#and more interesting in my opinion

[grimalkinmessor]

Light's end has always bothered me for multiple reasons (the biggest of which is it not actually being his fault that he lost therefore robbing me of a greater poetic justice but you can't win 'em all), but I think one nobody really talks about is that,,,Light wasn't afraid to die.

Well—he WAS, at the beginning, but part of the reason I'm so obsessed with his relationship with Ryuk is because Ryuk's existence was a constant threat to Light's life. And yet Light never once seemed afraid of him, or tried to cozy up to him, or even attempted manipulate Ryuk into doing things for him. Sure, he bribed him sometimes into going along with his plans, but he was friends with Ryuk. Or—as close to friends as I assume a Light Yagami and a Shinigami can get.

But before Light meets Ryuk, he 100% believes that he's going to die. His frenzy those first few days can be attributed not to any moral righteousness, but to a desperate sort of resignation. Light thinks that he's sold his soul after killing those first two men, so instead of destroying the Death Note, he immediately sets out to make as big of an impact as possible. He wants to go out with a bang! He wants to be remembered! Light is afraid of death in those first days—but he also comes to terms with it somewhere between killing Otoharada and Ryuk showing up. He was ready to go with Ryuk quietly if he was there to take his life or his soul.

But then—he learns that he's not going to die.

The face of a boy excited and relieved.

Light learns that there are no consequences to using the Death Note.

THIS is when he starts getting cocky, when he starts to actually convince himself of all that moral stuff he spouts.

But he's still not afraid of death.

Oh he's afraid of being caught, for sure, and after L humiliated him on live television, he might've even been afraid of execution. Because he'd seen firsthand just how quickly L could turn the tables on him, how he could make Kira look foolish. And Light definitely does not want to be remembered as foolish.

I don't think Light was afraid of actually DYING though, because when Ryuk says "You know I could just kill you", Light laughs. Literally laughing in the face of death. Light KNOWS that Ryuk will eventually kill him, but as long as he goes down the way he wants—on HIS terms—it's fine. Ryuk claiming that he'd be the one to finally end Light might've even been a relief, considering how Light's mind works. A god can only be killed by another god, etc. etc. 'Killed By A Real-life Shinigami' sounds metal as FUCK. Top-tier way to die if you're as much of a gloryhound as Light.

And one thing that irks me is that—the five year gap kind of,,,,takes that, from Light. Light spends so long on top of the world with no real challenge that by the time that Near and Mello show up, he's far more arrogant than he was when he was up against L. Light is, once more, afraid of death. He's lost that tolerance he built up in those pivotal first few days, and he goes out, not in a blaze of glory like he wanted, but clawing and pleading to live like a dog.

Light lost his recklessness, his impatience, his acceptance of the inevitable because he believed that he could now change the inevitable—all somewhere in that five year time skip.

This makes him less likely to get caught, yes, but it also takes away that—that teenage dauntlessness that he had at the beginning. Pre-skip Light feared L and L alone. Only the idea of being caught by someone who could truly tear him down frightened him. Not even death compared.

And I suppose that Light's spiralling at the end is a sort of poetic justice in this case?? But it's not the one I wanted.

I wanted Light's recklessness to blow up in his face. I wanted his carefully curated plans ruined by his own impatient hand. I wanted him to go down much as he probably first intended—in a blaze of glory. I wanted his fall to be explosive and terrifying to the audience. A moral of the story that shoots you right in the chest and really makes you think.

Instead he was reduced to just,,,,another criminal, begging for his life.

Which, yes, I suppose, is also a message in and of itself (all evil figures throughout history have only ever been human, have only ever been men that bleed red at the end of the day, and nothing they've ever done or said will change that), but I also find that....exceedingly boring.

[perplexingly]

I kinda wish they bonded over their dead man walking like behavior…

[isabelleadjani]

You know, I'm not surprised he likes to come to me after he sleeps with you...

DIABOLIQUE dir. Jeremiah S. Chechik, 1996

[poorly-drawn-mdzs]

Congratulations to TEAM CHEESE for winning the popular vote on the Charcuterie poll!

[marlynnofmany]

If you weren't around for the early days of search engines, you may not be familiar with Ask Jeeves, but for a while there he was the one you went to for answers.

The site encouraged you to ask full-sentence questions, not just type in key words, and it looked like this:

It went the way of the dodo because Google won the search engine arms race, but Ask Jeeves left a mark on the internet. (The webcomic host SmackJeeves was named as a reference, for one.)

Thanks for all the search results, Jeeves.

[cottagecore-raccoon]

The more I think about it, the more I think that Persuasion has my favorite premise of all of Jane Austen's novels

Anne Elliot as a character speaks to my soul. She feels tremendous guilt for a decision she made eight years ago. Her life is lonely, as she doesn't really have anyone she can truly confide in despite being surrounded by people. So she swallows her pain, the yearning she feels deep in her soul, and vows that if nothing else at least she'll be helpful.

And of course she is reunited with Frederick Wentworth (the one that got away) who seems to hate her now, and she just keeps going. She keeps being kind and supporting her loved ones while slowly carving out a life for herself. There's something about her classic heroism that just feels so attainable. I don't have Elizabeth Bennett's wit, or Jane Bennett's unwavering belief in the goodness of everyone, or even Elinor's constant composure. But I can be like Anne and just keep moving forward attempting to be helpful

Of course it all works out in the end, and Anne is finally surrounded by people who truly appreciate her, even if she had to wait an extra eight years. Others have observed the fairy tale quality of the ending, and perhaps that's why it speaks to me. The idea that if you just keep doing your best and being kind, you'll eventually find happiness

[elks-eye]

Jayce is with Mel because it's easier. A queer reading of his relationship with Mel and Viktor reveals this dynamic: Viktor's declining health serves as a painful reminder of Jayce's original HexTech goals, yet he's pulled into the politics and trade that he finds easier to navigate.

Jayce struggles between focusing on trade and his true purpose, easily swayed by what feels simpler. His personal relationships mirror this; he connects with Mel due to their similar social standings—both are affluent and politically involved—while Viktor, from the Under City, is different in background and is disabled.

Jayce frequently shifts between Mel and Viktor, exemplified when he leaves Mel after their fling to visit Viktor in the hospital. In the painting scene (heaven's forbade I ever remember what happens each specific episode) scene, while discussing Viktor's prognosis with Mel, she distracts him by sharing her own trauma. I'm not sure if I want to consider this morally unsound, because I understand why Mel would do that, but the point is she did distract Jayce from his own issue.

In that same scene Jayce claims that nothing feels impossible with Mel, highlighting his comfort in her presence. Although he, dare I say, is in love with Viktor, his anxiety about his condition prompt him to seek solace in Mel. And that's just because that's how Jayce's character is. He's self-serving, and making an effort to protect his emotional state.

[gotham-daydreams]

Are you alive? Is 2025 your date of death? We miss you mate

HI!!! OKAY SINCE A LOT OF PEOPLE ARE CONCERNED AND I GENUINELY DON'T WANT ANYONE TO WORRY (especially with how the year is kicking off) I'll say it-

I AM ALIVE!!!

I know it's been a long while, and I apologize for that!! I didn't want to start off the year this way, and actually wanted to start it off with a one shot (and the one that was supposed to come out on Christmas, along with the remaining chapters of the red dawn and so on) but I'll be honest and say that I got distracted, caught up in one too many things, and fell out of DC for a hot minute before crawling back like a man starved.

I've missed you all so much, and for the past few days have been trying to get those things I mentioned together so that I can finally have something up again! Even if I've royally failed the challenge back in October, those last chapters will and are still uneditied and basically made on a time crunch. The oneshots are getting done as we speak, and Chapter 4 is in the works :]

If it sounds like a lot and absolutely insane, that's because it is!! I'll be honest and say that I'm more excited for other projects then what I'm currently working on, but am focusing more on getting things done because you all deserve that and especially for all of your patience and kindness! I know I've said it before, but the Not Series really isn't my best work, and I don't think it will be, but even then I still want to produce a Chapter that you'll enjoy - but if anyone sees a decline in quality (despite the first and 2nd chapter essentially being written in one sitting and posted on the same day), that's probably why!

I do have some updates regarding some of the fics I said I was planning on writing, with the biggest update being in regards to "Ghost" as I've essentially almost rewritten the entire plot at this point, but I'll get there when I get there.

Nevertheless, yes, I am still alive! Even if you probably won't hear too much from me until those couple of things get done, I'll try to multitask and such as much as I can! The way of how I post things may be a little odd, but it'll mostly be with when I get them done, and with all the time I have at the moment - well, I might actually be able to meet my own deadline this time around... even if that new years oneshot is already 13 days late, and I'm not going to talk about the rest of the stuff I have to work on.

Regardless, rest assured! I'm not dead yet, and progress is being made! ... And what better way to show that then being late once again! LOL

[narnia-dreamer]

Me, going to Critical role tag to see Predathos arts and theories (and also parallelisms to the Collector):

Also me, finding only hatred and people complaining:

[brofightiscancelled]

[poorly-drawn-mdzs]

Gaslighter? I hardly know her!

[First] Prev <–-> Next

[dovewingkinnie]

random warrior cats post but i wish the fandom would stop treating mapleshades vengeance like its a black and white story a lot of people see the characters as 100% good or 100% bad and wow that just sounds like a really boring way to view the characters? dunno man! i like my characters fucked up!! (i know this is nothing new i was just thinking about it today..)

[voiice-of-the-soul]

I'm just going to put in my own two cents since every two weeks, people start discoursing on the ''proper'' way to interpret Medic's character (He is definetly the one that causes the most division among people out of the entire cast)

The thing that alot of people forget or simply don't take into consideration is that Medic is not evil in any kind of serious or meaningful way, but in a cartoonish and superficial way, in a fun way. He is a comedic joke character who exists as a parody of the ''evil scientist'' trope while also being a decently fleshed out and interesting character on his own that isn't JUST a parody.

This is why you can have a lot of leeway with his personality and make him capable of bonding and caring for other people while also keeping his violent and malicious traits at the same time. Because the narrative doesn't treat his atrocities with the same gravity that any other media would treat it. In the tf2 universe, violence and killing is inconsequential.

This isn't me saying you can't have more serious takes on him seeing as so many things about the characters are up to interpretation, i always encourage freedom of artistic expression. But you have to aknowledge that's purely a creation of your own making and not the way he is actually presented in the text or source material. Which still doesn't make those interpretations ''wrong'', they are just different.

I put heavy emphasis on that because i dislike the idea that one specific vision of a character is inferior for any reason and i think we should encourage people to think for themselves and simply have fun with these characters rather than making them feel stupid for having ideas that diverge from our own.

[fadetouchedsilk]

I think when it comes to Veilguard critique there’s a bit of a disconnect between what I see most people complaining about vs. What a lot of the rebuttals to these opinions seem to be.

I can’t speak for everyone else but at this point when I come at this game it’s almost purely Doylist. I think it’s kind of ridiculous for my experience as a player to seem lacking when compared to the narrative experience of the NPCs. The setting isn’t real; it’s a product that was marketed as being ‘the most romantic Dragon Age yet,’ which implies a level of wish-fulfilment that we were supposed to expect. Which is fine! But it’s not what was delivered.

If I’m criticizing a romance & comparing the Rook version of it to the NPC/NPC version of it, it’s not because I’m violently jealous of the version that doesn’t include my character. It’s because I can make a direct comparison to things the writers come across as caring more about. Never mind the fact that we get statements in the AMA like ‘Yeah, we really wanted to include the Lords even if we knew they weren’t going to get the content the other factions had.’ You’re allowed to like that faction, you’re not stupid for doing so. It’s not a deliberate shot at you if someone points out how ridiculous the decision to keep the Lords in was when the devs were aware that they weren’t going to be able to develop them properly, especially when compared to other factions.

It doesn’t do anyone any favours to take criticism of the game personally. “This is good on a technical level” and “I personally liked this thing” are separate statements that need to coexist.

I don’t want to say it’s a waste of time to examine things from a Watsonian perspective, but I’m having a harder time doing that here because the shortcomings of the writers are so apparent, particularly when you hold it against the other Dragon Age games.

Maybe some people are being malicious in their criticism, idk. If that’s the case, then it’s definitely not worth engaging with on any level. But don’t automatically assume that someone who says ‘I didn’t care for the way this aspect was written’ is an automatic dog whistle for ‘I think you’re dumb if you disagree with me’ either.

The game has been out for a few months now. Take opinions with a grain of salt & form your own. If we shouldn’t be expected to place several disclaimers at the start of every opinion we post on this website, then we also shouldn’t be automatically assigning bad faith interpretations to every opinion that isn’t worded with perfect thoughtfulness either.

[budugaapologist]

still dont see how so many people say that dawntrail is poorly written in comparison to other expansions like. what, did you realize you had to learn about a new culture and immediately not care anymore lmao? you've done it before, was this one not white enough for you?

genuinely i think more people should do side quests during msq so idk you can form a heart about the characters you're interacting with if you struggle with that and understand the land better so when impactful shit happens your illiterate ass can actually read and have empathy. theres no excuse for this.

if you can't handle storybuilding and character introductions from the expansion that feels like stormblood and shadowbringers had passionate gay sex that got one of them pregnant and birthed a beautiful daughter they both love and care about then idk what to tell you, maybe youre just lame and can't read. best of luck with that.

[golmorehotgirl]

Going through screenshots on Pedro and can we just talk about how perfectly executed this shade was LMAO

I remember laughing on my initial play through 3 years ago and this made me laugh again! For context if you’ve forgotten since ARR I believe they’re asking how Ishgard fared after the attack on the Steps of Faith, the attack that Wol had to practically beg the Alliance leaders to send reinforcements (they did but…a pitiful amount lol) Naturally I believe he’s playing the part of the diplomat and being polite of course, but it’s his use of “generous” that makes me lol Lest we forget this is a man who’s clawed his way up through Ishgardian politics which have to be blood baths so I know he’s well versed in the ability to throw blink and you miss it shade wrapped in the most noble and polite packaging.