#and maybe it’s better that he thinks that than to know everything else. because why break is heart too you know?

[maxivstappen]

DID YOU LIKE HER IN THE MORNING ?

[ masterlist / requests closed ]

☽｡⋆ distance can lead to stupid, reckless decisions. but lando knows better than that, right? — lando norris x reader based on “did you like her in the morning” by nikki

ᶻ 𝗓 𐰁 angst! pure angst 𝄞 1.7k words

You loved a loud life just the same as he did. You enjoyed the traveling, the partying, the sleepless nights, hell, even the stressful nights you wouldn’t trade for a peaceful, quiet, boring, normal life. You were eternally grateful for having a job surrounding the same tracks Lando is driving on, even if that was rather a lucky coincidence instead of a thought-through plan.

You loved it not only because it meant you’d get to be close to your boyfriend most of the time, more so because you got to experience the loudness with him. The parties, the race weekends, just everything. You’d have it without him too, and no doubt, you would have tons of fun doing so, but of course it’s better with a “super cool hot famous boyfriend” by your side, as he liked to call himself.

You loved it, until you couldn’t anymore.

Not as dramatic as it sounds. You were invited to a wedding of an old friend back at home, and Lando, for obvious reasons, couldn’t attend with you, so you flew out the country by yourself, giving Lando one last good luck kiss a few days before the Las Vegas Grand Prix. You missed him dearly, but you also missed your friends at home whom you haven’t seen in what felt like forever, and really, what’s a better reason for a reunion than a wedding?

But that’s where the trouble began.

You liked to call yourself independent. Very independent, even. You didn’t have a problem with being far from Lando for a few weeks, and while you of course loved him more than anyone else in this world, you’ve stated before that in case of you losing the job for whatever reason or if you just couldn’t travel with him anymore, you’d think a long distance relationship would work just well. At least for you.

Of course, the constant missing your partner would complicate things, but that’s still no reason to break up a relationship that has lasted for longer than three years already. At least that’s what you thought.

Lando liked to call himself independent too. Very independent, even. Too bad it’s all a lie.

Lando has always hated the idea of being away from you, or rather the idea of you being far from him. It’s not like he didn’t have any trust in you, it’s just become normal for him to always have you at least somewhat in his reach. That’s how your relationship has always been, you were coworkers before you were lovers.

He didn’t mind you taking a few days off. He also didn’t mind you wanting to spend some time with your family and friends who were still located far, far away from wherever you two would usually have to travel to for the many races. However, he did mind you not being near him.

It bothered him more than he’d like to admit.

You’ve talked about it before, talked about him being too needy and too possessive from time to time, but never once have you two fought about it. You thought you never would, and you were right. Your departure was slightly painful for the both of you, but it was only 2 weeks that you‘d be gone, and it’s not at all like you couldn’t stay in contact. So there was nothing to worry about, right?

Or so you thought.

The moment you arrived at you local airport you saw your mom run up to you, caging you in her arms as if to never let you go again. Your father wasn’t far behind, and then came your brother. It was a sweet little moment of a family reuniting as a whole again. And even though you wanted to set your whole focus on the few next days to come, the lovely wedding and the friends you once lost on the way who you’d now finally see again, Lando never really left your mind. You just didn’t understand why, you weren’t usually like this.

Maybe it was just that after five years of knowing each other and three of those spent dating, you did grow somewhat dependent. you knew it wasn’t the truth, but blaming it on a simple thing like that seemed terribly easier than giving in to the thoughts of what could actually be the cause of it. You didn’t have any time for that. You weren’t here to think about work or about Lando, but about the things that were right in front of your eyes, which at this moment was the beautiful white wedding decorated with all sorts of flowers of sunset hues.

The wedding was held on a beach, surrounded by the dreamy sound of waves crashing and seagulls singing their own nupital melodies. You arrived with one of your old friends Nina, both of you wearing long and flowy pastel dresses, just as the dress code ordered you to. The day went on with you two crying at seeing one of your childhood friends getting married, listening to the heartfelt vows of bride and groom.

Your mind immediately went to Lando and you standing at the altar like they did. You knew it was too soon, and you knew he didn’t have time for marriage, even less for planning a wedding, but you still couldn’t help it. You really did miss him more this time, and throughout the whole ceremony, the feeling of something being incredibly off only intensed.

But the night came, and the feeling faded. Or at least the drinks made it do that.

You were sitting with Nina and two guys you used to be very close with at the dim bar near the dance floor when you suddenly noticed something light up inside your purse. You didn’t mind it at first, not wanting to be rude towards Tom who was trying to talk to you without stumbling over his word completely, but the shots you downed beforehand made it undoubtedly harder.

Your phone lit up again. Slowly getting on your nerves, you decided to wait until Tom’s attention was fixated on Nina again to then check your messages and - missed calls?

—

Lando hated how his mood changed whenever you were gone. It felt as if there was something missing when you weren’t there waiting for him at home after debriefing or after PR events and whatnot. He missed your hugs and kisses, your smile and most importantly, just your touch.

Truth be told - but never to you - when you first started dating, for Lando, the thriving point was attraction. One month in, that’s when he realized that he wasn’t getting rid of you any time soon. Not that he minded. Two months in and the two of you made it official, of course not without any drama because how was a McLaren driver allowed to date a McLaren employee? Two weeks and the conversations and the hate online slowly died down, but your relationship kept on blooming. There was just one thing that somehow had Lando incredibly confused - why did your relationship suddenly feel more like you couldn’t get rid of him? Why did it feel like he was the one attached to you instead of the other way around?

Not that it felt bad or anything, he was just very used to have the girl being that dependent on him, to always want his attention, to always ask for his opinion on everything. Now he was the one all over you, and you didn’t mind it at all. You had the man you love wrapped tightly around your finger, just like he had you. For three years now.

But that didn’t help him right now, not with jealousy nagging at his side like a demon. You were out, enjoying your time with people you loved, and while he should be happy for you, he spent his time rather annoyed at you not being where he was. It’s only been a week, and work has already failed to keep his mind off of you. And he hated it. He knew it was the day of the wedding, and he was done wasting his time only thinking about you, so what else was there for a man to do instead of going clubbing with the guys? He hadn’t spent time with them in a long time, neither had he gone clubbing these past fem months, too caught up with Formula 1. So this would be okay, right? Just some drinks to keep his mind off of you.

Right?

—

15 missed calls from carlos sainz.

that was weird, you thought, and your stomach dropped and you felt the dread creeping up your consciousness. It had you feeling weaker than ever.

You quietly excused yourself to go to the bathroom, though every step towards it made it harder and harder to breathe.

What if something had happened to him? A work incident? Then how did Carlos know? Were they hanging out and he hurt himself? Were they out and someone there hurt Lando?

Did something happen to your Lando?

Your finger hovered shaking over the green button until you finally decided to press it and call the Ferrari driver back. Not even a single beep was heard before he huffed out your name as if he had been yearning for you to finally phone him back.

“Carlos? Is everything okay?” The Spaniard could practically feel your distress through the screen and he swore he’s never felt an urge so strong to punch someone right across their face, let alone his best friend Lando Norris.

It took some time for realization to set in. Your breathing had slowed down but the chills all over your body told that it was a sign far from good. Very far from good.

You could still make out the faint sound of Carlos’ voice as you locked the door of the bathroom stall furthest in the back, however, every word that came after “Lando cheated on you” somehow wasn’t comprehensive to you.

You just hope he’ll still like her in the morning, cause you, for sure, weren’t coming back.

[keferon]

Eh okay so. My brain is absolutely cooked so you will probably just have to ignore the linguistic fuckups

Jazz and Prowl learning to communicate because language barrier is a thing >:D

Previous part

Jazz sometimes thinks that somewhere along his career path he lost the bar separating normal from...well...everything else.

After all he's seen, heard about, and done, he's not sure exactly how to measure what's weird and what's normal. He has..the general idea.

His own. And it's so convoluted and fucked up that he'd rather jump into a volcano than try to explain it to anyone else. Jazz thinks the little colorful aliens around him are weird as hell. He thinks they sound weird, he thinks they look weird, and he thinks he must be going crazy.

And then this big black and white robot catches his eye and Jazz's first thought is not "what the fuck??"

His first thought is

"Thank God! Someone's normal!"

Whoever this guy is, he sounds like he knows what he's doing. And most importantly, he looks just like Jazz. Well, not exactly. But close enough. After all, Jazz knows that his organization wasn't the only mech maker on the entire planet. Other countries were making Mechs too, and Jazz hadn't seen even half of them.

But he can recognize a giant robot when he sees one, okay?

The thought that another mech could be an alien doesn't even enter his mind.

So used to the constant presence of huge piloted robots around him, he looks at this one and clings to its appearance as something familiar and easily explainable. His brain says, we know how this works. There's a robot and inside the robot there's another person. It's the way it's always been. The sky is blue, the grass is green and the robots are human-piloted. It's that simple.

The guy takes him to the far corner of the room and says something. Jazz…doesn't understand..

The mech's face contorts in a surprisingly believable display of concentration. How...who built this robot? How could they make it frown?

He hears something else being said to him but again can't understand a word. Why won't this pilot get out of the mech to talk to him? Jazz doesn't have his communication frequency but surely they could at least shake hands. There must be some reason. Maybe something wrong with the air? Is it dangerous to be outside? This guy should know better, he's been here longer than Jazz, it seems.

(Damn it, whose idea was it to make a mech with a face, it's so distracting)

He rushes to activate the external speakers, because he and this guy obviously speak different languages, but it never hurts to try, right?

"So uh, I don't think you can understand English?"

Mech frowns again, trying to pick up on something familiar in a language that's apparently new to him. But finds nothing. Jazz lowers his horns sadly.

Oh well. Fuck. As if being stuck in an unknown place with unknown creatures wasn't enough, he can't even talk to anyone! How is he supposed to get out of here? Which way should he even go?

The mech waves his hand to get his attention and then pulls out a tablet and a stylus from..where ?

Jazz somehow manages to overlook the fact that the tablet is made to fit the mech's size. His head is still feels a bit…off..after that portal thingie.

"Charades it is then."

____________________

An hour and a half later, Jazz finds himself staring intensely at the screen in front of him with a surprisingly neatly drawn chart on it.

"So uh. Motion."

The other guy nods and starts drawing a walking mech. Then something that looks like a very unusual car. Then a submarine. Jazz gets a little lost looking at how skillful he is with the stylus.

Honestly, he's a good artist!

The guy points to the sketch of a walking mech and says

" Motion."

Then points to the drawing of a car driving and the columns of the chart.

"Motion-rotation" he points to the car again.

That must mean "driving" huh? Jazz nods understandingly.

Mech moves his finger to the submarine.

"Motion-Water."

Ah, it must mean swimming. Jazz nods once more, feeling like a wind-up dummy repeating the same motion a dozen times.

The mech makes a quiet humming noise and then points to the chart

"Motion. Sky."

And then gives Jazz the stylus?

Uh, what is he... Oh, he wants Jazz to figure out what it means.

"Motion" and "sky," right?

Jazz takes the stylus? Pencil? Thingie.. and very carefully draws out a crooked scribble of something only remotely resembling an airplane. The mech arches an eyebrow and looks like he wants to laugh.

Jazz shrugs awkwardly and tries to add windows to the airplane, but ends up making it look more like a severely fucked up caterpillar.

Mech snorts.

Jazz kicks him in the leg.

The airplane begs for a merciful death.

Jazz didn't really expect to get into a language class but he has to admit that whatever language he's learning now is a surprisingly easy one. It only took the other dude half an hour to show him the basic concept and from there it became a game of associations.

There were simple definitions. Like size, quantity, speed, emotion and so on.

There were signs that automatically turned the whole sentence into a question or a statement.

There were modifiers that Jazz defined in his head as positive and negative.

Positive speed - fast.

Positive size - large.

Positive direction - forward.

Positive time - future.

There were also basic words for senses, emotions and whatnot, also with modifiers.

Mouth-positive - to speak

Brain-positive - to think, but negative-brain-do-positive - to learn.

Huh.

And it's so neatly organized that Jazz wondered if this language was designed specifically to be easy to learn.

Let's see....

Mouth - positive, effort - negative.

"Easy to speak."

The guy nods contentedly and starts talking back, while pointing to the appropriate columns of the chart to make it easier for Jazz to understand.

"Creation-positive. Purpose. Person-negative-knowledge. memory-positive-effort-negative."

Jazz frowns, concentrating on his finger.

Oh. Created. For those who don't know it. Easy to learn.

He was right. The whole thing is waaaay too awkward to write poetry but learning it is a delight.

Jazz leans over the chart.

All right, well, let's see.

“Name. You. Question?”

The other guy smiles and pokes at the chart

"Me.Motion-sound-negative.Negative-eyes-positive-someone."

Walk quietly. searching?… Sneaking?

Oh, it's not "to sneak" it's "to prowl"

"Prowl" nods affirmatively. Jazz smiles at him and looks at the chart again. Okay. How to say “music”?..

“word-knowledge-negative.”

He stops to make a gesture with his hands, as if playing an invisible piano while humming a tune.

Prowl nods

“Sound-positive-positive-hearing.”

Jazz chuckles

“A whole two positives eh? Okay then. Uh. You don't look like you listen to jazz....so..”

“Me. Name. Sound-positive-positive-listening.”

Prowl raises his eyebrows. (Jazz is jealous, he wishes he had eyebrows too.)

“You're a musician?"

Jazz quickly shakes his head while simultaneously muting the outside speakers to a barely audible level and turning on one of the songs on his playlist.

Prowl twitches in surprise when he hears the melody.

Jazz waits for the intro to finish playing and then points to himself

“Creation-negative..uh..Sound-positive-positive-hearing. Jazz. This...”

He pats himself lightly on the chest.

"..is me. Jazz."

Prowl straightens up slightly

“Oh, you're not a musician, you're the music.”

Jazz nods cheerfully

“Yes yes!”

“Jaaz?”

“No no. Jazz.”

“Ah. Jazz?”

“That's right.”

Prowl draws a portal on the screen.

“You teleported here. What happened?”

Jazz hangs back, trying to construct an answer in his head. Good thing Prowl seems to have infinite patience

“So, I uh. What was 'fight'? Movement-pain-positive? I fought these things...”

He takes the tablet from Prowl and draws a crooked blot with a bunch of tentacles on it. Then thinks for a bit and adds big teeth and a lot of eyes. He's not really sure how to draw those eyes properly, so he just scatters them randomly around the monster area.

Prowl doesn't seem to be that amused by Jazz's drawings anymore, in fact, he suddenly becomes very somber.

“Quintessons.”

He pokes at the monster

“Name-Quintessons. Number-question.”

How many?

Jazz scratches the back of his head

“So uh...a lot?....number-positive-positive-positive-positive-positi...you get the idea.”

To be convincing, he dramatically spreads his arms out to the sides depicting something very large.

Prowl looks alarmed.

And unconvinced.

“How did you survive?”

Jazz laughs pretentiously

“Ask them how they survived.”

Prowl makes the “you can't be serious” face. Jazz isn't quite sure what exactly is confusing him. Mechs are designed to kill Quintessons, aren't they? Judging by his movements, this pilot must be damn good at controlling his mech, and that kind of guys usually fight on the front lines.

He decides to put that thought aside for later. There are more important things right now, like...oh shit, where is he even going??

Jazz leans over the chart again

“Uh. Right. Question-we-move-up-place” Man, how to specify... “Knowledge-negative?”

Prowl, linguistic gods bless him, understands him and starts gesturing over the chart in response

Okay. Ah. I-move-up. Planet-creation-positive.

'I'm heading home' or 'my home planet'.”

Jazz instantly perks up.

“Oh that's great, I'm pretty sure I'm supposed to go there too.”

Prowl is speaking in a language he's unfamiliar with, so he's definitely from another country, but hey, who cares as long as it's on Earth, right? He just needs to get there and he'll find his own way from there.

He watches the space debris flicker by outside the window. Even the stars are unfamiliar, Jazz can't find any constellations he knows.

One of the little purple creatures says something and Prowl steps aside to chat with them. Jazz leans back and settles into a more or less stable position. Then does the same thing, but with his real, human body. Hell, his head still feels really fucking weird after that teleportation.

He opens the comm channel and just listens to the static for a couple minutes in the faint hope that the engineering department will find a way to contact him.

Nothing.

He sighs.

“1061 on the com. In case there's any way you can hear me...ah shit. You guys won't believe what happened...”

[lullabyes22-blog]

"I think the cycle only ends when you find the will to walk away."

Got a lot of Q's for this in my inbox. Figured I'd just address them here.

tw: mentions of suicide, suicidal ideation

Re: the ending of S2:

Jinx did not die.

She symbolically killed her old self, and with it, her last ties to the past that imprisoned her. She understood that for her sister to move on and live her life - be happy without guilt - she'd have to renounce the bonds that held them together.

Her talk with ghostly Silco was the 'sign-off' she'd been waiting for, ever his dutiful daughter. Throughout S2, she kept hoping he'd haunt her, and in doing so, offer some impetus given her aimlessness. Maybe just straight up boss her around, and tell her how she's supposed to exist now that he's no longer there to be a (subversive if loving) guiding hand.

But it was the promise of time (as represented by Ekko) healing old wounds, and the courage to feel, as she once had - a hopeful child with a hopeful future - that allowed Jinx to commit impetus to action.

Her blimp-ship in the climactic battle is a tribute to Isha - but also to the child in Jinx's own fractured psyche: Powder. She's letting both little girls have one last hurrah before she takes care of business - and cuts off the last oaths, duties and commitments that bind her to a past whose parameters she's outgrown.

Better still, she knows she's got the capacity to outgrow them.

That was the point of Jinx's arc with Isha, and why, no matter my misgivings on Isha's character herself, I found Jinx's trajectory towards a more nurturing and fun-loving figure more life-affirming and positive than the straightforward 'Daddy's Villain Goes Postal' shtick.

It's even why there's a minigame titled Jinx Fixes Everything. It's Jinx, struggling and stumbling, as she tries to rewrite her narrative, and finds in herself the capacity to do good.

To fix things that seem irreparably broken.

And to understand why she's reached this stage, we've got to let go of our tendency to project our own stuff onto Jinx (precious meow meow, unrepentant terrorist, manic pixie crazypants, edgy hot psycho) and acknowledge the purpose she plays in Arcane's thematic structure.

Jinx's character comes off as a death-seeker, and that's no shocker. She is hounded by terrible guilt and loss. She's got blood on her hands, and ghosts on her heels, and no matter what she does, she can't seem to be rid of them. Her inner mind's fractured, her mannerisms ooze pure chaos, and she seems a creature of pure feral impulse and no mercy.

That's the Jinx we're accustomed to seeing in S1 - except that's also both the front she's most likely to put on during that timeline, and the persona that is necessary for her to inhabit to survive, as Silco's daughter and his top enforcer.

Then Silco kicks the bucket, she symbolically fulfills his dream by shooting at the Council HQ, she accepts that she must inhabit this path of shadows and loneliness (as symbolized by her starkly decorated chair in the tea party scene), she accepts the fragmented push-and-pull between past and present, and...

And now what?

Silco's given her a semblance of direction for six years, and he's gone. Vi, the sister she'd hoped would return, and whom she'd hinged so many childishly idealized hopes on, is herself traumatized, and afraid of what her sister's become.

Jinx has her shadows and her loneliness. Jinx is traumatized. Jinx is suicidal.

But Jinx is still, whatever else, alive.

And all living things need connections.

That's why we as the audience enjoy her little found family dynamic with Isha and Sevika. It's Jinx, taking the first tentative steps to reach out to people beyond Silco and Vi, and realizing, wow, she enjoys the pay-off.

And all throughout S2, we see Jinx growing more and more comfortable in this newfound space - even jealously guarding it at the expense of Zaun's liberty, and Silco's wishes, because she can't bear to lose what she's found.

And what she finds empowers her enough that, when Warwick shows up, she's actually willing to reach out to Vi, and call upon their family connection, because Jinx is learning the value of bonds, not as baling hooks of guilt, but as buoys to carry her forward.

That's the story Jinx's relationships serve to tell in S2. Each one shapes the choice she makes in the finale. Until she learns to accept the past (Vi), to lay the monsters to rest (Silco and Vander/Warwick), forgive herself (Caitlyn) trust that time heals all wounds (Ekko), and hope for happier new beginning (Isha), she'll never trust herself enough to just seize the chance.

Jinx's culminating arc is not about death, much less self-erasure. It's about resurrection, and embracing the sublime chaos of a freed mind, and a lightened spirit. That's what she craves beyond simple death, and what her baptism by fire, blood and riverwater, has been about.

Each trial grinds her down into someone else. Someone new.

Someone closer to who she is meant to be, rather than who she's expected to be.

That's why she's so glad to make the sacrifice for Vi. She's not dying as an act of self-immolation. She's giving her sister - the one who's proven she'll never give up on her - the ultimate gift, and showing Vi that she deserves to live.

She needs Vi to live, so Jinx, the persona, can finally die.

"He (Silco) didn't make Jinx. You did."

She's basically saying, "I love you, I will always be with you, but you are no longer responsible for my actions. Please move forward with your life, and grant me the choice to do the same."

It's two sisters embracing everything they've meant to each other, acknowledging the pain weighing them down on both sides, and welcoming the new so they can each slough off old paradigms and live life as a whole person - or at least take steps to remembering what wholeness feels like.

That's the reason the show's final shots linger on the Hexgate tunnels, Jinx's monkey bomb, and the aircraft.

It's the show's way of reminding us that Jinx has ascended to a different version of her identity - one removed from the past that haunted her. It's Jinx, finally striking out alone, away from the sister whose memory she clung so desperately to, and who was, in turn, horrified by her hand in making Powder a monster (perceived guilt or real, fandom may debate ad nauseum) due to past mistakes and abandonment.

The ending of Arcane isn't tragic. It's deeply hopeful, and serves as a reminder that no matter how damaged you think you are, and no matter how monstrous the world finds you, there are still ways to come back to yourself - or to walk the path toward a new you.

Jinx is symbolized by crows. Jinx is shown with firelights emerging from her mouth. Jinx is depicted holding a torch like Janna ushering in the winds of change.

Thematically, Jinx is change.

And the best way she can embody that change is to write her story, and make it her own.

[rui-ayaki-lower5]

"It's alright but just so you are aware, I would be putting myself and my mortal friends in far greater danger than I am even currently if I were to snitch about any of this to Muzan. Because then he would try to figure out just how I found this information out and in doing so he would find out everything else I've been up to lately that he would definitely not approve of which would most likely get me ripped apart cell by cell..." *he explains, but then his face pales visibly, having remembered overhearing something from one of his spiders that he had sneaking around the infinity castle* "......Miss Kanae...I know you are not supposed to say much more about it but I have a very important question to ask because I remembered something that may explain why the other demons are more active lately..." *Mentally he was already planning sneaky-armor designs that could be used to help better protect his human friends against his technical superiors. He spawned a small, soft, thick web that he fidgets with as he thinks, his fingers do not fall still for even a second. After a little bit he starts muttering to himself* "-need something to guard against his little spies......maybe niichirin wire...?.....can they even make that so small...?....maybe if i-"

*One quiet night you happen to get the feeling that you are being observed from somewhere by someone with a strong sense of curiosity. Rui was perched in the branches of a nearby tree, watching you. He had yet to actually even see the infamous flower hashira even through his spiders and had only heard about her from other demons that had only caught fleeting glimpses, which on one hand was a good thing he supposed but on the other it had gotten him a bit more curious that usual and had been bothering him like an unreachable itch. He was already quite terrified of the insect hashira after the last raid and getting so deep into her territory was unnerving enough, but from what Rui could tell, Kanae actually seemed rather nice.*

She listened around for the demon that she felt nearby. She didn’t notice any malicious intent so she hoped that she’d be able to redeem and save it. She quietly wandered through the forest before vanishing and appearing next to Rui. “Hello there little on. Are you looking for me?” She smiles kindly at the young boy and inspects his appearance. He didn’t look too strong but looks can be deceiving.

[vickythefamiliar]

The (chaos) Coven

This is me, a tarantula on the "Witches Road"

At first I wanna say I did not understand why the hell Rio played along with Agatha... It was soooo exhausting omg.

But nvm, I spend way too much time with these witches so here is my opinion on each one of them:

Jennifer

Jennifer? Oh, she’s something else. The ‘all-business, no-nonsense’ vibe is impressive, I’ll give her that.

She’s sharp, like she’s always three steps ahead of everyone, and her wardrobe? Immaculate. I’m convinced she could outdress the apocalypse. She’s got this energy that either makes you want to follow her into battle or stay ten feet away at all times.

I don’t dislike her, but let’s just say she’s not the first person I’d share my cookies with.

Lilia

When I first met Lilia, I thought: Finally, a grandma! She probably bakes nonstop and has a secret stash of cookies somewhere. Wrong. So wrong.

She’s feisty, unpredictable, and somehow always ten steps ahead. Honestly, it’s unsettling.

That said, I’ve gotta admit, her vibe is kind of iconic. The hair? A masterpiece. The whole ‘hippie meets mystical grandma meets chaotic freak’ aesthetic? Approved.

But seriously, Lilia, if you do have cookies, stop holding out on me. Sharing is caring.

Alice

Alice... Where do I start? She’s got this whole ‘the world is against me’ thing going on. Honestly, it’s a little exhausting.

Like, girl, maybe your mom wrote that ballad for a reason other than just to mess with you. Ever think of that? No? Didn’t think so.

But underneath all the eye rolls and melodrama, there’s something real there. She just hasn’t figured herself out yet. She’s a work in progress, I guess.

Cookies for her? Maybe once she chills out. Maybe.

Billy/ Teen/ Wiccan (whatever)

Ah, the prodigy with an attitude. Kid’s got power, no doubt about it, but he’s also got that ‘I know better than everyone else’ vibe. Which, honestly, is kind of funny coming from someone who can barely handle his own magic.

But I’ll give him this—he’s determined. He’s like a little storm in the making, and you can’t help but want to see where it’ll go.

Would I share my cookies with him? Maybe, if he asks nicely.

Agatha... (I call her "the ex-wife I didn’t sign up for")

Agatha? Don’t even get me started. She’s powerful, no doubt, but it’s like she’s always trying to out-drama everyone in the room. She’s got this weird mix of arrogance and insecurity, and honestly, it’s exhausting.

Like, she’ll act like she’s got everything under control, but then, boom, she's throwing a tantrum because Rio didn’t call her back.

But hey, gotta admit, she’s got style—witchy, eccentric, a little unhinged. Honestly though, I'm just here for the chaos.

On the other hand she broke my mistresses heart more than once so I said it before and I say it again: If you're Agatha Harkness - LEAVE.

No cookies for her.

That's it. That's the post!

-🕷💚

[haveyouseenthisskeleton]

What are the skellies most disliked food and why? Main skellies + maybe the Farm bros if you like.

Undertale Sans - Anything too sour. Sans hates sour food with all he has (too bad he also makes the best faces while eating some and so it's Papyrus' best way to get revenge).

Undertale Papyrus - Anything sticky, greasy, smelling too strong or having a texture his autistic mind can't bear. Papyrus is a lot more difficult with food than what people's think and he doesn't like to try new things. He's really fine with his 3-4 dishes he can perfectly control and rejects everything else.

Underswap Sans - Anything with lemon in it. He hates lemon and he can detect it in any dish, wich instantly makes him gag and stop eating. Lemon is ruining nice dishes. Stop putting lemon everywhere!

Underswap Papyrus - Biscuits that are supposed to be crunchy but reveal to be spongy out of nowhere. It ruins everything. It disgusts him.

Underfell Sans - Edge freaking putting pineapple or shit veggies on his greasy comfort pizzas. You don't touch his pizza you insufferable oversized bitch. He raised you for 20 years, now he's free to eat the hell he wants! He could also never eat lasagna ever again. Just the sight of it makes him sick. Never again. He never wants to eat anything Edge used to make Underground ever again actually.

Underfell Papyrus - All the industrial shit his brother brings home. They lack good food for years Underground, it's not to poison themselves with bad food on the Surface. He can never understand his brother's diet.

Horrortale Sans - Meat. Any kind of meat. It gives him nausea and if it's bloody it's even worse. Too many bad memories associated with it. Now that he has farm animals, he could never eat meat again anyway. It hurts him too much to imagine one of his cows in his mouth. He's fine with veggies.

Horrortale Papyrus - Meat as well, to the point he gets triggered while shopping sometimes. Willow is traumatized and has PTSD of what he had to do to the humans Underground. The smell of meat cooking instantly makes him freak out and he can get sick just smelling it. He doesn't want to take the life of another animal (or human) in his life anymore.

Swapfell Sans - Fish. He hates the smell of it, either cooked or uncooked and all the fishbones in it want to kill him. He's not going to let them win. He's also disgusted by seafood because he ate a rotten shrimp one and paid for it for two weeks with a high fever.

Swapfell Papyrus - Veggies. Ew. His brothers won't stop trying to make him eat some since he was a kid. He doesn't need veggies. They're lame and trying to make him healthy. You don't decide what's healthy for him. If he wants to eat McDonald's for the rest of his days, he's going to do it and no one will stop him. Hisssss.

Fellswap Gold Sans - Bananas. And that has nothing to do with the fact he ate one with the skin when he arrived on the Surface. He knows better, obviously (no, he doesn't).

Fellswap Gold Papyrus - Soap with food flavor. How was he supposed to know you're not supposed to eat that when he arrived on the Surface? That's confusing!

Farmtale Sans - Industrial food. He can never understand why people eat this garbage when people like him are working really hard every day so they can eat healthily. What's wrong with you all!

Farmtale Papyrus - Mushrooms. He hates mushrooms. Why did someone even invent mushrooms for? It's boring, it's tasteless and people put it in a lot of dishes for no reasons. He hates mushrooms! He doesn't even know how to tell which one can kill him and which one are edible.

[waliminium]

Tailored Encounters

Pairing: Harvey Specter x Reader Warnings: implied age gap, fluff, light romantic tension, no major triggers Word count: 659 Summary: As the daughter of Frank the tailor, you’ve always been surrounded by impeccable suits and high-end clients. But none quite as captivating as Harvey Specter. When he starts making regular visits for minor suit "adjustments," you begin to notice a pattern: it’s not just the clothes he’s interested in.

The bell above the door chimed softly, and you didn’t even need to look up to know who it was. You’d recognize that confident stride anywhere.

 “Harvey,” you greeted, glancing up from the workbench where you were adjusting a hem. “Back so soon?” 

“Frank in?” he asked, his tone casual.

 You gestured toward the back room. “He’s on a delivery run. You’re early, though. The suit isn’t ready until Thursday.”

 “Actually…” Harvey adjusted his already-perfect tie, his gaze sweeping the shop. “I think the cuffs on my last suit might be a little tight. Thought I’d stop by and have them checked.”

 You raised an eyebrow. “Tight cuffs?” You’d measured that suit down to the millimeter, and you knew it was flawless. 

“Yeah,” he replied, with a faint smirk tugging at his lips. “Snug.” 

“Uh-huh.” You fought back a grin, setting your tools down. “I’ll get the measuring tape.” 

He didn’t seem particularly concerned about the supposed cuff issue. Instead, he wandered around the shop, casually running a finger along the fabric bolts stacked neatly on the shelves. He lingered by the counter, watching as you prepared. 

“You’re good at this,” he said suddenly. 

You blinked, startled. “At tailoring?” 

“At everything,” he clarified, with a glint of something you couldn’t quite place in his eyes.

 The next day, the bell jingled again, and there he was—Harvey Specter, sharp as ever, holding an accessory box in his hand. 

“Forgot to pick up a tie pin yesterday,” he announced, setting the box on the counter. 

You gave him a look. “You don’t usually forget things.” 

He shrugged. “Even I’m not perfect.”

 You opened the box to inspect the pin. “This is the one you ordered last week. What’s wrong with it?” 

“Nothing.” He leaned against the counter, his smirk firmly in place. “But maybe you can suggest something better.”

 You rolled your eyes but humored him, pulling out a few alternatives. As you showed them, he asked, “So, are you always here, or do you take time off?” 

You tilted your head at the sudden change in topic. “Depends. Why?”

 “Just curious.” 

Later that evening, as you were locking up, Harvey strolled in again, no excuses this time. “You’re late,” you teased, holding the door open for him. 

“Had a meeting,” he replied smoothly. “I was hoping to catch you.” 

You let him in, flicking the lights back on. “Don’t tell me—another cuff issue?”

 “No,” he admitted, his voice softer than usual. “Just wanted to see how you’re doing.” 

You paused, caught off-guard by the sincerity in his tone. “I’m fine. Why do you ask?” 

“Because you’re always busy in here,” he said, gesturing to the shop. “Do you ever take time for yourself?” 

You shrugged, fiddling with a stray thread on your sleeve. “It’s a family business. There’s always something to do.” 

“Maybe you should let someone else handle it for a night.” 

“And do what instead?” 

He smiled, but this time it wasn’t his usual smug grin. It was softer, warmer. “Let me take you out to dinner.” 

The next day, he returned—because of course he did. This time, there were no pretenses, no accessories to inspect. 

“I meant what I said last night,” he began, leaning on the counter. “Dinner. Just you and me.”

You crossed your arms, feigning skepticism. “Is this another one of your deals? Butter up the tailor’s daughter for a discount?” 

He chuckled. “No deals. Just an honest invitation.” 

You hesitated, trying to ignore the way your heart raced. “I don’t know, Harvey. You seem like the kind of guy who always has an angle.”

 “Not this time,” he said, his voice steady. “I’ll even let you pick the place. No strings attached.” You studied him for a moment, searching for the catch, but all you saw was sincerity. Finally, you relented.

 “Fine,” you said. “But don’t expect me to go easy on you.” 

“I wouldn’t dream of it,” he replied, his grin widening.

a/n: Just wanted to say thank you for the support on my first story. I was really nervous about starting to post my writing but I'm glad you guys enjoyed it! :)

[2demondogs]

Hey! If you are still accepting requests, could you possibly do some Charles and Lenny friendship headcanons or one shot? An underrated duo

I am :D This was fun to write! A true "we are not enemies but I don't fw your vibes" to "excuse me Charles did not want pickles on his burger" arc.

Everyone does the LENNYYY joke but anytime I read his name I can only hear this one lyric I misheard as "KENNY!" from I Know You're Fucking Someone Else. (Worst discovery ever: it's "hickey.")

Their horses were friends first. Taima can chill with the best of them, and Maggie is much more reserved than her owner. They drift off now and then from the others to eat grass together. And ain't that darnedest thing? Charles thinks Taima is a decent judge of character, and that how well a man takes care of his horse says a lot about him. Otherwise, he'd probably not have entertained Lenny for very long.

It is a struggle to get to know one another. That first wall is always the toughest to tear a hole in with someone as reserved as Charles, so Lenny doesn't stop trying. He sees how the man gets along with Arthur and John, and he wants at least a hello out of him now and then, too. He also prefers to be on good terms with people, and he suspects Charles despises him for some reason he can't grasp. Unfortunately, he just kinda looks like he hates everyone. (Charles also isn't too fond of him, but that's besides the point.)

After the first genuine conversation, things get smoother. It was pure luck catching Charles on a chatty day — meaning he nodded a greeting instead of ignoring him — in which everything seemed to be going wrong within camp. Though he usually remains optimistic and lighthearted, Lenny's serious side is much more Charles' speed. They have a good talk about where things are going and where they've been, why exactly Miss Grimshaw is like that, why Swanson is like that, and where all the money in the world seems to go.

They're more like brothers than friends, and Lenny's age shows often, if you ask Charles. Every time they speak, he's shooting down some big idea or fighting for his life to understand a joke. It's tiring, but, well... it's Lenny. He isn't sure how or when he got to the point of dismissing things as that's just Lenny, but he's starting to feel a little protective of him. Worse, sometimes he feels proud to see him pulling off the stunts he does for the gang.

Lenny's youth does show, truthfully. Fresh off his teenage years, he's done believing that he has his head sorted out. Usually, he ends up talking to Hosea about worries like his future. Charles' general, on-the-surface apathy (read: fear) towards that big question is put in jeopardy any time the subject comes up, whether it's because something's happened or just an occasional nineteen-year-old crisis. After a few awkward trail offs, he finally admits he doesn't know what the Hell he's doing either, and Lenny feels infinitely better that he's not the only one. Without realizing it, he'd started looking up to Charles. Which, of course, he's going to balance out by poking him with a proverbial stick later. Or maybe a real one.

The first time Lenny goes hunting with Charles, the rest of their respect for one another falls into place. He pays attention and does it well, which shocks Charles a little despite his increasingly positive opinions of him. He's a fast learner, and he actually gives a damn about listening to him despite all the teasing he does day-to-day. Lenny finds himself enjoying getting more than a few sentences out of Charles, especially over a skill he takes pride in.

[amarriageoftrueminds]

Lotta good points!

1) My issue with 'Bucky does everything' is... why the fuck would he want to be friends with Steve, in that case? And why would Steve go to such lengths for someone he couldn't be bothered to support properly before?

It makes being Steve's friend a quite-literally-thankless job, and Steve's 'friendship' amounts to the chance to serve him in return for nothing - no gratitude, no apology, no happiness to see him, no emotional, financial, physical support in return. It makes Steve selfish and self-absorbed, which are antithetical to his defining traits of selflessness and thinking of the little guy.

He can't vaunt those traits in everyone except Bucky, but then turn around and act as if he valued them all along by, eg. saving Bucky, avenging him, etc!

Plus it makes Steve's claims of independence a joke too, which in turn makes it annoying when he turns up in Basic Training and suddenly is able to do things, so that Token Love Interest can look like the first person to recognise his capabilities, when... no, those traits just weren't there, before, on purpose.

CATFA deliberately avoided showing us anything by the way of Steve's abilities, for Bucky to believe in, just to make it look like Bucky is unfairly undervaluing him (nonsense, since he's known Steve his whole life) and that someone else is a better judge. How the fuck is Bucky supposed to know Steve is capable of throwing himself on a grenade?! It's not like they have those lying around in Brooklyn!

5) Bucky using women to disguise his closet is true to the spirit of Arnie Roth, on whom he was partly based. But I still think it's a step too far to suggest he'd chose strangers over friends and family for his last night; even a lesbian couple.

(Or that Steve wouldn't likewise insist on having Bucky's last night in America for just them, even if they weren't a couple).

Unless Bucky's relationship with his family was bad... But we've never seen/heard any suggestion of that? 🤔

Again my thought process is 'why would A be friends with B if B was like this??' (ie. if A was selfish enough to spend their last night with strangers rather than with B).

8) Re: Steve the incel.

You could also play it as Steve having benevolent misogyny values without realising it, putting women up on a pedestal (explaining why he doesn't clock when he has been molested, or assaulted; is shocked when a woman lies to him; maybe thinks the reason he isn't being sexually attracted to women is because they are Too Perfect to sully with sex, etc.)

The only problem with idealising women is that it surely could not survive contact with a troop of foul-mouthed show girls, unless Steve absolutely went out of his way to avoid them??

But if he did have benevolent misogyny, this could maybe manifest in pre-serum Steve delivering long mopey monologues about how whoever he's been set up with is probably too good for him, probably isn't even interested, he's so poor, and sick all the time *cough cough*, unlike her, she would be embarrassed to be seen with him, probably, he's sorry Bucky set her up with him of all people, etc etc ...delivered during the date.

So that by the time Bucky circles back around to their table, no matter how attracted to Steve the girl was initially, she'd be like '🙂 please get me away from here.'

I could also see a queer Steve self-sabotaging by doing this, as a kind of inverse of ladykiller!Bucky.

Either so deeply in the closet that he doesn't even realise he's doing it, is unaware he's not helping his 'passing for straight' problem, thinks he's just looking out for the poor perfect woman, etc. (perhaps even kinda likes that guilt makes Bucky be extra-nice to him for a while after?)

Or, not closeted Steve having a bloody-minded determination not to date because he thinks it's dishonest to the lady; determined to publically crash and burn, so no one ever questions why he hasn't got married yet. And maybe seething and annoyed about having to do this, because he feels bad for wasting the girl's time.

And, yeah, open-book baby gay Steve absolutely glaring at whoever Bucky's dancing with and his own date either clocking him or being like 'woah he really seems obsessed with his friend's girlfriend?'

(I could also see a closeted himbo Steve being like 'yeah Bucky took me to this secret gay bar he knows about for some reason, but it's just because he knows I always fail with women and wanted to give me a night off from that, that's all!' Poor Bucky dropping absolute anvil hints and Steve's not getting it. 😂)

I ended up doing a long old rant on this other post, about the problems with the Steve/Bucky characterisation in CATFA, how it fails to make them mutual in their support / fails to properly show Steve's struggles and independence, before serum.

And I was thinking...

what would you have to do, if you wanted to write a CATFA or pre-war Stucky fic and wanted to fix all those problems?

So I figured I'd make a list!

Pardon me while I rip CATFA a new one...

.

Problem 1) Pre-serum Steve acts as if he's independent and self-reliant without Bucky... when the opposite is shown.

A) He doesn't have a job.

(He isn't shown working, doesn't mention working, or taking time off to do the things we see him doing etc. Bucky is framed as paying for things.)

If the fic is set during CATFA you could fix that by mentioning Steve does have a job but has been given time off to go enlist. Or has just been fired from his job. Basically anything to show that Steve has had a job, has been working. Perhaps even had multiple simultaneous jobs!

Probably cut out the part where Steve scoffs at working in a factory or collecting scrap metal (more likely he'd admire and/or understand why both of those are viable options; maybe they're jobs he has done in the past and is biased against now, for some experiential-related reason.)

Or, if he still does not want to work in a factory... well, at the time, with most men being overseas, factory work would've been women's work. So perhaps Steve was reluctant because it feels emasculating. Or maybe even dysphoric, to be relegated to otherwise female-only spaces, instead of welcomed into (then) male-only spaces like the Army? 🤔

(This would especially ring true if you were doing a trans!Steve story, or emphasising the disability aspect of his life. And it would cycle back when he gets stuck in the USO, doing women's work again.)

B) It would also be better characterisation if pre-serum Steve was already good at fighting, but just happened to be outclassed by heavier weight opponents, and/or hindered sudden disability flare ups mid-fight. (In the tie-in comic, Bucky taught him how to box. Why not keep this?)

And also if his health was in a lifetime high point, then it would be less nonsensical to be trying to lie his way into the Army. There has to be some actual common sense and logic behind his choice, so that he's not essentially snapping 'Bucky why won't you support me committing suicide, gdi?'

Steve shouldn't be getting his first real win by knocking down a flagpole; he should've been showing this capability in his pre-war / pre-Army time, too.

You could emphasise the idea of Steve entering a fight he knows he's going to lose, in order to accomplish a secondary goal that the enemy doesn't recognise. IE. Steve fighting the bully in the alleyway -- he loses the fight, but succeeds in stopping the bully from making a scene in the cinema, which was his original goal. So mention it!

(Steve could be like 'winning this fight wasn't the point.' And Bucky could be like 'ah, so what were you distracting him from?')

.

Problem 2) The support is imbalanced; Bucky's doing all the emotional, financial, and physical labour in the relationship.

You could fix that by showing how pre-serum Steve was not only mutually financially supportive (in the sense of having a job), but was also supporting Bucky emotionally and physically, just as much as Bucky supported him. He could be doing at least 2 of the 3!

Possible Examples:

Bucky going through an emotionally hard time that pre-serum Steve pulls him through (just as Bucky did with Steve's Ma).

Steve treating Bucky's wounds after a fight, just as Bucky treats his. (If Bucky's a boxer, like the tie-in comic, then Steve could be his cut man when he's in the ring!)

Steve paying for some of their expenses, or finding places to take Bucky that are free when it's his turn to plan a day out, etc.

.

Problem 3: Sarah & problem 2.

If this is CATFA / post-death setting, show flashbacks or make references to Steve visiting her in hospital, or doing the work of nursing her himself / sitting by her bedside if she died at home, paying for her medicine, etc.

So that it's not just another example of Bucky wholly carrying Steve; show the balance. Maybe Bucky was temporarily footing the bill so that Steve could afford to quit his job and do the nursing at home. Both putting the work in, in different ways.

(This would be a perfect example of one way Bucky's experience of looking after sick Steve would pay off, and make him able to teach Steve how to do it when the roles are reversed.)

Better yet, a show-don't-tell of Sarah instilling Steve's moral compass and tenacity; maybe even some Bucky POV to show her impact isn't just relegated to Steve.

Her absence could also be shown in present day with Steve, eg. packing up his things to go to basic and having to leave behind some keepsake of hers.

.

Problem 4: The relationship is framed as transactional.

Less 'I'll do X for Bucky now because he did Y for me back then' and more 'helping Bucky is the right thing to do because he's innocent so I'm going to do it regardless of outside whining, and he would still do the same thing for me, or anyone else, because he's a good person.'

There has to be more to it than just convenience, needing each other around to help; there has to be an actual desire to be together for pure enjoyment, too.

IMO you'd need at least one scene where Steve and Bucky aren't benefiting in some way from spending energy on eachother. They're just... happy being together.

And perhaps Bucky isn't the only friend pre-serum Steve could have had, just the one Steve most wanted to stick with. (His options should amount to more than 'Bucky or no one.') Perhaps Steve's health absences and strong principles drove other friendship prospects away?

.

Problem 5: A's problems are framed as B's.

No more 'Steve getting attacked' being framed as a problem for Bucky.

No more 'Bucky being drafted to die' framed as a problem for Steve.

Better characterisation would show these bad things affect the victim first and foremost, and only/also the other one, secondarily.

Steve shouldn't be seeing Bucky's shipping-out uniform (skipping right over thank yous and congratulations) and talking about how that's sad for... himself.

Steve shouldn't be sabotaging Bucky's last night of freedom in NYC to spend it on... his own goals.

Sidenote: Bucky wanting to spend his last night of freedom with strangers is such idiotic writing anyway, when he has both Steve and a living family with whom he could be spending those last precious moments! And dragging Steve on a double blind date he clearly doesn't want to go on is counter-productive. It undermines the mutually-supportive / mutually communicative relationship Steve and Bucky should logically have, as lifelong inseparable best friends, and shifts the blame for Steve's singlehood off of him and onto Bucky and women generally.

Steve shouldn't be detailing why he's so keen to fight, and focusing on random men he doesn't know, not directly/unequivocally mentioning Bucky at all (indirectly, he wants to be like the men laying down their lives -- so... like Bucky? But this is still nonsense. He should want to be there to support Bucky, not to copy!)

It's likewise nonsense for Bucky, who has known Steve since he was a child, to ask Steve why he's keen to fight. Bucky doesn't need to ask. Bucky already knows. Lazy clumsy exposition.

And the narrative should be showing us why, rather than having Steve infodump it without anything to back it up.

Speaking of which...

.

Problem 6: Lack of explicit politics.

Like in the comics, Steve's reasons for fighting Nazis should be explicitly left wing and political, as well as personal.

(Wanting to be like able-bodied men who get girlfriends is complete cringe incel bullshit as a motivation and not true to the comics, or CEvans's performance!)

Proper Steve characterisation should have him behaving in a way that shows he's a man ahead of his time in terms of Antifa politics, and that's why he wants to fight.

IE. happily sharing housing and schooling with people of other races, ethnicities, and religions. (Especially so when he has been in the same SEC as them / been in multiple different schools and lived in various neighbourhoods as a poor kid.)

Not judging and mistreating disabled people the way he is.

Not judging unmarried mothers, belittling working women, expecting his mother to do all the housework, etc.

Not freaking out about the existence of queer people in public (even in an AU where he isn't one) defending gay men from attack as he does in the comics,

protesting and/or sabotaging public Nazi meetings in NYC, fighting with homegrown Nazi bullies especially, ditto corrupt business owners / mafia union-runners as he does in the comics, etc.

The Hydra saboteur should not be the first Nazi Steve ever got his hands on!

And Bucky should be an addendum when it comes to his reasoning. The heart of Steve's motive, where politics are the guts.

.

Problem 7: No disability rep.

A) Steve should not be saying that he, a disabled man, shouldn't have the 'right' to do less than able-bodied men, even though it is literally physically impossible...

...UNLESS, this internalized ableism is addressed in-story, rather than treated as if it's normal and even noble.

Other characters can be ableist; Steve should not (not only is he disabled himself, but he's supposed to know better!) unless it's part of an arc that shows that this trait is weird in him, and he learns the error of his ways.

Instead it could be shown that his health has recently become good enough for him to survive and succeed in the Army. Without Steve arguing that he should throw his disabled life away, just because able-bodied men are taking a significantly lesser risk of dying than him.

B) There should be actual details of Steve's disabilities, what they are and how they affect him. (Him - not Bucky.) In a way that has concrete negative consequences, beyond just not getting into the Army.

Possible Examples:

Steve being held back a year at school because of missing days due to sickness. Kids can be cruel and parents can be ignorant; he might've been bullied and ostracised for being sick and believed contagious.

Kid Steve having to move around a lot (which would also affect which school he'd have to attend) because losing money to medicine affects what his mother can afford, affects her work schedule when she has to look after him. Living in a worse place would then exacerbate his pre-existing symptoms, and so on.

Adult!Steve losing a job because of sick days, losing savings to pay for medicine, getting sick again because he either chose heating and groceries over medicine or vice versa, etc.

(This / the moving-around might be mitigated if he and Bucky are living together, meaning Bucky could make up the shortfall.)

Steve could lose friendships or romantic partners due to sickness taking him out of social circulation.

You could also play into the Nazi eugenics then endemic to the USA and have medical professionals telling Steve he shouldn't be alive; 'well-meaning' people offering to pray for him, saying they'd have 'given up' if they were born like him, etc.

And Steve should, maybe, mention once or twice that he feels better after serum and truly couldn't be doing what he's doing in Europe, if superserum hadn't also cured all his ailments?

If he's much more peppy afterwards, it should be because for the first time in his life he can actually breathe and spring out of bed!

.

Problem 8) The Incelery.

Pre-serum Steve should not be framed as undateable because he's short and disabled.

If Steve hasn't had a girlfriend, it should be because he didn't want one, not because evil women are repulsed by invisible health issues or Bucky is too dreamy for a disabled man to possibly compete with, be so fr. 🙄

You could fix this by making Steve: gay,

ace,

demi,

coincidentally surrounded by lesbians,

by women who have horrible unattractive politics,

too sick or busy with work to date,

getting attention but it's the wrong kind (ie. women who want to fetishize or nanny him),

and/or being very attractive to women even before serum but oblivious and/or simply not interested. 😂

/more than one of the above.

.

[leatherbookmark]

somewhat pleased to announce that in case someone wanted to know, and i really don't see why they wouldn't, the cameras that atz use in the cawaii men photoshoots are

fujifilm simple ace p&s camera (for taking photos), and

most probably? pentax spotmatic (the one hj, sh and jh pose with)

[femmefaggot]

genuinely very very happy about maya still Do Not get me wrong. I simply wish... the world was better and less cruel. and that I was not complicit in that cruelty. and that honorspren in shadesmar werent such hypocrites.

[lovelybucky1]

Oooohh i have a request!:

Playing “never have i ever” or something like that with logan and wade (maybe along the lines of a boring friday night with nothing else to do) and you admit to never having an orgasm by anyone but yourself

Flash forward you’re in logan’s arms and wade is eating the fuck out of your pussy, and then they switch 👀👀

i’ve written something similar two the second part here, but i love the never have i ever idea! // divider from @strangergraphics

boredom isn’t something heroes are used to. there’s always something happening somewhere, someone needing to be saved. but tonight, everything is quiet. the three of you were suspicious at first, but you checked every police scanner, news outlet, and all of your contacts and came up with nothing. the bad guys had decided to take an evening off, and now you were stuck with nothing to do.

you, wade, and logan all sit around in the living room with bottles of beer. you and wade stare at the mindless gameshow on tv while logan rests his eyes. you’re definitely bored, but wade is restless. it’s like he’s itching for something to do, like his body is physically unable to handle the inactivity.

“why don’t we play a game?” wade asks, startling logan awake.

the two of you look over at wade. “what kind of game?” you ask.

“i don’t know, ‘never have i ever?’”

logan rolls his eyes, then shuts them again. he’ll deny any “old man” comments, but he really is one. you elbow logan in the side and he opens them again.

“come on, it’ll be fun,” wade pleads.

“it’s not like we have anything better to do,” you say to logan. reluctantly, he agrees.

you reposition yourselves in the living room. you sit on the couch, leaned against the arm with your feet in logan’s lap, who sits on the other end. wade sits on the floor by the coffee table, his beer on the table without a coaster next to him.

“this is your game, wilson. you start,” logan says before taking a sip of his beer.

“no, don’t drink! you only drink if you’ve done the thing i say,” wade scoffs. how can logan be so old and still know nothing about fun? “okay, okay. never have i ever… gotten arrested.”

you furrow your eyebrows at him while logan takes a drink. you’re almost certainly wade has been arrested before. “i don’t think you’re playing this game right,” you say. “you have to say things you’ve never done.”

wade scoffs. “i haven’t been arrested, thank you very much. all the cops who’ve tried have mysteriously ended up with broken noses.”

you roll your eyes at him. “my turn now? never have i ever… cheated on a partner.”

both of them take drinks, wade with more shame than logan. ugh, men.

then it’s logan’s turn. “never have i ever worn a dress.”

you figure it’s targeted at you, just because logan’s a dick, but to your surprise, wade drinks too. logan raises his eyebrow at him, silently urging him to elaborate.

“you wish you saw that, huh, peanut?” he taunts instead. logan makes a face at that.

“i’m thankin’ god i didn’t have to.”

you play a couple more rounds, all three of you exchanging stories and sipping from your bottles. it takes a lot to get them drunk, but you’re starting to feel it. there’s a collection of empty bottles, mostly beer, but halfway through the game, wade decided to up the ante with some liquor.

it’s wade’s turn again and he says, “never have i ever been with two guys at once.”

he means it as a joke. he doesn’t expect anyone to drink. there’s no way logan would do something like that, and you’re too innocent. that’s why his eyes practically pop out of his head when you throw back the shot.

the game turned sexual a few rounds ago, but it was pretty mild stuff. talk about doing stuff in public, kinks, freaky shit like that. nothing as interesting as this.

both wade and logan turn their full attention to you, eager to hear this story.

“what?” you play dumb.

“two guys at once?” wade asks. you shrug.

“it wasn’t anything.”

“nah,” logan says, sounding interested for the first time all game. “you gotta tell us.”

you sigh. “it was a while ago. i met this couple at a bar and they said they were looking for a third. i had nothing better to do and they were both hot, so…” you trail off, shrugging again.

“give us the gory details. how’d you do it? daisy chain?eiffel tower? double cowgirl? triple spooning? come on, tell us,” wade rambles.

“you’re a fucking perv,” you tell him and he doesn’t deny it. “it was just normal dp.”

logan raises an eyebow. “that stands for double penetration,” wade tells him.

“i know that. i’m just wondering how you took it all,” logan says.

you’re used to this kind of talk from wade. the man thinks with his dick so much that you question if he even has a brain. you’re not, however, used to this from logan. he’s no prude, but he usually doesn’t participate in these kinds of conversations with wade.

“must’ve been a tight fit,” logan adds on.

you look between the men and their interested faces. you’re still pretty bored, the game having grown stale a while ago, and now you’re a tipsy. you want something exciting and right now, you’re feeling bold enough to persue it.

“do you wanna see?” you ask them.

wade and logan share a glance, but it only takes a second before they’re replying “yes” in unison.

[aikoiya]

Thank you so much!! I try! I really do! 😁 But then, I also enjoy it, so, ya know. 😆

I really like thinking about this & I'm glad that, if nothing else, I've given you some food for thought.

Now that you mention it, Thundra being Castor Wilds is a pretty interesting possibility. 🤔

I can understand your perspective & it's no less plausible than mine. Though, I will say that, for the nostalgia thing, I remember hearing that, part of the reason was that they thought they'd explored everything they could in as a unique a way as they thought they could, but that EoW showed them that the classic formula still had so stuff they could play with.

Huh... I wasn't aware of the sabaku pun! Cool! I like that, but yes, you're right. It could be a different location. Though, I actually think I knew about the Tabanta thing, but I still find it neat!

---

I'll be honest, I actually had a number of issues with TotK's story myself, but then I started watching analysis on the game & the character's motives from a more Japanese perspective &, when I did, things finally started to make a degree of sense.

For those living in the other timelines at the time of the merge, what happened was most likely something similar to what happened with the flood. The gods told those living in those timelines' Hyrules to scale to the mountain summits & wait. They did it before, why not again?

As for what they'd know? Myth & legend. Little knowledge of what truly happened, but then again. Not long ago, IRL we also believed that Sparta was a mythical, made-up city, but then the actual city was uncovered. Sometimes, things are just forgotten & then found again. It happens & yes, it's sad & maybe sometimes it makes things feel like it was all pointless, but that doesn't mean that it is.

So, even though it may seem that combining the timelines erases any consequences of Time dying, I actually wouldn't really say as such. Those things still happened. And, if I were to say anything, it's likely because of the merge that the Wild Era has so few references to the past. Because it would cause there to be 3 different histories with inconsistent narratives, which would likely be why the Era of Myth would be called as such.

Also, by this point, it's likely been approaching 50,000 years since SS... Like, I dunno, it just seems like that's a heckton of time, ya know?

Though, I guess that I feel like "just" is a bit of a stretch. Like, in my mind, the gods of Hyrule aren't all-powerful. They have limits to what they can do, so if they wanna do something as big as merging timelines, I think it would take literal millennia of planning & organizing & making sure that things are just so. As such, I'd be surprised if there wasn't some huge reason for this.

In my mind, the timelines still exist, but they eventually merge back together later down the line. Like, the pasts of those timelines don't just disappear. More so, it's like if a river divides into 2 before joining again somewhere else. There was still a point when they were separate, it's just isn't now. But don't take this as me trying to convince you of anything. I'm just a rachet-jaw (means I talk a lot) & I like chattering about my hyperfixations & explaining things. I understand that my takes are most likely pretty confusing, too, so I don't mind criticism, either! 😆

For the dragons, I actually really didn't like their designs. I preferred how they designed the Light Dragon, though I'd have liked it better if she'd had a more leonnine tail.

And, the dragons could very well be a reference to Skyward Sword, but I never thought that they were literally the dragons from then. A) They never talked. B) The element of the blue dragon was wrong as well.

For Rauru as the first king of Hyrule, my thoughts are that he didn't found Hyrule, but more so, he re-founded it unknowingly, likely naming it after the stories he heard from the locals of an ancient & prosperous kingdom of light. It wouldn't be the first time that a place was named after a legend in hopes of bringing about prosperity.

And, I actually think that it's heavily implied that before Rauru, Hyrule was unnamed & the tribes were at war. One thing I remember Ganondorf saying in the Japanese version was that he wished to return the world to how it was meant to be. But this would indicate that before Rauru, the land & its people were at war. Possibly for a very long time. If so, then if my theory is correct, then it would mean that the main populous of the land when the merge took place would've been the descendants of the Great Islanders of WW. However, if you recall, the islands ran in an acephalous manner, meaning without a single ruling head or centralized government. So, the citizens of the Downfall & Child Timelines would've been, in many ways, refugees of 2 destroyed worlds. Refugees that would begin to integrate into this post flood world that had only been called the Great Sea, but was now no longer a sea. A land that had no princess, because the princess had left to found a new land. It is why Sonia was referred to as a priestess rather than a princess before she married Rauru. Because the Royal Family had been dissolved. Much like how it was in BotW. And, to be fair, Zelda 2 was also a post-apocalyptic time.

Then, I think that Ganondorf also mentions that Rauru & Mineru were the only surviving Zonai... Which... yeah, that makes the fact that he causes their deaths even more effed up because he essentially just committed genocide...

And, it really isn't all that odd for magical sky beings to appear & be thought of as close to the gods or even gods themselves only to never be seen or heard of again. The Occa & the Minish for a couple. In my mind, the Zonai were just another race of people who lived in the sky. And, keep in mind that Hyrule has the same constellations as Earth & it's been said that Hyrule's world is an alternate earth where magic exists. In such a case, we have really & truly seen nothing as far as their world goes.

Like, absolutely nothing. Because BotW's Hyrule was very specifically based on the creator's hometown of Kyoto, so if this information follows, then this is all that we really know about Hyrule's world:

(Also, sorry about that. Vendettas is just an LU-style nickname I thought up for TotK's Ganondorf. Just ignore it.)

So, I guess that when I think about it that way, it's actually much more feasible to me.

Which is another huge thing I wanna see from Nintendo: remasters or sequels to Zelda 1-2 & the Oracle games! All we ever see is Hyrule! Show me some more places outside of that, Nintendo! Let's go back to these really super old places & retell those stories in a new style! Let's hear more about places outside of Hyrule! Let's hear about how Labrynna & Holidrum are doing! Let's learn about other kingdoms & their relation with Hyrule! Let's bring this story to the world stage!! We have an entire world to explore & all they've been playing with is that tiny, piddly little speck???

But going back a bit, I remember that Zelda inherited both Rauru's Light & Sonia's Time magic. In fact, she even said as such. So, I am very much under the impression that, yes, Zelda is their dependent, we just never hear about Rauru & Sonia's child, which is one of my only major issues with the game. As for Zelda's stone changing... Yeah? The stones themselves never had elements to them. They're blank power modifiers that take on the attributes of their wielder. You see it happen twice in the game with Zelda turning Rauru's Light Stone into a Time Stone & then Ganondorf takes Sonia's Time Stone & turns it into a Dark Stone.

And, I actually know a thing or 2 as to why Ganondorf got so much more from the stone than the others. And it has to do with a Japanese concept of how rancor & something known as On'nen works.

You should really look up QuestWithAaron & watch some of his Zelda analysis videos, they're really interesting because he dives in super deep into the original Japanese translations & even brings into perspective the nuances & cultural significances of things.

For one, that Demise & Ganondorf aren't literal demons. Not in a western sense. They're much more analogous to the Japanese concepts of Akuma, which are entities of negative karma born from overwhelming hatred. They are even well-known for placing the sort of curses that Demise did.

It turns out that there's a lot of Buddhist & Shintoist influence on the Zelda series as a whole & once you know this, you find it difficult not to see it.

On'nen is essentially what Malice was in the previous game & Shoki is what Gloom is, but a more accurate term for it would've been Miasma as it goes beyond simply being a corruptive force & into being not dissimilar to pollution or a plague (which is most likely why they went with Gloom instead considering the event that took place around when it came out). On'nen is rancor. It is an overwhelming & enduring hatred & resentment that can even be carried through multiple lives. And it isn't just some feeling, but can become a legitimately corrupting force. In a lot of ways, it's what allows for the existence of death curses. So, I think that due to the way that the stones work, which the Japanese version says that the stones very specifically double the power of the individual. But, the thing is that TotK Ganondorf's power is directly connected to his resentment & hatred. So, if this is the case, what happens when his resentment grows? Well, so too does his Shoki, which is why it's so bad. And, in fact, Shoki is just a more concentrated form of On'nen, meaning that Gloom is just a more concentrated form of Malice. And remember that Gloom didn't just decay the Master Sword, it also decays all the weapons in Hyrule, which itself actually connects the game back to BotW, because that right there is the reason for the durability in the games to begin with! The reason that all the weapons would shatter so quickly in both games is very specifically because Ganondorf's hate-magic was saturated all over the place & causing the weapons to be corroded. But knowing this, we now have a reason as to why the Master Sword was breaking! Fi wasn't weaker, Ganondorf just found the perfect way to combat her!

And, I actually think that we did sort of see something connected to the Zonai in a previous game. Or, more so, we say something they once were.

And, this one might be a bit controversial if goofy, but I think that they are, essentially, evolved remlits. 😆

But, at the end of the day, it's well within your right to have not enjoyed TotK's story or the Zonai. You stick with whatever hc you like most or think is most plausible! I'm just the weirdo who enjoys trying to fit things together regardless of whether Aonuma cares or not. Sure, he's the authority on it, but at the same time, this is just me having fun! 😁

---

Regardless, my many many thanks for all your help!

This has been so very fun & I loved talking & speculating! And I'll definitely be using some of your suggestions, though before that, what do you think of a portmanteau of Croisés & Confluances? It'd probably sound like gibberish, huh? 😅

I was also thinking of naming things in the Zora area that are named after sages as Saint. So, Mipha Court would eventually become Cour Saint Mipha?

But, I gotta say... I would love to see a Zelda spin-off game where you play as a Sea Zora & you go around the ocean to different Zora settlements where we could see more of their culture independent of Hyrule. Like, I imagine them curing bull kelp, then twining them together to make rope. Or that settlements tend to either be close to the surface, on land, or near hydrothermal vents & that, because of this, cooking tends to be a more communal thing.

If not that, I'd like to see some more dark games like OoT & MM someday.

Like, hoy vey, dude! The Dead Hand was seriously messed up, but it gives so much food for thought!

But, sorry! Went off on a tangent! I've enjoyed hearing your thoughts, too! It's really interesting to think about all this! 😁

Hi, sorry if this is a bit rude. 😅 I guess that I was just wondering. How would Jabul Waters, Zora Cove, & Crossflows Plaza be named in French?

I'm trying to give Jabul Waters an interesting name that works to go with my hc & I came up with "Jabuleaux." And Google Translate tells me that Crossflows Plaza would be Place des Flux Croisés. And, I'm seeing that Anse is the term to refer to a cove &, if that's true, then would Zora Cove be Zoranse? At the same time, somewhere else, it said that Anse actually means beach.

And, I believe that a town by a swamp would have cher, quier, bren, brin, or Hor- in it?

I'm sorry if this is weird... 😅

Hi! Don't worry it's not rude or weird at all! I offered to help and I'm happy to do so :D

Did you check the official French translations? I had a surprisingly hard time finding the French version of the map online so here's a screenshot I took myself:

Jabul Waters = Eaux de Jabule (this one only appears when I zoom out)

Zora Cove = Baie Zora

Crossflows Plaza = Place de l'Estuaire

In case you didn't know the Zelda Wiki often lists names for places or characters in various languages in the "Nomenclature" section of its pages. It's very helpful especially if you're searching for the original Japanese names. If we look at at the different names for Crossflows Plaza we can see that a literal translation from Japanese would be something like "Exchanging Place". I checked the Jisho dictionary and it seems to be an accurate translation, though "Place for Cultural Exchanges" would be more meaningful.

It's not exactly a good name in English so it makes sense that the localization team would come up with something like Crossflows Plaza instead, which in my opinion does a very good job of stating that this is both the place where the river meets the sea and where the two Zora tribes traditionally meet each other.

Other European languages all settled for variations of "Estuary Plaza" ("Place de l'Estuaire" in French), which is fine but looses the "cultural exchanges" aspect of both the original name and the English translation.

I've been trying to come up with a French translation of "Crossflows Plaza" but it's not that easy. To me "Place des Flots Croisés" or "Place Flots-Croisés" would sound better than "Place des Flux Croisés", but I still find it a bit weird ("flot" meaning flow, tide or stream). "La Croisée des Flots" is another option if you agree to get rid of Plaza/Place (it means "the intersection/junction of streams"), but I don't think it works very well as a name.

You could also mix words to create a name the same way it was done in English, something like "Place Croiseaux" (croiser/cross + eau/waters). If any of my French speaking followers is feeling inspired, please share your ideas! :)

(I just thought of "Place Cruciflot" and found it too funny not to mention 😆 maybe it sounds too much like crucifix)

In French we also have the word "confluence" that has the exact same meaning as it does in English: either the meeting of two rivers or a gathering of some kind. So to me the most obvious translation would be something like "Place des Confluences" or maybe "Place Confluence", as it would preserve the dual meaning, but it's not very fancy or creative. Maybe we could simply change the spelling to something like Place Konfluans, the same way "Village Côtier" (Seaside Village) is spelled "Village Kothié" (Seesyde Village). But it doesn't look like a French word anymore so I'm not sure that's something you'd like.

As for Jabuleaux, it can work but I prefer the official translation "Eaux de Jabule". Same thing for Zoranse, we would say "Anse Zora" or "Anse des Zora". The official French translation is "Baie Zora" (Zora Bay), which I think is more appropriate given the size of the sea inlet (in my understanding an anse/cove is a small baie/bay and isn't very deep). I think maybe it should have been bay in English as well instead of cove, but I might be wrong! Also I believe "anse" isn't used as often as "baie" and might be confusing for most people, so I would go with "Baie Zora".

I'm not sure where you found this information about swamps and town names? I didn't find anything to confirm it but I might not have looked in the right places.

French towns are often ancient and their names can derive from other languages such as Celtic, Occitan, Flemish, or regional dialects, so that's a very difficult question and I'm not sure I can give you a satisfying answer ^^

I still did a little search and found an Old French word for swamp, "palud" or "palu", that still appears in some town names such as La Palud-sur-Verdon, Saint-Pierre-la-Palud, Lapalud, etc. (today we say "marais" or "marécage"). You might be right about "bren", it could be something like muddy in Gallic.

There's also "vign" or "mign" (from Celtic), as in Mignéville or Lévignac, or l'Île de Migneaux on the Seine river (this one's in my city!).

Near where I grew up is a town named Hazebrouck, it literally means "hare swamp" (brouck/broek = swamp in Flemish). For a bit more French flavor you could maybe use -broucq or -breucq instead of -brouck.

I think the vast majority of French people have no clue about all of that (I didn't except for the last one and it's more Flemish than French), so I'd say don't oversweat it ;)

And that's all! I hope you'll find this helpful ^^

[inbarfink]

When talking about the distinction between Simon Petrikov and the Ice King,  it’s important to remember that originally, the Crown wasn’t trying to turn Simon into Ice King -

It was trying to turn him into this guy.

At the time, the Ice Crown - or rather the Wishing Crown - was programmed with Gunther’s wish to become Evergreen. So everything related to making the current wearer like Evergreen is a very direct result of the Crown’s Magic. The physical changes -

And the obsession with the name ‘Gunther’ -

And maybe some of the irritability and anger issues -

That is something the Crown is very directly forcing unto its current wielder. 

But everything else?

Ice King, personality-wise, was not much like Evergreen at all, or even like Gunther's view of him. And Ice Finn of the Farmworld Universe was also pretty different from the both of them.

At the time, I remember people assumed Ice Finn’s behavior is more indicative of what the Crown is actually trying to do with its wielders. That Ice King is so different because of Simon’s subconscious resistance against the Crown - while Finn’s much younger and dumber brain is a lot susceptible to the Curse’s influence to become some sort of mad world-conquering emperor of ice and snow. 

But, with the context of the Crown’s actual backstory. That doesn’t seem very likely anymore. I think what’s actually happening there is that the Crown is just trying to make its wielder an Ice Wizard on par with Evergreen (who was the Actual Goddam Ice Elemental) and that means pumping the wielder’s brain so full of Magic, Madness and Sadness to a level that is bound to overwhelm anyone.

And Simon’s and Farmworld Finn’s very different behaviors after putting on the crown is indicative, more than anything, of how their psyche reacts to Madness and Sadness in general. You know, Finn has a very proactive and kinda aggressive personality - and you add Crown-induced-Madness-and-Sadness and a compulsion to use Ice Magic as much as possible and you get all of…. this 

Meanwhile, for Simon, the compulsions of the Crown originally filtered exclusively via the language of protection 

As his madness always manifested as romantic obsession 

And using goofy humor to try and deny the pain he’s going through 

Because that’s how Simon’s mind specifically reacts to being flooded with so much Madness and Sadness.

That’s why there’s so many parallels between Ice King and the sort of mistakes and screwed-up stuff Simon does right now! He’s even kidnapping people again!

Because the Madness and Sadness of Ice King might’ve been induced by the Crown, but now Simon has plenty of personal home-grown Madness and Sadness inside him - and it’s no surprise that Curse-Induced or not, his mind reacts to it in a sorta-similar way. (Although obviously not as intensely, again, there was a LOT of MMS in the Ice Crown).

Now as for Ice Thing, and the fact that he seems to be actually rather well-adjusted under effects of his version of the Wishing Crown. I mean... not by the time of the 1000+ Era, but that’s literally eons in the future and also maybe more Gibbon’s fault. Even if the Crown will eventually take some sort of toll on him, for now he seems to be doing pretty well considering his wish. I mean, there's still some sort of Loss of Identity stuff going on

But everything we've seen of Ice Thing (in the present day, at least) shows him as a friendly and cheerful individual that gets along well with others. A far cry from how maladjusted every single wielder of the Ice Crown acted.

At the very least, if there's any notable amount of Sadness in him, we really haven't seen it yet.

There might be several factors here:

First things first, I should acknowledge the possibility that it’s just that Orgalorg’s eldritch brain is better at intaking all that MMS juice. That could play a part, but I think it’s probably more important, at least thematically, to look at the distinction between ‘I wish to be Evergreen’ and ‘I wish to be Ice King’. 

First in the sense that while Ice King was occasionally mean to Gunter at times - he was generally much kinder than Evergreen ever was for ‘his’ Gunther. So, like, pretty much the one Personality Flaw of Ice King that you can directly link to the Ice Crown’s attempt to mimic Evergreen is the occasional anger issues.

And how they relate to Gunther’s view of Evergreen, so grumpy and controlling and constantly saying ‘NO!’

(Both Finn and Simon’s demonstrable not-crown-induced trauma responses can make them pretty short-tempered as well. So I’m not going to say this is purely the effects of the Crown. It still probably plays some sort of factor at why the wielder of the Ice Crown is Like That).

And that is not a factor in how Gunter views Ice King. For him, Ice King was a doting and loving father figure - so if the Crown was ever trying to implement any sort of specific negative personality traits, this is absolutely no longer a factor. Because the original Ice Crown was a reflection of Evergreen’s abuse, and now Ice Thing is a reflection of Ice King’s fatherly love.

Which is, itself, probably an echo or remnant of Simon’s own strong parental instincts. 

Secondly, while the Crown was trying to make the Ice King just as powerful as Evergreen…. Ice King was obviously not as powerful as Evergreen. Because he was already a second-rate copy of the Ice Elemental’s power, and because Ice King was often just too doofy to use his powers correctly and probably because some remnant of Simon’s original sensible self is subconsciously holding his powers back.

Either way, being ‘like Ice King’ as Gunter sees him requires less Magic than being ‘like Evergreen’ as Gunther saw him - and therefore less Madness and Sadness. Leading to the wearer or, um, the eater being a lot more well-adjusted from the get-go.

And I think that the implication that Ice Thing has fused with the Crown, so there's never going to be another poor sap who puts on the Crown and gets Ice King'd. But if there is one somehow... at least the process is going to be less mentally detrimental that time around?

Maybe one day Simon could look back and appreciate how much he (or Ice King, or both of them, or however you want to look at the situation) is responsible for basically neutralizing the Crown that ruined his life in the first place.

[savanir]

A sister's love

The justice league hurriedly responds to a call for backup at a little in the middle of nowhere place by the name of Amity Park. 

The situation had seemed so simple. 

A Star Sapphire had suddenly shown up on Earth which isn’t immediately cause for concern but she was unidentified, so a lantern was definitely going to have to look into it if only just to make sure that nothing bad was going on. There are two planet side green lanterns, Simon and Jessica. So they responded to handle the potential situation. 

Things rapidly spun out of control when they realized it wasn't just a Star Sapphire. 

"I hate to say this but we're gonna need backup" Simon tells Cyborg, "the Star Sapphire has brought something with her. My first guess was a white martian but..." The other one can do some manner of density shifting, and he can go invisible, but they know ways around that. Whatever this one is doing isn’t that though.

"Why isn't this working!?!" Comes Jessica's slightly panicked voice in the distance, "he keeps just going through my creations! dammit, think think Jess" She tried to contain him with a flamethrower construct but he just ignored it, like he’s seemingly ignoring everything else she’s throwing at him.

"Our constructs have zero effect on the other one, the alien, meta? man I don’t know he’s human shaped" 

"What is the situation other than the two hostiles?"

"Uh we got some government agents who are retreating because of the Star Sapphire wrecking their stuff. And the civilian people here seem to be falling under her influence, so she must be human. She's from here, she needs emotional connection to pull that stuff off."

The people are furious, the violet glow around them clearly indicates that the girl is using her ring to amp them up but if Simon didn’t know any better he’d say this was red lantern stuff.

Well there are more ways to whip people up into a frenzy, by hurting their loved ones for example.

There is a brief moment where it can be heard that Simon and Jessica try to get into a more advantageous position. 

Simon grunts, "dammit, those agents seemed to have weapons that actually worked on the other guy but the Star Sapphire used her violet constructs to shield him and destroy their guns and we've been struggling since" this whole situation stinks, he has a weird feeling about all of it.

"Simon this is really really bad, i can't keep restraining all these civilians, we're running out of energy fast!"

Cyborg tries to get a visual on the situation from his position in the Watchtower while he’s notifying any league affiliated heroes who are nearby and available. 

But all of a sudden he realizes there is just nothing, just a big lap of void where the two lanterns are supposed to be, there is no cctv footage, no cell towers, no internet connection. Just what the hell is going on here.

Then the audio transmission starts to violently crackle.

A new voice laced with static can suddenly be heard, "There you two are"

"Shit"

"Is the justice league coming yet? Are they finally going to do something?" the staticy voice continues.

"Stay back you-"

"Or maybe they still need more of a reason to act" 

The audio cuts out. 

"Jessica! Simon! Come in!" ... "Shit!" 

Cyborg finally gets a clear picture with the satellite cameras and now sees the entirety of Amity Park has been covered with a crystalized violet dome. It’s then that he remembers the story Hal told quite some time ago now about a Star Sapphire who managed to put a whole planet into love stasis.

They are gonna need more help with this one he thinks.

Meanwhile Jazz is still shakily trying to figure out how her new pink powers work, now that all the fighting is over (for now), the GIW forcefully expelled from Amity, and the two Justice league people captured and restrained.

Everything happened so fast, one moment the GIW had knocked out her brother and were forcefully taking him away and while she saw them drive off (she was pretty sure she was screaming) a pink thing just froze her in place, She was pretty sure someone said something about “great love in her heart” and then she was… well she was flying and- and there wasn’t really any time to question things then so she may have kinda gone and ripped into the van that had Danny.

She’s pretty sure she healed him, and then things just completely spiraled out of control from that point on. and now she’s here.

She’s pretty sure this is crazy villain behavior, she’s going to get put on some sort of watchlist and then she’ll never get to be a psychologist but it’s fine.

Her little brother is safe, that’s all that matters. And she will keep it that way.

[deadsetobsessions]

Sea Cryptic! Danny AU- Pt.2

[Pt.1] [Pt.3] [Pt.4] [Pt.5] [Pt.6] [Pt.7] [Pt.8] [Pt.9] [Pt.10]

Danny dragged up another plastic wrapped body from the bay.

“It’s you. What are you doing?”

“Oh, holy smokes!” Danny screeched. “What-! Oh, it’s you! The litterer!”

Batman stood in front of Danny, cape draped around his shoulders and a far better sight to see than the last time Danny had seen the guy.

“… I’m Batman.” He introduced himself to Danny awkwardly.

“Uh huh. You missed a couple of things cleaning up the beach last time.” Danny dropped the body on the pebbled shore of the bay and crossed his arms. He sent Batman an unimpressed look. “You’re just like your city. There’s trash all over the water!”

Batman glanced down.

“That is a body.”

Danny scowled.

“No, that’s plastic. Plastic does not belong in the ocean.”

Batman sighed. For some reason, Danny thought he seemed less… antagonistic. Wait, did he think Danny killed the guy?!

“That is a body wrapped in plastic.”

Fuck it.

“If it was a body, then bury it. Or decompose it before you people decide to dump it into the water. Even the sharks have the decency to decompose when they’re dead. Do you know how long plastic takes to deteriorate??”

Batman glanced to the side, where the line of plastic wrapped masses had caught his eye to begin with.

“I do. Did all of these come from the bay?”

“Quite obviously, yes. I don’t have enough time to clean the waters! Ancients, it’s like they’re multiplying!” Danny knew why they were multiplying. It’s because Gothamites were getting murdered and dumped weekly. The problem is that Danny has classes and assignments to complete and he couldn’t be out here every week.

“I’ll handle it.”

“Oh, will you? And how do you plan on doing that when you couldn’t even properly clean the beach of your plane? I even stacked it up nicely for you to pick up!”

Alright, so maybe Danny had a couple of grudges. Like… a solid one that’s based on the hours of sleep he missed cleaning up after Batman and the wreck.

“We didn’t get everything?”

“No.” Danny huffed. “Whatever. Just figure out what to do with these bodies. I was not looking forward to digging graves for all of them.”

“You were going to dig graves for them?” Batman sounded off.

Danny scowled again. “I’m dead, genius.” And now Batman looked like someone ran over his dog. “Respecting the dead is important and graves are important for the dead. How else would we know we’re remembered?”

Danny threw up his hands. “Humans,” he muttered, like he wasn’t half human himself.

“Anyways, I’m leaving. Handle this properly or else I’m haunting you.”

“Wait-!” Batman said, but Danny had already disappeared.

So, while Batman had an angst crises at two thirty in the morning and thirty new unidentified corpses to contend with, Danny Fenton flew back to his apartment and passed out on his shitty couch.

——

“You need to stop.”

“Pay me to stop, then. What are your villains going to do? Kill me? I’d like to see them try.”

Danny looked Batman right in his lenses and plopped another body down at the man’s feet.

“I can tell you who they are for a fee.” Danny offered the vigilante. “Some of these still have shades of their souls attached still.”

“What.”

Danny tilted his head, moon once more lighting a halo of flickering white flames around his head. “$100 per identity.”

Batman stared.