#and play the role of side character in most of them

[autumnmobile12]

You know, when you get right down to it, I think the biggest reason fans were unsatisfied with My Hero's finale was the fact Horikoshi just completely blindsided everyone with a sad ending.

The series had its sad moments, sure, but the overall atmosphere was upbeat and hopeful. Classic 'we can do this' shonen, you know? But he didn't build up to the sad ending, mainly because, and to put it bluntly, he didn't kill off enough relevant characters.

Overall, the deaths that do occur in the series are minimal (not counting flashback deaths like Nana Shimura and the Shimura family as those are backstories to the main plot) and most of them don't leave a huge impact. Character deaths sadden me as much as the next person, but there's a reason they happen in fiction.

My Hero Academia had a conflict that ultimately evolved from a small disgruntled faction challenging hero society to an entire army challenging hero society. It was a war. Wars are messy and difficult and traumatic. You expect to lose people in a war.

So to analyze the few deaths that happen through the series...

Magne: I've said in a previous post her death was basically there to show Overhaul's abilities and willingness to kill, and sadly, I think that's the only reason Horikoshi didn't include her among the arrested villains of the Summer Camp Arc. All the other LoV members had an establishing moment when they first appeared, something that made them memorable. Magne did not get that kind of impact and sadly remains to be the least memorable character in the LoV. How many LoV related posts/fanarts have you seen that leave her out?

Snatch: Horikoshi created this guy for the sole purpose of killing him off. He had no further purpose and even Dabi forgot who he was immediately after the fact.

Sir Nighteye: A sad death because we did get a whole arc where he was adjacent enough to Deku to have development, but was Nighteye's death necessary or there for shock value? I say shock value because outside of Mirio bringing him up now and then, he's barely mentioned after his death. His Quirk wasn't regarded as a huge loss and his death didn't effect the outcome of the war all that much.

Midnight: A little closer to home since she was a teacher to the main cast, but she didn't have many interactions with the students that wasn't purely a student-teacher dynamic. She was more than the 'sex appeal comedy' character in that she's shown to be legitimately intelligent and levelheaded, but there are no scenes where she talks one on one with Deku or his classmates and provide a more meaningful dynamic. If Horikoshi was going for something that would really hurt the fanbase, he'd have killed off Aizawa in the Jaku City battle. Aizawa was the only one of the UA teachers who had the screen time and character development to be the 'surrogate parent' character supporting the main cast, so his death in the series would have been devastating, especially since his Quirk plays a key role in all the major fights. No hate to Midnight, but the little amount of screen time she had and the lack of relationships she formed with the main cast did not trigger much of an emotional response for me.

Twice: Twice is the only character death I can think of that really meant something to the series. He had impact, he was memorable, the fans got attached to him, and the reason he died was valid. Hawks kills him to prevent him from overwhelming the hero's side with a one man army. That threw a major wrench in the LoV's plans. Not a debilitating one, but it was a hit to the team and to a small degree, even Hawks regretted having to kill him. This is how you do a meaningful character death.

So compare that with other series.

Fullmetal Alchemist: Shit, a lot of characters die in FMA, major and minor. Nobody is over Nina and Alexander. Nobody is over Hughes. Nina was a little girl with her life ahead of her, and Alexander was her beloved dog. Hughes had a family. They both had things to live for.

D. Gray Man: Not as many core cast members, but the side characters that do die are memorable and it's heartbreaking. Even if they're only there for a brief time, the impact is there. All Suman wanted was to see his daughter again, even if it meant becoming a traitor. Chronically overworked Tapp's dying words are to say he would take on all the overtime in the world if he could keep living. Alma finally got to rest in peace after being non-consensually resurrected in a cruel science experiment.

Black Butler: Not very many character deaths, but the few that have happened hit hard. Not naming any names because I know there are anime-only peeps out there, but to my fellow manga-readers, you know who i'm talking about.

With My Hero Academia, Twice died for his friends. We see how much he cared about them. What did Magne die for? Her cause, sure, but she's not in the series long enough to leave that lasting impression. What did Snatch, Sir Nighteye, and Midnight have to live for? They didn't talk about their ambitions, their dreams, their families, their plans for retirement, none of that came up, and so we as the audience don't get that heartbreaking moment of, "No, they didn't get to _____!" Sure, I guess we can say Nighteye doesn't get to see Mirio become the greatest hero, but that's a pretty standard dream across all the teacher/mentor dynamics with their protégés, so it's not unique. Fuck, even Endeavor has that ambition for Shouto. AFO has that ambition for Shigaraki. So Nighteye’s dream is not unique enough to be its own matter of significance.

...

I saw someone's assessment on how the finale was realistic, that a social change wasn't going to happen overnight. And that's true, we couldn't realistically expect a social change happening overnight, but when you pair that against the unrealistic outcome where no major character deaths happened on the protagonists' side of things, it's off-putting and it actually made the fate of the main villains unbalanced.

Realistically, yes, with what the LoV did (mass murder, inciting violent radicals, terrorism), that would warrant life in prison, a death sentence, etc. But in a fictional sense, since they didn't do anything extreme to the main cast, thus eliciting an emotional response from the audience, we don't really have the satisfaction of justice served in this circumstance.

Dabi's crimes are background information. He says himself in his broadcast that he's killed 'up to thirty innocent people.' That's not insignificant, but from an audience's perspective...who were those thirty and why do we care? There were those protesters publicly shaming Endeavor by asking if he'd seen the families of Dabi's victims on the news. That's fine and well, but we as the audience didn't see that. We do see him kill Snatch, but no one cares because of the above reasons. Everyone else Dabi kills onscreen are either the PLF or those anti-heteromorph cult guys, both of whom were people the audience weren't going to miss because they were fellow antagonists and bigots.

The problem with all of this is we were told about Dabi's crimes, not shown.

Personally, I'd have been more comfortable with Dabi's fate had he actually made good on his threats to throw his family's charred remains at Endeavor's feet or if he'd managed to kill some of Shouto's friends and mocked their deaths to his face. That is horrific and would have more closely warranted what he was dealt in the end. There's being furious and in pain over a traumatic childhood, and then there's committing atrocities against people who weren't the sole cause of that trauma. Which is what the 'thirty innocent people' were supposed to represent, but again, who were they and why do we care? Instead, what we're left with is 'Dabi is an angry, traumatized child trying to enact a social change.' Not for the noble reason of preventing his fate from happening to another child but out of hatred for his abuser, but a valid cause all the same, and he was disproportionately punished for it. (From a reader's perspective.)

...

It's the same with Toga. We're told right away at her first appearance she's a serial murderer, but again, she doesn't kill any of the main cast. She killed Curious, but no one really cared. I don't even think Curious' allies cared.

Look at it this way: Imagine if Rock Lock's character had been given more screen time, had been part of the series longer, and he was built up as the new father and family man and he's genuinely looking out for younger heroes instead of being a roundabout asshole about it, and then Toga kills him the Shie Hassaikai raid. That could have invoked Maes Hughes levels of outrage in the fanbase.

Or a bit closer to home , she could have killed Aizawa in the Shie Hassaikai raid right in front of sweet, little Deku’s innocent eyes. If she, like Dabi, actually took out main cast members, characters the audience were emotionally invested in, then her ending might have been more appropriate.

We loved Envy as a villain, but he also killed Hughes, another beloved character, so damn were we satisfied to see him go out the way he did.

Toga didn't do anything onscreen that was half as bad as what Envy did and yet she died for it. Offscreen technically.

...

Spinner might be the only one of the group whose fate fit the crime. His reasons were an echo of Stain, but advocating for a change to a flawed government system is a worthy cause.

Where he went wrong is it wasn't a cause worth killing for. The Commission and hero society would have to be much worse canonically for that to happen. Like blatantly totalitarian policies. The PLF was put down because they were enacting a violent uprising, not necessarily because of their views.

Example: Destro's book wasn't a banned text and people were free to read it. When Hawks gave it to Endeavor, he wasn't scolded for carrying a banned book around. If the government placed those kinds of restrictions (imprisoning anyone who published it, owned a copy, quoted its teachings, etc.), that would be the worrying signs of censorship.

News stations throughout the series freely criticize hero society. In a true fascist government, that wouldn't happen.

The video of Stain's last stand being deleted over and over could be considered censorship, but one could also argue it was deleted in the interest of not causing a panic rather than blocking his message from reaching the public.

Now I'm not ignoring Nagant's story where corrupt heroes were being quietly dealt with because that is some shady cover-up bs, but it's also a brief blip in the series and not explored all that much, which really more so highlights Horikoshi's inconsistencies in just how corrupt the Commission actually was. (I mean, maybe they really were chewing their nails nervously when they found out what Hawks was doing with the Destro books. "We can't kill him! You have any idea how expensive training another one would be?")

So no, while Spinner's cause was right, the way he tried to achieve it wasn't the answer. Nothing of what the Commission was canonically doing was worth the level of violence reached. If he was writing articles that outed problematic heroes and flaws in the system and then was shut down/imprisoned for that, then we can revisit the violent uprising because if you can't solve a solution with words because those words are being forcefully silenced, then you have no choice but to either accept it or resort to other methods.

And Spinner lives in the end. Probably in prison for the rest of his life, but he lives and his closing message to the series is, "We lost our war, but I will tell our story. We won't be forgotten."

Notice I said at the beginning of his how his 'fate' fit the crime. Imprisoned, he can no longer fight his war with violence. But he can still fight his war, and possibly still win, with words. Since we can see it available for purchase, his book is not a banned text even though he is a convicted criminal.

...

As much as I loved the character, I think Shigaraki dying was the only way his story could definitively end given the parameters set down by the canon finale. His life wasn't saved, but what kind of life could he realistically hope to have after everything he did? Would a life in prison be better than what he got?

We could go into the fact he could have been rehabilitated, but given how the world barely changes after the fact...rehabilitated to suit the flawed system still doesn't seem like a great outcome for him either.

...

Then we have the main cast just...carrying on? A bunch of people Quirkless, scarred, crippled, unable to use their Quirks the way they had before, and essentially gave everything they had for a world that...ultimately changed very little?

Was this really where it was all going?

So yeah, for all the hope and upbeat attitudes that prevailed through the bulk of the series, I don't think any of that correlates particularly well with the ending. We went from 'we can do this' and slammed into 'we are physically and psychologically scarred for the rest of our lives' brutally fast.

And then we're just hit with, "And that's how we became the world's greatest heroes." Against the overall sadness of the finale, that hopeful line is a tasteless cop-out.

[bybdolan]

the thing about aroace headcanons is that a lot of times it feels like people use them as a device to frame their lack of (sexual) interest in a character that is framed as maybe not conventionally attractive or """unusual""" in their social interactions as some form of diversity.

[ruporas]

trigunned the hades or hadesed the trigun (id in alt)

[fortune-maiden]

The more I work on my long fic the more work I’m realizing it needs…

Maybe I should just take it down for now and repost it when it’s actually ready

[that-was-anticlimactic]

you get it so much i could genuinely spend hours talking about bakugo and midoriya’s characters and their development and how genuinely well written they are and then an exploration of their dynamic on top of that and why it’s one of the best in media atm AND I MEAN THAT but people are so busy tripping over themselves to be like ‘UHHH ☝🏼😂 MHA IS CRINGE’ or the fans themselves absolutely butchering the characters (bakugo in particular is like a toxic wasteland now do not approach do not stop within a 10 mile radius etc) that it’s pointless and it makes me so MADDDD anyway hiiii corey i put mha in ur inbox do u still think im hot

YES YES YES!!! EXACTLY HELLA!!!

and like... as far as midoriya and bakugou are concerned, they're like... forced into almost Every fic i read :/ like i'm out here looking for class a being a family fics without midoriya or bakugou trauma or hero worship is that SO MUCH TO ASK!!! i'll be under the denki-centric tag bc he's my special lil boy and like bakugou being in most of them i Get bc of the bakusquad bUT like denki is Also Smart and, imo, understand his quirk better than midoriya, so why do we need to force midoriya in there to explain how denki's quirk works tO HIM??? or like. people will bring up midoriya's past in like every fic that isn't about him or bakugou's kidnapping (which like fair ik that was traumatic for literally everyone but i'm not looking for balugou fics) and i'm just. i want sero hanta fics. not sero is worried about midoriya fics.

oof okay i have a lot to say apparently. am a lil bitter bc my favorite characters are denki, sero, kodai, and ojirou (and the bakusquad like i LOVE kiri) and finding they centric fics without just... let's talk about bakugou and midoiya is HARD they have PLENTY of they centric fics!!! i don;t mind them Being in other fics, but like... do we Haveto mention how amazing and special they are in Every Fic??? like... they're not the only ones who work hard and made it into class a??? so did literally everyone else??? midoriya isn't the only one who was bullied or gets anxious sometimes (and people make him like... weirdly anxious too like must protect him and i'm just... ugh) and midoriya isn't the only sunshine in class a (horikoshi literally said that denki is the glue that holds the class together but, no, everyne go ahead and make it mido...) and bakugou isn't the only one who's experienced something traumatic nor is he the only one who cares about others but is bad at showing it. and they aren't the only contenders for #1 hero and anyone in class a could beat them in a spar like... i don't think they're unbeatable??? denki could beat them. ojirou could beat them. satou could beat them. shouji. hagakure. kouda. aoyama. sero. mina. jirou. the list goes on. and they could beat all the people i just listed any day too!!! it just... it doesn't always have to be like "gosh i'll never be a hero like deku" like??? you got in the Same class he did.

ahem. anyways. uhhhhhh i LOVE midoriya and bakugou. hate the way fans act like they're the only characters that matter. yes this angry rant is bc i was looking for denki centric fics the other day and most of them were more midoriya centric even though that wasn't tagged and denki centric was. when you're reading a fic about the trauma of someone other than mido and baku and then one of them has to take over and be like "listen to My trauma" and suddenly it's aboyt THem.

oKAY DONE FOR REAL

anyways hella i still think you're hot in fact i think it makes you Even Hotter

(also no shame i literally made the password to last week's vocab quiz "SERO HANTA" like in all caps bc of the leaks and bc i love him.)

sorry about the angry rant about the two main characters do you still think i'm hot-

[art]

Creator Spotlight: @themetalhiro

Hi, I’m Metal! I’m a freelance artist from good ol’ New Jersey. My favorite things to work with are a lot of bright colors, exaggerated poses, and candid scenarios. I try to farm sensible chuckles whenever I can, so I’m also big into comics. I love making them about my life, and the media I’m into, and one day I’d like to publish my own series!  Thank you to everyone who has gotten me this far!!

Check out Metal's interview below!

Did you originally have a background in art? If not, how did you start?

I guess so! It’s funny, I don’t remember a single time in my life that I wasn’t drawing as a hobby… somewhere in middle school (a little late, I know.) I put the pieces together that animated movies were made by artists, and that it wasn’t just for fun, they were paid to do it. The moment I discovered people could be paid to make art, I decided I would do that, too. Now I’m here!

How has your style developed over the years?

I think the best way to answer this would be with an example! Over the last few years, I have made more of an effort to draw more intentionally, which sounds silly. Now, I put more thought into my poses and step out of my comfort zone with shape language and composition. I had a phase where I drew everyone with a huge, perfectly circular head and no nose. That definitely did not lend much variety...

Which 3 famous artists (dead or alive) would you invite to your dinner party?

Ack! I’m so terrible at history! I’d love to give a well-thought-out answer about fine artists of old, but I don't think we’d have much in common… Most artists I admire and who have driven me forward creatively are the people behind comics I’ve read. Andrew Hussie, Bryan Lee O’Malley, Eiichiro Oda... these guys have inspired me greatly and had a heavy influence in developing my art style and sense of humor. I’d love to ask them questions about their processes and upcoming projects. I think it would make for an entertaining night!

Over the years as an artist, what were your biggest inspirations behind your creativity?

Outside of pure aesthetics like searing bright colors, layered clothing, and loud noises…. the best and most inspiring moments in my life were those surrounded by friends and loved ones! I cherish the hell out of memories of hanging around in fun locations, trying weird food together, and impromptu midnight walks... so I try my best to capture that atmosphere and my own memories in my work when I can, even if I’m imposing fictional characters on top of them. That’s always the core of it.

What is a medium that you have always been intrigued by but would never use yourself?

I would never permanently refuse a medium, but every time I pick up clay, I’m like a baby using its hands for the first time. Absolutely dreadful. If one day I could make and paint a figurine like the ones I admire in videos, that would be awesome... But for now, I’m not counting on it.

How do you want to evolve as a creator?

I’ve had an absolute blast drawing fanart over the years, and it’s certainly played a massive role in my growth as an artist. But my dream has always been to publish my own stories for y'all to enjoy! I have lots of worlds I want to introduce to you before I’m old and gray. I want to get faster, work harder, and get better at drawing interesting settings so I can get the wheels turning as soon as possible. I also want to stop avoiding the color blue like a coward.

What do you wish you knew when you first started out creating art that you know now?

Pay your taxes quarterly. Tablets will break at the exact moment you need them most, so have a spare. Wear your blue light glasses. You’re going to need to wear a brace on every joint on the right side of your body. It can be lonely sitting at your desk all day. The car on the side of the road that costs $1000 cash….. don’t trust it!!!

Who on Tumblr inspires you and why?

@cranity—They use absolutely beautiful colors and weighty line work. Everything looks so sharp and clean! I wanna put it all up on my wall!

@vewn—Their ability to crank out quality short films and illustrations packed with detail is incredible. The off-kilter perspective they use really sells disorientation and catches your attention like nothing else.

@nelnal—They have absolutely banger character designs again and again, I can’t believe one person’s mind can come up with so many creative ideas!

@jinx88kc—They have a beautiful and recognizable style, and the way they incorporate animation into their illustrations sometimes is SO cool!

Thanks for stopping by, Metal! For more of Metal’s work, follow their Tumblr, @themetalhiro! If you haven't seen their Meet the Artist piece, be sure to check it out here!

[prokopetz]

In recent posts I've complained that a lot of tabletop RPGs which toss around the term "fiction first" don't actually understand what it means, and I've been asked to expand on that complaint. So:

In my experience, there are two ways that game texts which want to position themselves as "fiction first" trip themselves up, one obvious and one subtle.

The first and more obvious pitfall is treating "fiction first" as an abstract ideology. They're using "fiction first" as a synonym for "story over rules" in a way that calls back to the role-playing-versus-roll-playing discourse of the early 2000s. The trouble is, now as then, nobody can usefully explain what "story over rules" actually entails. At best, they land on a definition of "fiction first" that talks about the GM's right to ignore the rules to better serve the story, which is no kind of definition at all – it's just putting a funny hat on the Rule Zero fallacy and trying to pass it off as some sort of totalising ideology of play.

A more useful way of defining "fiction first" play is to think of it not in terms of whether you engage with the rules at all, but in terms of when they're invoked: specifically, as a question of order of operations.

Suppose, for example, that you're playing Dungeons & Dragons, and you pick up the dice and say "I attack the dragon". Some critics would claim that no actual narrative has been established – that this is simply a bare invocation of game mechanics – but in fact we can infer a great deal: your character is going to approach the dragon, navigating any inclement terrain which lies between them, and attempt to kill the dragon using the weapon they're holding in their hand. The rules are so tightly bound to a particular set of narrative circumstances that simply invoking those rules lets us work backwards to determine what the context and stakes must be for that invocation of the rules to be sensical; this, broadly speaking, is what "rules first" looks like.

Conversely, let's say that your game of Dungeons & Dragons has confronted you with a pit blocking your path, and you want to make an Athletics check to cross it. At this point the GM is probably going to stop you and say, hold up, tell us what that looks like. Are you trying to jump across it? Are you trying to climb down one wall of the pit and up the other? Are you trying to tie a rope to the halfling and toss them to the other side? In other words, before you can pick up the dice, you need to have a little sidebar with the GM to hash out what the narrative context is, and to negotiate what can be achieved and what's at stake if you mess it up; this, broadly, is what "fiction first" looks like.

At this point I know some people are thinking "wait, hold on – both of those examples were from Dungeons & Dragons; are you saying that Dungeons & Dragons is both a rules-first game and a fiction-first game?" And yeah, I am. That's the second, more subtle place where game texts that talk about "fiction first" go astray: they talk about it as though being "fiction first" or "rules first" is something which is inherent to game systems as a whole.

This is not in fact true: being "fiction first" or "rules first" is something which describes particular invocations of the rules. In practice, only very simple games spend all of their time in one mode or the other; most will switch back and forth at need. Generally, most "traditional" RPGs (i.e., the direct descendants of Dungeons & Dragons and its various imitators) tend to operate in rules-first mode in combat and fiction-first mode out of it, though this is a simplification – when and how such mode-switching occurs can be quite complex.

Like any other design pattern, "fiction first" mechanics are a tool that's well suited for some jobs, and ill suited for others. Sometimes your rules are fine-grained enough that having an explicit negotiation and stakes-setting phase would just be adding extra steps. Sometimes you're using the outputs of the rules a narrative prompt, and having to pin the context down ahead of time would defeat the purpose. Fortunately, you don't have to commit yourself to one approach or the other; as long as your text is clear about how you're assuming a given set of rules toys will be used, you can switch modes as need dictates. However, you're not going to be capable of that kind of transparency if you're thinking in terms of "this a Fiction First™ game".

(Incidentally, this is why it can be hard to talk about "fiction first" with OSR fans if you're being dogmatic about fiction-first framing being an immutable feature of particular games. Since traditional RPGs tend to observe the above-described rules-first-in-combat, fiction-first-out-of-combat division, and OSR games tend to treat actually getting into a fight as a strategic failure state, a lot of OSR games spend most of their time in fiction-first mode. If you go up to an OSR fan and insist that D&D-style games can never be fiction-first, then attempt to define "fiction first" for them and proceed to describe how they usually play, they'll quite justifiably conclude that you have your head up your ass!)

[stellarsagittarius]

✨️🪐 7H in your Birth Chart: How you will meet your Future Spouse / Soulmate 🪐✨️

[Exchange readings open! Me (Astrology) x You (Tarot)] You can message me with your offer 🫶🏼.] CLOSED

7H ruler in 1H

You will most likely meet your soulmate through a place where you are the center of attention, but this doesn't have to be something grand. Just them coming across your social media profile is a great example. You might be fairly closed off in the beginning to them, almost inaccessible. These are more informal places, where it concerns nobody but you. This is a place where you play an important role with either your looks or your thoughts. "You," are the focus.

7H ruler in 2H

You can meet them when you are shopping. Like this is THE example that came to my mind. Places could be banks, malls, stores, even restaurants. This meeting is more steady, like there is no rush, and there is a certain stability to how the meeting proceeds. Go to your favorite restaurants and coffee shops often, you can really bump into them over there. This is also a place where you get some sort of work done on your body, so consider salons, parlours, tattoo shops, etc.

7H ruler in 3H

You are supposed to be meeting them in a locality or neighborhood you visit often. This may even be your hometown. Meeting through siblings or very close cousins is a thing as well. This relationship can start off on social media as well, more on the side of common interests and communication. This can be that one thing where your person has been hidden in plain sight all along.

7H ruler in 4H

This meeting has high chances of happening through either of your parents or close family members. This is more of a traditional placement and in a sense, more slow and gradually building up. This person really is coming at your doorstep, but only when you know you aren't "closing yourself off." Their is a bit of being emotionally guarded in the initial phases of your relationship. You may quite literally meet them at your home, like a delivery person or someone from service like replace AC or fix wires.

7H ruler in 5H

You are meeting them when you are having a fun time. Partying and clubbing is one thing, and if you are into that then there is a chance this relationship can start off as a one night thingy. Otherwise consider picnics, hikes or even just going on a date by yourself. This is an activity you really enjoy and are doing it for the sake of simply doing it. There is no responsibilities or things you have to comform to. You may also meet them through a kid or around some sort of kindergarten/nursery/daycare.

7H ruler in 6H

Oh this one is like that one character which hasn't been unlocked yet, but are around you all the time. They are a part of your routined life, and you can meet them while running errands, at the gym or while on the commute. This is the hidden in plain sight type of person. Continue with your daily life, go on that walk, go to the gym, grab the lunch and they are somewhere around. The first meeting is going to be quite steady, and everything will gradually develop from there.

7H ruler in 7H

This meeting is going to very special, in a way that you won't feel like someone else has a hand here. You will feel like it's just you and your person, whatever the situation. This could start as a partnership of some sort or a friendship. You will meet them more from their efforts, they will make the first contact. There is no hidden meaning or other intentions behind them approaching you. It's very direct, mainly because they want to get to know you. You can meet them anywhere, honestly, with this placement, but it will be more one-on-one. Like believe me, you won't have any other work besides them when you meet them. It's a great thing to have the ruler of your 7H in 7H, so this explaination definitely deserved a longer explanation. You are one of those people who are actually going to be in a strong soulmate connection that will be very prominent in your life. This is magical, even I don't know how to explain this. Look for any placements in your 7H, that will tell you specific qualities about your Soulmate, and perhpas give you specific insights on the meeting!

7H ruler in 8H

You will meet them through other people or through things having to do with other people. It's like a series of events that other people have you involved in, and then you bump into them. Like your friend asked you to accompany them to a party, and then they are like, "Hey, meet this person. They are very cool!" And that person they introduced you to turns out to be your soulmate. You may meet them though after some sort of hardship or change in your life, like a transformative one.

7H ruler in 9H

You can meet them through travel or on social media. Let's just say it, there is a physical distance between you both initially, and they may even be from another culture/country. The 9H always has a foreign connection, always! You may meet them on vacation or while on a work trip. There is also going to be a very interesting few exchanges, like they are from a different place and so you are, and you will have that natural curiosity to understand each other.

7H ruler in 10H

You will meet them through work or some sort of work network. The initial meeting could be very formal and you may have this tendency to think of your "image" in front of them, like wanting to make a good impression, etc. This is not necessarily a co-worker, that's more of a 6th house thing. They are someone new you happen to connect with because of work, like someone a rank lower or high than you, or some new business partner. Common work is something connecting both of you.

7H ruler in 11H

You can meet them through mutual friends, communities or networks. This is a more relaxed scenario, like I know a lot of people aren't just out there social, but think of it as going to a college party with some of your friends and that's where you find your person. It is not "through" someone, instead you will initiate that conversation yourself because you genuinely find them interesting, and then perhaps you get to know that you have shared acquaintances. It's a social place, somewhere you are out of your shell and making other connections.

7H ruler in 12H

You can meet them through some sort of solo activity. Like it is solitude. So maybe you are in a new country and don't know anyone just yet. Some places are hospitals, retreats, meditation centers, certain places of worship, or even certain abandoned places. It is a very calming meeting, like there will be a lot of peace in this. You may even happen to dream of them before you meet. There could be a bit of mystery to the first few meetings. This is a supposed to be a connection that will help you release a lot of karma.

Check out more Astrology content on my page 🎀🫶🏼.

[akanemnon]

TWIN RUNES MASTERPOST

Because of the limited amount of links you can put into a post, you can find the links to each page in these sub-posts:

To be continued...

FAQ under the cut!

TWIN RUNES MINI COMICS

Glasses - Fallen down - First steps - Press [C] - Frisk Dance - But nobody came - Whatstheirface - An acquired taste - Eye opening - Smalltalk - Connection issues - Not-To-Do-List - All You Can Eat - Beach Episode - Salute the Frick - Morning Routine - The Universe is a Hologram - Normal Human Behavior - Page 75 EXTRA - Trick as a Treat - Taste the Painbow

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TWIN RUNES - FAQ

What exactly is this AU about? Twin Runes is essentially a comedic crossover AU between the universes of Deltarune and Undertale. No fancy nicnacs. Just the characters being their chaotic selves. But there might be some darkness lurking up ahead... ____________________

When is the next comic? The comic updates most Sundays at 6:30 PM Central European Time. ____________________

Why is this AU called Twin Runes? The name is more or less a play on the typical naming format of most AU's by featuring the "Runes" part. There are no literal Twin Runes. The whole name is more of a stand in for Undertale and Deltarune as parallel worlds. Hence the "Twin" part. ____________________

When does Twin Runes take place? This AU takes place between a hypothetical Chapter 3 and Chapter 4 of Deltarune. On the Undertale side of things, it takes place post neutral route just as Frisk was about to deliver Undyne's letter to Alphys.

How many pages are there going to be? The script for this comic estimates that the comic is going to be 137 pages long (if I don't make any major changes). ____________________

Is the Player a thing in this AU? The Player(s) lost control over both human children as soon as Frisk entered the world of Deltarune. Essentially, the reader takes the role of the Player. You have no influence on the outcome of the story anymore. All you can do is watch. Both Kris and Frisk refer to the Player as "It" and "the THING". ____________________

Is there going to be a Weird Route? Due to the lack of Player, all choices made by Kris are now their own. How to engage in battle all depends on Kris, and not the Player. Because of that, there are NO DIFFERENT ROUTES. There is only one route and that one is based on Kris' choices. Because of the lack of save points, there is no "what-if" scenario. ____________________

When Chapter 3 and 4 are released, will it affect the story? Any chapters after Chapter 3 won't affect the story in the grand scheme of things. Twin Runes created a new timeline so to speak. ____________________

How old are the characters in this story? Frisk appears to be around 9 years old. Kris thinks they're 14. (Both Frisk and Kris don't know their actual age.) Chara died when they were around 10-11. Susie is around 15-16 (she was held back once) Ralsei appears to be the same age as Kris. ____________________

What's up with Kris' and Frisk's hair? The red bits of their hair is more or less a representation of their souls. That in turn is also why Chara doesn't have that feature. They are soulless. It's a stylistic choice. ____________________

What's that thing on Kris' chest? It's a scar they got from tearing out their soul.

And why do they have weird lines all over their body? Both Kris and Frisk's anatomy resemble that of ball-jointed dolls. They appear just as markings across their bodies. Think of them as elaborate birthmarks. Kris and Frisk are still made of flesh and blood, but are in fact hypermobile. The reason as to why they do is still a little secret :) People here like to refer to these markings as "puppet limbs". You can get a better look at them and the scar in this artwork

Why does Kris have braces? This is why:

Why is Dark World Frisk green? Frisk changes their main sweater colors with Kris when they enter the Dark World.

Can other ghosts see Chara? (pre Darkner transformation) No, only Frisk and Kris are able to see Chara. ____________________

IS KRIS NOW FRISK'S COUNTERPART OR CHARA'S???? :) ____________________

So, was Chara in the locket all along? No, Chara possessed the locket to become a Darkner. ____________________

Where are Jevil and Spamton? Are they in Castle Town? The Fun Gang have already fought these two in the previous chapters and added them into their inventory. Outside of that little dream sequence, neither will be making an appearance. ____________________

Is anyone from Undertale Yellow gonna make an apperance? Outside of a tiny cameo from Clover (that has no greater bearing on the story) no one from Undertale Yellow is going to make an appearance. ____________________

Is (insert character here) gonna go to the Dark World/underground? With the way the story is going to play out, only the main group will be heading to this new Dark World. The rest of the story will be taking place there. ____________________

How did you come up with the idea of Twin Runes? Twin Runes is an offshoot of a separate script I wrote. It's a similar concept but turned on its head. The funny moments in that script made me just continue what now is the start of Twin Runes. I pretty much just wanted to see if I am actually capable of drawing a comic to begin with. So... in a way Twin Runes is my first attempt at a comic ever. If I ever finish Twin Runes, then I know I can tackle turning that mammoth project of a script into a comic too. In the grand scheme of things these two projects are sister series. They have A LOT in common and even share similar plot elements. When Twin Runes is over you will automatically also know certain mysteries of The Other Script. ____________________

What is The Other Script? As of this moment I call The Other Script: "Lost in the In-Between". At its core it's an inverse of Twin Runes. I.e. Kris falling into the underground and being aided by Frisk on their quest to return home. The story and jokes are a considerably more grounded than in Twin Runes and so are the characters. Though they do have their moments from time to time. The overall mood of that script is a lot darker in nature and it's a 200+ page passion project of mine. ____________________

Am I allowed to make fanart? ABSOLUTELY! You are very welcome to make fanart if you feel like it. Please let me know if you do by tagging me, so I can share it with everyone to see so that you get the appreciation you deserve :) ____________________ Can I use the funny faces you draw for memes or for stuff like memes or for profile pictures? That's what they're here for :) ____________________

Is there x ship in this comic? The focus of the story is not on shipping. If it's in the game it will very likely be mentioned or brought up, but that's about it. ____________________

What pronouns do you go with for the human children? I try to stick as close as possible to the games so I use THEY/THEM FOR ALL OF THEM WITHOUT ANY EXCEPTIONS.

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ABOUT ASKS

Asks will open for 24 hours after a new comic has been released. Your questions will then be answered over the course of the week.

Try not to submit multiple asks. If necessary, just keep everything in one post.

Keep in mind that I receive AL LOT of asks, so not every question can be answered...

Questions containing spoilers will not be answered on principle. Wouldn't be as fun if the surprise was ruined, right?

Before leaving an ask (mostly for everyone who's new), please make sure to read the FAQ section above. A lot of times your question might have been answered already :>

I love memes and dumb jokes as much as the next guy, but try not to spam

It probably goes without saying, but please stay civil. I want to give everyone the respect they deserve, and naturally like to be treated the same way.

Please be mindful about drawing requests. It is understandable if you're eager to see a certain character drawn in my style, but I do not like to be bombarded by requests. The more it happens, the less likely I am to do it. Be kind and ask nicely.

I don't take unsolicited comic ideas.

Don't use other people's posts that I reblogged to ask me questions! It has happened before and I do not wish to see this!

This isn't an ask blog. The comic has a script that will not deviate. Reader interaction with the characters won't be possible due to the overall "no Player" subplot.

Please do not ask me to put your characters into the story. Like I said, the script is already finished and I'm quite happy with it. Your characters are in better hands with yourself and your own stories. Please have respect for mine.

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ABOUT SUBMISSIONS

The submission box is for FANART ONLY!

It is meant for those who do not want to submit their fanart to their own blogs, in case they feel scared or intimidated to do so.

ASKS AND REQUESTS THAT ARE SUBMITTED THIS WAY WILL NOT BE ANSWERED.

Please wait until the ask box opens. You can read more on how asks work in the section above.

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REFERENCE SHEETS

The following are ref sheets of characters that don't have established Dark World forms yet (as of writing this comic). The list will be updated as soon as a new character enters the Dark World. Here you will also find references of characters that might appear as surprise cameos, or maybe even completely new faces...

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FULL ART

[riverofrainbows]

Eliot Spencer. Listen to me i am obsessed with the man. He is so incredibly stereotypically masculine, and hardcore so, yet at the same time really isn't in ways that would be damning for the 2000s and early 2010s. Long hair, not unusually tall, the most emotionally aware one and most in tune with his emotions on the whole team. (Not that the others don't also have points in that area, but they're all terrible at it in some way and Eliot scores by far the most points.) He has a hobby that's not James Bond like (cooking), and he gets to be goofy while being unquestioned as the most badass guy in the room. And yes he makes inappropriate jokes about lesbians and goes all no homo at physical affection from other men, and younger people probably don't find him quite as monumental as i do in terms of masculinity. But his behaviour never reflects those jokes or the no homo, and he was the red blooded american former military guy character on a big network tv show in the year 2009. For which he was a severely mild case. He treats the other characters as people and not stereotypes, in the way the whole show does, and he has long hair he puts up in ponytails and half buns that have his side bangs falling out (you need to understand what big of a deal the manbun was in like 2013, so much so that they had to invent a word). He's emotional and doesn't actually mean his gruffness most of the time, and doesn't thinks himself above certain tasks or people. He wears ridiculous little outfits without putting up a show about his threatened masculinity, and he's the most emotionally intelligent one outside of cons. He wears little jewellery in his hair sometimes, and little braids even (yes braided hair was a no go), he plays guitar and sings earnest love songs not just to try to get laid (love songs would only be permissible in the immediate context of romance), and whenever they have a young woman as a client, that reminds him of home i presume, he works with so much effort and respect for them as the one he's in service to, and respects their opinion strongly. He wears glasses, and reads books and is way too nerdy for an action hero type of the 2010s. He is great with kids, and unironically so (there were multiple big shows and movies about the topic of "men needing to deal with children on their own" with the entire premise of that being ridiculous and them being naturally bad at it). He's the most stereotypically action hero type masculine guy on the show, and he does get strive or posture for power or dominance in their team, is content with a contributing role and trusting on the expertise of the others, and he is not portrayed as the most valuable one or as that behaviour being beneath him. He undresses so he and the woman he's fighting with are on equal ground reading undress. He is shorter than the others and continuously portrayed as the most dangerous one in any room, and height differences afe never deemphasised via cinematography (seriously, to be regarded as sufficiently masculine in western films they either get really tall actors or employ a variety of camera angles and boxes to give that impression. But just think of Eliot in the pilot when rescuing Hardison in the first break in, standing behind the group of security guys who all look way taller than him and more physically impressive with weapons and all. And then Eliot just in a t-shirt with no weapon but himself.) He has long hair (again, mainstream sufficiently masculine guys didn't do that back then, or now if we think of it (not that long at least)).

The show and all it's characters were a goddamn marvel back in 2009, and sadly in many ways still are today, 15 years later.

And he heals my little broken heart regarding gender stereotypes and masculinity, my heart that grew up in the 2000s and has so much difficulty accepting that my gender is valid. Bless him for it.

[dunmeshistash]

Why did Milsiril adopt Kabru

Milsiril might be one of the most misunderstood characters in dungeon meshi and I see people making assumptions of why she adopted Kabru based only on their races and not in the characterization, so I wanted to think about some of the "theories" I see the most often about what made her take him in and why I don't agree with them

(read more cause as usual I ranted a lot)

1 - Attention (white elf savior)

This is the one I have the hardest time understanding so I'm starting with it, I've seen people compare Milsiril to irl white wealthy women that adopt "exotic" kids to keep an altruistic appearance. Like a white mother adopting a chinese child because of white savior complex and for everyone to compliment them on how good they are but this idea ignores a core aspect of Milsiril: she doesn't like attention of her peers

Her bio reads: "The people around her teased her, calling her Gloomy Milsiril; partly as a result, she hates elves. (...) She secluded herself deep in the mountains and intentionally lives apart from other elves"

Milsiril is the type of person that has trauma related to her own kin, she was ostracized by everyone including her own family that sent her to the canaries, and as a result she herself refuses to engage with them even when they extend a hand as you can see with past Mithrun. The only other elf she's seen speaking to is Mithrun when he's sick and Helki. Her interest in raising short lived kids isn't seen as altruistic by other elves it's seen as another weird side of her so there's no incentive in elf society for her to do that. So she didn't adopt Kabru because of optics, she clearly doesn't care what other elves think of her and she hid herself from their judging eyes as soon as she was able to.

2 - She wants to feel superior to someone

Another one I find baffling but I can understand a little better since she's constantly seen in the caretaker role. But the evidence I see for this is literally the type of people she surrounds herself with.

The people we know she interacts with willingly are:

Her adopted short lived children

One of her prisoner partners (Helki)

Mithrun when he's in recovery

Based on these I can see how a very uncharitable view can interpret as "she surrounds herself with people that she's superior to" and it is somewhat true. But she's never shown mistreating or actually acting superior to any of them, if anything Helki is constantly hanging out around her (he was pardoned after Utaya and might be her servant now but their interactions seem very casual), Kabru says she teaches her children everything they want to know and she eventually let him go even if before she was hesitant to (as a overprotective parent) and Mithrun was still a noble with several servants when she cared for him so even if he was sick socially he was still the same. (considering both are noble outcasts)

The evidence both for and against the idea that she adopts children to surround herself with people "inferior" to her are all circumstantial so I guess it depends on how you want to see it. I myself think there's no evidence she thinks of them as inferior considering all we see she seems to treat them either as her babies (would you word your feelings for a baby as them being inferior to you?) or as someone she wants to nurture

3 - She wants to be in control of someone (Kabru is her doll)

Related to the above reason but slightly different, in this interpretation I see people assume she doesn't see Kabru as his own person but as one of her dolls to be controlled. As if she raises her children so she can play house and dress up with human dolls.

Honestly that's pretty cool and an amazing visual for an evil mom but there's zero evidence that that's the case. Starting with her actual dolls themselves they aren't dress up dolls or something she puppeteers in an evil way, they're literally her comfort toys she runs to when she's sad

She's making them by hand while crying cause she feels like she doesn't belong, her bio says the dolls are her only friends so it makes me a little sad when people act like her doll hobby is somehow a creepy aspect that makes her seem evil, since that's exactly how the elves think of her (creepy and gloomy)

Milsiril is clearly someone that enjoys taking care of others we see it both with her children and with Mithrun, but how to know if that's actual altruism or some twisted sense of superiority? How to know if she isn't the toxic nurse that just wants to be in power of someone? How to know she is actually helping the people she cares for?

Easy, she helped them until they didn't need her anymore.

She trained Kabru and taught him everything he knows, he's where he is because he had her help even if at first she wanted to prove he wasn't strong enough to go, he was. She sees Kabru as a small child because of their race differences but she still respected him enough to take the training seriously.

Mithrun actually recovered once she could take the time to help him, I keep reminding it but it was years after he was rescued that she went to help with his recovery (his bio says Utaya was what motivated him to finally come back and she was the one that went to tell him about Utaya and help out) right now Mithrun is able to follow a routine and live by himself, Milsiril isn't even someone he talks about as he is now.

Both people we know she cared for are completely independent of her now and neither of them even thinks about her much. A controlling person that wants to keep you within their grasp and keep you needing them would never actually help you be independent of them.

4 - Then why did she adopt Kabru?

I think it's an easy answer the way I see it: shared trauma.

What Kabru went thru is 100 times worse than what Milsiril went thru during Utaya, especially since he was just a small child back then and he lost everything, But Milsiril is still a war veteran, the things Kabru describes, people turning into monsters eating the others, all the death and destruction, Milsiril was there to witness it all and she failed to save them. her bio reads "After the incident in Utaya, she left the Canaries in disgust. She secluded herself deep in the mountains and intentionally lives apart from other elves" she was so traumatized by the events she both left "in disgust" and became a hikikomori. Earlier in her bio it also says "(...) The people around her teased her (...) partly as a result, she hates elves" I sure wonder what's the other part that makes her hate elves. (Probably is the way they dealt with Utaya)

I think she adopted Kabru because she wanted to give a good life to the only survival of the war she fought, the other destiny Kabru could have has would be the same Rin had, a traumatizing stay with the elves, Milsiril saved him from that fate when she adopted him. He wasn't a random brown kid she picked up, they share a traumatizing experience (once again: even if it was 100 times worse for Kabru).

The reason she adopted the other kids is also pretty obvious to me: she likes caring for people and she wants to feel loved. That's her ulterior motive to raise short lived children, she has elf trauma and she wants a family.

That doesn't make her a perfect mom or a perfect person tho*, she's just as flawed as anyone, I feel like people sometimes forget mothers are also human beings with flaws. Being flawed doesn't make her a monster, being loving doesn't make her an angel, she's just a person doing her best.

*She still has the ingrained elf socialization and clearly thinks of her children as babies, she treats teen Kabru almost like a toddler in some interactions. There's also the thing about her not fully understanding the importance of his cultural background. Struggles that I assume are common in interracial adoptions

Disclaimer cause this is the reading comprehension website: This is my interpretation of the character, some of it is very charitable towards Milsiril and I'm not talking about how Kabru might feel about her. I'm trying to think of their relationship thru her perspective and how she treated him because some interpretations seem to come out of nowhere to me. Kabru has complex feelings about elves and about his elf mom but overall I still think "overprotective foster mom" really summarizes his feelings. I don't think he resents her even with her flaws.

[mochatsin]

School Play

There’s another school play in which you act as the main lead because Simeon thought you’d be perfect for the role, there’s no need to cast anyone else (much to Asmo’s dismay). He’s seen your performances before, and you’re one of the easiest actors to work with compared to the brothers that constantly got their lines wrong during rehearsals. Simeon can get frustrated, and it seems that the brothers feel the same way, if not terrified of the angel’s sudden change in attitude as soon as he plays the director. You’re just relieved he’s not that way towards you.

Of course, who wouldn’t want to see a play written by Christopher Peugeot himself. The theme was a thrilling love story wherein the hero would have to go through a long journey to rescue the one they love, which was you. They would meet so many characters that would either support the hero or become an obstacle on his way to defeat the cruel lord that locked you up. 

You’re the main love interest, and you sat on the side watching as everyone else in the room debated and fought each other on why they should have the main lead role, why they should be the hero who would rescue you. Seeing as how the atmosphere in the room is starting to have murderous intent, Simeon finally thought of a solution that would be fair to everyone. Draw lots. 

That’s how you ended up with Solomon as your hero, and Barbatos acting as the main villain and the rest playing a support role. They either help Solomon with the journey or act as one of Barbatos’ minions to try to stop him from his advances. Everyone could only blame their luck, though to say that Solomon was happy about his part is an understatement. Meanwhile, Barbatos does adore the parts where he keeps you all to himself, however he does not enjoy the scene where he had to terrorize a town since Diavolo’s character, a commoner (which he loves to play), is one of the victims that the hero finds which eventually sets the tone of the play to move forward. It takes a lot for Barbatos not to run to his master’s side while he was acting out his death.

Solomon is always ready to rehearse his scenes with you, and when it’s about lines talking about you, Simeon is impressed at how quickly he can memorize them. But then again, if they’re all about how much he adores you then it’s not difficult to remember at all. Lucifer and the others hate playing supporting characters where they have to hear about how much Solomon loves you. It’s bad enough they had to play the role of helping him, but there are several minutes of dialogue with his character telling them how important you are to him and how he needs to find you quickly! It took several practice rehearsals for Mammon to say his lines without sounding so forced or annoyed at him when his role is to literally help Solomon through the journey. 

Levi is quite happy with his role as the costume designer because there’s no way his envy wouldn’t flare up if he had to stand there and listen to that. That would’ve flooded the stage if he lost all control, so he decides to use headphones and blast music when it’s Solomon’s scene and only take it off once it’s you.

Satan would play the role of the narrator, and while he normally enjoys the part he got, it’s quite irritating that he has to tell the love story between you two, even if it’s merely a work of fiction. His claws threatened to tear holes into the script, but he kept himself calm and collected. They decided to put a leather cover binding to avoid that happening, and Satan actually likes how his own personal script looks like a book now. 

Lucifer is questioning why Simeon would write such a piece, given how most lines are so sickening and romantic. The angel wanted to tell a tale of lovers that could overcome everything, though he omits the fact that he really did have you in mind when he was writing this. Maybe he projected a little too much of his feelings, but the play still had more elements regardless that a lot of the audience would be able to enjoy. The action, the drama, and the tension that could keep everyone at the edge of their seats. 

What Simeon did not expect is for the brother’s self control to snap. Maybe he should’ve thought about that when he wrote down that kiss scene. It’s a page he kept between you and Solomon, as he knew that rehearsals would’ve been a disaster if they knew how the story would actually end. Of course he did ask for your permission, if this is something you’re comfortable with and he would rewrite the part if he needed. You don’t mind, and you understand why this was kept private. 

So when the day of the play came, everything was going smoothly. At least according to Simeon’s high standards.

Solomon and Barbatos really do seem to play the perfect role. A good villain doesn't need to yell, it comes with the composure they bring in the story that sometimes people wonder if Barbatos is really acting. The fight scenes were also phenomenal whenever Solomon would use some sort of imagery magic to make it more realistic, sparkes and effects flying in the air as they fought until Barbatos eventually fled, claiming defeat but he will be back for you one day. 

What the brothers thought was a successful play became something they dreaded when you and Solomon continued the scene. These were lines they’ve never heard before, and it doesn’t take a genius to guess where this was heading. Satan is furiously flipping through the script trying to see where this was coming from, but this part was hidden from the Avatars on purpose. 

“Oh how I longed to hold you like this in my arms.” Solomon says as he pulls you in an embrace that lingered longer than the brothers would like while they watched from backstage. 

“Did you truly miss me that much?” You say, meant to be a half tease to the hero as you returned the hug. It’s a romantic reunion that the audience has been waiting for. 

“More than you could ever think.” Solomon sounds so convincing. He says his lines as if you two were truly apart for so long, that there’s disbelief in his voice like this was all a dream and he would wake up to find that his journey is not over, that you were still locked away. But he has you in his arms, and that’s all he needs to ground himself. “Each time I see the crescent moon, I’m reminded of the smile that graced your lips. It pains me whenever I turn to my side and realize that you’re weren’t with me.”

Solomon brushes the hair away from your face before cupping your cheek, looking at you so lovingly that you feel your heart skip a beat, almost forgetting that you’re acting out a scene. But to the sorcerer, he doesn’t need to act. “Tell me, will you grace me with those lips?” He asks, and that’s the cue for you to slowly lean forward to seal the deal. 

“HOLD IT!” 

Both if you freeze before turning back to see Mammon pointing the sword prop at Solomon. The sorcerer is confused, and perhaps a little irritated that his moment with you was ruined. It would’ve been a perfect way to end the play. “What are you doing?” Solomon asks with furrowed brows. 

“That’s my line! Get ya grimy hands off em!” Mammon growled, taking a few steps forward. 

“You’re not even supposed to be part of this narrative.” Solomon reminds the demon, warning him for ruining the scene. 

“You claim that as so,” Satan says as he appears by his brother’s side in a puff of green flames, looking quite pissed. “How dare you rewrite the ending to your liking, and then use the Narrative as your shield. You should be ashamed of yourself, filthy thief.” the demon hissed as he threw the script he fashioned into a book  across the stage. The brothers fully believed they were deceived with the script, and that Solomon had something to do with it.

The audience are now all captivated at the scene unfolding before their eyes as they watched the Narrator throw the book across. Perhaps the book told the whole scene, and that Solomon actually rewrote the ending according to his will since they assumed that script was an actual prop to keep the story going. “Was the hero actually manipulating the whole scene?” “What a crazy twist!” “Wait, so who's the real lover?” “Were they tricked to think that Solomon was the real love interest?!”. Whispers rang in the air as they were all made to believe this was still part of the play

That might be the only way for them to salvage what could’ve been a successful performance: to keep acting. Solomon reluctantly lets go of you before standing up to face the two demons. “I can’t believe you all would cause a scene, after all we’ve been through. After all they’ve been through.” Solomon says as he gestures to you, who is just as confused as the crowd. 

“Ah, so you acknowledge our efforts and yet you get to keep them for yourself?” Belphie steps in on the other side of the stage, with Beel following behind him. “Kinda greedy isn’t it? Even greedier than him.” Belphie says while pointing at Mammon. That somehow got the audience to laugh. 

“That’s pretty selfish too, and that’s coming from me!” Asmo finally chimes in, holding onto his tulle costume while he stomps into the stage. He wouldn’t let his brothers steal all the spotlight, and there was also no way he was going to let Solomon just kiss you like that on the stage. If it were him instead, you both would be the talk of the week! “Honestly dear, that’s quite a big low. Even for someone like you.” 

Simeon is just thankful that Lucifer and Levi didn’t even chime in on this monstrous mess of a show, he has their pride and anxiety (respectively) to thank for. Despite the sudden improv show, it seems that it captured the audience’s attention… just not in the way that he hoped.

Solomon is now putting you behind him with a magic spell flaring by the palm of his hand. Nothing harmful, just something that’s more flashy than anything. The other demons are closing in on you both, trying to make up lines on why you should choose them. Of course, a fight breaks out and everyone in the audience cheered for whoever they were rooting for to win while you stayed behind and watched the chaos unfold. 

It took one wrong spell after another for the boys to lay on the ground, groaning after Satan and Solomon’s stun lock spell collided into something bigger that it affected everyone in the stage except you since you stayed behind. You wondered what you could say or do to salvage this as the audience is watching intently on what happens next. 

Thankfully, Lucifer finally steps on the stage, calm and collected as ever while he tries to avoid the groaning actors. He played as one of the Barbatos’ henchmen that Solomon defeated, so seeing his reappearance was definitely a shock to the crowd. You prayed that Lucifer has a plan on getting you out of this mess without ruining the play you all worked so hard for. Luckily, Simeon told him a few lines that could salvage the play and save you from the embarrassment.

He grabs your hand and kisses the back of it, a small smirk appearing on his face before he continues. “I’m here to collect you, under my master’s orders. It seems that he was right, that none of these heroes were ever deserving of your heart.” Lucifer says while he stares at his idiotic brothers with discontent, managing to stay in character just like you hoped. “Luckily, we don’t need to rely on cheap tricks and underhanded tactics.” 

Solomon groans, rubbing his eyes profusely but his vision won’t focus yet due to the spell. “Don’t listen to them…” He says, desperately trying to reach out to you. Lucifer only lets out a low chuckle as he watches how pathetic the hero has become.

“Come with us, and we’ll be sure to prove them wrong.” His line is full of confidence with a slight mischief, and the crowd cheers as the lights go dark and the curtains drop, signaling the end of the play. 

What should’ve ended in a happy love story became some sort of twist. People now assume the hero might’ve manipulated the scene which they find amusing if the good guy of the story was not who they pictured to be, and the villains may actually have a shot of winning your heart. It’s the talk of the school, and people are praising Simeon for writing such a crazy plot twist, which he finds a little frustrating since it’s the only part he didn’t actually plan. He’s not sure if he wants to thank the brother’s recklessness or not. 

Even after Simeon explained the hidden parts that were reserved just for you and Solomon since he expected something like this could happen at the rehearsals, he never really anticipated that they would jump in the scene like that on the actual performance itself. Now he has to write another play in the future as many expressed their wish to see what happens between you and the dark lord Barbatos. 

Needless to say, many of the brothers were strung upside down by their feet after the show.

[misc-obeyme]

Demon Brothers as Subs Headcanons

Almost didn't post this 'cause I'm feeling self conscious about it for some reason. So here's me being brave. I told y'all I was in a smut phase. I'm so sorry. Just gonna drop this and run, see ya.

GN!MC x the demon brothers

Side Characters as Subs Bros as Doms

NSFW MDNI

Note: There are a lot of warnings, but most of this stuff is just briefly mentioned. These are headcanons of things they'd be into.

Warnings: Dom!MC, bondage, blindfolds, gags, toys, praise, humiliation, degradation, spanking, edging, orgasm denial, collaring, begging, dacryphilia, role play, voice kink, dirty talk, biting, hair pulling, exhibitionism, shibari, food play, hot wax, breath play, blood kink, somnophilia. I THINK THAT'S IT.

Lucifer

He won’t do it until he’s comfortable with you. It takes some time, a little coaxing, and constant reassurance. You have to earn his trust if you want to see him being vulnerable. Once he’s agreed, though, you find him surprisingly compliant. He’s ready to take every order, easily falling into the role of obedience.

Once he’s fully comfortable with you, Lucifer likes to release all control. He wants to be told what to do, to surrender fully. He loves to be restrained. He enjoys watching you take the time to tie him up carefully. He’ll surprise you by requesting a gag. He likes to feel a bit helpless, like he can’t even speak to you, completely at your mercy. He appreciates a blindfold for the same reason.

Just as he wants you to give him orders, he wants you to enforce them, too. If he fails to do what you ask, he wants you to punish him for it. Lucifer has a high pain tolerance but a low humiliation tolerance. Pulling him over your knee for a spanking would be effective, but he might ask you to use an implement simply because he knows your hand won’t be enough. If he does manage to say anything about it, though, he’s blushing and refusing to look at you because the embarrassment is really the worst part. If you do punish him, it won’t be long before he’s whimpering in your lap, promising to be good and begging you to touch him.

Lucifer will swear you to secrecy. If you ever tell anyone, MC, especially his brothers, about any of the things he says and does during these times, he’ll kill you himself. These are empty threats, of course, because he wouldn’t do any of this at all if he didn’t trust you to keep it to yourself. He just feels the need to threaten you about it because it makes him feel better.

Mammon

He doesn’t have as much of a hang up about this and will readily agree to sub for you if you ask him. He’s going to be slightly embarrassed about it, but not enough for it to be an issue. And once you get into it, his embarrassment dissipates because he’s so focused on how good you make him feel.

Mammon is the one with a praise kink. He doesn’t like punishments and is far more likely to respond well to positive reinforcement. If you want to rile him up any time and any place, all you have to do is call him a good boy. He might even do things for you without you asking just to see if you’ll say it.

He also enjoys being tied up. He likes to feel that he’s entirely in your hands. He isn’t too fond of gags because he likes to be vocal. He’s always babbling the whole time you’re doing anything with him and it’s usually all begging. If you tell him to be quiet, it will be difficult for him. And anyway, it’s far more satisfying listening to him cry and whine and repeat your name over and over.

Mammon likes to be considered your property. If you want to collar him, he’s happy to wear it. He doesn’t care who sees it and if someone asks, he’ll tell them about it proudly.

While praise is his preference, he’ll be okay with a little humiliation, too. Please talk dirty to him, MC. Call him your little slut and he’ll be agreeing with you and asking for more.

He loves accessories and toys. Put that man in a harness, give him a cock ring, or one of those shiny bejeweled anal plugs. He loves to dress up for you, especially if it's in something sparkly or gold.

Also loves to be fucked. Let him sit in your lap and ride you (or your strap) and he’ll lose himself entirely. He won’t last long, but he’s also ready to go again quickly.

Leviathan

Although Levi is clearly the subbiest of subs, he’s also extremely nervous. You gotta calm that anxiety a little bit if you want him to make it through the experience without having a heart attack.

Because of this anxiety, he might not be willing to do it for a little while. He needs a bit of reassurance, to feel fully safe with you, before he’s willing to try it. Make sure you talk to him about everything ahead of time and establish some solid safe words.

Once he’s agreed, though… well, we all know Levi is the one with the humiliation kink. And not just calling him names, he wants you to degrade him. Tell him how useless and gross he is. Just make sure you give him some after care where you tell him that you don’t actually think that way about him. He won’t realize how much it matters to hear you say that until you do.

Alternatively, surprise him by praising him instead. It will shock him so much, he might start to cry. D-do you really mean that, MC?

Turns out, Levi is a bit of crier in general. It’s the embarrassment. He blushes so easily and when you make him feel good, especially in a humiliating way, he can’t help the physical reaction of tears. They’ll end up streaming down his cheeks by the time you’re done.

He’s not sure about punishment at first, but if you suggest it he’s willing to try it out. This can range from orgasm denial to spanking. He’s surprisingly receptive once he gets comfortable with the idea. He might find he prefers to be good, but occasionally he can get really bratty. So you might have to get a bit creative to bring him back in line. When you do, it flusters him so bad he doesn't do anything even remotely brat like for a long time.

Satan

Easily the most stubborn when it comes to getting comfortable enough to sub for you. It’s going to take a lot of trust and reassurance, even more than Lucifer. But eventually, you can convince him.

He will be much more receptive if you include something cute like a cat collar or even a maid dress. He likes the way you react to him and he also just likes to wear those things himself. They make him feel like he can let his guard down a little easier.

Satan does not like humiliation and will not respond well to this. He needs a gentle touch. He loves praise and a little pampering - he will be happy if you focus all your attention on him. He’ll accept a soft dom situation best. Tell him he’s a good boy, but be firm when you need to.

He has a voice kink. Tie him up and blindfold him then read erotic stories or romantic poetry to him. If you really want to rile him up, whisper dirty talk in his ear. He won’t like insults, but he will love to hear you describe what you want to do to him.

Satan also likes pain. Bite him, please, he wants to feel your teeth in his flesh. He likes the way the marks look on him, too, but he’ll insist they only arise in locations he can easily hide. He’s too embarrassed to let anyone else but you see them.

Requires plenty of after care, kisses, and praise. Take care of him well enough and he’ll even suggest it himself next time. But if you ever breathe a word of it to anyone else, he'll be in demon form so fast you won't know what hit you. Be careful because he will turn the tables on you, MC.

Asmodeus

Not even a question. Asmo is ready to do whatever you want, any time. He will sub for you without question, but don’t misunderstand him. He likes doing both and although he’s willing to do just about anything, he still has preferences.

He likes to be worshiped. He’ll indulge you if you want to humiliate him, but he thrives on being told how stunning and beautiful he is. He just wants to hear you say that he’s the only one you’re interested in, whether it’s true or not.

Although Asmo doesn’t have a problem with things that leave marks, he’s hesitant to do anything that could cause lasting issues for his skin. Just be careful with his delicate body, MC! But he’s also willing to let quite a bit slide in the name of feeling good. He does like a little pain with his pleasure and his favorite is hair pulling. Doesn’t leave a mark and it's easily fixed in the after math.

He also enjoys being on display. He always wants to have mirror sex or semi-public sex. If you’re into exhibitionism, he will agree to that readily. Let him perform for you (and anyone else who happens to be around).

Similarly, he’s happy to take orders that involve doing a strip tease or a lap dance. He likes to do role play and will dress up as anything you want. Also loves shibari, tie him up in some beautiful knots, please.

Finds punishments a little funny. He can get a little bit bratty about it. But if you seem like you’re really annoyed with him, he’ll switch to being obedient real quick. But he enjoys things like orgasm denial because oh what a rush! He sees it as a challenge. How much can he take? Far more than you’re likely anticipating.

Beelzebub

He will absolutely sub for you if that’s what you want. A very good boy who is willing to do just about anything to make you happy. He’s not embarrassed about it at all and he’s ready to dive right in.

Generally, he’ll do anything you want. Very easy, very compliant. He likes when you give him orders. He likes when you tell him what to do. He knows that if he does well, you’ll be happy with him and he likes that.

Beel likes praise, but he doesn’t have a problem with humiliation, either. In fact, it’s a little difficult to really humiliate him. He’s not easily embarrassed or flustered, he’s solid and steady, so you’ll have to work hard if that’s what you want. He likes to use a title for you, like master or whatever variation you prefer.

He considers any kind of food play a reward from you. If you involve the usual things like whipped cream or chocolate, he sees it as you doing something special just for him. And he’ll work hard to please you, even more than usual. Thank you for this treat, MC.

He can take a lot. He enjoys pain. Biting, spanking, hot wax, even choking, any of the above will be something he enjoys. He likes that he can feel both pleasure and pain at the same time. It gives him a rush and he gets excited about it, almost without meaning to. Similarly, he enjoys being tied up, blindfolded, or gagged. He likes when you’re in total control of him.

The only thing Beel really doesn’t like is edging. He’s fine with overstimulation, but edging will frustrate him. He can’t take too much of that and will absolutely devolve into begging you for release pretty quickly.

Since he's basically impossible to embarrass, he has no problem telling anyone and everyone what you get up to with him. You might have to be the one to tell him to keep it to himself, he just doesn't understand why anyone would care.

Belphegor

He likes the idea of subbing because he thinks it involves less work for him. But he is by far the brattiest sub of all the brothers. So he’s right because you’re the one with your work cut out for you. Be prepared to become a brat tamer.

He’ll take easy orders, but give him anything too involved and he’ll get petulant. Surprisingly, responds well to you being rough with him. If you’re going to be the dom, he really wants you to dominate him. He likes it when you manhandle him.

Yes okay he likes the breath play. But he also enjoys pain in general. He has a blood kink. Bite him and make him bleed. He’s gonna love any kind of vampire role play, he’ll straight up drink your blood if you want him to.

Belphie wants you to humiliate him. Tell him he’s a dirty whore, use him however you like. If you let him, he'll dish it right back to you, though.

Obviously into somnophilia. Is he asleep when you wanna fuck him? Go right ahead, MC. He doesn’t need to be awake for you to make use of him. Though if you start, he might wake up just so he can get off, too. If that happens, expect him to mouth off at you until you take him in hand.

Belphie is another one who will wear a collar all the time if you want him to. He likes strappy leather things and will gladly wear a harness or any other such items. He doesn’t care too much about blindfolds or gags, but he does like being tied up.

He doesn’t care who knows about the way he submits to you. If you want him to wear a collar, he’ll make sure it’s visible to everyone. Similarly into exhibitionism. It feels like he’s almost daring anybody to say anything about it.

side characters as subs | bros as doms | side characters as doms masterlist | Thank you for reading!

[hayatheauthor]

Everything You Need To Know About Writing Gunshot Wounds 

Welcome to the latest installment in my ongoing series on crafting realistic wounds in fiction! After covering stab wounds and burns, it's time to explore the next wound category frequently explored in fiction—gunshot wounds. 

Gunshot wounds are a recurring motif in the realm of storytelling. They're something you can easily come across in every genre, however, authors often poorly portray gunshot wounds due to lack of proper research. I understand finding the right resources to aid with your writing can be hard, so here's my comprehensive guide on how to write gunshot wounds. 

How To Categorise Gunshot Wounds

There are certain factors you need to consider before writing a gunshot wound. These details are instrumental in crafting a vivid and plausible narrative while avoiding plot holes. The first and most important one is identifying the type of firearm used to inflict the wound. 

Picking The Right Firearm 

Selecting the appropriate firearm to inflict a gunshot wound is a pivotal decision. It's not just about choosing any gun; it's about picking the right one to align with your desired outcome and the narrative's overall impact. Here's a quick guide on how to pick the right firearm.  

The Impact of Firearm Selection

The firearm you choose can significantly influence the severity and appearance of the gunshot wound. Whether your goal is a graphic, gory injury or a precise, long-range shot, the choice of firearm plays a crucial role. Here are some guns you to consider:

Handguns: These are versatile and commonly used in close-quarters combat. They can result in gruesome, close-contact wounds with a higher potential for damage due to their stopping power.

Shotguns: Shotguns disperse shot pellets upon firing, making them suitable for creating a broader pattern of injuries. If you aim to depict a devastating, close-range gunshot wound, shotguns can be a fitting choice.

Rifles: Rifles are known for their accuracy at longer distances. When you need a precise, long-range shot, rifles are the go-to option. They tend to produce a cleaner wound channel, especially when used for a targeted, well-planned injury.

Choosing the Right Firearm for Your Narrative

The type of firearm you select should align with your story's objectives. If you intend to evoke visceral, gory reactions, opt for handguns or shotguns used in close proximity. On the other hand, if precision and long-range engagement are key, rifles can achieve your desired outcome.

Keep in mind that firearm selection can affect the wound's damage, trajectory, and overall portrayal in your narrative. 

Categorising The Wound 

Once you've identified the type of firearm, you need to establish what type of wound your character will incur. 

In order to bring your character's injuries to life, it's important to first identify what you're dealing with. You can do this by categorising the injury based on several factors. For gunshot wounds, this includes the type of firearm used, the bullet's trajectory, and the specific areas of the body affected.

You can categorise your character's gunshot would into seven main categories, here's a quick breakdown of what these categories look like and the level of severity associated with them: 

Penetrating Gunshot Wounds: These wounds occur when a bullet enters the body but doesn't exit. The bullet remains inside the body, causing damage along its path.

Perforating Gunshot Wounds: In this case, the bullet enters the body and exits on the opposite side. This type of wound can have a different set of implications due to the bullet's trajectory.

Ricochet Gunshot Wounds: Ricochet wounds happen when the bullet bounces off a surface before hitting the character. The nature of the surface can influence the severity of the wound.

Through-and-Through Gunshot Wounds: As the name suggests, these wounds occur when the bullet enters one side of the body and exits through the other. The trajectory can greatly affect the injury's severity.

Close-Contact Gunshot Wounds: These wounds result from the firearm being fired at extremely close range. The proximity of the gun to the body can lead to unique wound patterns and burn injuries.

Shotgun Wounds: Shotgun wounds differ from those caused by handguns or rifles. The shot pellets disperse upon firing, leading to a broader pattern of injury.

Long-Range Gunshot Wounds: When a character is shot from a considerable distance, the wound might appear different due to factors like bullet tumbling and loss of velocity.

The Anatomy of a Gunshot Wound

To create a vivid portrayal of a gunshot wound, writers need to grasp not only the external appearance but also the internal effects it has on the body. A well-executed description captures both the physical trauma and the emotional turmoil experienced by the character. Here are some symptoms you should take into consideration.

1. External Appearance and Bleeding:

Wound Size: The size of a gunshot wound can vary significantly based on the type of firearm and bullet used. Smaller calibers may leave entry and exit wounds that are relatively small, while larger bullets or high-velocity rounds can create much larger wounds. Be specific about the size, which can help readers visualize the injury.

Blood Loss: Gunshot wounds typically result in bleeding. The severity of bleeding depends on factors like the wound's location, the size of the blood vessels damaged, and the bullet's trajectory. Mention the amount of blood, but avoid excessive gore unless it serves a specific purpose in your narrative.

Coughing Up Blood: If the gunshot wound affects the chest or lung area, characters may cough up blood. This symptom often signifies a more critical injury and can add drama to your story.

2. Internal Damage and Symptoms:

Pain: Gunshot wounds are painful, and the character should express this pain through their actions, dialogue, and internal thoughts. Describe the sharp, burning, or throbbing sensations as they resonate through the character's body.

Shock: Depending on the severity of the wound, shock can set in. The character may appear pale, sweaty, and disoriented. This state of shock can impact their actions and decisions.

Loss of Function: A gunshot wound may impair the use of the injured body part. Describe any loss of function, such as the inability to move a limb or use it effectively.

Fainting: In extreme cases, characters may faint due to the pain, blood loss, or shock. Be sure to contextualize this within the narrative, as fainting can have significant consequences for the character.

By diving into the details of a gunshot wound's anatomy, you can craft a compelling and realistic portrayal that draws readers into the character's harrowing experience. I haven't exactly covered every symptom out there, but these are the major ones you should take into account when writing. 

Medical Assessment and Treatment

Once you've established your gunshot wound, it's now time to focus on the aftermath. One of the main factors to consider is the medical process that follows. If your character is supposed to die from the gunshot then you could probably skip this section, but if they're alive here are things you need to consider. 

1. Initial Assessment:

Scene Safety: In a real-life scenario, safety is paramount. First responders will ensure the scene is secure before approaching the injured person. Consider factors like the presence of firearms, potential threats, and the safety of medical personnel.

ABCs of Assessment: Medical professionals follow the ABCs—Airway, Breathing, and Circulation. Writers can reflect this in their storytelling by highlighting the character's ability to breathe, cough, or speak after being shot.

Vital Signs: Mentioning vital signs like heart rate, blood pressure, and oxygen saturation can help convey the character's condition and the urgency of their medical treatment.

2. Trauma Assessment:

Focused Assessment: Medical personnel perform a thorough examination to identify the gunshot wound's location, entry and exit points, and any associated injuries. This assessment informs their treatment plan.

Imaging: Depending on the complexity of the injury, X-rays or other imaging may be required to visualize the bullet's trajectory and any potential damage to internal organs or bones.

3. Treatment:

Bleeding Control: Stopping the bleeding is a top priority. This may involve applying pressure, packing the wound, or even tourniquet application in extreme cases.

Wound Care: Depending on the wound's severity, cleaning and suturing may be required. The character's response to this procedure can add an element of realism to your narrative.

Pain Management: Gunshot wounds are excruciatingly painful, and medical personnel will often administer pain relief or anesthesia during treatment.

Monitoring and Observation: Patients with gunshot wounds require careful observation and monitoring for signs of infection, complications, or changes in their condition.

By accurately portraying the medical assessment and treatment of gunshot wounds, you not only enhance the authenticity of your writing but also depict the physical and emotional toll such injuries can take on your characters. This attention to detail helps your readers connect more deeply with the story.

The Psychological Impact

Gunshot wounds don't just inflict physical harm; they also leave lasting emotional and psychological scars. It is important to note that the extent of the psychological impact on your characters will heavily rely on various factors. 

For example, you need to consider whether or not this injury is something normal for them. Do they work as a spy, assassin, or other such roles that would mandate such dangerous injuries? You also need to consider who shot them. Does this wound come with emotional damage as well? Think of Aaron Warner’s reaction to Juliet shooting him. 

If you’re sure your character will have some extent of a psychological impact, here are some factors you should consider. 

1. Shock and Denial:

Immediate Response: Characters who have been shot may initially experience shock and denial. This can manifest as disbelief, emotional numbness, or a surreal sense of detachment from the situation.

Physical Symptoms: Shock can lead to physical symptoms like trembling, chills, or even fainting. Incorporating these details can make the character's reaction more genuine.

2. Fear and Anxiety:

Survivor's Guilt: Characters may grapple with survivor's guilt if they are the only ones to emerge unscathed in a violent encounter.

Anxiety: The threat of recurrence or the fear of returning to the location where the shooting occurred can trigger anxiety and panic attacks.

3. Post-Traumatic Stress Disorder (PTSD):

Flashbacks and Nightmares: Characters who have survived a gunshot wound may experience recurring flashbacks and nightmares, vividly reliving the traumatic event.

Hypervigilance: PTSD can lead to hypervigilance, where characters are constantly on edge, expecting danger at every turn.

4. Depression and Isolation:

Emotional Withdrawal: Characters may withdraw from social interactions, experiencing feelings of isolation and sadness.

Emotional Numbness: Some may describe feeling emotionally numb, unable to experience joy or pleasure.

5. Recovery and Resilience:

Therapeutic Support: In your storytelling, consider how characters seek therapy or counseling to cope with their emotional scars. Therapy can be a path toward recovery and resilience.

By addressing the psychological impact of gunshot wounds on your characters, you create more layered and relatable individuals within your narrative. This depth allows readers to connect with the characters on a profound emotional level.

I hope this blog on Everything You Need To Know About Writing Gunshot Wounds will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[alpaca-clouds]

I really find it frustrating how very different in regards to effort the different companion quests in BG3 are.

Like, you have Astarion and Shadowheart who both have those really nice paced out companion quests with a rather good structure in the story, a dungeon for that quest each and this big bombastic finale with stuff that is only connected to their quest and nothing else. They both also - regardless of whether you romance them or not - have quite a few of cut scenes connected to the quest.

Then there are Gale and Lae'zel. Their companion quests are a lot more weaved into the actual main quest which you can see both positive and negative. Positive: They are a lot more related to the plot. Negative: You will do most of the stuff from their quests either way. You can argue that the creché is a dungeon connected to Lae'zel, and you can also make the argument that Laroakan's tower is kinda Gale's dungeon.

Then there is Wyll, who mostly just hangs around during Act 1 and 2 and then has a little tiny bit of quest in Act 3, though the game will very much make sure to push you into the quest even if you have not recruited Wyll or Wyll has left the party. So, yeah, depending how you read it, there are two dungeons that are kinda connected to Wyll (the Iron Throne and then the Ansur dungeon).

And then... there is Karlach. Karlach's quest can be summarized by: "Fight some fake paladins, get one piece of infernal iron, get a second piece of infernal iron, defeat Gortash." The Gortash fight is not even like the two Wyll dungeons, that are not really Wyll exclusive (I mean, technically none of the quests is), that are optional outside of the Wyll questline. No, you will have to confront Gortash in one way or another to finish the game, no matter whether you have Karlach recruited or not.

And it makes it just feel so very... unsatisfying. I think a lot of the problems that people (like me) have with act 3 of the game really are connected to the fact that the endings for the companions outside of Astarion and Shadowheart feel rather, well, as I said: unsatisfying.

I mean, yes, Gale and Lae'zel are connected with the plot, but also their resolution is kinda pushed somehow into this "post-final-boss" scene and hence feels not really as if it actually resolves somethng. Especially as it feels also so very disconnected from basically everything else in the game you do with them.

With Wyll I would even argue that technically the post-Ansur stuff could almost serve as a proper resolution... If the dialogue was not bugged as hell. At least it is for me. And of course it still does not compare at all with the stuff happening with Astarion and Shadowheart.

And then there is Karlach. I just... I am sorry, I hate how the game handels Karlach. Especially because she is such a cool character. But her companion quest gives you less to do than your average side-quest. It is a fucking fetch quest. That's it. And it has no proper resolution. Because in Act 3 there is not even an attempt made to solve her issue. I spoke about that before: I would be totally fine if there was a quest in Act 3 where the player tries to get the engine fixed in the city. BUT THERE ISN'T. It is like: "Well, Dammon does not know anything. Tough luck Karlach. You gotta either die or go back to hell." Meanwhile I am like: "THEN ASK SOMEONE ELSE?" Ask the Ironhand Gnomes, ask the Gondians, ask bloody Gortash, try to make a deal with Raphael. Like, there has to be something, right?

And look, while I would have loved some Halsin content in Act 3, I am fine with the fact that there is not really anything. That is alright. Because really, the entire Act 2 stuff and how Halsin is interwoven with it might very well be the game's highlight for me.

Just as I am fine that Jaheira and Minsc are more like cameos with not that big of a role in Act 3.

(Again, I cannot talk minthy, because I failed to recruit her so far because I do not like to play evil characters.)

But... Yeah. I will not go here and argue that the game is incomplete. It is not. But it still is very frustrating how the game handles the companion quests in this regard, because the companions are the beating heart of the game. And I think the ending of the game would have been more satisfying if the companion quests had been more comparable in quality.

[lordofdestructionm]

Wick Sable

The odd duck in the guilded cage

Despite this being a feral Mordecai and Viktor account I do occasionally like to dig into the others.

Wick is a character Lackadaisy fans love but don't talk about very much. He just the rich friendly geologist with a love of illicit beverages and a crush on Mitzi. Indeed he is all those things. But I want to dig a little into what may be hidden depth (geography joke haha)

Professional dissatisfaction

When we first meet Wick he is behind his desk looking very tired and beaten down. Forcing himself to keep working late into the night with excessive coffee. Attending to a large pile of paper work for tomorrow.

His expression shifts slightly when he sees the Lackadaisy pins fall out of the envelope and realises the letter is an invitation to him (and his fellow aristocrats) to the speakeasy.

This hatred of paper work and the administrative side of his business is a recurring issue for Wick. Making the reason for his reliance on the capable and attentive Lacy very obvious. Exhaustian and too much alchohol are no doubt partly to blame, but it seems to be something that puts him in a very depressed state of mind.

But when actually on the job, overseeing the hands on work of blasting a new quarry, his mood is much more positive. Indeed he has a very real and sincere love for geology and the nitty gritty work of his business. When he first went to the Lackadaisy he was spellbound by the lime caverns themselves as much by Mitzi's charm.

Its his special interest and he will go on long unprompted monologues on the topic if given the chance. Meaning it is specifically the being trapped in his office dealing with the red tape that makes him so unhappy not the industry itself.

Its almost sad that he is the one in charge of the company rather than in a role that puts him closer to the action which seems to bring him real joy. Like someone who loves cooking being in charge of a restuarant or someone that loves drawing running an animation studio.

They love the product/industry but that doesn't mean they enjoy their specific place in it.

Unimpressed Peers

Despite Wicks enthusiasm it proves not be infectious with his fellow elite, who complain about being dragged out of town to watch something, that while very important to Wick, they clearly could not care less about (even not that quietly mocking him and his love for rocks and construction)

When the evening doesn't go to plan due to the uninvited pig farmers Wick has an interesting exchange with Edmund Church, seemingly the most prominent of the St Louis upper crust in the group. Warning him about getting any more involved with an unsavoury crowd, especially Mitzi, outside of simply enjoying the occasional drink.

Wick doesn't take kindly to the snarky criticism and borderline threat to his reputation and responds with a much more direct statement on his peers sour nature

Tracy has mentioned that Church has a role yet to play in the story and it seems safe to assume from this it may well involve Wick in a less than friendly way if he continues to associate with his "lessers" as Church and the others see things.

Despite needing to remain on civil terms to keep them invested in his business, Wick clearly has little love for them, a feeling that is mutual as they have little respect for him and see him as an oddball, only tolerating him because his talent in his field can help make them a tidy profit.

But while he doesn't appreciate Church's sniping Wick IS concerned about his reputation, but not entirely for his own sake or that of his elitist associates, but for the many people who rely on him for employment, who could be hurt by extension of he gets pulled too deep into the less than repectable world of bootlegging

Romantic life

Outside of the crush he has had on Mitzi since first meeting her at the Speakeasy, we have very little information about Wicks love life before this. Being a handsome and wealthy gentleman from a good family, you would think he would he fighting women off with a stick, maybe even be a bit of a playboy.

Instead you get the impression Wick is pretty far away from being a ladies man. Mentioning to Mitzi that he doesn't even really know how to talk to women unless its about rocks, bugs or limestone.

He is clearly attracted to her and is tempted by her to risk his reputation and by extension his business to get closer to her, but so far his fear of the very real consequences are deterring him from taking that gamble.

Though there is that personal aspect to it, it seems that in a more abstract sense Mitzi's appeal to Wick is not just in her beauty and seductive personality, but in the excitement and thrill of her Speakeasy and bootlegging operations.

In that sense Mitzi represents that touch of danger and excitement that during prohibition many otherwise law abiding citizens enjoyed indulging in illegal drinking establishments. Being* just* naughty enough to give them a fun thrill while being detached from the more brutal blood soaked aspects.

Wick is a good natured person (the worst thing he has done is shoot a duck in his youth which he was forced to do) living a very "respectable" life, but that makes the superficial glamour of the world of underground drinking establishments and secret booze stashes even more appealing. Thats why despite his concerns and responsibilities he keeps going back ,not just to Mitzi, but to the Lackadaisy specifically. It has pretty geography, a pretty owner, and an open door to a more exciting avenue of life

Its for that same reason he doesn't seem to be overly uncomfortable with lovable bi disaster Zib flirting with him at the bar. He may have no intention of reciprocating, but it couldn't be a more different experience to the world he is used to

Even if he doesn't yet want to take the full plunge it all excites him enough to keep him circling the edges.

Because despite having so much going for him there are things about his life that not only bore him but make him unhappy. Whether its piles of paperwork, dealing with much stuffier "conventional" fellow aristocrats and not wanting to be like them, or just a general lack of true passion in his life, he is clearly a man looking for something more satisfying

Whether or not he remains a "tourist" or decides to take that gamble, throw his reservations to the wind, and take a more active role in the gang, is yet to be seen...

Assuming Rocky doesn't set fire to him first of course XD