#and i've mentioned it before.

[sukugo]

i think a lot about how satoru refuses to drink, and while he says it's bc he's a lightweight, that.....doesn't change the fact that he still CAN drink if he wanted to. and it's probably bc of the nature of his powers. he knows that him getting drunk and losing a grip on himself, and consequently his powers, would have grave consequences. any small slip from him could kill so many people so easily, so he tries to stay away from it

[grayeet]

I love the pale garden and how it's like a parallel to dark forests. I love how the two divert expectations.

Dark forests, despite their name, are saturated and full of life. Even compared to regular forests, there's a lot more biodiversity than many of the "basic" biomes. There's three whole different trees found there, giant mushrooms, and plenty of flowers. They're one of the biomes capable of spawning a lush cave underneath it. It has its dangers just like any other overworld biome, obviously, but it's nothing overly more than anywhere else. Traversing it can be tricky sometimes and illagers may take residence in the biome's woodland mansions, but it's ultimately a very colorful and lively environment.

Opposing it is the new pale garden. Usually white and light colors are seen as pristine and good, but the pale garden takes it the opposite direction and goes right into uncanny valley territory. It has none of the color of dark forests, none of the biodiversity, none of the liveliness. It has trees and moss that look familiar, but something is off. It has a signature mob, but even the creaking is just a puppet of the trees, not really sentient, not really even plotting against anything. There's "life", but, once again, it's wrong.

I think the pale garden is a wonderful addition to Minecraft's world building as it is, but the deliberate parallel to dark forests? Delicious.

[taddymason]

A Vision

That scene in s9 is probably one of my favorite Jay moments because of how well it shows why Wu chose him and what his role is in the team. Being the out-of-the-box thinker, the dreamer. Especially because of how it sets him apart from the rest, like Zane, Cole or Kai, whose purposes are to protect others while Jay inspires people (s6 and s12)

[vylanka]

claudia

[ylangelegy]

is it casual now? (teaser) 🫀 seungcheol x reader.

★ seungcheol x makeup artist!f!reader. ★ teaser word count: ~8,000 ★ genre/warnings: mdni. 18+ content. situationship/friends with benefits, light angst, use of pet name ('love'). soft dom!seungcheol, making out, biting/marking, protected sex. let me know if i missed anything! ★ footnotes: this has been on my backburner for months. it's admittedly a full-blown story in need of hard editing, and so i'm posting this in hopes of bullying myself into working on the whole thing. should it come down to it, though, i like to think this can stand on its own. enjoy. <3

Seungcheol has been in the industry long enough to know that everybody had vices.

Trainees, rookies, veterans. It didn't matter. There were dangerous, risky vices. Alcohol, drugs, smoking. There was dating, too, of course. Dating fans, dating fellow idols.

Seungcheol didn't do drugs. He smoked socially, but he would rather not. And he drank, sure, but never to an unhealthy amount. Dating, however—

Did it really count when there was only really ever one person he treated like a vice?

You've been in his life since the group debuted. Nine years, give or take. And then, at one point, he just... tried something with you. And it clicked, fell into place, and now you've been sneaking around for the better half of three years. It's the one place Seungcheol feels like he can breathe, can get away. But it's also the biggest secret he's kept.

You're his makeup artist, after all.

When the two of you started off, you both insisted on nothing serious. To 'keep it casual'.

That worked perfectly for Seungcheol. He likes to think it's still working for him, as he raps at the door of your apartment and waits for you to open up. His wristwatch says that it's midnight, but it doesn't matter. He knocks a little louder, growing a touch impatient.

You open the door, and you're greeted with Seungcheol looking reproachful. "Yah," he chides. "Why haven't you been answering my texts?"

When you rub your eyes with the back of your hands and look over your shoulder to glimpse at your wall clock, Seungcheol almost feels apologetic. Almost. “Cheol,” you say exasperatedly, slowly. “It’s the middle of the night.” 

"So you were sleeping then, hmm?" Seungcheol says. The corner of his lips tilt up, just slightly. He leans against the doorframe, taking a brief amount of time to glance you over. As he does, a small wave of tiredness finally washes over him— just how late had he kept himself up working on new music? "I sent you texts hours ago."

"You didn't even read them." He reaches up, tucks a loose strand of hair behind your ear. He sighs, the sound almost exaggerated. "How cruel of you."

You let out a low hum at Seungcheol’s fingers brushing against your skin. “Mmm, I fell asleep with my phone in my hand,” you admit, the words coming out more like a soft sigh than anything else.

You seem to finally drag yourself out of your sleepy state to give Seungcheol a once-over. He knows it shows all over— the exhaustion in his eyes, his stance. He’s tired, and you can tell. You’ve always been able to tell. 

You step aside a bit and he takes that as his cue. Seungcheol moves past you, a small hum in the back of his throat. He toes off his shoes and shuts the door behind him with a soft click. In spite of himself, the moment he's inside, he reaches for you. 

One arm is loosely slung over your shoulders, pulling you in close. He rests his chin on your shoulder, the tip of his nose against your neck.

"You fell asleep..." he gripes. "Do you know how many texts I sent you? I sent five.” 

“Five”” you repeat as you bear Seungcheol’s weight. Your hand instinctively raises to stroke the base of his hair behind his neck, and he thinks he could melt then and there— your soothing touch, your light tone. “Oh, how ever will you live?”

Seungcheol huffs into the crook of your neck. The feel of your fingers in his hair does wonders to combat the tired, stressed part of himself. Slowly, his shoulders relax, and he sighs, the sound long and deep.

"Don't get snarky with me," he mutters. But there's no bite to it at all, just a quiet sense of contentment in his voice. "You could've at the very least read the messages." He moves, presses a kiss to your neck. "Would've taken ten seconds."

“I was asleep,” you protest, but— whether or not you notice— your head is tilting around a bit to press a lingering kiss on to the side of his face.Seungcheol's stomach flutters. You're sweet like that. Always have been, always will be. He hums under his breath at the kiss, his hand that's on your shoulder moves up to cup your cheek.

“That’s my penance,” you say drowsily. 

"One kiss isn't nearly enough," he tells you. 

He pulls back from your shoulder to look at you, now. The eye contact, the way he regards you, has a more focused weight. He takes a moment to look you over again— hair mussed, face still flushed faintly from sleep. "Two,” he says in a tone that brokers no argument. 

“Greedy,” you mumble, but both of you know it doesn’t matter. 

Not when your free hand finds purchase at his side and you use your fingers in his hair to pull him down so you don't have to stand on your tiptoes. Not when you press your lips together into a kiss that's soft and sweet, almost sleepy.

All it takes is the sound of your voice for Seungcheol to be pulled in— when you tug at his hair, he follows, his chest against yours. He bends down, his own hands coming up to the sides of your face.

He melts against your mouth, his eyes closing in an instant. But it’s done as quickly as it started. You pull away, your face still inches away from Seungcheol’s, as you smilingly mumble to him, “There. Two kisses.” 

His eyes open again once you pull away, his grip on your face tightening just slightly. "Three," he mutters back, and then he leans back in. 

You hum against his mouth, the sound breaking free from the back of your throat. You’re both so tired from your respective work and it shows in the kiss. No heat, no fire. Your tongue swiping over his lip makes Seungcheol hum, quiet and low in his throat. He's usually so used to being the one who takes control, making the first move, but here with you, in the early hours of the morning— there's something else to it.

He pulls you closer against him, his hands moving down to your hips. Against your mouth, he murmurs, "Four," before his tongue slips in, just to get a taste. Just to linger, just to savor, but not take over.

“Cheol,” you huff, though your reprimand is tempered by the way Seungcheol is intent on keeping the kiss going. “You’re— mmph— being greedy—” 

"Five—" he sighs against your mouth. "Let me be greedy a second more."

One of his hands moves to the back of your head, fingers tangling up in your hair. This is what he likes, this is what he always comes to you for. Something that's simple. This, he can deal with. This, he can handle.

It’s never a second more with Seungcheol. He’s always out the door when he can go, when he has to. He’s never been a glutton for time, and so it’s enough for you to sense that something is wrong. 

You break away from him. 

Seungcheol has to resist a whine when you pull back, his eyes fluttering open in a daze. Your hand has moved to his face and you’re looking up at him with a small frown and a quiet query. “Long week?” 

He lets your question hang in the air for a moment, the hand in your hair loosening its grip, fingers just idly combing through the strands.

He glances at your face— the furrow of your brow, the hint of concern in your eyes— and it makes him sigh. He turns his head to press a soft, quick kiss to your palm.

"Long year," he corrects.

You look like you want to say more. Seungcheol almost begs you not to. This— whatever the two of you have— it’s an outlet that won’t break him, won't ruin him, won't tarnish him or the group's name. He just wants— he needs—

You know exactly what he needs, even if he doesn’t always know himself. “How do you want your fifth kiss?” you ask instead of commenting on his obvious fatigue. 

Your question makes Seungcheol's head empty out in an instant.

It takes him a moment to think, to consider. His mind, hazy and tired as it is, struggles to come up with an adequate answer. All he knows is that he's comfortable, that he's tired, that you're here. And that's all he really needs, in the end.

He lets his hand fall from your hair, to the nape of your neck. "... Soft," he murmurs. "Soft and easy."

You’re back up on your tiptoes to give him what he asked for. A sweet, slow press of your lips against his. It’s a kiss that lovers give each other, even though you’re the furthest from that. 

It's easy, easy, easy for him to fall into the kiss just like that, a shudder running down his spine when your tongue doesn't invade him. It's sweet, it's chaste, it's simple. It's exactly the kind of kiss he needs after a week of work.

His hand on your neck moves to your cheek, his thumb brushing over the skin there. He breaks away for a mere second, a fraction of a beat, to catch his own breath, but he kisses you right back after. 

"Six," he whispers desperately. "Again."

This time, you laugh against his mouth— a slightly muffled sound, not any less amused— but you give in, still. When you separate for air again, one of your hands rests on his chest to keep him away. “You have to let me breathe, Cheol,” you huff. 

Seungcheol has to resist groaning outright when your palm on his chest keeps him from coming in for another kiss. You're adorable like this, in the middle of the night, with sleep in your eyes and annoyance in your voice.

He knows he's being needy, taking advantage, but at the same time? It's all he seems to be able to do. Greedy, he hears you call him, and it's true.

"I'll let you breathe when I get my seventh kiss, then," he grumbles.

He can see the annoyance blooming on your expression, but he’s saved by one thing and one thing alone: The fact that you can get pretty greedy sometimes, too, especially when Seungcheol was involved. 

"Fine," you say haughtily, feigning annoyance. "Just one more kiss."

Seungcheol's eyes glimmer with something akin to mischief. His hands move to your face again, his own lips curving up in a smirk. You give him an inch, he wants a mile. It's his style. "One more kiss. That I can work with."

He brushes a thumb over your cheek again, his grip in your hair loosening only to brush some stray strands away from your face. "Only fair that I get to pick the way, then," he says, his tone low.

He's going to make the most of this opportunity, and you're letting him.

His tongue darts out briefly to lick over his bottom lip. "Open your mouth."

When you let out a noncommittal hom and oblige, parting your lips, he knows he’s gone. Seeing the obedience in your face makes Seungcheol's stomach do a little bit of an excited flip. You're like this, this, even when you're tired, when you're barely awake.

It's a little addicting.

"Good," he says softly. It's all the warning you get before he's got his mouth on yours again.

He kisses you— devours you, his tongue parting your lips, sliding into your mouth, taking. The kiss is almost bruising and seems to throw you off balance, but you quickly recover by pressing flush against Seungcheol and holding the sides of his arms. If he were a better person, Seungcheol would let this be the last one. Would let this kiss end and call it a night. 

But then the smallest of sounds escape you. A whimper, a soft noise that only makes all sense fly right out of Seungcheol's head. It's not fair, he thinks, that you still have a hold on him even in the middle of the night.

All it makes him do is pull you closer— press you up against the wall with his entire body, his hands still gripping your face as he kisses you deep. Harder than he usually would, rougher than he normally did.

He swallows the sound, his tongue still in your mouth.

Your fingernails are pressing into his biceps now. Your tongue is sinking into his lower lip; not quite biting, but enough to drag his focus away for a moment. "Seung," you sigh, and it’s like music to his goddamn ears. 

He was Choi or Seungcheol when he was in your makeup chair. Cheol, when it was just the two of you. But Seung was something different entirely. 

A small moan, low and quiet, gets caught in Seungcheol's throat when you bite into his lip, when you whine out his name like that. He knows what it means when you call him like that— knows what he's in for.

He relishes in it. In moments like these when he gets to be like this. When he doesn't have to be responsible, when he doesn't have to be a leader. He gets to be just Seung.

There isn't a single part of his body that's not on fire right now, not when he's got you pinned against the wall, not when you're all satin and soft against him. His grip on your face tightens, and now his lips are no longer on your mouth, but on your jaw, moving down to your neck, your throat.

A quiet, needy little ah falls out your lips when he nips at that spot on your pulse point, and there, there is exactly when he knows that he's got you exactly where he wants you. Pinned by his body, shaking and shivering like he's touching you for the first time.

If he was feeling a little less riled up, a little less needy, he'd keep up the teasing. But he can't, not now. His hands move from your face to your hips, moving under the satin of your pajamas. It's not enough, never enough.

Every sound that leaves your mouth, every little please, just, already sets a fire in his brain. Every part of his mind turns to static, white noise, as he keeps his lips on your throat, your neck, biting and nipping at your skin.

“Seung,” you hiss, your hands flying to his shoulders as you press your back on to the entryway wall, willing yourself not to crumple. “I’m going to get a noise complaint again—”

“I'll pay the fine,” he murmurs against your skin, his lips against your collarbone now, his hands still on your hips. His brain is starting to grow fuzzy, his thoughts less coherent, but this was the goal.

To get you like this. Soft and shaking and desperate. To make you his for the night, for just a little while. To hold some sort of control over something in his life.

“You can't just keep paying for— ah— the fines,” you’re babbling. “They're going— t-to kick me— Seung, fuck!"

Whatever you’re trying to say dies out when Seungcheol nips at your warm skin. The rational part of him, somewhere deep, deep inside, knows that you're right. He can't keep paying your fines for complaints of loud music and loud sex.

The part of him that's currently working on painting a bruise on your collarbone doesn't seem to care all that much.

"I'll pay," he repeats, between leaving a few more marks on your skin for good measure. "As many times as I have to—"

“Jesus Christ,” you cuss, your chest heaving as Seungcheol’s hand moves higher and higher up your shirt. “My neighbors are so fucking sick of me, and it’s all your fault.”

“My fault?” Even through the haze in his head, Seungcheol can't help the low scoff that he lets out. He wants to say that he couldn't care less about your neighbors— wants to say that your pretty mouth makes up for the noise, but something else catches his attention. The brush of his fingers on bare skin. 

His eyes go wide, his brain suddenly clearing.

"You're not wearing anything underneath your pajamas," he deadpans, his voice coming out in a low drawl.

Of course, that adds up. You hadn’t been expecting Seungcheol, after all, so he can’t blame you for foregoing the underclothes. Still, it only stokes the growing flame in the base of his stomach. Especially when you move your head back against the wall so you’re looking right up at Seungcheol, the ghost of a smirk on your face. 

“Wanna check for yourself?” you taunt. 

A low groan falls out of Seungcheol's mouth as soon as you ask that. Like clockwork, his hands go to the hem of your shirt, pulling the fabric up slightly. Just a little bit, just to see if you're really not wearing anything beneath.

"You always like to tease," he says, his voice low. That hint of a smirk on your face is only serving to drive him that much crazier. "Go on, then. Show me, since you want to act all cocky."

You give him half an eye roll that’s more affectionate than anything else before reaching over to the back of your pajama collar. You pull the top over your head in one deft, swift movement. Seungcheol's eyes go wide for just a moment, taking in the sight of you, undressed, in front of him. It never stops shocking him, never stops making his heart thump a little harder, his breath coming out a little more labored.

“Happy?” you half-joke, your voice low. 

He looks at you, up and down, before his eyes go back to your face. His hands move from your hips to your waist, fingers tracing over the sides of your chest as he shakes his head.

"Not yet," he says. "But I will be."

His hands keep tracing over your skin, his touch light— almost feathery, as he keeps his eyes fixed on your face. There's something about seeing you so exposed like this that's driving him absolutely insane, something about you being entirely at his mercy that's making his eyes grow dark.

He leans in, bringing his lips just past your ear. "Turn around," he murmurs, almost like a command.

He sees how you swallow hard, how you take in the familiar darkness in Seungcheol’s gaze. You know him, have known him for years, and that comes with trust. Unflinchingly, you twist around in his arms to press your chest against the wall. 

He has you practically trapped, all against his chest and the wall. His eyes look at you up and down, taking in your bare shoulders and back, the way you've submitted to him so perfectly.

His hands go to your hips again, and his eyes look over your back, following the line of your bare spine. "What do you say we find a use for this wall besides me just pushing you up against it," he murmurs. "Hm?"

“Yes, please,” you whimper, and as soon as you agree, Seungcheol's hands tighten on your hips, his grip almost bruising as he pulls you a little closer to him. You're not going anywhere, not when he's got you like this.

He leans in, his body practically pressing up against your back, his chest against your skin. He bites down on your shoulder, pulling a strangled whine out from somewhere deep in your throat. "You look so goddamn pretty like this, love," he murmurs against your skin.

His hands move from your hips to your chest, tracing the skin there before he brings them up to your throat. He presses his fingers against your pulse point, feeling the thump thump thump of your heartbeat.

He can feel your heart thrumming against his hand, can practically hear you shaking. It's driving him absolutely insane— you, underneath him, trembling for him. The knowledge that he's got you like this, the fact that you're letting him take control, letting him do whatever he wants.

He moves his mouth to that spot on your neck again, the skin that's so sensitive that it makes you whimper and shiver. He always finds it so easy to tease those sounds out of you, and always relishes in doing it.

His hands stay at your neck, his fingers still pressed against your pulse point. This had always been one of Seungcheol's little habits— a single finger on your pulse point, as if he liked seeing which actions would make your heart rate spike, which words would have it hammering.

Seungcheol presses his lips on your skin again. "You're so loud."

He marvels at the way you ball your hands into fists, the way you shake all over with poorly concealed want and need as he keeps nipping and marking. "‘M not," you gasp, lurching forward against the wall. "‘M perfectly— hng!"

Everything is working in his favor.

You're shaking, and your heart is racing, and every noise you make is just more fodder for him. God, he loves it. Loves being the one to make you absolutely tremble and shiver like this. Loves the fact that he's the only one to make you feel like this.

"You're mine," he says again, bringing his mouth closer to your ear. He bites the shell of it, hard, before letting out a low hum.

This is his favorite place in the entire world— right against your back, feeling your body heat against his chest, his tongue running over your skin. He loves how reactive you are to him, how sensitive you are, how your body just melts under his touch.

"Say it," he mutters against your skin. "Who's in control?"

There it is. The million won question.

The whole reason you started these rendezvouses in the first place. He had been spinning out of control, and you had been lonely, and you clicked into place like magnets. 

You give in, like you always do. The words are a soft whimper, almost a shout in your otherwise empty apartment. "You. You're in control, Seung."

That's all he wants to hear.

He digs his fingers into your jaw and wrenches your head so it's turned to look at him, his lips inches from yours. Even if there's a little pain, nothing in him is stopping. "Good," he mutters, his breath hot against your lips. "Good girl."

The kiss that follows is absolutely messy, the kind of kiss where it's just tongue and teeth and raw need. It's worlds different from the soft and easy kisses that Seungcheol asked for earlier, when he first came in complaining about five unanswered texts.

"Seung," you groan as you pull away for air. "Please—" 

When you moan his name, it's like something snaps.

He growls low, his fingers slipping into the waistband of your shorts, gripping the fabric hard enough that there's a very real chance of them ripping. "Please what?" he mumbles against your neck. "You need to tell me what you need, love. Use your words."

"I hate you," you whine, and Seungcheol nearly smiles. He knows you’re not fond of begging, but he needs to hear it from you. At least, he wants to. 

"You know what I—" you’re saying, but dammit, his control is already razor thin as is. He rips off the last fabric of clothing on you until you’re completely bare, pressed entirely up between the wall and him. 

Somehow, your mind still has some shrivel of coherence to complain, "I liked this set, asshole!"

He grins against your skin at your words, chuckling at your whine, at the way you're just reacting to him. You can act annoyed, you can act like you don't need him, but he knows. "I'll buy you a new one," he hums, finally letting go of your shorts and letting them fall to the floor in tatters. "One for me to rip to shreds all over again."

That thought alone makes his blood sing.

It takes you a great effort to turn around, but somehow you manage. Seungcheol is still fully clothed and so your bare chest presses against the front of his shirt. The sight of you, naked, his hands at your hips, pressed right up against him, against his chest like this— he's gone.

And then you’re asking him, low and sweet as he has you caged in, "Where are you going to fuck me tonight, Seung?"

He can't even manage a word for a moment, his hands holding you so tight that he's definitely going to leave marks on your skin, his eyes fixed on your face.

He swallows hard, his mouth suddenly dry at the question. "You want me to say it out loud, hm?"

You go to steal the upper hand for a minute or so, and you do it so effectively. Your hand rises almost lazily to his neck, your finger instinctively finding his pulse point. He feels his heart rate speed up as he watches, just watches, you do it. You stand on your tiptoes to raise your lips directly to his ear. 

All he can feel is the thunder of his heart racing against your hand. You seem to notice it, too, if the smile on your face is any indication. 

"How about you just show me instead?" you say, and he’s convinced he’ll pass out then and there. 

"You're a brat," he mutters through gritted teeth, his hand moving up from your hips and up your spine. "A brat who needs to be taught a lesson."

He takes a shuddering breath, almost completely lost in your little game, before he snaps back to himself. Seungcheol's hand leaves your hip and goes to your hand, gripping your wrist hard. "On the sofa," he says, and it’s nothing short of a command. 

He practically drags you on to the piece of furniture, watching intently as you fall back with a small oomph. Seungcheol stands on the edge of the couch as you prop yourself up by the elbows to watch him right back. 

The sight of you underneath him— your hair splayed against the cushions, your eyes half-lidded and fixed on him? It's absolutely perfect. It's the kind of thing that he wants to keep in his mind forever, the sight he wants to always be able to remember.

He lets out a noise under his breath as he undoes the button of his jeans, the sound of the zipper going down obscenely loud in the quiet room. "Gorgeous,” he breathes. 

He gets his jeans undone and kicked off, his shirt following them not long after, and then he's on top of you, caging you in, his hands either side of your head, staring down at you.

The look in his eyes isn't something he really gets to show often— that raw need, that want, how desperate he is for you. He wants you, God, he wants you so badly, and you're letting him have you.

He dips his head to your neck, his lips against your skin, his breath hot against your pulse point, still absolutely obsessed with that spot. His hands find your wrists, pinning them back against the couch, while his knee finds its way between your thighs, pressing up against you.

You arch and squirm underneath him, visibly distressed with the facsimile of friction that you’re getting from his knee. “Seung,” you pant, grinding your dripping core against his knee. It sends a jolt of electricity through him. “Please— don’t wanna wait any more—”

“Where’s all that snark now, hm?” he teases, his teeth running over the skin on your neck. But he’s not any better off, his own self-control slipping through his very fingers as his hips grind down against you desperately. 

"Been driving me insane, love," he whispers, pressing hot, open-mouthed kisses along the line of your neck. "Been dreaming about this for days. Missing you—” 

A low keen escapes you, and he can only echo it as you tug at the last piece of material separating you. “Can we get this off already, please?” you huff as you hook your fingers at the waistband of his boxer shorts. 

He groans against your skin, his teeth finally letting go when he lifts his head to look down at you, the expression on his face looking like he's fighting for control. "God, yes," he groans, lifting his hips just enough for you to tug them off him.

He kicks them off once you’ve yanked them down, and his hand— which has instinctively gravitated to your pulse point— feels how the beat absolutely skyrockets. One of your arms goes around his shoulder and the other, surprisingly, clutches his jaw.

You’re looking right at him as you say, "Fast and hard, Seung."

"Yeah?" he says, just the slightest hint of a surprise in his voice. "You want me to be rough with you, love?"

Seungcheol was usually a sweet lover. He liked taking his time, liked being gentle and responsible even in bed.

But there were particularly rough weeks, terrible days, where he just needed a means to an end. Where the sex was an outlet, where the best thing you could be for him was his. 

He waits for your permission, because he still always remembers to ask no matter how far deep you’re in. The agreement comes in the form of the best three words. 

"Ruin me, Seung."

You know him too well. You know how he works, you know how he thinks, and you know him better than anyone.

He groans in response to your words, his head dipping down to drag his teeth gently over your collarbone. He's trying to hang on to his control, he is, but it's a losing effort.

"I will, love." His breath is hot against your skin, his hands finding your hips. "Just give me a minute—"

He shifts, just for a moment, to find the condom in his jean pocket. He goes through the motions until he's back on top of you again, one hand coming up to grip your hip again, the other coming up to rest against your throat. He looks down at you, his eyes almost glowing. 

"You trust me?" he mutters. His hand at your hip tightens; his hand at your throat barely clenches around your pulse point, his eyes never leaving yours.

You can feel it, see it. The way the little threads are beginning to unravel and fray. The way this was no longer Seungcheol of SEVENTEEN; not the leader, not the idol. This was something different entirely, someone else completely.

"I do," you whisper back, your eyes so full of adoration for him that he has to bite back the urge to scream. "I trust you, Seungcheol."

His full name is what really does it for him, because then he's pushing in, and you’re gasping, whimpering, trying to adjust around him and the fact that you’re practically clenching him on the get-go. Seungcheol eases in, nice and slow, because you’re too tightly coiled for him to do more than carefully bottom out. You’re both heaving, your breaths coming out as gasps; your own breaths are sharp, harsh, because Seungcheol is still choking you a little. 

His head dips down to your shoulder because he needs something to hold on to, anything, while his mind spins. His head is dizzy feeling you like this, feeling you around him so tightly. He's trembling, his thighs shaking, but he's holding himself back as long as he can.

When Seungcheol gets as far in as he can possibly get, you let out twin groans. He’s completely sheathed inside of you and you’re fluttering around him in a way that’s dangerous. 

“Y’can move, Seung,” you reassure him after a moment, the words coming out strained with desire. “As fast and hard as you want.” 

You sound strangled, just like he feels, and it's taking him a mammoth amount of control to hold himself back. He groans against your shoulder at the sound of your voice, the words you say. He wants to move, to thrust, but he's trying to have some semblance of composure. 

"Love," he says, his voice wrecked. "I—"

His voice breaks. It breaks, because there is only so much he can take, and he's beyond that point now. There's a tremor in his thighs, his hands clenching in the cushion below you.

You drag him right back down, with the sound that you let out that’s halfway a whine and a sigh. One of your hands goes to rest in the space between Seungcheol’s shoulder blades, as if to steady the two of you. 

Your voice is surprisingly firm when you speak. "Let go," you command. And then, softer, "I need you."

Your words, your voice— it's in complete conflict with the situation you're currently in. And yet, it works. He lets out a sound, one that's somewhere between a growl and a whimper, his breath hot against your skin. And then he's moving and he's holding nothing back.

He's hard, brutal, and he's taking. His teeth on your shoulder; his breath against your neck; his nails digging into you.

It's a relentless, dizzying pace. Seungcheol bullies into your weeping cunt, fast and hard, and it draws out the most obscene sounds from you. Gasps, whines, an occasional scream when he hits a particularly sensitive spot. What has him seeing stars is the fact that you can't seem to settle on a name to moan. "Seung— Seungcheol— Cheol—"

Yes, you're saying, yes.

Seungcheol loses himself, utterly and completely, in you. You're on the edge, he can hear it; he can feel it, and God, he wants to hear you say his name. Every single one of them. 

It almost sounds like a mantra, your voice, as he takes and takes and takes, his breathing harsh, ragged.

You go through all of the names you have for him, breathless and wrecked, until you can't even say anything because his hips are snapping into you with a ferocity that's rare but not unwelcome. Your pornographic moans reverberate in your otherwise empty apartment, and Seungcheol thinks he might go insane. 

"'M close," you choke out. "Cheollie, baby, I'm— ah, fuck— Seung—"

His breath catches at your words, his eyes closing for a moment as he groans. You, you, in all your perfect, glorious, undone state. It’s a sight he wishes he could capture, freeze in time.

He lets out a whimper, his words almost slurred when he responds. "Love— I—"

He's never been this rough, never this intense. You're the only one, the only person he's ever let himself go like this with. The only person who he's ever let see everything, take everything.

He's on the edge, he's there, he's—

"C'mon," he whines, his voice barely above a whisper, his hand clenching hard around your hip. "With me, love, please."

It's a miracle that you can even nod, can even find your voice as Seungcheol keeps on going with his erratic, stuttering thrusts. "With you," you gasp. 

He snaps into you, then, and you arch up with a scream of his name. There’s the familiar white-hot flash of pleasure; the impossibly tight clench of your walls around him.

He stays buried in you for several long moments, his forehead resting against your shoulder, his breath coming in ragged gasps, his heart pounding so hard he can feel it in his ears. He has never felt so utterly spent in his entire life, never been so completely, utterly drained of energy. He's weak against you. He’s weak because of you. 

"God," he finally manages to mutter.

He lifts his head, just enough to be able to look at you, but he can't even muster a grin. He's spent and he knows you know that.

His hand comes up slightly, to brush the hair off of your forehead. "I think..." he says, his voice thick and hoarse, "I think I ruined you, love."

You let out a breathless laugh, one that you have to push out of your heaving chest. "You—" you try to say, but the words don't form, not at first. You take a few moments to take in some air, to gulp past the lump in your throat. "You're a fool."

His lips twitch into a tired but genuine smile at the sound of your laugh. It’s a soft sound that he's always thought sounds beautiful, especially coming from you.

A hoarse, broken laugh of his own escapes; his hand coming up to rest at your jawline, his thumb gently tracing over the warm skin there. He's still catching his breath, but he's slowly gathering himself.

"Am I a fool?" he asks quietly, leaning his forehead against yours. "What does that make you, then?"

You’re a fool, too, he thinks to himself. For letting me have this. 

Instead of answering him, you press a small kiss to the corner of his mouth. It’s the only answer he’s going to get from you for now, it seems. 

He lets out a soft huff, moving his head back just slightly, his eyes closing. "You're beautiful, you know that?" he says quietly, his voice still rough with fatigue.

"Every time," you respond. Your own voice is strained, almost tired, but there's a hint of amused exasperation. "You say that every time, Cheol."

His eyes opened once again to look at you.

"Because it's true," he says simply, his voice soft and sincere, the hand resting at your jaw moving to brush your hair back from your face. "It's always true, love."

He lets out a soft sigh, his eyes tracing over your face, taking in every inch of you. His eyes pause at your lips for a moment, his tongue gently wetting his own, his gaze finally moving back up to meet your eyes.

You thread your shaking fingers through the back of his hair and answer his unspoken question. "Kiss me soft and easy, Cheol," you whisper.

The moment the words leave your mouth, he's in action.

He leans forward without a second thought, the hand not buried in your hair going to rest on your hip, his lips meeting yours in a soft, gentle kiss.

There's no heat in it, no want or need. Just a soft press of his lips against yours, gentle and slow. 

It's languid and unhurried. Like there's nowhere either of you have to be after this. For a moment, you can pretend that this is normal— that Seungcheol will not have to leave, and that you’ll not have to change into new pajamas because he'd broken yours, and that you can be... well, something, anything aside from what you are now.

But it's wishful thinking, you both know, so all Seungcheol can do is kiss you. He lets out a soft sound, almost a sigh, as his tongue slides into your mouth, his hand on your hip tightening slightly. His other hand is in your hair still, his fingers gently tracing over your scalp, his body almost melting against yours.

He will have to leave. He always does. But for now, he's here, with you, and you feel perfect, and—

Five minutes, he bargains. Five more minutes.

And then things end, not really by your own accord.

The sharp, shrill sound of Seungcheol's phone ringing breaks through your haze. You pull away, a bit jolted at the foreign sound— at something other than your words, your breathing, reverberating in the room. It takes you a beat too long to realize someone is calling him— his phone in his discarded jeans— in the godawful middle of the night. 

He lets out a loud groan, the sound tired and drawn out, and he can't help but rest his forehead against your shoulder once again, letting out a resigned sigh.

"God, save me," he mutters, his voice rough. "What time is it?"

You chuckle lightly. "Go on," you urge softly, not because you want to but because you have to. "Answer."

Seungcheol lets out another loud, drawn out sigh, his shoulders slumping in obvious defeat. He reluctantly lifts his head from your shoulder with a grumble, but he can't quite stop himself from pressing a kiss to your cheek just before he shifts up and off of the couch.

Once he’s reached down to grab his phone from where it's stuffed in the pocket of his jeans, he answers without looking at the caller ID. "Yeah?"

"Hyung!"

It's Soonyoung— of course it's Soonyoung— calling.

"Are you still at the company?" the younger member asks. "I think I forgot my headset in one of the practice rooms, and Minghao said you didn't go home with them."

"It's midnight, Soonyoung." 

You shit over on the couch, careful not to make any sound. Not to give Soonyoung any suspicion that Seungcheol might be somewhere where he shouldn't be. You press a small, reassuring kiss to Seungcheol's hip as Soonyoung goes on to whine, "Yeah, yeah, I know. But it's the expensive headset, hyung. If you're still there, could you check? Please?"

Seungcheol lets out a huff— a mixture of resigned affection and irritation— at the feeling of your lips against his skin. He can feel the exhaustion deep within his bones now, and all he wants to do is go back to snuggling into you for the night.

But he can't say no to Soonyoung, especially not at this time of night.

"Fine," he grumbles, letting out a huff. "Which practice room?"

You can hear the moment Soonyoung practically brightens with triumph.

"Third floor!" he says happily, and you bury your face into Seungcheol's side to keep yourself from laughing. "You're the best, hyung! I'll buy you a meal tomorrow for the trouble!"

He reaches down with the hand not holding his phone, pressing his palm to the top of your head, pushing lightly down. A warning of don't laugh. "Just be thankful I'm your hyung, kid," Seungcheol grouses.

Soonyoung ends the call soon enough, saying some things about sending Seungcheol a photo of his headset so he knows exactly which one is missing. When it's back to just the two of you again, you tilt your head up to look at Seungcheol. 

"You're really going back for it tonight?" you ask, even though you already know the answer. 

The corner of his lip twitches into a half smile at the way you look up at him. His eyes takein the sight of you— his hand on the back of your head, his fingers gently twisting strands of your hair.

"Of course I am," he sighs. "I can't say no to him, love."

You shift upward so you can sit side by side with Seungcheol. Both of you have yet to put on any clothes, but you’ve at least gathered your bearings enough to form coherent words now.

"You can't say 'no' to any of them," you tease as you press a gentle kiss to his cheek. There's an almost blinding affection in your tone as you say, "You and your goddamn boys."

Seungcheol reaches out, wrapping an arm around your waist to tug you closer to him. Briefly, he presses his lips against your hair. His eyes are almost tender as he speaks.

"They're my boys," he says, his voice soft.

You let the words hang there for just a moment. It’s an admission, one that both of you have known for the longest time, but it's also a reminder. It’s the reason why you and Seungcheol can never be more than this—because he has his boys, and he would never do anything to jeopardize them.

You press your face against the column of his neck for just one more precious moment. You’ve never been selfish about Seungcheol, but there were nights when you thought about it. Just… thought about it.

The thought never wins.

"Let’s clean up, get dressed," you whisper into his skin. "So you can head to the company sooner."

He lets out a soft, almost painful exhale. He knows what you're thinking, what you're feeling; he's thought about it himself, as well. He hates having to leave you, hates having to say that he has to leave you. But his boys are his boys, and one day all this will be over, and then...

He can't think about it right now, though.

Instead, he nods, pressing a light kiss to your temple. "Yeah."

It takes about ten minutes or so for you both to gather everything together. Seungcheol still looks tired, though for different reasons now. He’s essentially traded one exhaustion for another.

As he puts on the shoes he left in your entryway, you lean against your doorway with your arms crossed over your chest. "I’ll be holding you accountable for my pajama set," you warn him. "And for tomorrow’s noise complaint."

"Yeah, yeah," he huffs, taking a step toward you. "Don't worry, I haven't forgotten."

His face softens as he reaches you, his hands coming up to grab your elbows, gently pulling you closer to him. "Sorry," he says. "Again."

 "You’re not sorry, " you sigh pointedly, more out of spite than anything. It’s the truth—he’s not really that apologetic about losing control every now and then, about your neighbors knowing you’re being pulled close every so often.

When you bury your face into his chest, he lets out a low, gruff chuckle, his chin resting gently against the top of your head. His arms wrap around you, holding you tightly against him, just like every single time before.

"You’re right," he murmurs. A quiet, affectionate admission. “Not sorry. Not even a little.”

He holds you there against him, his eyes fluttering shut as he allows himself just a few more moments before he has to leave. You both stay there, allowing yourselves that moment, until the tension in Seungcheol’s shoulders fades and your annoyance at your torn pajamas ebbs. It could’ve been five minutes, maybe less, but then Seungcheol’s phone pings with a text—surely Soonyoung asking if he’s found his headset.

You’re the one who takes the step back, putting some distance between you. "Drive safe," you tell Seungcheol. "Text me when you’re there."

Resigned. That’s the only way to describe the smile that tugs at his lips. "Yeah," he says. "I will."

True to his word, Seungcheol does indeed send you a text about an hour or so after he'd arrived at the company, informing you that he was there and had found Soonyoung’s headset.

He's still exhausted, and all he wants is to be back. Back inside of you, back with you. But he can't do any of that. At least, not right now. Not at this point.

I miss you already, is the only other thing he adds to his text.

Your text comes in only moments later, like you had been waiting by your phone. 

you're a fool. head home. take care.

A soft sigh escapes him the moment he reads your text, his eyes flickering over the words you'd typed, the harshness of it. It's another layer of protection for the both of you, but it's still not easy to read.

He's about to respond with something snarky, some light-hearted joke to tease you a bit, but he stops himself at the last moment. He knows that you're right.

He needs to head home. He needs to take care.

And he’s an absolute goddamn fool, in more ways than one. 

[devilart2199-aibi]

Imp and Skizz pod, ep 95: Etho!

Wanted to doodle real quick while listening :3c

[glo-shroom]

yes & no by Natalie Wee | Trigun Ultimate Overhaul

[joyfuladorable]

Baby Junior's First Steps (based on a scene from Bluey)

Prompt from my buddy @vadfannypack! Everyone thank them Right NoW!!

[traumasurvivors]

Even if your abuser went through abuse themselves, what they did to you was not okay. And you are so valid to have trauma as a result.

Even if what they went through was "worse" than what you went through, you are still valid to feel however you feel. You are still allowed to be angry at them.

The bottom line is they never should have abused you, and you deserved so much better.

[crabsnpersimmons]

How would Sun from your have you eaten au feel about hugs? He seems like he's so reserved and you mentioned that because he knows he's a robot he isn't very indulgent

But would he like hugs? Or could he warm up to them eventually?

(was chatting with @inkydoughnut the other day and i realized i never posted this comic woops 😂)

well well! Sun is no stranger to hugs! he doesn't usually initiate hugs, but he's used to receiving them from when he was a daycare attendant. he's never really learned when is a good time to pull back tho, so he often stays put until you pull back first:

Eclipse: Sun, we have dishes to wash.

Sun: You have 4 hands. And Moon.

[the-catboy-minyan]

I will never forgive goyim for taking the word for the group that was literally all about mass murdering 6 million jews in the most horrific genocide in history that wasn't even 100 year ago, and twisting the meaning to be "evil person that is so fascist and evil they're not human anymore" and then turn around and call Jews that.

the Nazi belief is literally that JEWS ARE SUBHUMAN. Jews literally CANNOT be Nazis unless they genuinely see their people and themselves as subhuman and deserving of death.

[beargregor]

wait i'm curious, what makes you say that gregor doesn't like everyone else (if i read that post right)? just curious since i've never seen anyone else say that

i don't necessarily think gregor dislikes everyone else at lcb but i do think that gregor is an incredibly petty person that isn't nearly as close to the rest of the sinners and even outright dislikes some of them cough cough rodya cough cough which a lot of people just Refuse to see because he's as much of a doormat as he is. there's several examples i could get into to try and prove my point however i'll just focus on what i personally think to be the biggest ones.

additionally, this is going to be kind of long, so i'm adding a read more. read more! read it. sorry for being so wordy. i have several diseases.

Pt1. gregor is the type to try and get along at least decently with everyone, especially if he gets a good first impression from them.

this is less a point in favor of gregor's distance w/ the rest of the sinners and more just a contributing factor to it. once again there's several examples i could point to here but i think the most in your face one happened in canto I with yuri, as several people have pointed out. even before gregor comes clean about growing attached to her as quickly as he did because she reminds him of his sister, we get this interaction.

i'll go ahead and make the disclaimer now that i don't necessarily think gregor is the most reliable of narrators, especially when it comes to his feelings and interactions with most people, but from the way he acts when the topic of yuri comes up (and the way we still see him act even all the way up to c7, nearly a whole year after yuri's death) i don't see reason to question his sentiment here. gregor immediately got that aya and yuri were close, potentially even taking note of their traded belts, and went out of his way to get something nice for yuri despite hardly knowing her.

i feel like a lot of people have forgotten as much, especially since it's been so long since c1, but gregor actually spent a good bit of season 1 doing the exact same thing with the other sinners! gregor reads a connection between him and ishmael pretty quickly despite getting off to a rocky start

mostly because gregor can tell that ishmael is pretty sardonic in a very similar way to him. there's been multiple instances where ishmael and gregor have essentially expressed the same sentiment at different moments, most notably gregor's little argument after ishmael got shot with a decay ampule in c4

and ishmael's response to pilot talking about self-sacrifice in c5

i could go ahead and pull up more examples, but in general pm has gone out of their way to show us that gregor and ishmael are pretty similar, so it makes sense for gregor to assume that they're friends, right?

this will be pushpin 1. keep note of this for Later.

ishmael's only the first sinner we see gregor trying to do this with in s1, we also see him try it out with heathcliff, sinclair, and ryoushuu

he's tried to get along with charon, being one of very few sinners that we've seen actually try to establish a connection with her at all

even rodya, despite my insistence that gregor doesn't like her nearly as much as the fandom thinks he does

all of these seem pretty fine and dandy, right? sure it frequently leans towards self-degradation, micromanaging, and commiseration, but gregor can at least be pretty chummy with most of the sinners, can't he?

Pt2. hell's chicken was more than just comic relief guys please

i'm fully aware that this is quite the hot take, but i think hell's chicken deserves a lot more credit for character writing than the fandom gives it. hell's chicken gave us foreshadowing for several events, such as the donqui bloodfiend reveal

heathcliff's distortion in c6 (as well as hong lu's highly speculated distortion at some point in the future)

and ryoushuu and sinclair's continued connection by making him the odd one out on her team

which, hey! that implies something about gregor's odd one out, don quixote, too, doesn't it? yes. yes it does. that's pushpin 2. keep note of that for later.

speaking of pushpins, hey! that's pushpin 1!

splitting into teams is one of the major events in hell's chicken, and most of the sinner's choices are either motivated by very little, backhanded, or motivated primarily by not wanting to be on the opposite leader's side. i didn't include all of the picks, just because i feel like including most of them already gets this across, but i think gregor took one major thing from this: most of the sinners, when push comes to shove, will only side with gregor when they refuse to or can't take his opponent's side.

now, don't get me wrong, i'm fully aware that this is primarily intended to be comedic relief, but when gregor is being described as having his trust broken by ishmael or nearly crying because no one on his team properly sided with him for him, i feel like it's pretty fair to read into this.

something that i think is pretty important to remember in conjunction with this is that we know that gregor is the type to hold a grudge, both from his general attitude towards the G corp soldiers in c1 as well as his continued distaste for vergilius

even beyond the splitting into teams of hell's chicken, the sinners have given gregor plenty of reasons to feel bitter. i feel like this is something people have noticed but haven't really put a finger on, but it's kind of wild just how often the rest of the sinners make gregor the butt of the joke

and sure, we could argue that a fair few of these aren't really made with any ill intent. quite a bit of it could have been meant as harmless teasing, but with gregor being more sensitive than most, it coming from nearly all sides, and as often as it does? yeah, i think he's prone to taking it a bit personally.

Pt3. yes i do still think gregor was the third most important character in canto VII you guys gotta hear me out okay

of course, all of this leads up to the bit of the story i highlighted, doesn't it? c7? i totally get why people haven't really picked up on all the gregor things i did in it, seeing as they were mostly not *directly* said about him or by him.

personally, i think that gregor's distaste for talking about himself on any serious level and thus leading to him getting sort of "sidelined" narratively (which i take issue with that claim, but still. it's effective for getting what i mean across atm) is supposed to lead players to take a deeper look at the times gregor gets held up to other characters and compare and contrast what's being said about them by the matchup. as i showed earlier with his immediate latching onto ishmael, i think this is something gregor himself is at least partially aware of too.

so, that begs the question, who was gregor compared to in canto VII that makes me think it's one of the most critical pieces in understanding his character?

really, i'd like to avoid getting too lost in the analysis of this canto specifically, since i'd like to do a proper post about this later, but i figure i can bury the lede a little before doing it properly.

c7 features several characters being made to perform in sansón's play, acting out the relevant backstory for this segment of the plot. a lot of these characters have rather direct, degrading reasons for playing the roles they do.

outis, a character with an inflated ego who wants her journey to have a purpose, is made to play an aimlessly wandering villager with a single line.

hong lu and ryoushuu, two characters for whom families and the expectations placed upon them are likely going to play a major role, are made to play bloodfiends.

rodya, a character who resents her lot in life and is constantly shown to be eager to leave her destitution behind her and become someone special, is made to play a helpless villager that's too poor to even offer any money to the hero that saves her.

heathcliff, a character that has spent most of his life getting dehumanized by comparing him to beastly animals, is made to play a literal bear whose sole purpose in the plot is to get beat up and then quickly left by the wayside.

sinclair, a character that has two opposed parties essentially treating him as a macguffin to procure for their side, is made to play the character who was arguably the catalyst for this entire canto, not to mention playing a decently major role in ruina.

our star don quixote is made to play her father, the first kindred, but there's someone by their side the entire time, isn't there? don quixote's dear, steadfastly loyal companion. a character which don quixote has tasked themself with getting to come out of their shell?

hello again, pushpin 2.

gregor has been made to play our unreachable star, sancho. someone had to, of course. you can't really tell a story without it's main character, now can you?

now, i should once again give a disclaimer. i am not trying to say that i think adapting what happens to donqui/sancho in c7 to gregor is the road pm is going to take here, not only would that toe a bit past the line of foreshadowing, but it'd also just amount to rehashing that plotline again, which i don't think would make for a particularly exciting story.

what i DO think is that we can take a lot of the things that are said to either directly be the case for sancho and use them to inform how we see gregor.

and god, does playing sancho have some fucking implications for our favorite ossan archetype.

starting off, the earliest moment we get to see of sancho is quite literally her just waiting for death to take her in a pile of ashes.

which, i should remind everyone, is actually pretty damn close to what happens to gregor's literary counterpart at the end of the metamorphosis. gregor samsa experiences one final breaking point that pushes him over the edge and makes him decide to just wait for starvation to take him.

gregor and sancho both consider themselves to no longer be human, something which sancho goes out of her way to highlight repeatedly throughout the canto and gregor is quick to get defensive on her behalf for when outis starts really tearing into her

sancho spends quite a lot of this story denying herself the joys of community and friendship, despite knowing that, even with the rest of the sinners frequently making jokes at her expense and outright insulting her, they were things that she desperately craved.

and, while this is getting into my "outis is a red herring meant to distract us from gregor's eventual betrayal" theorizing, i also think it's worth noting for this discussion that sancho's fellow kindreds, her family, all seem to be under the impression that she dislikes them and ultimately her departure was an act of betrayal

and that, despite gregor being one of LCB's resident mood makers and attempted conflict de-escalators, one of the sinners that's most prone to making appeals to the bonds they've all forged together, only him and faust remained silent during everyone's speech

so yeah, i think there's quite a lot of little details and hints building up to the reveal that gregor's not quite as fond of everyone as he presents himself to be. i do think a lot of this ultimately comes down to gregor getting in the way of his own happiness, similarly to donqui, particularly because he's been frequently portrayed as something of a self fulfilling prophecy, especially by giving him as many christ allegories as they have by way of priest and garden of thorns. gregor is convinced that the rest of the sinners don't like him because he's not convinced anyone could like him, so he convinces himself that he hates them because why should he care if someone that he hates hates him too?

a lot of this ultimately ties back to my personal interpretation of what happens in the metamorphosis as well as my own theories regarding all the times gregor has made weird callbacks and references to lobcorp and ruina, but yeah. i think about this guy and his deeper characterization a fairly normal amount, i think.

to end this off i'll highlight one of my favorite little "gregor is fucking seething and trying so hard to keep it cool" moments, in the credits CG for c7 we see rodya teasing him by drawing a little horse on his window and actively pointing and laughing at it, which gregor really doesn't seem all too pleased about.

i personally think this ties into the other cruel part of sansón forcing gregor to play rocinante, which is the more literal "he's actually just straight up playing rocinante" side of things. gregor was quite literally made to play something less than human, less than even animal really, as he was reduced to nothing more than the shoes don quixote wore as she got to play the leading role. sansón directly makes jokes about gregor being nothing more than shoes in the play twice, which adds to this reading, i think.

this, imo, really plays into the adaptation of the metamorphosis! i've seen a lot of readings for the book that posit that, despite being the protagonist, gregor samsa can't really be considered the main character due to nearly everything he experiences in it being used to further his family's character development at his expense, which i think fits nicely with limbus gregor seemingly having the most said about him through indirect means by holding him up to other characters. also it's rodya carelessly making fun of His Big Major Insecurities™ again like she did in c1 which i always find fun. rodya i love you but god you're the worst.

[mollysunder]

I think the fact that Viktor and Sky were never close says a lot about Viktor. Before I get started this isn't about any potential romantic relationship that could have happened between Sky and Viktor. It's just fascinating that he and Sky were as far the audience knew, the only Zaunites to work in this hyperelite space in Piltover... and they didn't get to know each other. No moments of peer to peer solidarity? No small talk to mention family or trade stories from the weekend? Sky worked for him and didn't know where to discard her ashes despite coming from the same place and likely having her address on file.

If we have to put Sky and Viktor's relationship in context of the greater story of Arcane, it represents Viktor's relationship with Zaun and its populace, which is both nonexistent and largely theoretical. Viktor has a deep well of empathy, but uses it ineffectively, even when he is in a position to help... he invents mining tools (not even an air purifier for a place like that). He gets it, but somehow he doesn't get it.

Viktor's most significant on screen relationships are with other Piltovans like Jayce, Singed, and even Heimerdinger. Despite the prejudice he faces in Piltover, Viktor has the most legitimate political influence out of the entire Zaunite cast. The way Viktor was Heimerdinger's assistant is not the same way Sky was his assistant. Heimerdinger was Head of the Council and President of the Academy and Viktor was tasked with carrying out his assignments with limited authority, technically that makes him a high ranking government aide. Could Sky or Ekko or Silco (without blackmail) talk to the Sheriff the way Viktor could? Viktor's even best friends with a Councilor (Jayce) after the timeskip, and he does NOTHING with that to lobby for Zaun.

By the end Viktor's very ridiculous and overly complicated plan gets even more Zaunites killed, including Sky a second time. He solved nothing, killed hundreds, and apologized to no one, including Sky's family. Maybe the Academy was a mistake all along.

[nellasbookplanet]

Just started watching ep. 118 (yes I know I'm behind, I've been busy playing Prey and writing essays on Octavia Butler with life) and in listening to Ludinus' monologue I had a thought about a specific disconnect that cause many, in universe as well of out of it, to view the gods as tyrants. Imogen points it out when Ludinus laments about his family being collateral damage in the battle between the Lawbearer and the Crawling King: would he rather the Crawling King have been unleashed on the world to wreak havoc uncontested? (to which his response was a long silence and glaring at her)

It’s an inability to understand and accept the true scale and nuance the gods operate on, and in doing so choosing to place individual suffering and slights over ultimate consequences that may, and often do, affect the entire world. Yes it’s horrible that the gods struck down Aeor - but they were defending themselves against a weapon of mass destruction, and any other action would have been akin to lining themselves up to be shot. Yes it sucks that the Titans, who were there first, were killed - but they were trying to exterminate all mortals. Yes the deaths during the Calamity were unforgivable - but the alternative would've been to let the Betrayers kill everyone. Yes it’s horrible that the primes wouldn’t let their champions oppose Lolth in taking Opal - but they are in the middle of a battle for the world in which all hands are needed, and losing champions to a minor skirmish when they want the same thing would be pointless. Yes it’s unfair that the gods won’t personally step in and help every little person suffering, such as Ashton and Laudna - but they're literally gods responsible for the lives and afterlives of millions, and also separated by the Divine Gate, which was literally erected to protect mortals from the fallout of too much divine meddling.

When pressed, Ludinus switches to saying that it isn't the collateral itself that is the problem, but that the gods won’t personally remember and beg forgiveness for every single life lost. In saying this, he also claims that he is different - but is he? Does he honor the lives of Orym's family? The children tortured under Trent and other suffering caused by the Cerberus Assembly? The thousands lost in the war between the Empire and the Dynasty because he wanted his own beacon? The entire city of Molaesmyr? Does he even remember the many individuals indoctrinated into his cult and lost in the ensuing battle?

In the end, it isn't about collateral, or honoring those sacrificed. It's that he finds his suffering uniquely bad, and his goals uniquely warranted. Only HE (and people who want the same exact thing as him) has the right to make desicions that affect all of Exandria.

[of-pale]

I haven't seen many people talk about the fact how Vergilesque Urizen's true form can appear at certain angles.

Look at that! That's a purely demonic Vergil right there. They even share same stink eye!

Sure, sure you got the whole deal of Urizen pulling blue colour wise, obviously, but I'd like to present another very interesting detail. So here's Vergil's fabulous tail in his SDT form, coming right out from between his shoulder blades:

And here's a certain attack Urizen uses that annoys the shit out of people:

Guess where that bad boy is popping up from:

That's right! From between the shoulder blades, looking all too familiar to certain magnificent tail. Yes, Vergil's tail is probably a remnant that's stuck around from his time as Urizen.

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.