#and how underwhelming it was for me

[divorcedfiddleford]

hold shifty gentle like hamburger

[stil-lindigo]

a non-comprehensive guide to my favourite characters in claymore, the best manga you've never read (more under the cut)

don't know what I'm talking about? here's a crashcourse.

[drenched-in-sunlight]

*SoTE spoilers undercut

This is a continued discussion in light of Marika's newly discovered tragedy. It changes so many things about how we look at the story thus far but more importantly - the DLC story trailer, especially this scene:

think about how Messmer knows, very acutely, that at one point his mother could have been cut up and put in a jar. and that his other kins were not so lucky....... it gives that scene such a tragic edge.

he wasn't doing this just for the violence. this is his answer to Marika's love and all she has done for him. yeah it's not right, it's not justified, but as something done to avenge for the kind of pain she went through? it won't be logical nor right but it's something he will do again without hesitation.

the infirmary in Shadow's Keep shows that he's trying to care for and save whatever left of her people. their people.

the line he said in his armor set description hits different when you consider all that. he wants to be the heir to all her sorrow and all of her pain. wishing that he could alleviate even just a bit of the burden of her grief and survivor guilt.

i wonder if, when Marika hid him in the Land of Shadow, fearing people will judge him for the malevolent snake he carried, she raised him in her home village? this will explain why the Tree Sentinels guarding the village drop two Blessing of Marika - the blessing that specifically stated Marika made it for Messmer's sake and him alone. it will also explain how he knew of his Mother's tragic past and took it upon himself to carry out her wish of vengeance for her people.

(also if you wanted to get to Marika's village, you have to perform the O Mother gesture before her statue in his Shadow Keep, implying he's guarding the way to her home village as well.)

One other thing I like is that in the story trailer, the heroic music sounds like it's for Miquella. and it is, in a way. it is his boss music, but the lyrics has "Ave Marika Aeterna" (Hail, Marika The Eternal).

Given that the boss arena is where Marika - the sole survivor of a whole village, walked through to salvage the remains of her people, making them the symbol of her divine ascension, I wonder if that OST is actually for her - the God, the woman whose story is finally realized in this DLC, and those female voices singing in honour of her are the spirits of her fallen kins: cheering on their last hope for justice. Through this girl, those people who had been wronged and died there will live on eternally.

All this of course seems like such a charitable take on all this, after all Marika ended up being just like the oppressors who used to put her people in jars, but I think I just want to appreciate how the environmental storytelling of this DLC is simply amazing. and once you consider that this is, in the end, Marika's story, everything will make a lot more sense.

[corntired]

Fanfiction is so goated actually

No monetary incentive, just writing in one's free time. Some incentive for like kudos and comments, because who doesn't want to hear that someone else enjoyed what they wrote. Just writing a story that is good and/or enjoyable, no real-life pressure to keep it going because god forbid you and other people are depending on it financially.

Writing a story because you want to write a good story, so you can write what they want the way you want, at a pace that is realistic for you, with exactly the plot pacing you want there to be.

[niymue]

i tried so hard to fight it but im just actually so disappointed with veilguard.

as a video game, its fine! the gameplay is fun and it’s visually stunning. but as a dragon age game it’s… not good. even if we somehow ignore all the massive world breaking lore inconsistencies, it’s supposed to be a story heavy RPG. but it’s so shallow, so surface level. there are so many issues with so many of the decisions the devs or ea or whoever made leading to the final state of this game and it’s actually so sad.

I feel like im grieving what could’ve been, making new saves in hopes it’ll somehow be better this time around, and it just isn’t.

[incomplete-ruler]

No fr I've become so disconnected with life this year that the one thing I was thinking today (well yesterday now) was "oh it's cozmez's and yuki's birthdays" and not IT'S FUCKING CHRISTMAS EVE.

[saints-who-never-existed]

Lovely weather for it and by "it" hehe well let's just say dabbing innocent young Victorian sailors. 💦🔪🩸

[ganondoodle]

some destiny (zelda comic) lore

i really have absolutely no problem with AUs, but in the case of my zelda comic i kinda dont like it being called that bc i made it specifically around the idea of offering an origin story to .. everything really that could be true and put the entire series in an entirely different light

like most things in the series around the creation of the world and the godesses etc are told to us, and i always ask questions when sth is just told to you especially in this black and white kind of way

idk if i ever talked about it, probably not bc its somewhat of a big reveal in the comic (though its at the very end) and given how slow i am thats years away so:

the three gods (gods as a neutral term here) exists outside the physical realm in a sort of void like darkness with an endless completely calm ocean they created the world we know as hyrules world, in fact they created two more, each of them filled with life, at some point choosing a mortal to kill and make into a deity as their right hand since the gods cant go into these worlds themselves

they want to enact the plan we see in skyward sword, they want a monster to invade the land, their chosen deity to seal it, die and be reincarnated and start the whole zelda cycle as we know it; why?maybe purely as entertainment, which is why each cycle is so widely different, they are gods and treating life and worlds like their little toys feels kinda right- and they really dont like when their toys act against them, thats not what toys are supposed to do after all

so, courage as i like to call them, was a deity they created using a mortal, but they failed to even make their mortals believe in them, instead they were seen as the monster, the gods lost their patience and drowned their world leaving only courage to survive, while they failed their orders and were hated, they still cared about their world, seeing it slowly drown and abandoned by the gods made them filled with despair, in an outburst they destroy the spring of the gods (an ancient spring that is the first to exist in a world when its created) and it opens up a gate into the realm of the gods, that dark calm ocean of nothing- they go into it and wander into the closest source of light and it brings them into demise's world

demise is the deity of his world, and when courage arrives there they start to attack it, filled with desperation and rage that their world was drowned while this one thrived- demise hasnt failed the gods yet, and he fights and seals away courage with easy, but it lets him doubt the gods words, courage was supposed to be some evil monster, yet they were similar to him and he defeated them so easily, why would he chose to die and be reincarnated as a mortal? he wanted to stay a deity and protect his world forever- he started to stall for time, halting the building of the temples for the hero in the future, and at some point courage broke out of its seal, nothing of it was like before it was a strange and now truly, a monster, and demise killed it to protect his lands, thus making the gods prophecy unable to be furfilled and so the gods abandon his world too, they let mortals turn against him as his world slowly dries out, until there is nothing left alive but him and ghirahim, trying to drive him to madness so he becomes the monster for the the next world in the row, but fail just barely- he too destroys the ancient spring and discovers the gate it creates

so demise travels to hylias world, and hylia, hesitates to seal him right away bc she notices he is not a mindless monster like she was told, despite the gods effort to raise her in isolation and make her into the perfect vassal, hylias curiousity is too much, so she lets demise live, over and over as they battle- which is the story of the comic, at the end they fall in love and uncover the gods plans, that demise was in the same position as hylia is, and he killed a deity jsut like them, that the reincarnation thing might be a lie to get rid of the biggest threat to the gods (the deities needed to be gotten rid of before they realized anything) and replace it with a more controllable mortal once the set up for the play was done, this too has been a cycle in the end the gods make sure this time it ends up how they want, more or less (im leaving out the details for now) and demise gets sealed and hylia dies, both of them taken by the gods but as both resisted them it is not perfect, demise still did not turn into the monster they needed so what you fight in skyward sword is an apparition of him, not him truly, and ghirahim knew he would never be himself again but his desperation and devotion made him try anyway only to end up playing right into the gods hands

and that is how the series started, a scheme of the gods to create their little play, inventing new little adversaries and eviil beings but short lived so easily to reinvent over and over, but its all based on lies, zelda isnt special, she was jsut a mortal that happened to be chosen by the gods to take the role she has now, shes no reincarnation of hylia, none of the things they tell you about hylia are true, its the gods lying to you, and the trio is stuck in this cycle not realizing they are merely being played with

(being sealed or dying as a deity send you to the realms of the gods, where they pin them down on a pillar like bugs (unconcious) and occasional borrow their magic for some tricks and schemes to play with in the world of hyrule, the deities are still there, and will be until the gods decide to kill them fully- and at the end of destiny as demise is take by them, in the last few moments before he is hung up like a trophy he not only sees that courage, who he thought he had fully killed, was already there, but in the darkness were countless remains of abandoned deities hanging dead on pillars, how many times have the gods done this before?)

(possibly not as interesting as i hope it is, but this is what im going for, and it only really works if the rest of the series exists just the same, otherwise the whole point of putting everything in this context would become kinda meaningless? at least thats how i feel about it so i dont like calling it an AU, but im not mad about it bc i guess if you take all the lore at face value it is completely different and doesnt work with canon at all? idk )

[rmbunnie]

Another little inconsequential red hood thing and I'll admit that I'm decently biased but it irks me to see the whole "Jason can't shut up about his death/he makes his death everyone else's problem" take really frequently because he simply does not do that enough for it to be a thing in like any actual Red Hood story.

It's a thing you see sometimes in modern annuals/comics with large casts, particularly if a writer doesn't seem super confident with writing all of the characters that they're working with or if he's just a background character in this one, because with comics it's quicker to reduce a character to recognizable landmarks than to try and work out a whole new complex voice if you don't really need to, so it's tire iron, Jane Austen, Joker, and death, and it's all written out in dialogue because every character in a group event can't have their own internal monologue, but like. That's pretty much it. UTRH is the establishing event for Jason Todd post death so of course a lot of it is about his death, although it's arguably about the lack of response to his death more than his death itself, and he certainly makes it Bruce's issue but one beef doesn't make a trend. Plus if his death is anyone's issue beyond his own Bruce and Joker are like the number one guys whose issue it is. He THINKS about his death a ton in Lost Days, but it doesn't really reflect externally on any of his interactions besides with Joker, which again, that's justified and relevant beef. Teen Titans 29 is more about his place in the hero community/feeling like he was an outsider even before the bomb/Tim being the new robin than about his death, and side note, that being counted as an attempt on Tim's life also bugs me. He beat him up and then left of his own volition. That's not an assassination attempt its called a fight, albeit a sneaky and unfair one. But anyways. I can't speak on Battle for the Cowl because i haven't read it, both that and Batman and Robin 2009 don't really compel me, but it's entirely possible that's an outlier to my point seeing as I kinda sorta haven't read it and don't care to lmao. Even New 52 (although HIGHLY unpopular) and Rebirth/Dawn of DC/Whatever we're doing now Red Hood content don't really have him talking to people about it besides the occasional little quips. He might make stances that were developed because of his death other people's problem, like in the Mia Dearden Green Arrow situation with the "getting involved in other people's business" issue, but acting like he makes specifically his death everyone else's problem is ignoring all of the perfectly valid actually canon things he makes other people's problem. Most of the unpleasant traits he brings to the table are a result of his death and the sense of abandonment and betrayal that came with it, but that doesn't mean he's bringing his death into it when he acts unpleasantly any more than he's bringing his birth into it when he shows up in the first place. The consequences do not equal the event. All this to say it's irritating when people say the character is grating because he doesn't stop whining about his death when that kinda just indicates to me that they're working off fanon based on fanon based on kinda mid batman annual.

[edbangingrobot]

finished goodbye partner and was disappointed the movie didnt end this way

[anonymocha]

[ LONG AHH POST ]

Proud to announce that the first revision of the half-serious full-insane Kaalaa Baunaa Wall is done… I haven’t seen an intensive Kaalaa Baunaa character analysis so I decided that I will do it myself. But feel free to correct me on stuff since, again, it’s half-serious and full-insane.

PDF:

Text version of the important stuff I wrote in case you don’t wanna zoom in or open the PDF under the cut. I won’t be pasting the event story takeaways because they are very long and full of unhinged Mocha jumpscares.

Personality

The following points are derived from here:

Methodical and steady in her approach to tasks.

Known for her soothing presence and being reliable in accomplishing tasks. Very punctual.

Has a contemplative nature, often preferring solitude and observation.

Friendly but rarely intimate.

Maintains a practical outlook, prioritizing efficiency over aesthetics.

Demonstrates a sense of conservationism, as seen in her choice to mend her glasses rather than replacing them.

Character Story Takeaways

Grew up with an astrological background but chose not to believe in its prophetic accuracy. “To hell with it!”

Kaalaa Baunaa was an abandoned child. She was found by Vaquini. her foster parent.

She often engages in misbehavior and fights as a kid. Vaquini would defend her.

She refused her destiny prescribed by her astrolabe, and doodled over it.

She emphasizes the importance of understanding the underlying causes behind events rather than accepting them at face value (or just seeing it as fate).

Voiceline Takeaways

She thinks that people focus too much on linear time and notes its subjective(?) nature. But she has a good perception of time herself.

Prefers Indian food.

Enjoys observing the night sky. She feels connected to it. Human society is complex, ever-changing, and influences her identity in ways she isn’t content about. But the constant nature of the night sky comforts her.

Is humble about her martial arts capabilities. This girl can hit……..

Delulu Corner

Interpretations + Summary of Takeaways

Keeps a steady and level-headed front despite often being anxious and full of doubt towards herself. It pours out when things get truly rough, with dismay and desperation.

Tends to overwork herself and struggles with self-care. She has the incentive to wind down but the guilt would take over her and lock her back into her lab. It is even implied to manifest as an illusory monster that stalks her down.

She held considerably little value towards aesthetics or cleanliness, prioritizing practicality above all. She easily brushed off rat feces in her lab this woman won the idgaf war. She cares more about research routines than things like that, or even more, rules imposed to her.

She may be enabling Kumar... She knows when Kumar is wrong or when Kumar is trying to mess with her but she doesn't necessarily call her out on it. Yes she is very observant towards stuff related to research and the arcane, but can be fooled/lead on otherwise. She may know it but she won't voice it.

She talks and contemplates to herself a lot. Probably a pace-around-the-room-lost-in-thought enjoyer.

Based on her past, she has a tendency to be rebellious and turn her back on certain systems despite being dependent on one herself

For some time, she is quite dependent on Kumar's presence and guidance. She puts a lot of trust in Kumar despite the many questionable things she did to her and the people around her.

(My Insanity) Her tendency to conserve, paired by her predisposition to methodical routines makes it difficult for her to move on from Kumar. And she struggles to properly open up about it or confront it. Kumar left her mark in her way of doing things. The constant nature of her approaches in work/life makes the echoes of Kumar also constant. She would love to break free from the cycle of remembering Kumar by doing things differently, or taking a long deserved break from work... But at the same time, she feels like throwing herself off this 'orbit' is unreasonable, unproductive, and unbecoming of her. So it Rots.

She probably keeps Kumar's glasses, Kumar's bullet, what else? :))

[largemandrill]

Just fought Messmer without a spirit ash or assistance, and when I tell you that I just had the most fun in this game within my year of playing it, I’m in no way joking.

I think it’s 1) I’ve gotten pretty good at this game all things considered and 2) Messmer is genuinely an amazing fight with beautiful attacks followed by great windows and punishes. Him being fun is what kept me from being frustrated with myself. This will permanently cement him as my favorite boss fight in the entire game. There isn’t a competition anymore he won.

[tomorrowandtomorow]

took the words right out of my mouth

[cnl0400]

Sooo... Someone put that post into my dash and—

While I agree that nobody should be forced to write things they don't want, I disagree with the notion that NB/men that play this game should be "grateful for the MC being gender neutral". Like we're dogs and should be grateful by just being seen

GN/Men who play this game are as much the demographic as woman. Even If the game advertises itself as an "otome" (If OBM/NB really fits the label Is another whole discussion tbh), one of the biggest selling points Is that Obey Me MC Is non-gendered so everyone can play. Men/NB people are valid customers and are allowed to feel disapointed when the fandom excludes them

Like, If you don't like men/non-binary people having opinions in how the fandom treats them, just play one of the million otomes that have an exclusive female MC. Take your own advice.

[um-weird-flex-but-ok]

[sskk-manifesto]

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