#and i saved this and didn't know who he was. like i really did save this to listen to him be a freak

[l-in-the-light]

It's on purpose, Law has a lot of points in common with many other Strawhats too. Try Chopper and Law, Nami and Law, and of course the most obvious one - Robin and Law. Why is it on purpose though? Well... I'm always down for some Law for a Strawhat propaganda lol.

But he did... He did have a Corazon attack with Sanji.

Just look how uncharacteristically shaken he is here (yeah yeah I know, it's not an objectively shaken up face expression, but this is usually as good as you get it with Law. And if you want Law to react like he reacts to Luffy's shanenigans to feel satisfied about it, then welp, do you want him to have only one emotion? He's already way too often reacting with anger on his first instinct anyway and it often becomes the only reaction he ever has, because it's the only one that is obvious. Here we have something completely different).

You can also argue the reason why Law shambled himself so fast to Sunny is to save immobilized Sanji (who reminds him of Cora) from Doflamingo. He simply couldn't stand the sight exactly because of all of Sanji-Cora similarities. Maybe it's a bit like watching Mingo shooting Cora all over again?

And of course the infamous onigiri scene. Law stayed on the deck of Sunny for the night, be it either he wanted to keep guard (though so many others were keeping guard that night, he really didn't have to) or because he didn't feel comfortable to stay close with the Strawhats while being defenseless. Dressrosa takes place in span of one day. After the battle Law has no problem with sleeping openly and unguarded with the rest of the Strawhats anymore. It took him just two nights and a heat of shared battle. The most impactful thing was probably the onigiri breakfast. Sanji prepared riceballs just for him, for a stranger who probably had very sus intentions (from their pov!), but Law instead of showing gratitude got into an angry quarrel with Sanji over an umeboshi filling. That same guarded and stoic Law, who kept almost all of his reactions to himself in Punk Hazard, and didn't feel comfortable sleeping close to the rest on his first night on the Sunny, got into an open fight with Sanji the very next morning (this follow up is sadly only described in SBS).

I will post this image till everyone knows it by heart, I guess, lol. When Law is emotionally attached to people, he shouts at them (be it to cover up his embarrassment or worry, but sometimes it's just a sign that he is openly showing his emotions and not guarding himself so much anymore). First time he shouted at Luffy was when Luffy charged openly at the front of PH lab (Luffy didn't hear that, was too far away, but is still counts), first time he shouted at Zoro was in Wano... but first time he shouted at Sanji was at the onigiri breakfast. He didn't know almost anything about Sanji at this point, because Sanji wasn't part of the group Law was captured with, and later on Law moved on with his plan alone as one-person-army. He simply had no interactions with Sanji before, but he lashed out at him like he knows him for ages already. Like he used to with Cora-san.

So yes, Law had a Corazon (heart)attack with Sanji, and it caught him completely off-guard too. Now imagine how much more it had to get to him when he saw the same Sanji in Germa's suit (please-someone-anyone-draw-Corazon-in-Germa's-suit!). Or when he rescued Law from badly done shambles in Onigashima's raid. Uhum, so many Corazon feels, I bet.

3. Ah, yes, Sabo. Not pushing my siblings dynamics propaganda for Lawlu, I would never. Not with all those Ace-Law parallels freefloating around in the story.

I know it's hard to read through Law's face expressions and body language. He often keeps his emotions to himself and his first instinct with strangers is to either show an intimidating smile or very guarded and closed off resting bitch face. He dropped the smiles super quickly with the Strawhats. And the only emotion Law seems to openly show is anger, which is sadly very typical for a person suffering from PTSD. If we want to see any other of his reactions, we really need to dig deeper, focus on micro-expressions and try to find patterns in his behaviour. Because on the surface, he has only three expressions: threatening (often comes together with a smile; two for one bargain), angry (if he feels close enough to show it to you), calm/stoic/withdrawn/detached (whichever way you prefer to define his usual resting bitch face).

Veterans are the most researched group when it comes to PTSD, btw (Law also qualifies for that, because cough cough Flevance? Genocide? War? Should ring all the bells). So yeah, it's no wonder that Law's expressions and emotional reactions are so hard to notice and interpret correctly. That's one of the many PTSD symptoms he has. Many people unaware about symptoms of PTSD will see Law as "detached", "emotionless", "uncaring", simply because his range of face expressions is very limited. It might be easier for me to make this connection, because I can somewhat relate to that. I might be internally going coockoo with stress and anxiety, and people around me will tell me I'm lying because they can't see it on my face. It's not only a PTSD symptom (many other mental conditions share this, even severe depression), but in Law's case PTSD clearly is the reason behind his flat affect. (Also I have to say it, great job at portraying it so accurately, Oda!)

It's also probably one of the main reasons why Law in the novels might feel slightly OOC to the readers: it's the first time we're allowed to see his thoughts, which gives us insight into his emotions (Oda has a rule not to show thoughts of characters if he can help it. I count it for his "show, not tell" approach actually). But if you pay attention, even in the novels Law still acts pretty detached and rarely shares his insights with people around him. Pair it together with his flat affect and you will realize there's a huge gap between Law's inner life and what is seen on the outside, and that gap, is in fact, very canon to his character.

Also there's something going on with his smiles too, I swear. But I really love his smiles. He rocks them so well!

All that I can say......

[aingeal98]

More Jason and Cass thoughts (sorry but also not sorry) but if I was magically given full control over DC and could write what I'd want obviously I'd make Cass Batman but I've been thinking of what sort of reaction and role Jason would have in response. I think I'd write his version of "Congrats on the new job!" as a test, involving the Joker and civilians and gangs and Red Hood and a ton of explosives. Bruce failed me, and now he's given up. You're his successor, let's see how you handle this dilemma that freaked him out so badly he threw a batarang into my throat rather than let me avenge my own death in front of him.

So obviously Cass will overcome the traps and the puzzles. That's the fun part to show how competent both of them are and sprinkle in little character moments as we go. But then we reach the emotional crux of the matter, probably laid out as some sort of saw trap because it's Jason. Here I am, a victim of murder. You say nobody dies tonight but I did, and I want the man who did it dead. Not only did Batman fail to avenge me but he failed to stop the Joker from going on to create even more victims. What right do you have to stop me from getting justice for myself? What right does this man have to life after what he's taken from me and from countless others? I'm not trying to kill a random stranger, I'm specifically demanding justice for my own death that I never got while I was gone.

There are two ways this could go. The straightforward route if I knew my time on this run was limited would probably be a pyrrhic victory like the ones Cass's og series was so fond of. Just like Bruce in utrh, she acts on instinct and saves the Joker (and Jason this time) . A win technically, but she fails the test. Jason is once again vindicated but with nothing to show for it. The story ends with Cass sending the Joker back to jail and going back to the batcave, where the old Robin costume looms judgementally, highlighting her failure. It would be the most fitting end given their character molds, all tragedy and conviction and unstoppable force meets immovable object etc.

However... I think the option I prefer would be a little different. Cass levelling with Jason, a killer talking to a murder victim. She has no right to stop Jason from getting justice, she has no love for the Joker but she knows any death she allows to happen like this would devastate her, just like that death row inmate long ago she tried to break out but ended up letting go once the family of the victim talked to her and demanded justice. I think... In this specific situation, she'd just be honest. Morally she has no right sure. Personally she just really really doesn't want anyone to die. Give her one chance, please. Let her try it her way. Not demanding, not lecturing or insisting, just... Please. Don't do this. Let me try another way.

And then what? Jason asks.

In the end a deal is struck. Cass will take the Joker and lock him up, ensuring he never harms anyone again while also trying to rehabilitate him. But the second she fails and he gets free, Jason kills him and she won't stand in his way. It's the kind of deal that leaves both of them mildly disgusted and dissatisfied with themselves, neither of them naturally creatures of compromise when it comes to this specific topic. But Cass is willing to do anything to avoid death and Jason did not expect the new Bat to be so... Flexible? Kind of? Of course maybe she won't actually hold up her end of the deal and when the Joker gets loose she'll try and stop Jason from killing him and he'll get his miserable vindication, but right now this is something strange and new and he's mildly confused and curious about where it will go. He doesn't believe in her ability to contain the Joker forever but he's willing to let her try because her reaction to that future failure interests him. She's given him a sword of damocles to hang above her head and he didn't ask for it or expect it. It's the type of power he never thought the Bat would just... Hand to him.

The conflict ends with neither of them fully winning or losing. They both don't really know what to feel about this.

The thing is, the second Cass let's Jason kill the Joker she's hanging up the mantle. She's staking the Bat on this, because it's always go big or go home with her when it comes to saving others, even someone like the Joker. In this magical universe where I have unlimited power, Cass would lock the Joker in a secret bunker and have Leslie Thompkins talk to him daily, mostly because I think her pacifism speeches and debates in the comics would make a fun contrast to the Joker's evil sadism. (But what about his rights? Doesn't he deserve a trial and to be held in a regular prison? I'm going to be honest I think Cass would be very comfortable bending the rules on this specific situation. Morally questionable but I'd have fun with it. She's going to let Leslie treat Joker like her personal pet project to save his soul because yes she wants him to change but also she's got a city to save every night so go crazy Leslie, have fun.)

And the Batman series would continue with Cass as the lead, new challenges and new antagonists and every twenty issues or so for the first hundred we'll cut back to the Joker briefly if his chats with Leslie can help highlight some thematic element of the current arc. But bit by bit he'd slowly fade away onto oblivion, maybe getting referenced every hundred issues or so until eventually no one remembers or cares about him because there's so much else going on. Meanwhile Jason's got a good thing going as Red Hood, primarily based in Park Row and a tentative ally on the occasion when their vigilante work aligns. Unlike Joker he's a much more frequent character in the comics, and after say 10 years (this is my magical fantasy universe Cass's batman run is going to last for a very long time alright) when people think of DC characters they think of Red Hood long before they think of the Joker.

Is any of this realistic? Right now of course not. It's why I'd go with the pyrrhic victory if I actually got the chance, because it would be the best way to tell the story in the larger context of the Bat narrative. But it's my fantasy DC editor and writer daydream and I'm going to dream big. They're never going to be normal happy siblings, their personal demons will never fully let them be free and the looming possibility of losing everything they currently have narrative wise if Bruce comes back as Batman will always be there. But it's maybe the closest to peace they'll ever get. Unsatisfying and tame compromise that probably violates several laws and ethical codes but whatever. Cass has never read the Geneva convention and Jason's not going to shed tears over the Joker. Let him die relevancy wise if not physically.

[tartarusknight]

Okay we ignore Steves big crush on Robin during season 3. And I get it, I do. It makes sense that he's easily motivated to see love where there isn't any. Dustin says Steve should live Robin so he does. Eddie says that Nancy loves him and should love her back, so Steve tries.

But I think it would be far more credible to his character if we changed that slightly. Sure people can motivate his actions. But deep down Steve did love Robin. Like saw a future of the two of them and everything. It has something to do with thinking he might die with her, but it's still there.

When she turns him down, it hurts but he sees her and knows that he can't make it about him. So he does what he does best and pretends everything is fine. He jokes with her and sings off key like he would to make Nancy laugh and he thinks he falls for her even more when she laughs with him.

But time moves on and they are so fucking close. Every time Robin's a little awkward around him, he makes sure to make her comfortable with jokes and teasing. And slowly Steve realizes that in any world he'd never be good enough for her anyways. Robin was perfect and Steve marveled at the fact that she cared about him at all.

It reminds him of Nancy and how she was so amazing and powerful and any attention she gave him was special. But after a while Nancy realized she was too good for Steve, that his love wasn't enough. And she didn't stay around to be his friend. But Robin, she stayed to be his friend and Steve cherished it. He never tried to make her fall in love with him, he new it would never work and he did his best to leave his love for her behind but it would flare up at moments.

So then he decided to start dating around more. No more pointless flirting that he realizes was mostly just to make Robin pay attention to him. He does his best to find girls who might be as special as Robin and Nancy. But it's hard.

After a while, when Robin celebrates when she kicks his ass in another bet, his heart doesn't break at her joy. No, he just complains and hides his grin as they iron out what he has to do for her. As she plans a way to make him embarrass himself in front of who knows how many people, he can only wonder when he moved on.

The pain in his heart feels healed and he leans against Robin to argue with her and feels lighter than he had in years. His heart felt free and he knows that will always love her but it's changed and it's never been more right.

As the year gets colder, Steve's time with Dustin is filled up with talk of Eddie. And Steve never really cared about Eddie when they were in school. The guy was strange in a weirdly good way and Steve didn't want his reputation to get fucked by Munson. But the more Dustin talks the man up, the more Steve wishes he had.

And while Steve doesn't know it yet, Dustin's once again pushing him towards another crush. This one won't be easy. It'll be filled with miscommunication and hard truths. It won't be a straight line, not when said crush will try to push him towards Nancy. But it'll start with blood stained kisses that save a life in March of 1986.

This crush won't be a cause of another scar and Robin will be there. Not as an object of Steve's affections but to hold his hand when he cries about liking boys for the first time. She'll be there and listen to his previous heartbreaks and she won't judge him. She won't thank him for doing the bare minimum of not pushing her to date him. She will just tell him that he isn't cursed and that who knows, maybe Eddie Munson is his future Mr perfect. And... She'll be right.

[onlymexsarah]

Burning Flames IV | Eris Vanserra

Pairing: Eris Vanserra x Archeron!reader Summary: Since you became High Fae there were only two things that scared you: your deadly power and your attraction toward the male you should hate most after Tamlin, Eris Vanserra. Warnings: mention of smut, Eris Vanserra being Eris Vanserra, my english and probably spelling mistakes since I'm also sick A/n: I apologize for my lateness, but uni is kinda taking all my time away. I was dying with the need to write about this scene, and I hope you'll like it🫶🏻 if you want to be add at the taglist just ask! Chapter 1 - Chapter 2 - Chapter 3

"Eris is coming to the Winter Solstice celebration at the Hewn City." Rhys informed the Inner Circle while you were discussing alliances for the probable war against Briallyn. "He's shaken by Tamlin catching you two meeting with him," he nodded toward your twin and Cassian. "and wondering if we'll balk from the alliance now that there's the slim chance Tamlin might reveal it. Or decide to sell him out first. We need to remind Eris of our continued commitment, and that he is...important to us. That we have his back."

You heard Cassian snarling with disgust while your sister Feyre echoed the expression.

"So buy him a present," Feyre said, waving a hand. "and tell him we all send our love."

You snorted amused at that. "Don't you have some old, dusty jewels? Give him one of those." You said obvious while you rested your arm on the chair's back..

"He'll want more than that." Rhys said, mouth twiching, and his eyes fell upon Nesta.

Nesta. Rhys wanted to use Nesta to win Eris over. The thought alone made you sick. Why her? Why Rhys thought that Nesta alone could make Eris swung at her feet? He had saved your life, not hers. Actually, he would have let Nesta die if it hadn't been for you and Elain.

But of course, Rhysand couldn't know that. No one knew Eris had saved your life during the war, and strangely enough Eris had never bragged himself nor made any comment.

From what Cassian had said it had seemed that Eris had been interest in flirting with your twin, and you had to admit, he had never tried to flirt with you in any occasion. Actually, he had tried to break your patience. So it did make sense, you supposed. Nesta was the most logical choice.

"You want me to dance with Eris?" asked Nesta caution.

"I want you to seduce him." Rhys' words made your stomach twisting with an unease sensation. You didn't know why you were reacting like that, and you told yourself that it was because you didn't want Nesta close to someone like him. It wasn't because the thought of Eris giving his full attention to someone who wasn't you made you sick. No, you could never want something like that. Someone like him.

"You really think that Nesta's dancing with Eris will solidify his loyalty?" you hadn't meant to make the question sound so...disgusted, but thankfully no one seemed to notice. Actually, most of them echoed your tone.

"I think Eris is our ally, and will expect to dance with a lady of this court at the ball no matter what." Explained Rhys to you, probably mistaking your disgust for worryness. "I won't let Feyre within five feet of him, Mor might kill him, and Amren is more likely to scare him off than win him over, so you, Nesta and Elain are the only options, but from Cassian's report Eris hadn't seem too friendly with you."

Cassian should learn when to shut up, you thought annoyed. Of course Cassian would say that, because Eris had made sure to annoy you at the meeting with Lucien, Vassa and Jurian.

"Was Cassian wrong?" asked Rhys carefully, reading something in your eyes that you quickly hide.

"No." You said with a lazy smile. There was no point in telling them what had happened during the war, probably Eris had already forgotten it too. "He was completely right."

Rhys watched you for few more seconds with his violet eyes that sometime seemed like they could look right inside your soul and read it. You checked your mental shield and found it intact, the fire that you pushed down burned brightly around your mind, protecting it.

***

The black dress you had chosen for the night fell comfortably over your body as you walked down the hall of Hewn City's palace. You had opted for something elegant yet less reveling than Mor's and Feyre's. The straps fell lightly down your shoulders, the bodice had a sweetheart neckline with what looked like black flames over your collarbone. You still had to decide if it was a hint that Rhys knew about your power still lingering in your body, or it was for pure imagine. The flames seemed to fell down your body in a lovely silky gown that captured the lights with each step.

Unfortunately, you now had to wear gloves, because the burned scars had expanded all over your hands, and the gloves was the only way to hide them. Thankfully, since it was winter no one ever questioned them, and tonight you had put some long, black, silky gloves that matched your skirt.

You were currently behind Rhysand and Feyre, between Elain and Nesta as the two of them still were on no speaking term. Tonight was a show of power, with your sister's pregnancy annouce and your twin's beauty offered on a silver plate for the Heir of Autumn.

You had appreaciated how Elain had wanted to come, and it didn't go unnoticed to you that she had opted to wear a plain dress with just two pearls in her hair to not outshine Nesta. Elain had always been the prettiest of the four of you, but tonight it was Nesta's time to shine, and she had gladly disguided herself as plain and boring.

As you entered the throne room every eyes fell on you. Not on you, actually. On your sister's swollen belly. You heard gaspes and whispers all around you. Keir's looked torn between anger and shock, and you had to hide an amused grin.

As your eyes scanned the room with a bored expression, you took you ropportunity to look at the redhead beside Keir, knowing he would be too focus on your sister to notice your staring, but as your eyes fell on the him you found two green pounds already staring at you.

Eris was looking at you. Not at Feyre. Not at Nesta, the one supposed to catch his attention. He was looking only at you, and you hated how your heart skipped a beat.

He looked at you like he could admire you for the first time, and somehow it was true. You both knew that no one would notice your staring at each other, because everyone's attention was on Feyre.

You used every second to drank the sigth of him. Eris was dressed in Night Court black, and you could be damned for how handsomely he was. He looked like the darkest of the dark dreams that someone shouldn't have. That someone be you.

That game was dangerous, you realized. Those stolen glances, stolen moments would lead you only in a dangerous territory. But danger looked so appealing when he let his eyes slowly roam all over your body.

For a moment you felt more naked than Mor and Feyre.

Eris must have noticed the black flames on your dress because he slowly grinned. It wasn's a mocking grin, it wasn't even amused. It was one of Eris' grin that you still had to classify.

His eyes met yours again, and he did the last thing you had expected. He winked at you. He fucking winked.

You felt your cheeks getting warmer and you quickly looked in front of you again, dismissing him as if nothing had happened, and for a moment you wished it hadn't.

As Feyre and Rhysand sat on their thrones, you and your sisters went to stand at the foot of the dais, between Cassian and Azriel who looked like they could kill anyone watching at any of you in a wrong way.

Keir and Eris scuttled forward, and while the former bowed, you pointly avoided to look at the latter. "Allow me to exted my congratulations." said Keir and you knew that he didn't mean a word of it.

"And allow me to extened mine as well," said Eris with a voice that could warm even the coldest spot of the Winter Court. "on behalf of my father and the entire Autumn Court. He shall be thrilled by this news."

Rhysand mouth curled in a cruel half smile, the stars winking iut in his eyes. "I'm sure he will."

Sometime you forgot how powerful and cruel Rhysand could be. He was always gentle and kind with you, with all his family. But the moment that something threated Feyre's life? He become feral, and you were glad for it. You were glad Feyre had found Rhysand.

They gave the crowd some command to make it loose, and when Eris did to follow Keir Rhysand stopped him. "Before you join the merriment, Eris, I'd like to present you with your Solstice gift."

A long black box appeared in his hands, and you tried your best to hide your confusion. Rhysand had never spoken of other gifts beside Nesta, so what was all of this about?

As the box flew to Eris and he opened it you could see the dagger that Nesta had made. You hold your breath as Eris's face went pale. "There's flame in it." He said. "Why give this to me?"

"You're our ally, " Feyre said, a hand resting on her belly. "You face enemies that exist outside of the usual rules of magic. It seemed only fair to give you a weapon that operates outside those rules, too."

You cursed in your mind as Eris understood that the dagger was Made and started to question Rhysand. Eris culd be the monster of everyone's story, but he was no idiot. Actually, you had the suspicious that he might be smarter than he let the other see.

“Ordinarily I would ask you to dance," said Feyre kindly. "but my condition has left me unwell enough that I worry about what so much spinning would do to my stomach.” It was the truth. Feyre had bolted from dinner three nights ago to find the nearest toilet. Now she looked at you and your sisters, as if deciding who would dance with him.

You looked away, not really wanting to see Eris admiring your sister Nesta. You focused your attention on the couples dancing, and you couldn't wait to be among them. You didn't have the same passion as Nesta, but you had always enjoyed it if you had a good partner.

You had asked Morrigan to give you lessons too, just to be able to dance freely with whoever might ask you. It had been fun when you had found Cassian too at Mor's lessons, silently agreeing that you would say nothing about the other.

"One of my oldest sisters shall take my place." you barely heard Feyre's words, knowing she would be gesturing to Nesta, so there would be no point to look away from the musicians.

It was when you heard Nesta stiffining beside you and Elain elbowing you that you looked away and gave the latter a confused look. Elain only inclined her head, pointing to something in front of you.

You furrowed your eyebrow, still confused, and looked where Elain was pointing. Your breath caught in your throat as you found Eris standing in front of you with his hand strechted out.

"If I require right, you are the oldest." He said with that lover's voice that tricked your mind.

You gulped and tried to not let your eyes widining too much as you gave him a nod. "Only by few days."

Why was he not looking at your sister? It was quiet obvious that she was the one planned to be offered to him, the one who looked like a queen. Hadn't Cassian said that Eris had been flirtatious with Nesta? Hadn't Cassian said that Eris seemed to loath you? Then why was he looking like that?

You slowly brought your hand on his, as you had done the day he had saved you, and something about his wicked, sparkling eyes told you he remembered it too.

He brought your hand around his arm, and accompanied you at the center of the dancing floor with a royaly grace. Even throught your gloves you could feel the warmness that his body radiated. A warmness that somehow made your body relax. Hadn't you had asked this to the cauldron? Warm, nice fire? Not the destructive flames that burned inside you.

Eris stopped at the very center of the floor, and you could already feel everyone's gaze on the two of you. What a gossip this would be; one of the High Lady's sisters with the heir of the Autumn Court, dancong at the Winter Solstice.

"Saying that you look gorgeous would be minimalizing." Said Eris as he gently put his free arm around your waist bringing your bodies much closer than they had ever been. "But flames are supposed to be red, not black."

You would have smashed his grin if the violin's hadn't started playing. You put your free hand on his shoulder and rose your chin to meet his eyes, with the fakest, sweetest smile you could master.

You had indeed wanted the dress to be red, because it had always been your favourite colour, but the Night Court's colour was black, and you needed to appear as a unit front.

"I wouldn't want to be mistaken for a member of your beautiful, appealing court." Your tone was soft, not wanting to gain any more stares than what you already had on you, but the sarcasm was there. "I find black perfect for this dress."

You were soo the wrong person to complete the job. Nesta was supposed to seduce him, because Eris didn't rail her up like he did with you. It was impossibile in your mind to even think of being nice with him, let alone flirt.

"What is not perfect is this dance, I'm afraid." he said still with his smirk on his lips. You looked at him confused, and he leaned close to your ear making you hold your breath. "Your High Lord and High Lady look like I have just spilled icy water on them. Aren't you supposed to be the oldest? They seem to think I might eat you in any moment."

His hot breath on your neck made it ashamedly hard to concentrate on what he was saying, and you would never admit to yourself that it was only when he leaned away that you found the capacity to speak again.

"We were all convinced you enjoyed my sister's company more than mine." You managed to say, offering him that truth.

The sound of his dark chuckle was like silk on your skin. His grip on your hadn and waist tightned a little, and you would have ripped his hands away if it would have been any other moment, or any other male.

"And why would I lose time playing with her when I have my perfect match right here?"

Cauldron boils you.

It was a bad, bad, bad, bad thing that you knees almost went weak at his words. It was even worst that your stomach seemed to be dancing its own waltz inside you. It had been so long since someone had touched you like that and hell, no one had ever looked at you like that. Ever.

You told yourself that that was the reason why he was having that effect in you. You had been used to the human's beauty, then you had been too busy to save the world to even notice High Fae's beauty. Eris had just happened to be in the right place at the right time and boom, you were weak on your knees for him.

"Someone might stirr if they heard you calling me your perfect match." You said finding a surprising calm, steady voice. "The future High Lord of the Autumn Court should have no equals."

Something flickered in his eyes as he looked at you with the typical gaze full of secrets. "I have no worries of any equal since you seem so determinated to conceal yourself as a rabbit rather than the dragon that you are."

His words managed to make you shut down every...confusing feeling you had inside and rose your chin a bit higher, watching him with a bored expression. "I have no idea what you are talking about."

"Is that so?" he slightly tilted his head with the same eyes that a predator used to study its opponent. "Then I take the gloves as the newest fashion in the Night Court? Curious, I don't see many other females wearing them."

He made you do a double spin on your feet before bringing you back against his chest. "I would have thought that a princeling had more important things to think about than the fashion in other Courts." You said coldly.

You hadn't realized that the music had ended until a new dance began and Eris easily led you throught that. It was slower, lighter, but you didn't need to think about the steps; Eris was annoyingly good at leading you.

His eyes darkened a little, as if you had just insulted him. The grip on your hand tightened and you hissed in pain as his fingers pushed into the burned flesh of your palm. "Tell me, it's still about fashion?" He tightened his fingers again and you stepped on his foot angrily.

"Do it again and your father will have to name another heir." you hissed still blinded with pain. Fuck off the whole court him thing; you would have never been good at it nevertless. If Eris wanted to play with you, you would play back.

***

Cauldron boils him.

He was so down bad for you. Never in five hundred years he had met someone who could turn him on just with a glare. And the glare you were giving him was of pure challenge and threat.

He laughed at you. He laughed because it was the only thing he could do. He laughed because the alternative was to see if you would still talk to him like that if he pushed you against a dark corner of the palace, knelt and buried his face under the gown of your dress.

That fucking dress.

You looked like a night Goddess of fire, and the Mother knew how happily he would worship you if given the chance.

But he couldn't. Not until his father was alive. Not until he would be free to let you know the true Eris and let you decide what to do about the bond. Not until you desired him as much as he desired you.

"I would like to see you try without any training." he lightly mocked you, needing to see how far he could push you until you finally gave in and unleashed what you had inside. "But I could make your odds better if you just admit what we both know, Little Flame."

He grinned as he sensed the effect that the name had on you. You face stayed neutral, it was your heartbeat that betrayed you. Eris had to admit it, even if you had just entered the game of scheming, courts and alliances you were doing a great job at it.

"I'm afraid I'm not following you." You said giving the room around you a bored look. He knew you were actually seeing if any of your court was listening to the two of you.

Eris had a vague idea of what would happen if you find out about the bond in the near future. You would be caution about it at first, then after few words with Mor and the Inner Circle you would decide to break it, and why wouldn't you? He was the villain in everyone's story, and he was fine with that. He didn't really plan to change that narrative in your head, yet. But he refused to sit still while you burned yourself in your own power and the Inner Circle did nothing to stop it.

"I could train you." He said suddenly serious. "If you are too ashamed to show your precious family what monstrous power you have, you should have no problem showing it to someone who is already considered a monster."

You arched an eyebrow. "Considered?" you asked ironically. "I recall hearing quiet thrutful stories about you for just considerating what you are."

He didn't pretend to be hurt by your words. He knew exactly what you had heard, what he had done, but obviously you couldn't know the whole true. No one did execpt for one. "Careful to let your new ears believe everything they say about me."

"Because you seem so much more trustfully." You said with a ironic smile that he immediately matched.

"Train with me a day every week, and I'll answer honestly to one question of your choice." He proposed before spunning you on your feet. "Maybe you'll make your own idea of me."

Those beautiful, careful eyes studied him, and he almost knelt right there. "Why would I accept? What do you gain from this?"

His grin widened. "I'm pleased to see that those brutes taught you something useful." He mused. "Let just say I think your power will play a key part to my...succesion on the throne, and I rather have you as my ally than my enemy."

You narrowed your eyes, surely pondering every single word he had said. "I won't do the dirty job for you."

Eris knew you meant killing his father, but of course you couldn't say it out loud since Keir was still around. He admired your quick thinking, and he was extremely glad that you were smart enought to guard yourself around people like himself.

He chuckled lowly. "That is a matter I'll deal with alone." He stated firmly and the fingers on your back lightly caressed you, assuringly. "I just ask for your help when my court will need it."

Eris would never admit out loud that he already know what kind of favour he would need from you. The idea had come up as the two of your were talking, but he knew that if he had proposed it right away you would have left him on the dancing floor without a second thought.

"One day of training everyweek with one question of my choice in exchange of my help, once, when you'll need it with your court?" You carefully stated looking cautionsly in his eyes.

He gave you a grin as he leaned his face closer to yours. "Do we have a bargain, Little Flame?"

He had to call all his hundreds years of training to not close his eyes as your scent hit his nose. It was sweet, like cinnamon and caramel. It was everything he recalled to like, to bring him joy.

He smelled the shift in your scent as your faces were dangerously close, and for the first time he was glad that you were new to this world because otherwise your would have smelled the shift in his scent too. And that, would have bring the two of you in a dangerous situation.

"Yes." you said after a while. He could see that you had thought of every outcome of that bargain, you probably had thought about how to tell the others, what reactions they would have and in how many ways it could end badly. "But you have to stop calling me that."

He laughed. "You should have put it into the conditions of the bargain before you accepted it."

As he said those words he felt something stung on his back. It felt like someone was writing something on his skin with fire. It didn't hurt, it was more like a tickle, and when he saw your hand flying from his shoulder to your back, scracthing the same part on your body that tickled on his, he knew that the bargain had been sealed.

The music ended and he gave you a bow, bringing your gloved hand to his lips. He could smell the burned flash, and a part of him wanted to kill Rhysand to have let you do it to yourself. But he only placed a gently kiss on it, sensing how you, elegantly, shivered and gave you a charming smile.

He studied you for a monent. Your eyes were looking at him with what was not surely kindness, but at the same time was not hatred too. You were trying to find your place in this new, cahotic world, he understood. His eyes traveled on your dress, and his jaw clenched. You would have been a beautiful living flame if it hadn't been concealed with black, somehow a represantion of how you wanted to conceal yourself to fit in that Court.

"Let me begin the training now with a little advise." Eris said still with your hand in his. Your eyes flashed with curious. "Do not follow blindly those who walk in front of you. You might find out that black is not the colout that suits you best."

He didn't wait for you to process his words as he gave you a last, parting smile and turned on his heels, already putting his mask back on. "See you next week, Little Flame." he mocked over his shoulder as he walked away.

He heard you curse him under your breath, and it only made him grin amused. He found it surprisingly fun to rile you up, it was a kind of amusement that he didn't feel with anyone else. He needed it as a reminder that his equal was indeed like him: fierce, smart, witty and always ready to fight when needed.

He walked toward Rhysand and Feyre, still seated on their thrones, already watching him with their calculated eyes. He was sure that they were probably having a mental conversation about what they had seen, and Eris fought the urge to smirk.

"Did you enjoy the company of my sister?" asked Feyre politely with a lazy smile. He had to admit that both her and Rhysand did a great job at acting like the rulers of the Court of Nightmares.

"Your sister's company had been delightful." He said matching her smile. Before asking them what he wanted he was curious to test the waters. "But I'm curious; you showed me what I can have, Rhysand. I'm intrigued enough to ask what you'd want in return."

He saw Feyre's jaw clenching. She would never sold her sister, and surely not to someone like him, but it was still fun to imply just that.

"What do you mean by that?" asked Rhysand not betraying a single thought that was in his mind.

"I mean that whatever you want, I'll give it to you if you promise to keep her safe and away from my father." Eris said suddenly serious.

He saw the confusion flashing on both rulers' face as they surely spoke to each other mind to mind. Eris knew he was letting them see too much, but it was the only way he could be sure that you would be safe as long as his father was alive. They needed to know in what danger you were if his father ever find out what you and Eris were.

"Explain yourself better." Feyre commanded with a cold voice.

He gave her a mocking grin. "You keep your oldest sister away from my father, and train her. and I'll give you whatever you want. You wanted to reassure our alliance? This is the prize."

"I cannot force her in doing anything she doesn't want to, but I can come up with the right arrangment for that." Rhysand said calmly. "But it seems foolish for you to offer me anything I want in exchange for...her safety. Why would you care so much about that?"

He could see that both Rhysand and Feyre were trying to understand what kind of game he was playing, what kind of tricks he had in mind, so he let his mind shield opening a little, inviting them in his head to speak the words that he could not say out loud.

"Because it seems that the Cauldron gave two Archeron sisters to the Night Court, and two to the Autumn Court." Eris said in his mind, knowing that they both were listening.

Feyre's face drained of colours as Rhysand's eyes hardned and his deep, dangerous voice sounded in his mind. "Why should we believe you?"

Eris smirked and let the memory of the day he had saved you fill his mind, letting them see it. He replied the moment the bond stirred inside him, urging him to run toward you. He made them see the exact moment your eyes met and his whole existence screamed the word Mate all over again. He made them see how he had foolishly followed you to the King of Hybern, keeping you safe until you had run to Nesta. He let them see how hard it had been to return to his father and hide eveything, how scared he had been when after the war he had been sat beside his father while you were right in front of him, terrified that any gaze might give him away. The last memory was of when he had found you outside the Autumn Court's camp, and he had been so close to grab you and winnow on the other side of Prythian, not wanting you close to his father in any way.

He stopped the memories just as the one of when you had cured him started to pop in his mind, and watched careful the reaction of the two rulers in front of him. "I cannot risk for the bond to snap for her when my father or any of his allies are close. He would hurt her to hurt me, and despide what you think of me, I won't let it happen."

Rhysand studied him with a heavy, dangerous attention. "I could keep her away from you and have you do anything I want just for the chance to see her, do you realize that?"

A test. Eris knew it was a test, because Rhysand would never do something like that, but still Eris couldn't help but laugh ironically. "It would be the first time you'd do something smart, Rhysand." he tilted his head in a mocking grin.

"You should speak of this matter with Feyre then." Rhysand stated, making a good job at sounding bored. "It's her sister you are mated with."

"I could have your head in any moment if I suspect you to be a danger for her." said Feyre in his head viciously.

"I would like to think that the bond would make your sister miss me a little if you do that." he answered ironically placing a hand on his heart. "But I'll give you everything else you need. After all you are my sister-in-the-cauldron, you might find out you'll have more advantages from this situation than your boring mate."

"Go away before I test that bond theory." threatened him Feyre making his grin grew wider.

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[lizziesribbons]

Part 1 | seeing her for the first time

PAIRING: BEST FRIEND'S MOM! WANDA X FEM! READER

summary: you had no idea visiting your college bestfriend's hometown for the first time would put a women in your life that would either ruin your life or be the love of your life. Stay tuned to find out.

warnings: ****MINORS DNI***** *****MEN DNI***** ****CONTAINS SMUT LOTS OF SMUT****** fluff, legal age difference (r is 21, Wanda is 42), angst, homophobia, wanda is religious, church visits alot of them with Wanda, Wanda is divorced because I absolutely hate cheating it disgusts me I hate vision but I hate cheating more. Mentions of domestic abuse, mommy issues, parental control and alot of family issues.

Author's note: this is the first chapter so it might be a bit of everything idk I need a good base uh anyways y'all know my first language isn't English so bear with me ALSO half of this is projecting I'm literally writing what happened to me irl the only part fictional is me meeting an older women unfortunately that wasn't the case but I absolutely love my bestfriend's mom she's such a sweetheart I miss her alot :( I haven't met her ever since me and my bsf grew apart been a year I think

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Going to your best friend's hometown for the summer wasn't your first option but you didn't really have a choice since your family disowned you after you came out to them during last year summer after your first year at college, it was your second year now and you've still been in no contact with them you occasionally talk to your sister every once in a while since she's the only one who accepts the fact that being gay isn't anything out of the ordinary

So here you were driving in your old ass jeep your grandparents gifted you on your birthday behind your parent's back, you loved it alot even though you were the only person who were able to drive it since anyone else couldn't figure it out even if they wanted to save their life.

"my mom just called she's excited to see you, says she's glad I'm bringing a friend she has been bored alot" your bestfriend carlee says pulling you out of your thoughts. "Oh" you say breathing out and shaking your head to pull yourself out of the trance you were apparently in, "uh yeah I'm excited to see her too. What did you say her name was? I didn't catch it" you ask her your eyes still on the road "Wanda" carlee says with her mouth full of potato chips, "Wanda? That's pretty- carlee I swear to god if you drop any chips in here." you say with concern "I won't! See I'm not a little kid" she says in defence "just be careful." you drive in silence, carlee's mouth sounds the only sound in the car.

"why is your name carlee" you ask after a few minutes "what the fuck is that supposed to mean" she says her eyebrows furrowing and you chuckle and say, "I mean why and who named you there must be a meaning cuz your name makes 0 sense with Wanda's", "I'm still confuse on what that means but anyways my mom didn't name me my dad did he didn't really give mom an option to name me, says it was his first love's name and he wants to cherish her" she says softly, "Oh what a dick" your face in disgust as carlee laughs loudly "he was, I mean he is he still is I'm glad mom divorced him" she says sighing "yeah? I bet he was" you say to her sadly "well atleast we can bond over our crazy insane dads you know" carlee chuckles lighting the mood as you laugh with her, "hey you want something there's a cafe coming up I think" you ask Carlee "yeah sure I can enjoy a coffee right now" she says as you pull over "no coffee carlee we're still 4 hours away and you will eat my brain if I let you stay up just eat something and go to sleep besides you've already had 4 cups of coffee and it's literally only 2PM." you hear carlee groan as you talk "You're not my mom you know" she says throwing draggers at you "Oh sure like I literally don't make you breakfast every morning" you roll your eyes at her "Oh shutup" carlee throws her head back as you get out of the car and shout lightly "I'll bring you something to eat just wait here okay" with that you head off inside after 19 minutes you come back inside the car with a paper bag in your hand, you drop it in carlee's lap "here eat please all you've had all day is potato chips and coffee" you say with obvious concern, carlee smiles at you "god you're so sweet it's sickening sometimes I love you" carlee says rummaging through the bag as you start driving again "yeah sure" you say laughing after eating your snacks and lots of laugh and talks carlee falls asleep as you peacefully drive, the car ride after that didn't feel that long you reached her hometown at 6:37 you wake her up so she can guide you to her house after a 10 minute drive you pull up at a beautiful house, calling it a house would be an understatement it was more of a villa even though it wasn't even that big it was just built so beautifully. You knew carlee was rich even though she never showed off or bragged about it, it was obvious, she was the kind of person who's help you could recieve gladly without feeling small because she never made you feel small you were always an equal to her "your house is gorgeous" you say breathing out "yeah? My mom got an eye for architecture she made the blueprint herself" carlee says clearly proud of her mom, you say with shock getting out of the car after parking it in a respectful setting "your mom? That's impressive" you say looking at the house in awe "wait till you see the inside girl cuz I was flabbergasted too." carlee says chuckling as you walk up to the front door

Carlee rings the bell and you hear footsteps approaching the door, you had to hold your breath so you couldn't scream as you see Wanda walk out her face beaming with happiness as she saw carlee and hug her. She was perfect actually. Angelic even you could she was an angel herself. Before you could process it she hugs you and you melt in her arms "you must be y/n carlee has been speaking about you non stop" you can carlee became friends after your family disowned you she saw you crying outside of your class one day and approached you, ever since then she have been your ride or die. "yeah uh I I am nice to meet you miss maximoff" you say softly and nervously fidgeting with your shirt, you were sure you were sweating right now and hoped to god carlee and Wanda don't notice.

"well come in darlings I've been waiting for you I thought y'all were coming yesterday" Wanda says rushing you both into the house, you were in awe when you saw the inside it just felt like home it was so beautiful and gorgeous it was like walking into a warm embrace "yeah mom we had some work to-" you cut carlee off and look at Wanda "your house is beautiful miss maximoff" "Oh please it's Wanda no need for formalities and thankyou I'm glad you like it" she says, her arm around Carrey as she looks at you softly smiling "mom I'm really really really tired do you mind if we rest a bit?" carlee says looking up at Wanda, carlee was short even shorter than you, Wanda was probably a feet taller than carlee and atleast 6 inches from you. "sure sweetheart go on your room is all ready I made the bed first thing when I woke up and y/n your room is beside carlee's I set up the guest room as carlee told me you'd like but it's okay if you wanna sleep in carlee's room too" she says patting your shoulder, you could've sworn she looked you up and down and checked you out but you just shrugged it off as you being tired "you didn't have to miss maxi- Wanda but thankyou so much" you say looking up and softly smiling "I'll unload the bags from the car just give me the keys you both go and rest" she says already taking the keys from your hand "wait I can help" you say walking behind "no worries you just go and rest okay?" she pushed you towards the already sleepy carlee and go outside, you grab carlee's hand and ask her to lead you to the room "Oh come on you're so ridiculous you slept for 4 hours already" you say laughing at her as she acts sleepwalking "so what sleeping is fun" she says lazily "just show me my room and I'll get off your ass ho" you say to her as she guides you to the room "thankyou" you say rushing to the room and dropping on the bed you let out a huge breath you didn't know you were holding. God Wanda is beautiful you thought to yourself how can someone be this pretty? Is it wrong to find your bestfriend's mom this gorgeous and attractive but you couldn't help yourself she's just so perfect, you slept thinking of her.

After 2 hours there's a knock on your door, you stir awake "yeah?" you say in a sleepy voice "hey sweetheart it's Wanda can I come in?" you were wide awake now. "yeah come in" you quickly fix yourself and sit up in the bed "hey I just woke carlee up, fresh up dinner is ready carlee is downstairs just freshen up and come down okay?" she says in that angelic voice of hers, god you could listen to her for hours- no, y/n don't do that don't think about it that's wrong but she looks so sexy right now in just simple jeans and button up shirt "yeah I'll be down in 5 minutes Wanda" you say quickly covering up your nervous state you rush to the bathroom.

After 5 minutes you come downstairs and see Wanda and carlee on the dinner table waiting for you, how will you survive 3 months if you can't even walk straight infront of her?.

To be continued

[shsl-analyzer-guy]

In-Depth Character Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 5: Junko Enoshima

Oh boy, this is gonna be a big one. In fact, I wouldn't be surprised at all if this turns out to be the longest analysis in this entire series of ~100 characters. Why did I not save her for last. Why is this part 5. Why do I do this to myself-

Jokes aside, I am so so so excited to make this; Junko has become the face of this franchise for a reason, and the depth of her character and role in the series as a whole is massive. I won't be surprised if this takes over a month to complete. In fact, just for fun, let's track it. I'm starting the analysis on 7/5/24. When will we finish? Nobody knows!

(Final edit Crane here. It has been more than 5 months. Christ.)

This analysis uses only official material for the sake of analyzing the character, primarily sourcing official English localizations. It'll be um, lengthy, to say the least, so if you aren't that interested, just keep scrolling. Also, if there's even one canon installation of Danganronpa that you haven't played/watched/read yet (THH, DR0, SDR2, UDG, DR3, and/or V3) don't read this; the ripple effect of Junko in every corner of the franchise will be discussed and thus, there will be spoilers aplenty.

Also, a disclaimer that though I try to remain as objective as possible with these analyses, it will be at its core, an interpretation. Not everything will match up with how you interpret it, and that's okay! I don't claim to be perfect, and this isn't an infallible source of canon, only my interpretation of the source. Let's get into it!

Foreword

Real quick, before we get too far in: readers of my previous analyses know that I normally try to move in chronological order of release and events in-game to keep the analyses easier to follow. Due to the nature of Junko's characterization and the fact that she's present throughout the entire series, that isn't really possible here, as to talk about any one aspect of her, I may need to pull from multiple installations. I'll be sure to cite where I'm pulling from and provide evidence where necessary, but it definitely won't be perfectly in order by release or timeline. So hopefully it won't be too messy. Also, characters very closely tied to Junko, like Monokuma, Ryoko, Mukuro, etc. will be analyzed separately at a later date, so those sections may end up feeling incomplete as a result. For the sake of releasing this before 2025, I need to cut corners a little bit and focus primarily on how these relationships affect Junko, and not the other way around.

Part 1- Monokuma

In order to understand Junko, you must first have a basic understanding of Monokuma, mascot of the Danganronpa series and self-declared Headmaster of Hope's Peak Academy. Monokuma introduces himself to the cast as their superior and oversees the killing games, providing motives and passing judgement on the class trials, all while reveling in the Despair of the students. There are multiple iterations of Monokuma, but most of them exist in order to carry out the killing games without issue.

Like Junko, Monokuma remained a staple of the franchise, appearing in every official installment, whether he was being actively piloted by Junko or not. As we see in DR3: Despair Arc, she personally designed him to become the face of her movement of Despair, and thus, he was used to carry out her will at every turn.

1.1- Trigger Happy Havoc

In the first DR game, Monokuma was just a robot piloted by Junko. His mannerisms were a character invented by her to appear as the psychopathic Headmaster, but regardless, her true nature of Despair is directly infused into the character as she acts him out. Through him, she's able to reveal hidden information about each of her classmates and torment them personally, all without them knowing she was once a dear friend to them. As a robot, though, he came with drawbacks- Junko couldn't pilot him and watch the cameras at the same time, and once the charade of his all-seeing Headmaster was seen through by Kyoko, he lost most of his power. Thus, Monokuma's existence was designed to deceive, and could only function through deception. He created the illusion that hope was outside, that escape was solely on his terms, and that the class had no unification- all according to Junko's design.

1.2- Goodbye Despair

When the sequel game arrived, Monokuma was once again a character being played by Junko. Unlike last time, however, the two had blended together, becoming one and the same. This Monokuma was a Despair Virus, created with Chihiro's Alter Ego technology, and implanted into the Neo World Program with the intent of continuing the real Junko's plans for the spread of Despair. This version of Monokuma is extremely similar to the previous in terms of its personality and beliefs, but appears much more powerful within the artificially generated world, now able to apparently power-up, bleed, and transform plushies into duplicates without logical explanation.

Rather than targeting certain themes in an attempt to teach Despair, this Monokuma created directly-targeted motives, attempting to use class 77's personal connections to a whole other level and banking on the fact they were friends, rather than try to cover it up. He also acts as if they're his dear friends and like they're on the same side, directly inverse to his apparent attitude towards class 78. This is intentional, though as to why, we'll get into much later.

1.3- Ultra Despair Girls

Rather than being present as a character, Monokuma exists solely as mascot in this game, as thousands of Monokumas are programmed and piloted to slaughter the majority of adults in Towa City. He exists solely as a tool used by the Warriors of Hope.

In chapter 4 of the game, you get the reveal that all the physical Monokumas that exist were built and sold in Towa Group's factories, and later, that Monaca Towa was directly responsible. This exists to demonstrate how Junko was able to financially and physically afford the amount of power and technology she accrued in her crusade for Despair. More on this later.

1.4- Danganronpa 3- Future Arc

Near the end of the first episode, Monokuma seemingly appears on a monitor in the meeting room of Future Foundation's HQ, announcing his survival and a return of the killing games, starting with the Future Foundation higher-ups. At the beginning of the following episode, an act is put on between this version of the character and "Miaya Gekkogahara", as they fake an argument where Monokuma alters her avatar Usami into Monomi, making it appear as though he's again being piloted by a real person from some remote location.

As the season comes to a close, though, we learn that it was the chairman who set up the killing game, and that Monokuma's appearance, along with the video that would play during every nap, were falsified recordings, aided in part by Monaca Towa pretending to be Miaya. Thus, his likeness was used for a cheap recreation in an attempt to manipulate one person and kill nearly everyone else in charge of the Future Foundation, all set in motion by Junko's own brainwashing videos.

1.5- Killing Harmony

This is the only version of Monokuma that Junko herself doesn't have a hand in recreating, and is the only time he exists solely as a robot personality of his own accord. Created by Team Danganronpa, he's a physical conception of the fictional character Monokuma in-universe, and thus, is a character in his own right. Birthed by a Motherkuma machine for the mastermind's benefit, Monokuma acts once again as Headmaster, but a significant amount of soul is noticably absent from the presentation. This is in part due to the amount of focus on the Monokubs, using their unique characteristics for comic gags with the cast in the way Monokuma used to in the previous games, and his appearance feels like more of a checkbox than an actual return of Monokuma. Simply put, without Junko's influence, Monokuma's character becomes more flat, and starts to fade into the background in a convoluted mess of references and callbacks. All of which is done on purpose- Monokuma is a facet of Junko, and without Junko, Monokuma becomes empty.

Part 2- Character Design

Junko Enoshima is designed as a gyaru, a subgenre of fashion known for its more 'rebellious' style. She's dressed in a modified uniform, with a black jacket with her sleeves rolled up and unbuttoned, allowing her cleavage and bra to show, with a black-and-white tie, a red bow, and a red plaid miniskirt. She also has Monokuma pins holding up her ponytails- one with the white half, and one with the black half. Asymmetricality and the use of exclusively black, white, and red all align her with Monokuma, an asymmetrical black-and-white bear with a red eye. She has styled blonde hair and blue eyes, and has the title of SHSL Gyaru, or Ultimate Fashionista.

2.1- What's A Gyaru?

Gyaru as a fashion style first originated in the 1970s, emerging from Japanese women's nonconformist desire to embrace their own sexuality and rebel against societal standards of the traditional housewife. As time passed and more women latched onto the trend, it became a major point of discussion, initially shaming these women for being too racy or delinquent, before shifting to an increase in streetwear fashion and being recognized as its own genre of fashion, evolving with new subgenres as time continued to pass. It went from a wholly shameful style to an expensive, trendy one as expressly gyaru clothes started to be made and sold in stores. The increase in popularity also led to discussions of placing laws against child prostitution, as younger girls were getting into the expensive fashion and started finding alternative ways to afford this showy clothing.

There are many, many subgenres of gyaru known, but Junko Enoshima is specifically referred to as a kogal or kogyaru, a high-school gyaru. Her school uniform is modified into a showy jacket and miniskirt with big bows, she wears knee-high boots, and her hair is blonde, implied to be dyed based off of the common hair-dying of kogals. In DR 0, we also see her with red hair and eyes as opposed to the blonde and blue, suggesting that red may be her natural hair and eye color. Kogal culture has a lot of stereotypes around it regarding the extracurricular activities of the girls who subscribe to it, but the general idea around it is for the girls that participate in it to break social norms and claim their sexuality for themselves to get what they want, all within a consumerist guise. This type of mentality matches Junko extremely well, as a character bent on breaking the world for her own pleasures by advertising herself as Despair.

Part 3- The Mastermind Reveal (THH)

We don't actually meet Junko Enoshima until the final showdown in THH, though we are well-acquainted with the idea of her before then, as not only do we meet an imposter-Junko in the first chapter, but her magazines are specifically shown to us in the intro of the game, and are scattered throughout the school(laundry room). There are also little hints as to her identity as mastermind sprinkled into the game.

"Whenever I spot a cute girl, I have a tendency to stare. I can't help it- I just gaze with intensity. The other day, I rode my bike to the train station... I was in the bathroom, just looking at myself in the mirror..." -Monokuma Theatre, THH

Despite these hints, the characters don't know who the mastermind is yet, only being able to reason at her motivations for the killing game and why it came to be based off of what clues Monokuma leaves out for them, like how the main track that plays when interacting with Monokuma is called '100 Mile Junk Food Dash'.

"But first, I have a question for you... Who are you? What do you want from us?" "Well, if you really must know... Despair. That's all." -Kyoko Kirigiri & Monokuma, THH

"And for those of us who represent hope to kill each other and sink into Despair... The mastermind wants the world to see that, to try and prove that Despair is better than hope." -Kyoko Kirigiri, THH

We know that whoever this mastermind piloting Monokuma is, they're someone that's engineering this entire killing game expressly to spread Despair. With the knowledge that the killing game is being televised, that Despair isn't just for the students, but is being put on display for the entire world to see. Manufacturing and televising such a sadistic game using public figureheads under governmental protection is a behavior akin to terrorism (Despairism?) and is an act that, by itself, seems nigh impossible for some high-school student to be capable of. Yet, we know it is a high-schooler- Monokuma insists that the only people involved in the killing game are the 16 students of their class.

Through the investigations of chapters 5 and 6, it becomes increasingly more apparent that whoever this SHSL Despair is, Junko has some level of involvement. For example, more observant players will recognize Mukuro's corpse almost immediately as 'Junko's' from chapter 1, as her bright red nails and the same high-heeled, red-laced boots are clearly visible. And while this doesn't immediately incriminate Junko herself, it does at least call into question the identity of the dead SHSL Despair, as the body being Mukuro's isn't ever really contested(save for a 'dumb Hiro' gag insisting it's Kyoko while standing next to Kyoko).

"And don't forget about the Fenrir tattoo. There's absolutely no mistake... Our victim in this case is, without a doubt, Mukuro Ikusaba...!" -Kyoko Kirigiri, THH

Throughout the final investigation, the player's job is to solve 'all the mysteries of the school', AKA their erased memories and the identity of the mastermind. This investigation intentionally doesn't talk about Junko, voiding her involvement to the point that her own face is scrubbed from the evidence. The hints given by Monokuma picture Junko's face covered up in every photo, and the recordings of the students agreeing to live in the school is cut off before it can cycle over to her. It's not her presence that matters, it's the lack of presence, because we haven't actually met her yet, juxtaposed to the repeated mentions of Mukuro, a girl who'd been a part of the group since the very beginning without anyone realizing.

When we do realize this, it comes with the realization that Mukuro's and 'Junko's' body were one and the same, and with Kyoko's old pocketbook revealing that "Despair walks among us, and so we survive... There's a second 'Despair'", we can come to the conclusion that the reason the mastermind was able to pull this off was because there was actually more than one, working in sync, and thus, the reason both bodies were one was because they were the SHSL Despair together.

Part 4- The Despair Sisters: Mutual Abuse (CW: Incest)

Despite the fact Junko was the brains behind the operation, there was never really a time where she was working alone towards Despair. She was actually one of two Ultimate Despair- as she called them, the Despair Sisters. Her twin sister, Mukuro Ikusaba, was Ultimate Despair as well, and assisted her every step of the way.

In her first appearance, we don't actually get to know anything about her, as she spends her time with the class pretending to be Junko. As such, any and all information gathered on Mukuro is given by someone else- official school records state her title and physical attributes, and Junko tells us her role as Ultimate Despair and goes on about her flaws.

"She had what I call the 'three atrocities'- atrociously rank, atrociously filthy, atrociously repulsive. It was atrociously clear just how out of touch she was with the rest of society." -Junko Enoshima, THH

"The older sister, tough and proud, that was Mukuro. The younger sister, smart and cute, that was... Hyaaaahaha! Me! Junko fucking Enoshima! And together, we were the Despair Sisters! AKA, the Ultimate Despair!" -Junko Enoshima, THH

Mukuro reappears as herself in DR 0 and DR3's Despair Arc, as well as the official AU novel DR IF. In these, we get more insight into her feelings, and see her display an overt attraction to her sister at multiple instances.

"Consumed by ecstasy, even Ikusaba-san's breath became ragged. 'Only I am able to understand her. That's why she needs me. She still hasn't realized that but, maybe she's only pretending not to realize. Ufu, that's because she's so shy. Ufufufu.' Seeing this intoxicated Ikusaba-san continue to talk like that repelled me. I knew that she definitely didn't have normal feelings for Junko Enoshima". -"Mukuro Ikusaba" & Ryoko Otonashi, DR 0

This is pretty obviously incestuous in nature. She blushes at her sister's attempts to kill her with an ice pick, has an internal dialogue about how much said attention affects her, and 'goes into ecstasy' talking about her sister's madness. It's intentionally uncomfortable because it's intentionally incestuous*. I've seen arguments for Mukuro's behaviors being out of character and only there for fanservice in the anime, but this behavior being found in DR 0 first pretty clearly contradicts that. I've also seen an argument for Mukuro's behavior being an act meant to make Junko feel Despair and not having any legitimacy. The crux of the argument comes from the assertion in DR IF that Mukuro is able to numb her emotions in battle, so therefore, she could also mimic such an attraction when around her sister. This argument quickly falls apart as well, considering that a) she has both internal and external dialogue directly referencing her attraction where Junko can't actually hear her, and b) going numb in the heat of battle is not at all the same thing as faking sexual desire outright.

*(Mukuro being incestuous is immediately relevant to the way the Despair Sisters interact with each other, and understanding that I'm talking about their relationship under the lens that she is will hopefully prevent questions about why I'm talking about them as I am throughout the analysis, particularly when she pops up in other sections here and there later. Please do not go into the replies or reblogs and explain to me why I'm wrong; you are not going to change my mind. Believe it or not, I don't like Despaircest either, but that doesn't mean Mukuro's behavior in canon is some accident to be shrugged off. These are meant to be OBJECTIVE analyses. I'm going to look at what the games and novels and anime are presenting, whether I actually like all the points or not.)

Junko Enoshima yearns for Despair. Despair is her reason for being, and everything she does, she does with the intent of eventually bringing Despair upon herself. That pain of Despair is the strongest feeling in the world to her. And the way she treats Mukuro directly stems from that desire. Despair stems from grief, and what brings more grief then the people you love most despising you? Mukuro is her twin sister, who stands by her no matter what. Junko even tests this, having her kill an entire class of students to prove her strength and loyalty in manga series Killer Killer(though, admittedly, Killer Killer hasn't been confirmed as canon to my knowledge, it still aligns with what we know for both characters without altering anything about their characterization).

Mukuro is capable- very capable, and definitely has the ability to betray her, or even kill her if she wanted to. So at every turn, she treats Mukuro like garbage, actively trying to kill her with an ice pick when they first reunite and talking down to her at every opportunity. She describes her sister as fat, flat-chested, ugly, stupid, a pervert, any insult she can think of. She critiques her murders, chastising her when she kills the guards in Despair Arc while looking for Izuru for not doing a clean enough kill. But despite all this, Mukuro never strays from Junko's side. She continues to fawn over her, not just taking all the abuse, but displaying an attraction to her Despairing nature, and refuses to leave her side, the exact opposite reaction of what Junko wants to see from her.

"'Yes, she really is ridiculous…to the point of Despair, she's the lowest, worst sister ever but…that's why I can't leave her alone. That's why I have to help her. After all, I'm the only one who can understand her.'" -Mukuro Ikusaba, DR 0

This kind of loyalty isn't Despair-inducing at all; that dedication is exactly what she predicted from her obsession. What Junko actually wanted from her, we get a brief taste of when she speaks in the final trial of THH- "Because naturally, she turned out to be the letdown of the family. Leaving me behind to run off and join some band of mercenaries... Such a disappointment." The Despair of abandonment, of betrayal, was what she wanted. But Mukuro is too loyal for her own good. That's just annoying.

Mukuro is emotionally abusive, or would be if her sister were anyone but Junko, lusting after her own blood sister in a way that's considered taboo and perverse. This lust develops from an obsessive need to stay loyal to her sister, while Junko verbally abuses her right back, talking down to her and keeping her under her heel, mocking her at all available opportunities and treating her in a way that would make anyone else feel like shit. Not so for Mukuro, the person who's been next to her since birth and has stood by her side through all her Despair. They abuse each other, but there's an unspoken bond that allows for their relationship to function regardless, albeit in a twisted way. They're sisters, equally matched, and together, they become two halves of a whole terrorist. Despair is toxic for anybody, and Junko's own affliction leads Mukuro's obsessiveness to chain herself to Junko's side. They're twins who were born together, after all, and who else could even begin to understand Junko's Despair?

4.1- Despaircest & Anime (CW: Still Incest)

We've seen the relationship that Mukuro and Junko have with each other, both as it was alluded to in earlier depictions and how they interact with each other immediately in the anime. And, despite the fact that it wasn't directly shown to us before said anime, there were hints of the intention of a one-sided incest in DR 0, as well as repeated examples of Junko treating her sister poorly on a surface level and how much she actually valued her within THH and DR IF. Going into the anime, this would be the first time we'd actually see Junko and Mukuro interacting directly with each other as themselves. This could have been the time where we get to see just how twisted their relationship actually is, getting to see how, and maybe even why, they began treating each other in this way. We could've gotten more of a glimpse into their backstory, when they separated, and the inherently self-destructive cycle they pull each other into. Here's what we got instead:

Rather than actually explore the real depth of their fucked up relationship, the anime elects to play it up for the sake of fanservice. This is admittedly an ongoing problem in most of DR3, as it throws most of its female characters into very compromising positions and focuses in on their bodies when they're being brutalized in one way or another and not doing the same for the men, but that only makes this lack of tact worse. There's no interest in actually addressing this darker plot point beyond the most basic surface level because to go any deeper would make it more difficult to get your rocks off to it. It's a shame to create such a conceptually fascinating relationship that would've made for a fantastic way to develop Mukuro as a villain more and Junko as a human more, and just use it for cheap servicy gags. I feel like it isn't an unreasonable statement to say that this was lazy. Danganronpa is supposed to be a series that explores dark topics and uses them to create tragedy and develop its characters. In the face of that, this was cheap.

Hell, this very scene says it itself: they're using Despair to create a fucked up pleasure for the viewer! The incest being played up for fanservice instead of acknowledging Mukuro as a character is, from a meta perspective, Despair-inducing. To the writers and to Mukuro, Mukuro doesn't matter outside of Junko. Her suffering is pleasurable to the audience in a way that's outside of social acceptability, in the way she needed to be used for so long just to exist. BUT WE ALREADY KNEW THAT. We didn't need to boil Mukuro down to an extension of Junko; Mukuro already did that to herself. Maybe this is just me complaining because it's not what I wanted to see from this plotline; I'm not ashamed to admit that. I think being able to acknowledge your biases as a consumer is important when critically looking at a piece of media. But I stand by my assertion that the presentation of this point is sloppy and surface-level, and should've been handled with more tact.

Part 5- The Murder of Mukuro Ikusaba

Junko treats her sister like trash, but despite this, we know that she does respect her. In fact, she has to consider Mukuro as an equal, because if she didn't, she wouldn't hold her as equal parts Despair as herself. Yet, when she reveals herself at the end of THH, she affirms that they were equals- both the Despair Sisters, who worked together("We were the Ultimate Despair, ya know?"), and in the same breath, describes her atrocities and mocks her memory as a disappointment. She sees Mukuro as not just a person, but a legitimate danger and a harbringer of Despair that's worth recognizing. Thus, as a sister, it causes her Despair to prevent anyone else from seeing that and paints Mukuro as just another victim of hers("She was nothing more than a bit player, an extra unworthy of lines."). Playing up her betrayal of Mukuro and her supposed disdain for her sister strips her of her agency as Ultimate Despair to their classmates, without letting them see her true self either. She becomes just another faceless victim, and Junko holds the memory of the true Mukuro Ikusaba, merciless killer and all, wholly to herself.

In the au light novel DR IF, Makoto remembers Mukuro, and inadvertently saves her from this fate. This leads the rest of the LN to focus on Mukuro and her relationship with Junko from her perspective as she copes with the reality that her sister betrayed her. It differentiates herself from Despair, and from her POV, we learn how she thought Junko felt vs how she actually did. Junko lives her life hopelessly- she's too smart for her own good, and can predict the moves of society and of the people around her. Mukuro believed she was the only one who fully understood Junko, so she acted perfectly in accordance with her plans, never once rebelling or going against her. She tries to convince herself to crave her sister's Despair so she would feel Despair from that desire, so she can remain close to her. But that wasn't the Despair Junko wanted. All along, what Junko wanted was for Mukuro to betray her because of her love for her. Without Mukuro, her plans would fall apart. She wouldn't be able to break into Hope's Peak as she did, nor would she be able to protect herself when attacked. Mukuro was what allowed her to gather as much power as she did over Hope's Peak, infiltrating and gathering blackmail, kidnapping chairmen, and so on. Mukuro was the brawn to Junko's brain. So the one thing that could destroy her plans, and bring her a Despair greater than any other, would be if her other half abandoned her. In DR IF, she learns this as Junko finally tells her that she loves her to her face. She breaks Mukuro's chains, and sets her free from her Despair to heal without her by rejecting her help, in a roundabout, Junko-esque way. In canon, though, Mukuro doesn't get to have that realization. She doesn't have the emotional intelligence to put those pieces together herself, and tired of waiting, tired of hoping, Junko gives herself an alternate Despair- the Despair of killing her own sister in cold blood.

The identity and death of Mukuro exist to keep the identity of the mastermind shrouded in mystery. Within THH, she's someone who's important from a narrative perspective- not as a person, but as an entity- designed to facilitate the reveal of the real Junko. Her murder is thus a murder of both her literally, and the murder of her personhood, as Mukuro is the one character that never gets to introduce herself. Junko makes it so, and wipes the memories of the class so that Mukuro Ikusaba will no longer exist outside of herself.

We're introduced to Mukuro not as Mukuro, but as Junko, wearing a wig and costume to appear as similar to her well-known sister as possible, and acting out her sister's fashion diva personality as convincingly as possible. It's tropey and typical of a fashionista- she cares about her looks a little too much during a killing game, acts like she's above the killing game and wants out of it, and explains away any imperfections as 'oh you haven't heard of photoshop before?'

There's no reason not to trust her at that point because no one thinks they've met her before. In DR IF, Makoto is able to recognize her through the outfit and charade, but that's only with his memories intact. Those memories have been thoroughly covered up by Junko in reality, and so the Mukuro Ikusaba she knows dies invisibly, betrayed and unrecognized as her classmates and friends mourn her killer instead. Junko gives her sister the worst Despair of all- being truly forgotten. After this, no one would remember who she was ever again, locked away in the mind of the person who'd never show her affection.

Not only that, Junko killing Mukuro and emphasizing how little she cared about that decision served to make the survivors hate her- her old friends now despised even looking at her, and brought her more Despair.

"Which is precisely why I killed her- to meet everyone's expectations." "That... can't be your only reason, can it?" "Well no, of course not. I also did it to avoid becoming bored." -Junko Enoshima & Makoto Naegi, THH

Despite that, being the one to kill Mukuro brings her a Despair like no other, with her describing it as "super super super super super Despair. No, more than that... Super super super super super super super super super super super super super super super Despair... It just feels... so... good..."

Junko did love her sister, and made everyone else she loved believe otherwise so she could feed off the Despair from their hatred.

Part 6- Ultimate Despair and Junko Enoshima

"The Ultimate Despair... A group of people who caused the Tragedy one year ago... Those same people put together this killing game and began broadcasting it around the entire world. The most desperately awful group of people ever... *That* is the mastermind's true identity." -Makoto Naegi, THH

Make no mistake- despite what the surface level of the series would have you believe, Junko Enoshima isn't the Ultimate Despair. There is no the Ultimate Despair because Despair isn't confined to any one person. Rather, Junko Enoshima is afflicted with Ultimate Despair. Despair, by nature, is grief. It's a pain inflicted by the death of hope, whether that be through the loss of a dream, a person, or whatever else. You grieve that loss, and it takes the form of Despair. Ultimate Despair takes that grief and amplifies it, destroying any sense of self and replacing it with the desire for more Despair. This is the type of Despair that Junko Enoshima feels, and thus, uses her own talents to embody it and spread it. It's a bold claim to make, I realize, that she isn't the SHSL Despair she defines herself as, but it's the basis this entire analysis leads to, and as the evidence over the course of the series develops her character more and more, it goes from some theoretical musing to legitimate design, all the way through to the end of V3. Though she immerses herself within Ultimate Despair, she herself is not Despair incarnate like she'd have you believe.

As we see her in THH, Junko is repeatedly hammered in as 'one of two' by the narrative. It's not just Junko that's formed Ultimate Despair; it's also Mukuro, and they're not referred to as 'Ultimate Despair and her sister', they're 'the Despair Sisters'. For all her charisma she displays, she alone isn't responsible for the Tragedy. Everyone is capable of feeling Despair. It's that foothold Despair has within her that creates an 'Ultimate Despair'. And while yes, Junko was definitely the most afflicted with Ultimate Despair, she didn't get as far as she did just by being horny for grief. She has a title, a real one, and it's not SHSL Gyaru. That was her cover, something she could use thanks to her real talent. Her real talent was only ever known by a select few, and to know what that is, you have to dive into the (criminally underrated, may I add) 2-volume novel set, Danganronpa 0.

Part 7- Ryoko Otonashi (DR 0)

(Little disclaimer here: Before I actually talk about the novel, I did want to quickly assert that DR 0 is both a mainline release to the Danganronpa series and 100% canon. Written and released by series creator Kazutaka Kodaka himself in 2011, it was written specifically to fill out Junko's character more. As such, everything contained within them are unquestionably canon to the world and its characters, something critically important to understand when talking about how it pertains to Junko Enoshima. I think just about anyone who's read DR 0 before knows all this already, but for the sake of anyone reading this who hasn't, I wanted to assert that.)

Ryoko Otonashi is the protagonist of DR 0, and is introduced to us as an audience in a 1st-person perspective. While she isn't the only character we follow in this series, she's the only one to speak to the reader straight-up, introducing herself and reacting immediately to the people and events in front of her. This is for good reason, as Ryoko is suffering from some form of amnesia. Not only does she not remember anything about her childhood or her identity, she also forgets things as they're happening. She can't even remember her name, and is only able to recall it by reading the cover of her notebook- 'Ryoko Otonashi's Memory Notebook,' where she's writing down everything in front of her as it happens so she can try to remember later.

Most of the story is told through Ryoko's perspective as she tries to avoid being caught up in some massive conspiracy within the school- all without actually remembering the conspiracy she's avoiding. Junko Enoshima is the one responsible for this, directing her from place to place and slowly forcing her to confront the conspiracy as she starts to figure out who she is and how she fits into it all. She insists over and over again that it has nothing to do with her, that she's innocent and has never met any of these people before and desperately tries to believe it- her memory is gone, therefore she could not be responsible.

But she is responsible, because she's not Ryoko Otonashi. Her real name is Junko Enoshima, and she's the SHSL Analyst, a girl with such a strong logical capacity that given enough information, she can perfectly understand and predict anything. This could be the actions and personality of a person, or it could be upcoming trends in fashion; whatever it may be, Junko is capable of perfectly analyzing and understanding what will happen in any given situation, long before the world does. And that type of intelligence has rotted away her mind.

Simply put, the human brain requires stimulation. Boredom is her opponent, and in a world where she can fully understand and predict anything at any time, Junko has nothing to stimulate her, and almost nothing can bring her any joy, because she fully anticipates it. Everything is normal, predictable, boring- it's left her with a case of intense anhedonia. Therefore, the only way she could find any happiness is in a world where that talent is stripped away from her. As Ryoko Otonashi, a girl with no memory, she can remember nothing and therefore predict nothing. Analysis requires data, and a blank slate offers none. Even her name is in reference to this, as 'Otonashii' translates to English as 'no sound' or 'quiet'. Only without memory can Junko's mind be silent and let her be genuinely happy.

Ryoko Otonashi is essentially a personality created by Junko as a test, not just for the people around her, but also for herself. Throughout the novel, Mukuro and Yasuke interact with her with opposing goals- Mukuro pushes her into the fray of Despair she's created, while Yasuke tries his best to keep her eyes and ears covered. Ryoko is in a unique position between the two- she's starting to remember and understand herself again, but is terrified of what she'll find, and wants to hold onto her peace with Yasuke. The ongoing question of the novel, which only reveals itself on a reread, isn't within Ryoko's identity itself. It asks the question of whether or not Junko could have been saved from Despair. And the answer, sadly, is no. Remembering anything for too long makes her forget her happiness, and she falls back into Despair, killing Ryoko Otonashi, the epitome of her peace, with her own hands.

Mukuro and Yasuke act as opposing forces within the novel, as both feel a loyalty to Junko that makes them act in what they believe to be her benefit, and both fail. Mukuro drags her kicking and screaming back into the depths of Despair to bring back the madness she sees Junko as, while Yasuke wipes her mind of everything that made her Junko to remove what plagued her. For Junko, balance isn't an option, and the people within her orbit fall victim to that same mentality.

7.1- Personality Disorders In Danganronpa

I'm not a psychologist, nor do I have any sort of split personality(DID, OSDD, etc). So my knowledge on the subject isn't that great, and everything said within this section should be taken with a grain of salt. But, to the best that I can tell, Ryoko's existence as an alter is sort of... mixed up. Other characters in the DR series (Toko & Genocider) make it pretty clear that Kodaka doesn't really have a fantastic understanding of people with DID outside of how they're stereotyped in the horror genre. And that background knowledge, combined with the presentation of Ryoko in DR 0, makes me think she was likely intended to be an alter, but as one that Junko had almost absolute control over, as at multiple instances, she was able to knock Ryoko out at will, and fully killed her once she'd outlived her usefulness for the experiment. There are parallels to Jekyll and Hyde in that aspect, though of course Jekyll was aware of also being Hyde- an alternate version of yourself created to rid yourself of everything about yourself that you despise is very reminiscent of Jekyll's motivations, down to the permanent erasure of the "good" side by the very end. It's also worth noting that Jekyll and Hyde weren't intended as an example of DID, but rather, an exploration of how every person is multifaceted with good and bad parts, even if modern day interpretations often read it as another example of the evil DID trope from 1960 and beyond(thanks a lot, Psycho).

There are several interactions between Ryoko and Junko that support them being two personalities within the same body rather than just a case of memory erasure. For example, when Ryoko is nearly killed by one of the SHSL Octuplets, Junko emerges just to make sure she isn’t killed, citing it as a minor nuisance.

“‘Upupu, I wonder if I was a bit too harsh.’ The voice said, it sounded close. ‘... But it can’t be helped. It’d just be embarrassing if you died here. After all, you’re the protagonist in this scene for once!’” -Junko Enoshima, DR 0

When Ryoko wakes up in the underground bunker of the Reserve Course cult forming, she comes across a captured member of the Steering Committee. And because she genuinely doesn't know who he is or where she is, he ends up giving her classified information that Junko needed, and the second he reveals it, she's immediately able to knock Ryoko back out and take over once again, having used the Ryoko personality as a front specifically to gain information.

“'The old school building… Kamukura Izuru’s there.' 'P-Please wait..' I ended the conversation prematurely with an interruption. Quickly, I wrote in ‘Otonashi Ryouko’s Memory Notebook’. .... But then… Huh? I suddenly felt an attack of dizziness, I struggled to stay upright. What’s happening?" -Steering Committee Member & Ryoko Otonashi, DR 0

"'Oy, did you hear me?' I didn’t. The beating in my ears was only growing louder, it completely drowned out all other sound, I couldn’t hear anything anymore. I shouldn’t be able to hear anything anymore, and yet I could hear a single, eerie laugh. '...Upupu.'" -Steering Committee Member & Ryoko Otonashi & Junko Enoshima, DR 0

Ryoko's memory of Yasuke is also contingent on whether or not Junko wants her to recognize him, suggesting that to some degree, her memory issues aren't just forcefully induced, but rather, are a conscious choice on Junko's part for Ryoko, as once Junko's plan is in place, she suddenly can't recognize him and is then forced to kill him in self-defense.

"'Are you…talking to me?' He looked exhausted. A face of someone who lost everything. The face of someone who lost all his thoughts, all his senses, and all his emotions. '…You don’t remember me?'" -Ryoko Otonashi & Yasuke Matsuda, DR 0

It's pretty unclear whether this was an intended conclusion from Ryoko's and Junko's behavior in DR 0, or if these are just remnants of Kodaka not knowing how personality disorders work and simply having Junko be so powerful that she can purposefully create, manipulate, and kill personalities at will, but I think looking at it from a more psychological viewpoint like this certainly puts Junko's actions as a manipulator into more perspective. The intention behind Ryoko suggests that Junko's manipulative abilities extended even into her own psyche, almost to a supernatural degree. Do actual systems in the real world function like this? No, but thanks to Toko/Genocider, we know that the representation of DID isn't gonna be good in this series.

If we wanted to put this into a more realistic lens, we could come to the conclusion that Junko's apparent control over Ryoko and the discrepancies behind her existence is a result of Junko having Munchausen Syndrome. Also called factitious disorder, Munchausen is a subconscious psychological condition in which the patient fakes symptoms of other kinds of conditions, whether mental or physical, without realizing they're mimicking the symptoms. Under this lens, we could say Ryoko was a factitious alter that Junko created after Yasuke wiped her memory, hence why she could have control over her over the course of the novel. This was almost definitely not the intended explanation, but it's the conclusion I came to. So there.

Part 8- Relationships

Due to just how many corners of the franchise Junko's present in, there's no convenient place to dump all the relationship analyses like I normally do. Ergo, I'll be breaking part 8 up, and will talk about the different core relationships Junko forms when they're most relevant.

8.1- Yasuke Matsuda

Yasuke Matsuda is the SHSL Neurologist, and a childhood friend of Junko's introduced in DR 0. Because he's the boy she's in love with, he remains the only tangible thing Ryoko can remember outside of her procedural memory, and is treating her memory loss. He's also the one primarily responsible for wiping her mind and assisting the school in the coverup of the student council massacre that Junko was responsible for, though he takes no pleasure in it.

"The silence continued for a while until Matsuda sighed and muttered, 'You should worry.' His voice was low and depressing. 'What if you’ll always be like this......'" -Yasuke Matsuda, DR 0

Despite his tsundere behaviors towards Ryoko whenever the two are face-to-face, he's very much in love with her, and spends the novel trying to look out for what he believes is in her best interests by methodically attempting to remove the Despair from her mind and covering up the Tragedy she's already set into motion. Throughout the novel, he works in cahoots with the Hope's Peak Academy Steering Committee to find more information about the Incident. He does this specifically to defend Ryoko and keep people from interrogating her further, and to hopefully extricate her from the whole situation permanently.

"'I said shut the fuck up.' Matsuda easily quieted the men by saying that and then he continued in a soft voice. 'People might call her an idiot, but she doesn’t even bother to stick up for herself, thinking she can’t do it. So I don’t think I’d be able to forgive myself if I don’t do it for her.'" -Yasuke Matsuda, DR 0

Though we never see it directly, we realize with the help of Kyoko that he's also the one taking the bodies of the Steering Committee and SHSL Octuplets after Mukuro kills them and disposing of them, in the hopes they won't be discovered and Junko will eventually be absolved of both suspicion and Despair.

“Finally she looked at me. ..... ‘The dead body, the body that was dead. There was a post-death body here before!’ ‘Huh?’ .....  ‘There’s not mistake, I know there was definitely a corpse here before!’” -Ryoko Otonashi & Mukuro Ikusaba, DR 0

“Matsuda-kun’s voice was definitely coming from beneath me. There’s no mistaking he was under the bed. ‘But... what would require so much concentration to be under the bed?’ ‘This situation.’ Somehow, Matsuda-kun’s way of putting it could allure to several different meanings.” -Yasuke Matsuda & Ryoko Otonashi, DR 0

"I stood next to the girl, crouched down and peeked under the bed. At the back I could see a large opening, .... 'It’s not a terribly impressive hidden room… a storage room at best.' '…A storage room?' 'For hiding dead bodies.'” -Ryoko Otonashi & Kyoko Kirigiri, DR 0

But despite his best efforts, Junko's talents of analysis were just too great, and she'd already come up with a plan to send her back into Despair before he ever touched her mind. With the help of Mukuro and the growing underground Reserve Course cult of Despair, Ryoko is forced to face Despair after Despair, and is hunted for her involvement in the student council massacre. Junko confronts him and taunts him for his failure, leaving him to wallow.

"'I get it, you feel sorry for her… even so, you’re troubled. You’re incredibly troubled. That’s what it seems like after what I’ve been hearing…'” -Junko Enoshima, DR 0

“'You know, in this scenario, only you can make the choice, Matsuda-kun. So think carefully, worry about it, and choose the choice you think it best. Hope or despair… the choices are so diverse and yet, surprisingly, intricately connected. Anyway, have a good think about it…'" -Junko Enoshima, DR 0

In one final attempt to see if he can salvage her, he approaches Ryoko outside of his lab, pretending as if he's Izuru Kamukura, and questions her. She doesn't recognize him, and he, too, falls into Despair, finally accepting that despite his feelings, he was a pawn to Junko's game, and tries to kill her, sending Ryoko towards Despair as she realizes who she's speaking to and can't convince him she loves him anymore. Defending herself, she ends up stabbing him, sending herself spiraling as she becomes her lover's killer, and Junko reemerges from her mind, killing her off in front of him and forcing him to die in Despair.

He dies believing Junko never actually loved him. He becomes thoroughly convinced that she was pretending, and that Ryoko was nothing more than a part of the game to send him into Despair. And that perception of Junko combined with her causing his death brings Junko an indescribable Despair. The man she loved died by her hands, hating her existence. Truly, this was Despair!

"'I was right, wasn't I? About you remembering? That's why you can't remember me? You remembered that I wasn’t a particularly important person to you…so that's why you can't remember?' Kamukura then revealed his eyes, their glint was tainted with deadly hatred. '…You're such a bitch.'" -Yasuke Matsuda, DR 0

"'There's no way this would have nothing to do with me…' There was a hint of sadness laid somewhere in that murmuring voice. 'After all…you were the most important person to me of all…' Those were her true feelings. Yasuke Matsuda was an especially important existence for Junko Enoshima." -Junko Enoshima, DR 0

She loved Yasuke intensely. She cared about him moreso than anyone else, save Mukuro. And yet, despite how attached he was to her, Yasuke couldn't realize in his own Despair that there'd be no reason for someone like Junko to bother dragging herself through so much mental torment and manipulation at his expense if she wouldn't get a magnificent Despair out of it. Yes, she causes Despair for others, but she doesn't throw herself directly into the fray unless she gets something out of it. Despite loving her, he never actually understood her. That truth, too, would bring her Despair.

Part 9- How Junko Shaped the Game

Turning back towards THH, Junko's reveal shakes the class. Most of them believed that finding the mastermind and forcing them to show their face would end the game. But that's not the case for Junko Enoshima. She's not through with them yet, and takes the opportunity to rub everything they've lost in their faces.

"Puhuhuhu... Did you really think the story would end once we reached the climax of the case? Wrong! There's still plenty more to go!" -Monokuma, THH

Throughout all of THH, Junko's plan is hinged on Despair, and thus, she takes her class, which had become close friends and confidants over the past two years of their lives, and attacks what would bring them the worst Despairs possible for each. Her talents as SHSL Analyst allowed her to analyze her own classmates and tear at what would've made their 16-to-20 year old selves when they first met snap. And each one of the motives she used was designed specifically for that, something she makes sure to cite when taunting them ("Did you notice that each motive I presented you had a specific theme to it?")

The first motive's theme was 'human connections', and everything surrounding the first chapter reflects this. Sayaka's motive wasn't just about her career. It was about the family she'd found and not letting down the people who loved her. And on a meta perspective, the first chapter was also about relationships, specifically that between Sayaka and Makoto and how that relationship's end motivated Makoto to eventually become SHSL Hope, and to a lesser degree, starting the development of the critical relationship between Hina and Sakura.

The second motive's theme was 'the past', something the 2nd chapter very much reflects. The secrets that Junko uses against the class are extremely personal to each of their histories, and can be used to twist each of them to head towards Despair, whether that be through their own hand or their own poor judgements of the people around them from their lack of memories. Mondo's secret isn't just tragic; Junko purposefully warps it in his letter to affirm his own belief that Daiya's death was murder and not just an accident, and because no one knows its contents, it sends him into a spiral. The same can be said for Chihiro, whose secret implies that their gender presentation is a lie, forcing them into a conformatory decision that leads to tragedy. Her classmates' memories of the past are presented in a warped way to suit Junko's needs. Toko's secret of having DID and a serial killer alter, Genocider Syo, is also revealed and used to develop her more as a character when she's the one most afraid of opening up to the class.

The third motive's theme is 'greed', using the promise of wealth to lure Celeste to murder. Even if you could argue other characters within the class could have fallen victim to the first two motives, this one is undoubtedly meant to target the Yasuhiros on Junko's part, as realistically, no one else in their class has any reason to even consider killing for money by itself, especially not when there's already been two class trials. The Yasuhiros are the only ones who consider themselves to be in any level of financial need. This theme is also meta-reflected by the possessive nature Kiyondo and Hifumi both develop over Alter Ego. Because neither of them can keep themselves away from them, they became easily manipulated, and it became harder for the rest of the class to obtain information and watch out for each other, forming a tunnel vision towards Alter Ego in their minds. This contrasts Celeste and Hiro greatly as well- Celeste is consumed by her own greed, while Hiro doesn't even consider killing for the money, opting instead to try and look out for the class and develop him as a survivor. Hiro's the one that looks out for Taka and calls out Hifumi on his obsession; Hiro's lured into Celeste's trap by promise of a way to save everyone, while Celeste rejects her class in favor of fighting for a selfish dream she didn't even need.

The 4th motive is that of 'betrayal', and this one is where the cracks in Junko's plan finally reveal themselves. Each and every trial before this one ended in tears and Despair, and a sense of hopelessness that wasn't alleviated until they were given new distractions. Sakura's betrayal is meant to mirror Junko's own betrayal of her classmates, and when half the class instantly turns on her, things go exactly as Junko plans. Sakura swears to destroy Junko by any means necessary, and takes her own life in an attempt to take the fun from Junko. With Monokuma's meddling, Hina is instead pushed into attempting a murder-suicide, one she's caught for by Kyoko and Makoto. But once the truth comes out, Sakura and Hina aren't condemned. Those that attacked her end up defending her. Sakura doesn't betray her class; Sakura betrays Junko, and it puts her on the path to failure. Junko even admits to this, though indirectly: "Once I revealed Sakura's betrayal, that led to everything that came afterwards..." Note this is the only time where she doesn't expressly explain to the survivors why her motive was successful, because in this instance, it wasn't. It also fills out Hina as a character and uses her arc of an attempted self-destruction to contrast Junko, as Hina let herself be forgiven by her classmates, something Junko could never let herself do.

Part 10- Self-Destruction (Junko vs Sakura)

Despite the fact that Makoto is the character christened as SHSL Hope at the end of THH, there are a lot more parallels between Junko's self-destructive nature and Sakura's self-sacrifice that often go unnoticed, and these parallels are quintessential to the overarching narrative of THH and why Junko functioned as its villain.

Both Sakura and Junko do the things they do because they love the people around them. Both Sakura and Junko find themselves to fall short of who they'd rather be. Both Sakura and Junko kill themselves. But their goals are fundamentally, diametrically opposed.

Sakura Ogami, as a martial artist, is a woman of honor and principles. She believes in the inherent worth of the people around her because of this, and strives to become the strongest person alive not because it's a desire of her own, but because that's the destination the people who loved her had in mind for her(her father, Kenshiro, etc). And therefore, she's someone who fundamentally wishes to act in the best interests of the people she loves, even when it's at her own detriment.

Junko Enoshima, as a hyperintelligent analyst, is able to predict anything. And because she can predict anything, she can enjoy nothing, because she always knows what will happen before it gets there. Ergo, the only way she can enjoy herself is via the only thing that can make her feel- Despair. Grief and pain still feel like something in a world where she can't be pleasantly surprised by anything. She despises herself for it, and so in order to feel, she decimates anything that brings her joy. Joy is boring; joy is nothing; joy is just part of the default setting because she still sees it coming. And therefore, she's someone who fundamentally acts in the worst interests of those she loves, for the sake of her own detriment.

When Sakura kills herself, and Hina is filled with Despair, Junko wants to revel in the Despair this brings everyone else. Sakura killed herself for people that weren't giving her the time of day, and the one person who gave a crap tried to kill you all! Isn't it so tragic, so Despair-inducing, don't you just want to break down and crumble?! And then they don't. Instead, after hearing the truth of Sakura's actions, the entire rest of the class is uplifted and united by her honor. Even Byakuya is feeling hopeful now! What the actual fuck is happening?! Is this how they'll feel when I die, too? Will my death bring no Despair?

8.2- Class 78-B

We never get to actually see any of her classmates interacting directly with her in their school days, or in any way that was positive. Outside of THH's and SDR2's final trials, we as an audience don't get to see them interact as friends. So we have to draw these conclusions from what little context we were given within her dialogue in these few rare moments in THH and the mentions of her class in DR 0.

"There was a tap inside [Junko's] skull, like someone pressed a switch and slowly her entire brain lit up with a notion. Several faces appeared. Of course, they were faces she knew… they were the faces of her Hope’s Peak Academy classmates." -DR 0

Without any doubt, Junko loved her classmates. They were people she considered in high regard and had unwittingly fallen for their unique charms. While Junko had come to Hope's Peak with the intention of causing Despair, she'd accidentally found people that made her happy. When entering the school, she intended to use the people around her to damage the school of Hope's reputation, but inadvertently became attached: "Once your school life here began, I thought about you constantly. It's only natural that I would... fall in love." This made for a fantastic happy accident for Junko, as finding something beloved made for a much more fantastic Despair for her later.

"Remembering the faces of the people who would bring her such despair, she felt something that was similar to a person in love, and she danced to the rhythm of Despair. 'This is it! This is a fantastic despair!'" -Junko Enoshima, DR 0

We can also reasonably assume Junko was someone her classmates had considered dear to them in turn, as she not only knew how to motivate their past selves into murder, but also their deepest secrets and fears, and was able to attack their relationships when they themselves couldn't even remember them. Could you handwave that level of connection with her SHSL Analyst talent? Actually, no, because as stated previously, analysis requires data. And the only way she could gather enough data to understand them at a depth that let her plan her killing game to perfection was by getting to know them firsthand.

There's also a strange implication within Junko's explanation of how she put the killing game together that I think gets often overlooked. When she prepares to infodump to the remaining survivors, she says this:

"So since I love you guys so much, I'll tell you all about it! All about the idea we came up with as the Ultimate Despair- our plan to bring Despair to all mankind!"

It's an interesting choice of pronoun, to say the least. "We." It implies that the group she's referring to when she speaks is herself and the people she's speaking to at this moment in time. Could she just be switching gears and talking about Mukuro, and later, the RoD, Kamakura, the WoH, etc? Yeah, absolutely. But none of these characters had even been mentioned, whereas she was just speaking on her love for her classmates in the dialogue prior and continues to talk about her classmates after.

In listening to Junko's explanation of how she put the killing game together, it made me come to a pretty disturbing realization. One of the biggest things about Junko is how she's always able to seemingly pull together everything to form this killing game almost entirely by herself. Later installments to the series include some level of explanations- Towa Group becoming a financial and robotic sponsor, a SHSL Mechanic that could've made the executions, etc- but her success within the killing game hinges fully on her knowing how to best bring her classmates to Despair. And she's not just an analyst; Junko is a master manipulator. Throughout her entire explanation of how she created the killing game, she never says she threw them into the killing game against their will. Instead, she very deliberately calls attention to her classmates' choice in the matter, over and over again. They chose to enter the shelter, they chose to lock the doors and cover the windows, they chose to be there with the SHSL Despair, though they didn't know who they were with at the time. Makoto is the one to assert that they did so because they believed in the hope of survivng, and giving the world a fresh start. But it's not just their year's worth of fun school classes missing from their memories. There's also a year of hopelessness within the school erased, too. Combine this with a few well-placed lines from Junko.

"You see, by taking away your memories, I gave you hope."

"You absorbed all that Despair, but then you forgot it all."

"Despair is contagious, you know. It's almost like... a natural phenomenon."

"Once you'd finished building your little shelter, it was time for me and Mukuro to get to work. And thus began the killing game!"

If Junko is making the claim that she was able to give them hope by removing their memories, that meant none of them had any to begin with. She emphasizes how much Despair her classmates absorbed, and even Kyoko herself states that it's impossible for all this to have been put together by just the Despair Sisters. If an additional year of hopelessness waiting around within the school were also erased, and Junko is intentionally avoiding saying she started the killing game herself, is it beyond reason to suggest that at least some of the 78th class had fallen to Despair in that timeframe? Look at the survivors that are left- Byakuya, Toko, Syo, Hina, Hiro. All characters that Do Not Like each other by this point. Most of the meaningful connections between the classmates have been murdered. Their past is scrubbed away. They've basically all betrayed each other at least once by now, and have been pushed to the brink of Despair. If you got a collection of THH characters most likely to fall to Despair, it'd be this group.

Junko even takes a point to emphasize just how Despair-inducing the truth can become, targeting Kyoko directly with this. As Kyoko comes to the realization the Junko purposefully designed the game with the possibility of being caught, she revels in Kyoko's Despair. She taunts her with the fact that their solving the mystery only made things worse. She is purposefully trying to drive the rest of her surviving classmates into SHSL Despair alongside her. She's manipulated the game and her classmates to get what she wants- the people she loves slaughtered, the survivors joining her in Despair, the world reborn by her hands. She quite likely manipulated her classmates into plotting each other's deaths not only inside the game, but in preparation for it as well.

Out of all her classmates, there was only really one you could argue wasn't perfectly analyzed and manipulated. One stood out among the rest as the unknown variable- a concept otherwise foreign to Junko- that was able to act as a wrench in her plans. And this, too, could cause her Despair.

8.3- Makoto Naegi (Hope vs Despair)

Makoto Naegi's SHSL Luck, AKA SHSL Hope, is the one who takes down Junko Enoshima's SHSL Despair. But why and how was this possible, and what does that mean for the relationship that he and Junko had prior to the game? If I wanted to fully delve into their relationship specifically, I'd need to really tear into Makoto's character, and I don't really have the time for that today(again, still hoping to get this out before 2025), so we'll just do the best we can based off the scenes they've had together and what we know about Junko to put the pieces together thematically.

Makoto is an average guy in just about every sense of the word. He likes average things, he looks plain, he's chosen randomly by lottery instead of earning his place in the school, he doesn't have any noticeable traits or beliefs- at least, not at first.

"But you know, if I had any one kind of strong point, so to speak, I'd say I'm a little more gung-ho than other people." -Makoto Naegi, THH prologue

By his own admission, he has a grand total of two character traits- abnormal normalcy, and enthusiasm. He's optimistic, and that's kind of it. By all intents and purposes, he's the SHSL Joe Schmoe, and that should make him another blank canvas on the wall of pawns Junko can knock over whenever she gets a little bored. And yet, SHSL Joe Schmoe is the one directly responsible for Junko's failure, and the one person who, by her own admission, she cannot predict. So why and how exactly is that?

I recall reading a story about a coding competition, where coders were meant to design an AI for a gambling competition. One entry proceeded to make an AI that would go all in every single time it was its turn, and the simplicity of it was so intimidating that it broke every other AI that was in the competition. That mentality is the exact strategy Makoto unintentionally employs. He doesn't have any strong sense of self or moral complexities; he's a dude that exists, and he throws everything he is into everything he does. He's an optimist to the highest possible sense. He leaves his door unlocked even after 4 murder cases and a break-in. He refuses to fathom anything but the best possible outcome, and so he's able to combat Junko's total Despair with pure hope. Makoto's head is so completely simple and empty that it acts as the exact opposite to Junko's highly intelligent, analytical mind. When she tries to force-feed him Despair in the final trial, he hits her with the power of 'nuh-uh,' and it works. It's that emptiness that fascinates Junko, and makes him and his random chance luck unpredictable to her.

Part 11- "Defeating" Despair

When Junko loses, it's not just because she failed to convince the others of Despair, or that Makoto's hope was just naturally the stronger conviction of the two. Rather, Junko's loss can be attributed to her own conscious choice to lose. Even if we're looking solely at THH, this is the case. And the source is found in a single line.

If her conviction to win in this moment was absolute to the point where only one person had to vote for Despair, she just had to include herself in the votes. After all, she is one of the 16 students participating, and by all accounts, she should receive a vote for this trial. But she casually refuses, instead leaving it in the hands of the survivors to make the final call. And that in and of itself is indicative of Junko's desires. When faced with a situation she can easily control, she leaves it to fate to decide, allowing that glimmer of unpredictability to take over and surprise her. She'll always believe in the Despair she's dedicated herself to; it doesn't actually matter who wins here. What matters is that she feels Despair. Either Makoto succeeds in convincing his classmates of hope and kills her, ruining all her plans, or he fails, and she exterminates the one unpredictable person in her life and locks herself out of that rush of adrenaline for the rest of her life. Either ending would fill her with Despair, and in that sense, there is no way for her to lose. She won the killing game, whether the survivors realized it or not, because she succeeded in destroying herself. She built herself a Saw trap, and her loved ones set it off.

Part 12- Execution Analysis

Junko is the only character to walk willingly into her execution, even being the one to hit the red button to start up the punishment rather than having Monokuma do it. You can first attribute this to her no longer being in the control room to pilot Monokuma to do so, which is true, but it's also representative of her desire for self-inflicted Despair. Her eyes are swirling with Despair and she goes on about how good it feels, how everyone should die in such Despair, how this punishment is 'extra special', because it's one she brought on herself. After methodically destroying the most important relationships of her life one by one, she'd now be killed by her friends in a series of recycled contraptions in an 'Ultimate Punishment'.

As she goes through each step of the execution, we see her bearing a wide grin, flying through the machinery that'd killed every one of her executed friends over and over again. She hits every baseball, handles the Cage of Death with ease, calmly survives the firetruck, and bobs her head with the excavator. She doesn't struggle, not once, and this is because in prolonging her Despair, her SHSL Analyst talent is keeping her alive. She's watched every one of these executions, and thus, knows how to survive them all. It's not just a retrospect of every prior execution as a callback for the audience; it means something. With a punishment meant to bring the character's worst ironic death via their most hated parts of themselves, then of course Junko's analytic abilities are keeping her alive through everyone else's Despair.

The execution ends with the return of the After-School Lesson, and this is the one that finally kills her, because it's the only one in which she doesn't know how it ends. Makoto's execution was tampered with by Alter Ego, so there's no way to know if she'll actually die or not. Junko can't know if it still works or not. Junko doesn't know whether she'll live or die, and that's what makes it so exciting. She's driven to the edge of death and left to sit there for a moment too long, long enough for the Despair to be replaced with disappointment- only to kill her right when her Despair abandons her. She stops smiling, looks up at the press, and dies abruptly. In her final moments, she is denied her Despair. Makoto did win, after all.

Part 13- Answering the 'How' (SDR2)

One of the biggest 'what-the-fuck's people tend to have after walking out of their first playthrough or watchthrough of THH is the How of the entire game. The first game is good and all, but it leaves Junko's skills and how she set up and pulled the killing game together pretty vague. This is intentional, as in the first game, she exists as a kind of force of nature, representing Despair as an inherent part of life in the same way Makoto represents hope. But after Spike Chunsoft commissioned a sequel, and Kodaka set to work on DR 0, the question of 'how' had to be answered as the series was expanded upon. This started with the introduction of Yasuke Matsuda's memory erasure technology and the reveal of Junko's SHSL Analyst status in DR 0, but continued to expand well beyond that.

In SDR2, we're introduced to an entirely new cast of characters, all with new and less conventional talents in comparison to the first cast. Whereas THH had plenty of more mentally-oriented talents like programming, writing, and hall monitor to balance out their more eclectic ones, the SDR2 cast is almost entirely physical or social talents like a yakuza, animal breeder, and mechanic. These talents also put them into more social or powerful positions than the 78th class on an overall skill, as you find yourself full of people that could command full armies and people proficient with making weaponry or fighting and potentially killing the people around them. This differentiates the casts, and automatically makes them more threatening in the ways they could attack each other in a killing game. This also makes them Junko's perfect weapons.

8.4- Remnants of Despair

Class 77 is revealed by the end of SDR2 to be the Remnants of Despair, pawns swayed over to SHSL Despair by unknown means. Makoto refers to this conversion as 'brainwashing', though whether this is him literally knowing they were brainwashed or making an inference and later being proven right is unclear. Regardless, the RoD are part of the SHSL Despair movement, and exist to explain a lot of how Junko was able to not only set up the killing game mechanically, but continue to end the world and send it into ongoing war after the initial Incident.

This is something especially apparent with the remaining surviving cast, as they're the most immediately powerful amongst the cast for Junko to use. Sonia and Fuyuhiko are both in direct command of massive amounts of people, with Sonia being the heiress to an entire country and Fuyuhiko being the leader of the largest mafia in Japan. Kazuichi as the SHSL Mechanic explains how and why so many elaborate executions were able to be designed ahead of time for the killing game, and Akane is a wicked fast athlete who's already accustomed to tragedies and will eat anything. On top of all this, there's Hajime, a human experiment worked on by those in league with the values of hope, and that was forcefully imbued with every talent that's ever been documented, including Junko's.

This sums up everything that made the RoD useful, but doesn't explain how any sort of meaningful connection was established between them and Junko. That's because on the overall, there isn't one. With two notable exceptions, the SDR2 class is largely unimportant to Junko emotionally speaking. They're useful, and that's about it. They weren't in the same class; they didn't interact at school or bond in any important way. She just dragged them down with the bare minimum brainwashing video because of their usefulness.

We also know Junko didn't care because of just how differently she speaks to and treats class 77 as opposed to the characters that we know she does love. The series painstakingly makes sure you know that Junko tears up everything she loves- Mukuro, Yasuke, class 78. She gores through them because hurting the ones she loves hurts her right back, and gives her an excellent Despair. But with class 77? Beyond the initial conversion, she doesn't really touch them. She doesn't need to waste her time with people who are virtually strangers. Their pain just is Despair; it's not her Despair. It's good for a laugh, but not much else, so she lets them run rampant on their own.

On an overall scale, Junko didn't give a fuck about these people. They existed solely as tools to her, and she interacted with them as little as possible. Unlike with her classmates, whom she loved, she did the absolute bare minimum required to get them to feel Despair by showing them a video and letting them do their own thing. The RoD were Remnants and not full-fledged SHSL Despair because their Despair was artificial. It was inauthentic, and so they could never ascend to true Despair in the way characters like Mukuro, Junko, or Monaca can.

8.5- Mikan Tsumiki (The Relevance of Junkan)

When we're first introduced to the concept of Junkan, it's portrayed as a one-sided infatuation from Mikan's perspective. She tells her classmates about the one person who forgave her existence and loved her anyway, with the choice of language emphasizing her beloved's need for Despair and asking for forgiveness for hoping suggesting that this beloved is Junko.

"Ahhh, this feeling of freedom where you no longer care about anything! My beloved and I are the only ones within that thin veil, and I'm just looking out through it..." -Mikan Tsumuki, SDR2

Whether intended at the time of SDR2's release or not, this line of dialogue ended up foreshadowing Mikan's heightened importance in comparison with the rest of her class to Junko as an RoD. When everyone else were just tools, remnants formed by brainwashing, Mikan is ultimately differentiated as special, not necessarily craving Despair but happily parroting it for the sake of a twisted love.

"It's like nothing matters! I could just die, that's how little it matters! Who cares about hope or despair! It's love, only love!" -Mikan Tsumiki, SDR2

This 'beloved' being Junko is proved true when AI Junko emerges in the final trial and reveals that class 77 are also the RoD. At this point, though, there's almost no evidence that Junko feels anything back for Mikan besides a vague sense of usefulness shared with the rest of her classmates, as she mimes seeing them as friends because of their actions as Remnants of Despair.

Something that's important to remember, however, is that Junko's need for Despair drives her to destroy everything she loves. We've seen this multiple times, over and over again with Mukuro, Yasuke, and her classmates before now. The reason we know she didn't care about class 77 is because there are no such personal attacks to tear them apart and make them despise her specifically- their pain brings her no Despair. There's no evidence of a personal attachment. Once DR3 comes into focus, though, that changes for one RoD in particular- one Mikan Tsumiki.

DR3 made the decision to bring Chiaki back as a human character, and made her the central figure for class 77's bond. Junko dragging out Chiaki's suffering and forcing her classmates to watch became the titular event that drove the rest of class 77 to Despair. But there was no personal attachment to this act, because she'd only just met Chiaki, and there was no dynamic to speak of between the two of them besides maybe a vague sense of interest based off of their single interaction.

So, if there's no established rivalry or connection to Chiaki, why does Junko single her out and kill her specifically? Easy; Junko doesn't. She sets up the maze, sure, but she is not and never was the one targeting Chiaki specifically. That was Mikan, and the show makes sure the audience sees this more than once.

When Mikan and Junko meet, it's because of a chance interaction. Mikan runs into Mukuro by mistake when going to check on Ryota, and is captured. In this sense, she's literally presented as a gift to Junko. Junko learns she's a nurse, and decides she'll let her hang around while she works on the brainwashing video.

In their next scene together, Junko is having Mikan massage her leg, listening as Mikan presents her classmates and friends to Junko. She's the one who tells Junko of how close her class has become, and how Chiaki is the central figure behind their bond. It's where we get this from Junko:

Though you might not immediately know it, it's swiftly revealed to us that Mikan is now in love with Junko via this and Ryota's mention that something appears 'off' with Mikan. From Ryota's discovery of the prototype video that was used on the Reserve Course students being immediately followed by Mikan's appearance and saying he souldn't have watched the video, it's easy to fall into the assumption that Mikan's fall is purely because of the brainwashing. But that's not necessarily true. Mikan having seen the video prototype is very different from being brainwashed entirely, and considering Junko herself says that the video is insufficient and that she can't brainwash people like Ryota can, there's an inference to be made that while the prototype video may have helped, it didn't rob Mikan of her free will in the way Chiaki's death did for everyone else. Ryota didn't fall into Despair from the video by itself, and neither did Chisa Yukizome. We also know from her FTEs in SDR2 that even before falling to Despair, Mikan was already a little fucked up, as her idea of a good time includes telling you all the ways in which you could die and begging people to treat her like garbage just for a taste of acknowledgement.

We also see what motivated her to nurse not only herself, but others as well- not empathy, but power and control.

"Sick people and injured people... are weaker than me. .... But if I know the proper way to treat them, that means my words are absolute. Which means... They'll need me. They'll depend on me completely." -Mikan Tsumiki, SDR2

Again, all this can be found in her FTEs, in a situation in which she's mentally reverted to the way she was entering the school, before she and Junko were so much as in the same city. By this line of information, it's just as believable that her falling in love with Junko was because Junko and her video actually connected with Mikan, taking Mikan's craving for attention via mistreatment and using it to her advantage. It's also worth noting that the anime makes a point to use 'spiral eyes' to demonstrate when a character has been brainwashed. This is something used with Chisa, with the characters in the Future Arc, and when the RoD are shown Chiaki's murder. But Mikan does not have these spiral eyes in the scene where she nearly assaults Ryota. She's horny, and it's extremely disconcerting, but her eyes are still her own, suggesting that the video didn't take a hold on her the way it did for the Reserve Course students.

Mikan is also one of the most similar characters to Junko in that she craves pain. Not emotional Despair in the way that Junko does, but physical pain, not only from Junko, but from just about anyone. Pain means attention, and that's something she needs more than anything. By this metric, she and Junko are actually quite similar, needing the worst from the people they love, and this makes for a formula that can create an incredibly abusive relationship. Junko can do literally anything to Mikan, and she'll lap it up like a dog. Mikan makes for a perfect punching bag, and suddenly, their relationship is intentionally paralleling the way Junko treats her sister. She kicks her around, calls her a disgusting horny piglet, and Mikan thanks her for it. It becomes a challenge of seeing how far she can push Mikan before she snaps and attacks her back, just like how she tries and fails to do with Mukuro. Simply put, there's no reason for her to treat Mikan in this way if she doesn't care about her as a person, romantic or otherwise.

This connection Junko forms with Mikan also serves to answer that earlier question: why did she bother with a class full of people she's never met? It's because of Mikan. Mikan is the one to present class 77 to her, and with the context that she goes on to set up a murder maze specially for Chiaki, and specifically says that Mikan has 'made a compelling case', that means Mikan was asking her to make them SHSL Despair. And not only does she do so, she does so in a way that forces Mikan to be the one to lead them into the trap. She brings her classmates to the bunker, she separates Chiaki from the group, she's responsible for sending her loved ones to Despair. This isn't a plot that's personal to Junko; it's a plot that's personal to Mikan, and Junko helping drive Mikan's loved ones into Despair saddles Mikan with a Despairing guilt tied to Junko.

Driving class 77 to become RoD is an act of love for Mikan- a twisted, abusive love, but a love nonetheless, and one that's in line with the way she drives her own class to Despair and makes herself the crux. Should her classmates realize what's happened, they'll know that Mikan brought them here. The rest of class 77 are Remnants, but Mikan is a SHSL Despair like Mukuro, valued like Mukuro, and her being the one to regain her memories and turn on all her friends once more, betray them once more, is a remnant of Junko's love.

8.6- Izuru Kamukura

When Junko first approaches Kamukura, she does so with the intention of offing him then and there. He's the artificial SHSL Hope, lab-grown by Hope's Peak Academy, and represents everything their research stands for. To kill him would be to kill their work, and that's what she walks in with the intention of doing.

Naturally, she fails, as Izuru's been imbued with every talent known to man. This wasn't outside to realm of possibility for Junko, though. There were several different ways to kill the SHSL Hope invented by Hope's Peak. Whether or not she killed him literally or metaphorically wasn't the point.

Izuru Kamukura exists as an empty symbol. He's filled with talent and nothing to use it on. Because his existence is an artificial one, he has no passion with which his talents were born, and no drive to use them. If anything, he's not the SHSL Hope, he's the SHSL Talent, but regardless, his creators have labeled him their SHSL Hope so that he can become their puppet-symbol. So to kill the SHSL Hope the trustees have created, all Junko really has to do is get her hands on the puppet first.

The actual convincing of him isn't really what matters to Junko. Similar to the trustees, she also sees Kamukura as a symbol, albeit one to be knocked down instead of bolstering up, so she uses him like a token symbol, too. All she has to do is pique his interest, just enough to get him to follow her, and her job is done. She talks on about her love of Despair, how grief and pain are something that actually makes you feel, and because he's had his emotion removed, that unknown variable is enough to get him to watch, just in case.

Despite his having every known talent, Kamukura is tricked. He's framed by Junko as being responsible for the murders of the student council. And in addition, he sees the power of Despair, as adrenaline from the final survivor pushes him to attack Kamukura even when it should've been physically impossible. When moved by that animalistic need to survive, he manages to cut Kamukura's face even after getting his own sawed in half. Thus the SHSL "Hope" is introduced to the world as creating Despair, and his job is complete.

Junko doesn't really bother with Kamukura after this framing. She lets him hang around, but when he decides to leave, she doesn't make any sort of fuss or try to attack him anymore, because she doesn't really care about him. He was only as important to her as his title was to the school, and once that title was tarnished, any connection between them she pretended to have was dropped. The next time these characters meet, it will no longer be the real Despairing Junko tainting some artificial husk of a person, filled with talent and emptied of heart, but rather, an artificial Despair combatting a survivor's true identity.

Part 14- The Brainwashing

Okay, let's talk about this. Was the brainwashing a good move for the story? Was it actually planned from sdr2? Or was it something half-assed at the last second because Kodaka didn't think that far ahead? Well, imo, it was almost definitely intended from their conception, and is very reflective of Junko's own motivations and goals.

From as early as DR 0, brainwashing tactics are evident within Junko's work. When Ryoko meets the reseve course's underground cult, she finds them watching a single video of mutual killing over and over again, with a fixation on its contents that's unnatural.

"[The cultists] didn‘t even bother to glance at me. Their eyes were still plastered to the monitors in front of them. .... Every monitor was a pitch black, none had a single image projecting on it.

'It‘ll… start again soon… so…' the monobear heads sitting in front of me said in monotone." -DR 0

Brainwashing is again brought up within SDR2, as not only is Hajime expressly a human experiment due to alteration of the brain specifically, but the entire class is referred to by Makoto as 'brainwashed'. At this point in the series, there's no reason for him to actually know this short of Kamukura possibly telling him they were brainwashed, so we can reasonably assume this statement is rooted in Makoto's inability to understand Despair and seeing anyone's craving of it as a mental disease that can be cured(not an unreasonable conclusion to reach, considering the Everything About Junko he was led to witness). Ergo, it's not beyond reason to assume that brainwashing was well within the bounds of possibility for the characters even at that time.

While the idea of brainwashing the class into Despair appears to rob the class of their moral complexities that came from being RoD, the view we as an audience are given by Makoto, Kyoko, and Byakuya within SDR2 is only ever that the RoD were victims of Despair. The survivors are already established as more reliable narrators than AI Junko thanks to the first game, so there's no reason not to trust that what they say is likely true. In addition, Junko never actually directly states that they did it of their own free will, just that they were on the same side and tries to get them not to listen to Makoto, her already-established opposite.

The idea of class 77 being brainwashed went from theory to canon in DR3, and while the method of their brainwashing is controversial(the line 'cutting through their free will like swiss cheese' from the dub is pretty aggravating), it still lines up with Junko's pre-established goals and motivations. She goes to Hope's Peak to tear down Hope and replace it with Despair, and after being shown a class full of Hope united by their love for the same person, she exploits it and is able to use their love against them to create Despair as an outsider. She's introduced to the class, uses them, and then lets them all go do their own Despairing thing because she doesn't actually care what they do. What matters most is her own Despair, and tearing hope to pieces. So her interaction with class 77 remains minimal, a mere experiment for Despair in the same way Hajime was an experiment for hope, and then keeps going about her business, calling on them presumably only if she needs something like the execution contraptions.

14.1- The Despair Videos & Knowing the Difference

There's not just 1 Despair video. Over the course of the anime, we're introduced to three, and each one has different levels of effect on those who watch it. Knowing the difference between these three videos is quintessential when talking about the brainwashing and how each character to watch a video is affected, as well as understanding different characters' roles in the narrative as they pertain to the videos. So let's establish the differences between these 3 videos and their effectiveness before we move forward.

14.1.1- The Student Council Massacre

The first Despair video, aka "the prototype", aka the Mutual Killing Video, is the one created using the footage of the student council's beta mutual killing game. This is the one made solely by Junko's attempted mimicry of Mitarai's animation talents, taking security footage of the mutual killing and sharing it with the Reserve Course and Mikan as a test run. And while it does have some level of effect on them, inspiring 'the parade' and having a hand in Mikan falling for Junko, it doesn't work nearly well enough to actually rewire their brains for Despair or strip them of their hope in the way that Junko would like. Even in the context of a parade, it's still very much a protest in the hopes of change. There's still the demands of a refund, of being let into the main course. Even when shown the Despair of the truth, there is still hope that things can be changed or fixed. And that's not what Junko wants. The only character that we've seen to watch this video to end with the aforementioned 'spiral eye' telltale of true brainwashing is Chisa, who we know was also being actively lobotomized by Mukuro during a repeated viewing to force it to work. This instruction came from some manual Mukuro was left with, presumably written by either Junko or Ryota.

While this video is what starts the parade, what eventually pushes the parade to violence isn't Junko. It's the inaction of Hope's Peak Academy and refusal to acknowledge their mistakes. Instead of coming clean, they bury everything wrong they've done even further and have their security beat the shit out of anyone that tries to find answers for themselves, doing so in the name of 'protecting them' from information. They keep the wrongdoings of their 'real' students under wraps at the expense of their underlings, fully buying into a talent-based hierarchy they created. Those without special talents are sources of finance- nothing more, nothing less. And when that overwhelming majority questions that, and finds evidence that HPA doesn't care, of course they'll retaliate. The video itself isn't a brainwasher, but when combined with the very real negative effects of the classism which the Reserve Course students find themselves hurt by, it makes its influence that much stronger.

14.1.2- Human Chiaki's Death

The second Despair video is Chiaki's execution, and is a live recording shown to her classmates. As far as we've ever seen, this is the only instance in which this is ever shown. This live recording is enough to send class 77 into Despair properly, spiral eyes and all, but there's an underlying implication that the primary reason for this is because of how important Chiaki specifically was to them. Throughout the season, and especially in this episode, Chiaki is established as the glue that holds the class together. Despite not being an extremely sociable person, she connected to her class with her love of games, and her earnest love of it endeared her to them, and their love of her did vice versa. The footage locked them each into place, unable to look away, and once they were at their lowest, at the very end of the video, Junko swoops in to dub them all Remnants and decides for them that they will now cause Despair for her. And because she says this when the live footage has brought them to their lowest, they each fall into this trap, at least to some extent. Whether or not they truly belive in what they're doing, they do it, because that feeling of Despair is their last connection to Chiaki left.

But, similarly to the prototype, it's still ultimately insufficient. Granted, it's much more effective than the prototype, but it isn't a full mindwipe, either. We know this because when we meet Nagito Komaeda in UDG as the Servant, he's still himself. He still has some level of self-control, able to speak and act as an individual even when following the orders of Monaca or the other WoH. He says himself that he despises Junko more than anyone else in the world, and follows through with Despair with the faith that it'll inspire a newer hope to conquer it. He says something similar in that moment of brainwashing as well.

"Nanami is our hope. Look what she did to her. What Despair... What a horrific sight! This is... This is the Despair we must overcome? Ah, Nanami... You understand, right? At this moment, you are becoming a stepping stone to hope!" -Nagito Komaeda, DR3

You could possibly attribute this to Nagito's luck cycle and history with tragedy just making him have a higher resistance to the brainwashing, and honestly, there's no strong way to contradict that, since Nagito and Mikan are the only ones we ever see in Despair outside of a montage, but narratively, I doubt they'd make a point to show one of the RoD hating Junko if it weren't to make the point that they had agency. Nagito was just the fan favorite, so of course it was gonna be him. You saw the fanservice in UDG.

14.1.3- Mitarai's Animation

The third and true Despair video is the inversed Monokuma Theatre, which is used to mentally hack its viewer and drive them into such a strong state of Despair that they kill themselves right then and there. This is objectively the strongest of the Despair videos, and the most effective, with the only character it doesn't immediately convince to kill themselves being the Future Foundation chairman Kazuo Tengan. This is mostly for plot reasons, but I'll address this specific exception to the rule later on and why this was the case.

The Monokuma Theatre video is mass-emailed to the Reserve Course students after they destroy the shiny new building their parents were tricked into paying for. The video hacks their minds when in an already vulnerable state, and each and every one of them jumps out of the building and kills themselves. Just as quickly as they take some control and uproot the system that hurt them so, they fall victim to the games of another who never cared for them in the first place. The purpose of the video was to create a horde of faceless victims to spurn others into action, and it worked like a charm, spiraling the world into a state of Despair. The RoD used their influence to ensure a smooth transition into this state of worldwide chaos as well, having significantly more social power and reach to spur more and more people into the fray.

The Monokuma Theatre video is also what makes the members of the Future Foundation kill themselves in the Future Arc, hacking their minds and then dropping a knife with which to stab themselves with. It works on every character that watches it- Chisa, Gozu, Seiko, Ruruka, and Makoto. Each of these characters are in various mental states when they watch it, yet all of them fall to it, without exception. It doesn't matter who you are or what you believe in. If there's even one thing you regret in your life, the video can and will work on you. It just does. And by that logic, it's the only real 'brainwashing' video, because it can work on anyone who watches it. The one character who seems to withstand it is the one who builds an entire killing game using said video just to force its creator to action, and doesn't even seem so much as affected by it. Really, it calls into question whether or not he was even affected by it.

14.1.4- The Flashback Light (Bonus Brainwashing!)

The Flashback Lights are used solely in V3, and are invented by the mysterious Team DR to reprogram the memories of their victims to play along in their scripted killing game. We see this work on both Kaede and Shuichi, as well as see the aftereffects it has on the rest of the class.

We learn while investigating that Tsumugi is the one responsible for creating the Flashback Lights, and that she's been the mastermind who knew what was happening the entire time. However, this initially opens up a plot hole in that Tsumugi has also been shown the Flashback Lights multiple times. There are 3 viable explanations for this. The first one is that she just closed her eyes, which is extremely boring and kind of a copout. The second is that she didn't know she was the mastermind until near the end, and Kaede's murder plot failing was a ruse by Team DR for the story, but that makes that entire reveal lose a lot of its impact. The third explanation, therefore, makes the most logical and narrative sense, and actually doubles as a reason why Tengan would be the only one to withstand the Monokuma Theatre in DR3: Tsumugi wears glasses.

Yeah, I know, that sounds silly, but let's actually break it down. In NDRV3, two characters are shown to wear glasses, and only two- Tsumugi Shirogane, and Gonta Gokuhara. Gonta, however, has two unique traits that are relevant here. One, he has 20/0.625 vision(strong enough to see the near microscopic Monokuma cameras), and two, he wants nothing more than to appear as a gentleman. I don't think it's a stretch to say he's wearing empty frames to appear more gentlemanly, especially considering they're paired with a full suit.

Tsumugi is the mastermind, and the one who has the most insight into what's happening in the game. She's the one who knew the difference between her actual self and the character Tsumugi that she played(it's implied in the dating sim that Tsumugi isn't her real name), despite having seen the Flashback Lights with the class several times. So isn't it entirely possible that having glasses to reflect the light of those Flashbacks was what let her pass for being affected as well? And, if that's the case, then it would also explain why Tengan, who wears glasses, would be resistant to the effects of the animated video, as everyone else who we know watched the animated version before their death didn't wear glasses. The faceless Reserve Course students don't have glasses, and neither do any of the five characters in Future Arc to watch it. It's completely ridiculous, and simultaneously totally plausible, for the idea of glasses reflecting off light and lessening the effects of such a video to be the explanation for why the videos or lights exclusively didn't work on these masterminds.

8.7- Ryota Mitarai

Junko's connection to Ryota is objectively the weakest part of her story, and admittedly a major part of why the brainwashing of class-77 falls under such scrutiny. Whereas every other part of Junko's plan is pretty well-established within her characterization, the connections she makes having actual sense to their conception and development, and just general consistency within the narrative, her meeting Ryota is not only a stroke of random luck on her part, but emphasized as one, and this just does not make sense for a character within said narrative to have never once been characterized as having any level of luck or fortune prior. This is especially glaring in a world that has established luck mechanics via characters like Makoto, Nagito, and Celeste. Junko just isn't a character meant to have luck like this, and never has any sort of moments or accomplishments stemming from luck before or after this outright.

When Junko and Ryota meet, it's because they walk past each other going in and out of the infirmary, and Junko, for no visible reason, decides to start talking to him right then and there. She starts squealing and hugging him, jumping up and down, and says this upon Mukuro's asking why: "I don't know, but... this is what I'm telling myself: This is yet another... fateful encounter!"

There's no rationale to this. There just isn't. It's not her SHSL Analyst talent having picked up on him over time, or her recognizing him via someone else, or anything of the sort. It's totally unjustified random chance for the convenience of the plot, and that's what makes this introduction so weak.

Really, the issue of Ryota's involvement falls more in their introduction than his actual function in the anime. Considering his characterization and the connections Ryota had prior to this, it would've made infinitely more sense if Junko had met Mikan first while in the infirmary, and buttered her up enough for Mikan to introduce the two of them. Knowing Mikan, it wouldn't have taken much, and would've made more sense for Ryota to be so willing to share a part of his life's work while still incomplete if he was introduced to Junko by someone he already trusted. Regardless, that's not what happened, but I say this mostly because I want to affirm that with Junko and Ryota's connection, it's the introduction that doesn't make sense, not what follows.

That said, once the awkwardness of how they meet is out of the way, what follows is fairly reasonable. She asks about his talent, purposefully mocks his interests to trick him into showing off, and then takes advantage of what she learns about him, which just so happens to be brainwashing techniques that she'd already be somewhat familiar with thanks to Yasuke.

Once they're acquainted, Junko uses her knowledge of the school and what she's stolen from the kidnapped trustees to set up Ryota underground where she can keep him under control, and so he can't mistakenly squeal about what she's setting up. She uses his passion against him to bastardize it into what she needs and manipulates him into walking into his own cell by doing so. It's not her most genius move of all time, and it's not a difficult one to understand either, but it's one that works.

What matters most to understand, though, is that she doesn't seem to develop any sort of affection for him in the way that she did for Mikan. When he finally uncovers what she's doing, Junko gives him a simple sales pitch, and threatens him indirectly with Mikan's friends.

By now, she knows damn well that he's met a grand total of two of his classmates, one of which just tried to sexually assault him mere moments prior, so this doesn't seem like the most effective tactic she could've used. But Ryota is a sensitive person. A victim of bullying growing up, the whole point of his brainwashing animations was to make people more empathetic subliminally. So to force him to help her, Junko is able to target this empathy by targeting Mikan over Ryota himself. Her abuse of Mikan is painful for Ryota to look at, and he wrongfully puts all the blame for the way Mikan acts solely on Junko because he doesn't know any better. And Junko lets him, because it's convenient for her to manipulate.

"As you have inferred, the mutual killing video you watched is the reason Tsumiki ended up this way. However, in order to reach my objective, this is insufficient. My lack of brainwashing ability is the cause." -Junko Enoshima, DR3

As we know, Junko is an unreliable narrator. She can and has lied to people's faces for the sake of manipulating them, telling half-truths and intentionally warping the truth to shift her victims' perspective in a way that she wants. We never see Mikan's fall, only cutting from her first meeting Junko to her already being in love with her, and as we've established, not only was Mikan already pretty fucked up prior to meeting Junko, but she doesn't exhibit the symptoms of a complete brainwashing at this point. She still has her mental faculties about her. So logically, that means she's doing the same here. Yes, Mikan watched the prototype video, and yes, it was insufficient. Hence why we as an audience can understand with our meta-context that Mikan still has her mental faculties intact. Ryota, on the other hand, doesn't have that benefit, so when Junko says this, the implication is that Junko took the meek, shy, kind version of Mikan that Ryota knew and twisted her into an evil, hypnotized slave of Junko's. It's an intentionally warped perception of the truth that Junko uses to her advantage, to the point where she flat-out says she can't brainwash at this point and brainwashing is still commonly attributed as the sole reason for Mikan's behavior in this scene.

Ryota cares about the few friends he does have, taking Mikan's and the SHSL Imposter's requests to take care of himself by resting and going to the infirmary even when he doesn't want to to ease their worries. So of course, when faced with the idea that he could prevent Mikan's loved ones from getting hurt, even though he doesn't know the vast majority of them, he caves regardless. It doesn't have to affect him. The people around him are important enough for this threat to work anyways. They're not his precious classmates, but they are the Imposter's; they are Mikan's. And Ryota is a very weak man. So he complies.

Later, when he escapes, she hunts him down to thank him for his help, and then allows him to run away, letting him believe that he's the reason why class 77 were the ones to be brainwashed.

"The video I had you help me with. The complete version of that. I'll have your whole class watch it now!"

The 'video' that Junko has them watch is a live recording of Chiaki's death maze. Meanwhile, the Despair video that the Reserve Course goes on to watch after the riots, and that Chisa Yukizome is subjected to, are different videos entirely, forcefully reprogramming them and removing their hope outright. Since Ryota's an animator, we can ascertain he's responsible for the one the Reserve Course watches, with an animated Monokuma. In other words, Junko does not, in fact, have his class watch the video he helped her make. She's lying to him to send him further into Despair.

"Imagine it... Because of you, all your classmates will fall into a deep, deep Despair. They'll become people who think of nothing but plunging this world into Despair, the Super High-School Level Despairs!"

It's a bold-faced lie, and one that Ryota has no knowledge with which to contradict it. Because he's a coward, and because Junko's already messed with his head so much, he runs and hides rather than face what he's done. She even leaves him with parting words of responsibility, twisting what happened with sarcasm so he'll always blame himself for her actions.

Ryota is by no means a perfect victim, but that doesn't change the fact that he is one. He was manipulated, and when he found out he was manipulated, he was threatened, albeit indirectly. But Junko was always planning to send Hope's Peak and the world into Despair. His video made it easier for her, but he is not and never was responsible for her actions. And by making him carry the guilt of her choices, she leaves him in a state of pathetic, guilty Despair akin to a genuine 'thank you' from her.

Part 15- AI Junko

AI Junko(or Kaijunko, as I like to refer to her as) appears as the reincarnation of Junko, created by Chihiro's AI technology and forming a Despair virus to infect the Neo World Program. She doesn't allow the Hope Restoration Program to follow through, instead taking Usami's teacher role and manipulating the world to be a Despair Restoration Program. The motives she uses are extremely personal and targeted, hyperfocusing in on specific members of the class each time to ensure a murder happens the way she needs it to.

Something that's important to remember, though, is that Kaijunko IS NOT Junko. She's an artificial recreation of the real Junko intended to continue programming Despair into the world after she'd inevitably passed. And as such, she isn't a 1:1 replica, and there are key differences between the two in the same way Alter Ego is different from Chihiro and Observer Chiaki is different from the human Chiaki.

The reason Junko fell into SHSL Despair was because her intellect combined with human need for stimuli left her with such a deep depression and boredom that pain and suffering were the only ways to make her feel alive. But as an AI program, Kaijunko isn't burdened by that same need. She's programmed to have the same goal of spreading Despair, but she doesn't have a personal, insatiable need for Despair in the way that Junko did. And this leads her to have a different endgoal for the final trial than what the real Junko might have chosen.

Kaijunko observes and learns from Izuru Kamukura and the RoD, as well as the Towa City residents, in the same way Alter Ego learned from class 78. The brainwashing video forcefully reprogrammed them, yes, but ultimately, they still loved each other as friends and classmates, even if Chiaki wasn't there with them, and it's that dedication to each other that Kaijunko learns about. It's why those connections are the ones tested within the SDR2 killing game; Kaijunko, who actually came into contact with the RoD personally and was toted around by Kamukura, would know what to use to create a killing game that would leave the most desperate group of survivors at the end to follow through on Junko's plans to reconstruct them all into her.

However, because Kaijunko isn't constricted to the same need to destroy herself, she can afford to bend the plan around impulsively in the way Junko herself had in the past, but in a way that'd align with the original Junko's goals to harm others around her without needing to harm herself anymore. Thus, in the final trial, she doesn't push those desperate survivors to want to escape. Instead, she uses her knowledge gathered to make them want to stay in the world Makoto provided to them, where none of them have to face the consequences of the RoD's actions, Kaijunko included.

One of the ongoing themes across the board for SDR2 is how artificial everything about it is. The island is artificial. Chiaki is artificial. Hajime is an artificial hope. The RoD are artificial Despairs. Similarly, Kaijunko is an artificial Junko. She goes through those same motions as the original Junko, but she is not, cannot be Junko. She can only mimic, never be, and so she tries to escape altogether by resetting the game to a state where the RoD live an escapist dream, and she's locked in the game with 'her' classmates forever. But despite this, because she's mimicked Despair, she's become part of it, and Hajime and the others do the one thing Junko can't ever succeed in doing: they choose themselves, and she disappears without a chance of hope, just like Ryoko before her. Hajime and class 77 forge a new future, and Kaijunko dies trapped in the shadows of the past.

8.6.1- Hajime Hinata

If the battle between Makoto and Junko in THH is a battle of ideologies- hope and Despair- then the battle between Hajime and Junko is a battle of wills. This is the battle between self-love and self-hatred, and both Hajime and Junko are faced with their opposite, only to reject it in favor of what they want for themselves most.

Hajime's main character arc is one of self-discovery. When we meet him, he's been stripped of everything that's made him himself, having a gap in his memory that has his identity within it. This is a direct parallel to Ryoko Otonashi's lack of memory, having no identity or memories of the past with which to identify herself. She has only the words others tell her. But in the case of Hajime, it's revealed that the supposed gap is virtually nonexistent. He has no special talent or ability that differentiates him from the rest. He's a blank slate- empty, one might say. And this is quite similar to Ryoko. In a similar way, Izuru and Junko are both burdened by the weight of their talents. In the case of Izuru, he was operated on to remove all emotions and thoughts to be a symbol for Hope's Peak, while Junko's Analyst talent left her burdened with the inability to enjoy anything.

There are also similarities to Izuru and Ryoko, having both had their minds operated on to remove all memories of their true identity and become someone new, while Hajime and Junko both feel a heavy burden of who they are and feel as if that makes it impossible for them to enjoy their lives as they are. This parallel is exactly why Hajime's choice to live, and choosing to live in the face of retreating into the NWP, is so impactful, especially when faced with the shadow of Junko Enoshima.

Junko never chose herself. She never could choose herself, and when given the opportunity to, she rejected it entirely, too addicted to the cycle of self-destruction she'd created for herself. She felt as though Despair was the only answer for her, so she could never stop searching for it, even from beyond the grave. That not just she should feel it, but everyone should. Everyone needed to know the way she felt. And she used anything and anyone at her disposal to make sure the world burned, because she wanted to feel, and what was the point of such a world pretending not to feel Despair anyways?

Hajime chose himself. It wasn't for anyone but himself. When looking in the face of what he'd turned himself into for hope, he was able to come to the conclusion inverse to what Junko did- that he didn't need to change for the sake of anyone else. It didn't matter that he wasn't SHSL like the people he admired, so long as he lived for himself. Meanwhile, when Junko reverted back to herself, it was like dragging herself back into a cage, being burdened by the same kind of talent that Hajime never needed. A talent she never asked for was the source of her undoing, while Hajime's lack thereof almost killed him in the pursuit of one.

The dichotomy of the talented vs the talentless is one that can be felt extremely strongly between dr0, sdr2, and dr3, but especially when in regards to the divide between these two characters, as it again circles back to the damage the hierarchy they find themselves in creates. Junko is a heralded SHSL Analyst and Gyaru, dubbed by Japan as superior and handed the influence that makes it so much easier for her to poke holes in the system until it collapses. Even when all the evidence is placed on her, she's the SHSL Analyst, and can convince HPA to keep quiet for her. They cover up her crimes, and when they can't anymore, she's part of the 'chosen' that receive protection from the government while the Reserve Course and their families are never mentioned again. Hajime has nothing, is considered nothing, is even beaten and told to 'take to the leash and collar already' to keep him complacent. His choice to become Kamukura is weighted by the pressures of the system he's trapped within, holding him not only to his desire to be considered important, but to be equal, not to mention the debt he's placed in just for the right to participate in said hierarchy. Those treated like nothing are downtrodden to accept the system and uphold it, and those with power can do whatever they want and the system will protect them.

In a lot of ways, Hajime and Junko are more similar to each other than any other two characters in the franchise, all the way down to the sacrifice of the ones they closest around them sending them on their final path- Junko with Mukuro, and Hajime with Nagito. And in mirroring this, Nagito eventually returns, while Mukuro never can.

Mukuro and Junko are twins, and work to attain the same goal, but they're still very different people. Junko is absolutely fucked up, and Mukuro follows her out of a twisted need to be by her side, even when it leads to her eventual death. Hajime and Nagito are repeatedly called out as similar, both needing the other to get through the trials and survive and being forced to come to an understanding, but still retaining their individuality and separate beliefs. When Mukuro dies, it's directly because of her loyalty to Junko, even at the cost of herself, and Junko's betraying her resulted in both their deaths. Nagito died because of his loyalty to hope, even at the cost of himself, and Hajime's trust in him was what allowed him to survive and eventually bring Nagito back. Where Mukuro was metaphorically absorbed into Junko and forgotten, Nagito's individuality was what became critical to Hajime.

15.1- Shirokuma & Kurokuma

This part will remain brief. Shirokuma and Kurokuma are the AIs found in an all-white and all-black bear in UDG, each positioned on one side of the Towa City genocide and perpetuating the war by manipulating the Towa siblings.

Shirokuma is the 'good' one, and is positioned with the adult survivors. He's the one responsible for creating the underground safe house, and is Haiji's right-hand. Even when making it appear as though he wants peace first and foremost, he goes on to pilot Big Bang Monokuma and stands with Haiji, playing him and Komaru to escalate things.

Kurokuma is the 'bad' one, and is the one who gave Monaca the plan to create a Successor in the first place. He's a chatterbox that's an advisor to the WoH, presumably left behind by Junko or created by Monaca, and pushes the kids into their murder games by standing with Monaca.

Near the end of the game, Kurokuma reveals that Shirokuma is his little brother, and later in the epilogue, we learn that they were actually not distinct AIs, but rather, the same AI Junko as in SDR2 that was working both sides to destroy Towa City. Them taking the form of siblings mirrors that Junko herself was a twin, and isn't truly complete if she doesn't have her sibling still present.

Part 16- Big Sis Junko (UDG)

Following SDR2, UDG returned a master-manipulator Junko to the scene via the Warriors of Hope. Though AI Junko is present and perpetuating the war through her manipulation of the Towas, Junko herself is all but gone, survived only through the kids' memory of her, and what they have to say is extremely telling to the capability Junko really had to push people further towards her Despair.

Her role as 'Big Sis Junko' came when she prevented them from killing themselves, though how she knew to be there at the right time is unknown. We can assume she'd been keeping eyes on Monaca already and, through her Analyst talent, figured out when the right time to be to show up.

From there, they became the Warriors of Hope, not missed by their parents that hated them or worried for by the world, and Junko was free to mold them however she liked. She did this by teaching them to lash out at the people responsible for their suffering- not just their parents and abusers, but any and all adults. She was a teenage girl who'd taken pity on them, as far as most of them saw, and so they trusted her as the first and only person besides each other to show them kindness. They became ideological, lumping all adults within the same box of 'demon' because they were given no other comparison, and they did it for Junko.

"As far as I remember, the first adult we defeated was a random person we didn't even know. .... From there, we leveled ourselves up by killing Demons. Big Sis Junko was so pleased..." -Nagisa Shingetsu, UDG chapter 4

They came to rely on her as their one true savior, and even those of them who knew they were being manipulated didn't care, if only it meant they weren't the ones being beaten anymore.

"At least, at the time I thought it was a miracle. But later I learned it was inevitable. She came into my life just to take advantage of me." -Monaca Towa, UDG chapter 5

"'You guys... were completely deceived by Junko Enoshima.' 'And what's wrong with that? Did I not tell you that we are her possessions? We would rather her take advantage of us than horrible adults.' 'Sounds like it's too late.' 'Say what you like. Big Sis Junko... gave us hope. That's the truth.'" -Toko Fukawa & Nagisa Shingetsu, UDG chapter 4

And when she died, she was martyred, a victim of the cowards who'd believe in the adults and Hope's Peak. By dying, she completed her manipulation of them, ensuring in her absence, they would only remember the kindness she offered them. Anyone who said otherwise must be a demon.

"No matter how much you hate us, no matter how much we're shunned, we're definitely not wrong. That's the real truth, because Big Sis Junko said so. .... Those adults who took her away from us and said that she was the bad one! They're the filthy ones; they're the ugly ones, the disgusting ones!!!" -Jataro Kemuri, UDG chapter 2

This manipulation and creation of the WoH stemmed from a practical source, as we learn in the game. By Monaca's own admission, Junko only ever cared about getting access to Towa City tech for her Monokumas and for spreading Despair wide-scale. Having highly talented and abused kids to carry out her will when she was gone was just a very welcome bonus; having the youth primed to continue spreading Despair when she was gone would create a legacy, and her ghost would continue to haunt those with hope for at least another generation. Enter Monaca Towa.

8.8- Monaca Towa & the WoH (CW: Mentions of Incest & Pedophilia)

Monaca is differentiated from the rest of the Warriors of Hope almost immediately as being more aware of what the fuck is going on than her friends. She's the L'il Ultimate/SESL Homeroom that loves hearing everyone else talk about their thoughts and feelings, she's the one who invented the Captives game, and she has swastikas in her eyes, because Nazi symbolism was the only way we could convey she's a dictator I guess. As the game goes on, we see that her relationship with Junko is different from the rest of the class- a bit more substantial. She has much more knowledge of Junko's desire for Despair and knows the real reason Junko sought them out in the first place. She uses her friends' idolization of her to trick them into helping her make a new generation Junko to carry her memory. She also has a hidden bedroom full of photos of Junko, and one in particular stands out among the rest.

Junko and Monaca, all by themselves, posing for a photo. None of the other WoH are present for this photo. It's also worth noting that Monaca's in her WoH outfit, even though in every other flashback or cutaway to the past before Junko's death, they were all in their Hope's Peak Elementary uniforms. If it weren't already obvious, these two were spending more time together than with the rest of the WoH. This is primarily because of the explanation we've already been given- Junko needed tech, Monaca was the one that had it. Of course extra work was gonna be put into her, and if she felt special in comparison, she'd become more like Junko.

Both Monaca and Junko are a younger sister, and their older siblings are established as pretty creepy in their own ways. Mukuro is incestuous and lusts after Junko whenever they're together, or even just when thinking about her. Haiji, meanwhile, is a pedophile, mentioning he likes girls younger, "as young as I can get 'em." I don't have to explain why the knowledge he has an extremely younger half-sister he expressly doesn't think counts as family is a bloodcurdling realization given this information. While they seem to have very different levels of connection with their siblings, this is a pretty distinct commonality to give both masterminds, especially when one is meant to immediately succeed the other. Both girls are also considered the "genius" of their families, while their older siblings use more brute strength.

Monaca is a character built upon the mimicry of Junko. We know this because we pay attention to the game, but also because if we look at the concept art and beta forms of the Successor, we can see without question that creating a "New Junko" was always going to be a major part of UDG, as not one, but two unused Successor characters were considered before Monaca eventually became who she is today as the mastermind and true Successor.

Monaca throughout UDG undergoes a similar behavior to Junko in the way that she treats the WoH, but it's in a way the fundamentally misunderstands why Junko acts the way she does. Monaca is a child, and idolizes Junko, but that doesn't mean she actually understands her, even if she got much closer than her friends.

Monaca manipulates and discards the other WoH one by one, making herself the center of their movement and letting them believe they have control over what they're doing. She motivates them with a Paradise that'll never exist, similar to how Junko motivated the reserve course to stand up against Hope's Peak, and they take over Towa City. Whenever a WoH disappears, she decides whether or not they're mourned, but it appears as though she doesn't care and never did. She quickly forgets Masaru's name, barely bothers with Jataro, and later in her backstory monologue, proudly claims that when Junko met them, she was planning to let her only friends all kill themselves as a prank and not jump herself. She takes all the steps possible to Not Care about these people, similar to how Junko seemed not to care about the people she loved.

If Monaca spent enough time around Junko to observe and pick up this pattern, it likely means she also saw how little Junko actually cared for herself and her friends. This would explain why she starts acting as though she doesn't care at all for her only friends in the world and discarding them, wanting to emulate Junko, her idol. It also means she knew Junko didn't care about her, but her talents, and just didn't care because it was Junko. Again, this is a mentality not just held by her within the WoH, but because she was given a peek behind the curtain, she filled in the blanks in her head and let herself continue to be manipulated by Kurokuma, all in the hopes that Junko could return and manipulate her again. She needed a Successor, someone to fill that sisterly void again. And in that desperate desire, she inadvertently set herself up to someday become the SESL Despair.

Nagito's intervention is directly stated as the reason why she ends up abandoning this role as SESL Despair and fucking off to space as SESL Apathy instead, shrugging it off as 'not wanting to end up like he did'. This appears to be a deviation from what was originally intended for her, as not only was this wrapped up in a singular episode of an anime not actually about her, but the teaser images for a UDG 2 in UDG's credits ultimately ended up unused, and V3 totes a teaser of a canceled UDG 2.

Part 17- Junko's Apocalyptic Crash Course

"Right now, Hope’s Peak Academy is set up in a pyramid sort of idea that a third world country would use; it’s only really there to concentrate it’s effort on the 'super high school levels', for their benefit, and then below them are the reserve students from the preparatory school. .... The teachers here don’t really think any of the reserve students really belong here." -Yasuke Matsuda, DR 0

As we've seen repeatedly throughout the previous games and DR 0, Junko's strengths don't come from sheer force of will. She didn't take some perfect world of hope and twist it into a world of Despair by flipping some ideological switch. She's charismatic, but still human. Junko's strength comes from her ability to analyze, her high intelligence, and her charisma combining to create a master manipulator. Using the skills and people at her disposal, she was able to amass a cult following, and inspire the downfall of a society that was already flawed by attacking the weak points that were already present. Ergo, Junko's SHSL Analyst talent led her to not only infiltrate the school, but also to find the flaws within it and the lies it covered up by taking advantage of the Kamukura project wearing the school thin.

She may have been the face of the Despair movement, but she wasn't a singularity. She had a small group of people she trusted with a certain amount of information, and who had skills that would become beneficial to her. Mukuro is the obvious right-hand, as previously discussed, and perhaps the only one she legitimately believed to be an equal, but there was also Yasuke, Izuru, Ryota, Mikan, and Monaca, all of whom she attached herself too and all of whom had an extremely useful talent or title that was immediately beneficial to her cause. These people were able to directly carry out her desired acts of Despair and work alongside her, reporting back to her to ensure things were running smoothly. These were people who were needed directly as they were, and who were most useful when they believed she genuinely took interest in them, whether she actually had or not.

In a world already so flawed, with thinly veiled atrocities already taking place by people who believe in a caste system of talent, earning a downtrodden majority's trust is as simple as taking the blindfold off. Manipulating the people she'd attached herself to let her reveal key information at her leisure and drive the school and its inhabitants to Despair without them noticing or knowing to take action until it was too late to stop it. Something manmade, that turned into a disease and spread across the world, infesting it with the Tragedy and burning the oh-so-predictable world to the ground, all while standing as the eye of the storm- that was the power of the SHSL Despair that Junko worshipped, and she became its spokesperson, sending the world into a spiral.

Part 18- Junko's Legacy (Death of the Human, Birth of the God)

Everyone that loves Junko, misunderstands Junko. This is a fact that we see more than once. Mukuro obsesses, not loves. Yasuke romanticizes a childhood he can never return to. Monaca idolizes her. Mikan overtly sexualizes her. Her classmates know nothing of her self-destructive nature. Junko knew this and Despaired every time. But this fundamental misunderstanding of who Junko is didn't just exist in the game. In real life, Junko Enoshima became an iconic villain, the teenage girl that burned the world, the Ultimate Despair. She was insanely popular, and still is. And the more popular a character gets, the more susceptible they become to misinterpretations, fanon, oversimplification, etc.

In becoming such a well-known figure, Junko Enoshima the person got lost in translation. There was now Junko Enoshima, the mascot, the figurehead. This isn't a phenomenon exclusive to Junko, of course, but as the titular villain of the series until this point, how could the series continue without her? To this very day, people can't agree on who Junko was or who she actually cared about or if she ever even cared for anyone at all. And when NDRV3 was made, it took advantage of this to tell its own story, utilizing Junko Enoshima specifically to demonstrate flanderization of characters within its lore.

Junko Enoshima is not a real person. She's a fictional character. All her motivations, her thoughts and feelings, are fabricated stories and vague implications from the writing of real people. And in V3, that 'real person' is Tsumugi Shirogane, one of many cogs in the machine of Team Danganronpa, who dresses up as Junko and uses her face to become 'Junko Enoshima the 53rd'. Junko has been used and reused over and over and over, to the point where the original vision has been muddied beyond belief. What she was at the beginning, way back in THH, no longer exists. She's now a silly mascot, a familiar face that fans can point at and dress as and draw fanart of, and a face that Team DR can profit off of. Tsumugi's portrayal is laughably inaccurate to the original Junko. It's a costume, nothing more, and the dialogue she gives when 'in-character' is simplistic and insignificant. All its weight comes not from the meaning, but from the reference for reference's sake.

Junko's appearance in V3, like many other moving parts of V3, reference real-world fandom culture. It's appealing to both the in-universe fandom and the real one, bringing back character sprites and voice actors and poking fun at its own ridiculousness because none of it is real, none of it ever was. It was because Junko was fiction that she could do everything she ever did. Her Despair has meaning, but that doesn't mean she felt the feelings we're told she did, because she never existed to feel them. And that's the thing that lets her forever remain an enigma; she is Danganronpa's villain, and to become immortalized in Despair, she deconstructed into nothing but the word Despair, a fate that is in and of itself Despairful.

8.9- Tsumugi Shirogane

Tsumugi Shirogane is the mastermind of V3, and believes wholeheartedly in Junko Enoshima as the true villain of Danganronpa. Tsumugi is built as the fandom insert of DR, being immersed in fandom culture in every conceivable way- winking at the camera, making references to other fandoms, the love and joy of making cosplay- but also the less palatable parts of major fandoms, like her purist views of cosplay, her usage of incest as both a serious plot point and as a gag, and even does blackface when cosplaying as the dark-skinned DR characters of dr1 and 2. She's also the in-universe producer of the season. Therefore, Tsumugi also represents content creators, and how even the creator themselves can lose the plot of the character in their attempts to create what they perceive to be a compelling story.

As Tsumugi is explaining her story and why she tied it back into the Hope's Peak era, she pretty openly admits that a) she sees it as a perfect reproduction and b) a necessary writing choice in order to make it interesting. Both are false, as not only is V3's continuity in a separate world from the Hope's Peak era, but her presentation of Junko and the voice lines aren't displayed the same way Junko had acted in previous installations.

"'So... you're just a freak pretending to be Junko Enoshima, huh!?' 'No, a perfect reproduction! Perfect reproductions are exactly the same as the original.'" -Maki Harukawa & Tsumugi Shirogane, V3

She presents Junko as a singularity, the Ultimate Despair, and brazenly parades her face around as the immortal and ever-present true Despair. She's the 53rd Despair simply because her influence wouldn't allow her to fade away. She's become Despair-incarnate, but in making new games, Team DR has forgotten why Junko caused Despair in the first place. She didn't do it just to do it; she threw the world into Despair because it made her feel human to feel Despair. And yet when Tsumugi explains Junko the 53rd's plans, it's nothing but a big show, and that's exactly what a surface-level Junko looks like to the masses- a high-school girl that ended the world for fun.

Junko's games had meaning. Even when she didn't feel particularly connected to a person, like the RoD, she still brought them into Despair for a purpose. She was an analyst, and did the things she did with intention and with care. Attention to detail and careful manipulation with the face of a charismatic gyaru was her forte. But Tsumugi's so-called "perfect reproduction" is a story full of plot holes and contradictions, all caused by some need to deify Junko. In other words, as they refused to let Danganronpa go, they lost the plot, and Junko's humanity went with it in a desire to continue using her image when writing new stories. In becoming a god of Despair, her origins as a human were forgotten.

Part 19- Despair Into Tomorrow (Why We Care)

Junko Enoshima is an enigma. She is Despair incarnate, a pillar of the Danganronpa world created by her own hands, hellbent on burning herself to the ground. She's a character of poetic irony, unknown to all as anything but Despair. She was born with a perfect mind, and in trying to feel human, feel pain, feel Despair, she became permanently deified by all that she loved and all that she met, whether that was as a savior who killed a cruel world or a demon that detested hope.

At every turn, Junko's actiona are filled with malice, and yet so often that malice is directed at herself. Living in a peaceful world pains her because it leaves her bored. Anhedonia is a cruel mistress, and those who claimed to love her could never once comprehend it, because they couldn't feel the way she felt. The only thing she had that connected her in any human way to others or to herself was grief, and her entire story becomes one of self-sabotage. Despite that, though, she's not the only character burdened by anhedonia, and her self-destructive nature outstretching to the people and world around her is designed as a story of caution.

In each and every installation of Danganronpa, Junko and the other masterminds inspired by her fail because of their key difference in connections. When Makoto appeals to his classmates, they're reminded of their own desires to live and their love for each other- Hina's memory of Sakura, Syo's love of Byakuya, Kyoko's and Byakuya's love of Makoto himself. The same can be said of when Hajime chooses himself, to fight for himself, and is inspired to do so by Chiaki. Every other survivor has someone that inspired them to live for themself- Peko, Nakomaru, Gundham, the people around them. When Komaru is saved by Toko, it's because she took the time to connect with her and with Syo, and that love saved her from destruction. When Munakata gave up hunting Makoto, it was because of his love for Chisa. And when Shuichi declared he wouldn't vote, it was so that Maki and Keebo wouldn't be forced into sacrifice of a system that would hurt them over and over again.

Junko had connections. Junko had people she loved. Junko had another half. But she burned them one by one, until there was nothing left but her, and then she burned that too. She's a villain even to herself, and she knows it. She feels Despair upon Despair and even then can't regret it, because she wouldn't let anything else touch her heart besides it. It's an inherently self-fulfilling prophecy to only feel Despair, because in order for that Despair to exist, she must have felt love first. But she doesn't acknowledge her love and her vulnerabilities because she believes those fall under her 'factory settings'. Comfort is boring; safety is boring, and boredom was her enemy, an enemy second only to herself.

Junko's actions stem from a deeply embedded self-hatred. She was too smart and too comfortable, and so her boredom became everything she was. She believed the lie she told herself, that pain and grief and Despair was the only answer. Don't be like Junko. Don't believe the lies you tell yourself. Even in an unjust world, you can try to make things better without making them worse. Feel your Despair and let it go. It is okay to let it go. You are still human, no matter what image the people around you have, and to be seen, you must first be vulnerable.

Afterword

JESUS FUCKING CHRIST IT'S BEEN OVER 5 MONTHS. I made jokes and gags about 'getting this out before 2025' but I didn't think that would actually end up as my deadline. Holy fuck.

Junko's analysis is by far the beefiest I've done so far, and very well could remain the biggest one in this entire series of analyses (I think Kyoko, Makoto, and mayyybe Chiaki or Hajime might get close, but otherwise? Those are def gonna be the big 5 though) But hey, that's what being the mastermind of the franchise gets you. In retrospect, Junko probably should've been the grand finale, not part 5/17 of this series' part 1, but whatever. I'll save that grand finale for Kyoko instead

This will probably be the most controversial analysis I put out, alongside the eventual Mukuro one. I know people are, uh, divided on their relationship, but I did my best to stay objective and look at it from an unbiased viewpoint for what they offer narratively and its effectiveness. And I hope people are able to see that. Just in case, though, I'm gonna have anons off for a bit until whatever circulation this post gets dies down lol

Honestly, my perception of Junko has changed so much over the course of these past several months. It's not like I didn't like her before, but she's morphed into one of my favorite villains in all of media after this. This girl just cannot fucking die, no matter how much she wants to, and I think there's something so deeply compelling about a villain that wants nothing more than to self-destruct and burn the world with them, especially if you've fallen into a depressive state like the one she's in before

Good news, though! The next analysis set is Hifumi's, which means it won't take nearly as long as this whopper of a tumblr post! I'm actually very eager to deconstruct him, so hopefully we can go back to the summer days where I was able to crank out an analysis after 2 weeks. Please, god, can we go back to the summer days where I cranked out an analysis after 2 weeks

Catch ya later! :P

[iid-smile]

★ — HOWL

for all your body and all of your lovings

i thought that you promised me your love 'til your grave?

content — fushiguro toji x gn!reader, ANGST, the reader dies, hints at marriage, yeah the storyline is kinda unclear because i just wanted some angst

wc — 0.5k

★ event masterlist

a/n — cannot find who this was dedicated to for the LIFE of me send help

"he looks nothing like me." toji dismisses, eyes glued to the news playing on the tv which he really wasn't listening to. when you told him you had an 'early christmas present', what he wasn't expecting was some random dog to get shoved in his face. he didn't consent to this. at all.

"first of all, she looks a lot like you." you declare, once again coddling the poor mutt with too much affection. it's growing more and more difficult to speak with her licking all over your face, seemingly overwhelmed with joy after being adopted. "second of all, you're in need of a companion. i can't always be around for you, you know?"

the playful rottweiler puppy gazes intently at him, her big, expressive eyes shining with anticipation. a single thought races through her mind: play. the wagging of her tiny tail and the excitement in her stance convey her eagerness, as she bounces lightly on her paws as best as she can with the confinement of your grip, ready for any playful action he might offer.

his lips purse into a pout, clearly not digging your idea. your eyebrows furrow, but you remain hopeful, shuffling closer to his side. "c'mon, you'll learn to love her! you'll be best buddies in no time." sure she will, over his dead body.

but why does this always happen to him?

a hollow chill passes through his body as he stands before your grave. with each breath, he feels only the gentle caress of the cold wind, swirling around him like whispers of sorrow. his gaze is locked on the weathered stone, its surface slick and damp with rain, each droplet dripping down as if the heavens weep alongside him. a single tear escapes his eye, mingling with the raindrops. once again, he has lost someone he loved.

crouching to meet the ground, he positions himself at your level, his fingers trembling as they trace your name etched into the cold granite. he reads the letters again and again, each syllable a sign of your absence. how many times can he mumble apologies? how many opportunities slipped through his fingers, moments when he might have intervened, might have changed the outcome?

not enough. nothing could have saved you; not even him. his fingertips graze the smooth, rounded top of the gravestone, a faint wish burning within him—he longs to brush his hand across your head the way he used to, to feel the warmth of your presence against his palm.

and now, she is all that remains. the dog lays by your side, a solemn expression spread across her usually elated features. "come on, girl," he whistles, the sound barely rising above the patter of rain. he wishes he would never have to face his back to you, yet he did, his companion trailing behind him at an equally slow pace.

his hands are shoved into his pockets, fingers curling around the cool metal of the ring you once wore, its presence a haunting reminder of you. each touch feels like a stab to his heart, the weight of grief weighing down on him.

his words echo softly, a whispered confession that carries no hope of being heard. perhaps, somewhere beyond his sight, you might sense his longing—a hushed plea for you to return to him, to close the endless distance between the two of you. but the bitter truth lingers in the air; no miracle will restore what has been taken from him

"it's only you and me now."

[enigmatist17]

I am sick besties :( ergo a blorbo must suffer

This blorbo is part of the Mecha Pilot Jazz Au by @keferon which one can find here

My parts so far 1 2 3

---

Prowl...did not panic. He was a mech equipped with the best battle computer known to Cybertronian kind, able to run probabilities and statistics faster than his emotions could register. Little surprised him, and up until recently, nothing had ever made his emotions supersede his battle computer.

Save for the scene before him, his servos trembling slightly as he holds the person who had captured his spark.

Jazz had not shown up for their morning refueling a few breems ago, and at first, Prowl had not minded, figuring Jazz was busy with something else. It's not until well into his duty shift that the concern starts, Ironhide popping into his office to ask after the organic, who had failed to show up for some sparring. His unanswered comms is what really makes his spark pulse with worry, various mechs clearing the halls as he heads to his (their) quarters, the door opening at his ping to show Jazz's mecha was still in its corner. Jazz is still in his berth, Wheeljack having created a smaller version that could be anchored just about anywhere on a magnetic surface if needed, the man groaning in discomfort. It's when Prowl gets closer that he registers the abnormal heat readings radiating off of the human, the ordinarily smooth intake and venting Jazz had stuttered and littered with the occasional cough as he struggled to get comfortable.

"Jazz?" Bleary brown optics flutter open at his name, Prowl's doorwings flaring up at the glassy look. "Jazz?"

"H...hey...hey Prowler..." Jazz's entire frame spasms when a loud series of coughs interrupts him, groaning softly when they finally stop. "Ow..."

"Your body heat has exceeded the temperature you told us was acceptable, is there any way I can help lower it?" A clawed digit gently rests against Jazz's cheek, and the human lets out a little whimper as he curls into the metal.

"Cold...feels good..." Prowl didn't dare to move as he sent Ratchet a worried comm, noting the sheen of sweat covering Jazz's face, his clothing damp from even more of it. Despite the heat reading not changing, Jazz pushed himself away from Prowl's servo a few minutes later, annoyance crossing his face as he burrowed under the thick fabric he called a comforter. "Too cold.."

"My body temperature has not changed, little shadow." Prowl softly trilled as he leaned closer, bleary eyes focusing on him after Jazz cycled his optics a few times.

"'S kay...fevers aren't fun..." Doorwings flutter at the familiar beat of Jazz reassuring him, despite clearly being exhausted with whatever was attacking his frame. "Could use water..."

"I shall get you some soon, I wish for Ratchet to look over you first." Jazz grumbled something as he moved to kick his blanket off. Prowl carefully logged the action, and Jazz weakly motioned him close. "Are you feeling warm again?"

"Mhm..can you hold me...so hot." Jazz whined as Prowl carefully slipped his digits underneath the warm human, cradling him carefully as Jazz went limp against his palm. "Mhm..."

"Rest, I will take good care of you." Prowl grabs the comforter with his free servo before going to hunt Ratchet down, surprising himself when he nearly snarled at a few Constructicons who got between him and the medical bay he sought. Jazz was cocooned within his comforter again when he was set down on a berth in front of the medic, Ratchet clearly at a bit of a loss but scanning the human anyways, if not for anyone but Prowl and his sanity.

"I don't know what you expect of me, but he clearly has some sort of errant programming running its course." Jazz had given Ratchet what he could about human health, but without being a medical professional (and royally fucked in ways he didn't feel like explaining to a bunch of alien mecha's), it was rudimentary at best.

"'S called the flu...can happen in space apparently.." Jazz mumbled from his little nest, hair matted and sticking up in all sorts of directions. "Just need rest...an' water.."

"That I can do something about." Ratchet left to go fetch some water from a small dispensary he kept for potential emergencies just like this, Jazz spilling some of it on himself in his desperation to drink the cool liquid. "Is there anything that might help within your mecha frame? Any sort of medication patch?"

"A wha?" The human seemed to struggle with the question, just staring at Ratchet before relaxing back against his blanket in exhaustion. "No...?"

"Do not worry sweetspark, we will do what we can to aid you." The medic had to fight a roll of his optics as Prowl carefully scooped Jazz back onto his servos, his tense stance from when he initially entered slightly relaxed as Jazz appeared not to be on death's berth.

"You're off-duty until he's recovered from this...flu, you'll need to keep him properly hydrated. I'll see if we can get his food synthesizer to make something easy on the tanks, he'll need it."

"Very well, thank you, Ratchet." Prowl left when Ratchet motioned for him to go with a grumble, Jazz finally in recharge once he had settled to be half-covered with his comforter, face pressed against his palm as he lightly snored. It had made his spark squeeze in distress to realize just how different he was from Jazz, unable to help his beloved from something that he had to battle within his own frame, far away from whatever medical aid his people could offer for such an illness. Prowl wanted nothing more than to drive this "flu" out and far away, but had to settle for cleaning up Jazz's berth one-servoed, cradling his sleeping partner in case he was needed.

He would be here until Jazz was back on his pedes with that bright grin of his, guardian to one that needed it most right now.

[ssentimentals]

Can you please do Jeonghan with hurt prompt(17)?i don't usually request but I just loved your previous works!!

hello! oh, i'm very honored <3 thank you for requesting and hopefully you will like it!💜

hurt prompt: 'i thought you were dead.'

when you come back home and see jeonghan's pair of sneakers next to yours, you freeze. you have to do a double check, closing the door and crouching on the doorstep, checking if these are really his. and they are, they belong to the very same man who comes over to greet you. the audacity, my god. you slowly stand up; part of you is immensely relieved to see him in one piece and another part wants to be the one to crush him. 'well, hello. i thought you were dead.'

jeonghan, at least, has the decency to look ashamed. 'a bit dramatic, no?'

you can tell that he wants to go for a joke, but unfortunately, you're not in the mood. 'is it? you went fully mia. jeonghan, check your phone and tell me how many missed calls and texts you have from me.'

once jeonghan realizes that this conversation won't go the way he wanted, he tenses up. he knows he fucked up, he knows but after everything he just hopes for... acceptance? forgiveness? anything other than your cold stare. 'i needed some time alone.'

'which would've been freely given to you if only you first told me about it. but instead you did what you did with zero regards to everyone else, to me. and now you waltz back and.. what? why are you looking at me like that? do you seriously expect me to not be angry?'

'i didn't come back to listen to all of this, that's for damn sure.' jeonghan bites back. he regrets the words instantly, the second they dawn on you and your expression hardens even more. 'wait, not like that. i meant-'

'i know exactly what you meant.' you cut him off, trembling with anger. 'apologies, but i cannot offer you anything else.' you open the door and move to the side. 'get out.'

jeonghan sighs. 'babe, listen-'

'get.out.' your tone is clipped and you open the door wider, letting cold wind from the entrance swish past. 'don't make it harder. just get out, jeonghan.'

he knows this finality of your tone. he wishes he didn't, but he knows. that's why without saying anything, he grabs his things and moves towards the door. silence stretches between you two, while he puts on his sneakers. for a second it looked like jeonghan is about to say something that can save this, but then he turns and walks away. door after him closes with a sound click. you stay frozen for few moments, taking in what happened. sob wrecks your body but you fight if off. slowly, you finally take off your shoes and coat. slowly, you go inside, sitting on the sofa and finally letting it all out, crying for yourself, for jeonghan and for what you two had which is now lost.

a/n: request your own here! <3 - nini

[lamentationsofalonelypotato]

@zepskies

Oooh I can't wait to see what you think about this one! 💗

I love CCR too and I don't know why, but Russell has CCR vibes for me whenever I look at him so I feel that the CCR will be a theme for him lol 😂

Ughhhh we've all seen this type, even as non-parents lmao. Miss SUPER INVOLVED and therefore gets off at telling other parents what to do. It's kind of sick in the head. 🙃

Oh yes. The one that finds joy in putting other mothers in their place- the "Regina George" lol. I also watched A Bad Moms Christmas the other day and I may have been imagining Christina Applegate's character 😅 It's such a good Christmas movie though lol.

Ha! You paint a very vivid picture here -- and I knew entire packs of girls like this growing up. They were blonde and skinny and "perfect" to boys, while any girls who didn't look like them automatically weren't as cool or pretty or whatever. I already like where this intro is going, even as I'm super curious as to how Russell is going to fit into all of this...

Thank you! I know it's a bit of a stereotype, but... we all knew those girls 😒 Russell is going to be a bit of a shock to her world lol.

God, I already feel for her. She already feels so real as a character, and even though I'm not a parent, I can certainly relate on the body insecurity thing. (And I already want to kill her ex-husband, not just for cheating and leaving her, but for the psychological/emotional scars involved in any comments he made on her body.)

I also relate to her on the body insecurity level. I've only written one other reader who had body insecurity in my You Call It Madness But I Call It Love series with Soldier Boy, but I thought that it would be something fun to explore with Russell. He seems like the kind of guy who wouldn't care about things like that, and really would see the reader as some beautiful "goddess" and think that he's the luckiest man in the world for getting her. I also think that he too would want to "kill her ex-husband" (lol) for leaving those kind of scars behind. I know it was supposed to be a one-shot, but I'm literally thinking about all the ways that Russell can make her forget what her husband said/did to her and to make the reader feel beautiful again. 🥰

Plus I also may have been inspired to write another reader who is insecure about her body by your wonderful Midnight Espresso series! 🤭

OMFGGGGG and I thought I was the only one who watched The Meg!! 🤣🤣🤣 I feel like if you love Jurassic Park, you're gonna like The Meg. 😆

I LOVE THE MEG! And you know how much I love Jurassic Park LOL. No really all shark/monster/creature features are my favorite to watch- also kinda my comfort movies lol 😅😂 (Alien, Deep Blue Sea, Jaws, The Mummy, Tremors, Predator, etc.) I even like the ones that are just so over the top ridiculous with terrible acting.

God, I love him. 😂 Already he's spot on for me, friend. 👌🏽 And Colter's response too -- had me smiling hard. Love a long-suffering Colter lmao.

Thank you! I've never written for Russell before, so I was kinda nervous about this one. He's kinda like Dean, but a little more awkward, and a little like Ben, but without the toxic masculinity comments lol. Maybe 50/50? Colter is really hanging on by a thread lol.

Ok, this might be a small detail to focus on, but I freakin' love wine and fancy cheese I can't afford (but buy anyway). 🤣 I don't do it often, but especially around New Year's I like to make a charcuterie board and get some nice wine.~

No it's okay! That sounds so fun! Fancy cheese and wine is NEVER too expensive- Treat👏🏻 Yo👏🏻 Self👏🏻. I can't make a charcuterie board to save my life 😭, but one of my friends is a master of charcuterie board creation and she is always automatically elected to make the charcuterie boards for parties. She gets no say in the matter lol 🤣

Also, I love how in-character flirty joking Russell is while he has LITERAL bullet wounds in his body. But also how the reader is getting kinda flustered with him already, trying and failing not to notice his attractiveness, but also that this guy has been through some shit (hence his scars, ruggedness, etc.).

Oh I know, man is trying to shoot his shot WHILE HE IS SHOT 🤣 The reader is trying her hardest, but Russell is just so distracting... Kinda seems like this reader could use a lot of distracting from Russell if you know what I mean 😉😮‍💨😏

Lmfaooo. I don't blame her honestly. Russell is most definitely not playing fair! 😝😝

He's not lol and he knows EXACTLY what he's doing 🤭

YUP. Got 'im! That's Russell in a nutshell. 🫠🫠🫠

Again thinking about the the big worn/rough hand from manual labor and hard work from an actual man and not a boy pretending to be a man.

I'm living for these little details of background color lmaoo.

Thank you 😊 I wanted to try and make it as realistic as I could!

Oh God, as if I couldn't love this any more. I feel like Russell would appreciate a curvy girl. Maybe that sounds self-serving since I'm a curvy girl myself loll, but idk, he just seems a lot like Dean, and I don't think they'd discriminate. 🫠

Again YES A MILLION TIMES YES 😍 I believe that Russell would appreciate a curvy girl- it is NOT self serving because I am also a curvy girl lol (or maybe it is because I wrote this fic lol). But I don't think that Dean or Russell would care about things like that, if anything I think that they'd want to show their significant other what they see and how beautiful their significant other really is. Again thank you so much for your work on Midnight Espresso 🫡🫡

God, can he just STFU and LEAVE already?? I love that Russell had to come out and back her up -- better yet that he punched out that prick! I'm sure he could've laid him out so well the hospital wouldn't know how to put him back together again.

Apparently I have a penchant for writing trash men who disrespect women...😬 But IF ANYONE deserved to have the stuffing slapped out of them it was Lance. Humpty Dumpty would never have been able to be put back together if Russell REALLY went in on him, GUARANTEED. Also I really just love the trope of protective male characters watching out for their girl. 🥰

Omggg YESS I would LOVE to see more of this. It feels like the start of something really interesting and fun, and I would so love to read more. You did so well with Russell's interesting dichotomy of kind and funny and flirty, but also with an underlying edge of danger. I also love the single mom reader in this, and I don't think she's "too much of an OC." I think it just makes her all the more interesting, and it's fun to imagine myself in her shoes. She's strong, but vulnerable with relatable insecurities, and Russell seems like exactly the kind of man she needs in her life, despite the instability of his lifestyle. Maybe she can be the one to help anchor him. 😏💕💕

Oh my goodness thank you so much my lovely friend!!! 😭😊 Writing for Russell was intimidating, but I'm very happy with how this fic turned out, so much so that I am going to write a part 2! As soon as I get through some more of my WIPs... The list keeps growing 😅

I was really worried about her being a bit too OC, but thank you so much for saying that! I do think that the little quirks make her more believable and a little more "real." And yes! You're right on the money! Russell is exactly the kind of man she needs in her life to get her groove back and give her a little more confidence. And who knows? Maybe you're right, maybe she will be exactly who Russell needs as well to keep him anchored and grounded to one place. 😉😏

Pairing: Russell Shaw xf!reader, Reader POV

Summary:  The last thing that you wanted was to be woken up in the middle of the night by Colter Shaw for a favor, but when he shows up toting a ruggedly handsome man with green eyes you decide to forgive him. Reader is the niece of Velma and Teddi!

Word Count: 10.3K

Warnings: I'm gonna label this one 18+ just in case I missed anything. Blood, Cleaning Out A Wound, Mentions of Allergies? Gunshots, Some Cursing, A Bit of Sexual Innuendo, Sexual fantasy/reader has active imagination, Self-deprecating Thoughts/Body Issues (reader), Mentions of Infidelity, Reader Is A Single Mom, Appearance Of Creepy-Jerk Ex Husband, Probably a Poor Description Of What It’s Like To Be A Single Mom (I tried my best, please I do not mean to offend anyone❤️), Russell Shaw might be a little bit OOC. Reader is occasionally described as "curvy."

Song Inspiration: Long As I Can See The Light By Creedence Clearwater Revival

Note: This is told from Reader's perspective. Any references to the reader is made using you or your. There is minimal use of y/n if any. I tried my best to proofread, but nobody's perfect. If you don’t like, don’t read, but if you do like, you’re my favorite! This is my first time writing for Russell Shaw, so, please be gentle. 😅

Internal monologue is in italics and is in first person.

Main Masterlist

A/N: I finally watched Tracker… Could you tell? 😂

Sunday nights, in your opinion, were the worst.

It was like the last few moments of freedom before you were thrust into a busy work week, like the last few rays of light before the coming darkness that you barely survived with copious amounts of coffee and bloodied fingertips. Monday always loomed, but never as much as on Sunday nights.

The dull thud of your phone vibrating against your wooden bedside table grates on your ears and pulls you from the sweet precipice of sleep before you can fall into the void.

It felt as if you’d just collapsed into your bed and one look at the alarm clock on your bedside table as you blinked your bleary eyes confirmed it. It was 3:58 am, which meant you had been in bed for exactly three minutes.

You were still covered in chocolate cupcake batter, pink frosting, and rainbow sprinkles from the last six hours you'd spent in the kitchen making gluten free, sugar free, and peanut free cupcakes for a bake sale at your son’s school.

Even though you hadn't volunteered Stephanie Jacobson, or rather the wicked witch of the PTA, had cornered you in the pick-up line on Friday afternoon to remind you of your "duties as a parent" and the coming bake sale to support the building of the new gym. And then she’d handed you a list of student allergies and asked you to create something that was safe for everyone.

Taste be damned.

Why the school needed a new gym you didn't know, but the guilt that rose when Stephanie mentioned your "duties as a parent" was enough to make you say yes to whatever she asked you.

You had enough guilt already about raising your kids without a stable father figure, and the last thing you needed was guilt from a stuck up bitch in the PTA.

Stephanie reminded you of the girls in high school that used to pick at their food, the ones that knew exactly what to say to make you feel like a freak, the ones who dated the football players and spent their Friday nights wearing cheerleading uniforms and waving pom poms, and the ones who basically made everyone else's life a living hell.

Everything about her screamed superior. The flawless way she curled her perfect platinum blonde hair, the stylish clothes she wore than never seemed to have a wrinkle or a mashed carrot smeared on the pants, the supple breasts that she swore were real, a perfectly toned stomach that never seemed to change despite her having a child two months ago, and the easy way she handled all of her three children with a flourish of her left hand that housed a 6 karat diamond ring from her gorgeous husband that was so attentive, perfect, and rich that it made you feel sick to your stomach.

All of which anyone could read on her mommy blog that she'd dubbed "Little Mistakes Make Perfect Lessons," and the same blog that she'd created an empire from.

Fuck, you hated her.

Mostly because despite everything you tried you never had enough time in the day to look as flawless as she did.

Your hair never seemed to be as bouncy or perfectly styled, you never had time to put makeup on, you always had mashed carrot on your pants or some form of cheerio or baby food, as many times as you tried to carve out time for the gym you never seemed to make it, the small ring you'd once wore on your finger was sitting idle in your jewelry box upstairs where it had been for the past year after your husband of six years told you that he met someone else, and your stomach and your breasts… you didn't want to think about that right now.

You had two kids and you weren't going to pretend that it did nothing to your body, any part of your body. And as many times as you saw all the other mothers around you who were proud of the way they looked, you never had their confidence, especially not after the comments that your ex-husband had made each time the two of you finally had some time to be alone together.

But that wasn't to say you hated being a mom, you loved it, wouldn't change it for the world. It was just sometimes you wished you had a little help, that, and you wished that Mondays didn't exist. 

You groan as you reach for the phone that still vibrates desperately on your bedside table and flip it over to see who's calling before you answer it.

"Colter, why the hell are you calling me at four am?" You half moan, pulling the comforter up over your head as if that'll make Monday go away.

You'd been close to murder several times, first when you found your husband in your bed with his nineteen year-old secretary, second when your local coffee shop was out of espresso and you did your entire shift at the hospital with no coffee, and Colter Shaw waking you up at almost four in the morning was quickly becoming number three.

"Because I didn't want to wake up Emma or Luke. Can you open the door?" He replies, stating the names of your children, sounding slightly out of breath.

"What door?" You groan again, eyes still shut wishing that this was just a bad dream and Colter wasn't calling you because he needed your help… again.

"The front door. Please, I need you to let me in."

"Why are you here? Couldn't it wait until tomorrow? Did you try to call Teddi or Vel-"

"I'll explain when you come open the door."

"By doing that I'd have to get up."

"Please."

You hesitate. Colter didn't usually say please, let alone twice whenever he showed up needing your help.

You'd met him by accident.

Sure your Aunt Teddi had talked about the "rewardist" that she and your Aunt Velma worked with, but you hadn't been expecting to ever meet him. But when Colter got shot on a job and showed up at Teddi and Velma's home you'd helped patch him up. You'd been there picking up your six year old son Luke and your three year old daughter Emma, after work. Teddi and Velma watched them for you when your deadbeat ex Lance couldn't be bothered to give you the support you needed.

Which was all the time despite his continuous arguing that he was in their lives enough and if anything it was your fault that he didn't have more time with them.

Each time he said that it made you want to slam his head in the door of his brand new bright red BMW, the one he'd bought right after you found him in your bedroom plowing his secretary now girlfriend Crystal. Or as you liked to remember her, the girl who still believed that Santa Clause existed and that the U.S government was hiding him from the world.

But Colter had been hurt and it was just fate that you were there at your aunts home to pick up your kids.

Being an ER nurse meant that you knew how to patch Colter up and it wasn't long before he went on his way. That was about four months ago and since then you'd talked to him occasionally when he'd pop by at your aunts home or just to see if you could help him with something.

"Five minutes." You sigh.

This time you crawl out of bed, standing just to the side of it for a second shaking your head to clear the sleep, and grab the long sleeved blue colored duster/robe that was hanging on the back of your bedroom door. Navigating your way down the stairs in the dark as quietly as you can, while half asleep was difficult, but somehow you avoid falling to your death.

Unfortunate, because now you have to go see what Colter wants at freaking 4 am.

The second story home had been you ex-husband's idea, stated that the two of you needed "room to grow" and that the two of you were "investing in your future."

You frown at the thought.

Yeah, room to grow right into your fucking secretary.

As if you needed another blow to your self esteem, but looking at the skinny red-haired goddess that he'd traded you in for that was about as dumb as a rock had been enough to send you so low you might as well be navigating the Marianas Trench in a submarine with a Megalodon chasing after you.

Maybe that means I'd get to be with Jason Stratham.

That thought was welcome. Honestly the thought of any man was a comfort, especially in the dry spell you'd been having since -well- since you'd had Emma three years ago.

Not gonna think about that right now.

The smell of chocolate cupcakes hung heavy in the air as you crossed through the messy living room, wafting out through the open concept kitchen into the space. One look into the kitchen would show enough cupcakes to make anyone salivate, and yes maybe you'd eaten a few before going up to bed, but eating the chocolate didn't count if it was on Sunday night and you could always go to the gym tomorrow…

Yeah. Like that'll happen.

You open the front door. "Alright, somebody better be dying Colter or I swear that I'll-" You stop mid-sentence when you take in the scene on your porch.

Colter is standing there, looking worse for wear. His usual black jacket is gone, he's got a black eye and a scrape along one of his perfect cheekbones, but that's not who you're looking at.

Colter isn't alone.

There's a man leaning heavily on Colter, his muscular right arm is thrown across Colter's shoulders and due to the fact that the man is a little bigger than Colter, he's buckling slightly under his weight. The man is wearing a green army jacket that is soaked around his left shoulder in blood, his dark hair is falling long into his bearded face, and his skin is a few shades paler than it should be. But that doesn't make him any less handsome.

The man still manages to throw you a sly grin, brilliant green eyes shining beneath the strands of his dark hair. "I think you got your wish sweetheart."

"You're not dying Russell." Colter sighs as if he's annoyed. "Hi." He directs at you.

You do feel a little bit bad about saying that now, but you shake it off.

"What the hell happened?" You say as loud as you dare and pull the front door further open so Colter can drag the man, now named "Russell" into your home.

"Shoot out." Colter breathes. "Where do you want him?"

"Kitchen table." You say trying to reach for Russell's left arm to help Colter, but he groans low under his breath and you retract your hand.

"You've got to be a little gentle with me sweetheart." Russell laughs more to himself, but it comes out in a choked sound. "But you can have me wherever you want."

"Colter, he needs to go to the hospital." You say, following behind them, keeping your voice down. "I don't think that I can-"

"Can't, they'll report it. They have to report all gunshots, you know that." Colter grunts, helping Russell lay back on the large kitchen table. "Why are there so many cupcakes in here?"

"Bake sale at Luke’s school." You clip while waving a hand and looking down at Russell who is laying on the kitchen table.

You can't deny that he's attractive, even in this condition. Russell has the perfect ruggedly handsome features that would make the smartest girl stupid and combined with the piercing green eyes that shine beneath the hair that's fallen forward into his face, even you could see yourself being susceptible to his charm.

Fuck.

Deep down you know that Colter is right, that if he did go to the hospital they'd be required to report it and that meant police and an official report. You figured that it was the last thing that Colter wanted.

Then again the guy has so many marks on his record already. You eye the man on your kitchen table. Russell kinda looks like he would have a few marks too.

"Don't want who did this to find him." Colter clarifies.

"So instead you brought him to my house where my children are?" You cross your arms over your chest.

The fear that whatever Colter and Russell had stumbled upon following behind them to your home made a cold trickle of fear race down your spine.

"We weren't followed." Colter soothes. "I promise I'd never do that to you. And I've got Bobby doing a trace to make sure they don't come close."

He actually looks a little hurt that you'd think that of him. Colter was a lot of things, but uncaring was not one of them.

You relax, but don't apologize despite the guilt swimming in your gut. "Fine. Give me a second." You leave the room to find the first aid kit in the hall closet, the same one that you'd made for your aunts to keep at their house if Colter showed up in the middle of the night with this exact problem. You'd even been involved enough to show your aunts how to deal with a gunshot wound if you weren't there.

When you get back in the room, Colter is removing Russell's jacket, and Russell grits his teeth when it jostles his left arm.

You set down the kit and reach for the bottom of Russell's shirt to pull it up off him, and he chuckles.

"Aren't you going to buy me a drink first? Better yet we could have a few bottles of my home brew-"

"She's not going to help you, if you annoy her." Colter interrupts.

"I told you that I didn't need anyone's help, I'm perfectly fine- ow!" Russell exclaims when you accidentally yank the shirt over his left arm. "Your bedside manner is a little lacking." He grunts, but his eyes still twinkle with humor.

"Too bad. I'm tired and I've been making chocolate cupcakes for the past six hours, so you get what you get and you don't throw a fit."

"What?" Russell grins at the rhyme that you often tell your children.

You shake your head, and drop your eyes to his chest. There are two perfect circles on his right upper pectoral muscle, but not high enough to reach the collarbone and one in his left bicep where blood seeps around the bullets, but truthfully you're trying not to notice how perfectly muscular he is. There are dark splashes of tattoos against his skin, swirling around other scars that resemble slashes and bullet wounds that you wish to drag your fingertips across to study each mark, to memorize each one beneath the soft pads of your fingers.

How is he just as beautiful covered in blood?

You clear your throat to focus back at the task at hand, examining the current wounds. "Okay. The good news is that the one on your arm is through and through, but these two," Your hand hovers over the two on his right upper chest. "I've got to extract the bullets. Which means that this is going to hurt."

"Been through worse sweetheart."

Your eyes scan the rest of his scarred muscular chest thoughtfully. "Yeah, you have." You murmur it more to yourself than to Russell, but he still grins.

Colter's phone rings shrilly in the kitchen and he groans. "One second. Try not to make her want to kill you Rus."

"No promises little bro."

Oh, so this is Colter's brother.

You'd heard little bits and pieces about Colter's brother, mostly second hand from your Aunt Velma. One of the best things about going over to Teddi and her home was sitting in the living room and hearing Velma gossip about everything she heard from Teddi while drinking wine and eating fancy cheese that you could never afford.

Russell Shaw was no exception.

"Alone at last." Russell says with a wink. "I didn't think he'd ever leave."

"I'm going to get some water to clean these with." You reply, ignoring him, but when you turn away the end of your mouth quirks up into a smile.

He wasn't what you were expecting based on all the rumors that you'd heard from both of your aunts, in fact, you thought he was kind of charming.

You roll up your sleeves and wash your hands before turning back to Russell. He's sitting up on your kitchen table, hands braced on his sides, with his legs spread wide apart. He doesn’t look like someone with three gunshot wounds, and you wonder if this is a regular day for him. Colter certainly didn't get shot that much.

"So are you a rewardist too?" You ask standing between his legs and trying not to focus on the warmth of his breath against your collar bone.

"Naw. I work for a private security contractor." He breezes.

"Oh." You swallow, looking up into his green eyes for a minute. They're even more beautiful up close, green with flecks of gold around the iris that flicker in the light like stars. "Is it okay if I touch you?"

"You don't gotta ask me that sweetheart, the answer will always be yes."

You flush and brace your hand on his left shoulder, before pouring water into the two wounds on the right side of his chest, trying to clean them the best you can before you extract what's left of the bullets. His skin is warm and smooth beneath the palm of your hand and it's difficult to focus.

Just pretend you're in the hospital and you're treating a patient. You take in a shallow breath. He's just a patient and he's not that good looking.

You know you're lying to yourself, but you were trying your best. It probably didn’t help given the current dry spell you were in or the fact that he even smelled good. Something like gunpowder, leather, and a hint of something spicy that you bet was his shampoo. It prickled under your nose, and activated something in the back of your mind that was having a hard time being quiet. You hadn't been this close to a man you found attractive in a long time.

"Okay. This is going to hurt." You say as you look through the small medical kit that you'd grabbed from the hall closet for the tweezers, trying to calm the thudding of your heart.

"It's okay." Russell replies. "Do what you have to baby. I won't stop you."

You weren't prepared for the warmth that bloomed in the pit of your stomach when he called you baby in the wonderfully rough rumble of his voice.

A voice like that could convince me to jump into a pit filled with alligators with no regrets. Fuck. I'd bet that a voice like that could make me- FOCUS. I will focus. He is Colter's brother and he just got shot. He doesn't need you lusting over him.

Extracting the bullets is as painful for you as it is for him. Watching the way his face scrunches up in pain hurts you more than you thought it would. His hands grip the rim of the wooden kitchen table so hard that they're turning white, and Russell's jaw is clenched so tight that you're afraid that it's going to snap.

You squeeze his left shoulder to give him some comfort. "Almost done." You murmur, searching for the second bullet.

Russell lets out a breath when you finally fish out the other bullet and drop it into an empty cup with a resounding "ping" just as Colter walks back into the room looking worried.

"What?" Russell asks him, looking over your head at his brother.

"That was Bobby. He said that the trace we put on the phone just got a hit a few miles north of here." Colter states. "I'm gonna go check it out."

"Alright, I'll come with." Russell starts to get up, but you push him back with your right hand that you've still got pressed against his left shoulder. Difficult given the fact that he was almost twice the size of you and broader than anyone you'd ever seen. And also difficult because of the way you were trying to ignore how good it felt to feel the pull of his muscles beneath your hand.

"No. You still need stitches and I haven't finished patching you up." You clear your throat, but it still sounds a little hoarse.

"Baby as much as I like you ordering me around-“

"It's alright Russell, I've got this. Just stay here and let her take care of you." Colter interrupts.

Russell frowns at his younger brother. "I'm fine."

"You're not." Colter rolls his eyes. "Stay here. I'll be back in a few hours to pick you up." He turns to look at you. "I'm sorry that we woke you up-"

"It's okay." You shrug. "But you owe me."

"Just add it to my bill." Colter smirks.

Honestly, you weren't as angry as you were when you answered the phone. Something about Russell was different and you didn’t mind helping him at all.

He wasn't like anyone that you had ever met, certainly not in the circles you ran with.

All the dads from your mom friends were blue and white collar workers who worked in the big office buildings downtown, wore suits to work and were more straight-laced, but there was something refreshing about Russell.

He was mysterious, sexy, and his had this aura of self-resilience and survival that you found immensely attractive. Especially when compared to your ex, who couldn't survive without his mocha-caramel double shot latte or wifi.

Russell was the exact opposite of him and you found yourself wanting to know more. More about the almost beautiful scars that curved over his muscular body, more about each tattoo that he’d chosen, and more about him.

He seemed like the kind of guy that hid his trauma under easy smiles and jokes, the kind of person that shrugged off anything that seemed remotely serious with a well placed joke, but you could feel that there was something deeper beneath that he didn’t allow many to see.

And you wanted him to show you.

You weren't sure where any of this was coming from. Russell probably was about as stable and consistent as his brother, and you liked consistency. Spontaneity and surprises tended to make you anxious. But not with Russell.

Though the stability might have been an issue. You were a single working mother, which meant that you didn't want to introduce some random guy into your children's life just to have them get attached and him to bail with no strings attached and-

Calm down. You just met the guy, it's not like he's asking you out on a date.

When Colter leaves and after you’ve cleaned around the wounds the best you can with some alcohol, you realize just how quiet it is in your kitchen.

“You know, I think I’ve seen you before.” Russell says breaking the silence while you search for a needle and thread in the medical kit.

“Really? Where?" You ask looking up.

“In my dreams.”

“Wow." You smile at him. "That line is pretty cheesy."

You shift your right hand over to begin to sew up the wounds on his chest. Russell doesn't even wince when you push the needle through, almost as if he didn't notice it at all.

It made sense, given how many scars and tattoos covered his body. You remember what he said about "being through worse" and it made you feel bad for him, to worry about him. Odd given the fact that the two of you had just met.

"Well I'm a little distracted at the moment sweetheart. It's not often that I get such a beautiful woman to take care of me."

"I thought you didn't need my help?" You smirk.

"Maybe I did." He admits sheepishly.

"Mhmm."

"So how do you know my brother?"

“Why?”

“Trying to see if you’re off limits or not.” Russell tilts his head to the side and flashes a charming smile.

You laugh at his boldness. You’d never met someone so upfront before, it was refreshing. Most of the men you’d meet occasionally at work tended to beat around the bush and made you want to give them a map to get to the point. "We met when he got shot a few months ago."

"Oh so the two of you aren't-" He wiggles his eyebrows and you snort.

"No."

"Huh."

"What?"

"I was just wondering why not?"

"What?"

"Well, you're gorgeous, you're smart, and you're not scared of blood or gunshots. Colter really seems to be dropping the ball."

"Colter doesn't exactly have a stable lifestyle. And I'm kind of complicated."

You were, there wasn't any way around it.

"Why do you think that?"

"Because I've got two kids."

Russell blinks in surprise. "Really?"

"Mhmm." You hum continuing your task, not phased by the blood at all.

His eyes trace your figure for a minute, making a shiver travel down your spine. It was the first time in a long time that you were okay with someone looking at you like that and to be honest, the first time that you wanted someone to look at you like that in a while.

After everything that happened with your ex-husband and his secretary you were more inclined to sit on your couch with a glass of wine and read away your troubles with a steamy romance novel that did more for you than any of your ex-husband's attempts to satisfy you. It also didn't help that you had no interest in going out with your few friends and meeting someone at a club who probably would never call you again and probably wouldn't be as enthusiastic to learn that you were a mom.

You'd only been on one date since you'd broken it off with your husband with your aunts accountant Jerry, and the date stuttered to a halt when he learned you had two children and weren't interested in having an open relationship.

"I wouldn't have guessed that."

“Really? The mountain of chocolate cupcakes wasn’t a clue?” You arch an eyebrow with a smirk, while gently tying off the string to close the first wound before moving on to the second.

“I thought you just really liked baking. And I’m okay with coming home every night to a mountain of chocolate cupcakes if it means you’re there too.” He winks.

“Not sure you want any of those.”

“Why’s that?”

“Because they’re gluten free, sugar free, and nut free.”

The horrified look on Russell’s face makes you feel like you’d just told him that hot dogs do in fact contain trace amounts of dog.

“Why on earth would you make them like that?! They're not even cupcakes anymore!" He exclaims.

You found it funny that he seemed more upset over the mutilation of the chocolate cupcakes than over being shot.

Maybe he's always like this?

"I know. I'm a monster." You sigh. "But Stephanie Jacobson said I had to." You let out a frustrated sigh with her name.

Bringing anything other than what she asked for was a suicide mission. The last person who did that was Gale Smith in the great Fourth of July Cook-out calamity of 2021. In Gale's defense, no one though that the bushes would catch fire so fast, but Stephanie had a memory like an elephant so Gale decided to transfer her children to the school one town over. The last thing you wanted was for your name to go down in history for the Cupcake Catastrophe of 2024.

Russell leans forward and lowers his voice like it's a secret. “Is Stephanie your imaginary friend?”

“No!” You laugh. “She’s this other mom at my son’s school who said I wasn’t living up to my ‘duties as a parent’ and that I needed to ‘participate.’”

"She sounds great."

"Oh yeah, we're practically best friends." You continue to work on the other wounds in the silence that follows.

"I bet you're a good mom." Russell says watching you with an unreadable expression. He's leaning a little bit towards you still, making the smell gunmetal, leather, spice, and just a hint of mint come through the space between the two of you.

Damn he smells really good.

"Uh-huh. You've known me for ten minutes and you haven't seen me with my children-"

"I can tell."

"Is that your superpower or something?" You reach for a bandage to lay over the wound in his chest smiling to yourself. "All the other useful superpowers like being bulletproof got taken?"

"I don't think it's useless if it makes you smile like that when I say it, sweetheart."

Your eyes flick upwards to Russell's face. His green eyes are shining in the light of your kitchen, his dark hair still hanging over his forehead, and he is still just as ridiculously handsome as he was the moment Colter dragged him through your front door. You don’t remember why you were so mad at Colter anymore.

"Has anyone ever told you that you're too smooth for your own good?" You raise your eyebrow.

"No ma'am." Russell cracks an even wider smile and it makes you loose all feeling in your legs. He was just so effortlessly handsome that it made you want to do something stupid, like have sex with him on top of the same kitchen table that you serve blueberry pancakes to your children.

"Hmm." You bite the inside of your cheek. "Well, now you know and maybe now that you're aware, it could prevent you from getting shot."

"Are you saying I got shot because I'm too smooth?"

"Maybe."

"Because usually it has a different effect."

"Huh. Well in that case, maybe try using some of that to smooth things over and you'd avoid getting shot." You begin to wrap another fresh bandage around the bullet wound on his arm, bracing your free hand against his chest, trying to ignore the way his skin is warm and chiseled beneath your palm.

He had the kind of body that you'd never imagined actually existed. Russell Shaw looked like he walked out one of the romance novels you loved so much.

Hell, they should use pictures of him to make the book covers.

"I'll remember that next time." Russell pauses. "But then it means I wouldn’t get shot and I wouldn't get to have you patch me up."

"I guess not."

You didn't think that you'd smiled as much as you had in the past twenty minutes with him than you had your entire five year marriage. Not to mention that it was nice to talk to someone who wasn't trying to convince you why they should be allowed to have a cookie before dinner.

A charged silence passes through the air between the two of you, his eyes locked on yours sending goosebumps over your skin. You weren't sure if anyone had ever looked at you like that before. You'd noticed that most gave you the obligatory skate over, but Russell didn't. He looked at you as if he was studying you as if he were genuinely curious to know more. 

Your eyes trace his broad shoulders, toned abdomen, and muscular arms, noting that he's the kind of strong and broad that was made to handle someone a little more curvy like you. And you'd be lying if you said that you hadn't thought about it more than once since Russell came through your front door.

You felt your mind sink into the fantasy of Russell pining you to the kitchen table and feeling the warmth of his rough hands against your body-

Snap out of it. The guy is bleeding, he got shot. He needs to rest.

"I think you'll survive." You smile pulling back from him to clear your head. It was much easier when you couldn't smell him as strongly. "And if Colter isn't going to be back for a few hours you can crash on the couch. It's not the most comfortable but-"

"I'm sure it's fine." Russell shrugs and stands from your kitchen table.

You try and fail to ignore how his muscles pull with the movement as he reaches for his shirt and you step forward to help him put it on, knowing that it might hurt with his injury. "Okay." You clear your throat, that has become thick all of a sudden. "And if you're hungry I've got plenty of cupcakes-"

"Please don't call them that. They're an disgrace to the cupcake name."

"Yeah, but the ones in the microwave are actually cupcakes. I had to make a few that were edible." You gesture with your hand and laugh at how quickly Russell goes to get one.

He doesn’t even bother to pull away the wrapping before he takes a bite and he audibly moans. Russell looks at you awestruck. "Holy shit, you made this? Where have you been all my life?"

"Shut up." You roll your eyes at him.

"I'm serious, this cupcake is my reason to keep living. Here I thought putting sriracha on French fries was the height of cuisine, but damn."

You could feel yourself blush bright red at his compliment. You weren't used to a man going out of his way to compliment you on something other than how you looked, but everything about Russell Shaw was refreshing and nothing like you expected.

"Thank you." You wait another second, watching him eat more of the cupcake and smash icing and flecks of chocolate over his chin. You laugh at him and hand him a paper towel. "You're worse than my three year old."

"Your three year old is a lucky kid, if she’s got a mom like you to make stuff like this for her."

It's like he wants me to fall in love with him. How can someone look so unbelievably cute and sexy while covered in chocolate cupcake?

Don't answer that.

"Sometimes I think I'm the lucky one. I love my kids-" You say before you can stop yourself. You hesitate afraid that it would send Russell for the hills when you brought up the fact that you loved your children.

"Yeah?" Russell's smile brightens as he wipes his face with the napkin.

"Yeah." You blink mildly shocked. Of all the people in the world to talk about your children with, you never expected someone like Russell Shaw. “I do."

Again he was surprising you, and talking to him was just so refreshing and it made you feel like your head had finally cleared, like your chest was lighter and you could actually talk to someone for real without putting out this together image of yourself you thought you had to when inside you were crumbling from the overbearing expectations of the people around you.

The silence is back, filling the kitchen with a palpable energy that you wonder if Russell can feel, but you shake it off.

"I guess I'll see you in the morning. It was nice to meet you Russell, but I'm sorry that you got shot." You smile.

"I'm not." Russell smiles. "I got to meet you."

"Alright Casanova, I need to go to bed, because my kids will wake me up in about two hours." You frown over at the couch. "There's a pillow and a blanket down the hall in the bathroom closet." You gesture with one hand. "I'll see you in the morning." You repeat because you're not too sure what to say.

"Yeah. Goodnight."

"Goodnight."

You turn and walk up the stairs to your bedroom, feeling the thin blue robe swishing around your ankles as you do.

And as you fall into your bed all you can think about as you start to drift is the ruggedly handsome man downstairs, with the brilliant green eyes that crinkle with his smile, and the large hands rough from hard work, that seems to be more than what meets the eye.

The alarm clock on your bedside table might as well be employed by the devil for waking you up and the idea of smashing it to bits with the heavy metal table lamp that sits beside it crosses your mind. You weren't sure how many hours you'd gotten in, only that they weren't enough, and you were in desperate need of coffee.

You roll over on your back, looking up at your ceiling as you blink your eyes open, following the familiar sweeps of the paint brush that were left behind.

The memory of the night's events come back in full color and you stiffen remembering exactly why you'd gone to bed so late. Images of last night flash through your mind. Colter dragging a bloodied Russell through your front door, Russell sitting on your kitchen table looking much too attractive covered in blood, him flirting with you with a wide smile that made you feel warm from the inside out…

Oh fuck he's still on my couch. How am I going to explain that to my kids?

You dress in a flash and stumble down the stairs as quickly as you can, tripping and falling into the living room, but when you look you realize that Russell isn't on the couch. The pillow and brightly colored quilted blanket he used are neatly folded on one of the plush cushions, but he's nowhere to be found.

I guess Colter came to get him.

You weren't expecting the wave of disappointment that comes with that realization, but as you turn to go back up the stairs to ready yourself for the day, you hear your daughter’s voice.

"Mommy!" She says. "Look! Rus is making pancakes."

What?

You turn to investigate your spacious kitchen. It was still covered in an alarming amount of cupcakes, but that’s not what’s surprising, what’s surprising is Russell, standing at your crowded stove with a spatula in his hand, sliding a perfectly golden brown pancake around in the bottom of a pan.

You blink your eyes to make sure that you’re not imagining it and make sure that you’re not asleep.

"Hey gorgeous." Russell flashes a wide grin. "How'd you sleep?"

"Um-" You glance at where your daughter is sitting with your son, both eating stacks of pancakes at your kitchen table, the same kitchen table that you were fantasizing about Russell and you-

Nope. Not going there.

Honestly, any fantasy you had about him was blown away by the sight of him standing in your kitchen making pancakes for your children. Something so domestically wonderful that turned you on even more than the image of him shirtless sitting on your kitchen table.

This was something even your husband refused to do, cook. Any day that you tried to get him to, he'd said that it was your "job." And here Russell was standing in your kitchen looking even more effortlessly gorgeous cooking for your family without being asked.

"I sleep good. How did you sleep?" You ask taking a hesitant step towards him.

"Good. Better than I have in a bit actually." He turns back to the pan and flicks his wrist, flipping the pancake inside.

Emma claps happily and Luke watches Russell with a look of absolute awe on his face, while you try not to have impure thoughts about Russell in front of your children.

"You didn't have to make breakfast-"

"I did." He plates the pancake and holds it out to you. "I wanted to thank you for patching me up."

"It wasn't a big deal." You shrug, but take the pancake from the plate, rolling it up like a taco before you take a bite.

Russell cocks his head to the side studying you for a moment. "It was to me." His green eyes are just as hypnotic today as they were last night, tracing over your body in a way that makes pins and needles tickle over your skin. "Plus, wanted to make the kids something that wasn't gluten free, nut free, and sugar free. Emma sure can put away some pancakes."

It was odd to see someone so eager to make himself comfortable in your house, especially a man you barely knew and who you owed absolutely nothing to. Not to mention that Russell genuinely seemed happy to be making breakfast for your children as if he belonged there.

It was so different from every other man that you'd ever met, and you wanted to get used to it. You wanted to get used to having a man around again, to having Russell in your home and in your life. You'd never been spontaneous or wanted to jump headfirst without looking at the pros and cons, but watching Russell standing at your stove, with the sunlight coming through the windows behind him and illuminating his broad shoulders and sifting through his dark hair, you saw absolutely no downside.

"Yeah she's always had a good appetite."

"Hope she doesn't lose that. I hate it when women don't eat." Russell shrugs his shoulders and goes back to make a pancake for himself. "Plus Luke needs to bulk up. He said his dad is going to sign him up for baseball."

You stiffen at the mention of your ex, not sure if you should supply the information, or if you should let it slide. Russell's eyes flick down at your left hand for a half-second, so quickly you could have missed it, but you understood what he was doing.

"He's my ex-husband." You murmur low enough so only Russell could hear.

"Good." Russell replies with a knowing smirk. "Means that I don’t have any competition."

You roll your eyes at his reaction and walk over to where your children are eating. Luke is covered in maple syrup as per usual. He had always been a messy eater, but because he insisted on having his hair cropped short, it never seemed to be too much of a problem.

Just as Emma looks like your ex-husband, Lance, Luke looks like you. He has the same eyes and same colored hair, but he'd always been a little short for his age. Lance usually picked at him for that, but you didn't know what Lance was expecting, Luke was six years old, he'd grow!

"Good pancakes?" You ask, trying to wipe at his face with a napkin but he pulls away with an exclaimed "Mom!"

"What? You're covered in syrup." You laugh, raising the napkin again, but Luke dodges your hand.

"Mom!" Luke says again.

"Alright, fine. But go get dressed, your dad will be here to pick you up any minute." You say, urging him with a hand against his shoulder.

Today Lance was taking Luke to school and picking him up after for a baseball game, before staying with him at his apartment. You’d told your Aunt Teddi and your Aunt Velma that you'd help them plant a garden today, and Emma had been looking forward to it as much as you had.

Velma had been talking about it all through last week, and you’d gotten the day off specifically off for it. Emma was also excited about it because Teddi had bought flowers specifically for butterflies and your daughter loved them more than life itself.

You were looking forward to working out in the sun, feeling the healing rays against your skin, listening to the sounds of the world outside your aunts familiar home soothe you, play with the dogs for a little bit, and finally go inside for a few glasses of wine while Velma, Teddi, and you talked about the book of the month. Book club nights were especially special for Emma as well. Velma always poured Emma's apple juice into a plastic pink wine glass that she'd bought for Emma so she could feel included.

This book had been really good and you couldn't wait to share what you'd thought while eating expensive cheese and cupcakes and while the dogs circled below like raptors.

You loved being at their home. It was always such a comfort to be somewhere where you felt that you could be yourself especially after Lance left you. Your mother had died when you were a kid and your dad had never been equipped to handle things like that so your Aunt Teddi had picked up the slack in your early years and now after she'd married Velma, you had another person in your life who supported you and made you feel like you could be yourself. Both of them had been furious when they learned about what Lance had done and sat with you while you cried into a box of tissues.

It had been difficult to talk them both out of killing Lance. Surprising since your Aunt Teddi was usually the voice of reason.

Luke sighs, but listens to you, getting up from the table to make his way upstairs. You can hear his footsteps as he walks down the hallway above and into his room.

Despite his reluctance, he was looking forward to today as well. Sometimes you thought that he felt left out when you all went over to your aunts house. You knew that Luke longed for the attention of his father, and something broke inside of you each time your ex-husband made him feel forgotten.

You turn to look at your daughter. "Good pancakes?"

"Yes!"

"Did you tell Russell thank you?"

"Thank you Rus!" She sing-songs with a wide smile, before moving her plastic fork back into the pile enthusiastically.

"You're welcome sweetheart." Russell says from the stove, picking up the pancake in the skillet bare handed before he puts a generous stripe of maple syrup along the inside and rolls it up just like you did. "Do you want another one?" His gaze turns to you, warm and open.

Fuck, why is he so damn attractive?

"No I'm-"

The knock on the front door interupts your answer signifying the arrival of Lance. When he'd moved out of the house you'd changed all the locks and then refused to give him a key. Something that he'd pouted and stomped about worse than your toddler, but you'd held firm. You didn't want him in your house and you definitely didn't want her in your house either.

"Daddy!" Emma squeals and before you can stop her, she leaps from her chair like she'd been shot from a cannon and runs down the front hallway to open the door for your ex.

You sigh out a breath to prepare yourself for what comes next. Talking to Lance was always tense and as much as you tried to be civil, Lance didn't. He didn't pull punches, and often lacked the common decency that everyone else had.

Russell's studying you again, his easy smile slipping into a frown when he notes the change in your attitude.

"Stay here. This shouldn't take long." You force a smile, but it lacks the enthusiasm you’d had whenever you talked to Russell before.

Sometimes just the thought of your ex took the energy out of you, as if you were on a space ship and all the air got sucked out into the cold silent vacuum.

Lance is standing on the front step hugging your daughter with one hand while the other holds his phone behind her head, his gaze intently on the screen while Emma chatters in his ear. He's not paying attention though. He never was and never did.

His black hair is slicked back over his head and cropped shorter than the last time you saw him. Now it barely touches his collar but hangs long over the top of his head. His brown eyes glint an amber in the light of the sun, and he’s wearing a tailored blue suit with a dark patterned tie.

“Hey.” Lance clips to you as he stands, releasing Emma who is still trying to talk to him, but he ignores her.

You grind your teeth together. “Hi.”

He sighs audibly sensing the tension, as if it’s you that’s done something wrong.

“Emma, why don’t you go finish your pancakes?” You smile down at your daughter and pat her on the head. “We’ve got to go soon.”

“Okay! Bye daddy!”

“That’s nice honey.” He says absentmindedly, still typing furiously on his phone, while Emma rushes back down the hallway and into the kitchen, that is hidden from view of the front door.

“You know you could put the phone down for once. The world won’t implode if you wait a few seconds to answer a text.” You say.

“Don’t start.” Lance rolls his eyes.

The BMW idling at the curb catches in the early morning sunlight and you see a flash of red-hair. Crystal is in the passenger seat, her auburn hair piled on top of her head effortlessly, her lips painted a dark colored red, there’s a pair of heart shaped sunglasses over her eyes, and she’s wearing black dress low cut enough that her ample breasts spill out through the wide V.

She peers at you from where she sits in the car, her phone perched in her lap, and you watch her dark colored lips twitch into a knowing smirk when she catches you looking at her.

Each time you saw her was like taking a punch to the gut.  It made you pull your oversized sweater a little tighter over your chest self-consciously.

“I’m not starting anything. I’m just saying that you should pay more attention to-“ You begin, but Lance interrupts.

“I don’t want to do this with you. I have a deposition due today and I have to finish sending this email.” He snaps.

“Fine.” You sigh, trying to remain calm. You hated when he did this, when he made it seem like no one and nothing else was important except his job. “Luke is getting ready. I have to box up these cupcakes for a bake sale at the school. All you have to do is drop them off and tell-“

“Oh sorry babe. Can’t do the thing today.”

You bristled when he called you babe. You weren't his, not after everything the two of you had been through.

“What do you mean you can’t do the ‘thing’ today?” You plant your hands on your hips trying to comprehend what he's saying.

“With the kid. Sorry. Crystal made plans for us at some fancy restaurant or whatever. Supposed to be the best in the city-“

“What?”

“I can’t take the kid today.” He repeats slowly, this time looking up, but he doesn’t bother to apologize, and his gaze barely meets yours before he drops his eyes back to the hand clutched in his perfectly manicured fingers.

“But you promised Luke that you were going to take him to a baseball game today after school. That he was going to get to spend the night with you and-“

“Sorry.” The apology isn’t sincere and you know it, despite Lance’s attempts to drop his smile into a sympathetic frown. It comes across as more condescending.

Crystal honks the horn of the car as if to tell Lance to hurry up, and it takes a very large amount of effort for you not to flip her the bird.

“No. Luke has been looking forward to this all week! Not to mention I had to ask off for today specifically-“

“And I’ll apologize to him too.” Lance goes back to typing something on his phone. “This dinner means a lot to Crystal-“

“I don’t give two shits what means a lot to that red-haired bimbo!” You snap, the rage and frustration building in your chest. “You made a promise to your son to take him to a baseball game and actually spend time with him and that’s exactly what you’re going to do!”

Lance looks up from his phone, his eyes narrowing. “You always fucking do this.”

“Do what?”

“Pick a fight.”

“I am not picking a fight Lance. All you’ve done since you’ve shown up here is ignore your daughter and tell me that you’re backing out of the one thing I’ve asked you to do in months!”

“I told you that I have a meeting and a deposition due today! Damn it, what do you want from me? To quit my big job that pays for this house?” He steps forward towering over you. Lance was taller than you, but he had always been lanky and thin, unable to gain too much weight or muscle at a time. “Why do you find the need to make me feel like my life isn’t important?”

“What are you talking about? I didn’t say anything about your life! I’m talking about our son’s life-“ You shout incredulous.

“This is exactly why I got out when I did. Because you always try to control every little thing. You’re so damn OCD that if I did one microscopic thing that wasn’t apart of your ‘special plans’ you’d spontaneously combust! You never just shut your big mouth and let me just fucking live my life! You never let me feel like a man! And Crystal understands-“

“Crystal can’t even understand that pickles were once cucumbers! I doubt she can understand whatever warped reality you’re living in Lance.” You spit. “But I’m sorry that me asking you to be a part of our children’s lives is too much for you. That it’s such a chore for you to make them happy.” The frustrated tears had begun to burn against your eyes.

You didn’t know why you expected anything different. Lance had been doing this since your son was born, putting his career above everything else, working late, schmoozing whoever he could, being so damn selfish that he was willing to throw everything the two of you built together for the woman sitting in the car on the curb watching the two of you go at it with a sick satisfaction.

“Don’t fucking do that!” Lance roars and this time he slams his hand against the door frame so roughly that the glass inside shakes and you flinch. “I don’t know why I even try to talk to you. So why don’t you get your big ass up those stairs and-“

“Is there a problem?” Russell’s voice interrupts whatever Lance was going to say, his body sliding into the space behind you so suddenly that you didn’t hear him walk up.

But it felt good for him to be there, to feel the warmth of his body through the air at your back.

He places his hand on the door to open it up a little wider and to seem a bit more intimidating. Russell is easily taller and broader than Lance.

Lance looks up at him confused, puffing out his chest to look more intimidating. “Who the fuck are you?”

 “Maybe you shouldn’t use that kind of language around the kids-“ Russell says with a tight lipped smile.

“They’re my fucking kids. Don’t tell me how to talk.” Lance’s gaze flicks to you. “Who the fuck is this?”

“I’m Russell.” He replies before you can. “And if you know what’s good for you I’d take a few steps back from her.” Russell’s large hand gently presses against your waist, a comforting weight that you weren’t expecting, but welcome, nonetheless.

It made you feel a little bit bolder.

“Don’t tell me what to do!” Lance snarls. “Is this your boyfriend? Really? You finally decided to go out with someone and that’s who you pick?”

“Look buddy, if you keep talking to her that way, we’re going to have a problem.” Russell sighs. “And I don’t want to get any blood on your fancy suit.”

“I’m not your buddy. And trust me she’s not worth the fight.” Lance sneers at you, giving you a once over that makes you want to crawl into a hole and die.

Russell’s jaw clenches tight and he takes a step forward, but you hold out your arm to stop him.

“He’s not my boyfriend and even if he was, it’s none of your business who I date!” You snap back.

Lance only shakes his head, ignoring what you’ve said. “I’m serious pal you don’t want to get involved with her. She’s fucking crazy, not to mention nothing special when it comes to se-“

The next words are lost in the sound of Russell’s fist landing against Lance’s face, the sharp crack followed by the inhuman scream of Crystal at the car. Lance stumbles back off the front step clutching a hand to his face while blood streams through his pinched fingers and over his chin.

“I warned you. Now if you keep talking, I'll make your eyes match.” Russell growls, flexing his hand.

I hope he didn’t rip his stitches.

“You son of a bitch.” Lance sputters, his hand still holding his broken nose. “You’ll be hearing from my lawyer!”

“It’s worth it, if it shuts you up.” He replies unfazed.

Lance’s eyes narrow with hate as he looks at you one more time, before stumbling back to his car where Crystal has begun to wail over the amount of blood coming from his nose. The car squeals down the street and out of sight, leaving Russell and you standing on your front porch. Thankfully Emma was still in the kitchen eating her pancakes and Luke was upstairs, you didn't want either of them to see Russell punch their dad.

But that didn't mean that you wouldn't mind seeing it again.

You groaned when you thought about your son. You didn’t know how on earth you were going to explain to him why his dad wasn’t going to pick him up or take him to the game.

But at the same time there was a sickening amount of pleasure that bubbled beneath the surface at the thought of Russell breaking Lance’s nose.

“Are you okay?” Russell asks turning to look at you. There’s anger still simmering beneath the surface. You’d never seen him angry in all the time he’d stayed with you. All you’d seen was the funny, easy going, guy with the gorgeous smile, but to see him like this and especially to see him angry over what had just happened…

Just when I thought he couldn’t get any more attractive.

“Yeah. I’m sorry-“

“Don’t apologize for that asshole. He shouldn’t have talked to you like that.” Russell hesitates. “Does he always talk to you like that?”

“Pretty much.”

“Damn, should have knocked a few teeth out too. He’s got to learn how to speak to a lady, especially one as beautiful as you.”

You felt your cheeks flush. You couldn’t remember the last time that someone called you beautiful and before you can stop yourself you say:

“I don’t think you’re too bad looking yourself.”

“Oh I know. You couldn’t keep your hands off me last night.” Russell’s grin makes you smile and roll your eyes at him.

Again you’re struck by how charming he is and how kind. He didn’t have to do any of the things he’d done today, but he did anyway. He didn’t have to make breakfast for your children, he didn’t have to step in when your ex-husband got mouthy, and he didn’t have to punch Lance in the face, but Russell had.

He'd done more for you in the past few hours than your husband had done in the six years you'd been married to him.

Behind where Russell's standing, Colter’s truck pulls up to idle on the curb in the same place that the BMW had been sitting moments ago, and you raise a hand in a half-wave to greet him. Colter shoots you a grin and waves back.

“Guess my ride’s here.” Russell says glancing back at his brother over his shoulder before he looks back at you.

“Seems so.” You nod. “Are you sure you don’t want me to check your stitches for you one more time before you go? I mean you probably ripped them when you punched Lance."

“Sounds like you just want to catch another peak of me without my shirt on.” Russell laughs, wiggling his eyebrows.

“Shut up.” You roll your eyes and hit him on the arm.

“Ow.”

“You’ll survive.”

“Maybe.” He’s studying you again, the sunlight turning his hair a honeyed brown and his eyes into a sharp jade. The light catches his broad shoulders and traces along his strong jaw that is covered in a healthy amount of stubble that makes him look rugged and more handsome than any man you’d ever met.

You bite the inside of your cheek. “It was nice to meet you Russell. And again, I'm sorry that you got shot."

Russell shrugs. “It was worth it. I got to meet you and I got to punch that asshole in the face so win-win.”

“You didn’t have to-“

“Yes, I did.” Russell’s jaw tightens. “You didn’t deserve any of the things he was saying about you or about the kids.”

“True.” You hesitate.

Should I ask him for his number or is that too forward?

“I’ll see you around.” Russell smiles at you one more time before making his way to his brother’s car, just as Emma joins you on the front step.

“Did daddy leave?” She sounds sad.

“Yeah. He did.” You take her small hand in yours.

“But why does Russell have to go too?” She whines.

“Because he’s going home.”

You felt a twinge in your chest watching him get into the car, knowing that you probably would never see him ever again. It made you sad to know that. You'd been interested in him and you thought he was interested in you, but he hadn't asked for your number.

Maybe he's flirty and charming with everyone.

You hide the frown that comes with that thought. Emma waves goodbye with her freehand, and Russell smiles from the passenger seat, waving back at your daughter, before he raises his gaze to yours again and winks.

Or maybe not.

When you go back inside the house, Luke is still upstairs, and instead of going up to tell him about his father, you turn to go back into your kitchen to clean up. As you near the stove, you notice a bright green piece of paper under one of the magnets on your refrigerator, fluttering slightly in the air-conditioning.

You pull it down to look.

In case you want some more pancakes or if you bake any more of those life changing cupcakes. Give me a call. -Russell.

His phone number was written under his name, next to a smiley face that made you laugh aloud to yourself.

Sunday nights were the worst, but not this time.

A/N: Alright, I had so much fun with this one! I just had this urge to write Russell with a reader who had children and a trash man ex because why not? And I know I said it would be a one-shot… but my mind is already thinking of all the possibilities lol. Mostly because we all know I can’t really write just a one-shot 😅😂

As always thank you so much for reading! Reblogs, Likes, and Comments are not required but are always appreciated. I love hearing what y’all think!

Taglist:

@roseblue373 @livya99 @mrsjenniferwinchester

[thevoidstaredback]

Everyone's comm beeps in their ear, drawing their attention. "Kon, Jon, Cassie, and Bart all know now. I'm bribing them with the footage of Phase One." Tim's voice says. Their comms beep again and the line goes silent.

Dick sighs. Yeah, that checks. Honestly, he's surprised those four hadn't been told way earlier than now.

"What's wrong?" Wally asks from beside him.

"Nothing," ha answers. He finishes the drink in his hand in one go.

Wally snorts softly. "Yeah, sure. I assume someone's blown it?"

"Tim and Dami. Both Superboy's, Wonder Girl, and Impulse all know now."

"Our Wonder Girl?"

"Tim's.

"Ah." A beat. "The problem?"

"No problem. Though, B might say something."

"I thought he was all for telling the teams?"

"He is! This was all his idea! But Tim's bribing the other four with the footage of the Cave."

"You mean the footage that I haven't seen yet?"

"Yep."

"Then what are we waiting for?" Wally grabs his hand, "Let's go get Donna and go watch!"

Dick sighs again and goes along. He clicks his own comm on and says, "Me, Wally, and Donna are gonna come watch, too. Wally insists."

Damian's voice comes next. "Since when does Troy know?"

"Probably since I told her and Wally."

"What?" Steph's voice whines, "You've had two people know for so long?"

Before he can respond, Barbra hisses, "Hey! This is supposed to be a distraction free line, guys."

Jason snorts, "Me, Roy, Lian, and Duke are on our way, too. You girls should come watch; we'll make a party out of it."

"Good idea," Cass says.

Dick can see Bruce on the other side of the room, unable to react to a thing that's being said in his ear. Ha!

***

Bruce watched his kids all leave the room. He's glad that their teams know, though why did they have to let it slip while the party was still going on? Oh, well, nothing to do about it now. Especially because Oliver's agreed to give a speech.

"Ollie, dear, it's time for your speech now, isn't it?"

"Ah, yes." Oliver says, light pink dusting his cheeks at the address Bruce had been using since they were in high school. He made his way to the stage, the band quieting as he took the podium. "If I may have everyone's attention for just a moment?"

Great start, Ollie.

"Like all of you, the invitation to this gala tonight came as a surprise. A welcome one, but a surprise nonetheless. Now, I won't keep your attention for long, but, on behalf of Bruce, I'd like to thank everyone for coming tonight. This Gala tonight, Charity for Justice, is a fantastic way for us to give back to the people who work so hard to save us. And it's not just the Justice League; Doctors, Teachers, Veterans, et cetera. They're all heroes who deserve all the help we can give them. Being here tonight, while it may seem superficial, is a step in the right direction to helping the heroes of the world. Now, I don't know how Bruce is going to get this money to the Justice League, but I'm not one to questions his ways or his motivations. He's been a friend of mine since we were in high school, and I trust him with my life. Thank you, Bruce, for hosting tonight; And thank you all for coming and donating." Nodding to the audience, Oliver walked from the stage as they clapped.

Bruce smiled at Oliver as they met at the bottom of the stairs leading to the stage. "Thanks, Ollie. I didn't know you trusted me so much."

Oliver matched his smile. "'Course I do, Brucie! And what you're doing tonight is really good. I might just have to steal this idea from you."

Laughing, Bruce patted Oliver's shoulder before taking his place on the stage. "Thanks, Oliver, for speaking tonight. I know it was last minute, but you did great." The crowd chuckled a bit as Oliver raised the glass he now held. "At the risk of sounding like a broken record, thanks again, everyone, for coming here tonight. I know a lot of you are far from home, but it means a lot that you made the trip out.

"Admittedly, this entire gala was a spur of the moment decision. My kids, actually, came up with the idea, so if you're going to thank anyone, it should be them. They did everything on their own while sat back and let them do their thing.

"When you think of heroes, you're most likely to think of the Justice League and their sidekicks. But, who were the heroes before the Justice League was founded? Perseus, Heracles, Aeneas, Remus, Romulus, Vldar, Ragnar Lodbrok, Hua Mulan, Guan Yu. All of them were warriors. But, does combat make a hero? I don't think so. I think the thing that makes a hero is the willingness to help; the willingness to give even if you have nothing to give; the willingness to do what it takes to make sure someone gets to live even just a little bit longer.

"Oxford dictionary defines the word 'hero' as "a person who is admired or idealized for their courage, outstanding achievements, or noble qualities". While I agree, I think that this is a much too niche definition. After all, I've met hundreds of people who I would consider heroes, heard thousands more stories- and not one of them has been 'admired' or 'idealised' for it.

"Tonight, I've asked for donations from each of you. All of the money will be going towards helping the heroes of the world; those who are recognised as such, those who aren't, and everyone in between. Every donation made will be matched by not only myself, but Wayne Industries as well. Then, all the money will be anonymously give to the heroes of every city represented here.

"Again, I'm so glad everyone could make it tonight, and I'm beyond glad that you've all be generous enough to help our heroes. Please enjoy the rest of your evening." The applause was loud as he walked off stage, the music picking up softly before crescendoing as the crowd began talking again.

The comm in his ear clicked just before Barbra started speaking. "That was a good speech, B. Brought some of us to tears."

He picked up a drink and sipped it as he spoke into his own comm piece. "You're watching the cameras?"

"Naturally," Damian said.

"We're all too comfortable to move," Tim explained, "So Bab's pulled the cameras up on the TV just as Oliver finished speaking."

"I've never heard Batman talk so much..." That was Bart Allen, clearly close enough to hear him over Tim's line, but not close enough to be intentional.

"Hell," Donna was probably sprawled across Dick and Wally, "I've never seen him express emotion and I knew who he was!"

Bruce hid a laugh and a smirk behind his drink. "Watch it, now."

There were a few squeaks as the comms all clicked off, Barbra taking care of his as well.

The ballroom was emptying, slower than he would like, but faster than expected. The kids (because that's what they are, no matter how old they may be) all trickled back into the ballroom, waving goodbye and joining their families as they went, though his own kept themselves near the door to say goodbye to everyone leaving. He decided to join them.

Just as Oliver, Dinah, Roy, and Lian were leaving, he stopped his old friend and pulled him aside.

Oliver's guard was still down, relaxed even as Bruce pulled him into a completely empty room and shut the door. He heard the click of a comm turning on, though no one spoke, so he could only assume it was his own.

"I was just about to head home; What's up, Bruce?"

"Oliver, there's something I need to tell you." This was gonna be so funny.

"Bruce?"

When had first started out, he knew that having the same voice in and out of costume would be a potentially detrimental mistake, so he'd dropped his voice as low as he dared and added the grit to it. Eventually, he'd gotten a voice changer, but he'd kept up the training to make sure he didn't damage his voice in case the voice changer ever broke.

Taking a deep breath, Bruce turned around and dropped his voice. "I'm Batman."

Part 16 Part 18

[pali-and-proud]

ok, I am relatively new to this little fandom but I binged Cinderella boy and I'm just wondering... did everyone forget about that one part where buddy has this dream and he's in ragged clothes in a fancy manor house? Like, no wonder the man likes looking fancy. if that's Ex Libris and that's how they keep him, of course he likes looking good. maybe it's because he doesn't have the chance to otherwise?

also did everyone just forget that bit existed because I'm scrolling through and I'm seeing nothing on buddy seeing chase in the mirror, shattering the mirror, and jumping through. That was deeply impactful and yet I can't figure out what and i've been hyperfixtaing on that for a while now. Can you give me a rant about that bit because I know there's something up there I just cant figure out what, am I the only one who read that part?

This is so funny to me. I'm so happy you got into CB! And I'm so happy you enjoy it! But LMAO I think the Dreams episode broke tumblr--there were so many speculations and it's the basis for like 80% of our Buddy theories! (People analyzing the episode is what caused me to make a tumblr account in the first place, actually!)

(Which! Since you're new to the fandom, I can understand how it might look like we missed it, but I promise--this fandom soaks up Buddy content like it's water and we're in the Sahara)

So since it's a dream, we have to assume a lot of symbolism--we know the outfit Chase wore in his dream was a representation of himself (likely a nod to his repeated selfless, angellic actions, like trying to save Buddy or trying to save his mom), so we can assume the same for Buddy.

He's likely not actually dressed in rags--although we don't have that confirmed, but based off of Chase's fit--but it's possible that he ISNT dressed in the fancier outfit we saw him wear earlier. It's really likely, actually, although we shouldn't discount the possibility that Punko wanted him dressed so simply to reflect how dim/bare his situation is.

Someone (I cant remember who, but if anyone does know, PLEASE @ them bc this was life-changing) pointed out that if that's the case, then Violet would have been making outfits for Buddy the whole time, which would cement Buddy having a good relationship with his key well before Chase. We can assume Buddy has a good relationship with Violet anyway, since she makes him outfits he likes, but still.

The rags also serve another purpose: it reminds us that Buddy is ALSO a protag. That's what Chase realizes, in his dream, and it's what we have to keep in mind when we read the chapters. Buddy's not a side character, nor an antagonist. This is his story, too, and he's trying to secure his own happy ending, just like Chase.

(The title of the Webtoons is Cinderella Boy--and in that episode, between Chase and Buddy, only Buddy looks like Cinderella. Another nod to his true role as a protag, and another reason why we need to treat his attire with caution.)

What the dream DEFINITELY confirms is that Buddy has a bad relationship with Ex Libris. There's really no plausible alternative--from how frantic he is to escape, and how afraid he is of being caught. Beach Boys set the question of whether or not Buddy's in a bad spot with Ex Libris, but we didn't know how truthful he was.

We still don't, really, since he still hasn't told us, 'cause he's a paranoid asshole that we tragically love. But this episode laid some facts: Buddy is definitely in a bad situation, regardless of the specifics.

Plus, the final scene of him throwing the clock at the mirror, effectively destroying the reflection of Chase--clocks are often a representation of time. He's running out of time. There's a time limit, somewhere, but we don't know anything except that the clock's ticking.

(Someone else pointed out the clocks/time thing before me. I swear, I will hunt these @s and give proper citations.)

His escape via the mirror likely refers to his real motive: Buddy wants to escape, and he's aware his escape is going to involve, to some extent, harming Chase. From here, it's pure speculation: does Buddy need the keys to escape, thus betraying Chase? Does Buddy know something important? Is the mirror, or Buddy's escape, in any way tied to how he finds Chase in the books?

It's VERY likely that the keys are critical to Buddy's escape, due to the lock with 12 keyholes. This would also ensure the plotline of Buddy's strive for the keys remains intact, and would give us another reason for why Buddy was so desperate for Chase's key. HOWEVER, this isn't the only theory, and we know Punko's always two steps ahead.

The episode feels symbolic and important because it IS, but until we know more about Buddy's actual situation, it's hard to really break down what the episode means. I promise, though: the more we learn about Buddy's backstory, the more people (including myself, because i cannot shut up) will refer to that episode to swoon over the foreshadowing Punko brilliantly laid out.

[eliasorchard]

i once held the sun — louis j. moriarty x f!reader

: afraid of losing you too, louis decides to push you away first. but things change once his brothers return. he finds himself doing everything in his power to try with you once more. what he doesn't know, is that, after his absence of three years—another presence, a little one had been budding besides you.

: okay i did not expect to stretch this out for so long 😭 i'm sorry for the wait, but here's your fic @crouchingapple :) when i first started this i didn't write it with the intention of writing this long, but i hope you'll like it 🗣️

: 4k+ words. damn....

: louis james moriarty x f!reader, angst, divorce, louis tries to win you back, mentions of death and terrorism, ambiguous ending. i think that's it?

if anybody asked what louis's deepest fear was, you'd—or anyone else really, joke about how it could range from 'finding suspicious marks in the laundry' or 'wilted greens in his cooking'.

but if you delved deeper past the high walls he puts up, looked at the core of the hollow space he could call his heart, it would spell one thing only 'abandonment'. for as long as he knows, he's been bestowed the gift of life, promoted by his brothers' protection. yet, has anybody, in all of the years of his life really asked him if he wanted this? a chance at life and once again?

"good mornin'...." your slurry voice pulled him back from his thoughts, well—most of them. some still lingered in the back of his head. on most mornings, louis simply spends a long time in bed getting ready to exist for the day. his existence is heavy.

the surgery that saved his life, then the protection of his brothers that lasted up until his older brother fell from the bridge and his eldest brother was prosecuted for the crimes that they all committed, that they all were a part of. why is he the only one left behind? why is he the only one that survives?

and yes, perhaps he should be grateful—but what use is a gift he does not want? what use is a life where his family isn't together?

"good morning, (name)." he pulled your body closer to him, embracing the warmth that your body provided. you were so soft early in the mornings, and felt nothing short of heavenly to touch and simply be with. "did you have a good sleep?"

"i did," you smiled at him—lazy and sleepy all at once. it was an endearing sight. louis vowed to protect you in his mind. no matter what it would cost him. after all, you were the only alive presence in the walls of this house. "did you?"

louis nodded. "more or less." and then the telephone rang.

he, quickly alerted, propped himself up on his elbows, picking the telephone that was on the nightstand beside him. both you and him knew who would call so early in the morning.

"yes.... yes, of course... alright then, i will be right there." he would answer back between every few pauses, the caller speaking between them. eventually, he put the telephone down and looked at you, shooting you an apologetic glance.

he'd planned to take the day off and spend the entire day with you, and with that in mind, you'd taken your day off at your job too. but duty calls. perhaps at the worst of times.

"it's okay, louis." you said to him, sending him an encouraging smile. with a hand gesture, you dismissed him. "i'll be fine. at least i'll have the day to spoil myself. you go on."

with furrowed eyebrows, he got off the bed, changing into his outdoor clothes. he pressed a kiss to your forehead. "i'm sorry." he mumbled anyway. "i'll see you later this evening. i love you."

"of course." you answered back, although your voice was slightly tighter. monotonous. rehearsed. you both knew he was lying when he would say he would come home soon or anywhere around the evening/afternoon during job days. "i love you, too."

the door clicked shut.

"absolutely not." louis exclaimed, but you would not listen to him. he was feeling frustrated. infact, why should you? nobody gets to dictate what things you do or how you do them.

"are you even listening to yourself?" you shot back. you gestured towards his body, which was a bandaged, bloody mess. crime rates had risen after the fall of the lord of crime, and crime syndicates and organized crime would often fall into wars—with the M16 trying to eradicate the groups and ease the fear that had been simmering in the minds of the people of britain.

and this was the outcome of it—a terrorist attack.

"you can't go out there again," you were firm. it was one of the things that made louis fall in love with you. "not in this state."

"i have a job to do out there, (name). lives are at stake. it's dangerous out there. people are dying." louis huffed.

"i understand, i do, but you're not in the state to lead M16 right now. i have experience with this, i've done this with you and the others before. i can do this, louis. please. trust me, won't you?"

"it's not about trust, god— it's—" louis snapped his mouth shut. you shot him an inquisitive look, raising an eyebrow, waiting for him to say something. but he didn't. how could he say anything to you at all? you were right. you were capable in every sense, you were smart, had a good relationship with everyone else.. it's almost like you were perfect for the job. he was just afraid.

afraid of something happening to you. to you, of all people. terrified, absolutely terrified you would leave him as well.

"well..?"

louis sighed, resigned and tired. he'd been out there for 24 hours. the wounds and the fatigue was getting to him. "alright..."

"i'm glad!" you squealed, hugging him (perhaps too tightly) and forcing a pained groan to leave his chapped lips.

the fluorescent lights of the emergency shelter burned into your eyes as you sit on the edge of the bed. it's too bright here—too clean. too still. you can still hear the dull hum of the explosion.

that constant ringing in your ears, as if the sound had been carved into your skull. you can't shake it. it won't leave you. it's all you can hear. the doctor is speaking to you, but her lips are moving like she's underwater. the words don’t reach you, just echoes in the distance, hollow and thin. incomprehensible.

"can you hear me? hello? blink if you can hear me."

you look down at your hands, fingers trembling. the blood on your shirt isn’t yours—at least you don’t think it is. everything around you feels strange. the fabric feels sticky and damp, clinging to your skin. you're shaking violently. you can't feel it.

everything that was said was a low hum. the doctor spoke to her nurses in a quiet yet determined manner. "patient’s non-responsive. let’s check for any signs of head trauma or further shock. we may need a sedative or anything to stabilize."

the doctor waved a hand in front of your face. "can you try to hold my hand? anything at all to tell us you're aware?"

she’s checking your vitals, but you're not here. you're back there. in the smoke. in the chaos. among the dead bodies.

"(name)?!" your name was being shouted at the top of somebody's lungs. familiar, you think. there's panic in the voice. great horror and fear. desperation. hope. "(name)— where are you? (name)! please, please tell me where you are!"

you want to call out but your tongue feels heavy.

the new voice finally cuts through the static. you blinked and saw the doctor, her face blurry at the edges. her words slowly filtered in, but you didn't understand them. you see, but you don't register. the doctor turns to face a new face. it's louis. they exchanged a few words, he turns towards you and—

"thank god— thank god you're safe," louis was clutching tightly onto you, as if you would be gone forever if he let go. his face was buried into your neck, shuddering breaths leaving him. tears from his eyes pool down the length of your neck. "(name), i was so worried, i— i thought i would lose you.."

and suddenly it clicks. you're pulled back from the depths of your mind. and the memories come flashing in bursts; screams. crying. wails of injured stray animals. smoke. the rush of people, the press of piles upon piles of bodies trying to get away, the chaos swallowing them whole. you think you saw several people go down, but everything after that is a blur. there was no time to react, no time to process. just running. just trying to survive.

a tear trickles down your cheek. your throat feels tight. then more tears: an incessant waterfall that refuses to stop. the moment his hands touch you, something inside you snaps. the numbness, the disconnection, all of it shatters, and you feel everything all at once. overwhelmingly so. your body collapses into him, shaking uncontrollably. you don’t even realize your fingernails are digging into him, but you can’t let go. you can’t.

"louis— louis i was so scared, i— there were so many bodies. so much blood. so much gore," everything rushes past you like a broken dam. "i should've known! i should've done something! i should've been able to save all those people— i failed! i failed!"

"nonono— please, pretty, it wasn't your fault. none of it was. it never will be." louis says hurriedly, brows furrowed in worry. his breath hitches as he holds you, his own panic simmering beneath the surface — but he tries to stay steady for you. "oh, (name)..." he whispers, voice breaking. "shhh.. you're okay, you’re okay now, (name)… you're safe here. i'm here with you, shh..."

you should feel relief, right? you made it out. you're alive. louis is right here, holding you. but instead there’s this emptiness, this strange void where the emotions should've been. maybe this is what shock feels like. maybe this is just how it is now. you wonder if you'll ever hear anything besides this ringing again.

survivor's guilt is an all consuming thing.

you could have never in a hundred years prepared yourself for the news he dropped on you friday night. you knew he had been acting strange for some time now: tense, heavy and conflicted. but you certainly never would've expected this, of all. he was terrified. terrified of something happening to you, especially after what happened only a few weeks ago.

"mr. louis wishes to file a divorce with you," the lawyer placed the divorce papers on the table in front of you.

"what?" your tome of voice was sharp. unbelieving. the very notion of divorce seemed absurd to you. "divorce? please, i don't like jokes like these— where's louis? i want to meet louis."

"my client does not wish to talk to you, mrs. (name)." his lawyer looked at you, unfeeling and cold, as if you were some sort of unworthy pest. "all we require from you is your signature," he tapped at the lower end of the page. "....right here."

you could feel tears pooling at the corners of your eyes. how could he? rage and anguish were a heavy combination and you, standing, had to grasp onto a chair to ground yourself. he didn't even bother coming here himself? was he ever such a coward?

after a rather lengthy talk with louis's lawyer, you finally relented and picked up the pen he'd passed to you. your tears had dried long ago. now all that remained was numbness. "fine." you said flatly, voice hoarse, and imprinted your signature on the paper.

"should we get more apples?"

"damnit, we've been walking around and buying things all day. this wasn't why i accompanied the two of you, ya know."

fred and louis exchanged glances amongst each other, then shrugged, nodding amongst themselves. louis had sworn to himself that he wouldn't return to this part of the city again, but the venue was already set and he didn't want to inconvenience his reunited brothers. "you're right... perhaps we have been buying a little too much."

"thank god for common sense," moran exclaims, sarcastic yet grateful.

"it's just... my brothers have come home after years. i thought we could have dinner together. like the old days." louis muttered.

moran slung an arm around louis's shoulder, to which the blond flinched, visibly annoyed—but held his tongue. fred smiled. the three chatted amongst themselves until moran pointed something out. "hey, wait.. hold on. ain't that your ex-wife?"

but perhaps he shouldn't have, because he watched the subtle, barely noticeable smile on louis's face drop, eyes widening.

there you were, after three years—strolling around the afternoon market as well. you looked more tired than before. aged. but yet there was still a smile present on your face. softer, but heavy.

"please put these in the bag as well.." "of course, miss."

what hit louis harder in the guts was when a little girl, not older than three years came rushing up to you and wrapped his little fingers around your index. "can we go home please?"

"alright, my dear," you ruffle the girl's hair a bit and smile down at her. "i'm almost done here, okay? and we'll go home."

the world shifted for louis. his pulse roared in his ears, drowning out the bustling sounds of the market. his heart was beating unusually fast. this child, there was something about her that took louis's breath away from a suspicion.

"louis?" moran’s voice broke through the haze, but louis didn’t respond. his gaze stayed fixed on you, on the child. your back was turned as you carefully handed the grocer another item, a calm smile still gracing your face, but your shoulders were tense—always ready, as if you were carrying something heavier than the bag you clutched. and louis couldn’t look away.

"fred—do you see this?" moran murmured, his voice hushed.

"she has a kid." fred frowned, stealing a glance at louis before muttering, "we should go. louis—" but louis stepped forward, barely hearing them. his legs moved on instinct, his heart in his throat. he'd practiced this speech several times, the apologies he'd say to you, the amends he'd make.. but now that you're all of a sudden infront of louis, louis's words fail himself too easily.

"(name)..?"

your name came out hoarse, like a breath dragged from his chest. you froze. slowly, you turned, the smile slipping from your lips as your gaze locked with his.

your eyes widened, then narrowed slightly, guarded. "louis." the girl tugged at your hand, looking up at you with innocent curiosity. "mom? who’s that?"

mom.

the word sliced a blade of guilt through his ribs.

"just... an old friend, darling." your voice was steady, but louis didn’t miss the slight tremor underneath. you smoothed the girl’s hair gently before straightening, pulling her just a little closer.

"is she—?" louis started, but his voice cracked, and he couldn’t finish. the question hung between you, heavy and unspoken.

"don't." you whispered sharply, the softness in your expression replaced with something colder. protective.

louis swallowed hard. "why didn’t you tell me?" you stared at him, and for a moment, he thought you might break—that you’d shout, cry, something. but instead, you took a steady breath.

"i didn’t know," you said quietly, your voice laced with exhaustion. "not until after." the weight of your words hit him like a freight train. he stumbled back a step, his hands trembling at his sides. three years. three years of absence. three years of her growing up without him. without knowing who he was.

"i—" he tried, but you shook your head.

"it doesn’t change anything, louis."

"but it does," he croaked. his gaze fell to the little girl now peeking curiously from behind your leg. his daughter. his daughter. his chest constricted painfully. "what’s her name?"

you hesitated, as though you didn’t want to give him that much, but you sighed softly. "amelia."

amelia. it sounded so sweet and delicate, and the ache in his chest deepened. she glanced up at him again, her big, inquisitive eyes so achingly familiar—his eyes. louis blinked, his throat tightening. "(name,) listen, i..." he said softly, desperately.

"please." you tensed again, fingers curling protectively around amelia’s small hand. "louis..." there was a warning in your tone, but it faltered as you looked at him—really looked at him. and for a fleeting moment, he saw the pain you’d carried, the years that hadn’t been kind to you.

"please, hear me out. i.. i want to know her. and you, again. she’s not just anyone, she's my daughter." he whispered, taking another tentative step closer. "and you—" he took in a sharp breath. "you're the love of my life."

"you mean to say i was." you hissed. "and where were you, louis? how can you be so shameful?" your voice cracked this time, tears threatening to spill as your gaze hardened. "where were you when i needed you most? when i thought i was alone? you left me. you didn't even bother telling me yourself!"

louis couldn’t answer. he could only stare at you with pained eyes, shattered by the truth of it. he knew you were right. he hadn’t been there. he had walked away. like a fool. like a coward. and now, he had to face the cost. you pulled amelia closer and glanced over your shoulder. "we should go."

"wait... please—" he choked out.

"goodbye, louis."

louis didn’t see you again for weeks after that day at the market, but it was as though his entire world had shifted. every second, every thought, every sleepless night brought him back to you and to amelia. he could still see her curious eyes looking up at him, so achingly familiar, and it only made the guilt weigh heavier. he had to see you again. had to try.

it started small. a knock at your door one rainy evening startled you, and when you opened it, there was nothing but a basket of your favourite fruits resting on your doorstep with a note tucked inside. "thought you might need these. - L."

you stared at the familiar scrawl for far too long before shutting the door with a sigh, leaving the basket there.

a week later, he showed up at the market where you often shopped, hands shoved nervously into his pockets as he watched you from afar. you noticed him immediately—how could you not?—but you ignored him, pretending not to care as you handed amelia a light bag to carry.

"mom? that man’s looking at you," she whispered loudly. you shot louis a glare over your shoulder, and he had the decency to look sheepish.

"he’s no one, darling," you muttered under your breath, though your chest tightened painfully when amelia turned to give louis a small wave. "but you said he was your friend." "not anymore."

and so it continued. louis didn’t push, didn’t demand answers or try to force his way into your life. instead, he lingered on the edges, trying to prove himself in the only ways he knew how. he offered to help when he saw you struggling to carry groceries. he left small bouquets of your favorite flowers at your door—nothing extravagant, just thoughtful. he even fixed the broken hinge on your garden gate one morning while you were out, leaving behind no trace but a silent repair.

you wanted to be angry. you tried to be angry. but as the days turned to weeks, that sharp edge you’d held onto for years began to dull. louis didn’t ask for forgiveness. he didn’t demand anything from you. he just showed up, day after day, carrying the weight of his mistakes quietly, trying to make amends.

then one evening, you found him sitting on the stone steps outside your door, soaked to the bone from the sudden downpour. you let out a deep sigh. "what are you doing here, louis?" your voice was tired, but not sharp this time.

he flinched, then looked up at you—hair plastered to his forehead, eyes softer than you'd ever seen them. "i needed to talk to you."

"there's nothing to talk about," you replied, crossing your arms.

"please," he breathed, standing slowly. "i know i don’t deserve this. any of this. any of you, and her. i don't even deserve to be standing in front of you here right now. but i—” he ran a hand through his wet hair, words failing him as his chest heaved. "i need you to know that i’m sorry... for everything."

you stared at him for a long while, your resolve trembling as you caught the raw desperation in his gaze. "sorry doesn’t change what happened, louis. it doesn’t change the years we lost."

"i know, i know" he whispered, squeezing his eyes shut. "i know it doesn’t. but i promise— i swear i’ll spend the rest of my life trying to make it right, if you’ll let me."

you swallowed hard, unable to look away as he stepped closer. you didn't know what to say, nor what to do. "and amelia?"

louis blinked, his expression softening even more at the sound of her name. "i want to know her. i want to be there for her, for both of you. i don’t want to miss anything else. i can't."

you felt your walls cracking. "it’s not that simple, louis."

"i know." he said, voice steady now but quiet at the same time. "i'm not walking away this time. you don't need to take me back, just... give me a chance to prove myself to you."

silence hung between you, heavy and uncertain. part of you still wanted to push him away, to protect yourself from the pain you"d carried for so long. but the other part—the part that had never stopped loving him, no matter how much you tried—wanted to believe him. "we’ll see," you said finally, your voice barely above a whisper. "that’s all i can give you right now."

louis exhaled shakily, nodding as though you’d just given him the world. and perhaps you really did. he ran a hand through his wet hair. you were the sun in his life, the most bright and beautiful thing in it. and because of what he did, he lost you. and he knows. he knows what he did wrong. "that's more than enough."

your heart was thumping in your chest. you weren’t sure what the future held as louis turned to leave, but for the first time in three entire years, you let yourself feel something close to hope.

louis didn’t take your "we'll see" lightly. in fact, he treated it like a promise. a mission. from that day on, he made it his journey to prove to you—and to amelia—that he wasn’t the man he used to be. afraid and insecure. he wasn’t going to walk away again.

it started with the little things, because louis knew you well enough to understand you wouldn’t be won over with grand, material gestures. so he showed up in the ways that mattered.

one morning, you stepped out onto your porch to find a neatly packed lunch sitting on the steps with a note: "thought you might have a busy day. take care of yourself. - L." you rolled your eyes, but this time—you took it. inside was your favorite food and a thermos of your favourite drink, perfectly made—just how you used to like it. it was louis's cooking, you were sure. it'd been years since you had that, and it made you a little emotional.

another time, you came home from work to find your garden neatly weeded, the flowers you'd neglected blooming brighter than before. when you asked your neighbor if she'd seen anyone around, she only shrugged and said to you, "a blond man came by. seemed determined to get his hands dirty. i thought you knew him. should i stop him if he comes next time?"

you paused, then shook your head. "no... it's okay."

amelia noticed too. "mom, who fixed the swing in the backyard?" she asked one afternoon, gleefully testing the sturdy rope. you didn’t answer, though you had a pretty good idea.

"i'm not so sure, dear." you said as you gave her a push.

then there was the day he showed up again, not watching you from afar this time, but waiting with two bags of apples in his hands. you gave him a wary look. "you’re still at this, huh?"

"what can i say? i’m stubborn," he replied softly, a tiny smile tugging at his lips as he held out one of the bags. "for amelia. i hear she likes apple pie."

"did the neighbours tell you that?"

louis shrugged, keeping quiet.

"and you think you can win her over with apples?" you scoffed, unable to hide your own smile. you took the bag anyway.

"no," he said quietly, holding your gaze. "but i"ll try."

then he'd take you out to lunch, dinner—any meal he could take you too. any time you showed interest in any particular item, next thing you knew, he'd be whipping out his wallet.

what broke you, though, was the day amelia came home from school with stars in her eyes. "mom!" she shouted, dropping her backpack with a thud. "guess who picked me up today?"

your heart dropped. “who?”

"that man who always looks at you at the market. uh—what'd he say his name was..? oh right! louis!” she said excitedly. "he said he used to know you and that he wanted to help you out today since you were busy."

your hands froze as you held onto the dish you were scrubbing, water dripping off your fingertips. "he... what?"

"he bought me ice cream too." amelia added happily, completely unaware of the storm that's begun building inside you at that.

louis showed up at your door that evening before you could call him. "you overstepped." you snapped as soon as you opened it, crossing your arms and blocking the doorway. but he didn’t flinch. he looked earnest, as though he’d prepared for this. "i asked you not to meet her. atleast not yet. why don't you listen? why don't you give a damn about what i think?"

"you're right. and i'm sorry." he said, hands raised in surrender. "but you said you had an important meeting today. i couldn’t just sit back and do nothing. she’s my daughter too."

"she could've stayed at school with the teachers. they stay at least until five pm. i would've been done by then." your chest ached, and you turned your eyes away from him. "you don’t get to act like her father just because it’s convenient now."

"this isn’t about convenience." he shot back, his voice low, but steady. "it's about her. it's about you. i missed three years, (name). three years i can’t get back, no matter how hard i try. but i am trying. and i won’t stop."

louis's words hung heavy in the air. when you finally turned to look at him, his expression was softer, raw with emotion. "i don’t expect you to forgive me overnight." he whispered. "you don't even need to. but i want to be here... in your life. in her's. as much as you'll allow me to. but please, atleast for amelia's sake.. please try to give me a chance. even if just a little."

for a long moment, neither of you spoke. then, quietly, you asked, "why now, louis? why does this matter to you so much?"

he hesitated, searching for the right words. "because i still love you," he admitted, his voice barely above a whisper. "i always have. i was just too much of a coward back then. i.. i thought that if i continued to stay by your side, you'd get hurt. that something would happen again. i thought i had lost my brothers, (name). i couldn't lose you—not you too. never you."

you felt the tears sting your eyes, but you blinked them away. "but you did anyway. you lost me when you sent your lawyer to collect my signature on the divorce papers."

louis exhaled, furrowed eyebrows and nodding. "i did.. but i thought it would be much better than find you—" he couldn't even get the words out. so, he whispered. "dead."

"..." you paused. "love can't always fix everything."

"but maybe it's a start."

for the next few months, he took things slow, giving you space when you needed it, but always making sure you knew he was there. he learned amelia’s favorite bedtime stories and showed up to watch her school performances. he memorized your routine, leaving small, thoughtful surprises in his wake—fresh flowers on fridays, your favorite pastry waiting for you at the café. it wasn’t flashy, it wasn’t grand, but it was louis.

slowly, something began to shift. you let him walk you and amelia home from the market one evening. you let him sit with you on the porch while the little girl played. you even let him make dinner one night when you were too tired to argue. amelia beamed the whole time, delighted by the way louis taught her how to fold dumplings properly.

"he's nice, mom," she whispered later that night, curling into your side as you tucked her in. "and he makes you smile more too."

you didn’t have an answer for that.

the first time you invited louis inside on a rainy afternoon, he nearly dropped the umbrella he was holding. "are you coming or not?" you teased, raising an eyebrow.

louis was flustered, he didn't know what to say—the colour pink coated his cheeks. "i... yes— yes. okay. i am. i'm.. i'm coming in."

when you handed him a steaming mug of tea, his fingers brushed yours, and for the first time in years, it didn’t hurt to let him close. amelia came rushing in from her bedroom, excited to show a clumsy drawing she'd made of you, her and him. he took a small sip from his cup, and picked amelia onto his lap.

"we'll see." you'd said months ago. now louis let himself believe that maybe—just maybe, he was earning his second chance.

@ELIASORCHARD — do not steal, retranslate or repost.

[penguinlife]

I really enjoy your posts. But as I was typing this comment, I realised it was too extensive for a comment on your blog. On Wednesday, we had our year-end braai at the office. I don't follow reality shows, but some of my colleagues do. As we were sitting around making small talk, as one does as a work event. They told me that the reality stars get paid according to online buzz. I was shocked, and they came with receipts. Now, this is specific to South Africa as all the articles they could find were specific to South African versions of American shows, but something about that made me think. Netflix was in charge of the WT. They had all those fan events that have been unique to Bridgerton. Did they have a separate contract/bonus deal with Nic and Luke similar to the reality show actors? Remember what a fan of reality shows Nic are? Also, she met Andrew Garfield at that event that Amelia from the Chicken Shop Date also were at, and it was literally the next day that it was leaked that he and Florence didn't hear cut when filming the love scene. It didn't garner the same buzz that the carriage scene did, but it is suspicious none the less. Also, remember the insane buz Andrew and Amelia got for their Chicken Shop Date episode and also remember that Andrew is also Nics costar in The Magic Faraway Tree. I am not saying the WT was all fake. We, as a fandom, would have spotted it by now. I think they leaned into the unnatural chemistry, and it sparked real feelings again.

I always find it funny when people think they can control SM and manipulate 'viral' as the old people call it. Why is one cat video viral but not all? Because no one can truly control the SM machine. I have completed enough social media marketing courses to know that no one can control it. Authenticity always outsells. Think of "Who the fuck did I marry" viral 62 part TikTok series. Nic is also a fan, btw.

So it comes down to money, Antonia had caused Luke to miss out on some of his bonus when the fans turned on him. Nic tried to save the situation with her posts. Because she thinks herself to be more Social Media wise. But when the WT ended, so did their contractual obligation. But social media and the fandon are not a switch you can turn on and off. Their real feelings have become collateral damage, in my opinion. I stand by that they booked up between Brazil and Italy. My theory in that has not changed.

A comment on Luke and A: Do you remember that friend post of them at the table at a wedding? Luke ran his hand up her arm in that very loveable way in June/July, if I remember correctly? That sold their relationship for me. But in my theory above, it was also before he found out how much papgate cost him. A knows about the bonus contract, and that is why Luke is still liking her posts. To give the illusion that they are still together. They definitely broke up in August/September.

This all being said, we should be kind to them and not judge them too harshly. They were still mostly struggling actors until before the WT. It wasn't a normal press tour. Their relationship is more real and authentic than what any marketing team can come up with.

As I am typing the next part, I realise this is going to infuriate some. Nic used JD at the festival to try and stop the Lukola train. He is a willing participant and friend, trying to catch some rays. But this is where Nic missed the authenticity part. Only a very small part of the fandom fell for it. She wanted the heat off of her and Luke before S4 filming started. I bet the end of the WT was super uncomfortable.

Now the sad part is, I have read some Benophie fan comments who are saying Polin is going to overshadow S4. Well, for the record. What Jess and her team did with Benedicts' story in S3 is to blame for it. Unless Paul is joining their love story in a Throuple, what was the point.

Entry 15 – The One Where I Try to Convince You of Just About Anything

“Don’t compromise yourself. Wait for the right person because you’re worth it.”

These were Nicola’s words the night of the London premiere when she was asked what dating advice she had for viewers. This quote has always stuck with me. Not because it’s actually great advice or emits wisdom well beyond Nicola’s years but because I can still remember the odd sense of foreboding that I felt as I listened to her words. They were just as poignant, if not more so, than the words that first invited me aboard this ship (Luke’s comments in Australia about friends-to-lovers).

And, although Luke “agree[d] with all of the above,” Nicola’s comment always struck me as making Luke uncomfortable. That interaction seemed off somehow. Awkward and strange in a way I wasn’t used to after two months of watching a rom-com style World Tour. In hindsight, and in a rather ominous way, the discomfort I felt alluded to what would happen later that evening – Luke “hard launching” Antonia.

As I was scribbling out today’s post and, honestly, struggling with how I wanted to structure it, I realized that it was not necessarily post-Papsmear (a/k/a Hot Boy Summer) people had an issue with. Instead, it seemed many people were having a hard time understanding – and accepting – Antonia’s existence in the Lukola-verse. This confusion, of course, led many to their own internal battlefield of trying to rationalize Luke’s behavior during that relatively short seven-week period. The reality is no one wants Luke to be the “Bad Guy;” therefore, people struggle to look at Hot Boy Summer with neutrality.

Don’t worry, I’m guilty, too.

I mean, Papsmear went down like a guillotine on a French – uh, well, nevermind that part. Let’s just say it did not go over well with the fandom. After months of “Romancing Mr. Bridgerton,” Luke was photographed walking into a hotel with Antonia snapping at his heels, sending the Lukola fandom into convulsions. What made it worse was that this was the night of the London premiere, the last leg of the World Tour. So long, motherfucking London!

The dark side of the fandom painted Luke as a monster – a man who, in less than three minutes, pissed on the Season 3 World Tour and broke Lukola hearts all over the world by seemingly choosing Antonia over Nicola. And, not only choosing Antonia, but flaunting her. People felt betrayed, shadowed by the possibility that Luke and Nicola had hoodwinked them with a fake PR romance and dumbfounded that Mr. I’m-Publicly-Single had a “girlfriend” (yes, that word is always up for speculation in this fandom). But, as with every dismal situation, you had the light bringers – the true-to-heart Lukolas – firing up on all cylinders and calling, “Foul!” in the direction of Antonia. A few of the less classy ones even picked up bits of old salad they’d found in a dumpster and tossed it in her direction (heehee, did you get my Dad Joke?).

And so Hot Boy Summer began…as did the confusion surrounding it.

In the beginning, I absolutely wanted Antonia to be the villain. But I’ve found that the more I write, the more indifferent I have become on the subject. Of course, that didn’t stop me from theorizing with friends. In fact, at one point, I had so many thoughts on the matter, if I had mapped them out on paper, they’d have resembled a spider’s web, with the hub being Papsmear. However, what I’ve discovered is that each of those theories, regardless of how simple or convoluted they were, took root in one of three central ideas.

That’s what I want to discuss today – those three central ideas from which every one of your sub-theories likely takes root (unless, of course, you’re the conspiracy theorist that believes Antonia is AI generated…). I want to lay out why I believe these theories are plausible (yes, prepare yourself to read some shit you almost certainly won’t find entertaining) countered by why I believe they may be out in left field. Maybe, just maybe, they will shed some light on Hot Boy Summer. But, also, maybe they won’t.

Okay, our three central theories are:

A) Luke and Nicola were simply PR-ing the fuck out of Polin.

B) Luke and Nicola were legit in their feels and Antonia became the jilted girlfriend.

C) Antonia was a PR girlfriend because [feel free to insert any reason you please].

We’re going to get the one nobody wants to consider out of the way first.

THEORY A: Nicola and Luke had a PR card up their sleeve the entire time.

I don’t like this theory any more than you do – the idea that Luke and Nicola were merely playing the part of two infatuated costars during the World Tour. However, this theory does exist, so there is no point in pretending that it doesn’t.

The backbone of this theory is that Luke and Nicola came to some kind of agreement to behave in a certain flirtatious manner during the World Tour to promote viewership of the show. As annoying as this theory is to the Lukolas, it is not unrealistic. For example, Glen Powell and Sydney Sweeney recently admitted to using the dating rumors that began while they were filming to build buzz around their movie, “Anyone But You.” Regardless of how reckless I find this behavior to be, I don’t doubt that we will start seeing it utilized more and more because it does help build interest in a project. That said, and although she admittedly leaned into the Powell romance rumors, Sweeney had an easy out once their press tour ended – she was (and still is) engaged to her long-time partner.

Now, let’s apply this PR romance to Luke and Nicola. It is entirely possible that these two simply played into their natural chemistry and allowed the romance rumors to fuel Polin. We could even go as far as to suggest that Netflix & Co. supported this PR romance because more viewers equaled more money. This, to some degree, also fits with the narrative that Luke seemingly kept Antonia out of the spotlight during the World Tour and, although it was terrible timing, launched her at the London premiere because he was tired of the fake PR. We could also make a convincing argument that this theory aligns with Luke and Nicola never addressing the status of their relationship (i.e., by never openly admitting they were “just friends,” they leave room for speculation and shipping).

To be honest, this would be a nice and tidy answer for how the World Tour went down, with Luke stepping in an elephant-sized pile of dog shit on his way out of the London afterparty and Nicola swooping into to play PR Hero by promoting Season 3 throughout the summer. Meaning, Hot Boy Summer was simply what it appeared to be at surface level – Luke running off with his girlfriend while Nicola continued promoting Season 3 on her own. Sure, this theory would leave us all feeling like we had just been kicked in the teeth, but we could absolutely package it up quite nicely and tie it with a little pink bow. However – nothing is ever that simple, is it?

There are some things that make me question the plausibility of this Luke-and-Nicola-PR-Romance theory, namely, (a) Luke and Nicola’s World Tour behavior, (b) comments made by interviewers, (c) the Claddagh ring, (d) the side trip to Galway, and (e) Chaos Week.

Regarding Luke and Nicola’s behavior towards each other during the World Tour, I don’t believe I need to go into too much detail here. Again, we all watched the same World Tour, and we all had the same reaction to their chemistry. Hell, the Jakolas started out on this side of the fandom because they also saw something between Luke and Nicola. However, to play Devil’s advocate, I will suggest that Luke and Nicola could absolutely be the next Daniel Day Lewis and Meryl Streep, method acting their way through the World Tour. But, in my honest opinion, they’re not. They’re both lovely actors but they don’t compare to the two I just named (sorry, but also not sorry).

I honestly debated with myself as to whether I wanted to include interviewer comments under this section. I finally relented and decided to do so because, for me, it was one of those things that made me question the plausibility of Luke and Nicola being strictly PR during the World Tour – because, yes, I did consider that back in May. For example, in response to Luke drinking from Nicola’s tea cup in Australia, when asked about it, the interviewer, Rachael Evren, responded, “They’re in[ ]love it’s fine.” Also in Australia, we listened to the back and forth between podcasters, Laura Brodnik and Em Vernem, debate Luke and Nicola’s real-life relationship:

Em: “I can’t believe you got her to say such juicy things about their chemistry.”

Laura: “They’re best friends and stuff, yeah, people think they’re together. They’re not, they’re just best friends.”

Em: “No, but they are.”

Laura: “Oh, don’t start that rumor. I want it on the record I’m not saying that.”

Em: “Well, I feel like after you watch Bridgerton Season 3 you would be like, ‘Oh yeah, they’re definitely dating.’”

By the time Luke and Nicola reached Canada, you had interviewers being quite obviously taken with their chemistry. For example, The Morning Show in Canada – have you ever watched Carolyn Mackenzie’s face when Luke and Nicola get into that Ryan Gosling discussion? Or, have you listened to the surprise in Karen Koster’s voice (“it’s like the carriage scene”) after witnessing Nicola touch Luke’s forehead on Ireland AM? Then you had Meredith Shaw from BT Canada and Ciara Kelly from Newstalk boldly asking Luke and Nicola about their real-life relationship, and Ben Shepherd from This Morning calling them out about the Carriage Scene (“you’re blaming the soundproof carriage, not the fact you got lost in the moment”).

And, then we had the written print:

On May 16, 2024, Shondaland’s Valentina Valentini wrote: “But throughout the past three seasons, it’s been a slow-burn anticipation for Newton and Coughlan, who have genuinely become real-life best friends in that span of time. Parallel to that, their on-screen characters have given us such a perfect crescendo of what it’s like to fall in love over decades that I’m not entirely convinced that the real-life people sitting in front of me are not actually in love. ‘Yeah! We’ve kept that one really secret!’ Coughlan jests when I hint at the possibility.”

And, in her June 14, 2024 publication, Fashion’s Annika Lautens wrote: “Nicola Coughlan and Luke Newton can’t stop looking at each other. I mean, they really can’t. As I enter their suite in the Four Seasons Hotel Toronto to interview the Bridgerton stars, all I can hear is laughter. Coughlan is leaning over to show Newton something on her phone. He throws his head back, giggling. It feels extremely intimate but, as the world has seen through countless clips on TikTok and on the third season of Bridgerton…this is just your average Tuesday for the two co-stars.”

These third-party reactions alone – in my opinion – debunk the Luke-and-Nicola-PR-Romance theory, but we will keep moving along.

I am not going to reexamine the Claddagh ring or Chaos Week in this entry as I have already gone into extensive detail of both in my blog Entries 6 and 14, respectively. If you’re behind on the significance of the Claddagh ring or Chaos Week, please take a moment and read those for more context. However, I will briefly discuss that special trip to Galway.

I’ve never quite followed why Nicola and Luke took that side trip to Galway. There was no special visit to Brighton – or wherever Luke’s family lives – so why Galway? I often find myself straddling the line between logic and delulu when I put my thoughts about Lukola on paper. I mean, from a logical standpoint, they were in Dublin so visiting Nicola’s hometown while they were on the island isn’t that farfetched. But to film it? Okay, yeah sure, Nicola is Shonda’s alleged favorite child, so I suppose it’s possible Shonda granted Nicola’s wish to flaunt Bridgerton in her hometown. I can honestly see this fitting into the Luke-and-Nicola-PR-Romance narrative. But –

It also doesn’t fit.

Sending Luke and Nicola to Galway was too close to home. It crossed the line between what could be excused as PR and what was clearly personal.

Not only did we have Nicola wearing her Claddagh ring in Galway in a manner that suggested she was in a relationship, but we also had her introducing Luke to her mother for the first time in what appeared to be an emotional moment. I have tried to convince myself this Mother-Meets-Luke thing was perfectly normal costar behavior. I have tried to convince myself that her sister-in-law’s reaction to Mother-Meets-Luke didn’t make me side-eye the entire situation. I have tried to convince myself that the Irish folks I’ve spoken with are exaggerating the significance of the Mother-Meets-Luke moment. I have also tried to convince myself there isn’t additional footage out there of this Galway Gathering just waiting to surface.

But, ugh, I just cannot convince myself that Luke and Nicola were strictly PR. This theory is as confusing as Sanrio telling us that Hello Kitty is really a human girl.

Verdict: NOT GUILTY.

Yes, we are marking this one as debunked.

THEORY B: Antonia became Luke’s jilted ex-girlfriend.

Hey, hey, USS Lutonia! I’ve got your flank.

No, actually I don’t. If the USS Lutonia was ever afloat, it sank somewhere off the coast of Italy. Sorry, but not really because I didn’t mourn you even a teensy bit.

I will preface this section by asserting my opinion that Luke and Antonia are not currently in a romantic relationship. Outside of “insinuation” posts made by Antonia, there is no evidence directly linking Luke to Antonia after July 30. Feel free to try to convince me otherwise but, when you do, make sure to include at least one photograph of Luke and Antonia in the same place at the same time with convincing evidence that it is current and that they are a couple (and, no, I will not accept blurry or Photoshopped images or metadata pulled from Instagram as evidence). That said, I will not argue with the idea that Luke and Antonia could have dated at one time. In fact, for this theory to play out, we have to agree that Luke and Antonia dated at some point.

Let’s pretend for a moment that Luke and Antonia dated before, during, and for a period after the World Tour. In this theory, the chemistry between Luke and Nicola was real (seriously, I think we’ve debunked that PR theory). The Claddagh ring and the side trip to Galway both suggested a romantic relationship between Luke and Nicola. Regardless of how real things were between Luke and Nicola, Luke still had Antonia lurking in the background. Perhaps Luke didn’t know how to break things off with her; maybe his friends and/or family made it difficult; maybe Antonia made things difficult. Everything came to a head at the London premiere, with Luke stepping on a landmine with Papsmear. But, because they can’t help but gravitate towards each other, Luke and Nicola found themselves back together – either immediately after Papsmear or, at the latest, by early August – and have continued their affair since. Oh, and Luke finally got around to breaking things off with Antonia on or after July 30.

This would – in a scorned woman kind of way – explain the “trolling” behavior Antonia was accused of during and after the World Tour. Those random posts that insinuated she was “with Luke,” even though the only evidence that directly linked her to Luke were (1) leaked and/or since-deleted pictures and videos from sources other than Luke, or (2) pictures of Luke’s friend group, which included Antonia, that, from time-to-time, alluded to Luke’s presence. Speaking of the friend group, the fact that Antonia appeared to be part of that group would support the idea that it was difficult for Luke to completely shake Antonia. This theory would also support the cat-and-mouse game played out on social media between Antonia and Nicola, which seemed heightened during and after Hot Boy Summer. Surely, you noticed that pattern by now. At the end of July, Luke’s friend group suffered some kind of catastrophic blow and Luke abandoned ship, officially breaking things off with Antonia as he went. This would explain the continued trolling for which Antonia has been accused; she hates Luke and is jealous of Nicola. Yeah, I can see this theory working. In fact, this is my preferred theory because it is the simplest. However –

For this theory to work, you must accept that Luke and Nicola are not perfect. That the two of them started an affair behind Antonia’s back. That “Nice Guy” Luke isn’t quite as sweet and kind as you have been led to believe; perhaps he’s even a bit of a fool. That “Good Girl” Nicola intervened in someone else’s relationship, making her the “other woman” and a tad disingenuous.  Does this make Luke and Nicola horrible people? No, it makes them two people who found themselves in a situation they didn’t know how to handle properly.

That said, this theory has its flaws.

For starters, it does not explain Luke’s apathy towards Antonia during and after the World Tour. I am not going to deep dive into my thoughts on this as I have already outlined them in “Entry 1: The One About That Weird Ass Cressida Post” and “Entry 13: The One Where the Ashes Blew Towards Us with the Salt Wind from the Sea.” But, I will reiterate that, to date, Luke has never acknowledged a relationship with Antonia, and he has never made an effort to rescue her from the fandom’s jaws of death. The only consistent link between the two of them was the friend group (that seems to have disbanded) and “insinuation” posts made by Antonia. I am sure there are people out there who will disagree with my next statement, but I don’t consider a New Year’s Eve kiss or a date to a tennis match a “relationship.” That would be like saying “I love you” on your first date (I know, I’ve offended at least one person with this remark – I apologize but I’m still leaving it in). It’s the lack of interaction between Luke and Antonia that makes me question whether they were ever in a real relationship; and therefore, I must question to the validity of this theory.

And, because I know some of you will bring up those goddamn Instagram likes, the only comment I have is, “Get the fuck over it.” For real, it is far more fun to sit back and laugh at the “obligatory likes” than it is to freak out about them. Those likes are the only visible interaction between Luke and Antonia, and it’s becoming less and less frequent. The sad reality is, when Luke stops throwing a like in Antonia’s direction or unfollows her, she may lose the followers she gained after being linked to him. But, honestly, at this point – almost half a year later! – Antonia losing followers is her problem. And as much as I hate to admit it – this whole “like business” suggests some sort of arrangement was put in place post-breakup.

Verdict: HUNG JURY.

It’s a plausible theory – if I could be convinced Luke and Antonia were ever in a real relationship.

THEORY C: Antonia was the Real PR this whole time.

I hope you’ve read “Entry 1: The One About That Weird Ass Cressida Post” and, at a minimum, the “Mrs. Danvers” section of “Entry 13: The One Where the Ashes Blew Towards Us with the Salt Wind from the Sea” because they both detail my blubbering bullshit thoughts on Luke and Antonia’s “relationship.” I’m not going to rehash them here because I’m confident most of you also find this “relationship” suspicious for the exact same reasons I do.

For the longest time, I believed the absurdly popular “Antonia was the Real PR” [conspiracy] theory to be the fandom’s excuse for not wanting to believe Luke could ever be in a real relationship with Antonia, and that (gasp!) he could have chosen Antonia over Nicola (I mean, what a prick!). In truth, I refused to give this theory much weight until my dad – yes, that guy ­– said to me, “Sounds like PR,” during one of our fireside Lukola chats. My father has a whole sub-theory on this, actually, and yes, I will explain it momentarily.

Honestly, I hate this theory because it’s complicated. And, damn straight, I’m going to throw some Benjamin Franklin at you and say, “Three can keep a secret if two of them are dead.” This theory takes things beyond two celebrities playing into romance rumors to boost interest in their project, and brings in a third wheel, Antonia, to – fuck, I have no idea – blur the lines a bit?!

Alright, time for Dad’s theory…

Per my father, this was not just any PR deal; it was an arrangement struck with a “friend of a friend.” No need for an actual third wheel; just someone who was already part of the friend group that could provide the illusion that Luke might have a girlfriend. All they had to do was plant the seed and let the rumor grow, all while never outwardly confirming or denying it; that way the PR relationship could disappear as easily as it was planted.

I allowed my dad to carry on with his theory because, as he pointed out, Antonia being part of the friend group explained why (1) Luke didn’t mind her being around over the summer (it wasn’t personal, it was business), and (2) Luke had no romantic interest in Antonia (she was simply a “friend of a friend”). The fact that my father picked up on this “fandom dilemma” intrigued me.

After listening to my dad’s theory (there’s more, I promise), I spent an afternoon researching “PR relationships” and whether they existed or not. Turns out, they do. Well, they do, if we trust Mr. Google’s search results. It’s a bit of a quid pro quo thing. For example, one, usually more famous person, strikes up a “relationship” with a lesser-known person. The lesser-known person receives exposure while the more famous person receives [fill in the blank]; both gain some kind of benefit from the arrangement.

Now, the question of why Luke would need a PR relationship is – seriously – “fill in the blank” material. Some people have suggested it was to keep Luke and Nicola’s real-life relationship private; some have suggested it was Netflix stepping in to protect Polin if Lukola went south; others have suggested it was to bolster Luke’s image. I find the latter reason offensive because it assumes that having Nicola by his side wouldn’t help his image. But the other two sub-theories are reasonable to me (but also don’t really matter in the scheme of things).

The problem with the Luke-and-Antonia-PR-Romance is that it seems to have gone terribly wrong. What very possibly started out as an “illusion” became “real” with Papsmear. What I find interesting is, like the New York City premiere, Antonia was only seen in the background of the London premiere. Even as Luke was leaving the London afterparty, she went to the car while he met with fans. It wasn’t until they were papped at the hotel, that Antonia was suddenly “next to” Luke grabbing at his hand, thus “launching their relationship.”

Ruh-roh.

My dad’s theory goes on to assume that – after Papsmear – whatever “deal” Antonia was given (for example, Luke’s online support of her Instagram page or invitations to attend certain events over the summer) would be carried out as agreed. However, during that time, Antonia would return to her place in the shadows. I will confess that this is what seemed to happen – Luke never acknowledged a relationship with Antonia and evidence of their relationship seemed virtually non-existent. To the general audience, Antonia was simply a “woman in the background,” unrecognizable by most.

Assuming this PR theory is true, I’d like to believe Antonia was simply doing what she had agreed to do – feed into the illusion of a relationship with “insinuation” posts, for which she could later claim plausible deniability. However, I find this hard to believe when leaked photographs and videos started to surface in July and they were always preceded by DeuxMoi (see, I’m starting to support this theory).

At this point in his theory, my dad quoted a line by Paul McCartney, “You took your lucky break and broke it in two.” What he was saying was Antonia was given an opportunity and, due to her own actions, she mucked it up. She became fame hungry and the insinuations of her being in a relationship with Luke became harder to dispel when they were being leaked online by third party sources. However, as I reminded my father, we cannot prove Antonia was involved with any of the pap pictures. We can speculate, sure, but please keep in mind we cannot prove it.

Did I warn you my dad deep dived into this? Because, haha, he sure did.

By mid-July, per my father’s theory, Nicola was fully aware of the game Antonia was playing and recruited (not the right word, but we’ll go with it) JVN to fire subtle insults into Antonia’s camp with the intent of discrediting her.

The game ended after the Italy pap pictures were published, with Luke seemingly cutting ties with his entire friend group, which included Antonia. However, the game didn’t actually end there, at least not for Antonia. Due to whatever agreement Luke and Antonia had in place before Italy, Luke was still obligated to fulfill his part of the deal. We’re just going to speculate here that part of that included those “obligatory likes” of Antonia’s Instagram posts.

Thank you, Dear Dad, for that rather practical theory.

My issue with this is that Antonia’s antics repeatedly bring hate to Luke’s doorstep. Every time Antonia posts something on Instagram and Luke likes the post, the fandom – namely, the Sincerely Ignorant – get riled up and start slinging hate missiles at Luke (at this point, Luke can’t have nice things). And Antonia slipping things in like that balcony from the Spanish resort doesn’t help to dissuade the fandom from believing her to be a petty bitch.

My initial reaction to this theory was, no way, because at this point Antonia would have breached her contract and Luke wouldn’t still be bound by it. But then I realized, in order to breach it, one had to prove Antonia violated it. Okay, fine. But why not negotiate terminating the agreement early? Oh, well, yes, I suppose it is possible that the cost to do that outweighed the benefit. And, since those “obligatory likes” still seem to be in place – even when they bring Luke hate – I’m going to make a wild guess the agreement remains. For now.

In closing, and since I mentioned that Spanish resort nonsense, the fact that Antonia only ever posts things that insinuate she may have been in the same location as Luke supports the idea that Antonia is simply doing what she agreed to do – create an illusion. So, before anyone starts bashing Antonia, recognize she may simply be complying with her end of the arrangement. She may be just as ready to get out of that agreement as we imagine Luke to be. You know what I’d love to see? Antonia unfollow Luke and be like, “I’m out, bitches!” Honestly, I’d probably give her an “atta girl,” if she did that.

Verdict: HUNG JURY BUT WILLING TO CONSIDER A RETRIAL.

I hate to admit it, but I think this is a plausible theory. Not full proof, but strangely (and annoyingly) credible.

***

Alright, so there you have it. The three central theories that act as the spider web’s hub to all your sub-theories – because I’m certain you have them. You’re welcome to spin off in whatever direction you please, and no, you don’t need to loop me in – because, in truth, I don’t care that much anymore. And that’s not in any way meant to be negative.

For the longest time, trying to rationalize how Hot Boy Summer played out was the missing piece of my Lukola puzzle. I mean, I needed the answer. I needed it so badly; I practically presented an entire Lukola documentary to the wisest person I know – my dad – so he could solve it for me.

Dad: “Why does this matter?”

Me: “I don’t know, it just does. I just want to know what happened.”

Dad: “Will it change your opinion about whether Luke and Nicola are together?”

Me: “No.”

Dad: “Then why does it matter?”

Me: “I don’t know. It just does.”

Dad: “But you’re never going to know, are you?”

Goddammit, no, I’m never going to fucking know.

And, that is the reality of this situation. No matter how many hypotheticals we present, no matter how many sub-theories we create, we will never know what happened over Hot Boy Summer. We will never be able to justify Luke’s behavior during that time. We will never be able to explain with certainty Antonia’s role in this whole shebang.

You may not like that answer. In fact, the theories I presented today may have fueled your ambition to continue trying to solve Hot Boy Summer on your own, or with your friends. I admire that determination. But I also admire those who can let go and accept that it is what it is.

And what it is – and what it will almost certainly always be – is unknown.

[violue]

A bunch of stray, slightly connected thoughts about Viktor the Mage.

We don't know much about him, really. About how different his world was to the one he was able to save.

I assumed initially that this was his original timeline. But it doesn't necessarily have to be. Maybe it was the timeline that caused him the most agony. Maybe it was the timeline where he got the closest to making things right. Maybe it was the timeline he knew would convince Jayce. Maybe it was all of those.

Now, it stands to reason that he always met Jayce even in his original timeline, otherwise he probably wouldn't even know about Jayce or his potential to aid Viktor in his Hextech Journey™. Unless bro burned through so many timelines that he started just trying random "what if THIS person never died" scenarios for random Piltover residents stretching back years… which, maybe. But for now I'll stick with "Viktor knew Jayce Talis in his original timeline".

I think in the original timeline, Jayce's mom died but he survived, made it home (the family is from Piltover) in whatever condition, and he never became a brilliant inventing Man of Progress.

Which could mean Viktor would have originally come to hextech on his own, another way. I wonder what that was like?

He tells Jayce "only you can show me this".

How many other people did he nudge towards hextech and magic before he realized it was Jayce that he needed? Maybe Viktor saw the promise of him even in that first timeline, but too much had gone wrong for Jayce and his intelligence/creativity/bravery/etc was never nurtured to where it should be. But eventually he went back and saved Jayce's mom (and temporarily stopped trimming his fucking fingernails), but things still just didn't go in the right direction.

He starts trying the different runes, exploring these possibilities. He saw Jayce and his entire WORLD die over and over.

(also, if in any of those timelines he worked with Jinx, I bet everything went to hell in a SPECTACULAR fashion)

Where does Viktor the Mage go when his work is finally done? Has he lived a normal lifespan and he jumps back in time and then back to (his empty, lonely) present? Or does he live out each timeline in its entirety, making him hundreds or even thousands of years old?

Viktor The Mage seems to exist uniquely outside of time, and since the world is not overrun with other Viktors trying to correct past mistakes, it feels fair to assume he's the only one.

I wonder if Viktor's illness is there in every timeline. One would think some of his attempts would base around "if I never become ill, I will never take such risks with hextech".

What then was his motivation in those timelines? Did he ever go back and make it so he was never born? If so, who brought the end of the world in those timelines? Was it even WORSE, somehow? Or maybe he couldn't go back and stop himself from being born, because (handwave, gibberish) paradox. Or maybe he didn't think of that. If he had, he'd probably have considered going back and stopping this from happening.

I imagine Viktor trying over and over and over again and having everything still go wrong every time, I imagine there were times that he started to think it was simply his destiny to end the world, always.

There's just a lot of backstory that could exist for this version of Viktor, and I hate that I know NONE OF IT, but it is of course entertaining to wildly speculate.

[tunaababee]

our fingers touch (i feel my way back home)

for @rosanna-writer in the @acotargiftexchange 2024!

read on AO3 // overall rating: e // wc this chapter: 7.2k

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Feyre Archeron has never much believed in soulmates, despite the mark along her back that's been there since birth indicating that there's someone out there for her. To keep the family afloat, her father has promised her to be wed to a powerful business associate of his, who definitely likes her... But not the mark running down her back.

Rhysand Sterling has kept the fact that he has a soulmate hidden - when you become the head of a crime family, you can't afford to have such obvious weaknesses. But there's a magnetic draw to the woman his rival is engaged to... And he's looking for some leverage on him.

As their worlds collide, it seems like it may have been meant to be.

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

SURPRISE!!! i'm your Secret Santa!! it's been an absolute blast being able to get to know you more, and to pick your brain to try and cobble together the perfect gift for you <3

i know i probably gave myself away because i can't hide myself well to save my life, but i really truly hope you love this. as soon as i got my assignment i was SO nervous on how i was going to live up to THE ariel jeremy jordan and her wonderful writing!!!! i have so much planned for this au because it got so much bigger than i anticipated in my head. can't wait to have you along for the ride!!

another huge thank you to @whatishowedyouinthedark, @berd-nerd and @popjunkie42 for beta reading as well!!

a snippet of the chapter is below, but you can keep reading the rest on AO3! no update schedule, but hopefully i will have more soon!!

i hope you enjoy! 💖

─── ･ ｡ﾟ☆: *.☽ .* :☆ﾟ. ───

Elbow perched on the bar countertop, head in her hand while wallowing in a hearty dose of depression and self-pity, she didn't even notice the stranger who had sidled up to the bar and took the seat next to her without a word. She didn't notice the way his gaze slowly trailed over her, absorbing every detail of her with a smug smirk on his face, or the way he turned his body around to face her as she grumbled quietly to herself.

"Aren't you the picture of merriment and joy?" he drawled, amusement trickling into the edges of his voice. Feyre's eyebrows knitted together in annoyance - who the fuck did this guy think he was? She whipped around on the barstool to face him, only to be surprised by who faced her. A stranger, sure, but not one like any of the others here. If she had been introduced to him, she would have remembered.

The man who sat before her was younger, for one - had a spark in his eyes, a life to him she didn't see in typical political and business suits. Most of the time they were decrepit, grey-haired near-retirees that gave off sleaze in waves. But this man was put-together, suave even. Thick, raven-black hair that was perfectly coiffed, save for a stray curl that fell over his forehead that helped him exude an almost boyish charm. Enthralling, deep blue eyes, plush lips and deeply tanned skin for miles. His suit was well tailored and crisply pressed, emphasising his athletic build. His broad hands, one holding his glass and the other on his meaty thigh, were littered with silver bands, simple and unadorned save for the eye-catching signet ring on his right hand.

He perplexed her. He fascinated her. He was downright beautiful, even.

Feyre couldn't be certain she wasn't drooling. At least she'd look as dull as this party felt if she was.

“Excuse me?”