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tbhwhocaresanymore · 5 years ago

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Nancy Drew 1x14

I just got done watching Nancy Drew episode 14, the sign of the uninvited guest and before I get into spoiler details let me sum up my thoughts on the episode.

Holy fuck

Okay so we’re just gonna dive right in and to start off it turns out Tiffany Hudson was never the murder target? Instead, it was RYAN Hudson. Lucy’s brother Joshua was taking his mother to look at a new mental asylum but when they stopped for gas she stole the car and hightailed it over to the Claw, where she used to work. The spare key spot has apparently not been changed since the 90s and so she just let herself in, creeping everyone out. My biggest issue was her red eyes she looked like she hadn’t slept since she was a waitress.

Lara Tandy has awoken from her coma and is feeling totally zen after her near death experience and wants Ace to come to Paris with her. The entire time I was torn between “that would be so sweet” and “Ace don’t you fucking dare”. Nick picks up a stranded Joshua and brings him over as Nancy charts out everything they know about the Lucy/Tiffany murders. Patrice sees and starts muttering the Lucy Sable Murder Song (seriously who even started that) and then Dead Lucy (my creepy precious daughter) trashes the entire board except for one (1) image. A screenshot from Nancy’s video of Tiffany where Lucy first shows up.

Nancy and Ace and Lara go to the police precinct to get Tiffany’s cell phone data. Turns out Tiffany was going to rich sounding places like the yacht club, leaving her phone there, and walking to her real destination so they go to the library where she spent a few hours before she died. Side note, I would watch an entire episode about just Ace and the library politics. I want to hear more about capture the flag and Denise. Maybe they used to hack together and it went sour, maybe they were rivals from the get-go. I don’t know but I want to Find Out.

Ace manages to find what Tiffany was looking at: emails between Lucy Sable and Ryan Hudson circa 1999-2000. Most of them are lovey dovey including an actual “I think I might love you” until the end where Lucy asks Ryan to forgive her. Ryan says he will never forgive her, calls her a whore and says he hopes she dies. Then they arrange to meet the night of the Sea Queen ceremony. You know, that one little night when Lucy was murdered. Let’s take an environmental minute to talk about what we think happened. Lucy apparently did something unforgivable, and since they were in a relationship and he called her whore, there is one glaring idea: INFIDELITY. But Lucy loved Ryan. Now I’m going to go out on a limb here. What if Celia and Papa Hudson hired some guy (maybe Owen Marvin???) to seduce Lucy or something and then told Ryan. Or maybe Lucy felt awful and told him herself. OR on an even further limb, Lucy and Josh are only half-siblings. Maybe they’re going to go a la Riverdale and make Lucy and Ryan (DISTANTLY) related or something. Either way, Lucy did something she regretted and then Ryan found out.

As far as Lucy’s actual murder, during the seance when asked if the Hudsons killed her she said yes/no. Celia Hudson was in Argentina at the time but could have hired a hitman, Papa Hudson has no known alibi and already murdered a crew full of sailors including his wife’s boyfriend, Ryan Hudson had plans to meet with Lucy the night of her death “at our spot”. I am Strongly Suspicious their spot is the cliffs she died on. I think it’s a safe bet at this point to say Ryan was somehow involved in Lucy’s murder. He is a Hudson, they’d been dating and she betrayed him somehow, and they had plans to meet the night of her death at an undisclosed location. Now whether he is the one who physically murdered her, I don’t know. I suspect we will have more answers after finding out how Lucy died which we need her BODY FOR. Or at least her skeleton. We assume she was stabbed because of the bloody dress and also knife, but what if she wasn’t? What if it was an emergency C-section, what if someone else stabbed her already and Ryan just couldn’t save her, what if it was some kind of accident? And remember there was also that whole Ryan Is Being Haunted thing for the Velvet Masque. Lucy haunted him so she could use his wedding ring to show her death led to Tiffany’s. Maybe she specifically used Ryan because he caused her death, either directly or by accident.

Back to the episode, I liked seeing the entire walkthrough. I didn’t realize how much had happened off-screen that first episode. There is also the question of WHY it all happened off-screen, but considering the leaps and bounds of progress quality the writers have made I will give them a pass. When they first brought up the switched salad I wasn’t sure if they were being genuine, or if it was a part of their plan to trick Ryan, but when he and Nancy were outside and they were still talking about it I realized it was Legit.

Then that scene at the end, how Nancy managed to flip the switch from “oh hey Josh” to “holy fuck you killed Tiffany” so quickly was so in character. My girl is just so suspicious of absolutely everybody and her mind just JUMPS between puzzle pieces as fast as mine does but her brain actually stays on topic. I thought the fight scene was really well done, because Nancy was mostly improvising and trying to get away not fight, and his death was accidental. But I also want to see her take self-defense lessons or something at some point because at the rate she keeps almost dying it feels like the reasonable next step to take. Or at least like buy a switch blade. Have Nick make her a toothbrush shiv. SOMETHING.

MY PRECIOUS DAUGHTER. DEAD LUCY.

Okay guys, the part with the phone. I knew it was coming, and it was creepy, but now rewatching it I have to laugh because the first face she’s making during Nancy’s recording is really just a ghostly 😐. But then when she starts fucking crawling, now THAT was creepy. And then when she kept moving closer to Ryan with each lightning flash. (He CLEARLY had something to do with her death.) Epic. It makes me wonder how long did it take her to learn this ghost stuff, and what was she doing before Nancy found her dress? Just sulking around, maybe pulling the occasional Halloween scare. I would also watch a spin off of the 20 years where Lucy is just hanging around and dead.

Side theory. What if Patrice was somehow there that night? I have no evidence to back this up but she seemed very set on Lucy always being in the water and so maybe she saw her fall or something and that’s why she’s so crazy. Moving on.

To talk about the characters who are of course important. I didn’t entirely catch the whole Bess/Lisbeth/Amaya drama of the episode. I will say I like her with Amaya a lot more than Lisbeth for some reason because I can feel the chemistry a lot better with those two, and she and George had a nice talk at the end. SPEAKING OF GEORGE. I can see multiple ways the George/Nick/Nancy triangle could play out, let’s discuss some. A) George is about to confess her feelings to George right before learning he and Nancy have gotten back together. B) George is about to confess her feelings to Nick right before he tells her about his remaining feelings for Nancy and how much he Wants Her Back. C) George and Nick get together right as Nancy decides to fight for Nick. Let’s talk about this one for a moment. Promo for next week shows Owen Marvin (ugh) is going to be back (Ugh) and he and Nancy will kiss (UGH). Potential scenario, her and Owen are talking and he goes to kiss her and she lets him before pulling away and he says “why won’t you date me” and she says it just doesn’t feel right or her heart still belongs to Nick or something. Owen redeems himself before disappearing forever by telling Nancy to fight for Nick. Problem is Nick has seen the kiss but not Nancy stopping it and leaves, angry, because he was about to ask her to get back together or because he thought they had an Understanding or something. He goes to George who asks him out and he says yes and Nancy finds out and puts on a happy face and then leaves to go cry. God I really want to write fan fiction for this show but I CAN’T until Lucy’s murder is solved. Let me know how you guys think it will play out. Speaking of Nancy x Nick whom I love and adore, that part at the end when the cops and Nick had showed up. He said like less than ten words the entire time but his concern was just SEEPING out of him, and he so clearly like wanted to hold her but held himself back because he feels it is not his place anymore. I also find it telling that just as Bess is telling George to come clean to Nick, he is with Nancy.

In totally expected news, I am still pining for Victoria. Writers, please bring her back. I haven’t seen her since the seance episode and I Miss Her.

I have absolutely no idea what happened to Joshua’s body don’t even ask me. However I AM hopeful he has turned into a ghost and will have to be banished requiring VICTORIA.

I am SO excited for next week’s episode, the terror of horseshoe bay. It looks awesome and spooky and creepy and we will hopefully find Lucy’s body. Owen will be there which is Unfortunate but I am sure I can cope because Lucy will also hopefully be there and Nancy like spits out ghostly teeth at one point which is so metal. Since the season is getting close to wrapping up and Tiffany’s murder is officially closed, Lucy’s murder is the only major plot left, so I am curious what they will do for next season. I am hoping they will start laying the groundwork for it this season, but I also don’t want them to just drag out the Lucy Sable storyline for ages upon ages. (I’m looking at you Pretty Little Liars with your like five fucking As.) I’m interested in if it’s one or two murders again, or if it’s like one main murder but then with a bunch of mini mysteries sprinkled in a la the serial poisoner episode. I am thinking (wishing) as far as college goes, maybe Nancy applies and gets into Columbia but she decides to stay and open up some sort of paranormal/normal investigative service with Dead Lucy as her receptionist and Nick as her literary loving arm candy and the others can help upon request or something and eventually join. Let me know if you think Nancy will manage to clear her dad’s name or if he’ll actually be indicted. CANNOT WAIT.

#Nancy Drew #Nancy Drew cw #George Fan #Bess Marvin #Ned Nick Nickerson #Nancy x Nick #Nick x George #Dead Lucy #Lucy Sable #Ryan Hudson #Tiffany Hudson #the sign of the uninvited guest #the terror of horseshoe bay

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cloudbatcave · 4 years ago

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Cloud Plays White: Finale

This is a long one, folks, since I realized I had a bit in my notes I had forgotten about and only found after I posted this, lol, so I have now edited it in.

when we last left off I was criticizing Alder for being useless in apprehending Ghetsis and Iris for not just taking me to Drayden’s house herself when it is Right Fucking There.

So I’m still futzing around Opelucid here.

“No way, without pokemon, I’ll be lonely and sad! …but am I just using my pokemon, then?”

wow, seems there’s some brain cells there after all. you keep exercising those, brah.

I run into a guy who thinks that it’s okay for team plasma to take pokemon from weak trainers, even though he considers himself one and feels bad for the people they rob.

There’s another dude in the same room who used to be part of team plasma but left because it was weird for him that everyone thought the same way.

See, I appreciate this part of the game’s writing - I wish there was more stuff like this, people who are conflicted and their viewpoints being front and center instead of the simplistic garbage we’re fed by Iris and Alder and company.

Though there’s an absolute nut job who says that despite the years he’s trained with his pokemon he’ll let it go if it makes it a perfect being and I am just not even gonna unpack all the lunacy there.

There’s a kid who thinks that just because N has the legendary pokemon, he must be the hero.

I am very concerned about everyone in Unova being so gullible.

“Your Scrafty looks like it can try a little harder.”

WELL FUCK YOU TOO RANDOM LADY??? LAD DOES HIS BEST AND I WILL NOT HAVE HIM SLANDERED THIS WAY

I finally go to Drayden’s and get told how the original dragon performed mitosis and now we have two dragons and also they once destroyed the region with fire and lightning but it’s chill.

“People may hurt pokemon even more by imposing their selfish thoughts on them. But no matter what, Pokemon and people believe in each other, need each other, and will continue to live together…”

Drayden is smarter and more nuanced than like, anyone else, why is he not a main character.

Iris chips in about how much she can’t forgive Plasma and Drayden mentions they don’t know how to wake up Zekrom.

Well, to be fair, I’d be very surprised if they did.

Off to the gym, this’ll be interesting since I have no ice or dragon moves on my team.

I get through the trainers okay, now time to fight Daffodil.

Her Haxorus was a bit tricky but nothing I couldn’t handle, and when I walk out Juniper shows up.

And somehow she knows how to resurrect Zekrom. Cool!

She blahs about how it’ll wake up when it deems someone worthy and talks about how much I’ve changed and shows me to the gate where the route to the pokemon league is.

“Chirae? Do you regret setting out on your pokemon journey?”

UH.

MAYBE?

mmm, that’s not fair to my pokemon though - nigh everyone around me may be looney tunes or incompetent, but they’ve been good pals.

So I hit “no” after all.

and she gives me a master ball. dope.

I make it to the gates of victory road and I honestly really like the bit where each section of them is themed after the badges! That’s a nice touch, I think that was only also done in the FRLG remakes if I recall correctly. It makes it feel a lot more ceremonious and important.

Ah here come my two idiots.

Bianca asks Cheren to smile and he’d probably implode if he did. He finally isn’t an asshole though, good for him.

The bug badge guard tells me to “fight valiantly like an insect” which is funny but I guess does make sense. Ants can fuck some stuff up, man.

Honestly I want to be a badge gate guard, seems like a fun job.

Also, I caught an excadrill in a raid the day I wrote this, and caught an excadrill in this game. Their pokedex entry includes this gem:

“Their tunnels can be destructive to subway systems”

Given the battle subway exists in this game, their insurance payments must be obscene. Imagine getting your match interrupted by a giant mole with metal fists that doesn’t give a fuck.

I named her Beans. She looks like a Beans.

I also caught a Deino. The Irate Pokémon that can’t see and tackles people to learn about its surroundings. I feel a kinship with this creature.

I named him Mezzo for laughs.

And I managed to get myself back to the beginning of victory road. Good job, cloud.

Okay I think I’ve found the right path, found a new dude to beat up which is a good sign. Apparently he’s lost too.

Love when a trainer switches out to a Pokémon mine doesn’t have a type advantage against and it gets wiped in two hits anyway. Death is inevitable.

“I’ve thought about what I can do to help my Pokémon win and I finally figured out the answer!”

Is it git gud?

Flame charge raises my speed, opponent’s klang uses automotize to prove it can do that too, dies because it’s too busy trying to go fast.

Then I get nailed by a flare blitz. Darmanitan is toxic to gen 5 nuzlocke runs, I swear. Especially since I have no one on my hodgepodge team resistant to fire. At least my unfezant is faster.

“Read what your opponent wants to do. Your opponent is human and may change plans from moment to moment. Be careful!”

There’s some meta joke to be made there but I’m not thinking of anything witty. Something something AI having a point even if not in this context.

Back to the beginning again but I think I know what I need to do now.

I looked at a walkthrough to check, tho, lmfao. Was tired of climbing up there only to fall down the wrong spot.

“There’s an item at the bottom! Do you want to slide all the way down?”

You’re the devil talking and you tempt me but I will ignore your silver tongue for now.

So I’m at the league and I thought Cheran would pop out of the bushes before I got here. That’s weird. I could swear he fights me one last time before I challenge the elite four.

NO CHERAN. OKAY. WHAT. IS MY GAME GLITCHED??

I guess not! Huh.

All right then. Time to try and see if I can win with my very unbalanced team.

Lmfao yeah my first attempt against the ghost trainer crashed and burned. Literally, thanks to her Chandelure. Very glad I saved on the outside. TIME TO GO TRAIN MORE.

No Marty, you may not learn wild charge, this is a no recoil moves household, self harm is bad.

Some grinding later, I am ready to try again.

Shauntal gave me a little trouble but was much more manageable. Grimsley was easy, only his Krookodile gave me issues.

I really like the elite four battle areas in this gen, I do admit. Very aesthetic.

Ah shit I know that Musharna is coming.

Never mind, that pink and purple snoozeball went down easy. I didn’t have a single Pokémon faint.

Unless Marshal breaks the trend the fights have actually gotten easier as I went.

He actually was a bit tricky, gave me a good show.

Hello endless stairs, hello N and Alder, hello giant random castle that just explodes out of the ground somehow.

“What has just appeared is team plasma’s castle”

Thanks mate, never would’ve figured that out without you. Why do you need a castle.

Oh wow, the gym leaders finally decided to be useful and fight the sages for me instead of letting extremists wander around unchecked.

Thanks y’all! Trying not being pointless more often!

“Ignoring team plasma...that would be a terrible thing for us gym leaders to do.”

You all already did that, Elena. I watched as Clay and Iris let these assholes go. We could have avoided this whole plot if literally any of you had done more earlier.

So the game says the castle was built by the Pokémon team plasma took but how the fuck did they like...work underground...you know what I’m not gonna even think about it too hard because it makes no sense and I know that. I must make my peace.

I also like how the castle is nonsensical and yet there’s a line of dialogue about how they’ll liberate the Pokémon in PCs too for their Master Plan(TM), which is surprisingly thoughtful. This game is so inconsistent with how much sense its lore makes. It’ll come up with something clever and then wear its underwear on its head the next minute.

“Will you go the Pokémon league?”

Hey what - WHY DID YOU TELEPORT ME HOW CAN YOU DO THAT. DO YOU HAVE AN ABRA OR WHAT

THAT WAS RANDOM

Well at least there’s someone there to randomly teleport me back too.

WHEEEEEE

Hi Reshiram, convenient how that mini fire tornado you made didn’t burn me or N.

Hi Zekrom, convenient how your lightning didn’t hurt us either, you’re a considerate chap

Aight, let’s see if I can catch this bastard

...I did and it only took me like five balls. Okay then.

N gave me a good fight, so there’s that.

Love how Ghetsis’s bouffalant kills itself via recoil from its own move and my scrafty’s rocky helmet.

He gave me a good fight too though.

I do like the ending, despite my issues with how the game presents its message. N is a great character and I appreciate what Nintendo was trying to do with the game’s plot, they just...didn’t really delve into it like they should have.

I’m glad I replayed it. I still have my issues with gen 5 but I see a lot more of its positives now.

We’ll see if I do any post-game content, I have gotten kind of attached to my grump-ass trainersona and his weird team.

#Chirae the mistrustful teen and his pokemon #cloud plays white

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anguianobrodan90 · 4 years ago

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missromantictragedy-art · 3 years ago

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Ryuji paced outside of the shopping center in Shibuya station. Buying flowers for his bo—best friend’s birthday was normal, right? Yeah, it was totally a bro thing to do! Yet no matter how much he kept turning the reassurance over in his head, he couldn’t get his feet to stop their circuit and actually go.

“Just do it, sweetie!” An old woman’s voice interrupted his circling thoughts, words strong and strident, “Get it out of your head so you can stop wearing a hole in the ground!”

Ryuji lifted his eyes off the ground to see who the lady was talking to—and found her looking directly at him, fist raised in the air. Startled, he stammered out, “Y-yes, ma’am!” and ran into the shopping center.

The flower shop was in the back end of the mall, far enough to the side to be out of the way of the general walkthrough foot traffic, but it was still pretty busy today. As Ryuji waited in line, he peered around the people crowding the storefront to review the colorful array of flowers practically spilling out of the stall. There were so many choices...and Ryuji didn’t have a clue where to begin. He knew from TV roses and stuff like that were what girls liked, but what do you get for your best friend, the guy who gets you best and you like to spend all your time with?

Luckily(?), he didn’t have all that long to think about it.

“Hi! How can I help you?” The brunette woman running the flower market smiled at Ryuji, handing over a completed order to the customer that had been in front of him. Ryuji rubbed the back of his head, feeling out of his depth.

“Uh...I was hoping to buy some flowers for someone?”

“Well you’ve come to the right place! What kind of flowers are you looking for?”

“I dunno. Birthday flowers?”

“Birthday flowers, sure.” She rifled through her supplies to pull out a few different colors of wrapping paper, laying them out on the counter between them. “Now, what kind of person are these flowers for? A family member? A girlfriend?”

“I, uh, no?” Ryuji shook his head. “They’re for my best fri—”

A cell phone rang, interrupting Ryuji mid-sentence. The shopkeeper offered Ryuji an apologetic smile, fishing the phone out from her apron. When she read the screen, her face fell and she worried her lip between her teeth.

“Please excuse me, I need to handle this.” She took her gloves off and hurriedly stepped away, calling to the back of the shop as she left, “Masou-san? Can you come help this customer?”

Masou? Funny, the person that’s going to sell him flowers for Ren has the same last name as—

The spitting image of his best friend stepped out from behind the wall of flowers the store owner had called to. Strike that, his actual, in-the-flesh best friend was walking his way, garbed in an apron that matched the lady that had been working with him the moment prior.

“Ren?!” Ryuji shouted, staring at his friend as if he grew a second head, “The hell’re you doing here?”

“You mean you didn’t come here to just visit me?” Ren teased as he stopped at Ryuji’s feet, canting his head in a way that caused the overhead lighting to glint off his lenses. He paused, waiting for some sort of reaction, but Ryuji’s brain was still sprinting to catch up.

Ren straightened his posture, eyes now visible from behind his glasses. “I work here. Just started, actually.”

“For real?” Ryuji furrowed his brows, confusion and concern prickling at his shoulders. “But don’t you work at the convenience store and the beef bowl shop already?” he ticked each item off on his fingers, “Not to mention the thing with that back-alley doctor, and the Boss, too.”

Ren shrugged his shoulders in a nonchalant tilt that bordered on carelessly blasé. “I do. I work here too, now.”

“Dude, that is way too many jobs, even for a talented guy like you.” Ryuji tapped Ren’s shoulder with his knuckles. “You’ve gotta take care of yourself too, you know?”

Ren twirled a lock of his hair with his finger in that way that always caught Ryuji’s eye, a pretty shade of pink tinting his cheeks. Pretty—a pretty noticeable shade, he means.

Ryuji shifted his weight between his feet, ripping his eyes off of Ren to observe the flowers around him instead.

“So,” Ren cleared his throat, turning back to the topic at hand, “Since you didn’t come to see me, I’m guessing you’re looking to buy some flowers?”

Ryuji glanced up to the shop’s signage: Rafflesia, which Ryuji is pretty sure is some sort of flower. And the store doesn’t seem to sell anything else. There’s no other reason he could be here, and he doesn’t want to have to come back here later anyways. Hoping against hope that Ren doesn’t ask who he’s buying for.

Ryuji shoved his hands into his pockets and rocked back on his heels. “Yeeep.”

“So,” Ren said, sliding his glasses up his nose bridge with a slender finger and hiding half his face from view. Despite the gesture, Ryuji could still feel Ren’s eyes on him. “These flowers for anyone special?”

Of course it’d be the first thing he asks. Why did Ryuji think he had a chance to dodge it?

“Well, they, uh...” Ryuji rubbed the back of his neck, already feeling caught beneath Ren’s cat-like smirk. Keep it brief. “Yeah.”

Ren hummed appreciatively, leaning forward on the countertop and propping his chin on the bridge of his fingers. “A special occasion too? Perhaps...a birthday?”

“No! I mean...yes, but...” Ren’s smile grew as Ryuji stumbled through a response. No, he could still turn this around! “...a girl! You got me, alright? It’s for a girl at school.”

“A girl.” Ren’s voice was flat, his eyebrow cocked up in challenge to Ryuji’s claim.

“Oh, come on man!” Ryuji cried, a little affronted, “Don’t act like I can’t get with the ladies!”

“Ryuji, I was there at the maid incident.”

“That was Mishima’s idea, not mine!”

“One that you were totally for, if I recall.”

“You were there too!”

“Only to wrangle you two in.”

Ryuji scratched at his head with a frustrated groan. “Come on, man. Can you just sell me the flowers already?”

Ren tilted his head, eyes playful. “For this ‘girl’ of yours?”

“Yes!” When Ren remained cocksure, Ryuji scowled. He wanted this to be a surprise! “I’m serious, dude. I mean, who the hell else would I buy flowers for?”

“Well...” Ren lowered his hands, splaying them out in a gesture that pointedly spread between the two of them. Ryuji got that he was referring to himself, but Ren wasn’t supposed to know so Ryuji sure as hell wasn’t going to let on.

Time to double down.

“Guys are supposed to buy flowers for girls, right?” Ryuji asked, words sharp. He crossed his arms, leaning away from Ren, but forced himself to keep eye contact. Something about eye contact’s supposed to make things more convincing, right? “So help a guy out. I think I really have a chance with her.”

Ren studied Ryuji for a long moment, the cheerful air falling away from him. Whatever he found caused uncertainty to bleed into his expression, flattening his lips and furrowing his brow. He straightened off the counter, taking a step back from it and putting on what Ryuji would call his “cool stranger” face. Ryuji hates to see it, but if it keeps the surprise safe...

“Okay.” Ren busied himself with rearranging some already-neat papers on the counter, not looking at Ryuji. “What kind of flowers are you buying?”

“Uh...” Ryuji rubbed his shoulder, gaze skimming over the hundreds of flowers all around them. It was a little overwhelming. “I was hoping you could help me pick?”

Ren’s hands settled and he glanced at Ryuji with pause. “...Sure.” He folded his arms across his chest. “There’s a few ways you can go about it. While there are flowers that are traditionally given on birthdays...or whatever event this is for, selecting flowers that have personal meaning to you and the person receiving them is much better, in my opinion.”

“What kind of flowers would you like?” Ryuji interjected, perhaps a little too eagerly. He amended, “You know, as a professional.”

Ren hummed, putting a hand to his chin. “Well, it’s kind of hard to pick without knowing what kind of person they’re going to. Plus, it wouldn’t mean as much if I picked out the flowers for you, so if you’re trying to impress them...”

“Do you have a favorite?” Ryuji asked as casually as he could manage, willing to try his luck for that kind of gold-star information.

“I don’t, actually.” Ren eyed Ryuji, his glasses glinting in the fluorescent lights overhead. “I’ve never been able to choose one. Besides, knowing my favorite flower isn’t going to help you pick flowers for your...girl.” He shifted his weight to one hip, dropping the topic cold. Ryuji caught a glimpse of Ren’s eyes in the brief change of light, their black depths startingly intense. “Why don’t you tell me a bit about them instead, and I can suggest some flowers that could work?”

Ryuji grimaced. He was asking Ryuji to describe Ren...to Ren. But, well, he wasn’t getting the impression that Ren was on his trail again, so if he did this carefully... “I guess I could.” He sighed, rolling his shoulders as he prepared to talk about Re—the ‘girl.’

(Read the rest on ao3!)

Peruvian Lilies For My Beloved - A Persona 5 Fanfiction

Fandom: Persona 5 Relationship: Persona 5 Protagonist/Ryuji Sakamoto Chapters: 1/1 Words: 5,857 Author: @missromantictragedy Platform: Archive of Our Own

Summary: Ren’s birthday is coming up and Ryuji wants to buy him flowers—you know, like best friends who are super close do. So, he visits the Shibuya station flower shop to buy flowers...from Ren himself, apparently. Of course, the guy with a thousand side jobs would work at the very shop Ryuji’s trying to buy him flowers from.

Well, that’s not going to stop Ryuji from trying to keep this a surprise.

[For Pegoryu Week 2021 prompt: Birthday/Flower/Celebration]

12 notes · View notes

shirlleycoyle · 4 years ago

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What Alternate Reality Games Teach Us About the Dangerous Appeal of QAnon

This story was originally published on mssv.net by Adrian Hon (@adrianhon)

The far-right QAnon conspiracy theory is so sprawling, it’s hard to know where people join. Last week, it was 5G cell towers, this week it’s Wayfair; who knows what next week will bring? But QAnon’s followers always seem to begin their journey with the same refrain: “I’ve done my research.”

I’d heard that line before. In early 2001, the marketing for Steven Spielberg’s latest movie, A.I., had just begun. YouTube wouldn’t launch for another four years, so you had to be eagle-eyed to spot the unusual credit next to Haley Joel Osment, Jude Law, and Frances O’Connor: Jeanine Salla, the movie’s “Sentient Machine Therapist.”

Close-up of the A.I. movie poster

Soon after, Ain’t It Cool News (AICN) posted a tip from a reader:

“Type her name in the Google.com search engine, and see what sites pop up…pretty cool stuff! Keep up the good work, Harry!! –ClaviusBase”

(Yes, in 2001 Google was so new you had to spell out its web address.)

The Google results began with Jeanine Salla’s homepage but led to a whole network of fictional sites. Some were futuristic versions of police websites or lifestyle magazines; others were inscrutable online stores and hacked blogs. A couple were in German and Japanese. In all, over twenty sites and phone numbers were listed.

By the end of the day, the websites racked up 25 million hits, all from a single AICN article suggesting readers ‘do their research’. It later emerged they were part of one of the first-ever alternate reality games (ARG), The Beast, developed by Microsoft to promote Spielberg’s movie.

The way I’ve described it here, The Beast sounds like enormous fun. Who wouldn’t be intrigued by a doorway into 2142 filled with websites and phone numbers and puzzles, with runaway robots who need your help and even live events around the world? But consider how much work it required to understand the story and it begins to sound less like “watching TV” fun and more like “painstaking research” fun. Along with tracking dozens of websites that updated in real time, you had to solve lute tablature puzzles, decode base 64 messages, reconstruct 3D models of island chains that spelt out messages, and gather clues from newspaper and TV adverts across the US.

This purposeful yet bewildering complexity is the complete opposite of what many associate with conventional popular entertainment, where every bump in your road to enjoyment has been smoothed away in the pursuit of instant engagement and maximal profit. But there’s always been another kind of entertainment that appeals to different people at different times, one that rewards active discovery, the drawing of connections between clues, the delicious sensation of a hunch that pays off after hours or days of work. Puzzle books, murder mysteries, adventure games, escape rooms, even scientific research—they all aim for the same spot.

What was new in The Beast and the ARGs that followed it was less the specific puzzles and stories they incorporated, but the sheer scale of the worlds they realised—so vast and fast-moving that no individual could hope to comprehend them. Instead, players were forced to cooperate, sharing discoveries and solutions, exchanging ideas, and creating resources for others to follow. I’d know: I wrote a novel-length walkthrough of The Beast when I was meant to be studying for my degree at Cambridge.

QAnon is not an ARG. It’s a dangerous conspiracy theory, and there are lots of ways of understanding conspiracy theories without ARGs. But QAnon pushes the same buttons that ARGs do, whether by intention or by coincidence. In both cases, “do your research” leads curious onlookers to a cornucopia of brain-tingling information.

In other words, maybe QAnon is… fun?

ARGs never made it big. They came too early and It’s hard to charge for a game that you stumble into through a Google search. But maybe their purposely-fragmented, internet-native, community-based form of storytelling and puzzle-solving was just biding its time…

This blog post expands on the ideas in my Twitter thread about QAnon and ARGs, and incorporates many of the valuable replies. Please note, however, that I’m not a QAnon expert and I’m not a scholar of conspiracy theories. I’m not even the first to compare QAnon to LARPs and ARGs.

But my experience as lead designer of Perplex City, one of the world’s most popular and longest-running ARGs, gives me a special perspective on QAnon’s game-like nature. My background as a neuroscientist and experimental psychologist also gives me insight into what motivates people.

Today, I run Six to Start, best known for Zombies, Run!, an audio-based augmented reality game with half a million active players, and I’m writing a book about the perils and promise of gamification.

It’s Like We Did It On Purpose

Perplex City “Ascendancy Point” Story Arc

When I was designing Perplex City, I loved sketching out new story arcs. I’d create intricate chains of information and clues for players to uncover, colour-coding for different websites and characters. There was a knack to having enough parallel strands of investigation going on so that players didn’t feel railroaded, but not so many that they were overwhelmed. It was a particular pleasure to have seemingly unconnected arcs intersect after weeks or months.

Merely half of the “Q-web“

No-one would mistake the clean lines of my flowcharts for the snarl of links that makes up a QAnon theory, but the principles are similar: one discovery leading to the next. Of course, these two flowcharts are very different beasts. The QAnon one is an imaginary, retrospective description of supposedly-connected data, while mine is a prescriptive network of events I would design.

Except that’s not quite true. In reality, Perplex City players didn’t always solve our puzzles as quickly as we intended them to, or they became convinced their incorrect solution was correct, or embarrassingly, our puzzles were broken and had no solution at all. In those cases we had to rewrite the story on the fly.

When this happens in most media, you just hold up your hands and say you made a mistake. In video games, you can issue an online update and hope no-one’s the wiser. But in ARGs, a public correction would shatter the uniquely-prolonged collective suspension of disbelief in the story. This was thought to be so integral to the appeal of ARGs, it was termed TINAG, or “This is Not a Game.”

So when we messed up in Perplex City, we tried mightily to avoid editing websites, a sure sign this was, in fact, a game. Instead, we’d fix it by adding new storylines and writing through the problem (it helped to have a crack team of writers and designers, including Naomi Alderman, Andrea Phillips, David Varela, Dan Hon, Jey Biddulph, Fi Silk, Eric Harshbarger, and many many others).

We had a saying when these diversions worked out especially well: “It’s like we did it on purpose.”

Every ARG designer can tell a similar war story. Here’s Josh Fialkov, writer for the Lonelygirl15 ARG/show:

“Our fans/viewers would build elaborate (and pretty neat) theories and stories around the stories we’d already put together and then we’d merge them into our narrative, which would then engage them more. The one I think about the most is we were shooting something on location and we’re run and gunning. We fucked up and our local set PA ended up in the background of a long selfie shot. We had no idea. It was 100% a screw up. The fans became convinced the character was in danger. And then later when that character revealed herself as part of the evil conspiracy — that footage was part of the audiences proof that she was working with the bad guys all along — “THATS why he was in the background!” They literally found a mistake – made it a story point. And used it as evidence of their own foresight into the ending — despite it being, again, us totally being exhausted and sloppy. And at the time hundreds of thousands of people were participating and contributing to a fictional universe and creating strands upon strands.”

Conspiracy theories and cults evince the same insouciance when confronted with inconsistencies or falsified predictions; they can always explain away errors with new stories and theories. What’s special about QAnon and ARGs is that these errors can be fixed almost instantly, before doubt or ridicule can set in. And what’s really special about QAnon is how it’s absorbed all other conspiracy theories to become a kind of ur-conspiracy theory such that seems pointless to call out inconsistencies. In any case, who would you even be calling out when so many QAnon theories come from followers rather than “Q”?

Yet the line between creator and player in ARGs has also long been blurry. That tip from “ClaviusBase” to AICN that catapulted The Beast to massive mainstream coverage? The designers more or less admitted it came from them. Indeed, there’s a grand tradition of ARG “puppetmasters” (an actual term used by devotees) sneaking out from “behind the curtain” (ditto) to create “sockpuppet accounts” in community forums to seed clues, provide solutions, and generally chivvy players along the paths they so carefully designed.

As an ARG designer, I used to take a hard line against this kind of cheating but in the years since, I’ve mellowed somewhat, mostly because it can make the game more fun, and ultimately, because everyone expects it these days. That’s not the case with QAnon.

Yes, anyone who uses 4chan and 8chan understands that anonymity is baked into the system such that posters frequently create entire threads where they argue against themselves in the guise of anonymous users who are impossible to distinguish or trace back to a single individual – but do the more casual QAnon followers know that?

Local Fame

A Beautiful Mind

Pop culture’s conspiracy theorist sits in a dark basement stringing together photos and newspaper clippings on their "crazy wall." On the few occasions this leads to useful results, it’s an unenviable pursuit. Anyone choosing such an existence tends to be shunned by society.

But this ignores one gaping fact: piecing together theories is really satisfying. Writing my walkthrough for The Beast was rewarding and meaningful, appreciated by an enthusiastic community in a way that my molecular biology essays most certainly were not. Online communities have long been dismissed as inferior in every way to “real” friendships, an attenuated version that’s better than nothing, but not something that anyone should choose. Yet ARGs and QAnon (and games and fandom and so many other things) demonstrate there’s an immediacy and scale and relevance to online communities that can be more potent and rewarding than a neighbourhood bake sale. This won’t be news to most of you, but I think it’s still news to decision-makers in traditional media and politics.

Good ARGs are deliberately designed with puzzles and challenges that require unusual talents—I designed one puzzle that required a good understanding of ancient Egyptian hieroglyphs—with problems so large that they require crowdsourcing to solve, such that all players feel like welcome and valued contributors.

Needless to say, that feeling is missing from many people’s lives:

“ARGs are generally a showcase for special talent that often goes unrecognized elsewhere. I have met so many wildly talented people with weird knowledge through them.”

If you’re first to solve a puzzle or make a connection, you can attain local fame in ARG communities, as Dan Hon, COO at Mind Candy (makers of the Perplex City ARG), notes. The vast online communities for TV shows like Lost and Westworld, with their purposefully convoluted mystery box plots, also reward those who guess twists early, or produce helpful explainer videos. Yes, the reward is “just” internet points in the form of Reddit upvotes, but the feeling of being appreciated is very real. It’s no coincidence that Lost and Westworld both used ARGs to promote their shows.

Wherever you have depth in storytelling or content or mechanics, you’ll find the same kind of online communities. Games like Bloodborne, Minecraft, Stardew Valley, Dwarf Fortress, Animal Crossing, Eve Online, and Elite Dangerous, they all share the same race for discovery. These discoveries eventually become processed into explainer videos and Reddit posts that are more accessible for wider audiences.

The same has happened with modern ARGs, where explainer videos have become so compelling they rack up more views than the ARGs have players (not unlike Twitch). Michael Andersen, owner of the Alternate Reality Gaming Network news site, is a fan of this trend, but wonders about its downside—with reference to conspiracy theorists:

“[W]hen you’re reading (or watching) a summary of an ARG? All of the assumptions and logical leaps have been wrapped up and packaged for you, tied up with a nice little bow. Everything makes sense, and you can see how it all flows together. Living it, though? Sheer chaos. Wild conjectures and theories flying left and right, with circumstantial evidence and speculation ruling the day. Things exist in a fugue state of being simultaneously true-and-not-true, and it’s only the accumulation of evidence that resolves it. And acquiring a “knack” for sifting through theories to surface what’s believable is an extremely valuable skill—both for actively playing ARGs, and for life in general.And sometimes, I worry that when people consume these neatly packaged theories that show all the pieces coming together, they miss out on all those false starts and coincidences that help develop critical thinking skills. …because yes, conspiracy theories try and offer up those same neat packages that attempt to explain the seemingly unexplained. And it’s pretty damn important to learn how groups can be led astray in search of those neatly wrapped packages.”

“SPEC”

I’m a big fan of the SCP Foundation, a creative writing website set within a shared universe not unlike The X-Files. Its top-rated stories rank among the best science fiction and horror I’ve read. A few years ago, I wrote my own (very silly) story, SCP-3993, where New York’s ubiquitous LinkNYC internet kiosks are cover for a mysterious reality-altering invasion.

CITYBRIDGE/NYC

Like the rest of SCP, this was all in good fun, but I recently discovered LinkNYC is tangled up in QAnon conspiracy theories. To be fair, you can say the same thing about pretty much every modern technology, but it’s not surprising their monolith-like presence caught conspiracy theorists’ attention as it did mine.

It’s not unreasonable to be creeped out by LinkNYC. In 2016, the New York Civil Liberties Union wrote to the mayor about “the vast amount of private information retained by the LinkNYC system and the lack of robust language in the privacy policy protecting users against unwarranted government surveillance.” Two years later, kiosks along Third Avenue in Midtown mysteriously blasted out a slowed-down version of the Mister Softee theme song. So there’s at least some cause for speculation. The problem is when speculation hardens into reality.

Not long after the AICN post, The Beast’s players set up a Yahoo Group mailing list called Cloudmakers, named after a boat in the story. As the number of posts rose to dozens and then hundreds per day, it became obvious to list moderators (including me) that some form of organisation was in order. One rule we established was that posts should include a prefix in their subject so members could easily distinguish website updates from puzzle solutions.

My favourite prefix was “SPEC,” a catch-all for any kind of unfounded speculation, most of which was fun nonsense but some of which ended up being true. There were no limits on what or how much you could post, but you always had to use the prefix so people could ignore it. Other moderated communities have similar guidelines, with rationalists using their typically long-winded “epistemic status” metadata.

Absent this kind of moderation, speculation ends up overwhelming communities since it’s far easier and more fun to bullshit than do actual research. And if speculation is repeated enough times, if it’s finessed enough, it can harden into accepted fact, leading to devastating and even fatal consequences.

I’ve personally been the subject of this process thanks to my work in ARGs—not just once, but twice.

The first occasion was fairly innocent. One of our more famous Perplex City puzzles, Billion to One, was a photo of a man. That’s it. The challenge was to find him. Obviously, we were riffing on the whole “six degrees of separation” concept. Some thought it’d be easy, but I was less convinced. Sure enough, fourteen years on, the puzzle is still unsolved, but not for lack of trying. Every so often, the internet rediscovers the puzzle amid a flurry of YouTube videos and podcasts; I can tell whenever this happens because people start DMing me on Twitter and Instagram.

This literally came a few days ago

A clue in the puzzle is the man’s name, Satoshi. It is not a rare name, and it happens to be same as the presumed pseudonymous person or persons who developed bitcoin, Satoshi Nakamoto. So of course people think Perplex City’s Satoshi created bitcoin. Not a lot of people, to be fair, but enough that I get DMs about it every week. But it’s all pretty innocent, like I said.

More concerning is my presumed connection to Cicada 3301, a mysterious group that recruited codebreakers through very difficult online puzzles. Back in 2011, my company developed a pseudo-ARG for the BBC Two factual series, The Code, all about mathematics. This involved planting clues into the show itself, along with online educational games and a treasure hunt.

To illustrate the concept of prime numbers, The Code explored the gestation period of cicadas. We had no hand in the writing of the show; we got the script and developed our ARG around it. But this was enough to create a brand new conspiracy theory, featuring yours truly:

My bit starts around 20 minutes in:

Interviewer: Why [did you make a puzzle about] cicadas?

Me: Cicadas are known for having a gestation period which is linked to prime numbers. Prime numbers are at the heart of nature and the heart of mathematics.

Interviewer: That puzzle comes out in June 2011.

Me: Yeah.

Interviewer: Six months later, Cicada 3301 makes its international debut.

Me: It's a big coincidence.

Interviewer: There are some people who have brought up the fact that whoever's behind Cicada 3301 would have to be a very accomplished game maker.

Me: Sure.

Interviewer: You would be a candidate to be that person.

Me: That's true, I mean, Cicada 3301 has a lot in common with the games we've made. I think that one big difference (chuckles) is that normally when we make alternate reality games, we do it for money. And it's not so clear to understand where the funding for Cicada 3301 is coming from.

Clearly this was all just in fun – I knew it and the interviewer knew it. That’s why I agreed to take part. But does everyone watching this understand that? There’s no “SPEC” tag on the video. At least a few commenters are taking it seriously:

I am the “ARG guy” in question

I’m not worried, but I’d be lying if I wasn’t a touch concerned that Cicada 3301 now lies squarely in the QAnon vortex and in the “Q-web“:

Here’s a good interview with the creator of the “Q-web”

My defence that the cicada puzzle in The Code was “a big coincidence” (albeit delivered with an unfortunate shit-eating grin) didn’t hold water. In the conspiracy theorest mindset, no such thing exists:

“According to Michael Barkun, emeritus professor of political science at Syracuse University, three core principles characterize most conspiracy theories. Firstly, the belief that nothing happens by accident or coincidence. Secondly, that nothing is as it seems: The “appearance of innocence” is to be suspected. Finally, the belief that everything is connected through a hidden pattern.”

These are helpful beliefs when playing an ARG or watching a TV show designed with twists and turns. It’s fun to speculate and to join seemingly disparate ideas, especially when the creators encourage and reward this behaviour. It’s less helpful when conspiracy theorists “yes, and…” each other into shooting up a pizza parlour or burning down 5G cell towers.

Because there is no coherent QAnon community in the same sense as the Cloudmakers, there’s no convention of “SPEC” tags. In their absence, YouTube has added annotated QAnon videos with links to its Wikipedia article, and Twitter has banned 7,000 accounts and restricted 150,000 more, among other actions. Supposedly, Facebook is planning to do the same.

These are useful steps but will not stop QAnon from spreading in social media comments or private chat groups or unmoderated forums. It’s not something we can reasonably hope for, and I don’t think there’s any technological solution (e.g. browser extensions) either. The only way to stop people from mistaking speculation from fact is for them to want to stop.

Cryptic

It’s always nice to have a few mysteries for players to speculate on in an ARG, if only because it helps them pass the time while the poor puppetmasters scramble to sate their insatiable demand for more website updates and puzzles. A good mystery can keep a community guessing for, as Lost did with its numbers or Game of Thrones with Jon Snow’s parentage. But these mysteries always have to be balanced against specifics, lest the whole story dissolve into a puddle of mush; for as much we derided Lost for the underwhelming conclusion to its mysteries, no-one would’ve watched in the first place if the episode-to-episode storytelling wasn’t so strong.

The downside of being too mysterious in Perplex City is that cryptic messages often led players on wild goose chases such that they completely ignored entire story arcs in favour of pursuing their own theories. This was bad for us because we had a pretty strict timetable that we needed our story to play out on, pinned against the release of our physical puzzle cards that funded the entire enterprise. If players took too long to find the $200,000 treasure at the conclusion of the story, we might run out of money.

QAnon can favour cryptic messages because, as far as I know, they don’t have a specific timeline or goal in mind, let alone a production budget or paid staff. Not only is there no harm in followers misinterpreting messages, but it’s a strength: followers can occupy themselves with their own spin-off theories far better than “Q” can. Dan Hon notes:

“For every ARG I’ve been involved in and ones my friends have been involved in, communities always consume/complete/burn through content faster than you can make it, when you’re doing a narrative-based game. This content generation/consumption/playing asymmetry is, I think, just a fact. But QAnon “solved” it by being able to co-opt all content that already exists and … encourages and allows you to create new content that counts and is fair play in-the-game.”

But even QAnon needs some specificity, hence their frequent references to actual people, places, events, and so on.

A brief aside on designing very hard puzzles

It was useful to be cryptic when I needed to control the speed at which players solved especially consequential puzzles, like the one revealing where our $200,000 treasure was buried. For story and marketing purposes, we wanted players to be able to find it as soon as they had access to all 256 puzzle cards, which we released in three waves. We also wanted players to feel like they were making progress before they had all the cards and we didn’t want them to find the location the minute they had the last card.

My answer was to represent the location as the solution to multiple cryptic puzzles. One puzzle referred to the Jurassic strata in the UK, which I split across the background of 14 cards. Another began with a microdot revealing which order to arrange triple letters I’d hidden on a bunch of cards. By performing mod arithmetic on the letter/number values, you would arrive at 1, 2, 3 or 4, corresponding to the four DNA nucleotides. If you understood the triplets as codons for amino acids, they became letters. These letters led you to the phrase “Duke of Burgundy”, the name of a butterfly whose location, when combined with the Jurassic strata, would help you narrow down the location of the treasure.

The nice thing about this convoluted sequence is that we could provide additional online clues to help the players community when they got stuck. The point being, you can’t make an easy puzzle harder, but you can make a hard puzzle easier.

Beyond ARGs

It can feel crass to compare ARGs to a conspiracy theory that’s caused so much harm. But this reveals the crucial difference between them: in QAnon, the stakes so high, any action is justified. If you truly believe an online store or a pizza parlour is engaging in child trafficking and the authorities are complicit, extreme behaviour is justified.

Gabriel Roth, editorial director for audio at Slate, extends this idea:

“What QAnon has that ARGs didn’t have is the claim of factual truth; in that sense it reminds me of the Bullshit Anecdotal Memoir wave of the 90s and early 00s. If you have a story based on real life, but you want to make it more interesting, the correct thing to do is change the names of the people and make it as interesting as you like and call it fiction. The insight of the Bullshit Anecdotal Memoirists (I’m thinking of James Frey and Augusten Burroughs and David Sedaris) was that you could call it nonfiction and readers would like it much better because it would have the claim of actual factual truth, wowee!! And it worked! How much more engaging and addictive is an immersive, participatory ARG when it adds that unique frisson you can only get with the claim of factual truth? And bear in mind that ARG-scale stories aren’t about mere personal experiences—they operate on a world-historical scale.”

ARGs’ playfulness with the truth and their sometimes-imperceptible winking of This Is Not A Game (accusations Lonelygirl15 was a hoax) is only the most modern incarnation of epistolary storytelling. In that context, immersive and realistic stories have long elicited extreme reactions, like the panic incited by Orson Welles’ The War of the Worlds (often exaggerated, to be fair).

We don’t have to wonder what happens when an ARG community meets a matter of life and death. Not long after The Beast concluded, the 9/11 attacks happened. A small number of posters in the Cloudmakers mailing list suggested the community use its skills to “solve” the question of who was behind the attack.

The brief but intense discussion that ensued has become a cautionary tale of ARG communities getting carried away and being unable to distinguish fiction from reality. In reality, the community and the moderators quickly shut down the idea as being impractical, insensitive, and very dangerous. “Cloudmakers tried to solve 9/11” is a great story, but it’s completely false.

Unfortunately, the same isn’t true for the poster child for online sleuthing gone wrong, the r/findbostonbombers subreddit. There’s a parallel between the essentially unmoderated, anonymous theorists of r/findbostonbombers and those in QAnon: neither feel any responsibility for spreading unsupported speculation as fact. What they do feel is that anything should be solvable, as Laura Hall, immersive environment and narrative designer, describes:

“There’s a general sense of, ‘This should be solveable/findable/etc’ that you see in lots of reddit communities for unsolved mysteries and so on. The feeling that all information is available online, that reality and truth must be captured/in evidence somewhere”

There’s truth in that feeling. There is a vast amount of information online, and sometimes it is possible to solve “mysteries”, which makes it hard to criticise people for trying, especially when it comes to stopping perceived injustices. But it’s the sheer volume of information online that makes it so easy and so tempting and so fun to draw spurious connections.

That joy of solving and connecting and sharing and communication can do great things, and it can do awful things. As Josh Fialkov, writer for Lonelygirl15, says:

That brain power negatively focused on what [conspiracy theorists] perceive as life and death (but is actually crassly manipulated paranoia) scares the living shit out of me.

What ARGs Can Teach Us

Can we make “good ARGs”? Could ARGs inoculate people against conspiracy theories like QAnon?

The short answer is: No. When it comes to games that are educational and fun, you usually have to pick one, not both—and I say that as someone who thinks he’s done a decent job at making “serious games” over the years. That doesn’t mean it’s impossible, but it’s really hard, and I doubt any such ARG would get played by the right audience anyway.

The long answer: I’m writing a book about the perils and promise of gamification. Come back in a year or two.

For now, here’s a medium-sized answer. No ARG can heal the deep mistrust and fear and economic and spiritual malaise that underlies QAnon and other dangerous conspiracy theories, any more than a book or a movie can solve racism. There are hints at ARG-like things that could work, though—not in directly combatting QAnon’s appeal, but in channeling people’s energy and zeal of community-based problem-solving toward better causes.

Take The COVID Tracking Project, an attempt to compile the most complete data available about COVID-19 in the U.S. Every day, volunteers collect the latest numbers on tests, cases, hospitalizations, and patient outcomes from every state and territory. In the absence of reliable governmental figures, it’s become one of the best sources not just in the U.S., but in the world.

It’s also incredibly transparent. You can drill down into the raw data volunteers have collected on Google Sheets, view every line of code written on Github, and ask them questions on Slack. Errors and ambiguities in the data are quickly disclosed and explained rather than hidden or ignored. There’s something game-like in the daily quest to collect the best-quality data and to continually expand and improve the metrics being tracked. And like in the best ARGs, volunteers of all backgrounds and skills are welcomed. It’s one of the most impressive and well-organising reporting projects I’ve ever seen; “crowdsourcing” doesn’t even come close to describing its scale.

If you applied ARG skills to investigative journalism, you’d get something like Bellingcat, an an open-source intelligence group that discovered how Malaysia Airlines Flight 17 (MH17) was shot down over Ukraine in 2014. Bellingcat’s volunteers painstakingly pieced together publicly-available information to determine MH17 was downed by a Buk missile launcher originating from the 53rd Anti-Aircraft Rocket Brigade in Kursk, Russia. The Dutch-led international joint investigation team later came to the same conclusion.

Conspiracy theories thrive in the absence of trust. Today, people don’t trust authorities because authorities have repeatedly shown themselves to be unworthy of trust – misreporting or manipulating COVID-19 testing figures, delaying the publication of government investigations, burning records of past atrocities, and deploying unmarked federal forces. Perhaps authorities were just as untrustworthy twenty or fifty or a hundred years ago, but today we rightly expect more.

Mattathias Schwartz, contributing writer for The New York Times Magazine, believes it’s that lack of trust that leads people to QAnon:

“Q’s [followers] … are starving for information. Their willingness to chase bread crumbs is a symptom of ignorance and powerlessness. There may be something to their belief that the machinery of the state is inaccessible to the people. It’s hard to blame them for resorting to fantasy and esotericism, after all, when accurate information about the government’s current activities is so easily concealed and so woefully incomplete.”

So the goal cannot be to simply restore trust in existing authorities. Rather, I think it’s to restore faith in truth and knowledge itself. The COVID Tracking Project and Bellingcat help reveal truth by crowdsourcing information. They show their work via hypertext and open data, creating a structure upon which higher-level analysis and journalism can be built. And if they can’t find the truth, they’re willing to say so.

QAnon seems just as open. Everything is online. Every discussion, every idea, every theory is all joined together in a warped edifice where speculation becomes fact and fact leads to action. It’s thrilling to discover, and as you find new terms to Google and new threads to pull upon, you can feel just like a real researcher. And you can never get bored. There’s always new information to make sense of, always a new puzzle to solve, always a new enemy to take down.

QAnon fills the void of information that states have created—not with facts, but with fantasy. If we don’t want QAnon to fill that void, someone else has to. Government institutions can’t be relied upon to do this sustainably, given how underfunded and politicised they’ve become in recent years. Traditional journalism has also struggled against its own challenges of opacity and lack of resources. So maybe that someone is… us.

ARGs teach us that the search for knowledge and truth can be immensely rewarding, not in spite of their deliberately-fractured stories and near-impossible puzzles, but because of them. They teach us that communities can self-organise and self-moderate to take on immense challenges in a responsible way. And they teach us that people are ready and willing to volunteer to work if they’re welcomed, no matter their talent.

It’s hard to create these communities. They rely on software and tools that aren’t always free or easy to use. They need volunteers who have spare time to give and moderators who can be supported, financially and emotionally, through the struggles that always come. These communities already exist. They just need more help.

Despite the growing shadow of QAnon, I’m hopeful for the future. The beauty of ARGs and ARG-like communities isn’t their power to discover truth. It’s how they make the process of discovery so deeply rewarding.

What Alternate Reality Games Teach Us About the Dangerous Appeal of QAnon syndicated from https://triviaqaweb.wordpress.com/feed/

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talysalankil · 5 years ago

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talys’s great nanowrimo 2019 debacle: the post

i felt like being grandiose, just not grandiose enough that I’d properly capitalize things. bear with me.

So I’ve had a bit of a time figuring out what to do for NaNoWriMo this year. So it’s venting time.

I’m also using this to do like, a status report on all my writing endeavors.

Okay so I haven’t had any new novel idea in a while now. I mean, that’s fine. I have a massive pile of WIPs anyway. But (and I think I already made a post about it earlier) the problem for nanowrimo was this:

I didn’t want to do a rewrite of any of the existing drafts:

FEITS v3 was paused at about halfway done in 2017, and while I’ve had a bunch of ideas for it, I haven’t really taken the time to work on them.

Psychopomp’s first draft is complete, but it could use a rewrite

Tangled Stars and Dragged to the Underworld are about 50k each with a missing third act

Eloped in the Night is a 15k word mess that needs major rewriting because it was still Brooding Lust when I wrote those)

Of these five books, four have planned sequels, but: I didn’t want to write a sequel, since none of them anywhere near a final stage. That being

FTEITS (for which I wrote like 30k of a first draft of book 2, most of which is good for the trash what with all the changes I’ve made),

Psychopomp, whose sequel would have been the best candidate in this category honestly because I don’t think the rewrites would be super structural

Eloped/Dragged are part of the same universe though mostly standalones, but each of the subsequent books in that series would draw from one or both of these, and like I said, neither are even a complete first draft.

While I have a bunch of fic ideas, I didn’t want to do a fic for nanowrimo because it felt like cheating.

Which left me with um…like, nothing. Well, not quite.

So you may or may not know this (I kind of forget where I put information online) but my first draw to storytelling was actually video games. In broad strokes, here’s a quick history of that:

As a very young child (we’re talking 4-8 years old here), I’d play pretend with my plushies

When I got Crash Bandicoot 2 (one of my first video games I was really into), I started to imagine various games where my plushies would be the protagonists. Inspired by Crash, Zelda, other games…I remember once outlining a 15-part series of games around my favorite plushy, each of which was basically subdivided into chunks of different genres. I even invented a “dark age of the franchise”.

When I got Final Fantasy X and then got another gaming magazine with a walkthrough of Final Fantasy X, I started inventing a self-insert game based heavily on it, and wrote most of my ideas in the format of a walkthrough. I even parroted the editing style because I was like nine.

That story was iterated upon several times, and eventually yielded the character of Talys Alankil (well, sort of—the name actually originated in Guild Wars and was then repurposed. Somewhere in the lore, the two of them are like, extremely distant relatives, or were until I decided all copyrighted works were purged from canon). Thanks for creating my brand, 13 and 15-year-old mes.

I actually got into computer engineering because of games, except I then realized the storytelling was what interested me. Oops. I mean I like programming but I’d never want to work as a programmer in a game.

That tangent was completely pointless but whatever, this is the state of the talys post.

Anyway. Point is. I got a new idea for a game earlier this year. Life Is Strange 2 meets Octopath Traveler by way of Vanitas from Kingdom Hearts as the protagonist. This is the first time I have an idea that I can phrase in this kind of pitch so I’ll indulge. Fight me.

Working title is just “The Road” though obviously it needs some work, and over the past few months I’ve actually done some pretty good prep work, so I thought, hey, why not challenge myself this nanowrimo and write a script for a game instead of a novel!

And like, there’s no reason why not. I’m actually feeling pretty attached to the protagonist already, I’ve been wanting to try scrivener’s script writing tool, it could be fun. Of course, the problem is that a script for a game (especially this one) is inerently nonlinear and requires thorough planning, which I have not done. And nanowrimo starts…technically tomorrow night if I can still stay up past midnight.

[Second tangent time: I’ve been going for a teaching degree, which has forced me to reset my sleep schedule extremely hard and I hate it]

So that brings me option 2. Well, technically there are two options here, but only one that’s remotely viable.

I may have mentioned it before but in FTEITS, Adam and Cell bond over (among other things) a shared favorite book/author. Well, mostly a book. There is also a scene of Adam finding that author’s new book and experiencing nostalgia over his lost life, which may or may not survive the rewrites. The author, incidentally, is my self-insert in that world, and will also not be an active character in the plot of the books, but I just felt like mentioning it. And yes, that means my protagonists are fans of my work. Sue me.

The one they’re both a fan of is titled Snow to Ashes (I remember way way back, when I randomly picked a title “The Brain is Out”, before I had any idea what it was about). It is, incidentally, a chance to analyze Adam and Cell’s character arc by proxy and in a microcosm, which is good because I feel that sometimes their arcs are still kind of ill-defined. Basically the story has two protagonist and it is canon that Adam and Cell each relate more to one of them.

The problem with that is that now I’m getting a lot of ideas for Snow to Ashes, and I don’t know if I have the time to work all of these ideas and iron them out before nanowrimo starts.

So that’s where I’m at. Either way I will be pantsing it. I was hoping to get to do some outlining this week before Friday, but it turns out that being tired, having a pretty big spike of executive dysfunction, final fantasy 14, and my parents deciding to watch the TV again after years of not doing it (thus making noise at the time of day that would be perfect for me to write), is not fertile grounds for productivity. I am, incidentally, out of a FF14 subscription in four days, which is very fine by me since that game would also ruin nanowrimo itself, not just the pre-nano prep.

This isn’t really a request for feedback tbh, just, like I said, venting. Hoping to straighten my thoughts and figure out which choice is best.

As a PS i should mention that yes, the Talys Alankil game is also technically a writing option, and I could write a script for that. I mean it’s almost a rewrite because that one has a pretty rigid outline already, but. Yeah. It’s an option too.

Edited: I didn’t mention Malefacta. I didn’t forget about malefacta. I just don’t know what to do with Malefacta. It’s annoying.

Edited2: Remember when I almost wrote a superhero book for nanowrimo 2017? yeah that’s still a project I have somewhere. I’m no feeling it though. Sorry, superhero project. You were never meant to be, I guess.

#talys liveblogs nanowrimo #nanowrimo 19 #talysnovel: fteits #talysnovel: psychopomp #talysnovel: tangled stars #talysnovel: eloped #talysnovel: dragged #talysnovel: snow to ashes #talysnovel: the road #i'm using a talysnovel: tag even though it's not a novel idc #talys reboots a universe #I think that's my tag for the Talys game #talysnovel: malefacta #talysnovel: tpe

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funnelhacksecrets · 5 years ago

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New Funnel Scripts Webinar

New Post has been published on https://funnelhacksecrets.net/free-funnel-scripts-webinar/

New Funnel Scripts Webinar

Funnel Scripts is fast becoming one of the most popular sales copy generators online today. Created by copywriter, Jim Edwards and internet marketing master Russell Brunson, Funnel Scripts is an associated company of ClickFunnels.

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Now, Russell and Jim have released a ninja Funnel Scripts training webinar to give you a massive edge over the competition. In the training, you will get a deeper understanding of the importance of effective sales copy and how you can create it super fast without having to pay for an expensive copywriter of busting a brain cell trying to write it yourself.

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The Funnel Scripts Webinar – What’s It All About?

You may have heard that at the end of May 2019, ClickFunnels and the Funnel Script team released a free training webinar all about Funnel Scripts. so why did they do this and what is this webinar all about?

Russell and Jim are so passionate about their creation that they are trying to let more people know about it. While the copywriting software is easy to use, the user interface has a lot going on, mainly due to the vast functionality that it offers.

Inside Funnel Scripts, Jim Edwards has recorded a short “how to” video in each section. However, it’s pretty simple, you basically just feel in your info by answering a few questions, press a button and presto! It spits out your words transformed into a killer sales copy.

So, why the need for the webinar? 🤔

Well, besides giving a walkthrough of the capabilities of the copywriting software, Russell and Jim also wanted to give detailed training on how to create effective sales copy.

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When you attend the webinar training you will also learn about a lot of tried and tested sales copy that has been proven to work. They also share different methods of writing your copy effectively for different audiences, how to attract your customers and so forth.

And its true Russell and Jim style, they certainly overdeliver on the value!

Watch The Funnel Scripts Training Webinar

The second reason why they have decided to release this webinar is to let people know about the new pricing. The software was previously accessible through a paid yearly subscription. However, there is now a better alternative.

Funnel Scripts cost

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Due to the effectiveness and accuracy of the software in creating powerful sales copy that actually converts and the fact that it saves business owners thousands of dollars that they would otherwise have had to spend hiring a copywriter, people have been repurchasing access to Funnel Scripts year after year at the $497 price point.

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This offer has been so popular since it was released last week that literally thousands of people have taken advantage of the new price point and jumped on the deal.

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Yep, if you currently have an active subscription then all you need to do is click the banner above and pay the additional one time fee of $297 and you get access to the software for life.

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Who Is Hosting The Funnel Scripts Webinar?

The well-known internet marketer, Russell Brunson. If you haven’t come across Russell before, not only is he the owner and founder of ClickFunnels, he is also one of the most successful marketers on the internet.

Russell is responsible for creating literally hundreds of millionaires through his training and products. He is a charismatic and likeable character with a natural flair for training people to become successful marketers online.

What Exactly Is Funnel Scripts?

Funnel Scripts is a powerful online software program that enables you to create highly effective sales copy with a few clicks of a button.

Master copywriter, Jim Edwards and Russell Brunson spent many months going through all the most effective sales copy in history. They combined their research with their own knowledge of copywriting and created the software to be able to craft unique copy on demand.

Basically, all you need to do is fill in your info into the text fields along with other information that the software will ask you and then with a click of a button it will create the copy for you. You can then make any edits of adjustments to the copy as you see fit.

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What Can Funnel Scripts Do?

Create Sales Copy

Writing an effective sales copy can take quite a while. If you’ve been thinking of doing this yourself and you’re not a professional copywriter then it’s likely that you will spend weeks or even months on a single piece of copy with a high chance that it will flop on launch day.

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Running an effective webinar will often involve using a power point presentation to get your message across. Using this software you can quickly create all your slides.

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Similarly, you can also create all the slides you need for an effective video sales letter. This is a huge time and money saver. Just create your slides and send them to your video designer.

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It can be a nightmare to try to sit down and write out all your email messages for your autoresponder. In fact, this task is so daunting that many don’t even attempt it and forget about doing email marketing altogether. However, email marketing is a crucial part of online business these days.

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When you buy Funnel Scripts you will also be getting $127,394 of value. This is broken down as follows;

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Plus additional 60+ Scripts

Final Thoughts

Funnel Scripts is a powerful software product that will save you a massive amount of time and money.

Having an effective sales copy is crucial to any business. If your copy doesn’t convert then you’re just not going to make any sales.

You could either pay a professional copywriter thousands for each piece of content you need to be written or you can spend a few years training as a copywriter along with all the trial and error that comes with learning a new skill.

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Watch The Funnel Scripts Training Webinar

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