#and one of my favorite portrayals in the musical

[wassupmygays]

im always thinking about sodapop "he feels everything so much" curtis

listening to jason schmidt talk about how soda feels is just. so perfect to me.

"i used to tell ponyboy about sandy in la jolla, but the lines got cut on broadway and i think that makes so much sense, because i dont think he *knows* how to talk about it. if he tries to talk about, he just loses it, so he has to try and deflect and move on to something else to talk about"

thats a bit paraphrased from this interview and i just think about it all the time. and you can see that character work on jason's face in that scene. when pony asks about sandy, you see soda's face drop. and you see him process and think about what hes gonna say next. you see him decide that its not worth it to try and talk about right now, its not worth it to start crying over something thats already done and gone. its not worth it to start bawling in front of his brother that he needs to stay strong for. so, he just tells ponyboy that he's tired, because he is, and he tries to go to bed so he doesnt have to think about it anymore.

and then the same thing happens when they talk about their parents. the train whistle sounds and each brother reacts to it like it sends ice through their bodies. soda tucks his head into his pillow, like hes trying to hide away. he listens to pony talk about his dream, he listens to pony try and process his own emotions about this. part of me wonders if soda wishes he could talk about it like pony does. he watches him sooo sadly. and then when pony asks about his own dreams, soda opts to make a little joke, to lighten the mood. to divert the atmosphere away from all the despair they've been feeling. because, again, if he really truly talked about any dreams of his parents he might have? he'd cry for days. the emotions would come out of him like a wave he couldnt ever stop

and (in the boot's ive seen) jason plays this so well. its such subtle character work but it adds so much to everything he does as soda.

[inkbirdie]

no longer you analysis/interpretations

After seeing Jorge's overview of No Longer You and what he intended the lyrics to refer to, I thought I'd share my interpretations of what Tiresias sees! (Long post, so I out them under the cut). Be sure to watch his video, it was very eye-opening for me.

First of all, I saw everything Tiresias said as something that could be in the past pr future (I see past and future running free). I also didn't see it as chronological since Tiresias is not explicitly showing Odysseus the progression of his story since he is not helping him get home. However, I really like that it is chronological, this whole song is very well written, it's definitely in my top three favorite songs of the entire musical.

'I see a song of past romance'

The reason why I never thought Tiresias' predictions were chronological was because I thought this referred to Would You Fall In Love With Me Again! I still think this applies, but it is also a song of future romance.

Before NLY:

⁃ Odysseus refers to his love for Penelope many times (Just A Man is the best example)

After NLY:

⁃ Calypso expresses her feelings for Odysseus, though she likely still has feelings for him in the moment (Not Sorry For Loving You)

⁃ Jorge's intention (more literal): the siren in Suffering is actually singing about Odysseus' romance with Penelope. This line is difficult because Epic is obviously a musical, and the only time we know a character is canonically singing is in Suffering.

'I see the sacrifice of man'

This line could refer to many things! It could be the things that Odysseus or someone else (who is not a god) sacrifices. It could also be the instances where human lives are literally sacrificed. Here are some of the sacrifices made in Epic:

Before NLY:

⁃ Odysseus sacrifices the life of the infant to protect his family (Just A Man)

⁃ Odysseus sacrifices his connection with Athena to do what he believes is right, but also because of his pride (My Goodbye)

After NLY:

⁃ Jorge's intention: Odysseus sacrifices six men to Scylla (Scylla)

⁃ Eurylochus sacrifices the chance for him and the crew to go home (and sacrifices a cow. rip cow) (Mutiny)

⁃ Odysseus sacrifices the life of his crew for a chance to go home (Thunder Bringer)

⁃ Odysseus sacrifices his morals and belief in goodness to get home (Monster, 600 Strike)

⁃ Odysseus sacrifices his way home to defeat Poseidon (Six Hundred Strike)

'I see portrayals of betrayal'

There are a ton of betrayals in Epic, both done by and to Odysseus!

Before NLY

⁃ Odysseus betrays his morals/goodness by killing the infant (Just A Man)

⁃ Athena betrays Odysseus by abandoning him (My Goodbye)

⁃ Eurylochus mistrusts Odysseus (Luck Runs Out)

⁃ Eurylochus betrays Odysseus by opening the wind bag (Keep Your Friends Close)

After NLY:

⁃ Odysseus betrays his morals and Polites by becoming the monster and decidedly not having open arms (Monster, Different Beast)

⁃ Odysseus betrays his crew by sacrificing them (Scylla)

⁃ Jorge's intention: Eurylochus and the gang betray Odysseus by mutinying

⁃ Odysseus double betrays his crew by sacrificing them (Thunder Bringer)

⁃ Up to interpretation: either Odysseus' mind or loved ones (Polites, Eurylachus, his mom) betray him by allowing him to nearly commit suicide (Love in Paradise)

'A brother's final stand'

There are a few possibilities for this. I think the best interpretations involve Eurylochus, because he is by Odysseus' side the longest and is literally his brother-in-law in the Odyssey.

Before NLY:

⁃ Polites' death against Polyphemus (Survive)

⁃ 551 men (6 died during Survive, Elpenor dies offscreen during the Circe saga to make 558 during The Underworld) die at Poseidon's hand (Ruthlessness)

After NLY:

⁃ 6 more men die when Odysseus sacrifices them to Scylla (Scylla)

⁃ Jorge's interpretation (and mine): Eurylochus and the remaining crew try to take Odysseus down with them when he chooses for them to die (Thunder Bringer)

'I see you on the brink of death'

I always thought this went with the following line and didn't think about what it could mean on its own! Here are some times Odysseus almost dies:

Before NLY:

⁃ Up until he opens the wind bag and escapes Poseidon (Ruthlessness)

After NLY:

⁃ Before he chooses if he or his crew will die (though I don't think he ever would've chosen himself to die) (Thunder Bringer)

⁃ Jorge's intention: When he stands on the edge of a cliff and nearly follows the ghosts of his loved ones to his death (Love in Paradise)

⁃ My interpretation: When Odysseus is underwater (after taking his final breath) (Get In The Water)

'I see you draw your final breath'

This really only has one interpretation: when Odysseus 'dies' and fully becomes the monster to get home (Six Hundred Strike). Tiresias sees 'you' or the Odysseus in front of him, draw his final breath. Tiresias cannot help Odysseus get home because he doesn't get to make it home, the monster does. Tiresias refers to the other Odysseus only as 'a man,' reflecting the idea that some of the greatest monsters are human (which we see more of in the Ithaca Saga). Tiresias' other predictions really only apply to what we see in the Ithaca Saga, so I won't be analyzing those for now. The only saga I didn't find any connections to was the Circe Saga. The closest I can think of is Eurylochus still not telling Odysseus about the wind bag in Puppeteer. I feel that saga is generally disconnected from some of the themes in Epic, particularly because the only person who dies is Elpenor (of his own drunken accord and offscreen) and Circe is the last obstacle he spares (aside from Charybdis) but this is not a mistake (Odysseus makes good decisions throughout the saga, which is also important for introducing Hermes and getting the gang to the underworld. Circe as a character isn't very important thematically imo and her songs aren't referenced in any other song except Love in Paradise). Let me know if you see any connections to Circe and her songs! Also if you had any more interpretations different from mine.

[bunnieswithknives]

Creepy old guy

[yak-leather-whips]

Bad news gang, the hyperfixation train has run into me at full speed and broken all my bones now i can only think about a comedy musical from the 1950s and cry

[austinswife]

TIMELESS

REQUEST — by @sxphia-g

SYPNOSIS — Y/N and Austin Butler were co-stars on a hit Disney show in their teenage years, sparking a relationship that quickly made them one of Hollywood’s favorite young couples. Years later, Y/N’s portrayal of Belle in Beauty and the Beast and Austin’s iconic performance as Elvis Presley solidified their positions as superstars. Despite the pressures of fame, long distances, and the chaos that comes with their high-profile careers, their love never faltered. Fans look back on their favorite moments over the years, recalling how the couple stood by each other through it all, from their Disney days to walking red carpets at award shows. This is a recollection of their love story as told by those who adore them most.

WARNING(S) — Fluff, brief mentions of media speculation and fan culture, strong emotional connections.

𝜗𝜚 ALL FEEDBACKS, IDEA SUGGESTION, REQUEST — TO AUSTINSWIFE

divider by @/chilumitos

The love story of Y/N and Austin Butler is one that fans have been following for over a decade, ever since their debut on Disney Channel. The two met on the set of the hit show Teen Spirits, where Austin played the laid-back, charismatic lead, and Y/N had a recurring role as his love interest during a pivotal season. While Y/N’s time on the show was brief, their chemistry was undeniable, and their bond only grew stronger off-screen.

Fans on social media have frequently recounted their favorite moments with the couple. As they both transitioned into adulthood and forged their own careers, their relationship stayed as iconic as ever. Interviews, red carpet appearances, and social media posts all gave glimpses into their lasting bond, and fans couldn’t help but admire the way they supported each other throughout their journeys.

YEAR ONE: THE DISNEY CHANNEL YEARS

“I remember when they did that Disney Channel holiday special and Austin was giving an interview about his favorite Christmas traditions,” a fan recalls in a Twitter thread. “He kept getting distracted because Y/N was playing with the ornaments behind him, and you could just tell he was smitten. It was so cute!”

During their time on Teen Spirits, Y/N and Austin kept their relationship relatively private, but fans could always sense the connection between them. The way Austin’s eyes would light up whenever Y/N was around, or how she would laugh a little too hard at his jokes—those small moments made it clear that something special was brewing.

After Y/N’s final episode aired, the rumors started swirling. Paparazzi caught them at a music festival together, and soon after, Austin confirmed in an interview that they were dating. The media was abuzz, but their fans were elated. They were the “it” couple of Disney, the ones who weren’t just characters on-screen but seemed to genuinely enjoy each other’s company off-screen too.

YEAR FIVE: Y/N BECOME BELLE

As the years passed, both Y/N and Austin took on bigger projects. Y/N’s role as Belle in the live-action adaptation of Beauty and the Beast was a massive success, earning her acclaim as one of the most talented actresses of her generation. Fans loved seeing her take on such an iconic role, and even more, they loved how Austin stood by her side through it all.

“I remember when the trailer for Beauty and the Beast dropped, and Austin tweeted, ‘My Belle, always and forever,’ with a rose emoji,” one fan reminisces on TikTok. “That was the moment I knew they were endgame.”

Y/N often talked about how supportive Austin was during the filming of Beauty and the Beast. “He would send me flowers every week to remind me how proud he was,” she said in an interview. “Even though we were miles apart while I was on set, he made sure I never felt alone.”

Their red carpet appearance at the movie’s premiere was one for the books. Y/N, dressed in a stunning yellow gown that paid homage to Belle’s iconic look, walked hand-in-hand with Austin, who was dressed in a classic black tuxedo. The way they looked at each other, the subtle touches, and the way Austin never left her side that night cemented them as Hollywood’s golden couple.

YEAR TEN: THE ELVIS ERA

Things could have taken a turn when Austin was cast as Elvis Presley in Baz Luhrmann’s biopic, a role that required months of intense preparation and filming in Australia. Fans worried that the distance and the pressure of such a demanding role might strain their relationship. But Austin and Y/N proved, once again, that their love was stronger than any challenge.

“I’ll never forget the interview Austin did with GQ when he talked about Y/N staying with him in Australia during filming,” a fan posts on Reddit. “He said she was his anchor, and that every time things got overwhelming, he could count on her to bring him back to himself.”

Austin’s performance as Elvis was transformative. He dedicated himself to the role, and it paid off with critical acclaim and awards buzz. But even as he skyrocketed to new heights of fame, Y/N remained his biggest supporter. Fans couldn’t help but notice how, during press tours and interviews, Austin would always find a way to mention her. Whether it was talking about how she helped him stay grounded or how they spent their time off exploring the city together, it was clear that Y/N was always on his mind.

At the Oscars, when Austin was nominated for Best Actor, Y/N was by his side. “When they called his name, I swear I saw Y/N tear up,” one fan posted on Twitter. “And when he went up to accept his award, the first thing he did was thank her. It was such a beautiful moment.”

YEAR FIFTEEN: REFLECTING ON A TIMELESS LOVE

As their careers flourished, so did their relationship. They became known not only for their individual talents but also for how they uplifted each other. Fans have always been quick to point out the moments when Austin and Y/N were each other’s biggest cheerleaders, whether it was Austin gushing about Y/N’s voice in Beauty and the Beast or Y/N sharing how proud she was of Austin for his dedication to portraying Elvis.

“It’s rare to see a couple last this long in Hollywood, especially when they started so young,” one fan account posted. “But Austin and Y/N have always seemed different. They just… fit. Like, they’re two halves of a whole, and no matter how crazy things get, they’ve always got each other.”

In a heartfelt interview, Y/N once said, “We’ve been through so much together, from our Disney days to where we are now. It hasn’t always been easy, but the one constant has been our love for each other. He’s my best friend, and I couldn’t imagine doing life without him.”

Fans, too, couldn’t imagine a world where Y/N and Austin weren’t together. Their story, full of shared dreams, unwavering support, and endless love, was a beacon of hope for anyone who believed in lasting love.

Today, social media remains abuzz with clips, interviews, and fan edits of Austin and Y/N’s journey. From their early Disney days to the pinnacle of their careers, fans never stopped rooting for them.

One fan sums it up perfectly: “They’re the real-life fairytale. They’ve faced so many challenges, but in the end, their love always wins. It’s like something out of a movie, but better—because it’s real.”

And that’s how Y/N and Austin’s love story has remained, even after all these years. Real, timeless, and a true Hollywood legend.

Timeless is a love story remembered not only for the milestones shared between two superstars but for the way their love has become a part of their legacy.

i hope you enjoy this ♥︎

[xiaq]

Favorite fantasy series: The Folk of the Air. I do NOT understand the hate this series gets on booktok/IG. The world-building is immaculate, the politics are juicy, the writing is engaging, and the romance is a slow burn that’s secondary to the plot and character development. I will read anything that Holly Black writes.

Favorite sci/fi series: The Murderbot Diaries. These are quick, quippy, and satisfying reads. I would die for Murderbot.

Favorite romance series: Not sure if they count as a series since they’re all standalones in the same universe, but Ali Hazelwood’s books ft. Women in STEM having unrealistic romances gets an A+ from me. If you need easy beach reads with happy endings, go for one of these (Also, the first book started as Star Wars fic; neat!).

Favorite graphic novel series: I’ve been following the Heartstopper webcomic for years, but I finally purchased/ re-read the print books this year. If you want sweet, nostalgic writing with diverse queer representation and whimsical art, Heartstopper is for you. If you want a historical/educational story, I highly recommend the Marchseries, which is an autobiographical view of the civil rights movement by John Lewis. 

Favorite historical romance: I know I’m not supposed to judge a book by it’s cover, but I put off reading A Lady for a Duke despite rave reviews because I simply did not vibe with the cover. This was a terrible choice. I read this book in one euphoric sitting and then re-read it two additional times this year. The banter! The pining! The drama! 

Favorite fantasy: A Taste of Gold and Iron and its follow-up short novella Tadek and the Princess. These books may have changed my brain chemistry. I loved this world and its characters and the novella made me cry like a baby.

Favorite science fiction: The Martian. I’d read this before but I re-read it on a work trip and fell in love all over again. Such an excellent science-y sci/fi book that nonetheless feels very approachable and fun.

Favorite non-fiction: They Were Her Property is the driest book I read this year but the content was fascinating (and horrifying). If you want to interrogate your perception of white women’s role in slavery (and, to a lesser degree, the role of Christianity therin) — take your time, and be ready to adjust your worldview—especially if you think Gone with the Wind was an accurate portrayal of the south. How to Survive a Plague, on the other hand, is less dry—you can tell a journalist wrote it—but it’s very detailed. It’s rare that I don’t finish a book in one or two sittings, but this took me over a month. If you’ve ever wondered about the social history of the AIDS epidemic and how a diagnosis went from a quick death sentence to an easily manageable condition (and how hard grassroots movements had to work to get some fucking help to make that happen), this is for you.

Favorite comic: Infidel. Damn. The art. The narrative. So short but so impactful. This is horror, so be mindful.

Favorite graphic novel: This is a tossup between If You’ll Have Me, a sugary-sweet sapphic romance, and The Prince and the Dressmaker which is an equally adorable story about expressing ones true self regardless of social expectations.

Favorite WTF: Butcher and Blackbird and Bride. I’m still not sure how I feel about B&B but it was certainly an interesting way to spend two hours. Bride is on the list purely because reading the word “knot” on a print page instead of an AO3 tab felt illegal.

Favorite feel-good/comedy: Monstrous Regiment. I’ve read this book so many times and, after the election, I read it again. I doubt any other book will surpass what has become an emotional support story for me.

Favorite YA: Cemetery Boys (Magic! Mystery! Queerness!) She Drives me Crazy(Athletics! Misunderstandings! Enemies to lovers! Queerness!), and A Little Bit Country (Country music! Thinly veiled Dolly Parton references! Queerness!) (Hm. Seems to be a theme here).

Favorite Sports Romance: Icebreaker (the Graziadei one, not the Hannah Grace one). You know how a lot of hockey books (my own included) can be light on the actual hockey? Not the case with Icebreaker. The character development was lovely, but the hockey was divine. Graziadei clearly knows and loves the sport.

Favorite historical fiction: What the Wind Knows (Mystery! Time Traveling! Love! Ireland!) and Kindred (Mystery! Time Traveling! Love! The Antebellum South!).

Favorite Space Odyssey: Gideon + Nona the Ninth. I had to make a special category because neither sci/fi nor fantasy feels appropriate for this yet incomplete series which is as rollicking good fun as it is completely confounding. I still have no idea what’s happening but I can’t wait to read the next one.

Favorite pleasant surprise: A Court of Mist and Fury. I waited so long to read the ACOTAR series because I got such conflicting reports from folks. I took the advice of a reader I trust and powered through the first book. ACOMAF was worth the contextualizing journey. I loved it. I’m still working through the rest of the series but this book was an unexpected joy.

Least favorite book: Lol, no. We don’t play that game here.

[darth-jess]

GalaxyCon 2024: Meeting Hayden Christensen

I have never been someone who cares about famous people. To clarify: I care about them as human beings, like in a very general sense, the way I'd care about any other person I've never met before. I also don't really care to know much about the personal lives of my favorite famous people. For me, at least, knowing things about them can change the way I look at the characters they play, the music they write, or the art they make. And personally, I like to view these things in my own context, not within someone else's.

Because of this, I have never really become obsessed with any particular famous person. I've become obsessed with their art– their portrayal of a character, their music, their writing, etc… but never with the actual person. Why would I? I've never met them before, I don't know them, I don't know what they're like as real people.

So I never really understood those fangirls who scream or faint or start sobbing when they get to meet the Jonas Brothers or Taylor Swift. I totally did not get it.

Then, I got to meet Hayden Christensen this past weekend at GalaxyCon.

And let me tell you, emotional fangirls, I get it now.

I have never been to a con before, this was my first one ever and honestly I don't think any future con I go to will top this one.

I knew going into it I was going to be a little nervous. After all, even though (as I stated before) I don't really care about the actors who play my favorite characters, I can absolutely appreciate how much their acting affected me, how much the role they played on screen changed my own life, as well as their skill as an artist.

And because Anakin Skywalker has been my favorite character in all fiction since I was 6 years old– and has not changed since then– I was very excited. The only favorite characters I had before Anakin were Darth Vader (when I found out they were the same my 4-year-old brain nearly exploded) and Ariel from The Little Mermaid. I was 3 when The Phantom Menace came out, give me a break.

Anyway.

Waiting in line for the photo op on Saturday gave me so much excited anxiety, I felt light headed and a little sick to my stomach– and the entire time my husband was kind of making fun of me (not in a mean way, mind you, he was making me laugh). I kept telling him, "I'm too nervous, I want to go home!" – which wasn't true, but for some reason I kept saying it.

The photo op was super quick, I remember Hayden saying something nice, like "Nice to meet you" or something like that (or maybe I said that?). I only had time to hand Hayden the Anakin Skywalker replica lightsaber I'd gotten the day before and ask him to hold it! I think he said something else, but I literally don't remember because I sort of blacked out.

I barely remember taking the picture.

Then, later in the day, we waited in line for two hours (it was worth it) to get his autograph and the entire time I was trying to stay calm because I was worried that when we got to him I would just stare at him blankly, unable to say anything.

The line was soooo long, and he was sort of blocked off behind these curtains– I think the curtains are there as much for him as they are for the fans. I imagine if he could've seen how long the line was, he would've wished for Anakin's robotic arm to do all those autographs. I would have, for sure.

When we were ushered through the curtains I could literally feel every single beat of my heart, I could hear it in my brain. I felt lightheaded again, and I turned to my husband and said, "I think my heart is going to explode."

Something I noticed as we got closer was that even though he looked kind of tired, he was still nice to every single person in line and made every interaction special. I have no idea how many autographs he'd already done that day– hundreds at least– and he was still trying to talk to everyone who'd come to see him.

Finally, we got to Hayden and he looked me right in the eyes (and like holy aslkdfj that gaze is intense– NICE, but intense) and he said something like, "How are you today?"

And I said, "I'm good, how are you? It's so nice to meet you!"

I have no idea what he said after that because my heart was beating SO LOUD, but he said something nice in response.

And then I finally remembered what I wanted to tell him, so I said, "Anakin was always my favorite character."

He smiled real big while he was signing our poster, and he said, "Thank you, that means a lot to me!"

I wanted to say more, like:

"How much of yourself do you feel like you put into Anakin's character?" – This is something I'm always curious about, because as a writer I feel like I put so much of myself into my writing.

Or:

"I hope we get to see you in more Star Wars projects!"

Or even just:

"I'm so happy you're getting the recognition you deserve."

But I was honestly lucky I'd been able to speak at all, and at this point, nothing else was coming out. And I was slightly worried that if I spoke again I'd say something weird or not make any sense at all.

So my husband took over, and he held up the photo we'd taken earlier from the photo op and said, "Thanks for making me look like the third wheel!"

And Hayden laughed– he actually laughed– and made some kind of joking reply but I sort of blacked out there too because I was so embarrassed!

Finally, my husband said what I'd really wanted to say, "We're just really happy to see you finally getting the recognition you deserve."

And Hayden smiled and nodded, and said, "Really, thank you guys so much, that means a lot."

And then he shook our hands and said it was nice to meet us, and it was time to go. We walked out, and I had tears in my eyes, my heart was still racing, and my whole body was shaking. I turned to my husband as I held onto his arm and I said, "I literally can't feel my legs."

Moral of the story: Hayden Christensen is literally so nice to his fans, so if you ever get the opportunity to meet him, I highly recommend it. He's not going to remember the interaction, but I guarantee you will for the rest of your life.

Also, don't judge fangirls for getting emotional.

[manicpixieyandere]

Arcane Season 2 Felt More Like A Teaser Than A Season

Does this make sense to anyone else? Like we remember watching the trailers and being like "Oh can't wait to see what Vi's pit fighter era is like". And "Oh we can't wait to see how Jinx and Ekko end up close enough to LITERALLY PAINT EACH OTHER?!".

And then how did we feel after watching the end of the season? "Oh can't wait to see what Vi's pit fighter era is like". And "Oh we can't wait to see how Jinx and Ekko end up close enough to LITERALLY PAINT EACH OTHER?!". The Vi pit fighter era WAS the music video we'd already been shown. And almost all of Jinx and Ekko's main universe scenes were cut! And those are just the tip of the iceberg!

Our main complaint about season 2 is that it just goes too fast. And almost all major issues about the season stem back to that. This show really needed three season. Why?

Well a main complaint we've seen about this season is how it completely does away with the class divide narrative between Piltover and Zaun in favor of Viktor's magic Jesus cult and Noxus. And we completely agree! This would have been fixed by having season 2 wrap up the class divide story line and season 3 be about Noxus and Viktor. This way the stakes amp up in a way more digestible to the viewer as well. Things start off with the class divide, which then gets to be a war, then we amp up to magic death of both cities on the line. Instead of class divide to immediate unrelated death. Not to mention more care can be put on the class divide instead of excusing Piltover as if nothing happened.

(Also if we had more time for scenes then maybe CaitVi can have a better sesbian lex scene than going to town right after Vi's sister said "Hey, I'm gonna go off myself".

We know this show is expensive to make so even just say, three more episodes could have been better to slow the pace a little. Or hell we don't know, maaaaaybe the damn hour and ten minutes of content cut from the final episode??? The show still needed to go slower and that hour wouldn't save it, but damn it'd sure help!

With the way the season is rushed nothing is actually resolved. The class issues persist. Sure Sevika is on the council now, but you, the viewer don't actually get to know how that plays out. Vi and Caitlyn's relationship just ends a toxic mess of oppressor x oppressed "She's one of the good ones". And Jinx, oh my god Jinx.

Why is it that the lesson is the oppressed must stop the cycle of violence? Why must the mentally ill girl abandon her family who LOVES her to make her family happy? Is that the lesson we are really teaching today? Jinx went from being one of our favorite most accurate portrayals of mental illness to now being a plot device to tell people who relate to her to abandon everything. It's saying you're too much of a burden for your families. That's a fucking horrible thing to portray in a definitive light???

See we were fine with it at first while it was happening on screen because it made sense. People with BPD tend to feel "evil" or to be too much for their loved ones. It's very common for them to break off relationships. But it should only ever be from Jinx's skewed perspective! The lesson should end up being that Jinx was wrong, that she isn't actually a Jinx! Jinx should learn that it's ok to love and be with her sister. That she won't kill her just from being there. Instead the narrative teaches both Jinx and the audience that she was right all along, that she doesn't deserve that love.

Things get even weirder with Ekko. Looking at the stuff in the art book it seems Jinx is absolutely obsessed in love with him (real girl). She is basically saying "That's my man" in all the art book graffiti. But we don't get to actually see any of this??? Which means we don't get to know what made her decide to leave him either! Is the lesson to also abandon everyone in our lives, not just family?!?

If we got scenes of Ekko and Jinx talking more, maybe JUST maybe it would have made more sense. Or maybe if they had more time she just would have gotten a better ending, we'll never know. Either way the series definitely needed more time to do everything it wanted to do. It completely sideline its main character in season 2, as well as the entire MAIN PLOT! And then goes on to teach horrible lessons to the audience about oppression and victims within the system.

Honestly we still enjoyed season 2. It was beautifully animated and you know the scenes we did get between characters were amazing when they actually existed! Jayce and Viktor took a turn very different than their OG game counterparts but it was welcomed. (Gonna ignore all the weird comments from Linke right now before we have a brain aneurysm).

All in all; Arcane season 2 was an amazing TEASER for a show, but did not deliver as a show itself. It really needed 3 seasons and to show more care on its characters and the hardships they face within the divide of Piltover and Zaun. (And it should have never been canon to main League).

[dedicatednotobsessed]

It’s heartbreaking to see what Tom posted on his story and that people have nothing better to do with their sad, pathetic lives.

I’ve practically quit Instagram because of the House of the Dragon “fans” because they would harass me if I commented anything against Team Black (I said it in a joking manner of course). The worst was someone told me to 💀 myself for calling Luke strong. People also made fun of me because I was excited for more Aemond in season three. 🙄

It is truly sad to see that people can tell the difference between reality and fiction, actor and character. No one ever deserves the kind of harassment these actors have to deal with. If you hate their characters then that means they’re doing a damn good job at playing them.

Whether you’re team green or team black, please respect others, especially the actors that are helping bring this story to life. It’s just a show at the end of the day and isn’t meant to be taken seriously. 💚🖤

Edit:

My favorite Tom Glynn-Carney picture 💚

-Gremlin Tom-

I stand with TGC 💚

He seems to be an absolutely sweet person and is a wonderful actor. His music has helped me through some hard times along with his portrayal of Aegon. Aegon has been one of my favorites since season one and I can’t wait to see what Tom continues to do with this character as the show progresses through the last two seasons. ✨

[tkwrites]

Okay I'm done now and heading to bed, one last question.

Can you name a favourite fic for each of the boys?

Hi my Lovely,

There are quite a few of your asks I haven't answered, but please know I'm not ignoring them. They'll just take a little more time to respond to.

I can tell you my favorite fics, though:

Matthew Tkachuk - Back To You because it's such a complete story. I love the way he and Jessie meet, lose each other, and then are thrown together by fate again. I also feel like I really captured that sassy side of Matthew's personality in this fic, which I was really worried about at the time I was writing it. This is also the story that I think would be easiest to flesh out into a full length novel.

Nico Hischier - I love all the parts of his story for different reasons, but I think It Doesn't Matter Part II is my favorite. I had actually written the whole sequence of nude sketches for another character, but ended up scrapping the whole story because I couldn't find any real conflict for them to resolve. When I realized I could use it for Nico and Lena if she was an artist, I was thrilled and got to work rewriting it for them. In the end, the only things that stayed the same were 5 of the 6 poses. Getting into and out of them changed, as did the characters relating to each other during them. I love all the longing and awkward tension between them in this piece, as well as how they finally end up confessing their love for each other. Finally, the culmination of all of their longing into the final sex scene? Chefs kiss.

Quinn Hughes - This one is so hard. I've written so much about Quinn and Sarah and I love all of the pieces for one reason or another. If I had to pick three favorites, they would be:

1). Five Days of Joy because I'm so proud of this fic. It took SO long to write, but I love the way it turned out. I love that we go through so many consecutive days and such a gamut of emotions with Sarah and Quinn.

2). The Second Time is Better because I love the portrayal of a more real first time. One of the things that drives me batty about romance novels is how the characters get together and always seem to have this instantly amazing sexual connection. No room for human failing or first time jitters. In reality, it takes time to build sexual chemistry and connection, and I went into this piece wanting to show at least some of that.

and 3). Second Nature because I think it has the prettiest prose. I still think this passage is some of the best writing I've ever done:

This was ultimate flirting in Quinn’s book. Something he knew he could do. When someone wanted to talk about music, or art or classic cars, he was a fish out of water. But talking hockey? He could do that all day long. Convincing someone to like the sport he loved so much? There wasn't a more ideal situation. 

“Oh, good,” she said, leaning forward to kiss him. 

This was a perfect evening. Casual and comfortable. Cooking for someone he - liked, and kissing her whenever he wanted, taking no worry of who might be watching. 

Letting himself get swept up in the kiss, he slid his hands over her hips and tried to commit her scent to memory. No matter what happened - though he was pretty sure nothing bad was ever going to happen with Sarah - he wanted to remember this. She smelled like a dream he’d had as a boy. Like vanilla and warm skin and fireside, summer nights. It was an outlandish notion, but he couldn’t shake it. 

All her life, Sarah had read stories about star-crossed, fated lovers thrown together by chance and circumstance and serendipity. But those were all just stories. Even when her grandpa talked about meeting her grandma - like they were always meant to be together, and just had to find each other to make it happen - it seemed like folklore. A tall tale he spun to make their love story seem more epic. 

After writing all this out, I realized perhaps you meant favorite writing from other authors. Let me know if that's something you'd like me to answer.

[momtaku]

Thoughts on the Attack on Titan Musical

tl:dr; It's been two weeks but I am still not over it.

When I posted the photo of myself holding the playbill of the Attack on Titan musical the most common reaction was "WHAT???", so I guess some background might be good to start with.

Yes, the Attack on Musical is a thing. It was first performed in Japan in January 2023 with shows in Osaka and Tokyo. When it was announced that a second run of the musical would include New York City, I pounced on tickets.

See, it's real! This is my video of the closing number. We were allowed to record this.

The New York run was at the New York City Center which seats about 2200 people. There were a total of 4 shows the weekend of Oct 12. I attended the Saturday matinee. The style of this production is known 2.5D, and is incredibly popular in Japan. I did some checking and this is the first time a 2.5D anime adaptation has appeared outside of Asia. Did Attack on Titan work as a musical?

Surprisingly yes, although I think anyone who wandered in off the streets would've been thoroughly confused. The themes that attracted most of us to the series translate wonderfully to the stage, and despite knowing the story well, they managed to make it feel fresh. Carla's death, for instance. When she realized she was trapped and facing certain death, her song to Eren and Mikasa was a children's lullaby about survival. That portion of the manga always hit me hard, but the desperation, horror and love set to a lullaby? Damn it musical, you made me cry.

The original scene of Hange leading a Titan Biology class might be my favorite of the entire show. The actor who played Hange was the perfect amount of unhinged and delightful as they dance across the table while the 104th answered a pop quiz. (And yes to "they" since the playbill specifically mentions that the actor in the role was known for her portrayal of nonbinary characters.) It was genuinely hilarious.

The musical covers the first 11 chapters of the manga, stopping in the "Struggle for Trost" arc, where the plan for Eren to plug the hole in the wall was conceived but not yet executed. I remember reading that portion of the manga years ago and feeling that same sense of optimism. So the musical ends on a high. Humans finally have a way to win against the titans, It felt like a strange place to end, knowing what ultimately happens in the story, so I wondered if the intention is for a part 2 musical adaptation.

(btw, the staging of "can you plug the hole" had Eren and Levi kneeling closely on the floor together with a manly shoulder clasp looking earnestly at each other. It had me looking at my very ereri friend with raised eyebrows. It was for sure her favorite moment.) What was the performance like?

The short run 2.5D musicals don't have the polish or production budget of a true broadway musical, but it was still wildly entertaining. Since the director is known for breakdance and hiphop, there was plenty of that. The dance numbers were fun. The songs were catchy.

Rather than try to describe it, here's a TikTok review that shows off the 3dmg, the titans, and that two minute head spin that no one could shut up about.

View this post on Instagram

A post shared by mixed feelings (@mixed.feelings)

Also, the cast could not have been for perfect. I mean LOOK AT THEM!

From this tweet

Who was in attendance?

As I mentioned before, this was a first in many ways so it attracted people from all over the world. While I was opening my blind box items, I met a group older women from Japan who'd travelled to New York from Tokyo and had purchased tickets to every single NY performance. Their English wasn't great, and my Japanese is nonexistent, but what surprised me the most wasn't their dedication to the show, but that they seemed genuinely surprised to see me. I don't know if that was because I too am an older fan like them, or if they weren't expecting equally passionate westerners at the show but I tend to think it was both. I suspect the Japanese fandom has no idea how big this series is outside of Japan, or that it attracts such a diverse audience.

My podcast partner Luna was sitting next to two women who'd flown in from California. They knew nothing about Attack on Titan but were fans of the actor who played Eren. Since it was his first time performing outside of Japan, they came solely to see him.

On my flight home was a 22 year old wearing an Attack on Titan musical t-shirt. We started talking and I learned it was his first time in New York, his first time seeing a broadway musical, and his first time traveling alone. He just loves the series that much.

In general the audience was much younger than what you'd normally see at a broadway show and 100% more excited. Plenty of people were in cosplay or else wearing Attack on Titan clothing. The atmosphere was insane.

My merch haul

The mug and t-shirt sold out before the second show so I was glad I was there early to snag them. The playbill is selling on Mercari for almost $50. Sadly my poster didn't survive the trip home. It cracked in about 50 places.

Did you do anything else in NYC

Aside from hanging out with so many of my favorite people, the Kodansha Popup House was going on. It was incredibly cool.

We met up with James from the Titan Teatime podcast. I think the plan is do a joint podcast in a few weeks to get everyone's thoughts . I'll post more about that if it actually happens.

Final Thoughts

Rumor has it that the show's successful New York run could mean it will branch out further. If it goes to London, nothing will stop me from being there. It was that much fun, and I can't wait to share the experience with my European friends.

[impactrueno]

I know she’s not super prominent in Beetlejuice media, but what do you think of Ms. Argentina?

LOVE and ADORE her design. unfortunately i always have to look away when she shows her wrists in the movie, that's like my one trigger and i have the misfortune of having to deal with it in my all time favorite movie. 💀

besides that, i also have a bit of a beef with her portrayal and song in the musical. as some of you may already know, i'm venezuelan. our country is both south american and caribbean. so it's very jarring to see an argentinian woman speak with a caribbean spanish accent and sing a salsa song. argentina is on the opposite end of south america and their culture could not possibly be more different from the caribbean vibes they gave her. a tango or a milonga would've gone so hard

sigh. latino rep be like that i guess

but yeah i love her design

[a-bottle-of-tyelenol]

people are, of course, allowed to have their opinions and dislike whatever they please but a lot of criticism I see about epic not being a good adaptation boils down to people not realizing that 1) it’s a retelling BASED on the odyssey and was never actually meant to be an adaption, let alone a faithful one

and 2) even if it was, that’s just the nature of how adaptions and retellings work. there will NEVER be a totally good and faithful adaption or retelling of the odyssey (movie, musical, ect) because there will ALWAYS be constraints of some kind.

so much shit happens in the odyssey and there isn’t a valid musical length that could go over it all. Jay cut out a lot and he STILL has issues with time (that’s why you see so many people criticizing the fact that we don’t spend enough time with the crew before they die or calypso before odysseus leaves). Jay has spoken at length about all the things he TRIED to include but couldn’t because there wasn’t time to do them or because it didn’t narratively feel satisfying (the laestrygonians, for example, originally had a much bigger part, as did the lotus eaters).

which leads to my next point— Jay prioritizes a satisfying and clear cut narrative over one that is authentic to the original story (which again is how MOST retellings go about it especially when their goal is to share the story with a wider audience!). Like I’m sorry I love the odyssey and the Iliad but they aren’t a satisfying story/conclusion to me. and that doesn’t make them bad or worse; it makes sense that they feel this way considering they’re PARTS of an overarching story that we’re missing crucial pieces of and, more importantly, ITS NOT A MODERN STORY AND THEREFORE IS NOT HELD UNDER THE WAY MODERN PEOPLE VIEW SATISFYING ARCS AND NARRATIVES!!! The odyssey is fantastic but it would literally never work as a modern musical and epic wouldn’t be enjoyable at all if Jay tried to be as accurate as possible.

Jay was inspired to tell a story about grief and what it means to be human interacting with that grief. obviously he’d have odysseus reveal his name to the cyclops because he’s angry and grieving instead of being prideful. obviously he’d have it so odysseus had to choose who died to zeus immediately after the cow was slain. obviously he’d make it so odysseus’ primary motivations surround his survivor’s guilt and missing his home over the more complicated and harder to express themes and motivations of odyssey!odysseus.

like I do understand the frustration of never getting an “authentic adaptation” but if you want something authentic then… read the odyssey? you will never get something that is 100% authentic or scene to scene otherwise. you might get close, I’ll definitely give you that, but SOMETHING has to give. a perfect adaptation to you will be missing something crucial to someone else and that will always be how it is.

life is so much more fun when you’re willing to enjoy art that has “based on” disclaimers literally everywhere as something separate (or you are just willing to enjoy adaptations/retellings separately to the source material in general). epic was NEVER intended on being seen as an accurate portrayal of odysseus and Jay never claimed it was. It really does feel like y’all are setting it up for failure by seeing it as something it was never meant to be and then getting upset that it isn’t accurate when no one ever said it would be.

maybe it’s just a me thing because I’ve never had any issue separating media from their adaptions/retellings, even my favorite ones, but idk it just sucks seeing people say they have a ton of issues with epic and their issues are all just,,, it’s not accurate enough.

Idk if this makes sense or not but I’m just rambling. like what you like, dislike what you dislike. I’m not saying anyone is wrong or anything in how they feel or their preferences. I just think we should all be more open minded about these things idk

[transbutchblues]

could you please elaborate on your feelings on the gods' characterization in the wisdom saga? Not forcing you tho!

sure! keep in mind that i love EPIC and that even if i complain about things here, i totally respect the choices that Jorge makes. it’s his musical and i admire all the work put in the songs.

disclaimer : most of the time i try to dissociate EPIC from the Odyssey in my mind, because thinking of EPIC as an adaptation tends to make me upset due to how different it is. but it’s also amazing on its own! there are creative liberties that i deeply love (like having Odysseus know about Scylla but not telling anyone, and changing the context of the mutiny), others that i don’t like that much but that i can get behind, and others that i really dislike. i understand why everything is done the way it’s done, but i still have opinions.

before talking about the Wisdom Saga i’d like to explain how i felt about the gods in the other sagas. as a classics student and a hellenic polytheist i tend to dislike most modern portrayals of the gods, mostly because they’re usually flat and lack nuance. up until this saga, i had never been disappointed by any choice done regarding the gods in EPIC. they were all so interesting.

i loved Zeus in Thunder Bringer. it’s one of my favorite songs, and i found that Zeus was beautifully portrayed. he’s the villain, sure, he offers an awful choice (for the second time), but the situation was created by Odysseus and his men. i loved the lyrics and their double meaning.

this all fell apart in God Games, for me. it just didn’t feel like the same Zeus anymore. and as much as i try to dissociate EPIC from Homer’s epics, i love the Iliad and the Odyssey too much not to point out that Zeus would never be like that. in the Odyssey, Zeus immediately agrees with Athena on the fact that Odysseus must be freed from Calypso’s island. Poseidon is the only god who really wants to stop Odysseus, Zeus doesn’t exactly care about him. he knows Odysseus’ fate and he won’t go against it. besides, Athena is Zeus’ favorite daughter in Homer’s works. he loves her. he doesn’t like it when she defies her, that’s very clear in the Iliad, he even threatens her when she does that, but he loves her dearly and he gives her nearly everything she asks for. he would simply not strike her down like that. and Zeus has no reason to go against his own word. if he sets a challenge, he respects the terms. he’s a fair god, he’s a ruler, he’s all about divine justice. i don’t mind changes, but i dislike these ones.

and Athena… Athena was always the deity i felt the less sure about in EPIC. don’t get me wrong, i love her in the previous songs. but i never knew where exactly her character arc would bring her and i felt uneasy. now i know i was right to feel this way.

there had to be an explanation to the fact that Athena hadn’t helped Odysseus during the years he was imprisoned by Calypso. i understand why in EPIC, this explanation is that Odysseus and Athena fought and fell apart. in fact, i love My Goodbye. i think the way Odysseus is portrayed in the Cyclops Saga makes him way more of an asshole than he is in the Odyssey (and that’s alright by me!), because he’s stupid and hubristic and he refuses to listen to Athena. in the Odyssey, Athena never abandons Odysseus, she helps him during his entire journey. but if he had talked to her like he does in EPIC, she probably would have left him! i find their fight interesting, how cold Athena can be, how betrayed they both feel.

but! here comes the Wisdom Saga. and i love Athena in Little Wolf. i like her in God Games too. maybe even in Love in Paradise. but i can’t get over We’ll Be Fine, it just doesn’t sound right to me. i like Telemachus. but i hate that this is how Athena suddenly decides to go back to Odysseus. "i could sleep at night", really? why would she feel guilty about leaving a hero who refused to listen to her? i enjoyed how cold she was in My Goodbye, it was an interesting choice, and i would have liked for her to remain this way. or to change more slowly. the loneliness aspect could have been great if it had been explored more in depth (which i know wouldn’t have been possible since she doesn’t have enough songs to allow for slow character development). this just felt rushed and strange.

i would have liked for Athena not to reach out until Odysseus does. the moment where he cries out her name at the end of Love in Paradise is heart-wrenching, i love it. that’s when i would have loved for her to suddenly hear him and go back to him, instead of already being there. that would have been a moment where she could have decided to help him despite what he said and did, because she still cares about him and she sees him being so desperate. that could have been a moment where she feels guilty or lonely.

i know it’s done that way so that Telemachus saves Odysseus’ life by giving advice to Athena. it’s fine, it’s a nice idea. i understand why people like it, and i’m glad they do. it just feels off to me.

regarding the other gods: firstly, Calypso is great and i love her! now, on the other ones: i think instead of all this weird Zeus portrayal in God Games, it would have been nice to mention Poseidon. if there had to be a reason for Zeus not to want to release Odysseus, it could have been something to do with his brother. Apollo’s appearance felt unnecessary, his argument was weak, i’m still glad he was there but i didn’t love his portrayal. my opinion for Hephaestus is similar (though i liked his portrayal better, he just felt unnecessary), with another thought: i’m already starting to see more art of him and i really wish people would depict him as disabled, because not everybody does. i liked Aphrodite’s and Ares’ part, and Hera’s was fun. i don’t necessarily like the overall vibes of God Games but that’s just a matter of my music tastes, there are multiple songs in EPIC that i don’t really listen to because of that while still enjoying their role in the storyline.

obviously most people disagree with me, and i’m glad everyone seems to love that saga. some parts were just really not for me, namely, We’ll Be Fine, the beginning of Love in Paradise, and the end of God Games.

[veilder]

War of the Rohirrim: My Thoughts

So, I just got back from seeing this movie and I thought I'd write up a little review, I'll give a brief overview first and put spoilers under the cut.

First off, let me get this out of the way: I really, really enjoyed it! Which isn't to say that the movie didn't have problems, just that I was thoroughly entertained throughout and also got way more invested in it than I thought I would! It was a nice, self-contained little story that did service to Tolkien's Legendarium while still allowing for creative changes and I thought it all worked really well the way it was told. The animation was absolutely stunning in a lot of scenes (notably the fight scenes!), though I did have some issues with it in others. Notably with the compositing of the 2D and 3D art together, some of those just did not look right, but they were few and far enough between that they didn't detract overmuch for me.

The cast of characters were vibrant and well-crafted, especially the supporting cast for me, and the voice acting for everyone was on point. I also really liked the general design and portrayal of the whole cast, I thought they all looked very good. Notable standout character for me would be: the princes, Háma and Haleth, the King's nephew, Fréaláf, and the shieldmaiden, Olwyn. And honorable mention to the Dunlanding general, Turgg, too. I can't tell if it was just the nostalgic Howard Shore score returning in some parts or if I just generally liked the whole soundtrack (notably not composed by Shore this time), but I felt like the music was very good as well. Very suitable to the world and Rohan specifically.

And, last but certainly not least, I thought the vibe of the film was just incredible. Even moreso than with the Hobbit movies, The War of the Rohirrim felt like Middle-Earth. The vibes of the movie were impeccable and it actually seemed like a genuine story set in the original trilogy's Rohan. The styles and dialogue and whole atmosphere of the film seemed very in line with Peter Jackson's original trilogy and I think that's what elevated the whole thing for me, enough to overlook its flaws, which I will get into more detail in below the cut.

Overall, I personally would rank this a solid 6.5/10. It certainly didn't match the original trilogy and likely wasn't even as good as my favorite of the Hobbit movies, either. (Which is the first one, of course. 😌) A very solid addition to the Middle-Earth series and enjoyable enough that I'll definitely be watching it again, but nothing particularly groundbreaking. If you are a LotR fan, I feel like you'll like it. If you're an anime fan, you might get a good story and some pretty characters out of it. If you're a more casual movie watcher, it might be a tad hit or miss. But overall, I consider it a very solid movie.

Now, on to spoilers.

So, first off, let's talk about Héra. I've seen a lot of entertainment outlets and reviewers criticizing her character (or lack thereof) and calling her a "Mary Sue" which is, in my opinion, just a very lazy critique of her. The movie sets her up as this free spirit, a warrior king's daughter who grew up learning to fight and ride and adventure alongside her brothers. She is a beloved princess of the realm who the people greet by name, who is kind and compassionate, clever and competent, who dreams of one day being free of her royal duties and be able to travel where she pleases. Oh, and she has an overprotective father who wants to marry her off to try and keep her safe. A textbook Mary Sue, right?

Well, no, I'd very much beg to differ.

Héra is a flawed character. Time and again, her youth and inexperience lead her into situations she can't handle and she is a liability just as often as she's shown to be a hero. And time and again her compassion is taken advantage of, to the detriment of herself and others. The fact that she is clever and headstrong and grows into a deadly warrior by the end does not make her a Mary Sue. But that's also not to say that I found her to be the most compelling, either.

Don't get me wrong, she definitely had some amazing moments (her conversation with Wulf in Orthanc, her wisdom in evacuating Edoras and her traps laid out before its siege, her amazing "I'm no man's bride." "Who are you promised to?" "Death!" line read?) but she was rather generic to me all things told. However, she's shored up by an excellent supporting cast and a great plot, so I didn't feel I really needed a super interesting protagonist to follow. She is excellent in her role as the POV character for the events happening around her and she becomes anchored enough in the main plot by the role her family plays and the obsession the main antagonist has with her.

Which, speaking of...

Another character I really want to call out is Wulf. Because he... was a missed opportunity imo. I get what they were going for with him I guess? Hm, a sort of Maeglin approach to him almost, for those familiar with the Silmarillion, where becomes obsessed with the object of his desire to the point of madness and villainy. However, I personally feel as if his character could've been so much better if they'd taken him in a different direction? These are all my own thought and you don't have to agree, but hear me out: I think they should've tried to humanize Wulf more. We are told early on that he and Héra are childhood friends, but we're only ever given the barest glimpse of a flashback between them to set that up? We have one short conversation between them at the very beginning after his proposal to her and after that he takes a sheer dive into villainy that he double and triples down on as the story goes. But if the movie truly wanted us to feel as if there was a connection between them at all, I feel like they should've emphasized that relationship a lot more. Show more of their time together as children. Give more scenes to Wulf of him experiencing discrimination because of his Dunlanding blood. Give him moments of hesitation and remorse when he's forced into conflict with Héra. Like, I genuinely believed that's where the movie was going at the end? I really thought that, after their big fight where Héra has him on the ground and shows him mercy, I thought he was leaping up at her to die. I thought he intentionally missed her with his blade because he wanted her to kill him after everything he's done and that was the only way he could accept it happening. I thought the movie might come full circle again to showing that, despite everything, there was something genuine to his affections? That he wasn't wholly evil or deranged and that his declaration of love had been true once upon a time, even if he'd since forswore it after his father was killed. I really thought they would give him some glimpse of humanity. But no, he was genuinely just trying to kill her again and she beat his ass and that's that. Honestly much less impactful to me. Like, don't get me wrong, I absolutely did not want him to be redeemed. (Especially not after the absolutely abhorrent way he killed Háma right in front of Héra and Helm, oof.) But just any show of him not just being some black and white villain would've been welcome. Just the tiniest bit of complexity to a truly vile villain makes them stand out all the more for me and I think Wulf would've been truly memorable if he'd had that.

Now, my issues with the two leads out of the way, I just wanna bring it back around to the positives again and say how delightful I found the rest of the supporting cast? For all that they were barely in it, I was just instantly captivated by Haleth and Háma, not even joking. As soon as Héra rode in to Háma singing his little song for her, I knew I had a favorite. Oh, what's this? He's a poet and a bard and a handsome warrior prince?! Well, I'll be. It seems he was specially crafted to be my new blorbo, lol! And then Haleth showed up and my mind just instantly associated the two of them with my two absolute favorite Tolkien character and I knew I was a goner. (Please tell me I'm not the only one to instantly get Maedhros and Maglor vibes from them, eh? Which, in retrospect, Haleth is much more how I picture Celegorm, lol, but still. That initial projection really stuck in my mind. XD)

Héra's servant, Olwyn, was also such a pleasant surprise? I didn't expect much of her at the start, but she really grew on me as the film went on. I love that you just have to piece together her backstory as a shieldmaiden of Rohan and then you can start using that to theorize about Héra and how she idolizes them and it all just clicks together so well? And it's always nice to see an awesome older woman kicking ass!

And then Fréaláf showed up and he was just like the coolest guy ever?! Yooooooo, I loved him so much, even though he got so sidelined in the movie. 😭 But his appearance at the end wearing Helm's armor and blowing that horn was just awesome. I don't even care if his whole arc was a bit derivative of Éomer's from the films, I still just dug his whole vibe and personality. And it's terrible how Haleth and Háma had to die (like oof, both their deaths were just... so brutal 😭😭😭), but it's obvious that Fréaláf will make a fantastic king for Rohan.

Helm Hammerhand was, of course, amazingly badass, they really kept that part intact. And though I wouldn't say he was particularly likeable as a character, he certainly was compelling to watch. And his death scene, of course, just went so hard.

And yes, shoutout again to Turgg, the Dunlander, for being cool and levelheaded throughout the whole movie. Honestly, if that guy became the Dunlanding leader instead of Wulf, things would've gone like 2000x better for everyone. And I do love that he finally just outright refuses to do Wulf's bidding at the end. It is certainly an instance of too little, too late by that point, but still. I appreciate that he at least had some sort of line he wouldn't cross, even if it was purely because he finally saw how mad Wulf had become. Cool character, I liked him a lot.

I already spoke a bit about the music and the animation up top, so I won't rehash all that, but I just want to highlight a few outlying thoughts I had.

What the heck was up with that Watcher in the Water just chilling in the woods there? That seemed so random. And also, it ate that entire mumik like it was nothing, wot?

In general, the scale of things was kind a crazy? It seemed to vary a lot scene by scene and it was hard sometimes to really tell the perspective of anything.

I absolutely loved Miranda Otto coming back to act as the narrator for this film? Not only was it wonderful to hear Éowyn again in a new project, but I loved how they used it as a sort of framing device, like it was Éowyn telling us a story of her people. (And I love the thought of her being inspired by this legend of Héra as a little girl and dreaming of being a shieldmaiden, too.)

I love that Olwyn didn't die?! I was just waiting for it to happen the whole movie, she had so many death flags it was unreal. But then it just... didn't happen! Yes!

What on Middle-Earth was that dang siege tower Wulf built? Omg, that thing was ridiculous. When they were raising it up and it just kept going higher and higher and higher?! It was like a skyscraper there for a minute, what? And then it just crashed down and didn't break? XD I'm pretty sure I audibly said "Yo, wtf?" in the theater when I saw that part, lol. (It's okay, I was literally the only person there. >_>)

I didn't realize Dominic Monaghan and Billy Boyd were the voices of those two orcs until I saw the credits? That was a neat cameo!

Why oh why is there no WotR AO3 tag up yet? 😭 How am I supposed to find fix-it fics about mah boi Háma now? 😭😭😭

That one eagle sure was helpful in this movie, omg. And lol, I like that they established that the eagles and wizards can talk to each other? Lol, Maia to Maia communication. XD

But yeah, those are my initial thoughts. Overall, a very enjoyable experience! I was really glad to be back in Middle-Earth again, especially since my interest in all things Tolkien has been massively reinvigorated lately by my newfound fascination with The Silmarillion. This movie hit at a perfect time for me and I enjoyed it greatly. Thanks for coming to my TED Talk movie review. XD

[the-lazyyy-artist]

The Purest Portrayal of Unconditional Love: Thoughts on EPIC: The Ithaca Saga's "Would You Fall In Love With Me Again"

Alright. I'm a big hopeless romantic and I have posted about Not Sorry For Loving You being my favorite song in all of the Sagas. But I'm afraid the final song of the musical topped that.

Would You Fall In Love With Me Again is a beautiful portrayal of Odysseus and Penelope's everlasting and unconditional love. Penelope, who had bought time for Odysseus for 20 years, believes her husband will return to her, and Odysseus, who has gone through all the worse just to return to his wife. It is a testament to how these two love each other through whatever has happened, and at the end of it all, no matter what Odysseus has done, Penelope will always love him because he is him, her husband, the man she fell in love with, and the father of their son.

For me, this is the highest point of Odysseus' journey.

The most beautiful part of this song is when Penelope asks Ody to move their wedding bed, the one built on the olive tree they first met, built a sign of their love, their wonderful and lovely marriage. Penelope destroyed the doubts Odysseus had about her love and devotion through that request, though as absurd as it sounded, and that was the proof Odysseus needed to just know that Penelope would still love him despite everything.

And then... the tune of I'm Just A Man played.

Because Penelope understands that Odysseus is just a man, susceptible to change, especially when needed, and he changes to get home to his family. He is just a man who longs to be with his wife after 20 years of his journey and struggles. At the end of the day, he will always be a man who is in love and will forever love his wife and his family.

And this is also a callback to Odysseus' desire to come home, to trade the world to see his family, and now... He's finally home.

"How long has it been?"

"Twenty years."

"I love you."

The song itself has made me realize that true and real love like Odysseus and Penelope's exists in this world. The love that will accept you no matter what, no matter how much you've changed, no matter what you've done. Because that's how it should be. It's always how love should be. This song made me go to my s/o and hug him, cry to him, and made me realize that hey, we would do the same.

The Odyssey is a story of love in its various forms, but most of all, unconditional and everlasting love, and Jorge has written the love that this story embodies in every song.