#and just anything else they found in the process

[coffeefromvoid]

Thxx for the tag! Im not much of a reader but imma try anyway

1. 5 😭 i am an incredibly slow reader and have the tendency to read a few books at the same time so i don’t finish them quickly, and i am in the process of reading more (still all at the same time) but im definitely not getting done before new years

2. Yes! Frankenstein bc its my favourite book ever and Romeo and Juliet bc my school is performing it

3. Bc i only read 5 books/plays technically in their entirety this year (shame on me i know) i’ll just list them bc i enjoyed all of them: The song of Achilles, The Wave, Frankenstein, Spring Awakening and Romeo and Juliet

4. Not really? I started reading Edgar Allen Poe’s tales of horror and i am enjoying them so far, i just can’t finish the book in time for new years. And i really want to read all of Mary Shelley’s works now. Though technically i have discovered Shakespeare for myself so yes?

5. Gothic horror and tragedy. I love sad old books apparently

6. I haven’t gotten to a bunch of history textbooks my dad gifted me, i still need to finish Tales of Horror as i said, but also Metamorphosis. I also still need to finish the illiad, start on the Odyssey and Aeniad and journey to the west. I also wanted to get Dracula but whenever i was in a bookstore this year i didn’t have enough money with me or was buying something else.

7. I don’t use goodreads ._.

8. I don’t set reading goals for myself bc i now i am not going to be able to complete them, though for next year I’m setting myself the goal of finishing books in a timely manner and not reading three books at once qwq

9. Not really?

10. I don’t really keep up with book releases that much to name them at the top of my head

11. Song of Achilles has been out for a while for example, and i just read it this year. Or Spring Awakening is literally a play from 1898 but i only read it this year. Honestly all the stuff i read this year fits in this category

12. The Wave? It was a good book, but because it was a mandatory school read I wasn’t as invested in it as i am reading a book in my free time. The story was very good though.

13. Can’t really chose so imma just say the Wave again for the same reason as question 12

14. All of the books im reading rn but i know it can’t be done RHHÂ

15. I don’t really keep up with book prises either…

16. None? All the books i read this year are old so there is no hype ?

17. SPRING AWAKENING omg this play is so good im tweaking!!! I read it bc im supposed to make a presentation for it in school and i had no expectations going in, but found that i genuinely enjoyed it so much. I recommend it to anyone in a heartbeat

18. 8 i am in fact guilty of buying more books than i can read.

19. Yes! Not a lot bc my town’s library is small and doesn’t have the books i want to read, but i my most recent visit was with two of my friends bc we needed a concentrated environment to shorten our R&J scripts in (long story story)

20. I don’t really keep up with releases or read anything new TwT

21. All the booktok/booktube drama i know is month/ year old commentary i put on in the background but the most recent stuff i recall is the Colleen Hoover stuff

22. Song of Achilles

23. Two hours, as thats how long it takes to read Romeo and Juliet

24. Good Omens, i bought it before the neil gaiman drama came out and afterwards my Good Omens hyperfixation also faded. I want to pick it up again bc it was good just lost motivation

25. As i said, actually fucking finishing my books quicker and not reading three of them at once

Open tagz cuz im lazy

end-of-year book ask

How many books did you read this year?

Did you reread anything? What?

What were your top five books of the year?

Did you discover any new authors that you love this year?

What genre did you read the most of?

Was there anything you meant to read, but never got to?

What was your average Goodreads rating? Does it seem accurate?

Did you meet any of your reading goals? Which ones?

Did you get into any new genres?

What was your favorite new release of the year?

What was your favorite book that has been out for a while, but you just now read?

Any books that disappointed you?

What were your least favorite books of the year?

What books do you want to finish before the year is over?

Did you read any books that were nominated for or won awards this year (Booker, Women’s Prize, National Book Award, Pulitzer, Hugo, etc.)? What did you think of them?

What is the most over-hyped book you read this year?

Did any books surprise you with how good they were?

How many books did you buy?

Did you use your library?

What was your most anticipated release? Did it meet your expectations?

Did you participate in or watch any booklr, booktube, or book twitter drama?

What’s the longest book you read?

What’s the fastest time it took you to read a book?

Did you DNF anything? Why?

What reading goals do you have for next year?

[yassbishimvintage]

Shut it Down

Warnings: Smut, Fluff

Word Count: 2.8k

MDNI!

A/N: Merry Christmas y'all.

The sun was shining down in Imani’s face. She had to tear herself away from Terry this morning. Her sister Maya wanted to have breakfast with her to check in. “So now that he’s home how is he?” She asks. Imani sighs. She had to be careful of how she answered the next question. Even though Terry loved her family like his own, he still didn’t want to show weakness. 

Imani sipped her coffee as her sister, Maya, watched her curiously from across the diner booth. They had always been close, and Maya could read her like a book. Setting her mug down, Imani took a moment to gather her thoughts before answering.

"He’s... adjusting," Imani replied softly. "It’s been tough for him. Losing Mike, the stress of everything back in Shelby Springs... it’s a lot to process."

Maya nodded, her brow furrowing with concern. "That man has been through hell and back, hasn’t he?" she said. "But what about you? You okay? I know you’re strong, but you can’t pour from an empty cup, sis."

Imani smiled faintly at her sister's words. "I’m okay," she said, though the truth was more complicated. "I just want to be there for him, you know? He’s carrying so much, and I can see it weighing on him. Some days he’s better, but others... it’s like he’s still fighting a battle, just in his head now."

Maya reached across the table and placed her hand over Imani’s. "You’re doing more than enough, Imani. He’s lucky to have you. But make sure he knows it’s okay to lean on you, really lean on you. Sometimes men like him think they have to bear it all alone."

Imani nodded. "I try to remind him of that every day," she said. "Last night, he... he let me in a little more. It’s progress, I guess. I just want him to see that he’s not alone anymore."

Maya leaned back, studying her sister. "You love him, don’t you?"

"With everything in me," Imani said without hesitation.

Maya smiled. "Then he’s got a fighting chance. But don’t forget—taking care of yourself is part of taking care of him. Don’t lose sight of that."

Imani gave her sister a grateful look, appreciating the reminder. "I won’t," she promised. "Thanks, Maya."

"Anytime," Maya said with a wink. "Now, tell me more about this roast beef dinner you made last night. I’m starting to think you’re spoiling that man."

Imani chuckled. "I might be. But he deserves it."

They spent the rest of breakfast laughing and catching up, Imani feeling lighter after the conversation. She had her sister's support, and that meant everything.She smirks. “Now. How’s the sex?” She asks. Imani nearly choked on her coffee, her eyes widening as she looked at Maya. "Really? That’s what you’re asking me right now?" she said, trying to keep her voice down.

Maya raised an eyebrow, unbothered by Imani’s reaction. "Of course, I’m asking. You’ve been glowing lately, so either it’s the sex, or you’ve found a new skincare routine, and I know you too well to believe the latter."

Imani rolled her eyes but couldn’t stop the small smile from tugging at her lips. "It’s… amazing, as always," she admitted, her voice dropping slightly. "He’s just... so attentive. Like, he takes his time, you know? Makes sure I’m good before anything else."

Maya leaned in, her interest clearly piqued. "Girl, go on. Don’t leave me hanging."

Imani laughed softly, shaking her head. "Let’s just say he knows exactly what I need, even when I don’t say it. And he’s so... gentle with me, but not too gentle, if you know what I mean."

Maya grinned mischievously. "Oh, I know what you mean. Big, strong, marine boyfriend who’s soft for you but can turn it up when needed? Imani, you’re living the dream."

Imani blushed but couldn’t help laughing. "Okay, enough about my sex life. How’s yours?"

Maya waved her hand dismissively. "Nonexistent at the moment, but that’s fine. I’m focused on me right now. But seriously, I’m happy for you. It sounds like Terry really sees you and loves you the way you deserve."

Imani nodded, her expression softening. "He does. And I don’t take that for granted, not for a second."

Maya raised her coffee mug in a toast. "To men who love us right and know how to handle business."

Imani laughed, clinking her mug against her sister’s. "I’ll drink to that.” Maya turns her head to glance out the window. She sees a black GMC Dua..ley pull into the parking lot. “Who’s that?” she asks. 

Imani turned to look where Maya was pointing and spotted the large GMC Dually parked a few spaces away. The truck was pristine, its black paint gleaming under the morning sun, with chrome accents that looked freshly polished. It stood out among the sedans and SUVs in the lot.

Imani raised an eyebrow, recognizing it immediately. "That’s Terry’s truck."

Maya’s eyes widened as she leaned closer to the window. "Wait, he followed you here? What is he, your bodyguard now?"

Imani couldn’t help but chuckle. "No, he probably just wanted to check in on me. You know how he is."

Maya smirked. "Yeah, overprotective and a little territorial. But honestly, can you blame him? Look at you."

Imani rolled her eyes but smiled, gathering her things. "Come on, let’s go say hi before he thinks I’m avoiding him."

As they stepped outside, Terry climbed out of the truck, his towering frame and confident stride impossible to miss. He wore a simple fitted T-shirt and jeans, but the way he carried himself made him look effortlessly commanding.

"Hey, babe," Imani called, walking up to him. "What are you doing here?"

Terry flashed her a small smile, his eyes softening when they met hers. "Just wanted to see you. Figured you might want to grab lunch after you’re done with your sister."

Maya crossed her arms, looking between them with a teasing grin. "You’re setting the bar way too high for the rest of us, Terry. Showing up unannounced just to take her to lunch?"

Terry shrugged, his smile turning a bit sheepish. "What can I say? I like spending time with her."

Imani shook her head, trying to hide her amusement. "Well, since you’re here, why don’t you come sit with us for a bit?"

Terry glanced at Maya, who raised her hands in mock surrender. "Don’t worry, big guy. I’ll keep the embarrassing sister stories to a minimum."

He chuckled, holding the door open for both women. "Appreciate that."

Maya smirks and quickly asks him. “So tell me Mr Marine. What kind of sex spell you got on my little sister.” She says

Terry paused mid-step, his brow arching as a slow smirk spread across his face. "Excuse me?" he asked, his deep voice laced with amusement. He glanced at Imani, who was already groaning in embarrassment, her hand covering her face.

"Maya!" Imani hissed, shooting her sister a glare.

"What?" Maya said innocently, shrugging as she took her seat. "I’m just saying. She’s been glowing since y’all got together, and I’m convinced it’s not just the happy weight."

Terry chuckled, taking the chair beside Imani and resting an arm casually on the back of her seat. His eyes flicked to Maya with a mischievous gleam. "Let’s just say I aim to please," he said smoothly, his tone playful but carrying enough weight to make Maya blink in surprise.

Imani gasped, turning to him. "Terry!"

He laughed, leaning over to kiss her temple. "What? She asked."

Maya burst out laughing, clapping her hands. "Alright, I see you, Marine. No wonder she’s hooked."

Imani shook her head, trying to hide her smile. "You’re impossible, both of you."

Maya grinned, picking up her coffee. "Hey, I’m just trying to figure out why you’re so happy all the time. If it’s because of him, then props to you, Terry. You’re doing something right."

Terry shrugged, his expression softening as he looked at Imani. "She deserves to be happy. That’s all that matters to me."

Maya tilted her head, a rare seriousness settling in her tone. "Well, as long as you keep that mindset, we’re good. I’m just looking out for my baby sister."

Terry nodded, his voice steady. "I wouldn’t expect anything less."

Imani glanced between the two, her heart full as she reached for Terry’s hand under the table, giving it a squeeze.

When she gets in his truck she rests her head on the glass. Everytime he drives his hand rests on her thigh.

As Terry drove, the hum of the engine and the subtle rhythm of the tires on the pavement filled the quiet between them. Imani leaned her head against the cool window, her thoughts wandering as the scenery blurred past. The warmth of Terry’s hand resting on her thigh was a steadying comfort, grounding her in the moment.

It was a small gesture, but it spoke volumes about their bond. His thumb moved in absentminded circles, a habit he had whenever his hand found its home there. She glanced down at it and smiled softly, her fingers drifting to rest lightly over his.

"You okay, baby?" he asked, his deep voice breaking the silence.

She turned her head slightly to look at him, the way his strong hands gripped the wheel and how his eyes flicked between her and the road. "I’m okay," she replied, her voice gentle. "Just thinking."

Terry gave her thigh a small squeeze, his way of saying he was there for her without needing words. "About what?"

"About how much I love this," she said softly, her eyes meeting his for a brief second before returning to the passing view outside.

"This?" he asked, his brow arching slightly.

"This," she repeated, covering his hand with hers. "The little things. You driving us, your hand here...it’s just us. I love it."

Terry smiled, his expression softening as he gave her thigh another squeeze. "I love it too," he said simply.

And with that, they fell back into a comfortable silence, letting the unspoken connection between them speak louder than words ever could.

He pulls over. She lifts her head up confused. Terry eased the truck onto the shoulder of the quiet road, the hum of the engine settling into a low idle. He turned to her, a playful grin tugging at the corners of his lips. "Let’s play 'wandering hand,'" he said, his voice deep and teasing, the hint of mischief in his eyes unmistakable.

Imani couldn't help but roll her eyes, though a soft laugh escaped her. "Terry," she said, her tone half-amused, half-scolding.

"What?" he replied, feigning innocence as his free hand left the steering wheel and settled on her knee. "You know the rules."

His fingers began their slow, deliberate journey, trailing up her thigh in featherlight strokes that sent a shiver through her. Imani pressed her lips together, trying to maintain composure, but the way his touch lingered just enough to tease made her heart race.

"You’re impossible," she muttered, though there was no real annoyance in her voice.

"And you love it," he shot back, his grin widening as his hand slipped just beneath the hem of her skirt.

Imani reached out, placing her hand over his to halt his progress, though the sparkle in her eyes betrayed her resolve. "You’re going to get us caught, Terry."

"We’re parked," he said, leaning closer, his voice dropping to a low murmur that sent heat spiraling through her. "And it’s not like anyone’s around."

She bit her lip, trying to resist the pull of his charm, but when his lips brushed against her neck and his hand resumed its exploration, resistance became futile. "You’re lucky I love you," she whispered, her voice shaky as she gave in to the moment.

His soft chuckle against her skin was his only reply as the game of "wandering hand" took on a life of its own, the world outside the truck fading into the background.

Terry’s hand paused at the waistband of her panties, his fingers teasingly slipping just beneath the fabric. His breath was warm against her ear as he murmured, “You gonna let me keep going, baby?”

Imani’s breath hitched, her body responding before her mind could form words. She glanced at him, her gaze caught in the intensity of his eyes. “Terry...” she began, her voice soft, laced with a mix of hesitation and desire.

His thumb stroked the delicate skin of her hip, his lips brushing against the corner of her mouth. “Say the word, and I’ll stop,” he said, his voice calm but thick with want. “But if you want me to keep going... I need to hear you say it.”

Her heartbeat thundered in her chest as she let out a shaky exhale. The heat of his hand, the gentle yet deliberate pressure of his touch, sent sparks skittering through her. “Don’t stop,” she whispered, her words barely audible, but they carried all the permission he needed.

Terry leaned in, capturing her lips with his as his hand slid lower, exploring her with the same care and attention that always left her breathless. The world outside the truck was forgotten entirely as they lost themselves in each other, the quiet intimacy between them deepening with every touch and kiss.

When they finally pulled apart, both breathless and tangled in the charged energy of the moment, Terry rested his forehead against hers. “You drive me crazy, you know that?” he whispered, his voice low and full of emotion.

Imani smiled, her cheeks flushed. “Right back at you,” she replied softly, her hands resting on his shoulders as the truck’s engine purred quietly in the background.

“Now I’m turned on and we’re no where near home.” She says. 

Terry smirked, his eyes darkening with mischief. “Who said we need to be home for me to take care of you?” he teased, his voice low and smooth, sending a shiver down her spine.

Imani raised an eyebrow at him, a playful smile tugging at her lips. “Oh, so you’re bold now, huh?”

He chuckled, leaning in closer so his lips brushed against her ear. “I’ve always been bold, baby. You just bring it out of me.”

Her cheeks flushed as she swatted at his chest. “Terry, you’re impossible.”

He grinned, his hand still resting possessively on her thigh. “Only for you.”

His hand moved up her thigh as they drove down the road. His thumb doing lazy circles on her exposed skin.

As Terry’s hand moved higher up her thigh, Imani let out a soft breath, feeling the warmth of his touch spread through her. She glanced over at him, catching the glint of mischief in his eyes as his thumb traced slow, deliberate circles. Her heart raced a little, the anticipation of their playful energy making her pulse quicken.

That’s when she couldn’t take it anymore. Not the first time and won’t be the last time they had car sex. In her head she thanks him for the dark tint on the windows. Imani maneuvers herself over the console. She straddles him. “You know I hate car sex.” She says.

Terry chuckles softly, his hands resting on her hips as she straddles him. “You always say that, but then you seem to enjoy it once we get started.” He smirks, his lips brushing against her ear as he speaks.

Imani laughs quietly, leaning in closer. “It’s the lack of space. I like to take my time,” she responds, her hands sliding up his chest as she finds comfort in the familiar closeness of his body.

He presses his forehead to hers, his voice turning playful but with a touch of sincerity. “If you don’t like it, we can always find somewhere else next time.”

She smiles, feeling the warmth of his embrace. "Next time,” she repeats softly, her fingers trailing down his chest, slowly teasing. “But for now...” she leans in, kissing him deeply as her body melts into his.

Terry, ever responsive to her, deepens the kiss, his hands moving to the small of her back to pull her even closer. As the moment lingers, they forget about the cramped space, lost in the connection they share.

“Now. Let me hear you moan for me real fast.” He says. She moans as his hands reach their destination. One thing that always made sure that made him on rock hard was her moans. In the next breath, “Now. Tell me you love me.” He says.

-

As they arrived at their destination, Imani instinctively reached for Terry's hand, intertwining her fingers with his. She gave it a gentle squeeze, glancing up at him with a soft smile.

“You ready?” she asked, her voice filled with warmth and reassurance.

Terry nodded, his grip on her hand firm yet tender. “As long as you’re with me, I’m ready for anything,” he replied, his tone carrying the weight of his sincerity.

Tags 🏷️

@nahimjustfeelingit-writes @avoidthings @nayaesworld @haechvn @writingsbytee @grlsbstshot @haechvn @ovohanna24 @skvrpion @megamindsecretlair @kimuzostar @notpradagurl7 @kenshisluvrgirl @planetblaque

[thewitchblue]

"I told you not to touch that."

You had warned a very curious Tim repeatedly. This one wasn't anything harmful. You simply didn't want him touching your potions. It was a very annoying potion to make.

You had left it boiling on a burner while you got a snack, but Tim shut off the burner to touch your half-baked potion. You had no idea how long he's had it off the burner, but it wasn't boiling anymore.

"What does it do?"

He didn't have the guts to do anything but hold the boiling hot beaker. At least, not in front of you. He felt like he was a kid caught with his hand in the cookie jar.

"It was SUPPOSED to be a present for Jason, jackass. Now it's ruined."

You aggressively took the breaker from Tim and borderline slammed it down on your windowsill. You stormed over to your burner and turned it on again. Maybe you can salvage it. It had stopped boiling because Tim was too curious for his own good.

"Oh."

Tim looked embarrassed. You didn't bother to tell him it was liquid weed, so Jason could stop stinking up the manor when he smokes.

You were sick of getting accidentally drugged because Jason left brownies out without a "do not eat" sign. You think Jason secretly likes drugging people, but there was an unspoken agreement: shut up and leave the drugged person alone.

You were hoping this potion would get him to go to you instead of some shady drug dealer, but Tim doesn't need to know any of this. This is between you and Jason.

"Do me a favour and never touch my stuff. My next potion won't be so friendly."

You grumbled. You were the family witch. Yes, the stereotypical potions and general magic. You learned from Constantine and Zatanna how to use spells, but potions are where you shine.

You are called The Alchemist at night and are feared mainly due to how prepared you are. You had a potion for anything and everything.

The villains actively avoid you as a result of your preparation. You're seriously more prepared and paranoid than Batman in a lot of cases.

Scarecrow is the only one salty enough to go after you. He wanted you as an apprentice, but he's not getting anywhere by kidnapping you on the occasion. Come on, just give him one potion that he can replicate if he can't have you on his side!

Joker found you boring, Bane doesn't want to tango when you take away his muscles with a potion, Ra cares more about physical combat, and the list goes on. It's ridiculous, truly.

You were actually quite close to Poison Ivy, however, and she supplies you with various plants for you to use. You even send her photos to update her on how the plant is blooming with a thank you text (yes, you have her number, score!)

Being a Wayne helps with the potions as well. You can get you an endless supply of various metals, chemicals, and powders to work with alongside the plants. You often question if you are on a government list somewhere. It doesn't look good to order 15 kilograms of gunpowder and potassium nitrate.

The family doesn't know any of this, but then again, they don't know much about what you do. They rarely ask questions about your potions except nosy Tim, who refuses to leave your room until he knows more about whatever potion you are making at the time.

"I was curious!"

He tried to defend himself, which failed as you retorted,

"And you could have had your finger dissolved if you touched it! For the brains of the family, you really are stupid."

Does he have no sense of self-preservation? Why on earth would he touch a mysterious liquid? Survival of the fittest indeed.

Tim scoffed. How else is he supposed to find out more information if he knows nothing about the process? You had all your potions memorised! No recipe book, no paper trail, you even have a witch/magic users pack between Zatanna and Constantine, so they won't tell the family anything. He can't even identify all the plants you use so he could test them.

"You're lucky I make weapons for you guys. Some of this stuff takes weeks! I have 9 of you guys running around, using MY supply because you guys don't use your potions wisely. What if I needed the paralysing potion for Bane, but uh-oh, you stole it from me, so I can't do anything."

Tim had no excuse. He's, admittedly, stolen more than a handful of potions to reload his weapons, and he's not the only one. He tried to smooth over your irritation. In a nervous tone, he said,

"I'm sorry. I would be surprised if you didn't notice the missing potions, though."

Damn right, you'd notice it. What kind of alchemist would you be if you didn't notice your missing stash and resupply? Granted, you also have the power of bullshit spells that you learned from John and Zatanna, so you aren't entirely helpless, but it's annoying reaching for an imaginary potion on patrol and needing to trudge all the way home just to restock.

"I think you need to keep your hands to yourself. I might have to redo this potion now. Please tell me you didn't touch the potion itself."

You wouldn't know how to handle a high Tim Drake. You tried to keep your eyes on him while putting your potion back on the burner. Is the weed in his bloodstream, or are you safe to continue your drug cooking?

He gave an awkward smile. He may or may not have smelled the potion. It smelled like a freshly mowed lawn, and the tiny sip he took tasted like an apple. When all you got was silence, you groaned and said in disbelief,

"Oh, fuck, of course you did."

Just your luck. The drug will hit Tim any second now. You ran a stressed hand through your hair before turning to him and saying sternly,

"You are going to sleep on my bed and let the potion run its course. Do. Not. Leave. This. Room. Got it?"

Tim looked confused, but what does he know about magical potions? If you say let it work through him, he'll follow instructions. He sat on your bed and then it hit him.

"Woah, what the hell did you do to me? Were you trying to lace Jason with something?"

You frowned and physically pushed him onto the bed. You quickly swaddled him like a baby in a sea of blankets.

He can not leave this room. Bruce would murder you. You were supposed to be the good one. The only one who caused no problems (to their knowledge).

"Tim, look at me."

Tim did not, in fact, look at you. He was distracted by all the plants you have in your room. Did someone drop off more plants in the time he's last been in here?

"Did you get more plants?"

You huffed. You didn't. They have only grown since he's been snooping in your room. You tried to get his attention by snapping your fingers and calling his name,

"Tim?"

When he continued to look around with rapidly reddening eyes, you squished his face in your hand and forcefully pushed his face until it faced you.

"Tim, you are going to sleep. I'm going to play some music for you and we are going to forget all about this when you feel better."

You can make a potion to erase recent memories. Tim can't know you are making drugs in your room. Nobody can know except Jason.

You decided to turn on some calming music in hopes he would drift off, which seemed to be working as his eyes drooped, and he smiled at you like he knew something you didn't. He was lost in his thoughts, clearly.

You wondered what was going on in that big brain of his. It didn't matter. He can blaze in blissful peace while you deal with his mess.

You kept the music quiet and soft like he was at a spa. You hoped the combined warmth of the blankets with the soft music would work faster.

With a sigh, you stood up from your position at his bedside. This is not good. Tim needs to learn when to leave your stuff alone. What if you boiled his blood or poisoned him? It's best to leave the witchcraft to the witch.

You watched him like a hawk. His thoughts seemed to be slowed and sluggish. You supposed you can bottle your potion after all. Should you put a dropper on it? Normally, your potions soak through the skin and clothes, but you were extremely careful with this one.

You gave his forehead a small kiss once he fell asleep. You went to your bottles while shaking your head in disapproval. You were very happy with the results of the potion, not so much with the tester. You would hate to think about what could have happened if you didn't swaddle him. Would he be walking around high and babbling about funny potions? Probably. He was already hallucinating pleasantly by the time he passed out.

You were so lucky that Tim didn't get the potentially dangerous symptoms. You can handle a mellowed out Tim, but not if he was going through psychosis.

After successfully bottling and hiding the potion, you pulled out one of your memory potions.

You felt bad drugging him then making him forget about it, but you can't have him telling anybody, whether accidentally or purposefully.

You know you could just tell Bruce that Tim touched a memory potion on your burner, and he'd believe you, but why draw in the eyes of Batman? He would want to know about all future potion making.

You frowned as you put one drop on his forehead and watched it sink in. He won't remember any of this.

You were a bit overprepared, but you were Batman and Constantine trained. Of course you'd have some weaselly way out of accidentally drugging someone.

Oh, John would be so proud of you.

[windcarvedlyre]

I've been following @druidposting's DR2 playthrough on discord and we just had a really good discussion about DR's Closing Arguments. Specifically the way the murderer is depicted as grey and featureless, which until now I found a bit annoying.

In Danganronpa it's repeatedly the case that we don't have the full picture until the talking actually stops- which always goes beyond the end of the trial. We generally vote first and come to understand what the murderer's actual motive was, sometimes filling in important pieces of the timeline in the process, afterwards.

But none of that matters for the killing game because characters' emotions aren't directly relevant to who was the 'blackened'- the only thing that matters to Monokuma- so it comes out afterwards and does nothing to change their execution. It doesn't matter how sympathetic they are (basically everyone) or whether other people share responsibility for the situation (eg. Hanamura, Pekoyama, Momota) or whether they intended to murder at all (Nanami). They objectively pulled the trigger and nothing else matters. Nothing about them as a person matters.

The Closing Argument mechanic might illustrate that problem- literally. They're a dramatic, conclusive summary of the entire case... constructed before the vote even happens, before we know if we're actually right, and they're missing something really important:

The actual perpetrator.

We quite literally don't even begin to see the real person behind the crime, any real exploration of their mental state, anything besides the cold, hard facts of the murder that are necessary to convict them, until the comic finishes and the protagonist makes their final accusation- replacing the grey figure with their real appearance in a shot that's often intensely emotional.

And these comics lack crucial parts of the case's timeline and sometimes important parts of the very scenes they depict that we only find out about afterwards. And those are what we know; characters may die with some pieces of the truth and prevent us from ever learning them. These aren't objective depictions of the murder, they're the protagonist's subjective attempt to connect the facts they have. A join-the-dots portrait of someone with missing dots and no colour.

Even characters' expressions may not match how they truly feel, with the grey placeholder potentially looking way more confident and sinister than they were in reality. Pasting Falter's commentary here since they put it well.

For obvious reasons this could especially be a problem for characters that die before the trial- the ones we never get a post-vote testimony from. DR1 chapter 4 really highlighted that in the way Asahina's huge misinterpretation of Oogami's feelings took up a lot of the post-trial discussion, only for Monokuma to reveal Oogami's real suicide note and recontextualise everything.

It might really be a problem for how Komaeda's depicted in DR2 chapter 5. While he isn't greyed out, we get panel after panel where he's either level-headed or maniacally evil, and even the depictions of his self-torture and death don't humanise him:

But we know that his real feelings were more complicated than that. We have his actual corpse to compare the last page to.

He died afraid.

If we approach the comic as Hinata's mental image of him instead of reality, he died without anyone truly understanding him. He was alarming, very hard to relate to, actively fought against people doing so, ensured even the killer didn't watch him die, and the survivors couldn't begin to understand his motive until a chapter later. The Closing Argument reflects that.

Early in DR1 Togami calls out the rest of his class for judging others by their own standards. However, he, too, is doing this, maybe more so than many other characters; his inability to view other people through anything but the cold, brutal logic of the killing game bites him in the ass in chapter 4. In DR2 chapter 2 voting without a good understanding of Pekoyama's motive or Kuzuryuu's involvement nearly got everyone killed. Komaeda's a walking embodiment of the problems with flattening people into caricatures and not empathising with them, suffered from people doing that back to him, and his case- the Closing Argument for which turned everyone else into grey placeholders- was impossible to solve with objective facts. It was only survivable because the survivors cooperated and one person tried to analyse things the way he would.

The games have always been a critique of the justice system and Japanese society and push us to care about others as individuals, not reduce them to- and judge their right to exist by- something they've done or their net impact on society. There are always consequences when someone neglects to do that, and the above might be yet another way the games explore that theme.

[fipindustries]

To any fellow illustrator that may follow me, here is a key advice that took me too long to learn.

I always found that the drawings i do as im idly doodling while bored, trying to distract myself from a boring lesson or a meeting, are always so much better and stronger than most things i draw when i sit down with the intention of creating something.

For years i chased the way to trigger that state of flow, to snap myself into the zone. I think i finally know the secret, and its so incredibly ovbious on hindsight: Dont Rush.

When im drawing while bored to distract myself im not rushing. Im letting each line and shape take as much time as they need. I dont have anything else to do, i cant leave to do something else. Im stuck with this lesson or speech or videocall so im in no hurry to finish the drawing.

When i sit down with the sole intention of drawing all i want is for the drawing to be done so i can move on to something else. I dont let myself get lost in the process. I put lines on the paper so they represent the thing i have in my mind and thats it.

So with that in mind, ill say it once again: dont rush. The trick is not to draw slowly but to draw carefully. Be tentative, let your hand find its way through the shape, to feel it out. Dont jump at the final line, test it out with gentle sketching until you feel confident the line snapped into place and your hand can trace it.

Be deliberate, be aware, be mindful of what youre doing. You dont have to overthink it but you do have to consider it. Your hand will find itself, its muscle memory will kick in, but you have to give it time, you cant force it

this all sounds like woo and its probably not very useful if you dont already know how to draw well, i know. Is just a good mindset to have to avoid being sloppy.

[mageofquandrix]

I’m not sure of all the details, but it would relate to Lucien’s backstory; his current status with the Mourn Watch, the destruction of Baron Von Markham’s corpse, and (if I could find a way to weave it in) the circumstances that lead to him being found abandoned in the crypts.

Someone would be attempting to have him permanently expelled from the Mourn Watch, which was his entire life pre-Veilguard, and a life he’s eager to return to. Maybe someone turned up with fabricated evidence his actions were premeditated, or some other damning information that’s false, but could ruin his standing with the order.

It would involve corruption in the order, revenge on the part of nobility, a play for power and control that the War of the Banners was just a piece of. Possibly discovering a dark purpose (a sacrifice, for example) that he’d been intended for as an infant, and how it relates to the this larger plot.

In the end, he would be cleared, but the process would have uncovered hard truths and he would have to face that the Watch, like anything, has its underbelly. His eyes would be opened and he would be forced to have a less naive view of it.

It would end with a choice; continue to dedicate his life to the Mourn Watch, knowing the good and the bad? Or does he choose to do something else with his life?

Hello, beloveds! It’s Friday, again!!!

Hope you had a Merry Christmas, Good Yule, Happy Saturnalia or are currently having a Happy Hanukkah or Kwanzaa, and a great New Year! (Or a fantastic whatever else you want to celebrate!)

Let’s talk about Rooks!

Inspired by @introvertedfangrl ‘s current WIP (I hope you don’t mind!): If your Rook had a companion quest/series of companion quests, what would they be about?

(I will be out this morning/early afternoon so it might take me a while to respond! I appreciate your patience!)

[haonqq]

Might have to fistfight this mechanic shop, we shall see

[critai]

4321

[cream-and-tea]

oh pallas and agnes power dynamic you really are SO unbelievably fucked,,,,,

[lemongogo]

me admitting that i dont hate ast*rion after all .

[theres-whump-in-that-nebula]

I keep remembering that back in the congregation I most recently attended, there is an elder’s wife who is a rockhound for the scientific and aesthetic intrigue, but also believes in crystal healing… which, all things considered, is absolutely fucking bonkers.

[drivemysoul]

i think this whole process broke something in me that i don’t think i can ever put back together

[smile-files]

CLOVER II IS REAL. THIS IS NOT A DRILL

[bravevolunteer]

.... no i refuse to be normal actually i'm sitting here thinking about how michael means "gift from god" ... "he who resembles god" ... paired with william's, uh, Whole Thing....... the name william which means "resolute protector" the man who was supposed to protect and love you and IS obsessed with putting your family back together and keeping you there despite resentment passing that name down but you take that role and tear down his empire with it in the name of protecting his victims. "who is like god" you are forever tied to the man who thinks he is is a god who holds the lives of everyone in his hands you CANNOT ESCAPE your resemblance to him or the fact that you were something good to him until you were defective but you take his so-called means of protection and set fire to them to truly set everything free-

[sehnsuchts-trunken]

basically the entire side of my mom's family is sitting in the living room and guess who's hiding in their room to cry about a fictional reality because they're not in it and never will be

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)