#and kenshin cause ofc
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cloudcountry · 1 year ago
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@xxoomiii this is the long awaited kenshin post 😈😈😈
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guys she was talking ABOUT HIS SMILE. i was already giggling and kicking my feet and we JUST STARTED
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CMON MAN LIVE A LITTLE!!! LIVE LAUGH LOVE YK????
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THIS INTERACTION HAD ME SCTEANINGGGGG HE WANTED HER TO BE SAFE HE REALLY DOES OFHDKDB???? THATS SO KIND OF HIM BUT ALSI WHAT THE FUCK I DONT KNOW HOW TO FEEL. VERY COMPLICATED EMOTIONS.
i think it's because he tninks she's just a village girl . he's treating someone he thinks is just a regular person like that because he doesn't want her life to be lost. that's SUCH a contradiction WHAT ARE YOU DOING KENSHIN
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SHINGEN SHUT UP ITS NONE OF YOUR BUSINESS. LITERALLY NONE OF IT IS YOUR BUSINESS but it's so nice that the sake tasted better when he drank it with her :C
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AND NOW WE'RE ON THE BATTLEFIELD BECAUSE OFC WE ARE DAMN IT. kenshin please come and save me like the guardian angel you are 🙏🙏🙏
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YES YES YES
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UM. GOOD QUESTION. she's not gonna tell him is she (i wouldn't either)
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AWW,,,, HE DIDNT EVEN ASK HE WAS MORE CKNCERNED ABOUT GETTING HER TO SAFETY AAAAAAA I GET WHY THIS GUY IS SO POPULAR HABXISBJXNSJF
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OOOOOMMGMMGMG no im normal i promise
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THE WAY I ROLLED MY EYES MAN OH MAN WERE HAVE I HEARD THIS BEFORE
your existence does not inherently cause suffering both you and licht need to REALIZE THIS
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HHHHHHHHHHHHHHHHHHHHHNNNNMNNNNNNNNNNNNNNMMMMMMMMMMMMMMNMMNMNNMNMMNMNMMMNMNMMMMMMMMNNNMNNNNNNNN. AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA AAAAAAAAAAAA AAAAAAAAAAAA AT AT AT AT AAAAAAAAAAAA AAAAAAAAAA AAAA
i loved this scene SO MUCHHHHH IT WAS SO SOFT AND CUTE AND GOOD RAHHHHHHHHH KENSHIN BELOVED
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oh dear ....... it's beginning....,.,,,.,..,,
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xsweetelegantdisasterx · 1 year ago
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☆Dropping off Chapter 4 ☆
Missed something?
Here are the previous ones:
{1} {2} {3}
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❧ Summary: The Belladonna’s were always successful in keeping a low profile. They kept their numbers small, and their friendships smaller. After Kuryu discovers they have the ideal location for their casino, they start causing trouble for the group. With the help of the Amamiya Brothers, and the S.W.O.R.D district, they must overcome the biggest battle of their lives.
❧ Characters: Masaki, Hiroto, S.W.O.R.D Members, Original Characters.
❧ Pairings: Masaki/OFC, Hiroto/OFC.
❧ Genre: Angst, some fluff, there's betrayal.
❧ Warning: There's going to be violence & some suggestive situations. If you don't feel comfortable, please don't read. ♡
❧ W/C: 2270
❧ A/N: This is a work in progress, I have 4 chapters written, working on 5 now. Please bare with me as my job keeps me busy, but I'll push out chapters as I can. Hopefully you enjoy ♡ Also I'm super nervous on sharing this piece, so please go easy on the slaying
➻ Taglist: @stardragongalaxy
Reign started to stir as she felt heavy. Her head was pounding, feeling as a train ran her over. She rolled over seeing pillows separating her and Masaki. She looked down noticing his leathers were on her backwards.
“Masaki, what the hell?” She couldn't help but laugh and be confused all in the same breath.
He grinned, opening his eyes, stretching a bit sitting up, “I don’t know if you know this Reign, but you get frisky when you're drunk. I made a pillow fort and put you in my jacket, backwards mind you, to protect my innocence.”
“You put me in a straightjacket?” She looked in the mirror, trying to confirm what she was seeing.
“To protect the sanctity of my innocence.”
“Your innocence huh? Masaki, I believe a lot of things, but you being a hundred percent innocent is not one of them.”
He rubbed his hair amused at the whole situation. “You tried to molest me, I had to prevent that.”
“How long do I have to stay in this homemade straightjacket?”
“Until your sexual deviations are gone.”
Reign furrowed her eyes. She was going to get out of it one way or another. No matter how hard she tried, she could not reach the zipper due to his leather jacket being stiff. Masaki got up putting on his shirt, he kissed Reign on her head as he walked out. She threw on her joggers searching for Kurenai. Maybe her best friend would help her out of this conundrum. Reign got to the bottom of the stairs noticing everyone in the kitchen. They were all seemingly in an important discussion. All eyes were on hers, snickering coming from the guys.
“Kure. . My sweet, beautiful friend. . Can I have your assistance with this zipper.”
Kure just looked dumbfounded, sharing glances between her and Masaki. A smirk befell her lips before answering.
“I have so many questions right now. First, why are you wearing the jacket backwards?”
“We have a comedian in the house, that goes by the stage name Masaki. He put me in this.”
“Tell them why,” he gestured his hand before taking a bite out of the orange in his hand.
“Listen, no. Nothing I say makes this any less awkward for me.”
Saikon circled her laughing like he’d heard the best joke. “How drunk did you get to put a jacket on backwards? I thought you could hold your liquor?”
“Saikon I didn’t ask for your input.”
“You’re still dancing around the reason Reign,” Masaki’s dimples showed.
“Is nobody planning to help me?” Reign tried to cross her arms but was unsuccessful.
As if nothing could get worse, Reign heard Sisi's obnoxious cackle behind her. If the samurai decided to just appear out of thin air and stab Reign, it would be better than to hear her mouth about the situation. She closed her eyes trying to envision a time nicer than this, to help cool her off. When she opened her eyes again, Kenshin was bent over the island laughing.
Reign turned slightly glaring at Masaki. “Shut up Sisi.”
“Reign do me a favor, lift your arms a bit,” Siyeon sat down.
“I’m done with everyone in this room. Masaki, you don’t play fair.”
“What did you do?” Ivy circled her.
“Nothing that concerns anyone in this room. I guess I’ll have to call Murayama to get me out of this jacket,” Reign headed towards the door, smirking just knowing he’d help then.
“Tell him I said hi.”
She stopped. He was calling her bluff.
“What do I have to do to get out this jacket?” she tried to whisper as low as she could, “I promise I won't get fresh with you.”
Everyone's mouth gaped open. Masaki smiled as he walked over to her, her cheeks filled will blush, “At least not when you're drunk,” he whispered in her ear.
Reign heard her freedom in the form of a zipper. Looking back at Masaki, she glared. A cup of coffee stole her attention as she grabbed it before heading upstairs.
“Reign that was mine,” Saikon was offended she took it.
“Call it your asshole tax,” she sipped it walking up the stairs.
“I don’t like to pry, but you probably just friend zoned yourself,” Kenshin patted Masaki on the back.
“On the contrary, I just built a great foundation. I didn’t want our first time to be on the account that she was under the influence,” Masaki poured coffee joining the people at the table.
“He will never allow that to happen,” Hiroto fist bumped his brother proudly.
Reign joined back downstairs after a shower and a change of clothes. She felt better, but started to feel regret about coming onto Masaki. That wasn't like her, but she did drink a lot. She got a phone call excusing herself out the room.
“Oneesan, come quick. Something’s wrong with your clinic!”
From what she was called, it could only be one of the three from Oya. She rushed into the kitchen grabbing her jacket and keys, without saying a word. Everyone looked at the panic on her face, chasing behind her. She jumped on her bike with nothing on her mind but getting to her clinic. She about had her fill on the whole Casino project. Whoever decided to try and mess with her today would pay.
After a couple of minutes of riding, she arrived to the clinic. She parked her bike grabbing a weapon out of her saddle bag. With the flick of her wrist, the weapon expanded in her hand. She saw a lot of figures standing around, but the tall figure that had his back towards her was the closest. Reign grabbed her hair sticks, placing them intricately in her hair. She took off as quickly, but quietly, as she could not to tip him off. Reign jumped up using the chair next to him. She brought the stick around, wrapping her legs around him, bringing them down; tightening her grip.
The guy was stumped as to how this happened so quickly. A few minutes of them squirming on the ground, Kurenai and the others ran in turning on the light.
“Reign! I think that’s one of the Oya boys!” Kurenai and the others were yelling.
Reign had Furuya in the choke hold. She looked down as he looked up at her; she released her hold.
“I’m so sorry Furuya.”
“Oneesan, you sure you don't want to come to Oya? That's Oya spirit!”
Murayama and Seki started clapping and jumping around happily. Furuya stood up rubbing his neck, entranced by what just happened. He immediately sat down in the chair, just watching Reign. He’d never gotten jumped by a woman before; a tiny one nonetheless.
“Murayama, what the hell? You said something was wrong with my clinic.”
“I didn’t say anything bad. I just meant your new employees didn’t have their boss here. I like where your mind went with this though Oneesan .”
Reign rested her face in her hands. When she looked up, she saw a whole room of people. She only recognized the ones from her home and the three from Oya.
“My new employees? Where Murayama?”
He made a huge circle in the center of the room, smiling, “Us Oneesan, we're your new employees.” His crew smiled and waved.
Reign crossed her arms, “You’re serious?”
“Of course. We can’t have sick animals in the district. You have a job to do, we want to help.”
“This is very kind of you all but I have no way to pay you all at the moment without clients.”
“We’ll comprise a contract Oneesan don’t you worry,” Seki was excited.
Kurenai and the others were also confused, right alongside Reign. She still had her arms crossed pacing the floor.
“What about the hours you all have class?”
“Oneesan,” Murayama’s face turned to a frown.
“Murayama, I do appreciate the sentiment, I really do, but during the day I’d have no one to help me.”
“We could take turns Oneesan,” Seki interjected.
“There are labor laws I have to abide by guys. The only thing I can think of is having temporary hours.”
She saw how passionate these kids were about helping her, she didn’t want to shoot down their offer. It would keep them out of trouble outside of their class. She thought long and hard about their offer.
“Oneesan, we can find others that might help,” Murayama looked defeated as he laid down.
Reign paced her floor in deep thought. “Can you guys be here from three to six?”
“So you'll consider our offer Oneesan ?”
“Probably against my better judgement, but yes.”
All the boys from Oya yelled as they ran to Reign hugging her; Furuya being the first one. She couldn’t help but laugh from their excitement.
“Three to six, you probably won’t be able to do anything but check people in, take payment, and disinfect after every customer. Is this understood?”
“Of course, we will not let you down.”
Reign smiled, “We’ll start this on Monday. If you’re late, you have to deal with my wrath. Get it?”
They all shook their heads excitedly.
“Good, now go home. I don't want to fight your parents,” she ushered them out the door.
Murayama, Seki, and Furuya were the lasts to leave.
“Gosh Oneesan. Your man came through can you believe it?” he grinned tapping his cheek expecting a kiss.
Reign furrowed her eyes smiling, she patted his cheek. “Thank you Murayama.”
“I see you Oneesan. I’ll get a kiss on the cheek one day.”
They walked out strutting. Kurenai, Masaki, and Hiroto approached her.
“The fact that you took Furuya down is impressive.”
“I didn’t know it was them, I just chose the closest to me.”
Reign walked over to the door ready to leave since there was nothing to be done until Monday. Masaki was the last to walk over to the door.
“Can we talk?”
“There’s literally nothing to talk about. I made a fool out of myself. I just want to chop this up as a bad memory and move on,” she locked her door heading to her bike.
He stopped her, Reign just scoffed silently. Kurenai looked back before popping the others on the chest to stop.
“I just was going to suggest hiring people.”
“Masaki, I have no money to pay anyone. With all the heat from Kuryu lately, I doubt I’m going to have prospective employees lining up at the door.”
“Hmm can't have Reignkaida worrying about that can we?” Kenshin looked over at Saikon motioning towards Reign. “Kure in retrospect you’re a manager, so you might could help manage the animals too.”
“That's honestly not a bad idea guys. Managing animals though?” Kouga crossed his arms.
“You know what I mean,” Kenshin growled a little being corrected.
“I don't want to work with her guys,” Saikon sounded put off from the whole conversation.
“You owe The Belladonna’s Sai,” Kenshin spoke up. “It’s either here or with the obnoxious ones; your choice.”
He growled under his breath, “The obnoxious ones sound like a better deal.”
Kenshin rolled his eyes from the disdain Saikon had with Reign. “Whatever, you know Reign would have your back if you needed it. The least you could do is return the favor.”
Kenshin climbed on his bike awaiting the cue to head back to the house. Kurenai was trying to figure out how they would come up with the payroll portion.
“Let's go somewhere. I have an idea on who could help loan the money,” Kurenai, Kouga, and Kenshin took off.
Reign looked over seeing Saikon and Hiroto standing around. Hiroto almost looked as troubled as Reign did. She slapped Masaki on the chest pointing at his brother; he was visibly uncomfortable. Masaki smiled as he hung his head. Hiroto joined up with them as Reign giggled. He looked over furrowing his eyes at her.
“Sorry, you just look like how I feel being around him.”
“He just gives me weird vibes,” Hiroto shoved his hands in his pockets.
“That's Sai for you. He's an asshole sometimes but he has heart,” she turned to Saikon as he glared at Reign.
“What do you want?”
“I’m going back home, you’re free to come with us.”
“I'll pass. I'm going to go find some food,” Saikon hopped on his bike leaving the trio in the distance.
“Do you two want to come?”
“I'm going home. Masaki, I'll catch you at the house,” Hiroto pulled down his shades leaving Masaki and Reign.
Reign looked over at Masaki, offering the same invitation.
“Don't look at me with your eyes,” his voice dropped.
Reign smiled. She walked over to her bike looking at Masaki again, seeing he was going to follow her. They went back to the house, being the only two there for the time being. She unlocked the door, holding it open for him. They both sat on the couch in complete silence. He would look over at her, seeing her in deep thought.
“I do feel I need to apologize to you. I’m usually not that forward, so I’m sorry.”
“I don’t need your apologies Reign. As much as I would’ve loved for us to do that, I wasn’t going to take advantage of the situation. I want you to want me without the alcohol.”
She looked around. She definitely wanted him; alcohol mixed in the equation or not. “I respect that.”
“I respect you,” once more, his dimple complimented his smile.
She pulled a pillow out from under her as she laid on his lap. He ran his hands through her hair, putting her to sleep.
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tuulikannel · 2 years ago
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It's Gakuhou's birthday (happy birthday, I guess… despite everything…) and I started again thinking of how funny it is that it's on the Shingen-ko Festival, anniversary of death of daimyō Takeda Shingen. Cause I'm lazy, I'll just copy this from wiki:
Takeda Shingen was a pre-eminent daimyō in feudal Japan with exceptional military prestige in the late stage of the Sengoku period. He had a legendary rivalry with Uesugi Kenshin and they fought a series of five battles during the Battles of Kawanakajima. Shingen died of a disease during his pursuit to conquer all of Japan.
And now my brain's trying to convince me of some weird fic where Gakuhou is Shingen and Koro is Kenshin, and Shuu and B5 (or at least their parents?) are among Shingen's 24 retainers, and 3E ofc somehow end up working for Kenshin… I don't even know. Brain, stop.
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queengiuliettafirstlady · 5 months ago
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omg absolutely I dunno if you read my mind or sinethimg but I was wondering where yoir idea come from abd then paf you wrote this and I just had to comment on it 😘😉
Oh yess even though with the surprise of pretty much no one I feel draw toward Elbert cause he gives such mixed Jean Kenshin vibes I dunno how but I am curious about him 🙈 and ofc about puppy boy Liam 😉
Ohhh trust me this challenge is a boost for certain idea I have that totally fit the prompts 😉😍
Ok let me ramble about the making of this challenge because I'm so excited.
I told myself that I'm going to take things easy this year and not do any challenges. The summer rolls in and I'm suddenly overwhelmed with ideas for characters I want to write summer smut fics with, but nothing specific comes to mind. I open my notes and try a new approach, writing down some locations. I'm always goofing around on there scribbling stuff and adding comments and all that, so what I did this time was circle the locations and write "top 10 hottest locations to fuck your ikemen this summer!". i snort and move on. Then i come back to it and I'm like wait.
So I really love things that are over-the-top cheesy and basically a parody of something (hello Cupid Parasite nation - the grand amount of 2 people reading this - I'm talking exactly that kind of stuff), i think it's fun in a very goofy way. so i thought wait that's perfect, I'm gonna make a challenge that's a parody of a magazine giving sex tips! I'm a genius!
and then i was like WAIT i can make so much for this, on the banner image. and i was OVERWHELMED WITH IDEAS. this is the first challenge that the creation of the prompt lists has been like 20% of all the work. I'm not even sure if they match the quality of everything else at this point, but my personal favorites are the summer wedding one and the abandoned mansion one - for the latter i got to write "(caution!)" which made me giggle and this one was actually a joke i decided to leave in there.....
so i get to the making of the banner and I'm like hey you know what would be cool? if i asked some artist friend of mine to feature one of their arts that fits the topic, on the banner. then i remembered I'm an artist myself............... and this was very risky because, i don't have any patience when it comes to drawing with my tablet (I'm working on this i swear), this might be coming from my writing tendencies but i need it to be done in max 2 hours and I'm mad because i don't have the skill to make it look good in two hours. but a miracle happened and Liam actually looks good. the coloring is very sloppy but oh my god I'm proud of it. i love Liam so much. I'm just halfway through his route but he's been on my mind a lot and you can say he's the reason this challenge happened at the first place, because HE'S the one who i want to write a smut fic with this summer the most.
then i had another great idea, of adding checkboxes in front of the "sex tips" which works both for the imaginary purposes of it as a magazine AND for marking which prompt you're done with as a creative!!! at this point I'm so excited to work on it
then i spent the next two days looking at so so so many pictures of y2k magazines for inspiration and they're so cool to look at oh my god have you seen them. i never had a thing for this specific aesthetic but suddenly i do? and i go to csp and i vomit all the inspiration I've soaked up into what is now the final product, and i honestly i love it. it feels very personal somehow because i made it in my favorite colors, it's chaotic and makes it hard to focus on one thing at first glance in a very adhd fashion, it has someone i like on it, it's basically a combination of all i love to do from art to writing to graphic making........ this banner is Me kdgkjhgkd okay what else was i gonna say
i also have a playlist of 90s pop songs that i listened to while making this! i might post it one of those days actually!
one thing that i didnt get to include on the banner: to give it a more authentic magazine look i thought about adding something that has nothing to do with the challenge, and that was going to be: something like "the weather this weekend" - basically Friday Saturday and Sunday but instead of degrees there are chibi heads of characters and it says "roger hot" "masamune hot" "gilbert hot" (the third one is marked to be deadly in some way)..... i ended up not doing it because, no space, too confusing, and too much work because likely i would've wanted to draw these myself too. but oh well!!
ANYWAY, i just wanna say, i hope you see the challenge and think "mo had fun with this", because that's the Truth. i have a bit of a problem with overdoing everything and making my projects too massive at times but i promise at no point did i overwork myself with this!!! and if i end up writing like 10 fics it would be same with them okay.............. i had a lot of these awful days in the past few months when i was completely numb and couldn't look at anything, so I'm trying very hard right now to cling to things i feel passionate about. thank you for your attention!! i hope someone has fun with this challenge as much as i do!!
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ranmanjuu · 4 years ago
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Hey there how are you? This literally just came to my mind how will the warlords react to an mc who sees ghosts / spirits and talks with them?
i’m doing fine, thanks for asking! honestly, this is a concept that i’m very interested in (in fact, i had an idea something along these lines, though not quite, that was one of the factors why i made this blog in the first place) cause of the three ikeseries games i know, ikesen is the one who handles death the most (at least in terms of many lives lost, with war and whatnot.) 
and i wish i can expand more but also! i’m Lazy
(disclaimer that the uses of sixth senses and how spirits/spiritual “energy” works here are of my own creation, cause in all honesty i don’t know shit abt them)
—nobunaga:
the ability to see the spirits of the dead, in the modern times, was. . .interesting, to sum it up.
living with it since you were a child, you’ve a lot of experiences that range from dread and scary, to extremely fascinating. in the world of constant normality, to a fault even, it’s a sort of (sometimes morbid) curiosity to interact with those who have passed.
however,,, not many times did you tap into scenarios where you got that close to how that person died.
occasional car crashes, although the ones you were bystander to were strangers to you. those you know who did, never you got to see die in front of your eyes. and frankly, you didn’t want to see it,
however, now,,, the world seems to have different plans for you.
out of all the periods, you were flung back to a war-stricken one. even worst, being practically taken in by who’s known as the ruthless unifier of japan. 
it all started from the second day, the first battle you were dragged into. while you tried to block out the death you saw around you,,, the way nobunaga slashed the enemy commander would never leave your mind.
doesn’t help that later on you already saw the fire-like spirit, one that would resemble the man standing near the burning castle. reality set in for you at that moment; you’ll be seeing a lot of these.
each battlefield you were dragged into, you could see the spirits that would wander around, in agony, anger or otherwise. either while the flames of battle were swishing, or afterwards when you patched up the injured soldiers.
and almost each time you sense that anger was the thing that tied their spirit to the physical world (from the enemies, of course), somehow, in any way, nobunaga was a part of it.
and you can see why. you’ve heard stories, from the dead and alive, of the supposed atrocities he’s committed, and if you were honest, it created much more a distance.
perhaps it was because you knew much more clearer, the wishes the passed enemy soldiers would curse him for laying upon whatever damage he had. perhaps that was what would always haunt you, how they described his actions, that made you as tense as you were each time you visited the tenshu.
yet,, you always showed a level of care for him, that was clear the first night you went up to his tenshu to thank him for saving your life.
and slowly, you begin to see the truth of his actions. maybe there was more to him, you thought.
it made you believe much more in non-violence, which was why when the lord presented you with a gun or a sword to take his or your life,
you refused both outcomes.
you wanted to live, a burning desire to survive just like everyone else. but it goes without saying that you don’t want nobunaga to die either. not only rooted in the strong feelings you’ve grown regarding violence, but also. . .
“i don’t think i could bear to see your spirit lingering. i - i just don’t want—”
you let out a shuddering breath as the weigh of the wishes, regrets, stories, anger of the dead wash over you. so many lives have been lost—you feel like you’re simply a bearer, a messenger, for those who have passed.
you can’t even begin to imagine the ghost of nobunaga, whatever weigh he held even after death, and especially if you were the one to take his life.
“. . .what do you mean by that?”
you snap back as you look up at him, and realize that you’ve never really told him of your sixth sense. with a heaving breath, you look down to the gun and katana as you begin to explain.
explaining how you’re able to see soldiers, citizens, everyone, who was caught in the crossfire. both enemies and allies. stories of those who they’d lost, or those who’d lose them. unsaid goodbyes, sworn revenge, all of which were burnt into your mind.
their families, friends, who’ve waited for them, all of those haunt your mind until you feel like you live to tell the tale of the passed. countless nights, as you wonder if you’ll ever meet any of them, and if you’ll ever tell them how they’d felt. all the unsaid words.
slowly, he begins to understand clearer. your want for peace, your absolute disdain for death. the clear suffering you heaved, to honor each spirit.
and maybe, it’d lead to a change in him.
—kenshin:
you always found something. . .interesting about kenshin. you’d learn later that he’s the god of war, the ruthless dragon of echigo that took thrill in the most dangerous battles, but. . .something more to it.
it started when you two where alone in the field, where the fireflies rose as if the stars itself descended down to your presences. such was a sight to behold, kenshin standing amidst it all, having a thousand mile stare, to something lost. no words were said, you were all too mesmerized by the sight.
until, just as the luminescent bugs seem to flicker for just a moment, you see it. someone beside him, faded and clouded, and just as you blinked with a slight gasp, it disappears.
kenshin looks at you, the slight glow shining on his face, the moonlight and fireflies clashing together, “what is it?”
you look into his eyes, solemn and stern. “nothing.” you say, and so, it passes. but it wouldn’t be the last time.
it’s never happened when others are around, you took note. the next time was the night he put you in prison, your distraught was caught off guard last minute.
you see the flickers of a figure again, and this time, it lingers longer. you can see it clearer now. a girl, at around a teenager’s age with long hair. wordlessly, she looks at you with vacant, yet sad eyes, and walks away in the direction of kenshin.
you lean forward against the bars to look more, but. . .she’s gone.
and you keep seeing her, mainly whenever you and kenshin were alone together. hell, you’ve tried to talk to her when the man went away and she lingered, but. . .not even a single word was ever uttered.
as you grew closer and closer to the bunny lord, you’d see clearer his,, overbearing nature towards you, to an extreme needless to say. and soon, you’d learn why.
you listened to the tale and story from shingen, and silently, all the things clicked. that girl,,, it must be isehime then.
returning back to kenshin’s room, once you set eyes, you immediately notice the ghostly figure sitting in the middle. you take a breath, and step in. despite it not facing you, you know it can see you.
“. . .isehime, isn’t it?” you ask, and her head turns to you. with eyes delicately shining, you’d almost see them as if they were alive.
“so you’ve heard.” she answers, a soft whisper.
your eyes land on the ground, thinking, before they rise up to meet hers again, “. . .what is it that bounds your spirit to the living world?” such was a question you’d ask before, and you figured, now that you knew the story, you’ll get an answer.
she gazes at you with deep thought, then turns her eyes to the floor, “i just want to see him move on from what happened that day.”
everything was silent apart from her soft, echo-ish voice. “i know he’d eventually move on from the crush had i lived. and i too, i no longer like him when i was alive. however,” she looks at the clan crest with the same look kenshin had on the night of the fireflies field, “it hurts to see that it haunts him to this day. it hurts—and i can do nothing but watch. he holds a weigh of trauma, and i just—”
her head turns to you, “i just want him to move on. from the pain, the past, all of it.”
and the way she looks at you,,, it’s a look you’re familiar with. as you feel your own weight sink onto your shoulders, you knew, she’s relying on you.
and so it leads us here, now, by a small isolated place in the middle of the woods. you had this night, this one night, to convince kenshin to stop his war against the oda caused by an incident inflicted on you.
in the end, you do. with a promise that you’d stay by his side no matter how dark the road becomes, along with a ripped kimono. . .you hope for a better future for him, with you accompanying him on the rough journey.
through the trees, the faint figure of isehime begins to fade, and with a soft smile on her face, a melancholic look, she whispers to the night, “thank you. i’ll leave him in your hands.”
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explain it to me too, I'm so confused what that shit is
Ok so I was gonna do it in a quick little like 10 minute pod explaining it for you but then i was an hour in and not even finished so I gave up cause it wasn’t cohesive at all 💀 SAWR!!! here’s a YouTube video that explains everything in detail (it’s a little cringey in some places but it has snippets and voice audios from the games to back everything up so it gives you as good of an explanation as you’ll ever get SNXNSNDN) but you can find shorter, more concise ones if you look up “fnaf timeline”
Just keep in mind that this game is very scattered in the sense that it doesn’t have a set story, it’s all based on fan theories that people put together from clues the creator has left in the games, and I think that’s what makes it so interesting 👁 the lore is basically like a big puzzle for people to connect and it’s so fun seeing all the different pieces fall into place!!!
Back when this game was really popular, I wasn’t really into it that much, I only watched a couple of game-plays bc I was a huge fan of Corey Kenshin and he played the game 🤷🏻‍♀️ But after the new one came out in December and Corey did a play-through of it (which is a big deal cause Corey’s been known to take breaks from YouTube that can span from 2 weeks to like over a year at one point, I think ANDNANSN) so ofc I HAD to watch it and support my man 😌 and the new game was so interesting that I got curious about the entire storyline and that sent me down a rabbit hole, which is kinda good cause I needed a new hyperfixation with Harry being MIA and Marvel being set back a couple months in the release of some movies/shows SKDNSNSNSN
But yeah didn’t expect to have a FNAF phase at 22 yet here I am 💀
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rubberduckyrye · 5 years ago
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Hey I would like to hear about your game ideas for mr hopps
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Okay so imma copy and paste what I threw at L this morning tbh and also add on more that I thought of:
Here are some game ideas for a game that Mr. Hopps would star in as a protagonist/playable character that I'm dubbing "Child's Play."
The game starts off with a quiz asking the player to name Mr. Hopps (though if they choose not to, his name will default to Mr. Hopps) and the stuffed bunny's pronouns, and also naming "master," "master's twin," "the kind witch," and "the demon." Master being the child Mr. Hopps belongs to (the name defaulting to Yuuki if the player chooses not to name them and the genders of both them and their twin defaulting to male if no preferences are specified) and ofc the twin is their twin sibling (which I want the default name to be Kurochi I want it so bad) and the witch is Umeko and the demon is Kenshin, yeah essentially this is heavily twins AU inspired tbh... The player also gets to give the twins pronouns and nicknames if they so desire (having no preferences for the nicknames leading to the twins calling each other "Kii-chi" and "Ro-chi" because you know.....)
The game starts off with Mr. Hopps having his head sewn back together by "the kind witch" and the witch gives him life with her magic. She also ties the blue ribbon around his neck, so the reveal that it was the abusive prick who ripped his head off in the first place before the witch found him in the trash and took him home to fix him happens far later in the game. The game is then spent by Mr. Hopps trying to remember his master and find his master to save them from the "demon."
(Btw I'm defaulting to Mr. Hopps and he pronouns for him cause that's the default)
I was thinking of multiple endings, that all depend on how violent the player makes Mr. Hopps, but to explain it I have to explain the story a bit.
So after Mr. Hopps remembers his master, he goes on a three day and three night journey. The day time gameplay is solely stealth as humans can't see him without freaking out and causing Mr. Hopps to be exposed as a living toy, thus giving the players a game over. The night time gameplay will give the players a task or a few to get through that will determine the ending.
The first ending I thought of I thought of is called "Vanquished the Demon." If you have Mr. Hopps preform the most violent actions during the tasks at night, Mr. Hopps will violently kill "the demon," or in other words, his master's abuser.
The second ending is called "Lead Them to Paradise." This ending you have to complete the tasks in a way where there is a negative outcome, but not the violent one. I.e. if Mr. Hopps finds a baby bird fallen out of its nest and he tries to help the bird by any means aside from putting it back in its nest, a predator will appear and kill and eat it. (The violent action being to have Mr. Hopps kill it himself from the start, for example.) After every night being filled with emotional, mental, and physical pain and grief, Mr. Hopps will believe that this world is too evil for there to be any worth living for, and when he finds his master, he also finds "magic medicine" that will take the twins to "a world of paradise." Except you can guess that this is a suicide ending.
The third ending I was thinking of would be the "Finding Home" ending. This ending is when you have Mr. Hopps completely his tasks efficiently and get positive results. Using the baby bird example, if Mr. Hopps puts the baby bird back in the nest, the mother bird comes back to feed it and the baby bird is safe and sound. In this case, Mr. Hopps would somehow get "the demon" arrested, and the twins are taken in by the kind witch--their mother.
The fourth ending is called "Runaway Play." This is probably going to be the first ending players get, since you'd get it by not going fully one route or the other. Mr. Hopps sees the good and bad in the world--having enough hope to escape, not enough of a desire to kill or enough violent tendencies to slay the demon, but having enough despair to think that there was no way to defeat the demon either. So when Mr. Hopps finds his master and sibling, he convinces them to run away.
In a way, Mr. Hopps represents the "child master", the default name being "Yuuki." A child of abuse whos breaking point is when their precious stuffed rabbit is destroyed, having his head ripped off and tossed in the trash. You could take Mr. Hopps metaphorically in this case, as a representation of "Yuuki's" childhood innocence facing the truths about reality. The hope, the despair, and the violence, and what the consequences are of exposing a child to such things.
Mr. Hopps actions in the endings could also actually be the actions of "Yuuki." Killing their abusive father in the violent end, killing themselves and probably convincing their sibling to follow suit in the despair end, convincing their sibling to run away with them, or over coming their abusive father and being reunited with their mother. Maybe if you get all endings, you'll get a picture of a generic child and their different versions of themselves from all the endings, holding an item that represents that ending. A knife, a pill bottle, a bird, and a heart shaped locket you might see the witch wearing, and the child holding Mr. Hopps in the center.
Andnnnnd those are my ideas this far :'D what do you guys think?
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jinlian · 7 years ago
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i dont know if you're the right person to come to but i kind of have some thoughts on fandom women writing m/m sex. im def. not saying women can't write it (esp. considering theres a whole industry filled with men fetishizing lesbians, but thats for another time) but if all they talk and focus on is the sexual aspect and dont care abt anything else, it feels almost fetishy and dehumanizing? there's intersectionality btwn how women creators and gay people are treated but i cant quite grasp it.
i also forgot to mention in the last ask but i feel like the line btwn fetishizing and exploring can be awfully blurry and it’s kind of hard for me to consume media as a result. it’s weird, but i feel the need to look at the person and see what context it’s written in, what their background is, etc. i want to be critical of what im consuming and the person who created it and how im consuming but it’s just kinda weird and causes cognitive dissonance a little. sorry for the ramble.
hey, so, there’s definitely a lot that can be said on this topic! there’s a lot to unpack in your ask both regarding the fetishization thing and how you’re interacting with media. i think what you’re doing is important and you’ve definitely got the right idea but i can also really see where the dissonance comes in a little bit. it’s tough, because you sort of have to walk the line between “everything we consume is problematic, sometimes i just need to enjoy things” and “media doesn’t exist in a vacuum and we need to criticize things when they deserve it.” which – yeah, is a tough line to walk! 
i think at a certain point it unfortunately comes down to individual judgement. i can think jk rowling is pretty shitty while still loving harry potter and what i was able to take from it as a child, while still acknowledging she could have pushed the envelope further. i’m having a much more difficult time knowing what to do with my feelings about rurouni kenshin. et cetera. basically, i try to enjoy things while still being willing to talk about the bad shit, but if i’m feeling like the harmful things way outnumber the good then i’m out of there.
so unfortunately all i can tell you about how you’re consuming media is just to  to use your best judgement. we all need to let ourselves enjoy things. but enjoyment and criticism can and need to go hand in hand. so – just keep being conscious of it. engage and have fun, step back when you feel you need to do that. 
when it comes down it, cishet women writing m/m sex is always going to send off a lot more danger bells to me than wlw doing it. which isn’t to say that all straight women shipping and writing m/m ships are bad, because that’s definitely not true! the answer isn’t to desexualize the ship completely any more than it is to point fingers at any straight girl daring to ship two men together, both options are bad. i’ve definitely seen straight women fans interacting with victuuri for example in a way i felt was very genuine and heartfelt and not creepy at all, and that’s awesome. the weirdness comes in context.
because you’re right – there’s a lot of bad crap out there that does come off as dehumanizing. the fics that completely toss aside any semblance of characterization for the “hot smut” or have clearly done no research into how (cis) gay men have sex and really are just there to focus on the banging. there’s way too much of that – and they’re often the most popular things in fandom (mafia aus, nympho yuuri, that rival au, etc). it’s gross, it’s uncomfortable. so i agree w you.
it gets complicated when you introduce 13-14 year olds to fan spaces occupied by 30-40 y/o women who are producing some of this content. it’s difficult to blame teens when adults should know better. yes, adults belong in fandom spaces. i’m an adult, i like having fun with nerdy things too! but adults also have a responsibility not to be fucking weird about it. younger people will try to emulate the older ppl and get wrapped up in fandom culture, which perpetuates itself, and it’s just a big cycle. sex in fanworks is fine, it really is. but adults in particular need to start doing some critical thinking about who’s sharing fandom space as well as whom their content might be harming.
so there’s an exploration aspect of young teens testing out sexual content, which isn’t inherently bad, but adults producing some of this gross fetishy “what is characterization i just want hot inaccurate unsafe sex smut” should know better. it’s harmful and hurtful. our sexuality does not exist for your entertainment and consumption.
to an extent this can be said of wlw as well, i’ve seen my fair share of it (especially wrt ~omegaverse stuff). this is not to say that trans men and mlm can’t and don’t enjoy this stuff, but they cannot fetishize themselves, that’s totally up to them to create and consume content about their own lives. but there’s an inter-community discussion, as i know there are differing opinions there. which just comes down to this imo: if you’re a cis/cishet woman, just…. think more critically about what you’re doing.
it gets more complicated with wlw i think because we don’t have a lot of stuff that reflects our own stories. i’ve talked a little bit before about how there’s a reason we latch onto male homosocial relationships in media, platonic or otherwise. at least for me, it’s because there’s just a dearth of women in media who even have characters, let alone unique or individual stories, let alone really fleshed out relationships with other women. male relationships are often given so much more depth, exploration, and respect in storylines that i think it’s easy to find ourselves gravitating towards that – especially when we’re looking for relationships of the same gender.
it doesn’t mean that women in media don’t exist or that it excuses any gross things produced by those wlw, because it definitely doesn’t. but i understand why we find those stories compelling. in my experience wlw tend to be more careful and aware of how they’re producing fan content for mlm (though of course not all of us!) simply because the stories feel more personal and they understand how it feels to have their sexuality and identity fetishized for consumption, and are actively trying to avoid it.
none of this ofc applies to every person belonging to each identity, so there are bound to be outliers and aberrations here. that’s fine! i guess this is kind of more of my rambling about general trends and observations.
basically – i think i share your concerns while recognizing that it’s a complicated topic. i like seeing people loving a ship for what it is and wanting to engage with it. gay ppl in particular are looking for stories about ourselves. and all ppl should be fine writing sex and exploring those aspects of relationships in fan content! it just comes down to being aware and responsible and knowing that media and fandom do not exist in a vacuum.
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ranmanjuu · 4 years ago
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—gen z mc with uesugi-takeda + misc. forces
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ahh, i’m so glad people liked my gen z oda hcs! lol it’s usually pretty slow from my writing blog experiences until now, but i’m rlly happy! i was planning to do u-t and the others but then i decided to stop at oda and continue another day. thx for the asks tho! and yeah, i do take requests but it’s more of a pasttime, since this whole blog is just my stupid ideas written out and shared out there.
also someone said that a gen z mc could be old enough to romance the warlords, like, early twenties. and yes, very fair if u wanna romance ur mans with memes and existentialism go for it!! i just think it adds more to the comedy side of this child they have to babysit, while not fearing death or any consequences from their dumb of Ass decisions. someone who fears no death and armed with no braincells is a fool, but a Child who fears no death and armed with no braincells is also a fool, but more bizzare and has That Vibe y’know
@niphredil-14​ and @arthotsglasses​
tw: s*icidal, violent jokes treated in a light manner
also spoilers to some things of their characters
—kenshin:
who is this,, , sassy lost child??
he first saw you prepared to throw hands with ronins who were being Elite Dickheads. ofc, armed with nothing compared to the sworded-adults, he had to interfere.
no matter how cold he treated you, masking his secret !!!-like concern, you seemed so unfazed through it. you still interacted with him like normal,,,,, why?? do you want a death wish?
and each time he threatened you with,, anything, you responded with, “the only one who gets to hurt & kill me, is ME”
...... what?
he’s convinced you’re the biggest fool of a person. and he’d be right but even so, he has a weirdly strong need to protect you as you two got closer. you’re often with sasuke, so it’s harder to avoid you.
even with all the Horrible jokes you make on a daily basis, if your passionate side with everyone having equal rights of being treated as human, for him it shows a side of you that makes you seem precious and pure and kind hearted.
and the overprotective side increases.
which is, ,, a bit problematic sometimes cause you have the tendency to target and piss off anyone in a 10 meter range by just one (1) sassy comment, along with your lack of impulse control and blurting out everything in your mind. it’s made you a lot of short enemies in the sengoku period, and kenshin would always be ready to slice them down behind you.
sasuke has to tame him down with his Masters degree in kenshin-wrangling.
at banquets, kenshin would often have you beside him. if you’re too young for sake do age for drinking exist in sengoku? probably not. it’s more of sasuke advising for him to not give you alcoholic drinks he’ll have you pouring for him or just munching away at pickled plums or food.
—shingen:
(ngl i kinda had a hard time with this since it’s erasing a big part of his overall character,,, flirting)
once he heard the news that oda had taken in somone as young as you during honno-ji,, ,,,he’s in a very “how dare that demon >>:( taking such a pure soul,....”
and when you’re taken to kasugayama as a captive, you’re,,, surprisingly very calm and whelmed. you don’t have much sign of fear or anxiety in your overall demeanor meanwhile you’re busy dissociating and spacing out to feel those
you actually don’t seem to hate your captor. but shingen isn’t sure if your ‘fingerguns’ is a good thing or not cause it depicts you pointing guns @ him,, (dw is good shingen)
while yes being held hostage—no matter how good you’re being treated—isn’t ideal and kinda not very cash money, you consider shingen v chill. man has a kindheart!! “i diagnose you with good vibes.”
if he ever sees your righteous side, as everyone else, he’ll deeply admire you. he himself is someone who believes in such as well. and hearing the circumstances in the modern world regarding those things (blm, etc.) his heart truly does go out for you. he feels sympathy for such a young person like you having to take action
also your dirty humor around him, echigo’s player, kind of makes him question where and how you learnt it
and,, his illness.
through getting straight to the point and not falling for it each time he changes subject/dodges the question, you managed to get to the bottom of his illness. shingen himself thinks it’s not something you have to burden with knowing—you’re so, so young.
but that doesn’t matter to you. the world’s given you such a shit time, you’re mature enough to understand the situation at least.
and as he finishes his explanation, all there was is silence. it felt wrong to say any of your usual quips,, so all you did was slowly came there and hugged him.
that was more than what he’d ask for.
—sasuke:
oh hell yeah
you are in your element with him. the chillest guy to talk to, and probably the first one you’re the closest to
your phone was dead after like 2 days of use, and you were miserable while hideyoshi, like a typical parent, told you to go outside and into town. sensing your bad mood, sasuke asked what’s up. you deadpanned, “my phone game ended and now i’m ready to commit not breath.” you oslemnly look out in the bustling streets and clutched your fist like an Anime Protagonist, “those boomer memes were right all along... i am absolutely Miserable and Useless(^TM) without it.”
in response, you could’ve sworn he did the Anime Glasses thing as well, “then we at team Moderately Awesome Sengoku Ninja are happy to announce the launch of a DIY phone charger, made with the electricity from a fruit and the main functionality of a solar panel. and has more durability than samsung’s.”
there were Stars in your eyes now. with a big grin, you thank him, “i’d die for you, sasuke.”
“then perish.” he said with a blank look. (yukimura, in the bg: ???!!!??!??!?)
the next day he consentually breaks in through the ceiling and gives you the weird contraption. you’re now saved, soul-wise.
the memes start coming and they don’t stop coming from the two of you. in any situation. whether it’d be at a teahouse, or at a battlefield that can determine your life and death.
and you can have discussions about current world events, or the past ones, with him and he’d understand completely what you’re talking about. it’s those rare nights when you’ve been thinking and have a deep conversation with him in his room, and as an adult, it makes for interesting results as well.
the others are endlessly confused, but you’re both so unapologetically yourselves.
and he’s super protective if the circumstances are tough. he feels bad for dragging another person in the sengoku with him—much less when they’re so young like you.
if you’re enough of a lil shit, once you’re taken into kasugayama, in the nights where you can’t sleep because brain at what would be 3 am, you’d probably trudge over to his room and wake him up to tell him what kind of mind-blowing shit you realized.
—yukimura:
when he saved you from falling to your death, your reaction already set off weird Vibes inside him. what do you mean, “you stopped me from fleeing this fleeting world by the sweet embrace of death” ?!?!?! are you crazy?? yes
he doesn’t waste time getting blunt with you at all either.
once he goes into azuchi as a merchant, he silently observes you talking to sasuke for a bit. what’s with your weird language?? and crude humor???? never in his life has he met someone in your age act like that wtf
even so, he still operates on the basis of ‘‘if sasuke trusts you, i trust you’’, no matter how utterly concerned you make him feel
you have a dirtier mind than him! unsurprisingly. along with everyone else, you often tease the poor soul, a nd you’d gladly tell him what the innuendoes mean ( 69, etc.) and maybe sprinkle in some gay jokes in there
and why do you keep mentioning this “bromance between him and sasuke” ?? what us,,, a bromance????? and why is sasuke in it??
he takes you out to teahouses to eat chestnut dumplings and other desserts with you. you always seem to target the one he doesn’t like the most and have a bit of banter
your relationship is built on banter but what’s different rlly
he treats you much more maturely than other people your age. as in, he doesn’t pull back his punches in words most of the time. you don’t seem to around him also, it looks like.
and, he’s also very protective of you. he regards you as his little sibling, as rat as you may be. and he does care about you—he might just be a bit unwilling to say it
—yoshimoto:
you think he’s very chill, if a bit unique but who were you to judge. and he is, if you ever meet him in echigo or even azuchi
his big liking to art and something of apathy to people is osmething you can respect. there’s something about that kind of Vibe that you find oddly a mood.
and oh boy oh boy you wasted no time pulling up your phone and showing images of what art is in the future. whether it’d be a screenshot of anime, fanart, aesthetic-like ones, palette-themed—the whole shabang. 
and, somehow, you were left ranting to him  about how some artists in the future get it so shitty for theft, reposting, not crediting, the list goes on (please be a decent human being to artist, sincerely the author) and he can’t help but just listen in silence and kind of thinking about how you’re so passionate about the Struggles of artists. and it isn’t something he sees often in the sengoku era—where war rules most things.
and he does find art from the modern times interesting, how they’re so different and vast in styles. and not only that, it’s not like the future only has one major style like then, each hand can draw such different pictures and still have beauty in each. he appreciates and admires that.
and he does tell you his thoughts ^ while you give your own insight. it’s so fascinating to see someone like you having strong opinions on this.
because, well, rn art is a big thing in our lives as we’re stuck inside. a part of entertainment is looking at any media of art—and he finds his view of art and yours quite the same. you two came from a time of turmoil (one moreso than the other) but still think art isn’t exactly irrelevant just because it isn’t a cure to diseases or the Ultimate Weapon.
you had to Surgically Remove him from your phone so you can use it and to stop him from draining your battery looking at the art
and he often drags you out to town and admire pieces when you’re holing yourself in too much. your comments are always unknown to him, “radical”, “that’s one i can vibe with ngl”, and the list goes on.
and you occasionally call him pretty boy as a compliment rlly
—kennyo:
when you first saw him at honno-ji, and he won’t forget the one (1) line you gave him, all you said to his warning of ooo spooky demons was, “that’s lit fam gtg tho”
and that alone was enough to stun him for a few seconds
honestly you told the others of your meeting with kennyo before they told you it could be kennyo. just a throaway line of “oh yeah there was this dude with a scar across his face.” / “,,, ,....that’s kennyo. he’s really dangerous actually—” / “oh, poggers”
you’re probably kind of half the reason the oda forces found who dun it.
and it was an eye for an eye, kennyo himself found out that you were their child chatelaine, and very close to the others. as per his villain-schedule, he kidnaps you .
he laments about how “such a pure soul such as yours is not to be stained by the demon’s hands”
oh how Wrong he was.
you were the definition of the opposite of pure. and you seemed unfazed, which surprised kennyo but shrugged it off. he was willing to face you screaming and panicking, along with shouldering the sin of doing the deed. but instead, he was met with a raised eyebrow and, “this is unexpected and probably not welcomed but what am i doing here.”
he was stunned for a moment before explaining what he can. 
“......... fuck.”
he cringed ever so slightly at your curse. but your attention seems to stray so quickly off of the fact that you were bounded and helpless, to the fact that you have the man doing unspeakable things to civilians and you absolutely don���t approve.
throwing your common sense to maybe be civilized, you went off on a rant of how human rights and how to not be an ass to him. all he could do was just listened, shocked to even cut you off.
when he did, he gave the whole ‘unsaved demon’ shtick, and you weren’t taking that kinda shit. he believed he was truly unsaved—you knew that. but that doesn’t make it okay.
eventually, he left you with a cold end of the conversation.
he admires your spirit in a way—but with what he’s experienced,,, it’s a bit of unreachable for him.
if at any point you saw the soft side of his with animals, you just gaped at him for a split second and whispered, “the gap moe is strong with this one.”
also old man died inside when you said that you’d fight god, along with many things.
all in all, to him, you’re insufferable. but weirdly,, fascinating.
you’ve totally ok boomer’d him once cause he rlly looks old
—motonari:
,,. if your speech to kennyo was bad, he’s going to rant hell.
motonari already knew you were interesting even when his men just spied on you. your behavior, so brash and impulsive, is going to be so fun to have, he thinks.
through some planning to stir up more chaos, he kidnaps you and brings you unto his ship. same as kennyo, you showed no clear sign of surprise, and that’s when he decided you were either used to this in any way, or a fool. both answers, he liked.
you’re kind of really confused on why he’s doing what he’d doing. “i get it, i like to stir up chaos myself but it’s harmless,, most of it—but not until the people are in danger, bitch.”
and by that line, motonari leans towards you with a deadly smirk, “now, i can bite, ‘kay kid? you don’t wanna be in the receiving end... do you?”
“do it, coward.”
and before he could let out even a wheeze of laughter, you continued on on a lecture of, again, not being a dick and letting people live their life in peace. and much less all of this damage, for what? chaos?? yeah you wanted to see the world burn but it wasn’t literally.
however, his patience was running thin. he shuts you up forcefully, and leaves.
even so, after a cooldown period, he still talks to you (,,,, well, that’s kind of a generous term) because, right he was, you were so fun in his eyes.
an interesting observation he made,,, was that you picked up on his big dislike of physical contact. and he’d think with how annoying you were at times, that you’d weaponize it. but you didn’t—in fact, you kept your space (not that you were planning to get close) and respected his boundaries.
he thinks you a bit of peculiar for that decision, some wary, and perhaps naive.
one of the days—the more dangerous ones—he was planning to take you to the oda as bait or something. and you weren’t taking it like that. two days before arrival, a storm racked up. you stood upon the edge of the ship with the rest of the crew watching you like you were a madman.
“the oda won’t want me if i’m dead, would they now?”
motonari stands in his composure, guffawing, “all i need is to make sure they believe you’re alive, kid.”
a smile that showed absolutely no fear and 1000 percent spite spread in your face, “not unless i decimate my own body until all the trail left is my blood. the only one who gets to do that shit to me, is me.”
finally, a look of wavering shows in his face.
you were saved last minute,, and the rest is history.
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rubberduckyrye · 5 years ago
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If Kokichi is a rival Phantom Thief, does he also have a persona?
-Softly Wheezes-
Okay so L DON’T LOOK THIS IS GONNA HAVE SPOILERS OKAY SO GET.
I’m also gonna put this under a readmore just in case too, so anons please be aware I am trying not to give spoilers to L and word things carefully please
Also side note, I’ve only just gotten passed Futaba’s palace so all of these ideas are based off of the information I have been given fro the game up until this point.
OKAY SOOOOOO...
I’ve been DYING to screech about my ideas for Kokichi in a P5 AU tbh???
Anyway
So I have this idea where Kokichi actually doesn’t have a persona, not yet. I’d imagine that while he’d be introduced pretty early on as a rival, you wouldn’t get him to join the Phantom Thieves until later, and after a certain palace happens. Kokichi can still manage without a persona though, and is able to get into the metaverse with the navigation app, but you know how this boy is, stubborn to the end about being true to himself and all that. So he essentially uses melee weapons in the metaverse only when he has to and otherwise just does a sneaky sneak to get the treasure to steal it.
The specific events that would allow Kokichi to “join your party” essentially are the following:
The discovery of Kenshin Oshiro and his palace
Defeating Kenshin’s palace
Kokichi’s palace
The idea here is that Kokichi has been essentially training himself up with other palaces to deal with the big bad--his own father but he keeps failing to actually force his father to have a “change of heart.” And honestly, Kokichi kind of convinces himself that he can’t have a change of heart, that he doesn’t and will never feel guilt or genuine remorse. That perspective comes into play a bit later.
So to be quite frank, my idea of Kenshin is that he purposefully leaks his information in a very specific way so it gets to the Phantom Thieves, and this is a ploy to lure them in and get rid of them/kill them before they actually cause him problems. Kokichi immediately catches on to that fact, and tells the gang to stay away from Kenshin’s Palace since it is “his” target, no touchy. Ofc you can’t just leave Kenshin alone so you’d ignore Kokichi’s demand. And you kind of get a hint that his initial reason to try to get the Phantom Thieves to stay away is a lie, since you’d be able to offer him all of the treasure you find in the palace and you just offer help to get it done and he’s still resistant.
Ofc when you get to Kenshin’s shadow, you also see a cognition of Kokichi, and that’s the big reveal that he is Kenshin’s birth son. But the cognition of Kokichi is a mindless, obedient child--essentially what Kenshin wants him to be. Bla bla bla, you fight Kenshin, beat him up, but then things get really intense when Kokichi gets confirmation from Kenshin what he did to his brother (in a way that would only really reveal it to Kokichi but not the others though) and he flips out, ready to kill this shadow and make Kenshin have a mental shutdown. He can’t do it, and even if he could, he would have been stopped, so this causes havoc on Kokichi’s own heart. Guilt, fear, and self hatred warp everything and distort his heart and desires, similarly to Futaba’s situation.
After learning that his suspicions about his brother’s abuse weren’t only true, but worse than he could ever imagine, Kokichi’s own heart becomes distorted and twisted, and his desire to protect Kurochi amplifies tenfold. He ends up locking Kurochi in his palace, which is a cage, and is a distortion of their home. Kokichi’s shadow is really.... not quite possessive of Kurochi, but paranoid and terrified that if Kurochi leaves, he’ll get hurt again. Essentially the idea is Kokichi is locking Kurochi in a cage--like locking up a bird in a cage to stop them from flying off into a storm. Since Kokichi doesn’t see Kurochi as an intruder, Kurochi isn’t attacked by the shadows or cognitions that form from Kokichi’s mind. Truth is though, the reason why it’s a cage and not a safe house or a safe haven is because Kokichi himself feels like he’s trapped as well. But they must be trapped, because then they are safe. That’s the idea, anyway.
Like how Futaba was her own treasure, Kokichi’s treasure is Kurochi--of course, since his desire to keep him safe is what’s going haywire. But also like Futaba, there is probably a distorted cognition of Kenshin, lurking in the shadows, waiting to attack Kokichi’s shadow. The palace is a fuggin mess of chaos.
When Kokichi’s shadow is confronted, you don’t actually fight it. He’s just a scared kid, his desires twisted by grief and self hatred and paranoia, he’s not malicious. He just wants to protect his brother, and these Phantom Thieves are trying to steal him away. Of course the shadow is going to see them as evil--they’re trying to take Kurochi away and hurt him.
Meanwhile, Kokichi in the real world is probably not even aware he has a palace, or that the Phantom Thieves are in it trying to help him and his brother. All he knows is that Kurochi’s gone missing, and he’s freaking out. Looking for him all over, panicking, thinking Kenshin took him despite the fact that Kenshin probably turned himself in or went quiet from the guilt and is about to turn himself in. He only learns that Kurochi is trapped in his own palace when the Phantom Thieves give him the calling card, and tell him as much. Kokichi’s shadow ofc reacts to the calling card like the Phantom Thieves are going to take and hurt his brother, but Kokichi is at a loss. He decides to find his way into his own palace, like Futaba, and confronts his own shadow.
This leads to the Kenshin cognition attacking, and ofc, Kokichi finally getting his persona after he can get accept his shadow and all that jazz.
Yeah so Kokichi’s current arc is similar to Futaba’s palace rn but this may be subjected to change after I watch the whole LP. Also, rememver--please no spoilers! For me or L.
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