#and of course the ever-present idea of 'i can do this thing because i have good intentions. surely it will work for ME!'
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your-local-granny · 13 hours ago
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okay before i forget. i've been trying to put my finger on why people saying phoenix and maya are 'sibling-coded' pisses me off so much and I think a big part of it is how important mia is to both their introduction and also the foundation of their relationship and how calling phoenix and maya 'siblings/sibling-coded' waters down all of their relationships
phoenix wishing that maya was mia is a very big part of maya's arc as well as a big sticking point in phoenix and maya's relationship. phoenix spends the majority of turnabout sisters wishing that 'the chief' was there and when maya fails to channel her he shows outward disappointment. this is something that maya obviously picks up on and internalizes as we see throughout the rest of the games. most notably maya shows remarkably little self-preservation, throwing herself at von Karma's taser and in contempt of court to help edgeworth (and by extent, phoenix). she openly admits to feeling useless when she can't channel mia and phoenix never refutes this out loud until he of course presents the bullet to her showing that she wasn't useless. phoenix is notably bad at expressing his thoughts/ and feelings so its honestly debatable whether this gets through to maya but thats neither here nor there
on the other side of it, maya wishes that phoenix would be the caring adult figure that she was missing for most of her life (and especially after mia dies) and phoenix does not do a great job of being that figure. he likes her sure, and they're good friends, but he's definitely not nurturing or sensitive whenever maya is in distress. at the end of turnabout sisters when mia tells maya to "take care of phoenix" for her, maya starts calling him nick (because that's what mia said phoenix's friend calls him) and their dynamic for the most part is solidified. maya is not able to find mia in phoenix and accepts him as his own person and a part of her life as a friend.
phoenix has a more complicated journey with viewing maya as her own person partially because of the whole spirit-channeling thing, and partially because maya is younger than both the chief and himself. phoenix is constantly looking to a mentor for guidance and feels out of his depth for most of the cases in the trilogy. he frequently wishes that mia could be there, and is shown to value maya's ideas less, or at the least question them more at face-value. nevertheless, by the second game phoenix relies on maya greatly as shown with how he copes (or fails to cope) with her absence in rfta and 2-4, and 3-5. phoenix views her as both an integral part of his life and support structure, but also views her as someone he has to put on a brave face for, much like pearls. maya is phoenix's young friend that he leans on and wishes to protect.
maya's love for her sister is a core theme that spans the entire trilogy and culminates in maya almost dying in 3-5. phoenix's love for mia is a constant driving force that pushes him past what he believed himself capable of, and encourages him to trust those who become those closest to him. phoenix and maya's relationship is colored by their own relationships to mia, and how they view each others relationship with mia. they both represent a part of her that they never knew as well as a part of her they can keep loving in her place after she is gone, but most importantly, neither of them will ever be mia. no one else can be maya's big sister and no one else can be phoenix's mentor. they meet each other as two strangers set adrift by the same lost mooring, and though they'll never be secure in the way they were before meeting each other, they have a friend to help keep themselves afloat.
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lonniemachin · 11 months ago
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Robin Annual (1993) #1
'a passive person will evoke an eclipso - a separate being... while an aggressive personality will actually turn into eclipso! an ugly thought - but it's a risk i'll have to take. imagine - being able to control that evil - to use it for good!'
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joycrispy · 1 year ago
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One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.
I have a few different things to say about that. Let's unpack them.
As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.
Also: in the naked romanticism with which he views his stars.
We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'
...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'
Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.
Hm.
I'm also reminded of the M25.
The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.
That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.
Cumulatively gigantic, that is. Individually? Negligible.
But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.
It's some clever machinery. And he knows it, too:
The Unnamed Angel and Crowley are both proud of their ideas.
(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)
In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.
Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"
11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'
(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)
Hastur and Ligur don't get it, of course. That's also consistent.
Nobody ever knows what the hell he's talking about.
It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:
He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.
(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?
...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)
Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.
Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).
Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."
To me, at least, that suggests a level of attachment that seems to be rare for Crowley.
...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?
...Anyway.
There's also the matter of the crank handle.
This thing:
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This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.
The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.
He made stars with it.
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[both gifs by @fuckyeahgoodomens]
If you Google 'crank handle,' you'll get variations on this:
Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.
Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.
Stopping time. For instance.
(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)
I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.
(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)
Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?
He made stars. They didn't manage to take that from him.
Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.
Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.
...And yet.
It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.
In light of everything else I've said here, I think that's interesting.
Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?
Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?
What do we name the point to which Crowley loves Aziraphale?
...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.
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weirdmageddon · 1 year ago
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i love these tags this person is so right
actually, can you imagine if dave was raised by B1 roxy?
i wanna get into this actually
(ok i had to spend a few hours rewriting this because IT DIDNT FUCKING SAVE AFTER FIVE HOURS OF WRITING WHEN MY COMPUTER UPDATED WHILE I WAS AFK so it would mean a lot to show this post some appreciation. i LOVEEE hearing what other people have to say)
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even though these things mom does are presented in an extravagant, kitsch, jokey way, her intentions always came from a place of sincerity. she is simply Funnie
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but rose reads too far into it and assumes things that aren't there, that her mother is passive-aggressively feigning interest in rose's interests simply because the things she does are so extra. "why do all of this if not to mock me"
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im telling you right now if dave lived in this household he wouldn't assume antagonism, he'd go,
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don’t forget who LITERALLY patented tangible jpeg artifacts as their post-scratch adult self and scattered shitty scummed up statue of liberties all over the planet. theres no way some of that overboard artful shit wasnt post-ironic / circling back around to genuine funny sincerity
dave's natural state is funny sincerity like roxy. he's had the natural capacity for this type of humor from the start and this is the direction he goes towards when he grows out of his brother's shadow by the end of the comic. dave and roxy share an earnest “so bad its good” type of humor
(lots more under the cut; the length of this meta analysis just got unwieldly with all the pictures and whatnot)
despite the alcoholism, roxy is a supportive mother. she's not the ideal guardian but hells of a lot more supportive of her kid than bro is. if she knew dave's interests she would totally indulge in them with some over the top silly goofy haha shit as a genuine gesture simply because she loves him
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rose isn't too keen on it though. but she is more similar to dirk in her natural state of thinking of overthinking shit and assuming the worst, like the tags said
and yes dave got the sweet cuddly yet sometimes backhanded ouppy gene from roxy, probably even moreso lol
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roxy's even said rose "sounds like girl dirk"
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side tangent here, but this is something i wanna talk about.
i dont think bro should ever be in custody of children ever but if theres anyone who would be up to the task it's rose probably. i know she'd be able to keep up with him. not only does she have a defined personality (dave is more malleable and absorbs his environment like a sponge), if anyone can pick apart B1 dirk's batshit brain and probably be right on the money it's her. lil cal has been pumping patriarchal nonsense into bro's head and rose would be able to bring the fucking facts to the table without losing her own and being a living example of a badass little girl. i also don't think bro would try to force masculine roles onto rose like he did with dave, seeing as she is a girl, so she would actually have more of a leg up and get some passes that dave was never afforded. and rose wouldn't stand idly and accept any bullshit; she is no doormat. and i think this would earn bro's respect
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but anyway, from this, couldn't we conclude roxy "sounds like girl dave"?
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yeah okay. we havent even gotten into their penchant for funny typos or misspeaks, deliberate or otherwise
so, dave's environment
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the sentiment "god you hope you can be as good as your bro at this some day" might have been genuine at the time when he idolized bro but of course he's not able to express that in any sort of sincere fashion because he's in dirk's fucking household. and this level 10 irony shit isnt doing dave any favors
his role models were the Internet and a vague idea of what Bro was like. So he built up his facade based on irony–not the literary definition of irony, as Rose might be quick to point out, but a popular concept of irony based on the idea that things that didn’t make sense actually made sense in some roundabout way. As a master of irony, Dave probably reasoned, he could see in a way other people couldn’t why a world that was scary and didn’t make sense really did make sense, and could therefore convince those people that he was superior to them. And he would wield his knowledge to maintain the appearance of superiority by calling everything ironic and pretending he didn’t care about things that didn’t make sense, and he would use walls of vaguely rhyming words to keep everyone at arm’s length so they wouldn’t discover his insecurities (source)
roxy's style is the embodiment of post-irony. being raised by mom lalonde would be like being raised by joel vinesauce ok
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what can i say ….. (getting meta about this actually, hussie got these jpeg wizard wallpapers from a spyware website. link takes some time to load because internet archive)
rose is quick to read post-irony as actually being a joke/insincere, which in bro's case would be true. but i believe dave's natural instinct, outside of the influence of bro, is to read post-irony as genuine, which is exactly how mom serves it. we see this as early as act 3 from him; he understands her motives better than rose does herself:
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and in act 6 intermission 2 i think it's pretty clear
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but the thing is, it's always genuine from her. dave wouldn't have to second guess it because he's not one to naturally second guess someone's sincerity; that was learned due to his bro being virtually unassailable
there two types of ironies at play here:
seems like a joke, is actually genuine (roxy)
doesnt seem like a joke, is actually a joke (dirk)
you can make the argument that the second is is more psychologically destructive because it makes you question the reality of what is genuine sentiment and what isn't. dave never knew what was genuine and what was irony so he just sort of existed in this sincerity-ironic limbo and always did the opposite of what he genuinely felt on principle even if it always did originate from a genuine place.
"it just a joke bro i was just being ironic i dont actually x" is so much more trust-breaking and psychologically damaging than "wait are you being serious" / "i am being so fucking fr rn davy gravy" / "ok thats actually pretty fucking awesome. giant ass wizard statue" / "RIGHT"
how much about dave would change do you think? his character arc would be completely different for one thing, i think he'd have it good aside from mom's alcohol issues. he'd be left with the sweet and funny parts of him that we see at the end of the comic. the fake coolguy stuff is out, but this remains. this is dave in his element and we see it as early as act 1
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he'd probably have no shades growing up in the lalonde residence* either cause those were given to him by bro straight out of the crater as an extension of his own cool image. and john gave dave ben stiller’s aviators for his 13th birthday to replace them so he could “spread his wings”
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dave said he was wearing them for the ironies but i kind of doubt it. maybe post-irony but there was some reacharound to it being genuine because dave never put those pointy anime shades on his face again.
*though... it’s kind of hard to imagine him without his shades at all? B2 dave still got stiller’s shades from stiller himself so maybe getting them is a universal constant. i can imagine mom getting him them as a birthday gift cause shes pretty wealthy and probably could buy it out in an auction. but also itd be cool if john still gave him it as a gift
dave is actually a lot more genuine and easy to read than he lets on even when grappling with his upbringing with B1 dirk (again, see this post). this can be seen all throughout he comic but a good example is the evolution of thoughts about his interest in the preserved dead things in his room:
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if B1 roxy was dave's guardian he probably WOULD have pursued paleontology because she wouldve indulged him in it and probably find it cool and worthwhile to pursue, instead of allowing dave to flounder under ironic detachment, being poisoned by irony to the point of gaslighting himself into believing he doesnt actually believe he thinks this shit is cool. even if it was indulged in this such a way; a superficially kitsch and ironic appearing presentation, it comes from a genuine place and inspires genuine interest. just read the comments.
basically, i think if B1 roxy raised dave, their relationship would have a surface level appearance of being bizarre or over-the-top but they’d have an unsaid mutual understanding that it’s completely in earnest and just build on each other's funny and absurd gestures of affection. rather than seeing it as one-upping each other, it'd more like collaboration of some silly bullshit that you take a step back and look at full and just say, "fucking incredible"
speaking of paleontology, mom had the proto-ectobiology lab. maybe they'd be able to use the equipment to appearify paradox ghost imprints of the dead shit to create paradox clones of things from the cambrian era??? sounds like a fun mother son bonding activity. and theyd actually put the sciencey shit in the household to use
oh god i know exactly the kinds of music shed listen too also growing up as a teen in the 80s. she on that (post)-punk/art rock/new wave/new romantic mtv stuff. XTC shit fr. this is a B-52S HOUSEHOLD. maybe the associates for the campy melodramatic flair. so he gets to keep the record on his shirt cause he is an enjoyer of the shit in her vinyl collection. dave would still gravitate towards musical expression and music itself but of more variety outside of just rap, with an 80s-90s, even 70s flavor due to mom’s influence. see this for perhaps a glimpse. ​she probably visited new york city a lot for business trips and because the music scene was cool as hell around that time, imports came straight from jfk airport, she probably got in on that a bit and have remnants in the form of vinyls and cassettes. in this way she could be distributing void to dave (influencing him with forgotten / presently irrelevant music). now he can REALLY rave about bands none of his friends have heard of. “hey davy grvay watcha listenin to” (he holds up vinyl cover) “omg snakefinger”
btw dave lalonde would look like this to me
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buckyalpine · 6 months ago
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I've always had this acting AU idea where you and Bucky are co-stars in a movie/tv show and your characters are enemies. It makes people feral because you're both so crazy attractive but you just hate each other so much on screen and your story lines have you at each others throats.
Now the part I love with this idea is the press actually thinking you don't get along with him whatsoever and thinking there's drama between the cast because you're never around with them. Whenever they hang out together, literally everyone by you is there. There are so many rumors about how Bucky can't stand working with you and how the cast leaves you out. Natasha even had a thanksgiving dinner recently and the Instagram photo she posted has literally everyone present but you.
Things heat up even more when you barely update your own socials after filming wrapped up. You basically disappeared and it confirms everyone's suspicions. The only time you post here and there is when you're at home alone, doing your own thing. You're never present in any of the interviews. No one ever comments even when they're directly asked about you. There has to be drama.
It's been over a year of near radio silence and people anticipating for the release of this movie.
I love the idea of the movie premier day being full of anticipation and people buzzing over if Bucky would bring a date, if you'd even show up, wondering how you'd interact with everyone else. No one's even seen you but you're one of the main characters so you have to show-
A large black SUV rolls up.
Then Bucky steps out.
Everyone screams. He looks stunning in his all black suit, with his scruffy beard and chestnut locks. Instead of making his way down the red carpet, he stays in place waiting for someone to join him.
Confused murmurs start among the screaming.
And then.
He holds his hand out to help you out.
And everyone goes absolutely wild as you step out, seeing your very round baby bump and that ring on your finger. He makes a show of kissing you deeply before walking you down and of course the cast showers you in love and hugs as if you're all in your own little bubble.
They already knew all long. The secret, low key relationship with you and Bucky. You didn't want people to know because it would bring on so much speculation and scrutiny. When everyone bombards you both with what's going on, Bucky only answers one reporters question with a simple "I'm here with my wife"
Seriously, people can't handle it.
A few days after the reveal, Bucky, you and the rest of the cast including Sam, Steve, Nat and so many others post all the outings they had where you were actually present. The "thanks giving dinner" was actually your baby shower. So many pictures where they're holding your bump with "aunt" and "uncle" sashes tied around them. Pictures from the secret wedding. The honeymoon. The cutest pictures of Bucky cuddled up with you; wholesome intimate moments with you and him. Moments with getting mani pedis with Nat and Wanda.
No on can understand how this was all hidden so well. No one would have guessed.
Weeks later you have your babies and this time everyone posts pictures, all of them surrounding you in the hospital.
Seriously, this reveal breaks the internet in a way you'd never imagine.
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triptuckers · 10 months ago
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bonfire - percy jackson
Request: yes! "Hey I was just wondering if you could make a Percy Jackson x gn reader where the reader had a crush on Percy for a while and was jealous of annabeth only to find out Percy felt the same" Pairing:  percy jackson x gn!reader Summary:  you've got a crush on percy, but it looks as if he only has eyes for annabeth. you try to keep your distance, but it's hard and percy notices you're absent Warnings:  jealousy, angst Word count:  1.5K A/N: happy new year!! sadly I went into the year with my tiktok account getting banned because they think I'm 13?? all I do is post silly little pjo videos but apparently its not okay so now I have to start over :( thanks for your request, enjoy!
you wonder if your life would be different if you were more like annabeth.
you're looking at her right now, as she's talking with her team. you know you can't win capture the flag from her. she's too smart. always analysing, always calculating everything that can go wrong and then preventing it.
percy is also looking at annabeth.
he's on her team, after all.
you're trying to listen as clarisse, your team captain, explains her new plan to your team. but you're only hearing half of what she's saying. you're far too focused on percy as he smiles at annabeth while she's talking to him.
you can tell he likes her. and it's not like you hadn't tried to let it go.
you had tried to push your feelings away, to ignore them, nothing worked. when you saw percy chatting with annabeth, you felt a little jealous.
soon your crush on percy and with it, your jealousy of annabeth, started to grow. so you decided if nothing worked, you'd distance yourself from percy.
it hurt, especially since percy was happy to spend his time with annabeth instead of you. at first, he would still invite you to spend time with him. but after you kept declining his offers, he eventually stopped asking you.
you tried not to show anyone how upset you were. maybe it would get easier with time. it's clear to you percy prefers annabeth over you.
on top of it all, you lose capture the flag yet again. you're forced to sit on the sidelines with your team, listening to clarisse tell you everything that went wrong. in the distance, you can see percy and annabeth celebrating their win with the rest of the team.
you tell yourself it's just a game and that you don't care their team won. maybe if you tell yourself it enough times, you might believe it.
when you're walking back to the cabins to put away your armor and weapons, you hear someone call your name behind you.
you turn around and see percy jogging to catch up with you.
you hate the way your heart still skips a beat when you see his eyes and quick smile.
'good game!' he says, stopping in front of you.
'hi percy.' you say.
'hi.' he says with a smile. gods, he's going to be the death of you one day.
'congrats on winning. again.'
'thanks! annabeth had this amazing plan.'
'athena kids, huh?' you mumble, trying not to show your disappointment at how it only took a couple of seconds for percy to bring up annabeth in the conversation.
'you busy tonight?' he says.
you look up at him. surely he wouldn't?
'not really. why?' you say.
'there's a bonfire tonight. want to come?' says percy.
'yeah, that sounds good.' you say. you could never say no to him.
sitting at the bonfire, you hadn't done that in a while. ever since you decided to try and distance yourself from percy, you missed out on things you knew he would be present at.
'great! it was annabeth's idea to host one, see you tonight!' says percy, waving at you and taking off again, headed towards his own cabin.
you just stand there. of course it was annabeth's plan, of course she'd be there as well.
as you walk to your cabin, you're not sure you can stand watching them together all night after watching them win capture the flag. but you'd told percy you'd come. and you hate to let him down.
so when the sun is setting, you make your way to the bonfire. while you're walking, you can't stop thinking about how cold it is. you should have brought a jacket. but you're afraid that if you go back to your cabin, you won't go to the bonfire anymore. and then percy would be upset.
at the bonfire, there's almost no kids from your team. there are a few of your siblings, but not a lot.
the kids from the opposite team are dancing, laughing and celebrating.
is this really where you want to be tonight?
you spot percy in the distance, talking with a few apollo kids. without meaning to, your eyes also search for annabeth. she's sitting with her siblings. at least they're not together again.
you'd stay for an hour. just to show your face, then you'd go back to your cabin. that's acceptable, right?
you get yourself a drink and sit down near the edge of the party, where most of the kids are just talking with each other and not really doing a lot.
as you think back to capture the flag earlier today, you try to figure out how annabeth's team could always beat yours. you know athena kids are smart, but ares kids also know a lot about battle strategies. maybe you could sit down with clarisse some day and see if you can help her with a new plan.
you're lost in thoughts, when you hear a familiar laugh in the distance. you look over and see annabeth has left her siblings and is now sitting next to percy.
you sigh softly, it was never going to be any different, was it?
for a while, you watch the other kids, listening to their songs. you had to give it to the apollo cabin, they know how to get a party started. when you look back at percy and annabeth, percy is gone.
before you can look around where he is, someone sits down next to you.
'having fun?'
you turn and are met with percy's bright eyes. you put on a smile, hoping it looks sincere.
'yeah. thanks for inviting me.' you say.
percy tilts his head a little and gives you a confusing look.
'you say you're having fun and yet since you got here you've been sitting here with a drink you haven't touched, freezing and shivering.' says percy.
right. you forgot your jacket.
'sorry. I was thinking about capture the flag.' you say.
'ah yes, about our fantastic victory.' says percy, smiling and bumping your shoulder. 'you should come up with a new plan some day. maybe talk to clarisse about it?'
'I will.' you say.
'then again, it is hard to beat annabeth's plans. sometimes I don't even know her entire plan until the game is already over.' says percy.
really? how does he manage to bring up annabeth every single time he's talking to you?
'well, don't let me keep you.' you say. 'thanks for checking in, but you don't have to take pity on me for losing. you can go back to annabeth now.'
percy frowns. 'what are you talking about?' he says.
'well, clearly you like her.' you say.
percy laughs at your words. you feel the color drain from your face. tears start to form in your eyes.
'alright, I'm leaving.' you say, getting up.
percy abruptly stops laughing. 'wait no, please don't go.' he says, pulling you back down.
'sorry, I shouldn't have laughed at that. it's just, yeah, I like annabeth. but not like that, we're just friends. I like you, okay? I thought you knew.' says percy.
your lips part in surprise. did you hear that right?
'you like me?' you say. 'like... you like like me?'
percy smiles. gods he really is beautiful. 'yeah, I like like you, alright.' he says. 'which reminds me, why have you been avoiding me lately?'
you look down, fidgeting with the hem of your shirt. 'I thought if I wouldn't see you, my feelings for you would go away.'
'but they didn't.'
'no, they didn't. my eyes were still finding you in ever room. even tonight, I didn't really want to come. but I couldn't say no to you.'
'is that also why you didn't bring a jacket? so you'd have an excuse to go back soon?'
you look up and shake your head. 'no, I did actually forget my jacket.' you say.
percy takes off his sweater and hands it to you. 'here.' he says. 'wouldn't want you to freeze.'
'thank you.' you say, taking it and putting it on. it's bigger than your own sweaters and smells like him.
'want to get out of here?' says percy. 'we can go to the lake. or my cabin, no one's there. it'll just be the two of us.'
'do you have a heater in your cabin?' you say.
'no.' says percy, getting up and holding out his hand to you. 'but consider me your personal heater from now on. always available for cuddles.'
you smile, taking his hand. 'I like that.' you say.
as you and percy walk off, annabeth is still sitting by the campfire. she's smiling to herself. she knew about percy's crush on you. he'd been asking her all sorts of advice. and it looks like he finally told you.
A/N: If you want to request something, make sure to read my house rulesHere’s the list of characters I write for. Everything that I have written can be found on my masterlist. Please don’t repost my work, as I spend much time and effort on it!! Thank you for reading! Much love, Marit
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sunderwight · 8 months ago
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It's so good when Shen Qingqiu takes care of Luo Binghe. In canon and also in fics. I especially am in love with when he does his hair or helps him dress, it's just so pleasantly domestic. Also endearing whenever SQQ gets a bit fanboy-ish about it, because that's Luo Binghe and SQQ can dress him up in every cool or sexy outfit he has a face thick enough to pay someone to actually make!
I wonder if he ever shares this wisdom with Shang Qinghua. Like at some bitching session or other SQH is sighing a bit about how MBJ always wears like the same three outfits, and don't get him wrong they're all great outfits, but he noticed Luo Binghe flaunting yet another fresh look the other day and part of him really wants to see Mobei Jun in something different...
And then Shen Qingqiu is just like, you're the Lord of An Ding Peak, you handle the basic wardrobe necessities for an entire sect? Go pay someone to make cool/sexy outfits and literally put them on Mobei Jun yourself! You're married to the guy, aren't you?
Shang Qinghua is like "wait you can do that? I can do that? that's a thing that's allowed?" and Shen Qingqiu rolls his eyes and calls him a dumbass and points out that Airplane himself wrote about the intimacy of Luo Binghe's harem members dressing him and it being an even bigger deal for demons than humans, and Shang Qinghua cannot for the life of him remember this but it does sound sort of familiar. So off he goes to nervously sketch out some ideas for outfits, and then get told off by the seamstress he tries to commission for not having realistic ideas about how fabric works. But he does have Mobei Jun's measurements and after some discussion he gets a bunch of stuff that looks even better than his initial ideas, eventually, and then he just has to... give them to his king...
Shang Qinghua awkwardly presenting the topic to Mobei Jun like he's expecting to get a hard "no", but he blinks and his king is naked and standing expectantly in front of his fancy full-length mirror. Shang Qinghua has only ever helped Mobei Jun get dressed when he was injured in the past, and then usually only just putting his arms through some sleeves on an outer robe. They've undressed each other for sex, but putting the clothes on really is a different kind of intimacy. Especially an outfit that Shang Qinghua had specially made to suit Mobei Jun, to highlight the features he likes best about him. Striking blue and icy-white, with hints of An Ding's colors as accents, showing off his build to full effect, etc etc. Shang Qinghua layers each piece on and then does Mobei Jun's hair too, muttering quiet approval for how the look comes together while Mobei Jun preens under all the attention.
Of course, afterwards Mobei wants Shang Qinghua to dress him every day, which isn't always logistically feasible, and MBJ also intends to return the gesture.
Luo Binghe dresses Shen Qingqiu too of course, but Luo Binghe is aware both that other guys want his husband and also that Shen Qingqiu will refuse to go out in public if Binghe dresses him in anything revealing, even if he still lets him put it on, plus Luo Binghe was raised with human sensibilities about modesty. So all in all any "sexy" outfits are reserved for private time at home, and what he puts Shen Qingqiu in for daily wear is all stuff that is perfectly befitting a Qing Jing Peak Lord and scholar.
Mobei Jun doesn't have human modesty sensibilities and also doesn't see any reason why Qinghua shouldn't show off his own best assets while he's going about his day, so, Shang Qinghua is about to rue the hell out of a lot fashion-related world-building decisions he made a lifetime ago...
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starkwlkr · 7 months ago
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was i such a fool? | mark webber
part 1 part 3
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ENGLAND
You felt embarrassed. You didn’t know who was the person who spread the confirmed rumor around the paddock, but you knew that being in the paddock was the last thing you wanted to do.
Your daughter, Grace, had been reading in her room while you were in your home office replying to some emails. Zak had let you get some time off, which you were hesitant to take at first but you knew how chaotic it was going to get in the paddock if you were present.
“Mommy!” Grace called for you from her room.
“What is it, my love?” You asked, closing your laptop as you stood up and walked to her room. “Are you okay?”
“Yeah, i finished my book. Can we go to the bookstore and get more?” Grace asked.
“Of course we can, baby.” You replied. As you were about to leave to go back to your office, Grace spoke once again.
“Can I go to a race?”
Grace had never attended a race before. She knew what your job was and why it required you to travel so much, but she never once attended a race. It surprised you that she even thought about it.
“A race . . .” You sighed. “You really want to go to a race?”
Grace nodded. “I want to see the fast cars.”
You thought about it for a second. It would be nice for Grace to see a race after years of only seeing it on tv. But then again only several people knew that she existed and you liked it that way.
“I’ll think about it.”
TIME SKIP TO ABU DHABI 2023
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MCLAREN GARAGE
Grace watched as several men dressed in orange with helmets on sat in their chairs. She was introduced to the pit crew by you. Everyone on the team was more than happy to meet her. She was extremely excited to be able to watch her first race in person.
“I’ll be over there watching the race, okay? Stay here with Lucy.” You told Grace. Lucy was an old friend from school. When you explained that Grace wanted to attend a race, she offered to look after the girl while you worked.
“Okay. I love you.” Grace gave you a kiss on the cheek.
“I love you more, my love.” You replied and hugged her before you left.
From a distance, Mark watched the girl wave goodbye to you. It made him feel like the worst person ever. How could he do that to you? You never deserved it. You were always so supportive of him, comforting him when he needed it and that all changed the second Mark kissed someone else.
He thought about going up to Grace and making small talk, but he knew you wouldn’t like it. As much as he wanted to, he didn’t want to upset you even more. Seeing her, so close yet so far away, brought sadness to the older man’s heart. She had his eyes, his smile, they even shared the same laughter, something you loved when you were dating Mark.
By the end of the race, he had decided to talk to you.
He tried to find you, but it seemed like you knew he wanted to talk so you hid from him. Only it wasn’t like that. Grace wanted to walk on the track so you took her. Lucy was tired so you told her that you would meet her back at the hotel. She held your hand as you and her walked around. It was a perfect moment for you and your daughter.
“Did you enjoy your first race?” You asked.
“Yes! The cars go faster than on the tv, it was so cool!” Grace exclaimed. “Can I go to another race?”
“You’ll have to wait until next year, my love, and you have school. I don’t want you missing a day of school because of a race.” You explained.
“Okay. . .” She sighed. “Who was the man that was in the garage?” She suddenly asked.
“There’s a lot of men in there, Grace.”
“He didn’t wear orange like the rest of the team. He had one of these too.” Grace pointed to her paddock pass. “I think Lucy said he used to be a driver.”
You had an idea of who Grace was talking about and you didn’t like it.
When you made it back to the Mclaren garage, you saw that it was almost empty. A few members of the pit crew were cleaning up, but that didn’t catch your attention. It was Mark that was pacing around the garage.
“Mommy, that’s the man I was talking about.” Grace whispered to you.
Mark noticed your presence and stopped pacing. “Hi.” Was all that he said.
“It’s getting late, Mark. You should go back to your hotel room, get some sleep. I know you don’t like early morning flights.” You said to the Australian.
“Hear me out, please. Just this once and I’ll leave you alone. Give me five minutes.” He pleaded. The remaining pit crew took that as a sign to give you privacy so they left.
Grace held onto your hand even tighter. “Who’s that?” She whispered again to you.
“His name is Mark.” You said.
Four words was all it took to break Mark Webber even more. He was just Mark to his daughter and he had to accept that.
“Three minutes and that’s it.” You said.
“I’ll take that.”
@glow-ish @vicurious28 @dannyriccsupremacy @viennakarma @pear-1206 @nathalielovesonedirection @jaydaaasworld @shimmermotorsport @honethatty12 @a-beaverhausen
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miraculouslbcnreactions · 27 days ago
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Wait, I was reading your posts and came across something I've found confusing. How is Adrien asking Ladybug wth she is doing in Volpina a bad thing? From Adrien's perspective, Ladybug's a celebrity tracking down a middle schooler with zero clout and humiliating her for lying about meeting her before. That's, uh yeah? Imagine if that happened irl lmao. Millions of teenage girls would perish at 1D's hands. My middle school would be a horror story. And it's made clear multiple times in the episode that her motivation is jealousy. It's one of the few episodes where the lesson Marinette gets makes sense I think, because she was genuinely spiteful in shitting on this random girl in front of her crush. That's significantly different than Ladybug just asking for a retraction from the Ladyblog. It's also one of the few times when Adrien's celebrity background actually affects how he acts, and it makes sense that Marinette doesn't make the connection between superhero=celebrity=not allowed to scream at middleschoolers in public. If half the kids in her school didn't lie about meeting Ladybug before, my suspension of disbelief is gone.
I've seen this argument before and it makes no sense to me, especially in the context of the lie that Lila actually told and the way the Lila confrontation actually goes down. A lot of people who have this take seem to think that Lila's lie was, "Ladybug saved me," and that Ladybug made a big public confrontation which is not what canon actually gave us. The confrontation was done in a mostly private setting and, while we never see Lila's full Ladyblog interview, this is how Ladybug sums up the interview in Volpina:
Ladybug:(sarcastically) Well hey Lila! How's it going? Long time no see. I saw your interview on the Ladyblog, awesome job. Oh sure! I remember our instant connection when I saved your life and we've been really good friends ever since! Practically BFF's! Uh actually, when did I save your life again, Lila? I don't recall. Oh yes! Of course, now I remember. Never! And we're not friends either! Miss Show-Off here was trying to impress you and everyone around her.
Lila didn't just lie about meeting Ladybug, she lied about having an ongoing, close relationship with Ladybug, two very different things. And Ladybug isn't just a celebrity, she's a superhero who is fighting an active terrorist. If I had to rewrite this confrontation, I'd keep it pretty much the same and just change the "Miss Show-Off" line to something like:
Miss Show-Off here was trying to impress you and everyone around her, putting herself and all of you at major risk! You know that Hawkmoth would do anything to get these, right? (gestures at her earrings) Did you even stop to think about what he'd do if he learned the identity of my supposed best friend? Of course not. You were too busy trying to look cool to stop and think things through like an actual superhero! We keep our identities and relationships secret for a reason!
Is this the kindest, most gentle way to confront someone like Lila? No, but it's very in character for Marinette to be filled with righteous fury when she sees someone using her name for their own personal gain. I really can't blame her for getting incredibly angry at this total stranger presenting herself as a Ladybug authority and using that authority to manipulate Marinette's friends. As I've said before, take away the crush complication and Marinette's actions still make total sense to me.
I'm not a huge proponent of virtue ethics. That's the idea that you need proper motivation for an act to be morally justified. If you do the right thing for the wrong reason, then the act is bad no matter how good the results and vice versa. If you view the world that way, then sure, you could possibly argue that Marinette's actions were wrong just like you can also argue that Gabriel's actions were totally fine, but I don't view the world that way. Switch Marinette's motivation from jealousy and a little righteous fury to pure righteous fury and almost nothing changes. She'd still need to confront Lila, the words would just be a little different.
It's not like this confrontation stops Lila, either. Chameleon gives us this:
Lila: (in flashback) Not only did Ladybug save my life, we've become very close friends. Marinette: She lies with every breath. Nino: Wait. You eavesdropped on Lila and Adrien? That's not cool. Alya: A good reporter always verifies her sources. Can you prove she doesn't actually know Ladybug?
Quick mini rant before I give the next Chameleon quote: this isn't how verifying your sources works, Alya! You should be verifying that Lila does know Ladybug, not the other way around! Right now, Marinette and Lila have equal authority on the topic as far as you know and there is no evidence to support either claim, so you should be looking for proof that Lila isn't lying! Proof isn't a first come, first serve problem even though a lot of people fall into that trap. This is especially true since Lila goes on to make claims like this:
Lila: Of course Ladybug saved my life. She never misses an opportunity to rescue her best friends. Max: Didn't your tinnitus give you vertigo when you went up the Eiffel Tower? Lila: Oh no. Ladybug knows me so well that she brought me an earplug to stick in my right ear.
So Lila keeps right on lying about her relationship with Ladybug, presenting them as close friends, making it even harder for me to get on the "Marinette was in the wrong for privately confronting Lila" train. If anything, Marinette was too tame! She needed to go full scorched earth and have Alya post a public retraction that included a message about the dangers of claiming to be personal friends with someone you don't actually know.
If the show went that route and had Ladybug give an equally furious smack-down and Alya posted it without a second thought, THEN I'd probably be on team "Marinette needed to tone herself down because she went too far" because that isn't a heat-of-the-moment reaction. It's something Marinette would have time to think through. But Volpina didn't go there. Instead, we just get Marinette reacting live to someone using her name to flirt with her crush. Remember, this is the setup to Marinette transforming and jumping in to stop Lila:
Lila: Not only did Ladybug save my life, we've become very close friends because we have something very special in common- it's what I wanted to tell you about. I'm the descendant of a vixen superheroine myself, Volpina. Adrien: Volpina? Marinette: Volpina? Adrien: Wait a minute! I think I read about her in my book. Lila:(stopping him from grabbing the book) Of course she's in your book. She's one of the most important superheroes. More powerful and more celebrated than Ladybug. Between you and me Ladybug doesn't even make the top ten. My grandma gave me this necklace. [Marinette runs off to transform] Adrien: (holding Lila's necklace) Are you telling me this is a Miraculous?! (Ladybug lands in front of them)
This wasn't a planned confrontation. It was Marinette reacting live to some pretty massive lies. If Ladybug had been swinging by and just overhead this, then the scene once again wouldn't change much. That's why blaming Marinette for confronting Lila in the "wrong way" feels so victim blame-y to me. "How dare Ladybug not be perfectly poised at all times and react with grace when someone lies about being her close friend and teammate!" is not a take I'm ever going to agree with. And if you want to use the middle schooler defense? Then it applies to Marinette, too. She and Lila are the same age. Why the different standards just because Marinette has fame that she never asked for or sought out?
I've never been much of a fan of holding celebrities to an "always on" standard where their every interaction needs to be done with poise and grace even if the interaction happens out in the wild and not at a planned even where the celebrity can be mentally prepared for dealing with fans. That's extra true for accidental celebrities like Ladybug. Marinette didn't take up the earrings for fame and they certainly haven't brought her fortune, plus she has no PR training. Expecting her to be a PR master who knows how to handle her accidental fame is, once again, a little too victim blame-y for my tastes. Ladybug is here to save the world, not sign autographs. You can hold her to politician standards when you start paying her for risking her life on the daily.
There's a version of Lila where I would have a different take. A version where the lie really is minor and Marinette really did "overreact", but even there my lesson wouldn't be "Marinette was totally in the wrong" because I genuinely think that sends the wrong message to kids and kids are the show's target audience. Think about what you're actually saying here, "Because Marinette is famous, she needs to accept that people will lie about her and just ignore them even if people believe the lie."
While that isn't exactly a wrong take, it's still really messed up. It's not okay for people to use Marinette's name like that just because she's famous. The reason she needs to learn to let it go is because that's what's best for her mental health, not because her fame makes her lesser than others when it comes to things like personal privacy. The lies are not magically okay just because she's well known.
Remember, Marinette is a fictional character, but the kids watching this show are very real and they're way more likely to be Lilas than Marinettes. And the kids that do relate to Marinette in this episode? They'll be kids who have dealt with the rumor mill spreading lies about them or their friends without the celebrity complication. The show should not be telling either set of kids that Marinette is the one in the wrong here. That is the wrong moral and why I hate this episode so much. I might feel differently if the intended audience was teens and if this plot was allowed to be more complex, but none of that is true. The show is aimed at kids ages 5 to 12 and every episode is supposed to teach its own moral with Volpina's moral being "Marinette was explicitly and totally in the wrong here."
This is the age of internet personalities where there are more easily-accessible celebrities than ever and where many of them do not have the wealth needed to protect themselves from fans nor the PR training to know how to handle extreme fans if there even is PR training for that! That means that it's honestly really important for kids to learn to view these individuals as people who it's wrong to lie about and who deserve the same respect as non-famous people. Treating celebrities as public commodities is how we get things like the Kit Connor scandal where an 18-year-old actor felt forced to publicly come out because the internet wouldn't shut up about his sexuality. Oh, and since you brought up one direction, I'll also note that the band members have publicly stated that online shipping discourse has negatively impacted their relationships. So, yeah, I'm never going to agree that kids should be told that it's okay to lie about celebrities or treat them as fictional characters to play with and that the celebrities are the ones who are wrong if they get upset about that behavior. That shit is toxic.
If we go the "minor" lie route, then my version of this episode would be a very sad one where Marinette learns that people are going to ignore her boundaries and lie about her and there's nothing she can do about it. A lesson in mental health training that will hopefully help kids who are dealing with bullies, but that does not present Marinette as totally in the wrong. It just teaches her when to pick a fight and when to let it go, which is a very important skill to learn even outside of lies about your own person. There will be many times when you hear people say something that you vehemently disagree with and it's important to learn when to pick a fight and when to just let it go, knowing that no good will come from speaking up even if you're 100% in the right. It's a very sad, but also very necessary skill.
I think Adrien has a place in that story. A place where he still tells Ladybug to let it go, but it should NOT have been played the way it was in canon where he acted like Ladybug was totally out of line. He needed to be way more compassionate and understanding of her very justified anger. I've written Adrien giving advice on this topic before and it's always presented as, "people are going to be assholes and you have to learn to ignore them for your own well being," not as, "you are wrong to be upset about strangers telling lies about you. You agreed to deal with this when you decided to be a hero" because what kind of asinine lesson is that?
You could also keep Adrien's canon reaction and have the lesson be him learning that it's okay to have boundaries. That his fame doesn't negate his bodily autonomy and right to be treated with dignity. That people chasing him down, invading his personal space, and otherwise preventing him from living a normal life is wrong. I love it when fanfics take this approach to Adrien's part in the Lila conflict. It's very cathartic to see his friends supporting him and protecting him from Lila.
I really have tried to see Volpina from the "Marinette was totally in the wrong" perspective because I've come across it several times, but I just can't wrap my head around it. If you've got a counter argument, then feel free to try to change my mind because I've given you my full thoughts here, but know that I'm probably not budging on this one. You'd have to make some pretty dramatic changes to canon for me to feel like this take has a point. I think the only way that I'd be on Lila's side is if it was very clear that no one believed Lila and Marinette still had the same reaction that we see in canon as that does feel like going too far. But everyone believed Lila so that's not a solid argument and I'm just never going to agree that people have to be cool with others lying about them just because they're famous. I honestly despise celebrity culture so much and hate that people are basically forced to deal with that bullshit if they want to be successful in certain artistic fields.
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screams-of-the-damned84 · 3 months ago
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(flops on stage) i now present to you my very silly swap au,,,
essentially jasper is now the co-leader of the society who was bitten by a werewolf and is trying to hide it, jekyll is the uni student who got kicked out due to his experiments and then picked up off the streets, etc. jasper and rachel can’t communicate and jekyll and lanyon are living the world’s weirdest horror romcom you’ve ever seen. more info under cut hehe (feat. bad explanations and doodles)
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in simpler terms, jekyll and lanyon swap narrative positions (?? is that the right term) with jasper and rachel respectively. (lanyons and rachels swap doesn’t technically work as well as Jekyll’s and jaspers does but shhhhh). Frankenstein becomes the mad scientist that attacks the society and moreau becomes jaspers idol.
longer explanation but WARNING!! it is 3am when i am typing this and i am terrible at explaining. it may be slightly incomprehensible.
so like jasper and rachel founded the society after jasper publishes his research and gets semi famous. two years before current events jasper is out on a research venture and gets bitten by a werewolf. he doesn’t want to scare rachel or the lodgers so he keeps it a secret (to his own detriment). flash forward to now and jasper gets a call to investigate a “creature” terrorizing the streets of london only to find hyde.
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before jasper can process the dumpster man he is looking at hyde transforms back into jekyll. jekyll explains that while trying to prove his theory of spiritual alchemy at his university he may or may not have split his own soul. and got kicked out. and is now living on the streets.
jasper, not really knowing what else to do and kinda relating to the poor guy, takes him back to the society. he introduces his co-leader rachel, who pretty much keeps this entire thing up and running. (rachel and jekyll still become friends but she especially takes to hyde. that little brother shaped hole in her heart is still very much present!) then theres the lodgers (idk how they all swap) and then there’s lanyon, a university student at the society because it was mandatory for one of his courses. he is not enjoying it and would very much rather be breaking boy’s hearts back at school. lucky for him tho, there’s jekyll!
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this goes about as well as you would expect. lanyon then spends the rest of his stay at the society trying to understand (and woo) the conundrum that is jekyll and hyde. it’s very fluffy and they learn to communicate like jasper and rachel in canon (yippee!)
unfortunately for jasper and rachel, they have been playing the “just friends” game for the last decade. im having a bit of trouble trying to flesh out swap rachel so i don’t really know if she’s in a lavender marriage like canon lanyon is or is estranged/divorced or just single but whatever the case is she likes jasper but thinks he just sees her as a friend while jasper is madly in love with her and is too scared to tell her. this problem has only worsened since jasper got bitten. everyone else tho is aware of how they feel about each other and are stuck witnessing their tortuously long slow burn.
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(hyde and lanyon at some point probably come up with a scheme to try and get them to confess. it goes horribly wrong.)
so yeah. this au has been floating around in my head ever since i read the comic for the first time. it mainly came to be because of how well jasper and jekyll parallel each other and because i wanted to draw stupid fluff and older jasper lol.
if anyone has any ideas/questions/etc TELL ME!!!!! this is just a rough idea if you have a better concept go for it awhdvgevd
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gremlingottoosilly · 11 months ago
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Under the Christmas tree [dark!141 x fem!Reader] (Secret Santa fic)
Secret Santa gift for @crash-and-live 141 had a wonderful time taking their combat medic to be their captive barracks bunny instead. Now, the Sergeants have decided you will make a wonderful gift for their COs. CW and Tags: Dub-con, poly!141, inappropriate celebration of Christmas, power imbalance, bondage, slight BDSM.
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Gaz was always an expert on knots. 
Fancy little ribbons and bows – not so much. He prides himself on being suspiciously quick to adapt to the changing environment, yes, but learning how to tie bows when your little captive is acting just a tad bit dismissive towards the whole idea is…hard. Not as hard as hanging down the rope on a moving helicopter, but…
— Come, luv. Stop strugglin’ 
He smiles, all teeth and no lies, when you – his favorite medic, the best thing ever happening to this bloody team – started meowling something about the circulation and cutting off the bloodstream and how you don’t exactly like not only being held in the basement of the base but also being tied up…he looks at you and just knows he can’t resist booping you on the nose, kissing your perfect fuckin cheeks while Soap already has his hands in your hair, gently brushing it to put even more ribbons and bows. Red, just like on a Christmax gift. 
You’re a bloody gift. 
— I ken ye don’t like sittin’ like this, but Lt needs pick me up, aye? 
Soap smiles when you struggle just a bit more, your tied hands brushing against his stomach as you slowly buck your hips back. Trying to get just a tiny bit of stimulation, sneaky little lass – this is why he loves you, so smart and so adorably dumb at the same time. The best thing that ever happened to them is that you still act like you don’t enjoy being their shared chewing toy. They can agree it’s just a bit of a stretch from your previous working environment but hell, at least you’re not being shot at. Johnny’s hand gently moves from your head to your neck, adjusting the little red bow he made from the ribbons. They tried so hard to find the softest ever ribbons without a sharp edge and material that could cut off the circulation – even though Kyle was still doing his favorite knots that rendered you absolutely defenseless. You lick your lips and try to rock from side to side, making the ribbons a bit more loose – it doesn’t work, of course. Not like your team ever wanted you to have a say in their perverse desires, right? 
You fell into the Stockholm syndrome quite easily, especially since they were so stuck on always respecting your wishes(except for letting you out, of course) and never forcing anything too harsh…up until now, apparently. Making sure you’re on your best behavior because it’s Christmas, they have a small table set up – beer, whiskey, some snacks that you naively put on because you’re still not allowed to cook, and they don’t really care for home-cooked meals – and your shaking form, twisted in a somewhat sexy pose all because they needed a little Christmas present for their CO’s. 
Gaz brushes his hand on your tummy, gently pushing it down – you were prepared, of course, so much lube was out in your glossy folds, with Soap’s mouth buried deep between your legs, until you felt you’re going to pass out from the sheer amount of orgasm he was edging out of you. There is a reason why Johnny isn’t allowed to eat you out when Ghost isn’t around – his self-control is non-existent when push comes to your cunt and the tongue he can shove in. 
You feel like you’re going to burst when you finally hear the door opening. When you finally hear Captain – his tired, gruff voice, the way Ghost’s jacket silently hits the ground as they start to undress. Usually, you’re made to greet them with kisses and your soft lips on their cocks if they feel particularly tired. Usually, you’re made to wait for them in the bedroom, with their sergeants gently playing with you because, of course, you’re the property of all four of them, no matter the power dynamic. 
Nothing is usual now – you’re laying under a Christmas tree, naked and aroused, your pussy is all puffy and swollen from Soap’s tongue, your body is tied up with red ribbons Gaz was using. You want to be good for them, and so you lay here, hoping your obedience will be enough for a few more climaxes. Ghost is the first to put his hands on you. 
Kneading your breasts, gently forcing his rough fingers on your exposed nipples, you’re so sweet for him, so perfect, laid out like a beautiful gift – he can only groan in arousal as he slowly pushes the ribbons from your chest, taking in the view of your hardened buds and bite marks – evidence of Kyle taking his mark while he was tying you up. You might have been apprehensive about the whole idea, but you’re playing the role of a gift perfectly – just like you should. 
— Bloody hell, love. So pretty for us. 
— She was such a good girl for us, Lt. Didnae even resisted much. ~ — Is that right, sweetheart? 
You can only nod, your mouth stuffed with a pretty gag – you’re drooling all around it, looking fucking adorable as you try and look as harmless as possible. No reason to provoke them now when they already made it clear just how many orgasms they are going to take from you tonight. 
Ghost smiles under his mask, his hands moving to play with your lower tummy, squeezing the soft flesh and teasing your folds – you’re soft and pliable for them, spread out like a perfect toy. The most desirable thing they could ever find under a Christmas tree.
Price caresses your face with a softness you didn’t know a man of his position could have. He kisses you, and his whiskers tickle your soft skin – you aren’t sure if you can even handle him being so damn gentle about everything. He laughs as you try to wiggle out of Ghost’s grasp, their hands laying on your body – bruises and marks are scattered across your skin, making you the perfect canvas. Gosh, you’re beautiful – John doesn’t even know what they did to deserve such a little treat. — Such a pretty display for us, eh? 
— Sergeants outdid themselves this time. 
— You bet they did. Are you goin’ to behave for us, love? 
Price smiles when you whimper, spreading your legs like a pretty toy. Ghost already pushing you to the ground, forcing his way in between your thighs – you’re so open for them, vulnerable to the tip of his cock pressing in your folds already. Soap did a good job eating you out, even Simon’s cock won’t be too much – not after the way Gaz was spreading you on three of his fingers, smiling with each of your little attempts at moans. You know the night is going to be long.
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zweiginator · 5 months ago
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hey bestie could I request patrick and art taking turns eating the reader out (or at the same time)????? feel like that would be my dream fr. love your writing!!!
OH.
patrick and arts' confidence had been struggling. they had just lost their fourth doubles match. in a row. this was uncommon--no, it had never happened before. one loss happens. two is bad luck. three is shaken confidence. but four, four becomes a habit.
and you heard their coach yelling at them after their loss. you, expecting your best friends to win, had promised to take them out for wings at their favorite bar after their win. of course, they didn't win, but their dejected little puppy dog eyes made you feel so bad. so you took them out anyway.
you would never tell them this, but they look so cute in their matching outfits. snug black shorts that hug their muscular thighs. a t-shirt adorning their beloved tennis club. art wore his ball cap backwards; patrick's was worn the normal way.
and they were so sad. barely talking to you, sighing as they sucked and bit on their wings, pushing their fingers into their mouth. you kind of just watched them eat.
and the thing about your relationship with art and patrick was that it had teetered and almost bled over the line for the one and a half years you all had been friends. nothing about your relationship was traditional. on the road, you would all share a bed. and sometimes you wore art's shirt to bed and patrick's boxers. you commented on how handsome they look multiple times a week, and laughed at how flustered they would get. the boys ogled at your ass when you played your own matches, the wind pushing your tiny skirt up as a gift to them. but you had never, ever fully committed to pushing those boundaries. none of you had ever kissed, nor had you indulged in your sexual fantasies.
but that doesn't mean you didn't have them. and you knew art and patrick talked about them when you weren't there.
so you had an idea. it was stupid, and maybe you were feeling cocky at how pathetic they looked sitting across from you in a silence that was bordering on uncomfortable. but you gave them a deal.
"your guys' confidence is wavering." you tell them, pushing your finger into their basket of wings. you suck some of the sauce off. patrick and art are listening; it's the first thing anyone has said at this celebratory-dinner-turned -depressing-pity-party. "and hey, you're both incredibly good at tennis. so it makes sense that you're this upset."
they nod, and reach for the same fry. art pushes the basket towards patrick, and he happily shoves a handful in his mouth.
"but if you sit here and let it get you down, you're both gonna get in your head and keep losing."
"how do we avoid that? it may be too late." patrick takes a sip of his drink. art has his arms crossed over his chest.
"have something that drives you to want to win so bad, that you don't have a choice but to win." you lean forward. their eyes are big and confused.
"we always want to win." art shrugs.
"and if you do," you begin. "i will give you both a present of sorts."
"which is?" patrick's interest is piqued. but you can tell he's pissed at you insinuating they don't want to win enough.
"if you win your doubles on thursday, i'll let you do whatever you want to me." you whisper it, and hear them gulp.
your promise alluded to a conversation you had overheard six months prior. you weren't even supposed to be at their apartment, but you had had a bad day and wanted to watch a movie with them. they were talking loud in the living room, and you quickly realized it was about you.
"i wouldn't purposely ruin our friendship, is what i'm saying." art said. "but if she let us fuck her--i would do it immediately."
patrick interjected. "i would do disgusting things to her. and i would let her do them right back to me. seriously, anything."
the word anything was the kicker here. because ever since that conversation, you wondered what anything would be for them. how they would fuck you. what their fantasies were.
patrick wipes his mouth with a napkin and leans forward. "both of us together? or we separately can do anything we want?"
you shrug. "whatever you both want. that's the promise. i don't have any stipulations on how it's done."
"holy fuck." art is flustered, maybe because he realizes you know he is just as perverted as his best friend.
you all shook on it, like it was a stupid bet. it kind of was.
and by thursday, you were nervous. they were playing some of the top-ranked players in the nation. of course, art and patrick had good rankings, respectively, but they had been steadily dropping down the ranks since their losing streak began.
everyone at the match was rooting for art and patrick, but they didn't expect them to win. and you didn't know what it meant for your friendship with the boys that you were on the edge of your seat with your fingers crossed, praying they would win. for you.
they came out strong, waving to the crowd, but especially to you. and when the match began, you had never seen their reflexes so fast, their hits so precise. the other boys were gaining on them, but the deep grunts coming from art and patrick, the sweat running down their necks, it all showed they wanted this so fucking bad.
they won like it was easy. of course, they had actually tried incredibly hard--but they made it look nonchalant. and they looked at you as they hugged each other, celebrating a win that signified much more than fans saw on the surface.
they decided to cash in their prize that same night. that's what they said when they came up to you, beaming. their chests heaved, but their smiles were big. and nobody around knew exactly what they meant.
so you lay on patrick's bed, in your little skirt and a tank top, resting up on your elbows so you can watch them. you notice how they are both there; they didn't decide to go separately.
neither of them really say a word at first. patrick slips one of your shoes off and art the other. they look at each other as their hands run up your bare leg, until they reach the waistband of your skirt.
"do you wanna do the honors, artie?" patrick asks.
art quickly pulls your skirt down your legs. they admire the pink lacy panties you're wearing.
"take off your shirt." art tells you.
you do, quickly. you aren't wearing a bra. their breath hitches.
"fuck me." patrick lunges forward and sucks your nipple into his mouth, his teeth grazing against the sensitive bud. art goes for your neck, pressing open-mouthed kisses along your jaw and down to your collarbones. his strong hands feel your breast. you're trying not to moan, not to give them the satisfaction that this is for anyone but them. but you do.
art returns the favor by turning your face to his. he kisses you desperately, moaning into your mouth, his spit wet on your chin. patrick feels left out. he moves up your body by kissing your jaw on the other side, before he forcefully kisses your mouth. he is hungry. at a quick glance, you see how hard they are. but they don't pull out their cocks. they don't pull your hand to feel their erections. and they don't tell you to suck them off.
ininstead,stead their mouths travel downward, each of them pulling one of your legs apart. they press sloppy kisses down your chest, licking down your stomach, until they are laying on their own stomachs, looking up at you. patrick kisses your inner thigh. he pulls your panties down your legs.
"her pussy is so pretty." art admires. they're talking like you're not even there.
"look how fucking wet she is."
your legs shake as you bite your lip.
"should we take turns, or should we share?" art asks.
patrick is greedy, and he hooks both of his arms around your legs, his hands on your ass. he presses wet, hot kisses to your cunt and licks at your clit. your hips buck, and art pushes them down, cooing in your ear. you can tell he's jealous, that he wants to help too.
"good girl." art praises. his breath feels good against your ear, and you move to kiss him, your hands tangled in his pretty blond hair.
patrick's fingers move inside you. they're fat and soaked and his tongue feels good as it moves in circles over your swollen clit.
art pulls away from your mouth and patrick pulls the hem of art's shirt.
"come taste her."
your mouth hangs open as patrick pulls his fingers from you and offers them to art. and the moan you let out as art sucks them into his mouth is fucking pornographic.
and then art's mouth is on your cunt. his fingers press into your thighs and it hurts in the best way. art is louder than you expected, and louder than patrick. he spits on your cunt and spreads it open to admire your hole, soaked and pretty for them. he hums and moans and groans into your pussy, and patrick can't take it.
so they share you. their tongues touch and their spit mixes as they eat your pussy, their hips bucking into the bed.
"tastes so fucking good." patrick moans, his thumb pushing into you.
art looks up at you, at how fucked out you look. you cum on their tongues--both of them. and you watch as they continue to lap at your sensitive clit, begging you to cum just one more time for them.
they don't want this to be over. and you think about how this was what they wanted, this is what they decided on when you gave them that choice. this was their anything.
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art · 1 year ago
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Creator Spotlight: GDBee Art (@prinnay)
Geneva Bowers is inspired by the wonders of the natural world around us, and enjoys manipulating colors to create art full of mood and feelings.
Check out our interview with Geneva below!
How did you get started with art? Did you originally have a background in art?
I’m going to say yes because that’s all I’ve known how to do. It started because I wanted to draw better horses than my sister, and it just spiraled from there. People started asking me to draw things because they saw me drawing horses. I was like, well, I can draw things that aren’t horses, and then it was just kind of all I did. 
Have you ever had an art block? If so, how did you overcome it?
I have one right now! Honestly, with time, and I also collect art books; I think I have a couple hundred. If I really want to draw something, then I just flip through those and try to steal some ideas.
Which three famous artists (dead or alive) would you invite to your dinner party?
I mean, of course Van Gogh…I’m really inspired by Impressionism and Post-Impressionism, so I would invite Van Gogh, Monet, and Julie Dillon to a dinner party.
Have you ever wanted to dive into another medium before?
Yeah, actually, I currently am! I’m trying to do more traditional painting. I used to do a lot of acrylics, but I haven’t done it in years, and now I’m kind of bad at it. I’m trying to get into actual impressionistic art with oils and oil pastels. I’m like failing, but you know, you get there. Just fail until it looks presentable. 
If there is one thing you want your audience to remember about your work, what would it be?
I guess it’s more of a feeling. I create art because I’m inspired by things around me, like certain video games. For example, I have been inspired by a Japanese RPG called Chrono Cross on PlayStation 1. They make me feel a certain type of inspiration to create something, so that’s kind of like what I’m hoping to leave behind. 
Have any of your projects surprised you with their outcome?
Yeah! I did this Weapon Faerie series where I took three prompts: a weapon, a winged insect, and an herb, which I combined to make different characters. So, a faerie with a spiked club or a butterfly faerie with a katana. I made 13 of those, and they kind of took off! I wasn’t expecting that at all.
What is the hardest part of your process?
My whole art style is coloring, like the way it’s colored… but I hate the coloring process, haha. I like doing the color combos, but I don’t like the blending and shading. That takes like one-trillion years. It’s the part where I’m most likely to give up. You know how art kind of looks ugly before it looks good? I’m trying to trust that process. 
What do you wish you knew when you started creating art that you know now?
I guess one big thing would be knowing how to use lights and darks. When I do color, it is definitely colorful, but when you switch it to black and white, you see that everything’s the same tone of gray. I’ve learned that if you just use some brighter colors and some darker shades, you create a bigger impact in the end. So, now, when I paint something digital, I make it black and white for a moment to see where all the hues are, and if something is weirdly dark or not dark enough, I can change it.
Who on Tumblr inspires you and why?
Oh, @feefal definitely inspires me. She does a lot of spooky art.
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idlesuperstar · 5 months ago
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Donald was the best partner in movies I ever had. We were brothers and we loved each other. We had such a deep, sublime chemistry. There was nothing intellectual about it, just this amazing natural harmony. I first met him in the commissary at 20th Century Fox when Robert Altman told us to have lunch together after I’d been cast in M*A*S*H. At first I thought: I don’t think this guy likes me. But it was just the opposite. The thing was: we were such opposites. I’m a Jew from Brooklyn and he was a Canadian from Nova Scotia. But it was perfection: never any conflict, just bread and butter – a relationship that felt like a miracle. Making M*A*S*H made us immediately close because while everyone else was working with Bob Altman, we worked for Bob Altman. He kept us a little segregated. We were both really unsure about the improvisation, the direction of the movie and Bob’s approach in general. Donald was hired well before me, but once I signed on we had the same deal: no less than second billing, and the same money. Later in production, Richard Zanuck, who was at that time running 20th Century Fox, said they wanted to give me first billing. I thought: “Oh that’s a nice honour. But Donald is my friend! I’m not going to be opportunistic – he was here first and should have first billing and I’ll stay in second place.” That’s what Donald meant to me. I never told him about that. A few years later, I turned down the screenplay for the movie that became S*P*Y*S, about two bumbling CIA agents. Then Donald called and said: “Would you do it with me?” And I said: “Oh that’s a different story. Of course!” On the first day of shooting in London, we drove to work together and he said: “What do you think of the script?” I rolled the window down, threw it out and said: “It’s a piece of junk. The only way this will work is if we swap parts.” But the producers could not digest that, so we just did the picture. Yet we did bring some of our own ideas to the table. There wasn’t an ending, for instance - so Donald and I agreed that we would just walk up the road with our backs to the camera and sing Side By Side. We worked together and we succeeded together, but we didn’t socialise very much – though having the opportunity to develop a relationship with some of his family was a total joy. Once, Donald was making a movie in the Bahamas and I came to visit because I had a week off from making The Long Goodbye and was interested in his leading lady, Jennifer O’Neill. Kiefer, his son, was five or six and Donald introduced us. Kiefer wanted me to stay, so when I said goodbye, I said: “Kiss me, Kiefer.” He had an ice cream cone in his hand and put it on my face – he kissed me with his cone. Donald was a true human being – and not all of us are. He could identify with any of us. His presence and his nature, his life and his mind are an asset for everyone. We all come and go physically, but as a being, he was really special and unique. I don’t put anything in the past. With me, it’s all in the present. My feeling is that for as long as I am living, Donald will be with me. I have no doubt about that, and I’m not being sentimental. I can see Donald now. I will see Donald for ever.
Elliot Gould - Donald Sutherland remembered by Keira Knightley, Elliott Gould, Ralph Fiennes and more in The Guardian
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artdnldsn · 3 months ago
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gestalt therapy
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college professor!art donaldson x fem reader
word count: 5.2k
warnings: 18+ MDNI, swearing, student!reader, age gap, porn w/ a little plot, head (f receiving), fingering, p in v, unprotected sex, slight degradation (question mark?), one mention of "daddy"
synopsis: you're done with your senior year at college, and all you want is a parting gift.
a/n: my first full fic here wow my first ever smut WOW the only thing that's not a first here is english because it's my second language so be patient pookies. college prof au has been haunting me for days so i needed to get it out. even though i have no fucking idea how colleges work in the us ;) hope you like it! happy reading
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The first thing he notices about you is how ridiculously smart you are.
It's not even a stretch or him trying to justify the instant attraction he feels towards you. No, you're genuinely, undeniably brilliant, especially for your age. You've got this way with words, and concepts come to you so easily. You pick up on all his lead-ups to lecture topics, knowing exactly what the main conversation will be about a good five minutes before the rest of the class. You smile smugly, crossing your arms and leaning back, your eyes seeking his because you want him to know that you know.
And honestly, he'd be mad at you for being so smug if you weren't so damn smart.
The way you walk up to him after class to discuss your latest essay, your stance confident and voice sure, as you argue over why you deserved a 100 and not a 98. He's looking at your essay, then at you, then back at his computer screen, squinting just to appear like he's thinking it over, but he knows you're right; of course you are. Your essay is perfect. He was just being a dick about it, nitpicking because he couldn't admit you're basically flawless.
He's getting self-conscious about his teaching. There's nothing he can teach you—you come so prepared for every class that he wonders if you even have a life outside his classroom. Maybe your brain just works like that, but a small, selfish part of him hopes you spend hours prepping for his classes. The thought that you do it for him and not the subject is a nice one, but he shoves it away.
At least that way, it wouldn't be as pathetic for him to spend nights rewriting his lectures, perfecting his presentations to the point where he's sitting in his bed at 3 AM, pondering whether Times New Roman or Arial would make his point come across better.
He's always been a perfectionist, living by the book, striving not for greatness but for the reserved maximum of his natural capabilities. He never really pushed himself. But you—oh, fuck, you. Fuck you. You make him want to lose sleep just to prove to you or himself that he's certainly smarter than some college senior.
He calls you a lot of things in his head. A know-it-all, an "excuse me" because you're always "excuse me"-ing him like he doesn't have a name, a smartass, a bitch—he hates when he's in a mood like this last one because it signals it's time to sleep. You're a lot of things, but you're not stupid.
In fact, he starts wondering if you're a once-in-a-lifetime talent. Because he's rather young for a professor, he hasn't seen as many students as his colleagues, who always crack up anecdotes about past students, someone who graduated 15, 30 years ago, but the older professors still remember them. He wonders if he's going to remember you like that. He's pretty sure he will.
He's never even thought about you as a woman and not just his student. He's just respectful like that. Sure, you were hot, which only added to your confident allure. He's not blind—hell, he'd admit it if he had to—but he's never thought about you like that.
But apparently, you have about him.
You appear at his office doorstep minutes before he's about to clock out for the night. You're looking pristine as always, and with your silhouette illuminated by the office's dim lights, he wonders for a second if you're even human with your endless drive, brilliant mind, and hair that always looks like it's animated because it's impossible for real human hair to flow that perfectly.
"Good evening," he greets you, eyebrows creasing slightly in confusion. You've never visited, your final grades are in, and you're graduating in a week. He's already said his goodbyes to your class, and when he did, you shot him a little smile that he read as everything being good between you. What are you doing here then? "Can I help—"
“Are you impotent?” you cut him off, arms crossed, a challenging look in your eyes.
He actually chokes on air. “E-excuse me?” he mutters under his breath, his expression shocked, his voice strained. God, he’s ridiculed you for years in his head for addressing him like that, and here he is now.
You turn your back to him, lock the door, and make your way to his desk in confident steps. You sit on the edge of his desk, looking at him over your shoulder. "I asked if you're impotent," you shrug, arching your eyebrow.
“No,” he blurts out, his expression still one of pure horror as he doesn’t know where to keep his gaze, his eyes darting between the papers on his desk, and his computer screen, and his hands, anywhere but you. “God, no.”
“Why you never fucked me, then?” you ask, your tone still almost accusatory, but your voice soft. It’s almost like there is a hint of genuine regret in your words, and he doubts his sanity right now, wonders if he’s imagining things. He pinches his thigh under the desk, just to make sure.
“What do you mean, why?” he stutters, his cheeks flushed. “B-because.” Oh, God, it’s really bad. He’s really speechless, his mind unable to conjure up a full sentence. “Because you’re my student, and I respect you, and there are boundaries that shouldn’t be—“
“I’m not your student anymore. Not technically.” Your tone is matter-of-fact, one he’s too familiar with. One you’ve used to tell him about all the typos in his handouts, all the mistakes in his tests, all the times he’s fucked up grading someone’s papers. Only now you’re telling him… Fuck, he really can’t grasp what it is you’re telling him.
“I can’t argue with that, but I really don’t understand the point of this conversation. You’re completely out of—“
“Consider it gestalt therapy,” you shrug nonchalantly. He’s getting mad, really, with you cutting him off like that, like you’re getting back at him for years of having to listen to his lectures without having an opportunity to talk over him. It takes him a second to grasp what you’re implying. He clears his throat.
You sigh, letting your arms drop to your sides, sliding off the desk, walking up to him in these fucking deliberate strides, spinning him in his chair so he faces you, his hands lifted up in the air as if he is surrendering. He doesn’t know to what, exactly.
“Just really have to get this out of my system, Mr. Donaldson,” you sigh almost guilty, your gaze landing on his lap. He's hard, his cock straining the fabric of his trousers. Of course he is, what the fuck?
You cup him, eliciting a soft sigh from his lips, his eyes falling shut. You start stroking him through the fabric, confidently like everything you do. It makes his blood boil. You’re such a bitch. A know-it-all. A smart-ass. And so, so hot that he can’t bring himself not to kinda wish you’re intending to fuck his brains out.
He opens his mouth to say something, maybe a weak protest to give you a final out, but you lean down, pressing your lips to his in a languid, deep kiss, a thorough exploratory one like every single one of your fucking essays has ever been.
You move to his lap, straddling him, the chair creaking under your combined weight. Only when his hands move to your hips does he understand you’re wearing a skirt. God, he hasn’t even noticed that. He lets his hands stay there, caressing your bare thighs as your skirt rides up, and you lean in for another kiss.
There's no raw hunger. If anything, he’s sure he’s incapable of it in this situation, his mind still trying to catch up, trying to relabel you as not forbidden. You’re grinding against his growing erection, tugging at his hair as you deepen the kiss, your curves so unexpectedly perfect against him.
He only realizes you’re working on his belt and zipper when he hears them. Instinctively, he moves his hands to your wrists to stop you, but you just shake them away like you’ve shrugged him off all these years. He gasps into your mouth as you wrap your hand around his freed cock, stroking the length expertly, thoroughly, meticulously, as your lips never leave his. He actually relaxes into the chair, his hands gripping your waist, tugging your top up to reveal more bare skin.
No bra. Of course you didn’t wear any. You’ve come prepared as always.
You chuckle quietly, your lips continuing to move in unison with his, finding a lazy rhythm that drives you both insane. He reads this chuckle as you being amused at him taking any initiative. It makes his blood boil.
He breaks the kiss, one hand squeezing your breast firmly as he leans down, capturing your left nipple between his lips, sucking gently before biting. His other hand lands on your ass with a loud smack, making you gasp. Finally, some reaction.
He starts bucking into your hand, seeking more friction, moving his mouth to your other breast, lavishing it with the same attention, leaving a bite mark on the side, making you wince but moan. That moan—fuck, that beautiful sound. Now he’s angrier at himself than you are at him for not having fucked you sooner.
He understands you were expecting to ride him, like he’s some sexless creature, a toy to use, a dick attached to a fantasy that has nothing to do with the man he is, and it makes him even madder. He’s always admired your insightfulness, your capability to get right to the gist of things through walls of useless shit, but he’s feeling his respect for you slipping as he understands just how wrong you must’ve been about him in your head.
He peels himself off your chest, lips glistening with saliva, smacking your ass again, harder this time, groping both cheeks as he lifts you off his lap to sit you on his desk over the papers he’s grading. He’ll just tell everyone he spilled a drink. No one will miss them.
His lips find yours again in a searing hot kiss. It’s messy, all tongue and teeth like he’s trying to hurt you, but he’s not. Of course not. It’s just that something dormant is being woken up in him. You whimper as he cups your mound through your panties, making him chuckle. Well, look who’s laughing now.
"You've seriously dreamt about this?" he whispers against your jaw, his long fingers sliding into your underwear, finding your slickness. Fuck, you're so wet for him, it almost makes him black out. "Wanted me to fuck you on this desk? Or the one in the classroom? Or in the library? Or right in the fucking hall, huh? Why not? Let everyone watch." His tone is almost taunting, his every word accompanied by a painfully slow and teasing circle of his thumb over your swollen clit.
"Yes, yes, yes," you mutter, eyes squeezed shut, forehead pressing against his shoulder, hips bucking helplessly into his hand, seeking friction. It’s not clear if you’re answering his questions or begging him to go faster. It doesn’t matter; his smirk is already in place, his eyes glistening with amusement as he looks down at you, breathing hard through his nose.
"Yes, what?" he chuckles, shrugging, his eyes scanning every reaction on your face. The way your head falls back, your lower lip caught between your teeth, your cheeks flushed. He tucks a loose strand of hair behind your ear. "Yes, what?" he murmurs softly, his hand in your panties slowing down to the point of stopping.
A groan of disappointment escapes your lips as you snap your head back up, eyes darting open. He can see your pupils blown wide even in the dim light, the lamp on his desk illuminating you from behind like a renaissance painting. "Yes, fuck me," you say dryly, like it’s obvious, still seeing him as some pathetic, stupid nobody, but you’re slightly out of breath when you say it, so that’s a win in his book for now.
Just means he’s gotta try harder.
His arms wrap around your waist, holding you in place. He’s standing between your legs, keeping them spread wide for him. He pulls his hand out of your panties to bring it to your face, shoving two fingers into your pretty smartass mouth. Your eyebrows crease, eyes falling shut at the action, a hum leaving your lips, vibrating through his skin, but you still suck on them obediently, tasting yourself on his fingers and coating them in your saliva.
He slips one finger right inside you when it makes its way back down. He starts thrusting it into you at a steady rhythm, his lips finding your neck, nibbling on it, his teeth grazing your delicate skin, tongue sliding over the little marks his teeth leave there, as he curls his finger inside you, thrusting deeper, deeper, almost aggressively.
"God, I really thought you were smart," he mutters under his breath, hot against your skin as he adds another finger and starts stretching you, eliciting a soft moan from you. He leans down, sucking on your tits again, noticing how hard your nipples are now, almost painfully so, matching the way his dick is rock hard, still standing at full attention against his clothed abdomen. "Thought you were different. Hard-working. Proper." He sinks onto his knees in front of you, looking up at you with a glint in his eyes you can’t quite read. "Turns out you’re just a slut."
He tugs your panties down, his tongue finding your cunt, one of his hands moving to throw your leg over his shoulder, keeping it there tightly as the fingers of his other hand re-enter your cunt, starting to finger it at the same urgent pace, his tongue moving feverishly over your clit, making you moan quietly because, yes, there are still people in the building, you have to keep quiet, but a part of him, the one you’ve awoken, wishes the circumstances were different, that he could hear you scream for him.
He’s getting high off the taste of your juices, off the scent of your arousal filling his nostrils, his nose pressed into your pelvis as he fucks you with his fingers in a relentless rhythm, curling his fingers inside you, feeling your walls clench down onto him, searching for that sweet spot that’s going to make your toes curl.
“Tell me,” he rasps out, pulling away from your cunt just for enough time to say what he needs to say, peppering your inner thigh with kisses in the meantime. “Tell me exactly how long you’ve wanted this. And how you wanted me to fuck you. Leave no details out.”
You whimper when he delves back onto your clit, sucking on it, not caring to keep his teeth from grazing your sensitive skin here and there, but it’s a good feeling.
“S-since that lecture. Sophomore year,” you breathe out, you throat tight from holding back so many moans that are begging to be let out. Your mouth falls open in a silent ‘oh’ as he sucks your whole clit in, lapping at it with his tongue inside his wet hot mouth, your hand snapping instinctively onto his head, gripping his hair to pin yourself down to the reality. “You wore that slutty turtleneck, and of course I’ve thought you’re hot, but then you had one wrong date in your presentation, and I got so fucking mad at you. Thought you’re too careless to teach.”
He hums against your cunt, encouraging you to go on, or agreeing with your point, he can’t tell himself anymore. He’s completely gone at this point, drinking your juices like he’s drinking in your words. Amidst all this, he actually appreciates you not calling him stupid. You might’ve, but you didn’t.
“And you were always s-so passive, like I tried arguing with you, reading all that shit instead of going out just to get a rile out of you, and you never fucking bucked. I-I-I—“ you stutter, your mind going into overdrive for a second as he continues abusing your g-spot, his fingers moving at a frantic speed in and out, in and out. He smacks your thigh to get your attention back on the topic. “I just couldn’t fucking believe you. I was being a bitch, I was nagging you, just because. And you didn’t even care.”
He smiles into your cunt, a huff of air leaving his nose. At last, you admit it. He suddenly doesn’t feel bad at all for calling you a bitch in his head. He can feel your walls contracting around his fingers, your breathing irregular, you’re practically panting, your grip in his hair tightening as you guide him closer, rolling your hips against his tongue and fingers, seeking release. You’re close.
He pulls away, earning another cuss and another groan of disappointment off your lips. He smacks your thigh again, hard, the action leaving a red print of his big palm on your skin. “You didn’t answer,” he rasps out, delving back into you. Fucking students, he thinks to himself. Always so smart, thinking they know it all, and always forgetting to answer the second part of the question after they’re done answering the first.
Your mind is so hazy at this point, it takes you an effort to rewind the interaction in your head to understand what he means. “L-like this,” you whimper, your thighs trembling as he grips the one that’s not on his shoulder to stop it from shaking too much, keeping you in place. “I-I didn’t want you to be nice. You’re always so fucking nice, it’s not human, I knew it wasn’t true.”
He’s too set on making you cum to chuckle now, although it is pretty funny. He’s been doubting you’re human, too, but the way you gasp for air, trying desperately to hold back your moans as he feels you coming closer and closer to release, it tells him all that he needs to know. You’re just flesh and bones, not the perfect genius he’s painted you to be in his mind.
“Fuck!” you whimper, giving his hair one last tug before your hand springs up to cover your mouth, biting into your index finger to keep yourself quiet. It takes one slide of his fingers, one roll of his tongue, five seconds, and your muscles go taught as your hips buck off the desk, his pens in the glass standing on the edge of it clattering against each other, the keyboard of his computer flying up for a split second from impact of your ass slamming back down onto the desk. It’s like a mini-earthquake, that’s left your world erupt into white behind your closed eyelids.
He fingers you through it, lapping his tongue over your clit until you wince quietly from it hurting, and he pulls away reluctantly, standing up from the floor to stand in between your legs again. His neck and back hurt like hell from crouching down on the floor for so long, his muscles are not what they used to be, after all, and for a split second he considers actually giving up and letting you ride him, but it would be your win in his book, and he can’t allow that.
He spits on his hand before he leans down to kiss you, his tongue sliding back into your mouth, letting you taste yourself once again, as he brings his hand down to stroke himself, breathing softly out of his nose at the relief of some friction, finally. “You’re such a hypocrite,” he murmurs into your lips, softly, almost lovingly, the same fucking slightly condescending tone he’s always used in his classroom.
You open your mouth to ask what the fuck he means, but he pushes his tongue back into your mouth, all thoughts of a protest evaporating from your mind. You slide closer to the edge of the desk instinctively to accommodate him when he eventually pushes into you. You almost can’t wait.
He gropes your ass to position you like he wants you, his fingers digging into your plump skin maybe a little too hard. You don’t protest. He breathes heavily, like it’s physically paining him to hold back any second longer — it does,—and his brows are furrowed in concentration while he slides his tip over your clit, coating it with your slickness, the same way he frowns when he’s grading papers or goes over tomorrow’s lecture in his head.
He pushes inside in one determined thrust, piercing through you, a quiet grunt escaping his lips, a soft moan escaping yours. Before you have any time to adjust, he starts pounding his hips into yours, one of his arms hooked around your torso to keep you in place as his free hand flies to your chest, squeezing your right tit roughly, pinching your nipple, rolling it between his thumb and index finger, making it harden again.
“Careless?” he scoffs, an expression of pure disbelief on his face at the fact you’ve even dared to say that. He grunts again, his hand falling from your breast to your hip, gripping it firmly as he continues pounding into you, your breathing quickening again. He’s rather big, and it hurts a little from you still being sore from your orgasm, but you still moan softly under your nose, your wrists hurting from you leaning on the desk behind your back for so long.
“You call me careless for a typo in a presentation I made six years ago, and it’s not careless for you to come here, asking me if I’m impotent? Fuck you,” he grunts again, a grin pulling on his lips as he throws his head back, the rhythm of his hips never faltering. You’re squeezing his cock so tightly, there’s no way in hell you’re ever going to be asking him or yourself that question again.
He lets go of you, reaching behind your back to pull on your wrists, tugging them further to himself, which makes you fall back on the desk. “Fuck you,” he repeats, his words almost sounding like a moan now as he holds your wrists near your stomach, basically transfixing you. He moves one of his hands up to throw your leg over his shoulder again, another continuing holding your wrists down, as you both groan quietly at the change of the angle, the new one allowing for him to go so deep he’s touching parts of you you didn’t know existed.
“So, you wanted me to be a good teacher and a good dick all at the same time?” he muses, a smirk pulling on his lips again as he looks down onto your dishevelled form, your tits bouncing out of your tugged-down top, you skirt ridden up to your waist, your fucking face, so unbearably beautiful, flushed and your lips swollen from his kisses and from you biting on them so much. He can’t fucking get enough of how silent you are now after running your mouth at him for all these years. “Did you want me to be your boyfriend, too?” he chuckles, shaking his head, his expression faltering as he picks up the rhythm for a good minute, pounding into you so hard all the items on the desk are clattering, and you have to bite on your lips again not to scream from him practically tearing you apart, because you can’t cover your mouth anymore with your wrists held by him.
“Daddy never loved you, right?” He understands he’s probably taunting you too much, his words almost feeling cruel, but he’s too far gone at this point, he’s making a forceful effort to continue looking down at you to imprint the way you look right now into his memory to revisit later, even though his eyes are almost rolling back from just how good your cunt takes him. “That’s why you’ve been pining for my dick for fucking three years? Are you getting what you wanted?”
“Y-yes,” you whimper weakly. Yes to all that, actually, but he doesn’t need to know that. He feels too good, filling you up to the brim, you can almost feel him in your guts, he’s making your toes curl. And he’s finally not acting nice. Just like you wanted him to.
“Good,” he growls, letting go of you for a second before his hands find the undersides of your knees, bringing them close to your chest, changing the angle again as he starts hammering down into you, the room filled with the sound of your shared ragged breaths, the desk creaking under you and the sound of his pelvis slapping against yours. “Fu-uck, you’re taking me so good, none of your schoolwork was ever that good,” he’s lying through his teeth. Not about the sex — you’re taking it like a champ—but about your schoolwork. It was, indeed, that good.
He basically has no power left over what words leave his mouth, he’s completely drunk on you, the taste of your cunt and your mouth still lingering on his tongue. “Are you gonna come again?” he pants out, slowing down, feeling your walls clenching down on him, squeezing him tight.
“Y-yeah,” you mutter, fluttering your eyes open to look at him from under your eyelashes, but you can pretty much only make out his silhouette with how hazy your vision has become with just how good he’s fucking you. “I knew,” you repeat, your throat feeling tight again, your head falling back on the desk as you bring your now free hands to your mouth, covering it to muffle out the scream you know is there, brewing, destined to roll of your lips when he drives you to release again.
“You—“ he starts in disbelief, but he’s getting closer, too, there’s no point in arguing now. He just can’t fucking believe the nerve on you. What do you mean, you knew? Knew he could fuck you like you wanted to? Knew you would be walking out of here with a limp? Such a know-it-all, always thinking she’s two steps ahead everybody else.
He sighs shakily, a broken, needy sound as he brings his hand in between your legs, finding your clit again, his other hand still holding your knees pressed to your chest. He rubs at you in sync with the thrusts of his hips, his pace picking up, up, and up, until he finally lets out a low grunt, stilling, slipping out of you as he watches you bite on your hand, tears streaming down your cheeks as he feels your pussy convulsing under his fingers, another orgasm hitting you, and in a matter of seconds, after a few fast strokes, he comes, too, thick ropes of his seed landing all over your stomach and knees, and some of it lands on your chin.
For a few seconds, he just stands there, catching his breath, watching over you. He opens his desk drawer, pulls out a tissue pack, and wipes himself before doing the same for you. You're still lying there, face hidden in your hands, your outfit a mess. He's already caught you crying and knows you might feel awkward doing it in front of him, so he just makes sure you're clean for when you leave.
He tucks himself back into his trousers, fastens his belt, and walks to the other side of his office. You hear him rustling around while you try to get your breath back and keep your emotions in check. His soft footsteps approach the desk again, and you feel him gently patting your knee. You open your eyes to see him holding out a cup of water—a peace offering or an apology. But you know he doesn't owe you either. He just gave you everything you've wanted for the last three years. And he even brought you fucking water. Because he's disgustingly nice like that.
You nod in gratitude, sit up, and take the plastic cup from his hand, downing it in one gulp. It actually brings some life back to you. You breathe out shakily, fix your top, and tuck your tits back in before sliding off the desk. Your shoes land softly on the floor, your legs still trembling, your knees feeling like they'll give out any moment. You tug your skirt down and sheepishly meet his gaze, unsure where to go from here.
He steps closer and brings his hands up to your face to fix your hair. His eyebrows furrow in concentration again as he smooths it down, making sure you don't look disheveled when you walk out of here.
He sighs, letting his arms drop to his sides, and keeps looking at your face as if making sure you're not just looking okay but are okay too. “I didn’t mean that. The ‘fuck you’. And the ‘slut’ comment. Well, I kinda did,” he shrugs, averting his gaze with a humorless chuckle, “but I didn’t.”
You punch the air out of his lungs as you pounce on him, wrapping your arms around him in a tight hug. It takes him a second to gather himself, but he hesitantly hugs you back, just letting his hands rest on your lower back as you nuzzle your nose into his chest.
You had to get it out of your system, but now that it's in, you feel like you’ll never get enough. He feels like a beacon, one he's always been for you. The guy you picked a rivalry with your first week of sophomore year just to push yourself harder, to strive for greatness. He wasn’t even aware there was a rivalry to begin with. He's an academic, though, they’re all fucked up in the head, he must understand a part of it, at least.
And he understands. Truly. He just hopes you won’t start crying again, because he doesn’t know how he'd handle that. He pulls away slightly to look you in the eyes, cupping your face in his hands, and plants a soft kiss on your forehead.
“You’re a smart girl,” he says, his voice low, the small, friendly smile on his lips sincere, the corners of his eyes crinkling slightly as he looks down at you. “You’ll figure it out. I don’t doubt it.”
He had this whole speech prepared for the class about how adult life is going to treat them, the challenges they'll face, how scary it’ll be, but also insanely rewarding. It was long, sentimental, with a few jokes thrown in. Some girls cried, but it was all bullshit. What’s real is this. Him understanding your fears without you having to voice them. Him telling you you’ve got this.
“And until you do, you always know where to find me,” he nods to the side, obviously meaning his office, a lopsided smirk making him look a good decade younger. His gaze finds yours again, and he pulls you into another tight hug, one he initiates this time.
In his mind, he’s already thinking how long it would be appropriate to wait before he can invite you for a coffee.
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under-lore · 2 months ago
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First impressions on the new Asriel letter
So...
It seems we finally have some new Chara content in 2024 !
At the end of the latest newsletter, Toby shared one more letter with us, which contained some very interesting things.
Let's try and dissect it a bit.
First, to start with the obvious, this is a letter written by Asriel about Chara. We can see this from such as things as :
Using the term "best friend"
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But also because 9 is already a number associated with Chara.
Of course, it is present with them rather strongly during the genocide route. Such as during its ending, but also through things like the statistics given to some items associated with them in the route.
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The same can also be said for Narrator Chara too. Such as how new special dialogue appears from the narrator if one were to attempt to talk to Asgore precisely 9 times.
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The idea that it would be their favorite number thus comes fairly naturally.
Next, the few following lines rationalise this association, all the while phrasing it in a way that reminds of their speech at the end of the genocide route.
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Finally, we have a few more minor implications.
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Asriel & Chara with flowers together may call back to this image :
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But it was also a very old concept, that could be found way sooner in Toby's concept arts for the game.
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While Chara's "creepy faces" are openly mentioned in-game.
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The friend is also refered to as "they", which may be noteworthy.
As for laughs...
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The letter ends with
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...But alright, what can we learn from it ?
Quite a few things, actually.
First, obviously, Chara's favorite number being 9 feels more like confirming some trivia or association that had been noticed by fans a long time ago than actual true new information.
But it isn't the only noteworthy thing in this letter.
Here are some lines that i had cut earlier on :
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The last few lines feel somewhat unprompted from that initial context. But they may have secondary meanings.
First, they may be used to indirectly refer to a type of numbness brought upon by killing mentioned by Sans in his neutral judgments.
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However, while that hint may have been intentional on Toby's part, it surely wasn't the main thing that the "in-world" Asriel who wrote this letter was trying to suggest.
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The main "in-world" intended meaning of this section was far more likely refering to this :
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While Chara did not ever tell Asriel exactly what happened in their past, Asriel seems to believe that the humans they had known did not make a good impression on Chara. Suggesting that they may have been abused or even have come to the mountain to disappear because of them. Regardless, this was all something that had worried Asriel regarding his best friend.
Of course, in the original game, those things remained mostly implicit or speculative. Asriel did not know these things for certain. And neither did we.
But bringing it back up today after so many years certainly feels like a very interesting choice on Toby's part...
Of course, this is all still from Asriel's point of view, which is limited. But metatextually, this is saying more than it looks.
Asriel associating Chara's favorite number the idea that with it, "Nothing can hurt you anymore" is a much more direct way of saying that he believes Chara was hurt by humans in their past than we'd seen before.
Again. This content comes from Undertale's 9th anniversary. It was pretty much Toby's one special occasion to show us content about Chara again. Which he actually did with this letter.
He only disposed of a limited number of characters or lines to either tell us something new about them, or give more precision/information about something which he believed was important for us to see.
From the metatextual context of asking "What was Toby trying to do by showing us this letter ?", him choosing to give more detail on Asriel's belief that Chara may have been abused of all things would serve no other purpose than to volontarily insist on pushing forward his line of reasoning to the fandom.
This suggests that Toby is very likely trying to tell us that Asriel is at least largely correct, and thus that the idea of Chara having been hurt in some form by the humans in their village is now significantly more likely.
Indeed, this had been an issue in some parts of the fandom. While that interpretation had been largely popular amongst most of it for a long time, there had been some voices calling out to the lack of clean proper evidence pointing to that which weren't somewhat speculative. So this seems a lot like Toby attempting to point us in the right direction. Seems like the simplest answer may be the right one, Occam's razor strikes again.
A new questions also now asks itself : Is this meant to suggest that this was Chara's motivation for power ?
Having power, so you are no longer weak ?
Not being weak, so you can no longer be hurt ?
A way of feeling "in control" ?
There were already some implication of Chara disliking to show weakness to others in the past. This would be coherent with those.
In such case, the genocide route may be a macabre recontextualisation of this original motive on Chara's part.
It might also be made relevant in the context of Chara's plan, though that deserves its own future post.
Besides, Asriel saying this highlights how much he cares about Chara. Which is always nice to see.
As a side note :
Between the demo and the final version of the game, the flavor text for the faded ribbon was changed from a regular one to one which raised a few eyebrows :
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While some people had tried to use this line as evidence of Chara having been abused, many other voices had (fairly rightfully) pointed out that this piece of "evidence" was quite fragile, due to things like other interpretations of it being just as plausible, the fact that it specifies " 'monsters' won't hit you as hard" which wouldn't fit Chara all that much, or simply the lack of other similar implications elsewhere in the game.
Now that we do have such implications, this argument, whilst still a bit of a long shot, is at least not quite as far fetched as it used to be anymore. The item is a thing which gives you DEF (increases your numbers), and prevents you from being hurt.
We are not quite done yet, though :
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These lines feel like they also have meaning.
Once again, there is an indirect reference to the genocide route, with 99 being the maximum value for things like HP, or the next required EXP to gain LOVE. When you have them, you cannot get any more. It is the absolute.
However, there seems to be another strange connection to make here.
What is the opposite of a so called "good memory" ?
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The bad memory is an item obtained from the memory head amalgamate.
It feels noteworthy as it, along with the "Last dream", are the two items in the game who's effects are theorised to have something to do with NarraChara in the way they are presented/work. (Suggesting that the memory/dream may come at least partially from Chara.)
For a reminder, the bad memory is a item that actually decreases HP by 1. Unless it is eaten on the brink of death, in which cases it restores all HP instead. Bringing it to the "highest number".
On top of that, this item also had a strange specificity to it :
It is impossible to drop it.
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With this additional context, one may draw parallels between the Bad memory item's effects and what Asriel is saying, only in a reversed way, and applied to Chara.
In the same manner as previously. The previously existing theories trying to tie the bad memory to Chara now find themselves being rendered more plausible. In fact, given that these lines directly follow the previous ones, you may even associate them to make the argument that the memories could be of Chara's past on the surface hypothetically. Though that would likely be stretching it.
Also :
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39 left.
Pretty impressive, the way every last line in this letter can be read as a genocide route reference one way or another.
And... the code of the page describe the contents of the page as "Here's a letter".
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This is also the wording used in the lines with which Toby introduces us the letter.
This wording of this feels very significant considering who the letter is talking about...
So i suppose that makes for even more NarraChara fuel to have Toby writing down such things.
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For one last thought, those couple lines.
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If one were to follow a certain interpretation of things such as "Mr Dad Guy", the "future of humans and monsters", and Chara's relationship with the concept of "efficiency" & "usefullness", then they might be readable as an allegory for pre-death Chara's view on their role within monsterkind & one of their motivations regarding their plan. (along with their hate of humanity).
And this odd insistance on the term "happy" throughought the message..Is there a chance it could be refering to those secret lines, stored within the game's code in the echo flower room number #9999 ?
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Some of the things mentioned in this post are somewhat stretchy admittedly. I am not yet certain of which ones of these would i actually argue for and which are only a product of first impression brainstorming.
Nevertheless. There are many many new ideas to explore regarding Chara now.
Thanks, Toby !
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