friends that serve them in every way, and if we're LUCKY, perhaps a poc love intrest, which we didn't get here lol. Ofc I still love them. I just have been craving more diverse characters that can be seen in a complex light, which is what started my whole Nuru rant (i love Nuru soso much)

And i do agree that part of it is the way the story was set up fundamentally, with there being almost no info on Nuru and Yong, and being centered more on the main white couple. But I think it's great that it was just a first draft, and Anna and Kay have said they enjoy seeing different interpretations and chages. It's just unfortunate that most people tend to grasp onto what we're given a little too much, and not exploring so many possible concepts. The whole point I feel was that it was an idea thrown out there to whoever wants to add on to it or simply just enjoy what's already there, but the fandom pretty heavily tilts toward the "enjoy what's given" side.

Not to mention DONELLA AND ULLA?? EVEN CYRUS!! I personally am biased towards Donella but I feel a lot of the things with her can be said for Ulla too. I feel that a lot of the time they serve as plot devices for Varian and Hugo respectively. Obviously they're all very important to eachother, but I wanna see more of THEM. Just Ulla. Just Donella!! There are some good fanworks and art out there that do dive deeper into them, at least a big chunk more than Nuru and Yong which is a little sad. But I feel like I never see any fanworks that focus on their backstory aside from the library and "sons". What about THEIR parents, where they grew up? Their little quirks and their cultures? I especially find the way some Donella redemptions feel half hazardly taped on for the plot infuriating because to get to her state, you have to be pretty set in you beliefs!!

And to be fair Cyrus is very much less involved as he is Don's "side kick" sort of? Bodyguard? It's up to interpretation. But I really like seeing people giving him a bigger role in stories. Like. PLEASE. This is more just me asking for things I personally wanna see but I sorta wanna see a found family dynamic between Cyrus, Hugo, and Donella. The "villain trio". I think it would be super fun! Love seeing people rant about this stuff because I never see it talked about!!

Guys I NEED to rant about my thoughts on Nuru because i love her <3 ramblings ahead

Like I feel like in almost every fic i read, she's just like, a side character that's there to make whitty remarks to Hugo and be the levelheaded one. If she has an insecurity or problem it's usually pretty surface level and solved quickly, or only mentioned once or twice. I think there are SO many aspects of her character that are so cool.

Okay first, I think we sometimes forget that she's a nerd just like the rest of the gang. Yes, on the outside she's definetly the most 'normal' one, but I think we should concider the fact that she's the only girl in the group, and she's literal royalty. She was raised with a completely different set of standards than the other three. I don’t think I've really ever seen anyone cover that. I feel like she would get called "mature for her age" when she's only 15/16, and almost always gets critisism when she talks back with her own ideas (like her concerns about the meteor shows for example). I feel like out on her journey, she would finally get the freedom to just be herself, and be a kid and be able to rant on about her intrests with the rest of the group. It could be a struggle at first, but it would be awesome to see her getting more comfortable with the group the longer they spend together! Nerds encouraging nerdy rants lol

Since she is a kingdom figurehead, you could also argue that she always has a lot on her hands (especially since she's very proactive when it comes to science and solving problems). This could bring up a need to be productive, or always feeling like she needs to make the right decision, even for the littlest things.

I also feel like a lot of the time she's potrayed as the "right" one, who is 100% right when it comes to stuff like arguing with Hugo. Since they're opposites when it comes to class, they often are compared through that lense. I think it's cool just having Nuru tell Hugo off for judging a book by its cover, but I feel like they have a lot more in common than they realize. I think it would be interesting to see Nuru judging a book by its cover too. Maybe not to the degree that Hugo does, but I feel like calling out both their judging would not only call out character flaws, but it also enforces that even though they hate eachother and would never want to be like the other, they have a lot of the same flaws.

Also, being sheltered in a palace her whole life, I think she might think kind of black and white sometimes, and while she knows when people are just being mean as an act, she might struggle when it comes to people like reformed criminals.

Maybe she's able to be meaner to Hugo because she justifies it by telling herself he's criminal, and therefore bad, possibly glossing over the reasons he might be like that (maybe it crosses her mind, but she tells herself it's not a good enough reason, because stealing is still stealing, and he literally steals EVERYTHING. Even little trinkets and stuff he definitely doesn't need!). When they find out about Varian's criminal history, maybe she reexamines her views on morality and how she used to see people, because by her standards, Varian is a 'bad guy' who's caused harm to SO many people, but he's also the kind, caring, helpful friend that she's been traveling with who would never willingly hurt anyone.

Moving on to Amber x Nuru, I honestly never find myself liking the ship because Amber isn't developed enough which is fine. I don't think every character has to be a magnificent work of art. Side characters are side characters, but their romance is usually written like: "wow that girl is cute! I have a crush now!" Which is cool, but then that's about as far as it gets, then timeskip! Or offscreen they're a couple now. I know it's a side couple so it won't have as much devlopment as something like Varigo, but I never really see their dynamic play out in different situations. Like I don't know how to explain it, but it feels like they solely exist to be a couple? Amber sometimes just feels like an extention of Nuru, and their relationship feels surface level a lot of the time.

I feel like too often she's just watered down to the nice, smart, grounded friend, and I don't know I just think there’s so much more to explore with her. She’s not just some side character. She's literally part of the main cast! Even in fanart I feel like she doesn't really get a lot of stuff besides funny art and just like, pictures meant to look pretty. Unlike something you get a lot with characters like Varian or Hugo.

And honestly I get it. Some characters you just don't take an intrest in. I know I find Varian, Hugo, and Nuru more relatable than I find Yong, but I feel like part of that is developing their characters rather than just seeing them on a surface level. Ofc there are exceptions and there are some stories that dive deeper into Nuru's character out there! I just happen to see this A LOT.

Wow i said "surface level" a lot didn't I 😭😭

Anyway thank you for reading my rant i wanna know what you guys think!!

[emero0]

Someones said this already- surely- but i cant stop thinking about ruis whole “thank you for giving me a chance to change” mentality

Because its super sweet and all but i dont think either him or tsukasa have realized how much tsukasa has changed because of rui

Like- read main story or even early game tsukasa and then read the most recent (eng or jp)

HES CHANGED SO MUCH and its all because rui humbled him- told him that he’d never be a star—because at that rate, he really wouldnt have—in a moment of pain and hurt because tsukasa was being a bitch towards nene, and also possibly because this great opportunity rui wanted to have was turning out to be a lie

Until tsukasa changed

Realized his behavior and worked to better himself, and (lets be honest) practically begs this guy hes known for maybe 2 months (idk how long the main story takes place) to come back and make shows with him because??? Because tsukasa thinks hes just that good of a director? Or maybe its because ruis the one who made him realize his true dream again and what being a “future star” really means

Not to say rui hasnt changed either, him and mizuki talk a bit about it in ena5 and he mentions it a lot,

I think the wonder halloween event might be the best example

Cus the reason i thought of this post is because i was reading tsukasa side story from that event and MAN is he cocky- like annoyingly so- idk why he was (and still is) my favorite /j

But anyway- i remembered just now that the whole plot of that event is rui learning not to hold himself back, which is a big part of his character development imo

On the other hand, ruis impact on tsukasa is less direct

Like i said its because rui first got him to realize his “true feelings” (as the game calls it), but after that its really all on tsukasa—well not quite-

See- a big part of Tsukasa’s character development is his constant realization of- i guess “his place in the world”

For me personally the phoenix edge event is a good example of him acknowledging it- but i realize it actually started way sooner

In the pop in my heart event- he realized that his acting is so far behind these american (or atleast english speaking) actors who can convey feelings through language barriers

Its his “humbling” arc if you will, he realizes just how far he needs to go, and its not that he’s not confident anymore, but that hes more aware of where his talents lie and isnt overconfident

And this is all stuff he learned more on his own- however: rui still helped propel this growth

He realized in the torpe event (on the stage of dazzling lights i believe-) that he had been holding tsukasa back by typecasting him, and decides to give him more diverse roles as well as let wxs do the play torpe in the first place (because as director, it was his final decision)

But after that—and this applies to all of wxs, but mostly nene+tsukasa—he goes and tries to figure out how to keep wxs together while still giving them the chance to grow as actors and not be confined to a stage

And he succeeds, and off wxs goes to improve!

They (and every character in game i feel) have changed and grown so much and its so awesome to see it happen—and its neat how much theyve influenced each other’s change through it all

So yeah— ruikasa(/p or /r idc) have helped each other grow so much and i hate them with a fiery passion /j

[tobiasdrake]

For what it's worth, even the Japanese fandom appears to be utterly sick of modern DB making Goku look bad in comparison to folks like Vegeta, be it in child-rearing and/or martial arts. Apparently, that recent Daima ep where Goku admits to Panzy that he didn't play much of a role in his kids' lives REALLY lit a fire in the belly of that side of the fandom.

As far as child-rearing goes, the trick of it is that the fandom gets too bogged down in trying to prove that their favorite character is a good dad.

They're convinced that one of these guys - Goku, Piccolo, Vegeta - is a Gold Star Did-Nothing-Wrong Father of the Year. And the arguments come down to bickering over which one it is, because fans don't like it when their fave isn't perfect.

But what it comes down to is that Goku's parenting kinda sucks. He leaves a lot to be desired. By his own admission, he didn't do much of the parenting, and that's not an inaccurate statement.

Like. We can go back and forth about whether Goku was right to stay dead, whether he was right to stay on Yardrat, whose fault it was that he had to go train at Kaio's, etc. etc. We can argue 'til we're blue in the face about how important it was that he be doing these things.

But it doesn't change the fact that what he wasn't doing for most of his children's lives was "being a present and active father, every single day of their lives." Whether you think his absences were justified or not, the facts of the matter are that Goku was not there for about half of Gohan's childhood and all of Goten's existence up until a short time before Daima began.

He was, often by choice, an absentee father.

And Vegeta is worse. Emotionally and physically abusive. Bitterly resentful of his family and outright accusing them of making him soft. By his own admission, he has never hugged Trunks and unlike Goku, he was physically present to do it. The one time he rectifies this, it's a trick to get Trunks to lower his guard so Vegeta can punch him out.

Goku is, without question, the better father.

But neither of them rise to the level of "good dad".

Piccolo, meanwhile, only actually parented Gohan for one year and we do not want to measure his character on that. Gohan's childish innocence taming the heart of the beast is probably the most iconic story of Dragon Ball. But if we're talking "good parenting", we're not gonna find it in Piccolo's beast period.

Mr. Satan is a womanizer who withdrew from his daughter and left her to fend for herself, so he's out.

The recent Super Hero movie established Gohan's family dynamic as him being a workaholic who neglects his daughter, so that's not great. Relatively tame, compared to some of the others on the list, but not great.

...I think Krillin's winning best dad right now, by default. Simply because being out of focus means we've never had a chance to learn anything bad about his parenting.

[bybdolan]

the thing about aroace headcanons is that a lot of times it feels like people use them as a device to frame their lack of (sexual) interest in a character that is framed as maybe not conventionally attractive or """unusual""" in their social interactions as some form of diversity.

[ruporas]

trigunned the hades or hadesed the trigun (id in alt)

[that-was-anticlimactic]

you get it so much i could genuinely spend hours talking about bakugo and midoriya’s characters and their development and how genuinely well written they are and then an exploration of their dynamic on top of that and why it’s one of the best in media atm AND I MEAN THAT but people are so busy tripping over themselves to be like ‘UHHH ☝🏼😂 MHA IS CRINGE’ or the fans themselves absolutely butchering the characters (bakugo in particular is like a toxic wasteland now do not approach do not stop within a 10 mile radius etc) that it’s pointless and it makes me so MADDDD anyway hiiii corey i put mha in ur inbox do u still think im hot

YES YES YES!!! EXACTLY HELLA!!!

and like... as far as midoriya and bakugou are concerned, they're like... forced into almost Every fic i read :/ like i'm out here looking for class a being a family fics without midoriya or bakugou trauma or hero worship is that SO MUCH TO ASK!!! i'll be under the denki-centric tag bc he's my special lil boy and like bakugou being in most of them i Get bc of the bakusquad bUT like denki is Also Smart and, imo, understand his quirk better than midoriya, so why do we need to force midoriya in there to explain how denki's quirk works tO HIM??? or like. people will bring up midoriya's past in like every fic that isn't about him or bakugou's kidnapping (which like fair ik that was traumatic for literally everyone but i'm not looking for balugou fics) and i'm just. i want sero hanta fics. not sero is worried about midoriya fics.

oof okay i have a lot to say apparently. am a lil bitter bc my favorite characters are denki, sero, kodai, and ojirou (and the bakusquad like i LOVE kiri) and finding they centric fics without just... let's talk about bakugou and midoiya is HARD they have PLENTY of they centric fics!!! i don;t mind them Being in other fics, but like... do we Haveto mention how amazing and special they are in Every Fic??? like... they're not the only ones who work hard and made it into class a??? so did literally everyone else??? midoriya isn't the only one who was bullied or gets anxious sometimes (and people make him like... weirdly anxious too like must protect him and i'm just... ugh) and midoriya isn't the only sunshine in class a (horikoshi literally said that denki is the glue that holds the class together but, no, everyne go ahead and make it mido...) and bakugou isn't the only one who's experienced something traumatic nor is he the only one who cares about others but is bad at showing it. and they aren't the only contenders for #1 hero and anyone in class a could beat them in a spar like... i don't think they're unbeatable??? denki could beat them. ojirou could beat them. satou could beat them. shouji. hagakure. kouda. aoyama. sero. mina. jirou. the list goes on. and they could beat all the people i just listed any day too!!! it just... it doesn't always have to be like "gosh i'll never be a hero like deku" like??? you got in the Same class he did.

ahem. anyways. uhhhhhh i LOVE midoriya and bakugou. hate the way fans act like they're the only characters that matter. yes this angry rant is bc i was looking for denki centric fics the other day and most of them were more midoriya centric even though that wasn't tagged and denki centric was. when you're reading a fic about the trauma of someone other than mido and baku and then one of them has to take over and be like "listen to My trauma" and suddenly it's aboyt THem.

oKAY DONE FOR REAL

anyways hella i still think you're hot in fact i think it makes you Even Hotter

(also no shame i literally made the password to last week's vocab quiz "SERO HANTA" like in all caps bc of the leaks and bc i love him.)

sorry about the angry rant about the two main characters do you still think i'm hot-

[art]

Creator Spotlight: @themetalhiro

Hi, I’m Metal! I’m a freelance artist from good ol’ New Jersey. My favorite things to work with are a lot of bright colors, exaggerated poses, and candid scenarios. I try to farm sensible chuckles whenever I can, so I’m also big into comics. I love making them about my life, and the media I’m into, and one day I’d like to publish my own series!  Thank you to everyone who has gotten me this far!!

Check out Metal's interview below!

Did you originally have a background in art? If not, how did you start?

I guess so! It’s funny, I don’t remember a single time in my life that I wasn’t drawing as a hobby… somewhere in middle school (a little late, I know.) I put the pieces together that animated movies were made by artists, and that it wasn’t just for fun, they were paid to do it. The moment I discovered people could be paid to make art, I decided I would do that, too. Now I’m here!

How has your style developed over the years?

I think the best way to answer this would be with an example! Over the last few years, I have made more of an effort to draw more intentionally, which sounds silly. Now, I put more thought into my poses and step out of my comfort zone with shape language and composition. I had a phase where I drew everyone with a huge, perfectly circular head and no nose. That definitely did not lend much variety...

Which 3 famous artists (dead or alive) would you invite to your dinner party?

Ack! I’m so terrible at history! I’d love to give a well-thought-out answer about fine artists of old, but I don't think we’d have much in common… Most artists I admire and who have driven me forward creatively are the people behind comics I’ve read. Andrew Hussie, Bryan Lee O’Malley, Eiichiro Oda... these guys have inspired me greatly and had a heavy influence in developing my art style and sense of humor. I’d love to ask them questions about their processes and upcoming projects. I think it would make for an entertaining night!

Over the years as an artist, what were your biggest inspirations behind your creativity?

Outside of pure aesthetics like searing bright colors, layered clothing, and loud noises…. the best and most inspiring moments in my life were those surrounded by friends and loved ones! I cherish the hell out of memories of hanging around in fun locations, trying weird food together, and impromptu midnight walks... so I try my best to capture that atmosphere and my own memories in my work when I can, even if I’m imposing fictional characters on top of them. That’s always the core of it.

What is a medium that you have always been intrigued by but would never use yourself?

I would never permanently refuse a medium, but every time I pick up clay, I’m like a baby using its hands for the first time. Absolutely dreadful. If one day I could make and paint a figurine like the ones I admire in videos, that would be awesome... But for now, I’m not counting on it.

How do you want to evolve as a creator?

I’ve had an absolute blast drawing fanart over the years, and it’s certainly played a massive role in my growth as an artist. But my dream has always been to publish my own stories for y'all to enjoy! I have lots of worlds I want to introduce to you before I’m old and gray. I want to get faster, work harder, and get better at drawing interesting settings so I can get the wheels turning as soon as possible. I also want to stop avoiding the color blue like a coward.

What do you wish you knew when you first started out creating art that you know now?

Pay your taxes quarterly. Tablets will break at the exact moment you need them most, so have a spare. Wear your blue light glasses. You’re going to need to wear a brace on every joint on the right side of your body. It can be lonely sitting at your desk all day. The car on the side of the road that costs $1000 cash….. don’t trust it!!!

Who on Tumblr inspires you and why?

@cranity—They use absolutely beautiful colors and weighty line work. Everything looks so sharp and clean! I wanna put it all up on my wall!

@vewn—Their ability to crank out quality short films and illustrations packed with detail is incredible. The off-kilter perspective they use really sells disorientation and catches your attention like nothing else.

@nelnal—They have absolutely banger character designs again and again, I can’t believe one person’s mind can come up with so many creative ideas!

@jinx88kc—They have a beautiful and recognizable style, and the way they incorporate animation into their illustrations sometimes is SO cool!

Thanks for stopping by, Metal! For more of Metal’s work, follow their Tumblr, @themetalhiro! If you haven't seen their Meet the Artist piece, be sure to check it out here!

[prokopetz]

In recent posts I've complained that a lot of tabletop RPGs which toss around the term "fiction first" don't actually understand what it means, and I've been asked to expand on that complaint. So:

In my experience, there are two ways that game texts which want to position themselves as "fiction first" trip themselves up, one obvious and one subtle.

The first and more obvious pitfall is treating "fiction first" as an abstract ideology. They're using "fiction first" as a synonym for "story over rules" in a way that calls back to the role-playing-versus-roll-playing discourse of the early 2000s. The trouble is, now as then, nobody can usefully explain what "story over rules" actually entails. At best, they land on a definition of "fiction first" that talks about the GM's right to ignore the rules to better serve the story, which is no kind of definition at all – it's just putting a funny hat on the Rule Zero fallacy and trying to pass it off as some sort of totalising ideology of play.

A more useful way of defining "fiction first" play is to think of it not in terms of whether you engage with the rules at all, but in terms of when they're invoked: specifically, as a question of order of operations.

Suppose, for example, that you're playing Dungeons & Dragons, and you pick up the dice and say "I attack the dragon". Some critics would claim that no actual narrative has been established – that this is simply a bare invocation of game mechanics – but in fact we can infer a great deal: your character is going to approach the dragon, navigating any inclement terrain which lies between them, and attempt to kill the dragon using the weapon they're holding in their hand. The rules are so tightly bound to a particular set of narrative circumstances that simply invoking those rules lets us work backwards to determine what the context and stakes must be for that invocation of the rules to be sensical; this, broadly speaking, is what "rules first" looks like.

Conversely, let's say that your game of Dungeons & Dragons has confronted you with a pit blocking your path, and you want to make an Athletics check to cross it. At this point the GM is probably going to stop you and say, hold up, tell us what that looks like. Are you trying to jump across it? Are you trying to climb down one wall of the pit and up the other? Are you trying to tie a rope to the halfling and toss them to the other side? In other words, before you can pick up the dice, you need to have a little sidebar with the GM to hash out what the narrative context is, and to negotiate what can be achieved and what's at stake if you mess it up; this, broadly, is what "fiction first" looks like.

At this point I know some people are thinking "wait, hold on – both of those examples were from Dungeons & Dragons; are you saying that Dungeons & Dragons is both a rules-first game and a fiction-first game?" And yeah, I am. That's the second, more subtle place where game texts that talk about "fiction first" go astray: they talk about it as though being "fiction first" or "rules first" is something which is inherent to game systems as a whole.

This is not in fact true: being "fiction first" or "rules first" is something which describes particular invocations of the rules. In practice, only very simple games spend all of their time in one mode or the other; most will switch back and forth at need. Generally, most "traditional" RPGs (i.e., the direct descendants of Dungeons & Dragons and its various imitators) tend to operate in rules-first mode in combat and fiction-first mode out of it, though this is a simplification – when and how such mode-switching occurs can be quite complex.

Like any other design pattern, "fiction first" mechanics are a tool that's well suited for some jobs, and ill suited for others. Sometimes your rules are fine-grained enough that having an explicit negotiation and stakes-setting phase would just be adding extra steps. Sometimes you're using the outputs of the rules a narrative prompt, and having to pin the context down ahead of time would defeat the purpose. Fortunately, you don't have to commit yourself to one approach or the other; as long as your text is clear about how you're assuming a given set of rules toys will be used, you can switch modes as need dictates. However, you're not going to be capable of that kind of transparency if you're thinking in terms of "this a Fiction First™ game".

(Incidentally, this is why it can be hard to talk about "fiction first" with OSR fans if you're being dogmatic about fiction-first framing being an immutable feature of particular games. Since traditional RPGs tend to observe the above-described rules-first-in-combat, fiction-first-out-of-combat division, and OSR games tend to treat actually getting into a fight as a strategic failure state, a lot of OSR games spend most of their time in fiction-first mode. If you go up to an OSR fan and insist that D&D-style games can never be fiction-first, then attempt to define "fiction first" for them and proceed to describe how they usually play, they'll quite justifiably conclude that you have your head up your ass!)

[stellarsagittarius]

✨️🪐 7H in your Birth Chart: How you will meet your Future Spouse / Soulmate 🪐✨️

[Exchange readings open! Me (Astrology) x You (Tarot)] You can message me with your offer 🫶🏼.] CLOSED

7H ruler in 1H

You will most likely meet your soulmate through a place where you are the center of attention, but this doesn't have to be something grand. Just them coming across your social media profile is a great example. You might be fairly closed off in the beginning to them, almost inaccessible. These are more informal places, where it concerns nobody but you. This is a place where you play an important role with either your looks or your thoughts. "You," are the focus.

7H ruler in 2H

You can meet them when you are shopping. Like this is THE example that came to my mind. Places could be banks, malls, stores, even restaurants. This meeting is more steady, like there is no rush, and there is a certain stability to how the meeting proceeds. Go to your favorite restaurants and coffee shops often, you can really bump into them over there. This is also a place where you get some sort of work done on your body, so consider salons, parlours, tattoo shops, etc.

7H ruler in 3H

You are supposed to be meeting them in a locality or neighborhood you visit often. This may even be your hometown. Meeting through siblings or very close cousins is a thing as well. This relationship can start off on social media as well, more on the side of common interests and communication. This can be that one thing where your person has been hidden in plain sight all along.

7H ruler in 4H

This meeting has high chances of happening through either of your parents or close family members. This is more of a traditional placement and in a sense, more slow and gradually building up. This person really is coming at your doorstep, but only when you know you aren't "closing yourself off." Their is a bit of being emotionally guarded in the initial phases of your relationship. You may quite literally meet them at your home, like a delivery person or someone from service like replace AC or fix wires.

7H ruler in 5H

You are meeting them when you are having a fun time. Partying and clubbing is one thing, and if you are into that then there is a chance this relationship can start off as a one night thingy. Otherwise consider picnics, hikes or even just going on a date by yourself. This is an activity you really enjoy and are doing it for the sake of simply doing it. There is no responsibilities or things you have to comform to. You may also meet them through a kid or around some sort of kindergarten/nursery/daycare.

7H ruler in 6H

Oh this one is like that one character which hasn't been unlocked yet, but are around you all the time. They are a part of your routined life, and you can meet them while running errands, at the gym or while on the commute. This is the hidden in plain sight type of person. Continue with your daily life, go on that walk, go to the gym, grab the lunch and they are somewhere around. The first meeting is going to be quite steady, and everything will gradually develop from there.

7H ruler in 7H

This meeting is going to very special, in a way that you won't feel like someone else has a hand here. You will feel like it's just you and your person, whatever the situation. This could start as a partnership of some sort or a friendship. You will meet them more from their efforts, they will make the first contact. There is no hidden meaning or other intentions behind them approaching you. It's very direct, mainly because they want to get to know you. You can meet them anywhere, honestly, with this placement, but it will be more one-on-one. Like believe me, you won't have any other work besides them when you meet them. It's a great thing to have the ruler of your 7H in 7H, so this explaination definitely deserved a longer explanation. You are one of those people who are actually going to be in a strong soulmate connection that will be very prominent in your life. This is magical, even I don't know how to explain this. Look for any placements in your 7H, that will tell you specific qualities about your Soulmate, and perhpas give you specific insights on the meeting!

7H ruler in 8H

You will meet them through other people or through things having to do with other people. It's like a series of events that other people have you involved in, and then you bump into them. Like your friend asked you to accompany them to a party, and then they are like, "Hey, meet this person. They are very cool!" And that person they introduced you to turns out to be your soulmate. You may meet them though after some sort of hardship or change in your life, like a transformative one.

7H ruler in 9H

You can meet them through travel or on social media. Let's just say it, there is a physical distance between you both initially, and they may even be from another culture/country. The 9H always has a foreign connection, always! You may meet them on vacation or while on a work trip. There is also going to be a very interesting few exchanges, like they are from a different place and so you are, and you will have that natural curiosity to understand each other.

7H ruler in 10H

You will meet them through work or some sort of work network. The initial meeting could be very formal and you may have this tendency to think of your "image" in front of them, like wanting to make a good impression, etc. This is not necessarily a co-worker, that's more of a 6th house thing. They are someone new you happen to connect with because of work, like someone a rank lower or high than you, or some new business partner. Common work is something connecting both of you.

7H ruler in 11H

You can meet them through mutual friends, communities or networks. This is a more relaxed scenario, like I know a lot of people aren't just out there social, but think of it as going to a college party with some of your friends and that's where you find your person. It is not "through" someone, instead you will initiate that conversation yourself because you genuinely find them interesting, and then perhaps you get to know that you have shared acquaintances. It's a social place, somewhere you are out of your shell and making other connections.

7H ruler in 12H

You can meet them through some sort of solo activity. Like it is solitude. So maybe you are in a new country and don't know anyone just yet. Some places are hospitals, retreats, meditation centers, certain places of worship, or even certain abandoned places. It is a very calming meeting, like there will be a lot of peace in this. You may even happen to dream of them before you meet. There could be a bit of mystery to the first few meetings. This is a supposed to be a connection that will help you release a lot of karma.

Check out more Astrology content on my page 🎀🫶🏼.

[akanemnon]

TWIN RUNES MASTERPOST

Because of the limited amount of links you can put into a post, you can find the links to each page in these sub-posts:

To be continued...

FAQ under the cut!

TWIN RUNES MINI COMICS

Glasses - Frisk Dance - But nobody came - An acquired taste -Smalltalk - All You Can Eat - Page 75 EXTRA - Page 84 EXTRA

AFTER RUNES:

Not-To-Do-List - Beach Episode - Salute the Frick - Morning Routine - The Universe is a Hologram - Trick as a Treat - Taste the Painbow - Dungeon Doofus

PRE-RUNES:

Fallen down - First steps - Press [C] - Eye opening - Whatstheirface - Acid reflux - Connection issues - Normal Human Behavior

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TWIN RUNES - FAQ

What exactly is this AU about? Twin Runes is essentially a comedic crossover AU between the universes of Deltarune and Undertale. No fancy nicnacs. Just the characters being their chaotic selves. But there might be some darkness lurking up ahead... ____________________

When is the next comic? The comic updates most Sundays at 6:30 PM Central European Time. ____________________

Why is this AU called Twin Runes? The name is more or less a play on the typical naming format of most AU's by featuring the "Runes" part. There are no literal Twin Runes. The whole name is more of a stand in for Undertale and Deltarune as parallel worlds. Hence the "Twin" part. ____________________

When does Twin Runes take place? This AU takes place between a hypothetical Chapter 3 and Chapter 4 of Deltarune. On the Undertale side of things, it takes place post neutral route just as Frisk was about to deliver Undyne's letter to Alphys.

How many pages are there going to be? The script for this comic estimates that the comic is going to be 137 pages long (if I don't make any major changes). ____________________

Is the Player a thing in this AU? The Player(s) lost control over both human children as soon as Frisk entered the world of Deltarune. Essentially, the reader takes on the role of the Player. You have no influence on the outcome of the story anymore. All you can do is watch. Both Kris and Frisk refer to the Player as "It" and "the THING". ____________________

Is there going to be a Weird Route? Due to the lack of Player, all choices made by Kris are now their own. How to engage in battle all depends on Kris, and not the Player. Because of that, there are NO DIFFERENT ROUTES. There is only one route and that one is based on Kris' choices. Because of the lack of save points, there is no "what-if" scenario. ____________________

When Chapter 3 and 4 are released, will it affect the story? Any chapters after Chapter 3 won't affect the story in the grand scheme of things. Twin Runes created a new timeline so to speak. ____________________

How old are the characters in this story? Frisk appears to be around 9 years old. Kris thinks they're 14. (Both Frisk and Kris don't know their actual age.) Chara died when they were around 10-11. Susie is around 15-16 (she was held back once) Ralsei appears to be the same age as Kris. ____________________

What's up with Kris' and Frisk's hair? The red bits of their hair is more or less a representation of their souls. That in turn is also why Chara doesn't have that feature. They are soulless. It's a stylistic choice. ____________________

What's that thing on Kris' chest? It's a scar they got from tearing out their soul.

And why do they have weird lines all over their body? Both Kris and Frisk's anatomy resemble that of ball-jointed dolls. They appear just as markings across their bodies. Think of them as elaborate birthmarks. Kris and Frisk are still made of flesh and blood, but are in fact hypermobile. The reason as to why they do is still a little secret :) People here like to refer to these markings as "puppet limbs". You can get a better look at them and the scar in this artwork

Why does Kris have braces? This is why:

Why is Dark World Frisk green? Frisk changes their main sweater colors with Kris when they enter the Dark World.

Can other ghosts see Chara? (pre Darkner transformation) No, only Frisk and Kris are able to see Chara. ____________________

IS KRIS NOW FRISK'S COUNTERPART OR CHARA'S???? :) ____________________

So, was Chara in the locket all along? No, Chara possessed the locket to become a Darkner. ____________________

Where are Jevil and Spamton? Are they in Castle Town? The Fun Gang have already fought these two in the previous chapters and added them into their inventory. Outside of that little dream sequence, neither will be making an appearance. ____________________

Is anyone from Undertale Yellow gonna make an apperance? Outside of a tiny cameo from Clover (that has no greater bearing on the story) no one from Undertale Yellow is going to make an appearance. ____________________

Is (insert character here) gonna go to the Dark World/underground? With the way the story is going to play out, only the main group will be heading to this new Dark World. The rest of the story will be taking place there. ____________________

How did you come up with the idea of Twin Runes? Twin Runes is an offshoot of a separate script I wrote. It's a similar concept but turned on its head. The funny moments in that script made me just continue what now is the start of Twin Runes. I pretty much just wanted to see if I am actually capable of drawing a comic to begin with. So... in a way Twin Runes is my first attempt at a comic ever. If I ever finish Twin Runes, then I know I can tackle turning that mammoth project of a script into a comic too. In the grand scheme of things these two projects are sister series. They have A LOT in common and even share similar plot elements. When Twin Runes is over you will automatically also know certain mysteries of The Other Script. ____________________

What is The Other Script? As of this moment I call The Other Script: "Lost in the In-Between". At its core it's an inverse of Twin Runes. I.e. Kris falling into the underground and being aided by Frisk on their quest to return home. The story and jokes are a considerably more grounded than in Twin Runes and so are the characters. Though they do have their moments from time to time. The overall mood of that script is a lot darker in nature and it's a 200+ page passion project of mine. ____________________

Is there x ship in this comic? The focus of the story is not on shipping. If it's in the game it will very likely be mentioned or brought up, but that's about it. ____________________

What pronouns do you go with for the human children? I try to stick as close as possible to the games so I use THEY/THEM FOR ALL OF THEM WITHOUT ANY EXCEPTIONS.

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ABOUT FAN CONTENT

Am I allowed to make fanart? ABSOLUTELY! You are very welcome to make fanart if you feel like it. Please let me know if you do by tagging me, so I can share it with everyone to see so that you get the appreciation you deserve :) ____________________ Can I use the funny faces you draw for memes or for stuff like memes or for profile pictures? That's what they're here for :) ____________________

Am I allowed to translate the comic and post the translation to a different site? For transformative work like this, please ask me beforehand. If I have given you my permission, please link the original work with the proper credit given. ------------------------

Am I allowed to dub your comic? Just like the point above, please ask for my permission first. That is just common courtesy. -----------------------

If I have gotten your permission to create content off your comic (dubbing, translations, etc...), am I allowed to monetize it? NO. I don't make any money off this comic either, as it is purely fan content.

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ABOUT ASKS

Asks will open for 24 hours after a new comic has been released. Your questions will then be answered over the course of the week.

Try not to submit multiple asks. If necessary, just keep everything in one post.

Keep in mind that I receive AL LOT of asks, so not every question can be answered...

Questions containing spoilers will not be answered on principle. Wouldn't be as fun if the surprise was ruined, right?

Before leaving an ask (mostly for everyone who's new), please make sure to read the FAQ section above. A lot of times your question might have been answered already :>

I love memes and dumb jokes as much as the next guy, but try not to spam

It probably goes without saying, but please stay civil. I want to give everyone the respect they deserve, and naturally like to be treated the same way.

Please be mindful about drawing requests. It is understandable if you're eager to see a certain character drawn in my style, but I do not like to be bombarded by requests. The more it happens, the less likely I am to do it. Be kind and ask nicely.

I don't take unsolicited comic ideas.

Don't use other people's posts that I reblogged to ask me questions! It has happened before and I do not wish to see this!

This isn't an ask blog. The comic has a script that will not deviate. Reader interaction with the characters won't be possible due to the overall "no Player" subplot.

Please do not ask me to put your characters into the story. Like I said, the script is already finished and I'm quite happy with it. Your characters are in better hands with yourself and your own stories. Please have respect for mine.

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ABOUT SUBMISSIONS

The submission box is for FANART ONLY!

It is meant for those who do not want to submit their fanart to their own blogs, in case they feel scared or intimidated to do so.

ASKS AND REQUESTS THAT ARE SUBMITTED THIS WAY WILL NOT BE ANSWERED.

Please wait until the ask box opens. You can read more on how asks work in the section above.

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REFERENCE SHEETS

The following are ref sheets of characters that don't have established Dark World forms yet (as of writing this comic). The list will be updated as soon as a new character enters the Dark World. Here you will also find references of characters that might appear as surprise cameos, or maybe even completely new faces...

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FULL ART

[dunmeshistash]

Why did Milsiril adopt Kabru

Milsiril might be one of the most misunderstood characters in dungeon meshi and I see people making assumptions of why she adopted Kabru based only on their races and not in the characterization, so I wanted to think about some of the "theories" I see the most often about what made her take him in and why I don't agree with them

(read more cause as usual I ranted a lot)

1 - Attention (white elf savior)

This is the one I have the hardest time understanding so I'm starting with it, I've seen people compare Milsiril to irl white wealthy women that adopt "exotic" kids to keep an altruistic appearance. Like a white mother adopting a chinese child because of white savior complex and for everyone to compliment them on how good they are but this idea ignores a core aspect of Milsiril: she doesn't like attention of her peers

Her bio reads: "The people around her teased her, calling her Gloomy Milsiril; partly as a result, she hates elves. (...) She secluded herself deep in the mountains and intentionally lives apart from other elves"

Milsiril is the type of person that has trauma related to her own kin, she was ostracized by everyone including her own family that sent her to the canaries, and as a result she herself refuses to engage with them even when they extend a hand as you can see with past Mithrun. The only other elf she's seen speaking to is Mithrun when he's sick and Helki. Her interest in raising short lived kids isn't seen as altruistic by other elves it's seen as another weird side of her so there's no incentive in elf society for her to do that. So she didn't adopt Kabru because of optics, she clearly doesn't care what other elves think of her and she hid herself from their judging eyes as soon as she was able to.

2 - She wants to feel superior to someone

Another one I find baffling but I can understand a little better since she's constantly seen in the caretaker role. But the evidence I see for this is literally the type of people she surrounds herself with.

The people we know she interacts with willingly are:

Her adopted short lived children

One of her prisoner partners (Helki)

Mithrun when he's in recovery

Based on these I can see how a very uncharitable view can interpret as "she surrounds herself with people that she's superior to" and it is somewhat true. But she's never shown mistreating or actually acting superior to any of them, if anything Helki is constantly hanging out around her (he was pardoned after Utaya and might be her servant now but their interactions seem very casual), Kabru says she teaches her children everything they want to know and she eventually let him go even if before she was hesitant to (as a overprotective parent) and Mithrun was still a noble with several servants when she cared for him so even if he was sick socially he was still the same. (considering both are noble outcasts)

The evidence both for and against the idea that she adopts children to surround herself with people "inferior" to her are all circumstantial so I guess it depends on how you want to see it. I myself think there's no evidence she thinks of them as inferior considering all we see she seems to treat them either as her babies (would you word your feelings for a baby as them being inferior to you?) or as someone she wants to nurture

3 - She wants to be in control of someone (Kabru is her doll)

Related to the above reason but slightly different, in this interpretation I see people assume she doesn't see Kabru as his own person but as one of her dolls to be controlled. As if she raises her children so she can play house and dress up with human dolls.

Honestly that's pretty cool and an amazing visual for an evil mom but there's zero evidence that that's the case. Starting with her actual dolls themselves they aren't dress up dolls or something she puppeteers in an evil way, they're literally her comfort toys she runs to when she's sad

She's making them by hand while crying cause she feels like she doesn't belong, her bio says the dolls are her only friends so it makes me a little sad when people act like her doll hobby is somehow a creepy aspect that makes her seem evil, since that's exactly how the elves think of her (creepy and gloomy)

Milsiril is clearly someone that enjoys taking care of others we see it both with her children and with Mithrun, but how to know if that's actual altruism or some twisted sense of superiority? How to know if she isn't the toxic nurse that just wants to be in power of someone? How to know she is actually helping the people she cares for?

Easy, she helped them until they didn't need her anymore.

She trained Kabru and taught him everything he knows, he's where he is because he had her help even if at first she wanted to prove he wasn't strong enough to go, he was. She sees Kabru as a small child because of their race differences but she still respected him enough to take the training seriously.

Mithrun actually recovered once she could take the time to help him, I keep reminding it but it was years after he was rescued that she went to help with his recovery (his bio says Utaya was what motivated him to finally come back and she was the one that went to tell him about Utaya and help out) right now Mithrun is able to follow a routine and live by himself, Milsiril isn't even someone he talks about as he is now.

Both people we know she cared for are completely independent of her now and neither of them even thinks about her much. A controlling person that wants to keep you within their grasp and keep you needing them would never actually help you be independent of them.

4 - Then why did she adopt Kabru?

I think it's an easy answer the way I see it: shared trauma.

What Kabru went thru is 100 times worse than what Milsiril went thru during Utaya, especially since he was just a small child back then and he lost everything, But Milsiril is still a war veteran, the things Kabru describes, people turning into monsters eating the others, all the death and destruction, Milsiril was there to witness it all and she failed to save them. her bio reads "After the incident in Utaya, she left the Canaries in disgust. She secluded herself deep in the mountains and intentionally lives apart from other elves" she was so traumatized by the events she both left "in disgust" and became a hikikomori. Earlier in her bio it also says "(...) The people around her teased her (...) partly as a result, she hates elves" I sure wonder what's the other part that makes her hate elves. (Probably is the way they dealt with Utaya)

I think she adopted Kabru because she wanted to give a good life to the only survival of the war she fought, the other destiny Kabru could have has would be the same Rin had, a traumatizing stay with the elves, Milsiril saved him from that fate when she adopted him. He wasn't a random brown kid she picked up, they share a traumatizing experience (once again: even if it was 100 times worse for Kabru).

The reason she adopted the other kids is also pretty obvious to me: she likes caring for people and she wants to feel loved. That's her ulterior motive to raise short lived children, she has elf trauma and she wants a family.

That doesn't make her a perfect mom or a perfect person tho*, she's just as flawed as anyone, I feel like people sometimes forget mothers are also human beings with flaws. Being flawed doesn't make her a monster, being loving doesn't make her an angel, she's just a person doing her best.

*She still has the ingrained elf socialization and clearly thinks of her children as babies, she treats teen Kabru almost like a toddler in some interactions. There's also the thing about her not fully understanding the importance of his cultural background. Struggles that I assume are common in interracial adoptions

Disclaimer cause this is the reading comprehension website: This is my interpretation of the character, some of it is very charitable towards Milsiril and I'm not talking about how Kabru might feel about her. I'm trying to think of their relationship thru her perspective and how she treated him because some interpretations seem to come out of nowhere to me. Kabru has complex feelings about elves and about his elf mom but overall I still think "overprotective foster mom" really summarizes his feelings. I don't think he resents her even with her flaws.

[mochatsin]

School Play

There’s another school play in which you act as the main lead because Simeon thought you’d be perfect for the role, there’s no need to cast anyone else (much to Asmo’s dismay). He’s seen your performances before, and you’re one of the easiest actors to work with compared to the brothers that constantly got their lines wrong during rehearsals. Simeon can get frustrated, and it seems that the brothers feel the same way, if not terrified of the angel’s sudden change in attitude as soon as he plays the director. You’re just relieved he’s not that way towards you.

Of course, who wouldn’t want to see a play written by Christopher Peugeot himself. The theme was a thrilling love story wherein the hero would have to go through a long journey to rescue the one they love, which was you. They would meet so many characters that would either support the hero or become an obstacle on his way to defeat the cruel lord that locked you up. 

You’re the main love interest, and you sat on the side watching as everyone else in the room debated and fought each other on why they should have the main lead role, why they should be the hero who would rescue you. Seeing as how the atmosphere in the room is starting to have murderous intent, Simeon finally thought of a solution that would be fair to everyone. Draw lots. 

That’s how you ended up with Solomon as your hero, and Barbatos acting as the main villain and the rest playing a support role. They either help Solomon with the journey or act as one of Barbatos’ minions to try to stop him from his advances. Everyone could only blame their luck, though to say that Solomon was happy about his part is an understatement. Meanwhile, Barbatos does adore the parts where he keeps you all to himself, however he does not enjoy the scene where he had to terrorize a town since Diavolo’s character, a commoner (which he loves to play), is one of the victims that the hero finds which eventually sets the tone of the play to move forward. It takes a lot for Barbatos not to run to his master’s side while he was acting out his death.

Solomon is always ready to rehearse his scenes with you, and when it’s about lines talking about you, Simeon is impressed at how quickly he can memorize them. But then again, if they’re all about how much he adores you then it’s not difficult to remember at all. Lucifer and the others hate playing supporting characters where they have to hear about how much Solomon loves you. It’s bad enough they had to play the role of helping him, but there are several minutes of dialogue with his character telling them how important you are to him and how he needs to find you quickly! It took several practice rehearsals for Mammon to say his lines without sounding so forced or annoyed at him when his role is to literally help Solomon through the journey. 

Levi is quite happy with his role as the costume designer because there’s no way his envy wouldn’t flare up if he had to stand there and listen to that. That would’ve flooded the stage if he lost all control, so he decides to use headphones and blast music when it’s Solomon’s scene and only take it off once it’s you.

Satan would play the role of the narrator, and while he normally enjoys the part he got, it’s quite irritating that he has to tell the love story between you two, even if it’s merely a work of fiction. His claws threatened to tear holes into the script, but he kept himself calm and collected. They decided to put a leather cover binding to avoid that happening, and Satan actually likes how his own personal script looks like a book now. 

Lucifer is questioning why Simeon would write such a piece, given how most lines are so sickening and romantic. The angel wanted to tell a tale of lovers that could overcome everything, though he omits the fact that he really did have you in mind when he was writing this. Maybe he projected a little too much of his feelings, but the play still had more elements regardless that a lot of the audience would be able to enjoy. The action, the drama, and the tension that could keep everyone at the edge of their seats. 

What Simeon did not expect is for the brother’s self control to snap. Maybe he should’ve thought about that when he wrote down that kiss scene. It’s a page he kept between you and Solomon, as he knew that rehearsals would’ve been a disaster if they knew how the story would actually end. Of course he did ask for your permission, if this is something you’re comfortable with and he would rewrite the part if he needed. You don’t mind, and you understand why this was kept private. 

So when the day of the play came, everything was going smoothly. At least according to Simeon’s high standards.

Solomon and Barbatos really do seem to play the perfect role. A good villain doesn't need to yell, it comes with the composure they bring in the story that sometimes people wonder if Barbatos is really acting. The fight scenes were also phenomenal whenever Solomon would use some sort of imagery magic to make it more realistic, sparkes and effects flying in the air as they fought until Barbatos eventually fled, claiming defeat but he will be back for you one day. 

What the brothers thought was a successful play became something they dreaded when you and Solomon continued the scene. These were lines they’ve never heard before, and it doesn’t take a genius to guess where this was heading. Satan is furiously flipping through the script trying to see where this was coming from, but this part was hidden from the Avatars on purpose. 

“Oh how I longed to hold you like this in my arms.” Solomon says as he pulls you in an embrace that lingered longer than the brothers would like while they watched from backstage. 

“Did you truly miss me that much?” You say, meant to be a half tease to the hero as you returned the hug. It’s a romantic reunion that the audience has been waiting for. 

“More than you could ever think.” Solomon sounds so convincing. He says his lines as if you two were truly apart for so long, that there’s disbelief in his voice like this was all a dream and he would wake up to find that his journey is not over, that you were still locked away. But he has you in his arms, and that’s all he needs to ground himself. “Each time I see the crescent moon, I’m reminded of the smile that graced your lips. It pains me whenever I turn to my side and realize that you’re weren’t with me.”

Solomon brushes the hair away from your face before cupping your cheek, looking at you so lovingly that you feel your heart skip a beat, almost forgetting that you’re acting out a scene. But to the sorcerer, he doesn’t need to act. “Tell me, will you grace me with those lips?” He asks, and that’s the cue for you to slowly lean forward to seal the deal. 

“HOLD IT!” 

Both if you freeze before turning back to see Mammon pointing the sword prop at Solomon. The sorcerer is confused, and perhaps a little irritated that his moment with you was ruined. It would’ve been a perfect way to end the play. “What are you doing?” Solomon asks with furrowed brows. 

“That’s my line! Get ya grimy hands off em!” Mammon growled, taking a few steps forward. 

“You’re not even supposed to be part of this narrative.” Solomon reminds the demon, warning him for ruining the scene. 

“You claim that as so,” Satan says as he appears by his brother’s side in a puff of green flames, looking quite pissed. “How dare you rewrite the ending to your liking, and then use the Narrative as your shield. You should be ashamed of yourself, filthy thief.” the demon hissed as he threw the script he fashioned into a book  across the stage. The brothers fully believed they were deceived with the script, and that Solomon had something to do with it.

The audience are now all captivated at the scene unfolding before their eyes as they watched the Narrator throw the book across. Perhaps the book told the whole scene, and that Solomon actually rewrote the ending according to his will since they assumed that script was an actual prop to keep the story going. “Was the hero actually manipulating the whole scene?” “What a crazy twist!” “Wait, so who's the real lover?” “Were they tricked to think that Solomon was the real love interest?!”. Whispers rang in the air as they were all made to believe this was still part of the play

That might be the only way for them to salvage what could’ve been a successful performance: to keep acting. Solomon reluctantly lets go of you before standing up to face the two demons. “I can’t believe you all would cause a scene, after all we’ve been through. After all they’ve been through.” Solomon says as he gestures to you, who is just as confused as the crowd. 

“Ah, so you acknowledge our efforts and yet you get to keep them for yourself?” Belphie steps in on the other side of the stage, with Beel following behind him. “Kinda greedy isn’t it? Even greedier than him.” Belphie says while pointing at Mammon. That somehow got the audience to laugh. 

“That’s pretty selfish too, and that’s coming from me!” Asmo finally chimes in, holding onto his tulle costume while he stomps into the stage. He wouldn’t let his brothers steal all the spotlight, and there was also no way he was going to let Solomon just kiss you like that on the stage. If it were him instead, you both would be the talk of the week! “Honestly dear, that’s quite a big low. Even for someone like you.” 

Simeon is just thankful that Lucifer and Levi didn’t even chime in on this monstrous mess of a show, he has their pride and anxiety (respectively) to thank for. Despite the sudden improv show, it seems that it captured the audience’s attention… just not in the way that he hoped.

Solomon is now putting you behind him with a magic spell flaring by the palm of his hand. Nothing harmful, just something that’s more flashy than anything. The other demons are closing in on you both, trying to make up lines on why you should choose them. Of course, a fight breaks out and everyone in the audience cheered for whoever they were rooting for to win while you stayed behind and watched the chaos unfold. 

It took one wrong spell after another for the boys to lay on the ground, groaning after Satan and Solomon’s stun lock spell collided into something bigger that it affected everyone in the stage except you since you stayed behind. You wondered what you could say or do to salvage this as the audience is watching intently on what happens next. 

Thankfully, Lucifer finally steps on the stage, calm and collected as ever while he tries to avoid the groaning actors. He played as one of the Barbatos’ henchmen that Solomon defeated, so seeing his reappearance was definitely a shock to the crowd. You prayed that Lucifer has a plan on getting you out of this mess without ruining the play you all worked so hard for. Luckily, Simeon told him a few lines that could salvage the play and save you from the embarrassment.

He grabs your hand and kisses the back of it, a small smirk appearing on his face before he continues. “I’m here to collect you, under my master’s orders. It seems that he was right, that none of these heroes were ever deserving of your heart.” Lucifer says while he stares at his idiotic brothers with discontent, managing to stay in character just like you hoped. “Luckily, we don’t need to rely on cheap tricks and underhanded tactics.” 

Solomon groans, rubbing his eyes profusely but his vision won’t focus yet due to the spell. “Don’t listen to them…” He says, desperately trying to reach out to you. Lucifer only lets out a low chuckle as he watches how pathetic the hero has become.

“Come with us, and we’ll be sure to prove them wrong.” His line is full of confidence with a slight mischief, and the crowd cheers as the lights go dark and the curtains drop, signaling the end of the play. 

What should’ve ended in a happy love story became some sort of twist. People now assume the hero might’ve manipulated the scene which they find amusing if the good guy of the story was not who they pictured to be, and the villains may actually have a shot of winning your heart. It’s the talk of the school, and people are praising Simeon for writing such a crazy plot twist, which he finds a little frustrating since it’s the only part he didn’t actually plan. He’s not sure if he wants to thank the brother’s recklessness or not. 

Even after Simeon explained the hidden parts that were reserved just for you and Solomon since he expected something like this could happen at the rehearsals, he never really anticipated that they would jump in the scene like that on the actual performance itself. Now he has to write another play in the future as many expressed their wish to see what happens between you and the dark lord Barbatos. 

Needless to say, many of the brothers were strung upside down by their feet after the show.

[misc-obeyme]

Demon Brothers as Subs Headcanons

Almost didn't post this 'cause I'm feeling self conscious about it for some reason. So here's me being brave. I told y'all I was in a smut phase. I'm so sorry. Just gonna drop this and run, see ya.

GN!MC x the demon brothers

Side Characters as Subs Bros as Doms

NSFW MDNI

Note: There are a lot of warnings, but most of this stuff is just briefly mentioned. These are headcanons of things they'd be into.

Warnings: Dom!MC, bondage, blindfolds, gags, toys, praise, humiliation, degradation, spanking, edging, orgasm denial, collaring, begging, dacryphilia, role play, voice kink, dirty talk, biting, hair pulling, exhibitionism, shibari, food play, hot wax, breath play, blood kink, somnophilia. I THINK THAT'S IT.

Lucifer

He won’t do it until he’s comfortable with you. It takes some time, a little coaxing, and constant reassurance. You have to earn his trust if you want to see him being vulnerable. Once he’s agreed, though, you find him surprisingly compliant. He’s ready to take every order, easily falling into the role of obedience.

Once he’s fully comfortable with you, Lucifer likes to release all control. He wants to be told what to do, to surrender fully. He loves to be restrained. He enjoys watching you take the time to tie him up carefully. He’ll surprise you by requesting a gag. He likes to feel a bit helpless, like he can’t even speak to you, completely at your mercy. He appreciates a blindfold for the same reason.

Just as he wants you to give him orders, he wants you to enforce them, too. If he fails to do what you ask, he wants you to punish him for it. Lucifer has a high pain tolerance but a low humiliation tolerance. Pulling him over your knee for a spanking would be effective, but he might ask you to use an implement simply because he knows your hand won’t be enough. If he does manage to say anything about it, though, he’s blushing and refusing to look at you because the embarrassment is really the worst part. If you do punish him, it won’t be long before he’s whimpering in your lap, promising to be good and begging you to touch him.

Lucifer will swear you to secrecy. If you ever tell anyone, MC, especially his brothers, about any of the things he says and does during these times, he’ll kill you himself. These are empty threats, of course, because he wouldn’t do any of this at all if he didn’t trust you to keep it to yourself. He just feels the need to threaten you about it because it makes him feel better.

Mammon

He doesn’t have as much of a hang up about this and will readily agree to sub for you if you ask him. He’s going to be slightly embarrassed about it, but not enough for it to be an issue. And once you get into it, his embarrassment dissipates because he’s so focused on how good you make him feel.

Mammon is the one with a praise kink. He doesn’t like punishments and is far more likely to respond well to positive reinforcement. If you want to rile him up any time and any place, all you have to do is call him a good boy. He might even do things for you without you asking just to see if you’ll say it.

He also enjoys being tied up. He likes to feel that he’s entirely in your hands. He isn’t too fond of gags because he likes to be vocal. He’s always babbling the whole time you’re doing anything with him and it’s usually all begging. If you tell him to be quiet, it will be difficult for him. And anyway, it’s far more satisfying listening to him cry and whine and repeat your name over and over.

Mammon likes to be considered your property. If you want to collar him, he’s happy to wear it. He doesn’t care who sees it and if someone asks, he’ll tell them about it proudly.

While praise is his preference, he’ll be okay with a little humiliation, too. Please talk dirty to him, MC. Call him your little slut and he’ll be agreeing with you and asking for more.

He loves accessories and toys. Put that man in a harness, give him a cock ring, or one of those shiny bejeweled anal plugs. He loves to dress up for you, especially if it's in something sparkly or gold.

Also loves to be fucked. Let him sit in your lap and ride you (or your strap) and he’ll lose himself entirely. He won’t last long, but he’s also ready to go again quickly.

Leviathan

Although Levi is clearly the subbiest of subs, he’s also extremely nervous. You gotta calm that anxiety a little bit if you want him to make it through the experience without having a heart attack.

Because of this anxiety, he might not be willing to do it for a little while. He needs a bit of reassurance, to feel fully safe with you, before he’s willing to try it. Make sure you talk to him about everything ahead of time and establish some solid safe words.

Once he’s agreed, though… well, we all know Levi is the one with the humiliation kink. And not just calling him names, he wants you to degrade him. Tell him how useless and gross he is. Just make sure you give him some after care where you tell him that you don’t actually think that way about him. He won’t realize how much it matters to hear you say that until you do.

Alternatively, surprise him by praising him instead. It will shock him so much, he might start to cry. D-do you really mean that, MC?

Turns out, Levi is a bit of crier in general. It’s the embarrassment. He blushes so easily and when you make him feel good, especially in a humiliating way, he can’t help the physical reaction of tears. They’ll end up streaming down his cheeks by the time you’re done.

He’s not sure about punishment at first, but if you suggest it he’s willing to try it out. This can range from orgasm denial to spanking. He’s surprisingly receptive once he gets comfortable with the idea. He might find he prefers to be good, but occasionally he can get really bratty. So you might have to get a bit creative to bring him back in line. When you do, it flusters him so bad he doesn't do anything even remotely brat like for a long time.

Satan

Easily the most stubborn when it comes to getting comfortable enough to sub for you. It’s going to take a lot of trust and reassurance, even more than Lucifer. But eventually, you can convince him.

He will be much more receptive if you include something cute like a cat collar or even a maid dress. He likes the way you react to him and he also just likes to wear those things himself. They make him feel like he can let his guard down a little easier.

Satan does not like humiliation and will not respond well to this. He needs a gentle touch. He loves praise and a little pampering - he will be happy if you focus all your attention on him. He’ll accept a soft dom situation best. Tell him he’s a good boy, but be firm when you need to.

He has a voice kink. Tie him up and blindfold him then read erotic stories or romantic poetry to him. If you really want to rile him up, whisper dirty talk in his ear. He won’t like insults, but he will love to hear you describe what you want to do to him.

Satan also likes pain. Bite him, please, he wants to feel your teeth in his flesh. He likes the way the marks look on him, too, but he’ll insist they only arise in locations he can easily hide. He’s too embarrassed to let anyone else but you see them.

Requires plenty of after care, kisses, and praise. Take care of him well enough and he’ll even suggest it himself next time. But if you ever breathe a word of it to anyone else, he'll be in demon form so fast you won't know what hit you. Be careful because he will turn the tables on you, MC.

Asmodeus

Not even a question. Asmo is ready to do whatever you want, any time. He will sub for you without question, but don’t misunderstand him. He likes doing both and although he’s willing to do just about anything, he still has preferences.

He likes to be worshiped. He’ll indulge you if you want to humiliate him, but he thrives on being told how stunning and beautiful he is. He just wants to hear you say that he’s the only one you’re interested in, whether it’s true or not.

Although Asmo doesn’t have a problem with things that leave marks, he’s hesitant to do anything that could cause lasting issues for his skin. Just be careful with his delicate body, MC! But he’s also willing to let quite a bit slide in the name of feeling good. He does like a little pain with his pleasure and his favorite is hair pulling. Doesn’t leave a mark and it's easily fixed in the after math.

He also enjoys being on display. He always wants to have mirror sex or semi-public sex. If you’re into exhibitionism, he will agree to that readily. Let him perform for you (and anyone else who happens to be around).

Similarly, he’s happy to take orders that involve doing a strip tease or a lap dance. He likes to do role play and will dress up as anything you want. Also loves shibari, tie him up in some beautiful knots, please.

Finds punishments a little funny. He can get a little bit bratty about it. But if you seem like you’re really annoyed with him, he’ll switch to being obedient real quick. But he enjoys things like orgasm denial because oh what a rush! He sees it as a challenge. How much can he take? Far more than you’re likely anticipating.

Beelzebub

He will absolutely sub for you if that’s what you want. A very good boy who is willing to do just about anything to make you happy. He’s not embarrassed about it at all and he’s ready to dive right in.

Generally, he’ll do anything you want. Very easy, very compliant. He likes when you give him orders. He likes when you tell him what to do. He knows that if he does well, you’ll be happy with him and he likes that.

Beel likes praise, but he doesn’t have a problem with humiliation, either. In fact, it’s a little difficult to really humiliate him. He’s not easily embarrassed or flustered, he’s solid and steady, so you’ll have to work hard if that’s what you want. He likes to use a title for you, like master or whatever variation you prefer.

He considers any kind of food play a reward from you. If you involve the usual things like whipped cream or chocolate, he sees it as you doing something special just for him. And he’ll work hard to please you, even more than usual. Thank you for this treat, MC.

He can take a lot. He enjoys pain. Biting, spanking, hot wax, even choking, any of the above will be something he enjoys. He likes that he can feel both pleasure and pain at the same time. It gives him a rush and he gets excited about it, almost without meaning to. Similarly, he enjoys being tied up, blindfolded, or gagged. He likes when you’re in total control of him.

The only thing Beel really doesn’t like is edging. He’s fine with overstimulation, but edging will frustrate him. He can’t take too much of that and will absolutely devolve into begging you for release pretty quickly.

Since he's basically impossible to embarrass, he has no problem telling anyone and everyone what you get up to with him. You might have to be the one to tell him to keep it to himself, he just doesn't understand why anyone would care.

Belphegor

He likes the idea of subbing because he thinks it involves less work for him. But he is by far the brattiest sub of all the brothers. So he’s right because you’re the one with your work cut out for you. Be prepared to become a brat tamer.

He’ll take easy orders, but give him anything too involved and he’ll get petulant. Surprisingly, responds well to you being rough with him. If you’re going to be the dom, he really wants you to dominate him. He likes it when you manhandle him.

Yes okay he likes the breath play. But he also enjoys pain in general. He has a blood kink. Bite him and make him bleed. He’s gonna love any kind of vampire role play, he’ll straight up drink your blood if you want him to.

Belphie wants you to humiliate him. Tell him he’s a dirty whore, use him however you like. If you let him, he'll dish it right back to you, though.

Obviously into somnophilia. Is he asleep when you wanna fuck him? Go right ahead, MC. He doesn’t need to be awake for you to make use of him. Though if you start, he might wake up just so he can get off, too. If that happens, expect him to mouth off at you until you take him in hand.

Belphie is another one who will wear a collar all the time if you want him to. He likes strappy leather things and will gladly wear a harness or any other such items. He doesn’t care too much about blindfolds or gags, but he does like being tied up.

He doesn’t care who knows about the way he submits to you. If you want him to wear a collar, he’ll make sure it’s visible to everyone. Similarly into exhibitionism. It feels like he’s almost daring anybody to say anything about it.

side characters as subs | bros as doms | side characters as doms masterlist | Thank you for reading!

[hayatheauthor]

Everything You Need To Know About Writing Gunshot Wounds 

Welcome to the latest installment in my ongoing series on crafting realistic wounds in fiction! After covering stab wounds and burns, it's time to explore the next wound category frequently explored in fiction—gunshot wounds. 

Gunshot wounds are a recurring motif in the realm of storytelling. They're something you can easily come across in every genre, however, authors often poorly portray gunshot wounds due to lack of proper research. I understand finding the right resources to aid with your writing can be hard, so here's my comprehensive guide on how to write gunshot wounds. 

How To Categorise Gunshot Wounds

There are certain factors you need to consider before writing a gunshot wound. These details are instrumental in crafting a vivid and plausible narrative while avoiding plot holes. The first and most important one is identifying the type of firearm used to inflict the wound. 

Picking The Right Firearm 

Selecting the appropriate firearm to inflict a gunshot wound is a pivotal decision. It's not just about choosing any gun; it's about picking the right one to align with your desired outcome and the narrative's overall impact. Here's a quick guide on how to pick the right firearm.  

The Impact of Firearm Selection

The firearm you choose can significantly influence the severity and appearance of the gunshot wound. Whether your goal is a graphic, gory injury or a precise, long-range shot, the choice of firearm plays a crucial role. Here are some guns you to consider:

Handguns: These are versatile and commonly used in close-quarters combat. They can result in gruesome, close-contact wounds with a higher potential for damage due to their stopping power.

Shotguns: Shotguns disperse shot pellets upon firing, making them suitable for creating a broader pattern of injuries. If you aim to depict a devastating, close-range gunshot wound, shotguns can be a fitting choice.

Rifles: Rifles are known for their accuracy at longer distances. When you need a precise, long-range shot, rifles are the go-to option. They tend to produce a cleaner wound channel, especially when used for a targeted, well-planned injury.

Choosing the Right Firearm for Your Narrative

The type of firearm you select should align with your story's objectives. If you intend to evoke visceral, gory reactions, opt for handguns or shotguns used in close proximity. On the other hand, if precision and long-range engagement are key, rifles can achieve your desired outcome.

Keep in mind that firearm selection can affect the wound's damage, trajectory, and overall portrayal in your narrative. 

Categorising The Wound 

Once you've identified the type of firearm, you need to establish what type of wound your character will incur. 

In order to bring your character's injuries to life, it's important to first identify what you're dealing with. You can do this by categorising the injury based on several factors. For gunshot wounds, this includes the type of firearm used, the bullet's trajectory, and the specific areas of the body affected.

You can categorise your character's gunshot would into seven main categories, here's a quick breakdown of what these categories look like and the level of severity associated with them: 

Penetrating Gunshot Wounds: These wounds occur when a bullet enters the body but doesn't exit. The bullet remains inside the body, causing damage along its path.

Perforating Gunshot Wounds: In this case, the bullet enters the body and exits on the opposite side. This type of wound can have a different set of implications due to the bullet's trajectory.

Ricochet Gunshot Wounds: Ricochet wounds happen when the bullet bounces off a surface before hitting the character. The nature of the surface can influence the severity of the wound.

Through-and-Through Gunshot Wounds: As the name suggests, these wounds occur when the bullet enters one side of the body and exits through the other. The trajectory can greatly affect the injury's severity.

Close-Contact Gunshot Wounds: These wounds result from the firearm being fired at extremely close range. The proximity of the gun to the body can lead to unique wound patterns and burn injuries.

Shotgun Wounds: Shotgun wounds differ from those caused by handguns or rifles. The shot pellets disperse upon firing, leading to a broader pattern of injury.

Long-Range Gunshot Wounds: When a character is shot from a considerable distance, the wound might appear different due to factors like bullet tumbling and loss of velocity.

The Anatomy of a Gunshot Wound

To create a vivid portrayal of a gunshot wound, writers need to grasp not only the external appearance but also the internal effects it has on the body. A well-executed description captures both the physical trauma and the emotional turmoil experienced by the character. Here are some symptoms you should take into consideration.

1. External Appearance and Bleeding:

Wound Size: The size of a gunshot wound can vary significantly based on the type of firearm and bullet used. Smaller calibers may leave entry and exit wounds that are relatively small, while larger bullets or high-velocity rounds can create much larger wounds. Be specific about the size, which can help readers visualize the injury.

Blood Loss: Gunshot wounds typically result in bleeding. The severity of bleeding depends on factors like the wound's location, the size of the blood vessels damaged, and the bullet's trajectory. Mention the amount of blood, but avoid excessive gore unless it serves a specific purpose in your narrative.

Coughing Up Blood: If the gunshot wound affects the chest or lung area, characters may cough up blood. This symptom often signifies a more critical injury and can add drama to your story.

2. Internal Damage and Symptoms:

Pain: Gunshot wounds are painful, and the character should express this pain through their actions, dialogue, and internal thoughts. Describe the sharp, burning, or throbbing sensations as they resonate through the character's body.

Shock: Depending on the severity of the wound, shock can set in. The character may appear pale, sweaty, and disoriented. This state of shock can impact their actions and decisions.

Loss of Function: A gunshot wound may impair the use of the injured body part. Describe any loss of function, such as the inability to move a limb or use it effectively.

Fainting: In extreme cases, characters may faint due to the pain, blood loss, or shock. Be sure to contextualize this within the narrative, as fainting can have significant consequences for the character.

By diving into the details of a gunshot wound's anatomy, you can craft a compelling and realistic portrayal that draws readers into the character's harrowing experience. I haven't exactly covered every symptom out there, but these are the major ones you should take into account when writing. 

Medical Assessment and Treatment

Once you've established your gunshot wound, it's now time to focus on the aftermath. One of the main factors to consider is the medical process that follows. If your character is supposed to die from the gunshot then you could probably skip this section, but if they're alive here are things you need to consider. 

1. Initial Assessment:

Scene Safety: In a real-life scenario, safety is paramount. First responders will ensure the scene is secure before approaching the injured person. Consider factors like the presence of firearms, potential threats, and the safety of medical personnel.

ABCs of Assessment: Medical professionals follow the ABCs—Airway, Breathing, and Circulation. Writers can reflect this in their storytelling by highlighting the character's ability to breathe, cough, or speak after being shot.

Vital Signs: Mentioning vital signs like heart rate, blood pressure, and oxygen saturation can help convey the character's condition and the urgency of their medical treatment.

2. Trauma Assessment:

Focused Assessment: Medical personnel perform a thorough examination to identify the gunshot wound's location, entry and exit points, and any associated injuries. This assessment informs their treatment plan.

Imaging: Depending on the complexity of the injury, X-rays or other imaging may be required to visualize the bullet's trajectory and any potential damage to internal organs or bones.

3. Treatment:

Bleeding Control: Stopping the bleeding is a top priority. This may involve applying pressure, packing the wound, or even tourniquet application in extreme cases.

Wound Care: Depending on the wound's severity, cleaning and suturing may be required. The character's response to this procedure can add an element of realism to your narrative.

Pain Management: Gunshot wounds are excruciatingly painful, and medical personnel will often administer pain relief or anesthesia during treatment.

Monitoring and Observation: Patients with gunshot wounds require careful observation and monitoring for signs of infection, complications, or changes in their condition.

By accurately portraying the medical assessment and treatment of gunshot wounds, you not only enhance the authenticity of your writing but also depict the physical and emotional toll such injuries can take on your characters. This attention to detail helps your readers connect more deeply with the story.

The Psychological Impact

Gunshot wounds don't just inflict physical harm; they also leave lasting emotional and psychological scars. It is important to note that the extent of the psychological impact on your characters will heavily rely on various factors. 

For example, you need to consider whether or not this injury is something normal for them. Do they work as a spy, assassin, or other such roles that would mandate such dangerous injuries? You also need to consider who shot them. Does this wound come with emotional damage as well? Think of Aaron Warner’s reaction to Juliet shooting him. 

If you’re sure your character will have some extent of a psychological impact, here are some factors you should consider. 

1. Shock and Denial:

Immediate Response: Characters who have been shot may initially experience shock and denial. This can manifest as disbelief, emotional numbness, or a surreal sense of detachment from the situation.

Physical Symptoms: Shock can lead to physical symptoms like trembling, chills, or even fainting. Incorporating these details can make the character's reaction more genuine.

2. Fear and Anxiety:

Survivor's Guilt: Characters may grapple with survivor's guilt if they are the only ones to emerge unscathed in a violent encounter.

Anxiety: The threat of recurrence or the fear of returning to the location where the shooting occurred can trigger anxiety and panic attacks.

3. Post-Traumatic Stress Disorder (PTSD):

Flashbacks and Nightmares: Characters who have survived a gunshot wound may experience recurring flashbacks and nightmares, vividly reliving the traumatic event.

Hypervigilance: PTSD can lead to hypervigilance, where characters are constantly on edge, expecting danger at every turn.

4. Depression and Isolation:

Emotional Withdrawal: Characters may withdraw from social interactions, experiencing feelings of isolation and sadness.

Emotional Numbness: Some may describe feeling emotionally numb, unable to experience joy or pleasure.

5. Recovery and Resilience:

Therapeutic Support: In your storytelling, consider how characters seek therapy or counseling to cope with their emotional scars. Therapy can be a path toward recovery and resilience.

By addressing the psychological impact of gunshot wounds on your characters, you create more layered and relatable individuals within your narrative. This depth allows readers to connect with the characters on a profound emotional level.

I hope this blog on Everything You Need To Know About Writing Gunshot Wounds will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

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