#and low on fanart to translate

[meatiors]

Foxes lineup but somethings a bit different 🤔

[regrator-the-ninth]

How to pick up chicks (feat. Cykesquill)

[asalesbian]

the face of a woman who Will be attempting some grenade theft when the opportunity arises

[deerspherestudios]

March Plans and Progress! 🌸

Hello fireflies!! After a few weeks of hiatus, I can officially say I'm properly in the mindset to focus on Mushroom Oasis again! For the sake of brevity, here's a quick rundown of things to come:

Re-start queue of fanarts and questions as I usually do. Posts will resume sometime this week as I get things together again! ⌛

Re-opening the askbox for a week for the occasion, so send questions in while you still can! ✉️ Please read these before sending an ask! [Part 1] [Part 2] [Part 3]!

Answering DMs I've been missing, sorry to those who have sent me messages and have yet to get a response! 💔

Possibility of a Spanish translation, this will have a separate post in the future so keep an eye out for that! 📝

Possibility of a Patreon, so if you'd like to support me, that would be the best way to do so other than donations from my itch.io page! This will also be a separate post in the future! 🫶

Possibility of merch designs? This one's low priority in comparison but if things work out I'm definitely looking into it for the future! 🎁

As for game progress, I'm gonna start coding in Day 3 into Ren'Py and hopefully get it ready for a bare-bones beta test soon. It'll be only text but hopefully be enough to deliver the story as I refine the script further before starting to code in the images and sound effects.

I wanna keep things short and sweet, but hopefully it's enough to keep everyone updated! Take care, fireflies! ❤️🍄

[itsabouttimex2]

I hope this isn't an odd question

But, do you think Wukong or Macaque would act or treat different their "cub" if they genders were swapped or being a female version? This is also for a Yan behavior

I don't know too much about how is the raising of a monkey from the father and mother so I was curious with this since they're both mystical demons

I was thinking about this when I saw some fanarts from the artist @/car_nimbus on Twitter, they made a neat versions of the characters with another gender

Monkey Mama

(Hmm okay let me build a hypothetical OG “Female Monkey King” to work off of here and then I’ll try to translate that into LMK’s SWK. Also, I’ll probably make a second variation of this afterwards with other characters, haha. This got a little long to do both SWK and Mac!)

Sun Wukong as a character is already heavily defined by rebellion and personal choice, so I think that making him a girl only really compounds that layer of his character.

In many older narratives, female characters are often expected to be more obedient or modest than men, and very frequently only exist as prizes or, more rarely, villains. A female Sun Wukong; assuming she plays the same role as her original incarnation, defies the expectations of how “traditional” women should behave, shirking the demure and passive “ideal” and adding another layer of rebellion to her character.

(JTTW is actually pretty great in terms of female representation, with characters ranging from the perpetually good Quanyin, the eventually repentant Princess Iron Fan, and the straight up evil White Bone Spirit. I’m a big fan of how the women aren’t slid into any one “role” throughout the story.)

I think: in story, she’d likely be viewed as a sort of “anomaly”—a woman too strong, too outspoken, and too unwilling to conform to typical feminine ideals. Her defiance and arrogance might be viewed as even more scandalous by the Celestial Realm.

Instead of being made a “stable-keeper”, I think probably she’s sent to whatever Heavenly Scullery exists in that divine realm, and put to work very quickly. She would treat this “job” with indifference or even amusement at first-after all, physical labor or menial tasks don't diminish her self-worth or confidence! She’s had a life of hard work, leading an army of Yaoguai, cultivating Flower Fruit Mountain,

So she’s fine with this… at first. Then it turns out that the food she makes with her fellow low-class workers isn’t distributed amongst the people making it, but plated up nice and pretty for a bunch of “stuffy old gods” who didn’t lift a finger! Bullshit!

So obviously, the prideful Monkey Queen goes on a destructive rampage in regards to the unfair disparity of treatment, then storms back down to Earth to throw a “feel-better” party with her fellow Yaogaui.

(Which isn’t just a party, but a symbolic reclaiming of joy and community, with her monkey tribe representing the freedom she craves and the earthly bonds she prefers over heavenly authority. It's not just an escape, but a statement of independence.)

After an extensive set of repairs, the Court sends down someone to drag her back, because, you know, the local super-powered monkey is back on the loose, and that’s not exactly great for them. This time, they offer her a “better” role- she gets to become an official Peach Maiden, lucky her!

Of course, it’s just another form of entrapment, but within a prettier cage. Even though she's given a cushier position, it's a veneer- she's still being silenced, controlled, and stripped of her freedom. The role played by a Peach Maiden is an inversion of Wukong's essence, as these women are happily serving the role of passive caretakers, nurturing with gentle smiles—a direct contrast to the free-willed, brash nature of the Monkey Queen.

(And while there’s nothing wrong with being demure, passive, and feminine, having people try to force her into that role is where Sun Wukong draws her line.)

Here, she is expected to watch in silence as others revel in the freedom and power denied to her. It's a different kind of prison, one that quietly erodes her spirit. When the Celestial Court tries to reintegrate her as a Peach Maiden, they are once again attempting to place her into a docile, decorative role, one that strips away her power and independence. Those immortal peach orchards, a symbol of immortality and divine favor, becomes a prison for her.

Surrounded by "ideal" women who embody the quiet, submissive role she despises, the Monkey Queen finds herself chafing under the pressure of conformity. Her energy, once boundless and chaotic, is now caged, and the simmering resentment builds.

The buildup to her inevitable rebellion after being made a Peach Maiden, then, becomes a very sympathetic moment because it's not just a rejection of the role forced on her, but a rejection of the very system that tries to diminish who she is at her core. Her rebellion isn’t about anger and shame- it’s about reclaiming her true self after having been suffocated by the expectations of the Celestial Court. Her rampage becomes an assertion of her identity as something that can't be confined by heavenly rules or social mores.

The Court, in its attempt to “contain" her, only fuels her defiance further, leading her once again to rebel.

It was never going to end well. But it ends all the same, and punishment is to be levied to the Queen, just the same as any other rebellious rule-breaker... actually, probably harsher.

There’s “you broke our rules and tried to lead a coup”, then there’s “you did all that, and we also find your very person to be wrong on a fundamental level”, and then she gets the book thrown at her twice over.

But! Then she meets Tang Sanzang, who sees something in her that neither the Celestial Realm nor her own band of Sworn Brothers saw. Not a heretic simian savaging a holy realm. Not a Queen to rally behind for their own gain.

But a lost soul in need of guidance.

And from there the Great Monk works on building Sun Wukong up as a person instead of leading her astray or trying to cut massive chunks of her personality out? And talks to her about the things she cares about? And teaches her about all the things she missed after spending five hundred years under a rock?

And then she meets Zhu Baije, who starts out a little too happy and carefree about having a beautiful woman around, but eventually comes to smash open heads when Wukong is disrespected, because that’s not just a hot woman, that’s his sister?

Or Sha Wujing, who helps her with even the smallest things, from trimming her claws to cutting her wild hair to preparing meals for the monk? And lets her perch on his shoulders and head so the queen can get some skinship in?

Then Ao Lie, who is every bit the “disappointment to the world at large” that she was considered? And they take turns braiding each other’s hair and wiping the mess from the other’s face, and sleeping in the same tent and same bedroom because it’s less effort?

She gets a dad and three little brothers?

She gets a family.

And then loses it and is alone again for several hundred years more.

So if we go with this theoretical “My natural existence has been rejected for being seen as ‘improper’ by a court of stuffy traditional assholes” and then “I dearly love/miss my dead found family” angle, I think she’d be portrayed as a very different sort of character in LMK.

She’s quicker to lash out and defend herself, and much less willing to sit around and let the world pass her by- because that’s what was demanded of her by the Celestial Realm.

Be good. Be quiet. Be demure. Be obedient. Be anything except you.

I don’t think she’d be as willing to “rest on her laurels” as her canon counterpart, given that a “quiet boring life” was what she had fought so very hard to escape in the first place, so instead of isolating herself from the world in the first place, she probably sets up a little “souvenir shop” at the foot of Flower Fruit Mountain, taking a human form to sell little knick-knacks that herald to the journey she undertook with her old friends.

In part, this is how Wukong works to honor them. To spread their legacy. To ensure that they aren’t forgotten, left as a footnote in the annals of history. To remember them.

In part, it’s how she justifies all the mistakes she’s made and the suffering she’s been through. Settling in to a pointlessly relaxed life is exactly what she fought against, after all. She’s heavily fallen into the “sunk-cost fallacy”, where giving up and settling in, to her, means “losing”. It means “everything I went through was all for nothing”. So she keeps at this little store instead of just retiring and isolating herself from the world, even though she’d be happier to ditch it and lounge about.

So when MK and his eccentric bunch of friends comes around with their boundless energy and mischief, she immediately goes, “Oh, okay! This is what I wanted!”

(It’s not. All she’s ever wanted is her friends back. How could there be anything else?)

The Monkie Kids are vibrant, eccentric, and full of qualities that immediately resonate with Wukong. They remind her of the energy, camaraderie, and sense of adventure that she once shared with her old companions. She sees MK's arrival not just as a chance to teach someone a few of her old tricks, but as an echo of her own life—a life she hasn't been able to truly let go of.

So she starts projecting- on the surface, MK is very much like her. He's spirited, good-natured, and curious- and reckless. Just like she was. Wukong latches onto this quickly, sort of using the kid as a proxy for herself. After all, if she can't go back to her old life, why not embrace a new one that feels close enough? In some ways, this marks her refusal to accept the passage of time, a desperate clinging to the hope that, through MK, she can rekindle the connections she once cherished.

However, underneath that initial enthusiasm is the repressed understanding that MK, despite his similarities to her younger self, cannot truly replace what she lost. The friends she fought beside, the battles they waged together, and the lessons they learned are unique, irreplaceable moments in her life. No matter how much MK’s gang reminds her of the past, he and his friends a stand-in for the companions she still longs for. But her deep desire to reconnect with her old friends clouds her ability to see MK for who he truly is: his own person, on his own journey.

It takes her a while to get to that point, though. So she’s more doting and affectionate, in a way that somewhat stifles her student’s training because she wants to be both her old carefree self and also a good mentor, and the two just get jumbled.

Sidenote: I think with the difference in actions and behavior, MK would be more open to viewing Fem!Wukong as a parental figure than the OG, especially since he doesn’t really have someone to fulfill that “mom” role.

For their dynamic, I think something like this would be the outcome:

———————————————————————-

The afternoon sun hangs low in the sky, painting the landscape in hues of varied orange and blue. With a tired hand, MK wipes the sweat from his brow.

He’s perched on one of the rocky spires dotting Flower Fruit Mountain, gazing at the view with a small smile of accomplishment. Training had been intense lately… if only because he had been doubling down on the time he spent practicing, without giving as much care to rest or aftercare.

After all, even though his powers were blooming steadily… his enemies also were growing in power and quantity, leading to the ever-creeping edge of fear that anything less than a constant one-hundred percent just wouldn’t be “enough”.

And right as he reaches back to grab the golden staff he has inherited from the Monkey Queen-

“MK! I told you to take a break, not run off to do more training!”

Her voice, uncharacteristically sharp, cuts through the formerly tranquil air, causing MK to jump. He turns just in time to see Sun Wukong strolling toward him, her hands on her hips and a look of mock annoyance on her face.

MK grinned sheepishly, shifting his grass-stained boots against the dirt. “I was just, you know… checking out the view.”

She raised an eyebrow, the corner of her mouth twitching in amusement as her eyes narrowed in annoyance. This kid... “Uh-huh. Checking out the view or sneaking in some practice when I wasn’t looking?”

Caught fast in his lie, MK rubbed the back of his neck, face scrunching up in embarrassment. “Maybe a little of both?”

In spite of herself, Sun Wukong quietly laughs, the sound echoing like a chiming bell through the mountain. Her long, golden hair flowed behind her in the wind, each strand catching the light like molten fire. Despite her legendary status- the rebellious warrior who’d fought the heavens and nearly won!- there was a warmth to her that MK had come to cherish.

“All work and no play, MK,” she said, sitting beside him on the rock and ruffling his hair with a fondness that always made him feel like a little kid again. “You’ll burn out before you get anywhere.”

He looked at her, eyes shining with admiration. “But you never stop training. You’ve been at this for centuries! I just…”

A pause, as his chest turns over, unsettled by the notion of opening up. But… it’s the Monkey Queen. So it.. should be okay, right?

“I want to make you proud.”

Sun Wukong’s expression softens, and she wraps an arm around his shoulders, pulling the boy close in a tight embrace. “You already make me proud, kid. You don’t have to prove anything.”

MK leaned into the touch, feeling a wave of comfort wash over him. Even from the start she’d been like this with him- protective, nurturing… and maybe a bit overbearing at times. But he didn’t mind. It made him feel safe, like no matter what challenges lay ahead, he wasn’t alone.

MK chuckled, turning his face up to meet his idol’s eyes.” I’ll keep up,” he triumphantly declares, pumping a fist.” I promise.”

“Good.” Wukong shifted, her clawed hand lightly missing his spiked locks. “Now, how about we head back to the shop and grab something to eat? You’ve earned it.”

MK’s stomach growled at the mention of food, and he nodded so eagerly that she wondered if his head wouldn’t ache from the motion. “You know, I won’t say no to a good meal.”

The Monkey Queen stood up, dusting off her mentee’s clothes before offering him a hand. “Of course you won’t. C’mon, my treat.”

———————————————————————-

Now, to answer your question about how she acts in regards to her own cub… in general I think she’s much more doting than the OG, willing to express herself through constant displays of physical affection, in ways that are far more varied.

Constant forehead smooching, cuddles, grooming sessions, all of it! Mama Wukong never wants to let go of her baby! Sit down and let her paint your nails! Let her comb and braid your hair! Let her make you a nice lunch (loaded with mystical drugs to keep you nice and sleepy for extra cuddles), or at least a filling snack! Let her pepper your face with kisses as she spins you in her powerful arms!

Lots and lots of indulgent fluffy days of binging unhealthy foods and watching cozy reruns of old shows, your head in her lap as she hums and does up your hair with her lazy hands.

Lots of reminiscing about old suitors as she considers the quietest and quickest ways to kill anyone who makes the futile attempt to pursue you in the same way.

Despite her obsessive behavior, Wukong struggles with conflicting feelings about wanting her child to be strong and independent, just like her! She pushes you to train hard and become powerful, but when you inevitably seek their own freedom or autonomy, she’d experience a mix of pride and heartbreak, pushing her deeper into possessive tendencies.

If you ever tried to leave or even just start to break away, Wukong’s worst traits would bubble up like hellfire. Just as she fought against an entire realm’s authority, she would absolutely wage a war to keep her child close, all while justifying her actions as love.

The Monkey Queen is also more willing to take routes outside of brute force if it means securing extra protection for Y/N. If Macaque or maybe Azure (or someone else like Erlang Shen) wants to try and play “suitor”, well, she’s not too interested… until the thought arises that having him around makes you extra safe! And then she’s willing to think on it.

(That’s assuming that you aren’t one of their biological kids to begin with, in which case there might be a sort of “yandere triangle”. Azure/Macaque/Erlang Shen doing his damndest to reclaim his wife, before he learns that she’s had a child while he was gone... or maybe Pigsy and Tang decided that MK needs his mentor in a more ‘accessible’ position, and plot to drag her to Megapolis…)

Lots of potential monkey mama shenanigans, basically!

[toastermuffles]

Hey guys welcome to my massive rant about q!Fit and how cc!Fit is incredibly talented and underrated. Since y'all kinda blew up my twitter post LOL.

There are SO many things I could touch on so it's probably gonna be scattered around a lot.

1) Fit had a great character set up from the beginning. From the very start many people knew Fits reputation as a 2b2t veteran, a place with a toxic environment and brutal people. He was no exception, he was closed off to relationships and was very cautious/closed off to many things. Not only that but his past made people distrust him in the beginning. I loved the suspense it brought with his character and the question of why he WAS actually here. Since the whole "vacation" thing was never very convincing. My favourite part was a lot of this was IMPLIED! He built on the character he portrayed in his YT videos and it worked so well, adding small comments about his character here and there (like when he said q!Fits hearing was bad BC of all the explosions he's experienced).

2) His RP skills were another level, not only was he in character almost the WHOLE time when he was live (even donos) when he first did lore he would tease elements of it by writing cryptic messages when others were live. SUCH a good idea when you have a smaller audience and want to create suspense. Not only that, he would have set dates and times for BIG lore stuff, this honestly made it so much easier to keep track of and engage in, not only alone but with friends too! His actual lore was very different from many others, it was cinematic and well planned, yet it still left room for sudden changes. The final result was a cohesive story line that the audience could interpret. I just loved how I could understand what was happening but also have questions/cliffhangers!

3) the fucking MUSIC. Throughout his lore and start of his streams I adored his choice of music, "Stranger in Paradise" being a personal favourite that was not only reoccurring in more than one language but fit SO WELL. I also think it was very clever how a lot of his music choices for his character didn't make sense until you understand the full story e.g. "Can't say goodbye to yesterday". All of this really added a new perspective on his character, almost through cc!Fits own eyes. Along with his music choice just being absolute bops OFC.

4) THE SYMBOLISM. My absolute favourite lore moment of his was at the end of the "Attachments" lore stream. Where the sun is setting over the mountain, slowly covering a patch of roses in darkness. ALL WHILE an instrumental Italian version of "Stanger in paradise" played. Roses of course being a symbol of not only his and Pac's relationship but love in general. His love for Ramon and his friends. The love he had to grow, just like a rose. While the darkness symbolizes his past catching up to him, more specifically his deadline. His time with his family and friends ending, his loves disappearing. Chefs kiss because it makes me cry everytime fr.

5) q!Fit's sexuality (gay). There is something so poetic about a gay guy from an extremely homophobic wasteland learning to come to terms with his own sexuality and love in general. Him slowly building a loving relationship with Ramon, Growing feelings for Pac, Nervously coming out to his son and then finally indulging in the first relationship and FAMILY he had ever had. Finally learning to love and to be loved in return. Even if he is scared about his mission, or taking things too fast. Just learning to live a normal life.

6) Fitmc is criminally underrated and overlooked. I still remember when Fit got his first proper piece of fanart in the museum. It was like... JULY? or something. And I think that says enough. People had no idea he was even doing lore at some points. Averaging at about 1-2k viewers in the beginning, until hideduo came into the mix. A lot but still compared to others very low. I think because his viewers consisted of his YT audience it didn't translate well. But I'm so glad he was able to build a loving community on twitch <3

Anyways it's 3am for me, I probably have more to talk about but this is basically what I meant when I posted that tweet. Feel free to reblog and add your own favourite observations or moments. I wanna hear them! ❤️

[lifeafterartsch00l]

My fav sns smut

or some of it anyway

If Naruto x Sasuke fking nasty is your ☕️

I tried to find all these beloved authors to tag them, but I couldn’t find them all, if you know who they are, plz tag them! Let’s share the ❤️

In no particular order

Healing the Broken by KizuKatana

When people tell me about smut they read in printed books I’m like

Because it’s fics like these that amaze me with their ingenuity, creativity, originality, and boldness 🔥🔥🔥

AKA

This fic isn’t just PWP (although that’s fine too in my book), it’s so well written with character development, action & romance ❤️‍🔥 Predators by the same author is also excellent 👌🏽

Thx u @kizukatana 😊

“Chapters: 23/23

Rating: Explicit

Warnings: Underage

Relationships: Uchiha Sasuke/Uzumaki Naruto

Characters: Uzumaki Naruto, Uchiha Sasuke

Additional Tags: Angst, SPOILERS MANGA CHAPTER 693, Drug Use, sex during drug use, Canon-Typical Violence, canon!sasuke, canon!naruto, Addiction, Slash, narusasunaru, Fix-It, my version of how it should have ended, Friends to Lovers, Enemies to Friends to Lovers, Alternate Universe - Canon Divergence, NSFW, Smut

Series: Part 1 of HTB universe

Summary: The war is over, and Sasuke is brought back to the village after his defeat by Naruto. But he is struggling to re-assimilate into the village. As his mental stability continues to erode, Tsunade and Kakashi ask Naruto to try a different treatment method. Naruto x Sasuke (slash - boy x boy). Post manga chapter 693.

Warning: Hard Yaoi (Boy x Boy) language, angst, mental illness, substance abuse, masturbation, eventual sex. Not appropriate for young readers. 18+

Disclaimer - As with everything I write on this site, I don't own the characters (Kishimoto does), and I make no money. My only payment is in reviews.

Spanish Translation by Linme (thank you!) “

[doujinshi] My Lost Himawari by SouthNorthSound

Me, to the artist (and English translator) of this visually stunning and well written doujinshi -

Seriously. It’s amazing. The visual metaphors. The angst. The way the artist can simply draw a single panel of a close-up Uchiha eye that is so outrageously sultry and sexy I don’t understand 🥵 one of the extra chapters unlocked something in me (the dream one). Bonus that it’s also really funny & has a lot of respect/empathy for its women characters too! If anyone knows who this artist plz let me know I would like to follow them until the end of the world ❤️ the ending healed me 💔

EDIT HOLY S*** GUYS I FOUND THE TRANSLATOR & ARTIST ON TUMBLR

Thx u @southnorthsound 😭❤️🫡🙇🏻‍♀️

Thx u @gigihorseinthehouse 😭 I love you I low key think you’re a genius ok sorry bye 👉🏽👈🏽

"https://archiveofourown.org/works/36581581

[doujinshi] My Lost Himawari by SouthNorthSound

Chapters: 60/60

Fandom: Naruto, Boruto: Naruto Next Generations

Rating: Mature

Relationships: Uchiha Sasuke/Uzumaki Naruto

Characters: Uchiha Sasuke, Uzumaki Naruto, Haruno Sakura, Hyuuga Hinata, Uchiha Sarada, Uzumaki Boruto, Uzumaki Himawari, Hatake Kakashi, Nara Shikamaru, Temari (Naruto), Nara Shikadai, Akimichi Chouchou, Gaara (Naruto)

Additional Tags: Fanart, Fan Comics, Alternate Universe - Canon Divergence, SasuNaru - Freeform, NaruSasu - Freeform, Translation, Doujinshi, Fix-It, how it should have ended, Angst, If you don’t understand how they ended up like that in Boruto READ THIS, Poetic, comedic, Loyal to canon, Angst with a Happy Ending, Fluff and Angst, NSFW Art, Sex

Summary: A love story consists of different perspectives and different memories. It’s about saudade / realization / entanglement / out of control / hope / restart

Chapter700 background

Warning: adult content in extra chapters

Fan comics, doujinshi. It's highly recommended to read it on big screens such as iPad or PC. So you can see details about their facial expressions

One of the best Naruto fanart I’ve ever seen. So I translated it ❤”

Inevitablity by Sanauria_Maldhun

If the answer is

A) Yes

B) Kinda

C) Mind your own business rando internet pervert

Congrats all answers are correct = GO READ IT PLZ

Possessive & desperate 🥵 super gay, delicious angst, really hot 🔥 very enjoyable - fun tropes, everything hits just right, utter perfection ❤️ I’m not saying a lot because I don’t want to give away spoilers 😍

I couldn’t find this author on tumblr, plz tag in the comments if you know who they are!

“Chapters: 4/4

Rating: Explicit

Relationships: Uchiha Sasuke/Uzumaki Naruto, Haruno Sakura/Yamanaka Ino

Characters: Uzumaki Naruto, Uchiha Sasuke, Yamanaka Ino, Haruno Sakura

Additional Tags: Fake/Pretend Relationship, (between Ino and Naruto), Mutual Pining, Angst, Fluff, Fluff and Angst, Banter, Domesticity, Pining, Naruto is so in love, and doesn't know how to handle his Feelings, Jealousy, Jealous Sasuke, Jealous Sakura, Post-Chapter 699 (Naruto), Explicit Sexual Content, Anal Sex, Gay Sex, Angst with a Happy Ending, Hurt/Comfort, Slow Burn, Bottom Uzumaki Naruto, Top Uchiha Sasuke

Summary: Naruto's stressed and pining after a man who views him only as a friend. Deciding to get married to Ino isn't the best decision he's made (ever), given that they had been absolutely drunk while making such a declaration, but it's... a decision. Besides, what does he have to lose?”

You’ve gotten into my bloodstream (a bite of his heart) by lovenmaze

Nom nom nom 😉 kidding! Not literal cannibalism, it’s a metaphor for love, and this fic is beautiful 😍 poetic & sexy. One shot. Love how Naruto talks to Sasuke in this one (and makes him talk, too, hehe…) 🥵 delicious, please go tuck into this feast ❤️ author made an excellent fic playlist too!

Thx u @lovenmaze 😊

“https://archiveofourown.org/works/56430019

Chapters: 1/1

Rating: Not Rated

Relationships: Uchiha Sasuke/Uzumaki Naruto

Characters: Uchiha Sasuke, Uzumaki Naruto

Additional Tags: Cannibalistic Thoughts, Cannibalism imagery, First Time, Top Uzumaki Naruto, Bottom Uchiha Sasuke, Tender Sex, Blank Period (Naruto), Confessions, Idiots in Love, Not Beta Read, Anal Sex, Anal Fingering, Oral Sex, Alternate Universe - Canon Divergence, Emotional Sex, Eventual Fluff, Fluff and Smut, they’re both crazy about each other but thats not new, Poetic, Italicized Oh Moment, cannibalism as a metaphor for love, trust me it works and its SO good, consent is sexy !!!, lowkey vampire sasuke vibes

Summary: Sasuke tries to bite softly, he’s not going to eat him, maybe get a taste. Perhaps it’s stupid, but he wants to make sure, so he does. He opens his mouth, tongue touching the skin. His body shudders, and Naruto tastes warm, like skin or flesh; he tastes alive.

“A kiss is the beginning of cannibalism.”

AKA, The tender, fluffy, first-time, cannibalism (imagery), smut NaruSasu AU. [EDITED.]”

❤️Thx all u amazing authors u make me feel like this❤️

[mysteria157]

Chapter Two

Pairing: Black Fem!Reader x Hitman Toji Fushiguro

**While I personally do not think this chapter is too dark and angsty, I AM NOT YOU, so please be sure to read the CWs before proceeding.**

CW: Profanity, Physical Abuse, ANGST, Emotional Manipulation, Naobito being a piece of shit, Hitman duties (idk what to call it), Blood and Violence, Depressive Thoughts, Obsessive Coping Mechanisms, Comfort, Toji being down bad.

Word Count: Don't worry about it.

Summary:

Toji hasn't always been cold and calculated. Beneath that harsh exterior is a boy who was made to feel like he never belonged in this world.

Authors Notes: Hello! Thank you all for waiting!

This fic is going to have dark elements as I've stated before. We all know that Toji suffered abuse from his family growing up and that's largely a reason why he acts the way he does. So I really wanted to explore that in my fic and specifically in this chapter.

As always, reblogs, comments, and likes are always appreciated! Enjoy and thank you for your support!

Previous Chapter | Twitter | Ao3| Masterlist | Next Chapter

Dividers: @royallaesthetics @eloquentmoon | Header: created by myself (fanart from Pinterest)

©mysteria157, all rights reserved. DO NOT copy, plagiarize, reupload, modify, or translate (without permission) my work to other accounts and platforms.

look at you.

still standing

after being

knocked down

and thrown out

-Alex Elle

*** Toji ***

The first time Toji tastes freedom, it’s a decade into his bleak existence, amidst the sweltering summer heat. The thick, humid air clings to his grimy skin and makes him feel more uncomfortable than usual. His room—or he supposes it’s a small house—is nestled among overgrown trees and an unkempt lawn. 

To an outsider, his ‘home’ looks to be a greenhouse shed but with poorly painted walls and small windows. However, within the compound, it represents the dwelling of the man who tainted the revered Zenin bloodline. While they cannot exterminate the one who is responsible for polluting their family, they can make it seem like he never existed, to themselves and the outside world. 

He’s far from the main house, but it’s quiet, and even though the breeze always feels nice between his matted hair, it always carries the undercurrent of trash from the large garbage can that rests against the compound walls next to his abode. It’s all he smells no matter the season. The garbage can is one you would find outside restaurants or large establishments, and when it’s trash day, a large truck parks on the other side of the compound, reaches long metal prongs over the white brick walls, and pulls the can over to dump it. 

On trash day, it would be so easy for Toji to jump those walls, to hop on top of the plastic lid of the garbage can and let it carry him over. But like many things, fear and hopelessness hold him back. His entire family has never offered him a kind word or a smile, but they are nothing compared to his uncle. Naobito is the head of their family, feared by many within and outside of the compound. His position requires him to be good at many things, and if there is one thing Naobito is especially good at, it’s making Toji realize his insignificance. 

“You think you can just leave? Where would you go, boy? No one in this city wants to take in another child. Especially one of low birth.”

“Insignificant.”

“Useless.”

“A stain on something we have worked hard to uphold.”

These words echo in his ears day after day, month after month, year after year, ever since he could comprehend words enough to know their sting. He’s always felt small, always believed the only purpose he has is to breathe and do nothing else.

But today is trash day…

Maybe it’s the hunger that has been gnawing at his stomach for the past two days or the discomfort of dirt clinging to his skin beneath his sweaty yukata. Maybe it’s the sting on his cheek from his uncle’s morning slap, the mocking reminder for the millionth time not to dare do anything besides what he is told. Maybe staring too long at the garbage can and feeling his heart jump when the truck parks on the other side of the walls is a sign; a fleeting feeling within him, his own body telling him to do something before he withers away. 

It all sparks a sudden surge of strength, propelling him to climb on top of the plastic garbage lid as the metal prongs dig into each side of the can and lift him and the trash. Adrenaline helps him dig his fingers into the plastic of the lid as gravity pulls him over the walls of the Zenin compound.

He’s prepared to be tackled and dragged by his hair back inside before anyone can see him. He’s ready to fight back with the remains of his strength if he needs to. But as he slides off the garbage lid and his feet touch the cobblestone ground, only silence greets him. The trash collectors don’t see him and they drive away without turning back and he’s grateful. He’s so grateful, he can hardly breathe.

The compound isn’t in the middle of the city center like he once thought. From the many festivals and jovial sounds he would hear on the other side of the walls, he expected bustling laughter and sounds of merchants advertising their goods. But it turns out, the compound is perched on a hillside. He guesses it makes sense for one of Japan’s wealthiest families to be tucked away for safety and overlooking the world to feel more powerful. 

Even though he can see what looks to be a village a walking distance away, the compound also overlooks the city and a large river that Toji doesn’t know the name of. He’s never been taught anything, never learned how to read, never learned basic arithmetic or history. He knows nothing other than the fact that he lives in Tokyo, to eat the rancid food he is given and not talk back when his uncle visits him to teach him a lesson about whatever is bothering him that day.

Laughter echoes in the distance, the unmistakable laughter of children—maybe some his own age. Some who won’t sneer at him as if he’s a piece of shit stuck to their shoe. 

His legs carry him towards the village, the sounds of the breeze dying down to be replaced with yelling and laughter and normalcy he’s never heard before. Vaguely, his mind screams at him to go back home so he doesn’t suffer later, but he squashes it down. He will do anything to see faces besides the angry ones of his family, to breathe in scents beyond garbage and contempt, and to taste flavors other than the remnants of meals prepared by the Zenin’s esteemed live-in chef.

Ignoring the persistent growl of hunger in his stomach, his mind focuses on absorbing the sounds of the bustling marketplace that he finds himself in. Vendors haggle with customers, offering a variety of goods—fresh produce, meat, and fish—all waiting to be transformed into dishes that Toji wishes he could eat. The uneven cobblestones are ragged beneath his feet, not smooth and pressed down like in front of the compound. These stones protrude from the soil they are rooted into and catch on the thin shoes that barely protect Toji’s feet. But he navigates the crowds seamlessly, wide-eyed at the unfamiliar sights around him even though the brush of people against his body makes the hairs on the back of his neck rise.

An elderly man dozes off beside a vendor stand empty of customers. A woman, younger but with a haggard face, stands guard at the makeshift register, casting a cautious glance in Toji’s direction. He can feel her disapproval and with her gaze, the weight of his disobedience settles upon him—he should be at the compound, under his uncle’s hateful eyes. Hastily, he averts his gaze and quickens his pace, disappearing into the crowd with newfound urgency.

His ears pick it up before his nose smells it—the sound of sizzling and the smell of dough. Toji can’t help but gawk at the long rows of metal scoops, each containing batter with octopus, pickled ginger, and tempura. The sides bubble and cook, frying from the yellow of fresh yolk before the vendor’s deft utensils turn over each ball of dough, revealing perfectly cooked Takoyaki. He’s tasted it before, albeit soggy and half-eaten, but the memory now stirs a desperate craving within him. He could have it now; fresh and untainted by someone else’s bite. But the lining of his pockets holds nothing but lint; he’s poor with not a penny to his name. 

The vendor sets her utensils to the side, pausing in her efforts to catch Toji’s wary attention. When his gaze meets hers, he’s stiff and ready to flee. He’s sure the Zenin family’s influence looms large over the city; she could easily summon someone and report his escape. He’s not ready to go—he won’t. As he edges backward, his thin shoes slip on the uneven cobblestones, nearly causing him to stumble. 

But whatever look is in her eyes softens, replaced by something unfamiliar—a warmth that unsettles him, makes him almost nauseous, quelling his hunger while stoking the flames of fear in his belly. Her gaze sweeps over him—his disheveled hair, grimy yukata, the smear of dirt on his cheek. Instead of scowling or sneering and spitting at his feet, she smiles. Soft and warm without any pretense behind it, a genuine smile that makes Toji relax and the fear dissipate. She plates a dozen takoyaki into a long paper bowl, tops them with Kewpie mayonnaise, bonito flakes, and powdered seaweed, and shoves a pair of chopsticks into one perfectly rolled fried dough ball before she slides the bowl over to him.

“Eat up before it gets cold, honey,” she says kindly and the tone almost makes the breath in his throat catch.

Snatching the bowl, Toji’s actions mirror the desperate way he consumes the food that Naobito tosses at his feet after withholding a meal for days. Along with an education, he was never taught manners. His cousins know which forks to use for every dish, he knows to use his hands and savor anything he can get before it’s taken away. He offers the vendor a brief nod, eyes shy and looking away from her for as long as he can muster before he ducks away from the stall.

The takoyaki melts on his tongue and he can taste every speck of seasoning that she added. Ignoring the wary glances directed his way, he licks Kewpie off his fingers, uncaring of the bonito flakes that cling to his chapped lips. It’s the best thing he’s ever eaten—delicious, warm, fills his belly, and when he finally wipes the bonito flakes from his lips some tears collect with it. He doesn’t acknowledge the sadness that climbs up his stomach and nestles in the back of his throat. He can’t—what use would it be to cry over a life that will never change? Over a meal for once prepared for him and not someone else?

He stuffs the remaining takoyaki down his throat to push down the urge to sob, savors the taste for as long as he can, and sucks the seasoning from under his fingernails just as he feels something bump into his feet. When he looks down, he can at least recognize that it’s a soccer ball. The dirt turns the white patterns on it almost black, and it looks well-used.

“You gonna give that back, or just stare at it?” a voice demands.

Toji collects the dirty soccer ball and looks up to find a boy who might—hopefully—be his age. His black hair is short and his eyes hold an expression of boredom and grit that reminds Toji a little of himself. He holds out his hand and gestures for Toji to hand over the ball with so much impatience that Toji glares, tossing the ball back without a word. In truth, he’s struck silent because this is the first time in his life that he’s seen another kid his age who doesn’t look down on him from the encouragement of family.

The kid purses his lips, a bushy eyebrow lifting as he thinks something over in his head before he meets Toji’s gaze. He tosses the ball from one hand to the other, back and forth with a practiced air that Toji wishes he had. He’s skinny but his cheeks are full and his arms aren’t bony which shows he’s well-fed. He doesn’t wear a yukata but his shorts and shirt are freshly washed and free of stains from constant use—just dirt off the ground from playing. 

Envy, it’s the only thing that Toji can feel in this moment. Because this kid gets to eat food for breakfast, lunch, and dinner. He gets to wear nice clothes, play with friends, and breathe air that’s fresh and smells of takoyaki. It’s not fair. It’s not—

“You wanna play?”

Toji’s eyes widen at the unexpected invitation. Play? With another kid? He’s seen his cousins play with each other in the large expansive fields of the compound but he was never allowed to join. He’s familiar with games he’s made up on his own—counting how many times a bird chirps before noon or how many different animals he can imagine in the clouds—but playing with someone else?

“It’s nothing crazy, you don’t gotta think so hard about it. You comin’ or not?”

Toji hesitates, his fingers bending the sides of the now-empty plastic bowl in his hands. He really should head back to the compound because it’s been over an hour. Someone has to have tried to come to his shed and bully him by now. He has to go back. He has to.

But—

“Okay,” Toji replies instead and follows the kid down the cobblestone street.

***

It’s dusk when he finally reaches the white brick of the compound walls again. The evening breeze is thankfully not as sticky as earlier in the day and glides through his hair to cool the sweat on the back of his neck. His skin is dirty from the people he brushed against in the alleyway, from running in fields with a speed he never knew he had, from kicking a soccer ball and falling into the grass to play with a friend he can now call, Shiu. His fingers are tacky from the Kewpie that he licked off hours ago as well as seasoning from the Yakitori chicken skewers that Shiu conned off a vendor.

He never knew he could have so much fun. He’s never been able to experience it once in his life and having to say goodbye to Shiu, to lie and say he would be back in a few days, makes his stomach curdle with sadness and his eyes sting with tears that he’s too elated right now to let fall.

The compound walls, once towering and frightening, now seem conquerable. With a full belly and a newfound sense of strength, Toji takes a running start, vaulting over the barrier and landing with a thud in the neglected grass. He falls to his knees and plops into the cushion of the ground, rolling onto his back with a huff. 

He doesn’t know where it comes from, but he giggles, it’s light and unexpected, mingling with the night air, and helps his lips curl into a rare smile. He gazes up at the starry sky, stars that he wishes he had names for but still uses their presence to create warriors and animals to tell himself stories on nights when he can’t sleep.

“No matter what I tell you, you still never listen.”

The sound of his uncle’s voice shoots an electric jolt of fear down Toji’s spine, propelling him to his knees before he can draw another breath. He can’t have his back on Naobito, he needs to have his eyes on every movement even though it won’t make a difference.

His breath is lodged in his lungs, forming a tight knot that constricts his chest and parches his throat. The sight of his uncle, the sound of his voice, and the scent of his overpowering cologne, make him break into a sweat immediately. It’s a Pavlovian response and his body yearns for some sort of survival instinct that has long since been beaten out of him. But he tries, god does he try to defend himself every time.

Toji sits back on his haunches, shooting an ineffective glare up at his uncle that does little to penetrate the unnaturally smooth texture of Naobito’s skin. Toji can’t run, where would he go? To the other side of the compound where another member of his family can grab him by the hair and drag him back to the underbrush? To the front gates that are always locked and manned by security guards who control who can enter and exit?

“I’m guessing you ran your mouth to everyone you saw. Told those commoners that you’re a poor, neglected boy trapped in the clutches of the Zenin family.” Toji should have done that, but he was too caught up in good food and having friends like a kid should. He shakes his head at his uncle, unwilling to form words that bubble with the now overwhelming queasiness within him. “Oh I’m sure you did, didn’t you?” 

Toji shakes his head again, more eager, more insistent even though his heart begins to race in his chest. What’s the point in trying to prove himself to someone who’s already made up their mind? It’s useless, Toji knows that, but he continues to be honest, shaking his head over and over, hoping that maybe just this once, his uncle will believe him.

Naobito scoffs, his peppered mustache twitching with the movement of his mouth. The raven hair on his scalp is always gelled and brushed back no matter the time of day. He exudes wealth in tailored suits and eloquence with a nasty edge that cements his authority within the family. He’s a mean man, a rotten man. A man who subjects Toji to torment no matter the time of day. 

“I wouldn’t be surprised if the authorities are on their way here right now. Ready to arrest your family, to haul away your catatonic mother so she can’t defend you.”

Naobito’s words are a sharpened tool of manipulation, Toji knows the pierce of it against his skin. But the thought that his own actions would endanger someone else, makes him start, to open his mouth in a plea.

“I didn’t—”

But before he can say another word, a searing pain grips his scalp, forcing a hiss of agony from his lips as Naobito yanks him by the hair through the thick grass and drags him away. Knotweed scratches his face and scrapes against his ankles as he kicks desperately, trying to find purchase on the ground before his uncle can do anything else. 

His heart pounds in a recognizable rhythm, adrenaline coursing weakly through his veins, its effects dulled by the overwhelming fear. His fighting doesn’t matter. Toji knows the routine all too well—the sensation of the wooden floor beneath his back when he falls onto it, the sting of a slap across his face, the ache of a knee to his gut. 

Toji hasn’t sobbed in front of his uncle in a long time, but he can’t suppress the wretched sound that escapes him as the yakitori and takoyaki resurface and leave his mouth bitter. It feels like the worst punishment he’s ever received, the consequence of eating wonderful food that was never meant for a peasant like him. He took it in, and now it’s on the ground. 

He shouldn’t have jumped the walls. He shouldn’t have even thought about it.

Stupid.

Worthless.

Insignificant.

“Now what did we learn?” his uncle’s bored drawl cuts through the air, indifferent as his own flesh and blood cries in front of him. It’s just another day for him and he enacts punishment based on ideals that have been hammered into him by his own father and the father before him.

Naobito pulls a silk handkerchief from his pocket, wiping away specks of blood from his knuckles. His perfectly groomed hair is now disheveled, falling over his eyes, glowering with disdain down at his nephew. Towering over him, Naobito radiates dominance, his imposing stature a constant reminder of Toji’s weakness. Toji hates it. He hates Naobito. He hates his entire family. He hates that his very existence brings so much distaste to those who should be protecting him. 

His ears are ringing and his face hurts, and large, calloused hands grip Toji’s cheeks, squeezing them painfully and forcing his gaze upward to lock with evil eyes. His charcoal irises hold no depth or uniqueness and they’re devoid of warmth. Pure hatred, it’s all that oozes from his uncle’s gaze. He’s endured that hateful look every day for the past decade, yet it feels just as fresh as the day before, just as painful to the inside of him. 

Toji chokes on a tight breath, groaning against the pressure of nails digging into his skin. He’s devastated by the stench of sweat, dirt, and vomit, and he’s so tired. All sense of strength that filled his hollow bones on the other side of the walls evaporated as soon as the sound of his uncle’s voice shot into his ears like a rifle.

“I said,” Naobito begins, voice low and filled with venom. His breath smells faintly of whiskey, but Toji knows he would inflict this pain upon his nephew completely sober. “What did we learn?”

Through the delirium of it all, beneath the horrible smells around him and the pain that radiates from his stomach up to his hairline, he registers the tremble in his body. He’s shaking, quaking in the grip of a family member who has done nothing but terrorize him as early as he can remember. Toji wants to spit in his face, wrap his hands around his pale neck, and squeeze until the life leaves his body.

But he’s not strong enough. He will never be strong enough.

So he does what he’s been conditioned to do, what he knows will appease his tormentor.

“I’m useless,” Toji whispers, tears finally welling in his eyes, shame gnawing at his gut. No child should ever have to utter those words, yet Toji speaks them daily.

Naobito hums in satisfaction, sickly sweet, eliciting a sharp twist in Toji’s stomach. If he throws up, he hopes it gets on his uncle’s finely pressed suit. He hopes the stains never come out, hopes he has to throw it away and spend more money for a new one. 

“And what else? You are…?”

The pucker of Toji’s lips quivers as they curl to form the words and his vision swims. The sight of his uncle becomes hazy, and Toji is thankful that he can’t see his face if only for a moment. 

“I’m…insignificant.”

Even though his uncle’s features are a blur, Toji can still see the whites of his teeth as he smiles. It only makes the tears fall quicker and scalding, dripping down dirty cheeks and onto his uncle’s fingers that still dig into his cheeks. He recoils in disgust, shoving Toji away as if he’s been burned. The fingers are gone, free from their biting grip, but Toji can still feel the indentation of them on his cheeks, branded and there to stay for as long as he lives.

Clutching the wooden floor beneath him, Toji’s nails try to burrow into the hard surface and he desperately wishes the floorboards could open up and swallow him whole. Tears stream down without reservation, smacking onto the dark wood next to his dirty fingers. Since his birth, he’s known not an ounce of happiness, not an ounce of peace or love, and is always the subject of his family’s wrath. He’s just come to accept what he’s forced to repeat day after day. Of what he is.

Insignificant.

Useless.

And that thought, the terrible and ever-present thought that his life has no meaning, only makes him cry harder. They’re harsh sobs that rattle in his chest and make him hiccup with every inhale, and he can’t stop them. Finally, his uncle has taught him a valuable lesson.

Somewhere in the distance, he hears Naobito scoff as he stands on his feet and readies to retreat and leave Toji in his misery. The routine will continue in the morning—cold water through a garden hose to shower him down, leftover breakfast from the main house, and another dusty yukata to wear.

Toji knows it like the back of his hand. And like so many times before, Naobito rolls his eyes, stuffs his dirty handkerchief into his pocket, and utters the same words.

“Stop—

***

“—fucking sniveling.”

It’s the third time Toji has to say it in so few minutes and his patience is wearing thin. They always get like this, it shouldn’t surprise him, yet his annoyance refuses to morph into practiced indifference, despite his years on the job. A part of him recognizes the fear in the man’s voice and the tears that run down his cheeks. He held that same emotion and cried many times through years of beatings.

But that was a long time ago, and this is different. This isn’t a man who has spent years under the abuse of his family, this is a target, successfully hunted down by Toji. Right now, it’s just another Tuesday. Another contract. Another paycheck. 

Toji doesn’t give them names; attaching emotion is pointless in a job he is always eager to finish so he can get paid. But he needs something to keep his mind focused; so he uses adjectives or random words to effectively detach himself. His current target’s name? Greasy.

The moniker suits him, evident from the persistent shine on his bald head, the stain of sweat that builds at his collar, and a dingy button-up that hugs his beer belly. His beady eyes are filled with tears, his lower lids red and swollen and a thin chapped lip split down the middle. He squirms and wiggles in his chair and every part of him seems slimy, reminiscent of a snake fresh from its egg. And Toji hates snakes. 

What the hell is he again? A stock broker? Hedge fund manager? Toji doesn’t really remember nor does he really care, it’s not relevant anyway. His career is but a small stepping stone for figuring out the best approach for reconnaissance.

It takes Toji a week to track Greasy’s movements in the vastness of the city that is part of America. Despite Toji’s skills in navigation, everything is unfamiliar. But he adapts quickly—he has to.

Greasy works a typical nine-to-five and has a corner office in a nice skyrise downtown that he spends most of his time taking personal phone calls inside of instead of working. Toji knows because the building across the street is empty and just as tall with large glass windows that are blacked out to those on the outside. On the 42nd floor, Toji has a perfect view of the back of his target and watches every day to note every detail of his routine.

For lunch, Toji stealthily follows Greasy to the same 7-Eleven at 12:35 PM, watches him purchase the same cherry slushie and tuna melt for ten dollars, and grimaces beneath the cloth mask that covers his mouth as he watches Greasy scarf down the food like the pig he is on the journey back to the office. At 5 PM, Greasy walks from the office to the train station, takes the Red Line to another city, and arrives home thirty minutes later.

The routine is as mundane and uninspired as the man himself. Yet, it’s the days marked by suspicious behavior from his client that pique Toji’s interest. Those are the days Greasy indulges, presenting the perfect opportunity for Toji to strike.

On Monday and Wednesday, Greasy tells his wife he has to work late and clocks out at 4:45 PM, riding the same Red Line but exiting the train at a stop before his usual. He climbs into a shiny Mercedes, kisses a much younger blonde woman, and disappears until 11 PM when his client reports that he’s arrived home. Like many others of his kind—seedy and grimy and consumed with themselves—Greasy remains oblivious to Toji’s presence. The last thing on his mind is his wife and children as he indulges in infidelity.

He’s climbed the ranks of his job but failed to realize the ease of it is from his wife’s influence. He’s too selfish to recognize that cheating on a governor with a dark side would not only incur her wrath but also put her in the spotlight due to his carelessness. He’s too conceited to realize his mistress only fucks him because her house and car are being paid as long as she continues to entertain him. He’s stupid in the best way for a mission like this, and ignorant of the world around him. 

It turns out, Greasy has been fucking on the side for half of his marriage. And he’s been taking a little bit of his wife’s money that she earns as a politician to fuel his alternative lifestyle. His wife is easy on the eyes, gave the loser two kids, and remained faithful even though her husband slept with anything that had a pulse. The only things Greasy gives his wife in return are two children and an STD. She’s angry, distraught, and filled with rage. Rightfully so.

Thanks to the help of the department in his organization that handles all things technological, Toji is able to SIM swap the mistress’s phone and send Greasy a message to meet her in a different location. Specifically, one of the many random establishments throughout the city that have been bought by his organization under the guise of something else. 

Greasy walks into Toji’s trap, ignorant and vulnerable, and now here he sits—tied up and squealing. This contract is so easy that it’s almost upsetting. He doesn’t usually like to get his hands dirty, but mental stimulation would have been a nice distraction.

Toji doesn’t get it—cheating. He’s always been one to stick with a woman and take what he can before he moves on to the next. While his intentions are never worth a gold star, he does things one woman at a time. Cheating seems…exhausting. And he’s been exhausted for most of his life to stay away from it if he can.

He’s not one to be tied down anyway.

At least he thought so.

“Earn me.”

Your words echo in his mind, a precursor to what might become a throbbing migraine because he shouldn’t be thinking about you right now. You shouldn’t be in the dark, bloody recesses of his thoughts focused on killing. The room will only stain your smooth brown skin and ruin you, consume you, and corrupt you in ways beyond repair. He can’t afford your gaze to turn into anything other than teasing or annoyed when you look at him.

“I s-swear. I’ll do-do wh-whate-ever you say just—“ 

Whiny. Sobbing. Annoying.

“Shut up,” Toji grumbles, using the muzzle of his Glock 43 to massage his temple.

He’s tired, his brain now pulsating and being fueled by the stench of Greasy’s body. Despite the amount of money that he can get from revenge contracts, they are typically handled by those ranked lower than him. Revenge contracts deal with anything personal: infidelity, a family member that is despised just enough to warrant making them disappear, two legal companies doing whatever they can to take the other down. Anything with a vendetta.

They are driven by anger, hatred, and bitterness. Heavy and unnecessary emotions that Toji has to deal with before he can complete the job. Clients often demand specific proofs of guilt, from signed confessions in blood to videos of their target with tearful apologies to a picture of a severed finger if they are demented enough. To the client, it’s freeing. To the world, it’s insanity. But to Toji, it’s tedious and he has no choice but to get it done.

He pulls out his phone, ignoring the absence of notifications from you, and dials the burner number provided to all clients.

“Is it done?”

Most wives would be a sniveling mess under such circumstances. But not this one. She’s been wronged to a degree that her sadness washed away a long time ago and all that was left was rage, revenge, and unyielding determination. It takes a special someone who has been really hurt to stoop this low into darkness.

“Not yet, honey. Doing what you wanted remember?” 

Toji sighs, putting his phone on speaker as finally rests his gaze on the disheveled and pissy state of Greasy. His other hand steadies the gun aimed at Greasy’s dick and the hiccuping words flow once again. He’s so goddamn loud. Toji needs Ibuprofen, food, a fucking text from you (but he’s not thinking about that right now), and some sleep.

Greasy has already exhausted the usual litany of cries, but Toji endures the same performance again for his client on the phone.

“I’m sorry!”

“I won’t do it again!”

“Please give me another chance!”

Blah, blah, fucking blah.

In the early years of Toji’s time in darkness, he watched this performance firsthand. It’s a feeble attempt to cling to life, words uttered in desperation on the precipice of death, holding little substance. Once the adrenaline dies down, old habits resurface, seeping through the cracks formed by fear. And Greasy’s wife won’t be willing to pay such a hefty price a second time.

Removing the phone from speaker, Toji presses it firmly to his ear to drown out Greasy’s heightened cries. “You get all that, honey?”

“…yes.” 

Mrs. Greasy sounds a little unsure, but she can’t back down now. That’s the other irritating thing about revenge contracts. Deeds fueled by emotion are unpredictable, and in a business like this, you need to be absolutely certain of what you agree to. She could back down, but then that means she knows about this little business and Toji’s organization will have no choice but to come after her.

No, he needs this signed and sealed with a deposit in his account by the end of the night.

Toji waves the gun dismissively, rolling his eyes at Greasy’s flinching. “You wanna stay on for the rest?” It’s a courtesy Toji always extends, twisted though it may be, offering some semblance of closure to his clients.

Greasy’s face is a mess of mucus and sweat, and the front of his pants is wet. It’s fucking disgusting, but there’s a part of Toji that revels in the sight. Perhaps it’s the years of desensitization, but Toji relishes seeing those who deserve to get their due. Rotten people. Terrible people. And while cheaters aren’t inherently evil, they seldom learn until their world crumbles around them.

“Just get it done,” Mrs. Greasy replies firmly, though a tremor in her voice betrays her fear. She should be afraid and drowning her worries in bottles of wine tonight. It’s one of many logical responses to ordering the death of a cheating husband. She hangs up without another word.

Normally, Toji has a few words before he pulls the trigger or tightens the noose or whatever nefarious thing he’s ordered to do before his target goes limp. But the throbbing in his head has blossomed into a migraine just as he expected, he hasn’t eaten in ten hours, and he hasn’t heard from you since last night.

To put it quite simply, Toji is pissed off.

So he cocks his gun and does what he needs to do.

Despite the deafening roar of the gun, the ensuing silence is gratifying to his head. He doesn’t bother with the mess, that’s someone else’s job and he shoots off the text to the appropriate party. In a few hours, Greasy’s body will be dealt with in whatever way the cleaning crew decides. A death certificate will be signed by a coroner and an autopsy report will be forged by a pathologist—two of many on his organization’s payroll—and to the public Mr. Greasy will have been a loving man killed by his own heart. It’s almost poetic how efficiently things are run.

Thick red droplets splatter the grimy concrete, falling in a rhythmic cadence Toji knows all too well. Scenes like this are etched into his psyche, a constant hum in the background of his thoughts like a relentless generator. The instinctual response is to recoil, to scream, to flee at the sight.

But Toji has learned to numb himself to the gore and violence of his profession. To reach the level he has attained, to gain that notoriety, he had to confront the brutality without flinching. He had to absorb it, dream about it, and recall it with clarity when necessary, sketching it on a canvas as if it were fresh in his mind. 

Despite the beating he received, the small taste of freedom Toji savored at ten years old was just the beginning. Sneaking out became a routine and it didn’t take long for him to learn from Shiu how to swindle, scam, and steal. Every time he scaled the walls of the compound, Naobito’s wrath got longer and more painful. As if to teach him a lesson, as if the pain would make him fall back in line. 

But his uncle failed to realize that he took that hope from Toji long before he decided to seek more freedom. He had taken everything from him. He had nothing left to lose.

On the day that he learned of his mother’s passing, he leaped over the white brick walls and never returned.

The streets became his domain, cobblestones his makeshift bed unless a caring vendor offered him a room for the night or Shiu was able to convince his parents to let Toji sleep over for a few days. They ran the streets together with other kids their age, and as they grew, so did the prevalence of crime.

It didn’t take long for Toji to get mean, to embrace the cruelty that always radiated from his uncle’s pores. Survival demanded ferocity and each fight he got into honed his strength and capacity for violence until it simmered perpetually beneath his skin.

Despite the bloodshed ingrained in his past, Toji shies away from memories of his first kill. He was too young, too naive, and too angry. He refuses to conjure the face of his victim, to entertain the image of the man he eliminated in defense of an older woman who was being attacked. He pushes that memory down into a dark corner where he can never see it. He refuses to remember more.

But Toji does remember how cold it was that night—the rain, the tremble of his hands around the gun, the precision he summoned, the hollow emptiness that followed. Naobito’s influence had carved out any trace of emotion, leaving behind a vessel capable only of detached efficiency. It’s so ironic that it’s laughable. He became the very thing he feared.

When larger and more menacing gangs began to cast their shadows, Toji realized it wouldn’t be long until he would have to fall into one just to survive. He remembers a member from one of the more vicious gangs recruiting him. Not Yakuza, but just as structured and disciplined with a hideout, hot food, and warm beds. How could he possibly say no? 

In a year, Toji ascended the ranks, earning his place as Wakagashira—second in command—at the age of seventeen. If someone needed to disappear, Toji was the man to get it done. Morals were luxuries he couldn’t afford; his survival depended on their sacrifice.

Those efforts paid off. He moved from the local hardcore gang to a legitimate organization that gave him a mentor who showed him how to read, encouraged him to get his GED, and taught him how to be disciplined and mature. He began to get paid for his work and his world changed. 

He no longer had to think about his next meal; it was always within reach. He no longer endured cold showers from a garden hose and the leaky roof of his shed; he had comfort and a cheap apartment. He no longer sought affection; it was thrust upon him by every woman his age who could breathe the same air as him.

Everything that he has earned in his life, has been by his own hand, his own skill, his own diligence. 

But no amount of money and comfort can wash away the brutal beginnings of his life.

Toji swipes his finger on his phone screen, a new ritualized distraction that gives him satisfaction when he watches a row of orange jewels disappear. He’s reached level 150. And while he can’t make any money playing Candy Crush, it still fuels the addiction that he used to harness when he places bets. He has yet to admit freely that he’s a gambler, but you’re no idiot. His determination to win as many games of Spades on the 4th of July at your uncle’s was the first giveaway. 

“Jesus. You always this messy?” a voice from behind him calls out, prompting Toji’s hand to instinctively fly to the gun on his side as he whirls around. His breathing halts in reflex, ears straining to capture any subtle sound to give him an advantage. Yet, the sight that meets his eyes—a group of people clad in grey jumpsuits, their insignia faded—elicits only a frustrated exhale. “This how you do things over in Japan?”

There’s an undertone to the comment that Toji recognizes, but doesn’t bother to acknowledge as he walks past the crew and out of the warehouse. There’s no point entertaining them. No matter the contract, the cleaning crew always complains. New recruits in the organization, no matter how promising, have to work their way up and show they can handle any job. So Toji knows what it’s like to complain during cleanup.

But it is true, this isn’t how Toji does things. He’s quick and precise without leaving a mess, silent and stealthy—a reputation that has elevated him within the ranks. He’s heard the whispers, and seen the way those of lower rank either tense up or shine their eyes at him when he’s near. His boss boasts of him as Japan’s notorious hitman—nameless yet highly sought after for his efficiency. The Invisible Man.

With his years in the game, Toji can call the shots on how he does things. He only kills scum. Scum lower than himself. Raised in squalor, abused by those meant to care for him, he knows evil intimately. Each bullet he delivers to his targets brings a semblance of peace, and a sense of justice to his troubled soul. 

There was a point in his life when he wasn’t so troubled. Somewhere beneath the layers of filth and pain lies a man sheonce knew—a man of tenderness and warmth, embraced for a fleeting moment. A brief, yet exquisite time filled with the gentle caress of her hands, the comforting cadence of her voice, and the birth of a son, a fragment of her very soul. She was able to push through the anger he gave, wrap her hands around his, and never let go.

But like all things in Toji’s life, he’s constantly reminded that he is nothing. That he deserves nothing. And the world made sure to take her away to reaffirm that devastating fact. Six years of barely holding himself together in front of a child who needed him, made him realize he needed to do better. 

He’s not ready to give up his career just yet—he’s not sure if he ever can. However, one thing he is sure he can do is provide his son with a better life. He’s not the best father, he will admit to it, and he always has enough connections to give Megumi protection from his family and the dangers of his job. But it’s not enough anymore. He needs to be more involved, more attentive, more of a parent to fill the hole left by his mother. He can make sure his son has a childhood worth remembering.

Not like his own.

America is big, which means more opportunity, which means more money, and an entire continent away from the echoes of his past.

He should forge a future worth pursuing—a future where his kid can have simple joys he never got to experience; maybe a dog, a nice private school, and a father with a convenient job. Retirement flits through his mind more frequently these days, but he knows that truly getting out of the business may be next to impossible. A small part of him longs for that freedom again, a chance to escape all the shadows of his past. However, as his phone buzzes with yet another notification, he’s jolted back to the grim reality that he lives in.

Unknown: Not your usual leftovers but you still got the job done. You should have your payment later today.

Toji: Good. No more revenge contracts. I mean it.

Unknown: I have another if you’re interested, a classic one and done. Want to get you situated in the new market before people start demanding you.

Toji: Gimme a week.

Unknown: I can do that.

***

He’s downed three Ibuprofen, scarfed McDonald’s, and washed away the remnants of blood and frustration from his skin. In the bathroom mirror, his chest is flushed from the vigorous scrubbing, his scars appearing more pronounced against the backdrop of crimson. Each scar serves as a stark reminder of his tumultuous life, where every gain is intertwined with bloodshed and agony. 

Under the dim glow of the streetlights outside your uncle’s house, you likely didn’t notice the scars that mar his skin, a fact for which he’s grateful. It would only be more that he would have to lie to you about and he hasn’t thought of the story that he will tell you when you finally ask him.

He has no idea what sort of card he’s pulled to have you in his life. You deserve someone accomplished—a doctor, lawyer, or politician—certainly not a man who deals in bullets and bloodshed, someone like him. Men like Toji don’t deserve the kindness of a woman. Men like Toji don’t deserve the softness of skin scented with Shea butter and a hint of vanilla or the radiance of sunlight dancing on curly hair. Everything good and beautiful in this world slips from his scarred fingers. 

He feels insignificant, worthless, a stray wandering the streets, latching onto any speck of attention. Yet, despite your piercing glares and the thin thread that you have him on, you possess a warmth surrounded by fiery edges. The urge to subject himself to that searing heat is almost unbearable.

Both of your lives are consumed with demanding professions; his by contracts, yours by on-call duties and long shifts. It’s been about a week since your date and you both text frequently. You’re busy with your fifth consecutive 12-hour shift and you haven’t messaged him all day. He knows you’re busy, but there’s a piece of him that has been trained to expect unhappiness. 

Deep down, he knows you have every right to cut ties with him forever. He’s deceiving you in the worst possible way. If you were to uncover his deeds, the dark agreements he’s made and completed, you would surely turn away without a second glance. He had no intention of wanting more of you after that night. But women like you are rare, fleeting in appearance and he’s a selfish fucker. So, so selfish.

He was ready to ask you out again before the reality of his harsh world dragged him away. A contract that he thought would be simple and quick, had dragged into a week-long affair; interrupting little moments he could be spending with you. 

In those moments, alone with his gaze fixed on Greasy as he observed his behavior, he thought of you. He thought of seeing you again when you’re not yelling and screaming at a referee. Maybe for dinner? Somewhere decent where he can snicker at the way you glare at him in the low lights. Somewhere he can see you in a dress besides the red one he met you in, curls framing your face, naturally long lashes narrowing as he flirts with you without shame.

The knowledge that he doesn’t know more about you, leaves an odd fluttering in his stomach that he can only describe as annoyance. He’s known you for over a month but you are as mysterious as you are beautiful. With his skills, he could easily dig into the far corners of his organization to discover more about you. But the mere thought of knowing parts of you without your permission leaves a bitter taste in his mouth.

He’s slept around enough to know a good-looking woman when he sees one, and you stood out like a genuine gem amidsta sea of counterfeit trinkets. Toji can’t deny that he approached you that night with a certain goal in mind, but the instant he looked down and called you ‘princess’, the minute you shot him a glare that could rival a city’s destruction, he was hooked.

He’s drawn to women who are independent, strong-willed, and able to speak up for themselves. The assertive ones were rare until he met you. That night at your uncle’s, you exuded a resoluteness he had never encountered before. You took pleasure solely for yourself, oblivious to the fact that your selfishness merely made you more enticing, inviting him to sink his fingers into your flesh and take root indefinitely. He had never been so delirious with lust, so utterly out of control with his body as you took and took. The sex was amazing, toe-curling, and intense but it wasn’t just that, it was you.

You, you, you—fuck.

Normally, he’s content with momentary encounters with women; lingering around for a few weeks, taking what they offer until he moves on to the next. It’s a practiced air that he’s used to breathing.

Breathe in—a good fuck on Monday that has a little bit of money for him to take advantage of until Friday. Breathe out—she’s had enough of him or he’s taken his fill and he finds a nice brunette on Saturday.

Breathe in. Breathe out.

But the air is a lot thinner when he tries to breathe you in, tight in his chest and too much but also not enough.

Because you’re a fierce little thing, yet he can see hints of vulnerability beneath the steely resolve of your gaze, a softness rarely revealed to others—especially men and those who challenge you. There’s a familiarity in that vulnerability, a long-forgotten sensation buried deep within him, hidden away in that same dusty recess of his being that’s been rattling for attention a lot more lately. 

The allure of you is like a swift current within a crystal-clear stream, beckoning him to immerse himself despite the rocky terrain beneath. Against his better judgment, he’s plunged headfirst without thinking about what he’s doing—about what’s at stake—and letting the current take him away.

You must have seen something in him, because, despite your protests and excuses, you dropped your defenses enough to show more of yourself. Enough to smile at the daisies he gave you when you thought he couldn’t see. Enough to mold your soft lips against his one more time.

His mind wanders back to the present again and falls into a familiar urge that has to be satiated. He knows that whatever it is, it stems from his childhood, but he doesn’t know how to stop it. He runs his fingers over his skin, tracing each scar he’s come to memorize to ensure nothing appears out of place. He can distinguish those from Naobito’s cruel hands and those earned from years in the field. He knows. Yet, he still feels the need to double-check, from the locks on the front door to the latches on every window, even poking his head into the attic before bed just for reassurance. 

He has to be sure that he’s safe, that he is secure in his home, away from prying eyes because Naobito could be his neighbor. He could be here in the US, here in this city, here watching his every move and he has to be safe.

His fingers tremble against the cool porcelain of the bathroom sink as his heart races, each breath shaky and uneven as it falls from his throat, his eyes fluttering to push away the sting as he begins his own routine that comes up a few times a week. A steady mantra to quell his rising panic.

He’s not here.

He will never be here.

He will never hurt you again.

You’re safe.

You’re safe.

You’re safe.

He hasn’t had to worry about Naobito in a very long time, but the logic of that falls to the wayside no matter the time of day. He doesn’t want to talk to anyone about it, he’s fine. The fear and pain will fade away with time. 

It will.

The chime of his phone interrupts his thoughts and makes him flinch. He exhales another shaky breath and presses the heels of his palms into his eye sockets, using the pressure to ground himself and get his thoughts back in order so he can go about his day with what remains of his sanity.

“Fuck,” Toji whispers and slides large hands down his face before snatching up his phone and making his way to his living room to plop on his couch.

Toji rolls onto his side, the cotton of the couch pillowing his cheek as he stares at the eggshell wall of his living room. The house he’s purchased is spacious, more than he’s ever had, but it’s not for him. It’s for Megumi. His son deserves a proper home, a place to grow and thrive. But it lacks warmth, devoid of the touches that make a house a home. The hardwood floors have no rugs to clothe them, the living room only has a couch and TV with no stand beneath it and the walls are bare and without character. Maybe he could go furniture shopping this weekend? Invite you if you’re not too tired from working.

When he finally checks his phone, his heart thumps heavily in his chest when he sees the notification from you.

You: I’ve had such a shit day. My car wouldn’t fucking start and work has been so busy. I’m exhausted.

Relief floods him too quickly for him to swallow down and analyze later. There’s no stopping it now, and Toji finds himself sitting up on the couch, his nose almost touching the screen of his phone as he types his response. So many thoughts bubble within him at once. The urge to ask you what he can do, the urge to come over to your house so he can take care of you—so many urges that his late wife would effortlessly draw from him against his own volition overwhelm him. 

Toji: How did you get to work

You: I took the bus.

He growls under his breath at your response, his mind flashing with every single danger possible at the thought of you traveling alone at night. Any sleazy man could watch the stop you get off, take note of the street, and come back later. Someone bigger than you, stronger than you. And even though you’re fierce and strong yourself, evil usually wins. The thought makes his blood boil. All you had to do was tell him about your car, and he would have picked you up immediately. But the words from you that shine from his phone are a blatant reminder of just how little you rely on others.

Toji: I’ll pick you up.

You: I get off at midnight. Toji it’s fine.

Toji: I don’t care. I’ll be in the parking lot when you come outside.

You don’t respond, leaving Toji to wonder whether you’re simply swamped with work again or pointedly ignoring him out of defiance. He’s showing up whether you like it or not. He tosses his phone toward the end of the couch and rolls onto his back, his gaze drifting up to the ceiling. 

Popcorn ceilings. He despises them. It’s a trivial thing to fixate on, but the textured surface only amplifies the visibility of dirt and grime, reminding him of memories of the dilapidated greenhouse shed where he grew up; of dust and dingy yukatas and soiled food. Toji realizes that the stupid thought is so annoying because of how quickly it reminds him of his life. It’s a vicious cycle of how his mundane thoughts can instantly make him think of a painful memory. 

Maybe that’s all his brain can do—think of the bad in his life. He’s not meant for happiness. Wonderful things like you are beyond his reach, and even his own son couldn’t be further detached from him. His thoughts are murky and desolate, so burdened with despair that he’s amazed his body still finds the will to wake up each morning. But he does, for some reason, he still does.

***

A few minutes past midnight when you slide into his car, Toji inhales the weary air you breathe out. Your bun is loose, curls frizzed along your hairline, your scrub top has baby spittle on it, and there are circles under your eyes. You’re absolutely exhausted, but Toji’s heart stutters when he glimpses the determination in your gaze—resolute and fierce even when dead on your feet. 

And suddenly, he can’t help himself. He leans over and presses his lips to your cheek, siphoning the softness against the chapped edges of his lips to make the coldness in his chest warm over. You don’t smack him or tell him to behave or call him names for taking something without asking.

“Am I at least allowed to do that without you smacking me?” Toji asks you, a soft smirk on his face as he takes in your familiar glare. It almost washes away the blood and murder he had his hands in this morning.

You wave him away in mild annoyance, but Toji sees something on your face. With his years of perception, he notices the subtle tug of your cheek as it pulls inward for you to bite down on it, your lips fighting to contain the smile that threatens to bloom. One day, he will pull a smile from you freely. One day.

As he drives to your apartment, he unconsciously takes deep inhales to savor the delicate vanilla beneath the sharp tang of hand sanitizer and sterile hallways that radiate from your side of the car. He turns on the classic rock radio station that he played last time you were both in the car together, and you hum along again without thinking. Only this time, your hums are broken, and without strength, your head lolling against the window until you slowly fall asleep.

When he parks the car at your complex, he doesn’t wake you up immediately. In sleep, you can’t scowl at him, but even now, your demeanor remains guarded. Your shoulders are tense, hands clutching the strap of a well-worn leather bag, cheeks flushed with a fever you vehemently deny even though he can smell the common cold in the car. 

Only two minutes have passed, yet his thoughts are consumed solely by you. Not about the people he’s killed. Not about the abuse he’s suffered. Not even the echoes of Naobito’s taunts that intrude when he least wants them to. 

Just you. 

He will earn all of you, just like you asked of him.

That rattling in his chest he felt the last time you were both together makes itself known again, pushing against his belief that his happiness will never be permanently his own. Maybe the sight of you rolling your eyes and offering him little pieces of affection with the smirk you try to hide is the very thing he needs to breathe a little easier. 

He doesn’t know. He hasn’t quite figured it out. 

So for now, he’ll grasp whatever morsel of solace he can, disregarding the ache in his chest that gets worse when he breathes in your air, knowing you remain unaware of such a significant aspect of his life.

He hopes this never catches up to him, and if it does, he hopes that you can forgive him. He hopes that he can forgive himself for taking from you when someone more deserving should occupy his place. 

Until that reckoning arrives, he’ll indulge in his selfishness, because right now, it’s the only thing bringing him a semblance of joy.

Thanks for reading!

©mysteria157, all rights reserved. DO NOT copy, plagiarize, reupload, modify, or translate (without permission) my work to other accounts and platforms.

[sacchiri]

I recently bought the jp volumes of Hellsing along with the guidebook, and since I'm reading the series in its native language for the first time I might as well share some random things that stood out to me in no particular order.

This isn't meant to be an analysis of translation differences, I'm too lazy for that. Also it's been 12 years since I've watched the anime and read the low quality fan scans of the manga so some of these comments are just "Lol, forgot this was a thing"

Volume 1

... I really want to know who this guy is at the beginning, yelling at Alucard in overly familiar language to "Get your shit together!" and "You're the only one we can count on!!". We know from the style of speech that it's a dude, probably just some Hellsing rando, and maybe it's not all that strange since he has probably been working with the same soldiers for years--but it's still funny.

"I know, it's just so nice out :("

..The way "HELLSING Organization" is spelled out like this reminds me that apparently the name is supposed to be an acronym. No really.

...

God they're so silly.

Now that I think about it, the only thing Seras has done this chapter since being turned into a vampire is say "I'm sorry" over and over.... girl you got shot in the lung, why are you apologizing

Not a huge difference, but what Integra actually says here is "Leaving a corpse here for 20 years... You're a terrible person too, Father" and not "What were you thinking, Father?" as the Dark Horse translation suggests (note the lack of question mark in the raw version). I thought that might be of interest to some.

Something else I thought was interesting is the first line Alucard ever says to Integra, and how uncharacteristically polite he sounds.

O-kega wa gozaimasenka- That's two honorific 御's back to back! (He even said them in kanji, even Walter isn’t that straightlaced and he’s literally the butler.) This is also the only time Alucard uses this overly flowery gentlemanly language with her, and good thing too because it would be so annoying if he spent the whole manga ending his sentences with ~gozaimasu.

What I'm trying to get at is, after seeing this sentence in the Japanese version, I'm like 100% sure he actually heard her when she was mumbling to herself about hoping to find a knight in shining armor, and he was totally going the extra mile in playing into that role for their first encounter. Which is kind of sweet.

Lol they misspelled Alucard on the top left... or rather, they incorrectly spelled it right?

One would normally expect Alucard to be written アルカード, and indeed pixiv dict lists アーカード as a misspelling (the u sound is weak in Japanese, so it's easy to mishear arukādo as ākādo). Hirano was definitely aware of the correct spelling though, since he used it in the pilot chapter and in his old character sheets. It was only when the manga officially began that he switched to the アーカード spelling. I doubt it was because of copyright issues because there is already a long precedent of vampire characters named アルカード in various old manga, OVA, and games in Japan that have coexisted without issue (like this guy Hirano mentions in volume 1's afterword).

Most likely Hirano simply thought it looked better, or was a means of differentiating his character from the others somehow. It certainly makes life easier for Japanese fans searching for fanart since アーカード is only going to bring up Hellsing and not the Castlevania character.

Jan Valentine even pokes fun at the spelling discrepancy later in volume 2, but since there wasn't a good way of expressing this in English it was left untranslated.

(Speaking of spelling inconsistencies, there's a lot of minor details I'm noticing now, like half the time the furigana for 吸血鬼 is written バンパイア and the other half it's ヴァンパイア... anyway)

Um, just noticed literally everyone's wearing glasses What should I do

Hirano's habit of jotting random comments underneath his panels is one of the underrated perks of reading the manga

The Dark Horse translation almost makes it sound like she's looking forward to seeing this battle play out, while in the Japanese she simply sounds apprehensive. Almost as if she's worried about them? And she's going out on the field personally to make sure nothing bad happens? Aww

Ok this is a weird tangent, but I just noticed the scans of the Dark Horse version I've been looking at use a slightly larger image range than the Japanese version does. It was only noticeable when I got to this part:

The second image is what the Japanese version of the scan looks like and I can confirm that this is what it looks like in my physical volume as well. You shouldn't be seeing the messy borders of the inking on the bottom like that.

Manga manuscripts are set up so that there are a few millimeters of bleed border around each page. You're supposed to color and line all the way up to (4) while keeping in mind that printing and paper cutting may result in the image being trimmed up to (3).

Either Hirano didn't color his lines all the way to (4) (this man has been drawing manga for years but this is Hirano we're talking about so it's very possible), or Dark Horse didn't honor the original bleed borders of the manuscript. I'm kind of leaning towards the former since there was a Hellsing exhibit in Japan a few years back where you could look at Hirano's original manuscripts and there's one where you can clearly see that he spilled a mug of tea or coffee across the entire page

Anyway, it's weird, and I'm curious to see if someone that owns a physical copy in English can confirm whether theirs actually looks like that. It's volume 1, page 141.

[fishing-lesbian-catgirl]

There are times I think about playing Arknights just to see if it's as gay as your posting makes it seem.

Actually it's probably better just to ask it here. How gay is Arknights?

Well. The answer depends on how willing you are to read into subtext. If you’re the type who only cares about extremely explicit gayness to the degree of them literally saying it out loud or to have their relationship with another woman described in text as a relationship, then I guess the answer would be not that gay. There’s Tomimi who professes her love to Gavial in The Great Chief Returns event, and there’s Scavenger whose operator file describes how she was in love with a woman but they got separated, and by the time she was able to return to her her partner was dead. I think that might actually be it from the “turn to the camera and say ‘I’m gay’” level of gayness.

The reality of Arknights is that, despite all the things it does well (and there are seriously a lot of those, that’s why I’ve become kind of obsessed with it for better or worse), it is still a gacha game. And when the profitability of a game is tied directly to how much you can convince your audience to spend money to get the characters they want, it unfortunately makes them make so frustrating decisions to avoid any potential loss of profits. Specifically I’m referring to how characters are not allowed to be in relationships in text, as self-shippers are a potential revenue source (despite the fact that a character having a girlfriend vs a character being single is a much smaller roadblock to dating then the fact that they’re not real). Also it suffers from the very common problem of lack of body diversity and skin colors, fanart that you see that seems otherwise is likely fanon.

But if you like queer subtext, there’s quite a lot to work with. Especially since so many characters and their relationships with each other lend really well to lesbian readings with fascinating dynamics. Women will straight up flirt with each other in text somewhat frequently depending on the characters. Some women have relationships that are really really hard to read as anything other than lesbian (but people will always find a way, usually by not reading in the first place). It very often turns into a “there is no heterosexual explanation for this” situation. And the important thing to know is that ~80% of the characters are women, a lot of whom are very real characters with stories and everything that is well written and respecting of them (with a few exceptions). The majority of their interactions are with other female characters. If you’re picky about it any only want heavy subtext with minimal reading into it, you’ll have a number of good options of characters and relationships to enjoy, like Margaret Nearl and her two very obviously girlfriends/wives (depending on your interpretation), or Skadi and Specter, or Franka and Liskarm who got an official manhua dedicated to their relationship as mercenary partners that was so gay that the scanlators who put it on mangadex tagged it “Girls’ Love” only for the official translation to make it gayer.

It really is a your mileage may vary situation. If you’re like me and can read into the potential yuri in even the slightest interaction, it’s an unending feast. But if you’re only in it for the explicit canon then you might want to look for something else. Regardless, it is a gacha game but also it is a game with a majority female cast of usually well written characters in stories where they are the focus. Seriously, the first like 6 chapters of the main story only have a few men, most of whom are nameless npcs or antagonists, and even the main antagonists get to be fascinating women a large portion of the time. I know it might sound like I’m scraping the bottom of the barrel here but misogyny is an extremely present force in storytelling and the bar is really low. I can elaborate more if you want me to, but as you can probably tell I’m not good at being succinct, and any further elaboration would be as long and rambly as this

[floweroflaurelin]

i say this with no disrespect, but do you use yourself as a primary reference for faces/poses? there's some overarching similarities that can be seen, like in that pearl and gem painting, and from one artist to another (cause i also use myself as ref) i was curious if that was because of your reference point (you) or if its stylistic

Ooh interesting question! Yes and no, I guess?

I use my own face for quick reference to see what planes of the face are visible from what angle, but I don’t use my own face for expressions or lighting. I also don’t tend to use my own body for poses just cause I’m REALLY REALLY short so my proportions don’t translate well as reference (really short arms and tiny hands, big head by comparison) (4’10” baby) —I sometimes ask the people around me to pose for me, but most of the time I’m either scrolling Pinterest or just winging it. I figure for fanart (low stakes) I can wing it a lot more because I understand just enough about anatomy to make it work for what I’m going for lol

That said, I notice when the characters I paint start to look like me because my own face is my favourite face 😊 I like to paint in my own chin, even if I change the size, cause I like my chin quite a bit.

When it comes to the Gem & Pearl art I posted yesterday I used barely any reference at all because I was SPEEDRUNNING it lol, I just made up the expressions (I held up my own hand for Gem’s hand) so if you find that the two characters look similar (if that’s not what you meant then I maybe misunderstand this ask) then yeah it’s just a stylistic thing!

[machiroads]

Fic Writer Interview

Thank u @plusultraetc for the tag wheeeeee

How many works do you have on AO3?

8️⃣

What's your total AO3 word count?

251,850, 150k of which is one fic lmao

What are your top 5 fics by kudos?

Nine Lives, by an order of magnitude over 2nd place

Naruhata Noir

A Tumultuous Sea, You and Me (the mer-pirates fic)

Being No One, Going Nowhere (the 2 broken arms fic)

waiting on the seasons to change, waiting for the curtain to fall (the fortuneteller fic)

I am surprised to see the 2 broken arms fic in the top 5 tbh!

Do you respond to comments? Why or why not?

I like to get responses to my own comments, so I try to reply to everyone's comments :]

What's the fic you've written with the angstiest ending?

Uhhhhh PROBABLY 9L since it ends with everyone going off to war haha oopsie

What's the fic you've written with the happiest ending?

Uhhhhhh probably merpirates? It's really gross and sappy. Dive into the ocean and kiss a mermaid in front of your entire crew. The 2 broken arms fic also got a pretty happy ending (Aizawa goes to bed and also maybe jerks it a little)

Do you write crossovers?

Not crossovers per se but I do enjoy a deep in the weeds AU

Have you ever received hate on a fic?

I don't think so? The worst I get is people saying "wow almost no typos" which is very tame lmao

Do you write smut? If so, what kind?

Not yet! Kintsugi (the epilogue to 9L) will have some mild spice but I'm at a point in my life where I just couldn't be jazzed to write folks doing it sloppy style

Have you ever had a fic stolen?

I don't think so except for that website that's scraped like a ton of fics a few months back

Have you ever had a fic translated?

I had one person request to translate 9L into Ukranian, though I never saw if they ended up doing it. Recently I've also had a couple people leave comments in Spanish so I assume they translated the story into Spanish somehow!

Have you ever co-written a fic before?

The unpublished FFXII AU is partially co-written by Robbirdthe8th, but it's been parked for like a year and a half. Also I would be remiss to omit @kyurilin who might as well get bonus credits for the Nutstang

What's your all-time favorite ship?

I have been in fandom spaces for over a decade YOU CAN'T JUST MAKE ME CHOOSE A SINGLE ALL-TIME FAVORITE IT'S IMPOSSIBLE. Perhaps a low-commitment list of OTPs from across the years:

Erasermic (obviously)

Edwin (FMA)

Netteflix (FE3H)

Asanoya (HQ!!)

Kanej (6 of Crows)

Yuchi (FB)

Asucaga (MSGS)

Soukana (FMP)

Maiko (ATLA)

Hanvi (DB)

Nejiten (Naruto)

What's a WIP that you want to finish but don't think you ever will?

Probably any of the Fire Emblem or Fruits Basket fics I started drafting in 2020/2021 before I figured out how to write fic lol

What are your writing strengths?

People tell me I am good at characterization! I think I'm also good at describing a setting, a skill that I exercise often in my technical writing.

What are your writing weaknesses?

Exposition, my nemesis. A necessary evil, but it's like pulling teeth, every time.

What are your thoughts on writing dialogue in other languages in a fic?

Short answer: I just. Don't.

Longer answer: I think there's a time and place for it, and I've seen both well-executed and clunky ways of doing it. I've never seen a need for it yet in anything I've written.

What was the first fandom you wrote for?

BNHA was the first fandom I published anything for, though honourable mention goes to Fruits Basket and FE3H for convincing me that I can tell my own stories (and then get stuck trying to figure out how to write fiction woops).

What's a fandom/ship you haven't written for yet but want to?

Idk man I'm just vibing in my lane of erasermic et al right now

What's your favorite fic you've written?

Listen it's gotta be 9L. This fic is the reason I have made so many friends in this community. People have drawn fanart for it (one of which now lives permanently on my desk in the form of a mousepad, thank u Dragon). It is the story that got me into writing fic because it was a story that nobody else was telling, so I wrote the story that I wanted to read.

People still get to the endnotes on 9L and are like THIS IS YOUR FIRST FIC???? and yeah. I started writing fanfiction at the tender age of 28 and the first thing I decided was worth sharing is still my magnum opus. Anyone can write fic! Find a writer whose style you like, emulate it, and write the story you want to read. It's that simple.

[mr-jack-letterman]

ELEMENT OF SURPRISE- 💥

Even more au doodles because I have way too much free time.

This time around 🥁🥁🥁🥁🥁 Anti-Power Couple Au 🎉🎉🎉🎉 (by @starry-blue-echoes)

I think my Hol Horse bias is showing-

Anyway cute Holpol nonsense YIPPEEEE (click for better quality)

I simultaneously love and hate the design I made for him. Cause on one hand I think he looks cool as hell but on the other he has so many details the amount of times I forgot his ear piercing/braid/stubble/bullet necklace/strings on his hat/wedding ring/which side the wrist bands went on is low-key ridiculous and completely my own fault 💀/silly

These are the best hands I've ever drawn in my life ngl.

Fun fact: "Mon petit chou" with no context means "my little cabbage" when directly translated to English. Because you know if Polnareff is gonna call Hol a French pet name it's gonna be something simultaneously rly sweet in French but wack in English NSNDNNDD

There's more context than that behind why "my little cabbage" is considered a French term of endearment but that's an info dump for another day 😭

I don't have much to say for this one other than the doddle of one of the Sex Pistols holding Emperor is one of my favorite things and I'm using it as a reaction image now.

HOLPOL WEDDING

I wish I could have done more with their outfits but I just didn't have the time to design anything rly unique 😭.

I genuinely hope the random huge drops of fanart aren't overwhelming or anything for ya- I just get in a flow of doin em and don't realize how much I've done until I've ran out of scenarios to draw :') wish ya the best ✌️/gen

[necrotic-nephilim]

about me

join the dead dove batfamily discord server!

hi, i'm luciferos. i'm 22, disabled, Deaf, queer, and a general menace. my pronouns are they/them. this is an 18+ batcest blog. i'm pro-fandom and pro-kink. I avidly support SALS, YKINMKATO, and DLDR. most of what i write is of the darkfic, dead dove variety. i'm a fan of the comics, mainly the pre-Flashpoint era of the Batfam. some of my favorite comics are: Red Robin (2009), Batman/Huntress: Cry For Blood, Birds of Prey (2010), Young Justice (1998), Huntress (1989), Sword of Azrael (2022), Grayson (2014), Robin War, and the Question (1986). i can be a comics purist, but i just tend to leave alone fandom content i dislike and i think everyone should have fun with their blorbos, whether they've read the comics or not.

my DMs are open for anyone who wants to chat, make friends, or just yell. my (mostly unused) main blog is @devilbonesofmetal, so that's where follows and likes come from. i don't do DNIs, your internet experience is your job to curate, so feel free to block me if you're uncomfortable with what i post. some important things to note are

my ask box is open for any headcanons, prompts, or questions you want to send my way! you can ask for comic recs or my opinions on canon, or whatever suits your fancy. however *please* understand there are usually at least 50 asks in my inbox and i don't answer them in order. if i haven't answered your ask yet, i will, i promise. it may take a while though. please don't resend it, we'll just both end up confused.

if you ever want to create a translation/podfic/fanart/etc or write something inspired by one of my fics or posts, you have complete permission to do so! just tag me bc i'd love to see it too!

a lot of content on this blog will be dark in nature. i try to tag and warn, but do treat this blog with a blanket Creator Chose Not To Use Archive Warnings tag for your own safety if dark content may upset you.

as a comics purist, i tend not to like a lot of fanon tropes. if you send a prompt that uses a fanon-ish type of trope, i may take liberties with it to write it the way i prefer. that's never shade to fanon, it's just what makes me comfortable!

some of my favorite ships are: Tim/Jason, Tim/Dick, Tim/Damian, Dick/Bruce, Jason/Bruce, Ra's/Tim, Slade/Tim, Slade/Dick, Tim/Bruce, Jean-Paul/Tim, Cass/Tim, and Robin Pile.

and some of my favorite characters are: Tim Drake, Dick Grayson, Cass Cain, Helena Bertinelli, Luke Fox, Jean-Paul Valley, Bette Kane, Kara Zor-L, Zinda Blake, and Slade Wilson.

i write fanfiction, but i write anonymously on ao3 (for reasons explained here) so if you'd like to see all my stuff, here's a link to my tumblr masterlist and here's a link to my ao3 series, both of which contain all the fics i've written. aside from the typical ship and character tags, my vague tagging system on this blog is:

necrotic festerings - any ship/fandom metas i've written

necrotic answerings - answering any asks

necrotic writings - my fics

necrotic works in progress - rambling about fics i'm working on

divine and necrotic - tag for my partner @divine-dominion and i being gay on main

necrotic apcryopha - tag for my other partner @eebuckley and i also being gay on main

necrotic nuisance - my shitposting/low effort/non-serious tag

and, just for fun, some of the more interesting metas i've written:

why DC x DP crossovers are so popular

why the Batfamily fandom doesn't interact with canon & related thoughts

JayTim in the New-52 Deep Dive

"why aren't ships involving the women in the Batfam considered Batcest?"

advice for getting into pre-Flashpoint comics

[guardianbingo]

Guardian Bonus Bingo FAQ

Welcome to Guardian Bonus Bingo!

This is a very low stakes, low pressure fest meant to be fun and inspire more Guardian fan creations. Whether you’re returning after having participated in the original Guardian Bingo or are joining for the first time, we’re happy to have you here!

How Does It Work?

We’ll issue five prompts over ten weeks (one new prompt every two weeks), starting on June 9.

Prompts go out every other Sunday and you’ll have two weeks in which to create a fill. Then a new prompt will be issued. This cycle repeats until we make it through all five prompts.

We’ll also have an amnesty period at the end for prompts you might have missed earlier in the fest.

What Do I Earn By Completing Fills?

A sense of accomplishment, the adoration of your fellow fans, and the fun that comes with creation.

Completing all five earns you a bingo, a badge created by the amazingly talented @highlynerdy, and your name on a shoutout post at the end of the fest.

Can I Fill Multiple Prompts With A Single Work?

Maybe. The single work will need to be composed of multiple parts.

As one example, a multi-chapter fic where each individual chapter is inspired by a different prompt would work. A one-shot would not.

Similarly, multi-panel art with each panel inspired by a different prompt would work while a single piece of art would not.

If you have something in mind but aren’t sure, check with a mod.

Is There A Signup Period?

Nope. You are welcome to join at any time up until the end of the amnesty period.

What Works Are Accepted?

Pretty much any new creations, including, but not limited to:

Fanfic

Fanart

Edits/Gif Sets

Vids

Moodboards

Playlists

Rec Lists

FanARTifacts (tangible creations, crafts, etc.)

Podfics (with original author’s permission and a link back)

Translations (with original author’s permission and a link back)

Meta Analysis

If you have another idea, check in with the mods but it very likely works.

What Are The Length/Content Requirements?

None! This is meant to be fun, not stressful.

Want to write a 100k multi-chapter epic? That’s a tall order for ten weeks, but we’re cheering you on! Want to only post drabbles? Also wonderful!

The same applies for non-fic creations.

The point is to make stuff, not worry over min/max requirements.

Is This Fest Novelverse or Drama?

Either or both! It’s totally up to you. All prompts will work for both.

What About Ships And Ratings?

All ratings and any ships (or no ships) are allowed, though works should be appropriately tagged.

Crossovers, Derivatives, Other Priest Novels, And RPF?

While the fest is Guardian themed, all are allowed. Just tag appropriately.

How Do I Interpret The Prompts?

However you wish! They're meant to be a source of inspiration and a starting off point. You can adhere to them as strictly or as loosely as you'd like. Follow your muse and have fun!

Can I Use A Creation For This Fest And Another One?

So long as the other fest has no objections, you are good to go!

Ok, So What Isn’t Allowed?

Old works previously posted

Plagiarized works

Harassment/abuse of other participants

Sounds Great! Where Do I Post My Creations?

The AO3 Collection

Tumblr – Tag @guardianbingo in your post or DM us for a reblog (you can also tag it #guardianbingofest but Tumblr’s tags are very wonky so that might not work well)

If you happen to post elsewhere (Dreamwidth, Twitter, etc.), then you may submit a post on Tumblr if you’d like us to reblog your creation. You do not have to be on Tumblr to participate.

Will The Mods Keep Up With My Fills?

No. Since people may be posting on platforms other than Tumblr, it’s up to participants to keep up with their fills so we don’t miss anyone.

If you’d like to claim a badge and a bingo shoutout, please complete the fills reporting form.

What If I Still Have Questions?

Ask away on Tumblr, or email guardianbingofest@gmail.com

Email may get a faster response.

Fest Coordinators

Logistical Coordinator & Primary Contact - @tehfanglyfish

Graphic Designs and Badges - @highlynerdy

Original Guardian Bingo Prompt Coordinator - @sasamelons

[milyoasis]

Unfinished drawing of Kyouka (Kirigiri Sou) I had in a dusty corner since late 2022... This game deserves more fanart, seriously. Maybe I will make (and actually finish) more someday. There's an english translation of this game as a PDF file, you should definitely check it out if you haven't before.

Extra (also unfinished) doodle for the ones who decided to peek more ;) I know my posts are low-key bibles lol.