#and i'm going to be smart about this instead of realizing well after it's far too late to change gears
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elizzsush · 1 year ago
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Beastmen Courting Rituals | TWST
Savanaclaw Dorm X Reader
Leona X Reader, Ruggie X Reader, Jack X Reader,
---- BeastFolk typically have instinctual ways they begin 'courting' or a relationship, some even taught from a young age certain courting rituals. (Non-Human courting rituals part 1/3)
Note: Fun fact, I began making Fae courting first but then I posted the future kid thing and didn't want to post two Diasomnia so close together!
Octavinelle Ver | Diasomnia Ver.
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Jack:
It started very small, one day he was there, the next he was there again, and the next he was also there.
He was always there.
Then it got a bit... weird? You noticed that when he would approach you, he was making this grumbling, whining sounds? You don't even think he realized it. You chose to ignore this fact for now, maybe it was just because he was a beast man? You didn't want to be rude by saying anything- or make him feel embarrassed.
After that he began to help you with your hair more as well. Well, your general appearance. He'd help you fix your uniform and brush off any dust or anything you'd may want or need help with. In turn you helped him back, it was only fair after all!
Never mind his flushed face while you did this, moving small hairs back in place and picking any particles off his own uniform.
"There's our dynamic pair! beauty and the beast man." Ace teased, a confident grin on his face while you sat down at the table, Jack not too far behind you.
Jack just rolled his eyes, a small blush on his face as he ignored Ace. Aka, while he did the smart thing to do. You, however, have yet to learn that Despite so many months of friendship and raised an eyebrow at the Card boy. "What are you talking about." You rolled your eyes at the boy.
"You don't know? but it's so obvious!" Ace frowned, Grim nodding beside him in agreement, though you doubted he even knew what the boy was talking about. "His tail is always wagging like a fan when he's talking to ya! He's totally in l-" just as Ace was about to finish speaking Jack piped up, his ears straight on his head in an alert manner and his tail stiff behind him.
"I didn't get anything to drink when we got food." He excused himself, you tried to get a look at his face because he wasn't looking at you but he didn't look back and stood up.
Glancing at his tray, you didn't fail to notice the milk carton on it. Plush, Jack was always the prepared, diligent one. That was so odd... You glanced back at Ace only to find him laughing to himself like the funniest thing just happened. "Whatever, where is Deuce?" You rolled your eyes.
"Why should I know? I'm not his mom."
After that, Ace started calling you dense. Maybe you were because you really didn't know what the hell he was talking about.
After that it was like there was a switch in Jack. He began to be touchier, not that you minded of course! Cuddling with friends is always nice, and you liked to think it was because of his more... animalistic features and instincts he was cuddlier.
But somehow it felt more intimate. He'd nuzzle his face into your neck and hang off of you like he was a coat instead of a large man who was... well jacked.
You'd often wrestle him off of you because he had gotten into the habit of, as you said before, hanging off of you! He'd whine and almost instinctually wrestle you back to stay into his place.
You may not be as strong as him, but you also didn't hate the way he'd run with you at P.E. You knew he could easily run laps around everyone, but instead he stuck with you. Smiling at you exhausted look and cheering you on. "I'm sure Coach Vargas wouldn't mind us taking a break?" He laughs a bit awkwardly after you glared at him for suggesting it when he barely even broke a sweat.
It wasn't till after Leona off Handly mentioned something about you smelling like Jack. Even wrinkling his nose and saying that he "didn't have to lay it on that thick." That you started to think, maybe, just maybe, something else was going on here.
So, you went to the library. Got yourself your very own book (that you had to return in two weeks) on Beastfolk Mating rituals.
Suddenly, it made sense why Ace thought you were dense. Apparently, this was commonish knowledge in this world! And maybe you were ignoring pretty obvious signs now that you thought about it.
So, one afternoon when Jack was hanging off of you, that look in his eyes you hadn't noticed till now. You bit his hand. His ears straightened in surprise and he looked at you for a moment. A thick blush on his face.
"Am I dense or are you courting me?" You finally asked now that you had his attention.
"I have been for a while now..." He sheepishly admitted while not looking you in the eye.
____________
Ruggie:
He avoided you like the plague, at first.
Even now, sometimes when he's approaching you, you noticed that he might backtrack and hesitate.
Now he is a lot more relaxed, often hanging off of your shoulder. Now that he knows you won't bite his head off. His tail would wag behind him slightly while he interacted with you. A stark contrast to the stiff, alert eared boy he was just a little while ago!
You will say though, it did take some of your lunches to get here. You'd equate this process to that of getting a scared cat to approach you with treats. Now, you didn't even need the treats to get him around! He'd approach you first now too. Still with hesitance, but once he did come up to you he did seem to enjoy himself.
"He loved hanging off of you and cuddling up to you. He was very handsy, (Like most beast men, you'd later learned) His face often nuzzled into the nook of your neck. "He loved hanging off of you and cuddling up to you. He was very handsy, (Like most beast men, you'd later learned) His face often nuzzled into the nook of your neck.
"It's so weird to see a Ruggie-Senpai hang out with you so much." Deuce said off handedly one afternoon. You two were studying together when he thought of this.
"What do you mean?" You couldn't help but ask the card solider. Putting your pen down as you looked at him curiously.
The boy just shrugged, a odd look on his face. "I don't know, I just thought Hyena beast men were more... You know." he added a bit awkwardly. You decided to drop it there.
"Yeah... Anyway, I think I remember-"
The interaction stood out in your head, however. What exactly did Deuce even mean? After that interaction, you noticed a couple things as well. Beast students would look at you and nodded at you in recognition? Leona's nose would scrunch up a bit when you spoke to him (though he never made any comments on it), and when you walked into Savanaclaw a beast guy once mistook you for Ruggie before he looked at you?
What did any of that even mean?! When you asked Jack, he just said you smelt like Ruggie.
That small interaction you had with Deuce quickly began to send you down a hill of thinking about everything Ruggie ever did! How he hung off of you, and how you two hung out. It got even weirder when Ruggie offered you some food. Like he had been for a while.
This was very out of character for the Hyena boy! How did you not realize it before? So, you asked him about it. "How come you always offer me something when we eat together?"
He blushed a bit looking at you with wide eyes for a moment before shaking his head, "I do that don't I?" he laughed awkwardly, "I mean I bring food home for the neighborhood kids too. We all got to eat; you know?" He shrugged it off. You wondered what that meant, because he didn't do it with anyone else, but you failed to push him on the subject.
Your sad to say, you never fully realized what was happening till someone explained it to you.
He knocked on Ramshackle door with a handful of pretty dandelions and asked you on a date. "Perfect, would you like to um... go out with me?" he asked hesitantly, a nervous smile on his face while he put his head down. Like he was trying to protect his neck...
You said yes and it was after that Leona explained how annoying it was watching you two and basically inadvertently explained everything to you...
"That would have been helpful to know sooner." You grumbled to yourself after talking with the lion.
"Eh? Ignore him shyhehe!~ Ruggie just snickered with his usual sly smile.
____________
Leona:
Leona didn't really have time for games. If he liked, you he'd just come out and say it. At least, that's what you had first thought. Yes, he did use your lap as a pillow and you two did cuddle somewhat regularly. That didn't exactly mean anything. Right?
And yeah, Ruggie did scrunch his nose up and complain that you smelt too much like Leona, but that didn't matter. Leona probably didn't mean to do that; he was probably sleeping.
Did Leona roar at you? Yeah, so what? It was like a yawn; it just came out. No, he wasn't blushing! He couldn't be because you were already looking away in embarrassment.
Leona just didn't like you like that. No matter how many Courting book you read on beast men!
The Lion man in question invited you out to a Spelldrive tournament he had been practicing for. Obviously, you went without a second thought. It would be nice to see the lazy lion not lazing around for once! At least that's how you justified it.
You definitely didn't want to just see your crush play a match.
You couldn't help but notice the whole time, how Leona kept looking at you in your seat. Making sure you had just seen him perform. You'd smile and cheer for him and maybe, just maybe, a sense of pride would build up in his chest.
And maybe it was really nice to hear you cheer, and see you jump up from your seat in excitement. And maybe it was really nice to be able to cheer for him.
So you planned to confess to him after this game. "Leona I really liked you! I have for a while now!" And you did.
"Finally." He yawned and rubbed the back of his neck, you two then went to cuddle in the garden.
Did that mean you two were together now...?
____________
A/N: I know that some dorms aren't like nonhuman, but I can imagine that like Riddle was taught like courting customs in The Queendom of Roses, (Some queen of heart rule) or like the scalding sands have some costumes? Like the world changes because of beastmen/Fae customs and people adapted to that and added it to their own ways of approaching a relationship? Idk lol
Sorry Leona's part was quite short, I was getting tired and just wanted to get this out! But thank you for reading!
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casuallyanidiot · 11 months ago
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Omg your yandere coworker *chef's kiss*
I imagine he's just frustrated and angry because he can't believe he's fallen for a loser like reader. Like they are such a mess all the time. So soft and easy to tire. They look so out of place in this workplace environment.
But over time it starts to click that all he was to do is take them away and keep them at home. Reader shouldn't even be at work! Reader should be sitting pretty at home like the good little spouse he knows they are all that they are good for!
Man he'll have to come up with a plan to make that happen wouldn't he?
Thanks! He's awful! :)
I think the worst part about Yan coworker is that he believes he's actually a good person. Maybe if he just acknowledged how scummy he was, he wouldn't be half as bad.
He he's had enough of you stumbling all over yourself like an idiot. Yandere Coworker pulls you aside one day into a storage closet. He's trying so hard not to snap and fuck you stupid against some half empty shelves, so instead he settles for gripping your arms. Isn't he a gentleman? Anyways, he lays it out for you.
"You need to quit," He says simply. His voice is gruff and firm, and you blink in surprise. "What?" You stammer out. He's tall, intimidatingly so, and you tremble as he holds you. "No, no I'm not- I can't quit! This is my job! I know you don't really like me, but that's out of line," You hiss out and squirm away from him.
Yandere coworker realizes you really are very, very dumb. There's nothing in that stupid little head of yours, is there? You can't even tell how much he's looking out for you. You're crumbling under the weight of this job, and he can't stand seeing you so unhappy.
But he makes enough money for the two of you. He can handle this while you can't. In fact, the more he thinks about it, he can't figure out just what in the world you would be good at. He tries to picture you as successful at anything and comes up blank. Huh... You really are good for nothing. Except,,, you would probably do well if you didn't have to do anything at all.
Yandere coworker starts to think about how much prettier you would be if you got proper sleep. He likes the way you look in corporate attire (That is on the rare occasions where you don't look like a hot mess), but he bets you'd like to be in expensive and revealing loungewear even more. The only thing you would have to do is keep your house tidy, and keep yourself nice and presentable for whoever provided for you. Yeah, you'd be perfect for that. And guess what? He could give you that.
Yandere coworker knows that you're far too stubborn for your own good. He begins to actively sabotage your work. He inserts spelling errors into your reports, changes the numbers of any potential client before you have the chance to make a sale. He allows himself to be more officially promoted, and with the new power he has, he assigns you increasingly difficult tasks.
You try and report him for essentially bullying you, but the complaint is thrown out with little care. He's one of the best employees the company had ever seen, and you were just some bumbling broad who couldn't even spell their own name right on official documents.
Before long, you're fired. Yandere Coworker uses his position in the company and many connections he has to essentially black list you.
You can't get a decent job in your field anymore. Plus you begin to get behind on rent and bills. Your life is going to shit, yet you still refuse to take him up on his many offers. It's infuriating, and he just wants to put you in a place that he knows you'll be safe and happy in.
Yandere Coworker just thinks your too dumb to realize how kind he's being. He hopes that you're smart enough to recognize how nice the trunk of a luxury car is. After all, you're going to be there for a while until he can get you to his home where you'll never have to use that useless brain of yours again.
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nectardaddy · 2 months ago
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SLIPPING THROUGH MY FINGERS . . . stanley snyder + f!reader 
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⋆.ೃ࿔ “ sometimes, I wish that I could freeze the picture // and save it from the funny tricks of time // slipping through my fingers ”
warnings/an : underage drinking, pre-petrification, childhood au, self shippy as fuck but we ball, stanley is a yearner change my mind, throwing my hat into the dr stone ring with this one hello <3, I'll make a part 2 to this bc I'm obsessed with him
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Stanley feels sick the first time ‘she's pretty’ crosses his mind.
They're in middle school science and she's bickering back and forth with Xeno. Something about kinetic energy, he doesn't catch it all. But he snorts when the words, “well, you have the potential to kiss my ass, X,” leaves her lips.
He looks over at her and stops short. She's got a shit eating grin that a small part of him says he likes. ‘She's cute,’ but he pushes the thought down as far as he can as soon as it hits him.
He's only known her for a year, yet he keeps her around him and Xeno like she's a friend from diapers.
She's funny, the kind of twisted humor that makes others draw back. But Xeno always laughs - so does he.
She's too smart for her own good, but doesn't apply herself so she looks like a terrible student. He knows she does it on purpose, so people don't expect the world from her. She runs laps around him in science, carrying him through a project in the first quarter, but doesn't give a shit about homework. So her wits get drowned out by Ds in the eyes of a gradebook.
She's pretty. But he'll deny he thinks it every time it pops up. Her personality is rough around the edges, but she gives him a toothy smile like he's the only one in the room. She would be the absolute death of him.
࿔* :・
The second time, the thoughts form into words tumbling out of his mouth.
“She's pretty.” Xeno looks at the blonde in shock, or horror, though he can't tell which. They're sitting at a lunch table, junior year of high school, and Xeno finally realizes that Stanley has lost his damn mind.
“She has a partner already,” he mumbles. He switches his gaze from his friend back to the open notebook in front of him. “Didn't really take you as the homewrecking type, Stan.”
The blonde cuts his eyes over, biting his own cheek before letting his eyes wander back to her. She sits a few tables down with a person that's a year his senior. They say something to her to make her laugh, and something in his chest pangs and he looks away. “They treat her like shit.”
“And you would be so much better for her?”
“I didn't say that.”
“You're implying it.”
“All I'm saying is-”
“It should be you instead of them?” Xeno cuts him off with a small smirk, his eyes never leaving the pages in front of him as he doesn't look up.
“Fuck off,” he grumbles, “I'm not telling you shit again.”
“Good,” his friend sighs, “I might've dry heaved if there was a next time.”
࿔* :・
He doesn't realize he's saying it out loud the third time, until the words are already hanging in the air.
A month ago, she came to the pair with tears pricked in her eyes. Her shitty ex bailed out of senior prom that was weeks away, broke up with her, and had gotten with a girl in their government class the same day.
Xeno offered up Stanley as a willing participant to join her for prom, because he knew nothing else to do with the tears that came after she told them. Frankly, he didn't want to hear the moping groans from her within the weeks that would follow after she didn't go, but he sure as hell wasn't going himself - he'd rather walk on hot coals than put himself in the space of teenage, drunken idiocy.
But he knew Stanley would say yes regardless.
Now the blonde felt like a boy all over again, tripping and stumbling over his thoughts, as soon as he saw her. “Holy shit-” an audible thought as he comes to the realization that the girl walking over to him was one of his best friends - and he had moronically tripped and fell headfirst into a crush.
She's been drinking, he can tell by the sway in her stride, but she's level headed to the point she waves and smiles when she sees him. There's a piece of him that melts, and he's not exactly sure what to do in the moment.
“Stanley fucking Snyder actually went to prom?” She laughs, it's refreshing to him, like blowing the dust off pages in an old book. “I thought you guys were screwing with me, honestly. I didn't believe X when he told me.” She's close enough now that the perfume she's wearing muddles with alcohol, he chuckles.
“It's my good deed before graduation,” he shrugs, “and I don't think I could deal with your shitty, constant complaints if you didn't go.”
“What a gentleman,” there's a tease to her words that makes him feel warm - like an idiot. “Your last hurrah before they ship you off is being a pity date, I thought you would do better than that?”
Graduation hung over his head like a guillotine, daunting and looming until it would finally drop and kill him within seconds. She and Xeno talked of college essays and acceptances, while he signed up for the Marines and didn't look back. They worried about what school to pick, while his only concern was being shipped out days after graduation and losing contact for months.
He rolls his eyes, but his lips peak with the hint of a smile - she notices. “My last hurrah is getting trashed the day before I leave, and getting Xeno so damn drunk he pisses himself.”
She laughs again, only this time she grabs his arm, as if to hold herself up from teetering over. He goes rigid at first, muscles tensing at the warmth of her hand, until he relaxes into it. He tells himself he’s used to it, always poking and prodding the other, but now - it’s different. He thinks she’s pretty, and he feels his thoughts crumble at his feet. “He does that after the first drink anyway, what's your plan after that? You'll have the whole night left.”
“Guess it's just me and you then, freak.” She looks him over a moment before smiling, even at the shitty nickname. She's used to it, it's natural now, pinning it to her like a medal of honor in the midst of childhood mistakes and reckless decisions. “Y'know you've never been able to out drink me.”
“Watch me.”
He's not sure when exactly it happened, but he felt a shift in the night. Like how the stars align in the god awful readings he did for his English class, and he swallows hard.
Between a racing heart, and the vodka she gave him from a flask she had hidden in her pocket - he feels like a little boy again, dimwitted and naive - he looks at her like he wanted to for all these years. She's drunk, and dancing like no one's looking, and the lights hit her in a way that's almost bewitching. He feels it in his chest first, a blooming heat that feathers out to every limb and fiber of his being. It's like he can't breathe, like all the oxygen in his lungs leaves when she locks eyes with him.
“You look like an idiot, Stan.” She reaches out to him and takes his hand, coaxing him to join her in a silly, drunken attempt. “You’re just standing there.” He knows his hand is cold, because hers feel like flames when she pulls him towards her. His eyes widen and he opens his mouth to say something, but no words come - the girl rendered him speechless, and he’s never felt more moronic.
“Have you ever danced before?”
“No.”
“Yeah, I can tell,” she chuckles, “it’s like you have a stick up your ass.”
The music is loud in his ears, can feel the thump of the bass in his ear drums, but can only find himself squeezing her hand. As if she would disappear if he let go; maybe it was the alcohol, or seeing her in a different light on an occasion that meant something to her, but he felt his shoulders drop as he took a sharp inhale.
“You’re really pretty.”
She pauses, and he thinks he can see the intoxicated gears turn in her mind, until he watches her smile falter ever so slightly. Immediately, he thinks he’s done something wrong and starts to pull his hand away, but she squeezes it back and gives him a sorrowful smile. “I’m really gonna’ miss you when you leave.”
He squeezes again, and for a moment, he simply looks at her; he tries to figure her out, to place a finger on what she means. “I won’t go far, y’know? You and Xeno would get into too much shit without me.”
“Or, I’d kill him.” Her phrasing is blunt but laced with a sarcasm he knew he would miss.
“Not with your aim, freak, you'd hit every damn thing but him.”
She rolls her eyes and nudges him, but he's acutely aware of the fact she's still holding his hand. It's warm, and he can feel the band aids plastered on her fingers from feeble attempts at helping Xeno.
It shot him back to last summer, in the humid evening where she sawed off the barrel of a shotgun for him and sliced her hand in the process. Xeno called her a dunce, but remembered the look his friend gave him upon seeing she did it perfectly. She worked well with her hands, despite being clumsy; knew the ins and outs of different machinery but couldn't tell you the name of it, nor could she use it. An enigma of a woman who could craft a firearm, but didn't know how the hell to use one - that was Stanley's job.
“I'm serious though,” she shrugs. She breaks the eye contact they held only to look at the floor, and she bites her cheek. She squeezes his hand again, and he does it back. “I'll really miss you, Stanley.”
“I'll really miss you too.” 
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no gen tags for this one bc I know a lot of you aren't into dr stone but here my monarchs
@megapteraurelia @tiredafbruh @shortcakebaby @tsukisangel
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jetii · 4 months ago
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Good Graces
Chapter One
Pairing: ARC Trooper Fives x Esmé Terel (Handmaiden!OC)
Tags/Warnings: Fives POV, romance, fluff, hurt/comfort, action/adventure, unrequited feelings, kinda enemies to lovers, forced proximity, awkward flirting, eventual smut, Fives is a bit much in this chapter but he evens out quick
Fic Summary: Assigned to protect Senator Amidala during high-stakes peace talks on Naboo, ARC Trooper Fives finds himself working alongside Esmé, one of Padmé’s longtime handmaidens. She’s disciplined, distant, and utterly unimpressed by his charm—exactly the kind of challenge Fives can’t resist. But when an unexpected crisis forces them into an uneasy partnership, he realizes there’s far more to Esmé than she lets anyone see. And he might just be in over his head.
Chapter WC: 2,172
A/N: I love Padmé's handmaidens and all the lore that goes with it, and I couldn't resist writing this. I'm aiming for about 10 chapters total. There's a new option on the taglist for this fic btw (feel free to update your choices if you don't want to be tagged in this).
Next Chapter | Join the Taglist | Masterlist
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It's a simple assignment. Escort Senator Amidala during the peace talks, ensure she stays safe, and after, if he's lucky, spend a night drinking and enjoying the sights of Naboo's capital city with his brothers. Easy enough.
Fives is well-versed in these sorts of things. The escort missions are some of the few types of jobs the 501st takes up outside of the battlefield. It's always senators, ambassadors, or important personages, and most of the time, they're content to let him and his brothers do their jobs, as they should.
He likes doing this. It's a breath of fresh air to the normal routine. Most of their missions, after all, tend to be high-risk, high-stress, and high-fatality. It's hard not to appreciate the simplicity of the assignments every once in a while, and he's sure it's the same for all the other troopers. They get to take a break from the fighting, and instead get to have the pleasure of walking among beautiful landscapes and beautiful people. It's not a bad gig.
He just wishes it wasn't Senator Amidala.
He has nothing against the Senator herself, of course. She's nice, polite, and professional, and she's very clearly well-acquainted with the ways of the galaxy. She's the exact opposite of the clueless, sheltered politicians he's so used to dealing with, and that alone puts her leagues above her peers in his mind.
But it's not her he's worried about.
It's her handmaiden.
Esmé is the sort of woman he'd go out of his way to meet on any other day. The kind of woman that would stop him dead in his tracks, make him reevaluate his life, and then make him consider dropping everything to chase her until she'd let him have her. He's never had an easy time ignoring his attraction to pretty girls, and Esmé is just that.
She's the picture of everything a Nabooian woman is supposed to be, with her dark, curling hair, golden skin, and a pair of large hazel eyes that shine a deep amber in the light. She's smart, beautiful, and a little bit mean, the sort of person Fives knows his brothers would joke about being his type. And they're right.
He doesn't believe in love at first sight, but Esmé is the closest thing he's ever found to it. She's perfect in almost every single way.
So, naturally, he doesn't understand why she hates him.
She doesn't look at him, doesn't talk to him, doesn't even acknowledge him. She barely spares him a second glance when they're together. Her words are curt, her tone cold, and she doesn't speak more than a few sentences to him even when he tries to engage her. 
He's not entirely sure what he's done to offend her. He's never been anything but polite and friendly. Maybe a little too friendly in hindsight, but he can't imagine what would have set her off. The most she's ever given him was an annoyed look and a sigh when he'd tried to help her carry her things. She's never actually told him to fuck off, but it's obvious enough from the way she ignores him that he might as well not be there.
But even with how obviously she's avoiding him, he can't bring himself to dislike her. She's just... something else. It's hard not to think about her even when he's not around her, and he finds himself wanting her attention. Wanting her. 
He's a bit of a glutton for punishment, he'll admit, but there's a certain thrill in knowing that Esmé could destroy him with a single word, and he'd thank her for it. He doesn't even know what it is about her. Maybe it's the challenge, maybe it's the fact that he's a weak man and a pretty face is all it takes to make him want to get on his knees and beg, or maybe it's something else entirely, but he doesn't think it really matters.
The point is, he wants her, and she's decided he's not worth her time.
If it were any other woman, he would have backed off. But it's not any other woman. It's her. And he can't stop himself from thinking about her, from staring at her, from wishing she'd spare him just a sliver of the attention she devotes to Senator Amidala.
It's a hopeless endeavor. She's completely disinterested, and he knows he should give up.
But he's stubborn, and a bit of an idiot, and he's not quite ready to let go. The universe has handed him the perfect opportunity, and he doesn't know if he'll ever get another chance like this to spend so much time alone with her. He doesn't know what he'll do, or what he'll say, but he'll figure it out.
He's not letting her go without a fight.
He's got the entire week.
All he has to do is figure out a way to win her over.
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Fives trips the moment he's stepping out of the gunship.
The Senator's entourage, gathered on the landing pad, watches in abject horror as he falls forward, his helmet slipping off of his head as his hands fly out to catch himself. In his haste to follow General Skywalker out of the ship, his foot catches on the ramp and sends him stumbling forward. His bucket goes sailing through the air, bouncing off of the paved stones and skittering to a stop against Esmé's feet.
There's a moment of silence as he stares at his helmet in shock, his gaze trailing slowly up the delicately embroidered skirt, across Esmé's stomach, her chest, and finally, to her face. Her expression is carefully blank, but there's something about the look in her eyes that lets him know exactly how stupid he's just looked.
At her side, Senator Amidala holds a hand over her mouth to hide a smile, though her shoulders tremble slightly as she looks away. General Skywalker is outright snickering, and he can hear Jesse and Tup laughing loudly from inside the gunship behind him. Even Rex has the audacity to snort quietly as he steps down from the ramp.
Fives' ears burn as he jumps to his feet. A nervous chuckle escapes him as he dusts himself off.
"Ah. Um. Hi."
Esmé stares back at him blankly. She looks down at the helmet lying at her feet and then back up to him.
"I—" He starts down the ramp quickly, his eyes never leaving her. "That's..."
Esmé leans down and plucks the helmet from the ground before he can force any more words out. She holds it between her thumb and forefinger, inspecting the visor, her nose wrinkling slightly in distaste. He thinks she might laugh at him like the others, but instead, she gathers her sleeve in her hand and uses the fabric to rub the visor clean, ignoring him entirely.
He feels his chest go a bit warm at the sight, and his footsteps stutter. 
General Skywalker claps him on the shoulder, laughing, and then he's walking past him towards Senator Amidala, greeting her warmly. She gives him a bright smile, and the two of them begin to talk in low tones, heads bent together as they walk away.
Esmé still hasn't looked at him, even as he comes to a stop at her side. Her eyes are still on his helmet, her lip curling slightly. She must feel him staring, because she looks over at him and quirks a brow, her gaze flicking downwards and then back up again. 
He realizes belatedly that he's still watching her with his mouth open. He closes his mouth and clears his throat, rubbing the back of his neck awkwardly.
"You, um." Fives' tongue darts out to wet his lips. He clears his throat. "I'm Fives, by the way. ARC Trooper. Just in case you forgot. Or... if you didn't know. I don't think I ever introduced myself."
Esmé gives him a bland look.
He shifts his weight. Looks down at his helmet, then at her, then down again.
"...Right." He laughs nervously. "You probably already knew that."
She doesn't speak, merely holding out his helmet for him to take. He's quick to accept it, his cheeks going hot as their fingers brush. He tucks the helmet beneath his arm and rocks back on his heels, trying not to fidget under the heat of her stare.
"Thanks," he says lamely.
Again, she says nothing. But her gaze is still on him, and he wonders, briefly, if maybe now would be a good time to say something, maybe start a conversation, try and get to know her. Maybe if he could just find something they had in common, a shared interest, he could—
"Don't mention it," Esmé says finally. Her gaze trails downwards and back up. There’s a hint of…something in her tone. It's hard to tell what. Disdain? Indifference? Boredom? All three? "I suppose it’s not every day a man falls at your feet."
Fives nearly chokes on his tongue, his entire body going rigid as he stares down at her. He can hear the other troopers hooting with laughter behind him, but he's too caught off guard by her words to do anything but gape. 
Had she just...was that a joke? A tease? Something else? It was hard to tell, with how emotionless her voice had sounded. But he sees her lips twitch, a barely-there tilt of the corner of her mouth that he'd have missed if he hadn't been looking for it. 
Oh. Oh.
He hadn't thought—
Well, now. This changes everything.
He can’t seem to make his mouth work for a few long seconds. She's watching him now, a slight furrow in her brow, and suddenly, all he can think about is getting her alone and showing her exactly how willing he is to fall at her feet.
She seems to realize her mistake immediately. Her lips thin into a tight line, and her jaw goes tight. There's a subtle change in her demeanor, the way she holds herself, the look on her face. He can't place what it is, but something is different, and it's like someone's flipped a switch. Gone is the amused gleam in her eyes, replaced with a cool disinterest that makes his heart sink.
Esmé nods at him curtly, and then turns away, her shoulders squared and her chin held high. The rest of the entourage is already heading toward the transports waiting to take them into the city, and she follows without a backwards glance, her stride steady and sure.
"See you around," Fives calls after her, once he’s managed to unstick his tongue from the roof of his mouth.
Esmé’s shoulders tense slightly, her foot hovering in midair. It's brief, only a half-second of hesitation, and then she's continuing on her way, hands tightened into fists behind her back. 
He watches as she stops to help Senator Amidala fix her shawl, tucking it back over the Senator's shoulder and brushing her hands along the fabric. The two exchange a few quiet words, their heads bent together, and then Esmé is turning and following the rest of the party towards the transport.
He can't help but admire the way she moves, her hair fluttering in the breeze, and the sway of her hips as she walks. There's a confidence in her, an air of authority that sets her apart from the rest of the handmaidens and staff trailing behind her, and it's mesmerizing to watch.
Maybe it's a trick of the light, or maybe he's imagining it, but he swears he sees her cast a glance back at him, her eyes narrowed. He stares back at her and grins, and he sees her shoulders go tight. She whips around quickly and marches towards the transport without another look back.
He feels his chest swell with something that feels dangerously close to hope.
That was the first time she'd ever spared him a second glance. And the first time she'd ever spoken to him directly. It might not have been much, but it was a start. A good one, he thinks. And it's something he can build off of.
Maybe this won't be as hard as he'd originally thought.
"Wow," Rex says from behind him.
"Yeah," Fives breathes. "Wow."
Rex gives him a pitying look and pats him on the back. He leaves his hand there as he starts herding Fives along, and Fives lets himself be led. He doesn't stop watching her, even as the transport doors close behind her and she disappears from view.
"You're not going to be any help this week, are you?" Rex asks, his voice low.
Fives shakes his head. He can't seem to wipe the smile off of his face.
"Nope," he answers distractedly, still trying to catch a glimpse of her through the tinted windows. "I'm gonna do something stupid, Rex. I can feel it."
Out of the corner of his eye, he sees Rex turn his gaze skyward as if praying for patience, his sigh heavy and put-upon.
"Of course you are."
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Taglist: @baddest-batchers @covert1ntrovert @stellarbit @bruh-myguy-what @champagnejaig
@spicy-clones @kindalonleystars @cw80831 @totallyunidentified @heidnspeak
@lovelytech9902 @frozenreptile @chocolatewastelandtriumph @etod @puppetscenario
@umekohiganbana @resistantecho @dindjarins1ut @tech-aficionado @aynavaano
@burningnerdchild @ihatesaaand @lolwey @hobbititties @mere-bear
@thegreatpipster @lordofthenerds97 @tentakelspektakel @notslaybabes @mali-777
@schrodingersraven @megmegalodondon @dangraccoon @dreamie411 @sukithebean
@bimboshaggy @anything-forourmoony @9902sgirl @jedi-dreea @salaminus
@ghostymarni @gottalovehistory @burningnerdchild @yoitsjay @callsign-denmark
@julli-bee @sonicrainbooms @captn-trex @feral-ferrule @webslinger-holland
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bisclavret · 10 months ago
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there's a palpable missing link in gwen's characterization that the show has almost hinted at but never explored in a satisfactory way and after hours of riffing with @morganadismay i think it might be summarized with just. ambition? on a show as juvenile in its moral politics as bbc merlin ambition might be seen as a hunger for something and therefore a sinful bad thing so gwen just seemed to kind of seamlessly and elegantly rise to power, but honestly when you attribute a sense of ambition to her, the entire character that is guinevere clicks into place:
she has the most solid moral compass out of everyone in that castle - and she knows it. by her late teens she is already lady morgana's servant (morgana who, at this point, is the progressive and rebellious "adoptive" daughter of the king - perhaps someone to stay close to if you want to see reform?) and she flocks to merlin the second she sees him stand up to the prince. then, as soon as she realizes prince arthur actually listens to what she has to say and that it has an effect on his actions (makes him more progressive, open-minded, and class conscious) she subtly moves her interest from merlin and morgana onto him.
((affection is a propelling part of all these decisions, of course, anyone that's seen how gwen treats people doesn't doubt that it's with genuine love and kindness and care for their well-being. i'm just trying to argue that there's more to her than that, or rather that it's precisely this love that is driving her ambition as well:))
the show is written in such a way that only one person per episode can have a braincell so gwen's cleverness is often cast to the wayside so another character can have a go at using their brain, but we can all agree she is overall the smartest character out of the core four. and when you're as smart and full of love and worry as gwen is, it's intolerable to acutely feel the kingdom's injustices and do nothing about them. people often talk about how gwen is impossible to upset or make angry because she is just that empathetic and understanding and can easily put herself in people's shoes. these are definitely elements of gwen's personality, but i don't care how empathetic you are, when someone kills your dad - a sweet, innocent man - in the name of tyrannical ethnic cleansing of people with magic, you do not, you cannot brush it away. especially if you are as clever and empathetic as we know gwen to be.
and yet that's what she seems to do. in one of the most tone-deaf and frustrating and nonsensical conversations in the entire show, she tells merlin she would not kill uther, the mad tyrant king that just killed her fucking dad and is killing so many people on a daily basis, because then she would be just as bad as him. and i do think she believes this. because that's how she was written. however, there were other ways for her to show her displeasure with the royal family after they killed her literal dad. and she chose none. instead, she stayed close and hardly ever acknowledged her huge, enormous loss (elyan had been away for years and she had no mother to speak of - they killed her only family).
because she's strong? sure. but have you lost a loving parent? strength has nothing to do with what that sort of grief does to you. and i think it is precisely through that grief that gwen makes her choice to stick around and see this relationship with the royal family through as far as it can go. she lets her anger solidify into determination - determination to turn arthur into a better version of his father so these injustices have a chance at stopping once he's king.
she lets go of lancelot. she becomes more feminine, her hair longer and her corsets tighter every time we see her. she tolerates arthur's indecisiveness and brashness and morgana's increasing outbursts of cruelty. she never fully seems to expect to become queen, always quick to offer to let go of arthur for The Greater Good (merlin could take a page from her book), but that's precisely what makes her ambition a good trait. it's steadfast, it's logical, and the end goal isn't power for the sake of power. it's a slow, borderline sisyphean climb up the social ladder until she has stable enough footing to enact the reform that her contemporaries were too undiplomatic to achieve.
TL;DR you cannot get where gwen gets by the end of the show through true love or luck or a series of accidents. it would be a disservice to gwen's character to ignore the hints of calculating ambition in her actions and to pretend the compromises she had to make to get where she ends up were easy. what's amazing about her is that she is the sort of lovely, warm woman whose kindness could get taken advantage of until there is nothing left, but instead she turned her love and wisdom into an asset that helped her, essentially, win the game of thrones. i just wish the writers had let this side of her shine through.
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meanbossart · 1 year ago
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What is it about Astarion that DU Drow fell for? Which traits/habits/quirks/whatever were the ones that he first noticed/piqued his interest?
Oh boy, I mean, at first DU Drow didn't care for Astarion at all. He was extremely on edge around all of these people and Astarion's rather invasive strategy only put him off further - his insight checks may be awful, but he can still tell when someone is trying to suck up to him a little too hard. DU drow thought he was attractive, of course (see.: the narrator's comment about the quote-on-quote pretty corpse) but otherwise didn't think very much of, or very highly of him.
Once he got his confidence back, and after Astarion caught onto the fact that he needed to play hard to get to string him along, there would have been a little while where DU drow only saw him in the context of a trophy or conquest - but admittedly, he also thought Astarion was funny, and he thought he was smart - even someone as dense as him could see that the guy had read him perfectly, and proceeded to adapt as necessary to get what he wanted out of him - and DU drow fell right into it, willingly so. There would have been some mutual respect there between them from understanding each other's games.
Their ritual of letting Astarion bite him definitely planted a little seed of something too. I've talked about it plenty of times so I won't dwell on it, but DU drow enjoys the intimacy implied in allowing someone to hurt him. This was far from an emotional turning point in the relationship, but it did prompt him to start seeing Astarion differently (not better or worse - just differently.)
(I'm a little drunk and went on and on, enjoy LOL)
Then, after one or two intimate encounters, the Urge would have started taking too much of a toll - violent lust turned into lustful violence, and hence DU drow didn't want to have sex anymore out of a fear of losing control during the act; yet, he had learned to trust Astarion by then and would seek out his comfort and companionship all the same. Faced with the situation where sex is no longer an option, I imagine Astarion would have been caught off guard and let the mask slip more often than usual. Pair that with the fact that DU Drow is a surprisingly affectionate (in private) but highly withdrawn person, left him in the role of leading their exchanges. Astarion, I think, would have felt the need to talk; if for no other reason but to fill the air whenever they were alone together. Eventually DU Drow would have started talking back.
These were long nights of just looking up at the sky and going through things that happened that day, what led them here, what the companions are doing, talking shit about whats-his-or-her-name, often just straight up gossip. Astarion eventually realized he could say whatever he damn pleased in front of DU Drow and nothing seemed to phase him, and vice-versa. DU drow enjoyed his bluntness, his earnest impulsivity that matched his own, he laughed at his jokes (as well as some things that weren't meant as jokes) he enjoyed his teasing and his reactions when he said something putrid in return, he liked the way he smelled when he was clean and he liked his stink when he was filthy, he watched him fidget with his own clothes and hair until Astarion gave him a weird look and aggressively asked what he was staring at. He enjoyed when Astarion got angry at something he said, because it felt very genuine - and he didn't use to think of him as a very genuine person.
Astarion was the first to notice something was wrong with him - so DU drow felt comfortable talking about it openly. On the other hand, DU drow never pressed Astarion about his past unprompted - instead just letting him talk about it if he so wished and without trying to milk it for more details when he did choose to do so. Because they spoke a similar language of violence and operated under the same hedonist-based beliefs, it was easy to talk to each other even when there was friction between them - similarly, they were both always willing to move past and quickly "forget" when someone said something truly hurtful.
I don't know if there was a key moment where he realized this had turned into love; that was probably a word DU Drow dropped quite unabashedly sometime after they got to Baldur's Gate, and before they faced-off with Cazador (to no reciprocation or acknowledgment then, not that he minded). But sometime during act 3, DU drow simply assumed that after this was all over they would still stick together.
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coff33andb00ks · 11 months ago
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İdk i just got hit with this shitty idea 😭😭 drabble list thingy 5 40 60 64 and 70. BUT WITH ACADEMIC RIVAL OSCAR? IDK ITS KINDA STUPİD BUT STİLL 😭😭
driver + number = drabble <3
warning: author knows nothing about academia 😳
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"Idiots, they're all idiots."
You glanced up at the sound of his voice, perplexed. Then, realizing he couldn't possibly be talking to you, you turned back to your work. You'd come here in the hopes that you'd be able to finish your paper without the distractions in your dorm, and so far–
Thud.
The heavy backpack landed on the tabletop with much more force than necessary and you glared at its owner, who - horrifically - was pulling out the chair across from you. As usual he was wearing his stupid burgundy shirt under his stupid black hoodie, and his hair was falling into his eyes with that stupid little swoop.
The only thing stupid about Oscar Piastri was his lack of style.
"You don't mind do you?" he asked, already settling into the chair with his coffee.
"I'm annoyed, to put it mildly," you muttered, staring at the backpack crushing the corner of your pencil pouch.
"Ah well, the feeling's mutual." He pulled his backpack towards him and threw down a copy of the local newspaper. Odd, that he actually read a physical newspaper instead of getting his news online like everyone else born after 1985.
You carefully maneuvered your pencil pouch closer to yourself and tried to focus on your paper. Intent to ignore him, you managed to type out two whole sentences before he snapped open the newspaper. Darting your eyes towards him, you watched the morning sunlight dance over the angle of his jaw.
Too bad he was such an insufferable know it all. Half the students that you knew from the classes you shared with him called him Hermes Granger behind his back, he was that bad. Always had the correct answers in lecture. Always top marks. Always, always, always, while you were just behind him.
Except the one time, but he'd been in hospital due to his roommate Lando accidentally tripping him and fracturing his rib, so that didn't really count.
"Did you hear about this?" he asked suddenly, thrusting the newspaper in your direction.
You looked from the paper to him, half expecting him to pull it away before you could take it. He didn't though, and you turned it so you could read the small headline.
No Evidence of Foul Play in Missing Money
Frowning, you read the small blurb about thousands of dollars that had seemingly vanished from a local charity. "How can there be no foul play?" you asked after reading it through twice. "It was there one day and gone the next."
Oscar nodded. "Exactly. And you know who's on the board, right?"
"Dude, I barely know my roommate's name most days..."
"Yeah I reckon you've got too many classes–"
You narrowed your eyes at that, missing half of the rest of what he said.
"–the mayor."
You snorted on a laugh. "Are you insinuating the mayor stole the money?"
He wasn't laughing. Or smiling. In fact, you were pretty sure you'd never seen Oscar smile. Well, that pained half smile when Lando dragged him to a party, but otherwise...
"You can't be serious," you said. "He's the mayor. He's got plenty of money."
"Does he?"
Rolling your eyes, you slid your laptop close and tried to focus on your work again. "Didn't have you down as a conspiracy theorist."
"It's not a conspiracy theory though?"
"The mayor, who lives in a mansion and drives a Ferrari, stealing ten thousand dollars from a charity?"
"People in power have stolen less. He's very good at hiding secrets. Like his brother's company being behind the factory buyout last year? The government doesn't want you to know this, but every one of them are crooked."
"What do they put in your coffee?" you asked with a roll of your eyes. "Do you get a tinfoil hat to go with it?"
He scoffed. "I thought you were smart."
That surprised you. You didn't think Oscar thought about you at all. "So what do you suggest, Oscar? We storm city hall and demand the mayor give the money back?"
He pursed his lips and dipped his head to one side as though to indicate the idea had merit. "Or we could sneak in after hours and poke around."
"Break into the mayor's office," you clarified.
He nodded. "Tonight after dinner?"
"Set off alarms, get arrested, and go to jail."
He winced. "Yeah, maybe not our brightest idea."
"Excuse me, did you–"
"But we can still do dinner, yeah?"
"Idiots. They are all idiots." / "I'm annoyed, to say it mildly." / "The feeling is mutual." / "The government doesn't want you to know about this." / "Not our brightest idea."
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angeliteeyes · 2 months ago
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Hmm~ I'm not sure if you write fir Kokomi sangonomiya, but if you do, how about we do something platonic for her. And give her a sibling, a fraternal twin so we can have them be GN. And in typical twin fashion, they're her opposite on the energy spectrum. They're literally just as smart, but they're high energy and impulsive to balance it out(Basically think Ibuki mioda). Unfortunately, they left Inazuma years ago because they wanted to explore(cause chaos). When they return, it's actually with the Travler during the Archon quest, so yaaay siblings reunite, and Watatsumi Island gets a massive moral boost, and Kokomi gets constant energy resupplies.
Hello! I do write for Kokomi :) I've written a few things for her actually already, just never a full-length fic
I added more detail as well as to why you actually left, since there's so much potential for emotional depth with this concept. Here u go <3
Platonic Kokomi + Twin Reader - Growing Pains
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♧♧♧♧♧♧♧♧♧♧♧♧
If you could have taken on the responsibility of being the reincarnation of Orobaxi instead, you would have in a heartbeat. Of course you would. If it meant saving Kokomi from the burden of becoming the Divine Priestess, any sacrifice would've been worth it, no questions asked.
Yet fate had other plans, both for her future and your own. Deep down, you knew running away from the truth—from her—wasn't the right thing for you to do. But you just couldn't bring yourself to stay tied down to a land that didn't even need you, eternally the throwaway sibling that couldn't ever live up to the accomplishments their sister could. And so, you ran. You explored the countless landscapes of Teyvat, never failing to dig deep and find the best places to visit beyond the basic, well-known attractions. Free from her shadow, you finally realized just how fun life could be; where you once sunk under the weight of your invisibility, you'd now learned to glow with your own unique light.
One regret lingered, though. Despite being glued to each other's sides for so painfully long, when the time came for you to head off and say goodbye to Kokomi, well... Now that you've had time to mature, you understand how cruel it was to leave her behind without a word, especially knowing how deeply she relied on you for comfort. Sure, you were hurting, but it's not like she chose this. After all, neither of you could've possibly imagined that from the moment you two were born, you had already become destined to separate and walk different paths.
That's why, when your keen ears had caught word that a certain blond traveler was about to head off to Inazuma, you didn't even think twice about the decision you made—the one you had to make.
It was finally time to return home.
-
Your companion looked back at your still form amidst the pastel scenery of Watatsumi Island. A look of confusion, or perhaps concern, coated their face as they called out to you. Admittedly, you could be just a tiny bit of a chatterbox, so your uncharacteristic silence must have caught their attention.
"Hey, are you okay?"
With a deep inhale, you breathed in the island's air.
"This..." Your lips trembled slightly. They watched and waited in anticipation for your next words. "This is..."
"...Totally awesome!! I wasn't sure if I'd ever even end up coming back here. I can't believe I never noticed just how pretty everything is—not to insult the rest of Teyvat, of course! But seriously, wow..." As you bent down to play with one of the Sango pearls lying around and rolled it back and forth, you let out a soft sigh. "I really did miss this place."
Unfortunately, with the current state of Inazuma, you two hardly had time to spare for sightseeing. Even now, you were cutting things far too close for your liking, if the sounds of battle cries were anything to go off of. Plenty of whispers about the chaotic clashes going on within your homeland had made their way to you already, but actually being here and seeing it firsthand was a whole other kind of mental blow. You bit your lip. Could Kokomi really have become the military leader of this land? Your Kokomi? The one that used to cling onto you with trembling hands as a child, endlessly hiding behind your back? The one that stuttered out every other word the moment an adult was around and forced you to speak for her? Even thinking about it felt ridiculous.
And yet, right up ahead stood the all-too-familiar sight of light, flowy pink hair rustling in the wind.
Before you could even think to stop yourself, the battlefield was split in half by a sharp, booming scream of overwhelming excitement. Your sister froze in place. At least, she did up until your body barreled into hers and nearly knocked the two of you down to the ground flat. You couldn't bring yourself to care, though. Not when you were finally back where you belong, by her side.
Breaking out of her stupor, her already-soft voice stretched agonizingly thin as she called out your name.
"Is it—is it really you?" Her cautious eyes met your own. As you two stared at one another, your eyes zoned in on the appearance of her own; not of their color or anything physical like that, but of the emotions welling beneath them. In a flash of realization, it occurred to you just how drastically her gaze had changed over your many years apart. Now, you could spot the newfound way that they stood firm in their focus, rather than darting away like they used to before. Even in this moment of utter confusion and panic, a stable confidence exuded from them all the same.
A giddy smile bloomed on your face. Perhaps, you considered, you weren't the only one that had changed drastically in your absence.
"It's me, Kokomi. I'm home."
In the wake of your reunion, the battlefield waxed and waned with various emotions and differing processing speeds. The entirety of the Watatsumi's soldiers laid their eyes upon you two—some with complete confusion, and others with images of a simpler time flashing before them. As you looked among the crowd, you realized with a start that your own memories were coming up to the surface of your mind as well. Many of these people were the very same that you'd seen so many times as a kid, albeit aged, as time liked to do. For a while, nobody knew how to act.
And then there were bubbles. Only a few, at first. Then some more. And then even more. Before long, the entirety of the space between the field's ground layer below and the damp air above was practically flooded with these strange little bubbles that you didn't recognize. Still, you could sense the energy overflowing inside them, the power they held, along with something else; somehow, they radiated with a palpable, transferable warmth unlike anything you'd ever felt before. Looking at the crowd of Kokomi's soldiers' faces, they clearly felt it too.
Panic overcame the enemy side as they soon came to the same realization you just had. Despite their best efforts, their strength couldn't hold a candle to the healing powers Kokomi could use to simply rewind their work. With a smirk, you cheerfully waved the retreating soldiers adieu as they ran off back to wherever they'd come from under their commander's orders, before letting out a heavy exhale. Watatsumi Island was officially safe at last. All thanks to the valiant efforts of your strong, resilient twin. You turned to her once again.
"That was awesome! I don't get what you did exactly, but it looked super duper cool. You've really grown a lot, huh?" Instinctually, your hands glided down to the set of two long hair strands that made their way across her back, clutching the ends of them in your fists and swooshing them up and down like jumping jack cords. The motion brought back memories to your minds of you bothering her with this exact same hair-bouncing movement as a child, as well as a familiar complaining whine from her throat.
"Don't mess up my hair! You know how long the bow takes to get right." She pouted at you, albeit a hardly convincing one considering all the giggles that poured out alongside it. "And I didn't do much, really. I only managed to heal everyone up so quickly because you were here supporting me. Speaking of... you're not leaving again, are you?"
You let go of her hair to squoosh and stretch her cheeks, warping her face into countless humorous expressions.
"Oh, don't get all gloomy on me now! I'm staying, okay? Come on, we should celebrate." Without giving her the chance to argue, you pulled her over to where the traveler and rest of the military were cheering for you both and making a ruckus (despite Gorou's panicked attempts to settle them down). Childish giggles escaped from both of your mouths as you raced hand in hand across the purple-tinted grassy hills of your shared home.
Perhaps you made the wrong decision to abandon Kokomi all those years ago. That possibility, even now, still lingered in your heart, a regret you might never shake. But maybe, just maybe, going on your separate paths was a necessary step in the journey of your entangled lives. And now that that section of your stories was complete, you might—for once—have the chance to be more than just a shadow looming behind your twin's greatness. This time, you could be a light source of your own, beaming energy and joy out and onto the one person who'd always chosen to stay by your side, time and time again.
And that's all that matters, isn't it?
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destiny-in-the-universe · 1 year ago
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Pines Headcanons [Happy Birthday, Grunkles]
I cannot believe I just now got reminded of this- holy shit. Unfortunately, I'm not an artist so have these headcanons instead about Stan and Ford
Stanley ‘Lee’ Pines
He’s bisexual. This is not up for debate (/lh). It just made sense for him 
Stanley is ambidextrous. He can write and utilize both his left and right hands. This was something he self-taught himself in after the portal accident 
On the power of ‘I said so’, Stan does have some level of book smarts but instead of math or science- it’s creative writing. He’s got the talent for it; however, he rarely - if ever - shares these stories with anyone
Stan has some form of neurodivergency. Young Stan definitely gives the impression of ADHD but also I feel he’s got dyslexia- don’t ask me why. This is canon now
He does have scars from the time he spent on the run and doing his sales. I’m not sure what they are exactly, but just know he has them 
Stan knows martial arts. Other than boxing, I feel he would’ve taught himself in other forms of fighting- like the ones done on the streets and it’s a weird mix of martial arts and free-style fighting
He can be a bit of a poet, but for the most part- Stan prefers show-and-tell as his love language. He will present his partner with gifts, and makes sure they understand he’s there for them 
He’s kind of protective over his partners, and definitely has gotten into fights in an attempt to protect their honor. It’s ill-placed sometimes but he’s not about to let some bozo mess with them
Stan always sought his father’s approval. He attempted multiple times to perfect his studying skills before the science fair accident, but apparently Old Pa Pines didn’t seem to notice and the rest, well, it was already history
He fantasized of being a pirate when he was a kid. This is where the whole thing of going on a seafaring adventure with Ford came from! Unfortunately due to canon events, this soured out but he held onto a photograph he and Ford took in front of the beach as a memoir
He’s very much not a big fan of vegetables
Stanford ‘Ford’ Pines
He’s arospec and ace!
Ford absolutely loves puzzles. Why? It just weirdly fitting for his character
He definitely has C-PTSD following the events of Weirdmaggedon
Autistic Ford? Autistic Ford. There is no way he doesn’t have it- I said what I said
Before he got involved in the strange and paranormal, one of Ford’s main interests was actually crystals and rocks! It felt weirdly fitting for his character, and here we are
Ford is more of a cat person. At one point, he rescued a cat-adjacent creature from an auction and named her ‘Nova’. Of course, it’s far from a cat but well, we’ll get to that later
He would be into LARP if it exists in the Gravity Falls canon. Like, that man is a nerd and already enjoys the show’s version of Dungeons and Dragons, there’s just no way he wouldn’t participate in LARP
He does have scars from his time in other dimensions for thirty years. He’s very secretive about them and doesn’t let anyone see- not even Stanley
Ford deals with the aftermath of a burnt-out gifted kid- like, he was the prodigal son and got all the right honors, scores, all of it but as he got older- the more he struggled, the more he felt like something was missing. As the golden child, he was brought up with the notion he would be important but then got smacked in the face when he realized none of it truly mattered
He had a lot of issues adjusting to his new life in Gravity Falls, Oregon after he was brought back from the portal. Ford’s triggered fight-or-flight response would kick in with unexpected situations- like, he’s definitely pulled a blaster/space gun
He likes hot chocolate
Ford enjoys cuddle piles, let’s be honest here. Once he gets more comfortable, he begins making nests with the rest of the Pines family
He’s protective of his family!
I’ll try and come up with new headcanons soon, but since I took too long releasing this- given I got sick unfortunately, I decided to post a smaller version 
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rillian4e · 2 years ago
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ੈ✩‧₊˚ Wriothesley
cw: vaginal sex, finger sucking, spanking, slight size kink, fem!reader, daddy kink, use of pet names etc...
summary: your lover who was as usual, preoccupied with his work, endless responsibilities and paperwork for him to deal with, it was unbearable but he finally managed to find some time for you, how will you two spend it?
how long had it been since you last spent a night with your beloved? your mind cannot remember when it was, these past weeks were all the same work, work, work and more work. to say that that you've been missing him to death would be an understatement, his busy schedule left you feeling lonely and oh so helpless—wishing wriothesley was there to help you, to fuck you.
thankfully the day came eventually, wriothesley had told you he was finished with his work and you immediately squealed in happiness, going over to him and hugging him. as attentive as always, the duke was quick to notice what you really wanted. he knew you better than anyone and he'd be foolish to not have known that you'd be needy for him.
"missed me that much, love?" he cooed, giving you a kiss on the side of your head before placing you on top of his desk, your arms slipped around his neck, pulling him into a messy and desperate kiss. ah ...how much you've missed those lips of his, the way he knew exactly what you wanted.
you didn't waste any time in letting him know that you were impatient, your fingers sloppily fiddling with his belt—hoping to hear his approval before proceeding. he only chuckled at you, whispering a quick, "already moving that fast, sweetheart? go on, do what you want, no one's stopping you."
you undid his belt, freeing his already erect cock out of its confinement, the sight of seeing him like this had you realizing just how much you missed him and by the way he was already greedily marking up your neck, he must have missed you terribly as well. his hands were quick to pull down your panties but instead of filling you like you'd craved, his fingers went to your lips.
"open," you understood what he meant, obediently opening your mouth as two of his digits entered, your tongue swirled around them, sucking and licking as if it were his dick. "already such a smart girl, mh?" he giggled as he watched you, lightly pressing his fingers onto your tongue. you didn't know why but you adored when he'd do that, you loved having him inside you, be it your mouth or pussy.
soon his fingers left your mouth, instead going over to your throbbing core and slipping two inside, they went in so easily that it made you embarrassed yet needy for more—for something bigger. wriothesley pumped his digits inside you, curling them in the way that made you moan shamelessly on top of his desk, not caring about the papers underneath you. he really was good with his hands, you wondered when you first got together if they were good in other areas and you were right except they were far, far better.
"aa-ah! d-daddy, c-close! 'm close!" you whimpered, trembling as his fingers hit your g-spot, you could feel that all too familiar feeling forming in your tummy, you were so close as you looked at him for permission. his gaze was loving and tender but you could tell he was desperate himself to feel pleasure and have your tight walls around him but being the gentleman he was, he wouldn't ever let himself feel pleasure before his pretty little angel.
"go on cum, be a good girl and cum for daddy all over his fingers, okay?" the way he spoke was so attractive, his voice fueling your desire for him all the more as you felt yourself reaching your climax, your fluids covering his fingers. after pulling them out with a loud wet pop, he kissed you on the lips, leaving you no time to come down from your high.
"mmh, I'm going to fuck you now, that alright?" he asked, using his hand to tilt your head to look into his eyes—you nodded, letting out a "yes," and burying your head into his shoulder, impatiently biting into his skin. you almost wanted to whine and complain when you felt his tip tease your entrance, not entering as he rubbed his cock head between your pussy lips. you were about to complain when you felt him fully thrust into your cunt, immediately feeling awfully full.
"f-fuck...so tight, I needed this so damn much, princess." he groaned, pressing himself deep into your cunt, hitting your cervix as his thrusts got more rough, his hands spanking your ass, leaving red marks. you loved when he was so rough with you, his hands all over your body, applying firm pressure on your throat all the while fucking himself deep into your cunt. his balls slapping against the flesh of your butt while his lips smashed against yours, tongue seeking yours on instinct.
you'd never loved anything more than nights like these with him, rough and passionate love making between two desperate individuals. it was simply perfect for the two of you. wriothesley himself seemed pent up, his grip on your throat tightening and his pace relentless—manhandling you to his liking. "shit, I'm close... want me to breed this little pussy, hm? want daddy to fill you up with his seed?" his tone was low and husky, eyes meeting your teary eyed ones as you nodded, unable to muster enough strength for a proper sentence.
with you clenching around his cock, he quickly came inside you, filling your womb up, the feeling of fullness was so nice and delicious, but you were left confused when you saw him pull out, you were about to ask him why when you heard him clasp a hand over your mouth.
"hush, we will continue somewhere more private. make sure you don't let anything spill, angel." he put a kiss on your forehead, his finger putting back a bit of his cum that dripped down your thigh. you were embarrassed but still ever so unsatisfied, but maybe this was for the better. the continuous knocks and questions behind the door were starting to get annoying after all.
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astupidweeb69 · 1 year ago
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hello!! I am kinda nervous to write this bc I absolutely love your writing and the way you portray Toby is just so real. I love how you make him both a loser and a force of nature, like just bc he has no rizz doesn't mean he can't do anything lol. But I was lowkey thinking about your stories the other day and like, what if Y/N also had some screws loose? Like he pops up at her house covered in the blood of some guy who wouldn't leave her alone and instead of calling the police like a smart person she's just like: " 😳 omg you did this for me??" I know it's unrealistic and silly but it's also kind of interesting???
Ticci Toby x Violent! Reader
Toby with an unhinged reader? Well - there's a recipe for disaster lmao.
I know I said I'm not taking requests but this ended up becoming a scenario. I just had some inspo - hope this is what you were looking for! Because the reader isn't submissive? Idk
Y/N has some messed-up thoughts and there are mentions of violence under the cut!:
The reader I imagine in this case would have only seen how cringey Toby is - thinking he was just a creepy guy who's taken a liking to them and would avoid him at all costs. Probably up until this point assume that he's a wimp (Toby would initially try his best to seem weaker and unassuming when he approaches the person he likes)
The scenario I imagine is that Y/N grew up around conflict, and is fully comfortable around violence, even throwing a few punches themselves here and there. Maybe ended up in Juvie when they were younger and now works in some retail job - something where they regularly interact with the general public.
A customer tries to hit on Y/N when Toby's there - big mistake.
But Toby doesn't say anything at first.
He doesn't have to.
Y/N immediately shuts the customer down. But the guy doesn't let up. Curses are thrown back and forth, Y/N's wrist is grabbed.
He touched you.
Toby doesn't like that. Not one bit.
You get reprimanded by your boss after you punched the unruly customer in the face.
Luckily they didn't press charges.
You had a bit of an edge, from your surly demeanor and fucked sense of humor, but Toby had no idea you'd do that.
Kind of turned him on. He knew he picked you for a reason.
But alas, that was the extent of your revenge. You already had a record of aggravated assault and you didn't need another one added to the list.
Luckily for you that scrawny, lanky boy who always stared at you when he came in had a plan in motion.
Late at night, a knock on the door wakes you up from a nap on the couch. Of course, you look through the peephole first before answering.
Red.
Everything is red.
Only until you hear a familiar voice pipe up do you realize who it is.
Toby.
The blood covered so much of his face it was hard to point out who he was at first.
He speaks to you through the door, somehow already knowing you're there.
And he tells you what he did.
It takes a moment for you to process all the grizzly details, the way he followed the man, cornered him in an alley, and beat him so hard he'd pretty sure he cracked his skull on the brick wall.
He sounded giddy about it. Gleeful.
He was far from the loser you thought he was.
And you liked it.
Liked that he did that for you.
After all, in your head, hurting someone for someone else was the greatest form of love. It was the kind of devotion you'd always dreamed of from a partner.
You open the door.
Toby is surprised, but soon sees a look on your face he recognized. The kind of expression of sick joy and arousal that comes with blood lust.
You're blushing too. Blushing for him.
Everything was finally coming together perfectly, and once you let him into your home, he's never going to leave.
The relationship would start right off the bat. Toby is one to rush things.
It's all to claim you. Both mentally and physically. So you're attached to the hip pretty much. Expect a lot of PDA (Toby does not care who sees lol)
And a reader who's fully on board?
Yeah you're going to bring out the worst in each other. He'll encourage you to do more crimes, to get bloodier, to join him.
It would be a very bad situation for everyone involved.
But especially for anyone unfortunate enough to cross the paths of you two lovebirds.
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ashtavula · 1 year ago
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Hi, I've been reading a lot of your work lately and I absolutely love them!
If it's not a bother can I request Jamil, Azul, Vil and Riddle with their S/O being the children of the great seven? Like they got isakaid there instead of yuu (I'm going to ask for all the Overblot boys because personally I think Idia, malleus and Leona are somehow related to the great seven, either a direct Descendants or distant relative)
Anyways thank you so much if you decide to do this and it's alright if you don't I just really love your writing style and works on the Overblot boys!!
This is a really interesting idea, considering all of the boys really respect the great seven!
Jamil, Azul, Vil, and Riddle with a reader who is the child of the great seven
Jamil:
-Jamil is usually reluctant to show off how smart he really is, but he feels like he has to prove his intelligence when he's with you. You are, after all, the child of the Sorcerer of the Sands. He fully believes that you must be just as wise as your father, even if you actually aren't.
-Jamil never refers to you by title, since it just reminds him that he's a servant, and you are the child of a grand vizier. He knows that you don't care, but he'd rather avoid bringing it up. Instead, he calls you habibi when you're both alone, and he can be more affectionate.
-He refuses to hear anything about you possibly returning to your home. Jamil knows that your father wouldn't approve of you dating a servant, and he can't stand the thought of losing you forever. All he can do is hope that you'll stay, against all odds.
Azul:
-Azul practically begs you to share what you know about your mother. He's always admired the Sea Witch, and he wants to know all there is to know. He'll light up if you reveal some of her wisdom to him, or show him how some of her magic was done.
-I assume that you're also an octopus mer, and that puts Azul at ease because you're like him. The two of you will both curl up in his octopot, giggling as his tentacles tangle with yours. Azul sweetly calls you his precious pearl as holds you, though he'll blush if you give him a pet name too.
-Azul is terrified that you'll leave him one day, and he tries his hardest to make you want to stay with him. He'll spoil you, and he constantly strives to prove that he's worthy of your love. He loves you too much to be able to bear losing you.
Vil:
-Vil doesn't want to push you too much, but the Fairest Queen is well-renowned for her poisons. Surely, you've learned from her, and can teach him. He also asks a lot about her beauty routines. He'll be ecstatic if you share any of her secrets with him.
-Vil adores being able to call you his beautiful prince/princess, and he tends to flaunt your relationship. He preens if you compliment him in return, and gets ridiculously happy if you call him your perfect prince. He feels tempted to record you telling him that, just so he can play it whenever he wants.
-He acts like he's not worried about you potentially leaving, but deep down he's scared that it will happen. He'd do just about anything to get you to stay with him, even if it meant facing off against the Fairest Queen.
Riddle:
-He gets even more serious about following the rules of the Queen of Hearts after realizing that she's your mother. Surely, you're pleased that he remembers all of them, right? Riddle would be baffled if you told him it wasn't necessary, or if you went so far as to criticize your mother for making up so many ridiculous rules.
-Riddle still refers to you by your title, but it's become a term of endearment. He'll kiss your hand as you stroll through the rose maze, and will affectionately call you his prince/princess. He also gets flustered if you refer to him as your prince. Or even better, your king.
-He worries that you miss your mother and your old home, but he desperately hopes that you'll stay with him. If it came down to you going back to your original place, Riddle would choose to go with you. Nothing is more important to him than his love for you.
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rain0tes · 1 year ago
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No words can express how much it is doing HEHEUSVJSGSJZBWKUE to me, thank you for writing this, I shall take it and bite it
Can I request on how the other character staying in the hotel feel about the reader?
Of course you can, nonnie! I'm so glad people like hacker!reader so much 😭
How the other residents at the Hazbin Hotel feel about hacker!reader
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Angel dust and you would not get along at first. His hypersexual nature puts you off, which he teases you for.
"what? can't handle a bit of teasing, sweet cheeks?"
"stay six feet away from me."
Eventually, when he does tone it down, he finds that he enjoys your company quite a bit. You're pretty down to earth, and probably the sanest resident in the hotel.
That doesn't make your conversations any less weird.
"so basically you can use 'ussy' as a suffix for anything that has a hole."
"So, like, spidussy?"
Collective groan from everyone else while you cackle uncontrollably.
Teaching sinners gen Z lingo aside, you two would get up to mischief very often (much to everyone else's annoyance). The whole "replacing every porno video with a rick roll" was actually his idea. Petty revenge!
Husk is mostly indifferent about you, up until he realizes that Alastor is interested in you in one way or another. He tries to warn you not to have anything to do with him. He would know. But then again you've never been one to be told what you can or can't do.
Annoyed when you make a deal with Alastor regardless of his warnings, but at least you didn't give up your soul(?)
You two get pretty close afterwards. Something about looking out for you since you're so impulsive.
He's the one who helps you adjust to hell, telling you about things you need to know.
Learns very quickly that once you've put your mind to something, there's no persuading you out of it.
"Husk! Let's go eat at that fancy restaurant, my treat."
"It takes months to get a reservation to that place. And neither of us can pay for it."
"I bumped our reservation for tonight. Besiiiiides, I don't think the Vee's would mind if I take a couple hundred dollars off of their account."
You're gonna get yourself killed one of these days.
He's gotta make sure to prevent it.
Vaggie does not appreciate you messing with the V's.
You try to assure her that they wouldn't find out, but she's still skeptic.
Point taken, you just hide what you're doing from her as much as you can.
She wonders if you really did stop but has a nagging feeling that you're just doing it behind closed doors instead of doing it in the hotels lobby.
"You're endangering everyone else in the hotel!"
"They're not smart enough to find out. Did you know that they have surveillance around the hotel? I can turn all of that off."
Well, so far, they really haven't found out.
But the moment you endanger anyone in the hotel, you're out.
Charlie was ecstatic the first time you came to the hotel after it had just been rebuilt. After a while of staying there, that excitement dies down as she realizes how much of a handful you are.
Still, she's glad to have you around. No one said that redeeming souls was an easy task.
Realizes way too late that you're not really interested in redemption.
Like a few months in way too late.
But at least they have a new technician? You're pretty adept with anything that works on electricity and the help is really appreciated. Especially now that they're confident they won't be spied on while you're around.
Also worried about you constantly messing with the V's, but she's more worried about your safety.
But her dad seems particularly fond over you, and Alastor said he'd make sure you won't get killed. You should be fine, right?
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(masterlist)
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Curious about your EPIC rework because I was also disappointed by it
like i mentioned in my other post here (before i gave up), this definitely isn't the only possibility; you could focus the musical around something else. for my version, though...
as i said, i would build the musical around the idea of duty vs desire, and tie that into mercy vs ruthlessness. i think it would focus less on odysseus's guilt overall, which seems to be the real focus of the musical, and focus it more in this direction. still plenty of angst, but a little more pointed.
a lot of my changes probably take the musical further away from the odyssey. i'm actually not too concerned about trying to faithfully follow the source material; i think it's more important to actually tell a coherent story, and when you're abridging the material, you need to cut stuff. just be clear that's what you're doing.
(also i'm not going to cover everything i think needs to be fixed. mostly just elements to support my theme.)
i think it's a given that the saga format doesn't work for the final draft of a musical. no shade, it was a really smart way to gradually release the musical. ultimately though, it limits the story because then they were blocked into sticking with a theme, and you end up with too many epic finale songs... but i'll stick with it to help organize here. i'm just not sticking with a "theme". mostly because i'm getting rid of the wisdom saga to better distribute its songs.
unsurprisingly, i've written far too much and it's poorly organized, so this is just act one. i'll reblog with act two.
act one
overall, i would say act one is by far the stronger of the two. i'm probably going to cut at least 30% of the current act two, but act one mostly just needs editing. some songs might need more work, but mostly they still get to stay in the same place. add some spoken dialogue and you've got a pretty decent start.
the troy saga:
most of the troy stuff is fine. i think it helps to set up this idea of ruthlessness, and shows the peacekeeping side of odysseus. could it be stronger? yeah. but i like it setting this whole thing up. i have 2 main changes here.
1) every time odysseus mentions penelope and telemacus, he needs to mention anticlea. the musical has a bad habit of not introducing characters/elements until they're relevant, and i think it suffers for that. including odysseus's mother in the list of people he wants to get home to makes her death more impactful. i was so confused when she showed up the first time; she needs to be in here from the start.
2) to go with my theme, i would do this: the reason odysseus needs to kill the baby is because the baby would grow up to kill him; however, that doesn't necessarily mean ithaca would suffer. zeus can word it really carefully - i don't think that distinction needs to be immediately clear to the audience, but after you know how the story ends you can go back and realize that when you re-listen to it. this doesn't require much tweaking, but it helps to really set up the idea of making decisions for the greater good vs for selfish reasons (maybe he could have raised the kid? and only he would have died in the end? i want the audience to question this!)
moving into the second half of the saga, i think we need to introduce odysseus's men earlier. maybe a scene of him commanding them in troy? since i'm talking about a full musical instead of the current format, this might just be dialogue, not a song. but i think we definitely need a little more of polites before he dies. i don't really like having odysseus start out untrusting and jumpy, which is how he comes across to me in open arms. it doesn't make sense for this to be a lesson he needs to learn now, after being king of ithaca for well over a decade. originally i was just going to cut him, but my fiance persuaded me to let him stay. plus his death to polyphemus is a very brutal turning point.
instead, i would have a song/scene where we set up eurylochus and polites as odysseus's two advisors, two different sides of his leadership. you could rewrite open arms to fit here. polites argues for presuming peace, and eurylochus views things with suspicion and wants to attack first to keep the men safe. this really helps set up mercy vs ruthlessness. it shows odysseus is already a leader who balances peace and action, and it makes polites's death all the more tragic, because he represents the death of odysseus's inclination towards peace.
finally, i find athena's introduction and focus on being ruthless in this and the next saga confusing. she's mad at him for not being less emotional and more ruthless, but i don't see what that has to do with him being a "warrior of the mind". instead, i would make it clear that she thinks he isn't being cautious enough. she's mad because she thinks he isn't being shrewd, not because he's being nice.
athena and eurylochus should be coming from the same place: we need to be overly cautious and strike first, because that's how you stay safe. and rather than having a jumpy odysseus being taught to trust people by his soft bestie, i think he should be a general, exhausted from fighting for 10 years, jumping on the idea of relying on trust so he can relax and not feel so jumpy. his duty is to balance these two ideas, mercy vs ruthlessness, but because he chooses only mercy without remaining vigilant, polites dies and now he only has eurylochus to give him advice, meaning no one else is trying to suggest mercy. (i don't think eurylochus is bad - actually, he clearly prioritizes the crew and is always suggesting whatever is best for them. but often what is best for you isn't the best for those you come across, which is why it's the leader's job to balance those two things - again, the theme i'm going with in this version.)
anyways, athena needs to focus on pushing odysseus to be more suspicious and calculating, not more ruthless. she scolds him at all the same points, but now it actually makes sense. i don't love their flashback, but i don't have suggestions to fix it, so we'll leave it alone for now.
the cyclops saga
not too many notes here. getting to see the crew more gives it a little more weight (the stage production needs a tiny dialogue scene where you get quips and comments from nobodies so they're a little more recognizable when they die! make people even sadder!), but this is a really chilling series. the exposition bits need rewording (and again, a stage production has the benefit of 1) spoken word, and 2) stage directions so you can just show things happening).
odysseus's convo with athena needs work. as is, this doesn't seem like a good place for "what good would killing do when mercy is a skill more of this world could learn to use." this is supposed to be the stance athena takes at the end of the musical, but this particular act of mercy seems to lead to the death of most of his men in the very next act - which really makes it weird that athena apparently agrees with that sentiment.
i don't hate everything about this line, especially if we actually see athena ruminating over the line over the next 10 years. but it needs to be clear that it is not mercy but pride that leads to the death of his men. or, if we want to make it about mercy instead of pride, it shouldn't be as the sort of threatening brag that it currently is; instead, frame it as "even now, when we've beaten you, we're still choosing to let you live. because i, odysseus, king of ithaca, have chosen to show you mercy." obviously yes it's still his pride, but then when everyone blames his "mercy" for getting his men killed it makes more sense.
(coming back to really hone in on the idea that mercy isn't the problem here - maybe eurylochus notices something is off before polyphemus starts singing, tries to point it out, and gets brushed off as being too suspicious and bloodthirsty? yet again, i find the musical's stance on mercy confusing. is it good? they seem to want it to be - that's definitely what open arms implies, especially since it gets repeated so often. except the musical stresses that mercy is *why* everything went south here, and it rarely actually shows mercy working. it's confusing. i think this whole thing should feel more like odysseus was reckless, the only thing athena calls him that actually makes sense, and that's why this didn't work. the characters don't need to say it directly, but the musical needs to better frame it that way.)
(an aside, but they still grab sheep on their way out? obviously they're still starving but like. i'm side-eyeing the way everyone (in the musical) acts like he was so "merciful" for leaving polyphemus alive, but even after he learns the sheep are polyphemus's friends and their deaths are what drive him to violence, he still makes a point of stealing and killing them... this isn't a serious criticism i'm just poking fun at it. but hypocritical much?)
athena's anger in my goodbye makes no sense to me - not that she's not justified, but that her reasons make no sense. she calls him "sentimental" and "soft", but that's absolutely not the problem here. she should yell at him for being prideful and cocky. accuse him of sparing polyphemus just to feed his own ego, or of being short-sighted - she mentioned the danger of leaving him alive in the last song, why not bring that up again? why doesn't she scold him for foolishly giving up his name? it's really weird that she keeps harping on the idea that he's "emotional".
odysseus's retort is good, but also a bunch of people just died so it's weird that he's so confident about how right he is. "my friend is dead, our foe is blind. the blood we shed, it never dries" from the last song, and "unlike you, every time someone dies I'm left to deal with the strain" in my goodbye are really good lines. more of his position needs to come from his exhaustion, because odysseus is smart. he's a brilliant general. this does a better job of explaining why he's making so many mistakes early on, and why he's pushing back against athena so hard despite the fact that he just fucked up real bad. he was wrong. he should have acted faster like she warned him to. but making him a man, exhausted from a decade of fighting, desperately trying to grant mercy where he can? his pushback makes more sense.
also, him jabbing at her for wanting "to be known" and being alone? really weird. the musical frames athena as this loser whose only friend was odysseus. i don't get it. especially when you're calling her a goddess who doesn't understand feelings right before that? which is she, a powerful goddess or a lonely girl? stick with him accusing her of not understanding human emotions and interactions. it still gives her a reason to stick around - she can be offended by the insinuation that there's something she doesn't understand, and it gives her a reason to dwell on his comments and eventually change.
the ocean saga
eurylochus needs to call odysseus out; if he'd listened to him, if they'd acted faster against polyphemus, they might not have lost those men, including polites. obviously that might not be true, but it feels like that's what his position should be. it's really weird that they're nervous about the wind god because "your luck might run out" rather than "you did just make a bad call that got people killed". especially when odysseus says "i took 600 men to war and not one of them died there." sure, not there, but you just lost a couple to a cyclops. this more deliberate questioning makes the sidebar with "i can't have you planting seeds of doubt" a little more serious. it's not just "what if you're not lucky," but also "what if you're not as sharp? what if you're making mistakes and bad calls?" the luck thing works for the rest of the crew, but eurylochus's role in this musical is to question odysseus and challenge him as a leader, to make sure odysseus is doing what will keep the men safe.
eurylochus questioning odysseus more pointedly makes the betrayal in the next song make more sense. we should already have the sense that he's starting to doubt odysseus's judgement. his "luck running out" doesn't really explain why you're doubting him with the wind bag; but if you think he's hiding things or making bad decisions, suddenly it makes a lot more sense. i think the implication in the show is that it's just curiosity, and we don't even hear eurylochus asking about it. now, if we have already established eurylochus is already questioning odysseus's judgement, it's a little less weird when we learn he's the one who opened it.
again, we need a mention of anticlea, and she should sing with penelope and telemacus.
honestly? basic take here but i like ruthlessness. i'm fine with not changing my theme to use a better word because this one is a banger. and the one animatic with him as a creepy horse? more horse poseidon imagery, please.
i think poseidon needs to call out specifically how hypocritical odysseus is more. lean into that "false righteousness". the problem is that he isn't being "nice" or "merciful", at least not in those moments, not in how he's currently behaving. most of this interpretation is already there; honestly, just changing the delivery of some of the lines would go a long way. "you are far too nice" needs to have the last word almost spat out - poseidon doesn't actually think odysseus is nice; nice is just a word odysseus is hiding behind to justify his actions. i'm sure it could use more work, but at a glance i really like this one.
it goes without saying that the ending sucks ass though.
i can't imagine anyone thinks that was a good ending. idk how to fix it because the current one is so bad it's hard to think of any way to have something good there. you just can't have the jaunty "open this bag" music in there at all. i know they like to mix in motifs and call back to other songs, but it fucking kills all the momentum in what is otherwise a very dramatic song - and we need to be able to take this song seriously, because it's what the entire rest of the musical is based on. i'm open to a completely different ending, but if you want it to stay relatively close to the current staging: poseidon and odysseus stare each other down. poseidon asks "any last words?" and you think odysseus is about to say something dramatic and instead... he yells "eurylochus!" poseidon is confused, but eurylochus responds with "captain!" and, understanding what he's asking for, throws odysseus the wind bag (he helped odysseus close it, so maybe he got it then, or at some other point, idk). and then odysseus opens the bag in poseidon's face. then everything poseidon does is the same, the effect is the same, you just don't get the musical equivalent of a wet pool noodle slapped across your face.
the circe saga
first! an addition! the musical wants athena to be a foil to odysseus, but they do such a poor job of exploring her character or logic at all, it just doesn't work. her character revolves way too much around odysseus. she says goodbye, and then we see her 4 sagas later (half the musical) where, apparently, she's decided odysseus was right because... maybe if she'd agreed with him they would still be friends. and then she defends everything he's done... look, i'm getting rid of god games, so i won't go into that now. yeah, odysseus is still what prompts her to change her mind in my version, but he's just the start of that journey. she's going to have other reasons. i want to add in a couple songs throughout the musical, just to show the transition a bit. additionally, they can help show time passing in odysseus's story by breaking it up a bit.
this first song is a small one. it's just telling us what athena is thinking and what she's going to do. it's basically her mopey and angry that odysseus insulted her. but she's a goddess of wisdom and intellect, so she's kind of intrigued - maybe there is something to learn about leading with kindness. i haven't decided how she ends up back in ithaca, but she's decided to investigate this. i know the popular (not academic, more fandom-related) interpretation of greek gods is that they're all stubborn and that's the whole point, but for the sake of this story and the theme (and also the character), i think athena should take the stand that if there is wisdom to be gained, it is her duty to learn it. again, this one is pretty short - a verse of angry, and then she talks herself down, and then she's setting out to investigate - a little bit to learn something new, maybe a little bit to prove odysseus wrong.
the athena song can also go at the end of the circe arc. i was going to put another one in there, but the pacing and time line don't match well, and monster is definitely the finale to act one. i wanted to fit something along the lines of the start of the wisdom saga in here, but i think i'm going to put it at the beginning of act two, so. only one extra song for now.
onto the actual saga: i think it's done pretty well. some of the phrasing is awkwardly fit into songs, but that might just be me, and it's overall not egregious. i will confess that "she had us in just two words" "come inside" "damn" does make me giggle every time like a 12-year-old boy. i didn't mention it in my post on the musical's women because i don't think the text directly addresses it, but there's a definite implication that circe is as harsh as she is to protect her nymphs from sexual assault, which they might have faced before. removing the undertones of that from her relationship with odysseus was the right call - i don't think that's a conversation this musical actually wants to have, and it muddles her justification for how she handles the men.
circe is also gives us someone to compare odysseus's leadership to; she's basically the only other leader of a cohesive group that we see. her harsh policy stands in direct contrast to odysseus's earlier choice to start with unchecked "mercy". in turn, her nymphs are safe. we see her later learn that there are times where you can extend mercy and trust, so she even has character growth. (you could make a very interesting comparison between circe & her nymphs and the sirens, but that's a discussion for outside of the musical, so i'll leave it for now.) i wouldn't be surprised if other people have criticisms, i just haven't been able to find basically any critical discussion of the musical, so.
you could mostly leave this saga alone, but i'm inclined to take my red pen and make some bigger changes. i'm just not sure how to. i really don't like hermes and the flower being inserted here - again, i think there's too much bloat in the musical of "oh here's a thing that's in this specific bit, clearly just because that's what happens in the odyssey, and then we won't talk about it again." hermes does appear in two songs, but actually, does he need to? i'm of the opinion that the musical needs fewer characters so that it can better focus on developing the ones that actually need to be in here. the only problem is that odysseus needs the flower from hermes to explain why he has magic in the next song. okay, so what if no magic is used, and he just uses his wit to convince her? except that's basically what the plot of the next song is. so at this point i've basically gotten rid of two songs and completely changed the third, and that doesn't really work. or need to happen.
i stand by wanting to remove hermes. i think you can just give odysseus some line to eurylochus about having heard about a plant on these islands that makes one immune to being transformed by magic for a time. i don't think it's important - it's literally a small, one-time detail just to explain why circe doesn't immediately turn him into a pig. he doesn't need magic in done for - he can just fight with a sword while circe is slinging spells at him. and then you can still go into there are other ways.
the one change that i think does need to be made is that odysseus needs to spend a year on the island. he needs to be stuck here. it does mean you have to basically cut the song in half, but that just means the second part, where circe decides to help odysseus, needs to be a reprise. i think you have circe trying to seduce odysseus, and then she's shocked when he rejects her. the difference is that he doesn't fully win her over; instead, she decides to give him and the rest of his crew one year. for one year, his remaining crew recovers on the island and rebuild the ship, helping the nymphs with whatever tasks they ask and basically proving "not all men" are terrible. finally, odysseus shows that there's payoff to being a merciful leader! he saves all of his men! as they're finally preparing to leave, penelope shows up, we get the reprise, and she sends them to the underworld. all is well!
the underworld saga
or, all is not well.
this is where i spell out my theme: while a good leader is merciful, mercy takes time. and that extra time can be detrimental to personal goals.
this is why it's important to mention anticlea earlier, and why the crew spends an extra year on circe's island trying to save the rest of the men. taking a year to save his men makes odysseus a good leader, yes, but it might have cost him a chance to see his mother before she died. it doesn't matter when she actually died in the odyssey - what matters is that this is really what makes odysseus question the cost of mercy. this is where he starts to put his own desires over the safety of the crew, because the cost of taking too long is suddenly real - as is the cost of taking time to be merciful.
i actually don't have too much to add. some edits might need to be made to fit with other changes, but overall it's fine.
okay, there's act one! this is definitely long enough, so i'll reblog with act two. suggestions and conversation are welcome; again, my fiance already changed my mind on one part. i haven't actually see any discussion on changes yet, so i'm happy to consider other changes, or for mine to be challenged (by something other than "actually this is perfect").
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headspacedad · 4 months ago
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The Duke's Obsession with his Wife
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Have you ever read a story that had you completely wrapped up in the characters only for it to end horribly? Have you ever, like any sane person, decided that your only course of action was to rewrite it as fanfic? Well, congratulations, you've pretty much done what the heroine of this story did.
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After finishing a story written in a fictional Victorian era, in which the male lead falls in love with the queen and becomes her own personal hound, hunting down her enemies and following her every command only to end up given a goblet of poison to drink at the end (which he drank) - our heroine is having NONE of it! The answer? Write some steamy NC17 fix-it-fic to give the fictional male lead the love and happy ending he never got in the original. Unfortunately for our heroine, her fanfic gets so popular that the author of the original story finds out about it and one strongly worded email later -
Our heroine finds herself inside the story, living the life of a woman that had exactly one line in the original novel. A line that said her father was a traitor to the queen and the queen's hound had hunted down and killed the entire family in response.
Can our heroine survive and change her family's fate!? Well, maybe she'd be able to devote more time to that if it wasn't for the annoying and handsome guy that shows up - with a proposition for her horse!
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Okay, so this story isn't exactly breaking any new ground. It is absolutely following the road map you'd expect (at least so far). And I've got to say I'm really enjoying the ride (the scenery is familiar but in the good kind of way). What has me so delighted with the story are the characters and their interaction. Our heroine reminds me of a Jane Austin kind of heroine - she's suited to her time period but that just means her spunk and backbone are perfect as well and don't jar out of the setting of the story. She's smart, she's quick witted, she's self-aware and she's kind. Our annoying male lead? He's also smart, quick witted, self-aware and - well, he's a bit of an asshole but the kind of asshole that's willing to change his opinions or stances when he sees he's made a mistaken assumption. And, to me, most importantly he not only listens to the heroine (putting him ahead of a lot of male leads in manhwa) but he also observes what she doesn't say and pays attention. Watching them play off of each other, and slowly grow to respect and actually trust each other's company is lovely in, again, a way that feels vaguely Jane Austin to me and I would be along for the read simply for that alone but -
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but the story our heroine remembers isn't going the way it did and it hasn't been before she even came into the picture. Something is changing things in unpredictable ways and even a dozen chapters in our heroine is smart enough to realize just how important it is to figure out what's going on before it punches her in the face. And I'm intrigued. Usually these stories rely on the heroine being the factor for change but this - I'm really ready to see what kind of possibilities this could give me instead of just the standard troupe.
Plus there is an adorable step-sister and I really need to find out if she ends up with the tall blond or not.
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We're not far into the story, less than twenty chapters at this point, so its an easy catch up and the art work is pretty and clean without being over polished. I'm particularly fond of the facial expressions. Plus the costumes are simplified but absolutely beautiful - I'm a HUGE fan of the walking dress with the marigold and ribbon hair ornament.
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So far I'm having fun with this one so I'm going to say its an easy recommendation at this point.
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rating: PG so far
finished: no
warnings: parental neglect, blood, fat-shaming, parental and sibling belittling, horses eager to get it on
abs?: surprisingly not yet. He barely even takes off his gloves
go ahead, read it. I'm really curious to see if I'm the only one picking up Jane Austin vibes or not.
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ps. the artist is doing an AMAZING job with the frames. Notice the blond leading the sister off the frame? The way the frame is so much bigger on the ML's side of the picture when he's leaning into the heroine's space? Chef's kiss
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fakeusernamelol · 7 months ago
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Sorry I'm obsessed with bad ending teen dad stancest--
When Ford leaves home for college he takes Stan with him, Stan thinks it's fine, it's not their boat but it's basically what he used to wants, they're out of jersey and they're okay. Fiddleford asks him what he wants out of life sometimes but that question's made him sick since he was twelve and realized he wasn't smart enough to be much more than a housewife for whatever man he ended up with. Instead he tells Fiddleford he's gonna be a pirate, because it makes him laugh. Then Ford wants to go to Gravity Falls, and Stan's back to being alone with him. By the time they're 27 he's stopped trying to keep his hair short, he makes for a piss poor Ma as far as hes concerned but the twins aren't old enough to get that yet. Bill gets mad at Ford so Ford gets mad at Stan, and Stan sleeps on the floor next to the kids' beds because Ford's better than their father, he won't lay a hand on him in front of the kids, and Stan uses it because hes a conniving coward with a distant look in his eyes that their own Ma used to have.
But then the portal, it drives Fiddleford insane, Fiddleford tells him Ford is dangerous, that he's going to kill them. And Stan didn't believe it until he spent a night barricading a door covered in height marks and crayon while Bill tried to claw his way in and then the next morning when he caught Ford crying in front of the TV, Ford punched him full in the face in front of the twins.
So it was so easy, hitting Ford back for once, shoving him just a little too far and letting the portal take him away, leave Stan with the house and the kids and a new name to inherit and the freedom to cut his hair and get himself the glasses he needed and call himself Stan instead of what Ford called him.
SORRY IF I RAMBLED TOO MUCH IM EATING YOUR DRYWALL I NEED MORE AU--
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would that be a win-lost or a win-win?
PLEASE PLEASE DON'T APOLOGISE WHEN YOU ARE GIVING ME EXACTLY WHAT I WANT, I LOVE YOU AND OF COURSE I'M GIVING YOU MORE DEAR ANON you and me are now friends and i don't take no for answer 🤭🤭💖💖💖 Also what a good name for this au, im using it now 😘
(tw: Transphobia, Misogyny, Abuse, a lot of implied noncon yadda yadda you already know where's this going 🤷)
Stanley needed something to hold on to try to survive this new life, it's not exactly what he always dreamed but it's not bad, he has ford and that's all he has always needed, isn't it? He can get used to, come on he has always been seen this way he can get through it.
But when he met Fiddleford those thoughts were becoming harder to support again, a new person, new air and new perspective. Sure he wasn't going to tell him all those crazy thoughts he had because that would make ford mad but he can express a little of it, fidds wouldn't ever know that those jokes were actually his dreams but at least he can say them and think a bit of them every once and then to distract a bit from the real life. Maybe... Who knows,maybe one day Ford wouldn't be this harsh with him and he and their kids could still sail the world once he's done with college! Joke's on him, of course they were going to do what ford had in mind and he can't say anything, after all if he's not in the streets is thanks to him so,heh, could be worse. going to miss fidds anyway...
But well, not time for thinking about himself, they are already grown adults and since he's not getting a job the least he can do is be a good as possible mom for their already 10-year-old twins. Ever since they've been in Gravity Falls, Stan can swear that he's seen all kinds of strange creatures but Ford seems delighted with it and only times he doesn't talk to him in a rude tone is when he says something about them so, it's not that scarier as it was the first times. He doesn't quite understand what Ford is actually doing with that information, but after that he goes to the basement and warns him and the kids to stay away from this as possible, and he's going to obey for his own sake.
...At least as much as he can because things are becoming even weirder, he has seen Ford obsess over an investigation before, but this time he seemed to be going genuinely crazy, not all bad tho, at least fidds was back again and having a new face in the place was genuinely a good thing for him, sure he was here for working but anyway stan would try to sneak up on them like bringing them something to drink after a long day of work in the basement, Ford wasn't so harsh when Fiddleford was around so he wasn't so scared to do that and share a few words with a good friend not knowing that ford would make him pay for that later.
« what did I tell you about going down the basement, [ ] ? You have your things upstairs with the kids. »
It was fine, he deserved it. He has never said anything about Ford's abuse, because ever his teenhood he knows he deserves it, He only knows how to screw things. Maybe if he hadn't broken that stupid machine ford would change his mind but he had to fuck it. Yes, he sometimes still daydreams about a world where ford could accept him, a world where ford would hug him often and not hurt him again and maybe, a world where he calls him stanley for once... but time has passed and his hope has faded away, Now he just wishes that thoughts to leave his mind once for all.
Suddenly things get worse. «they could?» it seems to be.
Ok, sleeping in the kids room wasn't so bad, sure the floor was cold and he only had a blanket in order to not die of hypothermia but at least he had his kids near him and that was fine, ford wouldn't try to make something to him with them near. Now, seeing the eyes of that friend he always thought of like a kind of safe place full of fear and warning him of such an unthinkable danger for him what's indeed something he would never forget and fuck shouldn't do it. He thinks he knew what Ford was capable to do, sure he's angry with him ever since and his touch is not the gentlest, but stan didn't think he would go so far as to endanger himself, much less his children... Seems like everything he thinks is really just bullshit, he says to himself while using his body to lock the door of the kids room while hearing those strange creepy laughs and scratches from behind the door.
Ok so things are going to be dangerous now, but the next morning when he sees ford crying with his hands in his face and his legs on the floor he gets second thoughts, something was wrong with ford, he don't get what but maybe he could...
So you know, Stan has endured a lot of things ford has done: the words, the insults, the abuse, the punches, the constant contempt and more but punching him in front of their kids was enough.
For the first time ever since that night in the bathroom floor stan had enough of ford and didn't even think twice before giving him the punch he has always deserved it. Not punch, punches.
HE was angry, HE was tired, and not even the cries of his little children in the background had made him stop while Ford tried, like the coward he really was, to flee from him when he saw that this time his blows were not saving him.
Funny, stan thought, « I always protected ya' from Crampelter and his herd, no matter what. Ya' we're afraid of givin' them a good punch but what about me, sixer? Are ya' scared of me now? »
Stanley was stupid, but he was stronger, even if ford has always despised him for being born as a woman, HE was stronger than him and for once he wasn't scared of his rejection.
But.. sure he didn't expect what happened next. He has never seen what he and fidds were doing in the basement and now, he knew it even less.
He was angry but fuck he didn't mean that! Why does everything have to be so complicated towards Ford? Fuck!
...On the bright side, those 30 years will serve Stanley well to realize everything that his brother held him back from for years, guess who's the one being welcomed with a punch in the face here. 😗
So, you can say the bad ending au got a good ending? Lol 🙆
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