#and just listen a little

[atthe-end-ofthe-day]

how it started ^ - how its going v

[holographings]

someone on twitter said Imagine what s2 jayce would give to talk to s1 viktor just one more time. and someone had a time travel alternate dimension fic ready to go. and i read it. and now my face is being eaten by 3750 feral dogs i think

[inkskinned]

you said you were stuck in a time loop, which was fine. i feel like late-stage capitalism has us all in a time loop, ammiright? you came barging in at 5:33. in the morning. i hadn't even processed the idea of coffee.

but you had this look of utter panic in your eyes. terror like the ocean. you grabbed my cheeks. im in a time loop.

i don't know why in movies the first reaction is to deny it. when someone is panicking like that, it's not appropriate to ask them to calm down. it didn't matter if i believed it, what mattered was that you believed it so much that it was consuming you.

so here we are. i pour you some of the dark roast. "you look like utter and entire hell," i say.

you push your fingers into your eyes. "you always say that."

i try to think of something funny to say that i wouldn't have said on previous time loops, but jokes don't land without the proper timing (lol). "remind me to think -"

"-yeah, of a joke that only works in the future. and before you say anything, i know you're pissed i just stole your punchline." you bolt the coffee, which is wild. it's very hot. you don't seem to notice.

i blow on mine to cool it down. i both am very pissed at you and also i can't see you in this amount of panic without wanting to help. but i'm also not really sure what we are, not since i saw you kiss her like that, no offense. it just was like, kind of rude when you knew i liked you.

and besides. i'm just like, barely a person. i write omegaverse fanfiction. i love the concept of a time loop, but what the fuck am i gonna do? send an alpha in there? i open my mouth.

you point at me. "you're about to ask why me. and then say some disparaging shit about yourself. i'm just a nerd who plays dnd or something. that self-own is slightly different each time." you sigh. "i know you think you can't really help me. i don't know who can help me. i only came to you because you fucking believe me." you check your watch, sigh, and throw your head back. you cover your eyes with one hand. "i've come here on 26 separate revolutions," you say. "you have believed me every time. and yeah, i have no idea how you fit into this but i just -" you sigh again. "i just like fucking talking to someone about it."

"do you need more cof-" i start, but you're already holding the empty cup out. i frown at it. "you're not getting any more until you promise not to bolt this one like an animal."

you laugh a little and sit up, pushing your hair out of your face. "okay, that's new dialogue. but to be fair to you, i'm not usually this rude. i'm still pretty new at all of this." you check your watch again. another sigh. i guess you're cruising for a personal best in the Sigh Olympics.

i almost tell you im not an NPC but i've played enough video games to know i'm very much an NPC. i pour you another cup. "so what happens in the loop?"

"really bad explosion." you mutter into the mug. you put your elbows on the table (rude) and bury your face in your arms like an angsty teenager. one hand floats up while you talk, because evidently you literally can't talk without your hands. "i have to save the day and there's this bomb and i have no bomb training and it keeps moving, you know."

"do i die?"

you peek up from your arms. "yeah. bigtime. you keep trying to run or stay or do anything and you always super die."

"oh."

"to be fair, like, everyone dies in it though.... so you're in good company."

i hate that you make me laugh. i hate that being around you always feels tingly and strange, this electric tension between us. something that is evidently (given how you stuck your tongue down a stranger's throat literally 3 days ago) (well. 3 for me) super one-sided. i take a sip of my coffee and close my eyes.

i die today, i guess. a little spark of panic starts at the top of my hands and starts whipping up my wrists.

"shit," you say. you look at your watch and jump to your feet. "i have to go. if i can come back, i will. i am still trying to figure out when is best to do everything, you know? the order of stuff. maybe morning isn't good for us."

i look up at you and think about how you keep kissing me in the back of my car and in alleyways and in the dark. and i can never fucking get a read on you. and i also think about how incredibly panicked you look. how broken. how long have you been doing this? "i don't want to die," i say.

you glance downwards. "well, you're not really dead, you'll come back in the loop."

"but i will have died." my hands are shaking. i am trying really hard to stay calm.

you push your hands through your hair again. "i really have to go. i will have this discussion with the next version of you, though. it is like, something i am thinking about."

"but i don't get a next version," i say. i don't really have the language for this, because i haven't had 26 tries with you. i only have my memories: you, a week ago. drunk and telling me you loved me in my ear. you, kissing her anyway. you, months ago, throwing up on my birthday, whispering to me i ruin everything i touch, always, over and over. please don't ask. i can't ever fucking have that be you.

i run my finger along the rim of the mug. "i don't want to die in this one."

you seem baffled by this. "i get that but - time will reset, you'll be fine, you won't even remember we talked about this."

"but i know now." i stand up too. "i have to live the rest of this day knowing i could die. knowing i probably am going to."

"you could always die, to be fair."

i feel my hands get out of control. "earlier, you said i always say a different insult about myself. what if you're just going through different parallel universes and those are all just different - but real - versions of myself? what if you're not in a time loop, you're in a fucking universe loop?"

"if it helps, i've wondered this too. also, you're hot in all of them. if that helps."

i point at you. "no flirting. i'm trying to figure out if i die today."

"who's flirting?" you catch my wild hands and give me that long, perfect smile. like we're in this together. "i won't let ya die." you check your watch and sigh again. "well. maybe not this time."

i grit my teeth. you are so not making quips at me while i try to explain the existential dread i'm having. "does the time loop reset if i fucking kill you?"

"honestly i don't know how long it continues after i die, because i just wake up. it could be that the loop goes until the explosion for everyone, and we're all in the loop, or it could be that when i die, the loop restarts. when i die i wake up, is all."

i pull away from you and stalk into the kitchen and start doing all 3 of my dishes. "okay, first, you know i was joking. and secondly, this is exactly my point. you don't know if this is just a parallel universe. maybe in the ones where you died, the explosion happened and nobody reset and it's just you travelling." i have to stop and push the heel of my palm into my eyeball. "... how often have you died?"

i look at you. you look at me. you give me this very sad, halfway smile and a little what can ya do shrug. something in that action seems so old and weary that i want to burst into tears.

"i have to go," you say. "really. for real. there's this family of five i save from getting into a car crash. and i know it's like oh but we're all gonna die in the explosion anyway, what's the point. and..." you shrug again. "it matters to me, is all. at least i saved them for now. at least i saved anything."

you pad over to me and wrap me in a tight hug. you always seem so tall against me. i feel your cheek rest against the top of my head for a moment. for a second, it's just us, and the space is warm, and my heart is a little broken hare.

you leave me there, and i stand in my stupid badly lit kitchen with my stupid mugs. i think about you. i start texting my mom that she needs to get out of the city, but it feels pointless.

i don't know what to do. tomorrow is the same day for you. but i have to prepare to die in my today.

[frankierotwinkdeath]

Y’all want Taylor Swift to be gay so bad but you won’t even write femslash about her

[swiggity-swexual-i-am-asexual]

We all know the semi-canonical ‘all the Robins know to hide/duck inside of Batman’s cape, even as adults’ thing.

We also know that Danny ‘is LITERALLY a ghost’ Fenton sucks at remembering his own intangibility while ALSO forgetting to look ahead of him.

All I’m saying is, Danny Fenton (or Phantom, if you’d really like) would absolutely SLAM into Batman on accident while running on roof tops and Bruce ‘Brooding Instinct’ Wayne doesn’t even think twice about letting the kid hide and scanning around for danger before there’s a record scratch of ‘wait who tf is this?’ kicks in.

[hinamie]

I'll give them shelter like you've done for me

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[mxliv-oftheendless]

So if yall didn’t know, in The Hobbit book, Thranduil had the Dwarves locked up for approximately weeks, and Bilbo was just invisible and wandering in the palace the entire time, vibing miserably.

My headcanon, therefore, is that the Mirkwood Elves now have a local legend about a ghost haunting Thranduil’s palace, never seen but generally thought to be harmless. Thranduil scoffs at the idea, but has been seen glancing around at the dark corners of rooms. Legolas fully believes in it and is known to say hello out loud when he enters an empty room, in case the ghost is nearby.

It’s not until Legolas joins the Fellowship that he figures out that the supposed ghost was actually an invisible Bilbo the whole time. He never tells Thranduil, because he thinks it’s funny to see his regal father unnerved by the idea of a ghost.

[hollis-art]

i love tossing the muppets at various star trek crews, it's so fun

[a-scary-lack-of-common-sense]

Fiddauthor divorce arc speedrun <3

After 30 years of searching for his lost brother through demonic rituals and summonings, Ford has become a bit of a notorious demon collector over the years. He's made a LOT of deals with MANY different demons over the years; from minor and harmless little entities to big and powerful overlords. Most of the time, these deals aren't really a one-way situation, so a lot of demons have a strong grip on him just as much as he does on them. It often ends up being a mutual sort of destruction, as in: "I know I'm but a mere mortal trifling with things I couldn't begin to fathom, and I know you will destroy me eventually; but I don't care as long as I get to destroy you too." He just needs to live long enough to find his brother.

The red hands are essentially pieces of himself (his soul, you could say??) that he wields as his method of restraint to the demons he has "tamed" so far. They act as a leash to contain each demons' powers, and he can loosen or tighten his hold on them as much as he wants. The number of hands required to contain a demon really depends on their individual strengths, but 3-4 hands are already very energy consuming.

YES, I gave all of his demons stupid names. SUE ME.

[shalom-iamcominghome]

I think the difference between myself and other religious people is that I don't see saying "oh my g-d" as being disgraceful to His name. I see saying "oh my g-d" like you're trying to get g-d's attention so you can do this:

[keferon]

Guess who spent two days trying to understand how to draw a kiss

Based on amazing incredible gut wrenching Mistakes on Mistakes until..

[darkmuffinstudios]

The bad sanses and (some of) their first times seeing the surface! ^^

(I kind I’d headcanon that not only has Killer (as sans) been to the surface quite a few times, but he’s also been traveling with Nightmare for quite a while haha. Nightmare… well, he always was able to see the sky so yeah haha)

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[rhupi]

Obito's late ass during the rainy be like

[discocandles]

one thing about steve harrington is that he sucks at doing nothing. like he has to be doing something with himself lest the guy waste away. this has led to him being very good at fucking around with things especially when its something relatively quiet. the loudest steve will let himself keep his hands busy while stuck idle is tossing whatever's in his hand to himself and catching it, which usually bodes well for sports practice after coach learned that just because he was moving didnt mean he wasnt paying attention(usually the opposite).

he learned how to flip a pencil around his thumb in middle school and seeing someone in one of the meetings he sat in on doing it. he'll twirl anything he can around in his hand, especially while he was working in the mall. the scoopers were perfect for it. and any way youve seen a drummer/percussionist fiddle with a drumstick, steve knew he had to replicate it.

but even with all this movement and the fact the guy was barely ever not moving, it seemed like no one noticed it ever. a fact that nearly drove eddie insane when they were in high school together. because he did have the reputation of being restless, and in a constant state of movement. and he probably fucked around with random shit less, so how did steve "the hair" harrington not end up with the same reputation? the answer was just that he was way more quiet("and sneaky" -eddie) about it. and if the teacher hated when their students fiddled and futzed he'd be sure to try and keep the movement below his desk.

but it not that he only has to keep his hands busy. no no no, if bored or stuck waiting, and that won't suffice, steve harrington will pick up anything with words just to read it. anything. outdated newspapers, ingredients lists, magazines of any topic. he just mindlessly grabs for whatever and starts fucking reading. Robin could swear under oath to a court that her best friend has read the back of every vhs in family video. hell, she's seen him reading drugstore novels, like the fucking grandma smut and books with cover art of nicely dressed ladies running from a castle. and its her jock best friend reading it, instead of some repressed suburban woman who hates her husband. yes, this information is the bane of robin buckley's exsistance because its not like anyone would believe her.

idk just give me steve being restless but doing it quietly enough that no one really picks up on it.