#and established characters. And it is NOT working
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noodle-is-unstable · 2 days ago
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Hello! 👋 How are things going with you?
Group chat, reader texts "I can't do this anymore!" making JJK characters think they are breaking up but it's actually bc they are struggling with something. I. E. Something from work, puzzles, keep getting offed on a game, bad hair day? Thought it might be funny
the heart attack you gave me with the start of that ask ☠️
The JJK Group Chat gets an "I can't do this anymore" text (Established Throuple)
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Ft ~ Gojo x Reader x Geto, Toji x Reader x Shiu, Sukuna x Reader x Uraume, Nanami x Reader x Ino, Choso x Reader x Mahito, Shoko x Reader x Utahime
Synopsis ~ The JJK Group Chat gets an "I can't do this anymore" text, only you meant a mundane text, not the relationship
Content Warning ~ 18+, Crack is present, Suggestive, Language, maybe a teeny tiny bit of Angst, no real Fluff. I'm autistic IDK
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kendrysaneela · 24 hours ago
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Genuinely. I really need people to stop saying “It’s only canon if they kiss” because 1. That means we will never get a slowburn queer relationship because no one will ever believe it without a kiss 2. That destroys queercoding. Which is a very important part of queer representation. And queercoding is not queerbaiting please learn the difference. 3. Not to mention how much queer representation we’d lose from history if kissing is a necessity for the representation to exist.
And then here’s a more modern example. So on the Kevin Can Fuck Himself there’s these two women Allison and Patty. This show was made by a queer woman. Allison and Patty are both stuck under the control of these abusive men. Patty stuck under the control her little brother who keeps her under his control out of guilt from their childhood. And Allison who’s stuck with her abusive husband mentally and financially. And also possibly even physically though that’s never explicitly stated the threat of that just lies in the air. And the show is basically Allison and Patty working together to escape the abusive men in their lives. And throughout this process they start to fall in love with each other. This is made so incredibly clear by the show. And Patty eventually becomes a canon lesbian. (She never says the word lesbian but they make that clear) Patty is more obviously in love with Allison most likely because she’s a canon lesbian whereas Allison’s sexuality is more still up in the air and she’s sleeping with a different guy. But it’s there you can see it. And we had it confirmed offscreen by the showrunner that Patty was in love with Allison and we know that because Patty said “Maybe can die alone together” and that was confirmed as an “I love you” by the showrunner. They’re leaning their heads together with their eyes closed when this scene happens. Very romantically coded. Then the show got prematurely cancelled halfway through the second season so they had to rush to wrap everything up in the second half of season 2. So Allison and Patty escape the abusive men in their lives much quicker than originally planned and in a different way than originally planned. Also lots of the original storyline between Allison and Patty had to be cut out because of it leading to a loss of development we otherwise would’ve gotten. But in the end they meet up again and they sit on the steps of Allison’s house and Patty says “Let’s die alone together” and Allison repeats “Let’s die alone together” now it’s already been established by the showrunner that this means “I love you” so you can take from that that they are in love with each other and somewhere down the line they will become a real couple. And that they will be together forever. The showrunner said about that scene “They are romantically alone but always together” or something like that. And SO MANY PEOPLE decided that because they didn’t kiss or say I love you that the entire show was a waste and all their romantic scenes were for naught just because they didn’t kiss or say “I love you” at the end and the QUEER showrunner didn’t explicitly say “That scene means they’re in love” and a big reason I saw people give for being angry at that was that “Straight people won’t know they’re queer they can just deny it if it’s not explicit!” And here’s the thing. Not only should we not be defining queer representation by how straight people view it but also straight people will deny canon queer representation even if they DO kiss!
Like for example on the show Doctor Odyssey there’s a canon slowburn mmf throuple. It’s been confirmed by the actors and showrunners that them being a throuple is going to be being explored this season on the show. All three of the characters Max,Avery and Tristan have all slept together once and they’ve all stated they liked it and the next episode they discussed the idea of polyamory and they showed us a polyamorous couple that was together and happy had all the characters discuss what polyamory is how it works and how it’s valid. The female character Avery very much wants them to be a throuple after their threesome and discusses it with the boys using the words “Throuple” and “Polyamorous” onscreen. the boys are still reluctant at the moment but they’ll get there they just need a second to get used to the idea. It’s basically as canon as canon can get before they actually become fully canon. And lemme repeat. Avery is the character who’s the most onboard for them being a throuple this is canon. They make this very explicit. She initiates the threesome and she spends an entire episode trying to convince the boys to be in a throuple with her. Yet yesterday? I saw an article talking about “Who should Avery choose?” Between the two boys. When the whole storyline of theirs is she isn’t going to choose nor does she want to. But yet there was an article STILL not getting it. Even with the words POLYAMOROUS AND THROUPLE being used in an episode MULTIPLE times and them all having slept together AND CANONICALLY ENJOYING IT. (They say so in words onscreen) And yet there the article was still denying it because it wasn’t fully canon yet. That’s what I’m talking about. Even when it is explicit as explicit as explicit can be straight people are going to deny it. So why are we defining our own queer rep by how straight people view it? It’s ours not theirs. They can come along and enjoy it if they choose they’re completely welcome! The more the merrier! But we shouldn’t define rep for us by how theyll view it. Because some straight people will never accept queer rep as real no matter how explicit it is. So their opinion doesn’t matter.
Discussions of what "counts" as "canon" queer representation fall apart the second you start talking about media older than about five years or so. If your only metric for "canon queerness" is a character looking directly into the camera and explaining their identity in specific, modern, US-American-English terminology, you're not going to get a good picture of what queer media looks like. If your barometer for what counts as "canon" requires two characters of the same gender to kiss on-screen, you're not going to get a good picture of what queer media looks like.
Dr. Septimus Pretorius (portrayed by Ernest Thesiger in 1935's Bride of Frankenstein) was never going to look directly into the camera and explain his sexuality in 2024 terms, but he remains an icon in queer media history. You cannot look at that character (blatantly queer-coded in the manner of the time, played by a queer man in a film directed by another queer man) and tell me that he isn't a part of queer media history.
To be honest, even when discussing modern queer media, I would argue that the popular idea of what "counts" as "canon" is very narrow and flawed. I've seen multiple posts in the past few days that say the Nimona movie is "implied" trans representation, and I just...no, y'all, it's not "implied," it's an allegory. The entire damn movie is about transgender struggle, and the original comic is deeply tied into N.D. Stevenson's own queer journey. It isn't subtle. You cannot look at that movie and pretend that it isn't about trans struggle. It's blatant, and to say that Nimona "isn't canonically trans" is a take that misses the story's entire message, and the blatant queerphobia that almost kept the movie from happening. (I wrote a five thousand word essay about the topic.)
Queer themes, queer coding, queer exploration, and queer representation can all exist in a piece of media that doesn't seem to have "canon queer characters" on the surface. Most queer characters are never going to be able to explicitly state their specific identity labels, be it due to censorship or just due to the fact that scenes like that don't fit in some narratives. Some stories aren't conducive to a big "so what's your identity?" scene.
Explicit, undeniable, "this is my identity in no uncertain terms" scenes are very important and radical, and I'm not saying they shouldn't ever exist. I am saying that you can't consider those scenes the only way for queerness in a piece of media to be "canon."
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the-odd-shu · 1 day ago
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Fluffy scenarios for clear skin
Another Lab Illustrator Reader installation!
Masterlist
Previous:
Characters: Jayce, Viktor, Gender Neutral Reader (Reader uses they/them pronouns)
Established: Jayce/Viktor/Reader (POLYCULLLEEE)
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Reader to Jayce: Do you ever look at Viktor when he's thinking and want to kiss every inch of his face?
Jayce taking a slow sip from his hot drink: No. I think he would bite me if I tried.
Reader: Maybe. But whenever he pouts, his eyes go all thoughtful and distant, and I can hardly control myself.
Jayce: Please continue to control yourself. I don't want to have to write an accident report because you lost a nose.
Reader sighs again: Would you bite my nose off if I kissed every inch of your face instead?
Jayce no-rizz Talis then proceeds to choke and nearly perish on his drink.
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In summary, Reader's partners sometimes give them cuteness aggression.
Just the image of Viktor doing that adorable pouting face, and Reader calmly setting down their pen, getting up, crossing over to Jayce's desk to get rid of their cuteness aggression via kisses on poor Jayce instead.
I kind of like the idea of them doing this instead of crowding Viktor when he's clearly trying to think. Whereas Jayce is just constantly on the look out for touch and validation, so it works out great for him. He melts under the attention, more than happy to put his notes aside for a moment in favour of a rather lovely excuse for a break.
They're quiet about it, but sometimes the movement will pull Viktor out of his musings regardless, and he'll just frown at the pair of them acting like idiots.
And if he insinuates he's feeling a little left out, you bet Reader is going to calmly drag him close and touch temples with him - a deeply personal Zaunite display of affection - which would have a whole new adorable expression appearing on Viktor's face and would send Reader IMMEDIATELY into going back to attack Jayce instead of smothering to poor, overwhelmed man.
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In a similar vein of thinking, it would definitely be manadatory for Reader to give into it, just once.
Maybe Jayce is conveniently out of the room, and maybe Viktor is just RIGHT THERE, PLAINLY in sight. And maybe, just this once they SIMPLY CANNOT contain themselves. Viktor is right there and they're not getting any work done because they can't tear their eyes off him.
So they give in, and pepper Viktor's adorable pout with kisses. And the man is just BAFFLED! It takes him a moment to understand what is happening, and then he's letting out flustered strings of words in both his mother's tongue and Piltovern Common, and he's shoving them away by their cheeks.
Reader of course isn't deterred, and just ends up grabbing the hand to kiss his knuckles. Viktor glares down at them with a look of resignation and burning red ears.
Jayce comes in like: what did I miss.
Reader: Turns out he doesn't bite.
Viktor: Not yet. Don't tempt me.
Jayce is rewarded with a forehead touch for simply existing that time round - the significance is not lost on him and he feels touched.
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Viktor's that choatic boyfriend that hears you complaining about a colleague one too many times, and then proceeds to inconvenience them in the most subtle and irritating way known to man, all whilst giving you a shit-eating little smirk as he sits back and watches the world burn.
"That fucker giving you trouble Darling? No worries, I stole all of his left socks and buried them in the staff room plant pot after hours."
"They said what about Jayce?" A beat of silence.
"Viktor?! Where are you going with that washing up liquid."
"Nowhere." Very obviously makes his way to the kitchen.
Said co-worker that was talking shit then begins complaining that every cup of coffee they make tastes like soap!
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Someone talks shit about their partners:
Jayce 'can we talk about this' Talis: "here is a thirty page essay as to why you're wrong, and I have a PowerPoint slide prepared with additional evidence if you will please take a seat and allow me to reeducate you."
Viktor who will resort to psychological warfare to get his point across correcting them, whilst also blatantly gaslighting them into believing that Jayce and Reader can do no wrong, and they were in fact crazy for insinuating such cruel things about either of them to begin with.
Reader who stabs first with their artist-grade scalpel, and asks questions when they're incapacitated and bleeding out on their floor: "Say that again, to my face this time. Go on, I dare you."
(There is a reason why Jayce and Viktor ((the pacifists)) do not teach Reader how to use any of the hextech devices. They will commit murder and refuse to regret it whilst Jayce sweats bullets and Viktor stares on, mouth aghast by the sheer brutality of said murder).
"He deserved it," Reader will explain simply.
And Viktor will go, "perhaps, BUT YOU COULD HAVE LEFT HIS HEAD ATTACHED!"
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Jayce who's trauma raises its head when his partners are cold. Blankets. Warm drinks. Heating on full blast. That snow storm did a number on him and he HATES the winter because of it.
Are you shivering? Is Viktor? No stress, he shall simply have to BECOME the blanket to keep you both alive and well. It is as sweet as it is heartbreaking.
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Viktor who's upbringing in Zaun sometimes makes him precious with food. Not because he was starving, but because sometimes he couldn't have as much food as he wanted, simply because money was tight growing up.
Maybe he has a sweet treat, and ends up breaking it into threes to share with you and Jayce.
Maybe there's only one tea bag left, so he settles for water, despite having REALLY wanted that cup of warm tea.
Maybe he's waiting for seconds for dinner, but there's only enough left for two more portions, so he says he's not hungry anymore.
Viktor who will sometimes feel the gnaw of hunger but make a hot drink to soothe his stomach instead of actually eating something, because its only so far into the day, and if he doesn't eat now, then he won't be as hungry later-
Safe to say, his partners notice. And Jayce keeps the kitchenette well stocked with drinks and snacks alike, whilst Reader will stop by a bakery or cafe in the morning to bring him a proper breakfast, as well as breakfast for themselves and Jayce so he doesn't feel like he HAS to share.
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artbyblastweave · 1 day ago
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I find the juxtaposition between the Snyder Superman costume and the Gunn Superman costume fascinating because of how they're approaching the same problem in extremely different ways- the problem of how you adapt the quintessential golden-age minimalist optimized-for-rapid-low-fidelity-illustration tights into a higher-fidelity medium where an actual human has to believably move and fight in it. Snyder leans into the skintight element of the original design in a way that emphasizes how deeply weird and alien that would look if translated literally. A uniform that can believably suffer the punishment it does despite how sleek it is because it's so obviously alien in its design and origin, borderline gigeresque, which, as @shokuto pointed out, aligns with Snyder's take on the character as this singular, larger-than-life, fundamentally alien intrusion into the mundane status quo. Gunn's version goes the opposite direction. The trunks came back, yes, but the uniform is much closer in its material, padding and greebling to Kirbyesque coveralls- this is a costume that had to be engineered to take the same kinds of hits that it's owner could take if he were buck naked. The trunks are back, and that's an informed messaging decision to look more disarming. The first promo shot we get was of superman pulling on his boots to go put out the latest fire. This is a work uniform, and that aligns with Gunn's established take on the DCU as a universe where enough of the novelty has worn off that "Superhero" has become a kind of job or social role rather than a messianic paradigm shift- a job you can do with wildly varying levels of competence and personal integrity.
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sailorrhansol · 2 days ago
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Santa Baby | JWW (m)
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Pairing: Wonwoo x reader
Summary: Your boyfriend is stuck working on Christmas Eve in hell on earth. You decide to pay him a little visit to cheer him up - and give yourself a good laugh. 
Word Count: 1,400
Genre: Established Relationship 
Type:  Fluff, Humor
Rating: 18+ Minors are strictly prohibited from engaging in and reading this content. It contains explicit content and any minors discovered reading or engaging with this work will be blocked immediately.
Warnings: Cranky reader, children slander because the author (me) is a childless wench, some light suggestive talk at the end, explicit language, a single chaste kiss. 
A/N: Merry Crimbus Malison Jederson. You wanted mall Santa and by god, I fucking wrote mall santa lmfaooooo please enjoy this borderline self-insert of what it’s like to experience the mall right before Christmas in that weird holiday-liminal space. 
A/N 2: For @kkaetnipjeon's Haliday request
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Disclaimer: Disclaimer: All members of Seventeen are faces and name claims for stories. Any scenarios or representations of the people and places mentioned in works are not representative of real-life scenarios. Moreover, none of my works accurately reflect, represent or take a stance on the nuances of Korean culture, cities, people etc. Seventeen members are not Seventeen culturally, intellectually, physically, or representationally in my stories, and should be considered name and face stand-ins for made up characters.
Main Masterlist ❀ Tag List Request Form ❀ Ask ❀ Haliday’s Request Event
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Christmas Eve at the mall should be illegal. It’s most certainly a hazard to your health as yet another family bumps into you with their handful of demons - children - nearly knocking you into the swing sign at Victoria Secret telling you to buy something so someone could unwrap you. 
You would love for someone to be unwrapping you right now in the warmth of your home in the sheets that smell like laundry detergent and spicy cologne. The man who would do the unwrapping, however, is currently only available to the population of the world’s most hellish mall. 
Which is why you’re in said hellish mall in the first place. 
Christmas music blares over the speakers of the mall. The smell of grease and the distinct scent of cheese drifts from the food court. Your stomach rumbles, not for the burnt taste of Sbarro pizza but at the thought of going home and finally digging into a proper meal. 
That will have to wait, though. 
Smack in the center of the mall is a towering platform decorated like a winter wonderland. Occasionally, a snowblower from somewhere on the second floor shoots out foam, turning it into the North Pole proper. It earns a combination of screaming in delight and terror from the mostly-kid population waiting in line to walk up the metal catwalk to the top of the winter wonderland where Santa is waiting for them. 
Sighing, you get in line, by-stepping a little girl covered in sticky candy cane residue as she runs from her mother, tears streaming down her face while screaming she doesn’t want a picture with tanta. Well, you’re not sure who tanta is but you can’t blame her, looking at your watch to see it’s nearly eight o'clock at night. 
The line moves sluggishly slow. You shift back and forth on your feet, scrolling mindlessly through social media. The mother in front of you accidentally knocks your phone with her purse as she shifts one of her screaming children from one arm to the next.
“I’m so sorry,” she apologizes, bouncing the baby in an attempt to soothe him. You wince. You get it - she doesn’t have it easy. “And sorry for his screaming.”
“That’s okay, I think it’s a requirement for kids to scream during the holidays. It’s like an instinct.” 
She laughs. “Is this one yours?” 
You look to where she’s pointing. There’s a child standing next to you with snot running down his nose and a grinch t-shirt on with several questionable stains. He looks up at you with big brown eyes, blinking and asking, “Dada?” 
“No, definitely not.” You point to the father swiftly coming over to scoop the child, an apologetic look on his face. “That’s dada, buddy.” 
“Dada,” the kid agrees, turning to reach his arms up as he’s scooped up and taken away from the line. 
“Oh.” The woman in front of you frowns. “No kids? Just here to see Santa yourself?” 
“Yes. I want to ask him to destroy all the Cybertrucks.” 
“Oh.” End of conversation. 
One less friend and an infinite amount of line to go, you flip through your work emails, cringing to see how many people think it’s appropriate to send you emails on Christmas Eve. Don’t they know you have a line to stand in for forty five minutes? 
You think about asking Santa to send all your coworkers away like Kevin on Home Alone, but realize you’d still be expected to take on all their work. Maybe you should ask for the destruction of capitalism. That seems like a world-wide benefit. 
Finally, the line moves forward significantly. The metal catwalk twangs underneath your boots. You lean on the greasy rail, listening to the musical styling of Mariah Carey as she earns yet another number on her paycheck as foam snow blows overhead. 
In a weird way, it’s not terrible. You look around, drinking in the miserable families just trying to take a last second holiday photo, late shoppers scrambling to get the last of their presents before tomorrow morning, the kitschy decorations making up the mountain with Sana’s chair somewhere at the top. 
You grin, feeling a sense of nostalgia as the line moves forward again. It might be an annoying way to spend your evening, but there’s no denying there’s a bit of magic in the air, even for capitalism Christmas. And Sbarro pizza. 
Finally, you near the top landing. There are elf workers helping take photos and managing the line while Santa sits on a gold chair with velvet cushions. His robes are equally as red, nearly blending in with the seat save for the white beard and hair and the slightly askew glasses as the little kid in his lap knocks him in the head. 
Coughing to disguise your laughter, you watch as Santa delicately removes the child from his lap and gives a hoarse ho ho ho before sighing and readjusting to accept the next family. He doesn’t see you in line, entirely focused on lifting up the little tyke in front of him into his lap to ask what he wants for Christmas.
The teenage elf working the line looks you up and down, raising her brow as she chews her gum. “How many?” 
“Just me.”
“Oh. Ummm. Alright I guess. You get five minutes with Santa. Please don’t go over time. Your photos will be available at the kiosk downstairs. Take this ticket and they’ll print them.” 
You take the piece of paper from her. “How much are photos?” 
“Fifty bucks.”
“Jesus Christ, do I get to kiss him on the mouth too? Why is it so expensive?” 
She stares at you before turning over her shoulder to see the family leaving. “I don’t make the prices. Your turn - and don’t kiss Santa on the mouth.”
Shoving the ticket in your pocket, you mutter under your breath that you can actually kiss this specific Santa all you want. The Santa in question turns to greet you, halfway through his greeting when he sputters,” Ho-ho- holy shit what are you doing here?” 
“Wow, what terrible language, Santa Baby.” You grin, plopping yourself on his lap. Wonwoo nearly drops you as you do, but he recovers quickly, wrapping his arms around your waist and squeezing you tight. “You smell like cheese.” 
“It’s the food court,” he mutters. “It won’t leave me, I swear.” 
“Gross.” You adjust his glasses, heart fluttering. “You look cute.” 
He does, in a weird way. Not because the giant suit and the beard and the hair are flattering, but because you know it’s Wonwoo underneath it all. Wonwoo who somehow got roped into covering for Mingyu as a mall Santa for the evening, Wonwoo who is a little bit overwhelmed by kids but eager to make them laugh anyway, Wonwoo whose grip tightens on you a little, eyes sparkling at your arrival. 
“Do I?” 
“No, but I like you anyway.” 
“Alright, pose with Santa,” the photographer says. 
Both of you ignore him as Wonwoo laughs. “So,” he hums. “Have you been naughty or nice?” 
“Well, I drove an hour in traffic to come to this shitty mall and then fight for parking for another forty-five, got run into by a bunch of families, stood in line and got called dada or mama like four times, all to come see my boyfriend and make his night a little better.”
“Got it. Nice list.” 
You brush stray white hair from his beard. “Definitely nice list.” 
“Thanks for coming to see me.” He hugs you a little closer, softening. “It’s really sweet of you. I’m off in an hour.”
“Good. I’m hungry and I want to watch The Muppets Christmas Carol with my own personal Santa Baby.” 
“Is that what’s on your Christmas list?” 
“Yes. And for all the Cybertrucks to be destroyed.”
His laugh is jovial. You think Wonwoo’s laugh outranks Santa any day, full-bellied and cute. You feel your affection swell, leaning forward to press a quick kiss to his lips despite the teenage elf telling you not too. Too bad she doesn’t decide if you get to kiss your boyfriend or not. 
“Hey!” She yells behind you. “I told you not to kiss Santa!”
“I’ve gotta go,” you laugh. “I think I just made the naughty list.” 
“I’ll see you at home?”
“Mhmm.” You think of the Victoria Secret sale sign. “Come unwrap me.” 
-
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stellarsecrets86 · 7 hours ago
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Groom(5129) In the Houses of the Groom Persona Chart
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[The house placement of the Groom asteroid in the groom pc will show where in life, as a husband, his focus as a husband will be most evident, and where within the marriage his role as a husband will be most impactful. Its aspects show how this energy interfaces with other parts of his persona chart to influence his approach to love, partnership, and shared goals.]
[PS: For entertainment purposes only. Have fun.💚]
💐💐💐💐💐💐-------------💐💐💐💐💐💐
1st House
Groom in the 1st house is indicative of the groom who assumes the character of a husband with the utmost pride and confidence, his identity being closely hooked to the role of the husband in the marriage; he sees himself as both a leader and protector in the relationship. He is likely to be very initiative-taking and make sure his partner feels valued and taken care of. However, his strong focus on a role might at times make him overly concerned with appearances or what people expect. An ideal partner for him likes his sense of responsibility yet encourages him to be a little vulnerable. This placement favors a groom who seeks shared growth and harmony in marriage.
2nd House
Groom in the 2nd house brings forth a groom desirous of stability, security, and material comfort in marriage. He is likely to be a dependable provider, working hard to build a solid foundation for his family. His approach to marriage is practical and grounded, emphasizing mutual respect and shared goals. However, he might sometimes equate love with material provision, overlooking emotional intimacy. His partner should remind him that emotional connection is just as vital. This placement suggests a marriage based on trust, mutual effort, and shared financial goals.
3rd House
Groom in the 3rd house shows a groom who wants to communicate, intellectually connect with, and share ideas in a marriage. He is sure to be articulate and a thoughtful partner, engaging his spouse in meaningful conversations and encouraging open dialogue. His ideal relationship thrives on mutual learning and intellectual growth. He might, at times, however, be given to overthinking his emotions or avoiding deep feelings and going into intellectual discussions. His partner needs to encourage him to strike a balance between logic and the expression of emotions. This placement promises a marriage based on mutual understanding and clarity in communication.
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4th House
He is very attached to family and home when it is placed in the 4th house. He looks upon marriage as the starting point to establish a loving, secure home, primarily with the aim of maintaining a harmonious atmosphere and peaceful domestic life. He can be very caring and overprotective, wanting to let his partner stay in shelter for comfort. Yet at times, this may make him overly concerned with home life and wary of alterations. The partner needs to support his need for stability and build up flexibility. This placement suggests a groom who gets fulfillment from the emotional and familial aspects of marriage.
5th House
Groom in the 5th house points to a groom who would marry with passion, creativity, and a great belief in romance. He thrives on shared joy and seeks a partner who can bring excitement and spontaneity into the relationship. His marriage is likely to be filled with laughter, adventures, and romantic gestures. However, his need for constant excitement might at times override deeper emotional needs. His partner should try to get him to balance up the fun with deeper connection. This placement does indicate a groom who considers marriage a celebration of love and shared experiences.
6th House
In the 6th house indicates that this is a hardworking and dedicated groom who will try with all his might to be of practical service to his spouse. He values teamwork and tries to maintain a balance and order in marriage. His ideal relationship should be based on mutual support and sharing responsibilities. His perfectionism, however, may sometimes overwork or make him sacrifice too much of himself. His partner would need to remind him that he needs to take better care of his emotional needs and himself. This placement would show a groom who finds satisfaction in serving and supporting loved ones.
7th House
This placement can suggest that the groom views marriage as a partnership of equals. Groom in the 7th house is all about harmony, balance, and mutual respect in the relationship. He is looking for someone to complement him and one who believes in open communication and joint decision-making. He is very much a committed partner but at times might tend to avoid confrontations because he focuses too much on balance. His wife needs to be encouraging of frank discussions and emotional openness. This placement can indicate a groom who is at ease in relationships based on mutual trust and respect.
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8th House
In the 8th house is indicative of a groom who desires deep emotional and physical intimacy within marriage. He is drawn to transformative experiences and seeks a partner who matches his intensity and depth. He needs trust, vulnerability, and emotional connection. Marriage for him is often a path to mutual growth and healing. His passion is the strength here, though it can turn possessive or emotionally turbulent at times. His partner needs to foster balance and frank communication. This placement indicates that the groom finds deep meaning in an emotional and spiritual connecting with his partner.
9th House
Groom in the 9th House: Being with an explorer, studying and growing with a life companion, and seeking or taking a spiritually growing road within marriage-these will provide the base for partnership to this kind of individual. He foresees love filled with travel and studying or with the discussion of world outlooks together. His union would involve exchanging culture or undertaking some spiritual voyage. At the same time, one should realize that too much idealism fosters restlessness and perhaps unreal views about marriage. The partner should keep him grounded, yet support his desire to learn and grow. This is the placement of a groom who enjoys shared adventure and mental stimulation.
10th House
Groom in the 10th house indicates that for the groom, marriage is a partnership in supporting his public image and life ambitions. He is ambitious and looks for a spouse that can support his vision and ambition. His approach to marriage is very practical and goal-oriented, always focusing on shared achievements. The same strength of his-namely, the focusing on external accomplishments-could at times shadow the emotional intimacy. The partner will help him strike a balance between his ambition and personal connection. This placement suggests a groom who looks at marriage as coming together of two people in building a legacy.
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11th House
Groom in the 11th house indicates a groom who desires shared ideals, social connection, and community involvement with his marriage partner. He is drawn to partnerships that can facilitate change or contribute something to a higher purpose. His ideal spouse shares his vision for making a difference and supports his dreams. While his idealism is laudable, it may at times lead him to sacrifice personal needs for the greater good. His partner needs to encourage him to strike a balance between social aspirations and private connection. This placement promises a marriage based on shared values and mutual inspiration.
12th House
In the 12th house brings out the sensitivity of a groom emotionally and his spiritual approach to marriage. He searches for a partner who will understand his introspective nature and help him sail through his inner world. This could play a very significant role in his marriage, as deep-seated trust, forgiveness, and emotional healing could make a great impact on the self-realization of individuals. Very empathetic and sensitive, he may struggle to let his emotions be seen out in the open. His partner should create an environment of safety where vulnerability can be experienced and self-awareness nurtured. He sees this marriage as a spiritual journey-one filled with growth lessons and change.
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mymoshangthoughts · 2 days ago
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oki look im back on my "binghe and airplane are similar and i love it" bullshit
except this time i want these two whiny cut-throat bastards to run a cafe together
like binghe is the chef, obviously, and airplane handles the business side of things, and between the two of them, they absolutely make the cafe succeed through underhanded means
like
could they succeed as a business with just binghe's talents as a cook and qinghua handling the bills while the both of them charmed their way through customer service with their fake ass smiles? abso-fucking-lutely. but would they? oh no
qinghua is like releasing rats into the neighboring cafes and salting their sugar in espionage to make sure that everyone knows that the surrounding coffee is shit and the only place for Good Coffee is their cafe. he's making multiple alts online to just destroy their competition through online reviews and switching out the labels on dairy milk with non-dairy milk so that all the lactose intolerant customers are throwing fits on the regular because look, qinghua knows that a small lil cafe cant stand up to the big chain restaraunts, but he CAN destroy the reputation of all the closest chains to him like an absolute bastard
and oki, maybe binghe doesnt NEED to mansplain, manipulate, and manslaughter his way through everything, but gosh darnit, it's second nature to him. he is absolutely gonna hunt down any threats to their establishment and break their arms. and literally everyone who looks down on his establishment or leaves a bad review or otherwise gets in the path of his vengeance trail? loooookk, he cant be blamed for the way he smiled to their face while stabbing them in the back. they had it coming! they insulted his mothers lemon square recipe and thats an arm breaking offense oki
between the pair of them, they have the entire area quaking in confused fear. cuz okay, something i wanna talk about, the pair of them are two-faced and terrifying but like... 99% of people dont know that lmfao
(off topic but a personal pet peeve of mine is when fanfiction has characters immediately notice that binghe or qinghua are lying liars who lie. like "he smiled but it didnt meet his eyes etc" and im just guys. it's VERY established that the pair of them are VERY GOOD lying liars who lie. binghe's main character trait is that he can lie so convincingly that even shen yuan isn't always sure when he's sincere or not. and qinghua was literally a double agent for HOW LONG without getting caught? dude HAS to have a convincing fake smile. so all im saying is that people wouldnt immediately be able to see through that)
so like, yeah, all the bad luck and shit started happening when these two chuckle-fucks opened up a cafe in the area so like, logically it has to be SOMETHING to do with them but binghe and qinghua are literally the two most harmless and charming lil dudes ever? qinghua looks like a harmless pathetic hamster and binghe will thank you tearfully if you like his lemon squares and these two are literally the most wholesome and sweet business owners in the area so clearly they're not behind it
like i just need people to losing their minds a little bit because bingplane have gaslighted them all into submission like the evil cut-throat two-faced fuckers they are.
i honestly cant decide whats better tho. the pair of them having a drink after work together where the vibes are "lmfao we're so evil lets bask in our victory" glow OR the two of them actually only have a faint idea that the other is ALSO an asshole x'D
oki i think i lean toward the latter bc i think thats funnier.
like binghe doesnt pay much attention to airplane bc, as stated, airplane is a pathetic lil whining worm and he legitimately could not care if the twerp lived or died so long as the taxes are filed on time. but tbh, even then, he's competent enough that he doesnt /need/ qinghua around. it's just kinda convenient to keep him around. so mainly he's just apathetic and ambivalent to qinghua, but like, he does sorta notice because they spend so much time together that theres a distinctly... ratty quality to the dude. like, qinghua disappears for an hour and no less than five minutes after his return theres a roach infestation found in their closest competition? sus as fuck. and theres a little bit of a game recognizing game type of energy, but bc binghe could not be paid to care about qinghua's existence, he doesnt really look into it
similarly, qinghua is like 80% sure that pathetic crybaby of a chef is just that, but also, look, he's not dumb and the last three customers who insulted his lemon squares came back to the cafe in casts and binghe is a little too quick to turn off the customer service charm sometimes. and qinghua has basically decided "i actually really dont wanna know". ignorance is bliss, whatever level of psycho his coworker is, he honestly does not care so long as the crazy fuck continues to bake like a god. he absolutely 100% does not get paid enough to know whether his coworker is a serial killer and he also has the self preservation to understand that the less he knows, the better
so they both kinda have vague hints that the other is a two-faced motherfucker, but it's something that they figured out over time. there was no immediate meeting and "oh i know what you are" it was like "oki we've been working together for a year and yeah, im starting to think this guy isnt what he seems". slowburn them into realizing that they have similar personalities, if you will
now as tempting as it is to taking this au in a bingplane direction bc im ngl, i am multishipping trash, i am much more interested in slowburning this as a friendship. or like, grudging companionship LOL because also that gives the opportunity for:
"i just had to ask the worst person i know for love advice" shenanigans
followed by "the worst person i know gives good love advice, fuck" shenanigans
maybe they're having a drink and it's friendly and binghe kinda jsut wants to go home because again, he does not give a fuck about the fact that qinghua is alive, and qinghua also sorta wants to go home but they've both sorta committed to the "we're friendly coworkers" bit so here they are at a bar and trying to map out the Soonest Possible Good Time To Leave when binghe unthinkingly asks
"how do you get someones attention?" because he kinda ran out of pointless weather-related topics and it was on his mind and he really didnt expect qinghua to give him a half decent answer but then qinghua DOES and also knows who binghe's crush is and also is tactfully NOT saying that he knows who binghe's crush is with the casual "look, as an example, that specific person might like~" type of thing
havent decided on a binghe ship tbh lol. like bingyuan is obvious but also would be fun to do some bingliu or bingmo instead lmao maybe bingning? look im a happy multishipper and binghe is shippable with Many Characters. tho for the purposes of this freeform au thoughtless drabbling, the binghe ship doesnt actually matter so i'll keep it vague lol
the point is that qinghua gives really good fucking advice and binghe is just Not Ready for that because he's absolutely seen what a Nightmare scene it is when qinghua tries to flirt
which is somehow how the two segue into a relationship where they talk about flirting and love interests and that sort of shit in the most "we are two stereotypical gossiping middle school girls on the planet who are giggling and playing truth or dare about our crushes" type of way lmfao
because yeah, they're both cut-throat two-faced assholes, but they're also both utterly Weak in love
might be fun if they cycle through a few different failed crushes, but still kinda have fun at each others houses in like pillow forts with martinis that binghe made and gushing about "omg he was like so cute, did you see the way that he brushed me off? ahh imma die, so hot" because also they realize that they both share a Type. they are both absolutely into the Cold Beauty type, altho luckily they haven't crushed on the same person at the same time Yet, but like, it's only a matter of time okay and they know it and they are fully planning to Destroy the other when the time comes bc it's not bros before hoes for them, ohno, it's "to get that hoe, i will bury my bro in concrete" between them and they both lowkey know it LMFAO
and look, mobei jun did not ask to be the culmination of that particular building battle between them. he just came for coffee okay. what the fuck is happening. why is this is life now.
because okay when the pair of them were crushing on individuals who popped into the cafe or people they met outside, there wasnt any sense of urgency to it because they'd just shoot their shot and usually it wouldnt work out, well, it worked out for binghe whenever he went after chicks but he quickly figured out that he was like Cursed with "women simp after me" virus and while it can be flattering to have a simp, it really isnt fun to DATE a simp, ya know? so those relationships usually ended badly. qinghua just has no game with men or women lol
but see, when they realize that they're BOTH after the same guy, then theres the realization that if they fail, theres actually the chance the other one will Succeed and that would be Bad because then they'd have to see the object of their affections dating a coworker and NOPE NO CANT DO IT, WOULD MURDER HIM, I NEED TO GET THAT MAN JUST TO SPARE MY COWORKER FROM BEING MURDERED. THIS IS REALLY ALTRUISTIC OF ME ACTUALLY
so now they're just A LOT more persistent than they've ever been before lmfao they are pulling all the stops, they are using every weakness, they are ready to fucking WRECK the competition
maybe i should aim for a bingyuanmoshang ot4 endgame lmfao. mobei jun and shen yuan are just a happily married poly couple and shen yuan is having the time of his life laughing his ass off every time his husband comes home from the coffee shop like "i dont know whats going on but im scared and weirdly horny" and when bingplane realize that the solution is that mobei jun has two hands (and a very attractive husband), things calm down lmfao
or alternate route for this path, instead of them both thirsting after mobei jun, shang qinghua just has the most pathetic crush in the world, so luo binghe decides to have mercy on his coworker and be a wingman. only he Very Accidentally catches mobei jun's attention instead and now airplane is actually kinda lowkey ready to kill him bc he thinks that binghe snaked him but for once binghe is innocent! he didnt mean to do it! and it's moshang endgame when mobei jun gets over his crush on binghe and notices the angry hamster desperate for his attention
OR OR OR WAIT I THINK I THOUGHT OF THE VERSION I LIKE BEST
oki instead of bingplane actively seeking out love at every corner, what if they're just not. like they do bond over crushes and stuff but actually they're kinda too busy with the cafe and life and hobbies to really think about romance more than a "omg he was so cute~" kind of way. so neither of them notice when they have customers who are just Actively trying to ask them out
like mobei jun has been desperately trying to flirt with the oblivious barista for MONTHS now and he's actually dying because qinghua will just say shit like "wow you're literally the most handsome guy ive ever seen" but then brush him off when mobei jun tries to ask him out bc qinghua just assumes he isnt serious and he's busy with the expresso machine and he has no idea that this man is just PINING behind him while he sighs pathetically to binghe later abt "man it's fun having crushes but dont you just wish someone could like you instead?" and binghe just like "look im actually desirable, cannot relate"
thinking bingliu route for this version bc i feel like liu qingge is just a lot more fitting for Uselessly Pining After The Barista than shen yuan is lol. also his attempts at flirting are basically just picking fights with binghe and he always loses and binghe has absolutely no idea how far gone qingge is for him LMFAO
also now that i think about it, mobei jun should be kinda bad at flirting as well LOL so shang qinghua is like 90% sure that mobei jun sorta wants to kill him
bingplane having their weekly gossip sesh in a pillowfort like "man oki idk why they keep coming to the cafe if they hate us so much... but also man they make for good eye candy, if they werent such assholes, i could see having a crush" and then maybe a terrible game of truth or dare results in both of them daring each other to flirt with the Mean Eyecandy Man and now moliu are about to get Wrecked LMFAO
look basically i think that this sort of au could go in multiple very delicious directions but at the base, i just want evil comrades bingplane running a cafe together with all of the gap moe in the world LMFAO
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lovely080222 · 12 hours ago
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Arcane Season 2
Lately, I've seen a lot of content creators and people online reacting and talking about Arcane season 2 in a negative way, to the point where they say that the season was trash. And honestly it makes me mad. If the ending of the story, or the story itself wasn't your cup of tea, is okay. Media enjoyment and appreciation is subjective, however, we can all be objective when it comes to the actual content of said media...and that is what has me so disappointed on their takes, because their reviews (that I came across with) are flat out lacked on media literacy and did not entirely understand the source material they were reviewing.
Let's start with the character arcs...in my honest opinion. THEY WERE GOOD. ALL OF THEM. I feel like a lot of people are exaggerating when it came to the arcs (especially Vi, Jinx and Caitlyn's) saying that they were not developed enough like in the first season, but I disagree. Most of their arcs for season 2 were HEAVLY hinted and foreshadowed in season 1, mostly Jinx's and Cait's.
One of the arc that gets more hate is Vi's, and is because of the s3x scene of season 2 episode 8 and the finale of season 2 episode 9, and overall season 1. As well as her forgiveness towards Caitlyn and how she acted selfishly in that episode. However, they don't take into account 2 things: 1. Vi is heartbroken (for what it feels the 30th time in both seasons) because Jinx/Powder tears and rejects Vi's help and unconditional love (Vi's fatal flaw is not knowing when to drop the towel, and establishing boundaries for herself, believe me, I learned that THE HARD WAY ) .
2. Vi and Caitlyn might not have enough time to talk about their feelings as deeply as they would've liked (a literal WAR is coming) so, they did it in the most raw and truthful form of love language, touch and eyes. No words, they weren't needed either.
Don't blame her for doing what it felt right in the moment, also let's be real here. Jinx gave her consent, and decided to leave Vi (Vi doesn't know the context, we do), for her sibling's benefit and love for her, because it hurts to Jinx that Vi is not taking care of herself and not pursuing what she truly wants, which is Caitlyn.
Was it in the worst moment of Jinx deteriorating mind? Yes. Was it out of place?...Maybe. But, was it necessary for the plot? OBVIOUSLY.
The s3x scene holds and magnifies the arcs of the couple and their vulnerability (Vi taking the leap and show her feelings, and Caitlyn responding and being truthful of hers). There are videos that explain the importance and the weight that holds in the arcs of Caitlyn and Violet, way in depth and detailed. They all point out the symbols and meanings of their gestures, which are wonderful. And ties together their bond and their strengths. As a younger sibling, strangely enough, I connect with Vi more than Jinx. That is because of the parental and family expectations that they have on me. I had to take a role of being the caretaker since "I'm more mentally stable". So I understand why Vi is the way she is.
Therefore, I understand and relate to Vi wanting to be selfish for once, without feeling guilty about it later. Not having regrets.
I recently rewatched both seasons and I have to say, it all played out perfectly, including the finale. And it payed off to all the build up in season 1, because of the foreshadows and plot devices used in both seasons to tell the story. The plot points and story arcs were very good, especially since they all connected to the main theme, which is forgiveness. Where do you draw the line in where there is nothing left to forgive or how far are you willing to do so. The plots truly showcased what is Arcane (narratively and character) and how does storytelling (mostly subtext, non-verbal and visual ) actually work. The way the writers handled it was MAGNIFICENT and TRAGIC. Which serves right for the story they conveyed in the series.
I think, one of the reasons that this season was received poorly (compared to season 1) is due to the already constructed ending and story lines that we might have thought of. Which might have more things or less than the main series but it was something to cling on before the premiere of the last season. And because of it, they judge it extremely and harshly without actually taking into account what the story was actually about. Would it have benefited of more episodes? No. Would it have benefited of more runtime? in some things, yes but at the same time, i don't mind it and I believe that it is good. Would it have been better if there was another season to wrap up the story? Definitely not. That is due to the story being pretty much a solid story with a few strong undertones that have unfolded before its finale. I LOVE Arcane, and I would watch it again and again (both seasons). I think, it is one of the biggest series of all time and also the most compelling one in modern media). This final season brought me to tears and this hollow feeling in my chest yet satisfied by the way it ended the main journey of Runeterra, and opened to many more.
Also controversial opinion, but I like season 2 a lot more than season 1. And that is because, I love the development of it (the show of progression and how it embraces the themes showed on the series)
BTW, THE MUSIC SLAPS. BEST OST HANDS DOWN MIC DROP!!!!!!
(P.S. As an english literature major, I might have more insight on this but don't be afraid to disagree/agree in the comments)
I want to know how y'all felt and if you want to ask me something or debate this, you're free to do so. I hope I can create a save space for all types of convos about this show.
love,
~lovely References:
https://youtu.be/dRvgb_CB9Ss?si=rQGmpPAYL5XrDR1u https://youtu.be/LZ6szm2fmB4?si=k7l-OuE018PpctjM https://youtu.be/0nhTS9-P7eQ?si=MkMntcyQZTHPzgYZ https://youtu.be/l0-We7fyCaQ?si=aP-fhcWxSspphBT-https://youtu.be/sIJEQjMqiNA?si=xF8rt77LKAG0Kpp6 https://youtu.be/NtDGwZxQyio?si=ZTKq1E2VetcXkyis https://youtu.be/30zVFfziBuk?si=AQpE6cntutdQvBfz https://youtu.be/9Lro6HmaWiA?si=PxPq4U8s138nlHw4. https://youtu.be/W3cNewkYB8o?si=LsyGnzC3iaMpr7K1 https://youtu.be/nD9cNowdBQg?si=jxqwX1tmuunnZpHi
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oblivious-aro · 2 days ago
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This was pretty much my exact same thought process a week before I made this post. I do get where you're coming from, but here's a question: when does the episode explicitly condemn Danny for cheating? Does TUE actually say “cheaters deserve to watch their family die”?
Furthermore, consider this line from the end of the episode:
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Remembering this line was my turning point. Clockwork is a very wise character (he was literally just established to be omniscient right before saying this), and he’s the one teaching Danny the lesson TUE wants him to learn. If the lesson is supposed to be ‘cheating is bad’, wouldn't that be completely undone by having Clockwork immediately turn around and, by his own admission, and in those exact words, “cheat”? It’s a very prominent line with a lot of attention called to it, too.
“Cheating is bad” is the kind of moral you’d expect this kind of kids cartoon to make, so I think a lot of us preemptively filled in that blank without truly listening to what the episode was actually saying. I get it, I watched my sister struggle through the public education system while getting practically no help or sympathy from it, and I'm sure a lot of viewers were in the same boat as her. Academic pressure can be a sensitive subject, especially if it looks like a character is being chastised for struggling, but that's not what’s happening here. We jumped the gun. The text doesn’t look down on Danny for wanting to cheat. He’s in a difficult position, and being forced further and further into a corner is a feature of the story, not a bug. Danny's situation feels unfair so that the audience understands why he wants to cheat:
"OK! I get it! You're brilliant, I'm stupid, and I'll never be able to get as high a score as you."
"Guys, come on. I'd love to have spent the last month studying, but I was fighting ghosts! Besides, if you two think this test is so meaningless, why do you even care if I cheat? Why shouldn't I open this up and study the answers, huh?"
TUE’s stance isn’t that “cheating is evil”, it’s “cheating isn’t worth the risk”. Despite what Danny’s been led to (erroneously) believe, he’ll have other chances and opportunities if he does badly on a test, even one this big. There are people in his corner looking out for him (Mr. Lancer gives him to come forward even when he knows Danny stole the answers, and literally offers him a make-up test. Clockwork messes with the timeline just to tell Danny that he’s a good kid who deserves more than one chance), but getting caught cheating really could screw up his future. You could still say that’s an anti-cheating message, but the writers do show more sympathy for Danny than people give them credit for.
I don't think the concepts are that abstract. Everything that happens in the present is presented directly, and the main idea you need to get out of the future stuff (bad stuff happened because Danny got caught cheating) is pretty simple and clear. Everyone I've heard talk about the episode seems to get the basic idea.
As for all these events caused by Clockwork… yeah that's 100% true. But given that Clockwork is all-knowing, the master of time, and clearly sympathetic to Danny, it can only be assumed he’s doing what he can to help Danny. Omniscient/psychic characters are kind of weird like that. They make the stories they’re in a bit messy, and you can't really judge their actions by typical standards (ie. Garnet from Steven Universe). Same with time travel, but I won't go into much into detail, because this post is long enough and discussing rules around time travel can get overly technical, but the gist of it is Clockwork is on Danny’s side, but he’s working under some very specific restraints, either from The Observants or from the natural laws of the timestream.
Danny isn’t being taught that cheating makes him bad, he’s being taught not to place such unhealthy (and unrealistic) importance on his academic performance. Sure, this lesson isn’t explicitly stated in exact words, much like the themes in Teacher of the Year, but I don’t think it’s fair to say that the writers were just trying to condemn Danny in either intent or execution.
And as was the original point of this post, the episode really speaks for itself:
"Maybe that's all anybody needs…a second chance."
"I guess the future isn't as set in stone as you think it is."
"And here we are with you, a fourteen-year-old child, risking everything to save the people you care about. You've given everyone else a second chance. Why not you?"
Me for years: I can't believe The Ultimate Enemy is telling kids they deserve something as horrible as watching your entire family die for cheating on a test!
the Ultimate Enemy:
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luciferanalyzestar · 22 hours ago
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Viv in general don’t understand “kill your darlings” (remove characters and plotlines that aren’t necessary to the story so it can flow better), she has habit of constantly adding new characters and plotlines, hazbin hotel itself expects you to care or give a damn about a large cast of characters in only eight episodes!
I yapped too much lmao.
I think once Viv gets attached to a character's design, she does not want to scrap the character. She is (was? I remember seeing that she does not draw that much anymore) a character designer at the end of the day.
The reason I like to talk about the character designs so much is because I like to create original characters. I was a Sonic artist who was posting their characters on DeviantArt back in the day. The act of creating original characters is a fun process.
After graduating high school, I created around 34 - 40 characters. I just made them for fun and they did not really have a story, a universe they live in, or personalities (more like bullet point traits).
Years later, I gave certain characters full written out personalities, backstories, and other lore stuff. If I could not think of a personality or role in the story for a character, I got rid of characters regardless of how attach I was when I created them. They no longer serve a purpose.
Now, I currently have 22 characters because I view characters as tools to move a story forward. I understand Hazbin having a decent number of characters because it is (more like was) about a hotel. Every episode in Hazbin introduces a new character or characters and more are on the way and minor characters we saw in season one will get more screen time. (Saint Peter the toilet brush who needs to stay at those golden gates and never show up again).
The time wasted on introduces new characters could have been saved for the hotel residents (Angel and Sir P) and learning more about them as people and their lives on Earth or give us a reason to care about the nameless sinners that feared of getting killed each year.
If I had to rewrite season one, none of the overlords (minus Al because he 'works' at the hotel) would have been included, maybe just small hints at their existence. Kept Adam and Lute in episode one to establish them as villains but the other Heaven characters would have been saved for season two. Lucifer would not appear either, maybe he leaves Charlie voicemails, but she never answers.
In Helluva, certain characters are just there or just for merch. The shit Andrealphus is pulling should have been Stella pulls all the strings to fucked over Stolas. She does not need a brother. There is not even a hint to Andy's existence, his ugly ass just appears out of cold air.
Then there is Vassago who should have been in season one as Stolas' only friend and someone he trusts. Stolas do not speak to each other in Mastermind (I do not think Stolas looks at his direction) nor does Vassago shown up in Sinmas. He would have been used to help Stolas get in contract with Via to make sure she was okay.
Viv creates characters but forgets to add the purpose to them.
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hyog-blog · 1 day ago
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Fangs of Fortune (ep. 5 + ep. 6) [rewatch]
Rewatching is hard :D I got so sucked into the show (again!) that I didn't even bother stopping to process it (again!).
But this scene/sequence/episode in particular is so precious - not only do we get to meet Li Lun again, but he establishes himself as ZYZ's rival and the enemy of their whole little team for the nearest future.
We also see him get hurt by Zhao Yuanzhou's words and, what's even more fascinating, we see ZYZ and Zhuo Yichen work together in such unison against him, effortlessly and quite naturally like they've done it their whole lives.
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Zhao Yuanzhou doesn't even think twice about protecting Zhuo Yichen, having already noticed Li Lun's presence at the end of ep.5 (and he may not have the Truth Eye, he may not be tuned into Li Lun with his heart like before, but he spots Zhuo Yichen's sword glow and he does realize it must be him before anyone else can, and that still speaks volumes about how much that man meant to him, at least, before).
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This episode has that extra layer of depth because Zhuo Yichen gets to dream for the first time in a long while, and what a dream it is! That whole Inception-esque sequence of going deeper into his psyche and his very soul using water as a portal (so cool!) until he reaches not even his own dreams, but a variation of Wen Xiao's memory (so meta!) where he witnesses her being killed by Zhu Yan and he can't save her (probably one of his biggest fears, to not be able to save the person he cherishes the most, again, just like it happened with his brother).
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But that last dream must have a deeper metaphorical meaning because when he realizes that Zhu Yan isn't the ultimate evil that he has to fight outside of himself, but merely a representation of his own helplessness and fear and that malicious energy that was his own and not something created by Zhu Yan, then he gets his moment of epiphany and, maybe, as I imagine it, that is also a major shift in his understanding of life and fate and what role Zhao Yuanzhou played in all of it, which later helps him forgive ZYZ when he finds out that it wasn't actually him personally who killed his brother and father, which makes all the difference.
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Like, it's such an important moment for him to be able to dream and to find himself again, and truly meet with his darkest fears inside of that dream, that I can only applaud the showrunners for putting this extra layer of depth into the development of Zhuo Yichen's character.
And, of course, there's the notion of Zhao Yuanzhou sacrificing himself just to help Zhuo YIchen see, to show him the truth, whatever it was, like he was already tuned in so much into Zhuo Yichen and what was happening to him that he could at least guess even without using the mind-link about what horrors would torment this young man in his dreams. And knowing very well that he's pretty much on top of the list of his possible nightmares.
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And making the other see is such an important theme in this show. Because some people just see the truth naturally (like Zhuo Yichen) while others stay blind while even having the Truth Eye (like Li Lun).
That it is Zhao Yuanzhou who lets Zhuo Yichen pierce his heart and uses his blood to wake up the sword and, subsequently, wake up ZYC and bring him back to life from the death-dream, already speaks volumes about the bond they are already sharing and what it would turn into later. Wen Xiao wouldn't have been able to bring Zhuo Yichen back from that dream, and no one else could. It's such a shared fate/destiny moment, especially knowing that it was Li Lun who created this whole situation to begin with and gave Zhuo Yichen his dreams back. So many layers, oh my god.
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notashadowbutawave · 3 hours ago
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I honestly think a lot of this is just in the text with Tommy's dialogue to Buck - about how he doesn't have community like Buck has at the 118, about how he wasn't always out but came out later, how working under Gerrard was oppressive, how he doesn't have a great relationship with his father, how he hasn't always been comfortable with himself. They actually are pretty directly calling attention to this in the majority of Tommy's scenes, I think! It's fascinating to see what they did with such limited screen time and dialogue. Lou Ferrigno Jr is turning in a really sensitive and nuanced performance with not a lot of material to work with, and based on how many times they raise these things, I do think that's kind of the MAIN thesis of his character. But what's really great about it is that he's not REDUCED to that - he seems to have a pretty rich lived experience, he's funny, he has hobbies and interests and obviously he's a badass firefighter helicopter pilot.
maybe I give the writers too much credit but I do think they find these nuggets of real human experience to wrap into the drama cycles and horror effects and over the top disasters and to me that's why the show works so well. like it has an honesty at its core and I think Tommy is a very very good example of that, and one that maybe rings truer for many of us than, say, Hen and Karen, whose stories are very much about them as mothers. (I think there's a different conversation that needs to be had about how 9-1-1 doesn't have a queer femme story that isn't made more palatable by making it about family domesticity, but this show is of course ALWAYS about family, especially found family and messy family and blended family, because it's Americana propaganda at its core)
but yeah - for those of us who maybe didn't explore our queerness meaningfully until we had already started establishing ourselves as adults, for those of us who don't have kids and don't know what the future looks like for us in that way, for those of us who grew up being called slurs simply because we were different before we even knew we were queer... yeah. That's a fucking amazing character to put in your primetime procedural soap. I love and need more Tommy Kinard in this show. And Lou is really knocking it out of the park. Just outstanding work by him. get him in a gay romcom NOW
You know, as clunky as Josh's Glee speech was, I really think the SPIRIT of it reveals just why Tommy is such a divisive character, and I honestly think it's because Tommy is AT LEAST an "elder millenial" and possibly late Gen X (cause fuck a timeline am I right?) and portrayed pretty accurately to that experience, and a lot of the people who are so rabidly against him are much younger. And they just cannot fathom the world that queer millennials, elder millenials, and Gen X grew up in and had to survive in. Like, the rules were different guys. So, so different.
So yeah, it makes perfect sense to me that Tommy resonated DEEPLY with a lot of older queer people and a lot of younger people just don't understand why he would.
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chanranghaeys · 9 hours ago
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🎥 chemistry read
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in which junhui’s casting director gets a little bit too jealous during a chemistry read
pairing: actor!junhui x afab!casting director!reader word count: 2.1k+ genre: hurt, comfort, nsfw rating: r-18. nsfw, mdni! tags: established relationship, JEALOUSY, fluffy ending, reader is mentioned to be smaller than jun, i claim no accuracy over the movie industry processes nsfw warnings: heavy makeout, petting, voyeurism (if you squint?) a/n: mainly inspired by lana condor and noah centineo’s chemistry read for “to all the boys i’ve loved before” and it still lives rent-free in my head because it made me feel so, so many things. also my first nsfw-rated fic oh my. took me a while to make sense of where the story was going but it seemed all roads led to this. credits to @strxwberry-skiess, @diamonddaze01, @haologram, and c for beta reading because this took a village to get out!! thank you bless your souls 🫶
. ݁₊ ⊹ . ݁˖ . ݁ masterlist . ݁₊ ⊹ . ݁˖ . ݁
✎﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏
“Do you believe in the red string of fate?”
“The what?”
“The red string of fate. Have you seriously not heard of it?”
Jun was pulling out all the stops for this one. He had cranked up his charm to the max level evident in the smiles and subtle glances towards her direction. He knew exactly what he was doing.
It was sickening.
You were sitting on the opposite end of the screen in another room. Yes, you chose to go into a separate room today.
“It’s to see the literal on-screen chemistry,” you said. “We can’t have the face-to-face chemistry not translating well on camera.”
Just as well. You’d had enough of them making heart eyes at each other right in front of you anyway.
Today’s schedule was packed with absolutely no time for breaks in between and no time to even sit for a proper meal which you knew you’d only get by the end of the day.
And no time to actually sit down with the actor you were working with—who you were also lucky enough to call your boyfriend.
If you too were an actor, you’d truly believe that Jun was the perfect fit for you. It was something about his carefree presence and easygoing demeanor that turned shy when praises were directed at him no matter how much he deserved it. It was something that made you want to keep rooting for him.
He saw precisely that in you: your unwavering dedication and quiet support, whether in giving him insider tips and tricks to get ahead or letting him run wild with his character at every casting call. It was something he had never seen so strongly in someone during his time as an actor.
“You remind me of my members,” he told you the very first time you had coffee together—as colleagues who were on the verge of becoming something. “They’re my brothers. And I mean that in the best way possible! Not that you’re my brother in the messing around and crazy kind of way,” he quickly added when you raised your eyebrows in question. “I mean in the ‘always being there to stand by your side no matter what’ kind of way.” He sips from his drink nervously. “Don’t ask me to explain please, because I will not stop rambling until I say something even more stupid than I already have.”
You laughed because he’d already rambled more than he usually did. As a casting director, it was your job to match actors to roles that suited them perfectly. But as people, you both could say you did a mighty good job in matching each other’s quirks and freaks.
Professional mode on during work, you two agreed. And you two did very well on that promise.
But bringing her in for the role made it infinitely difficult for you to keep up your end of this deal.
“She’s an old friend of mine! We worked together on one of my very first projects, the small ones I used to tell you about.” He said this when you asked about her. You knew all that already, of course—it was part of your job.
But when the two finally met again in person, you saw it. As a casting director, your professional instincts felt it. You saw it in the way they instantly gravitated to each other, the way their eyes both sparkled, the way their hands naturally connected even after all those years apart.
They were perfect for the role.
And in your head, a small voice continued the thought you didn’t want to touch.
They were perfect for each other.
It was the same voice nagging in your head throughout the duration of the chemistry read. You knew this scene by heart as if you were the one auditioning for the role. You’ve watched how many callbacks and chemistry reads of this scene. And you knew what came next.
After the back-and-forth dialogue was a moment of silence, followed by a lingering gaze, which was sealed with a kiss that escalated to a bed scene. It was a pivotal moment in the film so it had to be perfect.
You’d almost been desensitized to your boyfriend doing such scenes—professional mode on as always. But all that work crumbled the moment you saw their eyes lock onscreen. Slowly, slowly, their faces inched closer together to meet in a kiss.
Your eyes burned. Your fist clenched as you saw his hand fist in her hair. Your jaw tightened when you saw her lips land in the corner of his jaw. And just as he brought her head down on the couch, the director called “Cut!” and you stood up to walk out of the room, not without feeling a stray tear fall down your cheek.
Jun heard the slam of the door and jerked his head toward the sound. That was all it took for him to know what happened.
He wasn't the only one to notice. Jun found the director’s eyes meeting his with a knowing look. “Alright,” the director started. “Well, they don't call it a chemistry read for nothing!” Scattered laughs filled the small room. “Thank you to both of you, that was absolutely amazing.”
The producers took the actress aside for a few words with other managers and staff. Your presence was notably absent.
Before Jun could slip away, he felt a hand on his shoulder. “That was the best read so far,” the director said.
“I know,” and with his eyebrows raised he continued, “I heard the door.”
The director just gave him a lighthearted laugh. “I’m sure we all did. But you know she would agree.”
Jun knew. So while everyone was preoccupied, he glanced at his manager—who already knew what he’d do—and set off to find you. It wasn’t a hard task because he opened the nearest door to the stairwell and found you leaning against the wall.
You met his eyes when you heard the door open, following him and his slight smile until he ended up a short distance beside you with his shoulder against the wall. You were adamant about not wanting him to see you break. You’re a professional, right?
“You know it’s not real,” he starts.
You scoff. “How is it not real when it was right in front of me?”
“Stop that, green isn’t a good color on you.”
“What?” Jarred, you look down at your staple all-black ensemble. “But green’s my favorite color. You told me you liked me in green.”
“Not when it’s green with jealousy.”
It took you two seconds to register what he said. The corner of your mouth twitched involuntarily at the quip. “I am not jealous.”
Jun barely held in a laugh. “Yeah, sure you aren’t.”
“I’m not!”
“Jealous you’re not the one I was kissing?”
“No, I—”
“Jealous you’re not the one I’m holding?” He reaches out and loops his finger through one of your belt loops to pull you closer, closer, until you’re both joined at the hip. He shifts to effectively pin you against the wall with his height. You shiver against his touch when his fingertips graze the base of your neck.
“Now, you stop that,” you breathily let out.
“Stop what?” He asks oh so innocently.
“This.”
“No. Not until I prove to you how real this is.” He grabs ahold of your hand, and places it somewhere you did not expect it to go: right over his clothed crotch.
He was wearing loose slacks, a piece that could easily hide things that need to be hidden. But if there was one thing you did know about Jun is that he gets hard quick and easy and it takes him a while to calm down. With your hand on it, you could feel it was anything but hard.
“You know me. You tell me if that read did anything remotely close to what you do to me.”
You open your mouth to speak, but before you can let out a reply, his lips land on yours. His actions catch you off-guard and you instinctively clutch onto his arms and your last bits of sanity. Just as quick, he breaks away and grabs your hand again to return it to where it came from.
“Keep it here, love. I need you to have the proof in your hands.” He brushes a stray hair from your face, and you see your own desire in his eyes reflected back to you. He leans in, but stops short of your lips, leaving you to chase after his touch. The smirk that followed was telling of his thoughts. He was teasing you. God.
You had no more patience for his fun and games. You could feel the pent-up frustration building. Whether from anger or sexual arousal, the line has been blurred irrevocably. With your free hand, you latch onto his hair and pull him in aggressively into an open-mouthed kiss.
It was at this moment that you both decided to think “fuck it” to all modes of professionalism.
He takes advantage of your open mouth and wastes no time diving deeper. You find yourself reciprocating his kisses, pulling him in closer as if recreating the scene you watched him do but making sure it was imprinted with your mark on him.
“I love you.” You hear it whispered, feel it muttered against your lips. “I love you, and only you,” he continues in between kisses. “I love you.”
And there it is: the proof you could feel quite literally in your hand, at the crux between his legs. If you weren’t too in the heat of the moment, you could almost laugh. He decided to prove his loyalty to you by showing that he did not get a boner during the chemistry read. It was your lips and your hands, and yours only, that could do this to him. It was peak Junhui.
But now, you were only aroused beyond comprehension, apparent in the pit of your core and the slick pooling in your panties. You squeeze him through his slacks and he moans lewdly in your mouth, echoing in the empty stairwell bearing witness to this obscenity.
He starts kissing and licking down your neck as you feel his hands snake under your blouse and your bra to squeeze in return, earning a gasp from your swollen mouth. You fist the hand you had in his hair tighter, fully aware that you are indeed messing it up and you will very much get a word from his stylist about this.
Your ringtone effectively silenced all other sounds you both made before things could go any further. You both stopped to look at each other with expressions that were hard to decipher whether in alarm or in exhilaration.
“Hello?”
You hear your director on the other end. “So have you two kissed and made up yet? Not literally, I hope.”
From the corner of your eye, Jun chuckled. You cleared your throat, but your voice was still a pitch too high when you replied, “Yeah, we’re good.”
“Alright, now come on back here. We have dinner prepared for everyone, including the new girl. We still need to talk about her.”
“Got it, boss.”
“Now, okay? We’ve been stalling for you two.”
Ah, shit. “Okay. On the way.” You dropped the call and looked at Jun leaning back against the wall, whose hair he managed to salvage and whose clothes were almost presentable. You couldn’t say the same for your half-open jeans and messed-up lipstick.
Wordlessly, he pulls you in and helps tidy you up—fixing your hair as you put your clothes back together and wipe off the stray lipstick from your face.
“For the record,” he says as he tucks your hair behind your ear, “whatever chemistry you see on the screen is only because I have you in my head to draw inspiration from. There’s a reason why people close their eyes when they kiss. It’s you I see every time.”
You usually love it when Junhui rambles like this. You still do now, but you also recall his “green with jealousy” line and it fills you with embarrassment.
“It’s just…it looked so real. It felt so real. That was the best chemistry read out of all of them.”
“So I was told earlier.”
“It made me feel so many things.” The exasperation was evident in your voice.
He takes your hands this time and holds them tight. “I’ll make you feel even more things, I’m sure. But I will not let you forget that I will make you feel loved the most. Okay?”
You sigh. You love him. “I love you, Jun.”
“I love you, too.” He raises a hand to press a kiss on your knuckles.
“Also remind me to call building security. I must tell them to delete that footage from the stairwell.”
Jun gives you a quiet smile, one full of mischief. “Not without securing a copy first. For me. Please?”
“I thought we were professionals!”
“We could add professional rule-breakers to that title, you know.”
Hmm. You reconsider his request. Yep, you could definitely match his freak. Perfect chemistry.
✎﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏﹏
post a/n: inbox is open for requests or additions to taglists!
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lambmotifz · 22 hours ago
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I hate teenchesters, not teenchesters themselves but the weecest. HATE it, I just want them to have the relationship they had then — of course I like wincest but not weecest.
honestly i can’t take weecest seriously because there’s literally zero hints of such dynamic being a thing in canon. also it adds unnecessary sexual context to their relationship which takes most of the appeal of this ship away (the subtlety & metaphorical nature of their potential romantic/sexual dynamic)
as a side note, this is also part of why i don’t think we should label them as “switches” when it comes to the sexual part (i’ve noticed that most weecest enjoyers interpret sam and dean as strictly switches). IF they ever did have a sexual dynamic in canon, on screen, it’d be when they’re adults, and it’d mirror their non sexual dynamic, with all its nuances (dean’s desperate need to possess & control sam, sometimes punish him when he feels like he’s losing control over him, sam’s need to earn dean’s trust & approval, especially during s5, his willingness to offer himself for dean’s physical violence). you also have to keep in mind that dean practically raised sam and sees himself as his father and the one holding power over him (one of the reasons why the idea of romantic teenchesters feels unrealistic — they’ve never been lovers, their relationship has always been about unhealthy family dynamics and power imbalance, there’s really no need to make their pre series dynamic about sex with each other especially when there’s no such implication in canon), and he needs to keep that role in their relationship. he enjoys being a big brother in charge, the whole siren thing wasn’t just about him being attracted to sam (once again it’s shown indirectly: we can come to this conclusion because of how sexually charged the interaction between dean-sam-the siren was and the fact that all the sirens took a form of a lover) but also about him craving the ideal version of sam aka a submissive little brother who listens to him, looks up to him and lets him take the lead, so obviously it would make it’s way into their sexual dynamic too, which is why top!dean/bottom!sam would make perfect sense. the siren episode also heavily implies dean’s pining/desire for sam but it’s pretty much one-sided, which lessens the possibility of them being in some kind of long-term romantic relationship pre canon
also to be completely honest, it’s hard to imagine them having regular sex like normal couples, much less being in a serious sexual romantic relationship since childhood, because their dynamic isn’t inherently sexual (this is also the reason why weecest doesn’t work in the context of canon). the sexual subtext of their relationship is based on metaphors, the power imbalance that comes from the fact that dean raised sam, the canonical feminization of sam’s character, and dean’s obsessive possessiveness & desire to control him which sometimes makes him do pretty much fucked up things to sam without his consent (why sexual noncon is never really off the table). the subtle freudian subtext & metaphors surrounding their relationship is large part of the appeal of their unhealthy brotherly dynamic, and the idea of them being in an established romantic relationship pre canon definitely simplifies whatever they have between them
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the-tmnt-ficfinder · 2 days ago
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Christmas Kindness submission
To Qoldenskies,
I’ll straight up say it. You write my favourite Donnie angst out there. There’s the obvious masterpiece that is the Canary Continuity, and the horrifically underrated Coming Undone. Both are such visceral, heartbreaking experiences that I have enjoyed from start to finish. And Caged Lungs broke me down. Miner’s Eulogy was what shattered me, though, and Clipped Wings? What a RIDE. With each chapter you post, I can’t believe we’re getting closer to the END. Not the END. I don’t want it to end, but it’s gotta. We do need that promised happy ending.
Honestly, your interpretations of the characters? Especially Donnie? They’re so well thought-out and clever. There’s so many important layers to them and what drives them, and it all comes together SO WELL. You’ve definitely done your homework and put a lot of care into your stories. It shows.
What I also have to praise is how beautifully crafted the writing ITSELF is. The metaphors and parallels are so clever. You use them masterfully to paint a better picture of the characters and their struggles. It’s like you have two narratives running at once, sometimes, the obvious one, and the supporting one that explains so much. I don’t always catch that, since I’m not that smart, but I know it’s there. Commenters help me out by bringing attention to it. 
Emotions? Spot on. I feel so much, and the experiences are painted so viscerally that it’s hard not to feel along with the characters.
And I wanted to also bring up one more thing. I really like how you ‘distort’ and break up the dialogue when the characters are in distress. The stammering, the added words, (for examples, “I’m— I’m too muh-ch,” “something’s wro-wrohng, Raph and Leo are ouh-out—“ (cu) “I’ll d-do– I’ll do any-hhh-thing,” “I’ll– I’ll clean it up, I promi- hhh -se!” (cl)) really helps me HEAR how they’re talking. I’ve never seen stuttering or dragged-out words articulated so ‘as-said’— meaning, that is exactly the noises they’d be making if you heard them (particularly the shuddering of breath that accompanies then ‘hhh’, if that makes sense). This is probably my favourite little detail exclusive to your work. I absolutely love it. It’s such a small thing but it definitely enhances the reading experience.
Because I don’t want to leave out your ‘smaller’ fics, I wanted to say that I have read Circomvating Death, too. It definitely is a nice little refresher to all the angst (but I LOVE angst), and I’ve enjoyed the humorously chaotic adventures of Donnie and Casey Jr. Whenever you get back around to writing for that, I’ll look forward to seeing where they go next!
And Enhancements? Short but sweet pain. The idea of NO existing painkillers working on them makes a lot of of sense. The super-soldier piece is such a fun little concept to play around with, whether for badass purposes or whump. I also love seeing the concept referenced in your other stories. It works great as a little headcanon establishment. It doesn’t need to be a massive masterpiece to still be great.
I know you’re also planning Where We Went Wrong as a B-team sep AU, and I’m definitely looking forward to that and your bad things happen bingo prompts! I know all that’s in the right hands, and 
You have a lot of talent, and you deserve all the positive feedback, fan art, and fanfics you’ve gotten so far.
And I did read the post where you said that your family is too poor to celebrate Christmas, but I hope you can cherish the time you all have together regardless (and beat that Christmas Curse that’s plagued you for the past couple years). <3 Have a great one! Wishing you all the best.
@qoldenskies
Christmas Kindness Event Post
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tumblingxelian · 19 hours ago
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Just woke up, but I am going to throw my hat into the ring on this one and address the claims of one @rwbyuser24
I will start saying, well, isn't what the Wiki presents of her, truth? "Even then, his flaws are folded in to his (alleged) positive traits; he is not afraid, extremely loyal, and has genuinely good intentions, despite the fact that the show has now proven that Ironwood’s flaws greatly outweigh these."
Truth is a rather loaded term in this context, @faunusrights was highlighting that the framing of every trait and action Robyn has or takes is steeped in negative, hostile or inflammatory language. While in contrast, all of Ironwood's negative traits, which far and away are worse than anything Robyn displayed are downplayed to the point of nonexistence.
Hence opening the post by highlighting bias.
Let's consider that Ironwood have been for most of the part of show a hero. I guess that can influence. That and, isn't it truth what the wiki says about Ironwood? And even when his flaws end up outweighing his good traits, that was at the end of his life.
Robyn Hill was also a heroic figure from the moment of her introduction, this does not stop the steep bias against her.
I would also contest how much of a hero he was. Certainly he fought at the Fall of Beacon and that was heroic.
But he also used back-door politics to have Ozpin dismissed from his position. He was an ally to the already well established as villainous SDC. He then pulled out of Vale as soon as possible and when getting word of potential attacks on his allies (Mistral) withdrew all of his military support. & that's before we get into his blatant neglect and oppression, and exploitation of Mantle. All of which was on full display within the first episode of volume 7.
All compounded by the fact that Ironwood was a dictator the entire time.
"These writers love Robyn, and have explored and extrapolated on her character to marvellous degree. Yet, at no singular point have any of these flaws ever been written quite as strongly as the wiki implies they are, nor have I seen much evidence of them myself in the show." Well, I can think some works of fiction where Robyn shows negative traits. There was a rewrite by The-tired-bisexual-agenda who seems to be queer too. Anyway, the point is that since are fans, they probably are biased too. And about not seeing evidence of those traits in the show... Well, let's see about it!
You do a lot to remove the original post from its initial context, which makes hunting for what context surrounded these little snippets vexing. But to put it buntly, Faunusrights highlighted that the majority of creators in RWBY FNDM are women, or queer, or trans, and that she is by and large extremely popular in these circles.
Which is all true. One outlier doesn't actually amount to anything as a response and given "Rewrites" are easily the most creatively bereft, lifeless spittle of the HTDM, such a thing means even less.
As fuanusrights initially highlighted, there is a neutral voice that could be utilized to at least not blatantly misrepresent Robyn Hull while codding the dictator Ironwood, but they chose not to use it.
Now let's address the meat and potatoes of your post:
"Her brashness is blamed for the outcome, but in reality, this outcome could have been avoided together if Clover had not chosen to follow his orders and bring in an innocent man. " Well, Clover didn't initiate the fight. Clover said peacefully to Qrow that he was under arrest. And even Qrow said that they should wait till they arrive to Atlas to talk with Ironwood. Robyn initiated a fight in the manta. The problem isn't initiate the fight, the problem is the place. Is a closed space flying in the air. What if something end up happening and the ship falls? And even when it wasn't her fault, the fight end up resulting in the liberation of Tyrian. Again, she should have assumed that bad things were a risk. She could have wait till arriving to Atlas to talk to Ironwood or initiate the fight there instead of do that in a dangerous place.
You are blatantly and perhaps intentionally missing the point here that Clover is the most responsible for the fight by following a blatantly illegal and or immoral to arrest an innocent man.
Frankly, regardless of who "Started" the fight physically, by choosing to enact state violence on Qrow, Clover was 100% the person responsible for making things a fight.
He didn't need to obey a blatantly unreasonable or immoral order, he chose to, making a fight inevitable. & Qrow being willing to go along with it does not actually change that because, even if we ignore the fact letting someone walk themselves to the gallows on the assumption the judge will see reason is dumb.
The fact of the matter is Ironwood had just abandoned Robyn's city to die and was now arresting all opposition to his tyrannical and immoral reign. & Robyn is now trapped in an airship being flown to his fortress. This entire scenario is one of Ironwood and Clover's making, Robyn's not at fault for being stuck in a shit situation & trying to get out.
Talking to someone who just declared himself officially super dictator of Atlas, left her city to die, is arresting all opposition is an absurd stance. & beginning a fight on his island fortress surrounded by his military is somehow just as absurdly stupid.
I'm going to aside a little here with some insights from another essayist about this matter because there is something subtly sinister in your argument that you may not realize & I hope by outlining it, I will help:
How is arresting someone is somehow not a form of violence?
The answer is, it is a form of violence.
It’s merely considered an acceptable one because of the way it serves the state.
Whereas resisting arrest is considered an unacceptable form of violence, regardless of innocence.
In fact, overall, there is an acceptance in your post that state violence is natural and acceptable, regardless of circumstance or context.
That it is a neutral force, and not one enacted by choices.
I think this is the fundamental issue at play. It’s not necessarily about Robyn or Ironwood. It’s about whether the status quo is acceptable.
"Also, she didn’t crash the Manta! That was all Tyrian!" The article didn't say that she crashed the manta, it says that the fight initiated by her lead to that outcome.
Let's look at what the article said:
Her brashness led to Tyrian breaking free and crashing the Manta as well as her becoming unconscious.
Yeah no, I side with faunusrights here, this line treats Tyrian like some environmental factor, a force of nature, the culpability for the crash and its harm to Robyn is laid at her feet, despite her not being the one to crash the ship. Its rather like how left leaning people always get blamed for the actions of the right wing, evil is treated as a force of nature, rather than a personal choice these people make.
"Yet, the people who enjoy her and the Happy Huntresses often perceive those same flaws to a significantly lesser extent, or even see those flaws as actually being boons of her character; for instance, reading her alleged arrogance as passion." Again, also the fans are biased. About the arrogance, it's for celebrating her victory before time for example. She was so sure of her victory that she made a party, even Weiss and Ren point out how strange that was. There is also her saying: "Looks like he underestimated me. Again."
See, you acknowledge fan bias, but only in regards to Robyn while largely treating the far more baseless support for Ironwood's villainous actions as the reasonable stance across your essay.
Also you do know how elections work right? Like, literally, that is how they are always set up, all political parties in America and many other countries (My own included) do this. That's not arrogance, that's just how elections work. Add in that Jac had to cheat to win and she was right to be cocky.
... Ironwood chose to neglect Robyn in his arrest order, either forgetting her entirely, or assuming she'd obediently follow orders. So yes, he underestimated her.
"I have a suspicion it’s to do with her character at large; she’s a bold socialist politician who believes in equality and fairness for all, who refuses to stand for incompetence and obedience towards evil causes." Is she a socialist though? I mean, she believes in equality but I doubt she ever declared socialists ideals. I'm not sure either that the CRWBY is socialist, so I doubt that they wanted to present a socialist in such good focus.
Robyn Hills's exact political beliefs are admittedly not overtly stated. However she is very much presented as a counter culture, rebellious force against Atlas's hyper militaristic and capitalist system.
"Likely, I’d rephrase a lot of it to be less damaging to her character; she isn’t hostile, she holds people accountable." Except that she was willing to steal from the military truck even BEFORE losing the elections and Ironwood supposedly trying to kill her:
I like how you neglect the fact Ironwood was literally robbing Mantle. Those supplies were specifically for Mantle, as discussed by Robyn and confirmed by Clover in their discussion.
Robyn: Clover, I'm so glad you're here. Maybe you can help me understand why this truck that's supposed to be taking construction materials to fix Mantle's outer wall, is on its way to the middle of nowhere? Are you lost? Clover: (laughs) It's pretty easy to get turned around out here in the tundra, everything looks the same. Thanks for checking up on us though. We'll be on our way now.
If one wants to act like legality is the sum total of morality, then Robyn was actually in the right by trying to secure stolen goods and return them to their proper place, >:3c
"I think you've misjudged the situation. One way or another, these supplies are going to get where they're supposed to go - Mantle." And again, initiating a fight in the wrong place.
This is hardly the wrong place, the stolen supplies are right there and Mantle is in desperate need of them given Grimm are busting through the hole in the wall at all hours of the day and Ironwood has made it illegal for Mantle citizens to even own weapons to or defend themselves. As established in the opening of V7, even being an official Huntsmen does not allow one leniency in this.
"She isn’t quick to jump to conflict, she is familiar with how Atlas responds to anti-authority with violence. " That still doesn't mean that she isn't quick to jump to conflict. And how exactly was Atlas dealing to anti-authority with violence in the past? I mean, Atlas let opposition appear in both Atlas (Jacques) and Mantle (Robyn). All the people that were arrested were people responsible for crimes: Stealing a manta, throwing a brick to a military ship, initiating riots. It just now that Ironwood was arresting people who oppose him.
If Robyn were actually quick to jump to violence, then she'd have attacked despite Penny's presence, she'd have been outright hostile to Marrow, rather than mildly chiding, and she'd have started violent rebellion before the election even happened, which was something she explicitly discouraged her supporters from doing.
How is Atlas at responding to opposition? Oh right, makes it illegal for Mantle citizens to defend themselves, stomps all over democratic norms, steal private property and public goods, while leaving those same citizens out in the cold to be exposed to Grimm, while arresting them for defending themselves.
The Ace-Ops had zero idea RWBY and co stole the Manta because if they had actually known anything they'd have arrested Maria as well. They didn't it was just an excuse they came up with.
"She isn’t arrogant, she believes in the power of the people as being the right thing to fight for." Again, party and overestimating her capacities.
Again, that's how political parties & elections work, & Jac had to cheat to win. Its funny how you keep neglecting that second fact in particular. Almost like you believe it was a legitimate loss despite it being literally and canonically a stolen election.
"not a fan of Robyn not a fan of a new female character not a fan of a new female character in a position of power not a fan of a character with socialist/communist/antifa ideals all of the above and then some???" I guess that the first one. I mean, assume that someone doesn't like female characters due to the dislike to ONE female character... And again, when it was said that she is socialist/communist? And Antifa... maybe? I mean, Atlas was never fascist. Well, that would be all!
faunusrights was talking about the people who edit the wiki, the same people who slathered Ironwood's page in no end of debasing praise and re-framing of events to make them look good.
Their post was very specifically and explicitly talking about a blatant bias in the people who were in charge of the Wiki. People who had demonstrably been extremely biased against against Robyn, women, authority figures who were women that didn't genuflect to a male superior, and otherwise praised conservative and violent men like Ironwood.
So yeah, the opening line of faunusright's post remains apt:
what is going on with all the bias on robyn hill’s wiki page, anyway?
what is going on with all the bias on robyn hill’s wiki page, anyway? - an aside
As someone who uses the RWBY wiki with some degree of frequency - often because I’m looking for art references, or Semblance and weapon names - I’m used to… some amount of bias in the articles for different characters? Like, let’s be real, it’s not a perfect wiki! Community-maintained stuff isn’t easy to all keep on the same track! But, generally, it gives the facts well enough and doesn’t do too bad a job keeping all the balls in the air when it comes to new information from all four corners of this franchise.
Well, until you open the article for Robyn Hill, and realise it’s an absolute disaster. Like, really; the impartial voice just plain doesn’t exist for her, and almost all of her wiki is written in such a way that she reads as being an absolutely insufferable, hostile, hard-to-like character. Even if you aren’t a fan of Robyn personally, you have to admit that if you hadn’t seen the show yourself, you might very well come away from her article presuming she’s a major antagonist of Volumes 7 and 8.
Like, for instance, let’s take a look at the first paragraph of her Personality section:
Robyn has a direct and confident personality, having no trouble being confrontational with Atlas personnel, including the Ace Operatives. Robyn also seems to suffer from overconfidence and arrogance, shown in her encounters with Ruby and celebrating her election victory before it was verified. She is aggressive and hostile in nature, quickly jumping to conflict without thinking through consequences. However, she is also shown to be reasonable when the situation calls for it.
And, for good measure, here’s another paragraph from the same section:
In “With Friends Like These” Robyn displayed a rather impulsive side of her personality, when upon hearing that James Ironwood’s plan to abandon Mantle and arrest those against him, she started a fight between herself, Clover Ebi, and Qrow Branwen onboard a Manta with Tyrian Callows in custody. Despite the fact, there was no order or her arrest. Her brashness led to Tyrian breaking free and crashing the Manta as well as her becoming unconscious.
(Taken from Robyn’s RWBY Wiki page. Bolding is mine.)
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