#and mostly its like personalized stuff

[the-bees-are-beeing]

Since today was the last time I saw the kids I train for this year, some of them gave us trainers a lil christmas present 🥰🥰🥰

[wojtekaneko]

That's how it went

[katabay]

fifteen men on a dead man's chest, it's time for: pirates!

there's an idea here, and the idea is slowly turning into a story, and in march I've got some one shot comics about pirates I want to post! ideally, in march. hopefully in march. there's a lot of stuff to figure out, drawing wise. I spent an amount of time I won't mention researching the history of leg prosthetics & vintage leg prosthetic designs for basilica, and I haven't even figured out tall ships. which is. well. it's pirates, what are pirates without tall ships

[enden-k]

i know some fuckers reupload my art without a care in the world, im fighting w this for years now and it was a major reason why i deleted my previous art blog and stopped posting art for a long time. i dont hunt the internet to catch everyone tho, even if it pisses me off greatly.

BUT if anyone ever sees my oc art reuploaded, let me know so i can deal with this. one of my biggest fears is people stealing my ocs/worlds or claiming them, i saw that happen to someone once and its scary as hell. i wont tolerate that w my ocs. literally fuck you.

and regarding the AI ask just now; please dont use my OCs for things such as roleplay or anything.

also i rb sm abt it and thoughts its obvious - especially as an artist - what my stance on AI is and what a deep hatred i have for it. do NOT use my things for ANY of that shit.

and, in general while were on the topic of AI bc i see this SO OFTEN: you cant be anti AI and then turn around and use AI writing programs, its all scraped and based on stolen shit. please protect writers as much as artists and VAs.

[aroaceleovaldez]

i think the thing i'm most disappointed about with riordanverse fandom now versus like 2014 is not only has the fandom not gotten any less racist or queerphobic or ableist (in fact in some regards its gotten worse!) but now it's just boring too. like there's no fandom infrastructure anymore - the community these days is almost entirely source material-driven - and you deviate from canon even slightly people get weird about it. whatever happened to the post-HoO fanon boom. the fandom needs to get weirder again. and self-sufficient. and less offensive.

[silverskye13]

Trying to figure out what this edgy bastard looks like in my art style that definitely doesn't look good on iconic hedgehogs, try one

[sonknuxadow]

sorry not to be negative or anything i think a lot of the jokes about maria dying are funny but am i the only one who thinks that its taking it a liiiittle too far to flood the comments of the live action actors posts with stuff about how shes gonna get shot or you cant wait to see her die (and yes this is actually happening im not making up a guy to get mad at)

[humanmorph]

"[high pitched and tinny] Let’s dive in. Let’s dive in. It’s time to dive in. Get ready to [audio distorts and slows] dive. Diiive. Diiiiie…" (The Road to PALISADE 20: City Planning Department)

so that's what i've been working on for the past 2 weeks! i wanted to draw something for this intro ever since i first listened to it (as a companion piece to my other gur drawing, though it of course ended up being way bigger in scale), but it only really gripped me about halfway through PALISADE ep 18. the next morning after that i listened to this narration on repeat for about 45 minutes and then made a big sketch on 4 sheets of paper at my desk at work.

anyways, i haven't listened to the new episode yet but i think i'm probably ready for whatever they're gonna throw at us with the next sortie. i'm gonna believe, against it all, in millennium break. for gur

(i recommend listening along while scrolling! + transcript btw. if anything is hard to read)

[broareweabouttoviberightnow]

Y'ALL I'M SO SORRY I MISSED TIDBIT TUESDAY!!! SOMEONE SUE ME WAGHHH to make up for it please accept tidbit THURSDAY (a lil longer than usual 'cause I'm real sorry AGH)

"Oh fuck." Dallas skidded to a halt, heaved in the fridged night air in gasps that burned down his throat 'n panted out his nose in hot bursts. Johnny froze beside him, wrapped hands around his biceps 'n dug his nails in.

They were cornered. Fuck. How had Dallas let that happen? But he knew how. 'Cause at some point c'mon just high tail it this way 'n they'll get sick of chasin' 'n bail had become duckin' alleys 'n leapin' fences 'n the sound of sirens comin' ever closer.

Johnny's eyes are sharp 'n dark 'n watchin' Dallas close, his back to the tall fence that bordered the lot. Jesus Christ. Dallas should have been more careful. Ain't no way both of them are gettin' over that. He bites his lip. Hard.

Well. Nothin' to be done about it.

He tears his jacket off his shoulders, slips it off his arms 'n shoves it into Johnny's hands. Johnny hesitates then lets out a low noise, shakes his head, tries to force the worn leather back into Dallas' arms. "Dal, no, c'mon."

"Stop wastin' time, Johnny." His voice comes out a little harsher than he means it to, scrapin' against his chest as his heart bangs away under the veins in his wrists. In one smooth, practiced, 'n worn movement done a hundred times til it was rounded at the edges, he slides his St. Christopher over his head, his ring from his finger, droppin' them both into Johnny's already waitin', upturned palm.

The sirens reach a crescendoin' pitch, wailin' 'n yowlin', the lights cuttin' long, low shadows across the lot. They were out of time.

"Dal-"

"C'mon, kid." Dallas doesn't wait for him to comply, just grabs for his ankle 'n hoists him unceremoniously over the rustin' fence. Like he was already expectin' it, Johnny twists, manages to land on his feet. The sleeves of Dally's jacket hang low over his hands 'n for a moment they both just stand there, lookin' at each other through the braided metal. 'Til Johnny can't stand it anymore, tears his eyes away 'cause lookin' at Dallas like that reminds him of Dally on the other side of chains that can't be cleared as easily as a boost 'n a well-placed leap.

Cops are crossin' the lot now 'n Dallas glances over his shoulder, haloed 'n silhouetted in the red 'n blue. "C'mon Johnny Cakes. You gotta beat it." 'N his voice is low 'n urgent 'n he wants to sound cool 'n tuff but it cracks just a lil' on the edges. But he's gotta get the kid outta here 'cause Johnny had a chance. 'N Dallas wasn't gonna let him go down for somethin' he could throw himself in the way of.

"Dal, please-"

"Johnny please." 'N then he's runnin'. 'Cause Johnny was never as brave as Dallas Winston. 'N he never would be.

Dallas watches his shadow slip away 'n sighs, bares his teeth 'n grins 'n throws his hands mockin'ly into the air. Johnny can hear his gunfire laugh crack crack crack-in' as he ducks into an alley 'n disappears.

...

Johnny clears the Curtis steps in one long leap, bangs the door open harder than he means to 'n flinches. Four heads whip around, Soda 'n Darry already risin' to their feet.

"Johnny? What's-?" Darry freezes, takes a good look at the jacket slidin' from Johnny's slight shoulders, the pendent bit between his teeth, the ring he's gotta keep his fingers bent so it doesn't slide off, 'n sighs. He abandons the plate of dinner he's inevitably just sat down for 'n snaps his keys from the counter.

"Johnny, you ok?" Soda shoves his chair back so it scraps against the tile 'n Darry winces.

"'M fine." He drops the St. Christopher from his mouth, hoists the jacket up. "It's-"

"Dallas." Darry toes his shoes on, grabs a sweatshirt discarded beside the door. "If the station calls, let 'em know I'm already on the way." He sighs again. Johnny sways on his feet, the adrenaline rushin' straight out of him 'cause Darry's got it now. Got him now.

"Johnny, you ok kid?" Soda's got his hands on his biceps now, lookin' him close in the eye.

"Yeah," Johnny heaves in a breath, runs a hand under his nose 'n winces when dry blood flakes off under his fingers, "S'ok."

Soda glances over his head 'n Darry pauses, gives him a look that levels him to his core. He was real good at those. But whatever he sees convinces him Johnny ain't lyin'. He hovers in the door a moment longer, watchin' Johnny with those ice-green eyes before he shakes his head, leans over, 'n brushes the last of the dried blood from Johnny's face.

"Y'know, kid? You look just like him in that." 'N none of them are sure that's a good thing. But Johnny just grins, crooked in the way he learned from Dallas.

"Y'know? There are worse people to be like."

[trans-axolotl]

also: I mostly switched over from saying "antipsychiatry" to psych abolition after I started to see more groups like CPA use it, and thought I'd share some of my thoughts on it.

antipsychiatry is a fundamental part of psych abolition for me, but i think my definition of psych abolition contains a lot more. first, there's a lot more things than just psychiatry that i want to abolish and transform--the whole mental health system and many different belief systems, types of providers, forms of treatment, and types of incarceration that are encompassed in that. i think it's important to name and identify the particular harms of psychiatry as a value system in the way it is the strictest example of pathologizing, medicalizing, and the strongest adherer to the purely biomedical model of illness and how this creates so much harm. but i think that there are also so many other harmful structures + belief systems within the whole mental health system. i also sometimes see therapists, for example, portraying themselves as alternatives to psychiatry, and while that's true in the sense that they are a different treatment option than a psychiatrist, they are often still harmful actors in their own rights and entangled with the state in an equally bad way.

second thing for me is that i think it's really important to intentionally build cross movement solidarity, especially with the prison abolition movement and to expand the way psych survivors currently support support people fighting for abolition of all forms of incarceration. (i drew inspiration from sins invalid and the 10 principles of Disability Justice). I see so many people in psych survivor spaces saying " I can't believe we were treated like prisoners on the ward" with the implication that it's fine if prisoners are treated that way, but it's bad when it happens to them. i think that's fucked up and i think that any psych survivor movement that doesn't actively support people incarcerated in prisons is a movement that does nothing to dismantle white supremacy. we need to be able to recognize the ways carceral logics operate in many different structures, and approach our activism as a shared struggle, where we constantly are led by those most impacted. so i think that naming what we're doing as "abolition" is important (with the important caveat that our organizing must then actually be abolitionist, and especially for white organizers, that we need to learn about the history of abolition, actively support the Black leaders and thinkers who have created the prison abolition movement and not center ourselves, that we actually have to be actively involved in supporting abolitionist work happening in your area, instead of just stealing the work of Black abolitionist scholars to use it for our own benefit without any credit or reciprocity, that we need to actively interrogate ways white supremacy culture and antiblackness are showing up in our movement places so that we aren't inviting our comrades who are people of color into spaces that are not safe for them, or exploiting our comrades of color by expecting them to do the work of dismantling the racism within our shared organizing spaces--don't call yourself a psych abolitionist if you still call the cops on your homeless neighbors, if your solutions to psych incarceration contribute to gentrification, if you refuse to support currently incarcerated comrades, for example.)

third thing is that antipsychiatry as a specific term is often associated with the sociologist theory from the 1960s, some of which i think is useful, some of which comes from antisemetic and racist psychiatrists who should not be given any legitimacy. antipsychiatry also often gets associated with cults like scientology. although i think that scientologists bastardize a lot of antipsychiatry stuff and weaponize it for their own ends, a lot of the public thinks of them if you say antipsychiatry, and it can cause misconceptions. also think that people sometimes assume antipsychiatry is inherently against medication and while i don't think that's our responsibility to clear up every time people misread our words on purpose, i think it's been a lot more helpful for me to talk about medication in the context of autonomy, harm reduction, war on drugs, and the ways that psychiatry creates issues to consent, autonomy, informed use, risk reduction, etc etc etc. and i think psych abolition helps me do that a little better.

i get in a lot of conversations with people who say "well from what i've seen you are just against institutionalization. why not just say that instead of attacking psychiatry?" and my answer is always if we want to end institutionalization, we have to end the structures, belief systems, and power dynamics of psychiatry--psychiatry is one of the logics that enables institutionalization to continue, and abolishing institutionalization without abolishing the structures that allow it to continue mean that it just pops up again in a new form with a new name (asylums to hospitals to group homes etc etc etc). so i think psych abolition to me is a clearer way to encompass the ways that all these systems are interconnected, and that when we're fighting for mad liberation, the right for mad/neurodivergent/mentally ill people to access care, support, healing on our own terms, to be free from institutionalization and violent treatment, and have the right to exist as mad people, whether or not we're "cured."

TL;DR: I switched to saying "psych abolition" rather than antipsychiatry even though there are many core ideas of antipsychiatry that I agree with. I think that for me, psych abolition helps clear up some misconceptions that people have about antipsychiatry, more clearly connects to prison abolition, and makes it clear that we need to transform more of the mental health system than just psychiatry.

[eddiegettingshot]

911 twitter has somehow not even jokingly re-normalized one of the men in a gay relationship being treated as a woman but in a way that’s fancily worded enough that you’ll get shot dead if you point that out

LMAOOOO like yeah dgmw i love wifing/impregnating buck i'm not particularly invested in ensuring i'm doing everything As Progressively As Possible or escaping the strictures of heteropatriarchy in my fake 911 ship or whatever and i'm perfectly self-aware about that and don't claim to do so (i hope it comes across that i write them and analyze them as just some guys though). but there is something poetically obnoxious and also hilarious about trying to get all intellectual about the idea that a character who is a man is actually "politically" a woman In The Show. whatever that means. and that this is somehow a valuable analysis. can you just do fun headcanons and make fun of things in a normal way like the rest of us

[aychama]

Guys Im not a big account with a lot of experience, don't treat me as such...

[perilegs]

i know astrology is fake but i'm not too keen on how a lot of people on this website seem to be clowning on it as a hobby a bit too hard. i swear the woman who thinks it's neat how she and her friends with the same sun sign are all similar isn't trying to say that you are who you are born as and there is nothing you can do to change it. it's a hobby. an interest. what happened to finding meaning and joy in the small things. does it affect you if someone enjoys tarot reading or crystals. does it make you upset someone has interests that they enjoy.

[atrociousmagpie]

How are we meant to be friends if you don't know my favorite semi obscure musical from before we were born????

[pro-sipper]

What do proshippers generally believe about shipping real people? Stuff like creator x creator or celebrity x reader?

That it falls under the umbrella of "you should be allowed to write anything you want". Once again, it's not my personal thing. There's no real life pairing I read for, and the whole "blank x reader" is not appealing to me at all.

But I have no problem with people writing that stuff, or knowing it's out there. I saw someone a while back say that it's basically just writing about another character, and I agree with that. No matter how much a creator posts or how open a celebrity seems with their personal life, we're still only seeing a tiny snippet of their lives. We have no clue who they are when the cameras aren't recording because we just don't know them. And whatever someone chooses to write about is mostly stemming from that particular persona that they happen to put on for the world and that's it. It's completely separate from our reality because they're basically just writing about another made up character

The problem I have, and it's what I imagine most proshippers also take issue with, is when people start blurring the lines between fiction and reality. To me, there's a world of difference between posting something on ao3, and speculating on secret relationships in the comments of someone's youtube video. Or between talking about something on tumblr, and tagging the person directly on twitter.

I just don't understand people who condemn rpf and talk about how gross and invasive it is, but think it's funny to tag celebrities on twitter to bring up (what they think is) cringe-worthy fanfic tropes that people have written them into. Or people who print out fanworks to shove into an actor's face at a meet and greet and ask them what they think about it. That's where the lines get crossed, to me.

I think ao3 and tumblr still have an air of mysticism to them. A little secrecy, a little privacy. In the sense that someone in the public eye would have to put in a little work to find this stuff for themselves. They'd have to go to the site and search themselves up to find anything. As opposed to just about anyone in the world being able to force this content in their line of sight with a simple @ on a site like twitter.

So to me the problem isn't that this content exists. The problem is when people don't know how to keep fandom stuff private. Write all the rpf you want but remember at the end of the day these are real people, not your blorbos. You don't know them. It's inappropriate to say these things to them personally (which yes, also includes tagging them on twitter or in the comments of their videos). But it's also inappropriate to run up to them with other people's content just to say "look what these FREAKS wrote about you!!" And I think people either forget or just genuinely don't care about the latter.

[xxplastic-cubexx]

just read the new mutants issue where Charles chose to stay behind in space and my god the juxtaposition between Charles trusting Erik and Erik joining the hellfire club and wondering at his own trust worthiness. I wonder how much of Charles decision was him ultimately trying to avoid the fact that his first class had seemingly betrayed mutant kind and not be willing to face them and how much of it was Dani and Illyana's reaction to him having Karma mind control Illyana. the fact that Illyana was depending on him to ease her mind through limbo and in choosing to stay he forced karma to do it instead, probably fucking up their relationship in the process.

I love him, this is crazy, how much of this is him trying to runaway and how much is this him not trusting himself to fix things and how much is it just him trusting Erik?

i keep trying to put into words my exact thoughts about the sitch but there really is a lot for one issue aintit... oh charles you and your brain...