#and like plotting stuff is hard for me so I plotted this and it was very funny in my notes

[rpgchoices]

Davrin's past and his Dalish clan and his vallaslin (all mentions I could find)

So much in the game is hidden behind banters between companions (which is ahhhh a bit annoying) so I compiled all the banter and information I found about Davrin's past.

Not really plot spoilers, just Davrin spoilers.

At the end I will summarize everything in a bullepoints list.

Bellara and Davrin banter:

Text here (link)

There are also a few other banters I did not record where it is implied Davrin does not care about the gods or some other late game revelations. The only thing he cares about (and mentions again later in game, in a main scene) is how people see Dalish and elves, and how to minimize the risk of humans hating elves even more.

Taash and Davrin's banter (text in description for each image)

Davrin's quests information:

Here are other mentions from Davrin first quest: Rook: How did it go? Davrin: Poorly. They felt like I rejected them. Rook: Did you? Davrin: Yeah, I suppose. Clan life wasn't for me. I had to get away. Rook: So then what happened? You're out in the world, looking for adventure… Davrin: Got my ass kicked. Went broke. Davrin: I couldn't go crawling back to my clan a failure. Doubt they'd take me back. It forced me to figure out what I was good at. Always had a knack for hunting.

Other info we get from the Halla quest is that: Davrin spent summers tending Halla as a kid alongside Eldrin, who is not his uncle, but like an uncle. So this is a case of Davrin wanting to spend time with Hallas, or being made to by his clan. Eldrin's vallaslin is Ghilan'nain:

So it could be that Davrin's new vallaslin might be Ghilan'nain too. But I think it is Andruil's or a mix of the two.

Davrin could have gotten the vallaslin to honor Eldrin (we know he is the only member of his clan - if he is part of his clan - Davrin has no trouble contacting, even if they seem to have not met each other's in a while). But we also know Davrin was a hunter.

Eldrin was also the one who taught Davrin what to hunt basically. In his first quest Davrin says "When I was a kid, I'd hunt just about anything. Rabbits, deer, fox. Eldrin gave that purpose. Taught me the Way of Three Trees. The Way of the Arrow, Way of the Bow, Way of the Wood."

This is from Andruil and if we look at all three vallaslin:

Emmrich and Davrin:

(they have some discussions about Davrin not believing in the Fade or liking it, this is the one which mentions the Dalish clan)

There are also a few other banters at the Lighthouse that mention the Fade and the sky. Mainly they are about Davrin being uncomfortable with the open space and stuff about him disbelieving the Fade: "Good. Because it's not the sky. Emmrich says it's the Fade. Me, I don't know what to think."

Final banter with Davrin:

So basically, the summary of what we know for certain is:

Davrin left his clan voluntarily because he felt restless, he did not care about tradition and lessons, and he wanted to see the world

He felt like he did not fit in his clan since he was a kid

He was also hunting everything he could find until Eldrin taught him the way of the Three Trees and to protect life by hunting darkness (monsters)

Eldrin is like an uncle for him and lives isolated (unsure if he is part of Davrin's clan) and Davrin used to spend summers helping him with the hallas

Davrin feels like he pissed off his clan, he rejected them and both Davrin and Bellara agree it would be hard for him to go back

In another dialogue, he says he actually did not think the clan would take him back at all even if he crawled back asking for help ("Like a failure" he says)

He does not regret joining the Grey Wardens and looking for adventures, but he seems to regret that came at the cost of leaving the clan and not being able to return or keep in contact with them

Also, he says the outside world was different from what he imagined

[ceilidho]

Do you have any advice for a novice writer who can’t for the life of them figure out how to begin a story and/or scene? I’ve been slowly working on a novel in my free time for the last couple of years, and I feel like I have a decently solid plot and outline, but every time I go to start the actual process of putting words on paper I always get stuck. I’ve gone back and read the first few pages/chapters of other fantasy books to see how published authors do it, but I can never seem to find the right words or starting point that feels authentic and fitting to my own work. It always feels so clunky and out of place, and although I try to follow the ‘rule’ of starting the story in the middle of the action/a moment of change so that it doesn’t feel boring, nothing I come up with seems to help things flow into the beginning of the plot :/

ugh that's hard because actually forcing yourself to write is truly the hardest part. a lot of it is just nerves. like genuinely you're just experiencing stage fright.

that's why i love using tumblr as a micro-writing platform. when i make stupid little posts here, it feels low effort and i don't attach any anxiety to it, and actually that helps a lot when later on i take bits and pieces of stuff i've written here and add it to larger works (if you were following me when I was actively writing "landscape with honey" or "superstore" you'll remember i took a lot of asks that i'd already answered and just shoved them into the fic).

i highly recommend making a word cloud or vocabulary list for yourself if you're trying to cultivate a specific atmosphere as well. i have one on my phone for random words that i want to use.

then i think it might be helpful for you to try and break it down piece by piece. like if you have a scene where a character is packing a suitcase in order to catch a train, just focus on the first part where they're packing their belongings. there isn't a 'right' way to start a story or write something, so don't beat yourself up because the paragraph/sentence doesn't match perfectly what's in your head. the first draft is always going to be rough as well.

try to think of it like when an artist starts a piece. usually they start with simple shapes that they slowly add on to. you can think of your first draft kind of like this:

(image source)

[thatsveryvortex]

Writing Tools for Planning Your Story

I've tried tons of writing apps and sites, so you don't have to. Here's a list of free sites to plot out your novel, with my review and some images of how I use it.

Milanote

Milanote is like having a giant pinboard with folders. You can upload anything onto it [yes even your main doc] and then draw over it or connect things with lines and arrows

Milanote lets you add up to a hundred things for free, not including drawing. This is one of the downsides of the site as I've found myself reaching that limit recently.

For me, the best part is being able to draw over stuff, and the color swatches.

Milanote is a lot less structured than other sites I've used, and personally, I don't think their templates are worth using.

8/10 overall, Milanote is what I mainly use. Here are some pics of how I use it:

Miro

Miro is a flowchart website mainly used for corporate jobs, however, it can be a great plotting tool for that reason

Miro has a lot of great starter templates if you are looking for a more structured freeform experience. It also comes with a blank page as well.

Unfortunately, I'd argue that it's a bit of a hard tool for beginners to use without a template, I've learned copy-paste is my best friend with Miro the hard way.

It's much better than most platforms at making timelines though.

It has a limit of three boards which is a bit disappointing but overall, I think it's worth the try.

5/10 Miro is very middle of the road for me due to the limited ability to customize things and the free limit. Here are some pics:

[I wrote that part weeks ago, I am now fully using Miro and believe it's the best for making timelines and charts, I just wish it let me make more boards 8/10]

Hiveword

This might be someone's jam, I can't really say it's mine though.

First off, the unpaid version is really just a few boxes saying "Write a summary here." which makes it just not worth it in my opinion

There really isn't any way to customise things which is my favorite part of most of these softwares

I've barely used this, so maybe there's something I'm missing but

1/10, Just use Google Docs at this point, here's a couple pics

World Anvil

People like this software, it's mainly used for tabletop, which is just a different way of writing adventure, and I've seen it recommended by authors.

Unfortunately, I'm going to disagree with a lot of people and say it's hard to use and isn't even really good at plotting.

I may be biased on this one as every time I've tried to use it in the past I've struggled. However, it seems like another just write it in a document and create a folder.

I'd say it's closer to an organizing tool, but even then just use something else.

3/10, I have nothing to say about it but maybe you'll enjoy it, all here are two photos

Campfire

This is the one I think I've heard the most about, but have never actually tried.

right off the bat, I'm going to say this is 100% worth it, you'll see at the end with the photos but this is like if Miro and World Anvil had an organization baby.

It's extremely easy to understand, and it makes timelines, it's more for writing your whole book but idk about that yet.

7/10, its themes are really pretty but it limits how much you can do to 20 I believe. Here are the photos

That's all for now, honestly, I think you should use Miro if you are looking to plot things out, and Milanote if you want to collect and organize your thoughts for writing, as that's what I do. Obviously what I like won't be for everyone, but hopefully, this helped you see some options

[kommandonuovidiavoli]

Hi Sydney, how are you? How are you currently in your marriage with Charlie? Of course adding Lou to the equation? How do you pass the time?

" We recently celebrated Pearl Wedding Anniversary, with a little party with friends and family. It was really nice!

We had our ups and downs... well, a pretty bad down I'd say, that almost ended it all (and me as well but, that's another story).

But somehow we managed to get back from it and we're even more in love than before, if possible!

I really love her a lot. She's my life and my light in the dark, and now she's Lou's, too, once more!

I'm not jealous, honestly. I don't know why. Maybe it's because I trust both of them and know they would never hurt me, especially now that we all have our memories back and can understand feelings better and talk about them like adults.

I trust Lou. He never gave me any reason not to, and I know he wants to protect Charlie as much as I do—except he can do it better because of his powers, eh eh!

We had to buy a bigger bed so we could all fit in, and I still wonder how Charlie can get out of it without waking up me or Lou, since she sleeps in the middle. She has magic! "

" I used to read a lot years ago or play some video games to get inspiration. Sometimes watch movies, too.

Now I completely lost all attention to do any of that stuff. I can't sit still and read a book, because I forget the sentence I just read, and I lose interest. I can't sit still and watch a new movie because I start doing something else and lose the plot. I can only sit still in a cinema but I have to concentrate hard to actually follow a movie, so I don't do it often. I can't even play a videogame because these new 3D graphics give me motion sickness.

All I can do is draw. I do that a lot while following TV shows or videos I already watched or things that are just good as background noise to keep me company. Even if... drawing is becoming hard as well. I get easily distracted, I start too many projects and never finish any of them. I lose interest quickly and abandon things.

But at least I draw.

Maybe one day I'll start reading too... hopefully, before my eyes get even worse at seeing, ahah... "

[queen-schadenfreude]

now that I've finished datv.. i have some first pass thoughts

spolers below

first of all why is this game trying so hard to rehabilitate in-universe controversial aspects? I mean like. Slavery in Tevinter. It's swept under the rug with a few lukewarm platitudes and codices about how it's being addressed off-screen. Previous games have established how horrific it is, but the tevinter we see in veilguard doesn't reflect that at all. it feels dismissive of a lot of major setting and character development. Same with the antivan crows! they were described as a brutal, cruel organization but now they're the underdog protectors? Sure, there was family drama and a few mentions of how cut-throat things HAD been before, but we don't get to *see* any of that. illario was weak as an example of this bc he was the only thing to be shown as bad. There's no tangible impact.

it seems like a feeble attempt to make sure the players understand that the writers do not condone the unsavory aspects of the setting and characters, while making everything a Teachable Moment. honestly half of the game felt like a psa on extremely basic ethics, like surface-level shit children already know.

on top of that, idk why the game is trying so hard to therapize the player via companions' emotional journeys. The extremely basic and direct "your feelings matter and it's okay to feel your feelings! " scenarios were so repetitive and cringe. Sesame street level bullshit. am i crazy for expecting a more mature and nuanced approach to emotional struggle??? I swear previous games were better at this

also fuck all of southern thedas, it's cooked. hope yall didn't care!

Anyway.

ive only played through Neve's romance and i chose her bc she talks and acts like an adult and not a flustered teenager like harding, or a quirky mpdg like bellara. I liked it, it was fine. no strong feelings about it tho.

I didnt consider Taash as a romance option bc they act like a petulant child most of the time and that's just not fun for me.. and I don't love that Taash seems more like a prop for Gender Ideology 101 rather than being a fully complex character who is working through a gender identity crisis. I am not trans and cannot fully speak to this but as someone who knows more than the absolute basics of gender ideology, their story felt patronizing.

the boys are... fine, I guess. I wrecked treviso so I think i got locked out of some Lucanis stuff but his possession just isn't as compelling as previous characters who have been possessed. Davrin is fine, inoffensive. Emmerich is funny I do like him, Manfred is delightful.

I played as an elf bc I hoped it'd be extra relevant to the story, what with the Big Bad(s) being evanuris. it didn't matter at all. the crossroads doesn't even look different for an elf character like it did in Trespasser.

I expected everything to drive torward making Solas out to being a Good Guy Actually, and it kind of did. but super aggravating for have phantom varric to say that after being actually murdered by him like damn!! you are just gonna let that guy walk all over you bc yall were friends for a short while a decade ago. Where was that sympathy for Anders??

varric being a figment of rook's imagination the whole time was a fun reveal, tho.

siiigghhh. but listen. there were things I liked about the game, too. the gameplay is fun. the environments are GORGEOUS. the characters look good, i think the art style is fine actually. the character creator is great (except those qunari fiveheads RIP)

a lot of the banter and jokes did genuinely make me laugh, and i did like exploring maps and interacting with the new companions generally.

I havent given a lot of thought to it but I think a lot of the plot-related issues i have could've been solved by just setting the game like, 100 years in the future. All of the questionable and unsavory aspects of the cultures the game tries SO hard to diminish and write off would've had time to be organically rectified in-universe. I guess.

well. whatever.

[jerrythebug]

The movie outfits are so awful because Max('s intern) designed them himself

[thewingedwolf]

the arryn line has died out so many times they always have a backup line ready to be the next arryn, these bitches are just sooooo bad at living. everyone’s always picking on the starks for getting nearly wiped out but damn ned & cat really hunkered down and repopulated the hell out of the family tree, like the starklings aren’t doing that bad, meanwhile you just like, sneeze too hard in the direction of the eyrie and the whole arryn line is on the brink of extinction, but it’s okay, they follow strict osha guidelines in the vale and they have a protocol for this very common scenario

[creative-robot]

I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning

It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.

My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.

But

Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.

They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.

Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.

So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?

Do not watch the following material

[jojo-schmo]

I wish I could tell the original artist that this drawing permanently changed the entire direction of my life in 2009. I want to shake their hand, look them in the eye, and admit I would not be who I am today if this drawing didn’t exist.

EDIT: Original artist is @ivynajspyder !!!!

[crippling-pages]

*cries* olly, they could never make me hate you

[cubbihue]

hihihi, going to bed

rechecking all the asks i've gotten, and, oh boy. they all date back from August 20

so i'll be closing the inbox tomorrow morning when I wake up, and keeping it closed until it's gone down somewhat. Or at least until the box only has big story/lore points left.

So uhh :O !!! prepare for that!!!

[potatoesandsunshine]

Please share the Preston Garvey thoughts! 🙏

i wish they were more coherent but at heart i just love 'Character Who Knows The World Is Terrible And Tries To Do Good Anyway' & i think preston is the perfect example of that!! something about meeting him in concord and not knowing how close to the edge he is just makes me lose my mind. he truly believes he's failed everyone he's ever tried to protect but he puts a brave face on for these last four people because they don't need to see that, they need him to at least pretend there's a way out - and then there is, because the sole survivor arrives and it's enough of a foothold to keep going a little longer!! and then he builds the minutemen back up into something worth fighting for and being part of (and i do give him credit for that - yeah sometimes the quest-giving got annoying but literally what can he do. another settlement genuinely needs our help) and just 😭😭😭😭😭😭😭😭😭😭 thinking about him as the sole surviving member of the minutemen meeting The Sole Survivor is very 😭😭😭😭😭😭😭😭😭😭 and THEN there's the MAIN PLOT of FALLOUT FOUR coming to be SUPER ANNOYING -

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!

[colinfeatherington]

I have very mixed feelings!! I think it’s hard for me to say how I actually feel because the hype was so intense and my intial feelings are probably skewed but I’m kinda disappointed right now. would love to hear others thoughts and have my opinion swayed!

[masterfuldoodler]

girlbossed too hard.... unless...

[wardingshout]

you have tegaki e?? there is tegaki e?!!! I'm gonna cry aaaaa I can't even remember but there are so many memories flooding back. T^T

also Lou stole my heart! :O

lately I think I'm active enough I'll be on the front page most days but hehehe hell yeah I do !!! I was never all that active on the old site but even so there are still artists here I recognize which feels so cool! ;v;

and I'm so glad you like them !!!!

not to play favs with my own kids but they're def my fav dfshudhfs