#and if no one wrote it then oh well :^)
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chatlote · 1 month ago
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Just because you don't love yourself it doesn't mean I will stop loving you.
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romans-art · 7 months ago
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completely forgot I had these Sith Perdita sketches from years ago. I had a part 2 planned out for no great revelation where it would be revealed that the Sith driving all of the events of part 1 was Perdita, sister of the long dead Viola. I never got around to writing it and these drawings fell through the cracks of my hard drive.
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hurdy-girly · 5 months ago
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Bruce sat in front of the bat computer, pinching the bridge of his nose. A dead end.
Again.
He’d been on this case for weeks now. He’d found a hundred leads, and every one had led to less answers and more questions. He could probably make a sweater with all the grey hairs he’d been getting, and his hairdresser could probably buy a bike off of the dye costs alone.
He was the greatest detective in the world. And yet he had no clue who this guy was.
He really only had his instincts to thank for him noticing Tim approaching. If it weren’t for his frankly absurd levels of over preparation over the years he would have jumped out of his seat when the boy leaned over him to squint at the screen.
“Hey B.”
Tim sat down next to him. His body language was relaxed and casual, but Bruce didn’t miss the glint of concern in his eyes.
“Hey Tim.”
Bruce opened a new folder. All of them were starting to look the same.
“…this case is giving you a lot of trouble, huh?” Tim looked at the screen, glancing over the text. Bruce had missed so many dinners that he was pretty sure Alfred was going to drug him to drag him to the one tonight. He wasn’t surprised his children had picked up on it, too. “Do you need a second opinion?”
Bruce bristled a bit before meeting Tim’s eye. But Tim was just concerned. Not judgmental.
Bruce wasn’t sure he’d ever get used to his kids being that gracious with him. Or with anyone being like that.
“…it may be helpful.” Tim seemed surprised at Bruce’s admission. “Especially because all of this happened while I was… gone.”
“Oh.” Tim grew silent. The two had discussed the events and effects of Bruce’s disappearance into the time stream before, but it was still a tough topic between them. Between everyone. “…so. What’s the deal?”
Bruce sighed, pulling up his original files. “While I was gone, this person appeared. His case would be unalarming, but… this guy was everywhere. Tens of countries, none of them legally, all within the span of a few months. He ended up on several government wanted lists. He seemed to be everywhere. So many organizations locked onto him, but he just… kept getting away. No one could track him down, and… I’m starting to think I can’t either.”
Tim frowned, scooting closer to the screen. “And we didn’t look into this guy sooner?”
Bruce shook his head. “He seemed to slip through the cracks. But this guy… he got places no one should have been. My current working theory is that he’s a meta, or some sort of magical entity. I’m considering sending John some of this to get his opinion.”
Tim blinked. “That bad, huh? What’s this guy’s name?”
Bruce sighed. “I’m not sure. There were a couple I found, and I’m not sure if any of them are even the true name. There was one that got noted down a bit more often than the rest.”
Bruce pulled up his first document.
“Alvin Draper.”
Tim fell very quiet.
Bruce looked over at him. A bit of worry hit him. Had Tim met this guy before? Why hadn’t he said anything? Was everything alright?
Who was this guy?
“Okay, B? I’m gonna hold your hand while I say this.”
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eyrieofsynapses · 1 year ago
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
---
I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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fungus-no69 · 7 months ago
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Little things on defiant pc (you/your pronouns) ft. Gn Bailey, Harper, Remy and Wren
pc bites a lot, Bailey typical human trafficking, pc is implied to have been attacked by/visited the wolves, mentions of Harper's medical malpractice, amab Harper???? (dick jokes), mention of the wolf tf in Remy's, mention of pc in prison in Wren's, pc is joked to (possibly) have rabies, pc is feral in general
Bailey
You're a little terror.
You're fucking impossible to wrangle. If Bailey does manage to force you into restraints and sell you somehow while you're still kicking and screaming like you're being murdered you show up again within an hour or two.
They sold you to a party of rich people why are you covered in twigs and fur??? Why do you have (wolf)shrooms?????
Half considers putting a bounty on your head. Might.
Daydreams about the day you finally pay them
Harper
Harper is fighting for their life over here- you're showing up after passing out, being sent to the asylum every now and again, get them riled up and just escape???? Kissing them while your hands wander to their-
Oh.
Oh.
You sneaky little shit.
Yeah sure, Harper can just..... not creep on you but they can't help it! :( you're so cute!!!!! So what if they get a bit close or stick their fingers in your mouth to test your gag reflex? (you bite them so hard it breaks the skin and they have to get their rabies shots)
They are not a masochist. Ignore the boner.
Always half hard and ready to go with you I'm sorry.
Remy
You get taken to the Underground farm and tell Remy to go suck a fat one
You get muzzled for that. Also the whole biting thing you've got going on I guess.
With the wolf tf they are going to try and turn you into cattle without letting you out with the others. They know you probably won't eat the cows but they're not taking any more chances here. You've already made sure that half of the staff needs vaccinations against several infections and diseases (advised by Harper, who seems all too acquainted with you and your 'habits')
Why can't you eat grass normally....
What the fuck do you mean you befriended the horses. You can't even get along with people- oh you escaped.
When they see you working with Alex they damn near have an aneurysm. They just smile at you, strained. Why must you torment them like this.
Wren
Please stop eating the blackjack cards
It's literally that image like 'the smart kid wondering how he's losing to me : me eating the pieces when he's not looking' yk the one except neither of you are winning because you're fucking eating the cards.
You guys meet up in the prison so much to the point that they're not even surprised anymore.
More shocked you got caught.
It would USUALLY be concerning how horny they get over you but it's Wren so yeah.
Expect to be teased and egged on
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yume-fanfare · 1 month ago
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gentle rejection
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o3o-lapd-o3o · 20 days ago
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here's part 7! hope you guys enjoy! part 8 will be uploaded tomorrow!
(p.s my headcanon explainations are in the tags if you're curious)
the post/thread that started this whole au
dinner scene: part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | part 8
there's a masterlist now!
*after everyone had gone inside, telemachus left to go to his room to change while penelope and odysseus headed to theirs*
*penelope had help getting changed/ready from her handmaiden, however odysseus doesn’t start changing, instead he’s just sitting on a lounge chair looking out the window at the sun setting*
penelope: *now ready for the evening*
penelope: *to her handmaiden* thank you for your help. 
penelope: *smiles as she’s walking to the bedroom door with her* 
penelope: *remembers something* oh! please let the others know to make sure you all grab yourself enough to eat after all the hard work the past couple of days! or take some of the remaining fish & meat home to your families!
penelope: *waves goodbye as her handmaiden leaves the room*
penelope: *closes the door and turns to face odysseus*
odysseus: *still staring out the window*
penelope: odysseus?
odysseus: *no response*
penelope: *understands he doesn’t mean to ignore her* 
penelope: *slowly walks towards him* my love, it's just you and i now
odysseus: *finally realises penelope was calling out to him* 
odysseus: *turns his head to her* i’m sorry penelope
odysseus: *looks her up and down, always amazed by the beauty of his wife*
penelope: *giggles as she see the lovestruck look on odysseus face*
penelope: *stops just in front of him and twirls around*
penelope: see something you like?
odysseus: *standing up and pulls her into him by her waist* 
odysseus: always *goes in for a kiss*
penelope: *accepts the kiss*
penelope: *giggles when odysseus keeps planting kisses all over her face*
penelope: my dear husband, stop distracting me! 
penelope: it’s time for you to get ready.
odysseus: *stops the kisses and looks down and sighs*
penelope: *cups his cheek with her hand and turns his face back to hers* 
penelope: you know i’m not going to force you to wear anything you don’t want to, right?
odysseus: *leans into her hand* i know, i know…
odysseus: it’s so silly of me isn’t, it’s just clothing-
penelope: *now holding his face with both her hands* nothing is silly, not if it makes you uncomfortable my love
odysseus: *smiles* i love you
penelope: *smiles back* i love you too
penelope: *lets his face go* now, what would you like to wear tonight? 
odysseus: *looking at the tyrian purple pelops she's wearing* i would like to match my beautiful wife
penelope: *knows she had a chiton made for him at the same time she had her pelops made* ok, let's get you matching then
*once odysseus is ready, him and penelope leave their room and make their way to the palace entrance ready to greet their dinner guests*
*when they arrive, they see telemachus; who is dressed in more ‘princely’ attire than his usual day-to-day clothing, talking to athena who arrived not long ago*
telemachus: oh! mother, father, you're ready!
athena: *turning to them*
athena: *smiling* good evening
penelope: *smiles back* good evening lady athena
athena: please penelope, i think we’ve known each other long enough… especially after everything in the past year
athena: just athena is fine
penelope: *smiles* sure…athena
odysseus: *looking at athena* 
odysseus: it’s still so weird not seeing you in all your armour
athena: *laughs* well i thought the occasion didn’t require it
*the four of them continue talking for a little bit*
athena: i see that my uncle hasn’t arrived yet.
telemachus: *turns to his father* you told him it was tonight right?
odysseus: *nods* i did
odysseus: *thinks for moment and sighs* 
odysseus: he’s not going to come to this entrance… but i know where he’ll be
athena: i’ll go with you to get him
telemachus: me too!
penelope: *laughs* well i guess i might as well join too
odysseus: let’s go then
*they all head in the direction of the entrance for the palace gardens*
odysseus: *stops them before they all head outside* ok maybe we don’t all need to go down to the sea
odysseus: i’ll go meet him and we’ll both join you shortly
*telemachus, penelope and athena wait by the entrance talking amongst themselves, while odysseus makes his way down to the palace cove*
*odysseus arrives at the cove when he sees poseidon making his way out of the water*
poseidon: *sees odysseus* 
poseidon: king of ithaca
odysseus: *deadpan expression* poseidon.
poseidon: *rolls his eyes at odysseus, for the clear lack of title for him*
odysseus: the others are waiting, shall we get going?
poseidon: *about to agree when he remembers about the arrow*
poseidon: wai- uh i mean, i have a question before we leave…
odysseus: *eyebrow raised* 
poseidon: you're not… i don’t know, mad or angry with me or the sea’s inhabitants by any chance?
odysseus: huh?
poseidon: *pinches the bridge of his nose* has the sea or i, done anything to offend you in the past day?
odysseus: *now confused* no?
poseidon: *drops his hand from his face and then points at odysseus* then why did you shoot me?!
odysseus: *even more confused* shoot yo- whAT?
poseidon: *reaches into his chiton and pulls out the arrow he kept there* 
poseidon: *shows the arrow to odysseus* please tell me then, what have i done that's got you shooting arrows at the sea?
odysseus: *looking at the arrow, then up to poseidon* i've not shot any arrows at the sea? 
odysseus: also, who shoots arrows into the sea?!
poseidon: *hands up in the air in agreement, the arrow being thrown behind him* 
poseidon: that's what i said! but who else would it be? it hit the waters of this cove, so unless-
odysseus: *suddenly realises where the arrow has come from*
odysseus: *starts laughing*
poseidon: *brings his hands down and narrows his eyes at odysseus* what is so funny?
odysseus: *wiping a tear away from his eye from laughing so much* my son
poseidon: *now his turn to be confused* huh?
odysseus: *having collected himself * my son, he shot the arrow during archery practice
poseidon: *eyebrow raised* and you're teaching your son to shoot the sea… because?
odysseus: *rolls his eyes* it was an accident, my wife startled him and he misfired. 
odysseus: *lets out a tiny chuckle* i can’t believe it made its way to the sea though 
poseidon: oh
odysseus: yeah ‘oh’ 
odysseus: why would you think i’d shoot the sea anyway? 
poseidon: *arms now crossed and looking away from odysseus* 
poseidon: who knows with you…
odysseus : *smirking* oh poseidon…i’d just use other ways to get your attention
poseidon: *whips his head back to odysseus* 
poseidon: *sees odysseus’ shit-eating grin*
poseidon: oh be quiet… what if i arrived early? 
poseidon: *points at himself* i could have been hit!
odysseus: *snorts* oh please… an single arrow wouldn't kill you
odysseus: besides we both know you've been impaled with worse
odysseus: *turns to head back up to the palace* anyways, let's head up to the others
poseidon: *realising what odysseus said* wait-
poseidon: odysseus of ithaca!
odysseus: *just keeps walking ignoring poseidon’s outburst*
poseidon: *grumbles under his breath but swiftly walks to catch up odysseus* 
*odysseus & poseidon make their way to the palace garden entrance where now only athena is waiting*
odysseus: *looking to athena* where-
athena: *already knows what odysseus is going to ask* they headed to the dining hall.
athena: telemachus wanted to check some final things and penelope left to accompany him.
odysseus: *nods at her explanation*
athena: *turns to look at poseidon*
athena: *nods head at poseidon* uncle
poseidon: *blank look on his face* athena.
athena: *now looking at her nails* not seen you since you were up on olympus in apollo’s infirmary…
athena: *looks back at poseidon and grins* speaking of which… how’s your chest?
poseidon: *scoffs and crosses his arms* fine.
poseidon: *suddenly smirks back* need i remind you that you were also there for a similar  reason…how’s your face?
athena: *grin has left her face and now narrows her eyes at poseidon*
odysseus: *not wanting to deal with two bickering gods* 
odysseus: *sighs*
odysseus: *claps his hands together sharply* OK! how about we don’t fight in my palace, yeah?
odysseus: besides, telemachus has been extremely excited about tonight’s dinner, so i do not want anything ruining it…
odysseus: *makes sure to look at both of them*
odysseus: *red eyes appear & disappear in the blink of an eye*
odysseus: got it?
athena: *now semi-understands why poseidon listened to odysseus ‘requests’* uh-
poseidon: *putting an arm around athena’s shoulders* yep, no arguing here!
poseidon: *turns his head towards athena* isn’t that right my dear niece?
athena: *stares at poseidon in disbelief at the words ‘dear niece’*
athena: *turns to odysseus* you can’t be seri-
odysseus: *raises his eyebrow*
athena: *sighs* sure, no fighting in the palace
odysseus: *smiles* good. now i know you know where the dining hall is located athena, but poseidon doesn’t.
odysseus: so, if you’ll both please follow me.
odysseus: *starts walking down the hall*
athena: *shrugs poseidon’s arm off in disgust and follows odysseus*
poseidon: *sighs and also follows odysseus*
#*meanwhile in the dining hall*#telemachus: *hands on his hips looking at the table* perfect!#penelope: *looking at the name scrolls telemachus put out in each seat*#penelope: are you finally happy now?#telemachus: *laughs* yes mother#telemachus: i thought it’d be nicer for them to see where they are rather than me pointing to seats#penelope: *pulls telemachus in for a hug* oh i'm so proud of you for coming up with this whole evening#telemachus: *hugs her back* thank you mother#telemachus: i just hope everyone has fun#penelope: *thinks of the potential chaos that's about to happen* oh i'm sure they will#so as for the whole clothes/getting ready bit between penelope and odysseus#one of my other little headcanons is that while on calypso's island odysseus had no say about how she wanted him to look/dress#like i know most people have animated/wrote odysseus as scruffy/unkempt looking after the 7 years#but i think calypso wouldnt let him get like that. hes her 'love of her life' / pet she's going to make sure he's always groomed & well kep#including making him wear all sort of clothing and outfits she makes/creates for him#so once back on ithaca odysseus isn't too keen on having to dress up or have servants dress/groom him like a normal king would#after months of healing he'll only now just let penelope help out as he knows she loves him and views him as equal than a doll to play with#odysseus epic#odysseus#penelope epic the musical#telemachus epic#telemachus#poseidon epic#poseidon#epic the musical#epic: the musical#friends in higher places au?#nonsense thoughts#ongoing
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abelle25125 · 1 year ago
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Part 2 to this post of my understanding of one piece characters from OPLA, 70-ish episodes of the anime and cultral osmosis - this time with a slightly better understanding of how to use ms paint
again, please not spoilers im only on episode 96
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zevranunderstander · 8 months ago
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number #1 tactic that people use to not sound as racist as they are when they talk to black people: 'uhh so you AMERICANS need to stop pretending everything is about YOU. why should i know this im not from the us :/' (= is talking about like. a phenomenally internationally well-known black artist)
#myposts#kendrick lamar#drake#i updated it from 'white europeans' to 'people' because some people pointed out that 'gringo' is probably more south american lingo#but the point i wanted to make is like. there is this subset of european people (quite a lot of them)#who try to deflect by saying them not knowing these things isn't because of an active lack of disinterest in black culture and influences#and like. them not knowing who a certain black person is is never an educational failing on their side of any sorts#but instead are pretending that like. they are by virtue of being european always correctly educated on What History And Art Is Important#like. 2 months back that one post pretending that 'us europeans dont need to know all your AMERICAN writers 🙄' talking about james baldwin?#like just because that person didnt know who james baldwin was#they immediately were mad at the implication that They Didn't Know Someone Of Cultural Significance#and twisted it into 'well he cant be that important by virtue of me not knowing him'#like completely ignoring that the european school system also has. race problems and also ignoring that he lived and wrote in France too#but like. its this really racist defence mechanism of like. 'well you stupid americans always make everything about yourselves'#i hope i make sense i didnt think this would blow up lol#and like some people in the notes of that post were so smug about not knowing who Kendrick Lamar is#bc to them thats like 'oh im too cultured to be listening to rap of any sorts' like completely dismissing his music as kind of second class#by virtue of it being rap and black music and him not being in the White Mainstream as much as other musicians#(i mean hes still like 24th most listened artist worldwide but you get what i mean)
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littleplantfreak · 5 months ago
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'When', not 'if'
("I'm not a romantic" I cry and scream before dropping the most sickening thing i've written to date. Blame @stunie because i did tell her i would write the most ume thing ever and maybe this is it. The title in my docs for it is 'Fucking disgusting' but i figured i better not title it that here because I'd be seeing it in my notifs lmaoo)
SFW/no cw unless you hate fluff
When you wake up from your nap, one of your slippers is gone, and there's a blanket on you that wasn't there prior. Looking at the clock, it's been about an hour since everyone had left your apartment once your birthday party ended. The day as a whole had been chaotic, your boyfriend shoving you out the door with a note to go see Kotoha.
The note took you farther than that, though, as it seemed Umemiya created a whole scavenger hunt for your birthday that had you running into all of your friends, having dessert at your favorite cafe, and eventually ending up at your shared apartment to find that all that time spent around town was a distraction so that he could set up the space for your party. After it had ended, you were banished to the couch because princesses aren't allowed to help clean up their own birthday parties, which had you huffing and falling face down into the chicken shaped pillow affectionately called Mr.Clucky.
It was a product of your boyfriend's endless cycle of hobbies when he took up sewing. A little lopsided and overfilled with stuffing, you complained to and into Mr.Clucky with your face pressed into him. Apparently, he was soft enough to fall asleep on because before you knew it, you had been drooling on him the entire hour. Prying yourself off the couch took more effort than was almost worth it before your eyes fell on the reason you were so tired to begin with.
Hajime smiles and hums looking at your bleary eyes. "Good morning sunshine, I was just about to take you to bed," he says, folding a dish towel over a chair. You toss off the blanket and grab on the slipper that fell under the living room table before padding up to him. Dipping your hands under both of his arms to lock them together behind him, now your face is in his chest instead of the chicken, which is entirely preferred.
"Don't wanna go to bed just yet," you muffle, sinking even deeper into him when both of his arms wrap around you in support. He smells like dish soap and birthday cake, and you turn your head to hear the heartbeat in his chest.
"What do you wanna do lovey? You know I'd give you the world if you asked," you can hear the rumble of his voice in his chest with your pressed ear. He's cheesy, but half asleep, you feel just as much, if not cheesier.
"I have the world if I have you, they're one in the same. So just you is more than fine." Your eyes are closed, but you feel him shiver a little. "I wanna dance with you, though," you say, voice still soft and kinda raspy from sleep.
"Dunno if I can top what you just said even when I propose," he chokes out a laugh, or at least you think it's one. He shifts his hold a bit and starts leading you both in a lazy sway that starts near the toaster and ends next to the potted plant at the back door before starting over.
"When? Not if?" You tease him, a hand going to scratch the nape of his neck lightly.
"I'll never meet another you, so I'm pretty set on When."
"I'll say yes." Because you will. You can't imagine a life where you wouldn't.
"And I'll still cry when you do." You can tell he's crying now because it comes out shaky and his hold tightens a bit, before you lean back, stopping your impromptu waltz. Both of your hands come up to cup his face and look at his teary grey eyes before cooing at him.
"You big baby! Save those tears for When please. You'll be congested and sniffley all night if you don't stop." You start cleaning off his face with your sleeve, but he stops one of your hands and starts peppering your palm and wrist with small kisses. "I think I'm ready for bed now. Princess's orders," you say, dragging him towards your bedroom. You'll have to figure out tomorrow just how soon When is going to be, but for now you can hear the slow thumps of Hajime's steps as he follows behind you, squeezing your connected hand. It's not pressing in the least, you think, because it feels like there will be plenty of tomorrows too.
-----
When you wake up in the morning, it takes you an hour to realize Hajime had put the ring on your finger while you were asleep.
It takes you five minutes to run through town in your pajamas, barefoot to find and full on tackle him in front of the place he was about to get your breakfast in.
And it takes about two minutes of unintelligible blubbering on both your parts before anyone understands what is going on.
No one timed it, but if they did, it would've taken less than ten minutes for the whole town to find out via texts, calls, and yells down the streets and through windows that you're engaged.
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royaltea000 · 2 months ago
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I’ve never felt so conflicted about a franchise in my life but at least this dude was hot
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#I watched conquering the demons and demons strike back at 3am last night and I have to say I like the first one more#but not by a lot#like I wanted so much to like this movie#but fucking Duan man…#like I read the plot beforehand so I wouldn’t be caught off guard by anything but DAMN that SA scene was sooo much worse watching it#girl this is not the girlboss pussy slay move you think it is queen#I liked her character so much too before that cuz she’s so cool but the unconsented captive fuck or die foreplay was NOT the move#then she had the nerve to rip up sanzang’s book and turn to us and be like you know what I think I still have a chance - GIRL HES RUNNING#then they had the nerve to make him fall in love with her anyway boy you a VICTIM#then the second one just had [redacted] in it and I did not enjoy looking at his face for two hours - ruined the whole experience#also I have to say that was the worst iteration of Sanzang I’ve ever seen I was actually happy when I thought wukong was boutta kill him#I talk all this shit but I really did like the effects and monster designs in the movie they were so cool#also I thought the first sanzang actor was sooo cute and pathetic why didn’t they keep him 😭#well it’s for the best I wouldn’t wanna have seen him turn abusive like they wrote him in the second movie#also dsb is the only movie in which I can understand the wukong and tripitaka shippers cuz that ENDING SCENE yeah I saw it#oh right my tags sorry lol#digital art#my art#journey to the west#jttw sun wukong#conquering the demons#demons strike back#sun wukong#also his glowup in between movies is so funny lmfao#if you couldn’t accept him at his conquering the demons you don’t deserve him at his demons strike back#at least dsb gave me this human version of wukong please sir just one chance just one sniff-
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toastereno · 1 year ago
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i said i would post my piano covers here, so...what better song to start with than the iconic one from psmd? :'^)
this was all done by ear (except for the beginning where i used bespinben's score because those chords are tough to figure out, so shoutouts to them)! this song holds a special place in my heart for many reasons: it's the reason i played psmd and restarted playing the piano, just to name two!
by the way, there's a little surprise at the end 😊
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franeridart · 11 months ago
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The Housecat Philosophy - Ep 44
Ep 00 || < Prev || Next >
Read ahead on Patreon || Catch up on Webtoon || support me on ko-fi~✨
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pixlokita · 3 months ago
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Therapist: from now on every time you leave the house you can say little words of encouragement like “you go, girl!”
Me: -holding back laugh-
Me: (go piss girl)
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natasha-in-space · 6 months ago
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So I'm replaying Ray's After ending rn, and it got me thinking that what I adore so much about Rika as an antagonist is just how damn scary she can be. I always found those who cause harm with good intentions (at least in their point of view) much scarier than those who hurt you with pure intention on hurting you. I think the best example of it is this CG in particular:
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Look at that. Such a loving, gentle expression on her face. Probably kissing his forehead. Because she loves him. Heck, without any context, this CG looks even sweet, if you think about it. And yet, all that is while Saeyoung is forcefully sedated on a powerful concoction of drugs even a trained agent like him can't do anything about (and Saeyoung WAS definitely trained to deal with this sort of thing, hence it's mentioned that this is a 'special' kind of drugs). He looks miserable. Bags under his eyes, his expression pained and troubled, even his hair is paler than usual. All that as a direct result of her actions. But she's utterly blind to it. What's scarier, is that she knowingly shuts off her understanding of what's really happening. She's not oblivious to it at all. She just chooses not to see it that way. Simply because she doesn't want to.
Rika is the type of antagonist that will cup your cheek into her warm hand with the most loving of smiles on her face, all while you are getting elixir poured down your throat. Even whispering to you that you're doing great, that the pain will soon pass, and that she can't wait to see you reach the happiness she knows you deserve. I won't be surprised if she even cried genuine tears of compassion during some ceremonies for her believers. All while being the sole reason behind their suffering.
And that's... God, that's terrifying to me. I love that about her.
Rika Kim, they could never make me hate you
#mystic messenger#mysmes#mysme#mm#rika kim#kim rika#anyways ughhh she's so messed up i adore her#yes i will think about cute fluffy scenarios with her one minute and then go into her most horrible of actions the next#like it's such a contrast to all the rest as well#ray gets as close to her as possible in terms of his approach to messed up deeds but it's still different with him#like ray genuinely believes in what he does - good and bad#rika conditioned him that way#suit even points that out: 'oh i'm not like that airhead. i know this place is messed up.'#rika on the other hand? it's the way she willfully just... chooses to live in her own twisted fairytale that is so fascinating to me#it makes her scarier than ray but it also makes her more unstable#because once that fairytale of her is threatened? well she gets even more dangerous but in a completely different way#we literally see her spiraling more and more during v route and it's as scary as it is also sad#just saying: v ae could have been such a banger if they didn't absolutely mess it up#i think i despite judgement ending more than anything else in the game for so many reasons#if cheritz had the backbone they would have either removed it altogether or remastered v's ae for free I'M JUST SAYING#because what the hell was that#anyway#rant over#i wrote a huge post about how much i love rika while i am actively biting my nails every time she touches the twins BUT I LOVE THAT WITH HE#YES give me a character i keep feeling so many conflicting emotions for i will gobble that up
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ancha-aus · 5 months ago
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RealAgeAU Drabble - The Tavern
*kicks in the door* HELLO! :D Guess three times who had an idea?! IT is me! Your homie!
First Drabble Prev Drabble Next Drabble
I am so excited because I finally got an idea on how I wanted to mention a few things! And It fits together! :D
Also, The mentioned OC is from @spotaus Who made a lovely drabble that I personally also consider canon for this AU <3 Give it some love and look at it okay? They are very talented!
*---------------------*
Dust looks up at the building as he tilts his skull. It looks nice enough and doesn't look like the general Grillby's building. It looks grander and like it has been expended a bunch. Dust can see some newer repairs around the fench and the walls and can only assume those had to be repaired.
Cross shuffles somewhere near him "Are we sure about this?"
Killer hums as he looks at the building himself "I mean. Dusty got that cash reward for that repair thing at the last market..." and he shrugs.
Dust nods "WAs a lot." and that is an understatement. When the mayor had said they would send a thank you for Dust repairing the generator and fridges he had figrued it would just be like some flowers.
That was usually with political people did. Send some weird present and a card about how good of a free service yoou did and all that crap.
Instead she just send a cash package that none of them had expected. As thank you for saving their market. Aparently it was the normal amount they payed for a emergancy service of this big with a nice tiny bonus. As a welcome to the community present!
It had been welcome mostly because it would help get them started after the winter and made sure they didn't need to keep getting by with tiny jobs here and there.
Horror nods in agreement "Crop said this would be a good way to get more friendly. Be seen less as hermits." Dust blinks back into the conversation and actually pays attention as he is suposed to be part of it.
Cross sounds deeply unhappy "I like being hermits..."
Dust hums as he keeps holding Nightmare. Nightmare stares slightly enchanted at the building before shaking his skull to snap himself out of it. Dust thinks they are doing a good job with helping him unlearn the bad and unhealthy habits he had from being forced into his guardian position.
But it will take more time, Nightmare still feels awkward and weird for being a child and childlike sometimes. They will eventually get that mindset out of his little skull.
More shuffles and Dust glances over. Yup. No Cross in sight. Dust doesn't point it out and just thrusts his elbow out into the general direction he last heard Cross. A groan and Cross sends him a glare as the weird invisibility starts to shift off of him.
That is another thing all four of them had silently decided to just... not talk about. Much like how he tended to now be more charged with actual electricity instead of just mana. How Killer's silver tongue has gone to the extreme and even the most stupid lies seem to be believed if he says it with enough confidence. How the very layout of their own farm shiftly slightly when Horror had been staring and nudging the area.
They just...
It is probably fine. Ngihtmare hadn't seemed alarmed by it and they just figure it is because of the apple situation. Nightmare is still slowly losing that old magic and they are nearby a lot. It would make sense they took it over slightly.
They hadn't been actively bothered by it yet and while annoying and something to keep in mind it didn't seem dangerous.
Dust nods to the door "Lets go." and he walks forwards wiht Ngihtmae in his arms.
The inside is nicely lit and warm. People are all around and Dust recognises quite a few people from all of his trips to town to repair things. he also sees some of the people who came to help them with their new house. Dust still doesnt'quite know the names of them all as he never was the best with names. That is more of a Killer and Cross thing.
Dust looks around and spots a table which is empty and marches over there. By this point easily ignoring the curious glances. He also knows that Killer is shadowing him with most likely that same stupid challenging and charming grin on his stupid charming face.
Dust takes a seat and looks at the chairs around him. He ends up pulling one near and putting Nightmare in it. Nightmare manages to look over the edge but it is a near thing. Dust tilts his skull "That good?"
Nightmare thinks it over before nodding. Then he looks to the side as he takes in someone playing the guitar and singing live music. huh. Dust wonders if that is a regular thing.
The others join them and they all take a moment to really familiarise themselves with the area. It is different but small details are the same. The shade of the lighting. The colour of the shelves. Tiny things that make the scene more familiar.
Dust used to get disbalanced and well, fucked in the head by seeing things that reminded him of his own universe. He still gets missed up if it is too much alike but he likes to think he got a bit better at handling it all.
They look up when Light walks over to them. Their flames bright as they carry menu's in their multitude of arms. They greet them and gives everyone a menu before getting a small notepad out "Any ideas for drinks?"
Dust shrugs as he lokos at Ngihtmare. Nightmare reads the drink part of the menu wiht a serious and thoughtful look before looking up at the fire elemental. he pauses for a moment before speaking "Can I have a root beer float?"
Light's flames flicker happily as they note it down "One root beer float for the very polite skeleton." they looks at them and wait.
Dust hums and mutters "Same." Light nods nad notes it down.
Killer looks at the different drinks and settles for some latte coffee which he will probably put an unholy amount of sugar into. DUst would be worried about the caffeine if he didn't already know that caffeine just didn't affect Killer.
Horror ends up asking for some fresh mint tea and Cross just asks for sparkling water.
With those orders out of the way Light lets them be to look at the menu. Some items hit the guilt filled part of his soul as it reminds him of things of the past but he shakes it off. Those are normal menu items. Even so Dust decides to take the chicken and egg dish. Mostly because it seems like a this universe thing.
Horror ends up picking the same as Killer ends up going for an unholy amount of fries. Nightmare ends up picking pumpkin soup and Cross joins Nightmare with his order.
Light brings them their drinks, which honestly? Rather brave of the fire elemental to bring them liquids. They take their order and leave for a short while to get everything ready.
Nightmare goes back to listening to the live music as Dust and the other three make light conversation. They keep their conversation vague as they talk abotu old missions and stupid stuff that happened. They share chuckles and it is honestly nice to relax.
Their food is brought over and Light looks at them nervously "So... How is the flower doing?"
Horror looks up before answering "It is well. It stands in the window near the fire place."
They had ended up moving the burning flower there as it served as a nice night light for Nightmare. Nightmare denied being uncomfortable in the dark but Dust thinks the darkness still freaks him out a bit now that he lost his nightvision after becoming little again.
Dust can only imagine the panic he feels if he thinks he was left alone agian. Abandoned again.
It is also why Cross invested some of the hard earned cash into fairy lights and strung those up all along and above the nest. Light it up better.
Nightmare slept much more soundly and woke up less int he middle of the night now and for them it hardly mattered if it was dark out or not.
Light, heh, lights up as they say they are happy to hear that before happily skipping off.
Dust snorts and shoots Cross an amused grin "they are enchanted by you." and he snorts again when Cross sputters.
"Hardly!" Cross glares as he blushes and his arm disappears out of view again. Luckily Killer sees and nudges where the arm used to be, bringing it back into view.
Cross crosses his arms and huffs.
Killer grins and winks at Cross "I can see why. soldier boy is so strong and reliable and a true knight in shining armour." and he winks again.
Cross sputters and his blush grows even darker as he looks away from Killer "Stop being weird..." Killer laughs and hugs Cross.
Horror watches them with a fond look before turning his focus on Ngihtmare and getting him to eat his soup. Something about little babybones needing energy to heal and grow.
Dust gets to work on his own meal as he watches the others. Soul feeling warm and content to see them all here. He really likes not being alone anymore.
*---------------------*
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And if you haven't check out Spotaus's lovely drabble !!
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