#and for sure the first one without any lineart at all

[remxedmoon]

UPDATE TIME BABY

so!! i’ve been making a lot of edits over the past few days after i noticed a few Issues so!!! i think it’d be a good idea to list them here? consider this an update to this weird little pseudo-mod i’ve accidentally created. plus there’s some extra art here (if you, uh, couldn’t guess from the sprite directly above me :3)

okay!! big news first!! thanks to @horatiocomehome, i finally have access to the actual game files! kinda. at least enough access to actually know what the files are named. so, i’ve renamed all of redraw files to be compatible with the game! this should make it way easier to mod them into the game. yipee! so sorry these weren’t correctly named before auauua

i finally made “official” spritesheets for my battle portrait redraws!! ttthese are not intended to replace @/thea2l112’s mod or anything, i just wanted to make ones that included my custom sprites! because i’m very proud of them. i don’t think the custom sprites should cause any issues, but just in case, i also included versions that exclude them! the only differences you’d actually see in normal gameplay are act5 siffrin’s buff sprite and act6 siffrin’s ko sprite (or lack thereof). you can find them in the portrait redraws folder, but i’ll also include them at the end of this post for ease of access 👍 also the fourth spritesheet doesn’t actually do anything in normal gameplay it’s just there so my custom bonnie and loop sprites have a place to go.

okay the changes here are a little less important so they’re going down here. anyways

added the afterimages(?) for the special attacks! i genuinely didn’t realize these were a thing until one of my partners actually put my cgs in the game. so those exist now!! yipee!!

predictably, isa and mira’s jackpot cgs having different aspect ratios did in fact cause issues. i put in a bandaid fix, but i still can’t actually test it out (and i don’t want to pester pastell about it) so, uh, maybe let me know if you encounter any problems with their placement??

so you might’ve noticed that there’s two copies of each of siffrin’s cgs during the final attack scene? that’s just how it is in the game files. i don’t know why. they’re identical in every way, just there to make sure things work properly 👍

made an alt version of the mal du pays death animation! nothing drastic, just cut out a hole to match the original. probably safer to use the one with the Hole for modding, i don’t know what the layering for the cg is in that scene. alas. sspeaking of death animations though!

so!!! there’s two new sprites for this little update thing!! i forgot to do siffrin’s unused battle portrait during my first batch of redraws, so i went ahead and made it! as you can see above! nothing too difficult, i just reused the lineart from my bigfrin sprite (since they use the same lineart ingame)

second of all!! act6 siffrin death animation :3. or well, i guess it could work in other contexts, but i intended it to be for the twohats fight. idk! thought it’d be fun! use it for whatever you desire

aaaand i think that’s it! again, sorry there were so many issues with this batch! i might’ve drawn these for use in mods and fangames or whatnot, but i really did not expect all the interest and support i’ve received??? at all?? it really means a lot!!! so i want to make this thing as Polished and Complete as i can!

aaaa. enough rambling. if you’ve read this far, thank you!!! i hope the redraws are a little easier to work with now!! here’s the spritesheets as promised, please enjoy :3

spritesheets without custom sprites here v

so all you need to do right now is disappear.

HHHHAPPY ISATVERSARY EVERYONE. here’s redraws for every single battle cg in the game. 36 drawings this time around, with 11 of those being custom (though admittedly a good portion of those are edits). combined with the portrait redraws i made back in september, i’ve made 114 redraws for this project! jesus christ! just like those redraws, these are completely free to use!! as long as i’m credited and it’s not for commercial purposes, go wild!! do whatever you want!!!

no i didn’t make these for isat’s 1 year anniversary this is just wildly good timing.

i genuinely can’t fit all of these cgs in one post even with the 30 image limit on browser, but i’ll still try to fit Most of them below the cut (without making this post horrifically long), along with some notes that might be important 👍

okay! once again, i labeled all of the custom art as such in the drive(UPDATE. NNOT TRUE ANYMORE. reformatted file names to be easier to mod in auau. apologies!), but if you want a full list, the customs are hatless siffrin jackpot, bonnie jackpot, bonnie special attack, bigfrin attack, and a bunch of alts which are definitely not related to any projects i’ve been thinking about don’t worry about it. and out of those customs, only like. 3 of them are actually completely from scratch.

while i did my absolute best to keep the aspect ratios completely the same as the originals, there’s 3 exceptions that i just couldn’t get to work.

isabeau’s hair in his special attack cg wouldn’t fit in frame if i kept things completely accurate to the og, so i moved his cg down a bit. it shouldn’t cause any issues with modding or anything, it’ll just appear slightly lower than it does in game. alas…

isabeau’s sleeve and mirabelle’s hair made their jackpot sprites a little larger than the originals? i’m hoping this doesn’t have too much of an effect (since the jackpot sprites have inconsistent sizes) but i can’t test this myself unfortunately. aaa feel free to let me know on discord if any problems arise!!

i managed to fix these, so they aren’t going to cause problems now, but my original drawings for mirabelle and siffrin in the final attack scene were a pain in the ass to fix. mirabelle’s sprite was slightly too talk to fit in frame and siffrin’s hat whacked bonnie in the face while i was editing everyone together. i’m only mentioning this because it took like an hour and a half to fix them and finish the scene.

all that aside, these were a fucking BLAST to work on. apparently this ended up taking 57 hours over exactly 10 days. which is a little worrying if you do the math on that but somehow i have not burnt myself out. i will be doing enemies at some point!!! but probably not for a little bit. i think my friends will actually kill me if i don’t take a break.

once again, happy birthday isat. you’ve ruined my life and i wouldn’t have it any other way (silly).

also, on an actual serious note, this little timeloop game has genuinely changed my life for the better? you guys are probably sick of hearing it at this point (or maybe not, i don’t talk about myself That Much. i hope), but i was practically a ghost for about 2 years before joining this fandom. it’s a little surreal to suddenly have friends (plural!!!) and people who Care about me, or even know i exist, honestly. it’s weird!! in a good way!!!

i don’t think i would’ve ever come back to social media if this community wasn’t so welcoming. i’ve met a lot of really great people through this game!!! so, uh, thank you isat, i guess. here’s to another year.

[quuuueto]

🌼💐

[sanctus-ingenium]

Just wanted to ask, please forgive me if you've already answred this, what program do you use? Your art fucks HARD and like. I was looking at your art of the two moths over the city they die in and I was hit with the wave of "oh that looks really fucking fun actually." Like i know my art program can't do some of those effects and like, I'd love to try fucking about with them.

hi there, thank you! all my art is done in procreate and paint tool sai

because you mentioned that drawing in particular i thought it would be fun to break it down and show ppl what exactly went into each part of it so check this out

sketch & lineart - the brushes come from georgbrush.club and the urban sketcher is my most commonly used lineart brush, it has a nice irregular shape. the square brush is nice for big blocky sketches.

the cityscape was REALLY hard but basically I got a photo of the skyline of florence, traced some basic building shapes, then bullshitted the rest using the vertical symmetry/mirror tool to cut down on the amount of work (so i only had to sketch one half of the city). then for lineart I turned off vertical symmetry, turned on the two-point perspective tool, and got this:

the rose windows were made using the radial symmetry tool.

I didn't like it being so flat, so I used the liquify tool to make a kind of fish-eye effect (limited success tbh). I liked how it looked but the buildings in front needed something to cover them up to make the liquification less obvious...

first pass colours. I felt they were very washed out, aside from the sun which i loved. I use the spectra brush (default procreate) for skyscapes a lot, I love the texture. Although the clouds were filled in using the lasso selection tool, I softened the edges using the square pencil again and added texture using true grit sampler grainy brushes. The translucency effect comes from my setting the brush as an eraser. The sun rays come from the radial symmetry tool.

Blocking in the moths' colours was done with the urban sketcher again.

Something people may not have noticed is the labyrinth hidden in the sky! yeah I had a bunch of versions where it was more obvious but I found that it clashed a bit and was too busy, so I made it subtle. But yes. I searched for "royalty free labyrinth" and picked one.

The toner grit brush is one you've seen before if you've looked at any art on tumblr lately (this is such a popular brush) and it's from the true grit fast grit set. The pointillism brush is from the true grit free sampler pack, like my grain brushes.

I added shadows to the moths, increased saturation overall, and changed the clouds to a translucent blue (you can even see in the sun where I forgot to block in the sun itself because the clouds over it used to be opaque lol). Moon rays were drawn using the radial symmetry tool but this time with rotational symmetry off. I also moved the moon down closer to the moths because I felt that it was a bit far away, and this served to visually divide the drawing into three equal parts, so I chose to lean into that and divide the sky colours too, to show passing time, or an endless moment - morning, evening, night, etc.

And then the oroborous, I tried a few different effects on it because I wanted it to be very clearly separate from the main scene - I settled on a dot matrix newsprint texture, using procreate's onboard tool, and some heavy chromatic aberration. This is because the oroborous isn't real, it's purely symbolic and the moths' demise started when they became photographers so I liked the print media aspect there as well. The story itself is about grief without closure, cyclical violence, and sunk cost fallacy, while everyone explores an endless labyrinth, so an oroborous fits I think

what makes art fun to me is thinking up ways I can tell a story using just a single image. and sure a lot of it will be lost to an audience who isn't familiar with the characters or backstory but i want to leave enough in there that even complete strangers to my work will be able to construct a narrative about what's happening here, rather than it just being a cool image. that's my goal.

Finally I exported it to sai on my pc to give it a once-over. this is really important because the retina display on an ipad is oversaturated on purpose, to make everything look amazing and vibrant. but what this means is that on other screens, your work might look washed out. it's especially bad at displaying yellows! so i look at it in sai on my pc and i make minor adjustments, in this case I actually added another multiply layer on the moths and an overlay on their non-shadowed parts to increase the contrast there.

finally if you've read this far, I played a little trick with the caption of the drawing. yeah, THEY die... but only one of those moths is a theythem pronoun haver... the other has to survive. he isn't given a choice in the matter.

[nemisisnemi]

Nemi’s 100 followers Art Raffle! 

I’m holding this event as a way to thank you all for getting me to 100 followers :D 

I’d like to give a special thanks to: ( @loser-jpg @spookyavenuestreet, @lemonchuu @artistnettles, @nyx-of-night, @celestcelest, @vauxxnm (and so many more i cannot @ in one go due to the tag limit but you know who you are!! I'll be tagging more ppl in the reblogs!) for supporting me on my journey all the way to 100 followers! Thank you for always interacting with my posts <3 

EVENT RULES: 

No harassment is allowed. You will be taken out of the raffle and blocked. 

If you have multiple accounts, be sure to link your other account(s) in your bio or intro post. 

Do not ask me when I will be starting the pieces. I have a busy schedule and do not know when I will have the time. 

No NSFW & suggestive requests allowed!!  No furry & mecha requests, I do not have the skillset to draw these. 

The winners must send me(preferably multiple) references and or descriptions of what they want drawn. Any overly complicated details and or clothes will be simplified. 

The winners will be allowed 2 changes when I check in with them with their pieces. 

GUIDELINES + INFO: 

This event will be held for a week from (July 23 12:00 am - July 30th 11:59pm est time) and I’ll randomly select the winners at the end of the week via the wheel of names (https://wheelofnames.com/)

To enter, all you need to do is to reblog this post with the tag “nemi 100 followers event”! Each username will apply as an entry. While multiple reblogs are appreciated, you’ll only receive one entry to give everyone a fair chance! Any follows during this event are greatly appreciated

There will be 5 winners selected in total

The 1st & 2nd place winners get to choose one of the options I've given and the rest of the winners will get their respective prizes. Once the 1st & 2nd place winners have selected their choice, it cannot be changed. 

I will be tagging & DMing the winners so make sure you have your dms opened! If there is no communication from the selected winners within 24 hours, I will select someone else for that slot. 

Prizes:

1st place: (choose only one of these options!)

Full body colored/rendered piece w/ a simple background 

2 characters simple interaction bust shots in one drawing sketch/clean lineart (can be characters or ocs but no color!) 

one character colored bust shot w/ simple background 

examples below!:

first piece(from left -> right) is full body example, 2nd one is of the bust shot, 3rd one is the type of rendering I'll be doing, 4th one is an example of the sketch I will be doing

2nd place: (choose one only)

a full body sketch/lineart piece w/ no color & background 

one character bust shot w/ no color & background

examples below!:

ignore the doodles around the first piece, but that will be somewhat what a full body no color will look like, 2nd piece is closer to what the style might be in & is also what the bust shot looks like.

3-5th place: one character bust shot w/ no color & background 

If you're curious on what my current art style looks like, go through my recent posts or master list! The examples I gave aren't 100% accurate to how my art looks like right now.

link to masterlist: here

I would like to give another special thanks to @/celestcelest @glidiaxoxo @raguiras @twistedwonderlandshenanigans for helping me with this event. Go show these people some love!! This event would not be possible without their help!! 

Good luck to everyone and thanks for participating!! 

[gravidwithlore]

I didn't forget about Kaz I swear! Life got in the way, but I've finally finished the next update on how our little knocked up revolutionary slut demon is doing! When I first started the lineart, he was actually at 12, but by the time I finished him up we're at a total of 15 demon spawn growing in that belly of his! He's only a few months along, but I'm sure he's going to get MUCH bigger from here.

Remember, the next milestone is a new "uniform" so every like and reblog helps get him a new outfit! Maybe one with a little bit more room for a growing succubus? And to add more babies to that unnaturally fertile womb of his, you can donate to my Ko-fi, or every 10 reblogs also adds another spawn in that belly.

Prologue | Part 1

Once word got around that Kaz was thoroughly knocked up, he could barely take a step without one of the guards pulling him into a closet or just shoving him into a corner to fuck him senseless. Which is exactly what Kazimir wanted. When the revolution's leaders sent him on this mission, they'd made it seem like this operation would be hard. The only thing hard about it was every guards dick when they so much as thought about him.

He did find himself missing the presence of his revolutionary counterpart though. Levi was still in solitary, most likely to try and wring as much information out of him as possible. Kaz hoped he'd be let out to the general population soon. He wanted someone to talk shit about the guards with. The succubus had never encountered such a gullible group of idiots before, so easily swayed and charmed with just a soft moan or a certain arch in his back. Kazimir knew he looked fuckable, but even he thought it was getting a little ridiculous. At this rate, he'd be giving birth to an entire new army to serve his Masters in Hell.

“Holy shit, I think I can feel ‘im get more knocked up by the second.” The guard of the moment, having just cum and already hard and rutting into him again, as they roughly pressed one of their large meaty hands on the fertile swell of Kaz's belly. Kaz snapped out of his blissful haze, as he realized he might have been found out right there in the guards break room, the entire plan ruined.

The guard had noticed as the newest occupant of Kazimir's womb had grown to catch up to its siblings. The plan wouldn't work if he didn't give birth to them all at once after all. Usually Kaz basked in the moment, took pride in his fertile body and each and every little demon growing strong in his womb. But if the guards managed to remember that most human pregnancies don't work that way, he could be in big trouble.

“Fuck. That’s hot.” One of the other guards in the breakroom grunted, already stroking his cock through the tent in his pants. Some of the other guards groaned in agreement. “Now shove off, youve had a go, let my have my turn.”

“Fuck off! You can have your turn when I'm done fucking another baby into him.” The first guard growled defensively.

“Hell no, I'm getting my turn, whether you like it or not!” The second guard argued as he tugged down his pants and pushed at the other guard.

Kaz almost laughed. Here he was, afraid he'd been caught red handed, and these idiots were about to go feral over a chance to add to the unholy brood that would later become their very downfall. His eyelids fluttered and a guttural moan escaped his chest as both guards thrust themselves into his cunt at the same time. Still not as big as any of the demon lords he'd carried broods for in the past, but it still stretched his human-looking form to its limit, in the best possible way.

He hadn't carried a brood of demon spawn nearly this big since he'd first reached maturity as a succubus, when his libido and fertility were still wild, chaotic, and uncontrollable. He'd almost forgotten how amazing it felt. But as the still arguing guards came into him, and he cried out in pleasure as the warm fuzzy glow that always nourished him after each breeding filled his core. As a new pair of twins began to grow in his womb; he couldn't help but think: this might be his biggest brood yet.

Because I made you all wait so long, I'm gonna be generous and add 3 more demon spawn to Kaz's belly, on the house! I wanna see that lad get nice and BIG. Don't forget to reblog if you want to help the mission, and if you have some to spare, you can donate to my Ko-fi. And don't forget to like too! How else are we supposed to see that new uniform? ;)

[cheseely]

Hi, I'm sure you get this often but I really love your recent genshin artwork, do you think you could explain your painting process? I love the colouring effect in that piece especially. Thank you.

Thank you so much! I got a few messages like this from my previous piece (thank you guys for the staff pick & blaze btw, I really didn't expect all the support😭) so I thought I'd share a bit of my process below as thanks.

I always do my lineart first because it feels less daunting to me when applying colours. I will do some rough colours first so I can easily adjust it to my liking.

Next, I make sure to separate each character into different layers when I clean it up. I like to work one character or object at a time, it's less overwhelming for me that way, and I can use clipping masks for ease of rendering.

I'll usually apply some adjustment layers on top of the base layer for shadows and highlights. When I say base layer, I just mean a layer of the colour without any effects.

I like using 'hard light' for shadows, and 'screen' for highlights, but you can really use whatever clicks with you.

Rinse & repeat this process for every character in the illustration. Note that I make Furina the focus so everything behind her will be less rendered than the elements in front of them (Neuvillette is a lot less rendered compared to Furina, and the painting in the back barely has much shading).

Once I render out each asset in the illustration and add shadows & highlights to my liking, I then to merge foreground/ midground/ background elements so I can make the overall illustration clearer to read. I don't want it to feel messy or overcrowded, and I think it's easy to get tunnel-visioned in small details and lose the clarity of the entire illustration.

Make sure to zoom out constantly and make your illustration B&W to check the values to see if the drawing is clear.

I created a simple S curve with the values for readability, and have the foreground elements have darker values & contrasts.

As for the BG, I wanted to add more textures into the drawing, particularly the painting in the back. Here's an image of it when I only added in the base colours.

I use the smudge tool to create more texture once I fill in the base colours. Since I don't really 'paint' anything with the textures in, I just put in the base colours and take a textured brush to smudge it. However, over-smudging can lose the painterly texture I want, so I usually smudge vertically or horizontally in a single stroke to create a sense of movement.

Another thing to note is that I only textured the BG, I thought it would help it blend into the background a bit better. I usually wouldn't do this for the foreground because I want those elements to be clearer.

At the very end, I tend to spend a fair bit of time just fiddling with more adjustment layers, various filters (such as blur, or noise), or liquify small details to really finalize the piece. Just vibes...basically this is me

Anyway, I hope that was helpful & it made sense!! Feel free to message me if you have any other questions & I'll try my best to answer! I might've glazed over a lot since I didn't wanna make this too long.

[silkentine]

An anatomy and lighting practice that turned into Ichiji! 😊❤️🎇✨🔥 I’ve been really inspired by @dannymans66 lately so I’ve got #1 on the mind.

ALSO!!! I HAVE AN OPPORTUNITY TO WIN A FREE COMMISSION BELOW (Check it out and see if you can win!)

So I jokingly shared the lineart for this piece with my friend and said that it looked like a page from a coloring book and the idea humored me so much that I decided to hold a competition. I’ll give you all TWO WEEKS (ending June 4th 2024 at 23:59 EST) to color this picture of Ichiji using the blanks provided below and submit your illustrations here on tumblr with the tag #ichijirecolor (and it’s probably best if you @ me as well @silkentine). I’ll judge all the submissions (with the help of my unbiased mom) and the one that I like the best* will receive a free commission from yours truly :) anything you want!!! Feel free to color outside the lines, add stuff to the illustration, use the “wrong” colors, print it out and color it traditionally, whatever floats your snail-boat! 🐌 The only requirement is that my original illustration is included in some way (it doesn’t even have to look like Ichiji at the end, I suppose!)

*If my first place winner declines the prize or fails to respond with a week of the announcement, I’ll move on to the second place and so on and so forth.

Below the Read More, I’ve provided two versions of the lineart with and without the tattoo. Also, they are all 1526x2048 pngs either with a white background or no background at all. To color using a white background, place it as your top layer and set it to a Multiply blending mode, then you can add colors on a layer below without having to fuss with the lineart or delete the background. I’m not going to check if you keep the original size or ratio of the images; I like to work really big, so feel free to compress it if necessary. Feel free to move the watermark around, and it would delight me so if you added yours alongside mine!

Thanks in advance to all who decide to participate!!! I’m so excited to see what you can create!!!

Also here’s my version without any shading, you could use this too if you wanted to but isn’t it more fun to start blank? Idk I just think this is fun to look at.

If you made it this far and you’re still not sure if you want to participate or not, let me sweeten the pot and let you know that I’m a very small creator and I’m not expecting to get many submissions, so your chances of winning could be much higher than usual with these kinds of things!!! I’m not someone who judges on technical skill either, it’s purely my own taste that will decide the winner, so don’t let your skill level hold you back! I love funny things and getting to know people in the One Piece community!!! This is all my selfish attempt at making some new friends hahaha!! Thanks for reading all of this 😋🥰 you mean the world to me.

[dumpsterfire-allavita]

Context- I had been commissioned for this piece. Being in a financial pickle I picked it up and immediately set to work on it. Since I’m in need of money I put my all into the request to make sure it checked every box they could need. It turned out amazing I think! However I just checked our chat where I put the almost finished piece to find their account deleted. What’s worse is I had given them an update without my signature on it since it was unfinished and all…so if you see it floating around please message me!

Without further adeu~ the piece!

╔══*.·:·✧ ☎️ ✧·:·.*══╗

Information

I was messaged by the user Freaky (later changed to Dust) for the commission of their two Characters Brimstone and Karma. Ecstatic we began consultation!!

They decided on a photo reference from the anime “Soul Eater”. They liked the old anime style and requested their piece would be similar. That meant a full body with simple background but a lot of technique put into the old anime style! Ofc I wouldn’t shy away from the challenge (since my bills won’t shy away from me- the apple did not work on the doctor….no matter how hard I threw it)

Upon requesting their budget they said between 130-200$ which worked fine with me. I always tend to under charge anyhow. Due to my needs this time was no different. I assured they would receive updates to let them know how the piece was going and that I would collect their input on any fixes needed. They agreed and without further wait I began.

『•🪱•✎•🪱•』

[ T o o l s ]

✦ Cheap sketchpad

✦ Mechanical Pencil 7.0 lead

✦ My Phone (to send to the iPad)

✦ Fathers IPad (Im broke don’t judge)

✦ Procreate

✦ Color Pencil procreate brush pack

✦ Lineart procreate brush pack

✦Paint procreate brush pack

*ੈ✩‧₊˚ˏˋ°⁀✎ 🫎 P R O C E S S 🫎 *ੈ✩‧₊˚ˏˋ°⁀✎

Once saving the many provided refs I began by creating character reference sheets. Due to the customer not being artistic they provided me with several other commissioned pieces of their characters. Not all…looked the same… so I created these sheets to compile the parts that fit the personalities portrayed. Then I checked in with the user to figure out which features looked most like what they imagined for the characters.

Then I continued with the base sketch of the pose. The original reference for the pose didn’t entirely fit the characters so I chose to tweak it. I think I like the way they interact on the piece. I even made them doing rock paper scissors if you pay close enough attention! Karma lost but well…Brimstone would get what was coming for it later lol.

After all that it was finally digital art time!!! So I put my color references sent to me before adding the anime ref and my character refs. On the iPad I started with adding the details of the characters and sketching the pieces in further.

When that looked good I shifted the background a little to see it all before doing the motorcycle. (This is the first one I’ve ever drawn too- I know it’s funky! Don’t look too close)

Once the sketch was confirmed I began lineart. The title was changed to say Brimstone in big and in Japanese it reads “Freak Karma” the user of the customer and their second character.

Following that was color blocking which absolutely murdered me! I simply started with a big blob and did Alpha lock. Then I continued to block out base colors. Probably the worst experience of my life…goodness..

After I did a big dark brown layer with the opacity lowered for the look of a darker environment. From there I lightly erased the spots for lighting.

Then it was additional coloring and shading to the color block layer followed by additional erasing on the shadow layer. Building it up until I was satisfied.

Finally I did two layers- a layer for specific color lighting such as the flames reflection and the color to their skulls and a layer for the black and white liner.

All that was left was adding noise, Bloom, and a little bit of halftones to achieve the desired look.

With everything done I added my signature into the mirror on the bike!

ALL THIS ON ONLY 4 LAYERS! Due to the sheer size of the canvas (6000 pixels by 5000 pixels (ish)) I was only able to have 4 MAX layers. So pain…

🪳✨ Time ✨🪳

//this is the longest I’ve ever spent on a piece btw! (These are timed and rounded down to the simplest form. So these are all slightly UNDER what I actually did.)

Ref sheets 🎨 45 min

Layout Sketch 🔆 24.3 min

Digital Sketch 🛏️ 1 hour 30 min

Lineart 🍿 8 hours

Color Blocking 🥲 23 hours

Lighting + Final touches 👍 1 hour 25 min

Total- WAY TO FREAKING LONG! This has 26,543 strokes on it!!!!

Anywho! I hope you enjoy the piece as I sure as heck have not due to my suffering and now lack of money that I now have to try and find elsewhere with bills gripping my now every thought.

If you’d like to commission me I’ll have to ask for a base payment upfront now due to this situation. I am unable to spend such time to provide my very best just to be left when I truly need the money.

Thank you for your time!

[sainamoonshine]

Seeing more discussion about AI and art and I just want to say, for anyone who needs to see this;

If you enjoy all the parts of doing art except for [whatever part] which you think is a drag and therefore you think its okay to output it to a generative mediocrity machine, have you considered instead: you don’t have to do it.

Legit, unless you are being paid for this (in which case you should not output it to the mediocrity machine either): you literally do not have to do that part you hate.

Love drawing lineart but hate doing colours? You don’t have to do it. Make linearts and leave them as-is.

Like doing colours but not shading? You can just do a piece with flats.

Like colouring but not the sketch or lineart part? Idk, how about you collab with other artists to colour their linearts? Literally there is a whole profession in the comics industry called « colours ». Look it up.

You like to write but hate editing? That’s cool too, lmao do you think every fanfic authors edit?? Even if you write original stuff you can just throw it out there on your blog without editing it, I mean who is going to stop you, it’s your blog.

You have story ideas but don’t know how to turn them into polished paragraphs and chapters? Did you know you can just write up a bullet point list of your ideas and share that with your friends?

Or you can do the parts you think is a drag because you want to do them, and you think it will be satisfying to reach the other side and see what you’ve done! That’s cool too!! As long as you realize that nobody forced you to do that, it was your own choice, art works better if its first and foremost something you do for yourself, and you don’t need the mediocrity machine to be an artist any less than I need to colour my linearts to be one.

Hell, I don’t even block my knitting when I’m done with it, a sentence which I’m sure has probably horrified every crafter who’s just read it. Sorry but I only knit scarves and I can’t be bothered. I’m still a knitter tho.

[littledudeholland]

How i make my drawings

Hello! Since @wolfsune09 asked how i make my shading and all that i decided to make a little tutorial on my shading style! (I draw in Clip Studio Paint)

Also english is not my fist language so i'm sorry if i make any mistakes or say weird sentences!

So let's start with brushes:

The brushes i mainly use are The Calliflakes brush, Soft square brush, and the regular Turnip pen and Design pencil from Clip studio

These brushes are like, MY LIFE i love them so much dfjsdbfhbsdb

Anyway, the drawing i'm making is a screenshot redraw of a homestuck panel because i can

Get homestucked lol

Anyway after the sketch i make the shading plans, they are really important and will basically dictate if the drawing will be good or not

always make sure the light direction is the same throughout or else it will look lackluster, think about the character in they're primary forms(head is a square, torso is also a square, nose is a piramid etc.)

Now is the real kicker, plan the reflective light (i can't explain it really well so researching it is a better option)

I like to see the light sources with their correct blending modes before drawing to check if the colors look ok

In the end, the objective is to make it so the drawing still holds up without the sketch, if the light makes the pose readable, it's all good to go

Finally, it's time for the lineart, i made the Calliflakes's brush change in size depending on the tilt, this is great for a dynamic lineart and a crunchy look

I usually use three sizes in the lineart, the main size, a medium size to make more detailed parts, and a smaller one for when i need even smaller details, tho it's good to use it sparingly since it might make the drawing look unbalanced

Also, i usually don't use black in my drawings, mostly because of the shading process

Looking good!

Now it's time for the flats! This part is pretty simple, this ios also the part where i paint the lineart, i ONLY paint parts that are INSIDE the silhouette, mostly to make everything blend more and also becuase i like it :)

What a handsome fellow!

Alright now for the part you came here for, the shading! Alright, remember the shading plan? Use that as a base for the actual shading.

First, since this drawing is in a dark place, i grouped the whole drawing in a folder, then made a multiply layer with the color closest to the original image, then i clipped it to the folder(this is a very common thing here)

(I didn't shade the eye since it is the main point of focus of the drawing)

Now let's see it with the lighting plan

nice

Now let's talk soft squares and design pencils

The way i shade with the soft square is that i make it mostly cell shaded, then i come with the same brush but transparent, and i VERY CAREFULLY make circular motions to erase part where i want the shading to make a gradient effect, the key to a good shading job is balancing the sharp shadows with the soft ones

Now with hair, i use the design pencil, i basically just make a bunch of close streaks, almost like painting with a paint brush, after that i make streaks with the same pencil but transparent, making variations in lenght so it looks natural and organic

Alright time for the first shade pass, this one is for the more general shadows, so it won't look that dynamic

Now you can see where the shadows are lacking and make the second pass to deepen the shapes

(P.S: all these layers are the same color, they are in multiply mode)

Alright time for the star of the show! The lights!!!

Using the shading plan i refined the shapes and put it on the add(glow) mode, a good tip i have for this stage is to make shapes shapes shapes! Also remembering that the farther the thing is, the least bright it will be.

Oh my! That changes the whole vibe!

Now i saw the hair was a little boring looking, so i added an extra layer of airbrush to make it more dynamic

Actually fuck it, time for some finger tip smudge

Now we're talking.

Alright, now it's time for the reflected light, make sure it's not too bright unless it looks like a second light source, also this layer is in glow dodge mode!

We could say it's done as it is...

BUT NOT BEFORE THE COLOR DODGE

It looks so muck better now! But that's not all!

Now that we have this beautiful boi, it's time for the finishing touches! These make ALL the difference in the drawing

There we go!

Well now it's my favorite part... the FUCK AROUND AND FIND OUT part!

This is where you add all the textures and special effects! I like mostly using a noise filter (so AI can't steal my stuff) and achromatic aberration, also adding some ashes and a nice metal texture in the background to make it nicer looking

Now, this is technically finished, but if you want to go the extra mile, you can do some color correction, i like doing it to give more contrast, also to make the piece more balanced, i also added some extra details on the eye and a blur last minute

And it's done!

As you can see my process is a little all over the place, but that's the fun part of drawing for me! It's always an adventure where you never know how it's going to end!

Anyway hope this helped at least a little!

[kingspacebar]

Is there any particular artist, show, game, or movie that inspired ur art style? It’s so pretty ^^

I have so many!!! I definitely can't name every single one but heres a few that have been extremely influential to me!! This took me 2 hours to write i am SO sorry lmao

Puyo Puyo (Specifially Fever, Quest, and Tetris)

CUTESY BRIGHT BRIGHT COLORS!!!!!! Thats everything I love!!!!!! I'm pretty sure I talked about this when I first got into puyo puyo but I for SURE instantly decided that yep Im steering my style in this direction sorryyyyyy!!! I just think its so fun and silly and cute and rahhh it makes me so happy.

Especially for the work I do most often, which is character portraits without backgrounds, I will often look at puyo puyo posing just to get ideas!! (I've drawn Arle's dumbfounded pose 100000000 times becus I love it so much). The puyo puyo anatomy has very noodly arms and legs but with big ass shoes and accessories which is probably my favorite design thing in the world....

I seriously recommend just looking through the Puyo Puyo Nexus wiki for pose ideas (if you want something cute/silly of course) because every single one is just perfect. I am trying to get out of some dumb art habits of my own right now, but hopefully in the future you'll be able to see more goofy poses with sillier effects :3

Muse Dash Again I want you to look at the COLORS. Its so bright and this time you can really tell where I took my shading style from. I dont want my shadows to be dark I want them to be PINK or PURPLE. thank you. For my own art, I really try to make it so the darkest "black" is actually a deep purple or blue, and as I keep making art that dark color keeps getting just a bit lighter haha...

This is also the reason I color my lineart the way I do. I just really want to add as many colors as possible into the image. And if the image looks a bit more pink after that then thats just an extra perk!!

I also need to bring up the animation because they're just so bouncy and alive!!! This is like an instant stunlock for me, I have to look at them, theyre so BOUNCYYY!!!!!! I don't do much animation but every other week I get the sudden urge to try tweening again just to eventually get to the point I can make something similar to these for my own ocs lol

Great Pretender This show has some of the most gorgeous art ive ever seen. All the backgrounds are so bright and colorful. I dont usually draw art with backgrounds anymore sadly, but when I used to I really tried to study these for them. And I hope in the future I can make more art and show how far I've come.

Though I;ve changed to a more chibi style in recent times (thanks puyo puyo), this was still one of the first times I had ever watched a show and said "Oh my god I love this artstyle I need to get better at art" and Its always in my mind for that reason.

Ive definitely stolen lots of elements from the style. Though they've gotten more subtle over the years. I dont really know how to describe it any further but I hope you understand what I mean by looking at these screenshots,,,

[dusty-pistol]

Dusty I have a feeeew notes from you and I just wanna say

YOUR ART FUCKS MAN. TEACH ME YOUR WAYS!!!!

Pleasbe...

Well, alright, since you asked so nicely! Here's a step by step process of how I make art.

(I understand you might not have actually meant it, but I wanted to anyway. Plus, people could use this to help with their own art! Also, thank you! I appreciate that!)

Before I get into the actual art: I use Ibis Paint X on my phone. I don't have premium, so this'll be easy for literally anyone with ibis since I won't be usin any premium features. I DO however watch an ad to use the brushes I prefer. I'll give the code to the main one if yall want. I don't usually use a set brush size, but I prefer usin it at 7.0 on a 999×1145 sized canvas.

NOW without further ado, here's the tutorial(?)

I start out by blockin out the shapes I wanna use. I start with a large brush and just loosely scribble an idea. Then I put the opacity to 50% and make a new layer over that one with my smaller lineart brush and sketch out the body of the character I'm drawin. I'm drawin my sona since it's easy.

Next: I draw the clothes over top of the body and the rest of the head. Layers are my best friends when I'm drawin. I use multiple layers all the time. Keep in mind gravitational pull, folds, and wrinkles in the clothes. Think of how loose or tight the clothes are on the body, all that. Also, keep in mind perspective.

Then: put your color layer underneath the lineart and fill it in. Here's the base flat color with lineart for later reference.

Next up: Shadin and lightin. I use a dark purple most of the time for my shadin and a light yellow for lightin, but if I have an idea for a different colored effect, I'll use a dark shade of that color to help the character fit into the environment. I start with soft shadin and lightin first. In the first image, below is the soft layer. I used an airbrush for and put the blendin mode on soft light. Then I go in for another round of the same thing. But with a thicker version of my lineart brush. I usually keep that at 20.0. And I do the same thing, but as hard shadin. I put that layer on overlay to help give some more color to the art. Make sure both layers are clipped onto the color layer, btw.

BAM!!

There's a few more minor details than that, but this covers most of my process. If there are any questions, feel free to ask!

[chamiryokuroi]

I just downloaded procreate on my iPad (finally) and I’m so excited to start using it. You’re like the Timbern master in digital art and I know the cliche saying of “practice makes perfect” but do you have any tips for using procreate for beginners (i.e. best canvas size for sketching, best pencils/pens, how to do line art)

I can give some tips for sure!

The bigger the canvas the better, but keep in mind depending the size is the number of available layers you will have for your art, so just look at the way you make your art and ask yourself “Am I a multiple layer fiend or an all in one layer monster?” I do use multiple layers so my default canvas is 4000px X 2500px this gives me 63 layers to work with, I could go higher if wanted but I know myself, I do love my layers

Always remember RGB for online posting art CMYK for printing, regardless of digital or printing always go for 300DPI for better quality.

If you plan on using the time lapse option in procreate make sure it is set to 4k resolution and Lossless quality so it is crisp and beautiful.

Talking about video once you have saved the video on your device delete it from procreate to save storage.

Brushes is up to you friend, I would suggest try first the default brushes in procreate, there are many great ones, I personally use the brush Dry Ink for sketching and lineart myself. But there are also many free brushes online you can download. Try them out and once you are more comfortable with the app you can look into the brushes you have to pay for to use.

If you are just starting with lineart I suggest checking the brush settings and make sure it has some Stabilization, it will help you at first, I do think you should also practice without it, so you are not too reliant on it, this is one of those “practice makes perfect” kind of things.

Hope this helps!

[aur0raaura]

August Magma Session!

Drew two pieces for @choochooboss's August session! The theme this time around is....movies!! Such a fun topic-

I shall add some commentary of each piece below! :D

The first one is inspired by Alice in Wonderland, where our main heroine ends up in the Mad Tea Party. Have a Merry Unbirthday, Lillie! (A confession: I...actually had to redo the lineart to it's entirety!! Sadly it was due to some unforeseen lag in Magma preventing me from undoing the huge error. I'm glad I managed to do it without any issues and it didn't end up looking bad or rough.) The second one was done in the doodle session! This is another reference to...a pokemon movie! I'm sure those who have seen the XY/XYZ anime films could recognize this shot... (Another confession: I actually am interested on doing a fun little Screencap Redraw project with a lot of these films and do it based on the overarching pokemon au my friend and I have! Let it be related to the Twin Princes AU or... well, the drawing already shows the two characters I wish to do screencap redraws with. Hehe! I think that's a good enough clue for now.) I wish I could've done more, but with classes and wanting to be smart with my usage of time- I could only do so much...! Perhaps next time- For now, I hope you all enjoy these! Thank you for hosting this even Jun!

[bluegekk0]

the way you color stuff is AMAZING!!! I MEAN IT! mind explaining how you make colors look so good?? its ok if you dont want to :)

Hi, thank you so much!!! <3

Generally, I try to go for softer, more pastel like palettes, and that helps make the drawings seem more "consistent" and pleasing to the eye.

First tip: if you use Clip Studio Paint, definitely get this tool. It saves so much time on filling out lineart, and it's crazy accurate. If you're having trouble figuring out how it works, here's how I do it: I put the lineart layer in a group, add another layer below it (still in that group), and then use the tool on that new layer. Make sure the tool is set to refer to layers in a group though. Then I erase some areas that were "enclosed" by the lineart.

As for the actual coloring process. First of all, I use the mechanical pencil brush from Clip Studio Paint, the same one I use for the lineart, except this one has random color jitter per stroke. It adds slight variety to the base colors, which helps making them look less flat.

Here are the settings I use, but I recommend playing around with them if you want less subtle results.

For a comparison, here is one of my drawings with regular flat colors vs one colored with the brush I mentioned:

A pretty important part of the process isn't actually related to the coloring itself, but the layer effects I add to the finished drawing, as well as the paper texture (which you can see in the background; I add it twice, to the background and on top of all the layers).

Here are the layers I usually go with, I'll explain each of them below.

I'll start from the bottom. The paper texture is almost white with some very subtle warm tones, and it's set to linear burn, which works the best for this kind of texture. Like I mentioned, I use this overlay twice, but both use the same layer mode.

Next is the brown-ish linear light mode layer. This is to give the drawing more subtle contrast while also tinting it with a sepia-like tone. You can use any color for this, but I find this light brown color to work the best for my artstyle, since it makes the drawing look softer and gives it the old photograph kind of look which I tend to go for.

The multiply layer is mostly transparent aside from the edges. This is for the vignette effect, not much aside from that. It's definitely a personal preference thing.

Lastly, there is the pin light layer. This one is a bit weird, but I really like the effect. It's hard to explain it, but I use it to tint the dark tones of the drawing with a slight blue color. You'll see what I mean in the examples below. Occasionally, I'll add another layer with a darker base color, since pin light kind of works in reverse: if you use a light color, it will target the dark shades on your drawing, but if you use a dark color, it will instead only go for the light shades. Note that it's pretty strong in this drawing in particular, I usually make it a bit more subtle. If you look at my recent drawings you'll see it.

Here is the same drawing, with each of the layers applied in the order I listed (left to right order):

I'd also like to mention the lineart, which actually plays a big role in making my drawings look softer. I color the lines on the "inside" with a darker shade of the base color, though I often make it more saturated to really bring them out.

For example, here are the colors I use for FPK's lines. Not including his eye colors or the tips of his fingers/feet, since I don't color the lineart there. And a comparison of what he looks like with and without those lines colors, just to show how big of a difference it makes.

And to go back to the previous drawing, here is a similar comparison.

One thing to note is the additional white lines on the darker areas of Grimm's arms, the lines blend with the base color so I like to make them slightly lighter to help them pop out.

And lastly, I'll mention the light outlines you probably noticed by now. I add them as the final touch, they're the same color as the background though I sometimes lower the opacity if I feel like they're too much. They're meant to help with colors that blend together too much, and to highlight the silhouettes of the characters, as well as adding more dimension to the drawing. I think you'll see what I mean when I hide them in this final comparison:

Hope this is helpful! Sorry if you didn't expect that long of a post, I wanted to go through each step in my process so that I can explain it the best I can haha

[peachyanime]

appears looking at you with autism creature eyes. hello @sangerie your vs bros fankids (one of which i had a hand in making bc. glances at the reblogs/notes in @loopyarts post. i have confessed there fskakfafsga) are really really neat .u.

SPEAKING of loopyarts ty for allowing me to take inspo for nijis kids raid suit fit!! i really liked the softer yellow and the thicker lightning bolts on his pants you gave him so tysm for letting me yoink it <3

uh uhh individual pieces and also design/character rants under the cut bc. i wanna.

RAID SUIT RAMBLING TIME bc i spent the most time on those. also you might be asking 'why is only their hair rendered in those pieces?' well the answer is because i am Lazy. moving on . (/HJHJ i AM lazy but also rendering it further would mess up the colors and i didn't wanna do that lmao. carrying on..)

Ichiji's daughter i am so SO proud of her fit. i did not look up a reference or even inspo ideas at all, that all came from the ole noggin baybeee. anyways she is obviously based off a magical girl(s) fit bc she wants and DESERVES to be. also since Reiju doesn't have any kids of her own (based wine aunt) i also decided to let Little Red have some of her motifs instead of just purely Ichiji's!! primarily the 66 on her pants but also all the pink on her instead of just red :) and obviously she has her dads number and while she DOES have a (white? bc like daddy shes a special little princess /aff) cape i didn't include it here bc it looked reallly bad lmao. but she does have one tucked into the bow probably!! there she is, Sparkling Red Neo!!! (get it.. sparkling instead of sparking... bc magical girl.... im funny i think.) onto Little Ocean Boy

OKAY LET ME TALK ABOUT THE MOST MINISCULE YET MOST IMPORTANT DETAIL TO ME AND ME ALONE FIRST. that being the symbol on the brats belt. it was actually inspired/based off of this post which really stuck with me with me after reading it which i later realized was bc the "that something has been completely reversed" REMINDED ME OF THIS POST OF YOURS. i don't think im especially good at theory crafting but. idk i think there could be Something about how after judge came and turned germa into mercenaries their symbol turned from what once symbolized 'purity' into the skull of war mongers and then BACK to purity after 0124 get germa on the right path... poetry or smthn. ANYWAYS yah shoe shiners got a pretty basic fit bc like i said in the og ask, hes a sora warrior of the sea fan, once he saw the raidsuits irl methinks he'd want to stay pretty close to the og design. HOWEVER he refuses to drop the hat (much to Niji's dismay) and i came up with a reason besides 'its one piece and therefore there's GOTTA be a kid with a weird hat that they're attached to': and that is the fact that it hides his eyebrows. Little Red has the curly brows, all of Yonji's cabbage patch does too, and the brats the only one without. even if literally no one else notices or cares, he wants to hide the fact that he doesn't have em because it Separates him. and he doesn't want that. at all. he really, Really wants to be a part of this family (oh no i made it. angsty). ANYWAYS UHH YAYYY HE HAS A TWO ON HIS HAT (that he sewed on himself which is why i made sure you can see the stitch-lines) BC NIJIS HIS DAD WAHOO YIPPEE :D:D:D Dengeki Blue Neo: little shoe shiner edition!!

UHH second image is just a refined piece of that first doodle i sent you. with lineart and a better color pallet and all. actually looking at it again now i realize i forgot little brats freckles and i am now punching the air bc its too late to fix. just act like they're there. please :,,,) edit: nvm its the next morning i fixed that kjahsdah

i don't even have much to say about the last two because i Think i am Rightgksfjgasjkfa but for the third i think the brats a bad influence on Little Red especially. ALSO FOR THE FOURTH NO I DIDNT FORGET ICHIJIS TATTOO. I AM JUST LAZY. (and I also forgot his tattoo :]) ANOTHER edit: i also. fixed this :]

CHRIST i am incapable of contacting you on Tumblr via any way that includes anything less than 250 words i am so sorry sangerie.. i hope you like these tho cause i really do tbh :3 (PS you have to take literally NONE of what I said here [mostly about shoe shiner] as like.. canon about them?? these are YOUR ocs obvi so please, change Little Red's raidsuit design if you find it unappealing!! make shoe shiner have a backstory of your own!!! i hope that isnt weird or rude to say, i just thought it was important too bc i threw sm at you so strongly ^^' okay thats all tysm for reading this it means to world to me byebye <3)