#and if u have any questions on how to emulate/get it set up PLEASE come talk to me. just remember to get a jp bios for the emulator ok :)
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Final version of the Volfoss guide/unit guide download link here (dropbox, if you need an alt download just message me :]).
The guide includes:
Full, line by line, translation/transcription of the story and 5 endings
An in depth character list with image descriptions for each character and the in game gallery descriptions (as well as some of my own for the characters that were either very minor or did not have them in the gallery for spoiler reasons) translated and transcribed
An in depth unit list with image descriptions for each unit as well as the in game gallery description translated and transcribed
Full, in depth descriptions of each menu and battle strategies
Every single side quest (over 50!) with full information and strategies on most of them (the only ones that don't have them are the ones that are very easy and self-explanatory)
A 5 page table of contents that will navigate to any quest, any side quest with ease
A complete list of every item, taken straight from the manual
A complete list of locations with the in game descriptions translated and transcribed, as well as a handy table to show which locations are under which government system
A (very long) gem combination table that makes the otherwise complicated system a lot simpler to use
The unit guide transcribed into a handy spreadsheet from the physical in game format, so it's very easy to see what enemies do what and which units you may want on your team
Misc Links:
Manual and Map scans here (not including the unit guide scans as they scanned in pretty badly)
The .cue/.bin files to run it on Retroarch (or any emulator of your choice, just scroll down to get the files labelled Volfoss (Japan), it's an archive.org link)
#twist rambles#sorry i am not putting this on google docs it fucks the formatting up soo bad lmao#volfoss#<- maintagging this <3 but im finally done lmao#♟#ok to rb#<- in fact please do :) ill be queueing this for a few days bc well. 2.5 months of work. i want it to be seen lol. and ill ofc make a post#when its all up on gamefaqs. its all the same info just slightly different formatting :)#anyways. god. weird as fuck to be done but my final message 2 the world.. play volfoss 2001#and if u have any questions on how to emulate/get it set up PLEASE come talk to me. just remember to get a jp bios for the emulator ok :)
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Is there any advice you’d give to other writers if you don’t mind? I love your style and the pacing is spectacular, especially for keeping me personally hooked on the prose
first of all thank u this is so kind!! sorry this took me so long to answer i read it and then for the next 24 hours i was like Who Am I To Give Advice? so take this all with a grain of salt. but!
on a broader level: i know everyone is always like "read a lot:)" but honestly when it comes to figuring out your own personal style and voice it is tremendously helpful to not only read a lot but also to specifically read with the intent of like, really trying to get under the hood of a story and figure out exactly what works (to you) and why (or what doesnt work!). personally i love rereading stuff that has really moved me & that has some element i would like to try to emulate my own writing, and seeing if i can pinpoint what specifically an author did - in terms of story structure, characters, or more granular sentence level stuff, etc - to evoke that reaction in me. and then figuring out how to apply those observations to whatever im trying to achieve in my own writing.
this is all very individual so dont take this as prescriptive advice by any means, but you mentioned my style and pacing so just in case u wanted advice more specific to my own writing - in prose, i really love textured, clear images that are as specific and detailed as possible, and i think i'm getting better as i write at recognizing which details and aspects of imagery are interesting and add to a scene vs which ones feel pointless or excessive. also helps a lot with pacing to tie scenery/setting/etc details to the characters, or the narrative voice, or the action/movement of the scene. eg you can have a static description of a sunny day or you can slot that in with a character shielding their eyes from the sun or putting on sunscreen or whatever (awful example. i am so sorry. just spitballing) and often the latter is more interesting!
BUT ALSO!! sometimes there are works where you're reading like ok this all very pretty and all but i have completely lost the thread of what is physically going on in this scene. And i know i said i dont like prescriptive advice but im comfortable saying that when that happens its generally bad. so i try to have a mix of description thats just straightforward and There + observations that are both descriptive and also relevant to the pov character + action. that helps with pacing too lmfao like if 2 people are talking and i need to imply a pause but i don't want to write "She paused." for the millionth time in a row, thats when im like Ok its time for a few lines of Walking And Observing Our Surroundings In Great Detail:)
also something that helps me is once i know what i want to happen in a scene & have some dialogue and action in mind, i honestly just let it play out visually in my mind like its a movie lol. and then when i actually go to write it feels more like im just observing and recording it. i think doing that helps a lot with both clear imagery and pacing! at least in my head it forces me to consider pacing on a more concrete level than if im just directly coming up w shit and immediately putting it on the page.
but also there are tons of writers i love who i do not attempt to emulate at all in terms of voice or style! so like. again i think its much more important to identify what You like to read & what kind of voice you personally want in ur writing than it is to try to adhere to someone elses advice if it doesnt work for you!
if theres something more specific u were wondering about/if i did not address your question in any useful way please feel free to shoot me another ask hahaha but hopefully at least some of this rambling was useful to u! and thank you again!:D
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Expressions of interest - portrait commissions
Hey there art fans, if you’re interested in commissioning a portrait, here is how, it’s a little different to how I know most other artists work so please take the time to read. Due to my fluctuating health I’ve found that I can’t have a set of ‘commission slots’. Because what ends up happening is that when my shitty health kicks in I end up having to cancel on people who have booked in. So what I’m doing instead is an expression of interest list!
What is this and how is it different to commission slots?
Basically putting an expression of interest down means I’ll add you to a list of people who are interested in organising a commission with me. When I’m able to take a commission I will contact people in chronological order, if you are still interested, we will organise it (what you’re looking for, reference images, prices etc) and I will paint it, doing one commission at a time. If when I have finished that painting and I’m still able to work, I will contact the next person and start the process again.
If you’re on the list and you’ve changed your mind or no longer want it, thats ok! Its just a list of people who are interested, you’re not locked in and there’s no deposit that needs to be paid to be on the list. If you decline i’ll just contact the next person, and you can stay on the list or get taken off it, whatever you want.
Why do it this way?
I have a chronic illness that flares up unpredictably, for indeterminite amounts of time which makes it difficult to commit to long term projects, this is why I haven’t opened commissions for years (and also why i’m not working my dream job). If i agree to do 5 commissions and get sick halfway though one its going to screw over everyone and I might not be able to start work on them for weeks or months, there are multiple people who have paid deposits and are expecting work who are going to get impatient and disappointed. I also tend to panic when I have too many things on the go, because I’m always afraid something will come up and I won’t be able to do them all. doing things one at a time like this helps me stay on top of it.
What can I commission and how much is it?
Realistic portraits of anyone you want! It can be you, your favourite character, an OC, even Jeff Goldblum if you have a craving.
gender affirming portraits: if u want stubble or anything you want to do with a self portrait, just talk with me about it, i love doing this.
Portraits start at US$150 and increase with complexity or additional characters.
All portraits will be bust sized (shoulders and up, see examples), and basic portraits come with a basic coloured background (first four), basic clothing (like the tshirts) and you can also have a tattoo!
If you would like something more detailed like the Sombra portrait with her glove, multiple, intricate tattoos, or items, we can discuss that and add it onto the price.
official artwork for bands and book covers: happy to do it, but we will need to negotiate a price for reproductive and commercial licences.
Detailed costuming is negotiable, but not my speciality.
More complex backgrounds negotiable, but not my speciality.
What won’t you do?
Everyone has their nopes, these are mine
emulating someone else’s style, I paint like me.
super complex backgrounds or cityscape bacgrounds: if it has to look like a place and not just the impression of a place then I’m not the right artist for that job
Super complex outfits: to be honest I’m rubbish at designing clothes, You’ll notice that all my clothing is either very basic or made up of folds of cloth.
Furry art: not that i don’t like furries but I’m just not good at it, you’re better off asking a different artist. Nonhumans are ok! but like, humanoid. Please talk to me about it so we can figure out if its something i can do.
porn: again, not my thing. I can do like, romancy stuff but if I have to look at porn to reference it I don’t want to do that.
hate or hate symbols: this is pretty much like... look i’m not going to do any nazis or donald trump or anyone like that. I’m not going to do anyone’s historical nazi oc either. Real world hate groups are a hard no. Anything depicting a hate crime is also a no.
And i think thats it! please contact me if there is anything else you want to ask, no question is a bad question and i’m happy to chat.
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Ramble about the Deku Tree and Alden >U
Okay. Finally getting around to finishing this ramble. Sorry it took so long ;w; I had one of those times of “wow I really want to do this //does everything else” orz.
Just as a reminder, the stuff below is following my ‘headcanon’ of junk. So please don’t take it literally XD And I apologize for length. This is way too long haha.
So I’ve pretty much stated in my LoH lore before that I believe the Deku Tree can create life. It’s never really stated what he can do so I just roll with it given it makes explaining stuff a lot easier. And he’s supposed to be a deity of sorts anyway. He is a ‘spirit of nature’ after all so why not organic things? His specialty beyond ‘simple’ plants are forest fairies (aka guardian fairies), koroks, and his newest/most proud creations the kokiri (the intended form of the koroks).
Now even if he is a deity, it had taken him quite a few decades if not centuries to ‘perfect’ every sentient creation. He is proud of them and he enjoys watching them live their lives. They bring about a harmony he loves. They are not savage but rather innocent creatures. They have bouts of anger but they never outright really try to hurt anyone beyond survival needs. These creatures are his children. In all due respect, he wants to protect them beyond just his magic because he understands that his magic isn’t unstoppable. In fact, his magic is mostly that relating to creation of life.
Given legends of the past, the Deku Tree is worried about something bad eventually happening in his forest. This means that his creations will die in bloodshed rather than natural causes (not to say they can’t die to monsters or creatures in the forest in general). Not to mention his control over the Lost Woods is only so much. It has a strange magic of its own and the way to navigate it seems to change from time to time. The only way to protect his children is to create something unlike them.
The legends of the past speak of heroes. This would be something he would believe in but there are other things that stood out too. Robots, machines, and even of swords that have spirits. A lot of his interest went into these ‘mechanical’ aspect but the resources to make a machine let alone an understanding on how to make one was just outright lost. A sword spirit however was more in his field given his magic. It sounded a lot more organic than trying to make a machine. He put many fairies to work to try and find information on creating a sword spirit but not a lot of information was returned. Still it was enough for him to make an attempt and a chance at extra protection for his organic creations.
It took a lot of tries to actually create Alden properly. Creating life was pretty simple in comparison to making a metal statue mostly made of magic live. For a time he gave up and thought about perhaps making a new race to protect the forest. But then what to give them? He didn’t want to create any sort of monsters or have the creature(s) turn into them. And what if they died for some reason? There were so many variables that he wanted a constant. It needed to have a little consistency like he did. Having a protector of the forest meant sacrificing some things that made organic life better in his opinion. Plus it couldn’t die as easily.
A few more tries were given with more success but nothing solid. At times he’d end up with metal lumps, other times a spirit that only survived until the gem collapsed, or just a spirit that died for no reason. Eventually Alden was created using pieces of these spirits (in terms of metal body, not gems) and there is a celebratory moment. However the moment is somewhat shattered when he realizes Alden isn’t anywhere near what he expected. The spirit is outright confused upon creation and doesn’t know what to do. Even though he’s seen others have this problem, the fact Alden doesn’t shatter right away brings some pain. He’s lifeless compared to the organic creations. There is little will beyond asking for instruction on what to do. This really makes the Deku Tree regret his decision. Thankfully the fairies (and a few koroks) step in on the Deku Tree’s silence to make Alden start to ‘live’.
The Deku Tree gives Alden a simple purpose of protecting the forest before instructing him to meet the kokiri he will be protecting. Given Alden is just outright do and ask only simple -if not stupid- questions, he just pops out and gets scared by the reaction he got. Just backlash. He was told not to fight them yet he got rocks and sticks thrown at him. His instinct did want him to fight back. Instead he retreats and asks what he did wrong. The fact Alden couldn’t come up with making a disguise is actually somewhat troubling for the Deku Tree despite there being some promise given how he reacted to the event. There was a little hurt in how he acted which was a good sign of life.
From there the Deku Tree instructs him to make a disguise to fit in amongst the kokiri. The actual disguise takes a lot of work and quite a few attempts before he fits in enough for the kokiri to let him be. He actually had to observe -alongside getting feedback from his partner fairy- and choose. Thing is, even with a disguise to fit in he still lacked basic things others could do. He couldn’t emulate eating, sleeping, he ‘cheated’ at games, etc. He had to learn how to be a child and fitting in became a priority. In all honesty, it was part of his purpose whether or not it was intended.
Alden’s frustrations with fitting in became apparent to most in the forest. It actually became a bit of a joke and he didn’t mind playing to it to fit in. However being laughed at still stung him. Thankfully during his existence thus far the Deku Tree tried to teach him through stories. It was a thing he did every night with Alden when the kokiri were sleeping in order for Alden to learn more about the world he was in, the kokiri, and just how to ‘live’. Stories of heroes and such became Alden’s favorite as he could relate to them more because of what he is. Every once in a while a kokiri came too which meant Alden could observe a bit.
All in all, this was a big effort. More than the Deku Tree wanted to do. He honestly felt awful for creating Alden to be so lifeless at first but was so hopeful with how much he was growing. Even if he was a bully from time to time, he still was trying to live. Still he was a spirit with little soul. Alden wasn’t completely stupid or extremely smart. And he didn’t have a large range of emotions but rather a collection of emulations and reactions he understood for certain situations. He could be angry at the right moments or emulate happy at the right moments. Very little things were genuine unless it involved his purpose, a wrongdoing, or a chance to show off his powers. Really the only plus of anything there too was his speed, magical abilities (at the time due to the Tree’s power), and his skill with the sword. Unlike most others (including most people he’s met), the Deku Tree sees that Alden is mostly a machine of reaction at the proper times. And honestly, that is how I see him too. A very well studied one that goes to extremes. But back to the tree who wishes he could make Alden ‘real’.
The arrival of Link to the forest didn’t help Alden grow at all either. Especially when the Deku Tree could observe how little Alden changed. He was confused by the baby (as were many kokiri) but Link just had an understanding of everything so much easier. For a time, Alden even distanced himself from the kokiri as Link was growing because he couldn’t understand what the heck a baby was or what it was doing. The baby was annoying as far as he was concerned and he didn’t want to break Link either. He was more fragile than a fairy and cried every time he was forced to interact. If anything, he only got more confused on Link growing up. Despite knowing how Link got there and bringing him to the Deku Tree in the first place, Alden never once mentions this to Link. And in fact, he ends up being on of Link’s bullies given he chooses to be with Mido due to Mido’s status as leader.
Upon Ganondorf doing his crap in OoT, he honestly hoped that Alden would have died in that attack in some respect. Alden wasn’t a strong spirit but rather a mostly innocent one that had a hard time understanding how to ‘live’. Destroying him would be a good thing in that respect. At the same time, Alden was a great creation and he didn’t want him to die. Alden was dutiful and did everything in his power despite being bested. Alden chose to defend when he clearly could have easily stayed out of the situation. The lack of a real choice and the obligation to do his purpose is what could have saved the Deku Tree. Ultimately it would help shape Alden further though.
Skipping through Alden blaming Link for the Deku Tree’s death, revealing himself to Link, and outright continuing bullying, we get through the Forest Temple. The sprout emerges from the ground and isn’t exactly the same one as before. However it still carries some regret about Alden. It was partly saddened to see Alden still existed but glad to see he was still trying to do what he was created for. There was a sense of relief that he at least did one thing right with Alden. On the other hand, Alden didn’t consider the new sprout to be the same tree but wanted to listen.
The sprout specifically tells him that the old tree wanted to give him new purpose. Those being 1- Continue to protect the forest to the best of your abilities, 2- Do what you can to help Link, and 3 - Live your own life. The last one having the most emphasis which only confuses Alden. His entire ‘life’ has been fitting in and protecting the forest. So really he puts the second job as his priority. And that only leads to more issues given he is set on his duties and he is a spirit of reaction.
But that about sums it up without jumping to other games or LoH. Sorry it turned into more about the overall arc of his story. But eeeeh lemme just state this. There is a deep regret the Deku Tree carries about Alden. Alden however is a creature of reaction and learned behaviors rather than his own being. Given enough time, he would assimilate into another culture. Fitting in is his ‘life’ and little things do confuse him. Why a certain way of dressing? Why are some actions more preferred than others? He has many questions but refuses to ask them and instead just tries things in hopes of positive reactions when able. Otherwise he will observe unless he feels brave. As I said, Alden isn’t smart or dumb. He reacts. His entire character is about proper reaction rather than being him. His entire emotional range goes from extremely angry to extremely happy or extremely sad in a matter of seconds. There is very little inbetween so it can be as if he is hyperactive. The only time he tends to sound mature is when he feels there is nothing to react to and can state what he wants. It is confounding to him to be outside of the forest until he realizes that children can get away with certain things. He uses his childlike nature to Link’s advantage when the adult Link cannot do things. Fi has her smarts, Ghira has his emotions, Alden has a mix in terms of just reacting in the proper way at the proper time (which can be messed up!). So more or less he understands to an extent when to be happy, sad, etc.
To quickly jump to another games since I rambled about the rest, Alden’s second purpose becomes a major focus for the MM game. Especially since he becomes even weaker. Alden’s focus is broken to a point and he has a loss of powers. At times he is a hindrance to Link. At the same time, it also allowed him to speak his mind more freely. If anything he sounds a tad more intelligent than before if not emotional. He thinks about things and realizes why people might enjoy it. He’s seen a lot more in life than he ever would have in the forest. Being lost in these thoughts become is downfall however. There are joys/fears/etc. he’ll never understand and it kinda scares him a little. And it scares him even more that he won’t be able to protect Link from it. In the end he fulfillshis third purpose before he is ultimately destroyed. He spends time with Linkdespite time travel and enjoys things he hasn’t before. And as an upgraded sword, he can continue to protect Link. But that’s for that version.
Come LoH, the Deku Tree gets to meet Alden once again. There isgreat disappointment in knowing that Alden was left behind by Link but also ahappiness in seeing that he’s trying so hard to help someone else. Alden has chosen to continue his job and his reactions give more ‘life’. He seesKalla has rubbed off on him and he’s actually happy to hear Alden reject himwhen he states that he should stay. Still Alden is a lost cause as he seesgiven he is so strung to his purpose that living will never really happen. He’s still attaching himself to a forest dweller despite wanting to be outside of the forest. And the only reason Alden states he wants to stay outside is to protect the forest. Sothere will always be a loss for this magical life he created rather thanbiological. Little does the Deku Tree understand though that if Alden was to stay, he’d try to leave. Alden does want to protect the forest but understanding others to some degree might help. He in no way wants to be like them (he believes himself a kokiri after all) but it means a possible means to an end if he has to fight them.
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