#and kind of fem presenting?

[fogdraws]

Loki again, but with the ✨horns✨

[bruciemilf]

Peace and love to the actress playing Sofia in the Penguin, but Rhea Ripley was right there

[quiniiby]

we learnt in cat walker that the outfits miraculous holders have is purely made from their imagination so do u think adrien (adrienne?) would change her costume

I’ve heard this b4!!! I think it’s a really cute idea hehe but me personally (hypothetically in canon) I don’t think she’d change her costume 2 be that different :3 since it changed on personality I don’t think it would affect all that much x) if anything I think she would just change how it fit her (looser? I dunno :P) !! Or like her hair hehe nothing super different with the actual costume :3 I also see/draw cat noir like this (vvv) so hehehe

[dykeofmisfortune]

Somerton's misogyny and lesbophobia was fucking blatant and the fact his fans didn't care / notice until a man made a video on it is abhorrent. That IS a problem, people NEED to do better or else bigotry towards women will only continue to be accepted! Lesbians were calling this loser out for years and no one cared!

hey. as a lesbian who watched somerton's videos you have to understand that it wasn't "fucking blatant" and it was embedded between smart (stolen) points in the structure of the argument, and was given fake "evidence" to prove it --- something hbomberguy specifically shows with every example. i personally always noticed that it was weird and it was always a critical point when watching his videos (and also uh, side note but you shouldn't primarily go to cis white men for good takes about feminism and the lesbian experience anyways --- like, you should be watching a diverse intake of thought from underrepresented creators and understand that the cis/white/male perspective will always be limited because it's not universal)

to many, though, it for sure didn't register as a pattern of behavior until the instances were laid out. saying that audiences were "abhorrent" for "excusing" it just shows a complete lack of sympathy, because again: the pattern of behavior was the problem, and rhetorically each individual instance was relegated to enough plausible deniability where it slipped by most audiences who were probably watching the video in the background while they folded laundry or something. when bigotry is shrouded under the guise of fact, it takes on the affect of truth and abuses the viewer's trust in the creator. sure, media literacy is a huge problem, and i've written and researched so much into that, and yeah yeah audiences should "do better." the reality is though, putting the blame on the audience feels a little misogynistic in itself, bc you're just shifting the blame from the literal people who need to be blamed for practicing bigotry --- cis white men with a large platform.

the real thing u should be saying here is to call for a diversification of one's media intake, but no -- let's blame the audience for getting lied to, instead of uplifting female, queer, trans, poc, etc voices. the only way people "need" to do better, imo, is listening to those people instead and seeking multiple perspectives.

like y'all, let's retire this very new narrative that all james somerton fans were evil misogynists who willingly supported this and need to be destroyed. really most people who watched his content were younger queer people genuinely interested in queer media analysis, film theory, and queer history, probably excited that a long video essay was dedicated to their favorite show/movie/etc, and lets not pretend this wasn't disappointing for them as well. can everyone like chill out.

[pinkinsect]

wait can I suggest femlock isagi. I think it's important to recognize that she would be feminine-leaning yes but in such a generic anime protagonist way and then she just. snaps

oh absolutely. here's her in her school uniform + scarf

and one of the iconic snapping panels. + girlkaiser

[fallenatic841]

they are having a lovely date

[that0nebird]

“Chappell Roan isn’t ready for stardom” just say you want to stalk people and leave

[purpldawne]

that one arashi post about presenting her as overtly feminine in fan media but not in a "trans women are only valid if they conform to traditional femininity" kinda way and more in a "happyele are a bunch of pussies for having a trans woman imply/state she wants to be more feminine in every sense of the word and then never letting her do so beyond socially" kinda way

[butchladymaria]

Immortality, Motherhood, and Pain: A Closer Look at Annalise and the Doll

Finally revisiting this from ages ago, because the parallels between these two are just SO fascinating. Content warnings for discussions of misogyny, genocide, abuse, and pregnancy/childbirth.

This analysis will cover the parallels between Miss Doll and Queen Annalise through the lenses of the misery of immortality, the trauma of marginalization, and the liberation they find in motherhood. Both the Doll and Annalise are undying, both coded as mother figures, both marked by death, and both very, very alone.

Miss doll and Annalise are the only characters in the whole game who are undying. You can kill them, but not meaningfully - not in any way that matters - and they seem to know it. Neither will try to stop you, nor will they fight back, should you choose to attack them. They will come back, and your violent betrayal will have seemingly meant nothing to them. They both are very aware they will outlast whatever violence you may inflict upon them. It's evidenced in their dialogue:

If you attack, Annalise says:

“Enough. If only Our life was so easily forfeit… Grieve not, for Us.” “How sad this is. If only Our life was so easily forfeit…”

If you attack Miss Doll, she used to say:

“I must have displeased you. Go on, shut me down… Even so, this vessel will remain in your service… So have no fear."

I think this point of comparison highlights just how deeply they've both been desensitized to violence and abuse. They do not beg for mercy, they do not put up a struggle - they only remark on it with distant chagrin. They both seem keenly aware that their flesh need not be in one piece to fulfill its purpose.

But where Miss Doll was made to embody the Victorian patriarchal ideal of womanhood, Annalise wields womanhood as her last weapon against the dehumanization of the church’s genocide through her queendom. Upon being resurrected the next time you return to the dream, Miss Doll will act as though nothing had happened at all. However, if you bring her flesh to the Altar of Despair, Annalise will call you an arrant fool, and remind you that “Vileblood or no, forget not; We are thy Queen”. Miss Doll kneels to serve the hunter, while the hunter must kneel to serve Annalise. Miss Doll has been conditioned to passively accept dehumanization and submission, yet Annalise demands respect through your submission even in her dehumanized state. Miss Doll is subjugated by the trappings of womanhood, while Annalise is lifted from subjugation by her womanhood, in some ways.

I find this fascinating, however, because while Miss Doll appears in every way as a pure, demure Victorian woman was meant to, they are also dehumanized through the denial of gender. To Gerhman, their creator, they are nothing more than another tool of the workshop. An object. Even the Doll themself uses neutral "I" pronouns to refer to themself in the original translation. I think it is pertinent to note that the only canonical reference to Miss Doll as a "woman" comes from Eileen. In the original Japanese text, she refers to the Doll with a term of endearment reserved for young girls. Miss Doll's appearance is the historical ideal of the subjugated woman - yet when Eileen confers upon her the status of "woman", she does so in an endearing and humanizing way. Therefore, for both Miss Doll and Queen Annalise, the status of womanhood is a rebuttal of their own dehumanizing subjugation: Annalise as "queen", and Miss Doll as "daughter".

Both characters are arguably seeking/find liberation through motherhood. Miss Doll gets "Childhood's Beginning": their creator and animator have both been put down, the hunt is finally over and they are no longer bound to serve its participants, nor must they watch their beheadings. They cradle the newly ascended hunter. It is a highly atypical “motherhood”. It exists in the performance of the role rather than the biology of childbirth. In the same way, the Doll possesses a highly atypical “womanhood” which exists in performance alone, rather than in biology or even identity — but nonetheless, it is real, and it is hers. I, perhaps too optimistically, choose read it as humanizing for them; because unlike their “womanhood”, Miss Doll is allowed to choose this for themself rather than having it imposed upon them.

In the same vein, Annalise seeks to birth a child of blood for a similar but perhaps more somber reason. She wants a child because she wants an heir — which is to say, because it is the only way she may once again have kin. Because it is the only way she may fulfill her duty as Queen. She witnessed everyone she ever knew or loved — surely her own family included — slaughtered before her eyes. Annalise seems to seek motherhood in order to be a homemaker - in the most literal sense possible. She wants to rebuild the community, the home, which was so brutally torn away from her. She wishes to restore honor to Cainhurst. For Annalise, having a child is an open act of rebellion against the genocidal eugenics-frenzied bloodthirst of the Church. I can't help but wonder if part of the reason Alfred is so hellbet on destroying her, why the Executioners imprisoned her the way they did, was to strip her of bodily autonomy so she couldn’t “reproduce”. Her desire for a child is her way of seeking liberation for her and her people.

In this sense, taking up the role of a mother, of "women's work", is what confers the agency upon both Annalise and Miss Doll which had been otherwise stripped from them. Annalise's by the genocidal eugenics of the Church, and Miss Doll by the pact of servitude she was seemingly born into.

[freshbaked-bread]

aziraphale and crowley in a 1960s fashion catalogue :3

(original image under the cut)

[science-lings]

me, looking at a male character: for totally not sapphic reasons I'm going to turn you into a woman

[nicolegendary]

.

[yearning-gay]

debating if shaving my face to directly combat the weird vibes i've had about masculinity lately would do anything or if it'll only result to unwanted "omg you shaved!!"s

[heatwa-ves]

femstars izumi would look exactly the same as canon you're all just cowards and don't look at the characters perspective on gender and presentation instead you just give them all long hair and big tits for a fem version she would not fucking look like that she would not fucking look like that she would not fucking look like that she would not fucking look like that she would not fucking look like that she would not fucking look like that she would not fucking look like that she would not fucking look like that

[casiavium]

All of these "who has more anything gender!" polls are just. white man without extreme body builder muscles v white man without extreme body builder muscles. The gender is "masculine" stop pretending it's universal

[onlyfangz]

i feel like some people only care about breaking down gender norms when it's a transgender person presenting as their gender. "why wont you wear skirts?" im a dude. "why arent you okay with being called girlie (gn)?" im a dude. "why dont you want to wear makeup?" im a dude. "but those things dont make you any less of a dude!!" GET OFF MY DICK, CHELSEA.