#and i know i have written a lot of fanfiction and i don't expect people to read all of it

[icemankazansky]

A Simple Guide to Not Being Afraid to Write Comments to Fic You Read

I've seen a lot of posts about the current state of fanfiction comments. Writers, especially writers who have been in fandom for a decade or more, are frustrated by the lack of comments, and have noticed a definite decline in comments (and all other forms of reader interaction) in the past ten years or so. Many readers feel daunted by the expectation of leaving comments, afraid they'll do something wrong. As a fandom old maid, the latter confused me for a while, until I realized that most of the people who feel that way probably have not been taught this form of communication.

But your loving fandom elders are here for you. Come along as your auntie tumblr user icemankazansky makes this shit easy.

The easiest way to think of fanfiction comment etiquette is to compare it to something you likely already know: Gift Receiving Etiquette.

Fanfiction began as largely a gift economy. And a lot of it still is! You'll see authors participate in exchanges like Yuletide and Id Pro Quo; those are ficswaps in which authors write for a specific person to specific prompts. And even outside that, fanfiction is not written for money; authors write and post it simply for the joy of creation and community with fellow fans. Fic is posted free for anyone to enjoy. Is that not a gift?

So. When you as a reader finish the chapter or story you're reading and you are faced with the comment box, try to follow the same etiquette you would when receiving a gift. (And even if you didn't love this gift and it's not your favorite gift ever, we already know that it's more useful than the products from your cousin's MLM that they're passing off as gifts, because you read the story. At the very least, it entertained you for the time you took to read it.)

The big rule of gift receiving etiquette is not to insult the person who gave you the gift, either directly or indirectly. That's it. Full stop.

I've been seeing a lot of comments lately that are just along the lines of, "Thank you for writing this story and sharing it with us." A+, top of the class, full marks, you're doing amazing. If you don't feel comfortable commenting on the story itself, that is perfect feedback. And that's the most basic way you respond to a gift, yes? Thank you for the gift. Thank you for thinking of me. Thank you for sharing.

Does this rule mean that you cannot say anything at all that might be negative about anything? No, absolutely not. What you want to avoid is saying something that is, at its core, a negative evaluation of the author or their work. Let's do some examples.

Character A's obliviousness about Character B's MASSIVE crush on them made me so frustrated! I was tearing my hair out internally screaming, "JUST LET HIM LOVE YOU."

✔️ Excellent comment! You're allowed to have all sorts of feelings about things that happen in the story, and in fact authors LOVE to hear about any emotions they made you feel. Yes, frustration is not a positive emotion, but the thing you are expressing frustration about is not the author themselves or their shortcomings.

Contrast that to:

I was really frustrated that it took you so long to post this chapter. The cliffhanger at the end of the previous chapter had me tearing my hair out, and then you just left us hanging FOREVER!

❌ Nope! Here what you are expressing is frustration with the author and how fast they come out with new chapters. Imagine your sister buys you a gift for your birthday, but she isn't able to give it to you until the next week, and you respond with: "What took you so long?" I think Emily Post would frown on that.

Reframing

The way you say something and the point of view from which you give feedback can have a HUGE impact on the message you're sending. Let's take the last comment (the one about wanting an update) and see what happens when we reframe the same sentiment as a positive:

I was SO EXCITED to see that you updated this story! I have really been looking forward to seeing what happened after the cliffhanger in the last chapter.

✔️ Now it's not an insult. The author will be happy to know that you are happy to see new work from them.

This idea extends beyond the story itself: to the fandom, the characters, the pairing, the tropes, etc. Let's do some examples.

I looooove reading about these sexy boys SO IN LOVE even though the movie you're writing about is SOOOOO problematic.

❌ Nope! Assume that the author enjoys the canon, characters, pairing, etc. in the stories they write. This comment is insulting to the author because it basically says, "That thing you love is not great, and you should probably feel bad for liking it." Imagine your aunt gifts you a sweater from a popular retailer, and you respond with, "This is so cute, I love it! It's a shame that it was made in a sweatshop." Do you have a valid point about the canon or the retailer's business practices? You very well might. Is this the proper time and place to talk about it? Absolutely not.

Let's do a reframing exercise. You should be very careful about how you approach commenting negatively on anything in the story that appears in the tags list, but you can make it a compliment and good feedback if you have the right perspective. See the difference with these two approaches:

I kind of think frottage is disgusting, but I liked it in this story.

❌ Nope! You just told the author you think their kink is disgusting. That's like telling your poor aunt who is just trying to keep you warm this winter that she has awful taste in knitwear. Try again.

Frottage normally isn't my kink, but I love your other stories with this pairing, so I decided to give it a try, and I'm SOOOOO GLAD that I did! This story was 🔥🔥🔥

✔️ "This normally isn't my thing, but you made me expand my horizons!" Authors love to hear that. That's like telling your aunt, "I never thought this color looked good on me, but I look so cute in this sweater! I'm so glad you helped me step outside my comfort zone, because I'm the better for it."

thank u, next

The last thing I want to address is this new trend I've seen in commenting lately: placing an order. If your mom surprises you with new headphones, you don't respond with, "I wanted the white ones 🙁," or, "You should get me a new phone, too." It's easy to see why that isn't appropriate in a gifting situation, and it's also not appropriate when commenting on fanfiction.

Let's do some examples:

This fic was soooo cute, but it would have been a million times better if Character A had been with Character C instead of Character B.

❌ There are a few things going on here. Number one, you're telling your mom you wanted the white headphones, not the ones she actually bought you. You're also disparaging the A/B pairing that the author chose to write about, and as we discussed, we can assume that the author wrote the pairing because they liked it. Even if it's not their favorite and/or they also write A/C, they made a choice for this story to be A/B, and the comments section of a fic is not the place to question choices the author made in their own work.

You should write a story where Character Z who is not even in this story does [thing that is vaguely referenced in the B plot].

❌ "You should get me a new phone, too."

I want a sequel. 😞

❌ "Thank you, next!"

You can reframe this kind of sentiment if you are careful about it, and it's not all you say.

I really loved this story. I would be so interested to see these ideas explored further if you ever decide to write more in this universe.

✔️ Not "gimme." Not "more." This is, "If you build it, I will come." It is a HUGE difference.

You already know how to do this. You know how to graciously accept a gift; just use that same etiquette, and boom! Now you know how to fearlessly write a comment to fic you read. You're doing amazing. Go forth and comment.

[kallypsowrites]

I feel like I've seen so many TV cancellation announcements for stuff that I might've watched but now might not. And it really just emphasizes how much the current system is eating itself.

Binge culture means that people are expected to consume a show right as it drops. Because so many shows are binged now, even weekly shows are held to the same standard. If they don't perform well during the initial release, they are written off because binge numbers are the numbers that matter.

So you get more and more people who are afraid to get invested in shows because it might get canceled on a cliffhanger. Because of that, they don't tune in to watch something until they're sure its going to continue. So the next bingeable show gets less viewers. It gets canceled. More people join the 'I'm not going to watch yet because I'm afraid to get invested' crowd. Less people watch TV.

And it sucks because people like this are often the most ardent fans of a work--the ones who will write fanfiction and make fanart and write long analytical posts convincing people to watch a show. The people who will make a new show their whole personality because that's how hyperfixation works. I am amongst that crowd. I can't let myself get invested in something anymore unless I know that I'm going to get emotional payoff.

TV execs have been continuously breaking trust with fandom spaces for the past several years. They don't give shows a chance to find their legs, to grow an audience, to gain a cult following. They kill something in it's cradle in service to the numbers.

And it's not just the fans who suffer because of this. It's writer's rooms. I'm going to school right now for screenwriting and its BAD out there. So many writers who pour their heart and soul into a concept only to never get to bring it to fruition. There's no room for slow burns. For thoughtful storytelling. For trusting the audience. There's no room for real creativity. So the shows that do get renewed are often competent but uninspired or sequel/franchise content. Cause that's what gets views.

I cannot imagine how disheartening it is as a writer to start so many projects and never get to finish them. Think about your own writing. If you were working on a fanfiction but knew at any moment someone could stop you updating because you aren't getting enough hits/kudos, would you find joy in that anymore? I sure wouldn't.

I believe that a lot of the best storytelling is going to come out of indie spaces in the next few years--writers and artists moving outside of Hollywood and making their own low budget stories. Because it's almost impossible to thrive within the current system.

It's not the writer's fault. It's not the fan's fault. It's the way TV has become. And its going to crash and burn and I'm sure execs will find a way to blame anything but the system they created.

[alastors-antlers]

Being someone who sees a lot of talk about shipping Alastor (sexually, romantically) in fanworks, I just want to take some time to talk about both sides of the issue. It's long, I know - please, please bear with me until the end, and I hope you'll understand what I mean in a bit.

I hope this helps someone, but as an aroace person who understands the frustration and hurt, this is often how it feels to me:

Alastor, being one of the limited cases of aspec rep that I've seen and one of even fewer which I actually enjoyed, means a lot to me.

That being said, his canon rep establishes that he's aroace but not much about how this factors into his life or relationships at all -- and when there's a gap in canon, I turn to fanfiction, which tends to spotlight characters' queerness even when the source material doesn't or can't. Don't we all want to see ourselves in the media we engage with?

When I pull up AO3, there are already a good number of fics about him. Great! Some of them are definitely incredible; but as I read on, it starts to seem like a lot of fics I see acknowledge that he's asexual or aromantic in some way but don't really factor that into the story. It reads like you could have written the story without keeping his queer identity in mind, and it would've come out the same.

Even when representation that does resonate with me exists, it starts to be exhausting to pick through the slash tags to see which ones are written in an aspec-coded way, so I wonder if it would be easier to not read anything with slash at all. On the other hand, when you filter ships out completely, only a tiny fraction of the fanworks are left.

People often respond that aspec people can have relationships, and I think we tend to know that. They can have sex, some can experience sexual attraction in select situations, they can romance others beyond romantic attraction -- any combination of things. But some aroace people don't want either, and sometimes we're struggling to see ourselves in how Alastor is typically portrayed.

Out of all of the fics, sex-repulsed, totally aromantic Alastor isn't seen much. And when Alastor's limited canon seems to be pretty supportive of a reading where he is those things...

Sometimes, you start to feel lost. If fics were evenly distributed along the aroace spectrum of experiences, wouldn't you expect more fics of him being the "totally uninterested" brand of aroace? But there aren't. People seem to have a preference toward seeing him in relationships. Even if they mean well, it can make you think: what does that say about how we view asexuality/aromanticism as a whole?

Is there something less interesting about Alastor, when romance is taken out of the picture? Do others find him less appealing as a character if they can't see him dating, or in love, or having sex or wanting it? Why do we need romance, when romance is already everywhere else, when it doesn't even feel like he was originally really interested? It brings to mind a struggle to be societally accepted, even today.

Even when it's not technically wrong to write Alastor as you see him, being told that we should all be able to ship him however we want can feel like this:

It brings to mind people who try to swing in with misinformed good intentions, telling us "oh, you're aromantic? but you can still have romantic relationships, right? so you can still be normal." when all we want is to be okay outside of the normal.

Or trying to find a partner who can be with us, out of everyone who tells us "I know you don't enjoy sex, and that's okay, but I can't have a romantic relationship with you without it." and being so tired of hoping for someone who gets it.

Or talking with peers, and hearing them all commiserate and fawn over their experiences with love, then telling them about someone you like non-romantically and getting "aww, it sounds like somebody's got a crush!" but not being believed when you tell them it's not like that at all.

Alastor is not a big deal, not really, not in the grand scheme of things. But in an allonormative world, it can feel like a sudden splash of cold water when we were expecting a warm fire to sit around. Even within this ecosystem, we squint to see ourselves reflected.

Society isn't built for us. It can be exhausting to be reminded of that.

~~~

I hope to support people writing Alastor as any variation of aspec, or not even aspec at all. At the end of the day, I think that fanon is really whatever you want it to be, and everyone has their own reasons for writing what they find enjoyable. They should be allowed to do so, and I want to believe that people do what they do with good intentions.

They want to imagine scenarios with the templates of characters they love, and that's okay; even beyond sexuality/queer identities/etc., fan interpretations of characters can be incredibly, wildly different from who they really are in the story anyway, and that's what I try to remind myself. But still, I also can't help feeling disappointed about the aroace representation we could have seen.

(Is Alastor canonically sex-repulsed? Uhh, maybe. If I had to guess, that'd be my top guess, but this might be a hot take: I wouldn't really say there's enough to go off of considering that this view is supported by Angel propositioning him both times, and it's not like Alastor is a particularly big fan of Angel at those points anyway lol)

To my fellow aroaces struggling with Alastor's fandom rep: if you need a break from it all; if you need to block the tags that you hate; if you need to talk to someone about how you're feeling; that's okay. It makes sense that you'd want more representation in a way that helps you feel seen and validated and less alone. I can't speak for everyone, but I think I get it.

I don't have any solutions for how you're feeling, because sometimes I'm feeling the same way. I understand that you want others to get your position and you have the right to express your feelings, but even if you're correct, often being angry or frustrated won't help change others' minds, so let's try to save our energy and take care of ourselves.

Something that helps me to think about is that even now, asexuality is gaining more visibility. We're gaining support. Real change is happening in the world that's helping incredible amounts of aspec people feel freer to be themselves. And maybe one day, we won't be reaching to protect our scraps of representation.

Let's fight until that day together <3

[espressoristretto-patronum]

[sorry already for the long post and broken English 🙃]

✨Best people of 2024✨

Thank you to the people who have thought of me, even considering me one of the best, you don't know how much I've appreciated your tags! (no, I'm not crying, no no).

I'm answering now because I was spending the holidays with my family and... I got a little overwhelmed by your tags, I didn't expect so many of them 😭

Let's start saying that this is the list of the best people of Tumblr: @everyone. Seriously everyone is so nice and talented and you guys have seriously saved my 2024. And all of your MCs are so dear to me!

But there are of course some people I want to thank personally, even if I believe I can't really express my deep gratitude.

@celestial--sapphic I thank you for a million things: for writing the best sapphic fanfictions (pure poetry, you're indeed my favourite writer!), for encouraging me to open this blog, for when I decided to start writing my fanfiction and you volunteered as beta-reader and seriously I couldn't ask for a better person! You are so patient and so supportive with my English and I thank you for the positive feedback I got on my work! Last but not least I thank you for that amazing drabble because TORI AND POPPY WRITTEN BY MY FAV WRITER? HELLO 112 YES HI I'M HAVING A HEART ATTACK!  My heart melts every time I read it, because of course, I still read your works!

@superconductivebean my first follower ❤️ Thank you for all the tags on your beautiful drabbles! I enjoyed every single one! I'm not so into throuple but Poppy x Julia x Imelda is the amazing exception! You're headcanons are the best I want to marry your brain!

@infernalrusalka THE COOLEST! Talking to you is always a great pleasure! You were also one of my first followers and you was already so supportive! I'm forever grateful we met here on Tumblr ❤️

@myokk my spanish counterpart aka EL DIABLO for killing me a million times with your amazing arts and writing! I still can't believe that a person so talented and cool is talking to a little potato like me 😭 I keep looking at your work with heart eyes. I mean, Tori in my favourite artist's style?! Three times?! 😭 Answering your tag (I had a nice heart attack when I saw it 🥹): I had ALL reason to be supportive, you deserve every single kudos, reblog and positive comments in the world! Not only you are so talented (girl, is there anything you can't do?!), but you're also so nice and sweet and humble! It's always a pleasure talking to you, commenting your wonderful works! Thanks to you I've read To kill a mockingbird and now is literally one of my favourite book! But also, thank you for A little life, I still keep a good distance from that book lmao

@heyitszev and @theladyofshalott1989 the HL queer community is so glad and honored to have you, seriously! You make Tumblr a safer place for queers and I thank you so much for including me ❤️ also, before you I was quite adamant about not reading Sebastian x MC ff but you changed my mind! You're so talented and it's always a pleasure reading your works! Even if sometimes I'm so slow! 😅

Also, you both wrote Tori in your stories and really I'm not crying, I just have a hippogriff in my eyes 😭

@rypnami you! Come here and let me hug you! Before you Leander was just a side npc but now "it's Char's boy!", don't stop being creative and unique!

@gothic-lottie my Gothic Latte ❤️ you're a great artist and writer, your works are great! Keep doing because I love your stories and fanarts!

@traceyc-uk @dom1re @diana-bluewolf every time I see your works the kudos is automatic! I love your boys! And it's even better when I see them together when you collaborate!

@endeavour12345 you and Philip deserve a lot of hugs 🫂🫂 I love reading your works ❤️ thank you for the hugs you dropped in my comments when I felt sad!

A special thanks to the amazing HCU squad: @acslytherpuff @girl-named-matty @savingsallow (MY SWEETEST WIFE BEAN 😘) @ps-cactus @accio-bagel @ravenwind-75 @theladyofshalott1989 @leaping-toadstool-caps @freddiestheproblemchild

I've surely thanked you a thousand times for being the best, for being so supportive and what an honour for including Tori 😭

Only a few times in my life I received more love than I've given and for this I will forever thankful ❤️ I'm so happy I can call you friends and thank you again for being there when I needed it, thank you for making me laugh even when I'm down, thank you for everything 🫂

@midnight-faye  quanto è bello trovare un'altra italiana! Sono contenta che tu sia parte del fandom, adoro la storia di Erina! Immagina lei e Tori nella stessa stanza? UN CHIASSO!

@light-of-the-room @morrowlegacy @sparxyv @heylorrain @raenegade-accio @thursdaymoonrise11 few of my newest followers but your art have already my heart, and you of course, because you're so nice! Can't wait to see more!

@knightxflowers the author of one of my favourite Poppy x MC, and I'm still so super invested in your ff, can't wait to read more!

@mscostac I'm so so glad @ps_cactus has suggested your ff because only a talented person like you could write an amazing ff with Taylor's lyrics as references! And Tori and Poppy mentioned in the epilogue? WHAT AN HONOUR, I STILL CAN'T BELIEVE IT!

@lynnsartsworld hope you're doing okay during this break! I enjoyed the conversations we had 😁 Can't wait to see more April and Poppy!

@anomalyaly @saibugslegacy @shanaraharlyah @thriftstorebabayaga @a-usernamelol @honeybadgerdontcare394 @the-chaotic-scilla-aster @thingsmaygetalittlecrazy @pitter-patter-pottah @boxdstars @jam-the-silly @m3nta11yunstab13 @kiwiplaetzchen @lilac-ravenclaw maybe we didn't talk much, but I love seeing your stuff everytime I scroll Tumblr and your comments on my silly stuff! You're so talented and nice!

Last but definitely not the least a big thank you to @myokk @celestial--sapphic @girl-named-matty @a-florable @acslytherpuff @pheexblack @ladyofsappho @mscostac @rypnami @ravenwind-75 @savingsallow @leaping-toadstool-caps @accio-bagel @endeavour12345 for drawing/writing/taking photo of Tori, you can't believe how much I appreciate your works which are literally gifts, I'm really surrounded amazing and talented people 🥹 I still go back on your works because I love every one of them, I will never thank you enough for taking your time doing them for me!

Thank you all again ❤️ I love you and I wish 2025 is a year full of fulfilled dreams ❤️ you deserve all love!

[pangaeaseas]

The Problem of Religion in Harry Potter (or, what is Wizard God?)

tl; dr: I wish more hp fics did something with religion and the wizarding world

so to state my credentials up front: I've read a lot of hp fanfiction, a little on the Reformation and religious history--like, I have probably more background knowledge than the average person but I am very emphatically not an expert and have never actually taken a class specifically on any kind of religious history, and I'm an ex-Catholic who did ten ish years of religion classes. There are probably a LOT more people more qualified to talk about this than me but whatever I've never actually seen very much meta written out on this specific issue so I'm giving it a try. (if you have written or read such meta, please send me recs)

ahh the Problem of Religion one of the great unsolved mysteries of the hp world building (similar issues include What the Fuck is Going on with Ireland, How Does the Ministry Actually Work, What is the Population, etc) and I call it 'unsolved' because the fandom has no massively popular solution (like Lordships for the Problem of the Wizengamot) and in general tends to just not think about it, much like JKR originally did. Now IMO she probably intended most wizards to be, like, generically Church of England or whatever without much investment--basically copying the Muggle equivalent whenever it isn't spelled out how the two worlds differ, which is I think a lot of her un-filled-out world building is meant to be. Which. OK. You can do that, but, you know, religion is a very very important aspect of worldbuilding and in my opinion ignoring it and expecting it to be just the same as 1990s Muggle Britain is uninteresting and lazy.

This (wizards are meant to be some kind of Christian and probably Church of England just for simplicity's sake) is evidenced by things like Hogwarts having Christmas and Easter breaks, James and Lily having a Bible quote picked out by Dumbledore on their tombstone, and Draco Malfoy, most emblematically wizard of wizard characters who can be taken as a potential baseline, automatically saying things like 'Good God'. Which, you know, implies that the idea of a single God, and probably the Judaeo-Christian God because that's the same cultural background as the rest of Britain, is taken for granted by wizarding society. It doesn't necessarily imply anything about Draco's or even the Malfoys' personal beliefs, and of course you have other characters saying things like 'Oh my Merlin' and "Morgana" and things like that. Which in my opinion wasn't meant to be indications of some kind of Merlin or Morgana worship but more quirky and fun flavor things of the kind jkr loves to include without thinking out the implications. But you absolutely can take those statements that way--this post is absolutely not meant to dictate how people want to headcanon and I am absolutely here for giving wizards a well thought out pagan or Non-Christian religion, I just don't think that was the author's intent. There's also plenty of other things that imply Wizarding cultural Christianity that I'm not remembering off the top of my head.

And, of course, much better writers than me have extensively discussed all the Christian themes in HP. Of course, themes don't need to affect how people worldbuild in fanfic.

So: with HP canon, we are looking at a society that is probably culturally Christian and probably (key word) intended to be Church of England. But, because JKR wasn't putting much thought into it and basically just took a Chrisitian bedrock of society for granted, the implications of this are not really explored at all. So what I'm interested in is how fandom deals with it.

Mostly, that is...not at all, either taking cultural Christianity in the Wizarding World for granted the way JKR does or by ind of handwaving that wizards have evolved beyond the need for religion and that's just how it is. And that's perfectly fine! Not everyone wants to come up with a full, working, wizard society, and even if they are trying to worldbuild some aspects of wizarding society religion is often ignored, because people don't want to deal with it for often valid reasons (religious trauma, just disinterest, grew up agnostic, not Christian but thinks wizards probably are etc, etc, etc, ) Personally I wish more fics delved into what wizarding religious belief actually is, but to put it bluntly, that's just me. And I have never dealt with religion in my own fics. So don't takethis as judgement at all.

But there are interesting headcanons when people do choose to try and worldbuild religion in HP.

Fom what I've seen, one of the major ways to deal with religion in HP (aside from not dealing with it at all) is to give wizards, often pureblood wizards, some kind of pagan, often Celtic-inspired, religion. And this is quite defensible! Sometimes this is badly executed and/or turned into Death Eater apologia, but the idea of wizards having a different religion is really interesting and a good deal more interesting (IMO of course) than just not mentioning religion at all. Most fics that I've seen don't delve too deeply into, like the actual history and theology of these religions, but there are definitely some that do. (Also if you know any PLEASE send me recs). So if handled well, this is a great way to add some religion worldbuilding in the world of Harry Potter.

However, my personal favorite set of possibilities--obviously I have some personal bias as a history nerd with a long standing if never as deeply researched as I would like to interest in the history of Christianity and as an ex-Catholic--is that, well, we know the statute of secrecy started..when, exactly? 1690. So this much is obviously a result of JKR's Hollywood understanding of witch hunts (a subject for another time and someone far more qualified). For interested wrodlbuilders, we can take this as a guideline at best, as personally I think it would have taken a good deal longer than one year to agree on and implement something like the Statute and I tend to take 1690 as an end date, not a start. I also tend to take the Statue as a largely European phenomenon, at least at first. But, uh, what was happening in Britain at the time..oh, right...the Glorious Revolution....what was happening that created the conditions for the Glorious Revolution...oh, the English Civil War...which was because of...oh yeah, and what was also happening on the continent, maybe it involved, wait, thirty years..oooh, the Thirty Years War...wait weren't there a whole bunch of massive social shifts happening in Europe at this point in time isn't that funny but surely the stature of secrecy could be considered a part of these massive social shifts...all of which was heavily influenced by...you guessed it, the Protestant Reformation.

Wait. So. Maybe, the separation of Wizards from Muggles, at least in Britain, wasn't actually about Muggles hating wizards or wizards hating Muggles. Maybe it was about religion. Now personally I find this ABSOLUTELY FASCINATING. The possibilities, the possibilities...

Wizards had a massive religious civil war that created the blood status system in its modern form? Particular families have wildly different denominations? Excellent. Religion both in terms of level of religiosity and in terms of denomination is a blood status marker? Excellent. Purebloods are all Catholic (what does this do to both Catholic and not Muggleborns?) Excellent. Purebloods are all Puritans? Weird, but if you can pull it off excellent. Purebloods are all one of the wacky new denominations that sprung up after the Reformation and then either died out or conquered the world? Excellent. Pure bloods are all Lutherans who really hated Henry VIII? Excellent. One of my favoirite ways to create a wizarding religion was someone who had most pure bloods follow a denomination that split off from Catholicism in the Great Schism and then a small minority being Catholic, with the worlds splitting around the Reformation. Even the paganism headcanons can be incorporated: the Reformation could conceivably have made it much more difficult to keep practicing wizard paganism causing separation of the worlds.

Personally I would love to see a world that used the history of the Protestant Reformation super well, but it's not the only way to relate a Wizarding religion or a Wizarding religious history. I just wish more people tried to do that at all. Let wizards be religious! Or let them be irreligious but have thought about it, instead of just ignoring religion at all as something that might conceivably have influenced human societies. Maybe Wizarding Britain has state sponsored atheism. Just say that outright!

Another thing I'd like to see more fic doing is theology: how does having magic impact people's religious doctrine? Does every major religion essentially have a wizarding branch with its own theology because magic impacts their view of the world so much, or do most wizards simply follow the majority Muggle religion in their country with no modifications? if so, why? Do some wizards disagree, potentially violently, over how to incorporate magic into their religion? Do some people refuse to use magic because they think it goes against their religion? Etc etc etc you could go on forever. I've seen fic, which randomly enough was about Regulus Black, do this pretty well (or I thought so as a non-Jew) for Judaism, and I'd love it if done with other religions.

Anyway. Now I have to figure out how the hell religion works in the Wizarding Britain of my own headcanon.

[shallyouobeyme]

For the “spicy” prompt im imagining Platonic Yandere Batfam discovering your internet history, and having a confrontation about how you’re far too young for such things (reader is a full adult, not that the Batfam sees it that way).

I sadly already have something written out for today, but I really love this idea so I decided that I'd just go into the concept a bit as well - I mean I make the rules to this so I might as well use that power.

Okay, so I don't really write smut as of now because I don't read it and I do have not a lot of real-life experience so I figure it might just be a lot of cringy blabbering. But let's go with the 'spicey' meaning that horny adolescents will probably think of when reading the word in the context of fanfiction.

Now you're probably somewhere in the span of 16-20 in this scenario, old enough to live independently on your own, but young enough that the batfam can somehow justify it in their mind to treat you like a precious, fragile, little toddler. Sure, some of them logically know that you're basically a grown-up, but with how much effed-up shit they see every day they don't really wanna admit that to themselves and rather chose to act all 'I do not see'. And while that's all fine and dandy for them to do, it doesn't change the logical facts. Fact number one: You grew out of binkies and blankies like a decade ago, for god's sake Dick stop trying to make me take ten naps a day with them. Fact number two: Like I said, you're kind of (definitely) an adult and assuming that you have not always been the coddled little Wayne-baby that the Batfam wants to see you as you've probably been exposed to adult things before and aren't sensitive with seeing them. Like, guys, I was reading the news daily before you crazy people kidnapped me - stop talking about international crises as if the countries are people who have minor disagreements, okay? Fact number three: there comes a time in an adult's life when they might be craving a somewhat more intimate partner in their life - and no, Damian, I don't mean the bestest friend in the whole world forever, I mean a guy or a gal or a nonbinary pal who can rock your shit, if you get my drift (never dare say that to Damian out loud tho, you will be having your mouth washed out with soap). So while it might be a giant oversight on your part to not realize that all your precious internet time is completely monitored, you still probably haven't expected to be sat down by Bruce, Dick, Jason and Alfred and get a lecture on how you're way too little to look up these kinds of things (you looked up TikTok videos and happened to watch a few with TikTokers dancing in slightly less covered clothing) and how your mind is too undeveloped to grasp these big things you searched for (you looked up a statistic on the rate of kidnapping victims to get killed) and how you should keep playing your safe games instead of these violent ones (you looked at a game trailer for Cyberpunk 2077).

All your arguing falls on deaf ears. They just don't wanna hear that you're not their little, innocent baby. The only good thing is that they don't think you have enough logical thinking skills yet to properly grasp the situation so you'll be punished very lightly (a month without internet privileges). Once you're allowed to go online again though, you'll have to make do with the special kiddy-pad they got you with all the safety features and parental controls installed. So yeah, might wanna get used to being without the internet from now on...

[2soulscollide]

tips to level up your writing skills

1. read, read, read

okay, I know, everyone keeps saying it... but it's true, and I truly believe the more you read, the better you write, because you come across different writing styles, different voices, new characters, and worlds. This applies to every writer, from amateur to professional.

2. practice makes perfect

another cliché, right.

but hear me out: I feel so much more confident about my writing skills when I write daily, rather than when I write a bit occasionally. you get lots of work done, see your book coming to life, and get better at it.

3. create an outline before you start writing

guysss, I know many people like to go with the flow, but I would recommend planning your novel before writing it, especially if it is one of your first projects.

when I started, I refused to plot my novel because I thought it was a waste of time, and I couldn't plan it all ahead. turns out that I could never finish my novels, because I started to get lost in the plot. as most of you may know, I LOVEEE to plot now!

4. use active voice instead of passive voice

passive voice is alright sometimes. I like to use it, too. but to create an immersive experience for the reader, you should go for the active voice since it creates more impact.

see something like this:

"the letter was written by Marcus who had tears in his eyes." VS "Marcus wrote the letter with tears in his eyes."

such a basic example (don't judge me!!)... but can you notice the difference? it seems so much more expressive.

5. avoid using overly complex language

repeat it after me: short. sentences. are. valid.

don't overcomplicate it! I know it's tempting to write huge sentences sometimes and make your book seem more complex and professional, but sometimes it just doesn't come out as expected, and we end up exhausting our readers.

6. don't just for yourself

this can be a polemic topic. it's quite common to see people saying you should write for yourself, but let's be honest here: if you're trying to get your book published, you should have your target public in mind while developing your book. knowing your audience to know what works and what doesn't work is extremely important. but hey, you must also enjoy what you're writing!

7. use dialogue!!!

I find dialogue so important, and I love it so much! ensure you develop a distinctive voice for your characters to make them seem real to the reader. also, if possible, read the dialogue out loud and imagine if it would work out in real life.

8. don't be afraid to use metaphors

metaphors will turn a "basic" work into something more sophisticated when applied in the right places. you might want to avoid overusing it because it can ruin the experience, but it's something up to you, and what feels better to you.

9. research your topic before writing

okay, this is pretty self-explanatory. if you're writing about a topic or a location you don't know much about, avoid making assumptions or clichés. instead, do some research, take notes, or even ask chatgpt questions to help you.

10. don't be afraid to experiment and try new things

I was a fanfiction writer for a long time and was so scared to try original fiction because it seemed so much different from what I was accustomed to doing. however, once I decided to try something new, I discovered I liked to do it more than fanfiction. you'll never know until you try it!

11. never give up on your writing, keep practicing and learning to improve your skills

it takes time to acquire new skills, so if you're new to writing, please don't give up! It's fun and a long path, and I promise you'll love it, even more, the more you write!

I hope this was helpful! <3 have a nice day

also, i just released a new freebie!!! it's a free workbook for writers with over 90 pages to guide you through the process of plotting a novel. you might be interested in checking it out!! :D click here

[amarmeme]

I finally finished the game last night and have a lot of thoughts/feelings left lingering about Lucanis/Rook. I know people have gone on and around on this already, but I am compelled by this fictional mess.

I don't even think we need more from Lucanis, but more from Rook, which is my takeaway from the game as a whole regardless of romance, but I would guess is most highlighted by his romance path in particular.

Spoilers below the cut.

Pretty much anything I have written or will write is going to include some degree of angst. It's my favorite brand of tension.

Case in point: my favorite Austen novel is Persuasion. If that shows anything, it's that I live for inner turmoil, quiet suffering, yearning, unspoken words, and two idiots in love.

I want to get my heart shredded until the love makes it whole. The Lucanis romance has the potential for this in spades, but the execution is just lacking and that's because we never go beyond surface with Rook's thoughts. It feels like this romance is supposed to carry on the backs of the players' imagination, which feels a bit cheap.

I've seen criticism of not enough from Lucanis and also defenses that he's been through A Lot so we shouldn't expect more. I'm actually past that. Yes, more scenes with Lucanis would have been great, but I actually want more scenes from Rook's perspective, even if alone, to fill in the strange gaps.

Before you lock in mechanically, imagine if you will, Rook having a reflective conversation with Varric, or in Varric's mirror. Rook asks if they are imagining a connection, or seeing into things.

What if Rook has a chance to speak with Neve, given she and Lucanis have a clear connection whether they get together or not? Or Harding, one of the other people who appear in Lucanis' mind prison?

I could see this continuing after the romance "locks in" -- companions comment on Lucanis looking happy, them being together, but what about Rook? If they're not ready to comment directly to Lucanis on what this really means to him (since they never kiss, touch, exchange soulful looks, etc.), Rook should be able to ask the companions what they have noticed/what they should do to advance things.

This comes down to my struggle with this game versus past Dragon Age games. It all boils down to the lack of interaction between Rook and others. If Rook could ask their colleagues questions rather than just listening to ambient conversations or helping further their personal quests, it would do so much to make this game as amazing as the past installments.

Rook is so lonely, surrounded by all these people. You have to choose to imagine they are connected and are having these interpersonal conversations about themselves, because they never happen on screen. At least I didn't get any of that in my Shadow Dragon Rook playthrough.

I am completely fine with what feels like one-sided pining, and even angst about what Lucanis actually wants out of Rook, but the game needs some mechanics to put into place to make it feel like Rook isn't just quietly okay with an empty relationship, or expect us to imagine things are happening when the game presents them as very much not.

So much of what is there is perfectly rife for fanfiction, but I expect the logical progression to be clear in the game where it really is just not. I have no idea how Lucanis/Rook get from point A to B to C. It feels like it is missing content, and it could even just be Rook-specific content to smooth it over. As it is now, it feels like an unconvincing story.

Maybe one day I'll play it again as a crow to see if that adds any crumbs, but for now I'm just feeling kinda conflicted for my poor Rook. I love the potential, but am not super pleased with the execution.

[hey-august]

Stowaway

One year ago (on October 8) I started writing my first Buggy x Reader fic and shared it on Ao3.

I was overly ambitious by starting with a multi-chapter smut story when I hadn't written anything in years. Definitely no fanfiction since high school, which I graduated from in the early aughts.

I started because I had too many words in my head and needed to get some space back. (Jokes on me, there are still too many words in my head and all of them are for the clown.)

Anyways, cheers to Stowaway for letting me indulge in the fantasies, come back to a hobby that I enjoy more than ever, and for bringing me to this world and all of the wonderful people I've met! 🩷🩷🩷

Have some blabber director's commentary about that story (with spoilers obv):

This story was completely indulgent. Born out of an overactive imagination that kept reworking different scenes in my head and I was getting tired of playing with the same moments and had to write them down.

Specifically, the first spicy scene in the cell is one that drove me to all this.

I'm not sure I actually wrote any smut before this. Like a smutty filthy story... I read A LOT though. Lots of studying. So much.

Chapter 4 is one of my favorite things I've written. I think I have a thing for dry-humping. And masturbation in the shower. 🥰

Chapter 6 also has some personal faves. Sad clown + using knives as absentminded fidgets.

Also the conversation at the end of the Chapter 6 - it was more emotional than I expected.

You know what, as I'm skimming through the story right now, I'm really feeling like "who wrote this? it wasn't ME" lmao

I originally planned to have the story end with Chapter 7, but I was having so much fun and had a few more ideas I figured could fit. (Like the mango scene in a later chapter...)

BUT because I continued the story without much of an idea for a flimsy plot to push things forward, I was floundering.

The fight that Buggy and Reader have about what they want/how they see the future was what I came up with for plot, but, honestly, I still don't love how it came around.

Then again, I do love that it opened the door for a bit of angst and a cute date.

I remember feeling a bit bummed with how Chapter 8 was, but Chapter 9 made me feel like I was getting back in the grove. I was having fun putting Buggy in all sorts of situations.

Throughout the whole story that I wrote JUST FOR THE SMUT, I worried so hard about the plot lol, that's still something I struggle with.

I JUST FOUND A TYPO IN THE LAST CHAPTER, THAT'S MORTIFYING. GUESS THAT'S THE END OF THE DIRECTOR'S COMMENTARY. 😭

[mothdruid]

Within the past 72 hours the TGM fandom got a fire put under it's ass, for lack of a better term/phrase. Even though I'm not as active in the fandom anymore, it did make me want to talk about a few things. This isn't the first time that I've had to make a post similar to this, usually speaking about reblogs and keeping your fanfic writers feeling wanted within the fandom spaces, but today I'm going to talk more about fandom etiquette and my experiences in fandom spaces. So, if you want to hear my opinion on fandom etiquette, how I learned fandom etiquette, and my thoughts about the doxing situation that has happened, keep on reading.

My Fandom Experience.

The first fandom that I was ever a part of was The Hunger Games fandom in the 8th grade (if you don't include my anime fandoms). I was 12-13 at the time. This was when I was first introduced to Tumblr and being involved within a fandom online. At the time I was super young, barely even knew who I was as a person, let alone in a fandom space. All I did was reblog little gifsets and fawn over Josh Hutcherson. I remember getting my first hate anon, even though I didn't do anything that would generate that to even happen. Even when I was 12-13, I couldn't understand why anyone would send a hate anon. That was when I found out a friend of mine found my Tumblr and actually secretly hated me, so she sent me hate anons. Still, before I knew it was her I didn't understand.

Fandoms were a formative part of my childhood. I think that main one that helped form me though was the Supernatural (yeah, I know, eye roll), Naruto, and The Hobbit fandoms. I had made friends on Tumblr and Instagram through these fandoms. During these times was when I had first started consuming fanfiction. Specifically, destiel and thilbo fanfiction. This is how I started to find the things in fanfiction that I loved, and the things that I hated. Instead of sending hate to the writers for their thoughts and stories that I didn't agree with, I would back out of the story or just scroll past. Not only that, I also started to use the filters on AO3 constantly, ensuring that I was only reading the fics that I knew I'd enjoy. Also, I was careful to read warnings and tags prior to reading the fic. Never once did I blame the writer for something that I knew I didn't like and accidentally read or read for see what it was about.

After high school was when I started getting into fanfiction writing. I've written for a lot of fandoms during this time. The IT movies, Total Drama, Haikyuu, Attack on Titan, Marvel, Bridgerton, Top Gun: Maverick, and currently ASOIAF. As a writer I've never gotten hate, thankfully, but I have had a lot of friends that have. It's sad to see so many people who take the time to write, whether it's enjoyable or not, receive hate. As writers we are simply expressing our creativity for the things that we love. Since posting fanfiction on tumblr, I have experienced a lot of people pestering for new updates and when the next fic is, and so have a lot of other writers on here. Even though people only know us as a little icon and username, fanfiction writers are people. We have lives outside of writing fanfiction. Everyone also isn't the same type writer. One person may easily write multiple fics every week, some of us take longer, and some of us are even just passion writers (me lol).

The TGM fandom has been one of the most negative fandom experiences I've ever seen/had. It is full of some of the meanest people/anons I've ever seen. From writers being attacked for fic ideas, people being sent hate for something that the anon has full control over, and people constantly expecting new stories to read on the daily. Yes, I do know that other fandoms have these issues, but it seems to be almost a weekly, hell, even daily thing within this fandom. A lot of the issues that I see happen in this fandom are from people who don't understand fandom etiquette.

Fandom Etiquette.

If you had noticed there was a few things I put in bold above. These are key things that I learned during my time that attribute to fandom etiquette. So without further a do, I'll list out some fandom etiquette rules that I follow all the time.

Don't send hate anons to people

Block/unfollow people you don't like

If you don't like an idea or fic, don't read it

Read through all warnings and tags that the writer provided

Use AO3 filters

Don't blame the writer/creator for reading things they created that you actively know you don't like

Writers/Creators aren't "content farms"

There are people behind these blogs/usernames, treat them like someone you'd see on the street

Writers/Creators are expressing love/passion for something, don't hate them for doing that

If you see something fandom related that you don't like, scroll past it or ignore it

YOU CURATE YOUR OWN EXPERIENCE (ESPECIALLY ON TUMBLR)

The Doxing Situation.

For those who are unaware but decided to read this anyways, recently there was a writer (Mama Mayhem) on here who got doxed from another writer in the fandom. Mayhem has since lost her job due to the doxing. This was apparently from her breaking HIPAA by posting a picture into a private groupchat/discord. This picture was posted almost a half year ago. Meaning that the person who reported/doxed Mayhem had known about this picture for months and only recently decided to do something about it.

I'll start by saying that I also work in healthcare, and know many other people here who do. I understand that a HIPAA violation is 100% an offense that gets you fired. I'm not excusing the HIPAA violation if one did occur.

Some people have brought up the idea that maybe the person that reported the picture, and doxed Mayhem, was doing it out of the goodness of their heart. Due to the timeline of it all, that doesn't seem likely. I had a previous coworker get fired for HIPAA violations and it took a total of a week from the initial report for her to be gone.

The biggest thing I want to convey is that TWO WRONGS CAN HAPPEN AT THE SAME TIME. Yes, if Mayhem violated HIPAA, it is wrong. But at the same time, the person held onto this information for months only to use it out of spite, pettiness, and cruelty, is wrong.

My Thoughts.

Due to Mayhem being doxed, a lot of people have decided to leave this platform, take indefinite hiatuses, stop writing, or move to AO3 exclusively., and I don't blame them. I'll be honest, I'm thinking about moving to AO3 exclusively now. AO3 feels a lot more rewarding in my experience. I already only post my fics for ships to AO3, so why not just post everything on AO3 (which I usually do).

I think a lot of people have forgot what it feels like to feel shame in something they say or do. When I say this, it's directed towards people who send hate or do other malicious things in fandom spaces. Fandoms were never this clique-ish and mean. I think it has to do with the pandemic, meaning that a lot of people who would have never joined a fandom did because they weren't allowed to do anything outside of their house. So, those mean girls that made fun of fandom girlies (g/n) previously, joined the fandoms and decided started bullying the people within them.

This situation is super shitty and people are now scared. It makes complete sense, especially after seeing someone, that many of you were close to, be doxed. A lot of people are scared of it happening to them now. I don't think this fandom will be the same after this situation, but who knows, maybe everyone will just forget and move on. Either way, I think I'll be taking a step back from the TGM fandom. I'll still be here, but until further notice, I won't be posting any TGM fanfiction. Maybe a gifset/picture here and there, but I don't think this is a fandom I feel comfortable writing for anymore.

If you've read all of this, thank you.

[polyhexian]

How do you manage to make people interested in your long fic??? I noticed how an anon asked you about updates, but I never get any excitement or questions about my fic? I've asked this questions so many times, but I don't think I ever get a good answer to it. Is it luck? Do you have to be good in other factors that how you also animate? What makes people care about what you do? Do you need to know the right people and be in the right friend groups? With my writing, I never feel as though I'm doing enough and question if what I'm making is just stupid and hollow

I wrote a really long answer to this but I deleted it because I thought of something more important to say because like. I could talk about fandom specific culture and stuff but instead like. I'm gonna swing the meager clout I have to try and add some weight to my words

I have 150,000 YouTube subscribers and the reality is: it has nothing to do with your ability.

There are artist who are better than I am that are less successful than me. There are artists I am better than who are more successful than me. Ability itself is irrelevant when it comes to encouraging consumption based growth in content-art spaces. It's more than that. A lot of it is marketing, presentation, personality. A lot of it is luck.

If art or writing is your hobby? Keep it a hobby. Write whatever niche ass shit you want to read and publish it with the expectation that no one but you will read it.

If you want an audience, you have to please the audience. You have to make decisions that account for what an audience wants and responds positively to. It's not a bad thing to make art intended for an audience. But you need to understand that you are writing for an audience in that case, and you might have to choose between what you want to do and losing that audience. If you don't have that reality in mind, if you don't understand that is a concession, then you start mixing up in your head why you are even making stuff. You forget how to make art that isn't for an audience. Just makes sure that you know when you are creating for an audience and when you are creating not for an audience. And also accept that if you are not writing for an audience you might not get one

People like my owl house oc! I'm really happy! But it's not the only oc I've ever written about. Or the only long fics I've posted. I've written like 2 million words on AO3. Most of it no one cares about but me. So I don't regret any of it because I didn't write it for an audience, even if I'm happy the audience likes it.

The only real advice I can offer is just like. Play in your sandbox and people might want to play with you. But if you're writing fanfiction, you're not attracting fans, youre attracting friends and acquaintances. It's different from content creation.

I just make shit

[got-into-worm-by-mistake]

Okay, I've Read Worm: A Retrospective Part 5: What Was I Fucking Surprised By?

So, as you may remember, I got into Worm thoroughly spoiled by the wiki and Wormblr and r/parahumans and r/Wormfanfic and actual Worm fanfic. I knew pretty much all the basic details of all the plot twists. And yet, of course, there are things I didn't expect, things the fandom or the wiki mislead me about, etc. Things I was surprised by.

So let's talk about a few:

Taylor Hebert: As I've said, I kind of worried, before reading Worm, that I'd find Taylor insufferable. The sort of character that tries to be a hero and then convinces themselves to do all sorts of bad stuff while telling themselves they're still a hero/good person/etc is hard to write well without being really unpleasant to read/watc/etc. Self-righteousness in general is hard to enjoy for me. Taylor, honestly, stops thinking of herself as a good person partway through the post-Levi period, in most ways, and she never gets self-righteous about it. So Taylor was much more sufferable than I thought. Which is good, because I would have dropped Worm like a hot potato if she'd been insufferable as the main POV.

Eidolon & The Endbringers: (Sounds like a band name). The whole 'you needed Worthy opponents' thing, and the way people talked about Eidolon (seriously, this fandom as a whole is hugely unfair to the guy, istg) really gave me the impression of like, this vainglorious piece of shit guy who wants adulation and doesn't care how he gets it. And like... I don't get that impression from his Interlude at all? He doesn't seem to give two shits about fame, just about knowing what he did mattered. And he knew that well before the Endbringers. Obviously, he subconsciously created them, and then [High Priest] got all goddamn malicious in his compliance but he's not the vainglorious asshole who charges off to face Scion in single combat or w/e the way the fanfiction gave me that impression. Also, like, maybe it's just me, but I define 'Worthy Opponent' as 'something the person could have a reasonable chance of defeating in a solo fight'. So for me, a worthy opponent would be a rowdy 12 year old with maybe a white belt in karate. the Endbringers are not solo-able opponents for Eidolon. So absolutely not doing what he actually wanted. I really think the fandom is unfairly hard on Eidolon.

Interlude 15.x: Look, at the risk of starting discourse - I'm sorry. I've read 15.x Backwards and forwards and there is just Nothing pointing towards rape in the text, even looking for it as I was. I really expected I'd see some line, some implication, some fucking hint and there's just... absolutely nothing. The text of Worm as written, whatever Wildbow claims he meant and whatever he did mean, does not support a rape interpretation of events. And that sure as fuck surprised me.

Extinction 8.6: The way people - and even some fics - talked about the scene where Amy messes with Taylor post-Leviathan made it sound like Amy straight up ripped off Taylor's mask or something extreme like that, and then Taylor sees unmasked Sophia while trying to run and hide after being unmasked. What we got was Amy being a bit of a bitch, deliberately refusing to answer a question Taylor asked because she knew not answering would upset the girl (not cool), Amy's bedside manner being shit, and Taylor's own paranoia (and the godawful choice of the heroes to handcuff her to the bed) filling in the blanks. And this absolutely tepid-ass shit is pointed to by people as proof that 'Amy was a bitch the whole time'.

The Leviathan Fight: It was a lot shorter than I expected. I enjoyed reading it in ways I was worried I wouldn't.

Cauldron: Now, here's the thing. Characters that do bad things, knowing they're bad, but in pursuit of a greater good? That shit is my goddamn jam. I fucking love characters like that. They're my catnip! And I went into Worm sympathetic as FUCK to Cauldron. and I come out of Worm going 'Jesus Christ what a bunch of fucking idjits!' Their shoestring illuminati was run by a bunch of teenagers who never grew up and a college student who's a worse control freak than Taylor. Their incompetence appears to be the whole point (until Wildbow's WoGs turned everything into Cauldron social engineering and he went out of his way to make a big thing about how Cauldron was totes necessary for making things better. Man just cannot shut up). They try for decades to put some final fight against Scion together, and they fail epicly. No groundwork, no real success, and they turned to ACCORD for their post-apocalyptic plans. And apparently had no plan for a mass Case-53 breakout/attack. Which is... sure a choice. Dumping the Case-53s the way they did. The choice of which Case 53s to dump (Sveta sure was a choice of who to just... let out into the world. Like, not an issue with her personally, but you don't release that kind of uncontrollable murder tentacle out into the world, maybe? Just maybe?). I went into Worm thinking I'd be on Cauldron's side, at least a little, and I came out just... god no, you people are stupid.

Amy's Birdcage Arc: I really thought we'd see more of Amy's time in the birdcage, but 16.z really was all we got.

Alexandria's Death: I don't quite know what I did expect, but I didn't expect Alexandria's death to be so goddamn Darwin-award worthy. The woman died like the biggest of CHUMPs and that was much funnier than I expected.

The Drugs are Fantastic line: I knew it was being taken out of context, but it wasn't quite in the place I expected, I'll be honest. Not sure what I did expect.

Taylor's Weaver Arc/The Timeskip: I expected... I dunno. Less of an abrupt transition, I guess? I thought the timeskip would be like, a series of small scenes skipping ahead over two years between them? Instead, right in the middle of Arc 25, it just jumps ahead two years without ceremony. Did not expect that. At all.

Slaughterhouse Nine: I was not prepared for just how goddamn boring the Nine were. I don't think I read any spoilers about how Jack Slash being boring af was the point until I'd already started the S9 arc, but I especially didn't expect how pathetically bland as characters Manny the Kinless and Burnscar and Crawler and Sibby the Friendly Neighborhood Cannibal would be. Cherish managed to be interesting by being such a failure, and Bonebitch, to my eterntal frustration, managed to be funny, but the rest? Also, I thought Manton would die in the Bay, rather than be killed unceremoniously offscreen while in Boston.

The Butcher: For a character who appears in all of two chapters, the Butcher has a much larger presence in the fandom. But that is Worm for you, because groups like the Elite and the Fallen also show up more in the fics than their presence in the main story merits (Though the Fallen have more of a presence in Ward, even if I gather Ward kinda sorta retcons like half the details or at least presents irreconcilable visions of the organization)

Empire 88: They were way out of focus, compared to how much they appear in fics. But it is fun in fics to see Nazis get beat up all the time, so this is valid. But also, like, even their post-Levi remnants were weaksauce af. Someone in a server the other day said that taking out Marquis took out an entire faction, and that Levi proved that taking out Kaiser (or Allfather before him) doesn't stop the Empire, gesturing to the Aryan's Chosen and the Pure as proof but like... lbr. Both groups were pretty damn pathetic in the post-Leviathan bay. Regardless, I expected to see more of the Nazis getting beat in Worm itself, and we really didn't. But this is one time where I don't care, because as I said, seeing Nazis get beaten up over and over again in the fanfic is fun.

Ward: I was worried reading and finishing Worm might make me want to read Ward. Thankfully, it did not. *whew*

Now, there are probably others, but nothing else as major. But there are also some things I just plain wasn't surprised by.

Amy Dallon: I went into Worm expecting her to be my blorbo, and that didn't change. She's definitely my character type. I feel the same about her storyline in Worm as I did going into it.

Tattlebitch: I expcted to hate her, and I stayed hating her. Lisa sucks. Like, she has her redeeming moments and features, but overall, I still hate Lisa.

Carol Dallon: My Sympathy for Carol remains about as theoretical as it always was.

The PRT/Protectorate: I suspected the PRT/Protectorate was not as useless and incompetent and ACAB as a lot of fics painted it and... I was right.

My Ultimate Opinion: I went into Worm thinking it wasn't really for me, but that I'd probably find it well written and that many characters would be engaging. I figured it would have massive gaping plot holes and that I would never find it to be the 'amazeballs perfect wonderful' that some people seem to find it. And yeah, I was right about that too.

[olderthannetfic]

https://olderthannetfic.tumblr.com/post/755884216959516672/someone-whose-fanfic-i-left-a-comment-on-is-angry

I'm just throwing out a slight assumption based on another fic that got added to TV tropes: The author mentioned getting a lot more hate and negativity after their fic was added to the TVT in the comment, like noticeably.

They explained in one of the comments to another why they had to mod lock the comments and the fic, and it was in an author's note in a new chapter they later removed. People who didn't like some of the side ships, and people who didn't like the main ships dynamic, started complaining and demanding random shit of the author. I think the AN explicitly mentioned threats and other explicitly threatening comments. It's not really a new that people coming from third parties to look at a fanfic seem to act like they're entitled to demand the author write exactly what they want or change parts of the fic, while they're consuming a story written for free.

Like, sure, you are publishing your story for any readers. But you can't deny that most fics never reach the popularity to become known outside their tag range, so most people aren't prepared nor do they expect to suddenly have to deal with people with absolutely zero interest in their writing, who're just there to insult you and your work coming in through third parties. It's kinda the same deal like with the Goodreads, you're writing for the fandom and for free, not to be put next to original works with much bigger audiences behind them and who're actually getting paid for their writing. And then recieving criticism as if the person had actually paid you.

As a fic writer the expectation is you write for fellow fans, your audience is a small part of fandom people who have interests at least partially aligning with your own. If you write original works, you write for anyone interested in what you have to offer and try to get a wider audience to get more sales and attention.

Side note: It often feels like people give writers a lot less breathing room when it comes to harassment, or having their works plastered into spaces they didn't agree to. Like, any writer complaining is told it's their own fault, and to shut up, and if they didn't want random people with no connection to the fandom or even ship to read it they shouldn't ever dare publish a fanfic ever. A writer mentioning being uncomfortable having their fanfiction plastered into spaces for professional works and with a high rate of unwanted criticism and some times really entitled trolls are expected to just "Suck it up, you knew the risk when you published your work." When they really didn't. How are you supposed to expect that amongst millions of fanfics, your little passion project is going to be shoved onto Goodreads as if it was some kinda professional publication? It also doesn't give the fanfic writers any benefits, AO3 is an archive, stats mean nothing, they're a bit of a vanity boost, but at large you don't get anything from having your work put into professional spaces, no recognition, no money, and you're forcibly held up to the standards or original fiction by entitled people. 🤷‍♀️ -Btw I know I'm a bit dramatic, and all that, but I still think it's weird how fanfic writers are some times held to standards of published original authors.

--

TV tropes is full of clowns from parts of fandom where a lot more so-called concrit of the "U suck" variety is the norm on top of the overall pattern of more eyeballs meaning more wankers.

[skyrislunaflower]

I Love Us

Honestly, I'm so, so very glad AvA is the first fandom I've actually been an active participant in.

LONG RANT INCOMING

Throughout the years, I have "been in fandoms", but I never felt like posting my own art or works, commenting on vids (i didn't have a youtube account back then, still don't), or being anything other than a silent observer.

Back in March, when I came home from that math competition, and found AvMath in my recommendeds, and just clicked on it, I did not expect to get dragged into a fandom about stick figures, of all things. I remember watching AvPhysics directly after, then finding "Wanted", and watching it with no context. I remember going to the wiki, seeing all of the content that was made, and and binging AvM and the actual shorts and literally everything else.

And most of all, I remember thinking, "I wish I could just erase all of this from my mind and experience the magic all over again."

-

In May, I took a chance and went to Ao3. I knew it was a site to post fanfiction, but it had never been something I was interested in. But I was just curious, to see if fanfiction about this amazing fandom really existed. I didn't have an account, no; I think I just wanted to see.

There were about 1600-1700 fics on there about AvA, during that time. I didn't know how hits worked or kudos worked, but I just remember scrolling down until I could find something that looked like a lot of people had liked it.

And even then, I clearly remember the first fic I touched. "Identity", by LeenaFreeBird (I'll link it at the bottom). I absolutely loved it. I spent the rest of the month simply reading, and consuming all of the cool hcs, learning what fan terms meant, having an idea for my own fic that I thought, back then, I could never write.

Because I didn't.

I never made an account or wrote. I never left comments because part of me though people without an account wouldn't be able to, and that was just habit, at this point.

And even though I stepped slightly away from there in the months of June and July (we were in the process of moving halfway across the country, I had just watched the new Demon Slayer season, and upon recommendation had binged all of Haikyuu in a week), I always made sure to keep updated on whatever new AvA/M videos had been posted.

In August, I went back on Ao3.

SO MANY AMAZING FICS HAD BEEN WRITTEN IN THE SPAN I WAS AWAY.

I remember binging all of them for the month. I sat alone at lunch (as I was new I didn't have any friends), just reading them on my phone and getting sucked back into there.

In September AvI began. On a whim I logged back into my tumblr account that I had made like 5 years ago in 4th grade to post random rambling stuff about my life (I tagged nothing but my username wth), and redid my entire blog. I was sooo happy when one of my posts reached 100 notes.

I felt way stronger, and way braver. I joined the invite queue for Ao3, because I decided I DID want an account, and I DID want to post my own fics.

And everyone was (and is) SO NICE about it. They love my fics and posts (which I still consider really crappy, btw) to pieces, and always give me good comments. Even my bad fanart (another thing I got the courage to post during this time). Shipping wars never happen here (if they did, I wouldn't know about it). Rarepairs are appreciated, and we unanimously know the ships that should be completely illegal (not naming ship names here).

Everything and everyone is loved, and this is like the one little corner of the Internet where mostly all is safe and your opinion is valued. Sure, your fan theory may be wrong, but people here don't go and tell you "that's so stupid lol, no way that's true". They'll give you actual feedback, explain the evidence that falsifies it, or add to it because they like it.

Even on YouTube, if someone posts a yellue ship video, for example, they'll get hate, or "the color quad are just siblings lol", or "they r stickmen why are u shipping them". If someone HCs Blue as a girl (ik that's been debunked where we are at rn), they'll get a comment saying "it's stickman for a reason".

Like, let people have their opinions. Alan has never confirmed the color quad as siblings, or their origin story. I know he has said that he would like to avoid romance by not making female characters, but it's not like the people who ship yellue or grapeduo barge up to his door and demand he makes it canon. They're just peaceful, and everything that you're saying is fanon. For all we know, four different animators could have collabed on the sticksfight website and each animated a different character (not saying that's true, but we don't know).

And even with hollowhead pairs. Alan created them, yes, but how does Creator transfer to father in this scenario? We don't know, because he hasn't confirmed the hollowheads as siblings either. They still get hate on YouTube.

But Tumblr just loves everyone. The AvA community, for example, will always make you feel like you posted something good. They lift you up, not put you down. They appreciate your headcanons because it provides a new way of looking at things.

They appreciate you.

I feel so much better about putting myself out there, and I know I will do so more in the future. I now cannot comprehend how someone can see all of this content and think "they are just stick figures". No they aren't. They are stick figures with trauma, feelings, pain, heroic qualities, fatal flaws.

You, tumblr, makes me feel this way.

Thank you so much.

(I did not expect to rant about my entire journey when I was supposed to be talking about how amazing the AvA tumblr fandom is, but now that I have I'll just keep it. Here's the fic I was talking about)

[writingquestionsanswered]

i've recently started writing fanfiction, but even after meticulously planning everything out before starting, my writing feels very choopy, emotionless and passive for the most part, and if i try to include description, it feels i'm overdoing it. i mean, it is the firsts draft technically, but the low quality makes me demotivated to continue writing. i know i need to finish the first draft before reading back and editing, but seeing the state of it now, i feel like i should complete the first draft then rewrite it instead of edit it so i can frame sentences better. but i worry it will take too much time, time i cannot afford to spend for writing fanfiction as a college student. is this just a beginner thing? what should i do to make my writing interesting? or am i asking the wrong questions?

Fan-Fiction Writing Feels Choppy and Emotionless

I don't want to assume you've never written fiction (because you could be a writer of original fiction just beginning to write fan-fiction), but unless you are an experienced writer of original fiction--then yes, it's a beginner thing.

Writing fiction, for whatever reason, is something people think they'll be able to take a crack at for the first time and do brilliantly. Which is funny, because we never feel that way about anyone else. Most people don't pick up a guitar for the first time and expect to be able to shred the solo of Purple Haze. Likewise, people don't generally pick up a violin for the first time and expect to sound like Lindsey Stirling, or pick up a tennis racket for the first time and expect to win a game against Venus or Serena. But for some reason, people who sit down to write fiction expect to be able to do it really well right from the beginning, and it just doesn't work like that, just as it doesn't work like that with anything else.

The good news is this: the discord between what you're actually writing and what you want to be able to write means that you know how good writing should sound. That gives you a leg up on a lot of beginning writers. The bad news is no amount of knowing that or knowing what specifically to do to achieve that translates to instant amazing writing. Just in the same way that if you pick up a guitar for the first time, someone can tell you, "In order to shred the Purple Haze solo like a pro, you should do this, this, and this..." but that still doesn't mean you can instantly do those things. You still have to learn how to do those things and practice doing those things. Writing is the same way.

Choppy writing can be the result of a lot of different things... lack of planning, lack of structure, not knowing how to control pace and flow, and more often than not, just outright lack of practice. If you learn how to write your name in calligraphy, even knowing how to hold the pen and what strokes to make doesn't mean you're going to do it pretty the first time. Your early attempts will be choppy and rough, but every attempt will be better than the last. Same with stories. Luckily, these are things you can improve in revision.

Lack of emotion, too, can be caused by a lot of different things. Not knowing the characters well enough, not putting enough thought into how the character development connects with the plot (or what the character development is if you're writing a character-driven story), and not having a good grasp on bringing emotional and sensory details into the story. Passive writing can be sought out and changed to active writing when it makes sense to do so. Again, these are all things you can fix in revision. The next time you write a story, you'll have a better idea of how to implement these things the first time around.

So, ultimately, what I'm trying to say is do write the story despite how not great it feels. Then, use your revision as an opportunity to learn the things you need to know to make the story better. If it still feels choppy, read up on structure, pacing, and flow, then see how you can fix what's there. If it still feels emotionless and uninteresting, read up on emotional and sensory detail, and add it where it's lacking. This combines the learning process with practice in a targeted way... you're learning and practicing the things you specifically need to work on, rather than overwhelming yourself by trying to learn everything there is to know about writing.

The next story will be a little better, the one after that will be even better. ♥

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

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[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.