#and maybe give an awful stab at suggesting an ethnicity

[yellowistheraddest]

anyone else feel like they're not able to describe how you (yourself) look nor how it others look?

like if a crime happened, i saw the suspect and then needed to describe them, i could not. their haircut is the only thing i can describe about how they look srry

[tyrannuspitch]

[started musing and it accidentally got really long sorry]

the thing is. as someone who is also deeply, deeply annoyed by both of these things. i do think both of them contain a kernel of truth, but then miss it by miles for the sake of the simplistic good brother/bad brother narrative.

like the idea that loki is weak... of course loki isn't weak. we know that loki isn't weak.

but does thor know this? does loki?

obviously, on an objective level, they both have a decent understanding of his abilities. they can account for it in battle plans and so on. but - and i'll admit this is more of a vibe than something i can point to concrete evidence for - i do think there's also a kind of cognitive dissonance at play wherein the idea that loki is Weak(er Than Thor) is really significant in both their psyches.

like, yes, loki is technically a very competent warrior too, but he's still inherently lesser, and none of his skills or achievements really count, not in the same way, and therefore thor has to be, and always naturally will be, The One In Charge. because he's just more capable! (citation needed)

(obviously loki is Not Happy about this idea and can recognise a good half of it as bullshit... but i do think it's also caused some insidious insecurities. loki is afraid that it's true. and he's afraid to push thor too far and find out.)

but. if the idea is an illusion, you've got to treat it like an illusion. have thor assume without evidence that he can win any fight with loki and then get stabbed (again) and learn nothing from it (again). have loki internally scold himself for "weakness" when he's already pushed himself past all reasonable limits. do NOT have loki get beaten up by Some Random Guy with no justification just so he can be rescued by [insert author's second-favourite character here].*

it's like the way thor 2011 tries to frame loki as short For The Symbolism while he's objectively played by tom hiddleston. it's all very well to mess around with costumes and camera angles to create an illusion. but if you as an audience member respond by making fanart where thor is ACTUALLY, OBJECTIVELY a head taller than loki, you've fallen for it. it's not literal! it's a metaphor!

and as for the thing about loki having a better understanding of imperialism than his peers... i mean. In A Way, he does. he sugarcoats what he says less. he immediately catches on to odin's adoption of him being a political move and will not accept any other motive for it.

but loki knowing that imperialism is violent and ugly does not mean that loki knows imperialism is wrong. in fact, all evidence suggests the contrary. he knows how awful it is and he still thinks it's ultimately right. even when he personally experiences it, he directs his anger at other victims, and tries to use his violence against them to earn back his place in the ruling class. "yes, i'm a monster, but i know i'm a monster, and i know what monsters deserve, so maybe you can make an exception for me."

does at least understanding what he's doing make loki better than thor? does understanding and still not rejecting it make loki worse? or are these just two marginally different presentations of the exact same belief system, which trying to find a Good Brother and a Bad Brother is only a superficial distraction from. "oughghghh but what if, ONE of the heirs to the ethnic supremacist absolute monarchy, could be a GOOD ethnic supremacist absolute monarch,,," Hello. can we hear ourselves

*of course beating up your favourite characters is a noble pursuit and i wholeheartedly endorse it. but just... give loki the dignity of being beaten up by someone who actually COULD beat him up. please.

stopped reading a fic just there because it was insisting that thor & co went on many violent adventures pre-movies but of course left poor feeble loki behind cos he's a) feeble and b) blessed with a better understanding of imperialism than the rest, and there are a thousand other fics that also think this is obviously what happened but i think i may just have hit my limit on this one :\

[jcmorrigan]

Tales from the Scrap Heap: Nothing to Lose but You

I decided to start “Tales from the Scrap Heap” as a little series on my blog for fanfiction ideas that I never got into print. Because my brain is really, really good at coming up with way more long-form plots than I can ever realistically hope to publish. I have to be picky about which plot bunnies I follow and which I don’t. The stories here are the ones that I considered and ultimately didn’t motivate me as much as what I have up on my AO3 account.

For the first one, I’m aware I’m putting myself in the Discourse Box here but it’s a Voltron: Legendary Defender fic. However, it’s for the absolute only ship I have never seen contested, largely because I don’t think anybody remembers these guys: Vakala/Remdax. Something about them really intrigued me (probably that they’re silly x straitlaced, have a size difference, and bicker constantly, which is almost a full row of JCMorrigan OTP Bingo). If you don’t remember, they’re the two aliens who found clone!Shiro on the ice planet shortly after he escaped (this is when we thought he was real!Shiro) and decided ultimately not to eat him and instead to give him a shuttle to escape back to Voltron. Anyhow, one day I just had too much Worldbuilding Juice and decided to come up with a little history for them, and because they’re rebels hiding in a remote location in a seemingly neverending war, it is one of the darkest story ideas I have. There’s a happy ending for our two leading men, but because this is indeed a wartime story, what I came up with to explain why they were on that ice planet and so willing to even cannibalize any Galra who showed up ended up having elements of colonialism, prison/labor camps, fugitive life, and a worldbuild flavoring that implies some noncon happened somewhere at some point. So if these things are not what you want to read in a hypothetical Voltron fanfiction outline, please keep movin’. Anyway, this is the one story I most regret never finishing because I had so much of it fleshed, but my Voltron muse is long gone and I have no enthusiasm, so here’s what I would’ve written, had I the energy.

·      Title is “Nothing to Lose but You” because the point of this story is these two go through the wringer and are literally all each other have. It’s that kind of story

·      I decided to call the planet Vakala and Remdax are from “Taxalai,” and the name for a resident is “Taxalan.” Taxalan society has a heavy emphasis on technology (which is why Remdax not knowing how to work a computer or being able to remember a password is such an oddity and so frustrating to pretty much any other Taxalan), and pretty much everything is computerized to some degree. Screens everywhere.

·      We open on Vakala, who is living in a mansion that used to belong to his family but has since been taken over by an invading Galra general. This was going to be an OC who I could just make nasty, but then I got re-introduced to Morvok, the Galra’s resident black sheep, and I will take any excuse to write Morvok so let’s just say it was he who took over Vakala’s family manor and just sits on the couch all day regaling people with stories of his greatness (none of which are true).

·      Vakala himself is a servant to Morvok, having to bring him whatever he wants and be at his beck and call.

·      One day, Vakala decides he’s done taking orders and declares he is no longer going to be in a position of servitude in his own house. Morvok simply dismissively says to “Take this one away wherever you take the ones that act up so I don’t have to look at him.”

·      And Vakala is arrested by a Galra squadron and brought to a prison camp many, many miles away.

·      It’s night when he’s delivered, so he’s brought right to the cramped barrack where a bunch of Taxalans who have been there longer are stacked in bunk beds. Vakala’s first night there, he screams and claws at the door that’s been sealed behind him, begging to be let out because he’ll follow orders this time.

·      The other prisoners there are veterans, so they all tell him to shut up because they’re never gonna listen. All but one.

·      Enter Remdax. He’s from another part of Taxalai – Vakala’s voice sounds more American to me while Remdax is definitely British, so I assume they have to come from different parts of the planet. They also have different physical structures that may suggest ethnic divides, though their color palette affirms they’re both of the same planetary origin. It’s also worth noting he has both eyes still at this point. This is very important.

·      Remdax is here because he was part of an anti-Galra rebel squad that was largely made up of his friends and family. The Galra found and closed in on their base, and Remdax ran out and got himself arrested for the purpose of slowing down the Galra officers enough that his friends and family could escape – which they did.

·      Anyway, that exposition would come some time later. For now, what’s happening is Vakala is having a panic attack in the middle of the night and everyone’s telling him to shut up because it’s futile. Except for Remdax. Remdax stands up and essentially says, “We’ve all done the same thing when we first arrived. Let him feel what he feels.”

·      And he approaches Vakala to try and calm him down verbally – just by saying his feelings are validated, and yes, it’s really awful, but he’ll survive, and Remdax will do his best to make sure Vakala survives. But he can’t really tell him it’s “okay” because it is quite clearly not.

·      Vakala eventually gives up and goes to sleep, quite depressed and for good reason.

·      The following morning, Vakala is put to work on an assembly line making Galra weaponry. This is what all the Taxalans in this particular camp must do. It’s very mechanically inclined, not many screens, not the way Taxalans usually work.

·      I don’t know if pacing-wise, it would be better to have this happen the first time or later, but Vakala ends up trying to pick up a cooling metal part way too soon and burning his palm horribly. He has to finish the rest of his shift one-handed.

·      Again, the other imprisoned Taxalans avoid this situation, largely because anxiety is high as-is, but Remdax steps forward once more, trying to care for the burn as best as he can. And he has zero supplies, so the best he can do is run a whole lot of cold water over Vakala’s hand and wrap it up in fabric he tore off his clothing.

·      Vakala ends up underperforming because of this injury and receives some punishment later. I didn’t think too much on exactly what – had I fleshed this out fully, I’d at least imply strongly what happened

·      Remdax has a bit of a crisis over this because he invested in protecting this guy, he failed, and there was literally nothing he could do. He’s in here for self-sacrifice in the first place, so he keeps thinking there’s always something he could do to help someone else if he gives something up for himself. But sometimes, he doesn’t even have an opportunity to do so, and it’s driving him into panic.

·      It’s shortly after this that he starts getting into his head that maybe the only way to help Vakala and himself is if he finds a way to escape.

·      There’s a day in which Remdax and Vakala are assigned to work outside on the grounds, and down comes an inspector from another sector on a shuttle. Remdax sees the opportunity and waves Vakala over.

·      They only have one shot, and it will unfortunately mean leaving the rest of their people behind, which is a horrible sacrifice, but it’s either they go on their own or nobody goes at all.

·      Remdax rushes the Galra inspector and attacks him. They get in a physical brawl while Vakala hurries in and hijacks the ship, which isn’t difficult for his technologically-inclined mind.

·      During this fight, Remdax either knocks out or kills the Galra inspector, but in the process, the inspector stabs one of his eyes completely out.

·      Remdax hops onto the ship and they have to go right away or else lose their freedom and maybe their lives forever. Vakala is freaking out because Remdax’s eye is bleeding, but Remdax is trying to act casual and make jokes about it because Vakala needs to be calm enough to drive.

·      They get off Taxalai on that stolen shuttle and land on the nearest planet, which I never named.

·      They’re aware they’re fugitives at this point.

·      They end up in a metropolitan area, where they check into a hotel so they have somewhere to sleep. I hadn’t worked out how they pay for the first night – maybe with favors, because Vakala eventually ends up a receptionist at this hotel and earns good wages, so maybe he gets his foot in the door by saying “I’ll do anything” and the receptionist is already pulling double duty and just goes “Do the second half of my fourteen-hour shift”

·      They have to finish wrapping up Remdax’s eye in that hotel room as best they can. Thankfully, it doesn’t get infected.

·      Immediately their first thought is to go out and find a way of bringing in income. As I said, Vakala makes a good receptionist and is excellent at filing client data on computers, so he ends up with a good-paying job that way.

·      Remdax takes a job down at a garage working with vehicle mechanics and engines, since that’s what he’s better at. Not in the manufacture of those parts (never again), but in fixing up broken vehicles. (I would’ve made it something more interesting than simply cars for this planet because Voltron planets are all about interesting possibilities for new civilizations.)

·      There’s some down-time where they live rather domestically this way, just earning enough to buy simple food and extend the stay in their small and shabby hotel room, but also bonding and becoming better friends.

·      A lot of people assume they already are a couple. Remdax in particular gets asked about his “husband” at the garage and he has to keep denying it.

·      There’s one night where they’re just having a relatively good time, taking a night to relax and appreciate that they can do nothing and be okay, and Remdax very gingerly brings up he wants to ask something of Vakala that might be too much. Vakala agrees to hear him out, and all Remdax wants is to be hugged for a bit while he thinks about how far they’ve come. So they hold each other, just lying on the bed and muttering to each other about the way things used to be, the way things are now, how lucky they are to have each other.

·      It’s actually some time later that they start seeing each other in a romantic light. Before this, they were a lifeline to each other, and in the heat of the worst moments, they couldn’t even really think about romance – they had to be preoccupied with survival. But now that their life is settling down and they’re starting to pack away funds for a small house, they start thinking…we’re basically life partners. Are we attracted to each other?

·      Answer: yes.

·      They kiss one night over a pretty meager dinner spread out picnic-style on their bed.

·      Shortly after this is when the Galra troops come into the city, looking for the two fugitives who attacked an inspector and fled custody.

·      Vakala and Remdax end up having to escape out the window, flee down the fire escape, and hijack a ship from Remdax’s garage.

·      They’re floating between worlds yet again.

·      They are eventually found by another ship, and they fear the Galra have finally captured them – but it’s a ship of rebels who’ve had similar stories. Vakala and Remdax are two of the Galra’s most wanted, and these rebels realized they would make great additions to the team in exchange for some stability.

·      So they work out a plan where Vakala and Remdax man an outpost on the ice planet, one of the most remote they have, that monitors Galra communications.

·      The rebels drop in supplies regularly and also have left a shuttle in case of emergency.

·      Vakala and Remdax both haaaaate the cold and so use the first week or so as an excuse to snuggle a lot.

·      And things go pretty okay. Remdax is still technologically illiterate and Vakala is just like “Are you even a Taxalan”

·      This is where they start bickering, which they like because finally, finally the stakes are low enough where they can afford to just rag on each other and still like each other at the end of the day.

·      They get more physical at this stage, too, but of course I can’t write a lemon to save my soul so it’s just a lot of implications

·      Things start going wrong when a Galra officer finds the base on a planet. This is far too dangerous and they both know it. If this guy gets two steps further, their location is blown and they are both dead. So Remdax kills him.

·      It’s been a while since their last supply delivery. And they figure it’s best not to waste anything…so they decide the Galra they killed has to go into food reserves.

·      Vakala nearly has a full-on panic attack while cannibalizing another person, even if that person was dangerous.

·      Some time later, another Galra shows up, but this one’s different. She claims to come in peace, and introduces herself as Acxa.

·      Remdax is ready to murder again, but Vakala holds him off because he can recognize Acxa isn’t a full-blooded Galra and in fact, he’s pretty sure there’s Taxalan in her genetic makeup based on how her face looks.

·      Acxa confirms. Her grandmother was a Taxalan and forced to be a servant of a Galra commander who impregnated her (here is the strongly implied noncon).

·      Acxa offers to help, swearing to secrecy. Vakala and Remdax deny her help but let her get away with her life, wondering if they’d made the right decision.

·      A month with no contact and they’re fairly secure Acxa didn’t snitch.

·      Then in comes Shiro, and canon events happen. These would be briefly recapped.

·      The important thing to note is that they let Shiro have their only shuttle, and that was a boo-boo, but it’s okay because the rebels are gonna drop off supplies anyway, so they shouldn’t need it.

·      And then the other rebels never show up.

·      I’m not sure if I’d have them literally be dead or leave it up in the air, but their supplies are cut off. They ration out their remaining food for the next few years. There’s at least one more Galra who shows up that they have to eat. And it does last a few years, until the end of VLD canon.

·      They’re starving to death. Skin and bone. And we get them eating their last ration over the fire and since they’re both used to cannibalizing Galra by now, their minds are on the obvious. Each is ready to kill himself so the other can live longer.

·      For dramatic effect I might have let them get close to pulling the trigger before the sound of someone showing up alerts them

·      They go outside, hoping they’re saved and not screwed…

·      And wouldn’t you know. It’s the paladins of Voltron. Also Acxa.

·      Allura has already been exchanged for the restoration of all realities (which Vakala and Remdax have no idea happened because when you’re in a reality that disappears and reappears, that has no bearing on your memory because you literally did not exist and suddenly existed again with no idea of the gap)

·      Altea and Daibazaal have been restored and now the paladins are working on bringing peace all over the universe

·      And Shiro remembered the two who helped his clone out because of…memory merging?...and Acxa brought up “We really need to check on those two”

·      They get Vakala and Remdax on a warm ship, find them food, get them cleaned up

·      And then bring them back to Taxalai, which has just been liberated from Galra control. We see the more unforgivable Galra getting their due punishment. The camp administrators are now incarcerated. Morvok is doing community service scooping poop at the zoo or something horrible because it’s Morvok

·      Shiro is considering his retirement, but first, he addresses Vakala and Remdax, asking if they want to govern the reclaimed Taxalai and help make it a beautiful place where their people can flourish

·      Vakala is trying so hard not to break down and cry, but it’s Remdax who hits his knees and starts bawling first

·      The final line would be about how they were finally “home” for the first time in their entire lives

[fairydust-stuff]

Bosses of China Town

Banana Fish has a lot of awesome characters but I want to talk about the China Town gang bosses. I was originally going to talk about just Shorter, but he’s one of those characters who took a back seat until shortly before his own death. So I figured I could talk about Sing as well just to extend things a bit. Also I strongly disagree with the Sing is just another Shorter Wong, argument because these two have very different mindsets.

Shorter Wong is first introduced in the Short story “Angel Eyes” the first shot we get of him is Shorter writing his sister Nadia a letter. Ash is brought to the juvenile detention center and Shorter is assigned the responsibility of watching him. “That’s why I wanna put him in Block A with you. You got things under control over there” (pg. 45). This line from the guy in charge tells us Shorter has some authority over the other guys and deals with situations before things get out of hand. From the get go Shorter is presented as a leader who handles things before they get out of control.

Shorter’s first impulse is to try to be friendly towards Ash showing him around while warning the other guys not to try anything when they cat call Ash. “I’m supposed to look after you here, so you need any help with stuff or whatever shoot” (pg. 51). This shows that Shorter takes his responsibility towards Ash very seriously. It’s also kind of interesting how Shorter doesn’t like him at first referring to Ash as a brat in his head and even feeling wary of him. When two guys get into a fight over who gets to claim Ash. Shorter ends the fight by saying “You can duke it out with me Frankie” judging by the fact the guys back off, Shorter is not the kind of guy you want to fight. He also mentions Frankie tried to sexually assault him but Shorter fought him off emphasizing that he’s a good fighter.

There’s also a bit of a duel personality since Shorter tells Ash to let Frankie rape him but thinks about how practical or not this is awful advice and feels ashamed of saying this. “But his eyes said if you can’t or won’t help me, keep your big mouth shut and leave me alone!”(pg. 67). Shorter’s ability to realize Ash is a rape victim show he’s perceptive and suggests he has been exposed to these kinds of stories numerous times. Shorter even casually asks if Ash was arrested for child prostitution. He also tells off the guys for trying to obtain Ash even though he told Ash to just let it happen. This shows Shorter can’t bring himself to let Ash get raped again. Later Ash challenges Frankie and defeats him easily later he tells Shorter he got the idea to challenge the other guy because of him “I didn’t decide to go easy on him but I know how thanks to you” (pg. 83). Ash informs Shorter. This causes Shorter to become rather scared of Ash.

Later its revealed Ash faked sexual interest in one of the other juvie boys to find out if Frankie was actually an assassin sent to kill him. Shorter calls him out for being a user to which Ash gets testy and reminds the other boy Ricardo wanted to use him for sex. Shorter retorts with “Don’t play games with people’s feelings! Cuz if you do that- you’re no different from those assholes you hate!” (108). this seems to be something Ash kind of forgets later on, but this exchange causes Ash to reveal his honest feelings about being objectified, which Shorter listen’s to. I know fans get wrapped in how special Eiji is to Ash and I’m not denying that however Eiji was not the first person to treat Ash with kindness, it was actually Shorter who was the first person to treat Ash like a person. Shorter was the first guy who listened to Ash and dared call him out.

“Angel Eyes” characterizes Shorter as the kind of guy who tries to be practical, but due to his compassion often goes against what makes sense in favor of what he believes is right. This trait of Shorter’s shows up again in Banana Fish vol 4. It’s revealed here that Shorter works under the Chinese Mafia. Hua lee asks Shorter to spy on Ash and his group. “Forget it Ash is my friend and I don’t stab my friends in the back!” (146 pg.) he declares. However, Shorter does agree to work with the Lee’s because Hua gets in his head. “Beautiful words but remember Ash is a white punk and you and I share the same proud heritage” (146). This is important because it seems to imply Shorter’s has a misplaced sense of nationalism.

This is further elaborated on in a conversation between Yut Lung and Shorter, where Yut reminds Shorter of the bloody history of the Chinese families in power. “Often of their own relatives their own children our ancestors in the ruling family of the Ching Dynasty committed murder and assassination” (153). As I stated in my previous piece “The Flying Boy and the Snake” Yut often acts as a guide that encourages other characters to look at the less pleasant aspects of their situation. This suggests that Shorter views his own cultural heritage and the Chinese Mafia in an idealized way. He does not see the complexities of a very complicated cultural history with both good and bad points. Shorter’s idealization is further emphasized by him telling Yut they like Eiji “Because he’s innocent and honest” which is actually a really simplistic view of who Eiji is as a person.

Shorter’s reaction is to pull a knife on Yut because once he finds out the Lee’s are working for Dino his image of them shatters. “I was raised to respect you! To look up to the Lee family” (180). It’s implied that Shorter and his family as American immigrants wanted to view someone as being on their side. “It’s because of the Lee Family that we can be safe here. That we can live and put down roots in this feign soil because the Lee’s are here to protect us” Shorter laments. Though Shorter, Banana Fish seems to express a kind of wary ness towards the idea of complete loyalty to one’s own kind at the expense of everyone else. The Mob is the mob and cultural heritage doesn’t erase that Banana Fish argues. “You’re no better than Papa Dino! Just another Mob! Leeches who live off the blood of others” (181) Shorter declares. These are the kinds of loyalties that bind gangs and mafia together blood, and where you come from your ethnicity from are often manipulation tactics used by those in power to control and use others to their benefit.

Shorter despite dying horribly does so because he goes against what he was taught for the first time in his life. “I’ll protect Eiji with my own life. I won’t let them hurt him”(pg. 31) Shorter declares in vol 5. Trying to protect Eiji no matter how fruit ness it seems is all he can do at this point. While he ultimately fails to shelter Eiji and has him forcefully snatched from his arms. This does show that Shorter has learned the hard way to place friendship above nationalism.

Though unintentionally or not there’s still kind of a flawed ideology in the fact Shorter vows to an unconscious Eiji he’ll kill him to preserve his innocence. “If Dino tries to make you into his pet I’ll take you out before you know what’s happening” (69). Shorter has more traditional values and maybe that’s the point. Shorter’s death maybe a symbolic representation of older pro mafia attitudes rooted in nationalism and blood ties dying out.

After a couple of re watches and rereads of the manga, I realized Sing had to be brought in because despite being Shorter’s successor. Sing Soo ling does things differently from Shorter. Sing offers to team up with Ash’s former gang members to take Dino’s manor. “Our suits did a deal with Dino Golzine but that’s got nothing to do with us” (pg. 179). While Shorter idealized the Lee’s, Sing refers to them as the suits viewing them as a kind of beaurcracy whose dealings are far removed from his gang.

He also shows himself to be more practical then Shorter wanting to actually make a plan before attacking Golzine’s manor. “We’re here to rescue our respective bosses. If we don’t know where we can attack from and how to get out we’ll just die like dogs. And I sure as hell don’t plan on committing mass suicide with you guys” (pg. 50). Sing informs them. Later when he’s told Ash killed Shorter, Sing wants to wait to hear Ash out and receive an explanation. When Ash won’t give him one Sing reverts to rules of the street and tries to take him out.

Later when Sing joins Yut in his helicopter he admits they only reason he put up with the Lee’s bossing them around was out of respect for Shorter. “Because we’re sick and tired of em that’s why! The old guys and all their deals (172). In contrast to Shorter who in Yut’s own words respected his elders. Sing has a disgust for a traditional older generation who he finds oppressive due to their backroom deals that screw people like him and Shorter over.

It’s also of note how Sing behaves towards Yut in contrast to Shorter. While Shorter agreed to obey Yut because of his name and showed subservience towards him at first. His protégée flat out questions Yut a lot. “Or do you just think the lower class doesn’t need know?”(128). In Vol 9 Sing tells Yut “Look I know you saved before but that doesn’t mean you can tell me what to do with it (Pg. 74). Sing is fine working with Yut but he doesn’t want to be his lackey and makes that very clear. When Yut is taken hostage by Eiji in vol 10. Sing goes after them in contrast to Yut’s bodyguard who yells that he’s going against master’s orders. Sing chooses to save rather than obey by going after them. “In case you never noticed I don’t take orders from him!”(pg. 18).

However Sing shares Shorter’s sense of compassion when he realizes Yut wants Eiji to shoot him he tries to communicate with him only to be shut out and told to leave. Sing responds by saying “Easy to say, harder to do” (pg. 31). This implies he doesn’t want to leave Yut but realizes that Eiji is running around a dangerous neighborhood at night and that takes priority. Sing saves Eiji from attempted rapists and nurses him back to health, giving him a safe place to stay. He also saves Yut again later on from an assassin even after he’s cut ties with him.

In vol 13 Sing later follows in Shorter’s footsteps by going against Yut when he finds out he’s working with Golzine. “ If your going to keep up this little partnership of yours- I might end up giving that Japanese kid some backup”(pg. 95). However, it’s not so much a sense of morals it’s more of a street code. If Yut wasn’t working with the guys who killed Shorter I honestly doubt Sing would care. “ Golzine’s the one who was giving Arthur orders and he’s the one who gave Shorter that drug”(pg. 95) Sing emphasizes. I just want to point out it’s not a conflict of morality but one of interests between the two of them. Sing likes Yut but he has obligations as boss to avenge Shorter. Sing’s role as boss often conflicts with his personal feelings. He is obligated to fight Ash to avenge Shorter in the eyes of his gang and must perform this function. Yet its clear Sing does not want to fight Ash not only because he doesn’t want to die but as Sing tells Lao in vol 14 “ The only one who can keep a lid on the downtown turf is Ash got that!” (pg. 53). Sing is the out of all the main bosses the one who thinks of the bigger picture beyond revenge and basic power plays.

Sing is much more concerned with the safety of his gang. Later in vol 15 he wakes up at Ash’s hideout and his first concern is his guys even though Sing himself is injured. “ Because it ain’t your buddies that’re gonna be skinned alive!”(pg. 117). This takes priority for him over who has the most power or pursuit of revenge. Unlike the Lee’s Sing cares about his own people even though it’s never at the expense of other individuals. This is what turns him aginst Yut since the other boy targets others out of jealousy. However unlike Ash, Sing does not pursue revenge in the end. As depicted in vol 16, when Ash gives Sing an out not to fight him Sing takes it. He also can’t bring himself to shoot Yut lung in vol 18 despite his betrayal. “ Cuz your hurt your soul’s bleeding even now”(174) Sing says.

Interestingly enough, Sing claims he too is responsible for the invasion of China Town “ But the bad blood between us created an opening for the Vietnamese and Arbs and I guess that’s my fault as well as yours”(171). This suggests that Banana Fish lays the blame of corruption at the feet of feuding authority figures and that maybe Sing’s rule of the street. As Sing reminds Yut like it or not “ Your still our leader” and convinces the lee heir to help him fix China town since “ China towns gone to the dogs people can’t even walk around safely in broad daylight”(173). These are the reasons it’s Sing and not Shorter who is the one to repair China town. Shorter is a relatively good person, at least by these series standards with a lot of empathy. However he was too willing to bend to the Lee’s whims and never question and challenge anything they did. Even before Shorter is injected with Banana Fish it’s heavily implied he’s given up hope entirely. Thinking the best scenario is for him to kill Eiji and then himself. Shorter exits being used as a tool to get to Ash and anger him being put down like a dog to end his suffering. Sing represents a newer generation that didn’t absorb fully nationalist ideas and loyalty to the mafia. 

While he does still value his own ethnic group and their needs he questions whether the Lee’s are what’s best for the citizens of China Town. Even when he’s willing to work with Yut, Sing makes it clear he’s not going to be a blind lacky. Sing when faced with the messy reality of Chinatown crumbling due to his and Yut’s feud tries to repair the rift between them. He is in the position do something since Sing post phoned and eventually decided not to die because of some honor bound purpose. At the end of the day Sing chooses to survive, repair and unite the different fractions for a common goal. However Sing was very much inspired by and driven by the empathy, sense of responsibility and love he learned from Shorter these are the same lessons Sing teaches Yut. I think both Shorter and Sing have their flaws and both bosses ideologies loyalty to one’s own kind above all else and street code can both be downright be toxic when taken to extremes but I think both are equally well written characters and important to understanding Banana Fish’s theme of unity in the face of oppression.

Citations Yoshida, Akimi. Banana Fish Vol 3. Shogakukan inc,1987 Yoshida,Akimi.Banana Fish Vol 4. Shogakukan inc,1987 Yoshida,Akimi.Banana Fish Vol 5. Shogakukan inc,1987 Yoshida,Akimi. Banana Fish Vol 6. Shogakukan inc,1987 Yoshida, Akimi. Banana Fish Vol 9. Shogakukan inc,1987 Yoshida, Akimi. Banana Fish Vol 10. Shogakukan inc,1987 Yoshida, Akimi.Banana Fish Vol 13. Shogakukan inc, 1987 Yoshida, Akimi. Banana Fish Vol 14. Shogakukan inc,1987 Yoshida,Akimi.Banana Fish Vol 15. Shogakukan inc, 1987 Yoshida,Akimi.Banana Fish Vol 16. Shogakukan inc, 1987 Yoshida,Akimi.Banana Fish Vol 18. Shogakukan inc, 198

[gascon-en-exil]

Joining the Game Late: S8E6 “The Iron Throne”

Synopsis

Tyrion surveys the damage and finds his siblings, while Jon almost fights Grey Worm over executions. Arya and Jon are in the crowd as Daenerys gives her victory speech and Tyrion gets arrested for throwing away his pin. Tyrion goads Jon into growing a spine; he sort of does. Daenerys lives out her Season 2 vision and expounds upon her philosophy of conquest before Jon stabs her (not like that) and Drogon burns the symbolism...but not Jon for some reason. A tense trial at the Dragonpit, with Edmure still being a dumbass and a bid for democracy from Sam that goes over poorly. The man on trial nominates Bran as the new king which everyone accepts because he monologued a good thesis statement for the show, except Sansa who makes the North independent. For their crimes Tyrion is still Hand, and Jon is sent back to the Night’s Watch. Grey Worm, his antagonism ignored, sails to Naath, while Arya sails west off the map and Brienne finishes Jaime’s entry. The new small council features Sam dropping the book series title, Bronn arguing over the necessity of rebuilding brothels, and Davos completing a very old brick joke. Jon comes home to Tormund, and the two of them and Ghost lead the Free Folk north of the Wall as Sansa and Arya join them via cuts for a Stark ending.

Commentary

There are parts of this ending that I like. I like that the episode concludes with the Starks; uninterested as I generally have been in the family as primary PoV characters, it’s thematically appropriately to close out on the ongoing adventures of Jon, Sansa, and Arya. I like that Jon/Tormund is less of a joke than I was expecting, that Tormund features prominently in Jon’s final scenes and that the show sends them off as a sort of family unit along with Ghost and the remaining Free Folk. I like Brienne’s addition to Jaime’s entry in the book of the Kingsguard, highlighting his heroism while also remaining honest about his final decision...and delicately leaving out the incest, or her own fling with the man for that matter. It’s sterilized, and yet not wholly so, a fitting way to end the story of such a morally complicated figure whose very existence in the narrative seems to hinge on a deconstruction of the knight in shining armor archetype. I like the realization of Dany’s vision at the end of Season 2, a tacit understanding by the showrunners that they (and GRRM advising them) knew they were eventually going to get to that image of the Iron Throne in a ruined Red Keep covered in snow. I like that the show doesn’t belabor the “where are they now” aspect of the epilogue, that not everything is perfect and tidily wrapped up even if most of what isn’t is left unmentioned offscreen. It reminds me very much of most Fire Emblem endings, in the sense that a true happy ending remains elusive and there are always challenges left to face and tales remaining to be told. This isn’t Lord of the Rings, concluding when a fat and allegedly relatable guy named Samwell plops down a book (for the most part not written by him) bearing the title of the work in-universe as if to say that that’s the end of that and everything will sort itself out, nor is it Harry Potter with its treacly epilogue pairing everyone off into neat heterosexual marriages with 2.5 children and middle-class comfort. The story will continue, and you can place bets on how many decades of peace Westeros will have before there’s another continental war and a bunch of these characters get violently offed like the generation before them.

There are parts of this ending that I can abide. I’ve reconciled myself to the indignity of Bronn taking Highgarden by seeing in him a type of character like Thénardier from Les Misérables. Both of them are amoral, avaricious assholes despite occasional entertaining moments, and despite that their stories reward them not only with survival but with wealth and notoriety far beyond what they deserve purely as a demonstration that life is often unfair like that. Perhaps Bronn’s lordship of the setting equivalent of Paris was an explicit nod to that? I don’t mind the council at the Dragonpit laughing outright at Sam’s suggestion - transparent as it was coming from the author’s self-insert - of elective democracy, because much like FE the pseudo-medieval stasis this setting is locked into is not realistically equipped to handle such a revolutionary political shift, much less competently depict it in around half an hour of remaining screentime. I can bear the overt allusions to fascist regimes in Daenerys’s victory speech scene, because if you’re going to pivot her from liberator with worrying violent tendencies to tyrannical conqueror hard enough to make it reasonably justifiable that the show’s two most prominent remaining “good” guys would conspire to assassinate her with only that one scene to do it in you may as well go all out with the shorthand. Drogon not roasting Jon is stupid, but melting the Iron Throne is a great symbolic image: destroying all the ruin and strife it represents, coming full circle with the Targaryen reign over Westeros, and so forth.

And then there’s one part of this ending that’s really hard for me to swallow, particularly as Fire Emblem: Three Houses presents a variation of the same scene with much better execution. As this episode aired only about three months before the release of FE16 the similarities between Daenerys’s death and the final cutscene of Azure Moon can be nothing more than an interesting coincidence, but as you’d be hard-pressed to argue that Edelgard did not take some design cues from Daenerys - and to a lesser extent Dimitri from Jon - during the game’s development it’s a useful coincidence for contrast purposes. I mentioned a few posts ago that most of the uncomfortable elements present in Dany’s death are absent in Edelgard’s; she and Dimitri are not sexually involved at any point, and the game focuses instead on their familial bond even though (ironically) they are not biologically related. Dimitri also kills Edelgard in self-defense, after he reaches out his hand to her and she responds by throwing a dagger at him - which is considerably less awful than Jon leading Daenerys into a kiss just so he can stab her. Three Houses also benefits in that Dimitri is a far better realized character overall than Jon Snow, with a clearly defined arc in Azure Moon, meaningful convictions that place him at odds with Edelgard on both a personal and philosophical level, and even a stronger queer angle - also with a bear belonging to a historically marginalized culture/ethnicity, humorously enough. Jon by contrast feels at this stage mostly formless, with nothing strongly defining him (barring perhaps his affection for the Free Folk, which is what he returns to when everything is said and done) and in fact a repeatedly reference lack of desire to do things. Little wonder then that his decision to kill Daenerys comes more or less entirely because Tyrion told him she was the final boss and had to be taken care of.

Regarding Dany herself...if you’ve been following this liveblog the whole way through you know that I’ve been watching her character since the show began for signs that she’d wind up where she does. Yes, they are there, quite in abundance actually, and where the show stumbles comes of course from how terrible paced the story is by the time it reaches her breaking point. The audience has to make do with some of the most obvious fascist signposting imaginable and a single nonsensical speech to Jon (something else she has in common with Edelgard incidentally, who has many of these) revealing Daenerys to be the egomaniacal conqueror she always was with no subtlety whatsoever because the show has run out of time for subtlety. To this episode’s credit I do appreciate that Grey Worm continues to stick around as a foil and reflection of Daenerys. His rage over Missandei’s death sees him executing captured Lannister soldiers en masse, and he continues to demand justice for Tyrion’s betrayal even though after this point the writers stopped caring about him and shipped him off to Naath for an ending (where I am told there are plague-bearing butterflies? That doesn’t bode well.). In Grey Worm one can see a version of Daenerys’s own anger at all that she has suffered and lost, and how destructive that anger can be - only Grey Worm doesn’t have a dragon that can charbroil a city in minutes. Still, these are mere scraps of characterization to set up such a drastic shift in presentation for one of the show’s two biggest leads, and I can definitely understand why fans were angry about it and probably still are. Even as someone who was expecting this all along and was never personally invested in Daenerys the way I was with some other characters, her death - the centerpiece of this episode, and the lead-in to GoT’s epilogue - was easily the biggest sour note of its finale, less that it happened at all and more how, and probably the single event in the last two-ish seasons that more than any other really needs the book series to flesh it out and develop it into something worthwhile.

I think that’s a wrap. I’ve spent nearly four months on this liveblog and have written far more than I possibly imagined that I would. Maybe sometime in a year or so I’ll return to this series again and just watch it through without taking notes. Perhaps I’m in a minority for believing that GoT would even be worth a rewatch. Eh...if you’ve read all this at least you know why.