#and i know this is the case for some people as well that have entire worlds in their heads but can't get it out for some reason or the othe

[its-grape-juice-i-swear]

Her whole campaign was just so Centrist Liberal bullshit. "Hey Kamala, will you support trans rights as president?" "Well I think it's important to follow the law 😊" "Ok well you'll be president so you'd obv have some say in the law. Would you use that say to support trans people." "It's just so important to follow the law 😙"

My friend got a text on election day from Kamala saying "oh, just in case you didn't know, I 100% support Israel's right to eradicate Palestinians. 👍"

Im not entirely sure how the voter math actually broke down, whether a more Left campaign platform would've galvanized more young voters to go vote, but it's very disheartening to see that the only reasonable opposition to the Republican party has decided that the only way to combat the conservative move further and further right, is to move more right themselves in hopes to, I guess take the conservative moderates?

AP is saying she lost by 5 million votes. which means even if all 2 million third party voters had voted for kamala harris (which would never have happened because of the libertarian party & RFK to be clear), she still would have lost.

instead of blaming leftists and palestinians for voting third party, you should be blaming the democrats for running a trash campaign. a campaign based in genocide, ethnic cleansing, cracking down on the border, children in cages, endless war with russia, endless war in korea, endless war in SWANA, the promise of war with china, refusing to actually defend (let alone protect) trans and queer people, and the list goes on. the democratic party is actively contributing to the rise of fascism in the united states, and they have been for 50 years.

[rey-jake-therapist]

There's a lot of discourse around shipping lately, treating the concept of shipping a female character (in this case, Galadriel) with a male character as "sexist". Those who say this kind of thing will argue that shipping is equal to treating the female character as "a side character" for a male character, who would be considered by the shipper as the most important character of the two. For the record, this post is inspired particularly by a Reddit post, but I've read these takes many times.

Excerpt of said Reddit post :

People in this fandom center Galadriels entire character around the men she interacts with. Every time she speaks to a man, there is a group of people who start shipping her with that man. It's not even funny anymore how some people here can't talk about her character without bringing up some guy who she interacted with. And this is especially frustrating because a lot of these discussions push her into the wife role. She is "married to Sauron" she is "married to Adar" the ring she wears is totally an "engagement ring". Even though there are two men who also received rings and I don't see anyone calling their rings engagement rings. And then there are some discussions that are downright disgusting, especially the "the stab she received from Sauron is a metaphor for penetration," and I don't mind discussing that. What I have an issue with is the romanticizing of that moment. Because Sauron also stabbed Celebrimbor, but people don't have an issue calling out how fucked up that scene was. It's almost like people are treating her like an accessory to men, when the show doesn't even do that. One of the strongest relationships in season one in my opinion was her relationship to Miriel. But I barely see people talk about that.

Notice how this person says with their whole chest that they're all for the kinky stuff, but not for the romantic stuff; this screams like a person who reads Saurondriel smut in secret, but clutches their pearls as soon as there are feelings involved because "uh, he's evil !".

To see the whole thread, click here. Notice that there are some very intelligent reactions to this claim, proving once again that Reddit is not completely lost. At least, this sub in particular isn't.

I won't start dwelling on the fact that this trend which consists in claiming that romance somehow diminishes a female character is getting very old, it won't be the subject of this post. Others have already breached this subject in a much more articulate way than I could ever do.

When people say they don't like that people ship Galadriel, it almost always means, "we don't like her being shipped with Sauron, yikes". I mean, let's be real : the most popular ship, is, by far, Haladriel. We're the ones being "sexist" here . Tbf with this person, they mentioned other ships as well so I will give them the benefice of doubts. It's also clear that they can't take a joke, because I never saw any shipper, being Haladriel or else, who was serious when they called Galadriel "X's wife", but whatever.

But even if we were serious, what's sexist about that, exactly ? If she's "Sauron's wife", for example, doesn't that make Sauron "Galadriel's husband" as well ? Why is shipping always called out for making the female character "an accessory to the male character", and never as making the male character an accessory to the female character ?Why is it considered reducing towards Galadriel, but not towards Sauron/Adar/Elrond ? Do the male characters gain somehow more than female characters at being shipped ?

The same question can be asked about the sexualization of the characters : it's always considered "outrageous" and "sexist" to sexualize female characters, even when it's done by women (which is almost always the case, in the context of shipping), but generally okay to sexualize male characters, why ? Because male characters supposedly have "the power" in the dynamics, based on their gender ?

I mean, I just find these ideas very reductive.

Now on the subject of Galadriel always being "connected to male characters". Well, first, sorry, but Galadriel doesn't get to spend much time around other female characters, in the show. And even in the books written by Tolkien, errrrr...?? This person mentions Galadriel's relationship with Miriel, that no one talks about. Well, I would love for Galadriel and Miriel to have interacted more, but the fact is that most of her interactions were with Halbrand/Sauron, in season 1. She indeed had an interesting connection with Miriel, but the show dedicated so little time on it that it leaves not much to discuss, really.

And in season 2, it's even more simple: she doesn't interact with any other female character. There's a female Elf in the company who leaves Lindon for Eregion, but the writers didn't even give her a line until episode 7, and when they did they killed her off 10 sec after she opens her mouth for the first time. If she had a good relationship with Galadriel, we have no other choice but imagining it. So, yes, we discuss Galadriel's relationship with men, because this show is very male-centric. And Tolkien's world itself is very male-centric, as a matter of fact. That the fans, and the shippers in particular, are blamed for that is really something.

I would LOVE for other female characters, albeit non canon characters, to be introduced in the show and to interact with Galadriel. I would LOVE Galadriel to have a female best friend, or even a female rivale, an enemy, a colleague, whatever ! And if I hope that Galadriel will return to Numenor, and I think she will because it was hinted more than once (her vision in the Palantir identical to Miriel's, and Miriel's promise to Galadriel that Numenor will return, which could imply Galadriel's involvement), it's also because I want Miriel and Galadriel to resume their relationship. They'd have much to talk about, it'd be great !

Now I'd like to discuss Haladriel in particular, or more generally, Galadriel's relationship with Sauron. Another thing that bothers me with this discourse is that according to this person and many others, too much importance is given to this relationship, wether it's considered romantic or not. "Too much importance" ? Hello ? It's literally this relationship that led to all the events that followed ! In show!canon, I mean, not in the Tolkien lore. From now on, everything I'll write will be related to the show!canon, unless I specify otherwise.

I find very strange, to say the least, to feel criticized because I talk about Galadriel and Sauron, while the entirety of season was built around their relationship : even before they meet, she's obsessede with him. They meet on the sea, she saves him, they are brought to Numenor, they're thrown in jail together, Galadriel insists he's a lost king, he says nay, then he changes his mind, they fight together in the Southlands, she stops him from killing Adar, he does the same with her, they share a moment in the forest, she brings him to Eregion to heal him, then boom, she learns he's Sauron, they fight, and he leaves. And yes, Galadriel gets to interact with other characters, including Miriel, but c'mon now : the first season of this show has made Galadriel and Sauron's relationship the center of it all. Not just Galadriel, no ! Almost everything she does and says is related to Sauron. Is it our fault ? Is it the shippers fault, if the story was written this way ?

And don't get me started on all the sexual and romantic innuendos, that the tenants of this discourse are always prone to deny. "There was nothing romantic in their interactions !", "They were just friends !", "they were just political partners !". Sure, Jan. These innuendos were definitely present, the sexual tension was always present (and for God's sake, no, it wasn't the actors who wanted to jump each other, it was A-C-T-I-N-G). The writers and the directors wanted the audience to think there was, at the very least, a mutual attraction.

In season 2, Galadriel and Sauron barely interacted but they were constantly thinking of each other, especially Galadriel. Again, is it the fans' fault if they saw that and commented on a relationship that was broken, and yet still very present within the narrative ? Is it the shippers' fault if the writers decided to picture Galadriel as an ex lover in pain because her lover deceived her (or a friend deceibed by a fake friend, if that's how you interpret it !) ? Was it the shippers' decision to doll up an Elf woman as a discount Galadriel, so Sauron wouldn't take a break in his obsession for Galadriel ? No, again, it was the writing.

And actually, it makes sense that the writing spent so much time on this relationship in season 2, and will probably continue in season 3, 4 and 5 even if some of you firmly believe that Galadriel "shut the door" for good on him and will never see him or speak to him again. Because we know, this time from the Tolkien lore, that Sauron never stopped trying to grope to see her and her thought :

“I say to you Frodo that even as I speak to you I perceive the Dark Lord and know his mind, or all of his mind that concerns elves, and he gropes ever to see me and my thought but still the door is closed.”

It was literally the showrunners idea that Galadriel and Sauron must have had a sort of a relationship, based on this quote. Putting Galadriel and Sauron in a situationship was never a second thought !

It was meant to be important in the show, and it will remain important, because if it was what started this particular story told by the show, and it will probably be what will finish it as well.

To conclude : I understand why people don't all like Saurondriel... I understand why these same people don't understand why they are shipped, it's perfectly valid. But blaming the fans, and the shippers in particular, for talking so much about Galadriel's connection with Sauron, is speaking in bad faith, or being media illeterate because the writers WANT us to talk about it.

[jokeroutsubs]

[ENG SUB] Joker Out on Slušaj 'vamo, Radio Beograd 202 (31.10.2024)

Joker Out was interviewed by Radio Beograd 202 during their programme Slušaj 'vamo ('Listen here'). The interview was screenrecorded from their website.

Transcript by @moonlvster, IG irenalemajic, translation by @moonlvster, review by IG marija_rocen, proofread by X klámstrákur, subtitles by @vesdagrem

Full video and transcript below the cut 👇

Transcript:

Host: That was the band Turisti. There, we visited Rijeka briefly. I love the show 'Slušaj 'vamo' ('Listen Here'), especially when we travel around the Balkans or Serbia. Currently we're travelling around the Balkans, actually the Balkans came to us. Welcome, guys, the band is Joker Out.

Bojan: Thank you. Happy to be here.

Welcome to the Beograd 202 studio for the second time. You're all free to answer, we'll see who will speak later. We have the entire team here, all five of them. Bojan was the loudest here – obviously you have to show who the frontman is - then we have Kris, Nace, Jure and...

Bojan: And...

Jan: Jan.

Jan, yes. Bojan and Jan, great, excellent. Next we should have 'An'.

Bojan: And 'N'.

Last time we chatted - actually, when we talked over the phone, Bojan, that was sometime before you came to Belgrade - it was, I think, before you played at Arsenal Festival. So many things have changed in the meantime. Who could've thought?

Bojan: Yes. A lot of things have happened since we talked, but this album, which will come out in November, we already started working on it back then, at least mentally.

Yes, and we were announcing your concerts, and we had this question. You knew people here love you, you knew they couldn't wait to see you, but I know you couldn't expect that kind of reaction. Not at Dom omladine, not at Arsenal Fest. I mean, I was there, so I know what I'm talking about.

Bojan can answer, the rest of you can also join in, how did it all seem to you?

With all of those toys and everything that flew onto the stage and so on, the euphoria.

Bojan: I mean, the concerts at Dom omladine and Fabrika in Novi Sad were truly phenomenal, but at Arsenal Fest we got a kind of, let's say, a prediction of what we can expect - but that was something more, when it's your own concert and specifically in that kind of intimate space, you can really feel the people who are there and... there were many things that flew onto the stage, but I think we gave it our all from the stage, so that was some kind of 'you get what you give' love.

And somebody- do you have the impression that everything happened kind of quickly, I mean, in comparison to Eurovision? I'm not talking about what happened before that, you have your history before Eurovision, but you're kind of new to people. It's inevitable, when somebody takes a leap they say: "Oh, they're new", but you have 10 years behind you. That's a long story. This past year and a bit more has felt like you have - that it went really quickly.

Bojan: Well, it has, I think that in the past year and a half, 10 years have passed, really. So many things happened that we haven't experienced in the 8 years we've existed, and just today we were joking that when we celebrate our 10th anniversary, we come to Serbia and say like: "We're celebrating two and a half years since you met us."

You know what they say you were lucky. Lots of bands here only become popular on their farewell tours. All around our area, I'm not just talking about Serbia, it happens everywhere. We take in new bands slowly, but when they do, it's long-term love, you know? It's like that in your case.

Bojan: Well, I hope so.

Who's next? Does anyone want to add anything? Come on, Kris, for example?

Kris: Well, Bojan already said everything.

Did he?

Kris: Bojan already said everything.

I'll ask you this, so, last year, when you sold out Dom omladine - and Arsenal went well too - that was your prime time, which is always kind of a risk: you don't know how it'll go when you step onto the stage. Now that you're coming here for the second time, did you have the feeling that, ah, we have to repeat that and success and do even more now?

Kris: Well, I think we didn't, and I think we confirmed that later, considering the fact that Dom omladine - that tickets for Dom omladine sold out in a few hours.

But you didn't know they would sell out in a few hours when you scheduled it.

Kris: Well, we didn't know, but we knew.

But you hoped so?

Bojan: Kris knew.

Nace: Kris knew.

Kris: We assumed. And it's always like that, I mean, we knew that we wanted to go smaller than we realistically could, because we wanted it to be like... For the third album, we wanted a gig that's more intimate and for the biggest fans, so from that perspective we kind of knew they'd sell out fast, but we were still surprised by how fast it sold out again.

Bojan: We couldn't decide between Belgrade Arena¹ and Dom omladine.

Dom omladine is ten times better - for example, you know what, Johnny Štulić² was there 7 times a long time ago, at Kulušić. To this day fairytales are told about the seven concerts at Kulušić.

Bojan: Yes, right.

And second, you have those dedicated fans who will come to all seven concerts.

Bojan: True.

Can we listen to 'Bluza' now? That's your new song.

Bojan: Let's listen to 'Bluza'.

Is this your latest song? A new single, announcing the new album.

Nace: It is.

Bojan: Well...

That is, your latest single.

Bojan: It's our latest single,but something interesting about 'Bluza' and 'Šta bih ja', those are the two songs we managed to prepare in London in January and February. We played them on our European tour, before they came out. And really, during our European tour everyone already sang those two songs, so when 'Bluza' came out, it was already old news.

Okay, let's hear this old song, that's actually still new.

[Bluza cut]

This was a song called 'Bluza', the latest single from Joker Out, yes, yes, they're those Slovenian boys. If anybody is maybe wondering if they are, yes, they are. We've heard from Bojan, we've heard from Kris, little by little we'll hear from the rest. Come on, can we hear something from Jure, Nace, Jan, come on. A "good evening", even if you say it one by one.

Nace: Good evening.

Jan: Good evening, Belgrade, how's it going?

Are you excited for the concerts in Belgrade and Novi Sad?

Bojan: Come on, Janči. Are you excited?

Are you excited for the concerts in Belgrade and Novi Sad?

Jan: Yeah, every time we've been here, the concerts were phenomenal, the audience was on fire and I hope it will be the same at the next one.

Bojan: On fire.

Well, do your best, they'vealready bought the tickets in advance, so they expect it to be exactly... Will there be an additional concert? Probably...

Bojan: There won't.

No?

Kris: The additional concert is the day before, in Novi Sad.

Bojan: Yes.

Anybody who didn't get tickets on time, come to Novi Sad.

Bojan: True, we haven't sold out Novi Sad yet, so we have to... We have to...

Hey, we haven't told them the dates yet.

Bojan: Ah, yes. The 26th of November in Novi Sad, Fabrika. The 27th of November in Belgrade, Dom omladine. And come on the 26th if you still haven't bought the tickets.

Even if you have bought a ticket, come on the 26th, why not.

Bojan: Come.

You have fans, people who follow Eurovision, Eurovision obviously has its fans, it's faithful electorate, as you'd say in political jargon. Do European fans follow you, do they come to your concerts when you're in the Balkans or only when it's near them?

Bojan: No, people come to our concerts from literally all over Europe, and even further. When we had a concert at Stožice Arena, I think people bought the tickets from...

Kris: 34 countries.

Bojan: There you go, the tickets for our concert in Stožice were sold in 34 countries. And... often it happens to us that somebody is, says: "I came from Texas", or something. In Koper in Slovenia, a girl - actually, two or three girls - told us they came from Texas on the day of the concert and they went back home the next day, like...

Nace: To Ljubljana from Tokyo.

Bojan: Oh, to Ljubljana from Tokyo, right.

Jan: To the Netherlands from Malaysia.

Metallica did that thing, you know, they had a meet and greet...

Bojan: Yes.

...but they randomly picked fans, and they didn't look at where the fans are from, so there were times when they picked someone from the US, where they are from, to come to their concert at Partizan Stadium (Belgrade), and after that they hang out with them, so people came. So, think about it, it's not a bad idea, they're even founding their own agency to drive fans to concerts.

Bojan: Great.

There you go.

Bojan: We can become a travel agency, when we get bored of the band.

Here, Joker Out. You mentioned Stožice Arena, is that where you recorded the album, the live one, or?

Bojan: It is, it is.

Ah, so that was it, that was that opportunity. So, featuring all the guests from abroad,from all over the world.

Bojan: That's right. We heard voices from all over the world on that album.

Two albums, a live album right away. Well, nice, considering the kind of fanbase you have, that was... It was kind of a logical next step, to... That's the only arena we have in our country, and it seemed to us that after all these concerts we've done, and after Eurovision, which changed everything, that we should have one live concert in that arena. Like, so we can be completely sure it happened, since when you're on stage, I know that at Stožice we weren't 100% present, so it's nice to have some kind of... a vinyl to play on a record player and say: "Hey, we were actually there."

I can't wait for us to see that vinyl and play it on our record player, we still play...

Bojan: You'll receive one, we promise.

...songs on a record player. I don't know if they still use gramophones for the radio in Slovenia.

Bojan: They do.

They do? There we go, we can play a bit of it too. When you said you have one arena in the country, so you played at that one, I can say, when you add up all of the arenas of the former Yugoslavia, there's a lot of them, so you filled one, now you can fill the rest...

Bojan: Let's go!

Let's go, Zagreb Arena, Belgrade Arena, Spaladium Arena (Split), and so on, so, who knows.

Bojan: We hope so. Maybe we'll celebrate our tenth anniversary in arenas.

Yes, yes, in arenas... stadium concerts and arena concerts.

Bojan: Exactly.

Kris: You mean our two and a half year anniversary?

Bojan: Two and a half.

Two and a half for our region! When will the new album come out? There's these two singles so...

Bojan: The album comes out on the 15th of November.

So, right before the concert.

Bojan: Yes, I mean, we're used to our audience not needing more than a few hours to learn an hour and a half's worth of lyrics. So for the whole album, we said that 7 days is more than enough time until the start of the tour, so yeah.

Well, they catch something you play live and then learn it.

Bojan: Everything, everything.

Yeah? Great. What are your plans for when these concerts are over, the album is out, you'll do these concerts practically alongside the album, usually there's a tour when an album comes out, so what's your plan for the future?

Bojan: Well, this album will have a smaller tour. We're starting in Ljubljana on the 22nd and 23rd of November, then we're in Novi Sad and Belgrade, Skopje on the 1st of December, Zagreb on the 3rd of December, on the 6th we're in Maribor and on the 9th we're closing the mini-tour in Vienna. And honestly, that's about it until the end of the year for us, we'll probably do a concert or two, but nothing spectacular... And in January and February, a holiday awaits us.

Really?

Bojan: After two years, we're gonna have our first real holiday.

Somewhere in the Alps probably, or something like that?

Bojan: No, I think we're going to the seaside!

Seaside, seaside.

Bojan: The boys are going to Thailand, so, there, for the first time after a while, for 2 months we won't think about some, our next project. And afterwards we're returning to Europe, we're returning to the Balkans, we'll perform some more. And also create, I hope.

Now, are the fans who followed you during Eurovision still your fans or not? I mean, do you still plan to have someconcerts around Europe, for example?

Bojan: Of course, of course. Next year...

But not for the Balkan diaspora there, you know how it goes.

Bojan: We never performed, it's interesting, at our concerts in Europe, and we've had a good amount of them this year and a half, we've had 5 tours, I think, altogether... the Balkan diaspora actually doesn't attend our concerts, which saddens me a little. I'd prefer it if, I mean, I wouldn't prefer it, I'd love to see more Balkan people at our concerts, but we're not a part of that Yugo-nostalgic generation and the generation that moved out of the Balkans. We are their kids' generation, but that part of our culture probably doesn't get to them, so we actually don't perform for the Balkan diaspora. But, if you do listen to us and are part of the Balkan diaspora, come, please.

Yes, one by one, you'll gather them slowly. First, you'll have concerts for those who are from the places you visit, and then next time you'll have a tour only for the Balkan diaspora.

Bojan: Only the Balkan diaspora!

You know what I'm interested in... I've asked some other artists the same thing. What was that moment where you felt like... like it's going somewhere? Eurovision happened, you got there, suddenly there was a hype around you here and I can simply remember that moment when you appeared in the competition. I'm wondering when you felt that this is going somewhere and that you're getting on that train and...

Bojan: Here, Nace answered.

Nace: The gig in Dublin!

Kris: That was our first gig in... Our first real solo gig abroad. But yeah, for three years I've felt like we've been catching this train. Now is the moment when you should catch... In Slovenian, we say, "Kuj železo dokler je vroče" ('strike while the iron is hot').

Yes, yes, yes, "Gvožđe se kuje dok je vruće" ('strike while the iron is hot').

Kris: Exactly! I've had the feeling for 3 years already, and it all began with our first album showcase in... 2021, in Ljubljana, in Cvetličarna, we picked it right now as our moment where we knew that this was something that will... be our profession for the next few years, maybe our whole lives.

Maybe your whole lives! Do you know how many artists thought they'd last 10, 12, 13 years, but in the end, they celebrated their 30 year anniversaries?

Bojan: Yeah, yesterday we met Novi fosili, who are celebrating 55 years of their band and...

Tonight and tomorrow YU Grupa, who will soon have their 55th anniversary, are performing in MTS Dvorana, so...

Bojan: Exactly, those stories exist, I mean.

They're real!

Bojan: They're real, and we received some nice words, he told us... (laughter) Well, not those words! (laughter)

Don't keep it to yourselves, come on, say what you wanted to say!

Bojan: No, well, okay, we received some nice words that we should continue making music and that we have the best job in the world. That we truly, when we go to work, we hang out, make new connections, create new things, and that this is something that can last forever, so...

The thing you said, "When we go to work..." That's what I think of my job. They say if you want to not just work your whole life, but also enjoy [it], pick a job you love. So, guys, I wish for you to have this job for decades, even!

Joker Out: Thank you! You too!

Whether I'll be here, I don't know, but come here after 20 years, even. Here, it's like we knew 'Carpe Diem' is up!

Bojan: 'Carpe' is up!

Right, it fits right in. Shall we?

Bojan: Let's go. By chance!

Thank you so much, thank you for going around Belgrade for the whole day today and still finding time  to come visit us in a good mood.

Bojan: Thank you for finding the time and for inviting us.

And we'll see each other soon, I hope!

Kris: Thank you.

We'll surely meet at your concerts, I'm not completely sure about Novi Sad, but in Belgrade I'll be on the balcony.

Bojan: With the high-speed train it's 30 minutes, easy peasy.

I know already. So, see you, bye!

Kris: Thank you.

[asgardian--angels]

I’m a biology student and fuck. Just fuck. Every post I see talks about the world ending and all life coming to an end. I know that’s not the case (I hope) but just…god. Kamala was gonna be shit with the environment but trump seems keen on speed running the time we have to put a dent in this. How do you stay hopeful? What do we have to hope for?

Hi there fellow biologist :)

First let me just say, Kamala Harris most certainly would not have been shit with the environment. She would have done quite a lot to work on climate change (she has not emphasized this at rallies because it was not a priority issue with voters, but her policies were there, and democrats consistently are progressive on environmental policy enough to make corporations angry), and Biden during his presidency has accomplished a heck of a lot to undo Trump's previous weakening of federal environmental protections and strengthen them further. My hope is that they together will continue to try and pass what they can in their remaining months. I hope in my previous posts I was not coming off as too cynical - I'm scared, as we all are, but I have great faith in the passionate and hardworking scientists in this field who have dedicated their entire lives to tirelessly protecting our planet, at all scales. We just need more of them, and that's where you come in.

How do I stay hopeful? Because of people like you, students in the biological sciences who feel strongly enough to take this career path. The next generation of environmental stewards, in a time where scientists are exponentially more knowledgeable about threats to the environment and solutions to them than ever before. Especially now, these fields are shifting from old white guys (no shade to [most of] them) to young women, people of color, and queer people in STEM, who are eager to bring new perspectives and approaches to the field that I think will bolster our resolve and increase our success.

Despite the doom and gloom, we also have made incredible strides forward to improve clean air and water, restore habitat (particularly wetlands, reversing decades-long trends of waterbird declines, as well as reversing raptor declines), ban DDT, track species declines through long-term monitoring by generations of dedicated scientists, train more effective science communicators to engage people of all ages, especially children, with the natural world to forge crucial emotional connections needed to recruit them to conservation causes, and so much more. Here's a big one - MOTUS, the system we now use to track migrating birds on their worldwide journeys, developed just in the past couple decades. Because of it, we now know in incredible detail where individual birds and populations overwinter, the routes they take, and the threats they face at different times of year - thereby being able to much more effectively target our conservation efforts. Shifting baselines work in both directions; it's easy to forget within a generation or two how much we've lost (atlantic cod used to be so abundant they jumped into fishermen's boats, passenger pigeon flocks darkened the skies for hours), but it's also easy for young people to not know how much we've gained - bald eagles used to be so rare it was a spectacle to see one, the rivers just half a century ago would literally catch on fire from the levels of pollutants, and acid rain - remember acid rain? we fixed that!) In my field specifically, we've been rediscovering once-thought-extinct bee species left and right in the past few years, because dedicated young bee researchers have put in renewed effort to search for them when no one else did. Now we know where they are and how to protect them, and some of them aren't even considered rare anymore!

You more likely than not have a professor for some class who's pushing 80. That's because in this field, we never quit. Protecting the environment is our passion, our lives, our heart and soul. It's our calling, and we couldn't think of doing anything more important with the time we have on this earth. Every stride forward we've made only happened because individual scientists, regular people, cared enough to fight for what they believed in. Often it's a slow process, and often we don't truly grasp the scope of what our own work will lead to in the grand scheme of making change. But every species out there that's still persisting is because someone loves it a whole lot. Maybe a lot of people love elephants or big cats, while just one single person loves terrestrial leeches. But heck, it only takes one person to completely change the trajectory of a species and bring widespread public attention to it! I love telling people about bee species they've never heard of, that exist right in their own state. They might go home, google it, and keep an eye out for it next time, or better, plant the flowers it specializes on. I put a call out on iNaturalist for users in my state to search wetlands for a rare wetland bee with only a couple of records in the state - within a couple months, half a dozen more sightings popped up. Just like that. The bee was considered rare, but no one was looking. They had no idea there was anything to look for. Now? Not so rare, maybe - a good sign!

I stay hopeful because I know that the planet needs us, and we need the planet. The people who love nature will never stop fighting to protect it, and every single action does make a difference, whether we know it or not. I could ask myself why I give talks at public libraries where my audience is 10 people at best, even when the drive is 6+ hours. Because one, just one, of those people might be inspired or moved by my words, and choose to take action. For all I know, I've started a domino effect that will cascade into something huge. I worked with and briefly mentored an undergraduate student in bee science a few years ago - he's since gone on to work on a huge project to digitize bee specimens locked away in dusty drawers for decades, bringing to light dozens of species for which we previously had little to no information or images, improving the resources available to other researchers to identify their specimens and thus be able to monitor these rare, specialized desert bees. You can't know the impact you'll have. You just have to do the work, and always give all you can, and love doing it.

Some might think it's too little too late - but that's relative. There's no such thing as the apocalypse. Nature continues on, in whatever form it needs to. In a way, we've decided what our benchmark is; prevent the loss of biodiversity, preserve ecosystem services. But the natural world has already changed, since the moment any human stepped foot onto a new continent or island and brought plants and animals with them. We put value on species, on ecosystems, because we love them. We think they are beautiful, that they have intrinsic or extrinsic value, and that they deserve a continued place in this world. We have lost species, and we will lose a lot more. But isn't preventing even one extinction worth it? We fight tirelessly to manage the spread of invasive species, to restore even little patches of urban habitat, when someone could look at those and say, 'what's that point? that won't make any difference.' But tell that to the species that live there. The planet keeps running because of small, local changes carried out by thousands of people, and a handful of big changes (like policy) undertaken by a few ballsy folks. Neither would work without the other. Every time I get my hands in the dirt and plant a new species in my pollinator garden, it gives me hope. I'm investing in the future. By being here, studying biology, you are too. It all gives me hope.

[boochanz]

i guess it’s a little late for this but i have to say it anyway. not voting was never an option.

yes, the biden admin were a bunch of genocidal fucking maniacs, and kamala harris was a part of that administration.

but you are fooling yourself if you believe trump would be a "friend" to gaza or its citizens. his past policies and actions proudly tell us the story of why he’s a terrible fit if your concern is actually support for palestinian rights or humanitarian aid.

1. pro-israel bias: trump’s track record in the middle east is all about heavily favoring israel. he recognized jerusalem as israel’s capital, moved the u.s. embassy there, and stopped u.s. support for palestinian authorities when they opposed this move. he didn’t stop at leaders; he had no issue making life difficult for ordinary palestinians, as his administration also slashed aid to critical areas like healthcare and education. source

2. proposed “deal of the century”: the trump admin’s idea of a “peace” plan was, well, not actually a peace plan at all if you were palestinian. it offered palestinians limited autonomy and what could only be referred to as bribes, while allowing israel to colonize more of the west bank. this plan was entirely about satisfying israeli interests while refusing to address palestinian rights and autonomy. essentially, his idea was for palestinians settle for limited sovereignty in a state under israeli control… in exchange for money. source

3. cutting humanitarian aid to gaza: under trump, there were major cuts in humanitarian aid that massively affected life in gaza. basic needs like medical supplies, food, and education took a major hit. gaza’s already vulnerable communities saw conditions worsen because of these cuts, which came quickly after the opposition of palestinian authorities regarding his delegating jerusalem as the israeli capital. source

4. racist and anti-arab remarks: we all know trump has a long history of racist, anti-arab statements that add to why he’s probably not the person you think he will be for arab or palestinian causes. he has proposed enacting a muslim ban on multiple occasions, and actually attempted to put an executive order in place banning people from muslim majority countries from entering the question at one point. source

i could go on and on, but all in all, trump's past policies and proudly anti arab rhetoric lean overwhelmingly toward the fact that he has and would continue to support israel and blatantly disregard palestinian rights. he is not likely to change his approach.

let’s talk about what the decision not vote and to allow trump to win by default really means for marginalized communities. yes, there’s justified anger with the current administration’s actions regarding gaza. but again, trump, with his track record and policy history, isn’t the better choice for president. here’s why.

abortion rights: in his first term, trump appointed three conservative supreme court justices, which have direct correlation to the overturning of roe v. wade, which put abortion rights back in the hands of states. for millions of women, afab people, and people in need of reproductive care, this has put up huge barriers to essential health services. in some cases, traveling out of state for an abortion is the only option and yet, is often criminalized. source

lgbtq+ protections: trump’s policies put lgbtq+ rights at serious risk. he previously pushed for policies that limited protections for transgender people, from military service bans to “religious freedom” laws that made discrimination legal. some extreme and conservative justices are even willing to revisit obergefell v. hodges, which legalized same-sex marriage. i would strongly encourage familiarizing yourself with project 2025. source 1 // source 2 // source 3

environmental impact: trump’s environmental policy focused on industry over climate. he withdrew the u.s. from the paris agreement— and would do it again! he changed emissions standards and environmental rules, and has repeatedly brushed climate change off as a mere hoax. source 1 // source 2

there is undoubtedly blood on kamala harris’ hands. but do not fool yourself into thinking that donald trump will lift a finger to help gaza when he doesn’t even cate about the rights of minority americans. if either party will make an effort to change things in gaza, it’s harris, even if the effort is fucking half assed.

not voting is a privilege and it’s one we don’t really have if we’re thinking about the communities directly impacted by these policies. this election isn’t about being fucking happy. you can pick the lesser of the two evils and be unhappy with it. you can be pissed that we have to settle for an awful, genocidal person, but this isn’t the time to make your point because all it’s doing is harming people, and there is clearly a less evil side. this is about preventing harm, safeguarding rights, and ensuring vulnerable groups aren’t left defenseless against harmful policies.

[dindjarindiaries]

I kinda hate the outlook The Mandalorian fandom has gotten on season 3 now that we're about a year and a half out from its release.

There are people who absolutely adored it who are entirely free to feel that way, and there are people who didn't enjoy it and are disappointed by the storyline who are also entirely free to feel that way. For some reason, though, these two sides tend to constantly invalidate one another.

It's entirely possible to still love and adore a story while so many others didn't. And the opposite is true as well. Storytelling is subjective, that's the beauty of it, especially in a case like this where it's not harmful to have different interpretations.

So, if you loved season 3? I'm so glad you did, and I understand why! But that doesn't mean people aren't allowed to express their displeasure with it.

And if you hated season 3? I understand why, and I'm glad you're able to come to terms with it. But that doesn't mean people aren't allowed to love it.

It's complicated. We waited so long for that story, and having such a strong interlude in TBOBF in between really did make things weird, so of course it was going to be quite different from what many of us imagined. That worked for some, and it didn't for others. It doesn't mean we have to be going at each other's throats all the time.

I guess what I'm trying to say is that as a fandom, I really wish we could be better about respecting people's outlooks on this season and the future of The Mandalorian franchise. I sure know my opinion on the season has changed in very confusing ways over the past year and a half, and that's okay.

Please, especially in times like these, be gentle with one another. We don't know how much longer Din Djarin and Grogu's story will be told, and I want us to be able to enjoy this time spent with one another even if we all don't agree on how things have gone.

[the-100-days-of-junkan]

Day 37

Oh yeah I’m just completely stumped here on what to say about this one.

Alright hold on let me dig through my random behind the scenes trivia for something to just put here . . . Yeah that’ll do So I just use the Junkan Tag on Tumblr as my bookmark for this website. Like right at the top of my browser I got all my notable bookmarks that I keep on hand for quick travel, Bluesky, Youtube, my bank account, a website where I can read the entirety of Fairy Tail in case I don’t feel like walking around 6 or 7 feet to grab my physical volumes, and then in place of Tumblr it’s just, it’s just the Junkan Tag.

I also got the AO3 Tag up there too, right next to each other. I have checked these pages every day for basically the entire year. They don’t update often, but when they do it’s one of the most interesting things to happen to me on that day, regardless of what it is. 

As you can imagine it’s extremely jarring to do that now see myself take up like, 90% of the space there because I have 100 fuckin pictures to drop onto this website and I refuse to stop drawing them. I kinda feel bad about it sometimes.

I haven’t checked the Mikan and Junko tags in awhile, I can only imagine how confused some of the people who frequent those tags must be that there’s suddenly like 50% more Junkan in their sightlines than usual.

I actually recognize most of the people who’ve been liking these. I can’t say I fully remember what each person posted about, but a decent portion of the people who’ve been liking and reblogging these posts I’m sure I had seen at least one post from ya’ll during one of my binges through the tags for the soft, fluffy posts. 

Unrelated I also have the Tokomaru Tag on AO3 bookmarked as well, right next to the Junkan. I’ve had that one even longer.

I don’t know what this says about me, nor do I know what the hell ya’ll will do with this information. But hey it’s better than me desperately trying to make more than one paragraph about a cute picture of Junko and Mikan gazing lovingly into each other's eyes right? Right? 

As Always, Reblogs, Comments, and Little Notes in the tags are appreciated!~ They always make my day!~

[u-reblogged-a-scam]

Do not donate your money to, or reblog any posts from, @/sublimedestinybird bc they are a scammer. Take down any of your reblogs if you haven’t already done so.

Ok so I'm usually certain of my claims when I accuse people of being scammers, but there are a few times I'm not 100% sure if I'm right

This is one of those times

So, like those other times I was unsure about an OP, I'll share what I found that caused me to doubt their validity, and I'll leave it to you to decide for yourself if you still feel confortable enough to support them. And if I’m wrong about this one, please let me know and I’ll take this down.

It started when I saw this in my inbox:

I received this ask today, which triggered my suspicions for reasons I’m not entirely sure how to pinpoint; after receiving dozens of daily messages from real Palestinians over the past week or so, this ask just didn’t feel… genuine? Ig? Idk how to explain it, but when you get messages from both real people and scammers alike, tend to notice when something isn’t right.

But like many people who tend to share scams without knowing they’re scams, I don’t like the idea of ignoring a cry for help in the event that it turns out to be real, so I did what I usually do when I’m unsure if an ask is real or not: I looked into the OP

In this case, I used reverse image search to see if OP’s pfp could be found anywhere, and lo and behold, the pfp led me to another tumblr post, where that person received an ask very similar to the one I got, from “pleasantcollectionlove”, and they couldn’t tell if they ask was a scam or not. In the notes of said post, someone else confirmed that the person who sent the ask was, indeed, a scammer, and they used the same pfp that OP is currently using

So, that would mean these two scammers are one and the same, right?

Well, normally it would (scammers tend to stick to one pfp; not always, but man, have I gotten familiar with certain selfies over the past few months), but I didn’t wanna rely on that alone, so I kept looking. While looking for exact matches for the pfp through RIS, I also found a Twitter account with the same pfp; this person is also asking for money, though the reasoning for the money is notably different that what OP provides in their own posts:

It should also be noted that the Twitter account has been around since last August, while OP has only been posting on this blog since September

Does this mean that OP stole the pfp from the Twitter account of someone who honestly needs help? Are OP and the Twitter user the same person? I honestly don’t know, which is why I said at the top of this post that I’m uncertain about this one

However, what I am certain about is a common red flag I recognized that hasn’t proved me wrong yet: the link in OP’s linktree (in their pinned post) leads to an empty PayPal account. If you’ve seen/been tagged in any of my previous call out posts, you know that empty PayPal accounts are ALWAYS included in online scams like this. In this case, the PayPal belongs to “Luciamkira”; this could be OP’s name (or at least the name they actually use for their personal PayPal), but then who’s “Aska”?

This might very well be a scam, which I believe is the case, but whether or not you decide to donate or share the post on the chance it might be real is up to you

If you’ve seen any of my previous posts, you know what I’m going to say next: Never trust a donation post linked to an empty PayPal account unless said link has been verified by a trusted source

Here’s an additional resource to help you spot the red flags of scams moving forward:

And here are some posts that go a little more in depth about the scammers that have been repeatedly spotted:

Tagging as many people in the notes of OP’s fundraiser post as I can; if anyone who sees this can reach out to those in the notes I didn’t tag and let them know this is a scam, that’d be really helpful not just for me, but for them as well

@ibontheweirdwitch @not-a-bot735 @sexywafflecuh @issues-oclock @velesej @alittleprincex @katie-wants-donut @alwaysmellowkryptonite @starsalot @shhoup @darklylovely @dontstoptalkingaboutpalestine @sunnysidefries @fangpunk @sunny-satellites @moonmothbroth

[kamiversee]

I wish y’all would just chill on this app bro. I’m actually getting irritated by people who seriously lack something as simple as basic comprehension skills.

Many things to say to this, bear with me. 🧚

For one, due to the fact that you so clearly did not read anything I said in my previous reply, I’m going to insert it here again!!

You said “If there are similarities between gojo and zade then that's your problem, I'm just pointing it out but you're the one who wrote it did you not?” but if that’s the case then I am entirely entitled to tell you that I don’t like that comparison, nor do I want to hear or see anything regarding it. I wrote it, it’s my story — I’m allowed to not like certain comparisons!! 🥰

Following that, never once did I say I had a problem with my fic being compared to dark romance as it’s literally a dark romance fanfiction in itself. The issue here lies in the book you specifically compared it to. Duh??

Which is part of why I said you must be new around here because most of my readers are aware of the fact that I don’t like the Zade/Gojo comparison because while they may have one or maybe two things in common, they really aren’t alike in the slightest. Especially when you dive even deeper into the story.

Thank you for this headache tho because you just reminded me to let future readers know that I don’t like comparisons. Let tfl be what it is please. You can compare it to whatever you want with whoever, obviously I can’t control that but just don’t come to me personally with that shit because it’s not a compliment & I don’t find it funny nor entertaining in the slightest!!

&& the topics specifically romanticized in TFL are included here in the warnings:

You also said that I “went out of my way” to create another book just so that they got together… Girl, that was REQUESTED by MANY of the people who read the damn story and still wanted Gojo even after all he did & or, to have all their unanswered questions answered. I was originally not going to drop a sequel & answer things one by one but the number of people asking for more led me to do so.

Haunting Adeline romanticizes some of the topics I included in tfl PLUS MORE that I, again, specifically do not romanticize, sexualize, or write.

The damn book was never supposed to be considered “regular erotica” since it literally starts off with Gojo fucking blackmailing her. It starts out dark and ends even darker, please.

I’m also VERY well aware that dark romance doesn’t always mean sa or 🍇. tfl is a dark romance fanfic. I know this.

And last but certainly not least my love, you actually can block anons!!! Hope this helps.

& I pray you have a very blessed day. Mwah. 💋

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[petrichal]

obligatory "Oda thank you for sharing this world with us" post

[angorwhosebabyisthis]

honestly it's been really healing being back to actively contributing things and writing out thoughts on tumblr the last week or so, because while twitter tends to be easier for me to write out Thoughts on without getting overwhelmed, the environment in the twitter fandom circles i'm interested in is not only infested with antis but cliqueish in a way that is caustic to the fucking soul if you try to express a thought that's more than three sentences long--a hundred times over if you're autistic in slightly the wrong way--and it's incredibly reassuring to come back to an environment where the very kindest and most inclusive people toward you are not clearly thinking the r-slur the entire time they interact with you lmao

[coffeewolfart]

I have not played Eureka yet (keyword on the yet part I've got a party assembled to play Horror Harry's Haunted House as well as a mystery I made), but I have played games mostly in Pathfinder and D&D 5e where party/perspective splits have happened quite often and here's my thoughts.

I think splitting up a party (either for practical in universe reasons or even just narratively taking scenes to focus on one or more characters) can be much more fun than people can give it credit for. Even just outside the practicalities of covering more ground in a small amount of time, or one party member who's really good at something being able to go do that without worrying about the other party, there's a few scenes you can only do with a couple of characters or with a character on their own. Scenes of heartfelt conversations between two characters, internal monologues as the player really shows what's going on inside their head when they're alone, or even just showing what a character acts like when one particular person leaves. These scenes can be fun to see and fun to play, but they can really only happen when the party is split and the benefit for the rest of the player group (aka getting to see more sides of the different characters) can only be gained when they are seen. For example if one investigator has a whole scene with an important NPC that is meant to characterize that NPC and they're whole deal, but no other player saw it, then only that investigator's player is going to have that characterization. Sometimes that's fine and can be interesting in it's own right, but sometimes a fun or heartfelt moment doesn't need to be secret from the other players.

In terms of private information and splitting the party, I am more on the side of only necessary or important information being kept a secret from the other players. Things like supernatural traits or investigator secrets are already confidential by default, but there can also be situations where an investigator is given information that changes the way the entire mystery is viewed and handled. Now, I am not advising every Narrator do this, but I personally am against the idea of splitting up the players out of game whenever the characters are split in game. There are some situations where it would be better or even necessary to have a scene for some player's eyes only, but there is also fun that can be had when you know more information than your character and can only lead them along the course they would naturally follow based on what they know.

As one example, in a game I was in as a player: PC A ended up meeting with and talking to NPC B, who was an alternate version of PC A that was nearly identical to them but was a villain. After their talk, NPC B left and the players at the table (including me) immediately realized that NPC B would likely be going for my character (who had a very personal relationship with PC A). This was actually really exciting and fun for me, because I got the chance to play my character as completely oblivious and going alone with NPC B because she genuinely didn't realize this wasn't PC A. It was a great case of dramatic irony and while my character did manage to escape without getting hurt it was still a very tense moment.

Of course, there are some drawbacks to letting most scenes play out in front of players. Mostly because meta-game knowledge might come in and influence the investigator's actions even without the players realizing it. Sometimes a player might learn a fact about an investigator out of character and start to play their investigator as if they know that secret, or may prepare for a combat situation when separated party members are confronted by a monster, or any number of other things. There may also be situations where players don't mind waiting by themselves for a bit while the Narrator and a player handle something privately. It all really depends on the players you have and what they find engaging about the game, and there's really no one size fits all solution.

Ultimately, communicating with your players as well as knowing them and their preferences beforehand is the best way to figure this out and make a judgement. If you don't know how comfortable players are with something, ask them. If you're worried about if players are disengaged or if a player thinks they may be taking too much of the spotlight, ask the group what they think. It sounds so simple and maybe even embarrassing, but it's just the most effective way to figure this out. And if your group or a player isn't comfortable being honest about how they feel, that's probably a sign something has gone wrong and you should probably work that out with them and make sure that the environment you're creating is comfortable for everyone.

If you think metagame knowledge is going to be a problem with a group, then consider having a party split out of game as well as in until you feel like they wont metagame. If you feel like your players are good with keeping player and character knowledge and feelings separate, then it might be fine to let them be present for more scenes without their character there. It might require you having a bit of trust and knowledge about your players, and if metagaming does happen you should still call it out, but in some cases it is just easier to run split parties all at the same table. I would also recommend setting a timer in any case just to make sure you're spending a roughly equal amount of time with each group (though please don't rush anyone to finish scenes.) If a player is feeling disengaged and like they don't get to participate as much, try to figure out why and maybe consider giving them a little bit of the spotlight (though try to make sure it's not a one man show too often unless you're running a private session with just that player.) Eureka's mechanics are already really good for giving a character their own time to shine, especially with the way skills are balanced and the Eureka! mechanic itself giving each investigator a chance to figure something out that could crack the case.

But yee, those are my thoughts.

A big part of Eureka is splitting the party. Normally games are loathe to do this because of the potential to bore players while they passively watch others play the game. I'm curious how you deal with this when you run Eureka. Sending players away seems like it could make it either better or worse. Like if it's at a home, people can go hang out by the snack table and drink and chat, but that doesn't work as well at, say, a game store. I'm curious how people felt about having to leave the game several times.

While the risk of boring the players or putting too much stress on the GM is a real concern, the addage of "don't split the party" actually originated in the TSR D&D era, where splitting the party made them weak and vulnerable to all sorts of situations that would be less of a problem for a full strength party, However, for a game like Eureka that produces more conventional narratives (everyone take note that I did not say that Eureka produces more narrative or is "more focused on narrative", just more conventional narratives) and has more of a focus on intrigue and horror, the party splitting up to cover more ground and collect more clues in the limited time they have to solve the mystery, but also making each one of them more vulnerable if something happens, is an actual trade-off that can improve the gameplay and story.

First of all, besides it just being really entertaining, I really recommend you listen to the Tiny Table Actual Play of Eureka. It has some really good examples of splitting the party and sending players away that are executed really well, and also some good discussion of it in the post-mortem episode and the interview.

I’m going to answer the ask directly from my own gameplay experience, but I really really urge anyone who has played Eureka to comment with their own experiences with splitting the party and sending players away.

Alright, so, obviously how long players are willing to wait their turn is group-dependent, but with our own group, we’ve actually kinda had the opposite problem from players getting bored. Instead, Narrator and the players whose characters are currently in the spotlight start to worry that they’re selfishly hogging too much session time, and try to rush the scene along (to its great detriment), when in reality the players who were sitting out were happy to keep waiting. Realizing this led to us altering the advice regarding splitting the party in the rulebook, and actually recommending the Narrator go a little longer before switching to the other characters.

I personally am happy to wait up to like 90 minutes if my character is out of the scene, because I have faith in my group and also in Eureka that the payoff for waiting will be that much greater, seeing the characters relay what they have learned while they were apart in dialogue rather than the player just saying “My investigator tells them everything that happened.” It really heightens the tension, lets the characters shine, and can even really help with solving the mystery, because having the events and evidence recounted out loud can help with making connections that might have gone over people’s heads the first time.

Of course like the rulebook says, it also comes to the judgement of the play group as a whole, and should definitely be discussed beforehand basically as part of session zero, and even mid-session if it needs to be. (Communicate your preferences to your play group!!!!!) There’s plenty of scenes and situations where having the other players leave the room instead of sitting and watching would add nothing at all to the experience.

Now I want to hear other people’s opinions. If you have played Eureka and had a party split where some players left the room or otherwise excused themselves, how did it go?

[m0e-ru]

lets think of everyone who had persona blogs and obliterated them off the face of the earth instead of just archiving and keep them in our thoughts tonight. everyone else who directly caused them into doing that go and fucking behave

[alinedreams]

Uryu and Chad are gay married by the end of the manga. In this essay i will

[memento-morri-writes]

I've been thinking a lot about how Rook's reunion with his former mentor, Zara, is going to go, and since I can't predict what the DM is going to have her do or say, I can only dwell on what I know is going to happen. Which happens to include taking off the illusion ring that's been hiding his injuries from her. So have a snippet of the description I have planned for that moment:

tw for description of (mostly healed) injuries

He hesitates, twisting a ring on his finger. Looking at it more closely, she can tell it’s very finely crafted, and must have been very expensive. A large emerald is set into the band. Rook sighs, and pulls the ring off his finger in one quick motion.  Immediately she’s struck by the difference in his appearance as the illusion melts away. He looks awful. His warm, healthy skin fades to a dull and sickly grey. There’s huge bags under his deeply sunken eyes, and his cheeks are hollowed, as though they have been carved out by an overeager sculptor. He looks like he’s recently risen from the grave.  While he was thin before, now she can see his ribs under the skin, and his collarbones are exaggeratedly pronounce. Thin white lines left by dozens upon dozens of recently healed cuts are scattered across his body. On top of that, faded bruises cover most of his visible skin, a mottled mosaic of purple and yellow. They’re clearly days, maybe weeks old, and she can only begin to imagine what they must have looked like when fresh. Bandages are barely visible under his shirt, wrapping around his back, hinting at even more injuries.