#and how (their) power factors into their experience

[words-of-wolf]

Honestly, I don't really think there's such a thing as an "uncommon" type when you really delve into the community! There are a handful of species you see around a lot -- ones which make sense to be plentiful because they are animals which are closely linked with humanity in one way or another -- but besides the "common" ones, it all seems roughly equal. I've met as many insects and fish as I have antelopes, mustelids, or corvids, y'know?

Far as those human links go:

Wolves share many traits with humans socially and there's, I think, an echo of a simpler version of human life and structure that is mirrored in the lives of wolves. That's more than enough to be the basis of a psychological identity! And of course, probably even more impactful, there is the presence of werewolves in our cultures and stories -- we see them in so many contexts, in folklore and novels and film and games. A nascent nonhuman identity may be swayed towards wolfishness by that influence, I imagine!

Domestic companion animals are the animals a person is most likely to grow up alongside. Again, from a psychological perspective it's very easy to see how a person could come to be a dog rather than a human in their self-identification and experience, especially if they grow up with dogs! And far as spiritual reasons go, I think it would make sense for dogs and cats to be connected with humanity on a spiritual level given their deep connection with humans in all other respects.

Big cats are of course not domesticated, and their lives don't mirror human social structures in the way wolves' do, but in a way I think that is probably relevant to how many people are big cats. Big cats are well-known, well-loved, and very culturally impactful. In a way, they embody the opposite of a wolf -- strength to stand alone and be fiercely independent. So, again, a psychological connection could be intuitively drawn here; something familiar, but also unfamiliar.

When I talk about psychological links here, to clarify: I don't mean specifically voluntary or involuntary, because I believe they can absolutely be either, both, or not be clear in origin at all.

And I'm also not saying all wolves and big cats are psychological in origin at all, just wanted to share some ideas on those identities seeming "common". But I'm a spiritual wolf therian, so that's absolutely a valid thing too ahah!

And we don't need "reasons" to exist as our candid selves. As a thought exercise, it's interesting to wonder about, but on a practical level it means nothing at all. A person's own subjective identity couldn't possibly be invalidated by another person having their own subjective identity that shares a simiar theme. That's not how subjective identity works. :P

As for the "coolness" factor, well. If you think arthropods aren't the coolest animals alive, I'm sorry to say you are simply wrong. Arthropods are the most awesome, beautiful, powerful and whimsical creatures ever. This is fact. (<- Lighthearted, I'm arthropod-hearted though so this IS true to me ahah).

I'm convinced that some humans just don't look past anything about therianthropy whatsoever if they assume that there are no bug/insect therians, hardly any "uncommon" types in the community, or "uncool" animals. There are *plenty* if you look past... (almost) literally, 3 TikToks? One of the main arguments I hear against therianthropy is someone claiming it's all the "cool" animals. Well, for one, "cool" is actually very, very subjective, and is something that humans made up. Being a "cool" animal doesn't negate someone's therianthropy, ever. It never has.

Like, I see domestic cats to wild cats, domestic dogs to the toughest of wolves, aliens, demons, dragons, bats, birds, deer, reindeer, kangaroos, etc. on Tumblr so easily. Therians come in all species. We aren't just wolves, dogs, and cats. We can also be bearded dragons, kestrals, weevils, ants, horses, woodpeckers, alligators, mice, guinea pigs, etc.

We've always come in different forms and species. You just never took the time to realize it past a couple of short-form videos. :/

[canisalbus]

Vasco and Machete are absolutely adorable, your style is so lovely and you draw the softest beds I’ve ever seen in any art ever

.

[maxdibert]

It’s true that Snape is a deeply flawed, morally ambiguous character—his behavior toward students, including Neville, is often indefensible. However, reducing him solely to his worst actions overlooks the complex, systemic factors, including class, that shaped his character. While many protagonists in Harry Potter have faced hardships, Snape’s struggle is distinct because it intertwines poverty, social marginalization, and early experiences of abuse. His class and background don’t excuse his behavior but help explain the path he takes, including his susceptibility to the Death Eaters, who exploited his insecurities and offered him a sense of belonging and power he’d never experienced.

To say there’s “nothing about class” ignores how class dynamics influence nearly every interaction he has at Hogwarts. The Marauders’ treatment of Snape was steeped in class privilege: James and Sirius, as wealthy, popular boys from established wizarding families, could bully Snape without consequence. Snape, a working-class half-blood who wore secondhand clothes and came from a broken home, was the perfect target. While the Marauders certainly had their own struggles, they were empowered by their social status, giving them the freedom to mock and humiliate Snape without repercussions. This type of class-based exclusion is often at the root of resentment and bitterness, and it’s clear that Snape’s antagonistic behavior is partly rooted in how he was treated because of his background.

Snape’s alignment with the Death Eaters is another area that deserves nuance. He was drawn to their ideology partly because it offered him power in a society that had long dismissed him. His choice to join is reprehensible, but the context—his struggle with self-worth, class-based resentment, and isolation—is significant. Other characters, such as Draco Malfoy, are given this same grace in the fandom, recognized as products of their environment who are redeemable despite their backgrounds. Dismissing Snape’s past and his class struggles while granting other characters complexity and the capacity for redemption is a form of selective empathy that favors charismatic, wealthy characters over more complicated, marginalized ones.

The argument also brings up valid points about Snape’s treatment of students, like his cruelty toward Neville and Hermione. However, while these actions are undeniably wrong, they also reflect Snape’s unresolved trauma and bitterness, particularly around issues of vulnerability and inadequacy. Snape’s hatred of vulnerability likely stems from his own experiences of being victimized, leading him to target “weaker” students—a terrible, cyclical behavior often observed in abuse survivors. This doesn’t excuse him, but it provides context for why a character who was bullied and humiliated might repeat those patterns, especially in an institution that failed to intervene.

The fandom often overlooks how class influences characters’ choices, particularly with Snape. It’s telling that the same actions in privileged characters, like James’s bullying or Draco’s prejudice, are excused or even romanticized, while Snape’s flaws are framed as innate moral failures. Dismissing Snape’s class background and trauma oversimplifies his character and perpetuates a fandom bias that valorizes “charming” characters while villainizing complex ones. His story isn’t a straightforward tale of villainy but a cautionary example of how trauma, isolation, and class-based prejudice can warp a person, especially in a society that offers little support for those who fall outside its privileged circles.

Snape is neither an innocent victim nor a straightforward villain. Instead, he’s a layered character who embodies the messy, painful reality of someone trying to reconcile trauma, bitterness, and loyalty in a world that continually denies him respect and validation. Ignoring these aspects of his character reduces the depth of the Harry Potter narrative, turning it into a simplistic morality tale rather than a nuanced exploration of how class and trauma can shape—and sometimes destroy—a person.

It’s also important to note that focusing solely on Snape’s actions as an adult overlooks the context of his formative years, especially his relationship with the Marauders. The original discussion centers on how class and social dynamics impacted young Snape, long before he became the bitter, abusive teacher he’s often criticized for being. Many arguments against Snape conflate his adult actions with his experiences as a child and teenager, missing the point that his treatment at Hogwarts by the Marauders was shaped heavily by class biases and power imbalances.

Snape’s negative traits as an adult don’t negate the fact that he was targeted by privileged, powerful peers in his youth. This dynamic of systematic bullying, shaped by social status, profoundly affected Snape’s sense of self-worth and reinforced his belief that he was an outsider, no matter his talents or intelligence. When fans use his later actions to retroactively justify the bullying he endured as a young man, they ignore the toxic cycle that social marginalization can set into motion.

The story of Snape’s bullying by the Marauders is not just about him as an adult but about how unchecked power and privilege in youth can harm and warp someone. To understand Snape’s character fully, one has to consider how his childhood and adolescence—particularly the impact of relentless bullying from wealthy, popular students—contributed to his bitter, defensive personality later in life. Reducing the conversation to “Snape was a bad adult” oversimplifies the issue, missing the broader narrative of how trauma, class discrimination, and social alienation shaped the character we see.

The Bias of Charm: How Marauders Fans Justify Bullying and Overlook Class Dynamics in the Harry Potter Fandom

Fans of the Marauders frequently justify or downplay their bullying of Snape, often casting Snape as the villain to avoid confronting the darker implications of their heroes’ actions. This tendency reveals a problematic side of fandom, where fans prioritize the Marauders’ charm and charisma over the moral weight of their actions. Rather than acknowledging the classist and systemic nature of the bullying, fans often portray Snape as deserving of his treatment, turning him into a flat antagonist in order to shield the Marauders from criticism. This approach disregards the nuances of both Snape’s character and the social dynamics at play, simplifying a complex situation into a narrative where “cool, popular kids” rightfully victimize an “undesirable” outcast.

By villainizing Snape, fans avoid grappling with the uncomfortable reality that the Marauders, particularly James and Sirius, weaponized their privilege in a way that was deeply harmful. This fan perception reinforces the social hierarchies within the narrative itself, essentially suggesting that it’s acceptable to mistreat those who don’t fit the mold of wealth, looks, and popularity. For example, James is often defended as “just a teenager” or “a prankster,” while Snape’s own teenage flaws are held against him as evidence of inherent malice. This double standard reflects how class and charisma influence perceptions of morality, as fans are more willing to forgive or ignore the actions of characters they find relatable or attractive.

This selective empathy is problematic because it mirrors real-world attitudes that excuse harmful behavior based on social status. It also perpetuates harmful stereotypes by casting Snape, who comes from a disadvantaged background, as a natural antagonist whose suffering is somehow justified by his flaws. In doing so, the fandom misses an opportunity for deeper analysis of how class, power, and privilege affect behavior and relationships. Instead of acknowledging that Snape’s bitterness and resentment are largely products of his environment and experiences, fans often frame these traits as intrinsic, validating the Marauders’ treatment of him as somehow deserved.

The tendency to gloss over the Marauders’ flaws and project all moral blame onto Snape perpetuates a shallow understanding of the characters, effectively erasing the social commentary Rowling embedded within their interactions. This unwillingness to critically examine favorite characters reflects a broader issue within fandom culture, where uncomfortable truths about beloved characters are ignored in favor of an idealized, sanitized view. Consequently, Snape becomes a scapegoat, and the Marauders are preserved as untouchable heroes, depriving the narrative of its complexity and turning a nuanced story of prejudice, trauma, and class into a simple tale of “good vs. bad.”

Ultimately, this biased interpretation hinders meaningful engagement with the text and reinforces a mindset that excuses bullying when it comes from socially accepted figures. By failing to confront the class-based bullying Snape endured, fans inadvertently reinforce the same attitudes the Marauders themselves embodied, upholding a shallow, elitist perspective that undermines the moral depth of the story. This approach not only diminishes Snape’s character but also restricts the fandom’s capacity to engage with the story’s social critiques, resulting in a fandom culture that favors charm over accountability and surface-level narratives over meaningful reflection.

[roychewtoy]

impaled

[moe-broey]

I'm like 50-50 split on being mildly disappointed I didn't get stitched though like. Like realistically nobody really WANTS to be stitched, probably hurts a bit (though like, idk how much it'd hurt for me, I take a lot of things pretty well up to and including needles, ect). But like. It WOULD have been incredible first-hand field research for writing Moe.

[malkaviian]

due to. reasons. i am thinking about the logistics behind a vampire drinking a demon's or angel's blood

[cluescorner]

This is part of why there's such a difference in a good Bruce villain vs a good Terry villain. Bruce would have bested Blight in minutes by simply buying him out as Bruce or have devised an anti-radiation suit alloy as a contingency like 2 years ago, Terry literally takes what many people consider to be Bruce's nemesis (definitely his most iconic villain, for better and for worse) that gave him the runaround for literal decades and beats the Joker in arguably his strongest form that isn't just AU shenanigans by just...being his damn self and having fun with being Batman like he always does.

Bruce is stern and hyperfocuses on plans/contingencies, meaning that a total wild card like the Joker troubles him. Compare this to Terry, who's entire story as Batman is basically an improv routine that he not only is good at but LOVES. He will make jabs when it actively puts him at a disadvantage, so give him an opportunity to have it work? Oh he loves that.

It's also fucking insane how Terry refers to Bruce as 'the real Batman'. Because it's so clear how much he's tailoring this just to fuck with the Joker. Terry sees himself as Batman. A major part of THIS MOVIE is Terry proving that he is every bit as 'Batman' as Bruce ever was. But Terry knows that the Joker doesn't see it that way. Joker was obsessed with the other Batman. And if calling that other Batman the 'real one' will fuck with Joker more, then so be it.

Terry McGinnis you will always be famous.

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[arolesbianism]

Every day I shake and cry as I stare longingly at years old posts and threads abt oni lore knowing very well that even if the original poster still gives a shit abt oni lore they probably don't give as much of a shit as I do

[vxn3lla]

a scientific explanation as to why "reality" does not exist and why this proves anything is possible

first i want to say yes it "exists" but there's more to it than we can experience with the human senses.

we only see 0.0035 percent of reality. all of the atoms and molecules and vacuums between them are so tiny but that's not what i mean by not seeing all of reality. the real reason has to do with our biological makeup, our eyes are not designed to see everything, every wave on the electromagnetic spectrum or things outside of what we call "visible light"

knowing this what makes you think anything is impossible? what you think is possible is only 0.0035 percent of reality

a recent noble prize winning study was proving that the universe isn't "locally real" what is "locally real" though?

things exist in YOUR reality when you are aware/conscious of those things, when the light or sound allows you to experience it with you human senses however when your attention or external factors such as light and sound waves go away it ceases to exist in your consciousness. this doesn't mean it doesn't exist in the external reality. like "oh my phone is in another room so phones were never invented" no it's just showing that the internal reality has more power, has more meaning. and the outer reality is just an effect or mirror.

with how little we perceive with the senses and how much the 4d makes possible why are you limiting yourself to the outer senses? now I'm not saying go out blindfolded across a busy street with music blasting in you headphones so you have no awareness of the external things going on around you but a mindset that may be helpful is to think

"if humans only experience 0.0035 percent of reality then how is anything impossible, there are endless opportunities, and because of that why don't i make it so the small amount of reality i experience is what i want it to be?"

[raccoon-in-the-danger-room]

Thinking about how Wade got his powers from Logan and, now that they're roomies, that Wade might let it slip out one day.

---

They're arguing in the kitchen over something stupid. Logan is slowly getting more aggressive with chopping the onions while Wade is up on the counter top, kicking his feet while waiting for whatever is in the oven to be ready.

"You know you should really get less mad at me, peanut. If you're nice to me, you're nice to yourself!"

"I'm not Catholic, so don't try to guilt me like one, and don't you dare play any bullshit pranks on me today or I'll give you two additional assholes."

"Well, that's more holes to stuff me with, so I don't see a problem with that." And before Logan can go claws out and make good on his promise, Wade uses one of his many signature moves: the 'Talk Real Fast and Confuse Them Before They Can Hurt You' special.

"WHOA THERE THINK OF THE BABY!" He screams while grabbing a ladle to jam between the claws and up against Logan's knuckles, keeping him a distance away. "I got a little bit of you inside me! Also, Jesus, we're not making pasta tonight, so I don't want any blood over the food. I won't be able to pass it off as red sauce to Al."

"She's blind."

"But she can taste color."

He groans, and instead of responding to the latter joke, he focuses back on the first. "What's this horseshit about a baby?" He sighs as the timer goes off, and he sheathes his claws to put oven mits on and take the veggies out of the oven.

"I'm just saying some doctors injected me with your DNA!! Not unlike good ol' artifical insemination -- except into my blood stream! Sooooooo, instead of a baby, I got healing factor. Ergo," he said as he booped Logan's nose on a the last word, "if you're nice to me, you're nice to you."

And what Wade thinks is funny banter, quickly turns into a sobering conversation as Logan puts the tray on the counter, not saying a word. Before hissing out -- "...What?"

You can see behind his eyes so many gears turning in his head, and he's not looking at Wade in disgust, confusion, or pity. He's looking at him in guilt, which is not what Wade wanted or expected.

---

So yeah it's all teehee chuckle fucks until Logan kinda has a melt down about learning that the freaks who experimented on him used his DNA to hurt others too. That's the hurt, and the comfort is Wade just thanking Logan over and over again that he saved his life. He's physically alive because of him, and he feels alive because of him and the stupid domestic life they've made together.

[ihaveverything]

Limitless manifesting for beginners

part I - the basic concepts

part II - states, techniques, change

part III - mental diet, sats

part IV - daily life, time

ʚ part V - resistance, faith, the ''real'' world

°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･°❀⋆.ೃ࿔*:･°❀⋆.ೃ

Changing your life can happen faster than you ever possibly imagined, but you first have to understand the basics of who you are. This goes beyond the common saying of “you don’t manifest what you want, you manifest who you are” into a deeper spiritual truth about our existence as souls and a reality far greater than what we see now. Each of us has many probable lives, access to infinite probable realities, and is truly the sole creator for our individual reality.

“First of all, a soul is not something that you have. It is what you are.” – Seth Speaks: The Eternal Validity of the Soul

Resistance

To enter a state is not the most difficult thing. In fact, it should be rather effortless, until the factor of resistance and strain comes in. There is no benefit in affirming or visualizing against how you feel, because the latter will always be the victor. In fact, it only reinforces lack because of avoidance.

“There is a great difference between resisting evil and renouncing it. When you resist evil, you give it your attention; you continue to make it real. When you renounce evil, you take your attention from it and give your attention to what you want.” – Neville Goddard, The Power of Awareness

Since we live in a physical reality, we often identify with the part of us that is responsible for daily activities, and we barely give any thought to the unconscious portion of ourselves that is the basis for creating the experience around us. We rely on our senses to survive and allow the outside world to determine how we feel. However, the concept of us being more than a physical form has been discussed in both scientific and spiritual fields. As you have likely learned from Neville and / or Seth, our consciousness is far more than a production of the neurons in our brain. Our own physical form, which we have so strongly identified with, is just like a custom fitting glove that we are constantly creating to suit our needs. We are in the physical as Gods in training, learning how to use our thoughts to create our human experience. This gift is something we were born with, and although the Law is not common knowledge to most people in this world, the truth about reality and our identity is not hidden. It is displayed in each of our lives on a daily basis, with a perfect correlation between the states we’ve been entertaining and the events that occur.

“However, the understanding of the causes of your experience, and the knowledge that you are the sole creator of the contents of your life, both good and bad, not only make you a much keener observer of all phenomena, but through the awareness of the power of your consciousness, intensify your appreciation of the richness and grandeur of life.” – Neville Goddard, The Power of Awareness

Knowing this perspective of being a fragment of God, it is completely up to us to create anything we desire with our imagination. There are 3D circumstances that seem to hold us back, but if you really think about it, what’s more limitless? The 3D world or your imagination? And which comes first? The imagination. Sometimes we wish things were different, we hope this will change, we wonder if that can happen, but notice how none of these are a solid confidence in your experience now. You are the only one limiting yourself to your 3D circumstances. Breaking free of this mindset can be as simple as remembering who we truly are and what our purpose on Earth is. No one knows what your individual purpose for coming here is, but just as an example, let’s say it’s to learn how to create a long lasting relationship with someone you love because that was something you failed to do in the previous life. You chose this life and consented to your current circumstances as a second try, but when you surrender your mind to what you created in the first place, it’s really just disappointing yourself for a second time when you could’ve taken this opportunity to learn. Now that was just a probable situation, and it doesn’t apply to everyone, but if you accept a new view of life and allow yourself to feel connected to infinite possibilities, doesn’t that sound much easier and more powerful than feeling stranded in a 3D world?

“How many of you would want to limit your reality, your entire reality, to the experience you now know? You do this when you imagine that your present self is your entire personality, or insist that your identity be maintained unchanged through an endless eternity.” – Seth Speaks: The Eternal Validity of the Soul

“It is not that physical reality is false. It is that the physical picture is simply one of an infinite number of ways of perceiving the various guises through which consciousness expresses itself.” – Seth Speaks: The Eternal Validity of Soul

Manifesting is effortless because it’s a decision, not a chore. If you were asked to get from Paris to Tokyo without a plane, that’s gonna take a lot of effort. You were not asked to do so. The key points to making that mental decision effortless is understanding life from a creator’s eyes + playfully using your imagination beneficially + gentle reminders that creation is finished + repeatedly making the same choice for which reality you will experience without trying to change anything in the 3D. As the Seth quote above says, your physical reality is not fake, and it’s actually a misconception to believe so. The people you meet everyday are real human beings with the same feelings and consciousness you have. However, there are many different versions of what you can experience, so your goal is to select something new. Telling yourself that 4D is the only real world and 3D is fake can lead to delusion or inner conflict when everything around you seems so real (which it is), because it could cause a spiral. If your SP left you in this reality, it does not mean that they are a fake puppet who doesn’t have a mind of their own. All it means is that your circumstances are aligned with whatever states you were dominantly entertaining, but you can change that at any moment. People often get confused with how to view the 3D because it gives them the most resistance, which brings them closer to trying rather than effortless manifesting. Your experience is made of internal selections, choices, and decisions. Choosing something better for yourself should be as easy as second nature, because who doesn’t want a better life?

“You must begin to trust yourself sometime. I suggest you do it now. If you do not then you will forever be looking to others to prove your own merit to you, and you will never be satisfied. You will always be asking others what to do, and at the same time resenting those from whom you seek such aid.” – Seth, The Nature of Personal Reality

Everyone who reads Neville and Seth should have come to the realization that we are connected to God / source. There is absolutely no power outside of you that determines your reality, so there’s really no reason for us to trust anyone but ourselves. Seeking outside help for more knowledge is a good start, but ultimately experience and application is the breakthrough moment for most people’s understanding in the Law. Nothing beats the feeling of your first major manifestation coming into fruition and you start thinking what more you can do next. Sometimes the only thing that stops you from seeing manifestation as effortless is having one foot in and one foot out. If you take a step forward but keep looking back at where you were before, then you haven’t really bought the Pearl of Great Price like Neville says. No teacher, book, guide, or video can do the mental work for you. At the end of the day your biggest motivator will and should always be yourself, because you need the drive to change your life.

Faith

When considering the best way to manifest your desires, it’s important to recognize that if you were bound to the 3d limitations of this world, many fundamental concepts such as creation is finished, infinite versions of yourself and others, different probable realities, imagination is not fiction, etc wouldn’t exist. Having an intellectual understanding of these things is not the same as feeling an emotional connection. Since the Law of Assumption places faith in breaking free of limitations and opening our minds to endless possibilities, it would also be helpful to view ourselves from a different perspective.

When people spiral over circumstances or are feeling resistance when doing techniques or returning to the state of the wish fulfilled, it is often because they lack a sense of control. They may view the current situation as solid, or their beliefs are too deeply rooted so they can’t see how the things they put attention on aren’t actually objective facts about reality. They could also feel like they are at a disadvantage, or are unsure of what to do when met with undesirable events because they aren’t finding comfort or confidence in accepting that they are actually the sole creator of their reality.

“Do not judge after the appearances of a thing. In judging after appearances you forget that all things are possible. Hypnotized as they were to the reality of appearances they could not feel the naturalness of sanity. The only way for you to avoid such failures is to constantly bear in mind that your awareness is the Almighty, all-wise presence, who without help, effortlessly out-pictures that which you are aware of being. Be perfectly indifferent to the evidence of the senses, so that you may feel the naturalness of your desire–and your desire will be realized. Turn from appearances and feel the naturalness of perfect sanity and sanity will embody itself. Your desire is the solution of your problem. As the desire is realized, the problem is dissolved.” – Neville Goddard, I Know My Father

Essentially what Neville explains in his teachings is that it is beneficial to live life from “God mode”, or in other words, a perspective where you truly are the only cause for every external materialization in the 3d world. I understand that there are many religious people who also follow manifestation content, and their beliefs may not resonate with saying “I am God”, which is perfectly fine. Ultimately the goal of this perspective is not to claim power for vanity, but to gain confidence and understanding in knowing just because you are a human, it does not mean manifestation is a powerless being trying to do magic tricks to make a miracle happen. When we view the Law as an unbelievable or difficult promise, mental dieting becomes much harder because there is a belief that prevents us from seeing things as attainable, or even effortless and naturally promised to us. The “God mode” perspective is helpful because it allows us to feel more connected with infinite possibilities that easily dissolves doubts and fears surrounding circumstances. Think about it this way, would God worry about being blocked by their person? Would God worry about not passing a job interview or not having enough money? No of course not, so you shouldn’t worry either. What you can gain from the Law of Assumption is fulfillment of your dreams and desires, so aligning your perception of yourself with someone that is easily capable of getting such things will lift a weight off your shoulders.

When you are going about life attending to your daily commitments, it can be easy to forget this perspective, because certainly anyone would look at you weirdly if you claimed “I am God and you are too”, but if you treat this as a playful reminder and an internal understanding that benefits your manifestation, it won’t feel like you’re usurping power. If you are waiting in line at the store or cooking at home and your mind wanders to the unlovely things, observe how you’re viewing yourself. Are you surrendering to physical human senses, or are you taking control by confidently returning to this new perspective?

Resistance is often defined by the emotions and thoughts we have, but if you think about where they come from, the root is always a belief. All circumstances, no matter big or small, are no trouble if you start believing in things that allow you to feel more powerful. You cannot possibly feel upset over something when you know you are connected to God and things will change because you say so. View life from the eyes of God, and your circumstances will reflect that back to you eventually.

Additionally, faith is believing in the unseen. How do you know what is unseen and what is improbable? You need to test it out. People always want to rely on others for motivation and success, but your life is your life. You have full responsibility and control over it, and there’s no excuse for anyone to stop themselves from reaching success because they always want to hear about someone else’s story first. It does not do well to compare or to worry. All the answers you need are within you. Ask yourself before you ask someone else, and learn to give yourself the willpower you need. A leap of faith is not as complicated or scary as it seems. You will gain faith after you realize this works for me, I’ve done it and now I will do it again. Joy from seeing other people’s stories will never be the same as the feeling of winning on your own. It’s understandable to question the Law after a significant period of no results, but ask yourself this question, “Have I truly changed my beliefs?” If the answer is no, then there’s no reason to doubt the Law, because you haven’t met the condition under which your 3D will reflect your desire. If the answer is yes, then that means you believe with full conviction that you already have what you want. With that being the case, then you are someone new. Why would that new version of you question where your results are? The logic of the Law is that you won’t get hurt or disappointed from applying it. Success is inevitable, and if you’re applying it properly, then there’s no reason for you to feel negative anymore.

The ''real'' world

I’m sure many people have wondered at least once in their lifetime what the meaning of life is, why are humans here, and what happens after death. There are curious minds that think about this existential question frequently, and people who don’t care about spirituality and manifestation beyond achieving their own desires. And that’s perfectly fine. People hold different beliefs all around the world. From religious ones to scientific theories, there’s always been a central question of what is the true purpose of our existence. The Law of Assumption is closely tied to metaphysical concepts such as the multiverse theory, cognitive scientific conclusions that studies how the brain / mind alters and shapes our realities, psychological perspectives on emotions and their subjectivity, etc. Manifesting is not a baseless optimistic lifestyle, nor is it confirmation bias. The Seth Material has introduced an extensive and detailed collection of works that explain how we have come to this world to experience life as humans. We are learning and evolving, shaping our realities with our thoughts, beliefs, and expectations. Seth even dives into the afterlife to explain death, afterlife choices, and other planetary existences and communities. He explains our existence:

“I am telling you that you are not a cosmic bag of bones and flesh, thrown together through some mixture of chemicals and elements. I am telling you that your consciousness is not some fiery product, formed merely accidentally through the interworkings of chemical components.” – Seth Speaks: The Eternal Validity of the Soul

For the people who found this material intriguing, some may have come to the realization that the world is quite more complex than what we can perceive right now. It is not to say that spiritual findings and beliefs should take over our daily life and affect our ways of living by completely branching off into a secluded mindset that differs from any other normal social interactions we may have. From my perspective, it’s a proposal that may be beneficial to those who are feeling lost or powerless. To recognize and embrace life as an experiential game of choices rather than an unknown path of challenges is a way to understand effortless manifesting. The most limitless we can be is always within our imagination, because it’s truly a place of possibilities, freedom, and creativity, so enjoy it.

“Suffering is not good for the soul, unless it teaches you how to stop suffering. That is its purpose.” ― Seth Speaks: The Eternal Validity of the Soul

[thewitchblue]

You've been a hero for years, but you play the same prank on every member of the Batfamily. You have regenerative powers to the extreme that your injuries heal in seconds if you allow it. The first time gets them every time.

You have metal claws and a fury that burns. You shine under stressful situations. You are the key to their success oftentimes. You are a soldier through-and-through with a surprisingly high level of intelligence. You never told them the extent of your experience, but you've shown and proven yourself in combat, so you never had to. So, you started having fun with it.

Dick thought he hit you too hard in the temple with his weapon and panicked when you, taking the opportunity, crumpled to the ground. He's never run so fast. Being the leader, he really didn't want to be charged with murder nor kill one of his greatest fighters.

Tim, poor Tim. He was so exhausted he grew sloppy on a mission. Sloppy enough that you needed to jump in front of a blade for him. Somehow, the blade managed to slip between your ribs and puncture your left lung.

Well, that woke Tim up. He never finished a fight quicker. He speed ran a fight. He was on a timer, and he felt it. You were, seemingly, bleeding out because he stubbornly refused to sleep the night before, and you had to jump in front of a blade for him. He felt guilty and horrified. What does he tell Batman? What does he tell Jason? He'll need to hang up the suit, and he'll never leave the house again. You were the soldier everybody needed. The rock everybody can rely on despite your jagged edges. He knelt beside you. He wanted to check for a pulse, but he knew it was too late. He was fighting the goons for too long. There was no way you survived. Then, he heard your laughter. You laughed in his face, and your eyes opened. You laughed so hard you cried. Tim nearly collapsed on top of you in relief. He won't be killed by Jason or Bruce tonight, and, mostly importantly, you survived. You were a dick about it the entire way back to HQ.

Bruce was frozen in terror. His son's significant other just died on his watch. He was getting flashbacks from the time Jason died. Jason. How was Jason going to forgive him? How was he going to forgive himself? He was the one to suggest you come with him on the mission. He thought it would be easy. A simple mission against Scarecrow. You were the best pick because your system cleared out the fear toxin the fastest out of everyone else. You've seen worse horrors than what the fear toxin could conjure up, so you never falter in the fight. Scarecrow actually feared you because of this. He has yet to find a combination that is strong enough to put you down. Now, Bruce's best soldier was gurgling blood with a slit throat. He's failed you. He let you die. You didn't have a family to mourn you. He didn't know enough about you to properly set up a funeral. How could he let this happen? After everyone was jailed, he let the police take over and ran to your body. Your blood had dried and caked on your neck. He knows a dead body when he sees one, and you are very much dead in his eyes. He sighed heavily as he picked you up, only to almost drop you immediately as you opened your eyes and grinned at him.

"How?"

Was the first question he demanded. He knew your healing factor was very powerful, but to recover from a slit throat seemed like a lot, especially after seeing how much blood you let yourself lose before closing the wound. You playfully punch his shoulder with a grin,

"You know how, old man."

He laughed. Touché. He knows your abilities likely better than you do yourself.

Damian wanted to give you a funeral fit for a king. He liked you the best out of everyone, including Jon. He threw a knife that managed to cut through your skull and lodge into your brain. His panic was immediate but short-lived as you pulled the knife out of your brain and closed to the wound. You scowled because it caused a headache, but you survived quite easily. In that single moment, he considered seriously contacting his grandfather to put you in the Lazarus Pit, but he knew you wouldn't want a second chance at life. He knew you would happily die a warrior's death than live a coward's life. He respected that. Damian nearly cried as he ran to you. He clung to you all day and refused to say why to anybody. You simply returned his hugs and ran your fingers through his hair affectionately. You murmured about forgiving him, and he clung tigher. He knows he doesn't have to guard you on missions, but he's a lot more protective of you outside. Chihuahua privileges.

Barbara watched with horror on the CCTV footage on a local building as you get decapitated. She had flashbacks to her run with the Joker that left her paralysed. The Joker struck again. Instead of taking you hostage, you fought too much. You fought like a whirlwind of adamantium and controlled fury. Joker wouldn't have stood a chance if someone didn't come up behind you and cut your head off. She screamed as your body picked your head up from the ground and put it back on without so much as a wince. Joker ran the second the claws came out.

Cass was petrified. She's seen death before, but your healing factor hadn't seemed to help at all when she found your corpse. You were beaten to death by Bane. She gave an appreciative whistle as she pushes your head to the side to look at the handprints around your neck. He did not go easy on you, that's for sure. She wondered how he didn't die with you. He was skewered like a kebab on your claws, limb limp but claws still out and buried into his heart. She checked and he was still alive. Barely, so you must have been just shy of puncturing the organ. You went down fighting, and that was the best she could have hoped for with you. She went to radio on comms about the news only to be stopped by a clawed hand. She watched in stunned silence as your body heals itself in less than one minute. You sat up and stretched like a cat before removing your claws from Bane. Bane groaned in agony, but you didn't mind him. You merely wiped your claws clean on his shirt with a cheeky smile on your face.

"Well, that was fun. Next time, show up faster, yes?"

Cass could only nod, dumbstruck as you laugh at her expression. Cass knew your healing factor was insane, but you were so clearly dead to her. She never underestimated you again as you told her it was self-control that stopped you from puncturing Bane's heart, not death.

Duke hadn't known fear until he watched Ra's Al Ghul gut you like a fish. Ra's used his fear as a chance to escape, and Duke couldn't find it in himself to chase. He collapsed at your side. It all happened so fast. He had no time to react. No time to stop it.

He screeched when your hands both retracted their claws, and you stuffed your organs casually back inside your body as it healed itself. His eyes were wide as you chuckled at his misery.

"Gotcha. Now, let's get the bastard, yeah?"

Duke could only nod. He was still in shock as you ran your way to catch Ra's. Talia, for what it was worth, gave his shoulder a reassuring squeeze before sauntering off into the night herself.

Jason was furious, to say the least. Here he was, on his knees over your seemingly dead body only for you to jumpscare him while your body healed.

You cackled like a witch on Halloween as your body heals immediately. You can control your healing factor. To whatever degree you want to. You were never in any danger.

You put the fear of God in many people because of this prank. Jason was fuming.

"Why the fuck would you do that, pipsqueak?!"

His scream echoed in the alleyway you were "murdered" in. You merely laughed. Your claws come out in the moment and you slit your own throat but quickly heal yourself.

"I'm sorry, birdie. You were the last one to do this on."

That was the wrong thing to say because that pissed him off even further,

"THE LAST ONE?! YOU'VE DONE THIS BEFORE?!"

Everyone on the mission watched with amused expressions. It's true. Your prank, admittedly, was mean. Especially to your boyfriend who came back from the grave himself. Fondly, you cup his face with a smile. You said confidently,

"God doesn't have the nuts to kill me, Birdie."

Jason rolled his eyes, scoffing and throwing a tantrum like a toddler. He drops your body. He could never truly be angry with you, but he's pissed you put yourself in the position of needing to be healed in the first place.

"Alright, smartass. I'm not saving your sorry ass next mission. You can do that yourself."

Jason tensed immediately once he hears the snap of your spine breaking, but you weakly laugh and heal it in seconds. Lovingly, you say,

"Bones are harder than organs, asshole."

Now Jason laughs. He was still pissed, but hey. That saves on medical supplies.

[slayingfiction]

Mastering the Art of Dialogue

Dialogue is the lifeline of any narrative. It brings characters to life, propels the plot, and creates depth in the story. However, writing dialogue that feels real and engaging can be challenging. Here are some tips to help you refine your dialogue-writing skills:

1. Listen to Real Conversations

The foundation of great dialogue is authenticity. Spend time listening to how people speak in real life. Notice the flow of conversation, the interruptions, the ums and ahs, and the unfinished thoughts. Real speech is rarely grammatically perfect or fully articulated. Incorporating these nuances can make your dialogue more relatable.

2. Each Character Should Have a Unique Voice

Your characters should be distinguishable by their dialogue alone. A teenager will speak differently from an elderly person; a doctor will use different terminology than a street artist. Think about their background, education, and personality. These factors should influence their speech patterns, vocabulary, and even the rhythm of their dialogue.

3. Use Dialogue to Show, Not Tell

Dialogue is a powerful tool for showing the reader what’s happening without explicitly telling them. Through conversations, you can reveal your characters' thoughts, feelings, and intentions. For example, instead of narrating that a character is nervous, you could show it through their stammering dialogue or their avoidance of direct answers.

4. Keep It Concise

In real conversations, people often meander through their thoughts. In written dialogue, however, it's important to be concise. Every line of dialogue should serve a purpose, whether it’s moving the plot forward, revealing character, or creating tension. If a piece of dialogue doesn’t add value to your story, consider cutting it.

5. Read Your Dialogue Aloud

One of the best ways to test your dialogue is to hear it. Reading your dialogue aloud can help you catch awkward phrasings or unnatural speech patterns. Better yet, have someone else read it to you. This can provide insight into how your dialogue will sound to your readers.

6. Use Subtext to Your Advantage

Not everything needs to be said explicitly. Subtext—the underlying meaning behind the spoken words—can add depth and complexity to your dialogue. Characters might say one thing but mean another, based on their emotions, relationships, or situations. This layering of meaning can make your dialogue more engaging and thought-provoking.

7. Balance Dialogue with Action and Description

While dialogue is critical, it should be balanced with narrative description and action. This balance helps maintain the pacing of your story and ensures that your scenes are visually and emotionally compelling. Action and description can also provide context that enhances the meaning and impact of your dialogue.

Conclusion

Great dialogue can transform a good story into an unforgettable one. By applying these tips, you can craft dialogue that captures the essence of your characters and engages your readers on a deeper level. Remember, writing is a craft that improves with practice. Keep experimenting with your dialogue, and don't be afraid to rewrite until it sounds just right.

Writing dialogue is a skill that can be honed over time. The more you practice and read, the better you'll become at capturing the essence of conversation on the page.

[idiotsonlyevent]

it is completely understandable to be uncomfortable with the sexual assault in dandadan. it's important to discuss how it's framed, whether it's handled poorly, or if it could be been portrayed better. but the number of people - even fans - stating that it is only fanservice, irrelevant, or could be removed is frankly bizarre to for SO many reasons, starting with the fact that this parallel exists.

the anime made it even more obvious by interpolating cuts from the first scene into the second one.

i thought this scene showed that momo gaining her powers by believing in her relationship with her grandmother gives her the strength to fight back against what is basically a horrific, much more aggressive and abstract (maybe even absurd?) representation of her shitty gross ex - who was demanding she 'put out' and pay for the love hotel in very first scene.

while the escalation from one scene to the next is surprising, it's not something that comes out of nowhere. this first scene is meant to be a set-up to what will happen later. it sets the tone, though significantly more lighthearted at this point. it tells you that sex, sexuality, etc. is something dandadan will touch on - though you don't know what the scope and depth will be until later in the chapter.

i cannot recommend this video enough, as it discusses some interesting interpretations of what the serpoians and turbo granny represent in their respective assault scenes, as well as how right now the treatment of both scenes is unfortunately uneven.

more notes about plot and thematic relevance below the cut. spoilers for anime-onlies (up to chapter 8, will probably be covered in episodes 4/5).

momo was assaulted, and almost cut up by the serpoians, much like the other victims turbo granny appeared around. this is an intentional parallel. turbo granny goes to momo because that is what she does. again, SUPER unclear how that factors into turbo granny's assault of ken, but if we keep the video's interpretation of cynicism in mind, it could be related to that; maybe turbo granny has a cynicism toward men - similar to momo in chapter/episode 1 - and this is why she chose to attack ken. unfortunately, it's still too early to really understand and explain a lot of her motivations.

again, completely understandable to not like how the sexual assault was handled or portrayed, and it's important to keep discussing it. but this is what dandadan does for many different types of trauma and difficult life experiences. this is a huge part of dandadan's identity. if you don't like it, that is fine, but calling the sexual assault 'just fan service' is blatantly untrue.

[ambermotta]

6 Types of Protection Magick

There are many ways one can do protective magick. In this post I'll be going into 6 of the most common and accessible ones!

Please understand that even one "protection magick type" can be done in an infinity of ways, some of which are closed to certain practices.

Disclaimer: based on my experience and research. I don't claim to know all truth. Further study is encouraged!

_________________♡♤◇♧_________________

#1 — Magic circle

The magic circle consists of creating a protection and delimiting a sacred space for magic and/or ritual.

The magic circle is probably one of the most popular protection methods thanks to its encouraged use in Wicca. However, other traditions have made use of similar concepts, such as in the afro-brazillian Umbanda concept of "chain".

The circle can be physically drawn on the ground, delimited by the members inside the circle, or visualized.

Casting one is fairly simple since it can be done in different ways, either in groups or solitary practice. You can use tools such as wands, chalk or physical objects to draw it, but what matters most is intention and successful visualization.

Before casting a circle it's important to have everything you will need already within grasp and inside the circle, since once created it is advisable that no one leaves it until the work is complete.

#2 — Amulets, and Enchanted Items

Enchanted Items are a very popular and effective form of magic, especially for personal use. These are often common objects that have been enchanted for protection.

They are often necklaces, rings and other jewelry since these are the most practical to carry around without suspicion. However, they can be any object.

Amulets can be created via enchanting, charms, or by asking deities and spirits to bless them with protective qualities.

The material and imagery used to create the talisman is also important in determining the kind of job it wants to do.

#3 — Sigils and other drawn Symbols

Sigils and Symbols can be used both for personal protection and for warding spaces. Here I am also including Runes.

They can be carved into objects, drawn upon skin and surfaces, or even tattooed.

However, before using any sigil, symbol or rune it is of extreme importance that you know exactly what they do, and know as much about them as possible. Especially if you plan on drawing them on your skin (either temporarily or permanently).

Unless specifically used only for protection purposes, inadequate use of them can lead to disaster. Even then, the type of protection they bring can vary.

For example, a protection sigil that works by hiding you from threats is different from a sigil that fights threats that come to you. It's important to set or to know how their protection work so that you do not come across unwanted results.

#4 — Prayer

My definition of praying: focusing on sending a message to a higher spiritual power, be it an entity, deity or energy.

Prayers are a great way of manifesting protection, though since you are asking for it to a higher power you must understand that it may choose to not grant it, or not grant it in the way you expect.

Plus, it is very important to know where you stand with this energy or entity. Do you work with them already? For how long? What is the nature of the relationship? Do you truly know them well enough to ask them for this? Is it really appropriate?

Cultivating a good relationship and having manners can be decisive factors for manifesting this sort of protection. Plus, it's always good to "give back" in some way. To receive something, something must be given eventually.

#5 — Affirmations and Visualizations

Words and the mind have innate power. Affirmations and visualizations are great ways to manifest protections because they rely only on yourself.

They are easier to do right if you use them together with other methods, or if you have physical representations of the work being done. To be successful one must focus, "feel" them happening, and maintaining that without help can be difficult. Frequent practice will help you get the hang of it.

There are also techniques that make affirmations and visualizations both more powerful and easier to accomplish.

#6 — Warding

Warding is when you set up a semi-permanent protection in a specific place, such as your house.

It can be done in many different ways. One of the most common is to have an object or place designated as the "holder" of the ward, which should be well kept.

Warding will be more powerful if you are frequently cleansing the space and recharging the ward. Leaving it alone for too long can weaken in or make it lose its properties altogether.

Some plants are used for this kind of protection, since they (usually) stay in place, can be powerful magical allies, and you'll be checking on them often anyway. The ones usued are often those with thorns, threatening-looking leaves, or even poison.

Note: always be very careful about bringing poisonous plants home, especially if you have children or pets.

Conclusion

This was an overview of the most common types of protective magick. A lot of protection spells and works fall somewhere within these categories, or are a combination of them.

Each tradition has a certain way of going about spiritual protection, so if you are exploring an specific path, I encourage you to not only research about protection in general but to also look into what unique techniques your path has to offer!

Many blessings and thank you for reading! ♡