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batsplat · 3 months ago

Note

quick follow up to this bit

was also reminded of this valentino quote

He speaks about my shoulder like he was the best shoulder doctor in Melbourne Hospital.

what WERE they cooking

(I can't like. prove this because obviously we simply do not have solid 'evidence' for casey's thinking here either way, but given this is a speculative post about how I'd narrativise these rivalries.... do think the screenshot above is basically my theory for why casey had a thing about valentino's injuries. to such an extent that valentino picked up and commented on it! after laguna and throughout 2009, there were various waves of discourse about casey having been 'broken' by valentino - first due to casey's dip in form in 2008, then because he had to take some time off in 2009. the fact that it was an invisible illness that he himself could not explain in a sport that is all about the big, glaring obvious injuries - one that was treated as a sign of mental weakness, something he was ALWAYS susceptible to being accused of... very much the opposite of valentino's shoulder and leg in that sense, which was way easier to explain and was immediately taken seriously. my suspicion is that for casey, it was about not being extended the same grace as valentino was, being frustrated at how much leniency valentino was being granted when casey was always being harshly judged. of course, valentino (in classic demented rider fashion) was if anything downplaying the severity of the shoulder injury and only admitted after it was more or less healed that he'd been terrified by how long the recovery period had dragged on and had feared he would never be the same rider again. casey's lack of empathy on this count is completely justifiable and he does also obviously have a point, but it's still an interesting part of his character. it's what makes the rivalry with valentino so very interesting - there are lots and lots of ways in which valentino directly made casey's life miserable, but then there are other ways in which valentino's mere presence, his existence, someone whose treatment casey could compare his own to, that also contributed to casey's hatred towards him. firstly by getting more empathy than casey did and the general injustice in how the sport was 'always' on valentino's 'side' in a way it never was for casey, secondly by having this reputation of 'breaking' rivals that... well, y'know, valentino was presumably more than happy to be the beneficiary of the whole thing, but it's not like this was actually a line he spread himself, including with regards to casey. he didn't have to! it's kinda just... an awful coincidence that casey's 2009 absence was always going to be treated with suspicion and he HAPPENED to have a rival with valentino's very specific reputation?? the perfect storm! which gets you to this odd point where... if anything after that casey is the main instigator in terms of the sheer vitriol of the rivalry - but it's built on years of seething resentment that valentino at times almost seems taken aback by... and then reciprocates with interest because of course he does. because that's just how valentino ticks. fundamental lack of understanding for each other!! valentino kinda accidentally being casey's perfect foil!! casey having a million Legitimate Grievances against valentino but still somehow managing to project 85% of his other issues with the sport on valentino too!! they're soooooooooooooo. so!!)

if you were to direct a motogp movie (or make a one season of television) what season or rivalry would you make it about? and more interesting what artistic liberties would you take? it doesn’t have to be a straight up biopic bc imo those are often boring, instead it could be something like velvet goldmine (1998) aka fictional characters whose real life counterparts are pretty obvious, veering in like rpf territory. anyways👀

did you know. one time this guy put a curse on this other guy. and he never won a race again

anyway, look, I do feel like by this point that's the BORING answer from me, but obviously it's where my mind first went. I'm not sure I'd actually want it out there in film form because by now it's badly enough remembered that it's like, my cute little niche story, and I think there's something fun about the Wider World even within the motogp fandom not exactly getting how bonkers the whole thing was. (I know other humans have canonically watched motogp 2004 but I swear even journalists have forgotten some key key details and it's kinda annoying but also fun.) bold words from someone who's been blogging about it!! weird gatekeep-y instinct. but basically my job here is done as far as outreach is concerned - I wrote a very long post, now I get asks about it twice a week that allow me to think about it some more with the four other people who care, perfect balance. that rivalry doesn't need to go mainstream!! the whole point of it is that it's kinda cruel but narratively pleasing that it's gone under the radar, because it's another sign valentino won. but obviously, I cannot literally make a film about this, so the hypothetical repercussions I think maybe we can put aside for a moment here

okay I came back to this bit of the post after I increasingly got into of the spirit of coming up with dumb ideas, but it did make me flesh out what I'd even WANT from something like that. I'm with you anon, a lot of biopics are boring!! if you want to just know what happened, please just literally go and 'watch the races' and 'read books' like what are we actually getting here. you kinda want to give it a purpose for existing, right, a way of portraying real/mildly fictionalised events in a manner that is also taking some kind of stance on the material AND is doing stuff you can't do 'in real life'. thing is, look, you could make 2006 into a film, and I'm sure it'd be perfectly nice because it's fundamentally a solid underdog story (well, inherently winning a title with repsol honda is NOT being an underdog but you can write it that way), but also what are you doing beyond just telling people what happened? I feel like that generally about single seasons, they're not really doing anything for me. I was also turning around the biaggi/valentino rivalry in my head in part because that's the one valentino gave as his answer for 'rivalry he would turn into a film' (marc big wet eyes sitting right next to him), but like. a film about that rivalry from valentino's pov is fundamentally not something I'm interested in. you have all these isolated very memorable moments that make it work as a rivalry, like you can absolutely spin them into a dramatic yarn that goes through the genesis of their conflict to middle finger gate to punching gate to assen + donington + sachsenring + phillip island 2001 and it's basically *insert rousing music* successful coming of age. at most you can lean into the fact valentino became successful at being a dick. like idk it's fine but also what's the point? valentino is challenged in a sports context by biaggi, he's challenged because he realises his words have consequence and the press actually reports the words he says to journalists (the horror), but he is fundamentally not challenged on a personal level. that's the entire point, right? it's the ultimate comfort zone rivalry - biaggi is a dick who it is quite easy to hate and also reacts poorly to valentino's initial provocation. the animosity escalates and it is inherently fun to beat him. valentino is mean to him, but it's not like he even really crosses any lines to beat him. like you can make it into a film, and if you twisted the material a little bit you could make it satisfying, but I don't want to!

now the way the writing process of this post worked was that I was going to breeze through a bunch of non-sete/valentino rivalries and explain why I think some of them don't work for our purposes here, but then I ended up writing myself into changing my mind. so my take on the biaggi rivalry is that actually, you CAN make it work but it has to be from biaggi's perspective. basically, I think you've got to amadeus it (a web weave I have been thinking of making at some point btw). so,,, it's a meditation on talent and how unfair it all is, maybe minus the bit where salieri poisons amadeus (I know that doesn't happen in the film) or dresses up as amadeus' father to, y'know, make him write a requiem on his death bed. and it's not amadeus in that HERE, the clown prince gets a happy ending! but it's more like, in thematic terms, I think you have to zero in on this bit. biaggi didn't have parents who shoved him on a bike when he was three years old, he didn't have parents who were invested in his motorcycling career (or even necessarily particularly invested in him), he started the sport late and discovered that, yes, he did have a prodigious amount of skill in it - but one that he started honing far later than valentino did. he approached his career with a sort of grim resolve, surly and irascible and not interested in making friends with any of his competitors but very, very good. he goes away from the race track and dates all these models, he irritates fellow riders, he's not part of the gang and he's happy about it. he's very successful! four 250cc titles, wins his first ever race in 500cc at a time when doohan was very much winning everything. he's also just like,,,, an interesting and spiky enough character it's not hard to make him come alive

but then of course you have this gradual emergence of the amadeus character, the one who challenges his established position in the court of,, well... motorcycle racing, and also as the guy italians rooted for! and valentino's obviously, y'know, in so many ways the exact opposite from biaggi, and he's super young and cheerful and lively and is doing all his silly celebrations and is being a bit camp and goofy and treats motorcycle racing as a party (you really want to lean into the culture clash here, like in amadeus it's because you have stuffy austrian court vibes but here it's because everyone is having their bones broken every two minutes and just how... kinda grim a lot of motorcycle racing was). and he's also this innocent! yes, he insults biaggi, and yes, in retrospect we know valentino is kinda evil, but at the time he was a kid with a big mouth who was a little taken aback by how that biaggi feud sort of escalated beyond what he'd actually intended it to do! and biaggi just, hates him. and I think, sorry to the real man max biaggi here, but you've got to play with how once they're actually competing with each other, it's miserable how there's just this unbreachable gulf in talent. like, whatever biaggi does he cannot win! he isn't going to defeat valentino over the course of a full season! which is depressing and horrible and CRUEL, because there's this inevitability to the whole thing... and also! because valentino doesn't DESERVE it. and you don't have to go full salieri pleading with god to explain how god could give this CLOWN all this talent, but it's kinda the same vibe! how is it valentino, who is constantly just having a laff and canonically maybe wasn't the biggest gym-goer in the paddock and is just generally seen as, y'know, a bit of a dandy, this foppish clown who everyone loves and who doesn't have to work hard to be good - how is he the one who is winning so much!! it's miserable and unjust... and I think how you portray this is that you really emphasise the kinda, repetitive nature of the defeat. like, I think you probably want to make this into a non-linear narrative where all this biaggi backstory is communicated somehow but you don't just start it when he was born or whatever - you start it in 2001 when they're competing for a title and already hate each other. and then you heavy on the time loop vibes. the whole cinematic language and all that other shit should emphasise how all these weekends are structured in exactly the same way and if you're losing to this one guy, all these different weekends can start feeling the same. it bleeds into each other, it feels inescapable, you're trapped in this narrative you can't change... worst of all, you even return to the same places again and again - like play with that! biaggi keeps coming back to where they had the fist fight, to where valentino first insulted him all those years back. you play up the disorientation and the misery of it all, plus biaggi canonically gives us all this kinda messy freudian shit to play with like how he was dating 'valentina' and his relationship with her was falling apart because of how miserable valentino was making him. it's all there!!

ANYWAYS the way you conclude this story is!! welkom 2004!! so again we can artistic license this a little bit and, uh, ignore sete (though I do also think it's fun if you lean into biaggi being displaced as a rival and staring at them being friendly and happy with each other from the outside) - but the key bit is that valentino is finally making the big error. biaggi wasn't winning titles on a yamaha, since he left yamaha has gotten worse, now valentino is making this big mistake out of his own hubris. language of cinema that shit and make everything brighter and more hopeful.... the time loop is finally over, biaggi has escaped, this year will be different!!!! everyone in his circle agrees, valentino is fucked. step off the plane at welkom (pre season testing didn't happen in this universe) and it's literal dawn of a new day... staring out at the sun and finally, biaggi can move on, can live a new and different life. anyway. obviously we all know what's coming next - you have this big dramatic climactic race where biaggi throws himself at valentino again and again and again and he comes so close to winning it... but he doesn't. and you have valentino living his best life, being delighted, but the film is focusing on how like,,, we're bleaching the joy back out of biaggi's life, how actually he's returning to what he already knew. and it ends on the podium, with the camera focusing on biaggi on that fucking second step or zooming in or whatever (idk how cinema works) and it just finishes on this shot of biaggi dead-eyed in a bleak world, trapped again for eternity aka until the end of the 2005 season. done!! I'm not sure this is quite what valentino had in mind, but. well. that's how I'd do it

this is from the pushkin play from 1832 not the 1984 film but like. low key pushkin already kinda nailed the essence of sports rivalries in the 1830s and we just have to acknowledge that sometimes

right. so the casey rivalry is where I'm going to go completely off the wall. skip this bit to get to the slightly saner stuff. this is also one I fully admit to sometimes playing around with in my mind anyway, but. uh. I'm gonna be taking this one in just. well. places. I do have a vision here but I also don't quite know how to explain it in a way that doesn't make me sound like I've lost my mind, but well if you're still reading this then that's on you. so lemme get this out of the way: the classic sports biopic formula would work well with casey. if I had to point to a single rider I would sports biopic-ify, it's casey. so you have all this kinda,, obvious adversity that's easy to get across, and it's a narrative you can follow chronologically without too much trouble. you've got all the childhood stuff, the australian racing club not letting him join them, the move to britain, the rising through the ranks, it's also this very biopic-friendly 'nobody ever believed in him apart from like three people' stuff. and the premier class is also narratively satisfying, from the rocky rookie season to the kinda shock success to then all the lows of 2008 and 2009 and the physical ailments and the anxiety and then the switch to honda and the title and then him deciding to retire... that's all good stuff! you can absolutely biopic-ify it! gun to my head and sure, I can walk you through exactly what bits of his life I'd focus on and put in what order and so on, and I think ultimately you could make a very good sports biopic from that

[some mild gore to follow in this next section]

but also. thing is. that's fine. it's just not where I want to go here, because again I feel like at that point you can also pick up his autobiography and just read it - because what you're basically doing here is just filming that. and I get how this stuff works, you're bringing the story to a wider audience, you can show stuff in a different way in that medium etc etc, and that's all great but also I don't care about bringing stuff to a wider audience. I care about doing fun stuff in my brain. so what I'd actually do here is just, basically, go in the exact opposite direction and ditch all the realism. genuinely, ditch the live action stuff, we're going animated - what I'm interested in here is stuff where we need to be able to fully suspend our disbelief and lean into some surreal shit. I'm not going to bury the lede here: my idea is that you take that thing where casey said he hated how ducati was ruining the bike by letting valentino's yellow encroach on it and, basically,, just go all in on that bit. like come on, that is so singularly visually evocative, it truly captures a lot of what's going on thematically in that rivalry. (see also x and x for the most relevant casey posts.) casey sees valentino as the malevolent force, this infection! he associates him strongly with a specific colour, one that can be sickly or unnatural or just... evil. malignant, malicious, malevolent, all the m words. to casey, valentino is a personification of everything that is wrong with the sport. valentino is literally the walking manifestation for so many of his issues, from the dangerous riding to the lack of respect to the lying to the cult of personality to the obsession with image and the media to the backroom games to the politics to the injustice of how different riders are treated differently, like!! he's literally all of that! this is a topic for another post, but this plays out in a lot of kinda, weird and funky ways where it's a two way street and sometimes when casey talks about motogp you go 'actually I think that's just valentino?' (btw he also does this about 'europe' right I don't think those are europeans you hate casey that's literally just valentino) and sometimes when he talks about valentino it's kinda? this feels like it's about a little more than the bloke himself? and basically, right, I think you need to take this to its natural conclusion where casey used to admire him and look up to him and want to emulate him on track and then gets disillusioned when valentino's worshippers turn against casey and casey is the one to bring valentino down to earth and... listen, I think you need to play around with valentino being a literal god. and I think you need to have casey stab him to cover up the yellow on the ducati with blood

okay. look. the idea here, right, is that we're basically making the subtext text, and just digging into that process of 'bringing valentino back to earth', of taking on a god and having the audacity to succeed, and also treating valentino as this sort of. infection in his own mind. the bike is literally being infected!! casey may have left the ducati but he STILL has some fidelity and love for this project, those were his people he worked with, and now valentino is coming in and just twisting everything around himself!! but also I think how this functions is that, okay, so you have all this normal stuff that's the actual 'plot' in the 'real world', but the ISSUE with the real world is that there's a lot of stuff that just. isn't possible there. like the thing casey wants in that rivalry but is never going to have is... a captive audience. a big problem casey has in that rivalry is that he doesn't get the chance to actually say a lot of stuff to valentino. he starts using the media more and more and plays the game on valentino's level, but there's still this disconnect where mr straight talking is the valentino rival who valentino never really blanks or freezes out like... there's a disconnect! there's valentino the person, who casey never quite figures out how to just straight up hate, and then there's valentino the character, the racer, the rider, the god who casey DESPISES. but when they're doing small talk at pressers and podiums, casey doesn't get to talk to that version of valentino! he just talks to valentino the person, who obviously isn't literally a different person but is also not going to explain to casey where he's coming from, is he, and also isn't someone who casey can explain to where HE is coming from. and that gulf... it does bother casey. I don't think he can quite verbalise why either, but there's just... this creeping tension. I think it'd be easier for casey if valentino really were more of a caricature, just kinda a dick in all walks of life. and there's just these canonical hints of that... the way casey talks about how he's sure valentino as a guy is fine, but he never knew valentino like that, the whole 'I'd like to go with valentino for dinner to tell him where I was coming from in that rivalry' thing, like!! it's there

so basically EYE think what you should be doing is using the wonders of storytelling to actually. embrace that element. and just leave realism behind now and again. valentino is a god, he is literally worshipped, he's part of this pantheon that casey is trekking to reach. casey is brave enough to take him on in combat, he is the first one who is truly able to draw blood. he sees how valentino isn't just a god of joy or battles or speed or the SUN or any of that other stuff - he's a disease, an illness, a god who is also a false prophet... the worship never quite goes away, because who ever truly gets rid of their valentino rossi complex, but casey eventually is given the chance to face a chained valentino and kinda,,, ritualistically publicly humiliate him using the ducati as both this sick thing that has to be 'cured' and this symbol of valentino's failure. I'm sorry, visual language goes brr here, like chain him up, do weirdly eroticised torture idc!! (psst psst valentino's fucked up shoulder also extremely goes brr here, casey low key a teensy bit weird about valentino's injuries? his thing after the 2010 leg break where he goes 'why's everyone making such a big deal about this other people break their limbs too' and then after 2011 jerez immediately asking whether valentino's shoulder is okay in just a very obviously passive aggressive way. literally he opens with that, valentino isn't using it as an excuse or anything, for some reason it's already on casey's mind and I would politely contest it was out of genuine concern for valentino's wellbeing!! it's just kinda? I'm so compelled by it? I suppose it is kinda about how valentino's suffering gets taken more seriously than his own? how those absences are received differently by the motogp world? idk I find this fun because casey does know this is one thing valentino can't really be blamed for himself, so it just slips out a bit? but yeah, casey + valentino's injuries, nobody's talking about it but I sure will, let casey get weird and mean and a teensy bit sadistic about valentino's injuries in an artistic manner.) crucially I like animation as a medium here because I think it's easier to lean into surrealism when you don't have to hand hold the audience so much through the suspension of realism, also there's just some imagery you can do in cooler ways through animation where in live action it may just look. weird. (I think you can also do one of those things where you have a live action film with only those specific bits animated but also... why? it just feels like in live action you need more 'justifications' for things, like am I saying casey is having some weird hallucinations and is losing his mind? no I just want to have weird vision sequences ffs.) the colour stuff!! valentino/casey is big on the colour coding as a rivalry, to the extent casey is even, y'know, drawing attention to it in the literal text!! yellow and red are banger colours, valentino is big on imagery himself with all his sun + moon motifs, it's kind of all there to make the easy next step to kinda zany surreal imagery. ritualistic stabbing works better in animation, you can kinda get the blood to like. drip down and overwhelm the yellow illness that's slithered out across the bike

and. AND of course what this entire set up allows you to do is.... give them an opportunity to talk. they can't talk in real life! casey CAN'T give him his real thoughts on anything, and fundamentally valentino can't either. they're opponents. they're strangers who chat sometimes. it's not just that they aren't friends, it's that fundamentally they cannot be friends - because their ability to do their actual jobs depends on a certain level of professional distance. valentino of course does have a decent read on casey, and vice versa, because when you're figuring out how to defeat someone then (if you're valentino) you're looking to play the rider too. valentino's entire approach depends on focusing in on his rivals and attempting to throw them off, to make them unravel. he's watching casey closely!! the entire journey of casey's first three seasons in the premier class essentially becomes like, this god of their world focusing in on him. figuring him out. trying to gnaw away at him. obviously, animation also allows you to go big on the panopticon-y imagery which is kinda fundamental to their rivalry, because of their fundamentally oppositional stances to 'performing' for the ever present cameras where there IS a little bit of common ground in they have both struggled with it. but valentino isn't going to ever say that to casey! casey isn't going to open up to valentino! so if you give them,, you know, a different arena to express themselves, where casey actually has this external figure to talk to (as he's like, cutting him open I guess) whereas valentino actually is put in a position where he's allowed to respond, where he can taunt casey a little bit, where he can interrogate casey's approach and also the similarities between the two of them and how casey has been forced to become a little more like valentino to challenge him... because the thing is, right, valentino is so big on message discipline with his rivals and has completely stopped talking about that rivalry post mid 2013 that, first of all, you have this complete imbalance in who's been telling this story for the past decade, but second of all you kinda don't have a sense of what valentino would respond? idk!! I think this is mainly fun as a thought exercise for me specifically but also I do think it's kinda, digging into some of the bits that make this narratively work as a rivalry, how valentino in this rivalry is actually just kinda... removed. like he's not really emotional about it!! at most he's a bit bitchy, but even that just feels about The Game. it's the most extreme in this regard followed by jorge - but with valentino's other feuds you kinda... see a bit more an unguarded moment, see something a little more real there. the casey rivalry feels so uncomfortable precisely because valentino is a little... inhuman in this one. I mean, if you want to have valentino as some kind of cross between a deity and a monster in any of his feuds, this is the one. casey's just an obstacle to him. idk don't you think casey kinda wants to chain valentino down and stab him and make him see casey a little more... well, I think he should want it and I think it'd be fun to see and get them to talk to each other. ugh and also all the implications of making the faith vs non-believer elements more literal... casey the heretic!!!

there's some obvious stuff here you'd have to figure out, like 'how do you make this work as a narrative even to people who aren't familiar with casey stoner at all' and 'who the fuck do you think the target audience is here' and 'you do know this is not the kind of thing that would ever be made, right, go back to the casey stoner sports biopic like a sane person' but!! I do think it's material you can make work if you're just,,, efficient and smart in how you're actually telling the 'real life' version of the rivalry. also in my head this is. idk. an animated limited series not a film, which then brings in other stuff like 'episodic structure' because I'm fundamentally opposed to tv shows that think they're films. and look, I'm not going to write an entire film script treatment here, I just think a good writer can figure this stuff out. blood on the ducati is the framing device for everything else, simple. lots of animated floating eyes I reckon, first casey is watching valentino and then valentino is watching casey and the whole world is watching them... and it does bleed into real life just a little, where you're wondering whether casey is actually imagining/dreaming this stuff or valentino is or if they both know it somehow... you can get away with more ambiguity in animation. anyway, if you do want more thoughts on this one specifically for whatever reason, let me know because this one I do actually have more on

also laguna 2008 is a bit tortoise and the hare coded if you really think about it

[end of gore]

so. on to jorge. hm. the thing about jorge is that he was kinda writing a coming of age film in his own head, so like - yes, that's what you do go for? you can play it straight and follow how jorge has cast his rivals, or you can pin the whole narrative on the fact that jorge has cast them - the kinda artificiality of the narrative, the way jorge is this storyteller who isn't being recognised as much as he thinks he should be, isnt adequately appreciated. the way there's this three way discourse between what jorge thinks the story is and what the public thinks the story is and actual. you know. reality. I think this is a bit more light-hearted, like you know how the best stories about teenagers take their emotions seriously but also let them be kinda silly? because young people are silly! jorge was silly! he's got a lot of CHARM because he's so cocky and naive and full on and intense and awkward and kinda off-putting and tactless and a bit all over the place and so painfully, painfully young, like he's a good protagonist because that's a KID. but also, obviously there's also a lot of extremely not light-hearted bits of his story - everything about his father, his manager... idk this one's another one where, I don't just want to make it a generic sports biopic, and I'm trying to figure out the clear narrative arc here? I mean, you can point to the end of 2010 and really lean into him choosing victory on-track over popularity off it. the problem with 2010 is that it does not work as a dramatic season, yeah sure with the magic of biopics you can hack at it to shit but also. idk. what are we getting out of it. I think for narrative purposes you want to maybe narrow in, and end it at the end of 2008, with the switching of the numbers this kind of moment of emancipation? but also! this feels like we're straying a bit too far away from the fun sports elements and I don't want to REALLY suggest all the ways in which you could mine jorge's personal trauma in a jokey tumblr post, so I'm gonna move on from this one

the problem is 2015 just straight up doesn't work as a jorge-centric narrative, except in a very kinda comic way that leans into how absurd his role in that season was. 2012 as a season is a bit... y'know, it's fine. okay it's mostly terrible, but that's fine too. but it doesn't have a great narrative hook. which kinda leads you to the problem that I do think the valentino rivalry is more... juicy from jorge's pov, because for valentino, jorge is just kinda? an obstacle? idk he's more normal about it, it's just his job to destroy the guy, you know how it is. but also 2009 does work better narratively from valentino's pov, like it's the build up to catalunya specifically you can dramaticise... idk though, I do love catalunya but my heart isn't really in this exercise because I think valentino isn't really being... challenged here? it's a title fight where he's fundamentally using a set of tools he's already perfected, to beat a guy he doesn't really give a shit about. when the italian press is down on him pre catalunya, it doesn't spark any genuine self-doubt - it's just a handy source of extra motivation. there's no epic highs or lows that season, not real ones. and yes I know I was talking about making valentino who gets stabbed repeatedly to cover up an infection a moment ago, but that reflected real EMOTIONAL truths!! I'm committed to thematic fidelity more than I am to literal fidelity

genuinely I think the best way to tackle jorge is with the jorge/dani parallel journeys... what, film? tv show? maybe show actually - you don't have one coherent narrative Statement per se but you're constantly charting those journeys in reference to each other, really rooting it in their respective points of views, no neutral detached cinematic language like I want everything to be very much written to be from their eyes!! going from one to the other and back again. and you're charting these different journeys, right, and how they both captured different flavours of like... emotional successes and failures. I think it's actually about failure, yeah, about having to accept there's something you can't have and might never be able to get - whether that's universal love or a premier class title or whatever - but Actually, that might not be the end of the world. and during this process, they go from being enemies to tentative friends!! guys who realise they can maybe actually understand each other better than they thought!! this real moment of interpersonal connection. you have all these media narratives and the managers and so on and the fact they're competitors as these built in reasons why they've just been pitted against each other from the start... but y'know, again, it is also just a bit about maturing, about being able to set that aside, about making your peace with defeat and failure as an element of growing up. you can't win everything, maybe there's something you really really really want and you're just not going to get it, but at the end of the day it's kinda... yeah. self-acceptance. idk this is the nice one

so with marc you can go several different ways here I guess, and again he's also perfectly decent sports biopic material, probably second to casey in that category like yeah sure do the comeback story. but also, we do already have a very good self-produced documentary about what he thinks the narratives of his career are? idk this is also just a personal taste thing, I'll leave him to doing all the injury stuff himself, I don't have much to add there. we'll get to the obvious one in a second, but I was trying to figure out if there were other places I massively felt like you need the cinematic touch. and, again, the 2013 season is obviously very exciting!! but also, you have it covered in.,,,, multiple documentaries, I don't feel I have a take their either? his rivalries with dani and jorge aren't really substantive enough to sustain a bit of cinema. dovi... I mean, what are you saying there? what's the arc? I feel like if I tackled dovi, I'd go somewhere else and really go all in with the ducati stuff, and make it a bit more... you know, stark, stripped back, basically just the emotional component of how much he gave to that project and how he managed to beat away one rival after the next and how it all ended up falling apart in a kind of anti-climactic way? he's also good sports biopic material, but in a way I think the marc rivalry is the bit of his story I have the least to say on. so eg, 2017 is a dramatic season, but he's also kinda fine after it? he always knew it was a long shot, he tried his best and he got really close and then he lost. you can't amadeus it because dovi isn't (fictional) salieri. basically, I think what I'm saying here is that dovi is too well-adjusted to feature in this post. though I'd totally watch a film about his 250cc seasons, like it's a bit annoying because HE is the underdog who loses both title fights to jorge, but it'd still be kinda fun idk. I wouldn't really know what to do with the material but if someone made the film I'd absolutely watch it

right then. the thing about sepang 2015 is... yeah, sure, of course you can do it, it already exists as a narrative but... yeah, what are you adding!! idk I always think when you're adapting something, you kinda need to have a reason for it? I mean, what are you doing that's not already there in the footage? idk maybe this is just a sign of having been a fan of this sport for one too many years but to me the idea of sepang 2015 can get a bit boring (or maybe just repetitive) where I need a new TAKE on it to really get into the idea of fictionalising it. like where's the auteur's touch y'know, what can I still add to this!! but it also needs to WORK for someone who is new to the story, which kinda just makes you want to tell the story straight.... y'know the story is strong enough and COMPLICATED enough to stand on its own and it IS good but I don't really have anything interesting to say beyond 'yeah sure that'e be neat'. I can't tell you why, but I also don't think the casey approach quite works here? the idea of providing a framing device with which valentino and marc can actually talk to each other... eh. don't like that. hm. okay wait actually I just turned it around in my head for... a while and I think I've got an idea to make the worst motorcycle racing film of all time. so, my central stupid film-making gimmick here is just. centring the fact we're completely reliant on a few guys and what they're telling us in making up our minds, and our removal from that story and the imperfection of their perceptions and so on. so I think you kinda make a point of... not actually showing the motorcycle racing? like, you always show it by showing other people watching it, you're showing the tv screen rather than the actual racing. even in the cinematic medium, you're centring the theatrical aspects, where you drill it down to just a few characters. valentino. marc. uccio. marc's fuck ass manager. maybe a crew chief or two. keep it limited though, all the others are kept at a distance - you're constantly focusing in on the same few characters. and very early on you basically just like... get them to fourth wall break by telling you, the viewer, with their actual words how racing works for them, what meaning they take out of it - and again it's this remove because we're never allowed to actually feel the racing for ourselves (no helmet cams), and it sets up that as the tragedy unfolds, again and again we're just hearing from them what happened. it's all zoomed in on how claustrophobic the entire situation is, like doing the race direction room after the sepang 2015 is perfect for that kind of thing, and crucially they're only ever addressing the audience because they can't address each other. but fourth wall breaks also obviously draw attention to artificiality! I realise they are very much like, lame gimmick central, but also are these men not inherently about lame gimmicks... idk it's basically the same story but at least it feels like a kinda interesting way of telling it. kinda trite, but cinema allows you to get to the point and let valentino actually play with the camera... so literally take it into his own hands and lead it around and tell the story from his point of view. and you can play with how they do both change in what stories they think they're telling, how they're constantly revising their own stories, how their stories completely clash with each other... like. make them literal narrators. that's my pitch

so. one interesting pattern that has come up with my approaches to these rivalries is that with the exception maybe of the 2015 stuff, I feel like I'm more naturally inclined to treat valentino as a narrative device and centre his rivals. a big part of this is that valentino is a fantastic narrative device. he's kinda. this looming presence in every narrative in this sport where you can just sort of use him as a sort of way to poke away at all these other riders. the monster everyone loves who you are trapped with. BOO!! he's gonna eat you! which is fun! but ALSO, crucially, several of these rivalries aren't that emotionally challenging for him!! again, with casey right, he wants to beat him, but he's not having a crisis of faith over losing to casey. he thinks casey is annoying, he wants to beat him because he wants to win. valentino is casey's foil, but casey is not valentino's. valentino makes for an excellent personal antagonist to casey, but the reverse just isn't true. casey isn't forcing valentino to reexamine his approach except 'ramping up the levels of being a dick on-track' - like, yes, that's a serious competitive challenge, but also valentino is very comfortable in his own skin in that rivalry. sure, you could have valentino have some kind of massive revelation about the casey rivalry, but like. he doesn't in canon. he changes his behaviour towards casey in pretty predictable ways depending on what the relationship demands from his perspective at any given time. there's nothing more there

now, obviously you know where I'm going here. there IS a rivalry where you can make the argument he changes as a result of it, there IS a rivalry that tips him over the line and makes him to do stuff he hadn't done before that, there IS a rivalry that happens to coincide with a period of his competitive life that challenges him both personally and professionally. now, look, I have already talked about the sete rivalry. you know what I think about this rivalry - and if you don't, I really already have told the story here and here and here and here and also here. I think this works perfectly well as a narrative in its own right, and it's one you can tell from either perspective... but you kinda need both. I think again you probably naturally lean towards starting it from sete's perspective and that first proper meeting (I mean, idk if it is their first actual meeting, but it's the logical obvious place you start this story) with sete giving valentino advice during his first 500cc test and valentino just, y'know, ignoring him and being a cocky shit and then crashing. so you get to see sete being kinda exasperated by the whole thing. also, obviously ibiza is like, a key framing device here, like it's the most obvious in-your-face way of tracking their relationship with each other. I don't actually know how often they partied there together, but it must have been at least twice and if the commentators are to be believed it must have included 2003. artistic license and you can add one or two more times, but mainly you want to focus in on 2003 onwards right. so you've got this 2002 one where it's, y'know, high point of their friendship and in the name of narrative efficiency, you establish here that sete is looking to make the honda switch. the emphasis is on how valentino has been winning everything but on the flip side you're getting the first insight into his discontent. and there's a bit of a vibe of, what could you possibly have to complain about? like you are winning so much? so it's late one night where they've had this slightly unguarded alcohol-fuelled moment of genuine vulnerability but in the end it's actually characterised by how... unsubstantial the link between them is, because they wouldn't talk about this kind of thing with each other and they might both be similar in some ways but also don't gettttttt each other. it means you can return there as a location in 2003, where you've just had sachsenring and valentino's dramatic loss but they're still partying together and it's like. obviously In The Air that not everything is quite right... their relationship is already gradually altered and twisted because you're introducing this element of actual stakes and competition (obviously in 2004 they do NOT spend that time together, as far as we know anyway, and you can show them being very much not together at ibiza as a very obvious Oooh Things Will Fall Apart and maybe already haveeee)

and I do think basically I've already said what I think the themes here are,,,, several times by this point, so I'm not going to belabour the point. I think all of this fundamentally works as a narrative with like, minimal massaging and rearranging of the elements for dramatic effect. it's all there already, everything from sete's arc with the [insert non-tasteless way of covering a real life tragedy that fundamentally alters the course of sete's career] and how that leads to sete becoming the challenger and how he does want to win and his eventual downfall. with valentino, you have the element of liberation and self-discovery and... well, growing into your own but also kinda having the narrative drawing attention to how 'growing into your own' can involve becoming a fully realised character who is essentially quite cruel? you have this kind of... build up, right, towards this moment of revelation, where you lay bare who these two people actually ARE at sepang 2004, and then again at jerez 2005. valentino has gone his own way, he has freed himself from the chains of honda, he has embraced individualism and the chance to define himself and his own legacy and stand on his own two feet and not rely on the strongest bike or all this stuff within honda where they chose him as their flag bearer, for better or for worse... like he comes to his own here! he takes the step from 'great rider' to 'legend' because he gets to this dramatic moment of stepping into the unknown, he takes this massive risk that could have cost him so much, and it ends up elevating him. but it also puts him under duress, and in that moment he reveals himself - whatever sete did or did not do at qatar 2004, EVEN IF sete did all that shit, what you are left with is valentino vowing to ruin this man. valentino uses sete to make himself 'better', to fuel himself as a competitor. valentino turns sete into a tool in his own story. and again, thematically you've got all this stuff about how sete was managing the image of the rivalry and how valentino took advantage of that - how sete needed it to remain respectful and valentino was completely willing to abandon that. like, you have two protagonists who really are similar in quite a few ways, who think they have this shared understanding with each other, but when it comes down to it? they end up being super painfully different

now I can go on about this and how to play it straight, basically, you can just do that rivalry and I think it'd be cool and fun and very easy to arrange in a good narrative way. BUT I've kind of already. done that. like I don't want to suggest a film that is basically a nicer version of my tumblr posts. so I want to take this in a slightly different direction, and I think what we need to consider with this rivalry is this: what if you made the curse literal? basically, what's always kinda charmed me about this rivalry is that the curse should not work and all the misfortune that befalls sete after that is so comical that it's kinda... what do you do with that? and the answer is you just lean all the way in. my pitch is this: what if valentino sells his soul to the devil?

so, you know faust, right, and you know the bit at the start of goethe's faust where god and mephistopheles are basically making a wager over how corruptible this one human is. and faust is like... he's kinda disillusioned, he feels that everything he's dedicated his life to in academia is fundamentally hollow, gets very close to committing suicide. and faust has gone a bit new age-y, gotten into all this mystical shit and he's got this pentagram that ends up preventing mephistopheles from leaving his presence in their first meeting... and basically what the devil can give him is like, the chance to attain some true pleasure, and for that faust is willing to bet everything - so if faust can just have that, then maybe eternal damnation is worth it. and look, I'm not going to summarise the entire plot of faust here and it does go off the wall a bit with all the gretchen stuff, but the point is you have this version of the devil who is fundamentally a cynic and is attempting to win an argument with god by making this human succumb to his own nihilism. and what faust basically does is like, abandon his normal life where he's trying to live by normal virtues and goes off on this journey with the devil. and there's this little moment where mephistopheles,,, pretends to be faust and takes on the role of an academic adviser (you know how it is) and seduces this random student away from the word of god and sends him down a wretched path, which ends with this bit:

like, a big part of faust's tragedy is supposed to be about... well, hubris, of the relationship of god to man, of no longer being afraid of the devil... and obviously, this is all framed very much in terms of religion, but at the end of the day it's also about, you know, having purpose - faust is living a life that no longer has any meaning to him, all of his knowledge and studies now no longer fill the void inside himself. his nihilism opens the door for mephistopheles, and is what makes him willing to accept the devil's terms. now, and I am so very sorry to goethe here, I think we have some material we can use here to explore the valentino/sete rivalry. obviously, you can't do a one-to-one, you need to get rid of some of like, the depression and all that - there were times when valentino was feeling 'a bit low' in 2003, but not 'faust thinking everything he'd done in his entire life was pointless' low, yeah? also, unless you want to do a real long view here and even then it can't really be justified, there obviously isn't really a 'tragedy' here from valentino's perspective. like, he wins! this isn't valentino's tragedy, it's sete's! I was being a bit facetious when I said he was 'selling his soul to the devil', and you can kinda parse mephistopheles' motivations in different ways depending on what flavour and what interpretation of him you're dealing with here. you don't 'damn' valentino, you essentially just turn him into a tool of the devil!

so, this is how this works out in my head: the devil works more broadly as the manifestation of competitive impulses, the kind of 'how far would you go to win' question as a bloke who shows up and literally talks to the characters about it (magic of cinema). he's also engaging with valentino feeling like his victories no longer having meaning, with being disconnected from honda and from the entire culture there and just feeling like he's going through the motions. there's this element of like... opening the door to what is essentially a journey of self-actualisation, bringing him closer to being a 'god' but also allowing him to fully come into his own and become himself. to win on his own terms. I reckon ibiza is my preferred narrative device where the devil talks both to sete and valentino there (separately), first literally as a mysterious stranger and then... maybe not? he's talking to them at times of their lives when they're not at ibiza and it's not happening there in the physical world and they both end up kinda having to confront they're dealing with some potentially malevolent supernatural entity. but the important elements of the devil is that a) he's not going to do anything the humans don't actually ask for themselves, and b) everyone knows he's following his own agenda and you should be careful of the requests you make of him. so it's kinda like... essentially, the backdrop of this rivalry unfolding is they're constantly being challenged to decide what lines they're willing to cross. which culminates at qatar... and maybe you do have sete making like. a teensy mistake. a teensy error in judgement, one that is both real and deliberate but he could not have known would get that reaction and instantly regrets. and valentino, who is I think inherently sceptical of the devil coming to offer to help him and maybe does crank out the pentagrams (remember, the whole point of faust is that he was too arrogant to be scared of the devil, or one of the points anyway), in a moment of fury does decide - no, actually. I will take that step. I will curse sete. now the thing is, dramatically this is a teensy bit tricky because when you're talking about being damned by the devil, usually the consequences are a bit more severe than 'not winning a motorcycle race again' (yes, you can get into how sete did also seem genuinely cursed after that, cf his ambulance/bus crash situation, but again we are flirting with being in poor taste in this tumblr post). but the thing is, right, you have to lean into the silliness here! qatar 2004 is inherently silly, a CURSE is inherently silly, like real life is already silly here! you have to engage with the people where they are, and for these athletes all this shit is so heightened that the emotions are full on. like, valentino would've sold that guy to the devil! and to him not winning another race is basically the worst thing that can happen

so, obviously, you get to do the actual curse stuff. curses are inherently campy fun, the devil doing curses is campy fun, getting valentino rossi to crank out the pentagrams is inherently campy fun. you get to play around with this, right, like you know that bit in the brno 2005 race commentary where the commentators are talking about how valentino might as well have a little radio to talk into sete's helmet to remind him of how sete had fucked up at the sachsenring. OBVIOUSLY obviously obviously it is just so... idk scrunchy and fun to have this idea of valentino becoming a malevolent enough force to literally do that.... like damn the commentators did kinda eat with that?? ughhhhhh do you ever think about sete leading the qatar 2005 race for most of the way???? like that's SO fucked up because you literally have articles from about the race going 'hey maybe sete can break his curse' and then the commentators are talking about curses having one year expiration dates but obviously they!! do not!!!!! there's one race where sete goes off track and the commentators are talking about how valentino will surely have smiled into his helmet like that's so fucked!! it's so fucked!! but idk I think basically you have all this creeping curse-y stuff and devil stuff and then you get this twist and then it just becomes misery zone for sete until you sort of. compress the timeline and have him retire without getting into what happened at the end of 2006. and valentino just relishing in all his very worst emotions. and you've got sete who was the better man after jerez 2005, who took the high ground again and again and again and it did NOTHING for him.... and then he's cursed and his career is finished and the devil has had his fun getting mixed in with mid noughties motogp. and now obviously this is inherently kinda dumb and corny and silly but it's the devil!! mephistopheles to me is allowed to get up to dumb shit sometimes, let him have some fun!! idk I like curses being literal idc

I think the obvious critique here is 'this doesn't really feel like it gets the message of faust'. which, yes, is true - and obviously the way narratives are structured, a satisfying resolution isn't 'well selling your soul kinda slaps, actually'. and my statement to respond to this argument is as follows:

this is essentially canonically what happened. valentino DID do something kinda evil and it DID work out 100% for him and it DID kinda slap. at least when you add in the devil, you're making explicit the bit where it is a little bit bad. also, is sports not inherently about selling your soul for success... the story of valentino and sete is essentially about how we are twisted by competition, how pretending that we don't wish ill to our opponents is inherently dishonest. it is about lifting a facade for something that is already inherently there in the souls of men. this is obviously inherently a deeply cynical stance, but this is also a deeply cynical story beyond all the fun battles and camp dramatics. the devil is a cynic and he is basically the point of view character of goethe's faust - he's the one who is positioned closest to the audience. sports is all about living out some of humanity's worst instincts in a relatively low stakes setting, which means we get a free pass to have fun with a deeply cynical story that goes 'maybe selling your soul to the devil is fine, actually'

do I stand by this stance? not really, but the whole fun of storytelling is that sometimes you can just be kinda mean. I think goethe would get it... you can tell which character he enjoyed writing the most

the OTHER way you can do this is centre everything around qatar 2004 as like,,, the mystery box element...... okay look I have now made two posts that go WAY too deep on the 'what really happened' element but I do loveeeeee the whole thing like I would just make a film about that very end of the season and we show it from all these different angles as different characters narrate what happened... like fuck all the riders I want to hear from whichever mechanic used the scooter... the gresini mechanic who gave evidence to race direction.... various honda higher ups the crew chiefs like this is jb vs juan martinez it's war!!! obviously you still have the same emotional/thematic hooks as the general rivalry does but idk I would have a LOT of fun figuring out how to structure that, I loveeee mysteries... maybe I'd write it as a mockumentary yeah..... this one's just fun

anyway. a lot of stuff going on in this post, huh! you can probably tell I didn't edit this much. my classic tell when I edit my tumblr posts is I remember how 'paragraphs' work. unfortunately all I have energy for are like. a bunch of rants about things in my brain. I think when tumblr tells you that you've reached the maximum number of characters per paragraph and you need to figure out where to put a break, it's probably a bad thing? on the whole, my stance is I don't have anything AGAINST mildly fictionalised versions, but for me I'm always more of a.... well I want to take advantage of the full specificity of the events as they happened or just come up with a completely original story. kind of person. I know this ask probably wasn't looking for my 'what if you bled out valentino as he's strung up above a red motorcycle' vision but yeah. with a lot of biopics I'm always a bit 'well you could just read about this couldn't you' like I need stuff to take some kind of a stance on the material it's using... all my stuff takes a stance. that's all I've got. obviously all these stances mean that basically none of these things could ever be made. and I know what I said above but if they called me up to write the casey stoner biopic script treatment, I would also do that. if you've actually read to this point, give me a shout - you're a real one and I love you

#spec tag #casey's power is such that after half a decade of having weird hang-ups about valentino #he finally got valentino to have weird hang-ups about him #like sometimes u get these comments where ur like... huh casey doesn't this feel. a bit much. like this is a bit much #and then valentino sees it and goes????? wow FUCK this guy. and then they just keep doing it. like adults #this is the thing right. if i'd broken my leg and the main things one of my two biggest rivals says about me in those months is #a) 'the race in britain was so much nicer because that guy's fans weren't there :)'#and b) 'idk why everyone's making such a big deal about this guy being immediately fast on his extremely premature return'#'it's just a leg break he probably only lost some muscle mass'#i think i'd probably also be a bit ?? especially since the rivalry really wasn't THAT bad before 2010 it really wasn't!!#but then by 2011 casey managed to completely fry valentino's brain and it just goes off the CLIFF like it is so!! undignified!!#it's funny because it's definitely the rivalry valentino got over the quickest #but in terms of sheer hit rate of insults. like just raw frequency. when they were going at it. this ranks number one in vale feuds!!#(btw a big GLARING tell that the marc thing is weird and special is that he is *right* on the opposite end of the spectrum)#(like i think this can be tricky for people to clock but it's actually Notable how little day to day conflict those two had post 2015)#and obviously casey's still not over it. which again is DEEPLY understandable but also a littleeeeee bit funny (love you casey)#the way he still yaps on about jerez 2011!! a racing incident in the wet!! like it is kinda... well yeah. funny. when you contextualise it #idk it's just cute to me how they had completely different experiences of that rivalry #to the point where they just don't Get what's going on for the other guy. they just don't get it!!#hitherto unknown levels of 'what is this guy's PROBLEM' it's so!! they're so!!#this is how you get casey talking about wanting to explain his pov of the rivalry to valentino over dinner. this is how you get that #and it still wouldn't work!! isn't that amazing. they're going to go to their graves being vaguely baffled by the other guy's deal #//#brr brr #i put all my best analysis in tags for a read more x2 post. this one's for the real ones. all two of you #casey has a shorter sample size of a career to work with but do NOT get it twisted that is my number one girl!! my beautiful sister #my poor troubled neurotic paranoid delicate prodigy conspiracy theorist magical girl anime protagonist #casey would have an aneurysm if he read those words but is that not. the point #luminous yellow tag

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vodkassassin · 4 months ago

Text

Batcourt

Tim is sick of his family fighting, an occurrence which doesn’t always but enough times has nearly led to murder, that he devises a new method to deal with them and their petty (or serious, but usually petty) arguments: Batcourt

The first ever batcourt trial was to mediate an argument between Dick and Bruce, bc when Tim became Robin they were on the outs; Dick had moved out and was rebelling against his dad. They barely talked to each other, and when they did it was to argue.

Tim, being in the middle of all that, finally snaps and basically strong arms them into a impromptu “court session”, bc if they can’t be civil with each other in conversation they maybe they can at least be professional in this Thought Exercise.

He appoints Alfred as the unbiased jury, and then demands that both Bruce and Dick take five minutes to compile their cases against each other to present to the judge (Tim).

Both Bruce and Dick are incredibly unamused, but Tim has Alfred’s support, so they reluctantly go along with the charade. And…

It’s actually surprisingly effective.

The argument is hashed out without anyone coming to blows or a screaming match. They are all very mature about it and the argument is settled with both parties, if not happy, then mollified that they actually got to speak their parts and come to a conclusion that wasn’t unfair.

Alfred is very pleased with the results of the first batcourt trial, and give his blessing for this method to be used in the future.

And so it is. Tim is typically the Judge, as he is the mastermind behind the method and typically stays out of all arguments as much as he can, and is known to everyone to be extremely impartial when the others argue about anything. So 9 times out of 10, Tim’s judge, and uses a generating software program he developed and installed on his gauntlet (and civvy watch) to choose a jury to preside over a trial when one of the family members opens a case against someone else.

This eventually becomes just how the family resolves disputes.

If an argument comes forth and is starting to get too heated, whoever declares that they’d ‘like to submit a case to the batcourt’ is by default the prosecution, leaving the other party as defendant (these are just terms, this isn’t actually a court of law, this is just a method of resolving arguments, so both sides are heard). At this point, everyone usually turns to Tim, who appoints a jury and then tells the pros and def that they have five minute to compile and submit their evidence to the court.

It’s all very official, and the Rules of Batcourt is that everyone has to remain absolutely professional as if this were a real court case. This is to ensure nobody breaks the exercise, otherwise it won’t work.

Anyway it’s VERY effective, and is used for years in private.

Until a pair of them have an argument in the middle of an op in public and it’s getting in the way of taking out the villain…. So someone declares that they’d like to submit a case to the batcourt.

Of course any non-bat present is like “the what”

But all the bats present, being so used to using the batcourt method to hash out disagreements, automatically turn to Tim.

Anyway, Tim, by habit, immediately runs the jury program and appoints Spoiler and Black Bat as jury (the argument was between Red Hood and Nightwing, with Red Hood submitting the case and therefore the prosecution).

The rogue they were fighting (let’s choose a nicer one, Riddler maybe) is so confused at this point that they kind of stop in the middle of their scheme just to watch the the fuck is going on.

The bystander civilians and any reporters are also like “???” And so basically they all get to watch the first ever public batcourt trial.

(The jury ends up voting in favor of Red Hood, so Tim declares that Nightwing is Guilty “by the power vested in my by the Batclan” and Nightwing is sentenced to Apologizing to Red Hood - since the argument started because Nightwing wouldn’t get the fuck out of RH’s way and he kept almost shooting him lmao, it just went downhill from there. Brothers amirite.)

Anyway the video goes viral immediately, the Gotham internet going insane over the concept of how the vigilantes apparently resolve their arguments.

The riddler is so fascinated by what he just witnessed that he just accepts being taken back to jail for the meantime to mull things over (I love Eddie)

Now that the bat is out of the bag, so to speak, the Batclan submits cases to batcourt in public a few more times without thinking, and the public is very excited every time. Every case and verdict shows up in the next day’s paper, and it’s a Gotham Highlight. People love it.

And then it escapes containment. Because one day a rogue loudly declares that they would like to submit a case to the batcourt. Against Batman.

The present Batclan members all look at each other, and then to Tim, who is already running the jury appointment program without even thinking. It ends up choosing Riddler (who was also there) along with two civilians and a bat (Robin).

Tim blinks, then shrugs, and lets it happen.

So starts the Batcourt trial of the decade: Batman V Poison Ivy.

And Batman loses.

Ivy still goes to jail afterwards, being a criminal and all, but she does so victoriously. She has mad street cred after this. The public goes WILD.

Anyway what I am saying is that batcourt is a highly respected court of dispute in Gotham. The majority of trials are conducted between Batclan members, but there are rogues who have won (and lost) trials in batcourt, and even one very infamous instant where the GCPD submitted a case against Red Hood and subsequently lost when the mostly civilian jury declared him Innocent.

The police force having to then apologize to Red Hood made headlines so big that they broke Gotham City containment and made it into the outside world.

Which leads to the next famous batcourt case: Superman V Batman.

I have been thinking about this concept for weeks and it’s definitely going to be a running gag in all my batfam fics forever

Also we get to have this fun interaction

“Batcourt is now in session”

Batman: please don’t call it that

Tim: ahem

Batman, sighing: objection

Every single one of his kids, pointing at him like in ace attorney: overruled

#Tim drake #Batman #dc comics #batfamily #batcourt

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jyoongim · 8 months ago

Note

Heyyy, it’s me again, the singer anon. Can I request an Alastor x Reader where she is sent by as a spy by Vox after our fav slithery boy failed? She’s really bubbly and friendly, but she eventually grows to care for everyone in the hotel but Vox owns her soul. She torn in between getting herself killed by him and not betraying anyone anymore, or continuing the job. She goes and confesses to Alastor, breaking down and thinking he’ll kill her, which she thinks would be best so she doesn’t have to betray anyone anymore. Just breaking down in tears telling him she doesn’t want to hurt anyone but Vox has her under a contract, begging him to kill her so she doesn’t have to. Just for Alastor to call her a good girl and ughhhh some possessive smut if you don’t mind? Sorry brain rots in my head and I’m in love with him, lol. Thank you! <3 also the three requests story set off the trigger in my head, loved it! Thanks again! <3!

This been in my inbox for weeks and i finally got a plot for it!

⚠️warning: 18+! Smut smut smut! Plot if you look hard enough!

—————————————————————————————

No one suspected a thing.

You were sent to the Hazbin Hotel after Sir Pentious miserable attempt.

Your orders were simple: ”Keep an eye out on that old fossil. I want to know why that fucker is sucking up the Lucifer’s daughter”

And you did just that…you were executing your mission flawlessly.

Until you began to care about those who stayed at the hotel.

Until you began to grow closer to the Radio Demon.

————————————————————————————

You had been staying at the hotel for a few months now and its been great!

Charlie was always finding new ways to help the residents build bonds and encouraging everyone to do their best.

At first, you were arrogant, playing along until you actually saw the the demons there were actually changing even if they didn’t admit it

But now, you thought of the princess as a friend, along with everyone else.

Especially Alastor.

Now that you’ve been around him, you’re not sure why Vox hate the demon so much.

Alastor was funny, kind (in his own twisted way), and truly looked after the hotel.

A soft smile curled on your lips as you thought about the demon, but the ringing of your phone interrupted such thoughts.

Vox.

You took a deep breath and answered “H-Hello?”

”Tonight’s your chance to take out that prick and after that come home” he demanded.

You blinked “what? B-but Vox…” you bit your lips “But it’s actually nice here. The hotel isn’t a scam…a-and everyone is a lot nicer than we thought ” Vox laughed “Oh baby please! Nice? You actually believe in that redemption crap? You think that they’ll let you stay if they knew why you truly were there? Hahaha! Oh my dumb little girl, how naive you are. ”

You pouted, a frown on your face “I want to stay”

Vox growled through the phone “ah ah baby you don’t make demands remember?”

Electrical shocks ran through your body from the collar you wore.

You gasped in pain “I OWN you. Did you forget that? You do whatever I say when I say it. Now I expect you home before morning or I will kill you.”

The phone call ended and you were in tears.

You didn’t want to go back.

You liked being at the hotel and able to be yourself.

You liked the friends you had made here.

You would do anything for them, even if you had to die to make your wrongs right.

————————————————————————

“Come in” the voice answered after you knocked on the door. You were sweating as you stood outside of Alastor’s door.

You had decided that if you were going to tell anyone why you were at the hotel, it would be Alastor.

You opened the door and walked into his radio studio.

”Hey Al” you said weakly as the demon spun around and smiled at you “Hello darlin! What do I owe the pleasure?”

You fiddled with your hands.

”I want to tell you why I came to the hotel”

Alastor quirked a eyebrow, smile widening as he gestured for you to take a seat on the couch.

”Do entertain me of your tale my dear”

You were in tears by the time you finished telling Alastor everything.

Of Vox and his plan.

The deal between you and Vox.

The reason you came to the hotel.

Everything.

”I-I’m sorry! So so sorry! I-I just didn’t know what to do!

Kill me! I deserve it! J-Just let me say my goodbyes first. I would rather you kill me than Vox! Please!” You cried, hands covering your face as you sobbed.

Alastor had been quiet for the entirety of your confession. He had half a mind to kill you when you told him of your deal with Vox.

The pesky television didn’t know when to mind his business.

His eyes focused on the collar around your neck.

You were Vox’s and by contract, he wasn’t allowed to kill you.

And he wasn’t. No he had grown accustom to the pretty demon who seemed to light the hotel’s halls.

However…he could override Vox’s ownership of your soul.

You flinched when you felt a large hand pat the top of your head. You looked up through teary eyes ay Alastor, who just sported a soft smile.

”Now now my dear don’t you worry. I appreciate that you came to and confided in me. What a good girl you are.” His smile stretched as you sniffled, looking at him with glossy eyes.

”Y-Youre not g-gonna k-kill me?” You asked looking down.

He chuckled as he tucked a strand of hair behind your ear, claws finding their way under your chin to make you look at him

He rolled his eyes ”Oooh my dear of course not…” His fingers trailed down your neck, toying with your collar. “But I am in a bit of predicament”

You wiped at your eyes “how so?”

“Under normal circumstances, I would rip you to shreds and broadcast your screams for all of Hell to hear” his pupils turned to dials and his smiled turned wicked. You felt your heart stop a little.

He calmed down slightly “however I have another idea to break your deal with Vox”

He smiled at you as you tilted your head in confusion.

”I know just the thing hehehe”

————————————————————————————

You whimpered as you tried to hold yourself up against the force of Alastor’s thrusts. “A-Al!” You whined as the demon tugged your hair to pull your body into his. A deep growl vibrated through you as Alastor sunk into your weeping heat, his cock hitting that soft spot inside you.

“Fuuuucckk!” You hissed, eyes rolling into your skull as your body buzzed with pleasure.

Alastor pulled your body til your back was flushed against his chest, his sharp teeth nipped at your skin before latching on and marking you. You winced as his tongue lapped at the blood, he purred as trailed his tongue up your neck.

”To think Vox had such a sweet cunt all to himself. Ooh darlin you’re wasted on him. But you’ll be a good girl for me wont you? You seem to love having a real cock fucking you” he chortled, giving you a harsh thrust. His hips grinded up into your ass, coaxing your cunt to take every inch over and over.

Your gummy walls tightened around him as you whined at his words. You could barely focus on what he was saying, not giving two shits either as he bullied your insides.

”I-I can be a good girl please please oh fuck! Aah! Aah!” You whined. Alastor’s large hands trailed up your body; kneading, pawing, and squeezing at your supple flesh. Pausing at your bouncing tits to tweak your hardened nipples, sending currents to your abandoned clit.

“I know you will baby”

He nudges his head into yours, to gain your attention and capture your lips with his, swallowing your moans as one of his hands moves down to toy with your puffy clit.

Your body jerked as he rubbed tight circles on the bud; your cunt fluttering as slick dripped down your thighs.

”Ill make a deal with you darlin” he whispered against your lips, lidded eyes staring into yours, as you mewled, wanting his tongue back down your throat.

“I keep this little mishap under wraps and in return you belong to me. Youre free to do whatever your heart but im no pushover m,a cherie.”

His thrusts sped up as he pinched your clit.

You keened, pushing your hips back into his, trying to follow the motion of his fingers, seeking to reach your orgasm.

”Do we have a deal?” He purred never breaking his pace.

Your collar let out blue sparks, Vox’s way of ‘reinforcing’ his control over you. You whimpered as the shocks edged you, but Alastor let out a deep growl as he wrapped his claws around the collar.

”Do we have a deal?” A snap of his hips pulled a moan from your throat.

”oh! Yes! Yes! F-fuuuc-cckk”

Static ran through your body causing you to jerk as your orgasm washed over you, your collar fizzled out as Alastor’s cock pounded your cunt, riding your orgasm out.

The wet SQUELCH! Of your cunt echoed as high pitched whines left your throat.

“That’s a good girl. Cummin all over my cock. Feels better than that robot huh? Yeeesss fuck! Take my cum darlin take it”

Your eyes crossed as your mouth opened in a scream. Alastor crashed his lips on yours, tongue pushing through your lips and pulling you into a heated kiss as he pumped you full of his cum.

Alastor let out a sigh as he slipped out of you, cock coated in creamy essence and smiling as he watched your cunt clench around nothing and dripping cum.

In your dazed state, you faintly heard a snap and a cool sensation coated your neck.

Instead of the sapphire jeweled collar, a gold chained ruby hung from your neck.

Alastor hummed as he rubbed your tired body, smiling wickedly as he slotted back into your soppy heat. You moaned softly as he rolled his hips against you.

”now lets send that mediocre podcast a proper video”

#hazbin hotel #hazbin alastor #alastor #alastor x reader #hazbin hotel fanfiction #jyoongim #alastor the radio demon #alastor x y/n #alastor hazbin hotel #alastor smut #vox hazbin hotel #sir pentious

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stylesloveclub · 1 year ago

Text

sunshine (part 1)

In which Harry's a dick and y/n is a virgin who cries a lot.

˙· .° ｡ ˚ ｡ ° . · ˚ ˙ · . ° ｡ ˚ ｡ ° . · ˙ · .° ｡ ˚ ｡ °. · ˙ ‧̍̊

Y/n wonders if she thinks too highly of herself.

She thinks she’s pretty. Not in an obnoxious, self-obsessed way! She knows she’s not a supermodel, and she definitely has a lot of days where she looks and feels totally dead – but at the end of the day, she’s not hideous. She splurges on pretty makeup products, does her hair in the mornings, spends a decent amount of time planning out cute outfits… you know, little things to make herself feel pretty!

She brushes her teeth twice a day, showers regularly, flosses. Wears pretty perfumes that smell like flowers and lip gloss that tastes like strawberries. There’s a stash of gum in her bag that she’s always chewing on, so she knows she doesn’t have bad breath; and she carries an extra deodorant in her backpack too, so you can’t tell her she’s repulsive or anything like that.

She’s kind. She smiles at strangers and always laughs at people’s jokes (even if they aren’t funny)— holds the elevator door open and says a polite “good morning” or “hello!” with her happy, cheery voice. And even though she’s a bit shy, she tries her best to spread love and kindness in the world. It just makes her happy to make other people happy!

Plus, being nice means that everyone else is nicer to you. So even if she’s in a bad mood, she’ll fake a smile and pretend like she’s happy y/n.

But, she wonders... if she has all of these amazing qualities– if she really is as pretty and kind and wonderful as she makes herself out to be– then why hasn’t she been kissed yet?

She loves her friends, of course she does! But how is she so different from them? Why do all of her friends get asked out on dates and have amazing boyfriends while she’s still a lonely virgin who hasn’t even been kissed yet?

It’s not like she’s this super virginal person who gets grossed out by boys! She wants to be kissed, she wants to get fucked! She’s toyed around with the idea of just downloading tinder and losing it all to some stranger in one night stand, but her romantic heart just can’t stand the thought of it.

Yes, she’s desperate… but she’s also romantic. Love is on her mind 24/7. It’s what she thinks about before she falls asleep, what she daydreams about whenever she gets bored. She could spend hours with a romance novel, hyper fixating on the little things that most people wouldn’t blink an eye at. The way the boy’s hand cupped the girl’s jaw while they kissed, or how their fingers brushed as they walked down the street. Little things like forehead kisses and prolonged glances across a room.

She craves it for herself, desperately aches for the affection that she reads of. She wants to rest her head on someone’s chest and listen to their heartbeat as she falls asleep, feel their fingers playing with her hair, or their lips skimming her cheek. Wants to laugh under the covers and share secrets and be vulnerable and in love. She wants it more than anything in the world!

And yet, she hasn’t even been kissed!

Everyone else seems to do it so easily – find a nice guy, go out on a date, and fall in love. So why is it so hard for her? Her friends tell her that she's the prettiest and sweetest girl out there, and that the right guy simply hasn’t come around yet… but y/n can’t help but think, is any of it true?

Is she even that pretty? Is she actually likable?

What’s wrong with her?

˙· .° ｡ ˚ ｡ ° . · ˚ ˙ · . ° ｡ ˚ ｡ ° . · ˙ · .° ｡ ˚ ｡ °. · ˙ ‧̍̊

Harry hates these stupid college parties.

They’re loud and stuffy, with way too many people crammed into one room for his liking. The alcohol is cheap, the music is annoying. The entire apartment smells like weed, and there’s not even a secluded corner for him to mope around in without some group of drunk girls completely invading his personal space. Everything about these parties sucks.

If he could, he’d leave. But he’s meant to give a ride home to his roomie Blake, and Blake’s currently hooking up with the host of this party.

So Harry’s stuck here. Great.

He checks his phone, and it’s nearly midnight. Blake should be done soon, right? The blonde girl who’s been talking to him for the past 20 minutes is getting awfully close, her hand trailing on his biceps and migrating towards his chest, and she’s blinking up at him with fluttery bambi eyes.

Any other night and Harry might be into whatever this girl is hinting at, but he’s 100% sober and 100% not in the mood to hook up with a girl who’s taken one too many shots. He grabs the girl's hands and peels them off of his chest gently, muttering something about needing to use the restroom (he doesn’t even need to use the bathroom, he just needs a minute away from the pounding music).

He sends her off in the direction of her friends, who are giggling to each other in a corner across the room and not-so-inconspicuously checking to see if their friend has managed to successfully get with Harry. He’s sure they’ve realized that he rejected her when they all glare at him. Sorry to disappoint, he thinks to himself.

He’s nearly positive that any bathrooms in this shitty college apartment will probably be occupied, either with someone throwing up all the drinks they’ve had or with a couple hooking up. But no harm in trying anyway.

The first door that he tries to open is locked. The second door opens up to reveal a coat closet.

The third door however, opens up to a bedroom.

The walls are decorated with posters and pictures, fairy lights hanging from the ceiling, and tiny pots of succulents placed all over the room… but the one thing that stands out the most is the overwhelming number of books scattered all over the room. There’s a bookshelf on each wall, cluttered with books of all colors and sizes. Stacks of books lie on the nightstand by the bed, a stray book sits on top of a dresser, and a pile of new, untouched books sits pristinely in the far right corner of the room.

Books, books, and more books all over the room. And, a book in the hands of a girl sitting quietly in her bed, staring at Harry.

Dressed in a hoodie and some fuzzy pj pants, the book that she’d once held up closely to her face now rests on her lap as she blinks up at this strange intruder. She sits upright, closing the book but sticking her finger between the pages so that she doesn’t lose her place. “Um… hi?” she says quietly.

He steps into the room, and looks at her blankly. “Hi.” She blinks at him. “S’this room taken?” he asks.

“Um. Well,” she looks at him curiously. “No, I guess not.”

“Okay, good,” he responds, quickly closing the door behind him. He sits on a spinny chair that he pulls out from under a desk and leans his head back, letting out a deep sigh of relief.

The girl, with her finger still lodged between her book, stares at him confused. Who is this guy?

He’s cute, and she’s mildly embarrassed that he’s come into her room when she’s looking so… sleepy. But he also seems kinda grumpy and is obviously not in the mood to talk. He’s leaning back in her chair and closing his eyes, gently rubbing his temples as if he’s meditating.

She observes him with wide eyes. Then after a minute of silence she awkwardly picks her book back up and tries to resume reading.

Kinda hard to do with some random guy sitting in her bedroom, though.

In this secluded bedroom, the sound of the music has decreased dramatically. Harry’s pounding headache starts to fade away, and he feels himself start to relax for the first time since he arrived at this stupid party. He looks around the room that he so luckily stumbled into.

The desk in front of him is, to no surprise, cluttered with more books. A laptop is plugged in in front of him, and there’s a cup full of colorful pens and markers sitting against the wall. Hanging on the wall is a string of pictures starring the same girl with different groups of people.

He looks at the pictures hanging from the walls. Then he looks back at the girl laying in the bed.

“S’this your room?” he asks, finally connecting the dots.

She looks up from the book again and nods.

“Oh,” he hums, surprised. He supposes he should’ve realized it as soon as he walked in. Girl in a room full of books, reading a book. Face clean of all makeup, snuggled up in a blanket, nice and comfy as though she’s just about ready for bed. It’s a bit silly that he only made the connection once he saw her pictures up on the walls. “Why aren’t you out there partying?”

“Um… not really my scene,” she says, closing the book and looking at Harry properly. Her nose scrunches up, “And it smells really bad in there.”

“Jesus, tell me about it,” he groans. “Could hardly breathe in there. In fact–” he says, already standing up, “d’ya mind if we open up a window? Still feels stuffy in here.”

She shows no resistance as he slides the window open, accepting the fact that she’d be sharing her room with this stranger until the party was over. Harry sticks his head out and takes a deep breath of the cool, fresh air. Much better than the sweaty, smoky, sickly smell going on inside the apartment.

When he turns back around, the girl has rearranged herself. She sits criss-crossed on her bed and looks up at Harry, fidgeting nervously with her lip bitten between her teeth.

She’s kind of cute.

Harry breaks the silence again. “I think your roommate is hooking up with my roommate right now.”

“Oh.” She blinks. “Is your roommate Blake?”

He nods.

“Yeah, Maddie’s been saying that she, um… you know,” she looks down at her hands as they play with a loose thread on the hem of her pants. “Wants to hook up with him or whatever.”

He nods his head, leaning back against her wall with his arms crossed in front of his chest. As refreshing as the air is, the night time breeze is cold.

“No offense,” he says, “But you don’t seem like you’d be friends with Maddie.” Maddie (y/n’s roommate) has jet black hair, wears heavy eyeliner and black lipstick everyday, and is at least a little bit high 90% of the time. Y/n, in comparison, has flowery bed sheets, a stuffed bunny tucked in next to her, and is hiding in her bedroom while a party being thrown in her own apartment.

She just smiles softly. “Yeah, we met online. But she’s really nice.”

He raises his eyebrow. “She seems like a bitch.”

She defends her roommate immediately. “She’s not a bitch!” But then she thinks about it for a second. Maddie can definitely come off a bit… harsh at times. “Well… she’s usually really nice to me, at least.”

That makes sense. It would be very hard to be mean to this girl, he imagines. She’s too nice. It would be like being mean to a puppy or something.

Good thing Harry isn’t mean. He’s just… a bit of a grump.

She taps her fingers against the cover of her book awkwardly, staring at Harry as he looks up to her ceiling and closes his eyes. He just wants to be in his bed right now.

After a few more minutes of silence, Harry pushes himself off the wall. “I think Blake should be done,” he says, checking the time on his phone. “I’m going to leave now.”

“Okay,” says the girl quietly. She watches as he leaves with a nod of his head, and shuts the door behind him.

That was weird, she thinks.

Whatever, though. She opens her book and forgets about it.

+++

Don’t people say that drowsy driving is just as bad as drunk driving? What constitutes drowsy driving? Should y/n even be out on the road right now?

She doesn’t know. All she knows is that Maddie woke her up with a phone call at 2 AM, asking if y/n would come pick her up from Blake’s apartment cause she was too high to get back on her own and she doesn’t want to stay the night there.

Y/n, being the sweetheart that she is, obviously wants her roommate to get back safe. So she’s in her car, at 2 AM, yawning every three seconds as she drives to the location Maddie sent her.

She texts Maddie from the car, but Maddie doesn’t respond. She calls her, then sends another text, but still no answer. After 10 minutes of no response, she goes up to the door and knocks.

Maddie doesn’t answer. Instead, it’s Harry.

His eyebrows furrow as recognizes the girl from that party he’d been at two weeks ago. She looks just as comfortable as she did then, in a big pink hoodie and a pair of sweats. “What are you doing here?” he asks, his voice confused and his eyes doubting. Not many people come knocking at his door at 2 AM.

Unlike y/n, who looks like she just rolled out of bed and drove here (that is exactly what she did), Harry looks like he’s been up all night (he’s been playing COD). He’s not wearing a shirt and has a pair of sweats slung low on his hips, showing off a chiseled abdomen that acts as a canvas for a multitude of pretty tattoos. Y/n finds herself staring at the swallows that lie under his collarbones, the butterfly painted above his stomach, and the ferns lining a yummy pair of v-lines that point downwards… she swallows thickly and forces herself to look away.

“Um,” she covers her mouth as she yawns, hiding her cold fingers with the sleeves of her hoodie, “Maddie needed me to drive her home.” She blinks sleepily, and can’t even bring herself to be embarrassed that she looks so dead.

“It’s 2 in the morning,” he scoffs. “Shouldn’t you be asleep?”

She blinks sleepily again. “I was.”

Harry rolls his eyes. If it were him, he would not have gotten up and driven all the way over here. Someone else’s problems are not enough to get him out of bed. But, this girl… she’s too nice.

He leaves her at the door and goes to Blake’s room, pounding on the door rudely. “Hey!” he yells, irritation evident in his tone, “your roommate’s here.”

He hears a bit of shuffling, before Maddie stumbles out of Blake’s room, makeup askew and clothing only half on. She giggles up at Harry and apologizes playfully, but he just glares at her. Her eyes are glazed over and the whites of her eyes bloodshot, very obviously high if the way she couldn’t walk straight wasn’t enough of an indication.

He feels bad for the stupid girl who drove all the way over here in the middle of the night because her roommate wanted to get high.

Maddie trips over her own feet and falls into y/n, who uses all of her strength to keep her roommate upright and walks her slowly down to the car. “Are you feeling okay?” Harry hears her ask quietly. He scoffs to himself.

He doesn’t get it. How the fuck has this girl not lost her shit? Her irresponsible roommate woke her up at 2 am and made her drive all the way to some stranger’s house, and yet she still manages to be so… gentle. So kind, to someone who barely even deserves it. So caring, to someone who seems to care so little.

As y/n helps Maddie get into the car, she looks back up to the apartment and sees Harry watching them from the doorstep. They make eye contact for a few seconds, his eyebrows furrowed as he leans against the doorframe. His gaze makes her heart stutter, a chill running down her spine. He looks… upset. Almost like he’s mad at her.

It makes her frown. She wants to say something to him, apologize for ruining his night… but then Maddie sticks her head out of the car and vomits.

Harry shakes his head and turns away.

That girl is too nice for her own good.

+++

“Hey.” Blake pokes his head into Harry’s room, where Harry’s busy playing a round on his computer, “Do you mind if Maddie and her friend come over?”

“Don’t care,” Harry mumbles, uninterested, not looking away from his game.

“Sick,” he turns around to go back into his own room, but stops when Harry suddenly pauses his game and calls out to him.

“Who’s the friend?” Harry asks, turning around.

“Y/n,” Blake answers. Harry stares at him, his brows furrowed. The name doesn’t ring a bell. “Her roommate.”

“That quiet girl?” Harry clarifies.

“Yeah, that one.”

Oh. So her name was y/n.

Good to know.

+++

It’s dark out when Harry finally turns off his game, sliding his headset off and stretching his back. He lets out a long groan as he feels his spine crack, a delicious feeling after being hunched over his controller for three hours straight.

Standing up, he scratches at his stomach lazily, throwing his headset onto his chair. His arms feel a bit sore, having been to the gym earlier that day, and his hair is still wet from when he showered. He puts on a sweatshirt, finding his apartment too cold to be roaming around shirtless, and heads to the kitchen to find something to eat.

He stops in his tracks when he finds y/n sitting in his living room all alone.

She’s got a book in her hands, a thick, worn-out novel that looks older than herself. She’s sitting comfortably on their couch with her legs tucked underneath her butt, so engulfed in whatever she’s reading that she doesn’t even realize that she’s not alone anymore.

It’s the first time he’s ever seen her outside of her sleep attire. She’s wearing a pair of loose, comfy looking corduroy pants, and a tight top that cuts off just below her ribs. Her chest rises and falls steadily, eyes skimming across the pages of her book so quickly that he wonders if she’s actually absorbing any of the words or not. She chews on her lip as she reads, eyebrows furrowed in concentration.

When Harry finally speaks, it makes her jump in her place. “Where are Blake and Maddie?”

Her book nearly falls out of her hands as she whips her head around. When she sees it’s him, she relaxes. “Oh. Um,” she sits upright, closing her book, “They’re in his room.”

He nods slowly, squinting his eyes. There’s no nice way to ask his next question, so he just spits it out bluntly. “Why’d you come over if you’re just sitting out here while they hook up?”

She tucks her hair behind her ear nervously, feeling a little shy under his intimidating gaze. “Maddie was my ride to campus today. And she wanted to stop by here before we went home.” She shrugs quietly, “So I kinda had no choice.”

He huffs. Of course.

Y/n says that Maddie’s nice, but Harry really doesn’t like her. How weird is it to drag your friend somewhere just to have them sit alone while you go hook up with someone?

“How long have you guys been here?” he asks.

“Like, an hour.”

“So you’ve been sitting around doing nothing for an hour?”

She pouts. “I had my book.”

He blinks. She just sat here reading for an hour, while her roommate abandoned her to go hookup with Blake… and she’s okay with it?

She is too nice for her own good.

“Do y’want some pizza?” he asks, already opening the freezer.

Normally, y/n would say no. She’s kind of an unwelcome guest and she doesn’t want to be a burden on Harry. But… she hasn’t had anything since breakfast. And Maddie still hasn’t come out. She’s kind of starving.

“What kind?” she asks politely.

“Umm… cheese or pepperoni.”

“I don’t like pepperoni,” she confesses shyly. “But also I could just pick it off if you want pepperoni. Whatever you want.”

He rolls his eyes, shoving the pepperoni pizza back into the freezer. He wants to scream at her to stop being so nice! Stop being so considerate and just say what you want!

He puts it in the oven to bake, setting a timer for 15 minutes, then takes a moment to contemplate his next move. He could either go back into his room, where he could lie in bed and nap until the pizza was ready… or he could stay in here and sit awkwardly on the couch so that y/n wouldn’t be all alone.

99% of him wants to just go back into his room where he can be grumpy and alone in peace… but then he looks over at y/n, who’s sitting on the couch all by herself. She looks so uncomfortable and out of place, tracing her thumb over the raised up font on the hardcover in her hands.

The 1% of him that feels bad for her wins. He sits down next to her on the couch.

He nods his head towards the worn out book, which looks thicker than anything he’s ever read. “Are you reading the fuckin’ bible?”

“No,” she shakes her head, laughing to herself quietly. She runs her fingers over the grooves of the title, a feeling so familiar that it comforts her when she’s feeling so out of place. “It’s Wuthering Heights.”

He furrows his brow. “Never heard of it.”

“It’s good,” she says. “Kinda dense, but I’ve already read it a few times. It’s one of my favorites.”

He nods again, tapping his fingers on his thighs as silence overtakes the apartment once more. He looks around the living room, trying to find something else to say.

Y/n’s heart pitter patters in her chest nervously. She can’t help but feel a bit nervous around Harry. She’s pretty shy in general, and Harry’s stoic demeanor certainly doesn’t help her relax. Her voice is quiet as she asks, “Um… what’s your major?” A feeble attempt on her end at a conversation.

“Math.”

“Just math?” she parrots.

“Mhm,” he cracks his knuckles. “Pure math.”

She huffs out a quiet breath, a pout on her lips. “I’m in a math class right now.” Her fingers pick at a piece of fuzz that’s stuck on the couch. “Calc 1. It’s really hard.”

“Mm, yeah.” Harry hums, “Took that during my first year.”

She looks at him with wide eyes, “Did you pass?”

He holds back a smile. It’s amusing, how earnestly she’s asking him – a math major – if he passed Calculus 1. That class was generally easy for him, mostly just beginner stuff compared to the math he does now that he’s in his third year. But he doesn’t say that. “Yeah, I did,” he says simply, not wanting to make her feel bad.

She nods, looking back down at her book. “I’m kinda scared. Our first midterm was really hard.”

He hums sympathetically. Even though it was easy for him, he knows that calc class is infamously hard for others – especially for those who aren’t math inclined like himself. “How about you? What’s your major?”

His legs are spread apart so that he takes up nearly half the couch, whereas y/n sits curled up on the other corner, trying to take up as little space as possible. “Bio,” she readjusts herself so that she’s sitting crisscrossed, her book still clutched to her chest protectively. “With a concentration in ecology.”

Ew. He hates biology. Actually… he hates everything except math. Math is easy for him.

The oven beeps. A rush of relief fills his chest, finally free from this awkward conversation, and he eagerly abandons y/n on the couch to get the pizza out. He’s hungry, starving, and doesn’t bother with a plate or anything before grabbing a slice and shoving it in his mouth.

“Come have some,” he mumbles, mouth full.

She timidly walks over to the kitchen counter that he’s standing at, wiping her sweaty hands on her pants, and takes a slice as well. Blowing on it, she takes a much smaller bite than Harry did since it’s still so hot. She doesn’t know how he managed to already finish a whole slice.

Now that they can focus on eating their food, there’s no need for any more small talk. They eat comfortably in silence, only acknowledging each other when y/n asks for a napkin. He nods towards one of the drawers, asking her to grab him one too, and then they’re back to eating in silence.

Blake and Maddie burst out of his room a few minutes later.

“Harry made dinner!” exclaims Blake, coming over and reaching for a slice of pizza.

Harry yanks the tray out of his reach. “Get your own pizza,” he mumbles, putting the pizza back down in front of y/n. He looks at her, and nods his head towards the pizza, inviting her to take another slice.

Maddie stops her before she can reach for a second slice. “Ready to go?” she asks.

Y/n nods, wiping her hands on a napkin. “Thanks for the pizza,” she whispers to Harry, quiet enough so that only he hears.

“Yeah,” is all he says. He barely looks at her, too busy scarfing down his third (maybe fourth) slice.

She grabs her stuff and follows Maddie out of the boys apartment.

+++

“Hey!” Maddie pushes her way through the stuffed apartment, reaching her hand out towards y/n. “Listen, I’m gonna go home with Blake.”

“W-What?” Y/n’s head is foggy, her brain a little clouded from the few drinks that she’s had. Y/n doesn’t normally drink, so the little bit of alcohol in her system has had its intended effect and gone a bit further as well – her cheeks are warm, and she feels the world sway a little bit as she looks up at Maddie with a pout. “But– but what about me?”

Normally, y/n stays home whenever Maddie wants to go out and party. She prefers the comfort of her own bed and hates the anxiety she feels when she’s drunk and wobbly and surrounded by a bunch of strangers. But Maddie had assured her that they’d be together all night, that she’d take care of her if she got drunk, and that she’d drive them home whenever y/n wanted to leave.

She’s broken all three of those promises.

When they got to the party, Maddie abandoned her as soon as she saw Blake across the room. Luckily, y/n saw some of her own friends that she was able to hang out with, some girls from her ecology class who gave her a yummy strawberry smirnoff. They talked and laughed and y/n was having a good time, slowly but surely getting a little bit tipsy. The drink was so yummy, and Maddie wasn’t there to keep an eye on her, so she didn’t realize that she’d gone a bit over her tolerance.

She’s a bit tipsier than she’d like to be in a public setting, surrounded with people she doesn’t know, and it’s too dark outside for her to get home safely on her own. And now… Maddie wants to abandon her? For Blake?

“Don’t worry!” Maddie exclaims, completely disregarding the worry flickering in y/n’s glazed eyes. “I’ll order you an uber home!”

Y/n bites her lip nervously. An uber? At this time of night, when she’s all drunk and stumbling around like a sad little baby deer?

“Um… can’t you take me home before you go with Blake?”

Maddie rolls her eyes, “come on, really? I’ll pay for the uber. It'll be fine.”

Y/n’s heart beats loudly in her chest, “I-I’m scared of going by myself, Maddie. I think I had too much to drink, I don’t feel safe.”

Her roommate purses her lips in a firm line, as if she’s annoyed. She looks around the apartment, tapping her foot impatiently, then she lights up with an idea. “Stay here,” she tells y/n.

“Harry!” Maddie calls out, making her way back to the other side of the apartment. “Hey, Harry!”

He’s sitting on a couch, next to a pretty girl in a tight black dress who has her legs splayed across his lap comfortably. There’s a furrow in his brow that makes him look pissed off, but his hand rests very comfortably on this girl's thigh and he makes no objections as she plays with the collar of his shirt. His head whips over to Maddie as she tramples her way over to him.

“What is it?” he snaps, voice closed off and irritated.

“Can you drive y/n home?”

He blinks. “Huh?”

“Can you drive y/n home??” she says again, frustrated.

“Why?”

“Cause I’m going over to your apartment with Blake and she needs a ride home.”

He stares at Maddie unbelievingly, and peers over at y/n, who’s sitting all alone on the other side of the apartment. Her lips are pouted sadly, staring down at the floor with a far off look in her eyes.

“Why can’t you take her home?” he grumbles, looking up at Maddie with a glare in his eye.

She huffs, impatiently stomping her foot. “Cause I’m going home with Blake right now! Come on Harry, it’s not that far! Please?”

He shakes his head. “Fuckin’ unbelieveable,” he mutters under his breath, pushing the girl off of him as he stands up.

“Thank you,” she sighs, dragging him behind her. “Y/n,” Maddie says, stopping in front of her. “Harry’s gonna drive you home.”

She looks up, eyes wide and round. “H-Harry?”

“Yes,” she says harshly, “you guys are friends, aren’t you?”

“Um…” y/n doesn’t know what to say. She wouldn’t necessarily consider them friends just because they shared a pizza.

Her night out with Maddie was meant to be fun, but right now, she just feels abandoned and kinda scared. And Harry doesn’t seem too happy about this either, which makes her feel even worse.

“Lets go,” he snaps, jaw clenching tightly as he swings his car keys around his index finger. She flinches at his tone and digs her nails into her palms nervously.

She’s trapped. It’s either Harry takes her home, or she takes an uber all by herself. And she’s too scared to get home alone right now.

With a final look towards Maddie, who stares back at her dismissively and shoos her towards Harry, she stands up shakily and follows Harry out of the crowded apartment.

The air outside is much colder than the apartment, goosebumps immediately rising on y/n’s skin and making her shiver. Harry doesn’t acknowledge the way she stumbles over her feet, walking ahead of her briskly. She’s forced to keep herself composed, wrapping her arms around herself to keep warm and nearly jogging to keep up with Harry’s long strides.

He unlocks his car doors and gets into the driver’s seat. Y/n opens the passenger’s side door for herself and takes a seat, buckling herself in quietly.

Turning on the car, he notices the way her arms are tightly crossed in front of her chest. He turns up the heat, and pulls out of the parking lot.

They play no music and say nothing, driving in silence.

“Sorry you have to drive me home,” she says faintly after a few minutes.

His turn signal blinks softly. “Can’t believe your roommate just left you,” he mutters irritatedly.

She says nothing in response. She stares out the window, a lump in her throat as the drive past the streets of college houses and apartments. The red light they stop at and the name of the streets go blurry from the tears gathering at her waterline. She sniffles softly.

Harry whips his head to her. “Why are you crying?”

Her lower lip wobbles as the first tear falls from her lashes. She wipes it away quickly. “I don’t know,” is all she says with a watery voice.

He stares at her befuddled, brows furrowed and eyes a piercing green, but she refuses to meet his gaze. She just looks outside the window in a melancholy haze, lost in thought, eyes unfocused as tears drip down her face silently.

He sighs deeply and taps his fingers against the steering wheel, praying for the red light to turn green so that he can get this girl home as soon as possible.

+++

When they arrive at her place, he sits in his car and watches as she stumbles up the steps of her apartment. She mumbled out a soft thank you through her tears and managed to climb out of his car smoothly, but the way she wobbles on her feet makes Harry worry that he shouldn’t leave until he’s sure she got in.

She stands in front of her door for a solid two minutes, trying to find her keys, and Harry taps his fingers against his thigh impatiently. When she finally finds them, she struggles to fit the key in the lock, hands shaky and her vision still blurred from the tears. Aaaand then she drops them.

Harry sighs and puts the car in park. By the time she’s picked the keys back up, Harry’s already gotten out of his car and reached the top step. He takes the keys from her and easily unlocks her door. “In,” he mutters, ushering her into her apartment impatiently.

He follows her into her bathroom and turns the light on for her. Their eyes meet in the mirror as he asks, “can you get yourself ready for bed?”

She nods, looking down at the ground sheepishly as he leaves her to take off her makeup and brush her teeth. She opts to skip her skincare routine and doesn’t even bother with putting her jewelry back in her jewelry box, simply just leaving her earrings on her bathroom counter to deal with tomorrow.

Harry’s probably gone back down to his car by now, she thinks. It’s so embarrassing, how he had to drive her home and guide her into her bathroom. He seemed annoyed with her. He probably thought she was so messy – an annoying, overdramatic girl who started crying in his car for no reason.

More tears bubble in her tears as the hot wave of embarrassment washes over her. She was such a mess, of course she’s never been in a relationship. Nobody would want to date someone like her.

She takes off her clothes and whips off her bra, sniffling to herself sadly. Slipping on her favorite sweatshirt, a huge pink one that goes down to her mid thighs and covers her hands, she uses the sleeves to wipe away the excess tears in her eyes. She stumbles over herself a bit and bangs her foot against her dresser as she reaches for a pair of sleep shorts and it only makes her want to cry even harder. Drunk y/n is extra emotional, and every little thing is sending over the edge.

As she’s stepping into her pair of sleep shorts, her bedroom door opens, Harry walking in with a glass of water in one hand and a pill bottle in the other. She trips over herself as she tries to pull her clothes on as soon as possible, but it just makes her lose balance and stumble to the side. His eyes widen and he turns around quickly, muttering a quick fuck to himself.

“Sorry,” he mutters. “Are you decent?”

Y/n regains her composure, cheeks burning as she pulls her shorts over her hips. This night could not be going any worse. “Yeah,” she says quietly. She hopes it’s dark enough in the room so that he doesn’t see her flaming cheeks and puffy eyes.

He turns around and hands her the water, which she immediately starts chugging down. She didn’t realize how thirsty she’d been until she’d seen the glass in Harry’s large, tattooed hand.

“Slow down,” he grunts. He pops open the pill bottle and takes out one Advil for her. “Take this.”

She grabs the pill from him obediently and swallows it down with the rest of her water. Then she looks up at him, as if waiting for his next instructions.

“Bed,” he says, nodding his head towards her daisy printed sheets. She goes to climb in but trips over her shoe that she’d messily discarded on the floor. Harry grabs her waist before she can fall to the floor though.

“Jesus,” he murmurs. This was like the seventh time she’s almost fallen over tonight. Is she always this clumsy or was it the drinks?

He grabs her hand and physically guides her into her bed, making sure she lays down properly and lifting the sheets for her to climb under. Grabbing her ankle, he literally has to guide her under the blanket, then lets the duvet fall over her gracefully.

“All good?” he asks, once she’s tucked nicely into her bed, teeth brushed and medicine taken so that she wouldn’t wake up feeling gross tomorrow.

She looks up at him, eyes no longer tear filled but still clearly sad. “Yeah..” she says quietly, however her eyes flicker around her room as if she’s searching for something.

He furrows his brows, and glances in the direction her eyes have landed. A stuffed bunny lies on the floor next to the shoe that she tripped over. He bends over and picks it up, handing it to her questioningly. She takes the bunny and snuggles it into her neck, eyes fluttering as if she can finally relax. “Thanks,” she whispers.

Harry nods curtly and heads for the door. When he turns around one final, y/n is watching him with sleepy eyes. “Bye, Harry,” she squeaks out.

He stares at her for a second. “Bye.” Then he closes the door behind himself.

+++

Y/n wakes up with a pounding headache and an upset tummy.

That was mortifying.

She’s never gonna be able to face Harry again. He was so annoyed with her, she just knows it! The way she dragged him away from that party, cried in his car, and tripped over herself like a stupid goat with clanky legs… oh, he probably thinks she’s the worst!

She wishes she had more control over her emotions, that she could’ve held in the tears until she was alone in her bed… but she just felt so miserable last night. She had wanted to start crying literally when Maddie first yelled at her at the party, but she tried to stay strong. Kept herself together so that she at least didn’t start crying in the middle of a party.

But then… getting in the car with Harry. God. The deafening silence, the irritation radiating off of him… it made her feel terrible. She felt like a nuisance, like an annoyance and a burden.

And she completely humiliated herself in front of Harry! The cute guy that she maybe sort of had started to have a tiny little crush on, simply because he was cute and mildly nice to her and she has a habit of romanticizing small interactions.

There was no chance he’d ever want to be in a room with her after this. He probably wants nothing to do with her.

She stumbles out of her bed and plants her feet on the ground, her head spinning a little bit as she squints her eyes. Her little stuffed bunny has fallen onto the floor again, and she picks it up and places it onto the bed next to herself. She remembers how Harry had picked the bunny up and given it to her before she fell asleep last night, like she was some little kid that he was stuck babysitting.

Ugh. She’s never going to talk to him again.

+++

Harry stands outside of his lecture hall, leaning against the wall with his arms crossed angrily. His eyebrows are furrowed in classic Grumpy Harry fashion and his lips are pursed in a disgruntled frown.

He’s annoyed.

He stares at y/n, who’s sitting on a bench not too far away. Her tote bag sits on the floor next to her feet and there’s a book in her hand, her finger in between the pages as a temporary bookmark to not lose the page she’s on.

There’s something about her that just… annoys him so much. He can’t quite explain it.

The way her cheeks dimple as she smiles up at the guy talking to her, tucking her hair behind her ear gently when it falls into her face… it makes his jaw clench angrily as he watches her from a distance. She’s so nice. Too nice.

She laughs at something the guy she’s talking to says and it makes his stomach feel sour. He doesn’t like it.

Blake’s hand snaps in front of Harry’s face. “Bro. Stop staring.”

Harry forces his eyes to look away, brows still furrowed grumpily. “Wasn’t staring,” he mumbles, pushing himself off the wall and going into the lecture hall.

“You were,” he responds, following closely behind. “She’s really nice… I dunno why you hate her.”

“Who says I hate her?” Harry scoffs. “I never talk to her.” Especially as of late, she’s quiet as a mouse around him. He was over at her apartment to pick Blake up the other day and she’d only said a quiet “hi” before scurrying back into her room, like a scared little bunny in the presence of a snake or something.

“Well… I mean, you could be nicer.”

Harry furrows his brows. “What do you mean?”

Blake hesitates. “Like… I dunno. Maddie says you made her cry.”

“Huh?” He thinks back to that night… “How was that my fault?” All he’d done was driven her home and tucked her into bed? She just started crying on her own!

“She’s just kind of sensitive,” says Blake. “I know you probably weren’t trying to mean, but you’re definitely not sunshine and rainbows. You’re scary, did y’know that?”

Harry rolls his eyes. Everyone seems to have this preconceived notion that Harry's this huge dick who never smiles… and though it’s true that he rarely smiles in the presence of strangers, he’s not an asshole! He just doesn’t feel like wasting his energy in pretending to like people he doesn’t actually like. Or smile when it’s much more comfortable to furrow his brows and pout grumpily.

And he finds that usually his grumpy demeanor works in his favor – people stay out of his way, and he gets to avoid the headache that comes with interacting with people. But now this girl… this sunshine girl who always has her nose in a little book and always says please and thank you and is nice to everyone and stumbles over herself like a little puppy who's learning how to walk… she’s gone on and made him feel bad about it.

How annoying is that? To have the nicest person on the planet think you’re scary?

“I wasn’t trying to make her cry,” he mutters, irritated. “I didn’t even say anything to her.”

“Well maybe that’s the problem. Like… just try. I think you’ll like her.”

He doesn’t think so. She’s too nice. They probably wouldn’t get along.

+++

There are three things y/n does a lot.

The first is studying. Her grades come first, always. She’ll be at the library for hours at a time, snuggled up in a booth with an iced coffee and her color coded notes, studying until she can barely keep her eyes open. It’s unhealthy, and she really should take breaks more often… but she just gets really nervous about her grades!

She’s used to being at the top of her class, and has always been a straight A student. But recently, she’s been struggling. She’s doing fine in her chemistry class, and absolutely thriving in biology. But calculus… calculus is her worst enemy.

The second thing she does a lot is reading. She’s been a bookworm for as long as she can remember. Her most frequent genre is romance (obviously!), but she’ll dabble a little bit in the popular fantasy series, maybe pick up a thriller every once in a while. And if she’s feeling sophisticated, she’ll try to read one of the classics… something philosophical, like Camus, or maybe something a little heavier, like War and Peace. But those situations are rare. She prefers her little world of romance.

The third thing that y/n does a lot… is cry.

She’ll cry if she watches a sad movie, she’ll cry over a sad book. She cried when Finnick died in The Hunger Games, and she cried when she finished Of Mice and Men. She cries every single time she watches Pride and Prejudice (2005), sobs her eyes out when Mr. Darcy says, “You have bewitched me, body and soul, and I love- I love- I love you.”

She cries if someone yells at her, and she cries if she thinks someone doesn’t like her. She cries almost every time she’s drunk (example: when Harry drove her home), and she cries in the middle of the night when she’s feeling homesick. She cries for no reason when she’s getting close to her period… and sometimes, she cries because she’s just lonely.

Now, you might be thinking… y/n sounds super annoying. But please don’t think that! That would also probably make her cry.

She’s just a tad bit sensitive! She has so many emotions in her little heart, and she’s trying so hard to be responsible and manage life as a young adult but at the end of the day she’s just a girl!!! She’s just a girl, and she’s tired and stressed out and lonely and touch deprived, and sometimes she has a hard time keeping everything together so she just… cries.

If she could control it, she would! Do you really think she wants to be crying in the library? Of course, not! It’s embarrassing, and she’s trying really hard to keep her sniffles quiet and to suck the tears back into her eyeballs… but when she’s sad, she can’t stop the tears.

So now she’s crying in the library. And it’s all because of Issac Newton.

Why did he have to invent calculus? Like, what was even the point? Why did she, as a girl studying ecology, have to take this stupid class?

She buries her face in her arms, the tears unstoppable at this point, and just hopes that anyone walking past will think she’s napping and not crying her eyes out.

She’d studied really hard for that last midterm. Like– she’d literally been in the library for a week straight, just doing calculus problems over and over again. She went to office hours to get help on all the questions she was stuck on, and was watching the Organic Chemistry Tutor’s videos religiously. She did so much math that she was literally having dreams about doing calculus.

And yet, even with all of her studying, she still managed to fail the midterm. Like… she seriously failed it. As in, if she doesn’t get an A on the final, she will literally have to retake the class.

She’s so sad. She’s never gotten a grade this low, ever in her life. And she’d tried so hard!!! The morning of the midterm, she’d actually felt confident! She thought she had it in the bag!

She was so, so wrong.

She feels stupid – not just because she failed the midterm, but because she’s literally having a breakdown about it in the library.

This is stupid. Everything is stupid. School is stupid, Issac Newton is stupid, calculus is stupid–

“Y/n?”

Uh oh. She tries to wipe away her tears discreetly, licking her lips and clearing her throat and desperately hoping that it’s not obvious that she’s been crying.

When she lifts her head, she finds Harry standing in front of her. “Why’re you crying?” he asks bluntly, looking down at her with his brows furrowed.

Ok. So it is obvious.

“Um,” she sniffles, “Hi Harry.” She hopes that maybe if she pretends like everything is fine, then he won’t pry any further.

It doesn’t work.

“Why are you crying?” he asks again. There’s not much compassion or comfort in his voice. Same old grumpy Harry, so blank and impassive.

She shrugs her shoulders, feeling small and embarrassed. “I– it’s silly,” she stammers, looking down at her fingers.

Harry doesn’t say anything, staring at her and waiting for her to continue.

She swallows thickly. “I failed my midterm,” she whispers, her voice catching as a new lump grows in her throat.

“How bad?”

One lone tear falls down her face as she shakes her head disappointedly, which she wipes away quickly. “Really bad,” she whimpers. Her cheeks burn hot as she realizes that she can’t hold back the tears any longer. She quickly averts her eyes from him, staring into her lap and hoping that he can’t see her face.

This is the second time he’s seen her cry, which is two times more than she would like. He probably thinks she’s some silly, over emotional girl… probably thinks she’s so annoying. She just wants to curl up in a ball, hide in a dark hole and cry by herself. She can’t handle Harry’s judgment on top of her shitty midterm grade.

He stands there silently for a moment. Her lower lip has pouted out cutely and he can hear her sniffling quietly. “Was it math?” he asks.

“Yeah,” she grumbles sadly. Stupid math.

He hums. After another tense moment he asks, “Do you want help?”

“Help with what?” She stares down at her fingers, her tone dejected. The happy glimmer that usually sparkles in her eye is gone.

“With math,” he clarifies. “I can help you.”

She looks up at him curiously, still pouting. “You’d help me with math?”

He nods, pulling out the chair next to her. “Let me see your midterm,” he says, nodding his head towards the packet of math problems she’d just been sobbing over. Embarrassingly, the front page is stained with a few tears, but she hands it over nonetheless.

He scans over the first page quickly, reading the question and seeing how she answered it. “Do you know why you got this one wrong?”

She sniffles and shrugs. She hadn’t even tried to look over the questions, too mentally exhausted to even try and understand what mistakes she’d made.

“Look. You tried to cancel out the tan3x, which would make sense in any other case… but since it’s to the power of 4 you could really easily have used integration by parts.”

“Wish I knew that before I took the fucking midterm,” she huffs.

“Hey,” he tsks. “Learn from your mistakes so that you don’t make them again. You need to know this stuff to do integral tests later.”

She shakes her head. “I tried so hard, Harry,” she barely whispers, her voice exhausted. “Like I studied so much, and I really really tried to make it all make sense. But it’s just so hard for me.” She sniffles and wipes away more tears, taking a shaky breath and looking away from Harry.

She doesn’t want to try anymore. She just wants to give up.

He purses his lips, brows furrowed. There’s something about seeing y/n upset that just feels so wrong. She usually brings so much… light into a room. Seeing her cry makes it seem like the entire universe has gotten a little sadder.

“You’ve got the right idea when you’re solving these…” he tries to comfort her (though he’s never really been good at comforting people), “It’s just little things that you’re doing wrong. And it’s probably because you’ve got a shit professor who just has you copy down problems.”

“That’s literally all we do!” she whines, not even caring if she sounds like a baby. “He does the problems so fast and then I have to go home and try and figure out how he did it all by myself!” She sniffles and puts her head in her hands, more tears dropping from her eyelashes. She’s exhausted, her head starting to hurt as she exhales a shuddery breath.

He lets her cry a little bit. “Listen,” he says gently, turning to face her. The normal furrow in his brow is gone, his gaze a little bit softer. “Next time you come over with Maddie, bring your notes and we can go over them together, okay?”

She sniffles. “Seriously?”

“Yes.”

“Like actually?”

“Yes,” he says again exasperatedly, rolling his eyes. He stands up from the table and puts her midterm back down in front of her. “Lighten up, sunshine. One bad score is not the end of the world.”

She feels a bit silly now that Harry’s witnessed her having another breakdown in the library. But, despite how little he said… he actually helped her calm down. This was not the end of the world.

“Okay,” she whispers, “thanks, Harry.”

He nods and walks away.

Maybe he doesn’t hate her, she thinks to herself.

˙· .° ｡ ˚ ｡ ° . · ˚ ˙ · . ° ｡ ˚ ｡ ° . · ˙ · .° ｡ ˚ ｡ °. · ˙ ‧̍̊

“I’m going out,” Maddie says as she walks into the kitchen, discarding her half full coffee mug on the counter as she grabs her car keys from the hook in front of the door.

“Your mug!” y/n tuts like a mother. Maddie rolls her eyes as she pours the last of her coffee down the sink and puts the mug in the dishwasher. Y/n ignores the dramatic eye roll, knowing that Maddie’s just playing around, and asks, “Where are you going?”

“Over to Blake’s,” she responds with a wink. She’s been telling y/n about how she’s been waiting for Blake to text her all week because she doesn’t want to be the one texting first all the time… weird situation-ship stuff that y/n’s never experienced before. Seems like he finally texted her, with how excited Maddie is to be going over.

Just as Maddie is about to step out the door, y/n remembers Harry’s offer. He’d been serious, right? He hadn’t just said that because she was crying… right? She really hopes not, because she really could use his help. She’d been up for hours last night, trying to do the homework, but ultimately giving up because she got too frustrated with herself. Maybe… maybe he’d be able to help her?

“Wait!” y/n calls out, “Um… can I come with you?”

Maddie raises an eyebrow, “Why do you want to come over to Blake’s apartment?”

Y/n turns a bit shy, “Harry… he’s, um, helping me with math.”

“Harry?” Maddie’s eyes glimmer curiously. “He’s literally such a dick. He’s helping you?”

“He’s not that bad…” y/n mumbles, remembering the ounce of kindness he’d shown to her in the library the other day. He’s just a little bit… reserved, she’s started to realize.

“Please. He literally never smiles. I dunno how you got him to talk to you, he always ignores me when I’m over.”

(Honestly, she doesn’t blame Harry for not talking to Maddie… she sometimes ignores Maddie in her own apartment too…)

“You have two minutes to meet me in the car or I’m leaving without you!”

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With her schoolbag in hand, y/n taps lightly on Harry’s door. Blake had told her to just go in, but she feels like that’s rude, so she stands in front of his door nervously and waits patiently for him to open.

“What?” he grunts, opening his bedroom door. “Oh.” The furrow in his brow softens the slightest bit when he sees it’s y/n. He’d thought it was Blake bugging him about something. Y/n is a much… nicer surprise.

“Hi,” she says, chewing on the inside of her lip nervously. “I was wondering if… um, you could help me out with my calc stuff?”

He stares at her for a second, then says, “yeah.”

He opens the door wider and she follows him in. His room is messy, but not gross. The bed is unmade, three half full water bottles on his nightstand, and there’s a pair of sweatpants on the floor… but at least it doesn’t stink!

His computer screen is paused mid-game, and she realizes that he’d still been holding his controller when he’d opened up the door for her. He throws a jacket that had been thrown on the back of his chair onto the bed, and motions for her to sit. Then he pulls up another chair that was sitting in the corner of his room to sit next to her.

“Let’s see it,” he says, shutting down his computer.

“So…” she takes her laptop out of her bag, setting it down on his desk and turning it on so that she can open up her homework assignment. While it loads, she unlocks her ipad to the scratch work she’d done last night. “I was trying to do the homework last night, and I think I’m supposed to be doing integration by parts but honestly I’m not even sure how to do that… so I’m kind of lost.”

Harry leans over her ipad and looks at the work she’d done. It’s… wrong.

“Can I see your notes for integration by parts?” He asks, trying to figure out how she ended up with 1 as her answer when it should be a much larger, much more complicated mix of trig and integrals. She scrolls up until she lands on a page titled Chapter 7, and points to the second example on the problem. Her notes are cute, written in pink with girlish, bubbly handwriting. However, it’s clear that she’d been struggling to keep up with the lecture, some of her work completely scribbled out and replaced with messy numbers and formulas. Next to one of the big portions of scribbled out math, she's written “WHAT???” along with a sad face doodled underneath it.

Clearly she’s a bit confused.

“Okay…” he scrolls down to a new page in her digital notebook and copies down the example problem that had confused her. “Let me show you how you do integration by parts first, and then we’ll look at the homework problem, okay?”

“M’kay,” she hums compliantly, crossing her legs and hiding her hands in her sleeves. She feels a bit… nervous. She doesn’t want Harry to think she’s stupid. But she’d rather have her ego a little bruised than fail the next midterm too.

“So… you do integration by parts when you can’t just do normal integration… usually if there’s e^x in there or a natural log then you know that you have to do integration by parts.”

She nods, following along quietly.

“In this one… you have x times e^x dx… you have to break it up into two parts, U and dV. And then you take the derivative of U and find the integral of dV. And you plug that into the formula. Do you know the formula?”

She blinks at him. “Um…” she shuffles through her notes and finds it. “It’s this.”

“Good… so what you do is you assign x to either U or dV and then e^x(dx) to the other… and then you find dU and V based off of that. Should we make x be U or dV?”

She purses her lips, “Make x=U?”

“Yes…” he nods. “Do you know why?”

She shrugs. “I guessed.”

His lip quirks up in the first smile y/n’s ever seen from him, a slight dimple popping up in his cheek. “S’cos we have to either find the derivative of U, or find the integral of dV. It’s way easier to use the derivative of x, cause it’s just one. If we made x equal to dV… then we’d add a fraction and a power of two to our equation and it’ll just make things ugly.”

“Oh.” She stares at his hands as he writes down what he just said in math terms, scribbling in his boyish handwriting that U=x and dU=1. “Okay.”

“So if U=x, then dV is equal to….”

“e^x?” she answers.

“Good,” he says gently. “And what is V?”

She stays silent for a moment, searching the paper as if it’ll give her an answer. He senses her confusion and helps her out, saying, “IF V is the integral of dV, and dV is e^x…”

“Well Isn’t the integral of e^x still e^x?” Her voice is unconfident, looking up at Harry with wide, round eyes.

“You’re right,” he says encouragingly, a soft smile on his face. “Stop doubting yourself so much.”

A reciprocating smile spreads on her face, feeling a little more confident with Harry’s praise.

“All you do now is put your numbers into the formula. Can you do it?”

He hands the pen over to her, their fingers brushing. Her hair falls in front of her face as she leans over the page to write down her answer, and Harry watches softly as she tucks it back behind her ear. He notices how long and delicate her eyelashes are as he stares at her side profile.

“Is that right?” she asks quietly, trying hard to be confident but still so nervous that she’s done it wrong.

He tears his eyes away from her face. “Almost,” he says, leaning forward. Their arms brush against each other, the space that they initially had set between their chairs having shrunk as they worked on the problem together. She can feel his breath as he quietly murmurs next to her ear, “You just need to add +C at the end.”

She furrows her eyebrows and turns her head towards him, and feels her heart stutter as she realizes how close their faces actually are. “What does the +C mean?”

“It’s just like… it’s supposed to represent any constants that we couldn’t find. Because when you take the derivative of a constant it just ends up being zero, so when you’re given an integral and doing the anti-differential process… you don’t know if there was actually a constant there or what it was. So the +C is just representing any constant value that could’ve been in the answer, even though you don’t know what the number is.”

She blinks at him. “Um… okay. I’ll just pretend like that made sense.”

He chuckles, the first time she’s probably ever heard him laugh. “It’s honestly not that important to get it. Just remember to add +C every time you take an integral.”

“Got it…” she says, adding the +C.

“Think you can do the next one on your own?”

+++

“Harry,” y/n pouts. “It says I’m wrong but I dunno why.”

He pauses his game and slides out of his seat, going over to y/n. She’d relocated to his bed after they did a couple more problems together and felt confident enough to do the rest by herself. His chest brushing against her back softly as he leans over her shoulder, going over her work. “What’s the integral of sin(x)?”

“Cos(x),” she says confidently.

“Not quite…”

She sits there for a second, brows furrowed. “Oh!” she adds a negative in front of the cos(x).

“There you go,” he grins down at her.

She lays down on his bed, her hair splaying out behind her as she throws her ipad on his bed, relieved. “Harry. You’re a genius.”

He laughs, a quiet huff of air that passes out of his nose with an amused smile on his face. “So it makes sense?”

“I think you should be teaching our class. You’re so good. Thank you for helping me.”

He hums, giving her a satisfied smirk, and goes back to his game while she finishes her homework. It's a strange setup, sitting in his bed and doing her homework while he plays, but she doesn’t mind it.

In fact, it’s kind of nice.

Harry’s kind of nice.

She kind of likes Harry.

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hope u guys loved it!!!!!! part 2 is up on my patreon already, and will come to tumblr next saturday (july 29) pleeeeaaaase lmk what u rhink and give her a rb and a comment i love u guys so so much!!!

sunshine - part 2 (already posted on patreon!) : In which Harry's a little bit nicer, and y/n is very excited to possibly, hopefully, maybe be kissed.

sunshine masterlist

#harry #harry fic #harry smut #harry styles fic #harry styles smut #harry styles fan fic #harry styles imagine #harry x reader #harry styles x reader #grumpyrry #grumpy harry #mean harry

4K notes · View notes

bucky-bucky-bucky-bucky · 2 months ago

Text

Champagne Problems | Bucky Barnes x Reader

Oh, hi! Truly, sometimes you just don't know the answer till someone's on their knees and asks you, you know? Also I hope my taglist works this time but who the fuck knows.

Word Count: 9.1k

Warnings: engagement / wedding talk, mentions of alcohol

Nat flipped through your list of invitees, crossing off a few names as she scanned the page. She took it upon herself to help you stuff, address, and mail the invitations for your engagement party, because in her words, you were “dragging your feet”. There were only five or so weeks left until the event, and you just hadn’t found the time to sit down and sort out the invitations. At least, that’s the excuse you told Nat- and yourself.

“Okay, we’re finally making some progress, we’re about halfway done,” Nat called from the dining table. “Shit. Without me, no one would even show up to this fucking party.” She didn’t mean for you to hear that second part- but her voice echoed through your nearly empty apartment.

Almost everything you owned was gone; either sold, or stored, or moved into the house you were to share with your fiancé, Cole. All that remained was your clothes, your bed, and a few odds and ends. It would’ve been far easier, far more convenient, to stay in your new house instead of living out of cardboard boxes. And far more aesthetically pleasing. The house was a nice- nicer than you’d ever be able to afford yourself. And it was beautiful. There was a lush garden in the backyard. A swing on the front porch. Even a white picket fence. You described it to everyone as “picturesque.”

But the lease on your apartment wasn’t up quite yet. You still had a few weeks until your move-out date, and you wanted to soak in as much time at the old place as you could. You loved it here. Loved the worn wooden floors and the doors that didn’t hang straight. The dent in the wall where Bucky bonked his metal elbow when you popped out of the hall closet and scared him. The corner in your bedroom where you and Bucky made a blanket fort during last winter’s blizzard. Memories papered the walls and covered the floors of this place- and most of them involved Bucky.

This was home. And while the new house was great- and fully paid for by your fiancé’s wealthy parents- it didn’t feel like you belonged there. It didn’t welcome you in or fill you with warmth. Cole’s mom said it just needed the right décor. Your friends told you it needed time. But deep down, you knew that no amount of beautiful area rugs, no amount of time, could turn your house with Cole into a home. There would always be one thing missing, one glaring and flagrant void.

Bucky.

“You’re inviting Bucky?” Nat looked up from the list and found you coming around the corner with a bowl of popcorn in hand. Her incredulous expression nearly stopped you in your tracks.

You gave her a strange look, “Yeah, of course. He’s my best friend. Why wouldn’t he be invited?”

“Okay, first of all,” Nat scoffed, “He’s your best friend- present company excluded. And second, do you really think that’s a good idea?”

You threw a few pieces of popcorn into your mouth as you settled into your chair. “Why wouldn’t it be?”

Nat rolled her eyes, “Because I don’t think it’s smart to invite the guy you’re actually in love with to a party celebrating your engagement to another man.” She threw you a shrug, “but hey, that’s just me.”

“Woah-” you almost choked on your popcorn. “I’m not in love with Bucky.”

It was the most absurd thing Nat had ever heard. “I’m not in love with Bucky!” she jeered, imitating your voice. “Yeah, right.”

“Okay, okay, jesus,” you raised your hands, miming a surrender. “I did- at one point- have romantic feelings for him,” you conceded, “but that was a while ago.”

“Oh, at one point?” Nat crossed her arms over her chest. “You say that like you had a small crush on him for a week, when we both know your ‘romantic feelings’ have been a constant ever since you became friends with the guy.”

Her accusations weren’t necessarily wrong. But they were loud. And pointed. And rubbed salt in your many wounds. “It was …” you gave a small shake of your head. “We never got the timing right, you know? It just didn’t work in our favor.” The heartache with which you’d grown familiar reared its ugly head. “But it’s fine,” you told her. “I’m engaged, now. So.”

Ever since you boyfriend, Cole, became your fiancé, you’d done your best to kill and bury your longing for Bucky. But your feelings for him weren’t so easily vanquished. They were strong and boisterous and loud. At least a few times a day, they launched themselves at you out of nowhere. At work. At the grocery store. At dinner with Cole and his parents. Nowhere was safe. Everywhere you went, things reminded you of Bucky. Of your favorite person. Of the person to whom you were not engaged.

The desperate pining for him tore your still-healing wounds wide open. Every time your gaze landed on your engagement ring, every time a friend mentioned your impending wedding, a sharp pain sliced through your chest. And each time, you were forced to acknowledge the fact that you were not, in fact, getting married to Bucky.

“Um, anyway…” you cleared your throat, “Of course, I’m inviting Bucky. And the subject isn’t open for debate, by the way. It’s my party and I’ll invite who I want to.”

You grabbed an invitation and a blank envelope from the stacks in front of Nat and positioned them in front of you. If Nat didn’t want you inviting Bucky, there was a more than significant chance that she’d conveniently “forget” to address an invite for him. And so, you scrawled his name and address onto an envelope and affixed a stamp in the corner. Come hell or high water, he was going to get his invitation. Even if he didn’t want to come.

The night of the party arrived sooner than you expected. Sooner than you’d hoped.

The house was abuzz with people running in and out, carrying food and linens and liquor; you knew you’d be requiring the latter in order to survive the night. Florists arrived to cover the house in perfect, beautiful blooms. A team of caterers brought with them enough fine food to feed an army. And a flawless, two-tiered cake with delicate lacy piping sat on the dining room table, complete with yours and Cole’s initials. All of it was perfect. Picturesque, really. It was exactly what you wanted- but Cole wasn’t who you wanted it with.

Every few minutes, you checked your phone in search of a text from Bucky. The deadline to RSVP had come and gone almost two weeks ago, and he never gave you an answer one way or another. He ignored your “hey, are you coming to my party?” texts, and your “just wanted to know if you plan on coming to the party” voicemails. He ignored almost all of your correspondence, actually.

Lately, he’d only been answering about a third of your texts and a quarter of your calls. It was unlike him. It was unheard of, really. On multiple occasions in the past, he answered your calls while taking heavy fire; you could actually hear the bullets whizzing by on his end of the line. But now, things were quiet. And you forced yourself to accept that fact that he was not coming to your party.

The festivities kicked off around seven-thirty, and you found your house full to the brim with party goers. All of Cole’s friends showed up. His childhood friends, his college buddies, his old soccer team- they all arrived with bells on. And your friends were well represented, too. High school pals, your book club, a close coworker or two. They were all so excited to see you, so happy that you found someone.

Even Bucky’s teammates made an appearance. They were his friends first, of course, but growing close with him meant growing close to them. And you’d build unbreakable bonds with Sam, Nat, Wanda, and Maria. They were thrilled for you and more than happy to attend your party- even if Bucky wouldn’t be there.

With your house so full, so jam-packed with friends, you thought you wouldn’t notice the pain of Bucky’s absence. But you did. Of course, you did. And you found yourself feeling painfully alone in a sea of people.

Without Bucky there, the night seemed to fall flat. The flowers lost their vibrance. The food was bland. And the music sounded disjointed and off-tempo. Things just weren’t the same.

People swarmed you every few seconds, hollering their congratulations and asking to see the ring again. They asked you about venues and dresses, bridesmaids and center pieces. Everyone meant well- you knew they did. But as the throngs of people refused to relent with their questions about table linens, your chest began to tighten. A hard, concrete cast wrapped itself around your lungs, preventing them from expanding. A suffocating lack of oxygen rendered your dizzy. It was all too much. The people and the music and the impending nuptials. Even the sensation Cole’s hand on your waist was too much, too tight, too smothering.

With a whispered “be right back”, you moved swiftly through the crowd and escaped out the front door. If you could just get some space, some quiet, some oxygen, you’d be fine.

The door provided you with much needed support as you tilted and teetered on unsteady feet. The panic, the alcohol, the high heels- it all combined to form a dizzying, possibly lethal combination. But at least you were outside. As least you were free. The cool night air prickled at your skin, and finally, your lungs filled to capacity. A few deep inhales cleared the fog from your mind. With closed eyes, you tipped your head back against the door and let yourself enjoy the quiet. Sure, the music from your playlist leaked into the night air, but this was the closest thing to silence you’d experienced all night. And you were not going to complain.

As your heartbeat slowed, you told yourself it would be okay. That everything was going to be fine. That you’d figure out how to handle the situation. And, if only for a moment, you actually believed your fabrications. A sense of peace wrapped around you like a blanket, and a welcome calm settled into your bones.

But the creak of a porch step yanked your eyes open.

And there you found Bucky, frozen on the second to last stair, with giftbox in hand. He eyed you as though he were a prey animal, wondering if you’d seen him, waiting for his chance to escape. But it was too late; he’d been caught.

“Buck?”

He forced a smile, “Hey.”

“Hi!” you launched yourself at him, wrapping your arms around his neck with an intensity that would’ve injured a mere mortal. He reeled back a few paces as your momentum knocked into him. “I’m so glad you’re here! didn’t think you were coming!”

His arms draped loosely- weakly- behind your back. It wasn’t much- but it was better than no Bucky at all. And after he failed to respond to your messages, didn’t answer your calls, and made himself scarce over the last few months, you’d take whatever you could get.

“Right. Yeah. Well, technically, I’m not-” He untangled himself from your arms and pointed at the perfectly wrapped giftbox. “I just wanted to drop off your present.”

“Oh, thanks. That’s-” Dismay dripped from your words, “Wait, you’re not staying?”

Bucky gave a shake of his head. He avoided your eyeline and chose, instead, to look at anything other than you. The grass. The porch light. His own shoes. “I can’t, sorry.”

It crushed you. Having him stop by for only a moment was far worse than him not showing up at all. Because now, you had to deal with the loss. The pain of his departure. For him to grant you the warmth of his presence, only to snatch it away moments later was almost cruel. How could he leave when you were finally seeing the world in color? How could he go when the music finally made sense with him by your side?

You didn’t want to beg. Didn’t want to make him feel bad. Didn’t want to seem pathetic. But the words slipped out of your mouth before you could stop yourself. “You can’t stay for even a little while?”

The disappointment in your voice broke his heart. And he had half a mind to forget his plan and allow you to escort him inside. But he stood firm. “I would,” he shoved his hands into his pockets. “But I have to go pick up a friend from the airport.”

The words hit you in a strange place. A pin-prick pain nipped at your chest- you’d caught him in a lie. “Buck, no offense, but all your friends are inside.” You gestured toward the house with a nod of your head. It was true- all of Bucky’s closest friends were dancing the night away in your living room. And he was caught red handed.

“Right…” His teeth dug into the smooth flesh of his cheek; his eyes roamed the yard. He should’ve known better than to use such a lame excuse- he did know better. He couldn’t casually lie around you; you knew him too well. But the pressure got to him, and forced cracks into his cool, marble surface. He hadn’t even expected to see you tonight, let alone talk to you. The painful awkwardness of the moment ate through him like acid.

“So… you can stay?” Your words came out too desperate, too expectant. But you couldn’t help it. You’d do anything to get him to hang around- even if he didn’t seem excited about it. Hell, you’d beg him on your knees if that’s what it took. Anything to get him to stay.

“Uh, yeah,” he shrugged. “I guess I can.”

Finally, he let his eyes land on you. After choosing to avert his gaze for so long, he wasn’t strong enough to do so any longer. He had to look at you, to take in every detail of your face. But as he drank you in slowly, inch by inch, in the light of the full moon, a strange solemnity sunk its teeth into him. Perfectly imperfect curls framed your face. A flawless diamond sat at the hollow of your throat. You were even wearing his favorite lipstick of yours- the one he said made you look like a vintage Hollywood star. He eyed your delicate, lacy white dress. Your white strappy heels with bows on the ties. Your white nails. And the perfect, glistening diamond adorning the ring finger of your left hand.

Everything about you was so beautiful. So bridal. It made his chest tight.

“You look really nice,” he said, almost bashful. “Beautiful.”

“I, um- thanks. Thank you.”

This stupid white dress. With its stupid lace and its stupid pearls and its stupid bridal flare. You hated it. Resented it. Wanted to take scissors to its seams. But if you were to play the role of Cole’s blushing bride, you had to dress the part, didn’t you? You had to don your fiancée costume and take part in the production.

But, regardless of your feelings about the outfit, your heart still flared at Bucky’s compliment. One simple word of praise from him had such a startling, intense effect on you. And suddenly, you were in high school again. He filled you with a sense of giddy adoration that you hadn’t experienced since the tenth grade. This was the stuff of love notes stuffed into lockers. Of first kisses under the bleachers. But your feelings for him could never be as fleeting or as shallow as those of your youth. No, this was the stuff of forever.

“Hello?” Bucky gave you a wave. “You okay?”

An awkward laugh escaped your chest, “Yeah. Sorry, I kinda spaced out there for a second. Did you say something?”

“I said, what are you doing outside?” He eyed the packed house. Twinkling lights shone through the windows. Crowds of people danced and drank champagne. Music wafted through the air. “Shouldn’t you be in there? At the party? Cause, you know, it’s for you.”

Just the thought of going back to the party made your stomach turn. Part of you wondered if you might be able to hide outside all night; just stay in the yard until the festivities came to a close. Hell, maybe you could even run away. You could get pretty far if you started walking and didn’t look back. By the time the party ended, you could be deep in the heart of Brooklyn- you could be at Bucky’s.

“Yeah, no, I probably- I should be inside. But, I’m just…” you took in a sharp breath. It hitched in your windpipe and got stuck for a moment. “I got a little overwhelmed, you know? With the noise, and the people and the… everything. So, I came out here to-” To hide. To escape. To flee. “To get some air.”

Bucky could’ve sworn he sensed something lurking beneath your calm surface. It was the slightest change in your voice, the smallest twitch of your brow. He clocked the way your hands never stilled. The way your teeth dug into the inside of your cheek. Something was off.

He sat in the long silence, waiting for you to open the vault and show him your secrets. But the lock remained secure. You didn’t say anything else, didn’t hint at the source of your discontent. He eyed your manufactured smile, but couldn’t seem to crack it.

Things never used to be this way. He didn’t keep secrets from you, and you wouldn’t dream of hiding anything from him- there was no reason to. Neither of you had to fear judgement or ridicule from the other. Your most embarrassing stories, Bucky’s darkest thoughts- they were all safe with the other.

But an unfamiliar disconnect had pulled the two of you apart. And Bucky could no longer read your soul like a book.

“Everything’s okay, though. Right?” He eyed you with suspicion. With concern.

You nodded- maybe too fervently. “Yeah. For sure,” a fake smile stretched across your face, “Just stressed, I guess.”

“And he treats you right?” It was one of the things Bucky worried about most. Sure, the house was nice. And the ring was huge. But did Cole speak to you with kindness? Did he show you empathy and understanding? Did he make you feel safe?

“Yes.”

Bucky breathed a small sigh of relief. Knowing that Cole handled you with care brought a sliver of ease to his worried mind. “So, you’re happy then?”

It was all Bucky ever wanted for you. A safe life, a happy life. But the answer wasn’t yes or no. This was the farthest thing from a black and white situation. On more than one occasion, you told yourself to just be happy. You thought that if you willed it, if you said it with conviction- then it would be true. And the happiness you were supposed to feel around your fiancé would magically spring up around you. But it didn’t. Every day, you waited. Every day, you told yourself to just be fucking happy. Cole gave you everything. He was nice and agreeable and provided you with the resources to do anything you’d ever wanted. But the happiness never came. At one point, you decided you’d settle for contentment. But that too evaded you.

“Um, do you wanna sit?” It was the best subject change you could come up with on such short notice. “The porch is free. Come on.”

Before Bucky could respond, he found your fingers linked with his. Chills traveled up his arm, over his shoulder, and across his scalp. Even the most innocent of your touches sent his dopamine levels through the roof. He’d never experienced ecstasy like this ever before- and knew he never would again. Especially not after your wedding.

He knew it was selfish to feel anything less than happy for you. You were engaged, you were getting married- this was what you wanted. You wanted marriage. A lifelong partner. A “till death do us part” kind of relationship. And now, you finally had it. So, who was Bucky to ruin it for you? Who was he to hope that you’d leave Cole at the altar? He forbade himself from ever being that selfish. If he was truly your closest friend, he had to be happy for you- even if it meant that he could never be anything more than your friend.

With his hand in yours, you led Bucky to the porch. And regardless of the brand-new patio furniture Cole’s parents gifted you, you and Bucky opted to sit on the steps. Crickets chirped every now and again. A cool breeze wafted through the trees, rattling the leaves. Voices and music and the clatter of dishes seeped through the windows. You didn’t notice any of it.

Because, finally, you had what you wanted- if only for a moment.

It was the simplest, most innocent desire you’d ever had. To sit on the front steps with Bucky. To share a home with him. To drink coffee next to him on the porch each morning. To watch the rain from safety of your porch swing with Bucky’s head in your lap.

If you ignored the white dress and the engagement ring and the pop of champagne bottles, you could almost believe that this was Bucky’s house, too. That the two of you could go inside and retire to bed. That you could wake up in the morning, wrapped in his arms. You could almost believe it. Almost.

The two of you sat in silence, planning your words carefully. Conversation felt like a mine field, and one misstep could send either of you to your death. But the warmth radiating off Bucky’s his body wrapped you in a familiar comfort. The narrow steps didn’t provide much in the way of sitting room, forcing Bucky to sit almost shoulder to shoulder with you- not that he’d ever complain.

With every gust of wind, he caught a whiff of your perfume- the perfume he loved so much. The scent that often clung to his hair and weaved itself into the fabric of his clothes. It mixed with the smell of early spring- crisp air and new blooms. And he felt himself losing his resolve. He did his best to put distance between the two of you, to protect his heart and yours. But as you leaned your body against his and rested your head on his shoulder. He wondered why the fuck he’d ever leave your side.

You, too, lost all strength. And suddenly, you didn’t care about misspeaking.

“I miss you, Buck…” Present tense. Because, even with him next to you, you missed him. Missed the way things used to be. “I feel like I never see you anymore.”

Bucky nodded. “Yeah, I know. I’m sorry. I’ve been so busy with work, and trying to prove myself…” He let out a heavy sigh. Of course, regardless of his intentional distance from you, work really was killing him. “Everyone at SWORD is paranoid- they’re convinced that there’s a secret faction of Hydra growing within their organization.”

“Hmm, that’s so weird. I wonder why they’d be worried about that.” You gave bucky a nudge, and pulled a laugh- your favorite laugh- from his chest.

“Yeah, yeah,” he shot you an eye roll. “But you’re probably really busy, too. With all the wedding planning.”

His mention of the wedding shattered your perfect, maladaptive daydreams. All the noise from the party once again filled your consciousness. And the weight of Cole’s engagement ring felt like an anchor, dragging you down to the deepest, loneliest sea. Bucky wished he hadn’t brought it up as you removed your head from his shoulder.

“Oh, yeah, no. It’s been-” you felt yourself closing off a bit, and did your best to fight it. “I haven’t actually planned a single thing. At all. So.”

Bucky gave you a strange look. It wasn’t like you to put things off, to procrastinate. He knew you to be an organized, ahead of the curve type of person. You were always the one who had a plan, always the one who over-prepared. He figured that in the few months since your engagement, you’d have planned at least a few things- if not the entire wedding and honeymoon.

“Do you have a date at least?” He pulled out his phone, “I want to put it in my calendar.”

Bucky would be there to support you no matter what, even if watching you marry another man killed him.

“Um, no, there’s no date yet,” you said. “Cole’s parents belong to a really fancy country club and said we could get married there- it’s beautiful. All I have to do is contact the club’s event coordinator and figure out which days are available. I just-” you dropped your eyes to the ground, “I haven’t yet.”

Bucky didn’t like your downcast gaze or your uncertain voice. There was something eating at you- he’d bet his life on it. Maybe you were just overwhelmed. Maybe you felt like you were behind on all the decisions that needed to be made. Either way, he wanted to help.

He threw you a shrug. “Well, there’s no rush, is there?”

He took your left hand in both of his and gave it squeeze, but regretted the gesture when your engagement ring dug into his palm. You were getting married to someone else; he had to stop touching you like this. Had to stop treating you like you were still on the market. He didn’t want to make you uncomfortable or disrespect your relationship. And so, he dug his hands into his pockets.

“I mean some people don’t start planning right away, right?” He said, “They wanna take their time and enjoy the engagement for a while, and-

“I’m not.”

“You’re not what?”

“Enjoying my engagement.” You had half a mind to take off the ring and launch it into the street. You’d dreamed about doing so every day, actually. Dreamed of throwing it on the subway tracks. Or dropping it through a grate on the street.

Alarm ran through Bucky’s system like wildfire. “Is everything okay? Is it-”

Finally, you lifted your eyes and met Bucky’s stare.

“I don’t want to marry him.”

Bucky felt his brain short circuit. He forgot how to breathe, how to speak. His thoughts tangled themselves together in tight, writhing knots. Words bounced off the walls of his skull without meaning. This wasn’t what he’d expected you to say.

“Um, why-” he cleared his throat, “why not?”

He cringed at his own question. Maybe it wasn’t his business. Maybe you didn’t want to get into the details. But you were upset. And if there was any chance at all that you’d want to vent or use Bucky as a sounding board, he was going to listen.

But there was nothing for him to listen to. For a long time, you didn’t answer. Because to you, the answer was stupid. To you, it sounded like bullshit. Like you’d wasted Cole’s time and love and money. Like you were some noncommittal, unsure child. You rolled your eyes at yourself- as you had every day since Cole’s proposal.

“I just don’t- I don’t love him,” you finally said. “I’m not in love with him. I mean, don’t get me wrong, he’s great. He’s a really nice person…” And he was. He was kind. He was understanding. He was thoughtful. But he wasn’t the one- he wasn’t Bucky. “He hasn’t done anything wrong. And he’s given me- he’s given me everything. But, I just don’t love him like I-”

You stopped yourself. The words that danced on the tip of your tongue were too risky, too dangerous. You wrangled them before they had the chance to escape- before they had the chance to push Bucky away- and locked them behind bars.

But they screamed inside your mind. ‘I don’t love him like I love you’ echoed again and again, reverberating every few seconds. Part of you feared Bucky might hear it.

“Um, I don’t love him like-” you rerouted, “Like I always imagined. You know? I don’t feel the way I thought I would.”

Bucky considered your words for a long time. Unlike you, he didn’t think it was bullshit. Or stupid. Or childish. He set his feelings for you aside, not allowing them to cloud his judgement, and thought about your predicament.

“Well, you don’t have to, you know,” he finally said. “Marry him, I mean.”

You gave him a subtle nod. Maybe he was right. But a larger problem- a more important problem- loomed. And while you’d spent the past few months hemming and hawing about marrying Cole, there was another issue at hand that ate you alive every single day.

“Why have you been avoiding me, Buck?” It wasn’t angry. It wasn’t accusatory. You just needed to know.

For the third time that night, Bucky found himself caught red-handed. “What?”

“Ever since I got engaged, you’ve been avoiding me.”

The hurt in your voice was unmistakable. And though Bucky knew it was truth, his first instinct was to refute. To deny. To deflect.

“No, I haven’t. I’m not avoiding you,” he said, putting on an air of offense. “I’ve been busy with work and-”

“Don’t give me that.” Your heartbreak dissolved into cold, hard facts. Facts that Bucky couldn’t refute. “I used to see you almost every day. No matter how busy either of us got, we still saw each other all the time. We made time for each other. But ever since Cole proposed, you don’t answer my texts anymore. You don’t respond to my voicemails. I mean, I’ve only seen you-” The realization was startling. You knew Bucky had been distant, but as you quickly flipped through your memories of the past few months, you confirmed just how detached he’d been. “I’ve seen you twice. Including tonight.”

Bucky’s silence bit through your flesh.

Part of you didn’t want to ask. Didn’t want to know. But the question left your lips before you could stop it. “Buck, are you mad at me?”

He shook his head. “No, why would I be?”

“Because Cole proposed, and I said yes.”

A look of bewilderment yanked Bucky’s features upward. Emotions flashed across his face at lightning speed. A scoff barked out of his throat.

“No. No, I’m not-” He was caught off guard. Struggling to cover his tracks. “I’m not mad. It’s not like that. I’m just-”

“What’s it like, then?” You stared at him, expectant.

“Oh, come on…” It was all too much. He couldn’t be in such close proximity to you anymore. Couldn’t have you almost pressed against his side.

He fled from his seat on the stairs and opted to stand in the grass. He paced for a beat or two, wearing down the fresh blades of greenery. And when he finally came to a stopping point, he couldn’t face you. Couldn’t look you in the eye. He just needed a moment. Needed some space. Needed to breathe air that didn’t wear your perfume. And when he cleared his mind- and his lungs- he turned to you.

“You know…” he let out a huff. “You know that things haven’t always been exactly platonic between us. You know that I’ve had- that I’m-” His metal fingers ran through his hair, “Anyway, I’m just… I’m trying to deal with this whole thing. I guess I’m not doing a good job.”

It wasn’t news to you. But it still struck you like lightning.

Things between you and Bucky always teetered on the edge of romance. Always walked a tightrope between friendship and love. And while you adored a good “will they, won’t they” type of relationship on tv, it didn’t have the same charm in real life. The Nick and Jess, Sam and Diane, Janine and Gregory dynamic brought you only pain. Confusion. Heartache. Unfortunately for you, there wasn’t a room full of talented writers scripting your every interaction with Bucky. The two of you didn’t have a well thought out, perfectly planned arc that placed you in a relationship by the end of your third season as friends. No, the two of you were left to your own devices, navigating the difficult terrain without help.

Part of you always believed that you and Bucky would end up together. Maybe it was the Ben and Leslie of it all. Or maybe it was your hopeless romantic side. But you truly thought things would work out for the two of you. The ring on your finger, however, said otherwise.

A wave of remorse washed over you. You rested your elbows on your knees and dropped your chin into your hands. “We just never got the timing right…”

Bucky furrowed his brow, “What do you mean?”

“Our feelings for each other were always out of sync,” you lamented. “They ebbed and flowed over the years- just with opposite timing. When you had feelings for me, I was dating someone. When I had feelings for you, you were in love with another woman. It was just…” you cursed fate and destiny and everything in between. “It was bad fucking timing.

A sharp edge rose in Bucky’s voice, “You think that’s what happened?”

You nodded, “Um… yeah. Yes.”

“You’re wrong.” He was steadfast. Resolute. He wanted to argue with you, wanted to prove you wrong.

“What do you mean?”

“My feelings never ebbed- whether I was dating someone or not, those feelings never went away,” he said. There was a desperation in his voice. A longing you hadn’t heard before. “And they still haven’t. They’ve never gone away or even faded a little bit. I know you had fleeting feelings for me at one time or another, but mine weren’t temporary.”

It was bullshit- it had to be. Right? His “feelings” for you never seemed so concrete, so permanent. They weren’t even feelings; if anything they were more like passing flirtations. Momentary affections that dissolved every time a beautiful woman walked by.

You let out a scoff, “Tell that to all of your girlfriends-”

“I only dated other people because I was losing my fucking mind.” His voice rose an octave or so and he cut his eyes toward the house, watching for a sign that someone had heard him. “Every time you started seeing someone new, it was like I couldn’t breathe. So, I needed something- someone- to be a distraction. And I know that’s a dick move. But-”

You weren’t proud of it, but you were familiar with Bucky’s coping mechanism. With his tactics for surviving every new boyfriend of yours. “I did the same thing.”

“What?” He didn’t believe you- not even for a second. Your engagement ring wouldn’t allow him to.

“Buck, I’ve had feelings for you since we became friends. It was pretty much immediate after meeting you. And they weren’t ‘fleeting’- or whatever you said.” The word actually offended you. “They’ve never ebbed.”

You caught a glimpse of your engagement ring in your periphery and instantly dropped your hand into your lap, hiding the ring from your view- and Bucky’s. “I only dated other people because I didn’t think anything could actually happenbetween us.”

Bucky’s chest tightened. He instantly mourned the lost time, the years he could’ve spent with your lips on his. Of course, the friendship you shared was never a waste. And he’d never trade the years you spent as confidantes. But he couldn’t stop himself from thinking about how different things could’ve been. How much mutual pain could’ve been avoided.

He took a step away from you, too confused and upset to be in your orbit. “And you never told me any of this?”

Your brow furrowed; your lips stretched into a thin, frustrated line. “You have got to be fucking kidding me.”

“What?”

With fury smoldering in your chest, you rose from your seat on the porch steps. Anger glistened behind your eyes and hurt coated your words. “I told you! I bared my fucking soul to you!”

The puzzle pieces came together for Bucky. He let his head tip back a bit and covered his face with his hands. He let out a deep groan that only added to your rage. He didn’t have to ask- he already knew what you were referencing. But the part of him that wanted a fight egged you on. “Oh my god, are you talking about that night at the bar?”

“Of course I am!” you spat. “I told you everything- I confessed everything! I told you I loved you and that I wanted to be with you. I told you I was in love with you. And you just brushed it off!”

Bucky grimaced, “I know...”

He wandered a bit farther, putting a few more paces between your body and his. He knew he was wrong. Knew he fucked up. Every time he thought about what you said at the bar, and the way he reacted, he grew nauseous.

“But I didn’t think it was real.” Another wave of desperation sent his voice booming through the yard, “I didn’t know you actually meant it! And I didn’t think I should hold you to something you said after six margaritas.”

He had a point. He had good reason not to believe a drunken confession. But you gave a fervent shake of your head; it wasn’t his actions that night that hurt you, it was everything that followed.

“But you didn’t even acknowledge it!” The words echoed down your street. You wondered if your neighbors had gathered around their windows, watching yours and Bucky’s drama unfold like a soap opera. “You could’ve asked me about it the next day or-”

The pain in your voice cut Bucky deep. His tone was softer now, his voice a little quieter. He knew he should’ve handled things differently. Knew you deserved better. “Well, you never brought it up either…”

“I tried to!” A rogue tear dripped down your cheek. You wiped it away in a hurry, hoping Bucky hadn’t seen it- though you knew he had. “But you told me ‘not to worry about it’ and then you walked away. And that was it.”

Bucky watched as a few more tears gathered in the corners of your eyes. He wanted to wipe them away with the sleeve of his shirt. To offer you a hug. But he couldn’t- he was certain you’d swat him away. Regret sat in his stomach, weighing him down like lead.

“Do you know how embarrassing that was for me? I told you how I felt, and you pretended like it never even happened,” your voice wavered ever so slightly. “And when I tried to talk to you about it, you waved me off. I was so humiliated- I didn’t want to say anything else.”

The weeks that followed your drunken- but true- confession were some of the most miserable times of your life. Bucky simply carried on like normal, inviting you over for movies and pizza and wine. And you didn’t have it in you to pull away. To put some distance between the two of you. To take the time you needed to lick your wounds. And if you were honest with yourself, you didn’t want to stray from his side. Didn’t want to retreat. Because being around him was better than being without him, even if the rejection left you broken and bruised.

“After that,” you shrugged, “I thought you didn’t want anything more than friendship with me.”

“But I-” Bucky shook his head; you were wrong- you were so wrong. He’d always wanted more, always wanted you. “I’ve always loved you…”

“How was I supposed to know that? I mean, your string of girlfriends says otherwise.” You thought back on the litany- on the catalogue- of beautiful women Bucky paraded around. “And I know I dated other people, too. But you had so many. And you were so- you gushed about those women. You flaunted them. You talked about them nonstop.”

Bucky knew it was true. He brought his girlfriends to every event, every team dinner, every casual hang. The one time, the one place he deemed too sacred for the presence of his rotating cast of lovers, however, was the one-on-one time you shared. He never dreamed of allowing them to tag along when it was just supposed to be the two of you- that was one line he’d never cross. He did spend a significant amount of time talking about them, though. He went on and on about his many, many forays into the dating world. And truth be told, you had trouble keeping track of all the names.

Because, while you’d had a few boyfriends here and there, Bucky dated enough women to field a soccer team. Or two.

But you weren’t mad at him for it. You didn’t hate him for seeking companionship. You just couldn’t believe that he had real, legitimate feelings for you while simultaneously telling you that he planned to propose to Isabella. Or Nadia. Or Violet.

“Honestly, you made it seem like you wanted to marry every one of them,” you told him. “The way you talked about them- it was like you were so in love. So, I didn’t think…” The whole situation was too messy. Too confusing. “I didn’t think it was possible for you to have real feelings for me. I thought you were a flirt. And a ladies’ man. And I thought you only showed me affection when you were bored between lovers.”

Bucky thought back on all the girlfriends. All the hook ups. All the times he left a one-night stand and ended up at your apartment after. He hated it- but you were right. He may have flirted with you; he may have showed you fleeting affection. And maybe he made a joke or two about growing old with you- but he never made a declarative statement. He never confessed his true and undying love for you. Never made the effort to take your friendship to the next level.

Only you’d been brave enough to do that. And he’d paid you dust.

“And I mean, you made it very clear that you didn’t want to talk about my feelings for you,” you said. A flood of familiar embarrassment rose around your ankles. You found yourself struggling to wade through it, just as you had after Bucky brushed you off. “So, I just… I found Cole. And I stayed with him- I stayed long enough that he asked me to marry him. And I knew you didn’t want me, so… I said yes.”

Bucky couldn’t imagine a reality in which he didn’t want you. “I’m so-” he slid a hand over his mouth. He let his head drop a bit.

The weight of your words- of the truth- almost forced him to his knees. He’d only ever known longing, wanting, yearning- for you. And he always told himself you didn’t see him that way. But knowing now that you’d felt the same, that your confession was real and true, didn’t assuage the hurt. He couldn’t believe that he brushed you off. That he didn’t take the time and summon the courage to ask you about what you said at the bar.

But he’d been too scared. Too scared he’d ruin your friendship. Too scared he’d make you uncomfortable. Too scared that your drunk words were just that- drunk words with no meaning.

As your point of view stood next to his, the puzzle pieces aligned. And the two of you finally got a look at the full picture. It was a picture of mutual love, mutual longing, mutual heartache. A picture of two best friends who couldn’t find it in them to have a serious- sober- conversation about their feelings for fear of ruining a good thing.

“I’m sorry,” Bucky finally said. “I didn’t know you were serious at the bar. I didn’t mean to hurt you- I never want to hurt you.” He swiped his sleeve across his face, mopping up a stray tear that threatened to run down his cheek. “And I really didn’t mean to push you into the arms of another man. I just... I didn’t know you meant it.”

A tired sigh deflated your chest, “I meant it.”

Bucky wasn’t sure what to say. Or how to handle the situation. He hated that things got so muddled. Hated that you felt so hurt. Hated that he hadn’t just been honest. The two of you were so close, so comfortable together, he never thought things could get this messed up. This disastrous. But he supposed it was par for the course. After the way his life had played out, why would he think that something as important as falling in love would be easy?

“So, it seems like we’re…” Bucky frowned, “terrible at this.”

“Yeah,” a dark laugh escaped your chest. “I guess we’re both stupid.”

Bucky nodded. If there’d been one- just one- honest conversation between the two of you, none of this would’ve happened. There’d be no Cole. No hurt feelings. No argument in the yard. All this time, you could’ve been sleeping next to Bucky each night. You could’ve shared a home with him. Kissed him good morning each time the sun rose. And the engagement ring- albeit a smaller one- resting on your finger would’ve been from Bucky.

But it was too late now, wasn’t it? There was too much pain, too much hurt. And you were very much so engaged. Hell, you and Bucky were standing in the front yard of the house you shared with your soon-to-be husband. But Bucky had to ask, didn’t he? He had to dig deeper, to find the truth.

And after he’d failed to acknowledge your truth last time, he wasn’t going to do it again.

Knots twisted around in his stomach. His lungs failed to expand all the way. But he needed to know. “Do you still-

“Yes.” You didn’t hesitate. Didn’t leave even a sliver of room for doubt. “I still love you.”

Bucky said nothing. He simply drank in the words. Replayed them in his mind. Relished in the sound of your voice- sober and steady- saying that you loved him. It was all he’d ever wanted.

But his silence pushed you to the precipice.

“So, um,” your hands shook. “What about you? Are you-”

Bucky almost laughed. “Oh, come on. Of course, I do- of course, I love you. What kind of question is that?” He shot you a wink.

There it was- his truth laid out before you. And to think, you’d dreaded this night for weeks. Dreaded celebrating your engagement to Cole. Dreaded answering questions about your impending wedding. And now, the love you’d hoped for, the love you’d always wanted, laid perfectly spelled out for you in the grass. Somehow, the party celebrating your engagement to another man provided the perfect venue for Bucky to bare his soul.

And while the two of you relished in the others’ words of love, uncertainty still filled the air. Bucky stood firm on his side of the lawn, and you yours. This wasn’t a perfectly scripted episode of sitcom, there weren’t people telling you what to say. What to do next. Your shared predicament was messy and awkward. And though you didn’t have a director telling you how to act, you knew your neighbors were entertained.

“So, what do we…” Bucky shoved his hands into his pockets. “What do we do now? You’re supposed to marry someone else. Your house is full of people celebrating your engagement. And-”

He didn’t get to finish his sentence.

You pursued him across the lawn, stalking toward him until your lips crushed his. Instantly, his hands found your waist and pulled you tighter. Your hands slid up his chest, over his shoulders, and buried themselves in his hair. The chill in the air fell away. The noise of the party evaporated. Nothing existed outside of this moment, this kiss. Bucky snaked his arms around your back, encircling you completely. He wasn’t going to let you slip away. Not again.

But an errant sound from inside the house made a grab for his attention. And suddenly, the stark reality of the situation hit him like a train.

He pulled away ever so slightly, only allowing a few millimeters between his lips and yours. His gaze landed on the packed house, “Someone might see us-”

“I don’t care.” You gave his hair a gentle tug and closed the gap between you. Now that you’d finally tasted his lips, you didn’t want to spend a moment without them. Ever.

And while Bucky wanted only this- only you- for the rest of his life, his anxiety needled at him as it always did. He did his best to swat his worries away and devote his focus to you and only you, but he couldn’t fight it. He had to tell you, had to clarify.

Again, he pulled away.

“But you know I can’t- I can’t give you the things he can give you. You know that right?” He searched your face for any hint of realization. Any flicker of regret. “I mean, the big diamond ring, and the fancy wedding, and the house. I don’t want you to be disappointed, I don’t want you to-”

And again, you cut him off. Your mouth melted against his, hell bent on consuming him right then and there.

“Buck, I don’t want any of that,” you finally said when you came up for air. “I want you. That’s it.”

And there it was- Bucky’s confirmation that you wanted him for him. That you didn’t care about his small, shabby apartment. Or his lack of funds. That you loved him for who he was, not what he could gift you.

“And honestly, all the fancy stuff isn’t really my vibe,” you shrugged. “I mean, I’m not really the type to play tennis at the country club. And I don’t use ‘summer’ as a verb.”

Bucky’s laughed boomed through the yard. It cut through the noise and chatter of the party and made you feel more at home than you ever did in this godforsaken house.

“So, do you want to make a run for it?” Bucky asked between long, deep kisses. “If we go now, I don’t think they’ll catch us.”

It was enticing. The thought of absconding with Bucky set you alight from the inside out. All you could think about was spending the night in his bed, wearing his clothes as pajamas, and then ditching them entirely for a night of passionate debauchery.

But there would be plenty of time for the two of you to make your escape- after you carried out the plan forming on the outskirts of your mind.

“I say, we run- but not quite yet,” you told him. “I think you give me a few minutes inside so I can snag a couple bottles of champagne and some of that fancy whiskey Cole’s dad brought by. And then we jump in the getaway car and run like hell. How does that sound?”

How could Bucky possibly say no to that? He watched with bated breath as you snuck back into the house and hoped to god that no one noticed your return.

And his prayers were answered. Everyone was so drunk, so distracted by the music and the lights, that they didn’t even glance in your direction.

A quick trip to your room allowed you the opportunity to rid yourself of Cole’s ring. Sure, it was beautiful. And sure, Cole was a nice guy. But you didn’t want it, didn’t want to be shackled to him for the rest of your life. You slid the ring from your finger and instantly felt the weight of the world fall from your shoulders. It was the most instantaneous relief you’d ever felt- aside from kissing Bucky for the first time. You tucked the ring safely into the drawer of your nightstand and told yourself you’d return it to Cole tomorrow.

Tonight, you had more pressing matters to attend to. You snaked down the hall to the kitchen, undetected by the raucous partygoers. And without drawing any attention to yourself, you snaked two bottles of champagne out of their ice bath and tucked a nice vintage whiskey under your arm. If you and Bucky were going to celebrate, you were going to do it in style.

With the alcohol safely cradled in your arms, you made a mad dash for the front door. But just as you turned the handle, the sensation of someone watching you gave you pause. Slowly, you turned around, fearing that you’d find Cole’s confused, heartbroken gaze staring back at you. Instead, it was Nat who’d caught you in the act.

She gave you a wicked smile and mouthed “I told you so” from across the room. And with a sweeping gesture, she urged you to “go, go, go!” She didn’t have to tell you twice. Quick as a flash, you escaped out the door and sprinted down the porch steps.

Bucky paced up and down the front walk, waiting for your return. Part of him feared that you might not return from your trip inside. Maybe you’d change your mind about the whole thing. Maybe you’d decide to stay with Cole. But the way you tore down the front steps and launched yourself into his arms quieted his anxieties.

He took your face in his hands and captured your lips with his. “You got the goods?”

Your laugh vibrated against Bucky’s lips, “I don’t know about you, but I think stolen champagne tastes better.”

"That's my girl."

Bucky snaked an arm around your back and ushered you across the yard, out the front gate, and across the street to his car. He stole the booze from your grasp and placed the bottles gently in the back seat. And once he ensured that the alcohol you worked so hard to pilfer would make it home safe, he turned his attention to you.

His hands slid over your hips and traced up your spine, sending goosebumps over your skin. His mouth met yours in a kiss full of love and desperation. Longing and need. This was what you’d always wanted. What you’d begged the universe for. What you’d cried and agonized over. And now it was yours- Bucky was yours.

He pulled away only a fraction of an inch, “You ready to go, baby?”

“Get me outta here, Buck.”

------------------------------------

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