#and i just find that really interesting

[i-mode]

i find the mt town cave scene with rory and claudio really interesting and also so so weird because 1. rory is like. unusually mean and rude in this scene?? for seemingly no reason?? like i cant deny he can be a dick at times but from everything we've seen at that point in the game it never went to the extent of asking someone about their interests and then instantly shutting them down and insulting said interests and 2. why does he have to constantly remind him that its a Girl's Shirt and its a Girl's Anime. im unsure how to properly put it but it honestly feels like a weird attempt to uphold the masculine role??? like hes unable to comprehend that someone can enjoy a Girl's Thing and show it off and be proud of it??

anyways all im saying here is that Rory may come to find out something about himself later down the line and i wish her luck

[catmask]

the 'all marriage is gay as far as im concerned' except its me watching a man and woman character in a show i like and accidentally saying 'theyre so gay' because i literally forget thats not the word for romance because to me all romance is gay

[poorly-drawn-mdzs]

The squad of all time has arrived on scene.

[jackklinemybeloved]

I know this is obvious but I’m thinking about Evan’s shoes again and like. the boy who walks down the highway in Iowa in brand-less, beat-up sneakers. the first magical item he got for himself. was a pair of nice shoes that are resistant to environmental effects. no matter how sad and bare his life is, he’ll never have to walk with cold feet in shitty sneakers in the Midwest snow ever again.

[yanderespamton78]

Edit since a lot of people seem confused - your "real" name is the name that you want to be referred to in real life. It doesn't have to be your legal name. So if you're trans and you have a different name to whats on your birth certificate, even if not many people call you by the name, it still counts as your real name.

Edit 2 : Holy shit guys please stop reblogging this post my poor inbox im getting like 20 notifs an hour asjfhkajshdkh /lh /srs

[xitsensunmoon]

My first ever comic con! And first cosplay too. Of course it's gonna be my boy :] Ramblings about the process are under the cut(Let me know if?? You would want me to elaborate with process images for any of the steps?)

The costume took me forever to make, as I've never done any machine sewing, sculpting, fabric dying or spray painting before but learning all of these was so fucking fun!! I never realised just how many different skills go into making a cosplay but it was so worth it!!!

Almost all of the clothes(except the hat) were purchased first as bases, but all of the detailing was added by me. All of the fabric used was originally just scraps that I was given for free so I needed to learn how to dye and dye all of the stars, they were originally white.

The sewing machine was its own beast that brought me tons of frustration from the lack of skill and knowledge (it was devastating to find out that 95% of fuck ups were my fault and not the machine's lmao). But as a result, a hat sewn from scratch, all of the fur trims, embroidery on the corset, stars and the collar(which is very hard to see on the pictures unfortunately) was all added manually. The stars and the stripes(on the back of the cape) were attached using heat-and-bond adhesive (I WISH I knew about such thing just when I started working on this. It would save me so much time and nerves.)

Then I found out about polymorph(mouldable plastic) and it has become the next thing I wanted to learn, to sculpt the claws and the fangs(yes, they're handmade jfksjs). The claws I then primed and painted in trillion coats because I wasn't satisfied with the colour of the spray paint. The fangs I moulded to my own teeth and then stained with tea to match the colour of my teeth :)c

As for makeup, I used Mehron Paradise water activated paints. At first I wanted to try to save money and bought myself Snazaroo instead, which unfortunately turned out to be a waste. Snazaroo didn't hold on my face for longer than 2 hours, cracking and peeling awfully. Mehron on the other hand survived 11 hours of me smiling, talking, emoting and such and didn't even crease at the smile lines(I'm actually shocked about that). It obviously works like any other makeup which means your skin texture and wrinkles won't go anywhere but Mehron's elasticity pleasantly surprised me. It did obviously smear from sweat and saliva(if you're eating and licking your lips) but if you don't touch the skin it just dries again, self setting. But if it's dry it's fully smear-proof. Highly recommend!

And last but not least, I've decided against painting my hands as it was very risky that I will stain everything I touch at the smallest hint of sweat. So instead I got myself gloves-tights(? Not sure how they're called but it's made from the same fabric as tights) and painted them with normal acrylic paint(did you know you could dye fabric with acrylic paint? I personally didn't), then heat set with an iron and voilà, they're reusable, my hands are not stained after an exhausting day and I don't stain everything I touch. It worked wonderfully which honestly was a surprise as I was really sceptical that acrylic paint will somehow stay in place.

I think this whole thing took me minimum of 6 months with big-big breaks for my school and life in general. But I'm really proud! This project taught me so many new skills and I couldn't have been happier about learning new knowledge, even if it sucked to fail in the meantime.

Everyone at the con was really nice and gave me a large confidence boost even tho it was my first time and I had no idea what I was doing. Taking photos with other people was really awkward/new for me as I hate cameras so I really had no idea how to pose/behave in front of one. But that's okay I think. This whole experience definitely made me want to do this again, so I think that will come with experience. Thank you for reading this far, hope you enjoyed this little summary :)

[goblins-riddles-or-frocks]

forever obsessed with dynamics between vampires, specifically that of a maker and fledgling, as a way to explore abuse. the creation of a vampire itself can so easily be a literalization of the lasting impacts of trauma and also much more simply the ways a perpetrator might shape their victim’s very identity. the extremes of isolation in the way that the new vampire, in most narratives, must cut all ties to their mortal life, or else go through an elaborate charade to maintain the facade of humanity, while forever still being removed from it. and the sheer dependence and vulnerability of being in an entirely new state of being, wholly uncertain of what it entails, and relying on another person to define… everything.

[tofixtheshadows]

So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.

And I kept wondering: why?

For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.

So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.

But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.

The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.

Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?

That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.

My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.

Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.

Milsiril the puppetmaster.

[novelconcepts]

Obviously next week could prove this all dead-wrong, but I don’t think the trial’s quite over. I don’t believe the end of that episode actually took place, because I’m pretty sure we’re still firmly in the “punish Agatha” phase. Rio’s suddenly gone. Alice seems to be dead by Agatha’s hand, and no one—including Teen, who has always been on her side—seems primed to believe she was out of control. The others have been sucked beneath the power of the surrogate son who not only just told Agatha to fuck off, but went full-Wanda to do it. It just all seems too tailored to cut up any of the character progress Agatha’s made on the Road thus far. Getting harassed by her ghost mother and hearing her son’s voice don’t feel like a complete tear-down. This does. It feels like more trial.

[satisfactuality]

I have always loved the paladin!riz headcanons regardless, but this season actually sets up SUCH a funny reasoning for it,,

please, just, riz multiclassing as a paladin of cassandra just so kristen will fucking pass

[starry-bi-sky]

wolfpack. aka: if not friend, then why friend-shaped?

"Hey-- uh, Danny?" There's an almost imperceptible tremor in Tucker's voice.

Danny doesn't look up from what he's doing, his pencil scritching across his notebook as he tries to do another quadratic formula question. "Hm."

"What's -- uh -- what's with the dogs?"

He looks up now, and finally sees where Tucker is -- standing in the doorway of his room with an ashy look on his face and a skewed, nervous smile. He's got a white knuckle grip on the doorknob. Sam is wide-eyed behind him, and using him as a partial meat-shield.

Danny looks down to the two giant ghost wolves sprawled next to him lazily. One large green one with his head in Danny's lap, letting him use him as a prop-up for his notebook. Another equally large black one splayed against his hip, sleeping on her side with her head tilted inward to his calf.

Automatically, a grin tilts across Danny's face, and he lifts his notebook up to scratch behind the green one's ears. He opens a lazy eye, one that is bloody red with a ring of yellow around the pupil, before slipping it shut and leaning his head into Danny's touch. "This is Sirius and Procyon," he says, and reaches down to scratch Sirius' belly. "And they're not dogs, they're wolves."

"Great," Tucker says, his voice suddenly much smaller and faint, "Love that distinction."

Sirius makes a great big groan, and Danny's grin widens, his heart swelling with fondness. His hand slips away from her belly, and before he can put his notebook back down, Procyon pushes his head up his lap until his ear is against his stomach, demanding pets now too.

Sam peeks her head up from over Tucker's shoulder, "I think what Tucker's asking here is what are they doing here, Danny."

He shrugs, scratching under Procyon's chin. "They kinda just showed up. I tried sending them back to the Zone, but they keep returning." And they were weirdly intent on just following him around, which is the only reason he gave up on returning them. They weren't causing trouble, and they knew how to hide around the living. Plus, he just loves dogs. "So now I have two wolves living with me."

This, oddly enough, did not do anything to calm Sam and Tucker down. Tucker's mouth purses into a thin line, and he presses the sides of his palms to his lips in prayer. "How have your parents not found out about this?"

Danny wordlessly raises his hand, and his sleeve slides down to reveal a thin chain bracelet hooked around his wrist. He whistles sharply, and both Procyon and Sirius jerk their heads up to look at him, ears pricked up and eyes alert.

Silently, he points to his wrist and rattles it twice, and in unison both wolves stand up and pounce. Instantly, they turn into a respective, opaque black and green mist that swirls around the bracelet and forms into two, flat wolf charms.

Both wolves are posing in the stereotypical wolf howl, with little stars indented on the sides. Procyon's charm has the Canis Minor constellation engraved on it, while Sirius has the Canis Major.

Danny faces Sam and Tucker, and points at his wrist. "Like this."

[turtleblogatlast]

I think a lot about Leo standing up for his brothers in the things that really matter to them.

Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.

Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.

And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.

All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.

[poorly-drawn-mdzs]

hope you feel better soon!

I am riddled with ailments, but I stay silly!

[psystirene]

i've been thinking about this reddit comment ever since i read it. the sheer rage. almost tearful i think. the horrendous take. underestimating the ability of sapphics to find sickly little leech women irresistible.

[yomeiu]

‘home’

[the-magpie-collective]

Wyll seems to be the only companion who intentionally and repeatedly uses the mindflayer tadpole to communicate. I did a quick search through the dialogue files and the only other instance I found was at the beginning of Act I, when Lae'zel is captured by the tieflings, she'll use the tadpole to demand you free her.

And yet, Wyll is one of the companions most against using the tadpole's powers. Arguably, I'd say he's more against it than anyone save for Lae'zel. Which is why I find it so interesting that out of all of companions, Wyll is the one to latch onto and make use of this facet of the tadpole's powers.

The first time Wyll can use the tadpole is when Mizora bids him to rescue Zariel's asset. If the Player succeeds on their perception check, they can bargain with Mizora to free Wyll from his pact. Wyll link his mind with the Player's Character in panic, demanding to know "What are you doing?"

Then again when Wyll is finally reunited with his father, he uses the tadpole to show his father why he pacted with Mizora. Instead of explaining in his own words, he shows him the cultists as they attempt to summon Tiamat into Baldur's Gate. He'll do the same for the Player Character if his father isn't saved, even when he is freed from his pact and could say it in his own words. If the PC refuses to let Wyll show them, he will explain it, but clearly prefers to use the tadpole.

Finally, Wyll will also use the tadpole to bid farewell if he has a falling out with the player character, telling the player "Godspeed, and may your journey be true."

For Wyll, who had spent the last seven years under a devil's thumb, this narrative choice to use the tadpoles to communicate is telling. One thing all of these scenes have in common is that they all emotionally charged moments. They are also moments in which, in my opinion, it is very important for Wyll to convey his sincerity. Wyll has spent the last seven years always dancing around the truth and now here comes along a power where not only can he tell the truth, he can show the truth as he sees it, so that there is much less risk of being misunderstood. A power like that has to be irresistible.

Just another thing I wish was explored more in depth in game.

Edit: Thank you to everyone who pointed out instances when other characters also use the tadpoles to communicate <3

Turns out Wyll/Lae'zel's writer is the only one who bothered to use proper tagging in the dialogue system ('MINDMELD' if you're curious). This is why I can never find what I'm looking for in the dialogue files smh