#and like. its not like you need an in depth explaination. you can just say to someone who is going blind
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xxplastic-cubexx · 4 months ago
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what is your favorite thing about charles and your favorite thing about erik? separately, as in what you like most about their characters :]
a devious question this one is, my friend!!! it's hard enough for me to explain my thoughts cohesively, but having to pick ONE thing i particularly love is difficult. with characters like charles and erik, theres been so much done with their characters over the decades and so they have so many components to them that make them so interesting and fun to observe. BUT I TRY FOR YOU TODAY. under the cut i kinda ramble and the size of this text box makin me anxious
i think if i were to be simple and broad, what i enjoy most about charles is his determination to help others, even if he isn't really thanked and/or if people don't even like him. ofc, this isn't to say he hasn't done wrong- to be honest, the fact he does wrong/questionable things at times is another aspect of him i really enjoy, maybe because- broadly speaking- he's meant to be altruistic (intent vs outcome and all that). i don't know if that's super exciting to most people, but it is for me
as for erik, my reason for liking him is easier to explain tbh. To Be Simple And Broad, his progression from villain to antihero over the decades has been fun to observe (as much as i have so far anyhow) and analyze. i think to be a bit more specific, him using his rage and pain as justifications for his villainous actions is definitely what compels me the most: hurt people hurt and the sort, an idea i've always found interesting (something something vicious cycles and the like). yet now, he recognizes this wasn't really. A Just Thing To Do and is beginning to change that, which i enjoy
#snap chats#may you forgive me anon i always feel awkward explaining things AVELKJEAKLJ#i feel esp awkward cause i haven't read toooo much of the comics yet- like ive read. an ok amount so far krakoa wise#can you guys tell im fighting god himself to Not write a fuckin. NOVEL#im so sorry i have an over-explaining problem my mom was mean to me growing up but anyways#i definitely want to read more and more outside krakoa. the more i read the more im fascinated by these two and their history#but to continue my prattling. as if the three paragraphs above arent enough This Is Not A Thesis RELAX#i think a. 'poignant' moment i think adds to what i like about charles too is that soliloquy where he recognizes people dont like him#yet he could always be worse- like if he's bad now to others imagine if he really just said Fuck It All#it's simple but so am i whaddyagonnadoboutit. i mean that point itself could be discussed but i'm trying to keep this brief bear with me#i so bad want to know what issue that's from tho all i know is that it's from krakoa but i neeeed the whole context#i think like. an additional bullet point to charles i also like is his loneliness#and i say this cause- I Say From My Amateur-Psychology Armchair- it's a component of why he's so earnest to help#but im keeping this point in the tags until i can confidently verify that with myself after some more reading#Unfortunately a favorite pass time of mine is psychoanalyzing characters like why else you think i major in psychology smh#im going to force myself to cap the post here because i ended up typing like 20 more tags just rambling#and as i said id like to keep this simple and clean !!!!! i have sat here for like four hours answering this ngl#ignore the fact half that time was spent getting distracted by solitaire and riffling cards ok I Am Very Easily Distracted#but fr when it comes to charles and erik- charles esp imo#i feel like i need to write a whole paper just so i can mention the nuances of the characters and like. EVERYTHING#because again six decades is A Lot of time for writing decisions to be made and for their characters to change over time#im a glazer but i wanna be a nuanced glazer yk. is that glazing at that point-- w/e anyway#its a lot. so today you will have to tolerate a very Blah answer from me which i must apologize for#down the line once ive read a comfortable amount more varying from multiple eras maybe ill revisit this question more in depth#as of right now tho .... chat i wanna get legion of x so bad i skimmed it and hhhhhhhhim gonna throw UP#i need to shake charles like a ragdoll BUT ANYWAY. bye bye for now lovelies !!!!!!!#please forgive me if i didnt answer your question efficiently ..#here i am saying i wanted to keep the tag count brief and yet !!! jesus christ. shut up My God I REACHED THE TAG LIMIT
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swallowtail-ageha · 26 days ago
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I remember one of my textbooks saying that aristophanes/the archaia comoaidia doesnt result as funny as it was on the past because its too reliant on the politics of the peloponnesiac wars... skill issue!
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kepler69b · 2 years ago
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if i could churn out school work as fast as i churn out splatoon essays and vod reviews i would never spent more than 2 hours writing proofreading and finalising a 1000 word essay for class ever again
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meo-eiru · 20 days ago
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Day 5 of Character Trivia Night!
For tonight we have Theo
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Theo has a human mother and a cyclops father, though his dad isn't really in the picture as his mom doesn't like to settle down and instead jumps from monster bf to monster bf
Since there aren't any schools for monsters his mom always sent him to human schools, which meant Theo was always around people who did not look like him
His skin is a bit greenish but they usually explain it as a sickness and he always keeps his bangs long to hide his eye, thanks to not having much of a presence as well he was able to go under the radar most of the time
But there was one time in elementary school when he wanted to try playing with the other kids and ended up accidentally showing his eye. His mom quickly moved them to another city and enrolled him into a different school before the news outlets could get their hands on the situation, so by now it's more like a legend of their old town
The experience was quite traumatic for him so now he makes sure to never ever let his eye show in public
Some people who don't know him assumes he's a gamer but he's actually very bad at games
Has no depth perception and wears single lens glasses (glass...?) to make up for it, but they are a bit ugly so he only wears them at home
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He actually doesn't have an eyebrow
Due to his quiet and nerdy appearance there are rumors about him being a gamer in class but he's actually really bad at games
That being said he's really into movies, anything sci-fi more specifically. Especially ones about aliens
Maybe because they are often depicted green, or maybe because the focus is on them not being human, but growing up Theo felt a lot of kinship with the aliens he was on the screen and they became a way for him to cope with his own life
He's mostly terrible at cooking but can make fire lasagnas because his mom likes it and it was the one meal she actually taught him
If left alone he would mostly stay alive eating chips and other snacks
He favorite color is green but if he had to choose a second favorite he would say dark purple
The first item of yours he stole borrowed, because of his overflowing love, was the pen you forgot on your desk
Soon he started collecting whatever item he could find of you. Erasers, pencils, napkins, used straws, clothes....
He also likes to take your pictures and hang them on his ceiling and walls, looking at your face as he falls asleep helps him see better dreams
He never intended to make a shrine of you but the items he stole from you and hid in his closet are starting to form the shape of a shrine and he might've added in some fake candle totally not because he wanted to make it more shrine light but because his closet just needed some more light
He's surprisingly good at drawing. He always enjoyed sketching colorful and quirky monster like creatures but lately his notebook has been filled with drawings he made of you. Weirdly enough, unlike everything else he draws, your drawings always look so clean and shiny like he's trying to draw his god
He also likes to write your name over and over again, it helps him calm down when he's too nervous or when his love for you is overflowing and he can't keep it under control
When writing can't cut it anymore he has to lock himself in a quiet bathroom and take care of the trouble under his pants. He wants to have something that belongs to you while doing it and usually even just a pen can do it but if he's lucky he can snatch your used gym clothes without you noticing.... and maybe take them home too if you don't pay attention... and try to spread your smell into his room as much as he can...
He always follows you home to stalk you make sure you're safe so he's familiar with its location and structure
One time he even tried going in thinking no one was home but just when he was walking towards the building he made eye contact with your mom and just ran back before she can say anything
His tear drops are really big, so when he cries it turns into quite a mess. That's why he does his best not to cry but unfortunately he's someone who can cry as easily as a newborn baby
One of his secret fantasies is you catching him while he's stalking you and humiliating him for it. Mostly because he can't think of any other reason for an amazing, incredible and holy person (one might say) like you to approach him
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yieldtotemptation · 3 months ago
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NOVEMBER ft. Somi
somi x male reader smut
9k words
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"It's this challenge I'm doing. One whole month—thirty days—without having an orgasm," you're explaining, failing spectacularly at keeping things professional. Something possesses you to add: "No nutting. Hence the name."
Somi just stares at you. Flabbergasted.
Leans forward, elbows on her knees, chin in her palms; tearing your entire existence apart with her eyes.
"Can I just say, and I genuinely mean this in the nicest way possible—but that’s the stupidest fucking idea I’ve ever heard."
Here's the conclusion you've arrived at from the one hour you've spent with her: Jeon Somi is some kind of demon.
It’s not a joke, it’s not some painterly metaphor you’re drawing—Somi has clawed her way out from the depths with nothing but a ponytail and an alarmingly tight pair of leggings; arriving on Earth, in the flesh, to make your life a living, breathing, sweat-drenched hell.
So, yeah.
Somi, the succubus. Or something close to that.
It's the only explanation for it really.
See, you're a photographer. Of women, specifically.
Beautiful women in intimate settings, sparse aesthetics. That’s your whole deal. Just homing in on the subject, capturing something ‘real’ without any distractions. Get the essence of who they are when there’s no one looking.
Pretentious, sure, but it’s what’s kept you in demand with the glossy magazines and the avant-garde galleries and the starlets desperate to convince the public that they’re more than just the pretty robots their agencies have programmed them to be.
So, suffice to say, you've met all the types.
The innocent idols that need a mountain of coaxing to come out of their shells. The stone-cold divas that barely acknowledge your existence, yet somehow still expect you to anticipate their every demand. And the flirts, willing to do just about anything for the camera with a wink and a nudge, if it means getting an edge on the rest of the industry.
But Somi? She just is.
Pure temptation incarnate, from head to toe, without even trying. Thighs that threaten to strangle your self-control, a waist that makes sinners out of saints, tits that would have physicists reconsidering the very nature of gravity, all topped by a dangerous smile that could melt a fucking igloo with its sheer wattage.
Somi’s hot.
She knows it, the world knows it, the public crucifies her for it. And she just takes it all, all of it. Melts it all together and forges it into armour.
And now she’s here, in your private space. None of the usual entourage of make-up artists, managers, whatever. Just herself and an absurdly sweet frappé. Looking so comfortable that it’s making you feel like you’re intruding.
She’s leaning on your table, ass flush against the wood, arms crossed, and her eyes—those fathomless dark pools—land on yours, holding them hostage.
Barely has to make any effort when she laces her words together, piles on an unhealthy dose of insinuation, cocks an eyebrow and asks—“So, how do you want me?”
Naked, preferably. On all fours, ass to the sky. Or maybe on her knees, mouth hanging open, tongue out, elbows squeezed together to make her tits sing.
Yeah, you're already composing the perfect shot in your head.
Fuck.
You rub your eyes. Maybe thirty days of self-imposed abstinence has finally broken you, and this is all some kind of feverish hallucination driven by your libido.
But no, Somi is still there, lounging in your studio, all curves and challenge. Just being insanely hot.
You cough, clear your throat. Put on the mask of someone far more professional.
“Anywhere you’d like,” you’re answering, keeping your expression decidedly blank. This isn’t the first time you’ve been the only outlet for a young sexpot desperate to let off some steam. You have the experience. But again—fuck. Thirty days is far too long. Somi is far too much. “Just keep it natural. Like I’m not even here.”
Somi just laughs, sweet and sinful, her whole thing. Pushes off the table with a grace that seems almost supernatural (again, see the demon theory), before adding a thought, like it just sprung up in her pretty head— “Easier said than done.”
Distractions aside, all things considered, she’s the perfect subject.
Gets what you’re going for immediately, makes herself at home amongst your studio's chaos. Glides around the room, runs her fingers over your equipment strewn about—the lights, the lenses, the negatives hanging in the corner.
The sway of her hips, the flex of her back. The dip of her brow and purse of her lips when she asks, "What's this for?", and the genuine interest when she listens to you explain about aperture, and light metres, and so on and so on.
(Snap a photo of her silhouette when she's by the window, leaning against the glass to spy on the passers-by.
Snap a photo of her smile, when you say something that's really not that funny, but she laughs anyway.
Snap a photo of her legs, when she finds a couch to lay on—stretching herself out, showing off their length, the tone of her thighs, the promise kept hidden by her leggings being pulled tighter and tighter.)
Another hour passes quickly, and you take a break there, more for your sanity than her endurance. Leave her to her own devices while you flick through the shots you’ve managed to get so far.
Only, when you scroll through your laptop, scan through the dozens upon dozens of rapid-fire photos you've taken—it's a horror show.
None of them work.
Not because of her, but because of you.
The way you've shot her. Far too revealing—you've put too much of yourself in these pictures. Turned them from images to confessions. Each one a fucking love letter to her body—her legs, her tits, her lips, her ass, her tits again—everything about her that makes you ache.
It's not art. It's borderline pornographic.
And yet, Somi's still just lying there.
Drinking down another pick-me-up that she's had delivered, this one with enough caffeine to take down several horses, chatting away so casually while you try to stitch your soul back together. Sipping and talking about who-knows-what, throwing out feelers, smiling easily, laughing sincerely, utterly oblivious to the havoc she's wreaking on your self-control.
An effortless grace when she lifts herself off the couch, saunters over to you and leans in far too close, gets far too familiar, lays on far too much charm when she asks, “Mind if I take a look?”
Yeah, you do, but you still force a calmness into your voice that you’re certainly not feeling when you turn the laptop so she can see.
“Wow,” is her initial review, and now she’s touching you, hand on your shoulder, tits pressed up against your arm and you’re certain that none of this is accidental, like an oh, just trying to get closer so I can better appreciate the photos you’re flipping through, never mind that you're getting a precise estimation of my cup size just from the feeling alone.
Do your best—ignore the pressure, the warmth, the softness. Watch her face, see all the tiny details; her eyes lighting up when she catches something she likes, her thoughtful hum at a particularly good shot. The smacking of her lips, the furrow of her brow, the recognition as you scroll.
One by one, with each photo, her expression morphing from curiosity to understanding.
She notices.
“You’re good at this.”
You wait for it. “That’s all?”
Her eyes glint, “None of these can be used though.”
“I know.”
The screen’s frozen on a particularly compromising shot: there’s Somi’s face, barely in it, just the bottom-half, her lips pouting out and looking all plump and delicious. Camera angled up high, pointing down the dip of her tight, sheer top and the shadowy valley that makes up her cleavage. Scanning down to her legs, folded to the side beneath her, the squish of her ass cheeks over her heels, spilling into the corner of the screen.
Sin, captured in fifty megapixels, barely contained inside a four by six frame.
A submissive dream.
“These for your personal collection, or—” and when she catches the heat rising up the back of your neck, changing directions, “—not that I mind, as long as I get a copy.”
Clearly finding all this much funnier than you are—that smile’s a knife to your chest. So sharp and knowing; it would have you gasping for air, if only you’d look.
Keep it cool, play it off with a shrug, “We’ll try again.”
“I doubt we’ll get any different results,” Somi’s predicting, bouncing on her toes now, getting closer and closer until she doesn’t need to make much of an effort to make herself heard. Close enough that she could feel you now, if she wanted to. Just brush her fingers over you and get a good idea of the reason why this photoshoot is going so far off the rails.
She instead leans her chin onto your shoulder, breath hot against your cheek. Like throwing a match on gasoline.
All the power of this girl, this woman, wrapped up in a single gesture. Wielding it so freely, so innocently, so easily. Heat that's self-aware, that knows just how much it's burning.
You caution, “Keep it professional.”
“Doesn’t that run counter to the whole aesthetic. I thought we were going for raw?”
“Natural.”
“What’s the difference?”
You need to stop yourself, shut the laptop, end the session right now before it’s much too late. Before you’re turning to her and realising just how close her lips are to yours, just how tiny her waist is compared to your hands, and you're saying the words that will end all semblance of propriety and professionalism— “With you, I don’t think there is one.”
“Well as long as we agree,” and Somi’s turning away, striding back to the couch, leaving you to breathe again. Making you thankful for the space, but missing the suffocation of her heat all at once.
Plopping herself down on the cushions, one leg folded under the other, leggings so thin you can see the shape of her underneath. Natural, just like you asked—looking like she's the only one here that’s exactly where she wants to be.
You’re thinking you’re off the hook.
Maybe you can get back to work.
Only, “So, it’s been a while, then?”
“Somi,” you’re saying her name for the first time, officially, and it’s coming out far too strangled. Far too needy. She loves the sound.
“Come on, humour me.”
“Somi,” again, you’re trying, clearing out the cobwebs from your throat.
“Sir.”
What the fuck.
She doesn’t move. Waits patiently for your answer.
You give her the inch, knowing she’ll take the mile.
Raking a hand through the back of your head. “Thirty days.”
The look on Somi's face is apoplectic. You're glad you have the wherewithal to capture it.
"It's a—" and you're feeling quite stupid as you explain it to her in detail; the abstinence for a month, the purpose of it all, the supposed benefits, "challenge."
That sends Somi ranting, hands flailing in the air. Incredulous, at you, at this challenge, at the idea of putting yourself through this self-imposed torture. “Stupidest fucking idea I’ve ever heard.”
And then, when she sees your face.
“Sorry.”
“Yeah, I know.”
“But seriously. Thirty days? And not once.”
Your voice is dry. “No.”
“Not even by accident?”
“I don’t think that’s possible.”
“Wet dreams, nothing? No jerking it? No sex? At all?” Somi’s bursting out laughing, hand flying to cover her mouth, barely even able to breathe. It’s so absurd to her.
And it doesn’t take long before she puts it all together. Processes the information, sees the picture she’s painted of you. The sad, desperate artist, with nothing but a dying hunger and a camera. Realises the predicament you’ve put yourself in just by having her here.
She’s not laughing any more.
“And so you chose today, November 30th, to schedule me?”
You’re very, clearly frustrated. “Not my choice.”
“I see.” She bites her lip. Angles herself just so.
“Dial it back.”
“Tell that to your boner.”
You look down. Pants distinctly flat.
Somi’s grinning. “Made you look.”
“Are you done?” You ask, forcing yourself to look away from her, busying your hands by screwing on a different lens, as if it’ll somehow make her appear any less distracting, like it’ll blur out all your worst intentions and bring back some actual decorum to this whole fiasco. “We don’t have much time left.”
Turning back to her, raising your camera, aiming straight and true and—
Somi, unzipping her heels, kicking them across the floor with a dramatic flourish.
Snap.
Somi, lifting her top up and over her head, stretching her arms up high to push her breasts out forward; making them tight, outlined, so obviously pebbled against the cotton of her bra.
Snap.
Somi, digging her thumbs into the waistband of her tights, pointing her legs up in the air so she can peel them off without getting up, thrusting her hips up off the couch to yank them over her ass.
Snap.
“Somi,” you’re saying again, because apparently, you’ve forgotten how to make other words.
“Just doing what feels natural,” she says, smile turning wicked, reaching behind her back to unclasp and oh, now she’s completely naked. Rearranging herself into this pose. As if she isn’t already the centre of your universe.
Thirty days, flushed directly down the drain.
“Take a picture, it’ll last longer.”
You’ve found it, the perfect photograph.
Somi, kneeling on the couch, hands folded on her lap, staring down the barrel of your camera with her tits out. Unreal. Works of art, both of them. Miracles of flesh, gravity be damned.
“You’re not taking any photos,” she points out.
You swallow hard. “I’m taking it in.” 
Her hands come up to cup her breasts, giving them a bounce. For fun. For you. For the look on your face. You capture the jiggle. "Good, because I'd hate to think all this was going to waste."
It’s a little fucked up, how right Somi is. You wanted raw, honest—here it is, Somi as she kneels. Just being herself, being the woman everyone accuses her of being—the sinner, the whore, the slut.
Being the woman she knows she is, with everything that it implies—the confidence, the appeal, the fucking powerhouse of magnetic attraction. Not an image being projected, not a role she’s playing, but the reality of her, shooting straight into your veins, raw sex personified—as natural as breathing.
And before you know it, you’re capturing her lips with yours, an ‘mmmph’ slipping out from her as your mouths collide and your tongues meet.
It’s not intentional, it just happens. You lean in, she’s hot, she smells like heaven and sin wrapped in a neat little bow and you’re kissing her.
Tongue finds hers, attacks, retreats, joins and intertwines, and it’s everything you imagined it would be turned all the way up—sweeter, hotter, and so much more fucking dangerous.
Lips head south, tongue sliding along her neck, teeth on her shoulder, kisses into her collarbone; and finally, you’re at her breasts.
Softer than a dream, tasting like pure addiction; you kiss the tops of her breasts, lap up all the sweat that’s beaded down in between. Drag your tongue down, follow the curve, the dip, and ending at the hard little points poking against your lips. Filling your mouth with as much of it as you can—licking, suckling, making a complete mess of spit on her chest, and then biting, just a little, just to make her moan.
“So this is what denial does to a man, hm?”  Somi slithers into your ears, under your skin, hands at the back of your head and holding you in place.
She arches into you, pushing herself closer, letting you taste, indulge. Feast on what you’ve been missing out over this long stretch of days.
And fuck, maybe it is the abstinence, the pent-up need, or maybe it’s the fact that tits in general are just fucking incredible things. Or maybe, just maybe, it’s that it’s Somi, in all her outrageously perfect glory, so happy to be the one that gets to ruin you, that’s making you feel like you’re going to spontaneously combust.
Not that it matters one bit.
Not that there’s any thoughts at all in your head; there’s just Somi’s tits and your tongue. Lapping it up like you’re trying to drink her in, memorise every contour, every curve, every little goosebump you induce with each swipe of your tongue.
Somi’s tits; a canvas, and your mouth’s painting the picture of a lifetime.
“Baby,” Somi coos, hands on the side of your face, lifting you up off the cushions of her breasts. She’s giggling, her fingers wiping at the strings of drool that you hadn’t even realised you’d been leaving behind. “Remember what we’re here for?”
Right.
The camera. The art. The job. The no-touching rule.
But your mind is a blurry mess of tits and need, and all your blood has headed south for the afternoon, and it's making you feel like you're melting from the inside out.
“Let me give you a hand.” Somi’s gentle with you, like you’re a stick of dynamite with a frayed wick, just the slightest touch and you’ll blow.
She takes your hand, fingers brushing against yours, little sparks of electricity making your hairs stand on end, and lifts your camera up to point directly at her.
And then, she smirks. As if to say, yeah, she’s read all your thoughts; seen straight into you and has discovered the vault where you’ve kept every one of your deepest, darkest impulses locked up for thirty long days.
Somi repositions herself. Poses her body, determined to bring every single filthy, desperate, starving fantasy of yours to life.
Reclining back into the couch, thighs apart, spreading her legs wide.
Showing off her cunt.
Bare and gleaming. Shaven clean—just this perfect, pink, wet little pussy calling out to you. Open like a fucking invitation.
You’re staring.
She waits for you to catch up.
“Now would be a good time to start using that camera.”
You take a step back. Heart racing, hands shaking; you’re usually so much better than this. Take a deep breath, lift the camera, do your job, make your art, capture as much as you can while you have fucking perfection putting herself on display for you.
The click, the shutter echoing through the studio.
It makes Somi sigh.
Her eyes find the lens, locking down her target. A fucking miracle of biology, that’s Somi. Born to have cameras on her, as in love with them as they are with her.
Her fingers dip, trace down over her ludicrously tiny waist, her abs, her bellybutton, stopping short of her mound. Dancing over her pussy, light as a feather.
Fucking grinning as she asks, “Like what you see?”
The camera’s flash answers for you.
Touching herself, stroking, circling, pressing down. Building a crescendo that you can see painted on her; through the tensing of her abs, the heaving of her breasts, her cheeks going pink, her breaths getting shorter, and her lips parting to moan.
You’re barely conscious of the fact that you’re talking under your breath, a singular demand— “Keep going.”
“Yes, sir.”
Thirty days of denial has turned you into a starving man, only for Somi to show up and make herself a full-course feast. The perfect model, but also the worst fucking thing possible for your resolve.
You take a deep breath, grip the camera tighter.
If you’re going to crack, you might as well go out with a bang.
Guiding her, as if she was any other client, and this was just another photoshoot— “Open your legs wider, Somi. Show me everything.”
Her eyes widen, pupils dilate. Sparks, excitement, lighting them up. She does as she’s told, pushing out her knees further, sinking down into the couch cushions.
Thighs quivering, pussy sopping wet and pulsing. All for you. For your camera.
Another click, the shutter again, like a time-bomb ticking down to your doom.
“Play with your clit. Tease it.”
Her hand obeys, delicate, slender fingers moving in slow, deliberate circles, hips bucking slightly with each pass. The noises she makes are obscene. Harsh, breathy whispers that make you throb; moans that get caught in the back of her throat.
It’s a rush of blood straight to the head, an almost dizzying sensation, having Somi so eagerly following your every command. Her face says it all, this slut positively loves being told what to do.
“Keep it light. That’s it,” you say, stepping closer, hitting your marks, your angles. “Turn to me. I want to see your face.”
“Like this?” Somi breathes, turning to face you fully, her hand still playing with herself, stroking in a way that's almost cruel—so gentle, so teasing, so obviously designed to make you lose your mind. “Getting the pictures you’ve been dreaming of? Someone like me all spread out for you?”
You nod, jaw clenched, keeping steady. Or at least, you think you are, considering how good Somi’s making this for you.
Making sure you get the right shots of her—her pussy, swollen and puffy, dripping down a puddle onto your couch. Her tits; pinched until they’re hard and sensitive, a vivid red against the stark white of her skin. Her eyes, wide and wild and looking straight down the lens, communicating her arousal in a million different heated ways without saying a single word.
Let it be known; Somi knows exactly what she’s doing.
Knows when to sigh, knows how to arch her back, knows in which direction to pout her lips. Knows how to make every click of the camera count.
“Good girl,” you’re telling her, praising her, and it’s enough to make her keen.
“Am I?”
“Of course,” you say, leaning in closer, close enough to feel the heat of her body, a furnace against your skin. See the sweat dripping down her thighs, tiny little droplets shimmering against the muscle, begging to be licked away. “You’re doing so good, Somi. So, so good.”
You’re getting closer now, kneeling. All for the sake of the perfect shot.
Seeing her fingers work, spreading herself open, exposing her folds, glistening. Her clit standing tall and proud. Her entrance pulsing, waiting to be filled. It’s like watching a masterpiece come to life, a photo that’s been taken a thousand times before but never quite captured right. Until now. Until Somi.
Somi's smiling down at you, all knowing, all tempting, making your mouth water, and it takes all your self-discipline to not drop the camera and replace your lens with your tongue.
She laughs, low and throaty. “Looks like you’re enjoying the view.”
“You have no idea, Somi,” you answer, adding, “But you can make it better, can’t you? Make it wetter. Hotter.”
“Mmhmm,” she agrees, getting to work at making your instructions real. She’s a professional too, after all. A master of her craft. Her other hand snakes down to join her first; one hand pressing firmly down on her clit, the other plunging two fingers up into her cunt. Pushing in, curling, until it’s hitting that sweet spot that makes her preen.
“Perfect, Somi.”
You’re transfixed, as Somi starts to fuck herself in earnest, the camera almost forgotten in your hand. She’s so drenched that every stroke is accompanied by a wet, slick sound; and the way she’s creaming around her digits, dripping down her wrist, it’s far beyond a simple performance being put on for the sake of a photograph. It’s the real deal.
Somi’s breaths come faster, her eyes glaze over, and she’s biting down on her bottom lip, trying to keep from crying out too loudly.
You know you’re getting the best of her, can see it across her face: this is what she truly enjoys. Being watched, being desired, being told what to do all for your pleasure.
“Oh, baby,” she’s barely managing hushed, strained whispers, “Oh, oh, oh…”
You feel like you’re in a trance, your own hand wandering down, needing to adjust lest you rip right through your jeans. The sight alone is devastating enough, but it’s making you swell, until there’s no point in trying to hide it anymore.
“That looks so,” Somi’s licking her lips, seeing the state you’re in, seeing the desperation in your eyes, the strain down below, “Nice.”
The camera is your anchor, your north star in this whole mess. You keep it steady, even as Somi’s breaths grow shallower, turn to pants. Losing herself to you, to the moment, to being captured in all her vulnerability.
She’s fucking herself even faster now, fingers sawing in and out of her pussy, wetter and wetter still, knuckles turning white with the force she’s applying.
“You’re doing so good, Somi, such a good girl for me,” you’re reassuring her, unable to hold back your own need, your own desire from leaking into your voice. It’s a battle, a war really, against your own urges, your innate desire to just drop everything and dive into her, feel her tightness around you, make her scream out your name.
But it’s too soon, Somi’s too close, and it would be a fucking crime to stop her.
“Baby,” she gasps, the word a prayer and a taunt in equal measure, “Baby, I don’t think I can last any longer.”
You’re grinning now, heart racing, camera at the ready. “Good.��
Somi’s on a knife’s edge, balancing on the precipice of climax. You can see it in how her body’s seizing, how she throws her head back, exposing her neck to you—needing your kiss, your bite, your claim. But you resist, intent on capturing every moment of her unravelling.
Because you want to know. Want to capture it. How she cums. What sounds she makes, what noises she can’t keep in. What she looks like when she falls apart.
“Cum for me, Somi,” you’re telling her, “I want to capture it all.”
Somi trembles. She wants it too.
Her eyes screw shut, her breath hitches, and she’s there, sinking back into the couch, letting out this sweet little gasp of anticipation.
The studio goes silent except for the sound of her fingers in her cunt and the shuttering of your camera.
In, out, snap.
In, out, snap.
Fucking herself. Fucking you with her very existence.
And then—“I’m going to—”
Her body arches off the couch, a scream ripping from her throat, her hand working furiously, pussy clenching so sweetly around her fingers. It’s the type of photo people spend entire careers never getting to capture, the most beautifully obscene sight you’ve ever been lucky to witness—Somi, in the throes of pleasure, wracked by her own orgasm, all for the sake of your camera.
It hits her hard and fast and all at once, turns her body into a bow, taut and tense, before it’s released, snapped, melting her down into a boneless puddle.
You watch in awe as Somi cums, writhes and wriggles, and she makes these noises that you’ve never heard from a woman before; crying out so loud you’re surprised the neighbours aren’t banging down the door to see what the commotion is about.
It’s only when she finally relaxes, is released from her orgasm, that you lower the camera, out of breath from the sheer exertion wrought by just watching her.
You’re both near devastation—Somi sprawled on the couch, chest rising and falling, eyes closed and an elated smile on her face, and you, knees threatening to give out, unable to tear your gaze away from the sight of her satisfaction.
“That was—” Somi tries shaping the words, but they don’t come. She just lies there, lazy and sated, catching her breath.
Moments pass before she can open her eyes again, only to find you, standing over her, jeans vanished, cock out and level with her parted lips.
“That was just the beginning, Somi.”
It's just the sight of you, but Somi’s delighted. Seeing you like this—exposed and so ridiculously hard. All because of her.
She slides off the couch, kneeling at your feet.
“Tell me what you want me to do and I’ll do it. Anything at all. Just make sure you capture it.”
“Then suck.”
Wet, hot heaven. Somi’s mouth is heaven.
Tongue darting forward, swirling around the tip, teeth grazing the head, and you’re groaning, hips jerking forward involuntarily until you’re falling into her mouth.
Somi’s got a way about her, a finesse that’s unmatched in everything she does. So, so good for you; opening her mouth nice and wide, hollowing her cheeks just right, pursing her lips to make sure you feel it when she sucks.
Just gleeful when your hand finds purchase in her ponytail, when hers wrap around the base of your cock, and you push. Inch by inch into the sweet heat of her mouth, taking it all, making sure you can see it, see how thankful she is to be granted the privilege of swallowing you whole; of having you completely filling her throat.
Holding herself there, nose pressed up against your stomach, eyes looking up, watering slightly around the edges. Not even gagging, just warming your cock with her throat, pulsing, tight, unbearably hot.
She raises her brows.
Ah, that’s right.
Snap.
Pulling off you, dragging her lips, her tongue up your shaft, leaving behind a choked, drooling mess that she’s so fucking proud of.
Giggling around a mouthful of your cock, laughter vibrating across your skin, and it’s a wonder you don’t lose yourself right then and there.
But somehow, you hold on; brace yourself against Somi massaging your balls, tickling the underside of your tip with her tongue. Playing with you, taunting, enjoying every second. Popping your cock out of her mouth so she can truly take measure of you at your achingly hardest, so she can breathe onto your cock in wonder, “Just look at you.”
Balancing your length in the palm of her hand, barely able to wrap her fingers around your girth.
“So big, so hard,” she’s rapt, talking to you, to herself, making sure the ghosts haunting your studio know exactly what she’s dealing with her. “And it’s all for me, isn’t it?”
“Darling,” you’re calling her, making her swoon, “Take it all.”
And she does. Somi, eager, opens her mouth wide, and lets you fuck her face. Getting you deep, so deep that you can feel her throat clench around your tip, slurping, moaning, choking now, but never, ever stopping. Just drooling down your thighs like the good little slut she knows you need her to be.
You’re back at it, taking photos, trying to get the perfect angle, but it’s proving a big ask when your knees are wobbling and your vision’s growing blurry. You’ve got Somi’s eyes in the viewfinder, all wide and blown with lust, looking straight through the lens of the camera and at you, daring you to break first.
But there’s still so much more of her to capture, so much more of her face to fuck.
Her red lips against your skin. Her cheeks bulging with your length. The line of her throat as she swallows. The tears in her eyes when she gags.
Somi’s arms loop around your back, cupping your ass, pulling you closer, urging you deeper.
Winking, giving you all the right cues; a muffled, “Here,” she says with her eyes. “This angle.”
And she’s right. It’s perfect. She’s got a talent for this.
Taking you deep, feeling like your cock’s never going to be able to leave her throat, only to pull back so you can see just how much she’s enjoying herself. How much she’s into this, so grateful to have you capturing every moan, every gag, every little sound she makes as you fuck her mouth like it’s the first time—and after a whole month it might as well be.
“Fuck, take it, Somi, you’re doing so well,” you tell her, knowing what it does to her—the praise, the adoration. Absorbed straight into her bloodstream, making her work harder, suck better, choke a little more. “Such a good girl.”
She loves it. Her eyes brighten, she squeezes your thighs, nails digging in. She loves it all.
You’re getting so close, you can feel it—thirty days of denial are about to come to a head, and she's going to be the one to bring you there. And yet, you still haven’t gotten nearly enough pictures to do her justice.
Somi sees it too, she can tell, knows just how close you are, but still, she's just lie you. She wants more.
She pulls back, an idea hatching in that filthy mind of hers, a smirk playing on her lips.
“Wait,” she says, wiping her lips with the back of her hand, cleaning herself of her spit, her drool, your leakage. “I want another photo. For comparison’s sake. Just for my memories.”
You’re not sure what she means, but you don’t ask questions. You just keep your camera at the ready, watching her move, watching her lean closer.
Your cock hovering just above her cheek, tip bumping up against her nose, leaving a wet streak across her face. She holds herself there, your length atop her face, and it’s all in view—her eyes fluttering closed, the tip of her tongue poking out to catch a taste of your precum, the way she’s breathing, deep and heavy, smelling the scent of you, inhaling it like it’s oxygen.
Somi—her face, her tits, her waist, her thighs.
Your cock.
All in view.
That’s the photo.
And when it’s done, you’re backing off, relearning how to breath, how to stand on your own two feet without crumbling to the ground. Somi’s tongue chases you but you’re out of reach, setting the camera down on the floor.
You need to get in on this. Fuck silly challenges. Fuck being a passive observer.
You’re done just watching. You need to feel her.
Somi looks at you all smug and satisfied, on her knees, awaiting your next instruction. “Finished taking pictures?”
You don’t answer.
Instead, you start peeling off your clothes, each layer like a heavy weight of your shoulders; until you’re just as bare and needy as she is.
Back to Somi, cradling her face, letting her lean into your palm. Running your thumb across her jaw, dragging it across her lips, stamping it onto her tongue.
She sucks.
Christ.
Thirty days of hell, given up for one moment in heaven.
Fuck it. She’ll make it worth it.
You tell her in simple, clear terms. “I’m going to fuck you now, Somi.”
“Please.”
It’s your turn now.
You relax into the couch, legs spread wide, cock throbbing in the open air, beckoning her to come closer.
Somi reads the room, your posture, your need, and she rises to the occasion. Joining you on the couch, back on her knees, thighs gripping on the outside of yours. Hands planted firmly on your shoulders, and the whole time, her eyes don’t leave yours, not even for a second.
Appreciate her, this woman, giving herself over to you.
Untying her ponytail, sending honey-brown hair cascading down her face, caressing her neck, her shoulders, meeting the tops of her breasts, perfectly rounded and waiting for the return of your teeth. Her waist, her abs, tensing and releasing, with every hot breath. And her pussy, already there, shimmering, dribbling down your cock, waiting.
Somi’s waiting for your permission.
So, taking her by the back of her neck, pulling her close, kissing her hard. Forcing this whine into your throat as your cock bumps up against her folds, sets off fireworks down her spine.
It’s a translation. Your need, from your tongue to hers, telling her that it’s only her that can do this you. Can rip you from responsibilities, from sanity, from all the shit that’s been keeping you going for the last thirty days.
Telling her that it’s worth giving it all up for just a taste, because maybe that’s the point of the challenge in the first place. Not a matter of self-control but a way to save yourself for something—someone—so potent, so powerful, so fucking irresistible that you just have to surrender to.
You pull apart, breaths hot and ragged, tongues still connected by strands, your hands already at her waist.
“You’re going to ride me, Somi. You’re going to cum on my cock and I’m going to watch it all.”
Somi nods, understanding.
Letting you guide her by the hips, sliding her fingers between her legs to take hold of your cock, aiming it at her entrance.
Lowering herself down, slow, so fucking slow, like it’s a brand-new form of torture, until your cock is nestled at the entrance of her heat, and you’re both vibrating with the anticipation of it, the gravity of this moment.
You take a harsh breath. “Ready?”
Somi presses her forehead to yours. Teasing, “Are you?”
And then, inch by inch, dragging her cunt down your shaft, making you feel every bit of her wetness, her tightness, every bit of her heat, Somi takes you in.
Pussy tightening around you like a fist, walls pulsing, massaging your cock, like she’s already trying to milk you dry. This moan that’s torn from her lips, deep and primal, something she’s been holding in for far too long, this needy, unholy cry that takes the shape of your name.
And when she’s bottomed out, when you’ve filled her until all she knows is you, Somi looks down in your eyes, nothing but pure, unfiltered lust strewn across her face. “Everything you were hoping for?”
You try, but fail, to form coherent words, just manage a grunt of pleasure, a nod of your head, and she laughs—it's the sweetest, most evil sound you've ever heard. She's got you, hook, line, and sinker.
“Good to know,” she says, and that’s all she needs to start moving, to set the rhythm that’s going to shake the walls, send them crashing to the ground until all that’s left is the two of you fucking amongst the rubble.
Her thighs tighten around you, hips start to roll in a way that’s just too fucking good, too fucking perfect. The friction is everything, makes the world narrow to just the two of you, the sound of skin slapping against skin, the drenched slick of her pussy, the heavy scent of her filling the air.
“Baby,” she repeats, each time her thighs slap down against yours, each thrust all the way up into her guts. “This cock is so perfect for me, so fucking—”
A snap of your hips into her, pulling her down hard, making her tits jump at the force of it, making Somi wail. There’s her cunt, spasming around you, tightening, trying to hold you in, trying to keep you there, but you’re not letting up.
You take over, holding by the hips and fucking her, like you’ve been waiting for, like you’ve been so fucking desperate for, like she needs so badly.
“God, you’re really—really fucking pent up, aren't you?" Somi's words are chopped up by the relentless thrusts of your hips, making her stutter, her voice all strained and breathy. Bouncing on you now, letting you set the pace, eyes screwed shut, just giving herself over to you. “I’m so, so lucky. So lucky that it gets to be me that breaks you. That takes you. That gets all this cum you’ve been saving this whole time.”
You’re gritting your teeth, unable to do anything but just fuck. Driven mad by it, by every impulse coming right up to the surface.
Everything you’ve been holding back, it’s all here, being unleashed onto Somi.
Fuck her, fill her, make her scream—‘Please, please, please’. Those are the only thoughts in your head now. Forget about the job, the photographs, the responsibility—just be yourself, a man on the edge, ready to jump off the fucking cliff.
“Baby,” Somi’s repeating, as your fingers find purchase in her ass, as she lays kisses on your shoulder, marking you up along your neck and down your jaw. There’s other words too—filth, all of it; whining to you about how you’re filling her up so good, about how she’s so wet for you, about how you’re going to make her cum so hard. But it’s all just noise to you. Noise that can be summarised in the simplest of requests, right from Somi’s lips—“Please, fucking use me.”
It's the perfect way to come apart—have someone like Somi, with her heavenly tits in your face, and her greedy, greedy cunt soaking up everything you’re willing to give. Begging, wanting, needing to be ruined.
“So fucking tight for me,” you’re kissing into her chest, finding your voice somewhere between her breasts. Telling her, “Fuck, Somi, your pussy. It’s so good for me. So fucking perfectly wet.”
“Thank you, thank you, thank you,” Somi sighs back, arms barely hanging on, holding at your neck, unable to do nothing but whimper and bear it. Bear this fucking you’re giving her, your cock invading her cunt, making her pussy tighten around it like a vice, making her abs clench, her tits jump, her throat swallow—making her sweat.
It’s like she was made for this—cunt made for your cock, body made for your arms. Somi, perfectly designed to be used by you. To moan and whine at your mercy; to be fucked, to be filled, to ruin you and to be ruined all the same.
“I can’t, I’m trying but I can’t hold on,” Somi’s teary-eyed, kissing at your face, your neck, her breath hot and sweet against your ear. “Baby, please. I need to feel you. Need more of you.”
And you’re only too eager to oblige.
Lifting your head, pulling her body closer. Catching her left nipple in your mouth, sucking hard, nipping at the peak until she’s gasping, until she’s arching her back, pressing her chest closer. Feeling the flesh flush against your lips, hitting your chin with each hard thrust.
Fuck, her tits. You could suffocate between them only to claw your way out of the grave just for another taste.
Her nails dig into your scalp, demanding more—more attention, more adoration, more worship. You give it to her—switching between each of her breasts, suckling and licking, making her whine and buck against your teeth.
“Just like that, you’re so good at that, so good with my tits,” she moans, short, tiny sighs that send your hips jerking upwards. Fucking her faster, quick, staccato thrusts that hit her just right, make her walls quiver around you. “They’re yours, all for you. All of me is yours.”
Her orgasm builds; it’s palpable, a storm brewing in the studio, sweeping up everything in its path. Each breath she takes is a hitch, a little cry, a whine. So tight around you, fucking her so hard, so deep that you can feel it coming from the inside out.
“Filling me so good, so, so good,” she mewls, and there’s still some fight in her left, a burst of energy in her thighs, allowing her to grind down harder, drop her ass on you—an up, down, up, down that echoes through the studio with each smack.
“You’re going to cum for me Somi,” you’re telling her, detailing exactly how she’ll come completely apart. “You’re going to cum all over my cock, you’re going to scream for me when you do it, okay? Tell me how good it feels.”
“Yes, yes, yes, tell me what you want—anything—I’ll do it, I’ll be so, so good for you—”
“You’re going to beg me for my cum, Somi. Going to beg me to give it to you until you can’t take any more,” you’re growling, your teeth sinking into her tits, your tongue pushing up against her flesh, making her sing.
You’re fucking her apart, tearing her in two with your cock. This girl you've only just met, who only just walked into your life; nothing but sex in a pair of high heels, and you’re already rearranging the furniture of her soul.
Now she’s the one that can’t make sense of things, can’t form full sentences—just incoherent whines and cries, each one stacking on top of the other, until the foundation’s all tilted and it’s going to collapse any second now.
Just waiting for you.
Separate from her chest, take a fistful of her hair, pull her back so you can look in her eyes and see. See just how badly you’re ruining her, how terribly she’s falling apart.
Make sure she can see you, has her attention on nothing but you when you tell her, finally, “Cum. Cum for me, Somi. All over my cock.”
She’s breaking.
“Now.”
“Please, I—” Somi’s words live and die on her lips, barely making it out before it hits her, seizes her entirely, forces her cunt to strangle your cock as she shatters.
It’s all there, her pussy tightening, pulsing, clenching, releasing in this quake of bliss that feels like a sucker punch straight through your gut.
When she cums it hits her, hits you, waves of heat washing over your cock, splashing down onto your thighs. It’s the sensation. So overwhelming, so undeniable, grinding down her orgasm onto you, pleading, over and over and over again, “Don't stop, don't stop, please!”
Writhing in your arms, needing to be held close to stop her from falling off the couch completely. Eyes rolling, head thrown back, exposing her neck, the perfect arc of her throat. Her body jolts, jerks, twitches, and it has you fucking hypnotised.
And all Somi can do is say, “Oh my God, oh my God, oh my God!”
She keeps going, until each thread is unravelled, until you’ve fucked loose every last bit of control she’s got, until she’s nothing but a trembling mess in your arms.
But it’s not over, not yet.
You’re still hard, so fucking hard. Bursting at the seams. And Somi’s looking down at you, pulling herself back together. Seeing your cock, buried inside her. Seeing the mess you’ve made of her, her own pussy. Seeing everything.
And she’s smiling, because she knows what comes next.
“Use me.”
You lift her off your cock, so easy to carry; her tiny waist in your hands, she’s so light. Still shivering, these tiny, little aftershocks quivering through her, it’s like she’s clay in your hands, ready to be moulded at your discretion.
Somi gasps when she’s laid out on the couch, her legs spread wide, her cunt leaking down her thighs, all cream and cum. She adjusts herself, makes herself comfortable, presentable. Putting herself in the best possible state to be used by you.
“Use me, baby,” she repeats again, that sweat plea that’s going to be you’re undoing. She’s so, so needy, practically whining for more, for everything, for anything as long as it involves your cock and her.
You stand over her, cock at the ready, eyes on your next target, the natural stage for the grand finale, the pièce de resistance of this whole fucked up photoshoot—Somi’s breasts.
She follows your gaze, realises, “You want to fuck these tits, don’t you?”
You find your voice gravelly, deep. “Yeah.”
Somi giggles, hands at her chest, taking either side of her breasts, pushing them together with her palms and creating this gorgeous valley, just waiting for your cock. “Then what are you waiting for?”
“For you to beg.”
Somi blinks. Once, twice. Sees the look on your face, sees how hard you are for her, how desperate you are to let go.
But she knows how much you need to hear it. Knows how much she wants to say it.
“Please. Baby, please. Fuck my tits. Cum all over me. I need it.” Somi’s licking her lips, massaging her breasts together, showing you just how soft they are, how ready they are for you. “I need to feel your cum on me. All over me. My face, my neck, my chest. Everywhere. Let me do this for you.”
That’s it.
You’re back on the couch, straddling her stomach. Knees on either side of her waist, cock between her tits. Soft, warm, inviting.
“Like this?”
“Yeah. Just like that,” you manage, each word a mountain of effort as you watch your cock disappear between her breasts.
It’s a gentle push, that’s all it takes, and Somi starts to move, making her tits jiggle around your dick, squeezing it from either side as you slide your cock up and down. So focused, eyes on your cock, then back to your face, studying your every reaction, waiting for that moment when you crack.
And it’s coming so soon, you’ve been teetering on the edge since Somi first walked in—fuck, on edge for thirty days—and now you’re hurtling towards the fall.
You’re not going to last, not when Somi’s got you like this. Her hands moving with you, her tits bouncing in time with your strokes. The cushioning of her breasts around you; this gentle, sweet, torturous pressure that has you grunting, has you smearing drops of yourself all over her chest.
“Fuck, you look so good between my tits. So hard. Doesn’t it feel right? Like this is where your cock fucking belongs. This is what my tits were made for. For you,” Somi’s whispering, stringing these words together like a spell. “You can go faster, baby, I won’t break. Just let go and use me like the slut I am.”
Pleading for it, so desperate for you. Sweet words, encouragement, filth, like a drug, pushing you close and closer to the brink.
Just obey, pump faster, fuck her tits quicker, watch as your cock slices through her cleavage, the gloss it leaves over her skin. See Somi, licking her lips, devouring you with her eyes, just waiting for you to join her on the other side of oblivion.
“Cum for me, baby. Please, please. I need it—I need to feel it—please!”
Her tongue stretches past her lips, flicking out to catch the tip of your cock, making you groan. Leaning in, breath hot on you, cock hitting her lips with every thrust, every drive through her tits. So fucking greedy, so eager to taste, so needy to be the one responsible for your total ruin.
“Oh, oh, oh, baby—yes—yes—yes—yes—”
She pinches her nipples, twists them just right, moans—
You feel it immediately—your balls tighten, your cock swells, and then—release.
Intense is the only way to describe it.
So fucking intense.
White hot jets of cum spurt out, firing everywhere, making a mess of her, coating her chest, her neck, her chin, her lips, her nose—splashing down all over her.
It’s a frenzy, a natural disaster, a hurricane that’s been building for one long fucking month, and now it’s here.
The way her eyes widen, the way her mouth opens, gasping for air, the way she shakes—she wanted this, but there’s no fucking way she was prepared for it.
And when you back up, she dives forward, hand seizing the base of your cock and pumps. Wrists twisting in this aching motion, winding up and down your cock, wringing you out until you’re just a slave to her fingers, her tits, her touch.
“Keep going, baby, keep cumming for me, give me everything,” she begs, sending shivers all the way from your shaft down to your spine as she works your cock.
You do, you have no choice, no say in the matter. You give her everything.
You're coming apart, torn from your own body in sticky, hot waves that leaves you absolutely breathless.
And she’s a fucking mess. All of her—her face, her neck, her tits. So beautiful covered in you. So utterly used. So utterly yours.
It takes a moment for the tremors to stop, for the world to come back into the focus. You sit there, panting, feeling like you’ve just done a triathlon and then climbed a mountain. Somi’s just smiling at you, looking at you through her lashes, glued together with your cum, her own little giggles escaping every now and again.
She looks like a dream.
“Fuck, Somi—”
“Mm?” She looks so content, so at peace with the universe. Wearing your cum like fine jewellery. As if she’s the one that just had the best orgasm of her life.
“You’re—” But what the fuck do you say? That she’s ruined you? That she’s shattered your world? That you’ll never be able to look at a camera again without thinking of her?
Ah.
That’s what you’ll do.
You lean down, pick the camera off the floor, and then—snap.
Somi, looking so sloppy and obscene. Looking like everything you never knew you needed. Looking like she belongs to you.
She wipes away at her eyes, collects the cum on her finger, before dipping it into her mouth. Sucking, tasting the flavour of your need.
“Get the shot you wanted?”
You let out a long, heavy exhale, sliding off the couch, off her, sitting on the floor next to her. Resting your head on her thighs while Somi just lies there, sprawled out, utterly wrecked.
“You weren’t kidding,” she says. “One whole month.”
You remember to inhale. “Thirty days.”
She’s fighting a losing battle, cleaning the endless fountain of cum you’ve covered her with. Looking like she just streaked through a fucking snowstorm.
But she tries, collects as much as she can, smearing it into a sticky mess. Playing with it on her fingers, rolling it around her tongue, enjoying this way too much.
You raise the camera, aim it at her. The way she’s looking at you, the way her hand moves, so fucking casual—like it's her natural state of being. Making you believe that Somi should be covered in cum, all the time. It's only right.
You just can’t help yourself. You click.
“I haven’t been fucked like that since,” Somi starts, clearly not minding being the subject of your post-coital art. “Since ever. That was—"
“A trainwreck,” you’re saying, and then finishing when you catch the look on her face, “Not like that. It was insane. Intense. Really, thirty days or not, it was fucking life changing.”
Somi smiles. “Good to know I didn’t disappoint.”
“Just. These photos. Completely unsalvageable. None of that can be sent to your agency.”
“I’m sure it’ll be fine,” Somi says, so easily, so carefree, as if she didn’t just obliterate every single professional boundary you’ve ever set. “Let me have a look. There must be some photos at the start that are useable. From before you… lost focus.”
You pass her the camera, let her scroll through the shots, see all the pornographic filth the two of you have created. She flicks through, each click another photo, another reminder of what you’ve done, what she’s done to you.
And she’s enjoying it. These little smirks, the nods of approval. Fascinated by these photos of her, of her body in these stages of ecstasy.
“Ah, yup. No. Nope. Definitely not. Oh, and that one is just… yeah.” Somi’s voice is light, teasing, but there’s a hint of awe in it. “You really don’t hold back, do you?”
“It’s what you do to me.”
“I can see that,” she says, continuing until she gets to the last of the photos. “That’s pretty fucked. These are pretty fucked up. But, like. Beautifully fucked up.”
“Thanks,” you say, throwing your hands up, letting one fall on Somi’s thigh. It rests there, draws a circle over the smooth warm, skin.
It’s a good feeling. Having her here, like this. So relaxed, so comfortable. Knowing her in the most intimate ways possible, yet still not knowing much about her at all.
She sighs when your hand moves higher. You throb.
Yeah. After thirty days, only one time is not going to be nearly enough.
You already want to dive back into the land of debauchery with Somi, bring up more of those repressed fantasies you’ve been waiting to realise, even though you’re still knee-deep in the aftermath of the first round.
It’s in Somi’s eyes as well, you can feel it in the air, from the heat radiating off her skin—she's not done with you either.
Far from it.
You're going to ruin her again. You're certain of it.
“So,” she says, making a show of cupping her tits, raising them up to her mouth. Licking them clean.
Your response is swift. Immediate. “We’re going to have to reschedule.”
Somi’s laughter is pure gold. “How does thirty days from now sound?”
You blink. Stare at her, unamused.
She raises your camera.
Snap!
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3verythingiknowaboutlove · 4 months ago
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the limit does not exist!
how spencer helps college!reader understand a little calculus and therefore understand how he loves her.
MDNI | smut word count: 1931 warnings & tags & stuff: fem reader, fingering, oral sex (f receiving), lil bit of overstim hehe, pure unbridled affection, LOVE, FLUFF, hugging, reader cries, this was in fact meant to be written for spence's birthday... sorry about that school is kicking my butt lets just pretend it's october! author's note: this one is for my folks who HATE their calculus class and want spencer reid to give them head instead <3 maybe this can help you romanticize it a bit. i think this is classified as self indulgent…like REALLY self indulgent… hah... anyway i hope you enjoy! let me know your thoughts if u have any, i loveeeee you!! have a great day my hands are shaking posting this smut is so scary!!!!!
You sat in bed, staring down your notebook, eyes narrowed. Limits stared back at you. You were just about at your own limit, if you were being honest. 
Your brain, however sharp and witty it may be, is absolutely not one designed for calculus. A literary analysis essay? Done in half an hour. In depth scientific research project? Easiest months of your life. But there’s something about finding the instantaneous rate of change of a curve at one point in time by finding the slope of a tangent line that hasn't clicked yet. 
A slew of other papers- notes, practice worksheets printed from obscure websites, and formulas- surround you, a sea of unfinished thoughts from the past month of the semester.
You bite on the end of your pen, the little hope you had for a good grade in this class slipping further and further away with each passing moment, like the last ember dying in the remains of a fire.
What you really wanted to be doing was celebrating Spencer’s birthday with him right now. A chocolate cake lay on the kitchen counter and pasta simmers on the stove, but you and your boyfriend had agreed to do a solid hour of work before the celebrations ensued.
You were never particularly strong willed when it came to following through on such agreements.
“Teach me calculus,” you say, a very impressive three minutes later, flopping down on the couch. Your head makes its way to its forever resting spot, Spencer’s lap. He raises his eyebrows slightly, thumb reaching out to trace over the slope of your nose. His eyes flit between you and the file to the side of him. 
“I thought we agreed on an hour.”
“Yeah. But it wouldn’t be a very productive hour if I didn’t know how to do what I have to do. And I missed you.” 
He sighs quietly, closing the file next to him. 
“What do you not understand?” You smile at that, loving how quickly you won.
“Related rates. Like, conceptually.” 
Spencer hums in response.
“It’s October. You’re not even supposed to know related rates yet.”
“Fine. Then let's open presents,” you respond, smiley. His eyebrows get impossibly higher, hand stroking your cheek delicately.
“No. I want our night to be a little more stress free when we celebrate, okay? How about you think about that lovely cake you made for me. What if I decided to squash it so that the diameter would get bigger, going from…let’s say, 20 centimeters to 26 centimeters in 3 seconds, and the height would get smal-”
“That wouldn't be nice. It took me like four hours,” you interrupt, grumbling. He cracks a smile.
“For the sake of the example, let's say I was an awful boyfriend and really wanted to ruin all the hard work you put in for me.”
You roll your eyes.
“Hey,” he says, hand moving down to touch your jaw softly. “Don’t do that. Don’t be difficult. I’m helping you.”
“Sorry. I guess I need you to zoom out a little. I don’t really get why I’m learning this as a whole.” Spencer’s eyes pore into yours, staring down at you adoringly for a small moment as he comes up with an answer.
“Calculus helps us begin to explain the unexplainable by harnessing what we can,” Spencer says simply. “Einstein once said that, ‘Pure mathematics is, in its way, the poetry of logical ideas,’ which makes it simple in practice, but I actually like to think about it as the opposite philosophically. Trying to find logic in the more poetic ideas.”
You cuddle deeper in his lap.
“Think he would agree with that?” you ask. “I do answer to Einstein before you, unfortunately.” Spencer bends down to kiss your hair.
“I think so. He also had a really nice quote where he remarked that, ‘Gravitation cannot be held responsible for people falling in love.’ He said, ‘How on earth can you explain in terms of chemistry and physics so important a biological phenomenon as first love? Put your hand on a stove for a minute and it seems like an hour. Sit with that special girl for an hour and it seems like a minute. That's relativity.’”
Spencer takes a deep breath.
“Math doesn’t explain how I love you. It can’t. But I love the fact that it tries to. It kinda makes you wanna learn it as best you can.”
You process that for a long second and nod. He keeps talking.
… 
Presents get opened, and cake gets eaten before dinner. Of course.
You’re now in bed, on top of the covers, forcing Spencer to give you a fashion show of the new sweater vest and tie you got him. He turns to you after putting it on, and you beam. 
“I really like it. You look great. Do you like it?” you ask. He nods, smiling back at you.
“I’m gonna wear it to work tomorrow.” 
You beckon for Spencer to come closer, sitting up in bed. Your hands go out to the tie, tugging at the knot softly. He stares down at you until eventually interrupting your motions with a slow kiss, hands cupping your face.
“You’re so pretty,” he mutters.
He pulls away and finishes what you started, folding the tie neatly and setting it in the drawer. Then comes the vest, and soon enough, he’s just in his boxers.
“You’re the pretty one,” you say quietly. “Come to bed.” He crawls on next to you, tugging you into his arms. “Happy birthday, Spence. I love you.” He dips his forehead to your shoulder.
“I love you.”
Before you know it, he’s shifted on top of you, moving down. Fast. You blink, hard, trying to rid your head of the hazy endorphins as you register what he’s doing.
“What? No, I was gonna do that. It’s your birthday. You don’t have to,” you protest.
“But I really, really want to, darling girl,” he murmurs back, kissing your knee and softly pushing it to the side.
You fluster and Spencer just looks at you, fingers tracing shapes on your waist, waiting for you to be ready. 
“Well. Um. Okay. If you insist. I can’t really deny the birthday boy.” Your voice is small, and a little giddy smile grows on your face. Of course Spencer Reid would want to give you head on his birthday. 
He smiles a little against the bare skin of your hip where your top meets your shorts. Then he meets your eyes. 
“You know you can, though, right?” he asks, voice a little more serious. You reach out to touch his hair softly. 
“Yeah. I know.”
Fingers hook your shorts, gently pulling them down. He presses a kiss to your thigh, and then he suddenly looks down at it. 
“Soft,” he murmurs, like he’s making a mental note. He presses another, and another, incrementally going closer and closer to your soaked through underwear. His eyebrows scrunch when he sees the wet spot. “All this from a few kisses?” 
You blush, unable to respond. 
Spencer’s fingers hook a centimeter of your underwear. “These?” he checks.
“Yes, please,” you manage. He tugs them down, silently noticing the slickness of your sex, and exhales shakily.
“How many times on average does it take for a guy to call you pretty on a given day before you get annoyed?” he murmurs, soft smile playing on his face. You smile too, head cloudy from his words, but it immediately drops when his lips press directly against your pulsing clit, kissing it softly.
“Fuck,” you say (Spencer would argue moan) softly (loudly). You let out a content sigh, and he moves to suckle it, actions becoming less and less delicate. 
It’s not harsh, but incessant. Spencer knows what you can take. He knows exactly what you can take. You’re both quiet for a bit, save for your breathy moans. 
“Spencer,” you say softly, ripping you both out of your individually hazy and dirty and distracted minds. “You’re too far away.” He looks up to you, face parallel to your aching core, hair beautifully messy and mouth glistening.
After a second, he grabs your hips, gently pushing you up against the pillows so you’re propped up at a better angle. He then shifts his body up wordlessly so he’s more above you, dipping his head down to give you a soft kiss. You taste yourself, tongue darting out to lick your lips.
His hand takes over where his mouth was, sliding in between your folds with a practiced ease. Spencer looks down at you, eyes wide and flitting between yours, searching for a reaction.
You reach out and wrap your arms around him, holding him close. “Holy shit, I love you,” you murmur.
His fingers lightly graze your clit again before one slides into you. “Angel,” he breathes out, so quietly. “I love you too. This okay? Are you okay?”
You nod feverishly and lift your hips to meet his hand, always in a perpetual state of wanting more, to be closer. Your bodies are melded so close together, barely giving him room to push his hand into you. He doesn’t even bother to ask you to use your words or keep your hips down, like he might on a regular night.
He pulls his head back to watch as he pushes another finger into you, stretching you just a little. “There we go. You always feel like heaven around me.”
Your eyes flit up to his face as he says those words, now having a little more room to observe him. You focus on the slope of his nose and curve of his mouth. 
“You’re so perfect,” you say quietly, adoringly, before you even realize it was true.
You blink at that thought. Spencer Reid is perfect, despite whatever universal odds deeming that impossible.
Those graphs, those formulas, now laying discarded & crumpled on the ground. They click, a little bit. You understand why Albert Einstein wanted to spend his life developing theories of relativity.
This is how Spencer sees you? What he was talking about earlier?
This is how he sees you?
The thought is almost too much.
Spencer sees your face, and not knowing what's going on in your head, slides down his free hand from your cheek to your carotid, feeling your racing pulse. “Take a deep breath for me, okay? You're about to come, huh?”
You inhale and are met with peace. Then your orgasm hits you like a wave. You clench hard around his fingers, and he just watches it happen, fascinated. “Baby,” he coos softly at you.
It wasn’t just your sensitivity he’s currently maximizing on or the little kisses he dips down to leave on your neck that sealed the deal, but the very thought that you could be loved in a way that is so perfectly impossible.
You exhale breathily as Spencer pushes you through the last trails of your climax, fingers not caring one bit that you just had your world tilted on its axis. 
“Spencer. Ohmygodohmygodohmygod,” you say eventually, overstimulated.
“You’re okay. Did so good.” he murmurs, fingers slipping out of you. 
His thumb brushes your cheek, wiping away a tear you didn't even realize was dripping down.
“Don’t cry, you always cry. It’s my birthday. Don’t cry on my birthday,” he whispers soothingly, affection lacing his voice.
“I’m not.” 
Another one falls. 
You reach and press out that perpetual little slope between his eyebrows with your thumb, gentle, like you might break him. “I’m not crying.”
Spencer lets you lie.
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lifeinked · 3 months ago
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Why I Love Caitlyn, and Why You Hate Her
⚠️ READER DISCRETION: I am not condoning Caitlyn’s actions and behavior, I am simply exploring the depth of her character and explaining what motivated her pursuit of revenge.
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There’s no denying the gravity of Caitlyn’s actions as they are unquestionably wrong. However, her character cannot be reduced to these actions alone. This sudden, devastating behavior of hers is shaped by a thread of complex motivations and circumstances, but many choose not to acknowledge this simply because of her elite background. 
Like many others, I initially overlooked the point of the gassing in Zaun, which I think is a crucial thing everyone must first understand before diving into the discourse over Caitlyn's character. 
The Grey, often misunderstood as being used indiscriminately, was strategically deployed against the Chem-Barons to limit collateral damage. Caitlyn chose precision over chaos, targeting those directly responsible for Zaun’s turmoil. Furthermore, Caitlyn didn’t kill the Chem-Barons; she captured them, with net-deploying bullets. While her methods are controversial, they reflect a calculated approach; mischaracterizing her raid as a reckless attack ignores these details.
This isn’t to deny or excuse the fact that Caitlyn did, indeed, gas Zaun. Who’s to say that gas didn’t seep into the streets where innocent Zaunites roamed, harming them in the process? It’s entirely possible that innocents were affected and devastated. However, my brief explanation is only added to gain better perspective over the objectives of the gassing itself.
Now moving on, despite her privileged upbringing, Caitlyn shows a genuine effort to understand and connect with Zaunites. She places her trust in Vi, a Zaunite she’s never met before, to guide her in her search for Silco. Her journey through the undercity opens her eyes to the struggles of its people, challenging her perspective.
In S1E4, when investigating the airship attack, she encounters an undercity resident and reassures him, “I can protect you.” Later in the season, when Vi gets stabbed, Caitlyn encounters someone formerly connected to Vi. He’s grown a distaste over himself due to his appearance, and yet Caitlyn embraces him with compassion and tenderness, as a silent sign of gratitude. Then, she surrenders her cherished firearm—her only means of protection—in return for a healing potion to save Vi. In S1E7, Caitlyn’s heartfelt monologue in her conversation with Ekko perfectly captures her hope and determination: “This city needs healing. More than I ever realized. Please, let me help you.”
When Caitlyn and Vi stand in front of the Council, Caitlyn declares: “Councilors, this is Vi. She was born in the undercity. Even though we failed her in countless ways, she risked everything to show me what life is really like down there. People are starving, sick, ravaged by Shimmer. They live in constant fear of the coordinated efforts of violent crime lords.” This monologue alone shows how Caitlyn embodies optimism, believing in the inherent goodness of people, even Zaunites. It also shows that she is very willing to fight for them; she sees helping Zaunites as an act of bringing justice and equality into this world.
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Many overlook the depth of Cassandra and Caitlyn’s relationship, reducing it to a simple narrative of a daughter mourning her mother. However, Caitlyn’s mourning is more layered than that. Throughout her life, she has been rebellious, driven by a desire to uncover the reality her mother tried to shield her from. In S1E4, Caitlyn reflects on this by saying, “She’d do anything to keep me from seeing the real world.” Caitlyn’s defiance wasn’t just rebellion for its own sake—it was a stand for her ideals. She sought enlightenment and understanding, even if it meant stepping outside the privileged bubble her mother built for her. By venturing into the undercity and aligning herself with Vi, Caitlyn rejected her mother's own ideals.
Here's another scene in S1E8 that emphasizes this:
Cassandra: You're a Councilor's daughter. Your actions reflect on the entire body. Caitlyn: My actions? You know what else reflects on the Council? Its citizens living on the streets. Being poisoned. Having to chose between a kingpin who wants to exploit them and a government who doesn't give a shit!
In a way, her actions mirror Vi’s: just as Vi betrayed her people by working with the enforcers, Caitlyn betrayed her own mother by involving herself with Zaunites. Remember: The last time we see Caitlyn and Cassandra interact on-screen is during Caitlyn’s plea before the Council. And in that moment, Caitlyn was fighting to protect the very kind that would soon kill her own mother.
You say that Caitlyn’s drastic shift is unjustified, as she’s only experienced a fraction of the suffering Zaunites have been enduring. But that’s precisely the point! Her transformation shows how personal loss can drive the change of one’s entire character; she’s never experienced loss before which is why it feels so heavy for her. And unlike Zaunites, Caitlyn actually has the power to act on her grief. Zaunites have only known misery their whole lives. When their loved one dies, they know there is nothing more they can do but grieve. They don’t have an inch of the privilege and military support Caitlyn has. If you had given them the same resources as Caitlyn, they wouldn’t hesitate to bring ruin to Piltover. Simply put, they don’t fight Piltovans because they don’t want to, but because they can’t.
When Jinx takes her mother away, her compassionate ideals completely shatter. Having always sought justice and understanding for Zaun, Caitlyn feels deeply betrayed, as her faith in the good within every Zaunite is overturned. Her mother’s death becomes a turning point—driving her to abandon her ideals and adopt Piltover’s disdain for the undercity, finally understanding the resentment many Piltovans harbor.
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We also tend to forget that, aside from losing her mother, Caitlyn has directly suffered under the hands of Jinx. Caitlyn was held captive by Jinx in Season 1—and God knows what was done to her during that period. In the tea party scene, we see Caitlyn break down in tears, visibly flinching when Jinx moves toward her. It’s clear that Jinx has traumatized Caitlyn not just once, but twice. These experiences deeply shape Caitlyn’s actions moving forward. The pain and fear she’s endured push her to a place where she’s willing to sacrifice almost anything, even if it means putting a child’s life at risk (Isha's) or severing ties with Vi.
While they share their differences, Caitlyn and Jinx are the perfect example of foil characters. Here’s an instance which proves this: Both allow themselves to be influenced by manipulative, powerful figures all while being in a vulnerable state of mind.
Jinx is haunted by guilt; her attempt to save her family only ended up killing them, leaving her with the crushing weight of self-blame. She clings to Silco, not because he was the father she needed, but because he was the father she wanted. Silco indulged her destructive tendencies, keeping her at an all-time high on the edges of chaos. Fragile and broken, Powder crossed paths with Silco at the right moment; he saw the perfect chance to mold her into someone bewildered, unrestrained, and astray.
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Caitlyn has her own Silco: Ambessa, the ruthless Noxian leader with a brutal philosophy of war. Ambessa enters Caitlyn’s life at a pivotal moment, stepping in just as Caitlyn is grappling with the devastating loss of her mother. In a spiral of self-identity, Caitlyn struggles with the weight of Piltover’s expectations and her unresolved guilt over her strained relationship with her mother (as explained in previous paragraphs). Just as young Powder mourns her family, Caitlyn blames herself for the death of her mother. Caitlyn got herself involved with the Zaunites even when she was warned not to, and at the expense of her defiance came the death of her mother. Driven by guilt and a thirst for vengeance, Caitlyn steps fully into her role, declaring in S2E1: “I am a decorated officer. Leader of House Kiramman.”
Jinx and Caitlyn share a tragic parallel: they both lose everyone they hold dear. Jinx loses Vi, Vander, Claggor, and Mylo. Caitlyn is left without Cassandra, Vi, Jayce, Mel, and Tobias. Stripped of their support systems, they are left isolated, with no one to confide in or rely on. They become vulnerable, used as pawns in the larger schemes of Silco and Ambessa’s strategic games.
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Caitlyn's inner turmoil is exactly why Ambessa’s manipulation is so effective. Caitlyn is compelled to take revenge, but she doesn’t know how to. And without anyone else to guide her, she places her complete trust in Ambessa's expertise. Ambessa doesn’t just give Caitlyn the authority and power to avenge her mother; she teaches her how to use them to their full potential. She toys with Caitlyn's vulnerability, making her adopt the Noxian values of wrath, bloodshed, and ruthlessness. 
It’s easy to downplay Caitlyn’s grief since she comes from an elite upbringing. While Cassandra Kiramman is laid to rest in a golden casket with a proper burial, countless innocents in Zaun become victims of merciless violence, being left to die on the streets. After the timeskip however, Caitlyn is shown to recognize the moral cost of her actions. Though the series portrays this realization subtly, it becomes evident that Caitlyn is grappling with the inhumanity and immorality of her pursuit of revenge. In S2E4, this internal conflict comes to light during her conversation with Ambessa. When Ambessa attempts to stoke her fury again, Caitlyn disarms her with a piercing question: “Why is peace always the justification for violence?”
Here's another scene that subtly depicts her realization and remorse:
Caitlyn: You're a monster. Why? Why do all this? Singed: Why does anyone commit acts others deem unspeakable? ... For love.
When Caitlyn steps further and sees Orianna, she realizes that Singed's revenge is a reflection of her own: a person grieving the death of their family member. Here, there's a saddened glint in her eyes. She finally understands now, that love and grief made her do things that once seemed so foreign to her. In this case, going against her own principles just to succeed in her revenge.
Caitlyn is now forever haunted by the outcome of her mistakes, but she knows her past cannot be erased. During her confrontation with Jinx in the prison, she admits, “No amount of good deeds can undo our crimes.” While this statement is directed at Jinx, it feels like Caitlyn also holds this against herself for her own wrongdoings. 
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Caitlyn’s acts of atonement are done quietly. She’s not good with words; she’s bad at articulating how she feels. Ironically, Vi is much better than Caitlyn when it comes to confronting and vocalizing internal conflict. So instead, Caitlyn’s actions speak for herself. By removing the guards at the prison, she tacitly allows Vi the opportunity to rescue Jinx. She knows Vi will come to save her sister, and yet she lets her. She finally lets go of Jinx and the grudge she held against her, as a silent act of her love for Vi.
And in S2E9, Sevika is shown to be sitting among the Councilors. But thanks to a fan's keen eyes, we find out that she is sat particularly on Cassandra Kiramman's chair (which not many notice). By allowing a Zaunite to occupy her mother's seat, Caitlyn gives them a chance to be rightfully represented, a chance for their voices and suffering to finally be heard. It’s a quiet display of Caitlyn’s evolution and willingness to bridge the divide between Piltover and Zaun.
That said, Arcane’s ending left much to be desired regarding Caitlyn’s arc. The heavy focus on Hextech overshadowed the sociopolitical dynamics of Piltover and Zaun. This is the main reason a lot of hate is thrown toward Caitlyn—there is an act of accountability, but there a lack of consequence. While Caitlyn acknowledges her mistakes, her privileged status keeps her from real repercussions, unlike the tragedy other characters had to face. This is frustrating, even to me, as someone whose favorite character is Caitlyn. Yet, in a way, it realistically portrays the inequalities in our own world—where the elite are often shielded from justice, and repentance is the closest they ever come to redemption.
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fuckyeahgoodomens · 1 year ago
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SFX Magazine Issue 372 - Designing Good Omens ❤ 😊
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PRODUCTION DESIGNER MICHAEL RALPH REVEALS HOW THE SHOW’S CENTREPIECE SET, WHICKBER STREET, WAS GIVEN A DEVILISHLY CLEVER UPGRADE FOR THE SECOND SEASON
WORDS: DAVE GOLDER
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Invisible Columns And Thin Walls “The new studio is Pyramid Studios in Bathgate – it used to be a furniture warehouse. And unfortunately – or fortunately, because I accept these things as not challenges but gifts – right down the middle of that studio are a series of upright columns. But you’ll never spot them on screen. I had to build them in and integrate them into the walls and still get the streets between them. And it worked.
“There’s all sorts of cheeky design values to those sets. Normally a set like this is double-skin. In other words, you do an interior wall and an exterior wall, with an airspace in between. But really, the only time a viewer notices that there’s that width is at the doors and the windows. So I cheated all that. I ended up with single walls everywhere. So the exterior wall is the interior wall, just painted. All I did was make the sash windows and entrances wider to give it some depth as you walked in.”
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GOOD OMENS HAD A CHANGE of location for its second season, but hopefully you didn’t notice. Because Whickber Street in Soho upped sticks from an airfield in Hertfordshire to a furniture warehouse in Bathgate, Edinburgh. It’s the kind of nonsensical geographical shenanigans that could only make sense in the crazy world of film and TV, and production designer Michael Ralph was the man in charge of rebuilding and expanding the show’s vast central set. “I wish we could have built more in season one than we did,” says Ralph, whose previous work has included Primeval and Dickensian. “We built the ground floor of everything and the facades of all the shops. But we didn’t build anything higher than that, because we were out on an airfield in a very, very difficult terrain and weather conditions, so we really couldn’t go much higher. Visual effects created the upper levels.”
But with season two the set has gone to a whole other level… literally. “What happened was that the rest of the street became integrated into the series’s storyline,” explains Ralph. “So we needed a record shop, we needed a coffee shop that actually had an inside, we needed a magic shop, we needed the pub. To introduce those meant we had to change the street with a layout that works from a storylines point of view. In other words, things like someone standing at the counter in the record shop had to be able to eyeball somebody standing at the counter in the coffee shop. They had to be able to eyeball Aziraphale sitting in his office in the window of the bookshop. But the rest of it was a pleasure to do inside, because we could expand it and I could go up two storeys.”
For most of the set, which is around 80 metres long and 60 metres wide, the two storeys only applied to the shop frontages, but in the case of Aziraphale’s bookshop, it allowed Ralph to build the mezzanine level for real this time. According to Ralph it became one of the cast and crews’ favourite places to hang out during down time.
But while AZ Fell & Co has grown in height, it actually has a slightly smaller footprint because of the logistics of adapting it to the new studio.
“Everybody swore to me that no one would notice,” says Ralph wryly. “I walked onto it and instinctively knew there was a difference immediately, and they hated me for that. I have this innate sense about spatial awareness and an eye like a spirit level.
“It’s not a lot, though – I think we’ve lost maybe two and a half feet on the front wall internally. I think that there’s a couple of other smaller areas, but only I’d notice. So I can be really annoying to my guys, but only on those levels. Not on any other. They actually quite like me…”
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Populating The Bookshop “The props in the new bookshop set were a flawless reproduction from the set decorator Bronwyn Franklin [who is also Ralph’s wife]. It was really the worst-case scenario after season one. She works off the concept art that I produce, but what she does is she adds so much more to the character of the set. She doesn’t buy anything she doesn’t love, or doesn’t fit the character.
“But the things she put a lot of work into finding for season one, they were pretty much one-offs. When we burnt the set down in the sixth episode, we lost a lot of props, many of which had been spotted and appreciated by the fans. So Bronwyn had to discover a new set decorating technique: forensic buying.
“She found it all – duplicates and replicas. It took ages. In that respect, the Covid delay was very helpful for Bron. There’s 7,000 books in there and there’s not one fake book. That’s mainly because… it’s a weird thing to say, but we wanted it to smell and feel like a bookshop to everybody that was in it, all the time.
“It affects everybody subliminally; it affects everybody’s performance – actors and crew – it raises the bar 15 to 20%. And the detail, you know… We love a lot of detail.”
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(look at the description under this, they called him 'Azi' hehehehe :D <3)
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Aziraphale’s Inspirational Correspondence “There’s not one single scrap of paper on Aziraphale’s desk that isn’t written specifically for Aziraphale. Every single piece is not just fodder that’s been shoved there, it has a purpose; it’s a letter of thanks, or an enquiry about a book or something.
“Michael Sheen is so submerged in his character he would get lost sitting at his own desk, reading his own correspondence between takes. I believe wholeheartedly that if you put that much care into every single piece of detail, on that desk and in that room, that everybody feels it, including the crew, and then they give that set the same respect it deserves.
“They also lift their game because they believe that they’re doing something of so much care and value. Really, it’s a domino effect of passion and care for what you’re producing.”
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Alternative Music “My daughter Mickey is lead graphic designer [two of Ralph’s sons worked on the series too, one as a concept artist, the other in props]. They’re the ones that produced all of that handwritten work on the desk. She’s the one that took on the record shop and made up 80 band names so that we didn’t have to get copyright clearance from real bands. Then she produced records and sleeves that spanned 50, 60 years of their recordings, and all of the graphics on the walls.
“I remember Michael and Neil [Gaiman] getting lost following one band’s history on the wall, looking at their posters and albums desperately trying to find out whether they survived that emo period.”
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It’s A Kind Of Magic One of the new shops in Whickber Street for season two was Will Goldstone’s Magic Shop, which is full of as many Easter eggs as off-the-shelf conjuring tricks, including a Matt Smith Doctor Who-style fez and a toy orang-utan that’s a nod to Discworld’s The Librarian. Ralph says that while the series is full of references to Gaiman, Pratchett and Doctor Who, Michael Sheen never complained about a lack of Masters Of Sex in-jokes. “He’d be the last person to make that sort of comment!”
Ralph also reveals that the magic shop counter was another one of his wife’s purchases, bought at a Glasgow reclamation yard.
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The Anansi Boys Connection Ralph reveals that Good Omens season two used the state-of-the-art special effects tech Volume (famous for its use in The Mandalorian to create virtual backdrops) for just one sequence, but he will be using it extensively elsewhere on another Gaiman TV series being made for Prime Video.
“We used Volume on the opening sequence to create the creation of the universe. I was designing Anansi Boys in duality with this project, which seems an outrageously suicidal thing to do. But it was fantastic and Anansi Boys was all on Volume. So I designed for Volume on one show and not Volume on the other. The complexities and the psychology of both is different.”
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transannabeth · 7 months ago
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i don't know how you'll see this show given that they locked all our phones in pouches and i don't know if they're planning a tour. but please see this show here are some nonspoiler things that are kicking around my head right now
the dirt on the hems of nearly every single costume
nick's ptsd
jordan moving away from tom when she was sitting on the table
"a drunken revelation!"
the bathtub
a shirt for every year
nick pushing gatsby onstage
the repeated use of the word "fool"
"do you just own a piano player?"
singing about gatsby's smile and it's literally lines from the book
jokes about depression and suicidal thoughts that are not landing well
"and we're fun fun fun"
daisy giving tom her necklace
the couch moment
"i've never seen you out of uniform"
the use of smoke machines
nick and jordan standing together on the side or in the background. them sitting on the couch together and jordan putting her hand on his shoulder as everyone else is yelling.
"i changed my mind"
the photo "montage"
the damage that you do. we all were just sitting in like shocked silence through this whole song
"i changed it"
gatsby's father
the choreography
"can you hear it roar"
how all the music felt a little foreboding and dangerous. we all know what's coming—both in the story and in history and there's nothing we can do to stop it
the "american myth" is jay gatsby. but it also isn't. he isn't the only myth in this story.
would you like a non spoiler list of things i liked about gatsby: an american myth since i finally got home and am processing
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cosmicalily · 3 months ago
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6:18pm with lee minho - a @cosmicalily timestamp
author’s note: i made myself and my family pasta for dinner tonight and i'm just a silly delusional girl who wants a man to cook for her.
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Evenings with Minho were something you cherished. There was something so comforting about the quiet atmosphere, the warmth of your apartment from the dusk sunlight that melted through your windows. He always pouted at your suggestions of takeaway, even when he was exhausted after working all day. Minho’s love language was his actions, his physical and nonphysical demonstrations, and cooking you dinner every single night that he possibly could was a vow he had made to himself (and you, of course) when he had first asked you to be his.
This evening, Minho was cooking you pasta. He didn’t mind if you helped, but he preferred just having your presence nearby, listening to you talk about your day while he kept his hands busy. As he diced the onions, you explained to him the most recent update in Felix’s situationship. “He’s down so bad for her, and everyone knows it. But I finally got him to talk to me about it properly, and I think he might ask her out on a date finally.”
“I’m glad, baby. He needs to be forward with his feelings, he’s too anxious about rejection.” Minho replied, tossing the onions into a pan.
“Can I do the olive oil?” you asked, and he passed you the bottle, letting you drizzle a generous amount into the frying pan. 
As he sliced the mushrooms, you talked about a sweater that you were debating purchasing. “It’s really cosy,” you sighed. “And it’s such a pretty maroon. But I already have a lot of knitwear, don’t I? I really don’t need another one.”
“You should buy it if it makes you happy, sweet girl,” Minho answered, offering you a soft smile. “Can you pass me the salt and pepper? You can add them to the pan if you’d like.”
You cracked the salt and pepper shakers above the pan, then put them back down on the tray beside your seat on the countertop. Once the sauce was simmering and the pasta was boiling, he walked over to stand in between your legs, arms shifting naturally to your waist. His eyes were warm, like melted dark chocolate, and his demeanour was too. 
Minho loved you quietly, gently, but in no way weakly. There was a depth to the intimacy the two of you shared that went above and beyond verbal communication and physical touch. His existence, regardless of his position in the universe, was something you cherished on its own. It was simply sheer luck that you were alive in the same lifetime, let alone able to exist alongside each other. Fate wasn’t a strong enough word to describe it.
“This is nice, you know,” you murmured, pressing a kiss into his hair. “Not just having you cook for me, although I’m spoiled by the fact that you do. But being together, like being able to live with you and love you.”
“I know,” Minho replied, cupping your cheeks and caressing them softly. “I know I’m not good at saying it enough, but I love you.”
“I can always tell,” you promised. “You’re only sappy like this around me.”
He gently flicked your thigh with a tea towel, and you giggled. “Yeah, because everyone else pisses me off. Not you, though. I like you.”
“Like?”
“Love,” Minho corrected himself, rolling his eyes, but pressed a kiss to your lips all the same.
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merakiui · 4 months ago
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the symptoms of being human.
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jade leech x (gender neutral) reader note - being human comes with its fair share of very specific symptoms. or: jade has lived in saltwater his entire life. never has it leaked out of him before. // HAPPIEST OF BIRTHDAYS TO MY BIRTHDAY BESTIE @heyyy11!!!!!! 🎉 many wonderful wishes of health, happiness, and good fortune for you!!!! :D it isn't a lot, but please enjoy this little gift i prepared in celebration!!!
But a mermaid has no tears, and therefore she suffers so much more.
A long time ago, a human penned that line in reference to merfolk and their inability to shed tears. A fact as intimate as that couldn’t have possibly been common knowledge amongst humans, or so Jade assumed every time the story was regurgitated at bedtime. He always did that: apply logic to areas where logic wasn’t needed. His teachers used to tell him, “Jade, sometimes you need to suspend your disbelief in order to immerse yourself in a fictional world.” He could try—and try he did—but he’d find himself lingering on that quote every time.
A slight amendment to that: merfolk can cry and they do suffer, but whether they suffer more is impossible to know without further study.
Jade operates under the notion that there are explanations for everything, even the wildest of lunacy. There is comfort in comprehension. He would spend hours holed up in his sleeping nook, poring over stories and texts on humans and beastfolk. He would compare and contrast them. Can a tearless cry indicate the amount of suffering per species, or is such an abstract concept even remotely quantifiable? Perhaps it is because merfolk cry silently that they suffer. Because there is no one who can hear their weeping in the deep sea. Because there is no physical proof.
It’s easier to recognize the physical signs of grief, for what happens within is shrouded in secrecy, veiled in the depths of the heart.
So when Jade comes onto land for the first time, human skin stretched over a skeleton altered with a potion, every inch awkward and aching, the sea leaks out of his pores. He feels like a pufferfish not yet expanded but on the verge of bloating, deflated and weak, salt still spilling. And he knows it’s salt because he swipes two fingers under his armpit and brings them to his mouth to taste. It’s saltwater.
He later learns, while sitting in Professor Crewel’s class and listening to him drone on about anatomy, that this is the phenomenon known as sweating. Jade sweats when he exerts himself, when his body temperature rises degrees over what’s internally comfortable and he needs to cool down, when he ingests something spicy, when he’s sick with a fever, when he’s stressed… It’s a fascinating facet of human biology he was previously unaware of.
Azul called these peculiarities “symptoms of being human,” and what intriguing symptoms they are! He hopes to experience even more as he completes his education on land, regardless of how troublesome they might be.
Having a symptom of something implies the affected is ill in some way—as if humanity itself is an illness and this human body serves as more of a hindrance than help. Jade will forever be an eel merman, and this body is just a clever cloak crafted to make his life on land habitable. Although there are moments where he thinks his original form would suit a certain task. Like swimming or any sport in the water, really. But he likes to struggle and fail, learning from every human mistake.
These symptoms are not terrible. Not to him, at least.
He meets you in the woods. You’re hunched over the ground, patting a compact lump of freshly disturbed soil. A burial, he thinks, but then he’s not certain. When you fashion a little marker out of sticks and ribbons, it occurs to him that he was right.
“Hello to you, too,” you say, turning to glance at him.
There’s something that stills in the air. A feeling catches and tugs at his heart. He can’t explain it—still can’t even to this day—but something trickles out of his eyes then. A droplet of water and then another and then more until silent streams are falling thick. He blinks until his once-blurry vision clears, only to find you’re looking at him fully now.
Jade gathers the wetness on his fingertips and licks curiously. Salt.
Horrifyingly, he’s sweating from his eyes.
He doesn’t panic. A grotesque part of him wants to know what else these eyes are capable of in this body. 
You draw in breath through your lips. A gasp. “Oh! Are you all right?”
He nods because even if his brain doesn’t understand it yet his heart does.
You are the person he’s going to spend the rest of his life with.
This isn’t fiction, and he doesn’t have to pretend to accept it as his temporary reality just to enjoy the story it promises. He knows. His heart—the eel-mer heart—knows. This salt is a symptom of being human, but a symptom of being a mer is that there is the strongest sixth sense for finding one’s other half.
“Are you sure?” you press, rising to your feet, digging through your bag for tissue. “You’re crying!”
He blinks back at you. I’m…crying.
He’s not sweating. He’s crying.
“Forgive me,” he says even though he knows there’s nothing to apologize for. “My eyes must not be working today.”
A sympathetic smile spreads on your face. “Did you come here with anyone?”
He shakes his head and explains rather simply that he’s come on account of club business. “I’m the only member in my club,” he elaborates unnecessarily, “and so I often come here to hike and forage. I suppose I wasn’t expecting to run into anyone on this route.”
“Club? You’re a student?” Before he has a chance to respond, you add, “No way! What school? I’m from Royal Sword.”
“Night Raven.”
“Whoa! That’s so cool. I’ve heard lots about that school. Oh, sorry, I’m totally chatting your ear off. If it’s not an issue, would you like to walk back together? Don’t take this the wrong way. I’m just worried about you.”
The affable conversation was so smooth Jade almost forgot he’s been leaking—crying—the entire time.
“Why would you be worried? I assure you there’s nothing in this forest that could harm me,” he says, holding a hand over his heart.
As if it isn’t the woods that might hurt him but, rather, the person standing in front of him. He has never felt any need to protect his heart, but now he thinks he must. If he’s to offer it to you in the future, he wants to do so when it is perfectly whole and packed full of happiness.
“Um… Well, I just don’t want you to do anything…harmful,” you say, stringing the words together awkwardly. “People care about you. They’d miss you.”
He glances past you at the burial. Just above, a nest of baby birds chirp noisily. He understands now.
“As it happens, I’m currently quite content.”
“You are?”
He tilts his head at you and smiles, teary-eyed and most likely red in the face.
“I am. Very much so. I’ve experienced another human symptom. I couldn’t be any happier.”
You exhale a quiet, semi-amused breath. “I’m glad.” Your hand is held out next. “I’m (Name). It’s nice to meet you.”
His webless, clawless hand closes around yours. “Jade Leech,” he greets.
— — —
“You look good,” Floyd compliments, watching Jade fuss over himself in the mirror. “Shrimpy’ll think so. And Mama. Pops, too.”
“So everyone,” he replies smartly, his hands shaking as he smooths the nonexistent wrinkles in his suit. They reach for the jewelry strung around his neck. He’s wearing his mother’s pearls. Tradition and memory are twined throughout each one. For every hand that holds this chain, a new pearl will be added. It has been in his family for ages. After today, he’ll add his and the necklace will be a pearl longer.
He feels like he needs to pace up and down a mountain. Like he needs to strip this seaweed-esque suit off and jump into the ocean to feel free of constriction. Clothes are always so…unique. That’s the word he chooses to use. Another symptom, he’s certain, because clothes are to humans as colors are to merfolk. Humans attract each other with fashion styles just as mers flash colors and patterns at those they intend to charm.
“Everyone,” Floyd echoes, grinning to ease the tension. “C’mon. You know everything’s gonna be fine.”
Logically, Jade is aware of that. There were rehearsals and lists and triple-checks. Everything is in order. He’s ready. You’re ready. Illogically, he thinks he’s about to shake out of his skin from either excitement or anxiety or a combination of both.
Floyd’s hand comes down upon his shoulder. He relaxes beneath the squeeze. “You got this.”
“I do,” he whispers, turning away from the mirror with a smile.
He waits for you at the altar. A feeling he knows well enough claws at the back of his eyes. It’s been steadily encroaching since this morning, or perhaps it’s always been there ever since he first met you.
When he sees you, his world comes together and everything is warm and wonderful. There are tears on his face, tracking down his cheeks in hot streaks. It’s not embarrassing even though, somewhat flustered, he mouths to his parents that he’s simply sweating from the eyes. A symptom they’ll soon experience in their temporary human bodies.
Out of every human symptom he’s experienced, he thinks this one is his favorite.
You meet him at the front, and beneath an awning of the prettiest flowers you join hands.
“How do you feel?” you murmur, your thumbs running over his palms.
He’s going to say he feels like his world is brighter and wrapped in silk—like he’s looking love right in the face.
Through his tears, he smiles and says, “Like my eyes are working properly today.”
You giggle around a rising sob. Happy tears, he notes, much like the ones sticking to his face. “Weird. Because mine don’t seem to be working today.”
“A shame. You can’t see how beautiful you are.”
“I trust you.”
“I can’t promise mine won’t sweat halfway through the ceremony, but I appreciate your faith in me.”
“It’s fine. Mine are already doing that.”
And it’s everything to him—you, this union, the tears, these messy, complex symptoms of being human. Everything.
Jade thinks he’d like to rewrite that old quote from his childhood.
But a mermaid has no tears and so that may be true in storybook blue, but it is her heart that weeps for everything she has experienced, is experiencing, and will experience; the good and the bad, the happy and the sad.
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o-sunny-day · 5 months ago
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UHHHHHHHHH- OKAY LET ME EXPLAIN.
First of all, Forgettable!AU amv fanart stuff for @sunsestart cause this story is fukn magical and i cant wait to see what happens :3
Second of all ((in depth explanation))
I heard this song (Wasted Summers by juju<3) and I went *gasp* its skelebros fr fr. Plus I was already in desperate need of something to draw so BOOM!! Inserted in my brain for the next 3 days
EXPLANATION FOR THE AMV! ALL THINGS STATED AS “FACT” THAT HAVENT BEEN SAID ON THE BLOG ARE JUST MY SILLY LITTLE HEADCANONS!
Blue represents Sans and Green represents Papyrus/Wingdings. As kids when they were in waterfall, shocker, TEAL WAS ALL AROUND!!! They were harmonious and it was awesome. Then :(((
(what happens when you birth a skeleton kid who has a completely incomprehensible font??? 0 SOCIAL INTERACTION!!!!!!)
The 0 social interactions besides his brother thing kinda gets to him sometimes. Mostly subconsciously, and yeah bros a little irritable. Slamming doors, worrying his brother, fun family friendly not sibling angst stuff.
Also did ya see :3 when WD turned around his eyelights went out :3 we like to have fun here.
Also in the first little bit showing them finding stuff in the garbage dump as kids, the next shot is only Sans finding the stuff. cause WD is in the lab. and the colors are so lifeless and dull compared to when they were kids ((suddenly in tears))
ALSO THAT TV BIT, WD on tv being announced as The New Royal Scientist! and him just being so uncomfortable😭 has been a visual in my head for a while, so glad i got to draw that now
OK AND LAST “ALSO”. That last part with WD working on Blueprints and saying “yes you can” is the scene where Sans is like LETS DO SOMETHING OUTSIDE and WD is like “nah… imma do my own thing”
ok I lied, last also. the “yes I can” part of the lyrics. First they’re talking about how “oh you could totally work in the lab when you grow up” and “omg no way… only if YOU also work in the lab when you grow up”
Then they’re talking about how “oh you can leave if you want. shut up lemme finish my work” and “…omg I CAN get him out of the lab”
(ww a a ah h)
OKAY THATS ALO BYYYEEE
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tldrthor · 2 months ago
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Not even death (1) | bucky barnes
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// Summary: It's been 70 years of being his widow, and the world had moved on. But she never would. Commiserating on their wedding anniversary, (y/n) Barnes is attacked by an assailant as she visits her husband's grave. There's something just a little too familiar about the whole thing.
// warnings: ws!bucky barnes x avenger!wife!reader, lots of grief, canon-typical violence, angst, f!reader, platonic!steve being a cutie patootie
// word count: 4.5k
enjoyed? please like/reblog! you can find my masterlist here <3
part two | part three
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The third best day of her life was her wedding day. 
“Would you switch that off?” She motioned toward the radio in the corner, its incessant drone filling the room. The news blared on—reports of the war, the draft, the daily toll of lives lost. She didn’t need to hear any more. She had already heard it in her head a thousand times, played over and over. Her fiancé was a sergeant, for God’s sake. And she, herself, was getting ready to be shipped off to Europe as a nurse, just another casualty of a war that seemed endless.
Her mother bustled around her, fingers moving with practiced precision as she pinned back her daughter’s hair, spraying the air with the sharp scent of hairspray. She worked on her like a sculptor carving stone, the final touch of a masterpiece. Every movement was deliberate, as if her daughter’s future rested entirely on the perfection of her appearance.
“Sweetheart,” her mother’s voice was soft but laced with concern, “are you sure about this?” The question came between bursts of the toxic spray. “James is a wonderful boy, but this is so rushed. Maybe you should wait until after the war. After everything settles down.”
The girl sitting in front of the mirror understood the hesitation, the fear that gripped her mother’s heart. She saw it in the tightness of her shoulders, in the way her hands shook ever so slightly as she worked. Her mother didn’t understand, couldn’t. How could she? How could anyone? The love she shared with Bucky wasn’t something that could be explained in simple words or the framework of time. It wasn’t about waiting until after the war — it was about the now. It was about carving a life together, even if that life was destined to be brief. It was about this moment. And if the war did its worst, she needed to know the world would remember their love.
“Maybe there won’t be an after,” she whispered, almost to herself, the weight of the words heavier than she intended.
Her mother paused, the hairspray can still in her hand, but didn’t turn to look at her. Instead, she leaned in, pressing a kiss to her daughter’s head, the warmth of the gesture lingering long after she pulled away. She returned to her task, the silence between them thick with unsaid things. Her mother didn’t have to say anything. She knew the question was unanswerable, the truth too raw to put into words.
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The memory had been burning its way into her thoughts since the moment she woke up that morning. Over the years, the pain had dulled – god knows it had been long enough. But on days like today it felt like the pain all came flooding back – like she hadn’t moved forward from that day, and all the tragedy that followed, at all. It was her second least favourite day of the year: their wedding anniversary.
“Penny for your thoughts?” A familiar voice interrupted her self-pity from the doorway of her office. He knew what day it was. And she was certain he was here to make sure she wasn’t spiralling into the familiar, unending depths of grief she had been known to inhabit.
She mustered a small smile, relief creeping over her features as he walked in and sat in the chair opposite her. “Just reminiscing.” She typed quickly, finishing the email she absolutely had to send now, before giving her full attention to the Captain.
“Seventy-four years, huh? Hard to believe.” Steve leant back in the chair, his hands clasped neatly over his lap. She could feel him examining her every move, looking for signs of weakness no doubt. He continued; “How’re you holding up?”
She sighed. “I’m doing okay, Steve. Going to visit his grave later… if you want to join?” 
“I wouldn’t want to impose–”
She shook her head at him, cutting him off with a gentle firmness. “Nonsense, Stevie. You’re never imposing. We’ll go to the cemetery and then grab some italian from that place in Brooklyn?” 
He nodded, his features softening. He knew that her insistence was not her being kind – it was an unspoken way of asking him not to leave her alone. “Italian it is.”
A sharp knock on the door interrupted their moment. The agent standing in the doorway straightened, a look of respect on his face. “Sorry to disturb you, Commander. Fury’s requesting your presence in his office.”
Her gaze flicked up from the papers in front of her, her expression shifting from the kind, friendly one that Steve was used to, to the calm professionalism of the former head of SHIELD and current Commander. “I’ll be right there, Agent. Thank you.” 
She stood up from her desk, the movement deliberate, Steve following her lead. “Sorry, Steve. Duty calls.” Her tone softened slightly, but still carried the weight of someone used to giving orders.
“Right you are, Commander.” He smirked, a teasing glint in his eyes.
She rolled her eyes at him but couldn’t suppress a small, fond smile. Her heels clicked down the hall, the sound echoing in the otherwise quiet office. Left behind in the silence, Steve reached for the photo frame on her desk, his fingers brushing over the glass as he studied the picture. 
Both of his best friends, looking the happiest they’d ever been. Him, too, standing to the right of Bucky. He still considered it one of the greatest honours of his life, to have been Bucky’s best man -- to stand at the altar as his two best friends committing their lives to one another.
Back when each other was all they had. They always had an extra inhaler on hand for him, just in case, and secret codewords for when he wasn’t feeling well, so he didn’t have to explain his chronic health conditions to anyone else. When she wasn’t commander, she was just (y/n), and when she wasn’t visiting Bucky’s grave instead of celebrating an anniversary they should’ve spent old and grey together.
Back when they were just kids, ready to be shipped off to war. 
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The church was full, but it might as well have been empty. It was just the two of them at that moment. Just Bucky and her, standing at the altar in front of their family and friends, yet none of that mattered. Everything else — the wedding guests, the flowers, the music — faded away, leaving only the man in front of her.
Her hands were trembling, but she didn’t think he noticed. She tried to keep her mind away from the next steps, from the inevitable. They had no idea what would happen when they were shipped off to the other side of the world. Neither of them did. This moment was all they had.
Bucky stood tall in his uniform, as handsome as she remembered from their first meeting, when he had looked at her with those wide brown eyes and a grin that made her stomach flip. His strong hands gripped hers tightly, like he was afraid to let go. His jaw was tight, his shoulders squared — he was trying to hold it together, just like she was.
The minister spoke, but her attention was fixed on him. The slight furrow of his brow, the way his mouth turned down in concentration, the way he steadied his breath before every word. She wanted to reach out, pull him into her arms, and whisper that everything would be fine. But she couldn’t lie to him. She couldn’t promise that.
"Do you, James Buchanan Barnes, take (y/n) to be your lawfully wedded wife, to have and to hold, in sickness and in health, for better or worse, in war and in peace, as long as you both shall live?" The minister's voice was deep, but it seemed so far away.
Bucky’s grip tightened on her hand. "I do."
The weight of that simple phrase hung in the air between them, pulling at the corners of her heart. The words were not just an affirmation of love, but a promise — one that would either be honoured in the years to come, or one that would be broken by the unforgiving hands of fate.
The minister turned to her, his eyes kind, yet somber. She swallowed hard, forcing the lump in her throat down as her hands shook. "And do you, (y/n), take James Buchanan Barnes to be your lawfully wedded husband, to have and to hold, in sickness and in health, for better or worse, in war and in peace, as long as you both shall live?"
"I do."
The minister smiled softly, as though understanding what they were really asking of each other — what they were really saying. This wasn’t just a wedding. It was a promise, forged in the fires of uncertainty, that they would try to carry their love into whatever came next, whether that was days, months, or years.
Bucky squeezed her hands once, then brought them up to his lips, kissing the back of her hand gently. She saw the soft smile on his lips, the one that always made her feel like the luckiest woman in the world. She smiled back, even though the pit in her stomach had only deepened.
"By the power vested in me by the State of New York," the minister continued, "I now pronounce you husband and wife. You may kiss the bride."
Her heart thudded in her chest as Bucky gently cupped her face in his hands. His eyes searched hers for just a moment, full of a hundred unspoken words. Then, he leaned down, his lips meeting hers in a kiss that tasted like heaven and heartbreak. He kissed her like he was memorising the feel of her, like he wasn’t sure when he’d be able to do it again.
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Got held up in a meeting, I’ll meet you at the cemetery? The text blinked on her phone screen. She sighed, slipping her coat on and locking her office door. She hadn’t really wanted to go by herself, but she didn’t mind. She knew he would keep his word.
She stepped into the cool New York air, letting the crisp bite of it settle in her lungs. She could have taken a cab, but today, she decided to walk. The weather, the perfect chill she had once shared with Bucky, should have brought some comfort. They had always loved walking on days like this – finishing with a steaming hot cup of cocoa from Marcels’ street cart. She could almost taste it, even though Marcel and his cart were long gone. Today, it was different. The cold air was suffocating, like a reminder that she would never have that again.
She got there quicker than she intended to, having realised she was marching there. The squeak of the poorly-maintained gate interrupted the eerie silence of the cemetery, even the wind barely stirring the trees. Not even the noise of the traffic dared to encroach on this hallowed ground, as if the outside world was shut out.
Her feet moved on their own, guided by the kind of muscle memory that only comes from years of repetition. She didn’t need to think about where she was going—she had walked these paths so many times, the route was etched into her mind. She had come here hundreds, maybe thousands, of times.
The last slivers of sunlight were fading, casting long, stretching shadows over the gravestones, highlighting the one she was here to see. 
Sgt. James Buchanan “Bucky” Barnes Gave his tomorrow for our today. 1917 - 1945
Looking at the familiar stone, she felt the weight of the world pressing into her shoulders. She didn’t cry here these days – she couldn’t bring the tears to fall. It felt more like her heart was being plunged into an ice bath and held until it screamed for air.
“Hi, handsome.” She smiled, touching the top of the stone, ever so lightly. She had noticed, the past few times she had come, that there was a little dip in the stone where she had touched the stone every time she came to visit for the last seventy years. Another reminder of how long she had been alone. 
She remembered him at the altar, standing tall as her father walked her down the aisle. He had been a strapping young man, full of strength and kindness, with an unshakable need to protect those around him. She had adored his Sergeant’s uniform — the way it spoke of everything he had endured, his unwavering dedication, and the spirit that had always driven him. It was that same uniform he wore when he became her husband, in that perfect moment when she thought maybe everything would be okay.
And then, last year, she had seen it again — his uniform — displayed at the Smithsonian exhibition. The sight of it, the memory of him in it, hit her like a punch to the gut. She had barely managed to hold it together long enough to step away, stumbling to the bathroom where she had collapsed in front of the sink, choking back bile.
A sudden shift caught her attention – the crunch of a footstep. There hadn’t been anyone else here. Her instincts kicked in before her mind could process the danger. Her hand dropped to her side where her concealed knife rested, fingers brushing the hilt as she turned on her heel. 
A shadow at the edge of the cemetery. The figure stepped into the rapidly dimming light, revealing a man clad in dark tactical gear, his face obscured by a mask and goggles. A glinting silver arm by his side. It wasn’t the kind of thing you wore to visit a graveyard.
For a moment, as they locked eyes, there was nothing but silence. She thought, just for a second, that there was something familiar about him. There was a stiff hesitance in his actions – his face turned briefly from her to the gravestone she was visiting. It wasn’t the right time to think about it, and she wasn’t one to say no to an advantage in a fight.
In one fluid motion, she drew her blade and without missing a beat, she moved. She sprinted towards him, adrenaline surging in her veins, and threw herself in a roll to the side. The assailant’s reaction was immediate – his metal arm shot out to intercept, but she was quicker. She ducked low and spun around, coming up on his left side and launching a series of precise strikes.
Her knife aimed for his throat, but he blocked it effortlessly with his metal arm, the screech of metal against metal echoing in the still air.
The man moved quickly, the metal arm slashing towards her with terrifying speed. She dodged to the side, her own body moving like a blur but narrowly avoiding the strike. She retaliated immediately, aiming a series of rapid strikes at his torso, testing his defences once again.
His reactions were sharp, almost inhumanly so. Faster than anyone she had ever seen. She managed to keep pace with his dizzying movements, moving with the fluidity of someone who had done this dance many times before.
She threw another jab, hitting his side. It did nothing – she hadn’t managed to land an effective attack yet, and she was one of the best in SHIELD at hand-to-hand. There was something not right here, something she was missing… 
Taking advantage of her failed hit, his boot connected with her chest, sending her crashing against one of the gravestones. She hit the ground hard, but didn’t stay there – she rolled with the momentum, popping back to her feet smoothly, eyes never leaving her opponent.
He lunged forward, slashing upwards with his knife. She screamed as it made contact with her cheekbone, her hand moving up to cover her new wound and wincing at the claret staining it as she pulled away. She tried to ready herself for his next move, but with the distraction, he was too fast. His strikes were brutal, calculating, each one designed to incapacitate. She was no stranger to close combat but she struggled to match him blow for blow, as the fight dragged on.
She began to feel the weight of her exhaustion. The assailant was relentless, she would give him that. Like a force of nature. She couldn’t help but feel more and more that the odds were stacking against her. As she tired, the attacker only seemed to get quicker and stronger.
With one miscalculation, she found herself pinned to the ground, his boot pressing into her chest, the cold metal of his arm looming over her. She desperately gasped for breath, struggling beneath his weight as she began to feel her ribs crack – the harder she struggled, the tighter his grip seemed to get.
“Get off!” She shouted, desperate to break free. Her words only seemed to fuel his determination. Maybe this is it, she thought. She took a glance at Bucky’s grave – maybe they would finally be together again. 
As her struggles became weaker and weaker, a haze reached around the edge of her vision. A red, white and blue blur collided with the attacker’s side, sending him stumbling back off of her chest.
“HEY!” Steve’s voice was like the heralding of an angel. She gasped in a breath of relief as the pressure on her chest finally released.
She scrambled up, her heart still hammering – her chest in immeasurable pain. Steve stood between her and the assailant as she felt like she was hacking up half a lung and at least part of her heart. 
“You good?” He called back to her, his eyes unmoving from the man in front of them. The man who previously had been ready to kill her, but now seemed to be showing hesitation once again. She could only cough and splutter in return, but it meant she was breathing at least.
The moment of hesitation passed. 
With a growl, the attacker lunged again, attacking Steve with a fury that made her blood run cold. But Steve was ready. He met the assault with precision, using his shield to parry each blow, his movements fluid and practiced.
The attacker didn’t manage to get through Steve’s defences in the way he had hers, no longer able to use physical strength as an advantage. With a sickening crack, Steve’s shield slammed into the side of his head.
It was a move that would’ve knocked an ordinary man out cold, at the very least. But their assailant simply shook his head, as if trying to clear it. His eyes seemed to lock onto her for a brief moment, and then, in the blink of an eye, he darted back, disappearing into the shadows.
Steve and her both froze, staring at the empty space where he had been.
“What the hell was that?” She muttered, trying desperately to catch her breath. Her legs shook from the adrenaline, and Steve finally tore his eyes away to look at his friend. 
His jaw tightened as he scanned the area. “I don’t know, I’ve never seen anyone move like that.” He turned to her, “Are you hurt?”
“Cut to the face, at least a couple of broken ribs.” She wheezed. “Who the hell was that, and what did they want from me? Why did he run?”
“Your guess is as good as mine, but it definitely wasn’t a random thug. That was a highly trained killer. And whoever he is or whatever he works for, they clearly want you gone.”
She shook her head. “If they wanted me gone, why wouldn’t they have just positioned a sniper above the cemetery. This felt personal, Steve.”
He grimaced. There was something deeply troubling about the whole affair. Attacking a widow at her husband’s grave, that wasn’t a coincidence, it was a message. Nothing was sacred, and nowhere is safe.
“We need to go.” He put his arms around her, helping her along as she continued to splutter and cough. She threw one last look back at Bucky’s grave, her own blood splashed across it. Something about the imagery made her shudder.
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“You’re not going back to your own apartment, (y/n). You can stay with me.” Steve’s voice was firm, with a strong undercurrent of concern – it was clear that he wasn’t asking, just telling. Normally, she would protect, argue that she needed her space. But after the terrifying encounter in the cemetery, the weight of everything – the fight, the fear, the haunting glimpse of the man sent to kill her – maybe it was for the best that she wasn’t alone.
She tilted her head, the faintest smile tugging at the corner of her lips. “I’m technically your superior, Captain. You can’t give me orders.” The teasing edge was there, but it was tired, the last remnants of her usual strength finally slipping away.
Steve chuckled, the sound warm and familiar. But there was something in his eyes that told her he wasn’t going to let her play that game tonight.
“Unfortunately, Commander,” he replied, his tone playful but insistent. “I promised my best friend I would look after his wife for the rest of my days before he left for Europe. And that trumps any kind of hierarchy said wife finds herself at the top of.”
She smirked, recalling the days before – before everything went wrong, before there was a permanent hole in her life that took the shape of Bucky Barnes. Before the war. Before everything.
Her smile faltered just slightly as she shifted on the couch, wincing from the pain in her chest. Steve was quick to step closer, his hands hovering near her, ready to help.
“You’re sure you don’t need a doctor?” He asked, his voice quieter now, more like the Steve she had once known – concerned and kind, but with an edge of the stoic man who had seen too much and lost too many.
She shook her head, closing her eyes for a moment. “I’ve broken my ribs a thousand times, Stevie. They can’t do anything but pain management.”
There was no bitterness in her voice, just a simple fact. Her body had carried the marks of war for longer than she cared to count – bruises, scars and the slow, agonising wear of decades spent in battle. They say time heals all wounds, but she had enough marks – physical and mental – to prove that wrong.
He sat down beside her, his frown deepening. “What about the cut on your face?” He asked gently, his eyes scanning the healing wound on her cheek. “Looks like it’s going to scar.”
She reached up slowly, brushing her fingers over the cut, the jagged line that would probably never fade. “Just add it to the list, I guess.” she said quietly. Her voice was light, but there was a hardness in it. She was weary after fighting for so long – fighting to survive, fighting for what’s right, fighting to honour a love that was taken from her before it had a chance to bloom.
Seventy years. And yet, in some ways, she still felt like that woman in the secondhand dress marrying Sergeant Barnes, praying that her husband would come back to her. 
He didn’t. But she had kept going regardless.
A quiet silence filled the room as Steve stood up, moving around his small Brooklyn apartment. The soft clinking of dishes and the rhythmic sounds of him making tea or coffee or whatever else he could find to busy his hands was soothing, almost like a lullaby. 
She sank back into the cushions, closing her eyes as the pain in her side and the exhaustion in her bones began to catch up with her. She had barely slept the night before, and today had been a nightmare in every definition of the word — a fight with some kind of enhanced being, a near-death experience, and now, Steve was here, keeping her from falling into a darkness she wasn’t sure she could crawl out of alone.
“I’m exhausted,” she murmured, her voice catching slightly. She didn’t need to pretend in front of Steve, not after everything they’d been through.
Steve moved quickly to her side, adjusting the blanket around her, his eyes never leaving her face. He didn’t need to say anything. He simply nodded, a small, concerned smile on his lips as he tucked the blanket around her tighter.
“I’ll stay up,” he said softly, his voice steady and comforting. “Keep an eye out. Sweet dreams, (y/n).”
“Thanks, Stevie.” she whispered, her eyes fluttering shut as the exhaustion overwhelmed her.
Her dreams, as they always did, were filled with memories of Bucky. The sound of his laugh, the way he held her hand on their wedding day, the way his arms had felt around her when they said goodbye. And then, the last time she had seen him — the last moment, frozen in time, before everything changed.
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“Guess this is it, huh?” His voice was low, filled with both sorrow and resolve.
“So much for a honeymoon.” She smiled, sadly, her fingers brushing over the collar of his uniform. “I just wish I could come with you.”
Bucky let out a heavy sigh, his hands still resting on her face, his thumbs gently stroking her cheeks. “You will. In your own way. You’re going to make a difference, (y/n). You’re gonna help save lives.” His voice cracked slightly as he spoke, and she felt it deep in her bones.
"And you’ll be back," she said, her voice barely above a whisper. She wasn’t sure if she was trying to convince him or herself. "You’ll come back to me."
Bucky gave a faint smile, though it was bittersweet. "I’m coming back," he promised, but the weight of it hung between them. "I swear it."
All she could focus on was the warmth of his touch, the strength of his hand holding hers, the slight tremble in his fingertips that betrayed the fear he wasn’t letting anyone see. The two of them stood there, hand in hand, while the world around them celebrated a union that felt both like the beginning of something beautiful and the end of something they couldn’t protect from the violence of war.
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I promised, didn't I! Thank you to everyone who voted on my WIP poll, it was super informative!
Reminder you can join my taglist via the google form here <3 Special thank you to @ironwinnerwonderland who specifically requested Bucky Barnes on the form!
PART TWO HERE
-> Masterlist
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awearywritersworld · 1 year ago
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i was benevolent and good; misery made me a fiend
sukuna x reader summary: you persuade sukuna to play go fish. the two of you have a small disagreement (he really can't stay mad at you). he confides in you about his past as a sorcerer. w/c: 3.4k tags/warnings: the teeniest bit of angst. mostly fluff. banter. cursing. aged up!yuuji. slight yuuji x reader. not canon compliant. fem!reader. no use of y/n. no manga spoilers. a/n: the first section could be read as a brief(ish) stand alone. and for context, the world's shortest frankenstein synopsis: victor frankenstein brings a creature to life using dead body parts and thrusts him into a world he doesn't understand, then promptly abandons him and wishes him dead. alone and regarded as repulsive by every human he comes across, the creature begs frankenstein to create a wife for him too. when frankenstein refuses, the creature is further driven to hatred and violence. series masterlist // masterlist
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"we should play a card game!" you exclaim as if you've just had the world's greatest idea.
"i'll pass."
sukuna sounds listless, like it's quite possibly the worst proposition he's ever heard.
"why's that? scared i'll beat you?"
"i'm opposed to mind numbing boredom, more like."
"you really need to expand your horizons," you suggest, making your way over to where you keep your playing cards. "all you do is read and brood."
"it's gotten me this far."
you don't respond, too busy rifling through your bookshelf. just as you spot your cards, a book catches your eye and you pull it from its place.
making your way back over to him, you drop it in his lap. "since you found jane eyre so insufferable, here's one you might actually like."
he surveys the cover, which reads: frankenstein or the modern prometheus
you take a seat across from him at the kotatsu table and shuffle the deck, while sukuna flips through the pages with new found intrigue.
"what's it about?"
"the dangers of playing god. should be right up your alley."
"your subtly never ceases to amaze."
"i'm just kidding." you laugh. "there's a lot more to it than that— revenge, loneliness, personal responsibility..."
he turns the book over. "it's written by a woman?"
you raise your eyebrows at him. "what, you don't think women have enough depth to write about those kinds of topics?"
"no, it was just an observation," he says off handedly. "you are evidence enough to the contrary."
he doesn't say it as a compliment, more so as a statement of fact. you hope your astonishment isn't written all over your face.
clearing your throat, you begin dealing while explaining the rules to him.
he takes up his cards and seems to understand the game after only a turn or two, but you're narrowing your eyes at him soon thereafter.
"go fish," he says for the fourth time in a row.
your gaze shifts down to his hands. there's just no way. "show me your cards."
"wouldn't that defeat the purpose of this stupid game?"
"not if you're cheating, now let me see."
"no."
you reach across the table, hoping to snatch them from his grasp, but he just holds them out of your reach.
swiftly rising to your feet, you launch yourself at him in a sad attempt to catch him off guard.
with only one arm extended, he easily fends off your attack. "do you actually think you have a chance here?"
you sink to your knees in defeat and sit with your legs folded beneath you. "not really, but i have to know if you'd stoop this low."
"that so? had you believed me to be above cheating?"
you gasp. "so you admit it?"
"i told you i didn't want to play," he deadpans.
"that doesn't mean you had to cheat! now we have to start over!"
he carelessly tosses the cards onto the table. "i don't think so."
"please?" you lean forward, jutting out your bottom lip.
he just stares at you with an air of disinterest.
sukuna can be so haughty sometimes, and frankly, it drives you a little crazy. you'd give anything to wipe that look from his face— to prove that he doesn't find this as miserable as he lets on.
leaning forward even further, your hands meet with the carpet to support your shifting weight. now he's watching intently as your face approaches his, your eyes flicking down to his lips.
unbeknownst to you, sukuna's breath catches in his throat once he sees your gaze shift, though his mind struggles to catch up. it happens so fast that he hardly registers the quick peck you place on his lips (though maybe it's not the speed of the occurrence, so much as his shock).
"please?" you repeat.
he looks off to the side and stays silent, though his demeanor is indicative of some heated internal debate.
sukuna can't let you win, not that easily. you'd be under the impression that you actually have power over him! and for what? some measly kiss?
no, he simply will not allow that. "i already told you—"
grabbing him by the chin, you cut off his words with another kiss, but this time it lasts a few beats longer. your lips don't move against his, they just linger there in a way that that makes him question whether all of the oxygen has vanished from the room.
when you pull away, you're looking at him expectantly with the same pout still playing on your lips.
"fine!" he barks, grumbling something afterwards that sounds a lot like "evil little minx."
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"human earthworm two is definitely still the best."
you're walking home with yuuji after a late night showing of the newest movie in the series.
"no way," you contend. "this one was even better."
he gawks at you. "in no world is the seventh film in an anthology the best! you're crazy—"
sukuna's mouth appears, always eager for a chance to undermine his vessel. "she's right, brat."
yuuji can't believe his ears. "what?! you haven't even seen it!"
"i don't know," you interject slyly. "i'm willing to look past that. it really seems like he knows what he's talking about."
"you mean the guy who's existence predates cinema?" yuuji asks, his eyebrows furrowing as a thought occurs to him. "what'd you do all day anyway? watch plays?"
"..among other things, yes." sukuna answers.
"if you look at it logically," you reason, "we probably wouldn't have movies without theater, so we should definitely consider him an expert in this case."
"oh please, baby. when the topic is ancient civilization or being a homicidal maniac, i'll be sure to solicit his opinion then."
"i resent that," sukuna declares, his conviction forcing a giggle from your lips.
"why?" you question. "was it the part where he called you old as shit, or the part where he called you a murderous lunatic?"
yuuji brings a hand to his mouth to stifle a snort, but you're freely laughing now.
sukuna scoffs indignantly and bites back a comment about how partial you seem to be toward said lunatic. "and to think i defended your opinion."
his response has you clutching at your sides and struggling to see through teary eyes.
but perhaps karma is real, because not a moment later, you step off the curb in a way that sends a sharp sensation through your leg.
you gasp in pain and brace yourself for the impact of falling to the concrete, but it never comes. instead, you're left with fingers clamped tightly around your wrist and a strange sense of deja vu.
you turn your head just before the dark lines fade from yuuji's arm completely.
"tch, watch where you're going idiot," sukuna scolds, his mouth disappearing as soon as he finishes speaking.
"are you okay?" yuuji asks worriedly.
"absolutely," you claim, but when you try to put weight on your left foot, you let out a hiss.
yuuji's hands find your waist, hoping to keep you steady. before you know it, he's crouching in front of you with his back turned and beckoning you to wrap your arms around his neck.
once you do, he hooks his arms under your thighs and easily stands up. "this okay? you comfy?"
"yeah. i can't believe i just did that." you hide your face in the space where his neck meets his shoulder. "thanks, yu."
when you get home, yuuji sets you up on the couch with icepacks, heating pads, three different drinks, two different books, and the tv remote.
he still asks if you have everything you need several times, then kisses you sweetly before heading to bed.
around thirty minutes later, sukuna's leaning in the doorway with his arms crossed.
"hey," you greet. your eyes never leave the tv, as you're privy to the slight tension between the both of you.
he skips the evening's pleasantries. "i could heal it, you know."
you finally turn to face him. "really?"
"of course." he rolls his eyes. "some of us can actually use reverse cursed technique."
"and you've just let me hobble around the past hour anyway?"
he shrugs. "you pissed me off."
you blink at him a few times, rubbing at your temples. "well what about now?"
"i don't know," he begins, making his way over to you. he towers over where you're seated on the couch, so you have to crane your neck to look up at him. "just doesn't really seem like something a homicidal maniac would do, but maybe if he were to receive an apology..."
you cover your face with your hands and groan. "i didn't say that. this is really something you should take up with yuuji—"
"i don't make a habit of conversing with the brat, so if that's the way you're going to be..." he turns on his heel and starts for the bedroom, but you grab onto his sleeve just before he's out of reach.
"wait. please don't go."
just like that, your words have his resolve crumbling and any of his lingering irritation ebbs away. he urges himself to stay strong though, especially after the go fish debacle.
when he doesn't speak, you let out a breath.
"i'm sorry, sukuna." he can tell right away that you're being entirely sincere. "i would never purposefully hurt your feelings. i only meant to tease you, but i can see how i was being mean."
are those... are those tears swimming in your eyes? are you in that much pain, or did he just make you feel that badly? in any case, he endeavors to remedy it immediately.
moving around the couch until he's in front of you, sukuna kneels between your legs. he grabs your left foot gingerly, situating it on his thigh before hovering his hand over top of it.
he sighs. "i don't care if you tease me and you weren't being.. mean." the words sounds so juvenile to him.
you weren't necessarily wrong either, goes unsaid.
well, he'd like to consider himself a little more sophisticated than 'maniac' would imply, but that's beside the point.
"then why are you upset with me?"
his jaw flexes as he tries to find the right words. "i would prefer you do that when it's just.. us."
"oh." realization dawns on you, as does another heap of guilt. you know he despises being trapped in yuuji's body, and you completely failed to consider how ganging up on him might make him feel. "i'm... fuck. i'm really sorry, sukuna—"
"stop apologizing," he urges you in a low voice. it's partly because what he just said makes him feel pathetic, but more than that, it's because the look of self reproach you're wearing is akin to a thousand needles in his chest. "it's fine."
he can't believe you're sitting there with so much remorse over a man like him because you... what? wounded his pride?
he probably deserves it anyway.
why should you give a shit when he's done things a thousand times worse, a million different times?
oh, right. because you care about him.
you can't see the cursed energy at play, but you can tell it's working as your pain begins to dissipate.
once he's finished, he carefully moves your foot to the floor and looks up at you. it's not unlike the way a person might gaze at one of the wonders of the world, like they're lucky to be there in the first place.
with the intensity of his gaze, it feels like he can see right into your head— read your every thought and pick apart every emotion. has anyone ever looked at you like that before? you're having a hard time remembering. you're having a hard time thinking of anything at all, really.
so it goes without saying that you don't think about it when you lean forward and kiss him.
it's not at all like when you were trying to convince him to play cards. no, this isn't light hearted or frivolous.
and it's not like the other two kisses you've shared either. it isn't heated or desperate, nor does it leave you gasping for air.
it's tender. it's so fucking tender, in fact, that sukuna wonders whether he's going to crumble beneath your touch.
he grips the area just above your knees, as if needing something to tether himself to before he withers away completely.
his lips move with yours in a way that's slow and careful.
your hands are on either side of his face, ghosting over his skin as a testament to your hesitance— like you're not certain if this is something he would want.
he wonders how in the world you could ever second guess yourself.
when you pull back, you examine his face for a moment before a small, shy smile tugs at your lips and you murmur, "thanks 'kuna."
he just peers at you wordlessly and it makes you nervous, so you attempt to fill the silence. "it feels so much better. a-and i'm sorry again abo—"
his hand finds the back of your neck, pulling your lips against his for a moment longer. "don't mention it, angel."
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ever since you gave sukuna your copy of frankenstein, he's spent a decent portion of your nights together reading, his brows drawn together in concentration.
upon finishing, he stares at the page after taking in the final line: "he was soon borne away by the waves and lost in darkness and distance."
he's deathly quiet and wearing some unreadable expression. his eyes seem far off.
you leave him be for a little while, as it's clear he's lost in thought, but eventually you grow a bit concerned. it's been nearly half an hour since he last moved.
"sukuna?"
he turns to you. "why did you think i would enjoy this particular book?"
you consider his question carefully, his mood evoking your own seriousness. "it's... elegant and tragic. i suppose i appreciate the moral grayness of it. why do you ask?"
"no reason."
"did you enjoy it?"
"yes."
"why?"
he ignores your question. "frankenstein— do you like his character?"
you can't help but feel like you're answering some sort of riddle. "i think he's foolish and arrogant, but i guess i pity him to some degree."
"and the creature?"
"i'm much more sympathetic toward him. he's very... complex and certainly less culpable for the events of the novel than his creator."
you're surprised when he laughs. "of course you would think that way."
and with that, he's flipping through the pages of the novel. you move to sit beside him and once he finds what he's looking for near the middle, he begins reading:
"remember, thou hast made me more powerful than thyself; my height is superior to thine, my joints more supple. but i will not be tempted to set myself in opposition to thee. i am thy creature, and i will be even mild and docile to my natural lord and king if thou wilt also perform thy part, the which thou owest me. oh, frankenstein, be not equitable to every other and trample upon me alone, to whom thy justice, and even thy clemency and affection, is most due. remember that i am thy creature; i ought to be thy adam, but i am rather the fallen angel, whom thou drivest from joy for no misdeed. everywhere i see bliss, from which i alone am irrevocably excluded. i was benevolent and good; misery made me a fiend. make me happy, and i shall again be virtuous.”
his voice is strangely even, almost bordering on robotic. you're struck with the notion that he's attempting (with rare difficulty) to mask his emotions.
you regard him quizzically and wait for him to speak. the last thing you expect to hear tumbles from his lips.
"you know they called me the disgraced one?" you nod. "do you know why?"
"i know the story that sorcerers have passed down."
he hums. leaning back into the couch, he looks fixedly at the ceiling before continuing. "i was just a boy when i was orphaned and no one knew anything about my heritage, including me. jujutsu society took me in and raised me as a sorcerer."
"and you didn't care for it?"
"oh, quite the opposite. i reveled in it. my strength was unprecedented, that much was clear from the start. i surpassed my teachers with ease, and eventually, i took to training alone— reading primitive texts and honing skills that they couldn't teach me."
your hand finds his thigh, hoping to offer him some consolation before beckoning him to continue. "then what happened?"
"the men who had been my teachers, who had been the only.. family i'd ever known.. they scorned me. deemed me reckless and dangerous to jujutsu society. plotted my demise."
your voice is small when you ask, "were they right?"
he wants to hate the question— wants to hate you for asking it— but he knows that it's warranted.
"no. i admit i was forward thinking and a bit.. unorthodox, but i wasn't..."
"what they thought you were?" you offer gently.
he nods. "not until they made me that way— not until they abandoned me and backed me into a corner like some animal."
you struggle to find the right thing to say, if any such thing even exists. you're amazed that he's confiding in you, and while it makes your heart swell, you really don't want to fuck it up.
he looks back down at the book, his eyes scanning the paragraph before repeating, "i was benevolent and good; misery made me a fiend."
he says it as if he's coming to terms with the circumstances of his life for the very first time.
"the creature was remorseful at the end of the novel," you recall somewhat bravely. "are you?"
sukuna thinks for a great deal of time before replying. you wait patiently for him.
"no," he answers decidedly.
looking over at you for the first time since he began his story, he's relieved to find your face is free of rebuke. instead, there's a warm willingness to understand him. a sadness because of the way he was alienated.
he's curious whether anyone would be able to read the sentiment on your face, or if he just knows you better than most.
is that a privilege he's worthy of? he doubts it.
"you didn't deserve what they did to you," you whisper, reaching up to rake your fingers through his hair, nails grazing his scalp before your palm rests against his temple.
his head leans almost imperceptibly into your hand, and any regret or unease he may have felt at relaying his past to you disappears. watching a single tear slip down your cheek, he wipes it away with the pad of his thumb.
he means to say "don't cry. not for me," but the words die in his throat.
for once, your tears are for him rather than because of him and it's utterly riveting. the fact that someone like you would cry on his behalf seems to contradict every horrible thing he's ever been told about himself.
he could sit here and bask in the feeling forever— he's always known himself to be selfish after all. and you know it too, don't you?
his eyes flicker between each of yours, studying your face. "do you want to know why i don't regret the things i've done?"
you tilt your head to the side. "why?"
"because even if it's made me into a monster..."
for a moment, he contemplates not saying anything more. he considers forcing himself to pull away from your touch, even if it's the only comfort he's been given his entire life. he might still be able to salvage whatever tiny, laughable pieces remain of his pride—
"all of my actions have led me to you."
your eyes soften before you're wrapping your arms around his neck and pressing your body to his. he returns the gesture after a few seconds pass.
you know he's awful. you know he's cruel. you know that what he's been through doesn't excuse his actions. but still— you want so desperately to take away his pain. to make up for all the things in his past. to wipe the blood from his hands.
as you embrace such an incredibly complicated man (one who is infamous for unrivaled wickedness, yet has his face buried in your hair), you ponder the creature's plea: "make me happy, and i shall again be virtuous."
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a/n 2: if you're still w me, thanks for reading!! i'm not sure how i feel abt this part, so feedback is both welcome and appreciated!! also, how do we like sukuna using angel?? in my head he picked it up from the "my good angel" line in jane eyre, so i hope it doesn't seem too unnatural. alsoooo, highly recommend frankenstein. it's one of my favorite books!! mary shelley popped off and literally created the entire genre of science fiction at 21! anyway, thanks for all the love yall, it means the world<3
taglist: @96jnie @ay0nha @sad-darksoul @bbysatoruuu @luciiferian @risuola @lirasmoon @disaster-rose @archivist-ghoul606 @creative1writings @sloppyzengarden @omismicrowave @cecesharktales @tanyeonn @hiqhkey @ruixrei @yellowsubiesdance @thefallofruins @anything-and-everything-here69 @emzalot @thepup356 @browneyedgirl22 @lantsovheiress // users in bold could not be tagged. if i forgot to tag anyone, my apologies!! just give me a heads up.
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thedensworld · 1 year ago
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Sweet Macaroons | C.Sc
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Pairing: Gangster!Seungcheol x Baker!Reader
Genre: fluff, established relationship
Words Count: ±600
Summary: Seungcheol was far from pleased when a food critic posted a negative review that started to impact your sales. He couldn't stand to see you upset.
In the midst of a picturesque five months, Seungcheol, with an air of exclusivity, tenderly asked you to be his girlfriend. Everything seemed to move in slow motion around you, as if the universe itself was savoring the moment. His crew, astounded, couldn't fathom that a humble bakery owner just down the block from their bar had captured their boss's heart. He had transformed into something they never imagined: a unabashedly cheesy boy. Even Jeonghan, Seungcheol's right-hand man, remained baffled by the depth of his friend's infatuation with you. He couldn't quite grasp what had caused Seungcheol to fall so hard until he witnessed how Seungcheol would gladly stop the world at your command.
As an example of Seungcheol's devotion, he had gone as far as hiring a bodyguard to watch over you and ensure your safety. Seungcheol, ever mysterious about his business, would simply say, "I do business in Seoul and Busan," which, in its own way, was true. He owned nearly a hundred bars and nightclubs, not to mention his own association—a realm of details you didn't need to delve into.
Your bodyguard, Jun, who currently disguised as a barista in your bakery, would dutifully relay every detail to Seungcheol. This included mundane activities like your trips to the grocery store, visits from friends at the bakery, or even encounters with rude customers. Despite being in the know about your daily affairs through Jun, Seungcheol cherished hearing you recount your day, especially when it involved a customer that cussed on you. He'd teasingly inquire, "Should I track him down and make him pay?" A promise he would have swiftly fulfilled if you had not said, "No, you don't have to. I'll give him a piece mind when I'm a billionaire."
At times, Seungcheol really wants to say, "Marry me, and you can cuss him back in an instant." He was acutely aware of the influence he held.
However, he received an extremely irritating message from Jun, stating that a popular food critic had left a scathing review on their social media, claiming to have found a fly and cockroach legs in your sweets. This review had a detrimental impact on your sales and the overall image of the bakery, as people began leaving unpleasant comments on your social media platforms.
"Jeonghan, do you know this person?" Seungcheol inquired, displaying a video of the food critic.
Jeonghan confirmed, "Yeah, they're a very influential food critic."
Seungcheol nodded thoughtfully and hummed, "Do you know how to contact them?" he pressed further.
"I think we just need to get in touch with their management. They'll provide you with the pricing for their content," Jeonghan explained, prompting another question from Seungcheol.
"Then we can have them review our food however we want?" Jeonghan nodded, "Why? Are you thinking about having them promote our new foodbar?" he inquired.
Seungcheol shook his head, simultaneously signaling to Jeonghan that he wanted to be dropped off at your bakery.
Jun had informed Seungcheol that you had closed the bakery early today due to the lack of customers following the internet sensation. When Seungcheol arrived, only Jun was present in the bakery. He mentioned that you had gone to the convenience store for a few minutes. As Seungcheol patiently waited at one of the tables, you returned with a plastic bag in hand. Lost in your thoughts, you didn't immediately notice him. Instead, you went straight to Jun, telling him he could go home. Jun subtly gestured towards Seungcheol, indicating that he was waiting for you.
"Hi..." Your voice, though soft as always, carries a subtle shade of sadness. Seungcheol swears he can hear it, a touch of blue in your tone.
He smiles, approaching you and subtly signaling for Jun to leave the shop.
"Are you okay? I saw it online," Seungcheol asks gently once Jun has vanished from view.
You smile back at him, but tears well up in your eyes, trickling down your cheeks. You turn away, hiding your face from him as you wipe away the tears. Seungcheol's heart aches at the sight, a feeling he's never experienced before, like someone's squeezing his heart, causing a deep ache.
"Hey, it's okay," he murmurs softly, turning you to face him and pulling you into an embrace. He can feel the tightness in his chest intensify when he hears you sob.
This is the first time he's seen you cry in the five months you've been dating. He swears he'd never want to be the cause of your tears, let alone someone else.
"It's okay, baby. Bad things happen sometimes. It's not your fault," he reassures you as you try to explain how diligently you maintain your bakery's hygiene and ensure the freshness of ingredients. There's no way the accusations the food critic made could be true.
Seungcheol noticed the contents of the plastic bag you had been holding earlier: cleaning soap and equipment. His heart breaks once again, this time tinged with anger.
"Let's go home and rest, okay? I'll hire someone to clean the shop. I don't want to see you laboring with a heavy heart like this," he insists.
Seungcheol calls Jeonghan and swiftly arranges for his people to clean your shop. He drives you home, ensuring you have a proper dinner before settling down for some much-needed rest. Once you're peacefully asleep, he quietly slips away, reaching out to Jun and Jeonghan.
"Get them for me before midnight. Alive," he instructs.
Seungcheol doesn't concern himself with the specifics of how they carried out his request. But when his people successfully bring them to his office, he finally confronts the face that caused his girl to cry.
"What's your name?" Seungcheol asks, rising from his seat and approaching them.
"Who put you up to this?" Seungcheol presents their damning post about your bakery to their face. Poor soul, Seungcheol thinks. This food critic probably never imagined they'd be dragged in by a gangster and subjected to an interrogation like this.
Once Seungcheol acquires the name, he signals his people to reveal the extent of their capabilities. Images of their family and significant other are displayed, and they immediately plead for an apology, expressing regret for their actions.
"You should've thought about that before you posted that garbage," Seungcheol states, fixing them with a steely gaze.
"Upload a clarification video about your previous review. Go to that bakery tomorrow and apologize to the owner. Post both of those things before lunch if you want to spare them," Seungcheol directs, referring to the individuals in the photos as he delivers his unwavering ultimatum.
*
"It was a very wrong act of me to accept the offer to give a bad review to another bakery. I deeply apologize to the owner and my followers for doing such a wrong thing."
Seungcheol smiled at you as you showed him the video from the same account that had claimed they found a cockroach leg on your macaroon.
"See! I knew that my bakery and kitchen have passed the hygiene standards," you said, placing your phone down. There was a visible pout on your face, prompting Seungcheol to let out a chuckle.
"You're too cute," Seungcheol teased, pinching your cheek. He was relieved to see no trace of tears like the previous night.
You gently pulled his hand from your cheek as you stood up to restock the macaroon stall, which was nearly empty. Seungcheol couldn't help but smile as he watched you, his girl, his love, engrossed in the work you adored.
"Before you go, want a macaroon and your favorite latte?" you offered. He swore he would nod to anything you said.
"Here! I've packed some for your staff as well," you added, handing him boxes filled with sweets and a bundle of coffees for Seungcheol and Jeonghan.
He wouldn't let anyone steal your smile, even if he had to stop the world.
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zorosnavigator · 3 months ago
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Timebomb fics rec
A lot of timebomb fics are hiding through a lot of CaitVi/JayVik tagged works on ao3 (while many are also CV orJV centric) so i made this rec post for everyone who dont want to spent 1 hour scrolling or missing some of them bc you're filtering other ships!! (sorry for the short summaries/ i didnt write my thoughts as thoughtfully as i would have liked because.yk.time and all. update chapter count/add of new fics every week)
AU/crossovers fics
Je t'aime (Je t'attends) 3 chapter, WIP.
Hunger games x Timebomb/Arcane, the way the system of the games from the og novels are mixed in the Arcane universe is really masterful, the writer dont lose too much time explaining it but you understand the dynamics of the 2 cities and the characters perfectly anyway.
Where would you be now ? by enaven 5/6 chapters, WIP.
family/modern AU, timebomb feels, Ekko and Jinx are Isha's parents, CaitVi are just silly aunts and i'll never stop recommending this fic
you're the best thing to ever happen to me (but also the worst thing to ever happen to me) by grey_toiletpaper ( @greytoiletpaper ) 3/8 chapters, WIP. Rated T.
Timebomb inspired by 10 things i hate about you.
We Moved Into a Real House (a Wild Field Behind it) by smokesatellite 3/10 chapters. WIP. Rated T.
Modern AU, Timebomb roommates/friends to lovers, Isha is a foster kid...you know where this is going .. (Ekko as a nurse is not something i expected but its surprisingly good. Also the in law feud between Jinx and Cait is very funny)
s1 fics
Silco is less of an asshole
The Heart of Zaun by 1ts_Br1tney_B1tch 8/ chapters. WIP.
or: Silco try to rally the Firelights to his cause (in this case, Zaun - he's much more involved in doing better for his city than in the show) but of course they're bound to have some..tension between them, since they hate him - and Shimmer. (it has the good parent Silco tag so i'd say that all in all, this Silco is a little less...Silco than in Arcane, but manage to keep some of the bite he has in canon...) i only read 2 chapters, and what i can say is that it does a good job with the general cast, the interactions between Silco/Ekko-Firelights are believable, i think the one thing that could have weird me out is the way Silco is said to be 'proud' of the Firelights in the summary (for me 'pride' is something he'd reserve for Jinx yk?? anyway i stop the rambling) . The Timebomb relationship has more or less the same push and pull as in the show, with Ekko thinking about the girl Jinx used to be/ Ekko being a link to the past before Jinx and all that entail...so yeah, i'm loving it!
Powder doesnt become Jinx
The Alpha Command by typewriter_in_galaxy 13 chapters. WIP. Rated E.
ABO/Reverse AU where Powder doesnt become Jinx and is raised by Viktor, Ekko is taken in by Silco. btw i dont read a lot of abo fic (im very nickpick) but this one does every characters justice, and actually dwelve in depth in the abo universe.. (everything by typewriter is good to be honest, but my favorite thing is how they write Powder, who even when she doesnt become Jinx, is still shaped by a very violent world/trauma and it shows through her mental health issues and very, very low self worth/need to prove herself. )
everything's better with a friend by typerwriter_in_galaxy 7chapters. Completed. Rated E.
Timebomb centric rewrite of Arcane, Jinx is Powder, she doesnt fall under Silco's hand (or in his arms precisely), Ekko is Ekko, and 1, i need to hug Powder, 2 she deserves the world and 3 the characterization of everyone, everyone is so brillantly written and the timebomb relationship (damn even the CaitVi one too) oh, the timebomb of it all... they feel so, so real and it hurts, Powder's insecurities, her mental illness, her guilt, her need to prove herself but in same time she doesnt feel herself worth of anything (or anyone) good... just.read it. read it, because i just did, after like 2 years of not doing that and. im like mad bc why didnt i??? but in same time so grateful to just discover it now, taking my sweet little time reading it; it rewinded my brain its amazing, (like this work in another fandom, the first time i read this rebelcaptain's fic A Love song by skitzofreak - did i just linked it for you to read even tho its a timebomb rec post??? yes. yes i did. thats how much i love, adore, worship this one guys - so everything's better made me think a lot of this TB fic, and also of RC (the abandonment issues, thinking that you have to leave first before everyone leave you, Jyn and Powder damn).
Shattered Web by Firewolf2132 1 chapter. WIP. Rated M.
you know how everyone make the comparaison between Ekko and Miles?? well, the author found a way for Ekko transform into a spiderman that feels right in the arcane verse (end of act1) and damn its so good. Ekko slowly morphing and gaining his powers while everyone still have some focus on them (mostly Powder), but it still manages to keep the suspense of the fate of other characters. fabulous. author note: [I have seen so many comparisons between Ekko and Miles and a lot of fanart. So it felt that I had to do this. I can't promise future chapters right now (busy), but I am eager to see if this inspires any stories with a similar premise.]
S2 fanfics
fics covering Timebomb moments between ep 8 Ekko saving her /they painted each other and ep9
Go Back For Her by A_Lily_In_The_Moonlight 3/3 chapters. Completed. Rated E.
Ekko's pov -i only read 1 chapter - we see his thought's process on his relationship with Powder AU/ Jinx, and how he came to the conclusion he must go back to her. the moment where he help Jinx with his Z-drive comes a little differently than in ep8 (well, the aftermath) aaand another fic where Jinx's grief over Isha's death shatters me, the pain and the self loathing/blaming from Jinx really devastating.
I dont believe in God, but i believe you're my savior by mquesterminds One shot. Rated T
[summary: every time Ekko has to rewind time to stop Jinx it cuts to a different moment from throughout their love story because I'm allergic to happiness the moments covering their shared past really make their present 10 times sadder.]
I'm sure we're taller in another dimension by hallwayheart One shot. Rated M. i have nothing to say because i'm still processing what i just read.ty.
Fires That Were Set by ilophilia ( @ilophilia on tumblr) 1 chapter. WIP.
the conversation after Ekko helped Jinx in episode 8. Loved the banter, the emotions (the grief is there and its important to feel it but damn i want to hug them so bad). They tell each other what happened when Ekko was gone, and you feel the distance/the closeness, near intimacy building again and its beautiful..
Hope is a winged beast by Grey_ Unicorn 4 chapters. WIP. Rated E.
prepare you tissues because i was myself not ready for chapter 3 and the emotional wreck of Jinx processing her grief. but here we are.
fics from AU Powder pov/exchange between Jinx and AU Powder
what we left behind by re_dragon_rising 3/3 chapters. Completed. Rated T.
Powder traverses to the og arcane universe 1 year after Ekko's visit. (the insight into her life after Ekko leaves is wholesome and also give the reader a glimpse of the Mylo/Claggor/Powder siblings dynamics + the impact of Vi's death on them. really great. a little sad too.)
The other Ekko by GrammarThyEnemy Oneshot. General audience.
Powder knows this Ekko is not her Ekko.
memento vivere by fuwaaa 1/2. WIP. General audience.
covering the AU episode, Powder knows something's up with Ekko.
See Ya On The Other Side by moth_dust 3/5 chapters, WIP. Rated T.
Powder also travel to the og universe.
these forgotten faces by whippindippin ( @whippindippin on tumblr too!) 6 chapters, WIP. Rated T.
Jinx and Powder body swap and its both the worst and best thing that could ever happen to either of them. great reading and their reaction on point.
Isha is alive
Astrantia by AelinCreativ ( @aelincreativ they're on tumblr too!) 5 chapters, WIP. Rated T.
canon divergence where Ekko saves Isha. a lot of angst. but also a lot of happiness. so we can cry while smiling along with them. great. ty author!!
Ankle-Biter by darkfire1220 8/9 chapters, WIP. Rated M.
Isha is Jinx's biological daughter, Silco is a not so bad (grand) father, and their mother/daughter bond is one a the greatest thing ever. (very slowburn timebomb). Also Vi. i love you Vi.
post s2
we made our peace with weariness (and let it be) by The_FlamingTiger 3/3 chapters. Completed. Rated M.
Ekko and Jinx reconnect in Bilgewater..(and Jinx goes to therapy. that too. its nice)
I don't believe in God (But I believe that you're my savior) by yeonatsu Oneshot, general audience.
Ekko is mourning.
this hunger for love won’t disappear by Amuria Oneshot, rated T.
Months after the battle for Piltover, Ekko begins to dream of Powder. He thinks it’s his grief playing tricks on him. She has different theory.
Francesca (Do You Think I'd Give Up?) by PoetProlific 2 chapters. WIP.
Ekko tries searching for Jinx...(with the help of Caitlyn, yep. and its well done, because I think Cait would help, for Vi. And i love how Ekko-Cait's dynamics might evolve because of this..)
So I met him there and told him I believe by ijustwanttoreadinpeace 3 chapters, WIP. Rated T.
Jinx begins a new life in Bilgewater but is forced to come back... (edit: be warned, this is now an orphan account so idk if there will be more chapters.)
all the 6 timebomb one shot by atabex (the other fics are not timebomb) they're all rated E and oh boy is it worth it. most of these oneshot are gut wrenching and do smut + characters so well... the most recent one is just Ekko and AU Powder ahem doing the boombayah on the rooftop, but yk, with bits of sad and tragedy here and there.
i'm a little ashamed i'm only adding it now but every TB os fics by @shroomystar is 🤌 nothing else to add because each one of them are good. so. (if you want the explicit one-shots it's here and if you prefer without, it's here )
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