#and how can i have TIME to write reviews when i don't have TIME to write my screenplay
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In order to name a specific person as your executor, you need to have a will - otherwise the court will appoint someone, usually a family member, which is exactly what a lot of you don't want. With legal gay marriage, your spouse is the first priority choice for executor unless you choose someone else, and they'll keep their access to joint property, policies and bank accounts. When there isn't a will OR a marriage, shit gets really gray legally.
If you're a grown adult who pays your own bills, has your own bank accounts, has any retirement plans/has ever contributed to social security, and/or have life insurance, you should have a will. I know, I know, there's always time for that.
Spoiler: there is not, in fact, always time for that and it becomes a mess for your loved ones to deal with if you didn't.
You can say you know you partner's wishes, but you will be tied up a lot longer in probate if there's no will even if there are no challenges (probate=the legal process of disposing of an estate). Probate is MUCH shorter when there is a legally sound will - you can't do that shit like on TV where you write "I leave all my worldly possessions to my love, X. Havisham-Goode" on a piece of notebook paper and have a nurse and a janitor date and sign as witnesses - well, you CAN, but it's not like Murder She Wrote, your survivor will probably not find it very useful. Without a will, executor or not, if there's a challenge whoever can afford the most for lawyers will probably end up winning the battle for whatever property/belongings were at issue - like a shared house or bank accounts.
You can buy willmaking software that will do the job for most of us who don't have lots of property, but resign yourself to probably having to spend between $150-300, or more depending on how complicated your situation is/what kind of mutual property you own. If you have a house, significant retirement income in a 401K/IRA/other investments, and/or ESPECIALLY if you have kids, you should probably talk to a lawyer in person - guardianships in particular are nothing to fuck around with on an amateur level. DuckDuckGo "LGBT estate planning (your city/county/state)" to find someone knowledgeable near you, check the Better Business Bureau/Google for reviews, ask your friends who they used. It's not important you LIKE your lawyer, but you should feel like they know what they're doing and are professionally respected.
Look up your state's specific laws and constitution; it's unlikely that the Trump administration will be able to just retroactively ban gay marriages and say none of them ever existed. HOWEVER, what could happen is exactly what happened when Roe was overturned - states that have their own specifically gender neutral or specifically queer marriage friendly laws will continue to allow gay marriage that will need to be honored because of interstate commerce clauses but forbidden to continue in unfriendly states. What would be a whole disaster is if both Obergefell were overturned and the Respect for Marriage Act (2022) had constitutional challenge brought and was overturned - and even then, there would need to be a new federal law passed to forbid gay marriage. This process would not be able to happen on January 21st, 2025 - but be sure they'll be trying for it sometime over the next four years.
What you all need to do is not wait for there to be publicity about it. Hammer your Congressperson, blue or red, male or female, actual phone calls best, second letters, third faxes, fourth emails with YOU LEAVE GAY MARRIAGE THE FUCK HOW IT IS OR YOU'RE GETTING PRIMARIED (maybe a little nicer than that - but ONLY a little)
And fill out your durable power of attorneys, healthcare directives and write your wills in the meantime. They're good things to do even if the fashies don't come for gay marriage; they're a form of tangible help and support you can give your spouse even when you can't do it in person any more. Believe me when I tell you serious illness or death is going to be horrendous for your loved one WITHOUT having to book a seance to figure out what you really wanted, and it'll be invaluable if the worst does happen legally.
Before January 2025:
If you are a USAmerican in a relationship that might be affected by legislation that dissolves same-sex marriages, who may no longer be recognized as next-of-kin, especially if you have children, get your rights in writing!
Your marriage certificate may not be enough to prove you have rights to make medical decisions for non-biological children or for a same-sex spouse or partner.
Go to a lawyer, get it spelled out as clearly as possible that you have a voice in emergency medical and legal situations.
#good advice#stay safe out there#lgbtqia relationships#civil rights#estate planning#healthcare directive#the only way people will know what you wanted is to tell them
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So About That BATGIRL #1...
I put this review up in another site, but since folks here on Tumblr seem to be realizing I have a lot of Thoughts about Lady Shiva, I figured I'd transplant it here. So here's how I feel about it. The short of it is that I think it's a strong start with a few small quibbles because I'm not sure how much of Shiva's writing is her being intentionally OOC and how much is Brombal trying to humanize her.
The long is here:
Now, one of Shiva's main issues as a character ever since they finally split her from the League of Assassins (God bless you Bryan Hill) is that, instead, writers have stapled her to Cass. Literally every major Shiva appearance since 2017 has involved Cass in some way. That is a problem not so much for Cass, who gets to have her own stories and series with and without the Batfam (although mostly with), but for Shiva, who doesn't get nearly as much exposure as her daughter. If there's a Shiva comic coming out, odds are it's gonna have something to do with Cass. Well, except for the other Shiva comic coming out this month that's gonna suck shit.
But at the same time, I don't think that means nobody should ever do another Shiva/Cass story, because I still feel like that's rich soil that nobody has had the time, space or desire to really commit to mining. Hill in Outsiders was writing a whole ensemble cast and couldn't linger too long on them. Writers like Grayson and Cloonan/Conrad both teased Shiva trying to reconcile with Cass but never took it anyhwere. A Shiva/Cass story can still be compelling and interesting as long as the writer is willing and able to Actually Write It.
So when literally the first panel of this new issue is Shiva addressing Cass and their relationship directly, I'm already perked up. Right from the get go, you can tell that Tate Brombal is absolutely here to tell a story about these two women and pretty much nothing else, and also that Tak Miyazawa and Mike Spicer are a killer art team. I adore how hard Tak's figures look without (usually) being stiff, thanks to some solid body language and expressions. And Spicer's colors have a cool kind of dark-but-vivid look. The last leg of the issue, with everything illuminated by fire, is especially cool.
Going back to the opening, it's curous how despite this being an issue #1, there's very little in the way of character introductions or set up. There's no slow burn here, no lengthy creeping intro like previous Shiva/Cass stories. And while I can't help but feel that it must be a little awkward for readers unfamiliar with them or their current situation, I think it also accurately reflects one of my favorite parts of the comic, which is Cass' being just absolutely fucking DONE with her mom.
After years of hyper dramatic standoffs and tearful moments of cheap heartbreak, it's fun to see a Cass who has no time for her mother, who's not interested in what she's got going on, and who's confident enough in herself to even be a little shit about it. It's fun and refreshing and fits Cass very nicely.
That not-quite-breakneck but still fast pace keeps up when the Unburied show up after just a few pages of setup and you know, in a couple of interviews, Brombal mentioned being influenced by Daredevil. And this is the page that made me go "Ah, yeah, that tracks." 'cause brother, those are some MILLER-ass ninjas.
Why Shiva fears these guys or thinks Cass can't handle them is not yet explained, but her desperation to keep Cass around does lead to a small but very meaning-heavy moment: the first punch in this series is not thrown into the face of the new enemies, but it's Cass decking her mom in the face and Shiva loving it.
It's an excellent touch and a perfect mission statement about the series. I love it as much as I love the ensuing fight, full of cool moves in big and small panels, but the most fun thing to me is how it's choreographed as Cass fighting her mom almost as much as she's fighting the Unburied. And on top of being a great fight, it ends with a small nod to QUESTION #1 or the 'Tec '88 Annual, in case I was somehow not sold enough already.
And while I still love Cass being so willing to call Shiva out on her lies, it does bring up one of the small gripes I have with this issue: I don't like it when Shiva lies constantly. I think she's best when she's strong and confident enough to not need to lie, when she just lays everything out on the table the way this comic is almost doing. It's good for Cass, as it keeps showing her as someone who has grown to understand her mother, who sees Shiva for who she is and what she does. And it does set up a slightly heartwarming scene at the end.
Of course, that's personal preferrence, and I'm not gonna say this is a bad comic because it doesn't follow my own idea of what works best for Shiva, especially since it's clear that Brombal is writing her with a lot of intention here. But that leads to the other big-ish issue I have with this issue: it's a bit hard to tell, from this story alone, how much of these moments are Brombal building his own personal version of Shiva and how much of it is Shiva, in-universe, acting out of character for the sake of some hidden scheme. After all, Cass points out that twice in the issue Shiva backs down, first from a moral fight and then from an actual fight.
So it's possible that even the constant lying is Shiva playing a role in favor of a grander scheme which will be revealed in later issues. Which, fair enough, I'm willing to see where it goes. But that second moment of yielding does lead to what's maybe my biggest problem with BATGIRL #1, and it's the Unburied themselves.
There's nothing in that initial fight with the Unburied that suggests Shiva and Cass would've had trouble dealing with them. Hell, there's very little to suggest even one of them would've had trouble with them. Now, I'm not suggesting that this issue should've started with the titular character and her mom getting their asses handed to them. But it feels like there's just not enough to these new enemies yet to justify the escape. Ninjas show up, Cass and Shiva beat them without getting hit once, more Ninjas show up and Shiva self-defenestrates herself.
Again, entirely possible that Shiva has something up her sleeve here, and issue #2 did promise to show us the main villain behind them, but as it stands it leaves me with this weird mix of not quite intrigue, not quite disappointment. It's just odd. They could've had, I dunno, a bomb set in the building or some other reason for Shiva to exit the venue like that.
Speaking of odd things, however, I did NOT expect to be reading a comic that brings up Shiva's cult from Puckett/Scott's BATGIRL #25. It's an "Order of Shiva" now though, with chapters and temples and stuff. Which is a bit of a change, since back in #25 they came off more like a gang of fanboys than an order of servants or anything like that. And after being summarily disposed by Shiva in that same issue, they were never really explored again.
So this is Brombal not just bringing back a bit of old lore, but also shifting it slightly, turning it into a more organized group... and then summarily disposing of them one panel later.
Also, I don't know what it is but I *LOVE* this panel. Shiva's face, her "wut" pose, the O.O, it's just... beautiful.
Anyway, once they're in the temple for the last bit of the issue, I start to see a bit more of what Brombal's doing. Like Gail Simone and Bryan Hill, Brombal seems to want to soften Shiva up a little, to make it clear that deep inside, she does have at least a bit of a heart, or enough of it to feel sadness at the wasteful death of people she may feel like she owes something to. Compare it to BIRDS OF PREY #62 for example:
This one is not quite as dramatic or vulnerable, but it's clear that Brombal wants to write Shiva with a slightly more human heart. Which, again, I'm not opposed to but I don't think it's the best thing you can do with her. I prefer Shiva being more detached in regards to death, like the most she'll do is see it as a waste but she's not gonna get emotional about it, she's going to be way more matter-of-fact. Death happens and such. But I think that kind of aloofness often gets interpreted as monstrous disdain for life by writers trying to make Shiva into a villain, and if I had to choose between what Brombal's doing and what, well, what Tom King's probably gonna be doing in a few weeks, I'll take this anytime.
Anyway, I also didn't expect to see the apprentice from BATGIRL #26, having apparently gotten a promotion somewhere in the last 20 years. Good for him! Less good for him is the shitload of arrows he eats two pages later but oh well.
The last couple of pages lead to a nice moment of sheer badassery for both Shiva and Cass and one last showcase of Miyazawa and Spicer's glorious team effort. Those two work really well together and I'm excited to see more of them in future issues. And while we're at it, I gotta give props to Miyazawa for being one of maybe two artists to draw a visibly older Lady Shiva.
His version isn't just aged but hardened by that age, looking stern and determined without having to rely on gritted teeth or angry looks. And on top of all that, he still finds more than enough moments to give her the kind of cocky smiles that bring out the more playful side of Shiva that some stories tend to either gloss over or turn into outright sadism.
Man... I just love to see that momma smile.
Other than that, there's a couple of minor quibbles I have with the issue. There's a funny moment where Cass pulls a Batman on her own mother (who charmingly acknowledges Bruce's influence) but it's undercut by Cass poofing back into existence on the next page. And there's also the weird, almost surreal emptiness of the city around them. Even after a building explodes, there's literally nobody on the streets other than Shiva and Cass.
On one hand, it speaks to the intentions of this run. This is VERY much a two-woman show so far, with no room for much else. But it's still glaring enough to be distracting.
However, it's that intentionality that ultimately wins me over. Even with all my personal little issues with Shiva's characterization, it's obvious from the start that this is a writer who is genuinely trying to write her as a character, who is ready to engage with her and with her relation with Cass on a deeper level than just hero and villain, or good daughter and evil mom.
Brombal, Miyazawa & Spicer have put some meat on the grill, and although I don't think the biggest pieces are there yet... I'm ready to let them cook.
#DC#Comics#Batgirl#Lady Shiva#Cassandra Cain#Tate Brombal#Tak Miyazawa#Mike Spicer#takeshi miyazawa#Comic Reviews#Wu-Tang Clan intro voice: TIGER STYLE#TIGER STYLE
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Random Thoughts about Let Free the Curse of Taekwondo (EP 7 - 8) :
I think the hardest part when you review a series is when you have to write something about the end. I usually avoid writing about the end of a series because I never really know where to start and how to finish it. I guess, it's also because it is usually hard for me to let go of a universe and characters I discovered and liked. I don't like saying goodbye. This series has been a very eventful ride. Do Hoe and Ju Yeong didn't have an easy life and they tried very hard to make it, but things weren't going as smoothly as it should be. I have to admit, after episode 5 and 6, I thought they would never make it. It seems so complicated for them to have a happy ending and I'm surprised, but happy by how they made it anyway. I said it before, but I really had difficulties to follow the story on the last two previous episodes. This feeling stayed during episode 7, but episode 8 was better and easier to follow. I guess, it's because we finally knew everything of what happened in the past and how it led the characters where they were in the present. It's a story about how violence and abuse can be so damaging on your life and impact a lot of your actions. It was a very sad story for the most part. It was deeply emotional for me and I felt very down after watching the episodes because I felt so much for the characters and I wished I could find a way for them to be happy. I was afraid the story would end badly, but I'm deeply grateful the story offered us a happy ending.
Like most viewers had guessed, Do Hoe lied and forged his diploma and when he tried to help his abused student, the mother of the child who went to the same school he was supposed to have graduated from, found out about the truth. Do Hoe had tried for a long time to make people forget about his past and to make them impressed by his success. He was very afraid of being like his father and failing to accomplish something. He was living an illusion because through this illusion he felt like he escaped his past. However, it didn't free him for the chains of the past. I think it wasn't that easy to live in this illusion anyway. How hurtful it must have been to keep failing the college entrance exams. We saw how Do Hoe pride himself about how he was doing his best to study. He wanted to graduate from this “Hasoul University” because it's the top university and graduating from this school would bring him the admiration of others. Do Hoe wanted to be more than the son of a violent father who failed. I don't think he ever really liked lying or pretending he really had this exams. That's why he kept hiding from Ju Yeong. The problem is that Do Hoe was suffering from transgenerational trauma. He was afraid of repeating the same patterns and attitudes of his father. His curse was this trauma he inherited from his father.
I think the story didn't really answer the questions about how to break the cycle of transgenerational trauma (it would have taken more than 8 episodes), but they made a good statement by the end of episode 7: to be able to move on, you need to heal from this first. I guess that's what happened when Do Hoe and Ju Yeong came back to the taekwondo school of Do Hoe's father and break or burn things from over there. It was the step to write down the beginning of their healing journey. From this point, they could start again. They learned to forgive themselves from whatever thoughts they had about being responsible. Do Hoe needed to have his redemption. Yes, people learned about his lies and his probation means he got another chance. It was truly amazing to see him get this new chance of becoming who he really wants to be without the burden of his past. I'm glad Ju Yeong was around him and encouraging him to grasp this new chance to the fullest. Being able to start anew and knowing you are loved can make you do many things. I think that's what Do Hoe feels. It was very cute and charming to see him and Ju Yeong being happy and enjoying this little domestic life together. They both deserve it. I'm just a little sad we didn't get to see them more in this happy place, but the story was not only about their love, but more about how to break the trauma from the previous generation. The love story was just the cherry on top.
In some way, I'm pretty impressed by Ju Yeong's resilience. He also ha a very complicated life and the way he dealt with his own trauma was pretty different from Do Hoe. He wasn't loved that much by his family, he also was abused and beaten by Do Hoe's father and in the end he tried hard finding Do Hoe and being with him. I sometimes feel the story didn't give him enough time to show his own response and healing from this past. I guess, it's because it's so linked to Do Hoe's own trauma that if one of them start to be free from it, the other one would follow too. Ju Yeong's love for Do Hoe is truly something endearing to watch. Around him, Do Hoe is able to be happy and to express himself more. He was always someone quite reserved, but when Do Hoe is with Ju Yeong, he cries, laugh, and stop holding himself. It was always Ju Yeong for Do Hoe. He admitted it himself, if he had been successful, he would have tried to find Ju Yeong. However, before he wasn't happy or successful the way he wanted so he kept avoiding him (at least until his dad's death). It was pointless because Ju Yeong doesn't care about this. He cares about Do Hoe being well and he wants to help him achieve his dreams. That's what matters to Ju Yeong. I really liked this character. Ju Yeong's healing journey started when he met Do Hoe's again. It was his own way of rebound from adversity as a strengthened and more resourceful person. When they were separated, he was just this guy who cried when seeing the snow, but after he was the one who helped Do Hoe stop his “curse”.
I also want to add something about Hyeon Ho. Again, I feel like the story didn't give us enough things about him. We know he used to bully Do Hoe and as the viewers we guess that it's because he rejected, at first, his attraction to him. Then, for 10 years he stayed around Do Hoe and he tried to be more than a friend to him, unsuccessfully. He knew about the truth of the falsification of his certification and he tried to help him. He didn't do well all the time, and it's easy to not like him for his past behavior towards Do Hoe. I think he regretted his actions. I felt bad for him because I feel he truly loved Do Hoe, but he was unable to understand him and to get past the mask he was wearing. Hyeon Ho never got to see parts of Do Hoe, even if he stayed around him for such a long time. It must hurt, especially if you have feelings for someone. I wish we saw him get to have someone to care for him in the end. We just have to hope after this phone call with Do Hoe that he tried to find his own happiness with someone else. He did try caring for Do Hoe. It didn't help him break from his trauma, but he was there nonetheless. It's true that Do Hoe never gave him his tears or his laugh. He was always so reserved around him, even after all these years. I think the last episode really made me see Heyon Ho in a different way. It was interesting.
In this end what did I think about "Let Free the Curse of Taekwondo"? It was a compelling story, sometimes confusing and I wish they had more time to really answer the few questions I had or the scenes I wanted to see. This story was really more about resilience, freeing someone from trauma than it was a love story. It's not a bad thing, but it wasn't exactly what I thought it would be. I think it's a must-watch and I will never watch it again. It's the type of story, I can only watch once. The happy ending is pleasant and I'm glad the main characters got it. I really wanted them to have one. I would not say it will be part of my favorite series I watched this year because it wasn't easy to watch. Korean BL usually have a bittersweet taste for me and it's not really the taste I'm looking for. I liked all the reviews I read about them and it was nice to talk about it with some of you here.
Thanks again for reading my own review. It was a great ride with all of you too.
#bl series#bl drama#korean bl#kbl#let free the curse of taekwondo#episode 7#episode 8#dohoe x juyeong#it's time to say goodbye to this story and these characters#I always feel emotionally drained after watching this series
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I'm gonna be a little quiet on here until after I start playing Dragon Age. I don't want to be spoiled and the urge to click on posts that have DA tags blacklisted is mounting. And just like with Inquisition, I want to go in totally blind.
#[static]#I can't wait to see what my friends and mutuals think. it's always so much fun to watch folks play new games together#I've seen a few reviews. but I ultimately want to decide for myself#I've already seen people bickering about really inane stuff just to have something to be negative about#and while there are incredibly valid criticisms of EA among other things ... the stuff I'm seeing -#- is typical fandom stuff that I don't want to touch with a 10 foot pole#it's kind of funny how much people can rattle on about a game that isn't out just because they want something new to complain about#and people are 100% allowed to have their opinions and feelings on if they thought a game was good or not but the stuff im talking about is#- like being mad at folks getting invested in characters or talking about how bad they know it's going to be even though they havent played#i think i just hate when people talk with such conviction about how other people should enjoy things that it pisses me off real bad#i saw a take on my for you page about how it's wrong of people to be writing fics about things that havent happened yet#because what if they're wrong and then theyve wasted their time and are gonna be ruinously upset. instant block lol#i thankfully dont see any of this on my dash ... usually just in the dragon age tags or on the for you page which I rarely frequent#just let people enjoy something without getting wound up about it not being the right way. it's just drama for drama's sake#but also feel free to hate it and hate it loudly! so long as you understand it's also ok for others to have a different opinion#it's just the super-online 'everyone is wrong but me' takes that leave me reeling
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youtube
Zero Day Director commentary - With actor Andre Keuck
#movies#film#cinema#Damn I wish Cal was here#Andre and Ben are really interesting to listen to#This movie is one of those movies where it needs like 3 commentaries#It needs one with just Ben Coccio by himself#then one with Cal and Andre by themselves#then another with all 3 of them#Not all movies do that but I love when studios/filmmakers have multiple commentaries to create a sense of thorough intimacy#due to the nature of how commentaries are set up they can be quite restrictive/pressing/limited with no pauses or rewinds.#so I find cast/crew don't have enough time or able to present how they would like to if they could edit/rewind or pause for fluent presenta#So I love when they have director commentaries and actor commentaries or composer commentaries#Platoon's dvd extras are so dope they got multiple commentaries and one with military adviser Dale Dye who was a RL vietnam vet#Or Hostel's commentaries where one is just Eli Roth and another is Tarantino and Eli Roth with Scott Spiegal#idk if Zero Day ever got a blu-ray release but I think it should but the DV technology of the camera is kinda at it's limit of resolution#but an AI upscaling with 20 years later retrospective with Ben Cal and Andre would be sooo dope along with updated commentaries#Every few years I always rewatch Zero Day so that time has come that last few days lol#Ever since Columbine as a lil kid I have always been into spree-murders and active shooter incidents#I remember reading a peer-reviewed paper called Pseudo-Commandos#And Eric and Dylan and Andre and Cal would be dubbed Pseudo-Commandos where they dress up in a semi-military fashion#and have a delusion of superiority mixed with perceived sense of persecution whether it's true or not#it went into the Postal shooter from the 80s as well and what he went through along#plus I read another book called Going Postal which also went into postal shootings along with school shootings#I want to make a film about spree murders or an active shooter/s but I remember just getting so tired of the subject matter#because every 3 weeks there was some new shooter in the headlines and I found myself not wanting to be exploitative#When I write/direct my film I'd like it to address and study the character of such an individual but not try to be too political#or exploitative and focus on the ambiguities that are left behind when someone does this#as a society I noticed we stopped asking the questions on why and stopped having constructive conversations#it feels like as a coping mechanism we've started treating them like tornados or natural disasters
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as a writer how do you stop thinking about like getting kudos/comments? I've just started writing fanfic, and when I start a writing something -- it goes well and then eventually I get to point where I'm like "ahh but what the readers don't like that? or what if I don't get as many kudos or comments" and it makes it difficult to continue because then it becomes stressful -- I guess how do you deal with "wanting to write stuff for yourself" and "wanting validation" thanks!
You're going to hate this answer, because I hated it too, but TIME. When you first start writing and you get kudos and comments and people love what you're doing, it's a huge validation of your effort and talent, and it's natural that you want MORE of it. When I first started putting up fics I already had been writing for 15+ years, knew I was good at it, and still for a good few years found myself really glued to the hit counter, and the kudos, and wondering how I'd be able to get people to comment the same way they did on things like Seven Suitors.
But the thing is that commenting comes and goes in waves, and unless a fandom has a big comment culture, or is large enough that you're guaranteed a good glut of them every time you post...you're going to hit a point where you write exactly what everyone wants and get crickets. And at that point you'll get ANNOYED, because LOOK, I MADE THIS, i made it for YOU GUYS, and now y'all don't have anything to say? It'll get to you. It'll make you doubt that you know what anyone wants at all. It'll happen and it'll suck the whole time.
Lots of advice will say "write for yourself," which is an excellent sentiment. You should always write what YOU want. Put into your fic what you want to see, write the nitpicky poetic metaphors and craft the most screwball twists your heart desires. Pour yourself into the most niche AUs and most tin-hat canon theories. At the end of the day, you want the IDEAS you put down to be for you, because comments and kudos are nice, but if they don't come...you have to be proud of what you put out, even when it feels like an echo chamber.
But also...we don't POST things for ourselves. We post things to share. Fic are a conversation with canon and it is perfectly natural to want to create something that creates conversation among other fans. So you're never going to fully get the need for validation out of your head, you're not. You can hide hit counts and ignore your inbox all you like, but the want to have someone interact with your work, to inspire someone to reach out to you will ALWAYS be there. You just have to create a healthier relationship with it.
Be confident in what you write. Think less about whether people will like it, and more about how you WANT them to react. The reader is the most important character in any novel, but it's the one most authors forget to manage. When you come to a point where you go "oh man, I hope this is good for them!" stop and go, "what do I *want* them to be feeling here?" Focus on where you're putting their attention and whether you WANT it there. There's so much you can do when you visualize your relationship with the reader as PART of the work, and it takes off a lot of the pressure of "is this good? is it disappointing? will this get me validation?" and brings it back into the realm of storytelling. You are taking your reader on a journey, and when you do it well people will think less about "did I like that?" and more about "what comes next?"
#asks#writing advice#writing#please understand nonnie that what you are feeling is completely natural and part of the process#and shades of that will stick with you no matter how good you get#but the thing you want to keep in the center of your mind when it comes to that#is that you can only get kudos once on a fic and you are lucky to get a 1:100 comment vs hits ratio#so the instant validation WILL dry up and you'll have to have something about your story#that makes you push through. because people will come back and comment!#people will blow through 50+ chapter and leave you the most emotionally hungover review promising you their first borns#but sometimes you will have written a good third of them with NO feedback whatsoever#and you just have to trust in yourself that it's good. it's FINE#i used to obsessively check hits and be really put out to see how many people were coming and not commenting#especially when i wrote really emotionally driven stuff and really tore myself up to get those feelings through#but i also would have been miserable only writing fluffy 1 or 2 shots with no plot just to get the flush of comments those fics get#you just gotta do what you gotta do and let your audience find you. recontextualizing the relationship helps a LOT#i already was big on focusing on the meta plot of my works because as i said. 15+ years. had a lot of time to experiment and get good#but i still had to like. give myself the same pep talk 2 years in about how to view that relationship#everyone goes through it and if they say they don't they're a liar and i mean that seriously 🤣
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if there's one thing i hate more than slackers in group projects its goddamn hypocrites
#this guy did jack shit for two full weeks when we're building the damn prototype#but STILL brought up the fact that most of our team blew off a report till the last minute in the beginning of march#*prototypes don't work* “sEe tHis iS wHy wE nEedEd tO hAvE a cOnvErsaTioN aBouT MS3”#like hon you lost the rights to the “y'all need to contribute more” argument the moment you left me hanging for 2-3 FUCKING WEEKS#like excuuuuuse me you been prioritizing extra curriculars all week get off your high horse stop lecturing everyone else about contribution#he made maybe 3 contributions? maybe?#first he 3D modeled an adapter and sent it to someone else to print (couldn't even do THAT himself smh)#then he sent the gc a sketch of an idea i roughly proposed literally the NIGHT BEFORE as his own contribution (that I ENDED UP BUILDING#then he...screwed on a few pipe fittings and called it a project :)#would be a LOT less pissed if he didn't show up to One Thing outside weekly team meetings/class#then apologize for slacking off BUT then launch into a FUCKING SPEECH ABOUT HOW HIM BEING HERE PROVES HIS COMMITTMENT#all because he DOESN'T LIKE GETTING UP EARLY. like sir. sir i am rIGHT FUCKING HERE. i was up till 4-5am working on this stfu#we've been building for three weeks and he's come into work on stuff wo me there ONCE for an HOUR#for context id spent about fifteen hours in the shop alone working on the fucking thing that WEEK#like im trying to be understanding ik tech week is hell#but i took “stepping back” as “i only have a few hours here and there to be in the shop and will do the writeups”#NOT “won't show up outside meetings AND we're splitting slides and writeups 80/20”#like id been in the lab all fuckin day and notice we have an assignment due (missed a SINGLE meeting due to exam)#and i ask him if theres anything i can do (and im thinking like look it over maybe add a spec or two)#and this fucker has the AUDACITY to ask me to write the full four paragraph summary cause he#*checks notes* copy-pasted some specs from milestone 3 so of COURSE its only fair that despite the fact I've been in the lab ALL DAY#that i write the four fuckin paragraphs too#course we're troubleshooting and he's like “did you clean the pump? did you disassemble it and rinse it?” like yes???#i did EVERYTHING i could think of before i even bothered texting you cause i know you're fucking useless#and then he raises fifteen different concerns which while valid would have been NICE TO HEAR WHEN I SENT YOU MY INITIAL DESIGNS#y'know BEFORE i spent over fifteen hours of my free time building this damn thing#with slackers i just pick up the work and move on with my life this idiot is trying to gaslight me into thinking that he contributed fairly#when i heard “i need to step back due to play stuff” i thought we'd be splitting it like 65:35 NOT FUCKING 95:5#and now hes probably going to give ME a poor peer review because I've been passive aggressive with him in the few meetings he showed up to#like i got shit going on too? how the fuck does he expect me to respond to being abandoned to do this shit myself
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I used to work for a trade book reviewer where I got paid to review people's books, and one of the rules of that review company is one that I think is just super useful to media analysis as a whole, and that is, we were told never to critique media for what it didn't do but only for what it did.
So, for instance, I couldn't say "this book didn't give its characters strong agency or goals". I instead had to say, "the characters in this book acted in ways that often felt misaligned with their characterization as if they were being pulled by the plot."
I think this is really important because a lot of "critiques" people give, if subverted to address what the book does instead of what it doesn't do, actually read pretty nonsensical. For instance, "none of the characters were unique" becomes "all of the characters read like other characters that exist in other media", which like... okay? That's not really a critique. It's just how fiction works. Or "none of the characters were likeable" becomes "all of the characters, at some point or another, did things that I found disagreeable or annoying" which is literally how every book works?
It also keeps you from holding a book to a standard it never sought to meet. "The world building in this book simply wasn't complex enough" becomes "The world building in this book was very simple", which, yes, good, that can actually be a good thing. Many books aspire to this. It's not actually a negative critique. Or "The stakes weren't very high and the climax didn't really offer any major plot twists or turns" becomes "The stakes were low and and the ending was quite predictable", which, if this is a cute romcom is exactly what I'm looking for.
Not to mention, I think this really helps to deconstruct a lot of the biases we carry into fiction. Characters not having strong agency isn't inherently bad. Characters who react to their surroundings can make a good story, so saying "the characters didn't have enough agency" is kind of weak, but when you flip it to say "the characters acted misaligned from their characterization" we can now see that the *real* problem here isn't that they lacked agency but that this lack of agency is inconsistent with the type of character that they are. a character this strong-willed *should* have more agency even if a weak-willed character might not.
So it's just a really simple way of framing the way I critique books that I think has really helped to show the difference between "this book is bad" and "this book didn't meet my personal preferences", but also, as someone talking about books, I think it helps give other people a clearer idea of what the book actually looks like so they can decide for themselves if it's worth their time.
Update: This is literally just a thought exercise to help you be more intentional with how you critique media. I'm not enforcing this as some divine rule that must be followed any time you have an opinion on fiction, and I'm definitely not saying that you have to structure every single sentence in a review to contain zero negative phrases. I'm just saying that I repurposed a rule we had at that specific reviewer to be a helpful tool to check myself when writing critiques now. If you don't want to use the tool, literally no one (especially not me) can or wants to force you to use it. As with all advice, it is a totally reasonable and normal thing to not have use for every piece of it that exists from random strangers on the internet. Use it to whatever extent it helps you or not at all.
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my skills include getting absolutely worked up over nothing
#thinking abt my screenplay and the idea of like. pitching it. sending it to someone who id want like. involved with it. SCARY!!!#drafting the kind of letter id write for such a thing. and thinking abt creating some kind of like online presence as a writer/film critic#of course stretching the truth a little abt my 'published writings' (stuff in school)#another drawback to that idea would be. i have not written any film reviews.#and how can i have TIME to write reviews when i don't have TIME to write my screenplay#and even if i did all that theres still the underlying thing that i am a nobody who still hasn't filmed anything#and no one will want to work on the film of someone who has never made a film!!! augh.#so its all giving me a headache for absolutely no reason#also just survived a work meeting that could have been a prog rock concept album#oh well. soon i can sit down and relax
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Oh dear.
So as some of you may know, I love to point and laugh at bad legal arguments. And as fun as legal dumpster fires are when they are made by people who aren’t lawyers but think this whole “law” thing seems pretty simple, it’s even funnier when an actual, barred attorney is the person dumping gallons of kerosene into the dumpster.
And oh boy folks, do I have a fun ride for y’all today. Come with me on this journey, as we watch a lawyer climb into the dumpster and deliberately pour kerosene all over himself, while a judge holds a match over his head.
The court listener link is here, for those who want to grab a few bowls of popcorn and read along.
For those of you who don’t enjoy reading legal briefs for cases you aren’t involved with on your day off (I can’t relate), I will go through the highlights here. I will screenshot and/or paraphrase the relevant portion of the briefs, and include a brief explainer of what’s going on (and why it’s very bad, but also extremely funny). (Also, I’m not going to repeat this throughout the whole write-up, so for the record: any statements I make about how the law or legal system works is referring exclusively to the U.S. (And since this is a federal case, we are even more specifically looking at U.S. federal law.) Also, I don’t know how you could construe any of this to be legal advice, but just in case: none of this is, is intended to be, or should be taken as, legal advice.)
First, let’s get just a quick background on the case, to help us follow along. In brief, this is a civil tort suit for personal injury based on defendant’s (alleged) negligence. The plaintiff is suing the defendant (an airline), because he says that he was injured when a flight attendant struck his knee with a metal cart, and the airline was negligent in letting this happen. The airline filed a motion to dismiss on the grounds that there is an international treaty that imposes a time bar for when these kind of cases can be brought against an airline, and the plaintiff filed this case too many years after the incident.
The fun begins when the plaintiff’s attorney filed an opposition to the motion to dismiss. (So far, a good and normal thing to do.) The opposition argues that the claim is not time-barred because 1) the time bar was tolled by the defendant’s bankruptcy proceedings (that is, the timer for the time limitation was paused when the defendant was in bankruptcy, and started again afterwords), and 2) the treaty’s time limit doesn’t apply to this case because the case was filed in state court before the state statute of limitations expired, and the state court has concurrent jurisdiction over this kind of case.
I’m struggling a bit to succinctly explain the second reason, and there’s a reason for that.
You see, the whole opposition reads a bit…oddly.
This is how the opposition begins its argument, and it’s…weird. The basic principle is...mostly correct here, but the actual standard is that when reviewing a motion to dismiss for failure to state a claim (which is what the defendant filed) the court must draw all reasonable factual inferences in the plaintiff’s favor. But even then, you don’t just put that standard in your opposition. You cite to a case that lays out the standard.
Because that’s how courts and the law work. The courts don’t operate just based on vibes. They follow statutory law (laws made by legislature) and case law (the decisions made by courts interpreting what those laws mean). You don't just submit a filing saying, "here's what the law is," without citing some authority to demonstrate that the law is what you say (or are arguing) it is.
Again, this isn’t wrong (although I'm not sure what it means by new arguments?), but it’s weird! And part of the reason it’s weird is that it is irrelevant to the defendant’s motion to dismiss. The defendant filed a motion stating that based on the facts in the complaint, the plaintiff has not stated a claim based on which relief can be granted, because the complaint is time barred by a treaty. There is no reason for this language to be in the opposition. It’s almost like they just asked a chatbot what the legal standards are for a motion to dismiss for a failure to state a claim, and just copied the answer into their brief without bother to double-check it.
The opposition then cites a bunch of cases which it claims support its position. We will skip them for now, as the defendant will respond to those citations in its reply brief.
The last thing in the brief is the signature of the lawyer who submitted the brief affirming that everything in the brief is true and correct. An extremely normal - required, even! - thing to do. This will surely not cause any problems for him later.
The next relevant filing is the defendant’s reply brief. Again, the existence of a reply brief in response to an opposition is extremely normal. The contents of this brief are…less so.
Beg pardon?
Just to be clear, this is not normal. It is normal to argue that the plaintiff’s cases are not relevant, or they aren’t applicable to this case, or you disagree with the interpretations, or whatever. It is not normal for the cases to appear to not exist.
Some highlights from the brief:
Quick lesson in how to read U.S. case citations! The italicized (or underlined) part at the beginning is the name of the case. If it is a trial court case, the plaintiff is listed first and the defendant second; if the case has been appealed, the person who lost at the lower court level (the petitioner/appellant) will be listed first, and the person who won at the lower level (the respondent/appellee) will be listed second. There are extremely specific rules about which words in these names are abbreviated, and how they are abbreviated. Next, you list the volume number and name of the reporter (the place where the case is published), again abbreviated according to very specific rules, then the page number that the case starts on. If you are citing a case for a specific quote or proposition, you then put a comma after the beginning page number, and list the page number(s) on which the quote or language you are relying on is located (this is called a “pincite”). Finally, you put in parenthesis the name of the court (if needed)(and again, abbreviated according to extremely specific rules) and the year the case was decided.
So the plaintiff’s response cited to Zicherman, which they said was a case from 2008 that was decided by the 11th Circuit Court of Appeals. However, the defendant was not able to find such a case. They were able to find a case with the same name (the same petitioner and respondent), but that case was decided by the U.S. Supreme Court in 1996, and the lower court cases associated with that case weren’t in the 11th circuit either. (The United States Reports is the only official reporter for the U.S. Supreme Court, and only includes SCOTUS decisions, so it’s not necessary to include the name of the court before the year it was decided.)
Just to be clear. The defendant’s brief is saying: the plaintiff cited and extensively quoted from these cases, and neither the cases nor the quotations appear to exist. These “cases” were not ancillary citations in the plaintiff’s brief. They were the authority it relied upon to make its arguments.
This is as close a lawyer can come, at this point in the proceedings, to saying, “opposing counsel made up a bunch of fake cases to lie to the court and pretend the law is something different than it is.”
That, “Putting aside that here is no page 598 in Kaiser Steel,” is delightfully petty lawyer speak for, “you are wrong on every possible thing there is to be wrong about.”
By page 5, the defendant has resorted to just listing all of the (apparently) made up cases in a footnote:
(skipping the citations to support this proposition)
This is where I return to my struggle to explain the opposition’s second reason why the motion to dismiss should not be granted. I struggled to explain the argument, because they failed to explain why the argument they were making (that plaintiffs can bring lawsuits against airlines in state court, and the state court have specific statutes of limitations for general negligence claims) was relevant to the question of whether the plaintiff’s specific claim against the airline was time barred by the treaty. Because 1) this case is in federal court, not state court, and 2) federal law - including treaties - preempts state law. Again, it’s almost like plaintiff’s attorney just typed a question about the time bar into a chatbot or something, and the machine, which wasn’t able to reason or actually analyze the issues, saw a question about the time to bring a lawsuit and just wrote up an answer about the statute of limitations.
We also end with a nice little lawyerly version of “you fucked up and we are going to destroy you.” The relief requested in the defendant’s original motion to dismiss was:
In their reply to the opposition, however:
“The circumstances” in this case, being the apparent fabrication of entire cases. Because courts tend to take that pretty seriously.
And the court took it seriously indeed. The defendant’s reply was docketed on March 15th of this year. On April 11th:
AKA: you have one week (an extremely prompt time frame for federal court) to prove to me that you didn’t just make up these cases.
On April 12th, the plaintiff’s attorney requests more time because he’s on vacation:
The judge grants the motion, but adds in another case that he forgot to include in his first order.
On April 25th, the plaintiff’s attorney files the following:
(And he lists the cases, with one exception, which he says is an unpublished decision.)
But he says of all of the cases except two, that the opinions…
Which is…nonsense?
First of all: if you cited a case, you had to get it from somewhere. Even unpublished opinions, if you are citing them in a brief, you are citing them because you pulled them off of westlaw or whatever. Which means you have access to the case and can annex it for the court. (There are even formal rules for how you cite unpublished opinions! And those rules include citing to where you pulled the damn case from!)
Secondly: remember that long digression I went into about how to read case citations? Remember that bit about how you include the name of the reporter (the place the case was published)? Yes, cases are published. They are printed in physical books, and they are published online in databases (e.g. lexis or westlaw). If the specific online database you are looking in does not have the case, you look somewhere else. If you have a judge telling you to get them a copy of the case Or Else, you track down a physical copy of the reporter if you need to and scan the damn thing yourself. You - literally - can’t just not have a copy of the case! (Especially published federal circuit court opinions, which multiple of these cases are! Those aren’t hard to find!)
And what kind of “online database” doesn’t include the entire opinion anyway? I’ve literally never heard of a case research database that only included partial opinions, because that wouldn’t be useful.
Maybe if we look at the attached annexed copies of the cases, that might give us some answers.
...
My friends, these things are just bizarre. With two exceptions, they aren’t submitted in any sort of conventional format. Even if you’ve never seen a legal opinion before, I think you can see the difference if you just glance through the filings. They are located at Docket entry #29 on Court Listener (April 25, 2023). Compare Attachments 6 and 8 (the real cases submitted in conventional format) to the other cases. Turning to the contents of the cases:
In the first one, the factual background is that a passenger sued an airline, then the airline filed a motion to dismiss (on grounds unrelated to the treaty's time bar), then the airline went into bankruptcy, then the airline won the motion to dismiss, then the passenger appealed. And the court is now considering that appeal. But then the opinion starts talking about how the passenger was in arbitration, and it seems to be treating the passenger like he is the one who filed for bankruptcy? It’s hallucinatory, even before you get to the legal arguments. The “Court of Appeals” is making a ruling overruling the district court’s dismissal based on the time bar, but according to the factual background, the case wasn’t dismissed based on the time bar, but on entirely other grounds? Was there some other proceeding where the claim was dismissed as time barred, and it’s just not mentioned in the factual background? How? Why? What is happening? Also it says Congress enacted the treaty? But, no? That’s…that’s not how treaties work? I mean, Congress did ratify the treaty? But they didn’t unilaterally make it!
In the second case, there’s an extended discussion of which treaty applies to the appellants claims, which is bizarre because there are two relevant treaties, and one replaced the other before the conduct at issue, so only the new treaty applies? There isn’t any discussion of the issue beyond that basic principle, so there is no reason there should be multiple paragraphs in the opinion explaining it over and over? Also, it keeps referring to the appellant as the plaintiff, for some reason? And it includes this absolutely hallucinatory sentence:
…the only part this that makes sense is that the argument is without merit. I’m not going to discuss the actual merits of the legal arguments in the opinion, because they are so bizarre and disjointed that even trying to describe them would require a Pepe Silvia-sized conspiracy board. Like the previous case, both the facts and the legal posture of the case change constantly, with seemingly no rhyme or reason.
The third one…oh boy. First, large portions of the “opinion” are individual paragraphs with quotations around the whole paragraph. What’s happening there? As far as the content of the opinion itself - I can’t. I mean that, I literally can’t. What is being discussed seems to change from paragraph to paragraph, much of it contradicting. It makes the first case seem linear and rational by comparison. The court finds it doesn’t have personal jurisdiction over the defendant so dismisses the case based on a lack of subject matter jurisdiction? But also the defendant hasn’t contested jurisdiction? And also the court does hold that it has both subject matter and personal jurisdiction over the defendant? And then it denies the motion to dismiss the case? Also, at one point it cites itself?
…also, even if this was a real case, it doesn’t stand for the propositions the plaintiff cited it for in their opposition? I’m not going to go into the weeds (honestly it’s so hallucinatory I’m not sure I could if I tried), but, for example, the plaintiff’s reply brief states that the court held “that the plaintiff was not required to bring their claim in federal court.” The U.S. District Court for the District of Columbia is a federal court, and there is no discussion of any filings in state courts. The closest the “opinion” comes is with the statement, “Therefore, Petersen’s argument that the state courts of Washington have concurrent jurisdiction is unavailing.” (This statement appears to be completely disconnected from anything before or after it, so I am unsure what it is supposed to mean.)
Moving on, case number four is allegedly a decision by the Court of Appeals of Texas. It includes the following line:
Honestly, the plaintiff’s attorney best defense at this point is that he wasn’t intentionally trying to mislead the court, because if he was doing this on purpose, he would have edited the cases to make them slightly more believable. (Context in case you’ve lost track: these documents are supposed to be copies of the opinions he is citing. The screenshoted line makes it clear that what he is actually citing is, at best, someone else’s summary of an "opinion". It would be like if a teacher asked a student to photocopy a chapter of a book and bring it into class, and instead the student brought in a copy of the cliffs notes summary of that chapter. Except that the book doesn’t even exist.)
The actual contents of the “opinion” are, as is now standard, absolutely bonkers. First, the court decides that it doesn’t have personal jurisdiction over Delta because “Delta did not purposefully avail itself of the benefits of conducting business in Texas.” This was despite the fact that the factual background already included that the appellant (sorry, the plaintiff, according to the “opinion”) flew on a Delta flight originating in Texas. Like, this is just wrong? It’s not even hallucinatory nonsense, it’s just facially incorrect legal analysis. Then the court starts discussing the treaty’s time bar, for some reason? Then it goes back to talking about personal jurisdiction, but now the trial court denied the defendant’s motion to dismiss for lack of personal jurisdiction, and the appellate court agrees with the trial court that it does have personal jurisdiction, even though this is the plaintiff’s appeal from the dismissal for lack of personal jurisdiction and the court already ruled it didn’t have personal jurisdiction? And even though on page 1, the plaintiff was injured during a flight from Texas to California, now on page 7 she was injured on a flight from Shanghai to Texas? Also the trial court has gone back in time (again) to grant the motion to dismiss that it previously denied?
Also, I’ve been trying to avoid pointing out the wonky text of these submissions, but:
Everything ok there?
Case number five is similar enough to number four that it’s not worth repeating myself.
Thank god, cases six and eight, as noted above, are real cases, so I’m going to skip them. The defendant alleges that the cases do not stand for the propositions the plaintiff cited them for, and I’m going to assume that is true, given the rest of this nonsense.
Case number seven looks legitimate on the surface. But neither the defendant nor I could find the case through any legitimate search mechanisms. The defendant looked up the purported docket numbers on PACER and found completely different cases; I was able to find a case with the name “Miller v. United Airlines, Inc.,” but it was for a different Ms. Miller, it was a California state case (not a Second Circuit federal case), it was decided on a different year, and the substance of the case was entirely different from the alleged opinion filed with the court.
On top of that, this might be the most morally reprehensible fake citation of them all? Because it is about the crash of United Airlines Flight 585, a real plane crash. Everyone on board - 25 people in total - was killed.
The individual cited in this fake court case was not one of them.
I cannot imagine conducting myself in such a way where I would have to explain to a judge that I made up a fake case exploiting a real tragedy because I couldn’t be bothered to do actual legal research.
Now, I know you all have figured out what’s going on by now. And I want you to know that if your instincts are saying, “it seems like the lawyer should have just fallen on his sword and confessed that he relied on ChatGPT to write his original brief, rather than digging himself further into this hole”? Your instincts are absolutely correct.
Because obviously, the court was having none of this b.s. On May 4th, the court issued an order, beginning with the following sentence:
That is one of the worst possible opening sentences you can see in an order by the court in a situation like this. The only thing worse is when judges start quoting classic literature. If I was Mr. Peter LoDuca, counsel for the plaintiff, I would already be shitting my pants.
“I gave you an opportunity to either clear things up or come clean. Now I’m going to give you an opportunity to show why I should only come down on you like a pile of brinks, instead of a whole building.”
We are getting dangerously close to “quoting classic lit” territory here.
If I learned that the judge in my case called up the clerk of a circuit court just to confirm how full of shit I was, I would leave the legal profession forever. Also, the judge is now also putting quotes around “opinion.” When judges start getting openly sarcastic in their briefs, that means very very bad things are about to happen to someone.
So I’m guessing the delay between this filing and the court order was because the judge’s clerk was tasked with running down every single one of the additional fake citations included in the "opinions", just to make this sure this order (and the upcoming pile of bricks) are as thorough as possible.
If you are following along with Dracula Daily, the vibe here is roughly the same as the May 19th entry where Dracula demands Jonathan Harker write and pre-date letters stating he has left the castle and is on the way home.
Also, hey, what’s that footnote?
Wait, what?
Folks, it appears we may have notary fraud, on top of everything else! Anybody have bingo?
So on May 25, one day before the deadline, Mr. LoDuca filed his response. And oh boy, I hope ya’ll are ready for this.
Hey, what’s the name of that other attorney, “Steven Schwartz”? Where have I seen that name before…
...I ran out of room for images on this post. So I'm going to have to leave this as an accidental cliffhanger. Part 2 to follow once I refresh my tea.
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it's just that there's a few more steps you have to take that other people don't have to take, but they don't see the steps, so they think you should be able to hop from moment to moment, a chickadee.
it isn't getting out of bed. it is the weight, the hook in your chest, the anchor. you have to move the anchor first. you have to silence your alarm, but your phone is in your hand, which means now you have to put the phone down, which is too-hard. you get stuck in there for a while, the white screen, mindlessly scrolling. you don't even like this activity, have tried a few other options but - here you are, and time is passing.
you've googled iron deficiency causes depression and if i drink enough water does it help with mental illness and anxiety but no caffiene within the last two weeks, like how you googled am i gay quiz at 17.
it isn't just calling the doctor back, it's the anxiety, it's these little moths in your lung cavities, furious and fluttering. you need to figure out how to capture your fingers from between their nervous bodies. you are an adult, you can say the words yes hi, i'm calling because i need - but you need to practice first. maybe write it down because what if you misspeak, wouldn't that be embarrassing. write it down, but you need to find a pen first. well, actually, your desk is kind of messy. you should get a new pen. you should get a new organizational system. you should try journaling.
your grades in school were always strange. the way teachers would say things like it feels like you're not trying. you could touch stars in the stuff you cared about. well, sometimes. god be willing. homework average zero. oops! your english teacher's wrinkled brow: i know you know this stuff. what the fuck are you doing?
it isn't the showering, it's the mirror before the shower and the soft horrible pull of your naked physique. you have to avoid eye contact completely or else it'll be 93 minutes later and you'll have picked at your skin until every little pore is bleeding. you have to stand up but standing is tiring and also you should have remembered to buy more soap but you never remember anything. maybe get out of the shower and while it's still running and you're still dripping wet, use your phone to take a note. make a note to get your groceries. let the shower run while you stand half-in half-out and get lost in your phone for a moment. come back out when the water runs cold and now you have to sprint to get ready.
your grandmother's frown. you're just being lazy. protestant work ethics in a house that isn't even protestant. she says she just learned different but she means learned better, doesn't she.
it's not that you can't send the email, it's that your hands have been hurting lately and the desk really is messy and also why the fuck would you even care about this thing? doesn't everyone else feel like they're drowning? hi brendon thanks so much for sending! will review and get back to you shortly. but now you're on the internet, close the tab with tumblr on it. go on, close it. feel the little soft vapor of boredom come up and over your eyeteeth and make everything overwhelming and itchy.
literally all you have to do is put on shoes to go outside. you're literally already dressed, that's the hard part of this whole thing. literally just put the shoes on. just... do it! do it! this shit is easy!
it's literally that easy. just stop taking all those stupid invisible steps. stop following your strange made-up rules. times like this, even you're positive you're faking. you just don't want to bother with the cleaning and the cooking and the being-an-adult.
but then - shouldn't you be able to put these stupid shoes on? nobody's even looking. go on kid. life is out there! just take the leap!
get moving.
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little spider
Pairing: Miguel O’Hara x F!Reader
Prompt: Innocence
Warnings: 18+ MDNI, reader knows nothing about sex or feelings of arousal, clothed clit-rubbing? cum in pants, small feelings of embarrassment (lmk if I forgot anything)
WC: 3.3k
A/N: sorry im late but im kinda proud of this one so i hope it was worth the wait! <3
Miguel didn’t think he’d end up in this position, nowhere in his wildest, most perverted fantasies did he think that this would actually be the outcome of him recruiting you but… here we are.
You were assigned by the higher-ups to learn from him, they thought you had potential, and honestly? Miguel hated you when he met you, he felt like they were punishing him for something, that assigning him this raw recruit was just a flaunt of power. You didn't even have a suit he had to make you one, a trial suit first, to make sure all your vitals were good, to track your movements and decide what suit material would be best- or if you would have a digital one like him.
During the weeks of his monitoring of your vitals, he began to grow a bit fond of you. You were an adorable recruit and eager to please, you were thoughtful and always gave your all, something he really appreciates. One other thing he noticed about you… your dopamine levels were elevated around him, along with your estradiol and testosterone. He ignores it when he’s writing his reports, he tells himself that he doesn’t report it because the higher-ups don't need to know, not because he knows they’d make you transfer… He should’ve requested it the first time he noticed it but the thought of you, his sweet, innocent spider, all turned on just from being around him? It ignited something in him.
He updated your suit, saying that the data he was receiving wasn't enough, he made you wear the suit as he replaced the chip and tried to hide the smile in his voice when your spine straightened under his touch. The new chip could give him real-time tracking of all your vitals, but he set his watch to alert him anytime certain hormones spiked… estradiol and testosterone. So he conducted a little experiment over the following weeks, he’d lean into you more when you speak, holding your eye contact, he even broke out the smirk he used to use on girls when he was younger, and it worked on you.
His watch vibrated every time he was near you, if he walked up to you, it started being an alert to when you were near, it’d go off before you’ve even approached him, he’d walk into a room and it’d go off before he even saw you. It started to have an effect on him, he started to feel a spark in his stomach every time it went off, every time he’d meet your eyes and you’d have that expression he’d grown to know so well. That weak, almost pleading- yet confused look in your eyes and the sheer panic before tearing them away from his. He started having to grip whatever was in his hands as tightly as he could to control himself when you’re breathing would stutter after he complimented you on your work.
He started getting hard reviewing your logs after spending the day with you, watching your heart rate stay elevated, spiking along with your hormones, he can see your breathing pattern, and how irregular it is compared to when you’re not with him. How high your body temperature was… the main areas of heat. On his more weak days, he’s gotten himself off to the diagram of you, with the burning red spot between your legs as the focus of his fantasies.
Now you’re here, avoiding his gaze as his watch vibrates like crazy. “Miguel?” He looks at you again, trying to keep his gaze neutral, hopefully, to make this a bit easier on you… and him. “Yes?”
His voice is smooth as cocoa butter and you can feel his gaze burning into you. He started this heat inside you, one you’d never encountered before. It starts when you see him in the morning and doesn’t stop until you struggle to sleep- or at least it used to. But recently it’s been non-stop, a constant distraction that you can’t pinpoint, it feels like it’s in your hips, stomach, chest, and thighs all at once. It feels like it’s in his breath when it fans over your face, it's in his eyes when they lock with yours, and somehow on his fingertips when they brush over any part of you. You’ve spent hours a night trying to figure out what you can do about it, you’ve thought about even asking Lyla but decided the risk of her telling Miguel was far too great.
This past week it’s just been building on it’s self, almost unbearable with Miguel’s new immersive training. He takes you away to some deserted, closed-off place and trains you with no distractions, giving you nothing to focus on other than him and forcing him to give all his attention to you. Miguel’s attention, his gaze is what causes the most… pain. That’s what it’s become, a dull, numb, thrumming at the base of your stomach, like an itch you can’t scratch that just becomes a nuisance. You couldn’t handle it anymore and if you asked Lyla she’d just tell Miguel- so why not just ask him directly?
So here you are, avoiding his gaze because you’ve spent the entire day with him, building enough fire inside you- you don’t need to add any more. “I think…” You take a breath and turn to him a bit before forcing the words out. “There’s something wrong with me.” He puts his clipboard down, his concern, and his thick, veiny hand that comes into view piles onto the heat over-taking your bloodstream. He takes his glasses off and sits back in his chair, reaching his leg out to pull a chair beside you closer to him. You dare a glance at him and try not to collapse at his gaze, at the way his hair moves over his face for a moment as he motions for you to sit in the provided chair.
You sigh and sit down, your legs pressed tightly together, your palms resting on your thighs and your eyes focused on the back of your hands. You stay silent, your mind racing, your body warming further at the feeling of his eyes on you. “What’s wrong, little spider?” You suppress a shiver at the nickname as goosebumps rise over your skin, it’s been a problem since he picked it. “I’m hot.” The words shoot out of your mouth before you can second-guess them again. Miguel chuckles a bit, sending embarrassment through your body, sits back in his chair, and crosses his arms, prompting you to go on.
“I can’t fix it. There’s… someone.” Miguel pretends he doesn’t notice the way your eyes flicker to him. “For some reason, something about them just- “ You pause for a moment, truly baffled by the way you feel, trying to find some way to explain it. “They just do something to me and it won’t stop.” Your words start to sound frantic, a bit panicked. Miguel leans forward, resting his elbows on his knees to examine your expression. “It’s like there's a low- like a low vibration- or a frequency? Like the ones that are so low you can barely hear but you can sorta feel them? It’s like that but- but deep inside me.”
Your eyes close and eyebrows furrow as you describe the feeling to him. He tries to keep his breathing even as he hardens uncontrollably under the suit. You don’t even realize what you’re confessing to him. “Like it’s in my bones, Miguel.” You add emphasis, your hands digging into the material of your suit before raising your head to meet his eyes, hoping he understands the state you’re in. He’s almost dizzy at the way his blood rushes to his cock. He holds your gaze and tries to convey a baffled, thoughtful expression as he tries to calm himself.
“That’s- That’s odd. Yeah, um.” He takes a few deep breaths before sitting back again, unable to stay in your space any longer. “Do- Can you tell me who’s causing it? Perhaps it’s a side effect of their powers?” Your spine straightens and you shake your head at him gently. You twist your fingers in the fabric of your suit and your feet play with each other on the lab floor. “H-have you heard of any powers like that?” You ask him, a hopeful look in your eyes.
Clever girl.
“No, I haven't.” He sits back, spreads his legs, and runs his hands down his thighs and back with a sigh. He holds back a smirk when his watch vibrates and he hears you take a sharp breath. “I- I don’t know what to do anymore. It- I can barely sleep.” You sound distraught, broken, and tired. He’d be the messed up one if he didn't help you… Right?
“I mean… I can try running some tests?” He offers, he keeps his tone light, trying to keep his dark desires off your radar. You perk up at his offer, already up and out of your seat, standing in front of him with a smile. He keeps his eyes on you, trying to ignore the way your scent is assaulting his nose, giving away how badly you need him. “You think we could?”
He nods and stands up, walking over to his lab table and clearing a few things. His head is already running wild with fantasies, ideas of what he could do to you, what he could teach you, how good he could make you feel. “Yeah, of course. C’mere, pequeña araña” You were already walking to him but your pace stutters and his watch vibrates when the nickname slips out. He truly didn’t mean to, he had gotten a bit too deep in his fantasies, and when your voice broke through he didn’t get fully pulled out. He’s never called you that in Spanish, not to your face at least, it’s fallen from his lips a few times before though, when he’s alone with his hand wrapped around his cock. But your reaction dissuades any fear that had shot through him before and he can’t help the smirk that makes its way on his face.
You’re standing silently beside him, wringing your hands together and he doesn’t think you even notice the way your thighs keep clenching together. “Get on the table.” His tone is teasing, a grin on his face as you jump and scramble onto the tabletop. You lay on your back and look over at Miguel, feeling that heat rage through you at the look on his face. It’s dark and- wanting. It’s confusing.
He takes a deep breath and your fingers try to dig into the metal table top as he walks to you. “Okay. I’m going to examine your body a bit, press into some muscles, some pressure points to see if maybe it’s a physical trigger. Is that okay with you?” Your chest is already rising and falling more rapidly at the thought, the promise of Miguel’s hands on you. You nod at him stiffly, trying to stay normal and calm as he holds your eye contact, nodding along with you. A small smile graces his face before he walks around and presses his palm into your hairline, pushing your head down to rest on the table as he stands north of you.
His hands press into your shoulders and your eyes shut tight. He can feel all your muscles tense and his watch vibrates, he sneaks a peak at his and sees the huge spike in almost all your vitals. His cock twitches in his suit at your obvious need but he brushes it aside, if he rushes into this he might scare you off and he doesn’t know what he’ll do if that happens. He may lose his mind. He moves his hands to your biceps, massaging them tightly as little whines slip into your breaths, only audible to his ears.
He walks back to the side of the tables and your eyes stay shut. He massages the softness of your sides and his breathing kicks up a bit once he gets to your hips. He takes his time with them, admiring the way you fit into his hands and how you subconsciously tilt them toward him. His thighs jump as his cock begins to leak, dripping precum down them. He takes a deep, shaky breath and forces himself to move on. He forced himself to move on, he was trying to take it slow, hopefully, you’d realize where you need him and ask for it. But your thighs spread open when he massages the outside and his hands dive for the inner before he can think it through.
You gasp, you sit up with your eyes wide and your hands gripping his wrists. You don’t do anything though, he expects you to pull his hands away but it feels more like you’re holding him there, stopping- or attempting to stop him from pulling away. So of course he doesn't. He stares into your eyes as you search his, trying to figure out if he realizes the way that made you feel, if your cover was blown, if he wants to stop but he looks expectant, like he’s waiting for something. So you loosen your grip. “That’s- I think that’s- ” You’re nodding at him lightly, hoping he understands what you’re trying to say because for some reason your brain has stopped working.
“Yeah?” Your heart stutters at his tone and the tilt of his head as he says it. Your thighs tense around his hand for a moment before you try to calm down, un-tense them but they can’t help the way they tremble with anticipation. You’re nodding at him more frantically and his eyelids flutter. “Okay.” He takes one hand out from between your thighs and rests it on your lower back as his other hand keeps massaging, slowly moving up your inner thigh and the sensations grow more intense the higher he gets.
Your eyes shut and your hands grip his wrists again, not pulling away, just holding him. Your eyes shut and your hips tilt into his hand, getting him so close to your pussy that he can feel the heat radiating off of her. You feel some sort of shame twinge in your belly, dampening the more intense feelings that Miguel was causing. What if this was wrong? What if you aren’t supposed to feel like this with him, without him knowing… Maybe you should stop.
Miguel moves further up and all those thoughts scatter from your head immediately. His watch vibrates again and a noise shoots out of your mouth- one you’ve never heard before as your body folds over and your head rests on his shoulder. You shut your eyes tight and take a slow, deep breath. “Sorry. Sorry, I-” He cuts you off. “It’s okay. That’s why I’m here, right?” He’s nodding at you, comforting and reassuring as his hand leaves your back to cradle your head. “You’re okay. I wanna help you, cariño.” Another noise leaves you at the nickname and his hand grips into your hair for a moment before sliding down to your neck and pulls your head away from his shoulder. He pushes your head against his for a moment, letting out a soft groan before letting go and pushing his fingers against your plush lips.
“How’s that, honey?” His hand settles back on your lower back as you whine and your hands move up his arm, gripping his biceps now and pulling yourself closer to him. “Miguel.” His eyes roll back at how you sound, desperate, breathless, and gone. Your hips are grinding into his fingers and they aren’t even on your clit yet. They’re pressing against your hole through your lips and your suit, he’s keeping his fingertips flat against you so he doesn’t slip inside.
He’s trying to ignore the mess he’s making in his pants, watching your tense face change into a relieved one, your eyebrows pulling inward as your lips part beautifully, releasing a shaky moan as he reangles his fingers to your clit. His hands are shaking as he tries to calm himself down, one of your hands slides up his arm, leaving goosebumps in its wake before gripping onto his shoulder and pulling him down, closer to your face. His eyes are fixed on your expression, taking everything in, every twitch and quiver, the way your tongue darts out to lick your lips before a whimper punches out of you.
You’re ruining him and you’re none the wiser. Your hand slides up to his neck and you push your forehead against his, like he did earlier. His eyes roll back before he forces them to you again, moving his fingers over you clit faster when your thighs begin to shake around his wrist. “I think-” Your voice comes out as a whimper and he groans into you. Your fingers grip into his hair and his cock cries against him. “Something… Miguel.”
The way you say his name fucks with him. It’s prettier than he ever could’ve imagined, he has to lean forward and press his throbbing cock against the edge of the table for relief. You’ve got him feeling like he could die, like he could implode if he doesn’t have you, if after this you realize what you need but get it somewhere else? It’ll be over for him. Your hand readjusts its grip in his hair, becoming more frantic as your spine straightens and your thighs close on his hands. “Miguel? I-” You cut yourself off with a moan and your head falls to his shoulder again, blocking your face from his view.
“No, no.” He brings his hand to the back of your neck again. “Let me see, amor.” He pulls you away from his shoulder and you moan at the nickname. Once again, it didn’t mean to slip out but you’ve got his head so cloudy he can’t help it. You’re moaning his name on repeat, like a warning and he’s pulsing at the thought, the promise of getting to see you cum, for him. His eyes can’t look away from you, he can’t see anything but your face, the way your brows furrow as you tense, and your nails dig into his arms, leaving reminders for later. He watches how you bite your lip before your jaw drops into an ‘O’ shape and his name falls from your lips one more time as a debauched cry.
He keeps his eyes open, watching you cum for him, how your lips form around his name again and again. He wants to collapse, fall to his knees with how much you’re turning him on but he needs to watch you. He forces himself to keep his eyes on you, ignoring the way they want to roll back at how he’s flooding his pants. His hips twitch against the edge of the table as he cums for you, with you. His mind zeros into the way he can feel your clit pulsing underneath his finger tips, how breathless you sound, trying to keep up with the noises he’s forcing from you. His stomach tenses painfully as his cock unloads more cum onto himself. You sound like an angel, crying out for him. He can’t help the way he dives for you, pulling you in to kiss him and swallowing every moan you’ll give him.
You whine into his mouth as his fingers slow down over your clit, your other hand meets the first in his hair and you keep his lips on yours. He keeps kissing you until you calm down and your breathing evens out. His hand comes from between your thighs and rubs your legs until you pull back from his lips. You have a bashful, embarrassed look on your face and it brings the largest smile that you’ve ever seen to his face. “Was that okay, pequeña araña?” You whine and pull him in for a hug, nodding into his shoulder as he chuckles and wraps his arms around you as you begin to giggle against him.
Thank you so much for reading! If you enjoyed, here's the rest of my Kinktober Works and be sure to check out my Main Masterlist!!
#miguel ohara x reader#miguel smut#miguel spiderman#miguel o'hara#miguel o’hara smut#atsv miguel#miguel spiderverse#miguel x reader#spiderman 2099#miguel ohara#miggy o’hara#miguel o'hara imagine#miguel o'hara x reader#miguel o'hara smut#miguel o'hara spider man#spiderman 2099 x reader#spiderman 2099 miguel o'hara#2099#sm 2099#miguel 2099#marvel 2099#miguel o hara#astv miguel#miguel atsv#miguel x you#atsv#kinktober 2023#kinktober#kinktober smut
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The Great Goodreads Diss List (Part 1)
Context: For many years now, I have been collecting funny lines from Goodreads reviews to share with my coworkers. (I do collection development, reader's advisory, and weeding at a public library, so I read a LOT of reviews)
Are some of these, perhaps, rather mean? Yes, but they are also very funny, and come from a place of honest frustration. In the tradition of Bargepole threads and lists everywhere, names and titles have been censored.
"First, I want to say that I understand how hard it is to write a book and how amazing it is when it is actually published. Congrats to the author for that accomplishment. That said--"
"Warning: This review will be lengthy due to pure hatred."
"I found myself feeling really, really annoyed with the world that this book is allowed to exist. We live in a universe where the passenger pigeon is extinct but this book goes along merrily being read by unsuspecting lovers of words and ideas and stories? It just seems like too much, you know?"
"Don't do it. Don't spring the cash for the hardcover. Instead, eat an entire bag of Twizzlers, spend some money you don't have at a high-end department store, look up on Facebook the shady college boyfriend that made you cry, research the current value of your home or 401K and then read all about how the big hedge fund managers are faring during the economic crisis. You'll feel about the same stomach pain if you waste your time reading this book."
"This wretched novel begins with the mugging of an old lady and it appears I may be in the process of repeating that loathsome crime as [author] was 78 when she wrote it. It is not nice to put the boot into such a poor defenseless old creature lying there with only a damehood, a Booker Prize and a few million quid. It’s a nasty job but somebody has to do it."
"I think this is the way dead people would write, if they could."
"I am considering setting up SPABB: Society for the Protection of Accurate Book Blurb. This blurb appears to have been written by someone from the publishers who met [the author] the night before, got very drunk, lost his notes and then constructed something in a fug of hangover the next morning."
"I congratulate [the author] on the early half of his book, which was thoroughly fun and made me laugh and think. I congratulate [the author] on the second half of his book, for finishing it. It reads like that was difficult."
"…a woman whose taste in contemporary literature has roughly the same batting average as a pitcher in the National League."
"The author is a pompous windbag."
"Recommends it for: No one. Recommended to me by: A friend who apparently wished to cause me great suffering."
"Makes me wonder: is it possible to obtain similes at a volume discount?"
"The repeated phrases made me want to mail a thesaurus to the author."
"I'm disappointed in myself for finishing this book."
"if the author described [character's] eyes as "obsidian" one more time I was tempted to write her and ask if her thesaurus broke."
"They say that an infinite number of monkeys with an infinite number of typewriters would, if given infinite time, eventually produce the complete works of William Shakespeare. [This book], on the other hand, would probably take the average monkey just under two hours."
"I can't imagine what the author had to do to get this nadir of Western literature printed on innocent trees, but he does seem to know a LOT about being well-connected in New York."
"This book is so bad it is almost worth reading just to make you appreciate the other books you are reading."
"Reads like it was written by a brilliant author, the night before it was due."
"raises interesting questions, like: can a book be so bad as to constitute an act of terrorism"
"has this author ever spoken to a human woman"
"This acorn has fallen so far from the tree that it can’t even see the forest."
"I’m guessing they are touted as ‘beach reads’ because no one will care if they get dropped into the ocean."
"This book begins with all the energy of a hand vacuum near the end of its battery life, and the pace doesn't quicken much from there."
"At least everybody’s eyes stayed the same color this time around.”
Part 2
Part 3
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Even pro heros like Dynamight forget important dates.
"hey babe don't forget our reservation tonight!"
"yeah yeah ok got to go" on the phone, katsuki rushes out the door to get to work.
you were really looking forward to this date tonight. It feels like its been forever since you and katsuki have spent actual quality time together. he comes home from work really late so by the time he's home you end up falling asleep waiting for him.
7:00pm comes around and you're finished getting ready. You're wearing a long black bodycon dress with matching black heels.
The restaurant was a 5 star restaurant and had very good reviews. You were excited to post pictures of you and katsuki looking cute.
You grab your purse and car keys and get in your car. Before you leave you shoot katsuki a quick text letting him know your leaving.
"hii kats im abt to leave. are you there?"
Once you arrive you park your car keeping an eye out for katsukis car.
you check your phone for any texts from katsuki
none
you text him again to let him know you arrived
“hey im here are you?”
you go in anyway, making sure you were in time for your reservation.
you get seated and you pull out your phone to call katsuki
the call goes to voicemail.
“fuck”
30 minutes go by and it’s completely dark outside your annoyed, stressed and just want to go home.
“ma’am will you be ordering anything” the waitress pulls out her writing pad
“uh yeah i guess so, but can i get it to go”
the waitress takes your order and eventually it comes to your table.
you take the takeout box and leave the restaurant. as you get in your car, you sigh and lay your head back
how could katsuki forget? this was literally the only date you’ve planned in a while and he forgot!?
as your pull up in your driveway you don’t see katsukis car
“what the hell, where is he”
you get inside and take off your heels
your tired of katsuki always forgetting this always happens
why does he do this?
you sit down at the kitchen table opening your takeout as you start to eat you hear katsukis car pull up.
the front door opens as katsuki walks in.
you don’t even look at him.
“hey babe”
you say nothing
“hey you good”
“where were you katsuki”
“I went out with the guys from some drinks after work”
he sees your dress and the takeout
“wait was our date tonight??”
“yes katsuki i told you this morning, but clearly work and your friends are more important”
you didn’t even have the energy to be mad
“do you know how much I was looking forward to spending quality time with my boyfriend? You never have time for me but you don’t think twice when you get asked to do something else”
tears were pouring down you face as your spoke softy but firmly
katsuki hated seeing you cry but he hated himself most for making you cry
“y/n I’m sorry”
“no katsuki, im tired of being 2 or even 3rd in line. do you know how draining that is?”
you turn around leaving katsuki alone with his thoughts
he fucked up
request r openn🔥🔥
#bakugou katsuki#katsuki bakugo x reader#mha bakugou#mha x reader#katsuki bakugo mha#bakugo x reader#bnha#angst#bakugo angst
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[image description: a cartoon-style 4 panel comic drawn in shades of pink.
panel 1: 2 people stand slightly apart in the middle of a crowd, in front of a big elephant. the crowd and elephant are shaded in pink, and people are holding heart or star shaped pink balloons. the two people in the middle are not pink but plain white. at the top of the panel, text reads "I don't know how to be loved by you anymore."/
panel 2: this panel has 3 rectangles from top to bottom. the first rectangle is a close up on character A, who looks sad. they are looking at character B. only a small portion of B's face is in the shot. behind them, the crowd is moving. this rectangle is captioned "What is it like to still be your first thought upon waking?"/ the next rectangle shows the same two faces. behind them, the crowd is moving still. B is still not looking at A. this rectangle is captioned "Which spot am I at in a queue of my own making?"/ The third rectangle is smaller than the other two. It is a close-up of B's hand hanging at their side./
panel 3: this panel has 3 rectangles from top to bottom. the top rectangle is the smallest. it is a closeup of the two characters' hands hanging at their sides, rather far apart. A is reaching towards B, who shows no sign of reaching back. this rectangle is captioned "Is this self awareness?"/ the next rectangle is a bit bigger and is captioned "Or just an unhealthy obsession?" It shows the crowd walking between them. A is pushed back, startled. B is not shown here./ The third rectangle is bigger, and broken in two diagonally. In the first part, A is pushing through the crowd. It is captioned "I fear I've lost you in the crowd -". The second part is a close-up of their face. They look sad./
panel 4: A is walking towards B, who is not paying attention to them. This panel is similar to the first one, except the crowd and the elephant are completely gone. It is captioned "- and you're just watching the procession."/ end ID]
the parade.
a short comic about when love dies slow.
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#gnaws furniture#my god op you've got it [mournful]#to love and be loved is to rest etc etc#but to love and be loved is also knowing that you have lost what you have loved before and you can very much lose it again#and maybe it is better to have loved and lost than to never have loved at all#but how do you let yourself love when you know how much it hurts to lose#and how do you let yourself be loved when it can be taken away at any moment#is what i'm asking#anyway#i am preemptively mourning friendships that i haven't lost yet because i know there's a solid chance we'll lose touch before i die in this#chilly's tonight#writing the 2022 review in my journal and rereading previous yearly reviews has me grieving past and present relationships 👍#'i don't have attachment issues' [starts mourning a friendship the second someone seems even a little bit extremely enthused by my presence#one time for reasons that have obviously nothing to do with me]#[considers cutting people off before they can cut me off]#you know#anyway lovely comic op 👍
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young master ♡
➤ summary: You don't worship the ground Doflamingo walks on, and it turns him on a little too much. (18+)
➤ pairing: doflamingo x afab!reader
➤ word count: 3.7k
➤ warnings: kinda sub!doflamingo (he’s a horny menace), mild dubcon, possessive doffy, spit kink, oral (f receiving), masturbation (m receiving), degradation, name-calling
➤ notes: this takes place before dressrosa but i’m only halfway done with the arc so sorry for any inaccuracies! i haven't posted my writing online in years so please lmk what you think :3
NSFW under the break! minors dni thank uuu
Doflamingo was sulking. His signature smile was comically turned upside down and his arms were crossed over his chest. Feet resting on top of his desk as he leaned back in his plush office chair, crumpling the important documents strewn underneath them that he was meant to review and sign. He knew he probably looked like a petulant child, and he felt like one, too. This was all your fucking fault.
Even though you were only in your twenties, you were already a well-known Vice Admiral. Vergo had informed Doflamingo of your impressive Haki abilities months ago, but that wasn’t the only reason he kept a close eye on you. You were sexy as hell, even in a Marines uniform, and he delighted in every brief interaction he had with you at Warlord meetings. When you decided to take some time off, he snatched you up immediately with a tantalizing job offer. After all, working for him was technically still a Government job, and he was helping so many countries in need!
You made it clear from the very beginning that this was a temporary gig and you had no intention of permanently joining the Donquixote Family. You were his business partner, not his subordinate. He never planned on honoring that agreement, of course, but you were making his plans particularly difficult.
The man had hundreds of thousands – if not millions – of loyal and passive subjects. Obedient workers who never questioned his judgment and praised his iron fist, from the filthy commoners at the bottom to the Elite Officers up top. But not you.
You had the kind of effortless confidence that got under his skin. You were unbothered and detached from his evil antics, from him. He made his presence known everywhere he went and was always the focus of the room, but it seemed like you paid more attention to the damn servants than him. His threats and intimidation which made thousands tremble in fear hardly made you flinch. When he revealed the secret of Dressrosa’s toys in hopes of getting a reaction from you, you practically yawned.
You knew who he was. You knew what he was capable of. You didn’t fucking care.
You weren’t afraid of him, and this greatly disturbed him.
A few days ago, you had strolled into his office without even knocking on the door. He furrowed his eyebrows in annoyance, but you barely took notice. You were there to discuss your agreement in order to figure out a time frame of how long he needed you. He threw his head back and laughed loudly as he said, “That’s adorable. You really think you can get away from me, hm?”
Perceptive as always, you noticed the slightest twitch of his middle finger and immediately held an Armament Haki-coated hand in front of your chest, blocking the nearly invisible string flung your way. “Doffy, I’m being serious.”
He frowned and narrowed his eyes. Diamante used that nickname once in front of you and now you wouldn’t call him anything else. You thought it was cute. “Since when can you block my strings?”
“Do you really think I’d be a Vice Admiral if I couldn’t do that? You were so obvious about it, too.” You clicked your tongue, knowing full well that anyone less powerful than you wouldn’t be able to perceive his movement. Prominent veins popped in Doflamingo’s forehead but the blonde man stayed silent. “I think I’ll stay here for a few more months, at least. Maybe longer if I don’t have a terrible time here. Dressrosa is kind of growing on me.”
“You’re acting like I can’t keep you here by force.” Doflamingo interrupted your train of thought. “I could have Sugar turn you into a cute little doll, and then your Vice Admiral position would disappear. Or Giolla could turn you into a painting to hang on my wall.” He paused as if considering his options, knowing full well what he truly wanted. “Maybe I’ll keep you tied up with strings as my own personal pet.”
Many times he’d pictured you tied to the headboard of his bed, stripped naked and covered in his drying cum as he used you however he wanted. Perhaps then he’d finally ignite a spark of fear in you.
“If you actually wanted to do that, it would’ve happened already. But you’re the one who hired me, remember?” You acted like you were explaining something obvious to a kid. “If you try anything against me, I can always call up the Navy and tell them what you’re doing to your poor innocent citizens. Maybe even let them know your alias? Begins with a J, right?”
“You wouldn’t dare.” He snarled, sitting up in his seat immediately and binding strings around your wrists to keep them pinned above your head. You kept your eyes trained on his, a determined and almost taunting glint in them.
“I’m not a big fan of blackmail, so I don’t want to do that,” you replied in an even tone. “I’m just saying that I can. Now, are we gonna talk business, or are you gonna play cat’s cradle all day?”
Doflamingo should’ve killed you right then and there. That would’ve put an end to his confusing thoughts about you, but your conversation only made them worse. You were on his mind constantly, to the point where he couldn’t focus on anything else. It was an obsession, an infatuation, one completely unbecoming of a heavenly being like himself. People were meant to grovel at his feet and kiss the very ground he walked on – why the fuck were you not affected?
He finally had enough. He pushed the chair away from his desk and stormed out of his office. Servants hurried away in fear, knowing that his scowl and heavy footsteps meant nothing but trouble. A whirlwind of thoughts swirled around his mind — he wanted to make you scream, to completely immobilize you with his power, to kiss you so hard you saw stars. No, that wasn’t it.
He wanted you to call him ‘Young Master’.
Doflamingo threw open the double doors to a secluded drawing room in his typical dramatic flair. You were alone, reclining on a couch and reading a book. Even this pissed him off – you were in a potential viper’s nest, surrounded by powerful people who could turn on you at any point, yet you didn’t feel the need to keep others around you for protection. You turned your head towards the intruder in confusion. His massive body filled the door frame and light from the hallway illuminated him and his feathery coat from behind, making him look like a fallen angel.
“What Devil Fruit did you eat.” It was a statement, not a question. His voice was a dangerously low growl.
“I already told you, I didn’t eat one.” You said slowly, slightly thrown off by his demeanor but still not afraid.
“You lying bitch!” He roared, using his strings to slam the doors behind him as he crossed the room towards you in three giant steps. “You must have some kind of mind control ability, or manipulation, or… I don’t fucking know! Tell me what’s happening!” He threw his head in his hands and crouched over, almost as if he was in pain. “Why can’t I stop fucking thinking about you!”
Your mouth opened slightly and you blinked a few times to process the situation, and then it hit you. A sly grin slowly formed on your face as you dog-eared your book and set it down next to you. You knew this man was incapable of love in its purest sense, but maybe… “Doffy, have you never been attracted to someone before?”
His head shot up and he narrowed his eyes at you furiously behind his sunglasses. Of course he’d fucking been attracted to people – he refused to settle for nothing but the best with his lovers. He had fucked enough sexy men and women over the years to form a small army. But none of them were like you.
They were all cheaply made toys, suitable for one or two uses then tossed in the trash when they broke or when he got bored. He was a greedy and spoiled child who always got what he wanted. But with you… it felt like he was staring through the front window of a shop at a shiny new toy. So close and so enticing but completely out of reach.
“Fuck you! I… I…” You would never know how that sentence was supposed to end, because he sunk to his knees and hung his head in frustrated shame. He slammed his fist against the floor hard enough to rattle the room. “Why won’t you belong to me?!”
The almighty King of Dressrosa, the feared Warlord, the powerful underground broker, was on his knees begging for you. He knew he sounded pathetic. He felt pathetic. But he couldn’t go a moment longer without getting what he wanted, what was rightfully his.
To say you were shocked was an understatement. You had always stood your ground because you knew your worth, but sometimes you did it to purposely push the blonde man’s buttons since no one else seemed to have the courage to do so. But you were just teasing him – this was not the outcome you had in mind.
You slowly stood from the couch to move in front of him. Even bent over, the massive man was practically your height, but he had never seemed smaller.
“Doffy,” you began in a quiet voice and reached out to gently touch his feather-clad shoulder, but he slammed the ground again.
“I don’t need you to patronize me! I need…” he trailed off again and hesitated for a moment before realizing what he needed to do to calm the fire roaring inside him. Fine, he would give you a fucking reason to worship him. He threw himself at your midsection, making you yelp in surprise. He had finally drawn a reaction out of you, and it spurred him on even more. Rough hands yanked your shirt up to your breasts and he hungrily mouthed at the soft skin of your tummy, a frenzied mess of tongue and teeth and soft lips. “I need you. Give yourself to me.” He said breathlessly, punctuating his words with a sharp bite at your hip.
You were frozen in place but weak in the knees, unable to do anything but accept his bites and bruises. You’d be lying if you said you’d never imagined what his long tongue and nimble fingers felt like on your body, in your body. He nipped at your skin hard enough to bruise then soothed it with his tongue, sending heat straight to your core.
Doflamingo was in a drugged-like haze, mind clouded with a dizzying mix of lust and hatred and longing. He belatedly noticed that you weren’t resisting him when he popped the button on your jeans. When he looked up, he realized your cheeks were flushed and your gaze was trained on his long fingers dancing along the waistband of your pants.
He smiled wickedly, feeling a sliver of regained control. “You fucking whore. You want this, don’t you?”
“Doffy, you’re the one literally trying to get in my pants.”
“Shut up.” He snarled, annoyed yet allured by your sweet giggle afterwards. He yanked your jeans down to your ankles to reveal pretty pink lace panties underneath. They practically matched the color of his coat – you had to have worn those just for him. Might as well take them later.
A needy and unashamed whine tore from his lips when he saw your pussy. Even more perfect than he’d imagined all those times he fucked his fist alone in bed. He told himself this was what was necessary to crush that annoying ego of yours, knowing full well he was nearly shaking with pure carnal desire. He grabbed your hips hard enough to bruise and shoved your thighs apart before diving in. His tongue was ravenous, licking a sloppy stripe from your ass to your clit, mouth closing around the nub and sucking harshly. The sweetest moan he’d ever heard fell from your lips and he echoed it, eager to hear more.
Fingers tangled in his short blonde hair as you tried to steady yourself. It was too much all at once. You tried to tug him away to tell him to slow down, yet wanted to pull him even closer. Doflamingo flinched at the contact. Part of him wanted to tie your hands behind your back because how dare you touch him without permission. But instead, he groaned at the rough pull on his scalp, which went straight to his hardening cock. His grip on you tightened as he dragged you further onto his face.
His long tongue lapped messily at your folds then slipped into your cunt, shallowly thrusting the wet tip in and out. He laughed in delight at your delicious juices coating his tastebuds and making his head spin.
“You’re so fucking wet.” He panted and rubbed his nose against your clit, making you jump. A sloppy string of his saliva still connected his mouth to your entrance. “I think you like me after all.”
“I’d like anyone who eats me out this good,” you quipped.
“But no one’s as good as me, hm?” To prove his point, he shoved the entirety of his skilled tongue deep inside you. You threw your head back and whined as the wet muscle curled and twisted inside you, hungrily lapping at your sensitive inner walls. “No one will ever be as good as me. Say you’re mine and you can have this every day.”
“F-fuck, Doffy… so, mmh, good…” He ate you out like a man starved, desperately sucking at every part of your pussy he could reach. One hand moved from your hip, leaving dark blue fingerprint-shaped bruises behind, and plunged into his own pants. He let out a deep groan at the contact.
“Call me Young Master.” Doflamingo breathed heavily as he pulled his pants down slightly. Your jaw dropped when he revealed his massive and fully erect dick, leaking beads of precum and bobbing against his stomach. You knew he’d be big based on his height, but this was inhuman. The blonde man noticed your hungry gaze and chuckled. “You want me so badly. Stop denying the truth and I’ll give you everything you want. I am a benevolent king, after all.”
You actually laughed at that, and he didn’t even try to be angry – being on full display for you meant he couldn’t hide the way your disobedience made his cock twitch. His other hand slithered between your legs and rubbed at your folds and the smile fell off your face.
You stumbled backwards – there was nothing behind you to lean on and your legs were quickly turning into jelly. “W-wait, Doffy, I can’t, ahh, l-let me sit…”
Two of his fingers moved downwards and bound your feet to the floor with his string. Immobilizing your bottom half like a statue but intentionally leaving your top half free to grab at his hair and body as you pleased. “Your king will grant you permission to move when I want to.”
“S’okay, I l-like seeing you look up to me for once.” Your witty reply was lost on the blonde, who had spread your folds apart and was hypnotized by your entrance clenching around nothing. You were so fucking tiny compared to him and he ached at the thought of molding your insides to take him and him alone.
Just one thick finger was enough to make you moan and pant, slowly pushing its way inside your cunt. “Shit, you’re so tight.” The soft squelches of your inner walls rang in his ears and pretty pearls of precum leaked from his dick. “Perfect fucking pussy. Give it to me.”
A second digit was soon added, scissoring you apart expertly. Unsurprisingly, the man really knew how to use his fingers. He crooked them and brushed against your most sensitive spot, causing you to cry out and hold onto him even harder. Sharp teeth playfully bit at your inner thigh in response. Doflamingo gathered some of the constant dribble of precum from the tip of his cock to lube his rough palm. He considered making you spit on his hand to ease the glide, but a better idea came to mind.
“Spit in my mouth.” He ordered, tilting his head up and sticking his tongue out. Waiting for you to follow his command like a good toy.
You were taken aback by the sudden request, but you gathered a ball of spit in your mouth like you were told… and it landed directly on the lens of his sunglasses, obscuring the vision of one eye. Doflamingo knew that it wasn’t just badly aimed. This was an act of defiance. You intentionally spit on his defining accessory, his very essence.
“You stupid slut.” The venomous insult came with a maniacally pleased grin. He pushed the stained glasses onto his forehead and you finally saw his eyes for the first time. Gorgeous and bright blue with lust-blown pupils. Looking at his beautifully depraved expression in its entirety, you briefly wondered if he really was an angel. His fingers sped up to a nearly brutal pace and he slipped in a third digit, causing you to choke on your spit. “Love me. Love me.”
A divine being who fell from heaven to beg at your feet.
“Y-you’re fucking insane,” you panted with a blissful smile, your cunt clenching down deliciously on him. “Make up your, mmh, mind.”
“Adore me.” He responded immediately. “Say you’re mine. Be mine.”
Even though you refused to respond, the blonde was lost in his fantasies yet grounded in the reality of your beautiful face scrunched up in pleasure. Mouth hanging open, hands nearly going numb from how hard you held onto him. He needed to see you like this every day – no, every hour. He could keep you under his desk like a pet, ready to suck his dick whenever he allowed you to. Or maybe you’d sit in his lap all day, one of his hands fondling your tits as he attended meetings and forced his subordinates to watch him play with his favorite toy.
But that was too mundane. He could snatch up anyone in Dressrosa right now and do the same. No, the twisted fantasy that really made his cock ache was already happening. That annoyingly sexy confidence of yours was threatening his godliness.
Maybe he’d make you step on him next time.
“Call me Young Master,” he begged again, too far gone to realize how ridiculous he sounded. Tongue hanging out like a dog (and panting like one, too), he rutted into his hand even faster. His cock was absolutely throbbing, red and angry and dripping precum. He was in no position to be giving orders. You stifled a giggle with your hand, which quickly turned into a moan as his fingers bumped against your cervix.
“I already t-told you,” you sucked in a few shaky breaths. He was watching you intently and still smiling, but his fingers never slowed down. “You’re not my –mm– Master, I don’t, ahh, work for you…”
“But why not?” He whined again. “At least call me it when you cum. I’ll fucking kill you if you don’t.”
You didn’t acknowledge the ridiculously empty threat, instead throwing your head back when his fingers crooked against your most sensitive spot. Slick was dribbling down your legs – Doflamingo licked it off of your thighs before slurping around his digits buried inside you. The blonde echoed your unashamedly loud moans, practically on the edge himself. He only needed one thing to send him into a rapturous white bliss.
He stared up at you unblinkingly, face frozen in a grin as he took in all the telltale signs of your approaching orgasm. Sweat dribbled down your forehead, eyebrows furrowed together, body tense and breath hot. “I-I’m gonna… gonna…” He crooked his fingers inside you the way he’d done thousands of times to turn people into obedient little puppets.
“Doffy~!” Your face contorted into the most divine expression he’d ever seen, crying out his name like a desperate prayer.
You ignored his order. You used that stupid fucking nickname.
He came hard.
The tight coil that had been building in his groin for days at the mere thought of you finally snapped. An animalistic moan left his lips as thick ropes of cum coated his hand and spilled onto his abdomen. He looked even more blissed out than you, panting hard and shuddering and nearly overstimulating himself with the hand on his cock still slowly moving up and down.
Doflamingo finally removed his fingers from inside you and loudly sucked them clean of your essence. Still craning his neck upwards so he wouldn’t break eye contact with you. You could lose yourself inside that piercing gaze, so full of obsession and hunger, especially when it was coming from a position of worship rather than condescension.
Blinking out of your stupor, you realized the blonde’s cum-coated hand was in front of your mouth. If you were anyone else, he would’ve shoved his fingers all the way to your throat and made you choke on it. Instead, he stayed still and kept quiet. This was an offering.
You grabbed his wrist and kitten-licked his sticky palm twice, humming thoughtfully as if appraising the taste. His grin grew even wider. Then you pulled away and teasingly said, “You take care of the rest of it.”
Doflamingo simply giggled in delight — you’d willingly tasted the essence of a god, one that was soon to be your god, but you were still too stubborn to give in. He didn’t expect you to crumble so easily and he didn’t want you to. He was having way too much fun. The blonde smeared the rest of his cum on the crotch of the pink panties still pooled around your ankles.
“That’s disgusting.” You huffed in annoyance and rolled your eyes. “What am I supposed to wear out of here?”
The man chuckled lowly and rose to his feet, suddenly towering above you at full height. He wiped the dried spit off of his sunglasses before returning them to their rightful place on the bridge of his nose.
“Who said anything about leaving?” You paled at the sight of his devilish grin but felt your core clench in need. “You still haven’t called me by my proper title.”
#mine#doflamingo x reader#doflamingo smut#doffy x reader#doflamingo#doffy#one piece x reader#one piece smut#my fics#donquixote doflamingo
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