#and if a group celebrates being defined by who they’re NOT… they probably don’t have a lot to say about themselves

[flipocrite]

what is the true essence of womanhood?

Thinking to oneself “I am a woman” or “I am a girl” (which generally means “young woman”). You can’t always know what other people think, so you ask, and they will tell you.

It’s a simple yet reliable test, doesn’t involve looking at people’s junk, and won’t get you weird looks for asking about people’s junk. A lot of people seem to think it’s socially acceptable to ask strangers about their junk, but I don’t think anyone should be required under any circumstances to disclose the anatomy of their junk (c.f. “hi you don’t know me but how big are your labia”, “your job interview is going great so far, are you cut or uncut”, “we need to check your hymen before soccer tryouts”). I don’t think people should be treated differently based on what their junk looks like. I believe that deliberate misgendering is a juvenile form of bullying more often seen on the playground, for nonathletic boys or girls with unibrows. I don’t think of myself as a bully, so I’m not going to do that. I address people with their choice of title, name, and gender because that’s the polite thing to do and everyone is happier that way. Also, it doesn’t involve looking at people’s junk.

[vivianbernadetteaurora]

Mars in leo ♌️

. As the leo sun 🌞 and rising ,I really love people who have their Mars in Leo and I really wish I had that placement even though I’m a Leo son and a Leo rising it would be really nice to have the most sign conjunction your sun sign umm because I feel like the energies really mesh well together and every celebrity that I’ve seen with this placement bar a few, seem to have their ship together and are really iconic .

,even the outfits are even more extra than some people who have their Venus in Leo and you think it would be the other way round., with Venus being beauty anesthetic and appearance a lot of the time but then you have to remember that Mars is your energy and the radiance that you give off so take for instance here we have Meg the stallion, and Lil Kim., and I feel like they’re rap stars are very similar they’re very sexual they’re very suggestive and but they’re also very confident and meghan’s bionic knees don’t even get me started he’s just so sexy thanks,., I also believe that Madonna has this placement it’s either her Venus or Mars but I’m not the biggest Madonna fan these people come first I mean then you’ve got someone like Nicole Richie who exudes confidence especially back in the day when she was a young girl and I feel this is the case with Leo risings, they feel like they have their glow up younger there in life and then as they get older they sort of disappear into obscurity unless your name is Donald Trump Leo placements at theohh the teenager. That is that what Leo is and these outfits definitely give the confidence of Leo and celebrity.

Then you have Geri Halliwell who defined girl power. And ohh I had her son in Leo also so she really create that aura and gave off that confidence and the energy that goes with it.

She was always my favorite Spice Girl when she laughed I was very sad because she was the glue to that group she held it together and while when they released songs after it was never as good as when they were all 5 together.

The I don’t known you’ve got Katie Price who a lot of people have a love hate relationship with and gets crap all the time.

, because she’s confident The thing is with Katie she’s had so much work done she has got Saturn next to her, her mothers which could be a reason why she gets work done, because Saturn,,. Is very harsh and when it’s with your mother sign this is probably also why she’s been married multiple times and not being able to find the right man because as somebody here’s got their chiron conjunct their Venus love is pain and pain is love., and that is the kind of relationship she’s only going to be attracted to because otherwise it doesn’t feel normal so we can’t judge people’s situations because we don’t know their charts we don’t know who they are and we don’t know how they operate some people want to escape. the love and they have to really really try to get away from a certain situation,, I’ve had it a lot my whole life with relationships I never wanted a job I never wanted to be successful I never had any ambition all I ever wanted was to be in love and that upsets me now because why didn’t I think about getting a job why didn’t I think about doing this or that or travelling or going away with someone who wants to travel with me. I’m not saying it’s too late but I just sometimes wonder if anyone else has Leo placements please tell me how young you were when you really felt like love was the most important thing or if it was at all., and I’m guessing if it wasn’t at all there’s some strong other energy in your chart such as earth sign energy and air sign energy, I mean I’m a Capricorn stellium but he's still have that long f’r Leo love.

Then you have the beautiful Brittany Murphy who’s no longer with us and died tragically at around the age of 33, these fatties are hard,, especially if you’re a strong Scorpio energy but she’s got the math going on as well in Leo which squares it I know what that squares like but except I have it with Taurus,

and it's very different to your moon and human nature sun sign.,,, she was truly a force of nature and beautiful and she was in so many different things from such a young age from things like frasier’s sister sister obviously clueless, under eight mile.

[perfectlyvalid49]

You’re right actually. I didn’t read it because the fact that JVP kinda sucks is just one of those things that “everybody knows” and someone else had reblogged that link recently, and I was being lazy and just grabbed what was at hand. I apologize.

So, let’s go through it. To start – the founders and advisory board are demonstrably Jewish. The members and even some chapter founders are not necessarily Jewish (https://www.commentary.org/articles/joshua-muravchik/not-so-jewish-not-for-peace/ ). A few years ago there was a scandal when people found out that the person running their facebook page was located in Lebanon. There are about 40 Jews in Lebanon, all of them elderly and no one believes that they’re the ones running JVP’s socials https://unitedwithisrael.org/suspicions-mount-that-the-organization-is-a-front-for-arab-anti-israel-propaganda/

In addition, here’s a tumblr post with pictures from JVP’s socials about celebrating Chanukah. Note that in both pictures the Shamash is not lit (or even present). If a single Jew had been present, these pictures would not look like this (for anyone who isn’t Jewish: You light the Shamash first, use it to light the other candles, and then place it in the holder that’s a different height. It would be in the middle slot in the top picture, and the far left in the bottom one.) https://www.tumblr.com/hero-israel/731823517606297600/heres-how-jews-for-jesus-in-palestine-lights

So while their founders may be Jewish, whether or not any individual member is actually Jewish is questionable. And the people running their social media accounts, and therefore some of the louder voices that people outside the organization hear, don’t seem to be. It’s not “race-traitor bullshit,” it’s “there are non-Jews in an organization that claims to be Jewish, and that paired with some of their actions/stances is deeply sus.”

I can’t follow your link to Xitter – it wants me to make an account and I refuse. I googled the author and I didn’t see anything relating to the IDF, but I’ll take your word for it. Having seen what you’ve been posting for the last few weeks, I am curious what you define as pro-Israel disinformation though.

I don’t know why you can’t copy/paste and why the links don’t work. That does suck. Like I said, I apologize for not vetting the link I posted.

I don’t see where AMCHA lists “thinking about criticizing Israel” as antisemitic. I can see how *actually*  criticizing Israel could be considered antisemitic because when most people criticize Israel they either do it in an antisemitic way, or they are using criticism of Israel as a cover to being more broadly antisemitic. It’s also very probably that this list is generated by people involved reporting it to the website, which means that someone at each of these events was made to feel uncomfortable enough by the JVP presence that they felt the need to report it. That doesn’t make it an attack, but it does mean that it’s more than nothing.

The LGBTQ attack is probably not mentioned on the AMCHA website because that tracks events at colleges, which the parade was not. Also, you say that he makes it seem like it’s a pride event, but it says that it’s at the Celebrate Israel parade in the first sentence of the first paragraph in that section. It also specifically says “Celebrate Israel Parade” in 3 out of the four HEADLINES of the articles you and he linked. I know that this is the piss poor reading comprehension website, but I don’t think that you’re arguing in good faith here. Also, nothing said that the infiltrators were queer OR Jewish, just that they infiltrated LGBTQ groups, that those groups were deliberately targeted (said the Executive Director of JVP in the articles you linked) and that they scared members of the LGBTQ groups that they had infiltrated. Why target the queer groups specifically for infiltration if not to scare them too?

As for the blood libel and greedy Jew cartoons. They’re dog whistles. Just because you can’t hear them doesn’t mean that other people can’t.

There are a lot of Jews who love Israel. Many of them are people who fled ethnic cleansings or genocides themselves and found safety in Israel. Calling them “garbage people” for loving the only country that would take them in after their country of origin tried to kill them is pretty shitty. Having said that, I there is some historical truth on that shirt (not as much as you think, but if we get into that, you’ll block me for sure).

The “fabricated holidays” in question are probably Yom Hashoah (holocaust remembrance day), Yom Hazikaron (Israel’s Memorial Day) and Yom Haatzmaut (Israel’s Independence day). I can see why a person might think that represents an oppression to freedom story – IF THEY WEREN’T JEWISH AND DIDN’T KNOW HISTORY. Israel’s Independence day is when they signed their Declaration of Independence. Yom Hashoah is the anniversary of the Warsaw Ghetto uprising. This post is just another example of JVP being shitty and ignorant – and by claiming that Jews are just using the holocaust as an excuse to be shitty, that is the first step down the road to holocaust denial (you’re using it as an excuse, you’re making it up, it wasn’t that bad, etc). If it isn’t holocaust denial outright, it’s DEFINITELY antisemitic.

The Mapping project was literally featured on a neo-nazi livestream: https://jweekly.com/2022/07/18/bds-groups-map-of-jewish-boston-shows-up-on-local-neo-nazis-livestream/ I can’t speak to the rest of his claims, but the fear of it being used by white supremacists to target Jews is not unfounded.

He does not say they’re equivalent. He’s saying that they’re spreading the same propaganda, which will have equivalent outcomes. I also find it very telling that if Stormfront isn’t the originator, then neo-nazis are pulling their memes from anti-zionist creators. It’s almost like they have some beliefs in common.

Jewish supremacy is another dog whistle. And he’s not saying that it makes them David Duke, he’s pointing out yet another way that JVP is walking the same paths as anti-semites. He may be a little overblown in his claims, but at the heart of it, he’s right. JVP routinely displays ignorance of history, of Jewish custom and uses antisemitic talking points in their quest to aid the people of Palestine. There are ways to advocate for them that don’t require that.

Anyway, here are a handful more links to stuff we didn’t even get to talk about

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A post shared by debbie lechtman (@rootsmetals)

I know you’re rabidly anti-zionist and liberal with the block button. If you decide to block me for this, so be it. But please know that there are ways to be anti-zionist without being antisemitic and I hope that you can figure that out for yourself. I’m happy to try to help if you don’t block me.

if you live in the us and have literally 2 minutes to spare go fill out the form here -- it will give you a script and also prompt a phone call that will patch you through the the office of your district's representative. specify that you will not consider voting for them again, or for any elected officials, if they don't call for an immediate ceasefire and end to us funding of genocide. jewish voice for peace has a lot of other action items, most of which can be done from home if you aren't able to attend a protest.

[atlanticcanada]

Zillennials: The newest micro-generation has a name

There was a time when Juliana Olarte, a 26-year-old travel publicist living in New York City, couldn’t figure out where she fit in from a generational standpoint.

Her Generation Z sister, who is 16, sometimes calls Olarte “cheugy,” she said. Gen Z uses the term to refer to “millennial things that are kind of uncool or cringey,” according to Olarte.

“My sister sees me as a young millennial, and millennials see me as Gen Z,” she said.

The term millennial (also known as Generation Y) refers to anyone born between 1981 and 1996, and Gen Z refers to anyone born from 1997 through 2012, according to the Pew Research Center.

Along the blurry edge at the cusp of the two generations, between Gen Y and Z, is where zillennials live.

“When I first heard the term zillennial, in college, I was like, ‘That’s me,’” Olarte said.

Unfamiliar with the term? It’s a tiny group.

“Zillennials refer to a small cohort born between the early 1990s and the early 2000s,” said Deborah Carr, professor of sociology and director of the Center for Innovation in Social Science at Boston University. “They’re on the cusp of Gen Z and millennial, thus the mash-up label of zillennial.”

Members of this micro-generation, loosely defined as being in their early to mid-20s, have faced and overcome much adversity in their relatively short lives, Carr said via email.

“They were babies and children when 9/11 struck and don’t know life before airport security screenings, rampant domestic terrorism and other frightening threats,” she said. “They attended college during the pandemic, and missed out on important social markers.”

Zillennials were born roughly between 1992 and 2002, but there isn’t one consistent cutoff point that experts agree on, Carr said.

Ask a zillennial, though, and they might tell you who they are.

Olarte’s sister and other members of “Gen Z grew up with a phone in their hand and with social media — they didn’t miss a beat,” Olarte said. A decade earlier, “we had the iPod Touch to download music online and did YouTube-to-MP3 converters.”

HOW DOES TECH DEFINE THE CUTOFF FOR GEN Z?

The different ways generations grow up with and use technology is a strong delineator in defining generations.

Zillennials straddle the generations of millennials, who are considered digital pioneers, and Gen Z, who are considered digital natives who never knew life before screens.

“We’ve been growing up with technology our whole lives, but we’re not TikTok dancers like Gen Z but also weren’t on MySpace like millennials,” said Sabrina Grimaldi, 23. She launched Zillennial Zine, a mostly online site for her micro-generation, in 2021.

Grimaldi has a younger sibling who is Gen Z and an older one who’s a millennial. “My entire life, I’ve been told I’m a millennial or a new Gen Zer. I really do relate to both, but I also don’t at all,” she said.

Her website’s most popular articles have covered such topics as what to wear to Harry Styles and Taylor Swift concerts, “the best cozy Nintendo Switch games,” and recipes inspired by the Utah dirty soda trend on TikTok, which involves pouring creamer into soda, Grimaldi said.

Among the celebrities she considers part of her zillennial cohort are Zendaya and American singer-songwriter Sabrina Carpenter.

“We are kind of this weird, in-between ground nobody talks about that’s also young and figuring things out, at the beginning of our careers and discovering the world as an adult,” she said. “The most misunderstood thing about us is probably our existence.”

WHY LABEL GENERATIONS ANYWAY?

In addition to a shared relationship with technology, members of a generation or birth cohort often share critical life experiences, Carr said.

For the so-called greatest generation, that includes being called to serve during the Second World War, she said. For some baby boomers, having grown up together in the tumultuous 1960s is a commonality. Generation X came after the boomers, from the mid-1960s to 1980.

Gen Z attended high school during the pandemic and missed out on major youth milestones. For Americans, these might be prom and traditional graduations.

“Some generations reject the labels given to them by others, and some generations embrace the name if they feel it fits them and their values or differences,” said Jason Dorsey, a generations researcher and president of the Center for Generational Kinetics, a generational research firm.

“We find that zillennials often push away from the negative millennial headlines that they are trying to avoid or not replicate, such as the clickbait stories on acting entitled as adults or having overly high expectations,” he said via email, noting that zillennials also push away from teenagers and teen trends that feel too young.

Some millennials, too, shun the label they’ve been given because they believe it has a negative connotation and sells them short, Dorsey said.

“In fact, contrary to many popular memes of millennials not working, they are often the largest generation in a company’s workforce and frequently the largest generations of managers,” he said.

CAN'T WE ALL JUST GET ALONG?

While zillennials often feel they don’t fit in with either Gen Z or millennials, Dorsey said the middle zone they occupy has its own advantages.

“At our research centre, we’ve seen cuspers like zillennials often end up having an advantage because it tends to make them more aware of both generations before and after their own,” he said.

His firm’s research has shown Gen Z to be more connected to social causes than millennials, with zillennials similarly more interested than millennials when it comes to social issues.

People in Gen Z “care a lot about environmentalism, trying to reduce their carbon footprints and reduce their plastic waste.” Grimaldi said.

From a young age, zillennials have learned the effects of climate change, Carr said. “They are very mindful of the threats to the planet — yet also know they can play an important role in reducing their carbon footprint (Think, Greta Thunberg),” she said.

But the stereotypes society creates for generations are just stereotypes, Carr said.

“We need to remember that every generation of young people has their own struggles,” she said, “and that they’re coping the best they can with the world that past generations have created for them.”

Philip Cohen, a professor of sociology at the University of Maryland, calls generational labels meaningless.

“Marketers and fadfluencers will want to be the first to name a ‘generation’ or ‘microgeneration’ for clicks and followers,” Cohen wrote via email. “But it is meaningless to do so before we know what it is we’re studying and why.”

He added, “Social science does not pay much attention to the discourse over ‘generations’ because it is mostly superficial hype.”

Try telling that to a zillennial, however.

Grimaldi thinks it’s up to every generation to band together to support the next group of people growing up in society after it — all the better to help ensure a brighter future for all. And her generation, she said, is already on it.

“Every time a new generation pops up there’s this argument about who sucks and why they suck, and I think as zillennials we are trying to stop that as much as we can,” Grimaldi said. “We don’t have to hate on every new upcoming generation.

“We’re all collectively raising these new generations. Let’s focus on building a better future together.”

from CTV News - Atlantic https://ift.tt/q6I9WNU

[tommyspeakycap]

travelling england squad headcanons my exhausted brain just thought of

jordan pickford - won’t forget anything important but will get very confuddled and mixed up with stuff when he gets to boarding. hands his passport at the wrong time, can’t find his boarding pass when it is actually in his hand etc. talks really loud and does not stop talking to the person next to him on flights

harry maguire - won’t let anyone carry his bags for him bc he doesn’t want to be a bother. will have his boarding pass and passport ready to pull out whenever needed but will never just carry it in case it gets lost. mild dad on holiday vibes but discretely and will often be found in disbelief that some of these boys have survived as long as they have. will barely speak on the plane, doesn’t mind being sat next to jp bc he’s learned to tune his voice out.

kieran trippier - dad on holiday™️. will always have his passport and boarding pass at the ready, no muss no fuss, will go at the back of the group to make sure his children (he is responsible for mason, declan and jadon. also jesse but only when marcus isn't there) and he will inevitably pick up mason's passport when he drops it while being an idiot with declan and doesn't notice. will sit with the quietest person and/or alone so he can sleep. will under no circumstances sit with pickers - has to be at least three rows away and will be monitoring behaviour.

jordan henderson - another dad on holiday™️ but funnier (he is instead responsible for jack, phil and trent). gets annoyed when other people are messy/leave mess. probably takes passports off those likely to lose them right after they pass through customs and gives them back only when they approach customs at the other airport. will sit at the back of the plane alone so he can listen to alicia keys in peace.

harry kane - never late but also never quite on time but nobody says anything because he’s never the last one there. will usually congregate with The Dads and doesn't say much (read; he is usually found next to harry maguire both standing and enjoying the silence bc girldads)

mason mount - chronically late, always last to catch up while trippier taps his foot and checks his watch. will do the innocent mason giggle and get away with it. flight attendants think he’s adorable and airport workers love him because he travels with two basically empty bags cos he travels so light. will sit next to declan to begin with and eat all of his snacks while dec sleeps. they end up getting separated by one of the dads when they’re being too loud and/or fighting over the snacks mason has already devoured.

declan rice - waits for mason no matter what, packs extra snacks because he knows for a fact mason will (and does) eat most of his. is slightly scared to sleep on the plane bc of all the things they do to wake each other. he and mason somehow end up with each other’s passports and nearly don’t get through the border. defo has passive aggressive fights with ben over who gets to sit with mason and declan plays the 'I've known you longer' card that gets mason every time.

jack grealish - gets upset when ben and declan fight over sitting next to mason because chilly is supposed to be his bestie so he goes in a huff that hendo has to sort. 100% always has his passport in the front pouch of his bag (put there by hendo) so that when they get to security and he starts patting himself down freaking out and thinking he’s left it somewhere, his dad Hendo can tell him exactly where it is. annoys trippier because he drags his heels everywhere he walks and is constantly found asking; “hey has anyone seen my hairband” when it’s on his wrist.

ben chilwell - very easy going yet simultaneously anxious traveler. does not like how late mason leaves every, is NOT fond of how little he packs and will get antsy when take off time is near and people are still mulling around. he also gets annoyed when people ask him to borrow stuff but will never outwardly show it. he packs for every eventuality and believes everyone should be doing the same. films everyone, is low-key everyone’s favourite to sit with.

phil foden - gets upset when he’s told he not allowed to do keepy ups on the plane, absolutely will not have anything but a window seat, gets funny looks going through security and people often mistake him for much younger than he is. doesn’t mind who he sits next to as long as it’s not someone boring. is generally not a problem for The Travelling Dads except he's easily distracted and is susceptible to being left behind as he is smol plus mason and declan are hard work for kieran.

marcus rashford - oh my days when he’s alone he’s so quiet and then whenever jesse is there as well the two of them are insufferable. between mason and dec and jesse and rashy, jordan is glad for alicia keys through those noise cancelling headphones. will get annoyed with jesse and they WILL end up hurting each other and making up multiple time.

jesse lingard - so fully of energy at all times and nobody can figure out why. annoys rashy when he’s trying to sleep and that’s when they always end up in fights that nearly get them separated by harry maguire who is very used to putting up with their antics anyway. tries to convince them all to learn his celebration and spends the whole time messaging marcus and pouting when his bestie isn't there with him.

john stones - him and Kyle are basically joined at the hip as they r best friends. they always pre-anticipated and planned to sit together on the plane. he has a sixth sense and will physically be able to feel it when they lose phil (was an issue for the time he wasn't in the squad and John was like oh my god we've lost phil!) only to realise he wasn't ever with them. is very protective and always worries about forgetting things that he definitely has.

kyle walker - rarely acts his age but is kind of levelled out by john and can sometimes be very irritating in the same way that people get irritated with jesse because they're very loud. can often be found next to john and reassuring everyone he's faster than Raz. will forget things he define tally needs which pisses off John (because he asked a million times to make sure he had his boots) and gives chilly so much second-hand stress that he gets chest pains.

trent alexander-arnold - probably wants to sit next to hendo but he completely refuses (and sometimes feel guilty for it but he needs his alicia keys alone time). is quite quiet in comparison to some of the other younger ones but is equally as forgetful. will fume about the 'inflation' of the meal deal prices in the airport whsmiths and despite knowing he probs shouldn't cos international rivals, he spends a lot of time texting andy robertson.

[littlemisslipbalm]

“it’s not that important”

Summary: Y/N is in Harry’s band and one night they have a drunken hook up. One thing leads to another and they find themselves engaging in a friend’s with benefits type of situation. spoiler: it is important

AKA: A friends with benefits to lovers story :) with some angst in there

This is for @stylesharrys fallinharry10k celebration so my trope is friends with benefits! prompt is “you have no goddamn idea what you do to me. when i’m around you, i have no control of my emotions or my thoughts” and the tenth picture ^ i kinda just used it in the beginning to descripe what he was wearing - i got really carried away with this story but the prompt is in there !! lol, not proofread tho but would love your feedback !!!! :) love y’all very much 

oh boy i’ve had this done for agesss but i hadn’t written the smut until today so now we’re here i dont even remember what happens - i vaguely remember not loving the end but I hope yall enjoy

Word Count: 15.4k (longest fic to date) | Warnings: smut, angst, fluff, alcohol consumption? i dont remember but i dont think theres anything too heavy in here.

-

“Hey Harold!” You smile as you easily hop over the side of the couch and settle beside your bandmate.

Harry groans, yet can’t keep the small smile off of his face when he sees it’s you. “How many times have I told you to never call me that?”

Your eyes narrow at his faux glare. “And how many times have I told you, I simply do not care?” 

You reach a hand out and tousle his already disheveled, unstyled brown hair. Despite his lack of styling, his hair still looked perfect. His chestnut hair fell into a middle part when he did nothing to it and you found it endearing. It made him look far younger than he truly was, like a boy you might have pursued when you were in your early days at college. The waves slightly framed his prominent cheekbones and chiseled jaw that was sporting a tiny amount of stubble.

He moves his arm from around the back of the couch to pat at his hair, trying to put it back in its nondescript position you had just messed with. After he’s satisfied, he uses the same hand to push up his glasses on the bridge of his nose. They’re chestnut brown Gucci frames that match the natural highlights in his hair. You can safely assume that’s why he bought them. The lenses are clear, but you know they don’t hold any prescription. He looks incredulously at you from behind them still.

“Nice glasses,” you mention offhandedly as you reach out to the coffee table to grab the drink you had left there earlier.

Before Harry had arrived, you had been taking up residence on the couch, in the spot he had actually taken up. You had ventured to the restroom for a moment and gotten held up in a conversation when asked your preference for the Beatles. Having to defend your staunch stance for the Beatles and against the Rolling Stones, you had gotten swept up into an argument with Adam. He believed that because the Rolling Stones toured for longer warranted them the title of best rock band. While you countered that despite their long touring and production of music, the Stones had a rotation of members. The Beatles maintained the four of them and held such a large impact even though they were barely together for a decade. They were one of a kind, or at least the first of their kind, you’d allow. You weren’t really in the mood for intellectual conversation tonight, so upon seeing Harry taking up your seat, you had told Adam you’d continue the discussion at a later date and returned to your spot.  

“Thanks,” Harry mumbles as his gaze flits around the room. He wasn’t sure if you were actually complimenting him, but he would take it as one either way.

The rest of your friends are all up and about, drinking, talking, dancing. It was the usual house party scene: a relatively intimate gathering, music you all actually liked, some friends of friends feeling slightly out of place. There was no pressure in this type of gathering but still Harry wasn’t necessarily in the party mood tonight. Usually, Harry was the one instigating these types of get-togethers with his friends and bandmates. He liked to be the life of the party, but as the tour loomed closer and closer, he felt some tinge of longing for quiet and solitude. He knew he wouldn’t have much quiet while on the road, which mostly didn’t scare him. He loved the stage and the high he received from performing and the gratification he felt from all the people in the room being there to see him. But there was also that other part of him that liked the quiet, the privacy. As the lack of alone time nudged itself around the corner, he had been hoping to enjoy solitude, or at the very least peace before he was on the road. Some sort of blissful state before technical chaos ensued. When Charlotte, the host of tonight’s soiree, had texted their group chat about tonight, Harry had politely declined. Then came the slew of private texts from Charlotte giving him all the reasons he should come tonight. He tried to say no again, but had shown up after the continued begging from her.

His appearance mirrored his expression, choosing a not perfectly fitted white t-shirt and random trousers rather than picking something he really loved, like usual. You could tell something was up and as his friend you were wondering what was wrong with him.

“Don’t sound so excited, Harry, someone might mistake you for somebody who’s happy to be here.” You stick your tongue into the side of your cheek, gauging his reaction.

“Has anyone ever told you you’re not very funny?” He quips, green eyes flashing to meet yours.

Your banter is probably how the pair of you communicated the best, never really falling into the whole serious side of friendship. You never shared those late night talks about the future or your fears. It was a fun friendship, so you didn’t fancy yourself one of his closest confidants. When it came to music, you and Harry were a bit more serious which formed a sort of paradox because the music you would share with each other gave a far greater insight into your souls than you probably realized. As a member of his band, you would discuss his music and what was going on with that sort of business part. But the sharing and discussion of other music that you did was part of your friendship, even if you didn’t see it like that. Because of the countless albums you had recommended to each other and the specific songs you had made note of, Harry and you knew each other much better than you thought you did. Music connects to something deep inside yourself and you have to like it enough and know the other person well enough to believe that they will also enjoy it to recommend it. As much tongue and cheek that you partook in with Harry, deep down, unbeknownst to either of you, you were that friend he shared his hopes and fears with, through the way he knew best, music.

“No, most people find me hilarious...”

You take a sip of your drink, trying to cover up the sting that his remark actually left. Most of the time you were great at keeping up with anyone’s banter, especially Harry’s, but tonight you weren’t feeling it. His tone had sounded so harsh it almost sounded like he meant it. His features soften when he sees the way your face falls, despite your sarcastic tone.

“‘M sorry. I’m just not in the best mood tonight. Didn’t want to come, but Charlotte…” He shifts to face you, arm retracting slightly around the couch, landing his hand at the edge of your shoulder. His fingers fiddle with themselves absentmindedly, he turns his rings around his fingers and they ever so slightly brush against your shoulder. You don’t mind, you know its his nervous tick that he did whenever he didn’t have something to clink them against.

“Yeah, same here, actually.” Your tuck an out of place hair behind your ear, returning your gaze to Harry, who’s tilting his head at you curiously. “But might as well make the most of it, though. After all, this is our last week before tour starts.” You raise your glass and tilt it towards him before taking a sip.

You really didn’t have a plan, you were just trying to make him feel a little better. It was seldom you saw him so solemn at this type of gathering. He usually was the one bouncing from group to group, entertaining everyone with his dazzling charm and quick wit. Sometimes he would bring a date and spend the night with them in the corner, but that was usually at bigger parties than this. At these types of gatherings you often found yourself talking with Charlotte for most of the night. You were both new additions in the band and you had clicked immediately. You would travel in a pair between different groups and talk with everyone. Sometimes you would tell a humorous anecdote about your life and everyone would laugh wholeheartedly. Your ability to retell a story and make it hilarious every time seemed to be your secret talent. You could make any experience into a ten-minute retelling and it always sounds like the funniest moment of your life. It ranged from your embarrassing audition for Grease as a tween to your supermarket run in with an old acquaintance or B-list celebrity the day before. It didn’t matter what it was, it just always had the entire circle of people laughing and wiping their eyes with joy. You’d laugh a little with themselves, but usually you just had a triumphant smile on your lips for the rest of the night.

He nods, sipping his own drink for the first time since you had settled down beside him. “Well, I’m all ears.”

“What?”

“Give me your suggestions on how to make the most of tonight.”

“Drinking, mostly, was my plan,” you laugh nervously as Harry continues to stare at you intently.

“Mostly?”

“I mean, what do you want me to say? I didn’t think to pack my bouncy castle, my bad.”

He bites back a laugh but lets some air escape his defined nose, before staring with a deadpan face at you.

You like to tease him. You simply liked him. Harry was different from other men you knew. You were pretty sure most people could say that though. Harry was just different. It seemed like no one could not have some sort of affection for him. With the playful friendship the pair of you had, you always skirted the edge of flirtation. But you also didn’t particularly ever want to cross any lines with him. He was the employer of you, technically. He had brought you into his backing band and you wouldn’t do anything to harm that position. As well, at the end of the day you knew Harry. His tendencies and the choices he made.

When you were around him at parties like this, you had to try really hard to keep him at an arm’s length. Because on one hand, you would drink and suddenly the boundaries you put up didn’t seem that important, instead his lips started to look rather inviting, but on the other, you knew that he was extremely emotionally closed off to any relationship that was more than either friendship or a one night stand.

Harry doesn’t give you a response, just swings back his drink. The pair of you sit and drink in silence. Before you know it, Harry and you are five drinks in, finally talking after the second. The pair of you decide to move to the balcony outside and continue your conversation there after the third. After the fourth, you're getting really handsy and by the end of the fifth, Harry’s arm is wrapped tightly around your waist and you're laughing breathlessly into his neck. It looks like he’s just shielding you from the cold night air, but both of you seemed to be enjoying each other’s embrace for other reasons.

Finally catching your breath, you lean back and pant softly as you meet eyes with Harry. His pupils have blown out from the alcohol and dark light. The emerald green barely surrounds the black and you swear there’s flecks of gold or maybe brown in them. Your brows scrunch at the revelation and Harry asks what you’re thinking. You don’t respond, too entranced and drunk to even hear him.

“Oi,” he bops your nose, “What is goin’ on in there, little lady?”

Your hand reaches up and widens Harry’s eye manually. His inebriated state has no qualms about you doing such an odd thing. “Why’s your green not actually green?”

“What?” He asks before moving your hand away from his face, it instead falls to his chest. The pair of you shift until your caged between his body and the balcony’s ledge. You pout as you stare up at him. His skin looks soft and taught over every inch of his face and neck. The urge to kiss him keeps nagging at the back of your mind. The idea keeps creeping up closer and closer and the drunker you are the less likely you are to suppress it.

“Do you want to fuck me?” You blurt out.

“Sure.” Harry isn’t taken aback. He had been thinking about asking for a while, so he was glad you had asked first, made it easier for him.

“Okay, let’s go.”

He takes you back to your place, the pair of you catching a cab the short distance between yours and Charlotte’s flats. No one blinks an eye at the pair of you leaving together. Everyone watched the pair of you sulk all night about being there and only enjoying the other’s company, so they weren’t keen on either of you staying. Charlotte was simply glad the pair of you had stayed for as long as you did.

The two of you walk casually until you’re inside your bedroom. Once inside, Harry throws you on the bed and fucks you. Hard. He’s got you spread out in more ways than you had ever thought possible. He’s got you saying things you had never even dreamed of saying. And he’s got you cumming and screaming more than you could have ever wanted. He enjoys himself as well. He loves the way you feel around him and the way your eyes look up at him while he fucks you straight into the bed. He loves the way you sound whispering dirty things and screaming his name. He loves the feel of your soft skin all over your body as he pushes deep inside you. He loves the way you’re able to rip a guttural moan from him every time he cums. And he cums three times that night. While it wasn’t quiet, he did find that blissful state he had been in desperate need of.

After the third round, Harry feels spent. He brings himself into a sitting position, legs hanging off the edge of your bed. You’re lying in your bed, completely overstimulated, cumming at least twice as many times as Harry. He scratches at the top of his head, his bicep bulging as he folds his arms around himself.

“That was fucking good, Y/N. Just what I needed.”

You can only hum in response.

Then he takes your blanket and lays it over you. After that he begins to stand up, getting ready to grab his things and go.

“You don’t have to go…” your voice raises when you realize what he’s doing.

“Yeah, I do. This was just a one time thing, yeah? I enjoyed it, but you know...”

“Erm, I guess?” You rolled to fully look at him, he was pulling his t-shirt back on now, his marked chest disappearing beneath the white fabric. “Do you really not stay over at your one night stands?”

He thinks about it as he begins with his shoes and his glasses at the same time. “Yes? Usually I don’t know the person and I don’t particularly want to sign an autograph when I leave in the morning. Best to leave immediately afterwards.”

“That was exactly why I wanted you to stay...Shit! No chance you’ll give me an autograph now? Could sign my tit, right next to your hickies.”

He laughs, automatically in a better mood after the catharsis of having sex. It was also a relief for him that you didn’t seem to be weird about the hook up. “Shut up!”

“You’re a twat, Harold.” He groans instinctively at the annoying nickname, not caring about the ‘twat’ part. “But be my guest, you can freeze your arse off while waiting for your cab outside at this hour.”

“Rude..” He mutters, standing in your doorway now. “You wouldn’t actually make your employer stand out in the cold at this time of night. I haven’t even got a jumper. Could get a cold and ruin my voice. ”

“You’re the one who says it’s best to leave immediately. Get on it, mister.”

Your hand makes a shooing movement, but he doesn’t budge. You sigh as he makes a puppy dog face - eyes wide and a puckered pout with his flushed cheeks and lips - playing into your actual kindness, that he knows is somewhere. Your sweetness that you were keeping hidden from Harry right now. Nothing was serious between you so it made sense that you were trying not to let your innate ability to care show as he’s about to walk out on you.

“Ugh, fine. Stop looking at me like that. Just grab one of my coats from the bottom right, they’re all oversized so one should fit.” He doesn’t relent on the face. “And you can stay inside until your cab comes.” You sigh and throw one of your pillows at him. He catches it easily and throws it back, much softer than your throw. “Also never pull the employer card on me again when I’m naked in the bed you just fucked me in,” you call as he looks through your closet.

Returning with a patchwork coat you had thrifted tight over his shoulders, he looks at you seriously, “Yeah sorry about that part. Definitely wasn’t trying to exert my power over you, it sounded better in my head. Meant more like you could ruin my voice and both of our jobs.”

You nod and chuckle slightly, finding how inarticulate Harry could be as an endearing trait. His explanation didn’t actually make it sound better. “The jacket fits.” You say, choosing to move forward from Harry’s weirdness, knowing he didn’t mean any harm from his initial statement.

“Yeah, thanks. I think my cab is here,” He glances at his phone, “So I’ll go...See you?”

“I’m sure.” You smile, “We do in fact work together and will soon be touring the world. Would be a bit weird if I didn’t see you.”

“Right.” He nods and adds a peace sign before he walks out of your sight. You know he’s gone when you hear the door click shut. What an interesting night.

-

Love on Tour had just started and Harry couldn’t lie. He couldn’t keep his mind off of you. You were both his most recent partner and the best he had had in a while. He found himself rubbing over the spots on his neck and clavicle that you had given particular attention to during the night you had shared together. When he went to bed it was your body he pictured to get himself off. So, after the first show he’s beelining to you at the beginning of the after party. He’s got an adrenaline high and he needs a release. You’re the solution. He’s whispering in your ear, asking if you’d like to meet him in his dressing room. Your eyes study his face when he pulls back and they widen slightly when the realization of what he’s implying dawns on you. Then you’re nodding and excusing yourself from a random conversation five minutes later.

Inside Harry’s dressing room, you find Harry already unbuttoning his shirt. He grabs your face and shoves his lips onto yours once you lock the door. As he kisses you he tries to make one thing very clear, “This doesn’t mean anything.”

“Got it.” You begin to finish Harry’s job of taking off his shirt.

He pulls back to look you in the eye, “Are you okay with that?”

“Jesus fuck, yes, Harry, just shut up and fuck me senseless again!”

He listens to you and begins to kiss down your jaw and neck. His open-mouth kisses leave a searing trail across your skin. He settles on a spot at the base of your neck and begins to suck and nip at it with vigor. You set to work on finishing his job of unbuttoning his shirt. Then you pull off your own shirt, reaching behind you to untie the bows at the back. The new skin exposed grabs Harry’s attention and he moves down to suck over the cleavage of your tits. He’s happy to be back with his ‘bosom friends’. You smack his head when he says it and he chuckles darkly, only sucking harder on them causing you to moan louder than you would like.

Once you’re both in only your underwear, you find your back pressed up against the mirror behind the dressing room counter. Harry’s body is nestled between your spread legs as he kisses down your skin. His fingers dance along the line of your thong as he looks up from beneath his lashes for position, you only push his head closer to your heat in response. He laughs mischievously before tugging them down off your hips.

“Missed this pretty little cunt...All I’ve been thinkin’ ‘bout,” He mutters as he begins to latch onto your dripping core.

Your brows shoot up at the thought that Harry’s mind has been stuck on you for the past week. You definitely had thought about your drunken hook up a bit, but hadn’t thought it had left a lasting impression on Harry, you assumed he had that lovely of a night with every person he chose to spend intimate time with. These thoughts are forgotten when Harry’s warm tongue is lapping at your swollen bud. You’re already panting for Harry and now you’re heaving with moans and whimpers leaving your mouth with every lick and nip of his expert mouth.

“Fuck Harry, feels so good,” you whine as his tongue travels down your folds and swirls and dips into your hole.

He moans at your words and the way your legs squeeze at his head. His hands move to spread you open wide to maintain his control and he smirks at the way your body rolls due to the friction of his voice against your pussy.

“Be a good girl f’me,” he growls still pressed against your wet heat.

Your body rolls again as you get closer and closer to your first release. Your bite your lip trying to contain all of the sounds that are trying to escape your mouth. Harry notices the new silence and glances up seeing how you’re trying to behave. As much as he likes you obeying his words, he also wanted to hear how he was pleasuring you.

“Tell me how you feel, princess,” he demands.

“So-so good,” you hiccup as his fingers caress over your folds now as he looks you in the eyes, his lips wet with your slick. He kisses you hard, his tongue diving into your mouth and you kiss back passionately, loving your taste on his tongue.

He pulls back and your hands trail down his chest, swirling around his familiar tattoos and hair that grace his lower torso as you move. He grins, enjoying the feeling of you on him and how he was affecting you.

Soon enough, his cock is finding its way back to your glistening folds, wet with your own liquids as well as his saliva. His mouth waters at the sight. He only pushes into you a few times like this. Then he catches sight of himself in the mirror in front of him and can’t resist. He pulls out and flips you over, your squeal leaving your mouth before you can stop yourself. His dick finds your entrance once again, not wanting to be without the wonderful warmth for any longer than he must.

“Ahhh,” Harry groans when he slips back inside.

Your head throws back on your neck, the feeling of him as well as the sight of him gripping your hair in one hand and your fleshy hip in the other. His rings dig into the skin as he’s able to slam more forcefully in this position. You gasp and whine at his motions. The sounds coming from between your legs are turning you on even more and they seem to make Harry happy too. He picks up the pace and drops the grasp of your hair for a second. Your head falls down as you try to keep yourself up on your elbows.

Gripping both of your hips, Harry growls, “Look at me while I fuck you. C’mon now.”

You moan in response and tear your eyes open to see your reflections in the mirror. One hand goes up to hold onto the mirror to give yourself more traction, causing your back to arch even more. The new position has Harry’s cock slamming into you deeper.

“Fuck!” Harry practically yells and can’t keep himself from landing a harsh slap on your ass. You jump forward at the sting but his other hand keeps the pace steady. He keeps burying himself into you all the way to his base, his balls slapping at your now slick spread thighs. He rubs over the red handprint he had just left on your ass. You whimper and bite your lip, truly enjoying the sensation.

Still staring into the mirror as Harry commanded, your eyes water slightly and Harry makes eye contact with you through the mirror. You smile widely and he grins back. “This feels so fucking good. Your pussy takes me so well. Fuck…” Harry babbles, still pistoning into you. You had noticed how vocal he was the first time you had fucked, but thought it had just been the alcohol. Apparently not. But you didn’t mind, you much preferred it to partners who barely spoke or didn’t even moan. Like how were you supposed to know what was going on in their minds? With Harry, you knew he was having a good time.

A few more heavy thrusts and you felt yourself nearing the edge. Your panting was getting faster, exceeding the speed of Harry’s thrusts and he could also feel you were close. Your cunt began squeezing him tighter so he hooked a hand under your knee and brought it onto the table. He hunched over you slightly and snaked his hand to your clit. “C’mon darling, I know you're close. Can feel that little cunt putting a choke hold on my cock.” He rubs at your clit with the vigor of strumming a quick paced song on the guitar. It’s enough to overtake your senses and the laugh that had bubbled from his words turns into your orgasm moan. You try to muffle it into the arm that is holding you against the mirror to avoid a full on scream because it feels that good. You felt like you were having your first ever orgasm, it felt that new to you.

A few more thrusts and you’ve come down from it, but Harry still hasn’t finished. It’s your turn to be the partner coaxing the other to get off. “Faster, Har. Want you to cum too.” He grunts, picking back up the pace. He had slowed to let you ride out your stay. “That’s it...want you to cum in me. Your cock feels so fucking good.” You whine, meaning every word. He smiles again at you and closes his eyes, focusing on chasing his high. You watch as his smile widens to that open mouth grin, “Fuck,” he almost whispers. And there it is. There’s a twitch in his hips that mirrors his expression and then he’s pulling out and cumming on your back. His voice is now even lower and raspier than before as he babbles how good that was and how tight your pussy was. It was sweet nothings, but extremely explicit and you sighed heavily, feeling a small orgasm wash over you again. His final thrusts and voice pushing you off the cliff again easily.

The two of you take a minute to bring your breathing back to normal and Harry goes to clean your back off.

“So..how do you feel about maybe doing this regularly?”  Harry asks sheepishly as he begins to pull his pants back on.

“Like a friends with benefits kind of thing? Or bandmates with benefits, rather.” You laugh breathlessly at your not really funny joke, but you’re now truly exhausted. From the show and the fuck, you felt thouroughly worked out.

“I guess that’s what it is, yeah.”

“Yeah, sure. Sounds good.”

“You’re honestly so chill, Y/N. It’s fuckin’ hot.”

You laugh and flip your hair dramatically. You’re only in your bra and panties right now and Harry licks his lips, finding your playfulness to be a turn on. “What can I say?” You laugh.

“But like I said before...it’s just sex.” He’s buttoning up his shirt and looking at your reflection through the mirror now. He watches you slip the pants you had been wearing back on.

“Oh, Harold, I know.” On cue, he groans and turns around to face you after fixing his mused hair in the mirror. Interrupting yourself, you turn your back to Harry, “Can you tie this, sorry it’s hard for me to get the -” Harry walks to you without any hesitation and begins tying the silk ribbons on the back of your shirt. “Thanks. Anyway,” you turn to face him when he’s finished and you place both of your palms on his chest. “Trust me, I know you’ve got your issues and I’m not looking to be the girl that tries to change you. I know what this is. I only ask that you let me know when you sleep with other people, because once you do, you won’t need me.” Harry nods and you pat your hands against him. You both smile and go your separate ways when you leave the dressing room.

-

Harry and you fucked almost every night on tour. Sometimes it was right after, on the counter in his dressing rooms. Sometimes it was later in the evening in his hotel room or yours. He stopped leaving immediately after your hook ups. He never kicked you out of his room so he decided it was fine for him to stay in yours. Especially because you weren’t a stranger who would be weird with him in the morning. He also didn’t like trekking through the hotel halls late at night.

The first few times you stayed in the same bed, the two of you stayed on opposite sides of the bed, not touching after you were finished engaging in your sexual endeavours. Rigid bodies against the edges of the mattress. Then one particularly long night, filled with multiple rounds, Harry was so exhausted from his performance on stage and off that he collapsed on top of you. He fell asleep there and you didn’t particularly mind. It felt nice to be slightly compressed and held. He shifted in his sleep and when he woke up he wasn’t upset to find you nestled into his side with his arms wrapped around you. After that, cuddling sort of became part of the routine. After you were done having sex, Harry or you would get up to clean up and bring back waters. Then you would settle in his arms. Sometimes in a spooning position and sometimes you cradled softly into his chest. You didn’t talk about it, it just happened.

One night it was your head directly on top of his butterfly tattoo, one leg thrown over his lower torso and your arm snuggly wrapped around his middle. He liked to pet your hair when you laid against his chest in that way. His fingers would fiddle with the strands and you liked it because he usually took off his rings before he would do it and his hands felt so soft and delicate against you. Harry liked the way he felt when he would hold you afterwards. It was calming to fall asleep against your soft skin and feel your fingertips trace lyrics to songs he wasn’t sure the name of against his own.

No one knew about how your friendship with Harry worked. To the rest of the world, you seemed to be someone who had become another close friend in the band. You were similar to Mitch in many respects. Except for when Harry winked at you during a show, it wasn’t a friendly wink, it was a ‘this song makes me horny and I can’t wait to relieve the pressure by fucking you later’ kind of wink. You knew this because Harry had gone over and whispered it in your ear during a quick break, when you had only looked at him weirdly after he did it.

Before the show tonight, you pulled Harry aside, “So what are we thinking tonight? I feel like I might want to ride you...Haven’t been on top in a while.” In the darkness of the backstage, you crane your neck to take Harry’s earlobe between your teeth. He groans softly and grips your hips to guide them against his for a second. “Sounds fuckin’ fantastic, love.” You twitch back, releasing him immediately at the word. You always told him not to call you that and he tried to reason with you, that it was just something he called people. But you disliked it a lot, adding it to the growing list of rules the pair of you had for the do’s and don'ts of being friends with benefits with each other.

“Harold,” you groan and he steps back at that pet name. While he hated this, you refused to let him put it on the list because it didn’t cross any lines with your physical arrangement. Not that there was any physical list to put it on, it was more of a theoretical list that the two of you would speak of occasionally.

“Sorry.” He says eventually, “Didn’t mean it.” You both laugh.

You think about how other relationships were sometimes desperate to hear their partner express their love for them and you believe you’re grateful for the simplicity of your arrangement. The term relationship regarding what you and Harry were doing was also in the ‘don’t’ category on the list. If either of you were being honest, there should be no need for a list and you should be questioning yourselves why you felt the need to set boundaries if one part of it was physical and the other part was your friendship and job. If it truly was just physical why were boundaries constantly needing to be set and followed? But right now honesty was not in the cards.

-

After the show Harry gets delayed with press or fans or something that you don’t really care about. You barely read the text that he sends, only caring about the ‘sorry got held up’ and the ‘be there in thirty’.

You let yourself into his room and wait on the bed, flipping through your phone, completely unbothered by the rest of the world. When you hear a knock on the door, you don’t think twice about getting up and opening the door. You only realize your terrible mistake when it’s Mitch and not Harry standing at what you’re also just realizing isn’t your door, but instead Harry’s.

“Shit!” you say under your breath as Mitch looks at you confused.

The room is dark behind you because Harry would have just entered and gotten down to business. He might turn on a side lamp, but you hadn’t felt the need to have light on while you waited. Forgetting all of that, you had just gone to the door and opened it.

Mitch tucks some of his hair behind his ear as he stares at you. “Is Harry here?”

“Er..No?” It comes out as a question. You rub the back of your ankle with your foot, feeling nervous.

“Is he actually not here or?” Mitch trails off, narrowing his eyes at you.

“No, no he’s really not here. I’m waiting for him, too.” You rush your words, but try to remain calm.

“You have a key to his room. And you’re waiting in the dark.” He says. They’re not questions and you’re not sure just how guilty you look.

“Yeah!” You try to come up with a non suspicious response, hoping there’s a way to still salvage your’s and Harry’s secret, “He gave me his key because he wanted to talk about something and I kept it dark because my eyes always hurt after shows. Kind of like a migraine.” You scratch at your head and smile, trying to convince Mitch. He seems to believe you as he nods slowly and opens his eyes more.

There’s a little bit of an awkward silence and Mitch shifts his weight between his feet, looking at you still. Just as you're about to invite Mitch to come wait inside with you, Harry steps out of the elevator and begins to walk down the hall. His key card is already in hand and your eyes widen. Harry’s expression mirrors yours when he realizes Mitch is standing outside of his door and that you are standing with him. “Mitch!” Harry says, placing his hand on Mitch’s shoulder and sliding his key card into his back pocket with the other. Mitch turns to Harry without seeing him put away the other key card and you look at the pair of them.

“I was just telling Mitch how you gave me your key card so we could talk about...that thing.” You interject, flicking the lights on in Harry’s room as casually as possible. Harry shoots you a look about how you couldn’t come up with an actual reason for being there. You shrug your shoulders helplessly.

Mitch looks between the two of you and feels some weird tension and he’s not sure if it's always there and he’s just noticing or if something is going on right now.

“Yeah, well, I came to stop by to talk about the riff in Canyon Moon. Something is wonky with it.”

“Oh! Sure,” Harry nods to Mitch and then glances at you, “Y/N, we can talk about that other thing later. It’s not that important anyway.” His tone is so casual and nonchalant. You stare at him, thinking he can’t be serious. You had been almost sure he would send Mitch away, but instead you were being kicked to the curb. When he doesn’t say sike or anything of the sort, you nod. “Okay,” then you mumble a ‘good luck’ with figuring out the problem with the song. Mitch walks in the door, but Harry’s eyes stay fixed on your figure retreating down the hallway. He watches you disappear and is only pulled from his thoughts when Mitch calls his name from the couch in the room.

After reaching your floor, you key into your room and get ready for bed. Just as you’re about to drift off to sleep, completely alone for once in a long time, there’s another knock. This time you check the peephole, a habit you realized you were going to have to get better at. It’s Harry. You open the door and walk away immediately once he’s entered the room.

“Why are you here?”

“Thought we could still...” He follows you into the room, trying to make out your face in the darkness.

“I’m not in the mood anymore.” Your tone gives away your annoyance. You couldn’t hide that you were mad at Harry for sending you away. It made you feel weird. The way he did it so easily made you feel like you were extremely disposable and unwanted.

“I’m sorry,” he sighs as he lays down beside you. You turn to face him when he places a hand on the small of your back. You’re face to face and your noses are almost brushing. It’s not really possible to see each other’s features, but after months of hooking up you knew each other’s faces pretty well. You could reach out and pinpoint all of Harry’s freckles and moles on his face and neck right now and be correct. He could likely do the same. The theory is proven correct when he reaches out and his hand dances down your cheek. “Just thought it would be less suspicious if I didn’t get rid of him. Couldn’t make him wait either…”

“I know,” your voice is small and soft, just above a whisper, “I forgive you.” You scoot closer to him and Harry instinctively wraps his arm around you, bringing you tightly into him. You sigh into his neck and he shivers at your warm breath on his slightly clammy skin. When you lick your lips, they brush lightly against his skin. He laughs at the feeling, so you decide to press an intentional kiss to the hollow in his neck. In response, he presses a kiss to your hairline, his lips slightly chapped after the concert.

The kisses are tender, filled with that thing neither of you dare attribute to anything the two of you did in the dark. The word you told him time and time again to not call you. So is just about every touch and word that has been exchanged in this room since Harry entered it. You fall asleep wrapped up in his arms, a soft smile resting on both of your faces. Neither of you seem to mind that you didn’t actually have sex tonight or anything even close to it.

-

When you wake up you feel especially well rested. You shift around and realize your bed is empty besides you. It depended on the day, but it was always a toss up between Harry being there when you woke up or not. However, lately, you had found it was usually the former. You would linger longer and so would Harry in each other’s rooms, lounging in each other’s embrace under the soft glow of the morning light peaking through whatever windows the room had. Today you were cold at his absence. Then you look up and realize you aren’t completely alone. Harry is standing at the end of your bed, staring down at his phone, smiling.

“Hey.”

You wait for his reply, but he doesn’t look up from his phone. “Hey, Harold,” you repeat. His head snaps up, a grimace on his face at the name. He slips his phone in his pocket and ruffles his hair. “Hey.” He finally responds. “I’m gonna head out.”

“Okay.”

Neither of you seem to find it necessary to talk about what happened last night. Harry definitely seemed a little off to you this morning, but you try to shake it from your thoughts. There was no reason to be upset with him being quiet. He didn’t owe you anything, you hadn’t even slept together last night, so if anything it was weird he stayed as long as he did.

It was the second night at the Forum in Los Angeles. This means no travelling necessary. No day off either, tomorrow you’d have a day off before the third and final show at the venue though.

Harry and you were talking normally at the venue, mostly about the setlist - him and Mitch had changed something for whatever reason last night, which was fine. Your banter was to a minimum, but you were trying to convince yourself that nothing was off. Even though it felt like something was different, you couldn’t place your finger on what it was, so you thought it was best to ignore it.

When Harry is about to go out on stage, you don’t pull him aside and when he introduces the members of the band to the audience, he doesn’t say anything fun or silly about you. He doesn’t wink or come up to you at any point in the performance. It’s so unusual the rest of your bandmates are giving you funny looks. Charlotte looks at you from across your keyboard in a way that she’s asking if you’re okay. You shake your head at everyone trying to signal that you’re fine.

Mitch goes over to Harry and whispers in his ear to check in with him, Harry looks at him with a bright smile on his face and says “of course, why wouldn’t I be?” Mitch looks between the pair of you, thinking back to last night and how weird the pair of you were being then. Maybe it dawns on him then what might be going on between the two of you, but if he did, he wouldn’t mention it for a long time.

You falter a bit on your back up vocals tonight. You’re trying to give it your all, like always, but for some reason your voice isn’t sounding the way you want it. About halfway through the show, when your voice comes out the exact opposite of how you would like, Harry finally gives you a second glance. His face practically emotionless, save for the single arched brow. He’s concerned, but not concerned enough where he would go over to you. He just doesn’t understand why you keep missing the right note tonight. You make a shake of your hand to say I don’t know either. He just shrugs and turns back around to continue the show, his lively smile returning while he turns his head.

After the show, Charlotte, Sarah, and you are all checking in, going over what had happened during the show in general. They’re both worried about your voice and you’re simply trying to tell them that it was just an off night. Nothing was wrong. As long as you told everyone else that, then it might turn out to be true.

“It’s fine, maybe I didn’t get enough sleep last night,” you fib, having gotten more sleep last night than most other nights on this tour. They both nod, seeming to take that as a reasonable answer.

Then Charlotte gets quieter as she whispers to the three of you, “Did you guys notice anything weird with Harry? He was super lively, but he barely interacted with you, Y/N, which is so unlike him...”

Sarah nods while you look skeptically on. Sarah adds, “He kept looking up to the boxes, too. More than usual at least. I don’t know though…” She trails off and you cross your arms over your chest, not really enjoying the conversation topic. “I mean, what do you think, Y/N?” Sarah adds.

Your eyes dance between the two women, your fellow bandmates, your friends. You sometimes wished you could share with them what you were doing with Harry. The secret was fun, but it’s also nice to be able to share with your girlfriends about the guy you’re seeing, even if it is a casual thing. The friendly gossip of it all is something fun to share, but sadly that was another thing you couldn’t do. You sigh, “You never really know what’s going on in his mind, y’know. He’s just Harry.” Your response is half-assed at best. You figure they’ll both give you shit for the non-answer you just supplied, but instead someone else speaks for them.

“I am in fact, just Harry.” He says and you swivel around to find yourself almost chest to chest with him. Charlotte laughs while Sarah simply smiles. Your eyes are huge as you stare up at him and you hope your blush doesn’t come out too strongly after being caught talking about Harry by himself. “Enlighten me on when I was being ‘just Harry’ though?” You bite your lip and take a step back from him, forming more of a line with the other women. He shrugs when no one offers a response, laughing lightly.

“Oh and Y/N, I can’t talk about that thing again tonight, I’ve got-”

“A date?” Charlotte asks, trying to understand why Harry was acting a little different tonight still. The part that Sarah had mentioned about him looking up into the boxes had given her the idea that he might have plans with someone after the show. Harry scratches his head, his hair slightly wet with sweat right after the show. He’s taken off his coat so he’s just in the almost completely unbuttoned, sweat soaked shirt he had been wearing underneath. It sticks tight to his skin and you can make out all the muscle lines that hide beneath the fabric that you usually get to caress. Your eyes flit from his body back to his face when he speaks again.

“Erm, I wasn’t going to phrase it like that...but yes, I suppose, it’s a date.” He says finally, he avoids your eye contact and you look at him very confused, trying to hide the hurt. He shoves his hands in his pockets trying to look and sound as casual as possible and ignore the strain he sees on your face. Is that what had held him up yesterday? Making plans with someone else? And he hadn’t told you until now? The past twenty four hours stung a little bit more now that you knew why Harry was being so distant. It simply felt icky finding out this way and it didn’t even seem like he was going to tell you it was a date.

“Okay,” you say simply and walk away. You hear Charlotte asking him details about his date, but you try actively not to hear any of it. Sarah watches you walk away and sees the way you wrap your arms around yourself to comfort you. She feels a twinge of sadness as she watches the scene unfold, seeing something she hadn’t realized was there before.

Harry doesn’t text or call you that night. You hang out with everyone else for a little while in Charlotte’s room before heading to bed, saying you think you need an early night tonight. Before you’re able to walk out of the door, Mitch stops you. “I heard Harry blew off whatever conversation the two of you have been trying to have again. Just wanted to tell you I’m sorry.” You try to smile but it comes out as more of a grimace. There is no conversation Harry is blowing off, it’s simply you. “It’s fine. Like he said yesterday, it’s not important.” Mitch nods, but still looks at you with concern. What he had seen last night, then on stage today, and what Sarah had told him about your interaction after the show it all strung together in his mind. It didn’t seem unimportant at all. But he didn’t know how he could tell you that. He felt like he should talk to Harry about the way you looked when you left Charlotte’s room tonight, but he didn’t know how to bring it up to him either.

You don’t realize you’re crying until you're in the elevator, and it’s slowly rising to your floor of the hotel. You’re only one level up, but it feels like an eternity in there. You already weren’t a fan of elevators, but this ride felt impossibly worse. The walls are all made up of mirrors and you see yourself in the reflection, but you don’t exactly recognize the girl in there. Your eyes are tired from the show, dark circles already formed. Your hands are aching, clenching and unclenching on their own accord. Your body is slumped against the back wall, likely leaving a slight imprint from the smoke residue and dust on your clothes. Worst of all are the tears running down your face, smudging at your makeup, the black mascara you had applied dripping down in sinister raindrops against your skin. The sad girl stares back at you as you sniffle slightly, confused at what you’re seeing. “Why are you crying?” you ask yourself, your voice creaking and then breaking at the end as you struggle to get out the word ‘crying’ before a sob wracks through you. You roll your eyes when your reflection offers no explanation for itself. You laugh at your own patheticness and try to shake the feelings you’re experiencing.

Inside your room now, you flop on the bed and stare straight up at the ceiling. Your arms spread to your sides and your legs lay limply below you. You think about every night before last, every night since the tour started. Every night where you weren’t alone, where you were with Harry. Your mind flits to last night, how Harry’s lips had ghosted over your skin after his apology. How you had told him you forgave him and it had felt so peaceful, so simple. It was all so easy. Thinking about him and the things the two of you did together brought a smile to your face, unbeknownst to you. When you realize it’s there, your face drops immediately, deciding not to think about Harry.

But trying to not think about Harry makes you only think about him more and what you think about him now most definitely doesn’t bring a smile to your face. You’re thinking about him out on his date with some person you chose to learn nothing about. Maybe out of fear of what is happening right now. By knowing nothing about the person, you can’t compare yourself to them. Can’t see what’s different about them that would make Harry go out on a date with them. But it doesn’t matter who they are or what they look like because at the end of it all you know one thing for certain. They’re not you. You correct yourself, you know two things actually, because you also know that Harry chose to be with them instead of you tonight.

You fall asleep with tear stained cheeks that night and absolutely nothing positive on your mind. You want to sleep but know it only brings whatever is bound to happen tomorrow, which doesn’t seem very promising.

-

It’s noon when you wake up and you wake to a knocking on your door. You grumble and throw a sweatshirt over your body to hide the underwear you slept in. Not remembering your new habit, you swing the door open without any hesitation to find Harry. He looks wide awake and happy, the way he almost always looks, a fresh beautiful flower of a man. You look at him groggily, “What are you doing here?”

“You weren’t answering your phone.”

“Because I was asleep?” You tilt your head and look at him incredulously. “What about this,” you gesture to your appearance, “looks like I just went for a 3 mile jog for fun and I love the morning?”

“Can I come in?” He ignores everything you just said and enters the room when you leave the door to get back in bed. You often did that with him, you don’t know why, but when he asked to come in the room it was just simpler to let him in then say anything. He knew what you meant.

He sits at the edge of the bed as you reclaim your spot in the middle of it, tucked slightly under the covers, but still sitting up. “How was your date?” You try to sound nonchalant and it seems to work. Harry doesn’t notice your tense figure, but you notice how he tenses up when you ask.

“Good…Her name was-” You don’t let him finish, you already know the answer to this next question and you don’t need her name in order to ask it, “Did you fuck her?”

He’s silent, green eyes staring straight at you. You meet his gaze, your eyes almost burning holes into him. His eyes are begging you to not make him answer the question, he doesn’t want this to end, even if he also didn’t want the commitment he had felt himself exhibiting the other night.

When he had come to your room the other night after Mitch had almost caught you, he knew he shouldn’t have stayed. He didn’t want you to feel bad so he had come to apologize, but when the pair of you didn’t have sex, he should have left. But he didn’t, he stayed and it wasn’t for you, it was for himself. It was for him to hold you in his arms because he liked to. But when he woke up the next morning he knew he needed to leave. Solely cuddling wasn’t part of your arrangement together. It’s probably on the list of don'ts that the pair of you had. So after he realized the line he had willingly crossed with you, he quickly sent a text to Jeff who had tried to set him up with a model they were acquaintances with the night before - the reason he had gotten held up. Harry had initially declined, not very interested in seeing anyone else but you. But looking back on that choice in the light of day seemed to solidify what this relationship was - a relationship - and Harry didn’t like that. The commitment wasn’t part of the plan, so he told Jeff to set that date up for after the second show at the Forum and give the woman a ticket. That’s why he was smiling at his phone the morning after only cuddling with you, that’s why he didn’t joke around with you during the show, and that’s why he wasn’t in your bed last night.

You watch him expectantly, silently waiting for his answer, your veins cold as ice. He finally starts his answer and he wants to make it clear that it wasn’t as good with the other woman, but he’s not sure how to work that part in. He’s not sure how to explain to you it meant nothing if your arrangement also apparently meant nothing. You barely even let him get in a sentence. “Yes, but it was just a one time-”

“Alright.”

“What?” He doesn’t understand what you mean when you nod your head and cut him off.

“I told you at the beginning, Harry. Tell me when you sleep with someone else because when you do this is over. It doesn’t matter if she’s the love of your life or a one night stand. I will not be a backup plan, so if you’re able to find other people to sleep with, you don’t need to be sleeping with me.”

He sits in silence for a moment, his jaw dropped open slightly. He’s unable to keep it shut as his mind races about what to say. “Are you mad with me?”

“No, I’m fine. This was just sex. Charlotte will be happy that I’ll be going out with her more.”

Harry’s brow furrows as you shift away from him on the bed, grabbing your phone and beginning to flick through it. You feel numb and you’d like to not think about why.

“Are you sure you’re okay?” He asks because he does care about you, worry is written all over his face. He just can’t commit, not now.

“What would I be mad about, Harry?” You look up and your eyes widen at him, silently asking him to truthfully say why you should be so upset about this revelation. You always knew it would eventually come to an end, you just hadn’t expected so soon. You hadn’t known the last time would be the last time and it broke your heart even if you knew it shouldn’t.

He shifts to reach his hand out to touch your exposed knee. You move away from him and he sighs, looking exasperated. “I- I don’t know. It just seems like we should talk about this.”

“You didn’t even think it was necessary to tell me you were going on a date last night, so I think it’s best if we just left it at ‘it’s fine, see you around’.”

He spreads his hands out across the sheets, examining his rings and painted nails thoroughly. You’re right, he doesn’t really want to talk about this. Well, more so, he’s conflicted. He would like to talk enough that you want to continue your arrangement but he doesn’t want to talk about feelings or emotions. Even if he has those feelings and emotions, they’re just not part of the things he’d like to talk about. “But-” You set your phone down at his first word, “Were you even going to tell me you fucked someone else today if Charlotte hadn’t asked you if it was a date last night? Would you just have come to my room tonight and acted like nothing had changed?”

“I would have told you.”

“Sure.”

“I swear I would’ve. I would never break a promise to you.”

“But you would make a decision that affects the both of us without telling me until afterwards?” Your voice breaks a little and you beg yourself not to cry right now.

“I thought you said this was just sex?”

You laugh humorlessly, in disbelief, “Of course it’s not, Harry! And it hasn’t been for a long time and that’s why you got scared and went and fucked someone else.” He looks at you blankly, unsure what to say, knowing you’re right. You continue, “But I also told you at the beginning of this, that I wasn’t going to try to change you. So this is me not trying to change you.” You sigh when he still says nothing, his expression completely unreadable, even to you. “Why couldn’t you have left it at ‘it’s fine’?” You say finally, barely above a whisper.

He blinks a few times after your final question. He flexes his hand one more time and then stands up from the bed. He adjusts his clothes and stares at you. You feel helpless, but you’re still trying to look pulled together, even after your outburst. You stare back. A thousand words floating through your heads, all the things you want to say and likely never will.

“I know, I’m…” he pauses, trying to get himself to say it, but he can’t. He can’t admit that he’s completely ruined whatever messed up paradise you had created together. “I’ll see you later.”

The apology or lack there of hangs in the air as he walks silently out your door. You don’t move, you barely even blink, still staring at the spot he had just occupied. Your breath finally escapes you, a large sigh. Then some nervous laughter. It was over...just like that. But things like this, left like this are never really over.

-

It’s awkward for a good amount of the rest of the tour. You hang out with your bandmates more and Harry rarely ever comes out with them after the shows. He either hangs out with Mitch on his own or is going out with random people he knows on the road. You and him speak, but it’s never a lot or about anything relatively meaningful. It’s not the fun back and forth of before or the fiery heat of sneaking around. You try to be normal with him, act like his casual friend and bandmate.

He does his best to do the same, but it’s difficult for him. He doesn’t know how to talk to you anymore. He misses being with you, but can’t bring himself to fix it. He doesn’t do much to right his wrongs with you. He also doesn’t even know what he would want if he did apologize. It scared him to think about the step that came after ‘sorry’ so he saved himself the trouble and never did that part either. One night he texts you: “I’m trying, it’s just hard.” and that’s it. You don’t give him a response, he doesn’t need one. You know he’s trying and he knows you know.

Near the end of the tour, he comes out with the rest of you for drinks one night. Only Mitch is between the two of you in the booth, so you feel closer to Harry than you’ve felt in a long time. The group of you are chatting and having a good time. You somehow get onto a story from when you were still in college. You explain how you had narrowly avoided getting Chlamydia right before your Christmas break junior year. You act out the conversations you imagined would have happened at all your Christmas events if you had indeed gotten it. Your impressions of your mother, father, and sister have everyone laughing the most. Harry is shaking with laughter from your story and you smile at him in appreciation when he says, “That is the funniest story I’ve heard in a long fucking time.”

The rest of the night goes really well, for the most part. No one bickers or is short with each other. Everyone is laughing and drinks are flowing. Eventually Mitch gets up to go to the bathroom and you feel Harry slide back into the booth closer to you after letting Mitch out. Your hand had taken up residence next to your thigh, resting on the vinyl of the booth. You sense something next to it now and notice Harry’s hand is resting close beside it. He shifts his hand closer when he sees that you’re looking down at it. He’s almost touching you and you look up to his eyes, wondering if he’ll close the distance. He makes an imperceptible shake of his head, but you know what he means. As you’re about to shift your hand so that your pinky connects with his, Mitch returns and your head shoots up to his figure. You instantly remove your hand from the vinyl and shift closer to Charlotte. Harry gets up, but doesn’t sit back down once Mitch is settled. He instead walks off to get another drink, risking one last look at the table where he makes eye contact with you, but he doesn’t come back. Mitch informs everyone that Harry went back to the hotel because “he was tired” after Harry doesn’t return and Mitch gets a text. You roll your eyes, sure that you saw him slip out of the side door with a woman he found at the bar after he had gotten his drink. If that’s what ‘tired’ looked like on Harry, it was fine.

You start to speak to Harry on a more regular basis after that night out. It’s not funny or lighthearted. It’s just ‘I saw this song the other day, thought you might like to listen’. It went back and forth, it wasn’t everyday but it was something. The last text between the two of you before you began sharing songs again was his ‘I’m trying it’s just hard’ text that he had sent randomly one night. Then after one of you would listen, you would see each other at sound check and mention the song and what you thought about it. It can be noted that it was Harry who sent the first song.

For Harryween, Adam couldn’t be there. He has some family emergency the day of and doesn’t come with the rest of you to Madison Square Garden or the hotel you were staying at. Thankfully, Charlotte also plays keys and you can play bass. The band had to shift around some things on stage and make minimal changes to the setlist since you weren’t rehearsed on the covers Harry was doing. You spent the whole day running through the chords of those songs with Mitch, trying to memorize them so you didn’t mess it up during the show.

It was weird because for Harryween the setlist was switched up a little from the regular set for Love On Tour. Harry was playing the entire new album as well as half of the first album, Medicine, some of his other unreleased stuff, and about six covers, including old One Direction songs. It was going to be a long show and a challenge for you.

Before the show, Harry pulls you aside, to a dark corner backstage, and your mind flits back to the last time you had been in this type of position. The last time he had called you ‘love’, the last time you bit his earlobe - which always drove him crazy, the last time he ground his hips against yours, those and more and you had no idea that it was the last. By then you had already had sex with Harry for the last time, kissed his lips for the last time. It made your heart race to be so close to him and so alone once again. But it’s nowhere near the same as it once was. You shake the memories from your mind and look up expectantly at him.

“Have you got this?” He asks seriously, tone concerned. Of course it’s a music question, nothing more. Like it always was now.

“Yeah, of course.” His stare is unwavering and you try not to falter from it.

“I can get someone else to cover tomorrow, it was just such a short notice today. You know bass really well too, it made sense.”

“I’ve got this. Seriously, don’t worry, Harold.” You pat his chest lightly and for once Harry smiles at the sound of your nickname for him. You had stopped using it after the end of your arrangement. It never felt right to use when you were talking about music, and that was about the only time you had been talking. In this moment though, it felt right. His warm, large hands held your upper arms as you stared up into his big eyes. You missed staring into them, the shimmering emerald of his irises were constantly intriguing. You instinctively reach up to move back a curl that has fallen onto his forehead. He doesn’t shy away from your touch and continues to smile down at you.

“Y’haven’t called me that in forever.” He grins, his lips a shiny pink from the lip balm he had on.

“No, I suppose I haven’t. But where was the groan? The whole point is to annoy you.” You smile coyly. He tips his head back and laughs, releasing your arms from his grasp as he laughs wholeheartedly.

Then he does a soft groan, a playful sound, “How was that?”

“Eh. I’ll give you a four out of ten. Not enough emotion behind it.” You slide from the area the two of you have been occupying and make your way onto the stage to start dealing with the bass you would be playing. You hear Harry call out to you, “I think I deserve at least a five, maybe even a six!” You turn back for a second to look at him with an unimpressed expression and shake your head no. He laughs again and you hear him even when you walk out onto the stage. You smile to yourself as you pick up the bass.

When he introduces the band, he waits to talk about you last. “And sadly this evening Mr. Adam Prentergest, our usual fabulous bassist, was unable to attend our fancy dress party! However! Our lovely Y/N L/N is also a superb bassist and was kind enough to step into his place. - Anything to add?” He saunters across the stage to you and you laugh kindly, feeling at ease in this part of the stage even though you were usually on the opposite side and further back from the crowd. You nod at Harry and he leans his portable mic towards your lips. You wet them quickly and eye Harry before turning out to the crowd. “Just please go easy on me if the bass sounds a bit wonky. It wasn’t on the job description that I’d be playing songs I didn’t know, with a few hours notice, on not my main instrument.” You say this in a kind of list format, holding up your fingers as you tick off all the ways that this was out of your comfort zone. You scratch your head dramatically after you’re finished and the whole crowd laughs and cheers. The rest of your bandmates chuckle along and Harry nods and smiles at you.

“You’ll do great, love.” He leans into your ear and says without the microphone. Then he winks and turns to go back to the center of the stage. You press your lips together to contain your smile, both happy and concerned about the flip your stomach just did.  

The show is going great. Harry is killing it with the crowd. Everything is electric. You’re entirely focussed on your bass playing, but Harry has been coming over every so often to do something fun or have you tell a joke.

“She’s truly the funniest person I know! And I know a fair amount of people I think.” Harry says as he walks over to you have you tell another joke. Mitch has been looking at you and Harry interacting all night and he’s sure that it isn’t your different position that has him coming over and talking to you so much tonight. Something has definitely changed once again. First the pair of you were always together and having fun, then it was silence and stolen glances that neither of you realized you were taking, now it was back to the beginning.

“That’s because you think puns are part of the top tier levels of comedy.” You say easily, “Here, I can guarantee Harry will love this and the rest of you will likely groan.” Then you stop and act as if you’re thinking for a little, everyone’s waiting expectantly. “Sorry, thinking...Well, I’ve got some skeleton puns I could do, they’re very humerus or y’know classic vampire ones..eh but those ones kind of suck. What do you think, Harry?” You look out at the crowd, face deadpan, as Harry laughs beside you. You roll your eyes playfully and push him back to the center of the stage. Leaning into your own mic now, you say, “I told you.” That’s when everyone laughs. Harry throws another look at you over his shoulder and laughs a little more, his smile wide and eyes bright.

A little over half way through the night, it’s time for ‘to be so lonely’. You already knew the bass chords for it before today and you were confident in yourself by now. It wasn’t as hard a song so you were happy for the little break. This song allowed you to not be looking down at the notes you had stuck to the floor in front of you. Harry’s voice comes in after Mitch’s intro and you watch the way his lips move against his mic. You laugh a little as you watch the crowd yell the first “arrogant son of a bitch” line. You used to not particularly like when people did that, but after it had ended with Harry you had started to enjoy it a bit more. Having those people yell the words you couldn’t, but truly felt about him sometimes, was cathartic. Tonight you weren’t angry with him, but you enjoyed the energy in the room when everyone said it. We’ve all got our own ‘arrogant son of a bitch’ that we want to scream at sometimes. Tonight yours wasn’t Harry for the first time in a long time. The song moves along and Harry takes the microphone off its stand, he walks towards your side of the stage. When the lyrics get to:

“I miss the shape of your lips, your wit, it’s just a trick, this is it so I’m sorry”

Harry isn’t looking at the crowd, he’s looking straight at you. You don’t understand the way he’s looking at you. Or maybe you don’t want to understand it. This song, its lyrics, explains Harry really well. You saw the relationship you had with him in the words. Maybe not precisely, but a part of it was in it. Harry had unknowingly foretold your lives with his words. You know he has trouble connecting and committing, you know his issues, and you accept them. But you knew what had happened between the two of you was far more serious than meaningless sex and you knew Harry couldn’t bring himself to be that serious. He ran off and that was fine, but the face that he couldn’t even apologize hurt you the most. But the song lays it all out for you, he’s not one to be able to apologize quickly. The fact that he looks at you and means the apology he sings in the song for you, it’s a big step, but it’s not enough. The banter, the technical apology, it was all a good start, but it’s just that - the beginning. If Harry wants to make things better with you, a lot more needs to be discussed. So when you sing backing vocals for the following chorus you mean the words for Harry completely.

“Don’t call me baby again, you got your reasons, I know that you’re trying to be friends. I know you mean it, but don’t call me baby again it’s hard for me to go home and be so lonely”

His eyes flick to you again and see your lips moving around the words as you play the bass. He sees the emotion in your face and understands what you’re saying. It’s hard for you to go to your room at night and be alone while he’s out with someone else. It’s hard for him to act like everything’s all fine and perfect, back to normal, because for you it isn’t really. He can’t call you ‘love’ and tell the world you’re funny and expect it to be enough. He can’t sing his sorry that was initially for someone else to you and expect you to accept it. And he knows it, too.

After the show everyone decides they’re exhausted and need to rest before tomorrow. You all planned to celebrate the whole day and you knew it was going to be a wicked Halloween. Knowing this, you’re surprised with the knock on your door after about an hour of being back at the hotel. You’ve given up the habit you had once hoped to cultivate and swing the door open haplessly. Truly having no idea who to expect, you are still surprised to find the man standing before you.

“Mitch.”

“We need to talk.” He stares down at you, his shoulders slumped from tiredness.

“Come in,” you usher him in when you hear the urgency of his voice. He saunters in before you and you close the door. You move to the small couch in the room and sit down. Your hands gesture for him to sit as well, but he shakes his head. He stays standing and brings a hand up to smooth his hair back on the right side. His eyes staying on the floor and flickering up to you every so often.

“What is going on with you and Harry?”

“What do you mean?”

“Oh come on Y/N. You’re seemingly best friends with him for a good portion of tour, then you’re barely on speaking terms for the second half, now you’re joking around again. What is going on?”

You sit there in a stunned silence, “I don’t know what to say.” Your arms go to hug your body, feeling anxious about being confronted about this topic.

“Were you seeing each other?” His voice is soft, eyes taking in your body language and knowing it’s a difficult topic.

“I wouldn’t put it like that…”

He holds back the ‘I knew it’ statement because of  how sullen you look, b..ut in his mind all of the pieces he had watched unfold came to fit in a perfect puzzle. He decides to sit beside you when you don’t say anything else.

“We were having sex,” it felt weird to say it out loud, no one but you and Harry had actually known, “But it ended. I don’t know what today was...but it felt different than how it’s been.”

“Why are you so sad if it was just sex?” He places a hand on your shoulder and your tear-filled eyes meet his. “Oh…” He knows why.

“I’m sorry, Y/N.” You sob at his apology because he’s not the one who should be at your door apologizing. You sniffle and lean your head into his chest. He takes you into his arms and holds you as your cries become muffled sounds in his shirt.

You cry without words for a few minutes, Mitch coos some soothing words, his voice soft and kind. He was always a good shoulder to cry on for all of your bandmates, he was extremely strong and you made a mental note to thank him thoroughly when you actually were capable of forming coherent thoughts. “I’ve never told anyone before. It feels so weird even saying it out loud,” you say as you pull back from Mitch’s embrace. You're thankful his shirt is black, no tear stains can be made out.

“Do you want to talk about it?” He asks gently, gauging your reaction. You wipe at your eyes and nod.

Taking a deep breath, you decide to start from the beginning. “Do you remember the party Charlotte had a week before we left for tour?”

Mitch nods and his eyes widen at what you’re saying as he remembers the night. “It started back then?” He’s unable to contain his incredulous question. He had suspected something, but hadn’t thought it had been going on for that long. He was truly astounded. You nod, “Well sort of,” then you go on to recount the last couple of months. All the way up until the Forum shows. “That night, when I opened Harry’s door and it was you standing there...Harry and I didn’t have anything to discuss. It was just…” Mitch nods again. He hadn’t spoken much since you had gotten into the story, wanting to let you be in charge of what you were saying and believing he could probably ask questions at the end. “Then the next night he blew me off for his date with that model and I cried in the elevator because I knew what was going to happen next.”

“So that’s when it ended?” Mitch asks when you don’t speak for a rather extended period of time.

“Yeah, the next morning he came over and I asked if they had sex and he said yes so I told him it was over.”

“But I don’t get why he went out with that model. He had told me she wasn’t his type the night before…” Your eyes shot up and looked at Mitch. His eyes widened when he realized what he said.

“What?”

“When we were talking about Canyon Moon, he mentioned that Jeff had tried to set him up with some woman but he had declined. Said he wasn’t interested. I don’t get what changed between then and the next morning.” He figured it was best to put all the cards out on the table right now. You’d be going your separate ways for a while, now that the tour was over and he had seen how unhappy both you and Harry had been over the last part of the tour.

You shift your leg to have it folded beneath you as you continue to stare at Mitch. “He came over after you and him had your meeting,”  you say quietly. Mitch hums, waiting for you to continue this time.

“He apologized for choosing you over me to talk to. Then we slept together, but we didn’t have sex...I think that’s what wigged him. It had felt too real, sleeping in the same bed with me without having sex beforehand made it feel like something more than just two people fulfilling needs.” Mitch nods and sighs heavily. He looks around the room and then back to you, taking in your full appearance. Again he feels terrible for you, how he had felt the second night at the Forum even though he hadn’t known the full story yet. “Now we’re here.”

“Tonight, it felt like he was trying,” Mitch finally said and you smiled sweetly, thinking back to Harry’s behavior. No matter how far from him you were, all those good feelings you associated with him never went away.

“Yeah, it’s been getting better. He texted me once saying he was trying. Then he came out with us one night and it almost seemed like that would be the night he’d apologize, but then he didn’t. Then we started sharing music with each other again. Then tonight… was tonight. It’s just confusing. He’s confusing.”

Mitch smiles sadly and brings you in for another hug and you’re actually so thankful he

showed up at your door. It was your first time telling anyone all of this, because Harry didn’t even know how you felt about some of these things. It felt amazing to be heard and to be told it was okay to be feeling like this.

Pulling back, Mitch says, “He’s definitely different. But his differences are what make him special and that’s why I think he clings to them even if they sometimes can hurt other people. The fact that he’s trying is a good sign. I hope he can find it in himself to make it right between you two because I had never seen either of you happier than when you were apparently together. Especially those few weeks leading up to Los Angeles. Sarah had kept asking me why Harry was so smiley back then. When I had asked him, he had just said “have you ever found something and realized you wanted to keep it with you forever?” I had no idea what he had meant, but I feel like he meant you now.”

Your awestruck at what Mitch has just told you. He was right about the first part about Harry trying to change, but the last bit, that’s what had left you speechless. You turn your body to face the rest of the room and put your chin against your hand as you think.

“Mitch...I have to go.”

He understands what you mean and you walk out of the door with him. He walks down the hall to his room and you walk quickly past the elevator and opt for the stairs. Before you know it you’re running up the stairs, taking two at a time even though you’re not the most athletically inclined. You can’t stand to wait for the elevator and your mind is racing.

You knock on the door that is Harry’s after reaching his floor. It swings open and reveals a confused and sleepy Harry. Thankfully he’s still fully dressed because that would have been a whole other problem you would have if he hadn’t been. You push past him and walk straight into his room without any invitation. He follows behind you, still unsure of why you’ve come here.

“Have you ever found something and realized you want to keep it forever?” You ask him, repeating the words Mitch had just told you.

“Pardon?”

“You told Mitch that about me before we ended things. If that’s how you felt, why didn’t you do what you said?”

Harry sighs as the words register in his mind. The memory of when he had smiled at Mitch so giddily and asked the vague question, his thoughts only of you as he asked it. The shit-eating grin he had plastered on his face after Mitch had looked at him confusedly flitted across his mind. As well as the way he had gone to his dressing room and had a quickie with you after that conversation.

“It’s not that simple…”

“It is, Harry! Why can’t you just be honest with me for once?”

“Okay, fine. You want me to be honest?” you nod at his harsh tone. The two of you standing only a few feet apart. “You have no goddamn idea what you do to me, when I’m around you, I have no control of my emotions or of my thoughts. I pushed you away because I didn’t like feeling out of control. I got out because what had started as a fun time had turned into me longing to be with you every waking hour. I found myself not caring what we did as long as I got to hold you and be around you, but that wasn’t part of the plan.”

“Plans can change, Harry.”

You step closer to him and he meets your eyes. He had left his music playing softly on his phone before he had opened the door so now as the two of you stared at each other, he must have been playing his Etta James playlist because her voice faded out of the song “I’d Rather Go Blind” and straight into “A Sunday Kind of Love”. Harry had shared her At Last album with you over the Christmas holiday of last year and you had decided to listen to her entire discography afterwards, so you knew the songs. The transition was a little too on the nose and you wondered if Spotify ever listened to your conversations.

His emerald eyes examine your face and take inventory of your features, measuring whether anything had changed since he had looked at you this close up. Your hand goes up to cup his cheek and he nuzzles into it, dropping his head closer to you ever so slightly and closing his eyes at the feeling of you.

“I am sorry,” he whispers earnestly as he reopens his eyes.

You can’t take your eyes off of him even if you tried. He looks so soft in the moment, so vulnerable in this light as the music swells in the corner of the room. Etta sings about how she needs a love that is going to last as the pair of you inch yourselves closer together.

“I forgive you, Harry,” you whisper back.

He nudges his head further down and your lips finally press together, slotting back together after months apart. Your lips are eager to press back against their favorite companion. You oblige them, but pull back for a second, just far enough to say, “I will always forgive you, so long as you tell me when you’re scared so we can work through it together.”

He nods, “I promise to never let you go again.” Before taking you back against his lips and gathering your body up in his arms. His lips missing yours just as much.

-

[d-criss-news]

Nine Songs: Darren Criss

When Disney, Phantom Planet and Mr Hudson collide: Glee star, Emmy and Golden Globe winner and musician Darren Criss talks Andrew Wright through the pivotal songs in his life and the unexpected ways they found him.

“When we are younger, our gateway drugs to a lot of popular things don’t come from the sexiest of places. It’s up to you how proactive you want to be with your curiosity from there, and how far down the rabbit hole you want to go, if you go down at all.”

Choosing the songs that define you is a tricky business to say the least, especially when the power of song has provided an ongoing soundtrack to your life. “When you’re as avid a music consumer as musical artists are, trying to pin down Nine Songs is difficult,” Darren Criss laughs. So much so, his final choices only really crystallise as our conversation draws to its close. “It’s hard for me not to see the value and joy in literally everything,” he explains. “The curse of the creative person is that your ideas and your interests always move way faster than your body can execute.”

Criss is a creative par excellence. As well as his Emmy and Golden Globe winning performance in The Assassination of Gianni Versace, where he played serial killer Andrew Cunanan, to his upcoming role in Muppets Haunted Mansion Halloween special as The Caretaker, he’s also a prolific musician. Criss enjoyed a decadent musical consumption since childhood, so “this was a bit of an archaeological dig,” he admits. As such, everything from jazz standards, to 808s, punk rock, ‘90s teen pop, and musical numbers are excavated in the course of our extemporaneous journey through the music he loves.

Equally on his mind is how to go about approaching the task of creating his Nine Songs, full stop. “The interesting social experiment is: Are my answers going to be songs that actually shaped my life and were formative to me as an artist? Are they songs that were formative to me as a human being? Or am I picking songs that I think represent who I am to people that do not know me? All three of those things aren’t necessarily the same thing.”

He reaches a conclusion of sorts. “For the purposes of making some kind of decision, I’m gonna lean less into trying to look cool to your very cool readership, and more into the literal, ‘What made me think about music in a different way? And hit me in a very emotional way?’ I think that’s probably the healthiest route.”

Embracing the accessibility that characterises Criss’ picks - or at times the initial touchpoints that led him to them - are something he vacillates over during our chat. “I’ve seen a lot of other people’s Nine Songs and they’re super cool. It’s like Leonard Cohen B-sides and old opera records and stuff. I’m gonna be pretty honest with the pop culture zeitgeist of how I grew up but explain why there is so much value in those moments.” His contemplation continues into the next day, Criss’s publicist passes on his regrets at being tentative to admit how he encountered one of his song choices via the Shrek soundtrack.

A yearning to reinterpret accessibility and the value attached to it drives Criss, however. He tells me that a festival performance that applied the anarchic verve of punk rock to a more refined Great American Songbook number remoulded his perception of music entirely. His love of the fusion of these two genres in particular symbolises the salient musical backdrops of his childhood - the guitar bands he played in with friends, and his musical theatre endeavours that led him to Broadway and multiple Ryan Murphy juggernauts, including his breakthrough playing Blaine Anderson in Glee.

Criss employs these contrasting musical lexicons, and other areas in between, on Masquerade, his new EP. Comprising five stand-alone “character-driven” singles, it sees Criss donning different musical personas. “I’m leaning into people that might know me as an actor,” he explains. “Because if actors can do Shakespeare, romantic comedy, and then do a horror movie and wear a prosthetic nose and a wig, I didn’t understand why I couldn’t just do that with music.” The song “walk of shame” draws on jazz-standard chords interlaced with hip-hop production, “i can’t dance” looks to new-wave, and “for a night like this” is the product of Criss’ goal to create the ultimate end-of-the-night crowd-pleaser for a new-year bash, wedding or bar mitzvah. “This is all of the parts of me as a lifelong fan of these genres, trying my hand at servicing the pieces of them that I love.”

“I really love all styles of music and understanding what makes them unique and special and what makes them really pop. There are so many things that really make things sing - for lack of a better verb - and I like acknowledging those things and celebrating those things.”

“So, let’s begin. I have runners up and shit, and I have artists, I don’t just have the songs, so we might have to pick them as we go.”

“Part of Your World” by Jodi Benson

“When people read this, they’ll go ‘That’s cute, he likes Disney songs’, but it’s more profound than that. Some of the most formative pieces of music to hit me at a very early age would have been any of the songs that were coming from ‘The Disney renaissance.’ The early-mid ‘90s explosion of The Little Mermaid, Aladdin and Beauty and The Beast.

"One of the through lines between the three of those musicals was Howard Ashman, who is one of my all-time heroes. Dramaturg, songwriter - he really was the voice behind what made those songs great. I have always loved Howard’s lyrical sensibility and also Alan Menken, his partner who wrote these songs with him. There was a musical structure to a lot of the songs which I would unconsciously pick up in my own songwriting, not just musically, but the idea that not only did somebody make these songs, but they wrote them for a story.

“There’s a clip of Howard Ashman vocal directing Jodi Benson, who was the original voice of Ariel. It’s a wonderful example of his genius, where not only was he songwriting but he was storytelling in the way he would tell her how to perform it, and you can really see the song coming to life in that clip. That’s when you cross the street from ‘It’s a song’ to ‘This is an experience.’

"There are certain ingredients that are required to elevate music that goes beyond just a nice melody, a beautiful orchestration and a good voice. There are things that are required to really give a performance a characterisation, context and a vulnerability, that he architects in real-time with Jodi Benson. You see that what he’s doing is what makes the record so special, and that’s something that’s always been inspiring to me.”

“MMMBop” by Hanson

“I think my love of Hanson was because some people didn’t like it, so I was like ‘Fuck you, I like this, how do you feel about it?’ But this is difficult for me, because you know, I’m speaking to The Line of Best Fit and we’re trying to be cool! Although, do you know what’s cool? Being accessible! Writing a pop hit when you are 10 years old. Being in a band with your brothers and you’re all below the age of 15, you have a record contract where you are writing, producing and performing songs that are doing well.

“I was 10 years old when their first album Middle of Nowhere came out, and I remember reading somewhere that there were these kids that had a record. At the time, I was playing guitar and I was writing songs, but in my mind I was a kid, and that was it. I couldn’t be on the radio; you had to be a grown up to do this.

"This was the first time where I realised ‘Holy shit, kids can do stuff!’ It’s the value of seeing yourself in the media - that’s a whole other conversation to talk about - but there’s an immense value in feeling like there’s a piece of you out in the zeitgeist and doing well because it’s encouraging. You go, ‘Holy shit, maybe I can do this as well.'

“When you see children doing things, you’re ‘Wow, this is so cute and fabulous’, but then when you actually look at it you go, ‘This is miles above what most people in this age group are capable of,’ and that’s all I saw, because I was in the same age group and I was so inspired by that. This whole album was really a turning point for me, where I was like, ‘I can do this, I can do music too, because these guys can.'

“Ooh La La” by Faces

“This song really blew my mind. It became my own theme. It’s that ‘Make your heart sing’, nostalgic moment when you’re a teenager, driving in the car listening to it, playing guitar with your friends and you’re singing “I wish that I knew what I know now / When I was younger.” You’re like, ‘because I’m an adult now, I’m 15-years-old. If I only knew what I know now.’

“I was doing theatre from a young age and I was part of a young conservatory called A.C.T. in San Francisco. By way of somebody who knew somebody, I had an audition for a movie. As a kid not being near New York or Los Angeles it was really exciting, and this audition was for a film called ‘Max Fischer’, which would become the movie Rushmore, which would become one of my favourite movies of all time by the now very distinguished Wes Anderson.

“Separate from my own objective love of Wes Anderson, when this movie came out I was just around the age of getting into my own sort of identity with music, but also movies - indie movies - and trying to assert who I was. So, I see this movie Rushmore and I love it. I love the soundtrack, I love it so much, it’s one of my favourite albums ever. This song is the end sequence, and the way it made me feel - the vocals on it, I could play it on guitar and it was part of a cool movie - it really represented a lot in my life.

“And because of the acting thing, and Rushmore being great - it’s about this kid in high-school who's misunderstood but has his own agenda - everything about it was just so fucking cool to me. To this day, I cite that song as one of my favourite records of all time.”

“Recently Distressed” by Phantom Planet

“A guy that really formed the way I would sing and write songs is Alex Greenwald, the frontman of Phantom Planet. I went to see Phantom Planet because I loved Rushmore and I found out that Jason Schwartzman [who had been cast as Max Fischer] was also the drummer for a band called Phantom Planet.

"So, when I saw their name on the bill I went, but I didn't know their music. I was barely 14, but their set blew my mind. It was Rock and Roll, but I loved Alex Greenwald’s voice. I loved everything, and I would follow their career from there. I always tell people that my voice is a combination of me trying to be Alex Greenwald, Paul McCartney and Rufus Wainwright, but failing. Alex was incredibly formative for me.

“One of their biggest records was a little while after I first saw them, which was the song for The O.C., "California." That was more of an Elvis Costello thing, and they employed a lot of stuff that sounded to me like The Beatles and a lot of ‘60s mod/pop-rock. But later they would employ things from Fugazi, Radiohead and harder shit, and that eclecticism, again, only accelerated my love for Phantom Planet.

“Recently Distressed” is from their 1998 album Phantom Planet Is Missing. This was a cool rock song that employed these George [Harrison] and Paul [McCartney] background vocals and included all of the things that I loved. It was harder but melodic and employed minor 4th chords and more complicated chords than I was used to. I had grown up with power chords - which are very Gregorian - on a lot of alt. punk rock, like Green Day or Nirvana, and if Kurt Cobain was using power chords then that’s how I was playing guitar. Hearing this music was like ‘Oh, I’m using full chords, not sevenths, minor 4th chords, diminished chords’, shit that I would learn to use more and more.

“When you haven’t experienced much, anything that gives a hint towards possibility, even though it’s probably always been there, you’re like, ‘I like this, I’ve always kind of liked this, but it’s very encouraging to hear somebody else do it and it’s gonna make me reconsider my possibilities.’ That was literally the moment that my power chords turned into full barre chords.”

“Cigarettes and Chocolate Milk” by Rufus Wainwright

“I forgot the other day how I got into Rufus Wainwright, because all of this stuff I was getting into quite young. It’s like when I talk to 11-13 year olds, it’s funny to think that this was when I was really starting to build my musical identity. But then I remembered, and I didn’t want to say because I didn’t want to sound uncool, because he is such a revered artist who exists in a much cooler place than what I’m about to say.

“I loved soundtracks and I would always buy soundtracks for movies that had cool playlists. I had the Shrek soundtrack, and there’s a cover of Leonard Cohen’s seminal “Hallelujah” that Rufus does and he smashes it, and I’m like, ‘Who the fuck is Rufus Wainwright? What a beautiful voice.’ Then I saw that he was going to be at the Virgin Megastore in San Francisco one week, so I go and he’s there promoting his new album Poses. I remember I didn’t have enough money to buy the album that day, so I had him sign my sneaker and I saved that shoe.

“The first song on Poses was “Cigarettes and Chocolate Milk”, which is a very dark and reflective song about his own battles with addiction, but he’s singing it over this really beautiful, whimsical song that has a lot of really great wordplay. I always love when artists, especially lyricists, can encapsulate an idea with not exactly what they’re talking about. The song’s called “Cigarettes and Chocolate Milk”, it’s not called “Addiction”. Its talking about things that he craved and how that’s representative of other things that he’s gone through. There was a sophistication and elegance to that that I really gravitated towards, that I didn’t possess but wanted to shoot for. So when I saw him, that was a big one for me and he would also continue to influence me later in my life.

“I’ve become friends with Rufus since. I’ve performed with him and we’ve made records together, which is crazy. His songwriting was very complex and punk-rock, but he had this classic cabaret voice, the kind of voice that I don’t have. I was fascinated that there was somebody that could write this really dark material but have such elegance on top of it. He was virtuosic on the piano, which I thought was very cool because musicianship is always the thing that gets me going the most about artists.

“You know what? People say, ‘Don’t meet your heroes.' I completely disagree. Chase the living fuck out of your heroes. I’ve spent a lifetime doing so, it’s made me a better artist, and I’ve sometimes got to meet them and work with them. I’ve worked on music with Alex Greenwald of Phantom Planet. I’ve performed with Hanson. I’ve performed those Disney songs with Alan Menken at The Hollywood Bowl.

"This is all because there are people that I love who I have put on my vision board, and the things that they have done are the things that are bringing me to them. So it is nuts, but at the same time you’re like, ‘Well, what else did you think would happen?’ They did stuff that some part of me connected with, so obviously there’s a magnetic pull towards that person.

“Rufus Wainwright is one of my absolute favourite artists of all time and like I said, me trying to sing like him and failing is a big part of my own journey as an artist.”

“3x5” by John Mayer

“John Mayer’s another guy that came around when I was 15. I heard a song of his on a middle-of-the-night, singer/songwriter college radio show. This is where I used to get music. You would listen to these carefully curated playlists that you wouldn’t be able to hear anywhere else, and the host played “No Such Thing”, a new song by this young kid who had just dropped out of Berklee College of Music - John Mayer.

“I’m listening to this song and I’m like, ‘Not only is this guitar playing really interesting, but the lyrical value and everything that is going on here ticks all the boxes.' It was jazz, but it was pop. And he did something that all these other guys and girls I’ve mentioned did. They made something very unique and very accessible.

“I immediately went out to buy this album, Room For Squares, and I listened to it over and over again. It was an album that was really formative for me. "3x5” is a really beautiful song that employs a lot of chord structures and melodies that blew my fucking mind at the time, and it made me wish that I could write songs like that.

“That album was a huge turning point in the way I played the guitar, because it was the first time in my life where I would look up tabs. Up until this point in my life, if I heard a song I could play it instantly. It was like a party trick, I would get how it worked if I heard it, because most of the songs I would hear on the radio - especially those that involved a guitar - were [centred around] power chords. And now I’m hearing all of these ninth chords and thirteenths, and I’m like, ‘What the fuck is this?’ So I’d have to look up tabs.

“I think any young artist can attest to this - when you try and learn other people’s shit, it’s the best tool for educating yourself. Playing other people’s music really helps you lock in what your own style is. Trying to learn these songs - and sometimes pulling it off and sometimes not - really changed the way that my hands moved around the guitar and considered chords and voicings that I’d never really thought of.

“There’s another tie to musical theatre here, where I remember seeing Audra McDonald, who is a very venerated theatre actor, and she did a cabaret. If you’re familiar with cabaret culture, it’s more about performing the story of the songs – ‘Life is a cabaret’. She did a John Mayer song because she thought it was from a musical theatre show, and I was so tickled by this, because I was like ‘Yeah, if you really think about it, I don’t think he knows this and I don’t think his fan base even thinks about this, but there’s a number of his songs that feel very theatrical in the way that the lyrics play with each other and the way the chords move’.

"When I saw this I thought, ‘That is why I like John Mayer’, because yes, he’s an amazing guitar player, but he’s also a really strong songwriter.”

“Cabaret” by Me First and the Gimme Gimmes

“Also, around this time growing up in San Francisco, as a guitar player playing music with your buddies, the number one thing that you play is punk rock. There are different parts of the spectrum of punk rock, there's the NOFX, Swingin’ Utters, like real punk, punk. And then there’s the pop-punk thing that was happening at the same time, which was also equally influential - blink-182 and Green Day.

“Fat Mike was the frontman of NOFX. I loved NOFX, and Me First and the Gimme Gimmes were a supergroup of different members from different punk bands, of which Fat Mike was one of the main architects. They would cover songs and turn them into punk rock songs. They have an album of hits from the ‘60s, and they also have an album called Me First and the Gimme Gimmes: Are a Drag, and that record is just a tonne of musical theatre covers that are done through punk rock.

“That was completely in line with everything I loved at this time of my life but didn’t really know how to articulate. I loved punk rock but I also really loved musical theatre. Not only the performative element of it, but there was a real musicality to musical theatre that wasn’t as present in some of the other shit that was popular at the time, just harmonically, or where chords would go. There was a sophistication I loved that seemed to not exist in punk rock.

“Then hearing Fat Mike at The Warped Tour going ‘Alright, which one of you Motherfuckers loves Julie Andrews?’ and hearing a mixed bag of reactions, because people were ‘What? I was not expecting that from you, sir?’ And then they start playing “My Favourite Things”, a classic Rodgers and Hammerstein song which is very accessible, but sophisticated nonetheless. And I am just living. I’m like, ‘This has got the attitude and simplicity of punk rock, but the sophistication of a beautiful song.’

“That was the first time in my life where I went, ‘It’s just all music. All these categories and boxes are completely arbitrary.’ So I thought, ‘I can do that.' I was playing power chords in punk bands but I realised that you can take chords and make them into other rhythms and voicings and have the same song. I could take a punk song and make it jazz. I could take a jazz song and make it country. So, quite providentially, I would end up on Glee, where they took popular songs and would sometimes do their own versions.

“By that point, I had been doing this my whole life. The first time this ever became a possibility for me was seeing Me First and the Gimme Gimmes, and that way of thinking about music and genre. I’ve put that into Masquerade, and it’s all born from that moment of ‘Oh my God, nothing has to be one thing. It’s just about how you look at it.'

“Cabaret” is from a pretty famous musical that I would’ve probably heard about later in life, but I first heard that song as a punk song and then I went back and heard the original. It doesn’t matter how these things happen, the inspiration happens and then you can go from there. But Me First and The Gimme Gimmes were a huge gateway drug and I play “Cabaret” now every year at my festival. That’s why the festival is called Elsie Fest, because it covers the song.”

“Modern Nature” by Sondre Lerche

“One of the great joys of being a younger brother is that you get to inherit the music of your elders. My brother and I were both really proactive consumers of music, so we would share stuff with each other all the time. But then he would come home from college, which is like coming home from a music festival essentially, right? He was in a new time zone with new people, so he’d bring home these mix CDs that he’d made from people that he’d heard about, and he brings home this guy named Sondre Lerche.

“Hearing this guy blew my mind, because he also was using jazz chords and drawing on musical theatre. Musical theatre’s a massive category, so I can’t just say that musical theatre sounds like one thing, but when I say this, I’m referring to The American Songbook, the jazz standard songbook. “Modern Nature” was a duet that I would go on to play many times with one of my oldest musical collaborators, Charlene Kaye. When we got to college and we both found out that we loved this guy.

“There was a much more whimsical way to how he wrote these songs. And what’s crazy is that loving this guy meant that we also loved Rufus Wainwright, that we also loved these other artists. But Sondre was the first time I considered that I loved that type of music, but I didn’t know that you could be a singer/songwriter and put out music that sounded like it.

“I don’t know if ‘twee’ is the right word to use, but with “Modern Nature” there was a playfulness about it, and again, a musicality that I really gravitated towards. There is a through line - there was a sophistication that was accessible, and me trying to learn those songs did make me rethink the way that I was writing music. The structures were weird and different and I liked that.

“To this day, I find myself writing songs that I think might be difficult for people to ingest, because they’re a little too left of centre, and I realise that I’m trying to write like Sondre Lerche, or I’m unconsciously just copying him.”

“Everything Happens to Me” by Mr Hudson & The Library

“I was in an H&M in Stockholm when I was 21, and I heard this really cool groove and the lyric was “Why must I always play the clown?” It was sung with a really thick British accent, had an 808 feel on it, and lyrically it had an attitude. Who would say something that sounds so like you’re in a Gilbert & Sullivan musical, but it feels hard? It was cool.

“I went home and looked this up and it was off the record A Tale of Two Cities by Mr Hudson and the Library, which would really, really fuck me up. I bought the album immediately because I loved this song. I had to order it on the internet because I couldn’t find it. It was doing well in England and he was on the festival circuit in the early-mid 2000s, but the first song on the album was a musical theatre cover with 808s.

“It was a pared-down, sort of a hip-hop version of “On The Street Where You Live” from My Fair Lady, and I’m like ‘No fucking way, this guy gets where my head is.’ I’d thought about punk rock musical theatre, but I never thought about 808s and 909s scoring these beautiful songs. I go down the track list and he has “Everything Happens to Me”, which is another very famous standard, and he had this really cool, what we would now call chill-hop, ‘study beats’ version of this song. I was like, ‘This is it. This guy gets that good music is good music and you can reinterpret it to offer it as a new song.’

“I would later become great friends with Mr Hudson. I got to meet him years later when I was with Columbia Records, and they said to me ‘Who do you want to meet?’ He was at the top of my list. I went to London and we’ve been friends ever since and have created all kinds of music together.

“He told me a story where Tyler the Creator went up to him once at Coachella and said, ‘Oh man, “Everything Happens To Me”, that’s like my song.’ We both wondered if Tyler the Creator knew that it was a Chet Baker cover. And we were thinking how cool it is that you can offer these songs to a new audience through a different lens. Tyler’s a smart guy, he’s very cultured, and I’m sure he did know. But it’s more the idea that if someone experienced this song and didn’t know that it was a cover, and this is like the first time they ever get to experience it.

“Mr Hudson would go on to do his own thing with Kanye and was on 808s & Heartbreak and has had his own career. I think “Supernova” was a hit in the UK, it didn’t really cross over here to The States, but before that moment for him, that Mr Hudson and The Library album changed my life. People use that phrase willy-nilly, but this literally was a turning point in my life. It all had to do with the same thing that happened with these other songs, where I saw someone do what I always wanted to do but didn’t really know how to pull off. Where he had this fusing of old songs delivered through a contemporary lens, but also laced it with his own original material that also employed the things that made that old songwriting interesting.

“It’s like changing the font of a great essay but finding the font and figuring out that that font is its own art form. He really displayed that marvellously on this.”

The Masquerade EP is out now

[potteresque-ire]

Hi I posted an ask regarding your view point on GGDD's safety by people shipping them openly by bus designs, digital hoardings in their country and various other ways. I am not sure if you have already replied because I can't seem to find it. If not, please notify in case you would be interested in posting, there is no pressure or complaints if the answer is not affirmative. Also, I am hoping to read your piece on current issue DD is facing in relation to Nike. I am sure a lot of people enjoy your straight, detailed and analytical thought process and information presentation. A lot of people especially ifans needs to understand the perspective and position an actor or any national level influencer/celebrity is in when they are a citizen of totalitarian regime.

I would love to read, if you decide to write.

Thank you for your blog. It is highly appreciated and welcomed.

Hello Anon! I sincerely apologise ~ my ask box has been very full, and I answer based on time availability (which isn’t much) and “urgency” of the matter (for example, the recent post on Dangai/WoH skipped the line because it’s current). My whim too, occasionally and admittedly; sometimes I’d like to take a breather and talk about something a little more fannish and fun (like window cleaning robots!) Above all, I prefer giving delayed but responsible, or even no answers over irresponsible ones, given some of the subject matter I touch upon. I’ll ... probably have to write up an ask box policy at some point.

Now, my thoughts about Dd’s current situation ... or maybe, my thoughts about the things around it ...

I should explain where my highly disorganised thoughts this time come from first. I’m a Hong Konger by birth, and I grew up at a time when it was still conventional for Hong Kongers to refer themselves as Chinese, following the tradition of referring to the (believed) origin of one’s paternal family as our own origin. I’ve never, however, sworn allegiance to the Chinese government; the two citizenships I’ve ever held are 1) United Kingdom (Hong Kong was still a British crown colony when I was there), and 2) United States.

The distinction between China, the country, and Chinese government, as the country’s rulership, has therefore always been clear to me. You can love, feel a bond with the country, its people and culture and its 5,000 year old history, without having feeling anything with its 71 years-young government with foreign (soviet) roots. To quote Hamilton: Oceans rise, empires fall, and just the central plains of China alone went through a total of 13 recorded dynasties, during which its border waxed and waned, often splitting what is now Chinese territory into multiple countries under different rulership that sometimes split along ethnic lines—China, in that sense, isn’t even historically a country as we define one today; it’s a piece of land in East Asia where different countries have taken over, risen and fallen. And the major ethnic group, Han, which also includes the vast majority of the current political elite, wasn’t always in control. The Yuan dynasty (1271–1368) was famously built by Mongolians; the Qing dynasty (1636–1912), Manchurians. Beijing, the current capital of China, began its illustrious history as The Capital City for the non-Han based, north-of-central-plain dynasties of Liao and Jin. Liao people were believed to be either Mongolic or Tungusic. Jin people were Tungusic, and would eventually become Manchurians. Xinjiang (新疆), meanwhile, was only under the influence of the ancient Chinese empires sporadically, and its formal conquest / incorporation by a Chinese dynasty didn’t happen until ~ 1760, and by the (Manchurian) Qing dynasty. Its late incorporation is also reflected in its name that means, literally, “New Territory”.

What does this all mean? It means: 1) Loving China =/= loving the Chinese Communist Party;  2) Chinese culture =/= Han culture; especially the Han culture infused with “Core Socialist Values” as defined by the Chinese Communist Party; 3) X dynasty’s territory (where X = one of the ancient Chinese dynasties) =/= What has to be People Republic of China’s territory.

And by writing down these three =/=, which I’d argue are simply conclusions from historical facts and logic, I’ve committed an act of subversion in the eyes of the current Chinese government. Remove the “/” in “=/=“, and you’ve got three of the most important talking points of Chinese propaganda.

The sacred, un-violatable rules the Chinese government tells its people.

Why do I mention them? Because the scrutiny, the attack on Dd read familiar to me, and is probably familiar too to all those who’ve kept even a brief eye on Hong Kong and Taiwanese entertainers who work in China. When a topic that violates one of these propaganda points makes news (for example, the HK protest, Hong Kong/Taiwan Independence), entertainers from Hong Kong / Taiwan—anyone who’ve achieved name recognition—are often placed under immediate scrutiny by Chinese netizens to see whether and when they’ll confirm their loyalty towards the Chinese government. The argument is that only those who display absolute loyalty to the Chinese government deserves to earn China’s money, and the main motivation behind this scrutiny, in this case, is mistrust: Hong Kong, after all, is crawling with British loyalists and rioters according to Chinese propaganda, with separatists who’re conspiring with foreign governments to overthrow the Chinese government; the democratic island nation of Taiwan, meanwhile, is supposedly a rogue child who has escaped its mother (China) ’s arms for the past 70+ years—the child who, by the way, shall be brought to their knees (along with into their mother’s arms) by military intervention. Both places, in other words, are serial violators of =/= 1) and 3), and not to be trusted. If their entertainers fail to affirm their loyalty towards the Chinese government, or if the timing of their patriotic display is perceived as off, vicious accusations—similar to those Dd has endured—will fly, and calls for boycott begin. 

Here’s a related observation, while I’m at it ... no one in c-ent is really allowed to keep their political views quiet, even if they’re not particularly well-known. No one can say, politics isn’t for me, it’s too ugly/too complicated/doesn’t fit my image and shove it under the proverbial carpet. Under an authoritarian government, control is exerted via politics, via propaganda that seeps into day-to-day language. It’s an oil slick that taints and swims in even the smallest crevice of life—there’s no where to hide.

And Dd is far more famous than almost all of these HK and Taiwan based entertainers. 表態 — a public announcement of his stance — is the only option left for him when he becomes the centre of a sensitive political issue such as this one. And there’s really only one stance he can take.

In that sense, what happened to Dd isn’t something I’m too worried about—this kind of attack under the guise of a “loyalty check” isn’t new; and the motivation behind the scrutiny of Dd is the safer to-take-down-his-career rather than political mistrust. I believe this storm shall pass soon, as long as his team doesn’t make an unexpected, big mistake. His non-fan fellow country people will probably view him with a more positive light as well: he walked the walk and did what he believed is patriotic — breaking a contract like this is no lip service when in China, performative patriotism is often lip service — reportedly even among the top Chinese Communist Party officials.

If I must find more defence for his stance ... please forgive me, Anon, but I don’t have much more to say than what I said last night, what I said before about China’s access to information—

—because, admittedly, following, talking about this incident is difficult for the Hong Konger in me, even if I’ve expected this kind of incidents from the moment I joined this fandom, even if I’ve expected, as I’ve learned from RL experience, that most people I adore in China will at some point support causes that I deeply disagree with. The online patriotic rally by c-motors and c-turtles under the associated Weibo tag, while impressive and good for Dd, is nonetheless heartbreaking/frightening for me to watch. Why? Because I know this can easily turn into a call to persecute all Hong Kongers involved in the democracy movements sometime in the future. Because I know the rally will probably be as impressive if this has been a call to persecute all Hong Kongers involved in the democracy movements. Frankly, I stopped thinking about Nike as I scrolled through the posts — I was thinking about the now impossibly wide gulf that separates most Chinese and a Hong Konger like myself; I was thinking about why a Gg / Dd performance can trend on Twitter in 10+ countries all over the world but makes almost no noise in Hong Kong or Taiwan, places that should’ve most easily fallen in love with Gg / Dd with their closeness in language and customs. 

As it turns out, the closeness has only driven HK and Taiwan away; the closeness only brings them more insight of the beast—the government that looms over, cast a long shadow over everything that lives under it, including Gg and Dd.

I was reminded of the fact that many young Hong Kongers probably see me as a traitor just for being a turtle — young Hong Kongers who are n>1 generation immigrants from China, who never spend years reconciling the conflicting viewpoints, the even more conflicting emotions when it comes to this ... almost irreconcilable difference now in political beliefs north and south of the China-HK border. Unlike the older generations who often have immigrants/refugees from China for immediate, un-severable family, who often don’t have the option to walk away from the conflicts, to simply point to the other side and call it evil.

And here are my even-more-conflicting emotions: 

While, over the years, I’ve learned to harbour no ill feelings to the vast majority of supporters of pro-CCP causes—I reserve blame for those who conceal the truth, who’re involved in its policy making, or people who live outside the Firewall and should know better (such as every HK entertainer who’ve expressed support)—I’ve also learned, over the same years, to be fully, painfully aware that every endorsement is still an endorsement for the regime to carry on its ways, and the damage is real, is significant even if the endorsers may not know about the true nature of their endorsements. 

A simple thought experiment: the sheer size of China’s population means it can easily control the narrative on English-speaking social media. The Chinese government already has a history of mobilising its people to scale the Great Firewall and spread its propaganda on, for example, Twitter. It has also mobilised fan circles for propaganda purpose. Again, as a thought experiment *only* (ie, SJD!), imagine the Chinese government mobilising Dd’s Weibo supertopic fans to spread misinformation about Xinjiang.

Dd’s supertopic has 5+ million members—all savvy social media users and many skilled in the art of comment control (a collective effort, performed by fans to bury critiques/dissent on message boards); the total number of Uyghurs in Xinjiang is ~12 million, but their communications are heavily scrutinised and they can’t really talk. Just for the sake of argument, we’ll add the ~ 70% pro-democracy HK population to Uyghur’s side: that’s another 5 million, but most of them aren’t good at raging a battle on social media.

Which side will control the narrative in the end?

And so: I understand why Dd’s statement is what it is. I don’t fault him for making it. Still, I can’t in good conscience say to anyone, myself included, that the statement is a personal opinion and doesn’t matter. It matters a lot. His announcement is another stab to the Uyghurs, and the knife is sharp because of Dd’s social influence.

(Today, I saw Dd’s name for the first time in a Hong Kong pro-democracy online news site.)

The statement carried this sentence:

國家尊嚴不容侵犯，堅決維護祖國利益 The dignity of the country is not to be violated; the interest of our motherland is to be resolutely defended. Firstly: it’s character-for-character propaganda language. Secondly: even if we do not consider the labor camps, this is the condition in Xinjiang’s city of Urumqi. Where’s the dignity of the people who’re living there and who’s preventing that from being violated? The interest of the motherland—what kind of motherland answers an allegation of human rights violation with “interest” (利=profit, advantage; 益=benefit)? What kind of motherland has “protects its interest” being synonymous with surveillance and abuse of its own people?

I have a motherland, but it’s not the one in this narrative.

The issues of Xinjiang and the Uyghurs have also become even closer to Hong Kongers since 2019, when the fates of Hong Kongers and the Uyghurs became intricately tied—as dual examples of Chinese government’s human rights violations and indeed, these two populations who previously had very little in common have shown solidarity with each other against all odds. Their connection being this one simple, awful fact: both having what they value most stripped away by the same government—the traditions, religion and culture for the Uyghurs, the promised freedoms and hopes for democracy for Hong Kongers. As an online meme goes: “Today’s Xinjiang; Tomorrow’s Hong Kong” — expressing the fear that Hong Kongers may soon be subjected to the same surveillance as the Uyghurs today, for the same reason of having put up a fight against who they saw as their oppressors (this article offers an objective summary of what led to the 2009 clash between the Uyghurs and the Chinese government, which precipitated the former’s treatment as will-be terrorists today)(Note the role the US played in this.). 

As such, I cannot look away from Xinjiang. As such, I cannot look at our two beautiful stars, Gg and Dd, without also seeing the flag with its blood red looming behind with its own five stars—the biggest of them symbolising the Chinese Communist Party.

How do I reconcile all the feelings? As I said, it’s a constant work-in-progress, possibly a lifelong one. Re: Gg and Dd, that’s what I tell myself at the moment: that my being an i-turtle shall not sway my view or silence me on any sociopolitical issues, that my being a fan of anything, anyone shall not mean any other human life is suddenly worth less to me, or its suffering, something I shall suddenly look away from. The moment this becomes true—that I find myself depreciating human lives, or ignoring the pain of others for the sake of my fannish pursuits—that’s when I must leave my fan identity until I find my discipline (I do understand the lure of a happy fandom bubble, and I’m far from immune to it). I’m a person before I’m a fan.

These are the rules of my world.

我的世界不退讓。

[citrina-posts]

Avatar: Cultural Appreciation or Appropriation?

I love Avatar: the Last Airbender. Obviously I do, because I run a fan blog on it. But make no mistake: it is a show built upon cultural appropriation. And you know what? For the longest time, as an Asian-American kid, I never saw it that way.

There are plenty of reasons why I never realized this as a kid, but I’ve narrowed it down to a few reasons. One is that I was desperate to watch a show with characters that looked like me in it that wasn’t anime (nothing wrong with anime, it’s just not my thing). Another is that I am East Asian (I have Taiwanese and Korean ancestry) and in general, despite being the outward “bad guys”, the East Asian cultural aspects of Avatar are respected far more than South Asian, Middle Eastern, and other influences. A third is that it’s easy to dismiss the negative parts of a show you really like, so I kind of ignored the issue for a while. I’m going to explain my own perspective on these reasons, and why I think we need to have a nuanced discussion about it. This is pretty long, so if you want to keep reading, it’s under the cut.

Obviously, the leadership behind ATLA was mostly white. We all know the co-creators Bryan Konietzko and Michael Dante DiMartino (colloquially known as Bryke) are white. So were most of the other episodic directors and writers, like Aaron Ehasz, Lauren Montgomery, and Joaquim Dos Santos. This does not mean they were unable to treat Asian cultures with respect, and I honestly do believe that they tried their best! But it does mean they have certain blinders, certain perceptions of what is interesting and enjoyable to watch. Avatar was applauded in its time for being based mostly on Asian and Native American cultures, but one has to wonder: how much of that choice was based on actual respect for these people, and how much was based on what they considered to be “interesting”, “quirky”, or “exotic”?

The aesthetic of the show, with its bending styles based on various martial arts forms, written language all in Chinese text, and characters all decked out in the latest Han dynasty fashions, is obviously directly derivative of Asian cultures. Fine. That’s great! They hired real martial artists to copy the bending styles accurately, had an actual Chinese calligrapher do all the lettering, and clearly did their research on what clothing, hair, and makeup looked like. The animation studios were in South Korea, so Korean animators were the ones who did the work. Overall, this is looking more like appreciation for a beautiful culture, and that’s exactly what we want in a rapidly diversifying world of media.

But there’s always going to be some cherry-picking, because it’s inevitable. What’s easy to animate, what appeals to modern American audiences, and what is practical for the world all come to mind as reasons. It’s just that… they kinda lump cultures together weirdly. Song from Book 2 (that girl whose ostrich-horse Zuko steals) wears a hanbok, a traditionally Korean outfit. It’s immediately recognizable as a hanbok, and these dresses are exclusive to Korea. Are we meant to assume that this little corner of the mostly Chinese Earth Kingdom is Korea? Because otherwise, it’s just treated as another little corner of the Earth Kingdom. Korea isn’t part of China. It’s its own country with its own culture, history, and language. Other aspects of Korean culture are ignored, possibly because there wasn’t time for it, but also probably because the creators thought the hanbok was cute and therefore they could just stick it in somewhere. But this is a pretty minor issue in the grand scheme of things (super minor, compared to some other things which I will discuss later on).

It’s not the lack of research that’s the issue. It’s not even the lack of consideration. But any Asian-American can tell you: it’s all too easy for the Asian kids to get lumped together, to become pan-Asian. To become the equivalent of the Earth Kingdom, a mass of Asians without specific borders or national identities. It’s just sort of uncomfortable for someone with that experience to watch a show that does that and then gets praised for being so sensitive about it. I don’t want you to think I’m from China or Vietnam or Japan; not because there’s anything wrong with them, but because I’m not! How would a French person like to be called British? It would really piss them off. Yet this happens all the time to Asian-Americans and we are expected to go along with it. And… we kind of do, because we’ve been taught to.

1. Growing Up Asian-American

I grew up in the early to mid-2000s, the era of High School Musical and Hannah Montana and iCarly, the era of Spongebob and The Amazing World of Gumball and Fairly Odd Parents. So I didn’t really see a ton of Asian characters onscreen in popular shows (not anime) that I could talk about with my white friends at school. One exception I recall was London from Suite Life, who was hardly a role model and was mostly played up for laughs more than actual nuance. Shows for adults weren’t exactly up to par back then either, with characters like the painfully stereotypical Raj from Big Bang Theory being one of the era that comes to mind.

So I was so grateful, so happy, to see characters that looked like me in Avatar when I first watched it. Look! I could dress up as Azula for Halloween and not Mulan for the third time! Nice! I didn’t question it. These were Asian characters who actually looked Asian and did cool stuff like shoot fireballs and throw knives and were allowed to have depth and character development. This was the first reason why I never questioned this cultural appropriation. I was simply happy to get any representation at all. This is not the same for others, though.

2. My Own Biases

Obviously, one can only truly speak for what they experience in their own life. I am East Asian and that is arguably the only culture that is treated with great depth in Avatar.

I don’t speak for South Asians, but I’ve certainly seen many people criticize Guru Pathik, the only character who is explicitly South Asian (and rightly so. He’s a stereotype played up for laughs and the whole thing with chakras is in my opinion one of the biggest plotholes in the show). They’ve also discussed how Avatar: The Last Airbender lifts heavily from Hinduism (with chakras, the word Avatar itself, and the Eye of Shiva used by Combustion Man to blow things up). Others have expressed how they feel the sandbenders, who are portrayed as immoral thieves who deviously kidnap Appa for money, are a direct insult to Middle Eastern and North African cultures. People have noted that it makes no sense that a culture based on Inuit and other Native groups like the Water Tribe would become industrialized as they did in the North & South comics, since these are people that historically (and in modern day!) opposed extreme industrialization. The Air Nomads, based on the Tibetan people, are weirdly homogeneous in their Buddhist-inspired orange robes and hyperspiritual lifestyle. So too have Southeast Asians commented on the Foggy Swamp characters, whose lifestyles are made fun of as being dirty and somehow inferior. The list goes on.

These things, unlike the elaborate and highly researched elements of East Asian culture, were not treated with respect and are therefore cultural appropriation. As a kid, I had the privilege of not noticing these things. Now I do.

White privilege is real, but every person has privileges of some kind, and in this case, I was in the wrong for not realizing that. Yes, I was a kid; but it took a long time for me to see that not everyone’s culture was respected the way mine was. They weren’t considered *aesthetic* enough, and therefore weren’t worth researching and accurately portraying to the creators. It’s easy for a lot of East Asians to argue, “No! I’ve experienced racism! I’m not privileged!” News flash: I’ve experienced racism too. But I’ve also experienced privilege. If white people can take their privilege for granted, so too can other races. Shocking, I know. And I know now how my privilege blinded me to the fact that not everybody felt the same euphoria I did seeing characters that looked like them onscreen. Not if they were a narrow and offensive portrayal of their race. There are enough good-guy Asian characters that Fire Lord Ozai is allowed to be evil; but can you imagine if he was the only one?

3. What It Does Right

This is sounding really down on Avatar, which I don’t want to do. It’s a great show with a lot of fantastic themes that don’t show up a lot in kids’ media. It isn’t superficial or sugarcoating in its portrayal of the impacts of war, imperialism, colonialism, disability, and sexism, just to name a few. There are characters like Katara, a brown girl allowed to get angry but is not defined by it. There are characters like Aang, who is the complete opposite of toxic masculinity. There are characters like Toph, who is widely known as a great example of how to write a disabled character.

But all of these good things sort of masked the issues with the show. It’s easy to sweep an issue under the rug when there’s so many great things to stack on top and keep it down. Alternatively, one little problem in a show seems to make-or-break media for some people. Cancel culture is the most obvious example of this gone too far. Celebrity says one ignorant thing? Boom, cancelled. But… kind of not really, and also, they’re now terrified of saying anything at all because their apologies are mocked and their future decisions are scrutinized. It encourages a closed system of creators writing only what they know for fear of straying too far out of their lane. Avatar does do a lot of great things, and I think it would be silly and immature to say that its cultural appropriation invalidates all of these things. At the same time, this issue is an issue that should be addressed. Criticizing one part of the show doesn’t mean that the other parts of it aren’t good, or that you shouldn’t be a fan.

If Avatar’s cultural appropriation does make you uncomfortable enough to stop watching, go for it. Stop watching. No single show appeals to every single person. At the same time, if you’re a massive fan, take a sec (honestly, if you’ve made it this far, you’ve taken many secs) to check your own privilege, and think about how the blurred line between cultural appreciation (of East Asia) and appropriation (basically everybody else) formed. Is it because we as viewers were also captivated by the aesthetic and overall story, and so forgive the more problematic aspects? Is it because we’ve been conditioned so fully into never expecting rep that when we get it, we cling to it?

I’m no media critic or expert on race, cultural appropriation, or anything of the sort. I’m just an Asian-American teenager who hopes that her own opinion can be put out there into the world, and maybe resonate with someone else. I hope that it’s given you new insight into why Avatar: The Last Airbender is a show with both cultural appropriation and appreciation, and why these things coexist. Thank you for reading!

[fumingspice]

All The Things She Said

Pairing: Lana Winters x Reader

Request:  student x teacher au fic with lana, billie or cordelia?

Note: Added in a little sparkle with a soulmate AU. Those who are lucky enough to have a soulmate are assigned a necklace with a small pendant. No one knows where they come from or how they’re decided; they just appear and will match your soulmate’s identically. Also, yes the reader is eighteen, and yes there will probably be a part two.

Requests are open!

Your routine was like clock-work; every morning without fail. 5am you would get out of bed and go on a run. There was no reason, really. You weren't someone who was that interested in athletics, it was just a way to clear your mind and wake up your mind and body before going to school and having the energy sucked out of you.

You adored the way the sky looked this early in the morning as you ran through the country park. The heat gave you an extra kick of gratification as you watched the sky dance in colours of orange and pink, painting everything in shades of gold. The sun crept through the mountain like liquid glory and you couldn't get enough of it.

Realising the time, you made your way back to your neighbourhood, waving at neighbours you often saw at this time of morning.

You saw many of the same people on morning runs that you eventually learned by name while running past them, shouting a greeting and waving as you sped past them. This morning, you noticed that the home a few lots down from your own had been purchased; the new inhabitents were outside, speaking with a contractor.

As you ran, you noticed the woman watching you. Breaking your glance, you made a mental note to introduce yourself later.

The shower couldn't come soon enough as you lathered the cool water on your body. Cold showers after a run provided that little extra adrenaline rush that you needed to get you through the day, and boy would you need it today.

After months of persuasion, you had finally given in to skipping the end of school and heading to a gay bar with your friends Emmett and Heather. Being the model student you were, you had declined the offer time and time again; but after catching your boyfriend with another girl and the subsequent break up of one of the most liked couples in school, you decided that now would be the best time for it.

The school day rushed in and at 12pm on the dot, you and Emmett made your way to Heather's car, where she sat impatiently tapping her foot.

"You two took your sweet time," the blonde muttered, pulling on a pair of sunglasses and revving up the engine.

The plan was simple; Heather's parents were out of town for the week so the three of you planned to stay over. Today would be spent getting ready and having a few drinks before hitting the bar in order for you to have a "drink in celebration" for breaking up with your ex-boyfriend.

The bar was lively, and you could smell the mixture of cheap cigarettes, alcohol and weed and hear the music from the street behind. Emmett compared the similarity of the three of you strutting to the bar to the Sanderson sisters from Hocus Pocus.

Heather nudged you yet again, her elbow hitting a nerve in your ribs and making you bounce.

"Will you quit that?" you snapped, realising your fourth cocktail was making you slightly irritable.

Heather glared at you and pulled you over to whisper in your ear. "The brunette at seven o'clock has looked from her phone to you at least four times," she hissed, releasing you and nodding her head in the direction.

You nodded in understanding and gestured for her to tell you what to do. Picking chicks up at a bar wasn't exactly something you were accustomed to, after all.

"Go up to the bar and order something-" she looked at your outift, "-I don't know. Some business casual-sounding drink. Like an Old Fashioned or something. Make a joke about how much you've drank and if she's warm then ask if she's here with someone. Then go in for the kill and Emmett and I will be your wing-people when you break your seal."

"Break my what?"

Heather practically shoved you off your chair.

You shrugged and walked towards the bar, standing close to the brunette, but not close enough so that she knew what you were up to. The bartender approached and you smiled at her.

"Hey, could I get an Old Fashioned pl-"

"And get me another piña colada while you're making your move!" Heather called, acting more drunk than she was in an effort to hint off to the lady. You glared at her, and in return, for some added effect she lent into full view of the lady, shot her a cheesy grin and gave her a thumbs up.

You spun on your heel to see if the lady had noticed, and to your dismay she had. She looked at you with a raised eyebrow.

At least she didn't look disappointed.

"Was that for me?" She chuckled, taking a tip from her class. You grinned as casually as possible, looking down at your hands. You finished off your order and paid, waiting for Heather to get her drink to no avail.

"You know what, yeah I think it was for you actually," you replied. Keeping it cool was the buzz phrase Heather had been using all day. "I'm sorry but my friend claimed that she had seen you checking me out a few times and was pretty insistant that I come over and talk to you."

You sat in the stool, leaving one between you.

The lady chuckled. "It's fine," she said, taking another sip. "I'd be grateful for the company."

"You're alone? You're more than welcome to sit with my friends and I," you offered.

You cut off immediately by Heather collecting her drink, standing between you and muttering, "don't you fucking dare," into your ear before walking over to the woman and leaning over her shoulder.

"Now, you see, Ms- I'm sorry what's your name? Jesus, Y/N! When you flirt it's basic manners to ask for a name," Heather muttered.

"It's Lana," she replied, smiling at you.

Lana. A pretty name.

"Awh, that's a lovely name actually, I wish my parents liked me enough to call me something like that. Anyways, enough about me. So, anyways, my good friend Y/N here just got two-timed by a piece of human trash that she's way hotter than and everyone warned her against dating but hey- you know our Y/N, she's balls-ier than a dodgey testical. So, all I'm really gonna say is we came here because we really want to get her laid so she doesn't need to feel like she got the short end of the bargain so, you know-"

At this stage Heather was trying to communicate through a series of dramatic gestures. Emmett strod over, took Heather by the shoulders and apologised to Lana before walking your drunk friend back to your table.

You were both a little shell-shocked and you feared that Heather's drunken rant had ruined any sembelance of a chance that you had with getting anywhere with this.

"I- I'm so sorry. She doesn't get out much," you said. Lana's smile returned as she waved it off.

"Has anyone ever told you that you look a lot younger than twenty-one?" she asked. You couldn't tell if she was being genuine or if she was trying to hint that she thought you were younger than your ID said.

You nodded. "All the time," you say, it's not like that's a lie. "How old are you? If you're not offended by my asking."

"I'm twenty-nine. I hit the big three-oh in November," she replied. Lana reached into her bag and pulled out a box of Newport cigarettes. "I'm sorry, I've had a long day and I'm dying for a smoke. Care to join me?"

You sat still for a moment before excepting the offer. The club was absolutely packed and you could barely follow Lana through to the balcony without getting separated from her. She noticed and turned around, taking your hand and keeping you close so that you didn't get lost in the crowd.

Lana lent over the metal fence, cupping her hand over her lighter. You watched how her cheeks sucked in, defining her cheekbones and her jawline. You mirrored her position against the fence.

"Hard day at the office?" You asked, declining the cigarette she offered you. "Thanks but I don't smoke."

Lana smiled down at her cigarette. "I like a smart girl. Stay away from these for as long as possible," she took a long draw. "And to answer your question; I moved into a new house today only to find out that none of the plumbing was actually installed and contractor has no idea why."

"My house was like that too; turns out the pipes are just in really weird places," you replied. You turned to face in the opposite direction, laying your elbows onto the bar and watching the crowd. "What do you do? Career wise?"

Lana blew out a puff. "I'm a teacher. French and English Literature."

Ah great; a French student trying to hit on a French teacher. This was gonna be a fun story to tell the group.

"You're kidding? I'm studying French," you replied. 

Lana laughed. "Damn, Y/N. This just has to be written in the stars," she replied, you could sent the well-meant underlying sarcasm in her voice. "You think I have that chance?" You ask, your eyes dart down to her hand. Her ring finger, although bare had an imprint on it as if she had only recently removed a ring. She noticed you looking and brought her hand into a fist.

"Don't look at me like that, Y/N. We're getting divorced," she said. She bit her lip and looked down into the woods beneath. 

You felt slightly guilty. "Oh, I'm sorry." Lana shook her head in response.

"I'm in a gay bar for Christ's sake. We definetly weren't compatiable," she chuckled, reaching for another draw of her cigarette. She turned around, some noise in the background catching her attention. Her sleeve dropped a little bit, revealing two bruises at the side of her wrist that she had clearly tried to cover with foundation. Lana turned back around and you dropped your eyes before you noticed, unaware if it was your place to ask.

"If I'm honest, I don't really like bars. I know this really nice café a few places down. Do you wanna come with me?" You asked. Lana's head cocked slightly, her eyes scanned you as if they were looking for some alterier motive. "I'm not trying to get laid, Lana. I just don't like clubs and I don't think you do either."

Lana's shoulders relaxed, as if trying to decide. "Sure," she nodded. "I'd love to."

You walked back in through the bar, telling Emmett what you were doing. He made you promise to turn on your location and to call him to pick you up when you were ready to leave.

"It's nice that you have friends to watch your back," Lana said as you walked down the street. The air was now cold, nipping at your cheeks and nose. Lana slid her arm through yours after asking if it was okay to do so.

The café in question was small; dimly lit, decorated with plants. It was warm inside and the candles lit everything in orange. It was peaceful. You heard Lana sigh with relaxation as you asked her what she'd like to drink.

Two lattes later, you and Lana lay on the same old, green, springless couch. You giggled and talked for what could have been hours.

Lana noticed your Soul Necklace. “I have one too,” she said, touching the stone delicately. “I’ve never worn it though.”

She told you stories from high school and college while you sat and listened to her in some new form of fascination. You could listen to her talk forever. Your head rested on her shoulder, and hers rested on your head. There was an echo of peace which bounced around the both of you.

Eventually there came a moment when you had finally plucked up enough courage in a moment of silence between you to lift her chin with your finger and close in for a kiss. It was short and sweet, but you could still rellish the feeling of her lips kissing back against yours in a gentle passion.

She waited on you while Emmett drove back to get you, with an extremely drunk Heather in the backseat. 

"Are you free tomorrow night?" Lana asked before she walked away. You nodded. "Would you like to maybe go out? On a date?"

Her final question was asked with a shyness that you found adorable, and giving her a kiss on the cheek as

The next day you went to school in a good mood. Your run was better than ever. Your breakfast was tastier. The sky was more beautiful. You couldn't contain your giggles as Heather drove you and Emmett to school.

"I cannot believe you've landed yourself a date with a teacher," Emmett said as the three with you walked to your French class. You practically danced down the corridor with happiness. The three of you were slightly late to class.

You pushed the door open harder than you intended, making it crash against the wall with a loud bang. You muttered an apology while your friends laughed at you and the teacher settled them down, chuckling under her breath.

That it until she looked up at you.

And you looked up at her.

Lana muttered a profanity under her breath as she realised that she had asked one of her students on a date.

taglist: @its-soph-xx​

[the-mercurial-star-o-vesper]

TEN OUTTA TEN 1010

Welp, its happened. I’m into No Straight Roads, and the boys with the K-Bop in their step has got me hooked.

So I’m gonna celebrate (for the moment) with lots of gathered info I’ve found, seen, or heard speculated, regarding the Top Boy Band of Vinyl City... 1010. [Possible OCs to come later]

Some of this stuff might be common knowledge, some is already on the wiki, but hey, no shame in having a consolidated list.

But for now...

The Names of 1010 were deciphered by out of universe fans. They are Rin (White), Haym (Yellow), Eloni (Green), Purlhew (Blue) and Zimelu (Red).

An old placeholder model for 1010 had Black Hair and different tron lines.

1010 in binary is... literally just 10.

Eloni does not get fan letters; He’s the “Funny Band member”, and Funny Band Members don’t get fan letters.

1010 wears Sailor uniforms (The US Navy would call them Dress Blues, so think... Popeye. But no hat.) In fact, their flying limo is a god damn Tron-lined Battleship. Even the Cannons dance to the music.

They’re a parody on K-Bop bands or Boy Bands to the West. And while they’re listed as Funky, they’re technically Synthpop. (Haha, Synth)

In the background of their fight, when the Battleship Limo stops for pictures, you can see that there is a set of pictures of 1010. Rin the White has a Fuschia or Purple Background, while all the others have a background matching their aesthetic colors.

1010 have common powers... ... Firing Lasors. ... Levitation (Or small time Flight; as they rush to the side to meet the Cameras) ... “Taking to the Sky”, or just really powerful jumping. ... Being powered by Cheers. ... There’s a reason I left Shield off in a moment.

1010 are both outrageously tall (Mayday only comes to their waist when they stand up properly), and outrageously heavy (did you hear them walk backward in their intro cutscene? How heavy are these guys!?)

It could whatever kind of AI they have, but they are waaaay insynch, almost preemptively. Perhaps 1010 are directly linked to each other?

In most of their appearances outside of battle, they all have the same colored eyes as their aesthetic colors. But in Battle, they all have White eyes. Mind that in their Show Stopper picture, they’re back to having their aesthetic eyes again. Take that as you will.

1010 has associated attacks, when you’re in the Phase facing the Factory and Neon J. ... Yellow has Missiles or Splash Damage explosions. No literally, the yellow droid is the missle. ... Green has Bombs. HIS HAIR IS A BOMB. ... Red has Saws. He-He literally uses Red Droid as the Saw. ... Blue has some sort of Staffs or Whirlwind strike. They are staffs made of Purl-Hew. ... Because of his Picture’s Purple Background, White’s likely isn’t an attack but is, in fact, the Shields that occured early in the battle. Which is probably why they’re never deployed, because how the hell can you make a shield out of Rin Bots.

It was pointed out in one of the many Youtube Comment Sections that 1010′s hairstyles match their respective attacks in some form or fashion. ... Zimelu’s Mohawk indicates his associated Saws. ... Haym’s hair looks like a missile. ... Eloni’s hair looks line a Grenade Pin. ... Purlhew’s flat top hair could indicate the fact that he’s literally used as a Staff End. So basically he’s Blue. That’s his attack. [Hah] ... Rin’s the sexy one. Look, for a Band of Robots with fancy hairdos and attacks, he’s not considered remarkable.

As they are a parody of Boy Bands across the World, they may follow the boy band “archtypes” ... Rin is the Leader, and the Heartthrob (He doesn’t have a weird hairstyle, and he does the most flirting / talking; as well as the most promoted) ... Eloni, as already established, is the Funny Guy, or the Comedian. ... Purl-Hew is the Cool Guy, (consider his Sunglasses) ... Zimelu is the Bad Boy (Mohawk, his ANGRY EYES AARGH) ... Haym’s is apparently considered a Pompadour. Maybe he is also a Bad Boy? Consider his name, he may be the Smart Guy. ... There is no known “Shy Guy” or “Cute Guy (Technically, the Second Heartthrob, but isn’t a threat to first Heartthrob’s position). So, go forth and create.

Fun Consideration on my part. Since Names can have meaning in No Straight Roads and meaning in personal names... ... Rin is a japanese name, and boy can it mean a lot of stuff depending on the Kanji (Some of the meanings are “Dignified” “Compassion” “Cold”). He’s probably coolly impassionate off stage. ... Purl-Hew is apparently a pun on Pearl Hue (cos I guess blue Pearls). Perhaps he likes puns. ... Zimelu is an ooold fortress in Lativa apparently. Perhaps he has a warish personality. Or I guess knows very Niche military history. (Perhaps, in-universe, it was the name of a base Neon J served at?) ... Haym is the name shared by a few people, but in the themes of music, its probably Nicola Francesco Haym (Italian Poet, Opera Librettist, Composer, Manager, Editor and Numismatist (That’s uh, a guy who studies Currency)). Perhaps our Haym is quite the Nerd. ... the name Eloni means Lofty. Which can me “Of Imposing Height” (They all are), “Noble or Exalted Nature” (Possibly?) “Proud, Aloof or Self-Important” (They all are that too, yes), or in regard to Lofty Wool “Thick and Resilient” (I mean, if you look at those thighs-- Ahem). So basically Eloni’s name defines all the group... Wow, poor fella. No wonder he’s the Comedian, he’d have to pull anything to get noticed (when its not about his hair) [THE DUDE DABS]

If Battledroids all have background memories to be more efficient in combat... Does 1010 have backup memories from Neon J?

Metro Division shows other kinds of Robots, and the progression of 1010′s Mark Models (1 looks like your typical Sailor, 2 looks a bit like our 1010 but more droid, jointed and blocky, and our 1010 is currently mark 3... There are 4 known Types of Droid, so a 4th Mark may be on the way)

Neon J, Manager and Creator, is a Vetren of Vinyl City’s Navy (It only has a Navy); and his District is literally a Theme Park mashed with a Ship Yard.

Neon is the 10th element of the Periodic Table, and J is the 10th letter. Dude loves his 10s.

Considering how he replaces the bots in battle, or even outright uses them as weapons... Perhaps his “Troops” are not the Bot bodies, but the AI possibly hosted inside? 1010 has more personality out of battle after all, and Neon is seen fervently protecting 1010 when their eyes share their hair color. (As their eyes are only white in battle...) Hm, mayhaps the HC is, that when their Eyes have color, the AI is truely present.

Neon is a Cyborg, note that his body appears to be the same kind of droid as 1010′s, with a Radar head. His brain is apparently in his radar, and as we saw post-battle, that head was smashed to hell. Perhaps the reason he was reminiscing so much and though that BBJ was really after him, was because of some serious onset head or brain trauma.

Apparently, Vinyl City has or has had Border Wars. This could be a reference to the Korean DMZ Conflicts (As 1010 does distinctly include Korean K-Pop, and South Korean men do have to serve 2 years in the military forces by law), but there have been hundreds of different Border Wars throughout the world. [ I wonder what war Vinyl City was in. Perhaps against the Artist Capital of the World, Canvas City ] [ Oh take me down to the Canvas City, where the grass is green and the pics are pretty--]

Neon’s passion is Dancing.

Neon J and DJ Subatomic Supernova do seem to be in a lot of pictures together. No wonder everybody ships them.

Neon J used to make toys, as seen by the collectibles you can get. Done by hand too. Though if each toy found is a stage in his life... I wonder who the doll with the violin is.

Think maybe Neon J has direct control over 1010? I mean they share the same voice, they have a passion for poses and dancing, he does directly command them...

Are Cyborg parts cheap? Or was Neon J someone important enough in the Vinyl City Navy to actually become a cyborg? Military doesn’t do expensive prosthetic surgeries for random grunts without reason.

Okay, regarding what the Azkar faction is. Its probably suppose to be Askar. Azkar is a type of Islamic Prayer. Askar is actually Arabic for Army. So it’d be The “Army Faction” (which makes more sense for a nation city-state that only has a Navy)

The place he called “Kewan” is not a real world place. Its either Persian for “Saturn” (What, is he... Is he a SAILOR SCOUT!?) or Kurdish for Mountains (He does mention mountains).

Possibly more as information arises.

[ayellowcurtain]

And Sander is dared to walk to the edge of the ledge by his mates....sander is not really the athletic type but his ego! So he does but Robbe watches from where he is with his friends..and sees sander might be dizzy and all and he goes and pulls him over .. cos yk nobody else dares to its too high n narrow 

there is a character called Cassie who had leaked nudes and videos posted by ex manipulative boyfriends at school. Like, when Robbe starts dating Sander who has no idea about it, he is scared that once he finds out he will leave him, but then Sander confronts him telling him he doesn't care about it and that Robbe shouldn't let this define him

It’s a very cold night, Robbe wishes Moyo’s car had a heater that worked but at least is small enough where the air doesn’t get too cold when they have the windows up.

Robbe doesn’t even know why he bothered to leave his warm and comfortable home to be here, sitting inside Moyo’s old car, staring at a bunch of dumb guys trying to find a way to go up this old and rotten, improvised wooden ledge. It feels and looks like it was made to burn a bunch of witches centuries ago and someone forgot to take it down.

He knows why he came but it’s just stupid. Sander asked him to come and Robbe still hasn’t found a way for his unconscious to not want to be around Sander all the time. They haven’t talked in a few days, Robbe left him on read but Sander still texted him and asked him to come so they could see each other.

It’s almost cold enough to snow and freeze every surface, Robbe can only hope those beams are steady enough, not too slippery.

They could be outside, drinking and talking to the cool, older guys from their school but after all the gossip, Robbe prefers to keep a distance, not sure who knows about it and how much.

Things were still very fresh and uncertain between them before Robbe decided to drop the bomb and get it over with, he doesn’t even know what being in an actual relationship is but he felt like he needed to put everything out before Sander could even think about making things official. Exactly because it was out of his hands.

It was a heavy secret to carry and it was out anyway, not because he wanted to. Even months after everything, a lot of people still look over their shoulders when walking by him. And Robbe knows it’s still a subject every time someone has to explain who he is. Instead of talking about his full name, his friends, his appearance to make someone remember him, they talk about that stupid video and their memories light up like firework.

It’s funny, Robbe feels like his ego, his confidence, self-love, everything was burned down like witches were a day in the past.

“I’m stupid and even I think that’s a stupid idea,” Moyo comments sitting next to him on the driver’s seat and Robbe blinks, sitting a little more comfortably, looking at Moyo, eating popcorn like this is an actual show.

They were starving on their way here, Jens and Aaron had surprisingly better things to do so it’s just the two of them. And they had no cash in them so Robbe brought some popcorns he made while waiting for Moyo and Moyo brought them some cheap beers he had sitting inside his fridge. It’s not bad, Robbe likes spending time with Moyo after everything they went through, after spending lots and lots of days walking around the city, talking about everything, they understood each other better and Robbe knew Moyo didn’t mean his words and Robbe knew he wasn’t the best either, pushing Sander out of his home like that a month ago.

Sander is the last one to climb, clearly the least athletic one of his group of friends, but he’s not finding it hard either. Robbe is almost sure he’s just bored, finding no fun in working out without meaning to but being too competitive and an adrenaline junkie not to try.

“Would you do it?”

Moyo stops eating and Robbe looks at him and Moyo is already staring at him, laughing at his face.

“Bro, I just said it’s a dumb idea. Of course I wouldn’t do it!”

Robbe opens his first beer of this cold Friday night, hoping to get at least some buzz out of it. He puts it back down in between the seat to adjust his jacket first, zipping it all the way up to his jaw.

“I can’t believe your boyfriend is doing it.”

Robbe sighs, staring from afar, recognizing only the black silhouette and the white hair contrasting his clothes now that they’re up higher, almost at the top.

“He’s not my boyfriend,” He whispers and it doesn’t go unnoticed in his insecure brain how Moyo laughs quietly, back to eating popcorn.

“Yeah, he is. You are afraid to talk to him but one thing has nothing to do with the other.”

Robbe grabs his beer again, needing to push himself forward on the seat as he follows them on their last pull to the top. He can see Sander clearly again once he’s at the top and it looks so stupidly high. The boys celebrate and hug each other and kind of push each other and it makes Robbe feel nauseous just looking at them.

“I don’t want to see anyone dying tonight, bro.” Moyo’s concerning voice makes all the red flags jump to the forefront and Robbe searches for his phone, his talk with Sander down the list since he hasn’t really replied to many of Sander’s texts since he found out about the leaked video.

He starts typing but that seems stupid. Sander won’t stop his competition with his friends to answer a text so Robbe decides to call him, ignoring how his friends are around him, able to hear who’s calling.

Robbe sees Sander tapping his jeans and finally grabbing his phone, accepting the call.

“Hello.” He says like he’s being formal and Robbe rolls his eyes, talking low even if it doesn’t matter, Moyo will hear them anyway.

“Hi…”

“Talk about an unexpected call.” Robbe can hear the familiar teasing in Sander’s voice and he can’t control how it makes him blush, even from afar, around a bunch of people.

“What are you doing up there?”

“Admiring the view, I guess.”

“This sounds like a dumb idea. It’s freezing cold, the wood is probably rotten and slippery.”

“Are you scared for me, Robbe?” He can see Sander walking down a slimmer ledge that nobody else tries to go down and Robbe wishes he could punch him right now.

“I don’t want you to die, no.”

“Why not?”

“Don’t be an asshole.”

“I’m not! I’m just genuinely curious. It’s not like you’ve been answering much of my texts and suddenly you’re worried I’ll die if I fall here. It’s not a big fall, if that makes you more comfortable, it’ll be quick.” Sander comes back to the place where his friends are, a tiny area where the beams are closer together and Robbe can hear in the background them challenging Sander to go somewhere else that sounds dangerous already.

“Don’t say that. Please, just come down already. I’m sure there’s not much to do there, not much room either.”

“You wanna come to see? It’s beautiful.”

“No, Sander. I want you to stop being stupid, that’s all.”

Sander sighs on the other side and Robbe can see him looking up at the blue sky, no clouds at sight.

“You are extremely boring.”

“Maybe I am.”

“And very cute too.” Robbe doesn’t answer that one, hearing Moyo snort next to him and he’s sure Sander’s friends are having similar reactions, “I’m coming down in a second. Can we talk then?”

“There’s not much to talk about.”

“You know there is.”

Robbe looks at Moyo carefully. He knows about the stupid video, everyone knows, of course, but it’s not like Robbe wants to mention it ever again in front of anyone, ever. But he needs to talk to Sander about it at some point because he was the one to start the conversation, ripping the band-aid off at once was the idea at the time, and if that’s what will make Sander come down, then Robbe will do it.

He opens the door and leaves the car, the freezing cold air taking his breath away as he leans against the window from the back seat, feeling it freezing him almost instantly even through many layers of thick clothes.

“Okay. If you come down, we’ll talk.”

Sander sighs again, “Finally.”

He ends the call, talking with his friends again and as Robbe sits back inside the old car, rubbing his hands against his thighs, he finally sees Sander coming back down carefully before anyone else.

“Do you want me to leave?” Moyo asks after a long, weird silence. Robbe looks at him like Moyo just punched him in the face.

“What? No! You brought me here!”

“Because you asked!” Moyo says just as surprised.

“Moyo, please don’t leave. I’m just going to talk to him and we’ll go if you want.”

Moyo sighs, shrugging, grabbing another beer, “Okay...whatever you say, bro.”

Robbe feels himself getting more nervous, his mouth completely dry, his hands freezing cold but still sweaty no matter how much he runs his palms through his jeans.

Sander is finally on the ground after what feels like forever, safe and with no injuries, walking to the car feels like he’s in a movie scene, Robbe sees him like he’s walking in slow motion.

“I’ll be right back.” He jumps out of the car before Sander can have the opportunity to interact with Moyo even through the window.

Sander looks different, taller, his hair a little longer, with the dark roots getting out of control but Robbe thinks he prefers it like this and the difference is from the lack of dates between them in the past week or so. Not that he has to like any difference.

“Hi…” He curses when his voice breaks a little bit, too low and Sander smiles at the corner of his lips.

“Hello.”

Robbe nods his head, looking around, just the huge clearing around them, the pine trees a couple of dozens of meters down the road. Sander doesn’t say anything, just starts walking away from the car to give them some privacy and Robbe decides that’s a good idea, walking with him.

He thought so much about this: the first time they would have an actual conversation, face to face, what he would say, what he could say to explain how a video of him is now public property, how Sander would think differently of him now and have a whole new idea of who Robbe is based on what he did. He would think Robbe is easy and stupidly horny and...so fucking dumb. And Robbe is none of that. Maybe stupid, but what bothers him so much is how who he is is now completely ignored because of what people will judge of him and of his character for having a sex tape leaked without his consent.

He feels like crying all over again so he stops thinking about it or he’ll have another panic attack right here and that’s the only thing that could make this situation even worse.

“So…” Sander clears his throat and Robbe jumps a little, realizing he should be the one talking, that Sander is giving him all the space he wants to tell his side of the story and Robbe is just unable to explain what happened and how he ended up in such a terrible situation.

“I’m sorry.” He ends up with that, and his voice sounds too low and broken again and Robbe just gives up completely, turning back around to go home but Sander follows him quickly, stopping in front of him.

“Robbe. I want to hear you.”

“There’s nothing to say, Sander! I trusted someone I shouldn’t. I had cyber sex with a fucking idiot and now everyone knows how dumb I am, and apparently how good or bad I’m in bed.”

“Hey, hey.” Sander puts his heavy hands on Robbe’s shoulders, them being the only things keeping Robbe in place, standing on his own legs, “Breath for a second.”

He does as he’s told without noticing, trying to even his breath, keeping them slower and slower and longer as he calms back down.

“You trusted an asshole and it doesn’t make you the bad person in the situation, Robbe. He was a fucking piece of shit, not you. This is not about you. I don’t care about that stupid video.”

Robbe heard these words before, I don’t care about it but it never feels like it doesn’t matter. No matter how little people care, they all already know, they all probably watched it and they already formed opinions about him and who he is without knowing him.  

“If you need someone to go to the police with, I’ll go with you, I’ll testify, anything that they might need.”

Robbe puts his hands on his face, trying to control his breathing again and Sander stands closer, not hugging him but close enough where his presence gives Robbe some peace.

“Can we not talk about this?”

They’re close enough that Robbe feels when Sander nods his head, his hands quietly squeezing Robbe’s shoulders.

“Of course. I just want to talk to you, about anything. And you’re not even giving me the chance.”

Robbe sighs, putting his hands down slowly, looking back at Sander.

“I’m clearly a mess, I don’t know if I can keep a conversation these days.”

Sander smiles softly.

“We can not talk then. Just sit across the table from each other at a restaurant or something, eat in silence. We can go to my or your place if you’re more comfortable that way. Again, eating in silence. I’ll even let you pick what we’ll eat.”

“Why do you care so much?”

Sander sighs loudly, looking up, searching for his answer again in the sky, the universe around them, spinning and spinning around nonstop.

“I don’t know but I do.”

Robbe stands on his tiptoes, hugging Sander with no second intention, just needing to be held for a second without feeling like he’s been taking advantage of.

“I have roommates.”

Sander snorts, “They’ll probably be weirded out because I keep flirting with you constantly but I don’t have any issues doing it in front of them.”

Robbe shakes his head, stepping back from Sander, liking how his hands stay on Robbe’s waist for a little longer.

“I won’t torture you to spend too much time with Milan but just...they’ll probably be home, just not in the same room.”

Sander nods his head, agreeing with Robbe’s only rule.

“That’s fine by me.”

[setsuntamew]

So, Persona 5 Royal, huh?

Full disclosure: I had gotten about halfway through November on Wednesday and finished it out Saturday night, which took uhhh about 65-70 hours? Some of that was sitting there waiting for the PS4 controller to recharge or listening to music in the Thieves Den while eating, but I still feel like I need to own up to how extremely bad I am at making good decisions with my life XD

MOVING ON, THOUGH, HOLY SHIT. P5 was a very good game, but Royal’s additions & changes made it incredible. I like the ending way more; I think it’s more emotionally fulfilling and meaningful, especially with everyone’s more defined future plans. Definitely felt like everyone had more growth in the end!! Which is something I’d always thought P5 was lacking.

Snip snip for spoilers and the fact that this post ended up being too damn long, oops! the last third is basically Akechi feels and analyzing his ending, so......yeah XD

Part of why I plowed through SO much of Royal in so little time is....Akechi XD Like okay, this is my stupid fandom blog, I can be excited about him all I want!!! I got to Sae’s Palace and just....I couldn’t put it down. @dragonofeternal​ and I ordered an embarrassing amount of takeout instead of cooking because we just had to see how everything with Maruki and the third semester was gonna go down. I’d already been dying along the way because Akechi’s confidant dates are so good, I just. Fuck!!!

Also, look, for the entirity of Shido’s boss fight and the depths of Mementos/Yaldabaoth/etc, we’d look at each other every few minutes and just be like AKECHI SHOULD BE HERE WITH US, HE DESERVES TO GET HIS VENGEANCE ON HIS SHITTY DAD AND FORCED DESTINY!!!!!

December 24th had to be the longest god damn day in Akira’s life because like. Final exam grades are posted in the morning! He goes to school and then dives into hell, crawls his way back out, briefly dies by fading from human cognition, fights an actual fucking god, and then....ends up dissociating in Shibuya until Sae shows up and is like “oh hey thanks for everything you did, please sign up for being arrested now.” And while he’s still reeling from that, Akechi walks up to take his place, like some kind of bullshit knight in shining armor schtick, and leaves no room for conversation.

AND THEN WE HAVE TO GO ON A DATE

I romanced Hifumi this time around, because I wanted Akria to bang a girl who is just so incredibly out of his league, but....it’s not necessarily that I forgot I was dating someone, more that it had been *so many hours of plot* that I was emotionally exhausted. Like, Hifumi texted me and I was just like. Right. RIGHT. It’s still Christmas Eve, somehow. I was at *school* this morning. The whole world merged with Mementos briefly in the middle of this, Akechi is somehow alive, and I guess I’m going on a date now????

I do appreciate how many “god I’m just dissociating my way through this” conversation options there were for the date, tbh. I feel bad though, I really like Hifumi, but I feel like Akira is not giving a date his full emotional attention at that specific time. It feels a bit like emotional whiplash, more so than I remember it being in P5? Maybe it’s because I played it 4 years ago and there wasn’t the added emotional weight of Akechi’s reappearance, but it was just like....a lot, in Royal.

AND THEN THE NEW YEAR HAPPENED. I’d been spoiled on large parts of the third semester, mostly because Royal’s been out for a year already and I’m too curious for my own good. I’d also somehow lied to myself, saying I didn’t have time to play another Persona game right now, and yet here I am, 171 hours of game play within exactly a month, kicking myself for not knowing how deep in Persona hell I would get XD

Which is to say, as soon as the new year started, it felt I was drowning in anxiety. I knew something was wrong, I knew they were in a false reality, but knowing that sure as fuck didn’t make it easier to go through. If anything, it was somehow worse, knowing that it was all gonna come crumbling down, but I didn’t yet know the exact details, only the broad strokes of it. Just. Every time someone talked about something that was wrong, my heart would clench.

God, I’m so fucking tired, I pulled an all-nighter on Friday so I could get through Royal before having to work on Sunday, and I am feeling it right now. Life tips: don’t do what I do XD

Every moment with Akechi felt like borrowed time, at least for me, because I knew what was coming. I spent so much time in Mementos with him; I ended up putting just him and Akira in my party and plowing through everything, including trouncing the Reaper over and over just for the hell of it. I got his ultimate weapons, I spent so many nights in the jazz club with him that he ran out of dialogue options, and I still took him back for more. I accidentally failed to EVER trigger Sumire’s Showtime because every fight was just Akira and Akechi against the world, because fuck it, I’m playing this for fun!! If I want to play with them in stupid costumes and no one else in the party, I’m gonna. Royal did such an incredible job giving Akechi more depth and development: it was all I could hope for, and it made it that much fucking worse to know what was in store for him.

Somehow, I thought it would be harder for me to make the decision to refuse Maruki’s deal, since fuck, fuck what I wouldn’t give for Akechi to be alive???? But I barely hesitated, only really stopping because I had to emotionally brace myself for it, because a reality where he can’t carve out his own fate would be a disrespect to everything their relationship is built on.

I have a whole shit ton of feelings about post-beating Maruki but they’re basically all Akechi related meta so somehow they ended up at the end of this post, I’m sorry XD

I understand that they had to keep the going to jail bit because 1) Akechi didn’t turn himself in, Akira did and 2) it leads to the final events of the game, but let me just say....the emotional roller coaster of fighting Maruki, almost failing multiple times, waking up in jail, the Phantom Thieves & friends getting Akira out of jail, celebrating that, and then getting thrown into Valentines Day was a LOT for my heart to take. Once again, didn’t forget I had a girlfriend, just got too invested in the plot to really be thinking about her. It’s less than two weeks after the fight with Maruki and somehow, everything is supposed to be okay????

The scene with everyone talking about their future plans is such good character growth, though. Everyone feels like they’ve truly grown and are making decisions that, even though they might be painful or hard at times, are ultimately very important to them. It’s a really good contrast to the “almost everyone goes to Shujin and they all stay in Tokyo forever without doing anything for themselves” Maruki’s perfect reality bad end.

Standing in the Underground Mall on White Day, being told I had to get flowers but finally being able to have control of Akira again was....so bittersweet. The fact that the location of the date is the aquarium is a low fucking blow, and I almost threw the controller across the room I was so upset. Like. THE AQUARIUM IS UNLOCKED BECAUSE AKECHI HAS TICKETS HOW FUCKING DARE SOJIRO SUGGEST IT LIKE MY HEART ISN’T STILL ACHING????? God, speaking of that: The fucking god damn Featherman video game tore my heart out because I ended up playing it WHILE WORKING ON SHIDO’S PALACE and I cried a ton about Gray Pigeon because of course they had to dig the emotional knife in even deeper!! Just fuck me up, it’s fine, I’m just dying!!!!!!!!!!!!

I ended up scrolling through his texts to find the group chats that still had Akechi in them, and fuck, it was a LOT. Like. Maybe it’s because I’m too invested in the two of them, but it was probably the worst emotional whiplash of the whole game. Like, how am I supposed to go play happy with anyone while staring at texts from a reality built of lies? It wasn’t real but the proof lives on in his phone and his heart, and I’m still fucked up over it.

HOWEVER. FUCKING. I SPENT LIKE HALF AN HOUR BEING EMOTIONALLY COMPROMISED ABOUT ALL THIS AND THEN DISCOVERED THE BASTARD STILL HAD ALL HIS EQUIPMENT, INCLUDING THE ULTIMATE MALE ARMOR!!! He returned his shit after Sae’s Palace even though he thought Akira was dead, but this time it didn’t get fucking returned to my inventory, so he must have fucking run off with all his shit!!!!!!! Why the hell did none of it get returned if he was never alive in the true reality? Like I know it'll be returned for a new game+ but I like to nitpick game mechanics for story reasons, because one of the things I love most about video games is the experience of them as another layer to the story. The texts from the third semester shouldn’t exist anymore, since they never really existed, but there they are. Akechi insisted that he has a gap in his memory after Shido’s Palace up until seeing Akira on Christmas Eve, but who can say that wasn’t related to Maruki tampering with reality or some other Persona-related reason?

I mean. I got the full and complete True Ending; I saw him in the train station. If that’s not Akechi, then who the fuck is it? Atlus made sure to put the work in to make him a part of not just the main story but also, especially, the third semester, and for what....to have his final time on screen be as the butt of the joke, squished underneath everyone in the Mona-copter? As much as it hurts, his end in Shido’s Palace matters; it fits his character and he gets to go out fighting- carving his own path, really. In Royal, barring the tiny glimpse of someone who’s probably him in the train station, the last we see of him is when he watches Joker let go of the rope to finish off Maruki. I know we got the heart to heart where Akira agrees to reject Maruki’s deal and Akechi insists that he’d rather be dead than live in a false reality, but.....no one even says goodbye to him. It’s tragic, it’s painfully lonely, but it doesn’t feel right for such a major character.

Also, as undignified as it is, for the first time ever, Akechi looks like he actually belongs in the Phantom Thieves in that final moment. He’s never been the butt of their jokes before; they always kept him at arms’ reach and he took himself too seriously to be included, but for that brief moment, it really felt like he was part of their group. He stopped lying about himself for their last month together, and so even if they don’t all like him, they can make that decision based on the truth, instead of layers of lies. His death is all the more tragic for this; a life cut short just when he’s finally finding a place he belongs. But his death was already painful; why make it so, so much worse?

Final thing: I’m gonna be spending a ton of time in the Thieves Den trying to find Akechi’s opinions on everything, but also....hey. HEY. What do those six stars that Jose (probably?) painted on the wall mean? Is it just a reference to Persona 6???? LIKE????? I HAVE QUESTIONS. SO, SO MANY QUESTIONS!!!!

Anyway, I’ve gotta go cry into my Starbucks and desperately try to focus on actually doing my job at work, but I loved Royal deeply and cannot wait to drown in it ;w;

[takaraphoenix]

Fic Writer Review

Thanks to @light-miracles​ for tagging me! <3

1. How many works do you have on AO3?

As of this week, 1004 fics! :D”

2. What's your total AO3 word count?

8,052,836 words and counting ;)

3. How many fandoms have you written for?

Gosh that depends on how you define “fandom”. Like, does the Rise of the Brave, Tangled Dragons fandom count as one, because the crossover makes it one fandom, or would you count the movies individually? Same goes to DC.

The way I would count it, I’d say 27. Counting all the DC properties under the DC umbrella as one, same for the crossover fandoms.

4. Top 5 fics by kudos?

How Big, How Blue, How Beautiful (Marvel, Loki/Tony, 6245 kudos)

The Lion’s Pride (Voltron, Shiro/Keith/Lance, 5615 kudos)

Percy and the Ghost King of Summers High (PJatO, Nico/Percy, 4680 kudos)

Percy Jackson, Ambassador of Hades (PJatO, Nico/Percy, 3841 kudos)

My College Boyfriend (PJatO, Nico/Percy, 3613 kudos)

Deadass, this feels like a glitch. I have written seventy-nine multiple-chapter fics. By virtue of having multiple chapters, they tend to draw in a bigger crowd of people. And even if not, I could think of a dozen of more deserving oneshots off the top of my head, at least. I do not understand number 5 at all, it makes no sense, I have 1004 fics and by virtue of people clicking a button, this incredibly... mundane... not-even-3k-long fic is the fifth place for most-heart-button-clicks...? Like, it’s not a bad fic, it is just... impossibly boringly slice of life? Nothing happens in it? It’s not even one of the long oneshots where a lot of plot or feelings - or heck even insanely kinky smut I’d get - happens? I truly can not fathom what made this story so much more worthy of clicking the dumb heart-button than all of the hundreds of stories that have... so much more going on in it...? My brain genuinely can’t comprehend this.

5. Do you respond to comments? Why/why not?

Always. Because it feels like the polite thing to do. Sadly, receiving comments is not a given. Even when people like a fic - especially on AO3, with its cop-out “just click here to leave a heart” alternative, and yes I absolutely do think that that’s part of why many people don’t leave comments, because they are so conditioned through social media to think that a like-button is all it takes to communicate. So, in this comment-economy, I do think it’s worth to say thank you to those who do take the time and make the effort to leave actual feedback and truly let you know they enjoyed the story or what they enjoyed about the story.

6. A fic you've written with the angstiest ending.

That’d be a Beyblade oneshot from my German fandom days that was unrequited love ending in a suicide.

7. Do you write cross overs?

I used ot greatly dislike crossovers, because they only cater to a very specific group of people where those fandoms actually overlap for. But then I came across the whole Tangled/Brave/RotG/HttYD crossover fandom and it kind of took me by surprise. Opened my eyes to crossovers and since then, I’ve dipped into quite a couple different kinds of crossovers.

8. Ever received hate on a fic?

Were you really a fanfic author in the 2010 decade if you didn’t receive hate from the censorship and purity cult? Or, heck, in the beginning of that decade, from the homophobic “ew slash ships are evil and gross” crowd? :/

9. Do you write smut?

You could say that, yeah. *chuckles*

10. Have you ever had a fic stolen?

*ugly sobbing* I hate wattpad--

11. Ever had a fic translated?

I have been asked for permission more often than I can count, but I just... I just don’t like that? The thought of my fics on other people’s account, even when they do give credit to me as the original author.

And a bunch of the stolen fics on wattpad were, indeed, people who just decided to translate my fics and post them, all without my permission.

I did translate one fic myself though, because I wrote it when Germany passed the marriage equality law, so I wrote it in German and then figured I should also post it in English. ^^

12. Have you ever co written a fic?

Yes, I have! With the very lovely @kimmycup! ^-^

13. All time Fav ship.

ALL time. I think I have to go with Kaito/Shinichi from Detective Conan. It’s, by now, the ship that’s been with me the longest in an active way. I still get excited about them, I even wrote a fic for them just last month to celebrate my 1000th AO3 fic.

14. WIP you want to finish but don't think you ever will?

*looks shamefully at Animexx* Basically all my old Beyblade fics. I dropped out of that fandom too suddenly and it doesn’t help that they’re in German and I’ve stopped writing in German.

15. Writing strengths?

Writing speed and the ability to plan ahead; both, when I write a fic as well as planning my schedule ahead.

16. Writing weakness?

Endings? I really struggle with when to end a fic and how.

17. Thoughts on writing dialogue in another language in a fic?

It’s stupid and unnecessary. Use italics and note what language they’re speaking in. Like, look, if it’s a language you actually speak, I can understand the temptation, but 90% of those include an A/N about how the author used Google translate for that and just... why.

And I straight-up hate when authors then don’t include the translation directly behind the spoken part but rather at the very end of the chapter... I don’t... I don’t want to scroll down to look at what I am just trying to read in the middle of the chapter and then have to find the place I was before? It completely breaks the reading flow.

I think that petnames, even some phrases, do make things more authentic, when you’re writing bilingual characters. But when it’s entire dialogues, that’s too much and should just be indicated that it is being said in another language.

18. First Fandom you wrote for?

Yu-Gi-Oh!

19. What's your fav fic you've written so far?

It always depends. I have a lot of fics I am very proud of, or that I think are incredibly well-done. But for me my favorite fic would be defined by the one I enjoy rereading the most. Within the last year or so, I’d say it’s probably The Lost Soulmarks, but there are a bunch I’m bouncing back and forth between and it’s also always up to what fandom or pairing I’m craving. There’s no one holy grail fic that I hold over all others, I guess.

Tagging @kimmycup, @fallenqueen2, @miazeklos, @donnas-troia, @justonemorechapternicercy

[themculibrary]

May Parker + Irondad Masterlist

Links Last Checked: August 29th, 2024

A little broken (ao3) - xxx_cat_xxx G, 8k

Summary: Over a year after defeating Thanos and almost losing Tony, Peter is still haunted by the final battle. In an attempt to outrun the memories, he starts college far from New York.

It takes a visit from his mentor and an ill-timed flu bug that brings them both to their knees until Peter realises that he doesn’t have to take on the whole world alone.

a numb road forward (ao3) - WhimsicalEthnographies T, 5k

Summary: [Peter recovering from a serious injury with May and Tony helping him through]

An Unexpected Visit (ao3) - LadyAnneNeville G, 1k

Summary: When May Parker opens the door to Tony Stark dropping by unexpectedly for the second time, little does she know he brings a request that will change the lives of her and Peter forever.

Buried Years (ao3) - sahiya pepper/tony, mj/peter G, 30k

Summary: Making sure that Morgan Stark felt protected and safe and loved was the most important thing Peter had ever done. It was even more important than Spiderman. It was also, he came to realize, way, way harder.

Communication Breakdown (ao3) - jwriter819 pepper/tony G, 4k

Summary: Peter was having the worst day ever.

Worst. Day. EVER!

After being out for a week due to a “fever” he’d finally returned to see that there was a science project due in three days.

Typically that wouldn’t have been a big deal.

The problem was it was a group project and they’d all been in groups before Peter came back. That meant the other two students who were out sick earlier in the week were also in need of a group.

Flash Thompson and Jake Moran.

Best friends.

Peter tormentors.

When Peter makes a terrible decision, will this change his impending adoption? ----

An unusual twist to the Field trip trope with a focus on IronDad and Spiderson.

Co-Pilot (ao3) - FerretShark G, 2k

Summary: May Parker defines terms and Tony listens.

Don’t Judge a Knife by Its Color (ao3) - blondsak, Grace_d, whumphoarder T, 4k

Summary: “Whoa, hold up, hang on,” he says, taking a step closer to get a better look. The blade is probably four inches long and neon purple, while the handle is white with a friendly-looking colorful silicon grip. “Is that a toy knife? Is this a Fisher Price mugging?”

“Fuck you, Spidey,” the mugger replies, fumbling for the knife before scrambling back to his feet and brandishing the weapon at Peter.

Or, Peter is stabbed by a misleading knife, Tony plays a high stakes game of Operation, and May retains the one brain cell.

for good (ao3) - Madelinedear G, 8k

Summary: "Sorry, May, we can't all be best friends with a celebrity.”

May opens her mouth to retort reflexively, the words 'we aren’t even friends' on the tip of her tongue before she closes her mouth. Because they are friends, now. They’re way past that point.

Oh my god, she thinks somewhat hysterically. Tony Stark is my best friend.

(or; Tony Stark, May Parker, and the road to something like friendship)

Hard to Love (ao3) - Gruoch T, 12k

Summary: If someone had told May that Iron Man himself would one day occasionally show up uninvited to her quiet little apartment and intrude into her quiet little life, she would have laughed them out of the room. But then her life seems chock-full of unpleasant surprises these days.

Or, Tony Stark wants a bigger piece of the pie. May Parker learns to accept help. Peter just wants to keep the peace.

I'll Love You (When You Can't Love Yourself) (ao3) - josywbu N/R, 8k

Summary:

“You know you’re a hero, right?” The kid’s voice sounded so self- assured and certain where it was usually rambling and timid, that he had to look up to meet his eyes.

In which Tony doesn’t believe he’s a hero and Peter doesn’t want to hear it. Because even superheroes need someone fighting for them sometimes.

it's a big, scary world (ao3) - slippingintostories G, 2k

Summary: How does Tony Stark learn to deal with always being terrified about losing his kids in a world and universe that is so much bigger than anyone ever knew? Well, as a start, he talks to May Parker.

maybelle (ao3) - floweryfran, peterstank pepper/tony, mj/peter T, 7k

Summary: may has a heart attack and peter is simply not jazzed about it

mine, and yours (ao3) - crowkag pepper/tony T, 4k

Summary: “It’s—alright, I won’t sugarcoat it. The kid’s alive, but he got shot, Tony. Twice.”

(or: Tony reunites with Peter in a less than ideal manner.)

Spider-Baby Mama (ao3) - PinkEasterEggs G, 2k

Summary: “And between next week and now,” May went back to strict mom mode. “You’ll be grounded.”

“May?” Peter shot out of his seat, eyes wide and darting between the pair. “What? No! Not fair!”

“I think it’s very fair,” Mr Stark cut in. “Be glad that your Aunt is more benevolent than me; i would’ve said 2 weeks.”

“Ooh, that does sound good,” May smirked. “2 weeks it is.”

Peter gets in trouble at school and its up to May Parker and Tony Stark to prove just how good they are at working together to parent their spider-teen.

stitch and stitches (ao3) - searchingforstars pepper/tony T, 7k

Summary: Peter bleeds out in a guinea pig enclosure at Morgan’s sixth birthday party.

Taking this one step at a time (ao3) - SparrowFlight246 T, 10k

Summary: Tony’s not unfamiliar with the concept of paralysis, after Rhodey. They encountered that bump in the road a few years ago, and they worked through it, eventually coming out better than they went in.

However, when the concept of paralysis is used in relation to Peter, things end up shifting more than they ever seemed to last time.

Tony shifts with them.

And hopefully, eventually, they’ll come out better than they went in with this one, too.

viii. (disco) fever (ao3) - tempestaurora T, 1k

Summary: “Please don’t make me watch this,” Peter whined, moving to lean on Tony as he did so.

“No can do, buddy,” Tony said. “It’s movie night. It’s May’s turn. Law is, we have to watch this.”

“Don’t act like you’re not excited,” Pepper commented, pulling her feet up onto the cushions. “You’ve been humming Stayin’ Alive all day.”

Tony grinned. “That’s because it’s got a great soundtrack. I am excited. May’s turns are the best turns.”

May’s turns were the worst turns.

Who Saves The Hero (ao3) - CamelotQueen T, 15k

Summary: May brings home her new boyfriend. Something about him makes Peter feel nervous, but he makes May happy. And if May's happy, then Peter is happy.

Then it escalates.

[rotationalsymmetry]

No queer people (barring some radfems) will actually admit that they’re effectively pressuring bisexuals to only act on their “gay” attractions and not their “straight” ones, and generally not call attention to being bi at all. (Or rather: to either do that or the exact opposite: to either pretend we’re gay or pretend we’re straight.)

And yet all the time: “bi now gay later”, “gay or at least bi”, ew gross bi women bringing their boyfriends to Pride, ew gross m/f ships ugh the straights are so boring, straight this het that, ew straight girls kissing other girls while drunk for attention, men are gross, cishet men are especially gross, being attracted to men is gross, throw the whole man out, men who date women are so predatory, wlw relationships are so pure and wholesome, hey check out this asshole boyfriend on Reddit/facebook/TikTok/whatever (while never sharing examples of asshole girlfriends — they’re there, I promise you), 20 “gay” books in the bookstore for every one “bi” book, and when they’re fiction the books with canon bi characters get called (and often marketed as) gay/lesbian fiction, not noticing when groups or whatever just say “gay and lesbian” and not “bi”, completely ignoring bi issues (invisibility/erasure, harmful stereotypes especially around promiscuity and cheating, lack of representation, sexual health (hey guess what, people who have sex with men and women have different sexual health concerns than people who don’t!), rampant DV rates, high rates of substance abuse, need for discussion groups and studies and so on focused on us, intersectional issues with being bi and also poor, poc, disabled, trans, immigrant, homeless, incarcerated, etc), talking about bi celebrities as though they’ve betrayed the community or stopped being queer if they get into a m/f relationship, calling probably-bi historical figures “gay”, using terms like “wlw” and “lesbian” interchangeably or using “wlw” or “queer” but in a context that implies all wlw don’t ever date or have sex with men, assuming gay people can represent bi people but bi people can’t represent gay people, accusing bi people of playing oppression olympics and claiming we’re more oppressed any time we suggest we might have any issues at all that strictly gay people don’t (ie merely making the case that we’re not strictly less oppressed in every single regard), bi people can’t use butch/femme terms those are lesbian only terms and it’s appropriation, that comphet doc that’s basically “hey if you’re bi but want to convince yourself you’re actually a lesbian, here’s how to do it!”*, etc etc etc etc.

It‘s not always/usually actually cutting someone out of your social circle, telling someone to leave the group, or literally saying “there’s no such thing as being bi”, any more than terfs actually say “yeah we just hate trans women” or ace excleiionsts say “aces aren’t queer“ (they say “cishet aces aren’t queer”, which literally has the same meaning because it means aces are only queer if they have a queer identity other than being ace! It defines ace as not inherently queer.) It’s usually just… erasure and “ugh, men” and “straight-passing privilege” (ie: you’re less queer, you’re not really in need of attention and resources, and if you disagree with other queer people you’re speaking over people who are less privileged.) But that still has a huge effect.

(again: yes, there are things you experience/risk in relationships straight people see as gay that you don’t in relationships that they don’t. but there’s a huge gap between that concept and “so you’re basically straight”, but often when queer people say “straight passing privilege” they mean “not really a sexual minority/queer person, and someone who by definition doesn’t experience any downside to being bi relative to being straight” and that is not true.)

*I‘m sure there are many actual-lesbians who take a while to figure it out and need some help with “how do I know if I was dating that guy because I’m attracted to guys or just because I was expected to?” But the doc never once mentioning “and some people are bi, here’s a sign you might be bi” is kinda sus actually. Almost as though it was coming from a mentality of nobody is actually bi, ever.