I think with Yor being so perceptive, she picks up on little things often (like we saw in ch 103). i believe this would impact loid more so than the usual person, because he is a spy and fakes every part of himself, so to be seen is simultaneously desirable and horrifying. like, it makes him torn between wanting to accept and reciprocate the love, or distancing himself so that it doesn't happen again.
thats mostly what the last panel is about, that dichotomy between 'omg this person noticed this about me, is this love' and 'oh shit this person noticed this about me, is this Doom'
do you ever like wanna make something cool but you dont know how so you just sit around like a moron for 5 hours straight pretending you know how
me neither
on a more serious note i know ad astra as a whole isnt over but i still want to thank daybreaker for their fics. what friends are for was the very first md fic i ever stumbled upon when trying out ao3 for the first time, and prior to joining the server i was checking it near daily for uploads. god knows if i'd be as deep in ao3 as i am now if it werent for this story and convenient timing. Thanks for the story.
Do you have anymore drawings that we haven’t seen of Cain absolutely fucking up Rire? Idk about you but there’s something about Rire being put in his place by Cain that really makes makes my heart quiver 💥💳💥💳💥💳💥💳💥
Finally done! Would have finished faster but I had to add a extra 30 seconds after the last update came out. Plus after hearing this song how could I not •3•
Most is just from Cass’ au panels (which can be found below) but I did add a little of my own stuff to give it some 🌶️
Did I do okay @tapakah0 and @somerandomdudelmao ? 🥺
just saw asteroid city last night, pls explain the proposed significance of the kiss!!
answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****
i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!
the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh