#and now i’ve downloaded the entirety of the translated novel and have been reading it wherever I went for at least an hour the last 12 days

[danerdybluebanana]

swearing off of pinterest and tumblr to avoid spoilers cause my friend recently got me into the omniscient reader’s viewpoint fandom and oh my god i’ve been put into another yet another chokehold

[seanpatricklittlewriter]

Update on the New Book

It's hard to sell books. Almost impossible, really. It's even hard to give books away for free. The results of the five-day promotion in which I gave away the first two Abe & Duff books in their entirety to Kindle patrons resulted in only about 1700 downloads. That's not nearly the number I hoped for in this promotion, but it's better than nothing, obviously. If I can get a slew of good reviews out of it, maybe it'll be worth it in the end. As usual, your book does not exist to Uncle Jeff and the Amazon Avengers until you hit 50 reviews. Right now, I think #TheSingleTwin is holding steady around 23 or 24, so that's not ideal. There are just so many detective novels out there, and so many people competing for readers that it's almost impossible to get people interested in a new series. Not to mention, people have reported feeling overwhelmed by the events of the last two years so they have been seeking comfort items instead of risking seeking new items. New TV shows have been struggling, but meanwhile, The Office, Parks and Recreation, Scrubs, and MASH have been killing it on streaming services--people want things they know as a grounding technique. They are coping. They don't have the brain space to try new things right now. All things considered, it's a perfect storm of impossible odds. It's a good thing I don't do this for recognition. Or money. In other news, I did my first live event in years at the Germantown Community Library the other night. Only five people attended, sadly. Three of those five were friends of mine. And one of those friends was actually someone I brought with me from Madison. I've done events where no one showed up, so I am extremely grateful to those who did show. It was nice to get out and shill books again. It's so hard to program events during the best of times, and it's even harder to program during a pandemic. I'm hoping to get a few events scheduled in the next few months, but we'll have to see. I know a lot of book stores and libraries are choosing to do virtual events instead of live events, and I don't know if I could do one of those. One of my greatest fears is programming a virtual event and looking down at the little counter that shows the number of guests tuning in to see "0." It's like the nightmare about showing up pantsless on the last day of finals and you can't find your classes. Same level of fear and discomfort. Craig Johnson did an online event last fall when his latest Walt Longmire book launched. I tuned in and I was one of more than 1500 people watching. Those are some good numbers. Of course, if you hit the NY Times Best Seller list 15+ times, I guess you can generate that sort of interest. The pre-order link for Kindle version of the new Abe & Duff book, #WhereArtThou? is live now. Tell friends. If you're looking for the hard copy version, I'll post that as soon as it clears processing. I've okayed the final proof, so it's set in stone now. I'm both looking forward to its launch and being terrified of the future potential reviews. I know my sense of humor isn't everyone's cup of tea, so I always worry about jokes translating, especially through text where you don't get the benefit of performance and voice tones. Still, I think this is a really great book. It was fun to write. I really hope people will enjoy it. I'm working on Abe&Duff 4, as well. No idea on the plot yet. Or title. Stay tuned. Thanks for reading. --Sean  https://www.amazon.com/dp/B09RTGZDSG

[dirtyhancls]

ask meme: do all of the them Ψ(｀▽´)Ψ

omg that’s a lot but here we go <3

What’s the last book you read? What did you think of it?

hmmm I reread like half of Graceling, and it’s as good as ever and I’m still bitter that Kristen Cashore hasn’t written anything since the series. it’s YA but also Monster novel TM and so thought provoking

What’s the worst book you’ve ever read, and why?

Roll of Thunder Hear My Cry (tbh i read this in 6th grade and HATED it with a Burning Passion but I also don’t remember like 90% of it. just kno that i hated it)

A book you found overhyped, and why

A Hero At The End of the World. I agree with most of the review about it-- it’s very evident the author comes from a fanfic background bc writing fic is very different from novels and there’s some things that don’t translate (character development? relationship development?) if you read the book with the knowledge that its essentially drarry fanfic it makes sense, as its own novel there’s a lot rushed

Ereaders versus physical books is such a false dichotomy. Instead, tell me what other formats (phone apps, tumblr fiction, twitter haikus) you read in

IBOOKS !!!!!!!! ibooks saved my life bc now i can find most books online and then download them and read them it’s amazing

Which genre(s) don’t you read? Why not?

romance jfc i just dont go there sorry (mostly bc of the covers)

If you read in more than one language, is there a difference between the experience of reading in your native language(s) and reading in other languages?

nope cannot read chinese rip

If you’re not a native English speaker, how much do you read in your native language versus how much you read in English? How do you feel about that? // If you’re a native English speaker, go find a book in your second/third/etc language, or in translation, to add to your to-read list

can i count latin as a third language lmao?? screw it i’m doing it one day i’ll read the entirety of the aenied in latin

The book you read when you’re stuck in bed sick

HMMM my go to book is probably The Amulet of Samarkand? or maybe Six of Crows 

Fiction or non-fiction or both? In what ratio? Where do you draw the line between the two?

pretty much 100% fiction but i;m aiming to change that (And the Bnad Played On is next on my list)

The book(s) you bought because the cover was pretty, and whether it was worth it

:/ i dont usually buy books but i guess you can count A Conjuring of Light? Bc the cover was super pretty and my aesthetic, although i would’ve bought it regardless just bc it was the final book in the series

The worst book hangover you’ve ever had

HOO BOY Ptolemy’s Gate or Code Name Verity

Do you have to finish one book before you start the next one, or do you read multiple books at the same time?

finish but mostly bc i read so fast that if i finish a book it’s usually in a day or two

The fictional character you want to believe you resemble and the fictional character you actually resemble

i want to believe i resemble Sirius Black but i probably actually resemble Remus Lupin 

The book that, in hindsight, really should have clued you in to the fact that you’re _________ (queer/in love/doomed to be an academic/etc)

Artemis Fowl/The Bartimaeus Trilogy that I’m not as clever as i fancied i was

The book that you reread over and over again and get new things from every time

G O D probably The Bartimaeus Trilogy 

The book that you don’t dare reread for fear it won’t be the same any more

Hnnnnnnnnng i’m a huge believer in rereads so but lowkey Percy jackson bc now that i’m older i've realized a lot of its flaws 

Preferred bookshelf organisation scheme

by my favorites

Do you theme your monthly/yearly/etc reading (eg Year of Reading Women)?

Nope bc i’m super inconsistent with reading nowadays and i’m super picky about tstarting new books

That book with a twist that felt like a blow to the chest. Tell me about it. (But warn for spoilers if necessary!)

CODE NAME VERITY once we got to Maddie’s POV i sobbed my way through it culminating in me having to put the book down at that one BANG BANG moment bc i couldnt see through my tears and also my heart had died inside my chest, AND THEN ALSO when they read her notes/confession and my mind was blown by how clever everything was. 

The coolest bookshop you’ve ever been to

i can’t remember the name I think it’s the one world cafe but it’s a cafe/bookshop/bar and super cool, but also there’s a barnes and noble with a fishtank built in an old powerplant thats hella cool 

The book you gave up on, and the reasons why

The Wrath and the Dawn, sorry too boring and generic and also like, annoyingly straight

The book you finished even though you hated it, and the reasons why

Heart of Darkness bc i had to for school

The book you expected to hate, didn’t, and then got angry about not hating

Grapes of Wrath tbh

The book that you got into because of the movie/TV series/etc, and the relative merits of each version

HOWLS MOVING CASTLE

i luv the movie ofc, it’s gorgoeus in all ways and delightful but not gonna lie the story telling is not very good and it sorta makes no sense until u read the book. don’t like the witch of the waste plot and howl becomes much too mysterious wizard for my tastes

SOPHIE AND HOWL ARE THE DELIGHT OF THIS BOOK, their characters are what makes it tbh, Book Howl is the best howl bc he’s ridiculous and hilarious and a coward and i luv it. sophie is less of a mouse (even tho she still thinks she is ahaha) and the part where she’s so pissed off she turns water into weedkiller is my fav. it’s also just a complete subversion fo fantasy which i think miyazaki sorta doesn’t get

The only book care question that actually means anything: do you write in your books? If so, in pen or in pencil?

NOPE I WANT MY BOOKS IN PRISTINE CONDITION

Do you read reviews of books? Before or after you read the books themselves? Why? Why not?

usually only read reviews of 1. books that havent come out yet and 2. books after i’ve read them to see what other people say. also occasionally 3. i read reviews to make fun of them 

The book you’re embarrassed to admit you’ve read

tbh tbh tbh captive prince just to see what it was like for myself and god jfc

The one where the fanfic was better than the original (and the relevant AO3 links, pls)

like, any number of klance fic tbh or HP fic but here’s some like, absolute amazing ones

As Red as Hearts and Autumn- Mauraders Era fic that breaks my heart everytime, particularly fond of this Sirius

call me, beep me most people kno this, but a staple of klance and very well done

it’s quite bizarre, and will remain this way- more klance but also this made my heart hurt

we must unite inside her walls or we'll crumble from within more respectful of HP women than JK Rowling ever was or will be, i love this so much

Catfished- never thought this would be a thing but draco is turned into a glass fish and harry realizes things

thread our way through a string of stars tbh one of the best klance fics i’ve ever read and probably ever will read

Your vacation reading habits

agressive rereads

The book you read the blurb of, constructed a version of in your mind, and were promptly disappointed by once you finally got around to actually reading it

A Hero At the End of the World :/

Bonus question: rec me something!

READ CODE NAME VERITY FOR THE LOVE OF UR LIFE

[chrisoncinema]

Lessons from the Edit: Man of Steel

[UPDATE 8/27/2017: New, working video link below! Please note: to watch videos in their entirety, download the video to your computer. Streaming from Dropbox will only allow you to watch the first 60 minutes.] A Zack Snyder film is like that college freshman who got a little too into Ayn Rand his senior year of high school, has taken one Intro to Philosophy course, one Intro to Political Science course, and is now writing a manifesto. You know all of this because when he walked into your English class you said “Cool trench coat” and he mistook your derision for interest and now he won’t stop talking at you.

Zack Snyder’s films won’t stop talking at us and so, apparently, they’re here to stay. When I was a senior in high school, I defended Watchmen as a bold but fitting adaptation of a ground-breaking graphic novel. I thought it was very cool.

Now I’m just tired.

In this installment of Lessons from the Edit, we’ll take a look at Snyder’s first entry in the troubled and tone-deaf DCEU: Man of Steel.

I remember being very perplexed by the news that Christopher Nolan would produce (and, implicitly, oversee) a film directed by Zack Snyder. Nolan’s Dark Knight Trilogy felt like a fresh take on the superhero genre by treating it like a grounded, crime film. The Dark Knight clearly wants to be a Michael Mann film and blatantly steals from Heat. Zack Snyder has spent his career doing the exact opposite.

300 and Watchmen, whether or not you consider them successful or good, found interesting ways to translate the visual media of comic book graphics into audio-visual media of film without feeling derivative (see Ang Lee’s Hulk for that). A meeting of Nolan and Snyder’s worlds seemed incomprehensible. And it sort of was.

Man of Steel is like Michael Bay on downers. It’s still all American flags and muscle but the 2013 film feels like something Bay would make while on Xanax as opposed to (and I’m just speculating here) his usual cocaine. This is undoubtedly due in part to Snyder’s cinematographer, Amir Mokri, who book-ended his work on Man of Steel with two Transformers movies and was the DP for Bad Boys 2back in 2003.

Snyder trades in Bay’s kinetic maximalism for handheld wobbling in dialogue scenes and extraneous snap-zooms in CGI-heavy action scenes. If a Michael Bay film is a haywire roller-coaster, Man of Steel is like being in a small boat on choppy water. It’s a sea-sickness simulator. If the camera movement alone isn’t enough for you, Snyder kindly included plenty of teal/grey color grading so that everyone in the movie looks as sick as you feel.

The film’s look can probably be chalked up to Zack Snyder knowing he needed to depart from his previous, and now rather clichéd, style of inky blacks and time-ramping. So, credit where it’s due: at least Snyder was trying something – even if it was just extreme close-ups on farmhouse paraphernalia. That’s more than can be said for the aggressively bland visuals in the Marvel movies. Still, the direction in Man of Steel can be broken down into two basic parts: the boring first half and the migraine-inducing second half.

The one scene that I was pleasantly surprised by in preparing for my re-edit involved Russell Crowe’s Jor-El explaining to Clark where he came from and what happened to Krypton. It’s a simulated long-take wherein the camera glides from Crowe to Cavill to the graphite-colored bas-relief sculptures that are interesting enough to look at, if a bit cartoony. This brief moment has fluidity and rhythm and feels purposeful even though it’s all exposition that, in the theatrical cut, the audience already knows because they saw it in the beginning of the movie.

In an earlier scene, Clark is talking to his Earthly father, Jonathan Kent, at an old pickup truck in another relatively long take but here it is understandable why the first half of the film just seems to drag: nothing is happening. We linger on scenes of Pa Kent doggedly trying to convince his son not to become the superhero we all know he will be. These scenes could have been used to build up an actual relationship between young Clark and his dad so that Jonathan’s eventual death might mean something to us. Because here it doesn’t. These characters don’t feel like they have inner lives – they're clunky conduits for haughty monologues.  

Despite the fact that none of the characters are compelling or three-dimensional, the cast is full of highly talented actors who all seem to be trying their best. And also Henry Cavill. Amy Adams, Michael Shannon, Laurence Fishburne, Kevin Costner, Diane Lane, Russell Crowe – they’re all perfect for their roles, in theory, but they’re reduced to doling out lame speeches and hacky expositional dialogue. Whenever Amy Adams does a damsel-in-distress style scream I feel embarrassed. I’m embarrassed for Adams, who is wasting her time filming this trash, and for all the people who inexplicably think this is a quality film.

Henry Cavill is not good in this movie. Let me rephrase: of all the terrible lines by all the uninteresting characters in this movie, Henry Cavill’s are the least convincingly acted and he is the least interesting performer to watch. Let me rephrase: why was Henry Cavill cast in this movie? Is it because he’s buff? Because basically anyone could be buff if they trained (I’ve always felt that Superman doesn’t really need to have a bodybuilder’s physique anyway, but I don’t want to get into that right now).

If it were up to me, Superman would be played by James Wolk. In his role as Bob Benson on Mad Men, Wolk is the kind-hearted, loyal boy-scout that a superman should be. He has a combination of warmth and strength that doesn’t have to be cheesy or campy if you write it well enough. But there are plenty of people who could play Superman. There are plenty of people who can act. Henry Cavill is not one of them.

Also, whoever did his wardrobe should be fired. Granted, Henry Cavill looks good in the Superman suit but in the scene where Lois meets Clark in the cemetery it looks like Clark has never worn clothes before. Like, his pants and shirt are super baggy and he’s wearing a baseball cap really awkwardly. I guess it’s a “disguise?” Or they were trying to hide how muscular he is? Whatever, I’m getting off topic.

The craziest thing about Man of Steel is that it’s better than Batman V Superman. In Man of Steel, it’s at least clear why characters are doing what they’re doing. The story is pretty simple and character motivations are relatively logical within the context of the film. That’s much more than can be said for BVS. Because, in short, no: a movie is not good just because “Batman had a scene where he was cool in it.” You’re a child. That’s a bad argument.

More importantly, watch BVSand then watch Man of Steel again and try to tell me it isn’t the most blatant invocation of retroactive continuity you’ve ever seen. The last shot of Man of Steel is Clark Kent smiling.

Let me repeat: the last shot of Man of Steel is Clark Kent smiling.

At the time, it felt incredibly tone-deaf that the last scene was so chipper after we just witnessed an hour of cataclysmic destruction but now it just feels strangely quaint and innocent. It seems pretty clear that “Superman Goes to Court” was not the original plan for a Man of Steel sequel and was only a result of the outcry against the gratuitous destruction.

The main impetus for my edit of Man of Steel was the removal of all of that mind-numbing “action” where the characters turn into rubber and Zack Snyder gives up on composing interesting, or even discernible, shots. Furthermore, nothing is learned from these scenes other than plot points to be checked off. Superman doesn’t grow or change throughout the course of the fight and Zod is as hell-bent on his dastardly plan in the end as he was in the beginning. In reading the comments on my Rogue One edit I learned that some people just don’t care about character development. That’s insane to me but it also completely explains the current state of big-budget cinema and why people like something so insultingly dumb.

My other goal, and the most time consuming element, for this edit was fixing the color. Snyder shot Man of Steel on film. There’s a richness and a texture buried underneath all the bland, sickly desaturation that the Marvel movies will never achieve with their cheap, digital shooting. Lots of people have re-saturated the “Superman Flight” scene on YouTube – I tried to carry that through the whole movie and, honestly, I may have overdone it in a few places.

So here it is, Superman: a Chris on Cinema edit: https://www.dropbox.com/s/al3u8hynubs6jdy/SupermanMOS.mp4?dl=0 (NOTE: You need to have one of Dropbox's paid accounts to stream more than the first hour of the video but you should be able to download the video in its entirety. I'm currently trying to find a better streaming platform.)

Let me know what you think! Not really about Man of Steel (I’m sick of even looking at the film at this point) but about my edit in relation to it. So sound off: is it better? Is it worse? Would you like to hear a commentary track where I go into more detail about everything I cut? What’s another flawed or good-but-frustratingly-not-great movie that you’d like to see an edit of?

Next time on Lessons from the Edit: a movie that didn’t really need my help in the first place.

Before you download “Superman” please pay for a copy of the original film. “Man of Steel” is a Syncopy Production presented by Warner Bros. Pictures in association with Legendary Pictures. Directed by Zack Snyder with music by Hans Zimmer. Based upon “Superman” characters created by Jerry Siegel and Joe Shuster published by DC Entertainment.

@chrison_