#and i'm available

[kinardsevan]

melbell's theory on "is it a swerve":

I have been saying for about two days that I would write out a whole through-line of my theory of what shenanigans might be happening in the writers room for 911. 

I should specify first that this theory goes based on the idea that what’s being served to us currently is an entire swerve, and that they’re following the formula they’ve done before (ala Madney, Tarlos, etc.). 

My theory ties into 807 as well. It has us not losing Tommy, but him actually being in the episode. Given that we know that it’s been said that recurring cast members will film in batches and not necessarily by week, that opens up the option for Lou to be in (at least) 807, if not more. 

I know some of what has come out in social media in the past few days references that there was a certain lineup for the way B/T was viewed through 8a, and how it would culminate in the discussion of moving in together, referencing lore to Tommy’s past, possibly his father, etc. 

My thing is that, at the end of the day as a creative, all I’m trying to do is follow the breadcrumbs we’ve been fed for the past 12 episodes of this show. Because of that, the points of note within those breadcrumbs are: 

7x09: “Tommy’s good people. He’s good for you.” 

7x10: “My dad and I don’t really talk…Having Gerrard was like having the father I already had.” 

8x05: “people are what make life worth living”; “my boyfriend”; “It’s a beautiful thing, isn’t it? having a crew like this behind you, even when things go wrong” "especially when things go wrong"

8x06: “Do you love him” (entire speech) 

Now obviously, coming out of season 7, this show knew they wanted Lou back, but they didn’t know what his schedule was going to look like or whether the character would pan out, how the general audience would continue to tune in, etc. However, they did lay down enough crumbs that they could pick up and continue to move forward with. They gave themselves the ability to tell a story with Tommy’s lore around his father, along with what they ultimately chose to do with Abby (which a lot of fans were talking about early on in the summer as it was). 

Now, we’ve learned things since I first formulated this theory. We know that there’s a discussion about Buck having a “pendulum” reaction to the breakup and how to deal with it. We know that he’s going to throw himself into other things to cope. We know that there’s mention of “cracks starting to show” in reference to how he deals with the breakup. we also have mention in one of the articles about the possibility of them working a scene (as in accident, fire, etc) and things being awkward. 

based on all of that prior information, (along with Josh’s speech in 806), when I saw the preview for 807, I was very quickly one of the people who was like “this is being done for angst. this is not the end of BuckTommy”. 

My theory actually ties into (if we loved each other once) could we love each other twice, my latest fic. We don’t have any close-up shots of the person on the crane in the episode. We have the PA (or whoever he is) telling Bobby “there was an incident during filming, he fell and passed out”. Within the confines of me feeling like what’s happening is all a swerve on us, that line might not be entirely complete.  I’ve theorized that the 217 is already on scene, and Tommy is the man hanging on the crane. 

Why, you ask? 

When is the last time we saw someone hanging from a crane? (Buck, lightning strike, if you’re playing the long game, kids). Why bring that back if it’s not intended to be paralleled in some way, the very way they have been doing with this couple from the jump? 

We also have the voiceover of who we (aka as me and the two people I’ve actually written this all out for) assume is Oliver/Buck yelling “no no no no no!” in a panicked tone. For me, when I follow that line of logic (through 806 forward), things feel really clear. 

Now I hadn’t considered the idea that they might actually kill Tommy off until today, but let’s go with the idea that they’re not. Everything that we’ve been given from 710 on starts fill in a really beautiful plot going into the midseason finale for these two. 

Tommy is hurt. If the lightning strike is mirrored as I assume it is, the scene in reference will happen right about the end of 807. 808 will likely be some kind of other story (on purpose). I don’t think at this rate, we’ll actually ever get a Tommy Begins, but the title of Sob Stories really feels compelling to me on how they could do a version of this. Or a version of Tommy seeing what Buck’s life would be like without him, or any other version you want to think up. 

You suddenly get all of these breadcrumbs lined up really nicely into these episode. 

-Tommy’s dad can be presented to us. This also presents an opportunity to explain why Tommy feels unworthy/scared/etc of moving forward with Buck. 

-“people make life worth living”; “especially when things go wrong”. This would be something going very wrong. this would present them with an opportunity to give the payoff that we’ve wanted to see Tommy receive since 710, being accepted into the family he has always felt outside of. 

-“do you love him”. I think part of the break-up storywise being important for Buck is that it requires him to really dignify how he feels about Tommy. Another thing that this theory does is put them in a positon to really face the issue of remembering that life is not permanent. They can very much so end up without one another. And yes, shit already sucks being apart because Tommy broke up with him. But this brings to light the idea that, not only could they just be broken up, but that one of them could die and not have had whatever time they have left (especially given their career of choice) with one another. I think if you really lean into the parallel of the coma dream for Buck, it gives Tommy prime opportunity to learn why he’s afraid. Whether this is done in the form of a coma dream like buck, or like TK’s was with his mom (that feels more accurate for me with Tommy, meeting his mom, etc). 

—I’ll also include the aside of Gerrard being around could also be an interesting addition to the story. 

I can even see this feeding into whatever issue Buck runs into with Eddie in the coming weeks, whether it’s him still being upset with Tommy over the break up and Eddie saying Buck doesn’t have the full story, or Eddie thinking that Buck is giving in too easily after seeing him hurt. (Or that could be none of all of this). 

As for the interviews that are concerning, I do have somewhat of an answer to that too. 

I feel like on some level, Lou had to know that the fangirlish one was with someone who is fully behind Buddie and knew about the crap he’d been through. That interview didn’t have clear cut answers quite yet, and that one has me with this answer: nothing of what he said would necessarily be a lie.

He’s working on SWAT right now. Actors always have opportunities in front of them. He may have things that could affect how 8b goes, regardless. I have questioned whether he went into that interview with the discussion with the powers that be basically being like “don’t lie. but you can have fun with it, too.” 

In terms of the others, I haven’t read every single article out there, but I know we hold a general lack of understanding about the fact that the “exit interviews” just feel weirdly un-exit like. I’ve read millions of them at this point due to Greys Anatomy. And as it’s been said, you never see people asked about coming back; in fact you usually get a lot of "what's next" instead. We don’t get a whole lot of clarity of what’s happening with Buck next, beyond “new hobbies” “family time” “dealing”. 

That all said… I don’t know. I know the theory has legs, even though it takes shots from the articles we’ve been given. I started out with a lot of hope weighing into this theory. Now I’m not as certain. But I am someone who holding out hope that some version of a swerve is happening and it was just written really fucking poorly (and at the worst possible time known to queer men and women).

You’re welcome to share with me your thoughts. I’m open to polite discourse. 

[harocat]

I have a theory about gen z and millennials, so please help me out with this poll.

Please make sure to vote as to whether you got vaccinated as a child or not, if you did not get chicken pox. Take care, spread this around, and vaccinate your fucking kids. Poll is not exclusive to any country. Vote no matter where you're from.

[tossawary]

This is petty fandom salt, BUT... I've been chewing on this phenomenon that I've been calling "Fandom's Darling". It is related to things like "Author's Darling" and "Mary Sue / Gary Stu" and "Protagonist Halo" and all that jazz, where one character gains a peculiar narrative weight in a story.

"Author's Darling" is when a writer has a favorite character, and the world and all other characters sort of get... warped to put the Darling in the spotlight. It's most noticeable in TV shows with multiple writers, when a character you personally like suddenly has their previous characterization destroyed to make another character look good somehow. Every other character might become weirdly incompetent. The Darling's feelings are treated as The Most Important Feelings in any given situation. The logic of the fictional world seems broken past suspension of disbelief in order to validate this one character's beliefs or skillset or some other fantasy. And so on.

"Fandom's Darling" is what I've been calling the pattern where a fandom essentially crowns a New Protagonist for their fanfiction stories (it's often a side character rather than the original protagonist, but it can also happen to protagonists). This character becomes the self-insert for all sorts of indulgent fantasies, gaining special powers or backstories, and/or becoming the focus of extreme whump, and/or hooking up with all the various hotties, starring in all sorts of tropey AUs, and so on. They're not always an obvious Mary Sue version of themselves, but the character's original personality and interpersonal relationships tend to get warped or dropped completely, and other characters tend to become a little flat around them. I call it "Fandom's Darling" because it's not just one self-indulgent fantasy fic (you do you! Have fun!) with characterization choices that I don't vibe with (I have neither the time nor the desire nor the authority to police anything, I am just venting), but rather a prolific mini-fandom of sorts revolving around this empty doll / fanon version of the chosen vessel character, so it becomes a little unavoidable.

I am salty about this (mildly frustrated) (imagine a soft sigh of disappointment before I just go do something else) because you are FUCKED if you actually liked the canonical version of this character and their interpersonal relationships. It's almost worse than liking an obscure character that no one cares about. There's about a thousand fics starring your fave, but maybe only about a dozen of them are actually rooted in any kind of recognisable canon.

[starcurtain]

Please someone redraw this with Dr. Ratio and Aventurine because this is the exact vibe they have in my head post-Penacony.

[dinolich]

Beetlejuice AU in which he and Lydia are forced to make a deal resulting in a cross-Netherworld road trip, torturing each other the entire way

[neetols]

dungeon meshi

[wiisagi-maiingan]

I love tornado survival guides. "Shelter in a basement or interior room without any windows. But if you're in a mobile home, just fucking die I guess lol"

[genshin-impact-updates]

Now seems like as good a time as any to tap the sign, since I've received a few asks lately that assume I'm a qualified hoyo spokesperson. I am not, I'm just some guy!

This also means that I have no control over character design decisions – in fact, I have as many complaints as you do. If you want to express your opinions in a way that's more likely to reach the company, I recommend using the current in-game survey and this petition that's been circulating in both the Chinese and global communities.

[say0ranarts]

persona layered wood pins!🤍✨

[nooskadraws]

a study of comfort 🌿✨💀

an illustration for a blanket available for preorder! (only open for two weeks!)

[emblazons]

Finn Wolfhard as Petro The Legend of Ochi (2025) - Trailer

[mariana-oconnor]

Types of AO3 Summary

Option 1 - The Excerpt:

The quickest, the easiest! Find a section of your fic that contains the main premise of said fic and also showcases your writing. Copy paste that into the summary box. BOOM! Done.

Best used for any fic, unless it's so short the excerpt would be the whole fic.

Option 2 - The No Frills:

Just a description of the fic. No need for drama. No need to complicate matters. Keep it simple, keep it safe.

Example: "A short character exploration of Blorbo's thoughts after Daisy leaves."

Best used for short fics, poems and fics where the style/format is more important than the plot. Or fics that tie directly into a scene/episode from canon or another fanfic.

Option 3 - The Hook:

Draw the reader's interest by giving them a set up with no conclusion. Introduce the main character(s), introduce the status quo, describe an inciting incident, leave a question in the reader's mind.

Example: "Blorbo is a barista at a coffee shop, struggling to pay their bills, but after handsome rockstar Obrolb walks into their coffee shop they find that they have to decide whether a chance at love is worth the cost of fame."

Best used for mid to long fic where there's a strong premise and follow through. Especially good for AUs. Can be expanded for more complex plots or used multiple times in one summary for multiple characters or subplots.

Option 4 - The Sitcom One-Liner:

"The one in which [over simplified description of one of the main plotlines]" This is essentially 'boil your plot down to the very simplest statement you can, oversimplify if possible. The more bizarre or unhelpful the better.

Example: "The one in which Blorbo learns to like cake".

Best used for fics with at least a little humour in them.

Option 5 - The Rule of Three:

Three is a magic number. Find three key moments in your fic and just list them. That's it. Often ends with 'not necessarily in that order' if used for comic effect. If it's an AU, establish that quickly (i.e. 'Star NHL player Blorbo…').

Example: "Blorbo makes a friend, falls in love, and almost burns to death, not necessarily in that order."

Best used for anything, really. Three is a magic number. The human brain loves things that come in threes.

Option 6 - The Trope Lure:

Why bother describing the plot? We all know AO3 readers are here for the tropes. Similar to The Sitcom One-Liner just using tropes instead of plot. Often followed by the phrase 'that nobody asked for'.

Example: "The Space western / A/B/O / Mail Order Bride fic that nobody asked for."

Often tacked on to the end of The Hook or The Excerpt as a tl;dr.

Best used for fic that plays its tropes straight with no shame or second guessing.

Option 7 - The Pre-emptive Strike:

(Not recommended) You just wrote this fic, the self doubt is consuming you. You feel the need to apologise profusely for your existence for no apparently reason. You feel cringe, you think the fic is cringe, you want everyone to know that you think the fic is cringe in case they don't like it and judge you for it.

Example: "So I fell in love with this pairing and had to write this. It's weird and terrible. Lol! I suck at summaries! Sorry!"

Best used for no fics ever. I cannot stress this enough.

(Seriously, I am begging you, don't do this. If you're planning to use this option, rethink it and do one of the others. I guarantee you more people will want to read your fic.)

Sometimes added on to any other summary as a strange disclaimer. (srsly. don't.)

Option 8 - The Unapology:

Embrace the mayhem, embrace the deep dark depths of your soul. The opposite of The Pre-emptive Strike. A combination of The No Frills and The Trope Lure that truly gives no fucks.

You have committed crimes and you are proud of them. You know what your USP is and you're going to make sure your target market finds you. Look upon my works, ye readers, and despair!

Example: "There aren't enough tentacle fics in this pairing, so I had to write one myself!"

Best used for fics with controversial/polarising tropes with all relevant details already clearly stated in the tags.

Option 9 - The Interrogation:

What if you wrote a summary entirely in questions? What if your readers had to read the fic to discover the answers? Who knows what will happen if you do this?

Example: "What happens when Blorbo McBlorbo gets his wish and Daisy doesn't make it to the plane on time? What happens when Obrolb finds out? How will this change Daisy and Blorbo's friendship?"

Best used for... I honestly don't know. This style of summary does not vibe with me. Mystery fic maybe? Sorry guys.

Option 10 - The Multipack:

Got a bunch of shorter fics in one work? No way of summarising them all without a wall of text larger than the Great Wall of China? This one is similar to The No Frills in that you're not describing the plots themselves and similar to The Trope Lure in that often broader genres and tropes are mentioned. What links those fics? Are they all in the same fandom? The same pairing? The same challenge? Just slap that right in the summary. A chapter list with 1-2 word trope/pairing summaries can be included or not.

Example: "A collection of Blorbo/Daisy/Obrolb fics based on Tumblr prompts. Chapter 1: Regency AU Chapter 2: Werewolves vs vampires Chapter 3: Ghost!Daisy Chapter 4: Space pirates!"

Best used for (obviously) works that are compilations of fic.

Option ? - The Void:

I said The Excerpt was the quickest and easiest summary to do. I lied, well... I didn't exactly lie. What is quicker and easier than not having a summary at all? After all, that's what the tags are for.

Example:

Best used for... nothing? Write a summary, guys. Please?

[meii-jasmine]

We stan Filipino Miku! 🇵🇭

She has her own Mikutoda tricycle, eating kwek kwek before the rush hour

[keykrackinass]

[brainrotcharacters]

Wade claimed a dog (Mary Puppins) and claimed a cat (Logan) in one movie

[bluewolfangel01]

Mc: 😠

Demons: 😥

Luke: ... What's going on?

Solomon: Mc is upset at the brothers, Diavolo, and Barbatos because they "didn't come home."

Mc: Correction, I'm upset at the brothers, Diavolo, and Barbatos, EXPECT for Lucifer. Cause at least he comes home to me!!!

Lucifer: *standing with a smug look on his face*

Demons: But Mc 🥺

Mc: *turns back to them* I don't want to hear it. If yall don't want to come home that's fine, guess I'll just only ask for Lucifer from now on.

Demons: BUT MC!!! 😢