#and just more in general tips

[frownyalfred]

Okay, another little lesson for fic writers since I see it come up sometimes in fics: wine in restaurants.

When you buy a bottle of wine in a (nicer) restaurant, generally (please note my emphasis there, this is a generalization for most restaurants, but not all restaurants, especially non-US ones) you may see a waiter do a few things when they bring you the bottle.

The waiter presents the bottle to the person who ordered it

The waiter uncorks the bottle in order to serve it

The waiter hands the cork to the person who ordered the bottle

The waiter pours a small portion of the wine (barely a splash) and waits for the person who ordered it to taste it

The waiter then pours glasses for everyone else at the table, and then returns to fill up the initial taster's glass

Now, you might be thinking -- that's all pretty obvious, right? They're bringing you what you ordered, making sure you liked it, and then pouring it for the group. Wrong. It's actually a little bit more complicated than that.

The waiter presents the bottle to the person who ordered it so that they can inspect the label and vintage and make sure it's the bottle they actually ordered off the menu

The waiter uncorks the bottle so that the table can see it was unopened before this moment (i.e., not another wine they poured into an empty bottle) and well-sealed

The waiter hands the cork to the person who ordered the bottle so that they can inspect the label on the cork and determine if it matches up; they can also smell/feel the cork to see if there is any dergradation or mold that might impact the wine itself

The waiter pours a small portion for the person who ordered to taste NOT to see if they liked it -- that's a common misconception. Yes, sometimes when house wine is served by the glass, waiters will pour a portion for people to taste and agree to. But when you order a bottle, the taste isn't for approval -- you've already bought the bottle at this point! You don't get to refuse it if you don't like it. Rather, the tasting is to determine if the wine is "corked", a term that refers to when a wine is contaminated by TCA, a chemical compound that causes a specific taste/flavor. TCA can be caused by mold in corks, and is one of the only reasons you can (generally) refuse a bottle of wine you have already purchased. Most people can taste or smell TCA if they are trained for it; other people might drink the wine for a few minutes before noticing a damp, basement-like smell on the aftertaste. Once you've tasted it, you'll remember it. That first sip is your opportunity to take one for the table and save them from a possibly corked bottle of wine, which is absolutely no fun.

If you've sipped the wine (I generally smell it, I've found it's easier to smell than taste) and determined that it is safe, you then nod to your waiter. The waiter will then pour glasses for everyone else at the table. If the wine is corked, you would refuse the bottle and ask the waiter for a new bottle. If there is no new bottle, you'll either get a refund or they'll ask you to choose another option on their wine list. A good restaurant will understand that corked bottles happen randomly, and will leap at the opportunity to replace it; a bad restaurant or a restaurant with poor training will sometimes try to argue with you about whether or not it's corked. Again, it can be a subtle, subjective taste, so proceed carefully.

In restaurants, this process can happen very quickly! It's elegant and practiced. The waiter will generally uncork the bottle without setting the bottle down or bracing it against themselves. They will remove the cork without breaking it, and they will pour the wine without dripping it down the label or on the table.

[gomzdrawfr]

hey just a few points since this place is growing:

if you see bots account under my posts (or anyone's for that matter), do not interact. There's a few kinds like porn bots (most often), donation bots and rage bait bots, don't reply don't message them. BLOCK and report.

if you're new here to Tumblr, welcome! Change the default icon to literally anything else, put your age in your bio, something like "adult" or "minor" is enough if you're not comfortable in putting your age number. Also, reblog at least one or two things into your blog as a start, tumblr is meant to use to reblog things, you can read more why here.

A lot of blog here has mdni (minors do not interact), that's why the previous point is highly recommended. If you interact with a blank account you're very likely going to get block by the author.

"I followed some blogs, but why am I seeing posts that are a few days ago and not the newest thing?" change what you want to see on your feed in the settings, read more here.

The tumblr faq site has some cool tips to read.

Want to see mature content? you can enable “Show mature content” in your account settings, but this is only available on the web and android app.

Use tags! AND USE THEM APPROPRIATELY! If your post shows 2 characters, then tag those characters, you can learn how to tag by seeing other artist/blog's posts and use similar ones. Do not tag a "popular" tag for the sake of getting higher engagement, you do that and you might get blocked by others.

You can also make your own tags so you can easily find back your posts on your blog (example, I use "gummmyart" for all my art content, it also serves as a filter for others if they're just here for doodles")

Want to find back something you made but it's way too long ago? You can try to find it through "View Archive" which catalogues the things you reblogged and made, as long as you remember which tag you used and the month you'll be able to find it back, most of the time (sometimes they might not show up...idk why tho)

Fun fact! If you're on mobile, long press the heart icon :3

Use the "read more"/"keep reading" if you have a long post! It's the last icon after the poll icon whenever you make a new post. This make sure when someone reblog your post, they don't have to scroll like 4 minutes to go to another post xD You can adjust where to put the "read more" options by clicking on the left of the line with the 4 dots icon.

[painfully-unoriginal]

Uhhhhh yeah!

[criiitter]

workin on a commission info sheet :3 drawin up all the example artworks now. just to gauge potential business how many of u would maybe be interested in a silly little icon like this for 20usd

[rustedleopard]

I know that it's common fanon belief to see Starlo as the younger sibling between him and Orion, but I actually like the idea of Starlo being the older brother and what it means for his family dynamic. Generally, the older sibling is expected to be the more responsible and mature sibling in the family. There's this expectation that the older sibling sets an example for the younger sibling(s) and that they'll look after the family/business once the parents get too old to do so themselves. So, what does it mean when the older sibling sorta betrays those familial expectations by behaving immaturely and ditching the family to do their own thing?

I'm trying to figure out how to put this into words in a clear and concise way, but I feel like if it's a case of Starlo being the younger brother, then there's this sorta "Ah, that's just the younger brother acting like a kid, y'know how it is. He'll grow out of it" dynamic, whereas if Starlo is the older brother, then it's more of a "Okay, he should've grown out of this by now, why's he still acting like this? Even Orion is more mature than him; what is going on?" sorta deal. (This frustration would be especially felt by Orion, who has to pick up Starlo's slack in his stead because his older brother isn't mature enough to work like he's supposed to!!!)

These are just personal musings, don't take my word as gospel! You can still do tons of interesting things with the Sunnyside family while having Starlo be the younger brother and Orion the older one. I just find myself gravitating more towards seeing Starlo as the older sibling.

[literaryvein-reblogs]

Do you use AI generators to compile or scrape this information?

no

[worldssmallestlizard]

some of the most interesting and formative art pieces ive seen in my life could be described as rushed/crude/childish/simple and i wish there were more positive ways to describe it other than just Objectively Bad

[cinnamonest]

No no, because yandere Adachi has so much potential. Like imagine him getting attached to just some convenience store worker he sees daily on his way home. He’d be friendly, kind, and even warn her of being safe on her way home because of the killer loose. Oh? You’re near the end of your shift? Why not just let him take you home? He’s a cop, after all. He’s trustworthy. darling would never see it coming whenever he knocks her out and drags her into his apartment. He’d be so very cruel, too. Never taking her gag off, threatening her for one wrong move. He’d expect her to play right into his fantasies (be too frightened of him to fight back and then act just like a perfect wife/girlfriend, no misbehaving needed) while acting completely insufferable.

I have like an endless amount of ideas/scenarios for this.

(Crazy that I did not even remember what day it is/notice the perfect timing until just now as I was copying this to post, but HAPPY BIRTHDAY TOHRU ADACHI)

YOU get it anon. Also PLEASE share those ideas, same goes to all 2 of my fellow Adachi appreciators here, because I have so much to say about this awful man. I'm just gonna ramble a bit here

//nasty stuff here, the usual but extra dark/intense because this is Adachi we’re talking about so how could it not be

-----

Tohru absolutely utilizes his status as a cop to his advantage. He knows it adds an element of social trust, that you won't be as on-guard with him as you would any other guy. He’s there to protect the general public, to apprehend bad guys — of course he’s a good guy!

He loves that you appreciate it — that adorable little voice, before you got to know him well enough to go by a name-basis, where you'd say ‘thank you officer! Have a great day!’ whenever he stops by the store.

So cute, so pure, so innocent, he thinks.

He wants to ruin you.

The man has some violent, violent thoughts. He doesn't even try to keep things pure and wholesome when he thinks about you, nor even limited to normal perversions. The very day he meets you, he goes home and spends the rest of the day jerking off to imagining your squeals and cries and tears with his hands around your throat. Oh, how he wants to feel you struggle, afraid and confused and the way you'd feel so betrayed when the policeman you trusted to keep you safe is balls deep in every hole you have, holding you down with ease. You look like you'd be weak. God, it would be so easy—

No, it will. It will be so easy, because he will do it.

You're probably not aware of it either. Most girls aren't, he thinks, they have no idea how weak and easily overpowered they are. He of all people would know — even when they're fighting for their lives, they’re so weak.

But you should be weak. It’s cute. Just like how you should be scared, innocent, sweet, obedient… the man definitely is the type to construct an unrealistic idea of darling in his head as perfect, someone who has no flaws in his mind, and he would absolutely have a “purity” fixation… so if that illusion is shattered in any way, he becomes very spiteful.

Canonically, he develops a crush over a woman he doesn’t even know and feels entitled to women on sheer principle of liking them, going to the extent of a woman having her own life as a “betrayal”… you’re not exempt from the exact same thing.

So God forbid he find out you’ve ever had a boyfriend or lover of any kind in the past… or worse… he’s going home one day, expecting to see his adorable beloved and wave to her from the street, only to spot her hugging and holding hands with some other guy? To realize that she's had a boyfriend this whole time?

Oh, he loses it. No outwardly — not yet — but he goes home, punches a wall, seethes and paces around for a while before moping in bed for some time.

It’s like a switch flipped in his head. Ugh. It’s like a betrayal. How could you… and as he mopes, it becomes so very obvious that this was intentional. You led him on on purpose. What were you thinking, being nice to him? You obviously wanted him to like you. It feels malicious, it’s painful.

You’re so stupid, so naive. Dumb little whore. Don’t you realize you’re playing with fire? Didn’t you think about the consequences your actions would have?

Because oh, will they have consequences. No way is he letting you get away with doing this to him. You’ll pay for what you’ve done.

He entertains that idea at the peak of his bitter wallowing — it would be just as easy as before. You probably have a TV set in your home. He could break in and just…

No. Dammit, he’s already too attached to you. He’s known you personally for a while now. He can’t do that. He wants to keep you.

It’s okay… well, no, it’s not okay, but he’s a very generous guy, you know. If you apologize and beg good enough, he’ll even consider forgiving you.

And you do. You squirm and cry and claw at his hands when he holds you up by your throat. It’s not good enough the first time, but when he squeezes down hard and tells you to try harder, asks you if that’s the best you can do, you finally get it right, finally say how sorry you are and properly beg for him to not kill you.

It’s enough to adequately make amends and begin the atonement process, at least. You’ll have the rest of your lives together to complete that process.

He makes good use of you, after bringing you home. Darling is the perfect little squeeze toy to him. He deals with a lot of stress, you know? He spends all day getting yelled at and pushed around by Dojima, and underneath the bumbling airhead act, it makes him seethe. He used to go home and break things, punch walls, throw things… but now he doesn't have to do that. He can just take all that stress out on you and your poor holes.

Holding your head down with a painful grip in your hair with one hand, holding your hips up and jerking your body back against his, nails digging into your flesh with the other, ramming into you over and over until your insides are sore and raw. Or holding your head firmly in place as you gag and cough and try to pull your head away, fucking your throat with not even an ounce of mercy, jerking your head down all the way and holding it there when he cums down your throat.

The stress relief is verbal, too. Oh, he's so, so mean, calls you every degrading term you can think of when he's rutting into you.. but it also comes out outside of those times too. He vents to you, whether you care to really listen or not. Just goes on and on about everything that upsets him, how much he hates this and that, how he wishes this or that person would just die so he wouldn't have to deal with them anymore… you never really know how to respond, but thankfully he doesn't actually seem to be looking for much of a response, more just someone to listen to him. In truth, it almost makes you feel a little bad for him... but you try to stave off such thoughts.

But that's just his default. That's when he's having a decent day, just the natural amount of stress he has. When he's had a bad day, it's much worse.

You learn to tell when he's had a bad day the moment he walks through the door — you hear how harsh each motion is, how he opens and closes the door, his footsteps, even his breathing as he makes his way over to you. The gruff ‘come here’ as he storms over to you, the harshness with which you're dragged over to bed and thrown down.

Those days are more violent — you end up with scratches and bites and bruises all over your body, strands of hair coming out where he pulled so hard, holes twitching and spasming and cum pouring out of you as you lay there exhausted and sore (as for him, though, he's out like a light as soon as it's over, and the grip he keeps on you means you're not getting up again either).

Being a cop also gives him a lot of tools most people wouldn't have access to. He has easy access to handcuffs and weapons. The handcuffs keep you however he wants you positioned, and he'll use some on your ankles too if need be.

He’s used the stun gun on his belt as a threat plenty of times — you used to think he was bluffing, but one day you go too far and it turns out it's not a bluff at all. It's a horrible, horrible sensation… but even worse is the way he laughs while he shocks you, exhilarated by — and probably, honestly, getting off to — the way you squeal and spasm.

Unfortunately, it awakens something — maybe he could use it on you more often, put it right up to your most sensitive places and see how you react… although not without building up dread and anticipation first, pressing it to your skin so that you beg and cry and he taunts you so mercilessly, with that awful awful smile on his face, before pushing the button and hearing you cry.

...But he's not always so awful. He still includes you in his normal life, at least. You almost wish he didn't. It's this oddly domestic vibe, once all the brutality of the day is out and he's tired and bored.

You talk — at first you kept being annoying and pesting him about letting you go, to which — much to your dread, a pit in your stomach every time he says it — he tells you you're never leaving, so shut up about it. But eventually, with no one else to interact with, you talk about all sorts of things, sometimes almost feeling like a normal conversation with a friend. He brings home food for you, and admittedly, you're almost surprised by the fact that he actually does ask what you want and gets you something different from what he gets based on your tastes. You didn't expect that sort of consideration.

You watch TV (he keeps you chained out of actual reach of the TV itself, just in case you get any ideas), the news (only for him to awkwardly change the channel when your disappearance was being discussed on local news), he even takes your request once or twice to pick up a movie to watch (although he's very critical, particularly if it's too ‘girly’ for his tastes).

But he's still so, so mean, such a bully. You have a lot of time to reflect on it all, and one day you confront him with it — tell him that you know that the reason he does all of this to you, the reason he can't just be normal is because he's bitter and spiteful and afraid of rejection. At first, you sound angry — and as you speak, the way his face contorts with disgust and fury makes you think you may just push him over the edge to actually kill you, and frankly, at this point, it's something you're willing to accept.

But then, tears in your eyes, voice growing quieter, you add—

I really liked you… I thought you were a good guy…

That makes him pause. He gets quiet. You see his face fall to an expression you can't quite name, eyes half-lidded and mouth pulled into a taut line.

Finally, he shrugs, giving you a cruel, snide grin.

Not my fault you were so stupid.

That's all the response you get, and remarkably, that last comment seems to make him let go of being infuriated over everything else you said. For a moment, though, you swear you catch him looking down at the ground with a miserable expression, as if those words actually had a profound effect on him… but it lasts only a second — as soon as he catches you looking at him, his eyes fixate on you again, that smile you hate so much comes creeping back, and your heart sinks as he takes agonizingly slow footsteps over to your helpless, shivering little form….

[cent-scratchnsniff]

reread tiphs dialog recently. i love them lots

[ihatechosingnames]

A few days ago, while I was walking back home from work, I started daydreaming and at one point I had a potential fanfic in the Batman fandom.

It all started with the death of the Joker by the hands of a very angry and tired and devastated civilian.

I went through a minimal backstory for this man, a retired army/navy man, who tragically lost his entire family (wife, daughter, son in law and two grandchildren) to the Joker in some sort of stupid game with the Bat (like you have tot minutes to choose who to save but the Joker is cheating and they all die) and since he already lost everything, why not making sure his family's killer tots in hell.

And I argued against myself about why it should be a civilian, a nameless one, to do the deed.

Batman cannot kill the Joker, because by doing it he stops being Batman. In UTRH he says "if I start, I will never stop" and it's kind of a disservice to the human and caring side of Bruce (which we are seeing less and less through the years) who wanted to help and care and believed about the sacrality of life (every life is precious). That man will break if he kills someone even by accident. In UTRH he sounds more like someone who is one murder away from becoming the worst serial killer in US. What the fuck. And instead of turning away from a life where the choice to kill or not is dangling in front of his life every single time, he keeps dressing up as a bat because through violence they can resolve their inner issues.

Nightwing is another one that cannot kill the Joker. First, he already did that, it's time for another to take his turn. Secondly, he is so much like Bruce but without being all dark that for him it will be twice as hard to accept that he did something like that. Yes, when he killed the Joker he was angry, he wasn't pulling his punches and the Joker kept goading him with Jason's and Tim's (supposed) death by his hands. He was devastated by Jason's death (in a more visible way than Bruce's) and the mix with grief, hate, regret and despair, knowing that another Robin died by Joker's hands again, made him snap. That will probably make him the most sympathetic to the story of the civilian who shot the Joker. Because once upon a time, for a brief moment, he felt the same fury and grief and hate against the Joker.

Jason, in my opinion, shouldn't be the one to kill the Joker. He was killed by the Joker, it's not on him to find justice or to enact revenge on him. And it also seems that half of the time, when he isn't thinking about being the Better Batman that Gotham needs, he is probably thinking that he is back from death only to get revenge on the Joker. If he kills him and survives good, if he kills him and he dies, I don't see Jason fighting to stay alive. His first plan in UTRH was prepped that or only two would walk out or none of them. It wasn't just "kill the Joker yourself or let me kill him" plus "if you want to save the Joker you have to kill me", Jason had prepared plenty of explosives to go all out. That was a test for Bruce, but also a moment of truth for Jason (please choose me) and Jason, for all his plans to be the Better Batman, to seize the criminal empire, he was more than ready to explode alongside the Joker and Batman if it was required. If this behaviour isn't slightly suicidal, I don't know. That's why I think that seeing the Joker dead by the hands of someone who did it to take revenge for his family, it's going to give a breakdown to Jason. And the brain, to metabolize that right now the only reason Jason is alive, his revenge, is dead (and it wasn't even Bruce), needs time to think so he checks out. He needs to find some other reason to explain why Jason is back from death and is still alive. Could it be able to send Jason in a dissociative state where he is still functional but also "no one is here"? I don't have a degree in psychology, but definitely will study more on the matter. It's very likely that some sort of revaluation for the brain will translate in a breakdown with lashing out.

And back to the mystery civilian I was debating around how he will be able to kill the Joker:

1. he waits until the Joker escapes again and just shoots him and then he goes to the police to get a death by cop kind of suicide.

2. it's a more collective effort since he is not the only one who lost someone to the Joker and so we have a group of civilians that all helped the mystery man to do the deed, by either helping the Joker escapes or helping the guy infiltrate Arkham and shoot the Joker in his own cell. And then he shoots himself.

Either way I don't see him alive, he already lost everything important, he lived his life and he did his job. Now, the only thing missing is going back to his family.

But what I actually wanted to focus on the fanfic, because this is just the context, is the argument that will follow between the vigilantes. How their own personal beliefs and experiences should actually weight in this matter. Who they are to judge someone. And there will be some judging.

Because Bruce will never believe that just some civilian wanted to shoot the Joker. He is so paranoid that he will not believe that it was simple for revenge. There must be a plan or something like that.

Meanwhile Jason wants to go and scream somewhere, far away from Bruce and the stupid case. And it's clear that Bruce is thinking that Jason is behind this because, in his mind, no one wants the Joker dead like Jason (there is actually a line).

[guhbwuh]

Hii! Looking at your last post, I started to wonder... What is a "study"? How do you make them? Are they good for someone who's starting to draw, or is it for more experienced artists?

Hello!! An art study (not to be confused with studying art in school- although you probably would do them in art school? Idk. I never went.) can be a lot of things! :^) usually just getting a reference and ‘studying’ something! This one was a photo portrait study where I grabbed an in game portrait and just tried to recreate it to the best of my ability!

I would recommend them for anyone who wants to do them! I’m no art teacher, never going to tell someone they NEED to draw something a certain way to be an artist but it’s really helpful if you’re wanting to get a bit more experienced in drawing something! (example, grabbing a picture of some anatomical guides to study muscles, etc!)

Sorry if this is a lot of text, tldr- to my knowledge, art studies are essentially studying a reference, and they can be done at any skill! I highly recommend them! :^D thank you for the ask!

[canisalbus]

I love the shape language for Machete and Vasco, how angular and pointy the former is VS how round and soft the other... It's so GOOD I adore that

Thank you! I like the contrast as well, it makes them very fun to draw together. I try to keep them visually distinct while still making sure that they look harmonious and complementary next to each other.

[gomzdrawfr]

practice doodles

[icewindandboringhorror]

sometimes looking at like Self Help Strategies lists for the symptoms I'm having is always just like:

thing that I already do

thing I have tried 10 times

thing I already do

thing that I don't have the money to do

thing I already do

thing I've been doing since I was 10yrs old to no avail

thing that is impossible given my situation

thing that doesn't apply to me

thing that I already do

thing I have already tried

hrmm, oh wait, maybe finally- OH, yeah.. okay. thing that I already do but it was just phrased slightly differently

thing I have already done

[dracocheesecake]

Have this:

Kai steps before a counter at a sandwich place. The cashier stares up at the bull that's looming over them nervously.

"Can...Can I help you, sir?"

Kai doesn't say anything. Then he slowly lifts up his hands, revealing he's holding the Chameleon. She steps out of his hands and onto the counter, and then points at the cashier. "He said he wanted no pickles on his sandwich!"

Then she steals some money out of the tip jar. Kai picks her back up with one hand, then takes the new sandwich and the tip jar itself before walking off.

[heybiji]

hi!!! i just wanted to say i really love all of your MASKS stuff. i'm something of a newbie when it comes to the TTRPG community, but MASKS seems to be not very well-known and i think that's a real shame. i'm a huge fan of old-school superhero-adjacent stuff, especially the silver- and bronze-age ones!

by the way, i was wondering if you'd be willing to share some tips for a first-time GM? you don't have to if you'd rather not! i just figured i'd try asking since i was planning on GMing a MASKS campaign for some of my friends later, but despite my decade's worth of roleplaying experience i've never been in a TTRPG campaign nor a GM (or similar) role before

Thank you so much!! I was just lamenting about how I felt bad for the MASKS tag because it is now flooded with all my npc nonsense hahah so this is really nice to hear.

It's awesome you're planning on running a MASKS game for your friends!! There is an indispensable post on twitter I saw that has a LOT of great tips for running MASKS that I recommend checking out. But for my own personal tips that are just me things, here's what I got. Sorry it's gonna be extremely long-winded, it may take a few months to read through it.

(Note: I am also hugely into RP and probably put more into it than what is necessary, especially with MASKS which is meant to be able to be played out of the box. It was definitely not played out of the box in our case because I require a lot out of myself and everyone else to feel good about running something. if anyone else wants to continue seeing me as a normal human being please don't click the Keep Reading)

Since you're running it, make the world interesting to you. If the world runs around themes you're personally interested in then you'll have a much easier time coming up with answers on the fly. For me, themes I'm interested in that lend themselves well to a superhero world: money, power, family, celebrity, media, the 24 hour news cycle and the desensitization of violence. Because I'm interested in this stuff anyway, wrapping a world around them makes it much simpler for me to figure out how the world ticks and thus how the characters fit into it and how the world reacts to them, and I am DESPERATE to find out how the characters react to all the questions and expectations the world is imposing upon them.

Make sure your players have a good grasp of the tone of story so they can make characters that gel well within it. For me the tone is a lil more adult because I'm not personally into younger morality tale stories in tone, it's pretty grounded, and I think comedy and tragedy work hand in hand so I lean into them.

Talk. A lot. Talk about the characters, talk about the world. MASKS is fun because it's a LOT of talking and figuring out the narrative together. It's not a lot of crunchy mechanics, it's all around seeing how the characters react to the world narratively, all hurt and comfort and emotions which (for me) requires people to have a good grasp on their characters and the world. I like to give my players "homework" where I ask them a question involving their characters in some way like "what hero did your character look up to as a child?" so they get to come up with past heroes, or "How does your character feel about _____?" etc etc. The only fans are gonna be your table and fans love to talk so be the biggest fans of the PCs!!

Figure out your framing. I know in MASKS they suggest framing it like a comic book, and basically talking about the frames on screen. For me, because I'm more into movies and tv than comics, I frame it like that. So I have an active "camera" in play during sessions and will ask things like "would anyone like to grab the camera?" to encourage the players to put the character into a scene or "what does the audience see as the camera focuses in on your character in this emotional moment?" There is a LOT of playing up to the camera and framing the sessions as episodes of a show, so it's like, okay, you have several options but what is going to be interesting for the audience to see? I find this encourages the players to have their characters take bigger swings and feel comfortable letting us into how their character is feeling because it all looks GREAT on camera. The camera loves it. The PCs are the story after all.

Because I frame it a show, I also like to play individual ending songs over the "credits" at the end of each episode. So I asked my players to make playlists for their characters so if I feel an episode had a lot of emotional focus on one character in particular, I can play one of their songs at the end of the episode! I also made a general MASKS playlist with a bunch of songs from the era we set it in (2004) to pull from. It's a fun little addition that I really enjoy and that I hope makes it all feel more special.

The Dino Donut Effect: create landmarks in your world. (OK THIS IS GONNA BE LONG BUT WORK WITH ME HERE) They don't have to be locations, more solid landmarks of the story that the characters can refer back to and lean on to make the world feel more "real." I call it the Dino Donut Effect because in our world the thing that made everything click into place was talking out the backstory of one of the PC's figuring out they had the power negation ability. We were talking one night trying to figure it out; we wanted the character to fall out of a building and be caught by a flying superhero and accidentally turn off their powers, so they toss the kid to another flying supe whose powers also get turned off. But we were like... holy shit what is the height of a building needed that can handle this much action in the air without them hitting the ground in 3 seconds. So after a long night of talking about terminal velocity and looking at Splat Calculators we figured out the height of the building, and we needed them to crash into something that wouldn't fuckin kill them. The first suggestion was a truck full of bananas. Nah. We landed on a giant balloon that could take the impact. And the balloon became a giant T-Rex holding a donut that was the mascot of the city's beloved decades old donut shop Dino Donut. And so we decided that one of the two flying supes grabbed onto the kid and the other and flew into the giant balloon to try and keep them all alive, which destroyed the balloon, which was a city institution, and there was a crowd of children there that day that saw their friend Dino Donut die. Killed by a superhero. The balloon deflated loudly so it sounded like Dino Donut was screaming in agony. All the kids were traumatized (screaming crying throwing up), the city was furious because everyone loved Dino Donut, it was constantly in the news cycle, and it ruined the career of the supe that "killed Dino Donut." AND THEN THEY REPLACED THE DINO DONUT BALLOON WITH A LAME "UPDATED DESIGN" DINO DONUT STATUE which everyone hates and people consider to be a memorial to the old Dino Donut. ANYWAY, the Dino Donut effect is that now all the PCs have one single incident to refer back to that they all have feelings about. A couple of them were there that day and heard Dino Donut scream, one is now the protege of the disgraced superhero that killed Dino Donut so she feels uncomfortable talking about it, there's the kid that was saved that day but was sworn to secrecy by the supe so no one would find out about his power negation ability, and then there's the kid that wasn't there because she's an alien that just arrived to earth and now the kids have to explain the incident to her with all their varying opinions. Now the PCs' meeting spot is at a Dino Donut. Having this one solid incident that is both funny and kind of goes into the themes of the world has been an absolute treat. Creating "landmarks" like that in the world has done so much and now I'm like okay I'm gonna try to do this moving forward with any other thing I run.

anyway these are my extremely specific to me tips. my RP standards are kind of high which makes me a bit of a terror but also when the flowers bloom from it it feels GREAT. i'm not sure if this will help but hopefully there is something there that can be useful!

MASKS is fun and simple once you get the hang of it, though, so I'm sure whatever you do you and your players will have a lot of fun! especially if you're someone who is into RP which is the background I'm coming from too; MASKS is extremely narrative! i'll be looking in the tag for your game hehe

(The Day Dino Donut Died art by JD)